"on television. Plus, the spill out onto campuses"". The album cover displays a surreal sculpture designed by Robert Brownjohn. The image consists of the ""Let It Bleed"" record being played by the tone-arm of an antique phonograph, and a record-changer spindle supporting several items stacked on a plate in place of a stack of records: a film canister labelled ""Stones – Let It Bleed"", a clock dial, a pizza, a tyre and a cake with elaborate icing topped by figurines representing the band. The cake parts of the construction were prepared by then-unknown cookery writer Delia Smith. The reverse of"
"Let It Bleed Let It Bleed is the eighth British and tenth American studio album by English rock band the Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's ""Beggars Banquet"" and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor. Although the Stones had begun the recording of ""You Can't Always Get What You Want"" in November 1968, before ""Beggars Banquet"" had been released,"
"Let It Bleed (song) ""Let It Bleed"" is a song by English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards and featured on the 1969 album of the same name. It was released as a single in Japan in February 1970. Ian Stewart plays piano on this track (his only appearance on the album) while Bill Wyman plays autoharp. The song opens with a slide piece and quickly moves into a solo acoustic guitar capo on the 3rd fret strumming the chords of A, D and E before bass, drums and piano join in,"
"who wants to lean ""on him for emotional support."" Unterberger also asserts that ""Let It Bleed"" may be ""the best illustration"" of the way the Rolling Stones make ""a slightly sloppy approach work for them rather than against them."" He also praises Jagger's vocals, stating the song represents ""one of his best vocals, with a supremely lazy approach that seems to be both affectionate and mocking at the same time."" Let It Bleed (song) ""Let It Bleed"" is a song by English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards and featured on the"
"23 March, while American producer Phil Spector began mixing the ""Get Back"" tapes for release as the Beatles' ""Let It Be"" album in Abbey Road's Studio 4, McCartney completed work on his eponymous album in Studio 2. Although McCartney has frequently maintained that he was ignorant of Spector's involvement until receiving an acetate copy of ""Let It Be"" for approval, author Peter Doggett writes that after ""several weeks"", McCartney had finally ""answered the string of messages he'd received about Phil Spector"" and had agreed to let him prepare ""Let It Be"" for release. For the album's gatefold cover, artist Gordon"
"Into Paradise (1991), Kingmaker (1991), and two albums for Jethro Tull, ""Under Wraps"" and ""Crest of a Knave"" (1984-87). His freelance work includes designs for such noted performers as Jimi Hendrix (1977), Judas Priest (1975), David Bowie (1976), The Who (1975), Van der Graaf Generator (1975) and the Bay City Rollers (1975). John Pasche John Pasche (born 24 April 1945) is a British art designer, most famous for designing the """"Tongue and Lip Design"""" logo for the rock band The Rolling Stones. John Pasche completed his B. A. in graphic design from the Brighton College of Art between 1963 and"
"Peter Blake (artist) Sir Peter Thomas Blake (born 25 June 1932) is an English pop artist, best known for co-creating the sleeve design for the Beatles' album ""Sgt. Pepper's Lonely Hearts Club Band"". His other best known works include the cover of the Band Aid single ""Do They Know It's Christmas?"", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. One of the best known British pop artists, Blake is considered to be a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have"
"on the UK Albums Chart and #19 on the ""Billboard"" 200. It went on to sell over 2 million copies worldwide. Walton Ford was commissioned to do the album cover. The artwork depicts a gorilla with the Stones' tongue-and-lips logo created by John Pasche, an adaptation of Ford's series of King Kong paintings entitled ""I Don’t Like to Look at Him, Jack. It Makes Me Think of that Awful Day on the Island"". Ford explained that he ""saw the Rolling Stones as a sort of silverback,” and the band could be compared to Kong due to ""their kind of enormity"
"Liberty and Daisy. In 1980, Blake met fellow artist Chrissy Wilson, they married in 1987, and have a daughter, Rose. Blake has lived in Chiswick, London, since 1967. His ""vast"" studio there is a former ironmonger's warehouse. Peter Blake (artist) Sir Peter Thomas Blake (born 25 June 1932) is an English pop artist, best known for co-creating the sleeve design for the Beatles' album ""Sgt. Pepper's Lonely Hearts Club Band"". His other best known works include the cover of the Band Aid single ""Do They Know It's Christmas?"", and the Live Aid concert poster. Blake also designed the 2012 Brit"
