"similar to works by Leonardo da Vinci. Adoration of the Magi (Perugino, Perugia) The Adoration of the Magi is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy. According to Italian art historian Vittoria Garibaldi, it was one of the earliest commissions received by Perugino around the end of his apprenticeship in Florence (1472), while others date it to the late 1470s. The painting was originally executed for the church of Santa Maria dei Servi in Perugia, connected to the Baglioni family; in 1543 it was moved to the church of"
"Adoration of the Magi (Dürer) The Adoration of the Magi is a 1504 oil-on-wood painting by Albrecht Dürer. It was commissioned by Frederick the Wise for the altar of the Schlosskirche in Wittenberg, and is considered one of Dürer's best and most important works from the period between his first and second trips to Italy (1494-5 and 1505). The second king is a selfportrait of Dürer .¨This painting was very influential for other Renaissance painters like Pieter Coecke van Aelst. In 1603 Christian II of Saxony presented the painting as a gift to the Holy Roman Emperor Rudolf II. It"
"Adoration of the Magi (Rubens, Madrid) The Adoration of the Magi is a very large oil painting by the Flemish Baroque painter Peter Paul Rubens. He first painted it in 1609 and later gave it a major reworking between 1628 and 1629 during his second trip to Spain. It is now in the Museo del Prado in Madrid. It is one of many works on the subject by Rubens - others include those of 1616-17 and 1624. Towards the end of 1608 Antwerp was preparing to receive the peace delegates negotiating an end to the war between Spain and the"
"Adoration of the Magi (Rubens, Cambridge) The Adoration of the Magi is a c.1616-17 painting by the Flemish Baroque artist Peter Paul Rubens, now in King's College Chapel, Cambridge. The preparatory oil sketch for this painting is in The Wallace Collection, London. It was bought for a world-record price in 1959 by the property millionaire Alfred Ernest Allnatt and two years later he offered it to King's College Cambridge. The college accepted ""this munificent gift"" with the intention of displaying the painting in the college chapel, possibly as an altarpiece. The painting was initially displayed in the college's antechapel, but"
"Adoration of the Magi (Gentile da Fabriano) The Adoration of the Magi is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence, Italy, is considered his finest work, and has been described as ""the culminating work of International Gothic painting"". The painting was commissioned by the Florentine literate and patron of the arts Palla Strozzi, at the arrival of the artist in the city in 1420. Palla paid 300 florins for the altarpiece, or about six times the annual salary of a skilled labourer. According to Baldwin both Palla Strozzi and"
"Adoration of the Magi (Lorenzo Monaco) The Adoration of the Magi is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Uffizi Gallery in Florence. The painting is known by a rather complete documentation. It was executed by Lorenzo with the help of three assistants, and, despite the reduced size, it was paid the huge sum of 182 florins. According to some hints in Giorgio Vasari's ""Lives of the Most Excellent Painters"", it could have been executed for the church of Sant'Egidio in Florence, when it was reconsecrated by Pope Martin V."
