"expensive paper. In ""Le Charivari"", they featured humorous content which was not so political. Ownership of the paper changed often due to issues with government censorship, and related taxes and fines. ""Le Charivari"" published daily from 1832 to 1936, and then weekly until 1937. In 1841 English engraver, Ebenezer Landells, together with Henry Mayhew, used ""Le Charivari"" as the model to establish their ""Punch"" magazine, subtitled ""The London Charivari"". Contributing with lithographs, woodcuts, and (after 1870) with zincographies (gillotage) were: Le Charivari Le Charivari was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political"
"Le Charivari Le Charivari was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, ""Le Charivari"" began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers. ""Le Charivari"" was started by caricaturist Charles Philipon and his brother-in-law Gabriel Aubert to reduce their financial risk of censorship fines. They also had published the satirical, anti-monarchist, illustrated newspaper ""La Caricature"", which had more pages and was printed on more"
"Most of his best work appeared in ""Le Charivari"". He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the ""Boites aux lettres"" series. Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in"
"designed as an elegant illustrated magazine, the neat drawings, printed on vellum paper. The lithographs are printed on separate text and tear sheets . At first, ""La Caricature"" adopts a non-political attitude before turning in spring 1832 in opposition to the plan member of the July Monarchy . On 1 December 1832, while imprisoned, Philipon publishes ""Le Charivari"", a daily illustrated with four pages in a smaller Caricature format. More varied and more ""popular"" than its predecessor, it is not limited to political caricature. Charivari was the only daily caricature journal of nineteenth-century France. Charivari is intended, according to the"
"Charivari series Robert Macaire ( 1836-1838 ), the Museum to laugh designs for all cartoonists Paris (1839-1840), the Museum or comic store Philipon (1843), Paris comic (1844), Le Journal pour rire ( 1848-1855 ), became the fun Journal (1856 ), where the proceeds essentially comic satire manners . The purpose of this ""library for fun "" is to distract and entertain through the creation of "" social types "" representative, the physiologies, very popular with the public. The most emblematic kinds were illustrated in particular by Daumier ( Ratapoil, Robert Macaire ) Travies ( M.Mayeux ), Henry Monnier (Joseph Prudhomme"
"the editorship of then London Student co-editors Dea Gjinovci, Ben Jackson, Ed Ive, James Smith, and Donato Paolo Mancini. College magazines, such as University College London's ""Pi"", King's College London's ""Roar"" and Queen Mary, University of London's ""Cub"", generally offer a different style of coverage to ""London Student"", there is genuine competition in terms of breaking news from five college newspapers: ""Felix"" at Imperial College London, ""The Beaver"" at the London School of Economics, ""The Lion"" at Heythrop College and ""The Orbital"" and ""The Founder"" at Royal Holloway, University of London. Editions of the commercial ""The Sanctuary"" newspaper added marginally"
"which was the magazine that contained the article ""Take-Away Midnight Feasts At Number 10"" that John Major sued over, is dated January 1993. A number of issues have been archived. Scallywag (magazine) Scallywag magazine was published in London between 1991 and 1995. The subtitle of issues 1 - 6 was ""Camden's only alternative community magazine"". It sought to publish controversial journalism which other satirical and investigative publications (such as ""Private Eye"") would not publish due to fear of litigation. It was founded and edited by Simon Regan and Angus James, Simon's half-brother. A previous version was published in Dorset, and"
"Scallywag (magazine) Scallywag magazine was published in London between 1991 and 1995. The subtitle of issues 1 - 6 was ""Camden's only alternative community magazine"". It sought to publish controversial journalism which other satirical and investigative publications (such as ""Private Eye"") would not publish due to fear of litigation. It was founded and edited by Simon Regan and Angus James, Simon's half-brother. A previous version was published in Dorset, and the first issue of the 'Camden Scallywag' says that the Dorset version was then ""on edition 37"". In 1993 it was sued under English libel law by the then Prime"
"1900 ""Harmsworth's Monthly Pictorial Magazine"" was renamed the ""London Magazine"" by Cecil Harmsworth, proprietor of the ""Daily Mail"" at the time. The publication continued until 1930 as part of Amalgamated Press when it was renamed the ""New London Magazine"". The Australian scholar Sue Thomas referred to it as ""an important informer... of popular literary tastes in the late Victorian and Edwardian periods"". Despite its acclaim, the magazine closed in 1933. In 1954, a new periodical was given the name of the ""London Magazine"" under the editorship of John Lehmann, largely continuing the tradition of the acclaimed 1940s periodical ""New Writing""."
