"or meaning: they have been seen as religious figures, as erotic art or sex aids, grandmother goddesses or as self-depictions by female artists. The expression 'Venus' was first used in the mid-nineteenth century by the Marquis de Vibraye, who discovered an important ivory figurine and named it ""La Vénus impudique"" or ""Venus Impudica"" (""immodest Venus""), contrasting it to the ""Venus Pudica"", Hellenistic sculpture by Praxiteles showing Aphrodite covering her naked pubis with her right hand. The use of the name is metaphorical as there is no link between the figurines and the Roman goddess Venus, although they have been interpreted"
"by the Swedish symphonic metal Therion, on the album ""Vovin"", and the song ""Venus as a Boy"" by the Icelandic artist Björk. Another reference to Venus is from Billy Idol's album ""Cyberpunk"" , in track # 16 titled ""Venus"". Venus (mythology) Venus (, Classical Latin: ) is the Roman goddess, whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals,"
"Juno (mythology) Juno (; , ) was an ancient Roman goddess, the protector and special counselor of the state. A daughter of Saturn, she is the wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. She is the Roman equivalent of Hera, queen of the gods in Greek mythology; like Hera, her sacred animal was the peacock. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called (""Queen"") and was a member of the Capitoline Triad (""Juno"
"to many religious festivals in ancient Rome, and was venerated under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart, Aphrodite, in their art and literature. In the later classical tradition of the West, Venus was one of the most widely depicted deities of Greco-Roman mythology as the embodiment of love and sexuality. In ancient Rome, she embodied love, beauty, enticement, seduction, and persuasive female charm among the community of immortal gods; in Latin orthography, her name is indistinguishable from the noun ""venus"" (""sexual love"" and ""sexual desire""), from which it derives. Venus has been"
"substituted for the Nordic deities to help suppress paganism. The Roman pantheon had numerous deities, both Greek and non-Greek. The more famed deities, found in the mythologies and the 2nd millennium CE European arts, have been the anthropomorphic deities syncretized with the Greek deities. These include the six gods and six goddesses: Venus, Apollo, Mars, Diana, Minerva, Ceres, Vulcan, Juno, Mercury, Vesta, Neptune, Jupiter (Jove, Zeus); as well Bacchus, Pluto and Hercules. The non-Greek major deities include Janus, Fortuna, Vesta, Quirinus and Tellus (mother goddess, probably most ancient). Some of the non-Greek deities had likely origins in more ancient European"
"Victoria (mythology) Victoria (), in ancient Roman religion, was the personified goddess of victory. She is the Roman equivalent of the Greek goddess Nike, and was associated with Bellona. She was adapted from the Sabine agricultural goddess Vacuna and had a temple on the Palatine Hill. The goddess Vica Pota was also sometimes identified with Victoria. Victoria is often described as a daughter of Pallas and Styx, and as a sister of Zelus, Kratos, and Bia. Unlike the Greek ""Nike"", the goddess Victoria (Latin for ""victory"") was a major part of Roman society. Multiple temples were erected in her honor."
