"body, always with the left side over the right (except when dressing the dead for burial) and are secured by a sash called an ""obi"", which is tied at the back. Kimono are generally worn with traditional footwear (especially ""zōri"" or ""geta"") and split-toe socks (""tabi""). Today, kimono are most often worn by women, particularly on special occasions. Traditionally, unmarried women wore a style of kimono called ""furisode"", with almost floor-length sleeves, on special occasions. A few older women and even fewer men still wear the kimono on a daily basis. Men wear the kimono most often at weddings, tea"
"bolt of fabric called a tan. Tan come in standard dimensions, and the entire bolt is used to make one kimono. The finished kimono consists of four main strips of fabric—two panels covering the body and two panels forming the sleeves—with additional smaller strips forming the narrow front panels and collar. Kimono fabrics are frequently hand-made and -decorated. Kimonos are worn with sashes called obi, which hold it in place and keep the front closed. Obi serve this practical function and are aesthetically pleasing. Obi are about 13 feet long and 12 inches wide. There are two types: fukuro-obi, which"
"Inrō An (plural the same) is a traditional Japanese case for holding small objects, suspended from the obi (sash) worn around the waist. They are often highly decorated, in a variety of materials and techniques, in particular often using lacquer. Because traditional Japanese robes lacked pockets, objects were often carried by hanging them from the obi in containers known as ""sagemono"" (a Japanese generic term for a hanging object attached to a sash). Most sagemono were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as inrō was suitable for carrying anything small."
"Kimono The is a traditional Japanese garment. ""Kimono"" was basically derived from the Chinese ""hanfu"" of the Wu region in Jiangnan, China. ""Kimono"" (""ki"": wear + ""mono"": object = ""worn object"", ""object that is worn"") means ""garment"" and has come to denote these full-length, usually robes. The standard English plural is ""kimonos"", but the unmarked Japanese plural ""kimono"" is also used. Kimonos are often worn for important festivals or formal occasions as formal clothing. Kimono have T-shaped, Dambi-straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimono are wrapped around the"
"it is generally less expensive than ""arai hari"" but may be impossible for certain fabrics or dyes. Kimono The is a traditional Japanese garment. ""Kimono"" was basically derived from the Chinese ""hanfu"" of the Wu region in Jiangnan, China. ""Kimono"" (""ki"": wear + ""mono"": object = ""worn object"", ""object that is worn"") means ""garment"" and has come to denote these full-length, usually robes. The standard English plural is ""kimonos"", but the unmarked Japanese plural ""kimono"" is also used. Kimonos are often worn for important festivals or formal occasions as formal clothing. Kimono have T-shaped, Dambi-straight-lined robes worn so that the"
"ornamental fittings housed in a plain mount, formerly carried by men and women of the samurai class in Japan. It was useful for self-defense indoors where the long ""katana"" and intermediate ""wakizashi"" were inconvenient. Women carried them in their kimono either in a pocket like fold or in the sleeve for self-defense or for suicide by means of slashing the jugular veins and carotid artery in the left side of the neck. is the Japanese term for a scabbard, and specifically refers to the scabbard for a sword or knife. The saya of a koshirae are normally manufactured from very"
"Netsuke Traditional Japanese garments—robes called ""kosode"" and ""kimono""—had no pockets; however, men who wore them needed a place to store their personal belongings, such as pipes, tobacco, money, seals, or medicines. Their solution was to place such objects in containers (called ""sagemono"") hung by cords from the robes' sashes (""obi""). The containers may have been pouches or small woven baskets, but the most popular were beautifully crafted boxes (""inrō""), which were held shut by ""ojime"", which were sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was"
"used to decorate inro made of other materials. Inrō, like the ojime and netsuke they were associated with, evolved over time from strictly utilitarian articles into objects of high art and immense craftsmanship. Inrō An (plural the same) is a traditional Japanese case for holding small objects, suspended from the obi (sash) worn around the waist. They are often highly decorated, in a variety of materials and techniques, in particular often using lacquer. Because traditional Japanese robes lacked pockets, objects were often carried by hanging them from the obi in containers known as ""sagemono"" (a Japanese generic term for a"
