"Nice One Cyril ""Nice One Cyril"" is a single by Cockerel Chorus written by Harold Spiro and Helen Clarke. The song title is a reference to Cyril Knowles, a left back who played for Tottenham Hotspur. It was released before the 1973 Football League Cup Final where Tottenham played Norwich City. It reached No. 14 on the British single chart after Tottenham won, and its writers Spiro and Clarke received an Ivor Novello Award for Best Novel or Unusual Song in 1974. In 1972, Wonderloaf Bread created a television advertising campaign written by Peter Mayle with the slogan ""Nice one,"
"but limited to those named Cyril or similar; the refrain of the song ""Nice one Cyril, nice one son"" was used as a tribute to another footballer Cyrille Regis in 2018. The ""Nice on Cyril"" chant used by Tottenham fans for Cyril Knowles is also used for another Tottenham player Son Heung-min, reworded as ""Nice one, Sonny, nice one Son / Nice one, Sonny, let’s have another one."" Nice One Cyril ""Nice One Cyril"" is a single by Cockerel Chorus written by Harold Spiro and Helen Clarke. The song title is a reference to Cyril Knowles, a left back who"
"the opening operatic part. The song was released before the League Cup Final, and entered the chart at No. 43 on 24 February 1973. It peaked at No. 14 a month later after Tottenham won the League Cup 1–0 against Norwich on 3 March 1973. Due to the popularity of the TV slogan and the song, ""Nice one Cyril"" became a popular catchphrase in the 1970s used to praise someone. In Cockney rhyming slang it was adopted to mean ""squirrel"", and it was the title of the autobiography of Cyril Fletcher, The phrase continued to be used in later decades,"
"promoting anti-gay stereotypes. The ad features 2 teenage girls preparing for Prom, when one discovers a pimple. The pimple, which is shown as an effeminate man with a shrieking voice in a pink ruffled suit who punctuates his words with a flamboyant kick before flipping his hair back and settling into a pointed toe pose. But an application of Clearasil kills it, and their prom dates are saved. Clearasil Clearasil is an American brand of skin care and acne medication, whose products contain chiefly benzoyl peroxide, sulfur & resorcinol, triclosan, or salicylic acid as active ingredients. Clearasil has a wide"
"Nice 'n Easy (hair coloring) Nice ’n Easy is a shampoo-in permanent hair-colouring product for home use. It was introduced in 1965, billed as the first shampoo-in hair colour, with the advertising tagline, “The closer he gets...the better you look.” Manufactured by Clairol (now a division of Procter & Gamble), Nice ’n Easy extended the company’s home hair colour product lines, which debuted in 1956 with Miss Clairol Hair Colour Bath and the famous “Does she...or doesn’t she?” advertising campaign. In the 1950s, just 7% of American women used hair color (or admitted to doing so), at a time when"
"position its brand. The campaign featured a fictitious brand of beer called ""Schludwiller"" beer. A series of popular television commercials depicted Schludwiller as a beer brewed by the ""California-Eastern Brewing Co."" in California. In one of the ads, a ""border patrolman"" played by actor Dick Curtis asked Earl and Vern (the drivers of the Schludwiller Beer truck) ""Well now…where you fellas going with all that beer?"" Schludwiller came complete with its own motto in Latin: ""Quod Nesciunt Sibi Damno Non Erit"" (roughly: ""What they don't know won't hurt them""). The Henry Weinhard's brand, repositioned as a quality microbrew, was able"
"the common belief was that only actresses, models and other women considered promiscuous altered their natural shade. To help change that attitude, Clairol eschewed celebrities in favor of the average woman for its Miss Clairol and Nice ’n Easy hair color campaigns. The idea to buck the trend of that era’s advertising style — which emphasized high glamour rather than girl-next-door vignettes — was the brainchild of lead copywriter Shirley Polykoff, whose work on the Clairol hair color campaign was a career high point. In her original memo to Clairol, Polykoff, who was inducted into the Advertising Hall of Fame"
"a Sweet” in 1928. The print advertisement was disseminated by Edward Bernays throughout the fashion industry in numerous fashion magazines and daily newspapers featuring slender Parisian models and proclaiming the dangers of sugar consumption. Famously, Amelia Earhart would also serve as a spokeswoman for the “Reach for a Lucky” campaign. Early on, the print advertisements simply featured an attractive woman with any of the variations of the slogan above or underneath her, accompanied by a rendering of the Lucky Strike Box. Later, the advertisements would make a more pointed statement about weight gain, featuring either a man or a woman"