"Terra, Venus (and thus Victoria) and with Libera as a female aspect of Liber. No native Roman myths of Ceres are known. According to ""interpretatio romana"", by which Roman deities were identified with their Greek counterparts, she was an equivalent to Demeter, one of the Twelve Olympians of Greek religion and mythology; this made Ceres one of Rome's twelve Di Consentes, daughter of Saturn and Ops, sister of Jupiter, mother of Proserpina by Jupiter and sister of Juno, Vesta, Neptune and Dis. Ceres' known mythology is indistinguishable from Demeter's: ""When Ceres sought through all the earth with lit torches for"
"Sicily. After this point, Romans adopted Aphrodite's iconography and myths and applied them to Venus. Because Aphrodite was the mother of the Trojan hero Aeneas in Greek mythology and Roman tradition claimed Aeneas as the founder of Rome, Venus became venerated as ""Venus Genetrix"", the mother of the entire Roman nation. Julius Caesar claimed to be directly descended from Aeneas's son Iulus and became a strong proponent of the cult of Venus. This precedent was later followed by his nephew Augustus and the later emperors claiming succession from him. This syncretism greatly impacted Greek worship of Aphrodite. During the Roman"
"the Roman state. Caesar's heir, Augustus, made much of these personal and family associations with Venus as an Imperial deity. The festival's rites are not known. Like other major Roman deities, Venus was given a number of epithets that referred to her different cult aspects, roles, and her functional similarities to other deities. Her ""original powers seem to have been extended largely by the fondness of the Romans for folk-etymology, and by the prevalence of the religious idea ""nomen-omen"" which sanctioned any identifications made in this way."" Venus Acidalia, in Virgil's ""Aeneid"" (1.715–722, as ""mater acidalia""). Servius speculates this as"
"Tanit. Ovid's ""Metamorphoses"" offers a story accounting for her sacred association with the peacock. William Shakespeare briefly employs Juno as a masque character in ""The Tempest"" (Act IV, Scene I). Juno (mythology) Juno (; , ) was an ancient Roman goddess, the protector and special counselor of the state. A daughter of Saturn, she is the wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. She is the Roman equivalent of Hera, queen of the gods in Greek mythology; like Hera, her sacred animal was the peacock. Her Etruscan counterpart was Uni, and she was said to"
"Aphrodite Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess , with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In"
"of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. Venus embodies sex, love, beauty, enticement, seduction, and persuasive female charm among the community of immortal gods; in Latin orthography, her name is indistinguishable from the Latin noun ""venus"" (""sexual love"" and ""sexual desire""), from which it derives. It has connections to ""venerari"" (""to honour, to try to please"") and ""venia"" (""grace, favour"") through a possible common root in an Indo-European ""*wenes-"" or ""*u̯enis"" (""friend""). Their common Proto-Indo-European root is assumed as ""*wen-"" or ""*u̯en-"" ""to strive for, wish for, desire, love""). Venus has"
"Hearts""). See Veneralia in this article and main article, Veneralia. Venus Victrix (""Venus the Victorious""), a Romanised aspect of the armed Aphrodite that Greeks had inherited from the East, where the goddess Ishtar ""remained a goddess of war, and Venus could bring victory to a Sulla or a Caesar."" Pompey, Sulla's protégé, vied with his patron and with Caesar for public recognition as her protégé. In 55 BC he dedicated a temple to her at the top of his theater in the Campus Martius. She had a shrine on the Capitoline Hill, and festivals on August 12 and October 9."
"Hesperus In Greek mythology, Hesperus ( ""Hesperos"") is the Evening Star, the planet Venus in the evening. He is the son of the dawn goddess Eos (Roman Aurora) and is the half-brother of her other son, Phosphorus (also called Eosphorus; the ""Morning Star""). Hesperus' Roman equivalent is Vesper (cf. ""evening"", ""supper"", ""evening star"", ""west""). By one account Hesperus' father was Cephalus, a mortal, while Phosphorus' was the star god Astraios. Other sources, however, state that Hesperus was the brother of Atlas, and thus the son of Iapetus. Hesperus is the personification of the ""evening star"", the planet Venus in the"
"The union of Venus and Mars held greater appeal for poets and philosophers, and the couple were a frequent subject of art. In Greek myth, the adultery of Ares and Aphrodite had been exposed to ridicule when her husband Hephaestus (whose Roman equivalent was Vulcan) caught them in the act by means of a magical snare. Although not originally part of the Roman tradition, in 217 BC Venus and Mars were presented as a complementary pair in the ""lectisternium"", a public banquet at which images of twelve major gods of the Roman state were presented on couches as if present"