"tied up beneath the obi with a wide cloth ribbon called ""shigoki obi"". Contemporary kimono are made similarly over-long, but the hems are not allowed to trail; the excess cloth is tied up to hips, forming a fold called ""ohashori"". Shigoki obi are still used, but only in decorative purposes. The most formal of obi are about to become obsolete. The heavy and long ""maru obi"" is nowadays used only by maiko and brides as a part of their wedding outfit. The lighter ""fukuro obi"" has taken the place of maru obi. The originally everyday ""Nagoya obi"" is the most"
"to a foot (30 cm). ""Hachi"" means eight, which in this case represents a measure of eight-tenths of a ""shaku"". True ""shakuhachi"" are made of bamboo and can be very expensive. Komusō wore a ""tengai"" or ""tengui"" (天蓋), a woven straw hat or ""kasa"" which completely covered their head like an overturned basket or a kind of woven beehive. The idea was that by wearing such a hat they removed their ego. What the hat also did was remove their identity from prying eyes. Further, the government granted the komusō the rare privilege to freely travel the country without hindrance—playing"
"Daishō The —literally ""big-little""—is a Japanese term for a matched pair of traditionally made Japanese swords worn by the samurai class in feudal Japan. The etymology of the word ""daishō"" becomes apparent when the terms ""daitō"", meaning long sword, and ""shōtō"", meaning short sword, are used; daitō"" + shōtō"" = ""daishō"". A ""daishō"" is typically depicted as a katana and wakizashi mounted in matching but originally the ""daishō"" was the wearing of any long and short uchigatana together. The ""katana/wakizashi"" pairing is not the only ""daishō"" combination as generally any longer sword paired with a tantō is considered to be"
"Sash A sash is a large and usually colorful ribbon or band of material worn around the body, draping from one shoulder to the opposing hip, or else running around the waist. The sash around the waist may be worn in daily attire, but the sash from shoulder to hip is worn on ceremonial occasions only. Ceremonial sashes are also found in a V-shaped format, draping from both shoulders to the stomach like a large necklace. In Latin America and some countries of Africa, a special presidential sash indicates a president's authority. In France and Italy, sashes, featuring the national"
"x 91 x 10"" ""Sewn Kimono"" Wire mesh, sewing needles, metallic thread, aluminum rod. 66 x 72 x 4"" ""Sakura Kimono"" Wire mesh, embroidery thread, branch, cherry tree leaves 66 x 75 x 10"" ""Flag Kimono"" Wire mesh, thread, paint, aluminum rod 93 x 72 x 6"" ""Formstone Roehouse Fish"" Fiberglass fish, Formstone bricks, clay, paint, metal chair, plastic flowers. 36 x 72 x 18"" Installations ""Relics from Camp"" ""And the Bride Wore…."" ""Deru Kugi Wa Utareru: The Nail That Sticks Up The Farthest Takes The Most Pounding"" ""Issei, Nisei, Sansei…"" Kristine Aono Kristine Yuki Aono (born 1960) is an"
"paper and a fiber crop. There is archaeological evidence cannabis was used for clothing and the seeds were eaten in Japan back to the Jōmon period (10,000 to 300 BC). Many Kimono designs portray hemp, or ""asa"" (), as a beautiful plant. In 1948, marijuana was restricted as a narcotic drug. The ban on marijuana imposed by the United States authorities was alien to Japanese culture, as the drug had never been widely used in Japan before. Though these laws against marijuana are some of the world's strictest, allowing five years imprisonment for possession of the drug, they exempt hemp"
"Katana Historically, were one of the traditionally made that were used by the ""samurai"" of ancient and feudal Japan. The ""katana"" is characterized by its distinctive appearance: a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. """"Katana"""" is the term now used to describe the family of swords known as ""nihontō"" that are 2 ""shaku"", approximately in length, or longer. ""Katana"" can also be known as ""dai"" or ""daitō"" among Western sword enthusiasts although ""daitō"" is a generic name for any Japanese long sword, literally meaning ""big sword"". As Japanese does not"
"Kumihimo ""Kumihimo"" cord was first created by a form of finger-loop braiding. Later tools such as the ""marudai"" and the ""takadai"" were employed to make more complex braids in shorter time. The most prominent historical use of the cords was by samurai as both a functional and decorative way to lace their lamellar armour and their horses' armor (barding). ""Kumihimo"" cords are now used as ties on ""haori"" jackets and ""obijime"", which are used for tying on an ""obi"" (""kimono"" sash). A modern ""kumihimo"" disc made of firm but flexible foam plastic with notches can also be used as a"
"Shichi-go-san, which is a celebration for children. Kimonos are matched with seasons. Awase (lined) kimonos, made of silk, wool, or synthetic fabrics, are worn during the cooler months. During these months, kimonos with more rustic colors and patterns (like russet leaves), and kimonos with darker colors and multiple layers, are favored. Light, cotton yukata are worn by men and women during the spring and summer months. In the warmer weather months, vibrant colors and floral designs (like cherry blossoms) are common. Up until the fifteenth century kimonos were made of hemp or linen, and they were made with multiple layers"