"taken over as the company's primary discount brand. R.J. Reynolds made various poster adverts to promote the Doral brand. Magazine advertisements were done in comic strip format; a memorable example had a lion tamer worried about what his Doral pack sang. Doral's current slogan is """"Premium Taste, Guaranteed"""". An early slogan was ""Taste me!"" done with female voices on broadcast commercials. This was lampooned by George Carlin in his 1972 stand-up bit """"Sex in Commercials"""". R.J. Reynolds also printed cigarette cards for Doral during the years 2000-2001. In 1972 and 1973, Doral was a sponsor of the NASTAR skiing competition"
"of lung cancer. F. William Free F. William Free (August 28, 1928 – January 1, 2003) was an American advertising executive. He is best remembered for the controversial 1971 advertising slogan for National Airlines, ""I'm Cheryl – Fly Me."" He began his advertising career in 1950 as a junior art director at N. W. Ayer & Son in Philadelphia. After working as an art director for J. Walter Thompson in London and Foote, Cone & Belding in New York, he became creative director of the Marschalk Company in 1959. During his time at Marschalk, Free introduced New York to the"
"you some soap"", and finally Australian captain Ricky Ponting descending the steps of a cricket ground stating, ""And we've been waiting all year"". This ad also culminates in a bikini-clad Bingle asking ""So where the bloody hell are you?"" on the Sydney Cricket Ground, holding a cricket bat and wearing nothing but a green and gold bikini, white shoes, and leg pads. A coda is then provided by Richie Benaud saying ""Marvellous"". On 6 December 2006, News Limited newspapers around Australia drew attention to the campaign's shortcomings. The A$180 million campaign had hoped to attract visitors to Australia from Japan,"
"television advertising campaign by Publicis shot in France, featuring the two main characters of Nicole (played by Estelle Skornik) and Papa. From 1991 to 1993, trim levels were identical in every European country. Starting in 1993, trim levels designations became more varied across the various markets. The car was sold as the Renault Lutecia (from ""Lutetia"", the Latin name for Paris) in Japan, as ""Clio"" was used there by Honda for one of their domestic marketing networks. In 1993, Renault launched the Clio Williams as a limited edition of 3,800 cars (1,300 more than they needed for homologation purposes) with"
"under the slogan ""99 and 44/100% pure"". The Mitchell brothers saw a publicity opportunity, and distributed press releases describing Chambers as ""99 and 44/100's % ""impure"". After the release of the movie, the advertising industry was scandalized, and Procter & Gamble recalled all Ivory Snow products and advertising materials featuring her, unintentionally adding to the movie's hype. The staid Procter & Gamble subsequently required of all of their advertising agencies that they thoroughly screen the background of any female model employed for print advertisements or commercials. That Chambers's image was so well known from Ivory Snow boosted the film's ticket"
"such as this one: The advertisements featured slogans such as ""Better than a Vacation"" and ""A Different Food for Indifferent Appetites."" Other verses included: and This last rhyme became a familiar catchphrase. Also used was the slogan ""When skies are grey and times are grim, wake up and smile with Sunny Jim"", which appeared on advertising coins. The campaign was wildly successful at promoting the character of Sunny Jim. ""Printer's Ink"" stated September 17, 1902 that ""No current novel or play is so universally popular. He is as well-known as President Roosevelt or J. Pierpont Morgan."" However, the cereal company"
"sway public opinion into backing the United States's entry into World War I, and later World War II. Another promotion was ""Old Joe,"" a circus camel driven through towns used to attract attention and distribute free cigarettes. The brand's slogan, used for decades, was ""I'd walk a mile for a Camel!"" The iconic style of Camel is the original unfiltered cigarette sold in a soft pack, known as Camel Straights or Regulars. Its popularity peaked through the brand's use by famous personalities such as news broadcaster Edward R. Murrow, whose usage of them was so heavy and so public that"
"an advertising agency and started the firm in 1972, where their first client was the American Jewish Committee. The firm won many accounts, including Florida Power & Light, the National Education Association, Humana, Steinway & Sons, Paramount Pictures, the National Organization for Women and Knight-Ridder. The firm also did iconic (and controversial) campaigns for the State of Florida, with the slogan ""Florida. The rules are different here."" being interpreted as encouraging lawbreaking. She also developed tourism campaigns for Miami that said ""Miami. See It Like a Native"", a poster of a woman from behind wearing only snorkeling gear and a"