"London Figaro The London Figaro was a London periodical devoted to politics, literature, art, criticism and satire during the Victorian era. It was founded as a daily paper in 1870 with the backing of Napoleon III but after a year re-established itself as a general interest weekly magazine and is chiefly remembered nowadays for its highly independent drama criticism. The first issue was published by James Mortimer on May 17, 1870 from a small shop at 199 Strand. It was initially a daily periodical and continued to be published daily until March 18, 1871. At this point it changed format"
"Decamps, Auguste Raffet, Paul Gavarni, Achille Devéria, Auguste Desperret, Eugène Forest, Benjamin Roubaud. The journal was founded after the censorship laws had been relaxed following the July Revolution of 1830 in which Louis Philippe came to power. It covered both politics and art. 251 issues appeared between 1830 and 1835, each of four pages, with two or three lithographs. Philipon was the owner of the largest printing house in Paris equipped with lithographic presses, and used them to print ""La Caricature"" and ""Le Charivari"", another illustrated paper. He drew together a group of skilled artists who mostly worked for these"
"The London Journal The London Journal; and Weekly Record of Literature, Science and Art (published from 1845 to 1928) was a British penny fiction weekly, one of the best-selling magazines of the nineteenth century. The magazine was established by George Stiff, published by George Vickers and initially written and edited by George W. M. Reynolds. After Reynolds left to found his own ""Reynolds's Miscellany"" in 1846, John Wilson Ross became editor. In the mid-1850s the circulation was over 500,000. In 1857 Herbert Ingram, in secret partnership with ""Punch"" 's owners Bradbury and Evans, bought the newspaper, and ""Punch"" 's editor"
"had previously been published in the Charivari. It is said that Daumier's own experience as an employee in a bailiff's office during his youth may have influenced his rather negative attitude towards the legal profession. In 1834 he produced the lithograph ""Rue Transnonain, 15 April 1834"" depicting the massacre in the rue transnoin which was part of the April 1834 riots in Paris. It was designed for the subscription publication L’Association Mensuelle. The profits were to promote freedom of the press and defrayed legal costs of a lawsuit against the satirical, politically progressive journal ""Le Charivari"" to which Daumier contributed"
"architectural photographers: Country Life (magazine) Country Life is a British weekly perfect-bound, glossy magazine, based in London at 110 Southwark Street (until March 2016 when it became based in Farnborough, Hampshire), and owned by TI Media. ""Country Life"" was launched in 1897, incorporating ""Racing Illustrated"". At this time it was owned by Edward Hudson, the owner of Lindisfarne Castle and various Lutyens-designed houses including The Deanery in Sonning. At that time golf and racing served as its main content, as well as the property coverage, initially of manorial estates, which is still such a large part of the magazine. Elizabeth"
"Belgravia (magazine) Belgravia was a monthly London illustrated literary magazine of the late 19th century that was founded by Mary Elizabeth Braddon. Established in 1866, ""Belgravia"" featured serialized novels, poems, travel narratives, and biographies, as well as essays on fashion, history, and science. Under the editorship of Braddon (1866–1876), the magazine was best known for publishing sensation fiction. In 1876, Chatto & Windus purchased the magazine and Andrew Chatto replaced Braddon as editor. Under Chatto, ""Belgravia"" moved away from sensation fiction and began publishing works by such authors as Charles Reade, Mark Twain, Wilkie Collins, Arthur Conan Doyle, and Thomas"
"Furniss, F. A. Fraser, and George Cruikshank. London Society London Society was a Victorian era illustrated monthly periodical, subtitled ""an illustrated magazine of light and amusing literature for the hours of relaxation"". It was published between 1862 and 1898 by W. Clowes and Sons, London. The magazine published miscellaneous articles, short fiction (mostly anonymous), and serialized novels. ""The Stanford Companion to Victorian Fiction"" called it ""an inferior imitator of Smith's ""Cornhill"""". Literary contributors included Charlotte Riddell, whose novels ""Above Suspicion"" (1874) and ""The Senior Partner"" (1881-2) were serialized; Florence Marryat (""Open Sesame""); and a pre-Sherlock Holmes Arthur Conan Doyle. Illustrators"
"The London Paper The London Paper (stylised as thelondonpaper) was a free daily newspaper, published by NI Free Newspapers Ltd, a subsidiary of News International (who also own the companies that publish ""The Sun"" and ""The Times""). It was available from Monday to Friday each week in Central London from 4 September 2006 until 18 September 2009 (its final print-run before closure). The paper was the first London newspaper to be published in direct competition with the ""Evening Standard"" since 1987 and Robert Maxwell's short-lived ""London Daily News"". It was also the first newspaper to be launched by News International"
