Response to the book was positive and recognised the value of Timby's contribution to the literature on lenticular imagery which in comparison to the history and analysis of other 3D technologies had received little attention. Teaching Alongside the research affiliation with the EHESS where she was also in charge of a postgraduate seminar, Timby was a professor at the Paris College of Art from January 2010 to the end of 2012, and is currently, since 2005, professor responsible for the École du Louvre's intensive 3-year History of Photography survey course. Bibliography Books 3D and Animated Lenticular Photography: Between Utopia and Entertainment (Berlin: De Gruyter, 2015 ) Chapters in books Face à la couleur : une histoire en creux du noir et blanc, in “The Colors of Black-and-White Photography,” in The Colors of Photography (forthcoming, Berlin: De Gruyter, 2019). “Photography, Cinema, and Perceptual Realism in the Nineteenth Century,” in Simone Natale and Nicoletta Leonardi, eds., Photography and Other Media in the Nineteenth Century: Towards an Integrated History (University Park: Penn State University Press, 2018), 176–190. “Faire ‘plus beau que nature’ : la construction culturelle des illusions stéréoscopiques en photographie,” in Miguel Almiron, Esther Jacopin and Giusy Pisano, eds., Stéréoscopie et Illusion. Archéologie et pratiques contemporaines: photographie, cinéma, arts numériques (Villeneuve-d’Ascq: Presses universitaires du Septentrion, 2018), 141–155. “Look at those Lollipops! Integrating Color into News Pictures,” in Vanessa Schwartz and Jason Hill, eds., Getting the Picture. The History and Visual Culture of the News (London: Bloomsbury, 2015), 236–43. “Photographies d’amitié. De l’usage collectif du photomaton,” coauthored with Nora Mathys, in Clément Chéroux and Sam Stourdze, eds., Derrière le rideau. L’esthétique du photomaton (Arles: Photosynthèses, 2012), 273–281. “Cinema in a Single Photo: the Animated Screen Portrait of the 1910s,” in Olivier Lugon and Laurent Guido, eds., Between Still and Moving Images: Photography and Cinema in the 20th Century (New Barnet, UK: John Libbey Publishing, 2012), 97–111. “Le cinéma dans une seule photo: le portrait animé des années 1910,” in Olivier Lugon and Laurent Guido, eds., Fixe/Animé. Croisements de la photographie et du cinéma au XXe siècle (Lausanne: Éditions L’Âge d’Homme, 2010), 117–31. Paris in 3D, from Stereoscopy to Virtual Reality, 1850–2000. French edition: Paris en 3D, de la stéréoscopie à la réalité virtuelle, 1850–2000 (London/Paris: Booth-Clibborn/Paris-Musées, 2000). Co-editor with Françoise Reynaud and Catherine Tambrun. “The Inventors of 3D Photography in France. Patents 1852–1922.” In F. Reynaud, C. Tambrun et K. Timby (eds.), Paris