"record sleeves, T-shirts, and other artwork affiliated with the band. Swirlies began playing a full band version of ""Her Life of Artistic Freedom"" and recorded it as part of a session for the ""John Peel Show"". The song saw release on the band's 2015 single ""Orca vs. Dragon."" Tracks 2, 4, and 6 previously appeared on Swirlies' ""Didn't Understand"" single on Slumberland Records. All other tracks were previously unreleased. All other recording, mixing and editing done at home by Swirles. What To Do About Them What to Do About Them is a 1992 EP by Boston indie rock band Swirlies."
"He is a manifestation of the Lord of Misrule and Trickster, figures of deep-rooted mythologies. Punch's wife was originally ""Joan"", but later became ""Judy"". In the late 18th and early 19th centuries, the familiar ""Punch and Judy"" puppet show which existed in Britain was performed in an easily transportable booth. The British Puppet and Model Theatre Guild in the early 20th century instigated a resurgence of puppetry. Two of the Guild's founders, H. W. Whanslaw and Waldo Lanchester, both worked to promote and develop puppetry with publications of books and literature, mainly focusing on the art of the marionette. Lanchester"
"calls for the abolition of priestly celibacy, alleging that priests would otherwise make wonderful husbands and fathers. In the meantime, however, she will keep trying to attract an older man in hopes that her unmarried humiliation will finally end. Finally, in the judgement section Queen Aoibheal rules that all laymen must marry before the age of 21, on pain of corporal punishment at the hands of Ireland's women. She advises them to equally target the romantically indifferent, homosexuals, and unmarried skirt chasers who boast of the number of notches on their belts. Aoibheal tells them to be careful, however, not"
"most professors work solo, since the need for a bottler became less important when busking with the show gave way to paid engagements at private parties or public events. The Punch and Judy show has roots in the 16th-century Italian commedia dell'arte. The figure of Punch is derived from the Neapolitan stock character of Pulcinella, which was anglicized to ""Punchinello"". He is a manifestation of the Lord of Misrule and Trickster figures of deep-rooted mythologies. Punch's wife was originally called ""Joan."" The figure who later became Mr. Punch made his first recorded appearance in England on 9 May 1662, which"
"an unexpected success, selling about 6,000 copies a week in the early years. However, sales of as many as 10,000 issues a week were required to cover all costs of the magazine. In December 1842, the magazine was sold to Bradbury and Evans; Mayhew resigned as joint editor, and he continued at the magazine as ""suggestor in chief"" with Mark Lemon reappointed as editor. Mayhew eventually severed his connection with the magazine, writing his last article in February 1845. His brother Horace stayed on the board of Punch until his own death. The ""Punch"" years gave Mayhew the opportunity to"
"the first scene he and Punch dance a minuet together"". When the fanatics called French prophets were creating disturbances in Moorfields, the ministry ordered Powell to make Punch turn prophet, which he did so well that it soon put an end to the prophets and their prophecies. In 1710, says Lord Chesterfield, the French prophets were totally extinguished by a puppet show. On 20 April 1710 Luttrell mentions that four Indian sachems who were visiting London went to see Powell's entertainment. In the ""Groans of Great Britain"" (1711), formerly considered to be Daniel Defoe's work, Charles Gildon (d. 1724) complains"
"humiliation will finally end. Finally, in the judgement section Queen Aoibheal rules that all laymen must marry before the age of 21, on pain of corporal punishment at the hands of Ireland's women. She advises them to equally target the romantically indifferent, men-loving men, and unmarried skirt chasers who boast of the number of notches on their belts. Aoibheal tells them to be careful, however, not to leave any man unable to father children. She also states that abolishing priestly celibacy is beyond her mandate and counsels patience. To the poet's horror, the younger woman angrily points him out as"