"A sacrifice was annually dedicated to her on the latter date. In neo-classical art, her epithet as Victrix is often used in the sense of 'Venus Victorious over men's hearts' or in the context of the Judgement of Paris (e.g. Canova's ""Venus Victrix"", a half-nude reclining portrait of Pauline Bonaparte). As with most major gods and goddesses in Roman mythology, the literary concept of Venus is mantled in whole-cloth borrowings from the literary Greek mythology of her counterpart, Aphrodite. In some Latin mythology, Cupid was the son of Venus and Mars, the god of war. At other times, or in"
"Greek and Roman mythology; however, it is later revealed that she is a Siren and not the true goddess. The Marvel version of the character first appeared in ""Venus"" #1 (Aug. 1948), and made her first Silver Age appearance in ""Sub-Mariner"" #57 (Jan. 1973). In the original 1940s ""Venus"" series, Venus dwelled on the planet Venus with her female companions. She traveled to Earth and took on the human identity of Victoria ""Vicki"" Nutley Starr, a journalist and editor for ""Beauty"" magazine. She developed a romantic relationship with ""Beauty"" editor Whitney Hammond; he and Venus' rival, Della Mason, were among"
"that Eosphorus (Venus in the morning) and Hesperos (Venus in the evening), because of the distinction in the names, were two different celestial objects. And that the Greeks only later accepted the Babylonian view that the two were the same; and consequently that it was by a not original Babylonian influence that the identification of the planets with the great gods came to be. Thereby the Greeks dedicated the ""wandering star"" (planet) to Aphrodite (Roman Venus), as the equivalent of Ishtar. This order of influence is not backed by scholars, nor any historical documents. Rather the two mythological explanations seem"
"the Etruscan god Tagni, or Dianus (Janus, following the work of folklorist James Frazer in ""The Golden Bough""). Lucifer Lucifer ( ; ""light-bringer"") was a Latin name for the planet Venus as the morning star in the ancient Roman era, and is often used for mythological and religious figures associated with the planet. Due to the unique movements and discontinuous appearances of Venus in the sky, mythology surrounding these figures often involved a fall from the heavens to earth or the underworld. Interpretations of a similar term in the Hebrew Bible, translated in the King James Version as ""Lucifer"", led"
"basis of ancient cosmological myths from places as disparate as India and China, Greece and Rome, Assyria and Sumer. For example, ancient Greek mythology asserts that the goddess Athena sprang from the head of Zeus. Velikovsky identifies Zeus (whose Roman counterpart was the god Jupiter) with the planet Jupiter and Athena (the Roman Minerva) with the planet Venus. This myth, along with others from ancient Egypt, Israel, Mexico, etc. are used to support the claim that """"Venus was expelled as a comet and then changed to a planet after contact with a number of members of our solar system"""" (Velikovsky"
"swan, ""Tusna"", ""the swan of Turan"". Her retinue were called Lasas. Turan may be quite ancient but does not appear on the Piacenza list nor in Martianus list of Etruscan deities. The Etruscan month of July was named after her, although we only know the Latin word for it, ""Traneus"". Turan was seen as the equivalent to the Roman Venus and the Greek Aphrodite. Her name is the pre-Hellenic root of ""Turannos"" (absolute ruler, see ), so Turan can be viewed as “Mistress"". Turan had a sanctuary in the Greek-influenced Gravisca, the port for Tarquinia, where votive gifts inscribed with"
"astrology from mythology and fill in the missing pieces with theology or philosophy because they do not fit. The origins of Venus and Aphrodite expresses and always has, both her masculine principles of action and protection equally to the loving, abundant, beauty aspects of Venus. Venus Barbata Venus Barbata ('Bearded Venus') was an epithet of the goddess Venus among the Romans. Macrobius also mentions a statue of Venus in Cyprus, representing the goddess with a beard, in female attire, but resembling in her whole figure that of a man (see also Aphroditus). The idea of Venus thus being a mixture"
"born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and balance of life. Her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection. She is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune and prosperity. In one context, she is a goddess of prostitutes; in another, she turns the hearts of men and women from sexual vice to virtue."