"photographs in the late 1950s. It published colour illustrations of models by artists such as Dickens and Vargas (as published in ""Esquire"" in the US), on a page labelled 'Let's Join the Ladies'. When Pearson closed the ""Strand Magazine"" in 1950, it was castigated by ""The Economist"" for concentrating its resources on ""London Opinion"" and ""Men Only"". ""Men Only"" had coloured frontispieces and rather trivial main pages. Another pocket title, ""Lilliput"", was better known but ""Men Only"" took over ""London Opinion"" and then ""Lilliput"" in 1960. All these titles were affected by the growth of television; C. Arthur Pearson was"
"Lilliput (magazine) Lilliput was a small-format British monthly magazine of humour, short stories, photographs and the arts, founded in 1937 by the photojournalist Stefan Lorant. The first issue came out in July and it was sold shortly after to Edward Hulton, when editorship was taken over by Tom Hopkinson in 1940. During the 1950s ""Lilliput"" was edited by Jack Hargreaves. It had a reputation for publishing what were, for the time, fairly daring photographs of female nudes. Contributors included H. E. Bates, Sir Max Beerbohm, James Boswell, Nigel Balchin (author), Bill Brandt, Brassaï, Patrick Campbell, C.E.M. Joad, Aleister Crowley, Robert"
"Meeting in December 1897, it was agreed to wind it up. London Figaro The London Figaro was a London periodical devoted to politics, literature, art, criticism and satire during the Victorian era. It was founded as a daily paper in 1870 with the backing of Napoleon III but after a year re-established itself as a general interest weekly magazine and is chiefly remembered nowadays for its highly independent drama criticism. The first issue was published by James Mortimer on May 17, 1870 from a small shop at 199 Strand. It was initially a daily periodical and continued to be published"
"The Kaleidoscope The Kaleidoscope; or, Literary and Scientific Mirror was an English weekly published between 1818 and 1831 by the Liverpool publisher Egerton Smith (1774-1841), who had established the ""Liverpool Mercury"" in 1811. The magazine's name was taken from David Brewster's recent invention. The first number appeared on July 28, 1818 in folio form; two years later the publication became an eight-page quarto. The price was kept at threepence-halfpenny throughout the magazine's history. An anonymous writer for the ""British Quarterly Review"" suggested that the ""Kaleidoscope"" was Britain's first cheap weekly miscellany: ""It consisted of slight original and selected articles in"
"It was endorsed by T. S. Eliot as a non-university based periodical that would ""boldly assume the existence of a public interested in serious literature."" In 1961 the magazine changed hands and was renamed ""London Magazine"". The editor was Lehmann's fellow poet and critic Alan Ross and publication continued until Ross's death in 2001 prompted its closure again. Under both Lehmann and Ross the magazine was published by Chatto & Windus. However it was quickly relaunched by Christopher Arkell and the poet and literary critic Sebastian Barker. When Barker retired as editor in early 2008, Sara-Mae Tuson took over. In"
"the paper, a touch of class in something of a workaday wilderness...It's readers have always included both the humble and the mighty, for the Standard circulates widely through the corridors of power."" – Roger Wilkes, ""Scandal: A Scurrilous History of Gossip"" (2002) The Evening Standard Londoner's Diary The Londoner's Diary is a gossip column in the London Evening Standard. Since 1916 the column has provided readers with witty and mischievous insights into high society; from political scandals and literary feuds to the backstage gossip at fashion parties and film premieres. Charles Wintour, who edited the Standard throughout the sixties, once"
"London Society London Society was a Victorian era illustrated monthly periodical, subtitled ""an illustrated magazine of light and amusing literature for the hours of relaxation"". It was published between 1862 and 1898 by W. Clowes and Sons, London. The magazine published miscellaneous articles, short fiction (mostly anonymous), and serialized novels. ""The Stanford Companion to Victorian Fiction"" called it ""an inferior imitator of Smith's ""Cornhill"""". Literary contributors included Charlotte Riddell, whose novels ""Above Suspicion"" (1874) and ""The Senior Partner"" (1881-2) were serialized; Florence Marryat (""Open Sesame""); and a pre-Sherlock Holmes Arthur Conan Doyle. Illustrators included Mary Ellen Edwards, Randolph Caldecott, Harry"
"lad-mag, ""Maxim"""", also worked for the magazine for a time. Knave (magazine) Knave magazine is a long-established British pornographic magazine, published by Galaxy Publications. Originally launched in 1968, it is the upmarket sister publication of ""Fiesta"" magazine. Mary Millington modelled for the magazine in 1974, prior to her exclusive signing to work for David Sullivan's magazines. Along with many other adult magazines, ""Knave"" has published the works of popular authors, including Harlan Ellison. Ellison's short story ""The Pied Piper of Sex"" was first published in the March 1959 issue under the name Paul Merchant, whilst ""The Man with the Green"