"reported that when Sir John asked Johnson for advice on whether he should marry, the reply came as: ""I would advise no man to marry, Sir,"" replied the Doctor in a very angry tone, ""who is not likely to propagate understanding;"" and so left the room. Johnson did propose,""half in earnest"", a marriage between Sir John and Fanny Burney while the boy was still a minor. Lade matriculated at University College, Oxford in 1776. On attaining the age of 21, he received control of his fortune. Lade lost money at the races and by gambling; but he developed a reputation"
"section Queen Aoibheal rules that all laymen must marry before the age of 21, on pain of corporal punishment at the hands of Ireland's women. She advises them to equally target the romantically indifferent, homosexuals, and skirt chasers who boast of the number of women they have used and discarded. Aoibheal tells them to be careful, however, not to leave any man unable to father children. She also states that abolishing priestly celibacy is something only the Vatican can do and counsels patience. To the poet's horror, the younger woman angrily points him out as a 30-year-old bachelor and describes"
"drawing for Punch in 1889 and remained a contributor until his death. In 1893 Punch first published one of his most popular cartoon series, Prehistoric Peeps, which was turned into a silent animated film in 1905. E.T. Reed succeeded Harry Furniss as political caricaturist of Punch in 1893. His satirical portraits illustrated the Essence of Parliament articles for the next eighteen years. He exhibited work at the Society of Graphic Art's first annual exhibition in 1921. Reed died in London on 12 July 1933 after a long illness. He was married in Wandsworth, London, in 1891 to Beatrice Bullen; they"
"intercept the van and save them, allowing Kate to call a contact with a boat to pick them up. Selling the diamond to a contact of Jerry's for $15 million, Richard and Kate decide to spend some time travelling while Jerry and Penelope take the money back to donate it to Richard's former employees. Peter Bradshaw, writing in ""The Guardian"", gave the film 3 stars saying that it is an ""entirely ridiculous, cheerfully daft and very amiable midlife comedy"". The Love Punch The Love Punch is a 2013 British comedy film written and directed by Joel Hopkins. It was screened"
"""""That's"" the way to do it!"" The term ""pleased as Punch"" is derived from Punch and Judy; specifically, Mr. Punch's characteristic sense of gleeful self-satisfaction. Modern British performances of Punch and Judy are no longer exclusively the traditional seaside children's entertainments which they had become. They can now be seen at carnivals, festivals, birthday parties, and other celebratory occasions. The characters in a Punch and Judy show are not fixed. They are similar to the cast of a soap opera or a folk tale such as Robin Hood: the principal characters must appear, but the lesser characters are included at"
"House Punch — though not yet by that name — may be in the notes of William Black, the secretary of an embassy of Virginia Commissioners who visited Philadelphia in 1744. He recounted being met by local poobahs on the bank of the Schuylkill, where they were greeted “very kindly and welcomed . . . into their Province with a Bowl of fine Lemon Punch big enough to have Swimmed half a dozen of young Geese."" The Punch is traditionally made in a large bowl also used as a baptismal font for the citizens' infant sons; “its an ample space"
"troop past each other, with cameos galore. British comedy British comedy, in film, radio and television, is known for its consistently peculiar characters, plots and settings, and has produced some of the most famous and memorable comic actors and characters. British comedy history is measured in centuries. Shakespeare incorporated many chase scenes and beatings into his comedies, such as in his play ""The Comedy of Errors"". The quarrelsome couple Punch and Judy made their first recorded appearance in Britain in 1662, when Samuel Pepys noted a “pretty” puppet play being performed in Covent Garden, London. The various episodes of Punch"
"evolved into Mr. Punch in England. The key half of Punch and Judy, he is recognized as one of the most important British Icons in history. The first recorded show that would have involved this Punch-style marionette was performed in May 1662, outside of London in Covent Garden by Bologna-born puppeteer Pietro Gimonde, also known as Signor Bologna. This marionette was named Punchinello, later evolving into Punch, and finally becoming wholly British with his transformation into Mr. Punch. The British Punch is far more childlike and violent than Pulcinella, but is renowned for being just as funny. Always seen with"