"nor does it ride high on the head like a samurai's traveling hat. It is simply a big hat that covers the upper half to two thirds of the face, thereby helping to mask the identity of the monk and allowing him to travel undistracted by sights around him on his journey. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of ""jingasa"" made from iron, copper, wood, paper, bamboo, or leather. ""Kasa"" shares its etymology with the Japanese word for ""umbrella"" (which is also pronounced ""kasa"", but written 傘). Also known"
"a complete outfit called a ""kamishimo"" (上下 or 裃). Worn by samurai and courtiers during the Edo period, the outfit included a formal kimono, hakama, and a sleeveless jacket with exaggerated shoulders called a ""kataginu"". Samurai visiting the shōgun and other high-ranking ""daimyōs"" at court were sometimes required to wear very long hakama called ""naga-bakama"" (long hakama). These resemble normal hakama in every way except their remarkable length in both the back ""and"" front, forming a train one or two feet long and impeding the ability to walk normally, thus helping to prevent a surprise attack or assassination attempt (see"
"lowered. Kimono textiles can to be classified into two categories: Gofuku(呉服), which indicates silk textiles in general, for luxuries and cotton/hemp Futomono(太物) for everyday wear. Gofuku was named after 呉 (Wú) in ancient China, where the technology of silk fabrics originated from. Cotton clothing is called Momenfuku (木綿服) whereas hemp clothing is called Asafuku (麻服) in Japanese. Cotton/hemp fabrics are generally called as Futomono (太物, Thick materials) as the fiber of these materials are thicker compared to that of silk. Till the end of the Edo period, tailoring of these fabrics were handled respectively at Gofuku store (Gofuku Dana) and"
"Mawashi In sumo, a is the belt (loincloth) that the ""rikishi"" (or sumo wrestler) wears during training or in competition. Upper ranked professional wrestlers wear a keshō-mawashi (see below) as part of the ring entry ceremony or ""dohyō-iri"". For top ranked professional ""rikishi"", it is made of silk and comes in a variety of colours. It is approximately in length when unwrapped, about two feet wide and weighs about . It is wrapped several times around the ""rikishi"" and fastened in the back by a large knot. A series of matching colour, stiffened silk fronds, called ""sagari"" are inserted into"
"rikishi may be given many of these ""keshō-mawashi"". ""Yokozuna"" have matching sets of three ""keshō-mawashi"", with two being worn by his wrestler ""assistants"" (his ""tachimochi"" and ""tsuyuharai"") during his ring entrance ceremony. In the Edo period the ""keshō-mawashi"" also served as the wrestler's fighting ""mawashi"". However, as the aprons become more ornate, eventually the two functions were split apart. In this period wrestlers were normally sponsored by feudal ""daimyō"" or overlords, whose clan crest would therefore appear on the ""keshō-mawashi"". Mawashi In sumo, a is the belt (loincloth) that the ""rikishi"" (or sumo wrestler) wears during training or in competition."
"that became popular in the mid–Edo period (18th century) was called the Tōrōbin Shimada. It featured wide wings at the side and is often seen in ukiyo-e prints by artists such as Utamaro. The name means ""Lantern Shimada"", and is said to refer to the way that the background can be seen through the wings on the sides, like scenery seen through a tōrō lantern. Shimada (hairstyle) The shimada (島田) is a women's hairstyle in Japan, similar to a chignon. Its modern usage is mainly limited to geisha (wearing it as a wig), but during the Edo period it was"
"with the left side covering the right, and then tied with an obi. (It is important to not tie the kimono with the right side covering the left because this signifies the dressing of a corpse for burial.) When the kimono is worn outside, zori sandals are traditionally worn on the feet. There are types of kimonos that are worn for different occasions and seasons. Women typically wear kimonos when they attend traditional arts, such as a tea ceremonies or ikebana classes. Girls and young single women wear furisode: a colorful style of kimono with long sleeves that are tied"
"Sashimono Sashimono (指物, 差物, 挿物) were small banners historically worn by soldiers in feudal Japan, for identification during battles. Sashimono poles were attached to the backs of the chest armor (""dō"") by . Sashimono were worn both by foot soldiers - including common soldiers, known as ""ashigaru"", as well as the elite samurai - and in special holders on the horses of some cavalry soldiers. The banners, resembling small flags and bearing clan symbols, were most prominent during the ""Sengoku period""—a long period of civil war in Japan from the middle 15th to early 17th century. Given the great variety"