"Adoration of the Magi (Botticelli, 1475) The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli, dating from 1475 or 1476, early in his career. The work is on display at the Uffizi in Florence. Botticelli was commissioned to paint at least seven versions of ""The Adoration of the Magi"". This version was commissioned by Gaspare di Zanobi del Lama for his funerary chapel in Santa Maria Novella. In the scene numerous characters are present, among which are several members of the Medici family: Cosimo de' Medici (the Magus kneeling in front of the Virgin,"
"Adoration of the Magi (Veronese) The Adoration of the Magi by the Venetian artist Paolo Veronese is a large oil painting on canvas dated to 1573 which has been in the National Gallery, London since 1855, shortly after it was sold by the Venetian church for which it was commissioned. It shows the common subject in the Nativity art of the visit by the Three Kings to the infant Jesus, here given a grandly theatrical treatment typical of Veronese's mature works. It was not an altarpiece, having been painted to hang beside rather than over a side altar in the"
"Adoration of the Magi (Bosch, Philadelphia) The Adoration of the Magi is an oil painting on wood panel attributed to the workshop of Netherlandish artist Hieronymus Bosch, executed around 1499. It is housed in the Philadelphia Museum of Art, USA. The museum's catalog assign it to around 1518, as having been finished by Bosch's workshop. According to Dendochronologic research, it could have been painted in 1493-1499. The painting is a traditional representation of the Adoration of the Magi theme, similar to other Bosch ""Adoration of the Magi"" of New York, although reversed. Mary is at left, taking shelter under a"
"Adoration of the Magi (Bosch, New York) The Adoration of the Magi is an oil painting on wood panel by Netherlandish artist Hieronymus Bosch, executed around 1475. It is housed in the Metropolitan Museum, New York, US. A prominent feature of this painting is the strong perspective effect and also the copious use of gold leaf which is not very typical for Bosch. The pigments employed are red lake, azurite, lead-tin-yellow and ochres. The precise authorship of this panel is and has been disputed, but in 2016 the Bosch Research and Conservation Project attributed it to Bosch based on evidence"
"The Last Supper (Leonardo da Vinci) The Last Supper ( or ""L'Ultima Cena"" ) is a late 15th-century mural painting by Italian artist Leonardo da Vinci housed by the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. It is one of the western world's most recognizable paintings. The work is presumed to have been started around 1495–96 and was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. The painting represents the scene of the Last Supper of Jesus with his apostles,"
"Adoration of the Magi (Bosch, Madrid) The Adoration of the Magi or The Epiphany is a triptych oil painting on wood panel by the Netherlandish artist Hieronymus Bosch, executed around 1485-1500. It is housed in the Museo del Prado of Madrid, Spain. The work was once identified with a canvas executed for the Cathedral of 's-Hertogenbosch, Bosch's hometown. However, it is now considered more likely that this one is the painting owned by Jehan de Kassembrood which was seized by Fernando Álvarez de Toledo, 3rd Duke of Alba in 1567. The paintings contains the coat of arms of the Bronchorst,"
"Adoration of the Magi (Perugino, Perugia) The Adoration of the Magi is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy. According to Italian art historian Vittoria Garibaldi, it was one of the earliest commissions received by Perugino around the end of his apprenticeship in Florence (1472), while others date it to the late 1470s. The painting was originally executed for the church of Santa Maria dei Servi in Perugia, connected to the Baglioni family; in 1543 it was moved to the church of Santa Maria Nuova in the same city."
"Adoration of the Magi (Stefano da Verona) The Adoration of the Magi is a Gothic painting by Stefano da Verona. Dating to 1434, it is currently housed in the Pinacoteca di Brera of Milan, northern Italy. The work is signed (""Stefanus"") and dated, although this has been disputed by several scholars. It is however mentioned by Vasari in his ""Lives"", and was anyway painted by the artist between his return to Verona (1425) and his death (1438). In the 19th century it was owned by the Ottolini family of Verona, who ceded it to Domenico Biasoli. The latter sold it"
"The Sacrament of the Last Supper The Sacrament of the Last Supper is a painting by Salvador Dalí. Completed in 1955, after nine months of work, it remains one of his most popular compositions. Since its arrival at the National Gallery of Art in Washington, D.C. in 1955, it replaced Renoir's ""A Girl with a Watering Can"" as the most popular piece in the museum. ""The Sacrament of the Last Supper"" was completed during Dalí's post-World War II era, which is characterized by his increased interest in science, optical illusion and religion. During this time he became a devout Catholic"
"Adoration of the Magi (Velázquez) The Adoration of the Magi is a 1619 Baroque painting by the Spanish artist Diego Velázquez now held in the Museo del Prado. It shows three kings presenting gifts to the Christ child: Melchoir, who kneels in the foreground; Balthazar, who stands behind him wearing a red cape and a lace collar; and Caspar, who appears between the other two. An unidentified young man who stands behind Balthazar is looking on. Kneeling near the Virgin's left shoulder is Saint Joseph. The size and format of the painting indicate that it was made for an altarpiece."