"Paul Lynch (director) Paul Lynch (born June 11, 1946 in Liverpool, England) is an English-Canadian film director and television director. Lynch came to Canada in 1960. He left school to become a cartoonist for the ""Toronto Star"" and then served as a photographer for a number of small-town newspapers. This led to work in film, including a 90-minute documentary on ""Penthouse"" magazine commissioned by its publisher, Bob Guccione. His first feature was ""The Hard Part Begins"", considered to be a classic of early English-Canadian cinema. This was followed by the box-office hit ""Prom Night"", a prototypical ‘slasher’ film starring Jamie"
"The Love Punch The Love Punch is a 2013 British comedy film written and directed by Joel Hopkins. It was screened in the Gala Presentation section at the 2013 Toronto International Film Festival. Richard (Pierce Brosnan) and Kate Jones (Emma Thompson) are divorcees with two children Sophie and Matt. When Richard's company is sold to a corrupt French businessman, Vincent (Laurent Lafitte), they go to Paris and confront Vincent, where Vincent does not deny all the things he did illegally. Richard and Kate plot their plan on how to get their money back. They find out that Vincent is getting"
"of encounters with the forces of law and order (and often the supernatural), interspersed with jokes and songs. A typical show as performed currently in the UK will start with the arrival of Mr. Punch, followed by the introduction of Judy. They may well kiss and dance before Judy requests Mr. Punch to look after the baby. Punch will fail to carry out this task appropriately. It is rare for Punch to hit his baby these days, but he may well sit on it in a failed attempt to ""babysit"", or drop it, or even let it go through a"
"wed. He told a story about how he lost his virginity at age 16 when he spent the summer in Normandy. An older girl took a fancy to him. Outdoors that night, she introduced him to the art of love and what amazed him most was that what Hemingway had written came true: ""the earth moved under him."" Not until somewhat later did he realize that Allied ships were bombarding the coast in preparation for the D-Day invasion. He also had two stepsons from his marriage to Schneider (heiress to the Schneider-Creusot steel and armaments firm) as well as adult"
"the Mr. Punch show, 'The oldest, the wisest play'. The narrator is first introduced to Mr. Punch when fishing with his grandfather, but encounters it, and a mysterious 'professor' (Punch & Judy man), during various other activities. The story of Mr. Punch, is that he kills his baby, then his wife Judy and the police officer who comes to arrest him. He outwits a ghost, a crocodile and a doctor, convinces the hangman to be hanged in his place and, at the play's end, even defeats the devil himself. Like many of Gaiman's works, a major theme in this graphic"
"original. A transcript of a typical Punch and Judy show in London of the 1840s can be found in Henry Mayhew's ""London Labour and the London Poor"". Punch and Judy Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Punch's slap stick. It is often associated with traditional British culture. The various episodes of Punch comedy—often provoking shocked laughter—are dominated by the clowning of Mr."
"had daughter and a son. Edward Tennyson Reed Edward Tennyson Reed (1860-1933) was an English political cartoonist and illustrator, primarily known for his cartoons in Punch Magazine. Edward Tennyson Reed was born in Greenwich, London, on 27 March 1860, the son of Chief Naval Architect and MP for Cardiff Sir Edward James Reed and his wife Rossetta . Reed was educated at Harrow School and later studied for the Bar. However he preferred the world of art, and trained at Calderon's Art School before attempting to make a living as a portrait painter. After little success in this area he"
"They were introduced by a mutual friend, and Michael practically asked Kanin to marry him right then and there, but it took her a little while to come around to the idea. The Kanins rented a house in Malibu for their honeymoon, and after buying an A. J. Liebling ""New Yorker"" short story about a boarding house for boxers, they spent the next six months writing the adaptation, ""Sunday Punch"" (1942). They knew they were on the track to a partnership when MGM bought the screenplay. ""We would make a story outline together with rather detailed descriptions of the scenes."