"Pasche designed the ""Tongue and Lip Design"" logo in 1971, which was originally reproduced on the ""Sticky Fingers"" album by the Rolling Stones. Pasche designed tour posters for the Rolling Stones between 1970 and 1974 and also worked for other reputed artists, such as Paul McCartney, and The Who. Best Adult Contemporary Song Best Rock / Blues Song Best Cover / Rock Best Rock / American 2012 Top Ten Album Carroll appeared in the American variety television show ""The Jenny Jones Show"" as the musical guest on Friday, October 17, 1997. Glen Carroll Glen Carroll (born January 8, 1960) is"
"the cover for the 1969 Rolling Stones album ""Let It Bleed"". He also created moving graphics for Midland Bank and Pirelli between 1966 and 1970. His final piece of graphic design was a poster for the New York Peace Campaign in 1969: an ace of spades playing card is laid on a plain white background with the letters ""PE"" hastily scribbled to the left of it and a question mark to the right. Brownjohn also had a small role as a fur coat-clad heavy in Dick Clement's film ""Otley"". Robert Brownjohn died from a heart attack in London on August"
"list of the ""500 Greatest Albums of All Time"". ""Let It Bleed"" has sold over 7 million copies worldwide since 1969. The track listing on the back of the album jacket did not follow the one on the album itself. According to Brownjohn, he altered it purely for visual reasons; the correct order was shown on the record's label. Additionally, ""Gimme Shelter"" is rendered as ""Gimmie Shelter"" on the jacket. Some releases have ""Gimmie Shelter"" on the cover, the inner sleeve and the LP label. The Rolling Stones Additional personnel Let It Bleed Let It Bleed is the eighth British"
"Honey Pie ""Honey Pie"" is a song by the Beatles, from their 1968 eponymous album ""The Beatles"", also known as ""the White Album"". The song was written entirely by Paul McCartney, but is credited to Lennon–McCartney. The song is a direct homage to the British music hall style. It concerns a famed actress, called only by the term of endearment ""Honey Pie"", who becomes famous in the United States, and her old lover, who wishes for her to rejoin him in England. The premise – a humble admirer yearning for the return of his lover – is not unlike a"
"""The Guardian"" in 1995, Sue Steward, who was Virgin Records' press officer in 1973, recalled suggesting Key as a possible candidate to create the album cover. Key was invited to Virgin to present his portfolio – among his images was one of a boiled egg dripping blood which Branson liked and wanted to use for the cover art because he wanted to call the album ""Breakfast in Bed"", but Oldfield hated both the image and the title and rejected them. A modified version of the image with the blood replaced by yolk would later be used as the artwork for"
"his son’s screams. Armstrong also mentions his insomnia in the song ""Brain Stew"". The collage on the album cover was created by Smith and is called God Told Me to Skin You Alive, a reference to the Dead Kennedys song ""I Kill Children"". The cover art contains an image (the dentist) that was originally used in a collage featured in the inside cover art of Dead Kennedys' album ""Plastic Surgery Disasters"" (1982). Smith knew drummer Tré Cool from Green Day's time at Lookout! Records and told Cool that if he ever needed album artwork that he should call him. The"
"I’m going to do it!’"". Two weeks before her mother died on 26 March 2012, they sat down together and decided that the first album would be released initially as a series of four EPs. Tina Stevens designed the cover artwork that would be used, in four sections, for each of the EPs. Placed together, the four pieces form the entire cover of the full album, ""Enchanted"". Earlier, in November 2011, Stevens had started collaborating with songwriter/producer Pete Woodroffe (best known for his work with Def Leppard) who would eventually co-write 14 of the tracks and produce all four EPs"
"Stand the Rain"" were cover versions. Timings of tracks are shown as minutes:seconds. Side One Side Two CD bonus track The cover, painted by Neon Park, is a version of Édouard Manet's famous painting ""Le déjeuner sur l'herbe"" with Marlene Dietrich, Fidel Castro and Bob Dylan as the diners. Although they do not play together on any single track, Richie Hayward and Bill Payne, both members of Little Feat, play on the album. George was also able to call on the services of top-class session players and backing vocalists. Album Thanks, I'll Eat It Here Thanks I'll Eat It Here"