"the board of PENCIL, creating an ad every year that is featured in ""The New York Times"". Kay is a life member of The Art Students League of New York, and served for eight years as a consultant to the New York Philharmonic's marketing board. Allen Kay Allen Steven Kay (born November 25, 1945) is an American advertising executive and entrepreneur. He created the iconic Xerox advertisement, featuring a monk named Brother Dominic, which aired during the 1976 Super Bowl. Kay is also known for his ""See Something Say Something"" advertising campaign for The New York Metropolitan Transportation Authority. Kay"
"70% of all adult women were coloring their hair, and Clairol's sales increased fourfold. In 1967, Polykoff was inducted into the Advertising Hall of Fame. The company's ""If I've only one life to live, let me live it as a blonde"" slogan was recorded for the ad campaign by actress Rosemary Rice. The company achieved notoriety in the late 1990s and early 2000s for its ads for Clairol Herbal Essences shampoo. Said as ""a totally organic experience"", the ads often featured women washing their hair and making sounds similar to those of someone having an orgasm. Clairol continued to market"
"sales-and-service staff made calls on local stations in order to help them promote Ziv programs (both radio and television) with support materials such as ""posters, brochures, promotional kits and ad slicks"". The goal was to present ""one slogan, one point of view."" Success was enhanced by Ziv salesmen's never trying to sell more than one program at a time to a station and their willingness to help stations find sponsors after a program was sold. Stars of Ziv programs also contributed their own efforts to support, such as when Adolphe Menjou, star of the television version of ""Favorite Story"", traveled"
"F. William Free F. William Free (August 28, 1928 – January 1, 2003) was an American advertising executive. He is best remembered for the controversial 1971 advertising slogan for National Airlines, ""I'm Cheryl – Fly Me."" He began his advertising career in 1950 as a junior art director at N. W. Ayer & Son in Philadelphia. After working as an art director for J. Walter Thompson in London and Foote, Cone & Belding in New York, he became creative director of the Marschalk Company in 1959. During his time at Marschalk, Free introduced New York to the first soda brands"
"the suit was filed. Brown & Williamson made various magazine and print adverts to promote the Barclay brand since its launch in 1980. The ads showed a man with a classy tuxedo suit with a Barclay cigarette in his mouth with the slogan """"The pleasure is back"""" underneath. The slogan """"99% tar free"""" was also present, but eventually had to be removed after the FTC filed a complaint that the claim was misleading. Barclay sponsored various Formula 1 teams in the 1980s and 1990s. Barclay sponsored the Arrows F1 team in and . The brand was displayed on the front"
"dates back to 1965, and has been used since then as a means to market the product to Jews and non-Jews as a superior product. Some of the campaign's earliest television advertisements, created by Scali, McCabe, Sloves in 1972, featured Uncle Sam preparing to consume a hot dog that includes the additives and fillers permitted under federal regulations, while an ethereal narrator states that Hebrew National can't, panning up to the heavens and stating because ""we answer to a higher authority"", and appeared sporadically for nearly two decades. A 1992 revision featured a supposed competitor named ""Frank Wiener"" who must"
"for satiric stories on the race. Meyers was, of course, happy to have the publicity. The ""Times"" trumpeted Meyers entry into the race with an eight-column page one headline, and gave him daily coverage. Meyers chose the meaningless campaign slogan ""Watch 'er Click with Vic"". He drove a beer wagon around town—this in the midst of Prohibition—with his band playing ""Happy Days Are Here Again""; he started out campaigning in shirt sleeves, to prove he was not a representative of the vested interests; later he campaigned in a tuxedo, silk scarf, top hat, velvet-lapeled overcoat, and kid gloves. His speeches"
"a diner in Lancaster County, Pennsylvania and a Uniroyal gal in a skirt or bikini were among the many variants. Thousands of the oversize figures would be deployed in a little over a decade at a typical cost of $1000-$2800 each. Some would be customised as promotions of individual roadside businesses on the US Highway system. Many were created to advertise franchise and chain brands, such as the Enco and Humble tigers and the Philips Petroleum cowboys. A novelty fibreglass dinosaur figure was most often seen promoting Sinclair Oil stations, but also appeared at various miniature golf courses. When businesses"
"looking people. This advertisement campaign originally had doubters, yet quickly these doubts were taken away when sales exploded. The ads made many in the middle and lower class want to go out to buy Bull Durham in order to emulate the upper class. The campaign was tremendously successful, using the desire for a better life to boost sales. In addition to slogans the Blackwell Company used promotions to increase sales of Bull Durham Tobacco. One promotion Blackwell ran gave soap to the merchants that sold their product. The company offered a bar of soap for each pound of tobacco a"
