"garden with a view of Honfleur on the horizon, that he painted this picture, which combines smooth, traditionally rendered areas with sparkling passages of rapid, separate brushwork, and spots of pure colour. The models were probably Monet's father, Adolphe, in the foreground, Monet's cousin Jeanne Marguérite Lecadre at the fence; Dr. Adolphe Lecadre, her father; and perhaps Lecadre's other daughter, Sophie, the woman seated with her back to the viewer. Although the scene projects affluent domesticity, it is by no means a family portrait. Monet's relations with his father were tense that summer, owing to family disapproval of the young"
"Beach in Pourville Beach in Pourville (title in French: ""La plage à Pourville, soleil couchant"") is a painting by French artist Claude Monet. It is one of an 1882 series of oil-on-canvas works by Monet in the small seaside resort of Pourville-sur-Mer (now part of the ""commune"" of Hautot-sur-Mer), near Dieppe in northern France. Monet is considered one of the most important members of the group of painters identified as the Impressionists. The painting was bought by the National Museum, Poznań, Poland in 1906 and exhibited in the display of their collection. The painting was stolen from the Poznań National"
"the painter of the copy used in the robbery. The suspect was traced through fingerprints and other evidence left at the site of the theft. Beach in Pourville Beach in Pourville (title in French: ""La plage à Pourville, soleil couchant"") is a painting by French artist Claude Monet. It is one of an 1882 series of oil-on-canvas works by Monet in the small seaside resort of Pourville-sur-Mer (now part of the ""commune"" of Hautot-sur-Mer), near Dieppe in northern France. Monet is considered one of the most important members of the group of painters identified as the Impressionists. The painting was"
"his paintings – in 1882 ""Danse à la campagne"" (""Dance in the Country""). The painting, now owned (and displayed) by the Sterling and Francine Clark Art Institute (""The Clark"") in Williamstown, Massachusetts, is oil on canvas and Renoir explained that the picture was painted on board a boat in the Bay of Naples. On his return to Paris Renoir sold or gave the painting to Henri Vever, a modern art collector, and signed the canvas adding a dedication to Vever. Despite Renoir's claim, the scene is not as from a boat. The figure appears to be seated beside the shore"
"Galleries (1922), and the Milch Galleries (1925). He was survived by his widow, two children, John and Towanda, two sisters, Mrs. Bert McCausland and Elizabeth Noble, and one brother, Arthur, all of Wichita. His son, John A. Noble (1913–1983), was also a well-known artist and lithographer and is the namesake of the Noble Maritime Collection. In 1941, his widow found a landscape of a sunrise over Boulogne, France that he had painted in the collection of William Randolph Hearst. It had been badly retouched, so she bought it, cut out and saved the sunrise from the center of the canvas"
"occasionally rustic figures: but his best works were coast scenes, introducing boats and figures, some of which were from sketches in the Netherlands, France, and on the Rhine. An example of his work, ""Shakespeare's Cliff, Dover, with Luggers on the Beach"", is in the South Kensington Museum. A ""View of Dort"" has been engraved after him by William Miller. He died at Liverpool in July 1834. Samuel Austin (artist) Samuel Austin (died 1834), was an English water-colour painter. Austin was a native of Liverpool. He commenced life as a banker's clerk, but eventually gave up a good position in order"
"Under the Sea"". He also illustrated ""Le Tour du monde"" and Guizot's ""History of France"". At the same time he painted a number of remarkable pictures: ""The Attack in the Streets of Magenta by Zouaves and the Light Horse"" (1864), ""A Zouave Sentinel"" (1865), ""The Battle of San Lorenzo"" (1867), and ""Dismounted Cavalry crossing the Tchernaia"" (1869). In these he showed peculiar insight into military life. His full power was reached after the Franco-Prussian War of 1870–71. The long-term French reaction was Revanchism: a deep sense of bitterness, hatred and demand for revenge against Germany, especially because of the loss"
"The Cliff Walk at Pourville The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet. It currently resides at the Art Institute of Chicago. It is a landscape painting featuring two women atop a cliff above the sea. The canvas was inspired by an extended stay at Pourville in 1882. Monet settled in the village between February and mid-April, during which time he wrote to his future wife, Alice Hoschedé, ""How beautiful the countryside is becoming, and what joy it would be for me to show you all its delightful nooks and crannies!"" They"