"tapping the ground to the rhythm of the music and rapping on the door with a poker, while Judy brushed the ground, house walls, and windows with a broom. The householders had to make Punch promise that he would not touch their fireplace before he entered the building, otherwise it was the local custom that before he left he would rake out the fire with his poker. In the case from Llangynwyd, however, there was no interplay between the householders and troupe, but rather the latter were typically granted entry automatically after singing the first verse of their song. Once"
"Punch and Judy Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Punch's slap stick. It is often associated with traditional British culture. The various episodes of Punch comedy—often provoking shocked laughter—are dominated by the clowning of Mr. Punch. The show is performed by a single puppeteer inside the booth, known since Victorian times as a ""professor"" or ""punchman"", and assisted sometimes by a ""bottler"""
"Punch (magazine) Punch; or, The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term ""cartoon"" in its modern sense as a humorous illustration. It was well known for it's regular racist depiction of the Irish people. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. ""Punch"" was founded on 17 July 1841 by Henry"
"of sweet, Of Old Jamaica pour three strong, And add four parts of weak. Then mix and drink. I do no wrong — I know whereof I speak. Punches are extremely common among parties for college and university students. These punches tend to be highly alcoholic and made with cheap ingredients. They may be referred to by names such as ""grain punch"" (made with high-proof grain alcohol and sundry mixers) or ""Jungle Juice"" (liquor of various sorts brought to a BYOB party, mixed in a lined trash can with various carbonated beverages, kool-aid, or whatever is on hand). Some even"
"The Tragical Comedy or Comical Tragedy of Mr. Punch The Tragical Comedy or Comical Tragedy of Mr. Punch or simply Mr. Punch is a graphic novel written by Neil Gaiman, illustrated and designed by Dave McKean. It was published in 1994. The book follows the childhood memories of the narrator, illustrating various experiences in his life: fishing on the beach at dawn; his grandparents and how one grandfather went mad; a hunchback great-uncle; the betrayal of children by adults; fear of the unknown; an unwanted pregnancy, violence, possibly even murder. The general story is paralleled with the traditional story of"
"Punch (2002 film) Punch is a Canadian dark comedy film, directed by Guy Bennett and released in 2002. The film stars Michael Riley as Sam Frizzell, a widowed single father in Vancouver, British Columbia whose desire to find a new partner is complicated by his daughter Ariel's (Sonja Bennett) jealousy of any new woman in his life. However, when Ariel physically attacks Sam's newest love interest Mary (Marcia Laskowski), Mary's sister Julie (Meredith McGeachie), a lesbian professional boxer, comes to her sister's defense. The film's cast also includes Vincent Gale, Kathryn Kirkpatrick, Don Ackerman and Sarah Lind. At the Vancouver"
"who believes McGraw is ""throwing her over"" reveals that McGraw ""framed"" the murder charge on Jed and his pals. This gives the men their freedom and clears Buck, leaving him free to marry the Salvation Army girl. The Big Punch The Big Punch is a 1921 American western film directed by John Ford. It is not known whether the film currently survives, which suggests that it is a lost film. In France, the film was known under the title ""Un homme libre"" (meaning a free man). As summarized in a film publication, Buck (Jones) consents to study for the ministry,"
"Punch (2011 film) Punch () is a 2011 South Korean coming-of-age film directed by Lee Han about the budding mentor-mentee relationship forged between a rebellious high school student from a poor household (Yoo Ah-in) and his meddlesome homeroom teacher who moves in next door (Kim Yoon-seok). It is based on the bestselling novel ""Wandeuk"" by Kim Ryeo-ryeong, which has sold more than 700,000 copies since it was published in 2008. Eighteen-year-old Do Wan-deuk (Yoo Ah-in) lives with his hunchback father Jeong-bok (Park Su-yeong) and stuttering uncle Min-gu (Kim Young-jae), former cabaret clowns now having to work in open-air markets after"
"of taverns, or within large tents at England's yearly agricultural events at Bartholomew Fair and Mayfair. In the latter half of the 18th century, marionette companies began to give way to glove-puppet shows, performed from within a narrow, lightweight booth by one puppeteer, usually with an assistant, or ""bottler,"" to gather a crowd and collect money. These shows might travel through country towns or move from corner to corner along busy London streets, giving many performances in a single day. The character of Punch adapted to the new format, going from a stringed comedian who might say outrageous things to"
"down to the work of a country priest. He was well known as a spiritual guide and director, and people came to him from far and wide for advice and counsel. In the next year he married Phoebe Langsdale, by whom he had six children, the eldest of whom died at Uppingham in 1642. In the autumn of the same year he was appointed to preach in St Mary's on the anniversary of the Gunpowder Plot, and apparently used the occasion to clear himself of a suspicion, which, however, haunted him through life, of a secret leaning to the Roman"