"performed by Barry Manilow. By 1976 KFC was one of the largest advertisers in the US. Young & Rubicam (Y&R) was KFC's agency of record in the US from 1976 until December 2000. The tagline from 1976 to 1981 was: ""It's nice to feel so good about a meal"". It was chosen because KFC had identified consumer guilt as its core marketing obstacle. Meanwhile, KFC hired the Mingo-Jones agency to target African American audiences. Mingo-Jones coined the ""We do chicken right"" slogan, which was later adopted across the whole chain from 1981 until 1991. From 1991 to 1994, the television"
"a series of commercials used colourised and digitally enhanced clips of Hepburn in ""Roman Holiday"" to advertise Kirin black tea. In the United States, Hepburn was featured in a 2006 Gap commercial which used clips of her dancing from ""Funny Face"", set to AC/DC's ""Back in Black"", with the tagline ""It's Back – The Skinny Black Pant"". To celebrate its ""Keep it Simple"" campaign, the Gap made a sizeable donation to the Audrey Hepburn Children's Fund. In 2012, Hepburn was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most"
"wide selection of products. This slogan was retired in 2003, to be replaced with ""That was easy"". Expanding on that theme, 2005 adverts featured a large red push-button marked ""easy"". In the United Kingdom, Staples had used the slogan “You want it. We've got it”; this changed to ""That was Easy"". Originally, the ""Easy Button"" was only intended to be a fictitious button with 'magical' properties, featured in their television advertisement campaign. However, when the adverts appeared, customers began contacting the company to inquire how they could buy one. The company responded by making the ""Easy Button"" a real product"
"be a huge success, even making Silk Cut the best-selling brand at the beginning of the 1990s. Silk Cut went on to produce many more advertisements in this style, playing with surrealistic themes and pop cultural references, like Man Ray's ""Cadeau"" as well as Alfred Hitchcocks famous shower curtain scene from the movie ""Psycho""(1960). In later parts of the campaign they also created original surrealistic themes for the ads. The main idea behind the use of surrealism for an advertising campaign was to catch the attention of the viewer by giving him or her a riddle to solve, i.e. guessing"
"cliff with a voice-over, ""The person who says it cannot be done should not interrupt the person who's doing it."" The ad ends with black text which reads, ""Changing the face of medicine."" And the final frames display Mount Sinai's logo and its campaign tagline, ""For you. For life."" Bernie & Phyl’s - In an effort to reach a younger consumers who usually avoid traditional media, furniture retailer Bernie & Phyl’s hired DeVito/Verdi to come up with a poster campaign for commuters on Boston's subway system. The ads were designed to look like kinky or lewd classified personal ads, but"
"new campaign slogan: ""Be Smart and Get a Fresh Start with Ivory Soap."" He was also hired by Chrysler Corporation to help sell Plymouth cars. In that project, Dichter offered two key insights. One was that women play an important role in influencing men's purchasing decisions. His interviews also revealed the importance of the convertible. People, especially middle-aged men, connected emotionally with sports cars which reminded them of their youth and freedom. Although convertibles accounted for less than 2% of sales, they had symbolic significance in the showroom. Dichter likened the convertible to a mistress, while the sedate, comfortable sedan"
"features bazaars and mosques. On European and some other non-U.S. versions, the desert motifs have been replaced by health warnings. On others, Kleesattel included ""Manneken Pis"", a historical figure of Brussels. Known as ""Fritz"", Kleesattel was a highly sought after graphic designer living in Louisville, Kentucky. He was hired through his company, Klee Ad Art, to design the packaging for the new Camel cigarettes' line. Klee Ad Art was also integral in devising designs for Four Roses Distillery, Heaven Hill Distilleries, and many other now immediately recognizable U.S. brands. While serving in the U.S. Army during World War I, Kleesattel"
"of the most famous television jingles of the era came from an advertisement for Winston cigarettes. The slogan ""Winston tastes good like a cigarette should!"" proved to be catchy. Another popular slogan from the 1960s was ""Us Tareyton smokers would rather fight than switch!,"" which was used to advertise Tareyton cigarettes. America's first regular television news program, ""Camel News Caravan"", was sponsored by Camel Cigarettes and featured an ashtray on the desk in front of the newscaster and the Camel logo behind him. The show ran from 1949 to 1956. Meanwhile, Phillip Morris sponsored the hit TV show I Love"