"were given to the new material: “Doo Doo Doo Doo Doo (Heartbreaker)”, “Star Star”, “Dancing with Mr D”, and “Angie” – although apart from a few earlier performances of “Silver Train” and “100 Years Ago” nothing else from ""Goats Head Soup"" has ever been played live by the Stones until Silver Train and Dancing with Mr D where dusted of for the 2014 and 2017 tours. (The popular bootleg recording ""Brussels Affair"" would result from this tour.) The album cover was designed by Ray Lawrence and photographed by David Bailey, a friend of Jagger's who had worked with The Rolling"
"Wild Honey Pie ""Wild Honey Pie"" is a short song by the Beatles written by Paul McCartney (credited to Lennon–McCartney) and released on ""The Beatles"" (also known as the ""White Album""). McCartney is the sole performer on the recording. At the time, John Lennon and Ringo Starr were working on other White Album songs, and George Harrison was on holiday in Greece. McCartney said of this song: ""We were in an experimental mode, and so I said, 'Can I just make something up?' I started off with the guitar and did a multitracking experiment in the control room or maybe"
"vinyl pressings of ""Beggars Banquet"" and ""Let It Bleed"". Manufacture of both albums was credited to Nanker Phelge, which was then acknowledged as an ABKCO company (ABKCO was manufacturing the records that still bore the London and Decca labels). Nanker Phelge Nanker Phelge (a.k.a. Nanker/Phelge) was a collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions. Stones bassist Bill Wyman explained the origins of the name in his 2002 book, ""Rolling with the Stones"": Thus anything credited to Nanker Phelge refers to a Mick Jagger/Brian Jones/Keith Richards/Charlie Watts/Bill Wyman collaborative composition. The ASCAP files for the"
"was reported to the Parliamentary Ombudsman. The Afro-Swedish society demanded that the Minister of Culture should resign. Linde claimed to have been misunderstood and explained that the cake symbolized how white people consumed black people, with the act of cutting off the cake's body parts and eating it. 2012 Makode Linde Makode Alexander Joel Linde (born 28 June 1981) is a Swedish artist, musician and DJ. He became internationally known for his controversial art piece ""Painful Cake"","" ""which he created in Stockholm in 2012. Linde was born in an artistic family. His father was a musician and his mother played"
"the LP sleeve shows the same ""record-stack"" melange in a state of disarray. The artwork was inspired by the working title of the album, which was ""Automatic Changer"". The album cover for ""Let It Bleed"" was among the ten chosen by the Royal Mail for a set of ""Classic Album Cover"" postage stamps issued in January 2010. Jagger originally asked artist M. C. Escher to design a cover for the album; Escher declined. Released in December, ""Let It Bleed"" reached number 1 in the UK (temporarily demoting The Beatles' ""Abbey Road"") and number 3 on the ""Billboard"" Top LPs chart"
"cut-outs, it could be a magical crowd of whomever they wanted."" According to McCartney, he himself provided the ink drawing on which Blake and Haworth based the design. The cover was art-directed by Robert Fraser and photographed by Michael Cooper. The front of the LP included a colourful collage featuring the Beatles in costume as the Sgt. Pepper's Lonely Hearts Club Band, standing with a group of life-sized cardboard cut-outs of famous people. Each of the Beatles sported a heavy moustache, after Harrison had first grown one as a disguise during his visit to India. The moustaches reflected the growing"
"C. Escher's lithograph ""Reptiles."" In an interesting coincidence considering Guy Stevens' desire for Mott to sound like the Rolling Stones, in early 1969 Mick Jagger had approached Escher wanting to commission a painting for the cover of the Stones' upcoming album ""Let It Bleed""; Escher declined the request. Stephen Thomas Erlewine of AllMusic, gives the album four stars out of five and states: Robert Christgau however rates the album ""C+"" and states: Mott the Hoople (album) Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in"
"in New Orleans at the time. James Flournoy Holmes James Flournoy Holmes is an artist whose work is featured on several notable album covers, including the first album from the Marshall Tucker Band, the Allman Brothers' ""Eat a Peach"", Dr. John's ""In the Right Place"", and Charlie Daniels' ""Fire on the Mountain"". He is also credited with photography work for Carole King (""Touch the Sky""), The Outlaws (""Hurry Sundown"") and others. He and his brother, David Powell, founded the graphics studio Wonder Graphics. According to an interview with Dr. John, the triple gatefold artwork for the album was taken from"