"from whom a page is removing a crown. The general style is that of Filippino's late career, characterized by a greater care to details and by a nervous rhythm in the forms, influenced by the knowledge of foreign painting schools (as also in the landscape of the background). Adoration of the Magi (Filippino Lippi) The Adoration of the Magi is a painting by the Italian Renaissance painter Filippino Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence. The panel was painted for the Convent of the San Donato agli Scopeti, in substitution of"
"Adoration of the Magi (Fra Angelico and Filippo Lippi) The Adoration of the Magi is a tondo, or circular painting, of the ""Adoration of the Magi"" assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C. Most art historians think that Filippo Lippi painted more of the original work, and that it was added to some years after by other artists, as well as including work by assistants in the workshops of both the"
"The Adoration of the Kings (Bruegel) The Adoration of the Kings is an oil-on-panel painting of the Adoration of the Magi by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1564, and now in the National Gallery, London. In the chronological sequence of Bruegel's work, this painting of 1564 marks an important departure as the first to be composed almost exclusively of large figures. The group of people, taken from Italian mannerist painters like Parmigianino, permits Bruegel to concentrate on individual faces, giving each a quite distinct, and sometimes grotesque, expression. This emphasis on the uniqueness of each"
"the cracked wooden pillar of the hut or the Manna fall representation in Gaspar's sleeve. <BR> Adoration of the Magi (Bosch, Philadelphia) The Adoration of the Magi is an oil painting on wood panel attributed to the workshop of Netherlandish artist Hieronymus Bosch, executed around 1499. It is housed in the Philadelphia Museum of Art, USA. The museum's catalog assign it to around 1518, as having been finished by Bosch's workshop. According to Dendochronologic research, it could have been painted in 1493-1499. The painting is a traditional representation of the Adoration of the Magi theme, similar to other Bosch ""Adoration"
"Adoration of the Magi (Rubens, Lyon) The Adoration of the Magi is a c.1617-18 painting by Peter Paul Rubens. It is now in the Musée des Beaux-Arts de Lyon Since it is horizontal rather than vertical it was probably commissioned for a private collection rather than as an altarpiece. Peter C. Sutton suggested that, as Rubens' treatments of this subject in vertical formats were for known ecclesiastical commissions as altarpieces, the horizontal format, which is shared with Rubens' ""Adoration"" painted for the ""Statenkamer"" of Antwerp's town hall, c. 1608-09, might suggest that the Lyon painting was also a secular commission."
"still visible, though it was otherwise undamaged. It was later installed in the Royal Palace of Madrid and he then went to the Museo del Prado, in whose inventories it first appears in 1834. In 2004, the painting underwent a complete restoration. Adoration of the Magi (Rubens, Madrid) The Adoration of the Magi is a very large oil painting by the Flemish Baroque painter Peter Paul Rubens. He first painted it in 1609 and later gave it a major reworking between 1628 and 1629 during his second trip to Spain. It is now in the Museo del Prado in Madrid."
"in the underdrawing. <BR> Adoration of the Magi (Bosch, New York) The Adoration of the Magi is an oil painting on wood panel by Netherlandish artist Hieronymus Bosch, executed around 1475. It is housed in the Metropolitan Museum, New York, US. A prominent feature of this painting is the strong perspective effect and also the copious use of gold leaf which is not very typical for Bosch. The pigments employed are red lake, azurite, lead-tin-yellow and ochres. The precise authorship of this panel is and has been disputed, but in 2016 the Bosch Research and Conservation Project attributed it to"
"remained in the imperial collection in Vienna until 1792, when Luigi Lanzi, the director of the Uffizi, acquired it in exchange for Fra Bartolomeo's """". Some art historians suggest that this painting could have been the central panel of the Jabach Altarpiece. <BR> Adoration of the Magi (Dürer) The Adoration of the Magi is a 1504 oil-on-wood painting by Albrecht Dürer. It was commissioned by Frederick the Wise for the altar of the Schlosskirche in Wittenberg, and is considered one of Dürer's best and most important works from the period between his first and second trips to Italy (1494-5 and"
"Adoration of the Magi (Mantegna) The Adoration of the Magi or Uffizi Triptych is a group of three tempera-on-panel paintings by Andrea Mantegna, dating to around 1460. Their three subjects are the ""Ascension of Christ"" (86 by 42.5 cm), ""Adoration of the Magi"" the largest and central panel (76 by 76.5 cm) and the ""Circumcision of Christ"" (86 by 42.5 cm). They were gathered as a trio in the 19th century, although some art historians doubt that they were created as a triptych set in the way they are now arranged. They are now in the Uffizi Gallery in Florence."