"a student of the Royal Academy. After completing the usual course of study in London, he returned to Bath, and later on proceeded to Antwerp, where, under Egide Charles Gustave Wappers, he worked for two years. In 1857 he lived at Bayswater, and died on 3 September 1863. In 1850, he married to Mary Elizabeth Rosenberg (1819–1914), eldest daughter of Mr. T. E. Rosenberg of Bath, and a painter of fruit and flowers; she was a member of the Institute of Painters in Water-Colours. William Duffield William Duffield (1816–1863) was a British still-life painter. Duffield was born at Bath in"
"(Musée des Beaux-Arts, Dunkirk) and Joseph-Marie Vien’s ""Greek Girl at the Bath"" (Museo de Arte, Ponce). Choiseul also owned a large number of engraved views of France (including works by Claude Chastillon, Israel Silvestre, Albert Flamen, and Reinier Nooms) and one of the most famous pieces of French furniture of the 18th century, a desk later owned by Talleyrand, Franz von Wolff-Metternich, and Edmond Adolphe de Rothschild, that has been attributed to the ""ébéniste"" Antoine Gaudreau and the bronze-chaser Jacques Caffieri. Choiseul Island, the largest island of the Solomon Islands is named after him. Choiseul Sound, a major inlet on"
"Argenteuil Basin with a Single Sailboat Argenteuil Basin with a Single Sailboat is an oil on canvas autumn scene of the basin at Argenteuil, painted by French Impressionist artist Claude Monet in 1874. The piece was created during Monet's residence at Argenteuil, a town on the banks of the Seine, on the outskirts of Paris. Here Monet purchased a boat to be used as a floating studio and painted many scenes of the surrounding area. The painting was purchased by Irish playwright and activist Edward Martyn in 1899, on the advice of his cousin, George Moore. It was bequeathed to"
"the ""Passager"" at the Port of Honfleur), became emblematic of the cattle paintings of that era. It once belonged to Charles X and is currently in the Louvre He exhibited at the Salon from 1819 onwards. Marie-Caroline de Bourbon-Sicile, duchesse de Berry owned some of his paintings. The landscape painter Eugène Lepoittevin was one of his students. He died in Nice. His works are exhibited at the Louvre and the Musée des Arts Décoratifs in Paris, the Musée départemental de l'Oise in Beauvais, the Museum of European and Mediterranean Civilisations in Marseille, the Musée Thomas-Henry in Cherbourg-Octeville, the Musée Magnin"
"biblical scenes such as the Annunciation, Flight from Egypt and the journey of the Magi for the vaults of the church at Montfarville, while for its choir he painted a copy of Leonardo da Vinci's ""Last Supper"". He died in 1895 of a pulmonary disease after receiving the medal of a Chevalier of the Légion d'honneur. His tomb in Réville features a recumbent white marble statue of his daughter Beatrix (1875–1888). Guillaume Fouace Guillaume Fouace (22 May 1837, Réville - 7 January 1895, Paris) was a French painter. He produced over 700 paintings in a realist style, mainly portraits, still"
"The Storm at Sea Storm at Sea is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in c. 1569. It is in the Kunsthistorisches Museum in Vienna. In the past doubts have been raised about the attribution of this painting to Bruegel: the name of Joos de Momper, a landscape painter who became a master in the Antwerp guild in 1581, has been mentioned. However, not only is this painting superior to any by de Momper; its similarity to a drawing by Bruegel and its originality of composition and delicacy of execution have made it generally"
"exhibitor in 1838, when he contributed an oil painting, ""Shipping in the Bay of Naples"", to the Society of British Artists. He showed both oil paintings and watercolours at the Royal Academy, his contributions including ""The Conqueror towing the Africa off the Shoals of Trafalgar"" (1841) and ""The Arrival of the Royal Squadron"" (1843). He lived in Newcastle until about 1845, when he moved to London, where he was already known as a skilful marine painter. In 1855, during the Crimean War he was sent to the Baltic to make drawings for ""The Illustrated London News"". His painting of the"
"frequently, to Italy, the Pyrenees and the Netherlands, until his death in 1891. Maupassant dedicated his story, ""Mon oncle Jules"" (1883), to Benouville. Jean-Achille Benouville Jean-Achille Benouville (15 July 1815, Paris – 8 February 1891, Paris) was a French landscape painter; known for his views of Italy. Together with his younger brother, François-Léon, he was apprenticed to François-Édouard Picot and, later, to Léon Cogniet. He painted numerous landscapes in the vicinity of Paris, Compiègne and Fontainebleau. In 1834, he had his first exhibition at the Salon. Three years later, he was admitted to the École nationale supérieure des beaux-arts and"