"The Covent-Garden Journal The Covent-Garden Journal (modernised as The Covent Garden Journal) was an English literary periodical published twice a week for most of 1752. It was edited and almost entirely funded by novelist, playwright, and essayist Henry Fielding, under the pseudonym, ""Sir Alexander Drawcansir, Knt. Censor of Great Britain"". It was Fielding's fourth and final periodical, and one of his last written works. The ""Journal"" incited the ""Paper War"" of 1752–1753, a conflict among a number of contemporary literary critics and writers, which began after Fielding declared war on the ""armies of Grub Street"" in the first issue. His"
"family. The Lady's Realm The Lady's Realm was a British women's magazine published from 1896 until 1914, possibly until 1915. It primarily targeted upper-class readers as well as an aspirational middle-class audience, featuring photographs, poems, fiction, and columns by popular authors such as Marie Corelli, Frances Hodgson Burnett, Jack London, and H.G. Wells. The London Season was regularly covered, with visuals of significant society figures and débutantes appearing. Fashion trends in Paris and London were frequently discussed as well, particularly by its fashion editor Marian Pritchard. The publication's targeted reader was the ""New Woman"", with enlightened ideas on education, health,"
"London Chronicle The London Chronicle was an early family newspaper of Georgian London. It appeared three times a week and contained world and national news, and coverage of artistic, literary, and theatrical events in the capital. A typical issue was eight pages, quarto size. Many of the stories were copied from government reports published in the official ""London Gazette"". Copying from other newspapers was rife, and many reports were in the form of letters from so-called gentlemen. Originally titled The London Chronicle: or, Universal Evening Post it first ran from 1757 to June 1765. It was continued by The London"
"The Athenaeum (British magazine) The Athenæum was a literary magazine published in London, England from 1828 to 1921. Initiated in 1828 by James Silk Buckingham, it was sold within a few weeks to Frederick Maurice and John Sterling, who failed to make it profitable. In 1829, Charles Wentworth Dilke became part proprietor and editor; he greatly extended the influence of the magazine. In 1846, he resigned the editorship and assumed that of the ""Daily News"" of London, but contributed a series of notable articles to the ""Athenaeum"". The poet and critic Thomas Kibble Hervey succeeded Dilke as editor and served"
"and in September 2008 the company announced its closure. Eve (magazine) Eve was an illustrated magazine for women published in London. Not to be confused with ""Eve: The Lady's Pictorial"", a 1920s magazine later merged with ""The Gentlewoman"" and ultimately retitled ""Britannia and Eve"". ""Eve"" was launched by BBC Worldwide, the commercial arm of the BBC, in 2000. Created under a working title Project Urma, the first edition was dated September 2000 and was sold on newsstands from early August 2000. As with much BBC activity at the time, the magazine attracted criticism from those who believed that the broadcaster"
"encouraged by the success of the magazine, he began a more popular daily four-page illustrated satirical newspaper called ""Le Charivari"" with caricatures by Daumier. It began with social satire, but soon veered into politics, ridiculing, among other targets, the king. In 1832, Daumier published a caricature of Louis-Phillippe as Gargantua eating the wealth of the nation, and another of the king's face in the shape of a pear. Daumier was arrested and served six months in prison. Philipon also served six months in prison for ""contempt of the king's person."" By 1835, the newspaper staff had been taken to court"
"The New Monthly Magazine The New Monthly Magazine was a British monthly magazine published from 1814 to 1884. It was founded by Henry Colburn and published by him through 1845. Colburn and Frederic Shoberl established ""The New Monthly Magazine and Universal Register"" as a ""virulently Tory"" competitor to Sir Richard Phillips' ""Monthly Magazine"" in 1814. ""The double-column format and the comprehensive contents combined the Gentleman's Magazine with the Annual Register"". In its April 1819 issue it published John Polidori's Gothic fiction ""The Vampyre"", the first significant piece of prose vampire literature in English, attributing it to Lord Byron, who partly"
"The Oxford Magazine The Oxford Magazine is a review magazine and newspaper published in Oxford, England. It was established in 1883 and published weekly during Oxford University terms. Contributors included: J.R.R. Tolkien, whose character Tom Bombadil, who later featured in ""The Lord of the Rings"", first appeared in the magazine around 1933. A joint poem by C. S. Lewis and Owen Barfield called ""Abecedarium Philosophicum"" was published on 30 November 1933. Dorothy Sayers published two of her poems, ""Hymn in Contemplation of Sudden Death"" and ""Epitaph for a Young Musician"", in the magazine. W.H. Auden published his early poem, ""The"