"is measured. Maximum diameter of the ""tsuba"" is 9cm. ""Shinai"" are weighed complete with leather fittings, but without ""tsuba"" or ""tsuba-dome"". The full length is measured. Maximum diameter of the ""tsuba"" is 9cm. The ancestor of the modern kendo ""shinai"" is the , which is still in use in koryū kenjutsu. This is a length of bamboo, split multiple times on one end, and covered by a leather sleeve. This explains the name ""fukuro"", which means bag, sack or pouch. Sometimes the older and rarer kanji tō (韜) is used, but has the same meaning as fukuro. Some schools cover"
"clients and in the complex traditions surrounding selecting and wearing kimono, a floor length silk robe embroidered with intricate designs which is held together by a sash at the waist which is called an obi. In modern Japan, geisha and their apprentices are now a rare sight outside ""hanamachi"" or . In the 1920s, there were over 80,000 geisha in Japan, but today, there are far fewer. Most common sightings are of tourists who pay a fee to be dressed up as a maiko. A sluggish economy, declining interest in the traditional arts, the exclusive nature of the flower and"
"Tomesode Originally, there was a custom that the long sleeves of the Furisode were shortened after marriage, thereby creating Tomesode. This was because the long swinging sleeves would be impractical when the married woman worked in the kitchen. The word ""Tomesode"" itself consists of two kanji meaning ""to fasten"" (留) and ""sleeve"" (袖）. Tomesode distinguishes itself from other kimono by only having patterns under the waistline. It has five or sometimes three family crests, or kamon, which indicates the formality of the kimono. Kuro-Tomesode (black Tomesode) are often worn for wedding ceremonies by married female relatives of the bride or"
"his , quotes a newspaper article regarding the ""kanko"", in which it is a tiny, mouse-sized creature which hails from Shinano Province. It is named for its tail, which is like a pipe cut in half. It can be tamed and kept in a pocket or sleeve, and uses its supernatural power to seek out assorted information which it then whispers to its master. A person who keeps it is thus able to see into both the past and future. Whereas, a drawing by Matsura Seizan in the early/mid-nineteenth century, depicts a kuda-gitsune that greatly resembles the masked palm civet."
"was kept straight and long, and adopted coiffured ""nihongami"" hairstyles. Kanzashi came into wide use during the Edo period when artisans began to produce more finely crafted products. Some believe they may also have been used for defence in an emergency. Nowadays, kanzashi are most often worn by brides and professional kimono wearers such as geisha, tayu and yujo or adepts in Japanese tea ceremony and ikebana. However, there is currently a revival among young Japanese women who wish to add an elegant touch to their business suit. Kanzashi are fabricated from a wide range of materials such as lacquered"
"along with others in its vicinity such as Shōdo and and in the Naruto Strait, constituted a remarkable dialect sprachbund (an area where dialects share linguistic features, in this case vocabulary, because of extensive contact despite not necessarily being closely related). For standard ""takenoko-gasa"" (a type of conical hat made from weaving together bamboo sheaths, lit. ""bamboo shoot.hat""), we find words such as ""taiko-gasa"" and ""taiko-bachi"" disseminated throughout the Seto, and the word ""chinchiro"" (""pinecone"") for standard ""matsukasa"", pervasive in mainland Kansai, has also spread to Awaji and the islands in the open sea around the Naruto. Under the influence"
"(Zurich), the Edward Thorpe Gallery in New York City, and the St. Louis Art Museum have mounted exhibits that have included propaganda kimonos, and the Boston Museum of Fine Arts has received a significant donation of wartime and other omoshirogara kimonos from an American collector. Propaganda kimono Kimono that carried designs depicting scenes from contemporary life became popular in Japan between 1900 and 1945. Such designs are now known as ""omoshirogara"" (面白柄) — literally, “interesting” or “novelty” designs. They include traditional Japanese apparel worn by men, women and children, including nagajuban (underkimono); haori (jackets worn over kimono); haura (decorative inner"
"Furisode A is a style of ""kimono"" distinguishable by its long sleeves, which range in length from 85 centimeters for a ""kofurisode"" (小振袖) to 114 centimeters for an ""ōfurisode"" (大振袖). The sleeves are attached to the body of the kimono only for a short distance; the inner edge is open for the rest of its length, allowing the lining to show on the inner edge (or both, if the sleeve is left open on the outer edge as well). Furisode are the most formal style of kimono worn by young unmarried women in Japan. The furisode is made of very"