"The cover artwork is a micrograph of two red blood cells folding over each other. It was shot by Steve Gschmeissner and was included in the cover by Marc Bessant. Not coincidentally, the name of Gabriel's supporting tour for the album is ""The New Blood Tour"". The concept for the album's graphic design concept is credited to Marc Bessant and Peter Gabriel. Gabriel originally intended to release ""Scratch My Back"" and ""I'll Scratch Yours"" simultaneously. However, as completion of the latter dragged out, it was instead decided to release a series of double A-sided singles with one song from each"
"The Cover of Rolling Stone ""The Cover of 'Rolling Stone'"" is a song written by Shel Silverstein and first recorded by American rock group Dr. Hook & the Medicine Show. Produced by Ron Haffkine and released in 1972, it was the band's third single and peaked at number six on the U.S. pop chart for two weeks on March 17–24, 1973. The song satirizes success in the music business; the song's narrator laments that his band, despite having the superficial attributes of a successful rock star (including drug usage, ""teenage groupies, who'll do anything we say"" and a frenetic guitar"
"Beggars Banquet Beggars Banquet is the seventh British and ninth American studio album by English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to roots rock for the band following the psychedelic pop of their 1967 album ""Their Satanic Majesties Request"". It was the last Rolling Stones album to be released during Brian Jones' lifetime, but he also played on two songs on their next album ""Let It Bleed"", which was released after his death. Glyn Johns, the"
"Plath, Sojourner Truth, Terry Gilliam, Tom Waits, Thom Yorke, Toni Morrison, and Tony Kushner. Books Exhibition catalogues Jann Haworth Jann Haworth (born 1942) is an American pop artist. A pioneer of soft sculpture, she is best known as the co-creator of The Beatles' ""Sgt. Pepper's Lonely Hearts Club Band"" album cover. Haworth is also an advocate for feminist rights especially for women representation in the art world. Haworth was born in 1942 and raised in Hollywood, California. Her mother Miriam Haworth was a distinguished ceramist, printmaker, and painter. Her father, Ted Haworth, was an Academy Award-winning art director. Since Haworth"
"Stones, Pasche designed the ""Tongue and Lip Design"" logo in 1971, which was revised by Braun while he was designing the album package and was originally reproduced on the U.S. inner sleeve and cover of""Sticky Fingers"" album released in April, 1971. For the record, Braun's version (pictured here) of the tongue and lips logo is the sole version used by the Rolling Stones for tours, promotion and all marketing applications worldwide. Craig Braun also formed a company, Rockreations, and licensed his LICKS version of the logo from Musidor NV, and marketed a wide collection of merchandising items in the US"
"member and main songwriter Zach Anderson commented on the artwork of the album: ""The design comes from the dutch artist Marijke Koger-Dunham who already worked with us for the first album cover. We are super proud to have the opportunity to work again with such a legendary artist who has even worked with The Beatles, Cream and many more. The original design was made by her 50 years ago. We worked together to adapt the colors to fit the mood of the album. Hopefully our fans will like it as much as we do."" All songs written and composed by"
"can't take a joke, it's too fucking bad"". The line ""Black girls just wanna get fucked all night"" drew strong protests from various groups, including Jesse Jackson's PUSH, which sought a boycott of the song on black-oriented radio. The album cover for ""Some Girls"" was conceived and designed by Peter Corriston, who would design the next three album covers, with illustrations by Hubert Kretzschmar. An elaborate die-cut design, with the colours on the sleeves varying in different markets, it featured the Rolling Stones' faces alongside those of select female celebrities inserted into a copy of an old Valmor Products Corporation"
"was covered by Dutch singer in early 1993. Suffering from AIDS at the time, Klijn wanted the single to be his musical testament before he died. The song went to number one in the Netherlands for six weeks in April/May 1993, and became the biggest-selling single of the year. Klijn died a few months later on 5 September 1993. The album's artwork was created by design team 23 Envelope, who at the time were also designing many of the album covers for another British independent label, 4AD. The photographs were taken by 23 Envelope's Nigel Grierson. The album cover photograph,"