"like The Complaint of Mars. Chaucer’s depiction of Mars and Venus does not stray far from the original myth. However, some changes are notable. According to Roman mythology, Vulcan-- the god of blacksmithing and forging, son of Jupiter and Juno-- was so ugly that no woman would ever marry him. Zeus then forced the reluctant Venus into a marriage with Vulcan so that he would have a wife: Despite being his wife, this did not stop Venus from engaging in multiple affairs with mortals and gods alike. Some of the most notable of her partners are the human Adonis (who"
"myths, festivals and beliefs all continued, these trends probably reduced the grip on the imagination of the traditional pantheon, especially among the educated, but probably more widely in the general population. When the Roman Republic conquered Greece in 146 BC, it took much of Greek religion (along with many other aspects of Greek culture such as literary and architectural styles) and incorporated it into its own. The Greek gods were equated with the ancient Roman deities; Zeus with Jupiter, Hera with Juno, Poseidon with Neptune, Aphrodite with Venus, Ares with Mars, Artemis with Diana, Athena with Minerva, Hermes with Mercury,"
"cults, without giving precise details. Venus Felix (""Lucky Venus""), probably a traditional epithet, later adopted by the dictator Sulla. It was Venus's cult title at Hadrian's temple to ""Venus Felix et Roma Aeterna"" on the Via Sacra. This epithet is also used for a specific sculpture at the Vatican Museums. Venus Genetrix (""Venus the Mother""), as a goddess of motherhood and domesticity, with a festival on September 26, a personal ancestress of the Julian lineage and, more broadly, the divine ancestress of the Roman people. Julius Caesar dedicated a Temple of Venus Genetrix in 46 BC. This name has attached"
"Bald Venus, Aphrodite was shown with a man's bald head, just like the priests of Isis. Aristophanes calls her Aphroditos, a Cypriot male name. Aphrodite appeared in battle armor in Sparta... [and] Venus Armata or Armed Venus became a Renaissance convention. The idea of Venus having a double-sexed nature has the same double meaning, in the mythological sense, that there is not only a Luna, but also a Lunus. The name ""Venus"" in itself, is masculine in its termination, and it was perceived that the goddess becomes the god and the god the goddess sometimes. Often her male followers are"
"the dawn. The Romans considered the planet Lucifer particularly sacred to the goddess Venus, whose name eventually became the scientific name for the planet. The second century Roman mythographer Pseudo-Hyginus said of the planet: Ovid, in his first century epic ""Metamorphoses"", describes Lucifer as ordering the heavens: In the classical Roman period, Lucifer was not typically regarded as a deity and had few, if any, myths, though the planet was associated with various deities and often poetically personified. Cicero pointed out that ""You say that Sol the Sun and Luna the Moon are deities, and the Greeks identify the former"
"bunches of flowers or fruit. She was typically depicted reclining. Her male complement was a sky god such as Caelus (Uranus) or a form of Jupiter. A male counterpart Tellumo or Tellurus is mentioned, though rarely. Her Greek counterpart is Gaia, and among the Etruscans she was Cel. Michael Lipka has argued that the ""Terra Mater"" who appears during the reign of Augustus is a direct transferral of the Greek ""Ge Mater"" into Roman religious practice, while Tellus, whose temple was within Rome's sacred boundary (""pomerium""), represents the original earth goddess cultivated by the state priests. The word ""tellus, telluris"""
"Neptune (mythology) Neptune ( ) was the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon. In the Greek-influenced tradition, Neptune was the brother of Jupiter and Pluto; the brothers presided over the realms of Heaven, the earthly world, and the Underworld. Salacia was his wife. Depictions of Neptune in Roman mosaics, especially those of North Africa, are influenced by Hellenistic conventions. Neptune was likely associated with fresh water springs before the sea. Like Poseidon, Neptune was worshipped by the Romans also as a god of horses, under the name ""Neptunus"
"Venus"" but as an empty sensual fantasy that disarms and torments the slumbering spirit of a once virile martial valour. The work is agreed by all to draw on the description by Lucian, a poet in Greek of the 2nd-century AD, of a famous painting, now lost, by Echion of the wedding ceremony of Alexander the Great and Roxana. The ancient painting probably adapted iconography associated with Venus and Mars to the historical Alexander and his bride. Lucian's ""ekphrasis"" or description mentions ""amoretti"" or putti playing with Alexander's armour during the ceremony, two carrying his lance and one who has"
"Minerva Minerva (; ; Etruscan: ""Menrva"") was the Roman goddess of wisdom and strategic warfare and the sponsor of arts, trade, and strategy. From the second century BC onward, the Romans equated her with the Greek goddess Athena, though the Romans did not stress her relation to battle and warfare as the Greeks did. Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armor. Jupiter forcefully impregnated the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to"
"delights in causing terror and misery to humanity and gods alike if he gets the chance. Venus Venus is the Goddess of Love and Deimos' younger twin sister; she looks exactly like Minako other than her hair is longer and she wears a Greek style dress and a tiara with a large red gem in the center. When caught kissing Deimos, Zeus strikes them both down. Venus dies and is punished by being imprisoned in Hades (which always appears to be underwater). She is hung by thorny vines, upside down from a tree. Her right eye has also been gouged"