"Morning Ride on the Beach Morning Ride on the Beach () is an 1876 painting by Dutch artist Anton Mauve from the Hague School. It shows a group of riders on the Scheveningen beach, painted in an impressionistic style. The work is now in the collection of the Rijksmuseum in Amsterdam. Mauve was a member of the Hague School, which was known for its portrayal of the harsh existence of fishermen in Scheveningen. Here, however, Mauve chose a different subject in depicting a bourgeois group riding along the beach. The painting shows a group of riders descending to the beach,"
"Paysage Bords de Seine Paysage Bords de Seine (""On the Shore of the Seine"" or ""Landscape on the Banks of the Seine"") is an 1879 oil painting by Pierre-Auguste Renoir. It was stolen in 1951 from the Baltimore Museum of Art and resurfaced in 2012. ""Paysage Bords de Seine"" was painted by Renoir in 1879. In June 1925, the painting was purchased by the Paris art gallery Bernheim-Jeune from a ""Madame Papillon"" (possibly Alphonsine Fournaise Papillon, a figure in the artist's ""Luncheon of the Boating Party""). In January 1926, Herbert L. May purchased the painting from Bernheim-Jeune. In 1937, May's"
"with under a hundred homes. In just a few days, he made two paintings of the sea, one of the village and nine drawings. One of the paintings was Van Gogh Museum's ""Fishing Boats on the Beach at Saintes-Maries-de-la-Mer"" (F413), which he described to his brother, Theo: ""I made the drawing of the boats when I left very early in the morning, and I am now working on a painting based on it, a size 30 canvas with more sea and sky on the right. It was before the boats hastened out; I had watched them every morning, but as"
"Torquay’. The dock-side scene was possibly painted by Jean-Louis Morin, while the back panel is decorated with flowers. The architectural base of this vase is unique and differs from all other known ship vases. The vase was probably designed to be mounted on its existing ormolu plinth in which an ormolu dolphin is interposed between each pair of triglyphs. All three vases were produced around 1761 and are now owned by the National Trust. Jean-Claude Duplessis (circa 1695-1774), painted by Charles-Nicolas Dodin (1734-1803), c. 1760 in pink and green, with a chinoiserie scene in the main panel, after a painting"
"Jean-Achille Benouville Jean-Achille Benouville (15 July 1815, Paris – 8 February 1891, Paris) was a French landscape painter; known for his views of Italy. Together with his younger brother, François-Léon, he was apprenticed to François-Édouard Picot and, later, to Léon Cogniet. He painted numerous landscapes in the vicinity of Paris, Compiègne and Fontainebleau. In 1834, he had his first exhibition at the Salon. Three years later, he was admitted to the École nationale supérieure des beaux-arts and was awarded the Prix de Rome for historic landscape painting. As a result, he was able to make three trips to Italy; one"
"Jules Bastien-Lepage and Jean-François Millet in their choice of humble everyday subjects – in the case of Étaples, the life of the fisherfolk. There are good examples in the work of the American Louis Paul Dessar, who was in the town between 1886-1901, and the Anglo-Australian Tudor St George Tucker, whose first major painting, ""A Picardy Shrimp Fisher"", was executed in Étaples. William Gerard Barry's ""Time Flies"" and Birge Harrison's ""The Return of the Mayflower"", mentioned above, are works of the same tendency. One particular focus of attention as a subject was the town's fish market, built in 1872 and"
"""New York Times"" Sunday June 17, 1923. Chadbourne, Janice H. and Karl Gabosh and Charles O. Vogel, ed. ""The Boston Art Club Exhibition Record"", 1873-1909. Madison, Connecticut: Sound View Press, 1991. Available through the Boston Art Club. Davol ""Beach at Ogunquit"", ca. 1915 Davol Painting In Farnsworth Collection Joseph B. Davol Joseph Benjamin Davol (August 25, 1864 – June 15, 1923) was an American marine painter and art teacher. He was born in Chicago. Following art studies in Boston and New York, Davol studied in Paris at the Académie Julian in 1895-96. In Paris he studies with Henri Laurens, Benjamin,"
"(1888), and ""Still Life: Vase with Twelve Sunflowers"" (1888), all intended for the decoration for the Yellow House. Van Gogh wrote that with ""The Night Café"" he tried ""to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime"". When he visited Saintes-Maries-de-la-Mer in June, he gave lessons to a Zouave second lieutenant – – and painted boats on the sea and the village. MacKnight introduced Van Gogh to Eugène Boch, a Belgian painter who sometimes stayed in Fontvieille, and the two exchanged visits in July. When Gauguin agreed to"