"Adoration of the Magi (Garofalo) Adoration of the Magi is a 1530s oil on panel painting by the Italian renaissance artist Benvenuto Tisi in the collection of the Rijksmuseum. Mary sits with her child in front of ruined columns receiving gifts in a fantasy landscape. On the right a man points to the Star of Bethlehem. This painting has been considered a highlight of the collection since it was acquired in 1823 by William I of the Netherlands from the estate of Edmund Bourke in Paris and given to the Trippenhuis museum. It has been included in all ""Highlights of"
"the decision was taken to modify the east end of the main chapel and in 1968 it was installed there, where it now is. In June 1974 the painting was vandalised, with the letters ""IRA"" scratched on it. Adoration of the Magi (Rubens, Cambridge) The Adoration of the Magi is a c.1616-17 painting by the Flemish Baroque artist Peter Paul Rubens, now in King's College Chapel, Cambridge. The preparatory oil sketch for this painting is in The Wallace Collection, London. It was bought for a world-record price in 1959 by the property millionaire Alfred Ernest Allnatt and two years later"
"the positions of hands and loaves of bread can be interpreted as notes on a musical staff and, if read from right to left, as was characteristic of Leonardo's writing, form a musical composition. The Last Supper (Leonardo da Vinci) The Last Supper ( or ""L'Ultima Cena"" ) is a late 15th-century mural painting by Italian artist Leonardo da Vinci housed by the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. It is one of the western world's most recognizable paintings. The work is presumed to have been started around 1495–96 and was commissioned as part"
"Adoration of the Magi (Rubens, Antwerp) The Adoration of the Magi is a 1624 oil on canvas painting by Peter Paul Rubens, measuring 218 cm by 280 cm. It was commissioned by Matthæus Yrsselius, abbot of St. Michael's Abbey, Antwerp, as an altarpiece, and paid for in two instalments of 750 guilders each in 1624 and 1626. The Virgin Mary is thought to have been modelled on Rubens' first wife Isabella Brant. The painting is now in the Royal Museum of Fine Arts Antwerp. The painting is an important story arc in the comic book album """"De Raap van Rubens"""""
"Last Supper (del Castagno) The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the ""Museo di Cenacolo di Sant'Apollonia"", and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art. Sant'Apollonia was a Benedictine convent of"
"The Adoration of the Magi (Geertgen tot Sint Jans) The Adoration of the Magi is a circa 1480-1485 oil on panel painting of the Adoration of the Magi by the Renaissance artist Geertgen tot Sint Jans in the collection of the Rijksmuseum. ""The Adoration of the Magi"" shows the three magi bearing gifts. In the background the retinue of each of the three magi can be seen. The magi themselves are shown twice, once in the foreground and again in the background, arriving with their retinue from Africa, Europe and Asia. X-ray examination of the underdrawing shows that originally the"
"by the artist are consistent with his other works. He painted the triptych with ochres, lead-tin-yellow, vermilion, carmine and azurite. The sole rather unusual pigment is natural ultramarine used in small quantities in Virgin's robe. Adoration of the Magi (Bosch, Madrid) The Adoration of the Magi or The Epiphany is a triptych oil painting on wood panel by the Netherlandish artist Hieronymus Bosch, executed around 1485-1500. It is housed in the Museo del Prado of Madrid, Spain. The work was once identified with a canvas executed for the Cathedral of 's-Hertogenbosch, Bosch's hometown. However, it is now considered more likely"
"Last Supper (Tintoretto) The Last Supper is a painting by the Italian Renaissance artist Jacopo Tintoretto. An oil painting on canvas executed in 1592–94, it is housed in the Basilica di San Giorgio Maggiore in Venice, northern Italy. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective, with the figures seated at a table placed parallel to the picture plane. This follows a convention observed in most paintings of the Last Supper, of"