"Samuel Atkins Samuel Atkins (fl. 1787–1808), was a British marine painter. Atkins contributed to the Royal Academy between 1787 and 1796. From 1796 to 1804 he was in the East Indies, when he returned to England, and continued to exhibit until 1808. He worked in oil and water-colour. The water-colour collections of South Kensington and the British Museum have each an example of his work. It is rather early in manner, low in tone, quiet, and truthful. A picture of ‘Shakespeare's Cliff, Dover,’ has been engraved after him by R. and D. Havell. Nagler attributes to this Samuel Atkins the"
"Eugène Boudin Eugène Louis Boudin (; 12 July 18248 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the ""king of the skies"". Born at Honfleur, Boudin was the son of a harbor pilot, and at age 10 the young boy worked on a steamboat that ran between Le Havre and Honfleur. In 1835 the family moved to Le Havre,"
"at Etaples"" by the Australian Marie Tuck (1866-1947 and ""Market Scene at Etaples"" by her compatriot Iso Rae (1860-1940). There was also the charcoal and crayon drawing ""Le Marché à Etaples"" by Hilda Rix (1884-1961), another Australian, and ""Market Place, Étaples"", a watercolour by the Irish artist Mima Nixon (1861-1939) that was displayed at the Royal Academy exhibition in 1909. Recently there has been some controversy over the authenticity of artistic portrayal of the life of fisherfolk. Nina Lübbren in particular has argued that the strategies employed in producing a work of art present a false picture and are chiefly"
"over a number of years. In ""A Moveable Feast"", Ernest Hemingway mentions Boutet de Monvel's Joan of Arc Illustrations, likening Alice B. Toklas' hair to that of Joan of Arc's hair. Louis-Maurice Boutet de Monvel Louis-Maurice Boutet de Monvel (18 October 1850 – 16 March 1913) was a French painter and illustrator best known for his watercolours for children's books. He was a major figure in nineteenth-century children's book illustration. Boutet de Monvel was born in Orléans, the second of nine children; his father, Benjamin Boutet de Monvel (1820–1880), was a physics and chemistry professor. His maternal grandfather was the"
"of style between Bonheur and Rosa, although Auguste's landscape settings were stronger and purer in colour, giving an impression of luminous sunshine. On balance, Gautier favoured the paintings of Rosa Bonheur for their stronger brushwork. Auguste Bonheur Auguste Bonheur (3 November 1824 in Bordeaux – 21 February 1884 in Bellevue, Seine-et-Oise) was a French painter of animals and bucolic scenes in landscapes. In his compositions he was able to accurately depict the horizon, ambience, luminous settings and space. His works show the influence of the paintings of cattle by seventeenth-century Dutch painters such as Aelbert Cuyp and Paulus Potter. During"
"to the Louvre and afterward to the Musée d'Orsay. She made a number of copies, one of which is in the John and Mable Ringling Museum of Art. Rosa Bonheur was claimed by ""New York Times"" critic Mary Blume as ""the most famous woman painter of her time, perhaps of all time"". Besides ""The Horse Fair"", ""Ploughing in the Nivernais"" is one of Bonheur's best-known paintings, and somewhat resembles ""Oxen going to work"" by Constant Troyon. An early admirer was Anna Elizabeth Klumpke, who copied the work in the Luxembourg before beginning a long acquaintance with the artist. George du"
"by both artists. “Well before their meeting,” writes one critic, “Dahl had also painted a number of 'moonlights' and, travelling in Europe, he was in the Bay of Naples in 1821 when Mount Vesuvius was active. Here he painted 'Boats on the Beach Near Naples', where fishing crafts lie at anchor in the calm, shimmering waters with the twin peaks of the mountain smoking and flaming behind. Predictably, after his close association with Friedrich began—the two families shared a house in Dresden from 1823—he was considerably influenced by him, but his own more spontaneous and painterly style soon prevailed. Clients"
"Luncheon of the Boating Party Luncheon of the Boating Party (1881; ) is a painting by French impressionist Pierre-Auguste Renoir. Included in the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 (for $125,000) from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light. The"
"original title ""Portsmouth Dockyard"". It remains in the collection of the Tate. Portsmouth Dockyard (Tissot) Portsmouth Dockyard is an 1877 oil painting by French artist James Tissot. It is a reworking of his 1987 painting ""On The Thames"", which also depicts a man and two women in a boat. It measures . The painting depicts three people sitting in a rowing boat among the towering naval vessels in Portsmouth Dockyard, with another rowing boat crewed by naval personnel passing in the background before the bows of two old-fashioned square rigged ships of the line. In the background is a modern"