Which Mozart opera has a title that can be translated into English as 'Thus Do All Women'?
"Do It"", noting that the latter ""shows a marked decline in narrative sophistication and wit"" noting that the Venice setting in this film is set more in studio-based constructs than ""The Key"". Brass' film relocates the story to Mussolini's time and changes the setting to Venice. All Ladies Do It All Ladies Do It ( ) is a 1992 Italian sex comedy film directed by Tinto Brass and starring Claudia Koll. It is loosely based on Mozart/da Ponte opera ""Così fan tutte"". Diana (Claudia Koll) is a Roman wife happily married to sympathetic Paolo (Paolo Lanza) but she is keen"
"Così fan tutte Although it is commonly held that """" was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ""Così fan tutte"", literally means ""So do they all"", using the feminine plural (""tutte"") to indicate women. It is usually translated into English as ""Women are like that"". The words are sung by the three men in"
"von Flotow, Charles Gounod, Ruggiero Leoncavallo, Pietro Mascagni, Jacques Offenbach, Giacomo Puccini, Johann Strauss II and Giuseppe Verdi. Since 2001, HGO has produced operas including Mozart’s ""Idomeneo, Così fan tutte, The Marriage of Figaro, Don Giovanni, The Clemency of Titus"" and ""The Magic Flute"", Offenbach’s ""Orpheus in the Underworld"" and ""The Tales of Hoffmann"", Puccini’s ""Il Trittico"" and ""Madam Butterfly"", Bizet’s ""Carmen"", Tchaikovsky's ""Eugene Onegin"", and Donizetti's ""Elixir of Love"". The HGO production of Mozart's ""Così fan tutte"" won Best Opera Production 2012 at the Off West End Awards. HGO's production for May 2018 was Verdi's ""La traviata""; in November"
"again in July (twice) and August (once). After that it was not performed in Vienna during Mozart's lifetime. The first British performance was in May 1811 at the King's Theatre, London. ""Così fan tutte"" was not performed in the U.S. until 1922, when it was given at the Metropolitan Opera. According to William Mann, Mozart disliked prima donna Adriana Ferrarese del Bene, da Ponte's arrogant mistress for whom the role of Fiordiligi had been created. Knowing her idiosyncratic tendency to drop her chin on low notes and throw back her head on high ones, Mozart filled her showpiece aria ""Come"
"with Scottish Opera. Her singing career was cut short by illness in 1998, and she now teaches singing privately and as a member of the teaching staff at Bath Spa University and London's Royal College of Music. Mannion's recordings include: Rosa Mannion Rosa Mannion (born 1962) is a British operatic soprano who has sung leading roles both in the opera houses of the UK and Europe and in the recording studio. Although particularly known for her roles in the operas of Handel and Mozart, she sang a wide repertoire during her career including Violetta in ""La traviata"" and all three"
"Bonn, and Resonanzen Vienna. She has also performed with notable orchestras, including Gewandhaus Orchestra, Symphonic Orchestra of Prague, Venice Baroque Orchestra, Classical Orchestra of Madrid, Staatskapelle Dresden, Orchestra of the Comunale of Bologna, Orchestra regionale Toscana, Complesso Barocco, and Orchestra of the Fiandre. On the opera stage she has portrayed numerous Handel heroines, including Adelaide in ""Lotario"", Asteria in ""Tamerlano"", Merab in ""Saul"", and the title roles in ""Alcina"", ""Deidamia"", and ""Rodelinda"". She appeared in Mozart operas, as Konstanze in ""Die Entführung aus dem Serail"", Fiordiligi in ""Così fan tutte"" and Donna Anna in ""Don Giovanni"". Her roles have included"
"Figaro and Susanna in Mozart's The Marriage of Figaro. It reached London in 1786, where, as in many other European cities, it enjoyed great success. Franz Joseph Haydn composed two insertion arias for the work, one lost, the surviving aria, Dice benissimo, for bass & orchestra, H. 24b/5. The plot of the opera involves love intrigues, attempted seductions and provocations to jealousy between members of the three different social strata: the aristocracy, the bourgeoisie and the working class. The role of the Lieutenant is a close parallel to that of Don Alfonso in Mozart's Così fan tutte. La scuola de'"
"of several operas including Cosi fan Tutti set in a football club, Barber of Seville done ""Los Angeles style"" and The Magic Flute as a circus show. She has also directed The Marriage of Figaro for Opera Australia. Christine Douglas Christine Douglas is an Australian opera singer and director. Douglas, a soprano, trained at the Victorian College of the Arts. She performed in multiple Australian Opera productions including Cosi fan tutte, Fidelio, La Boheme, A Midsummer Night's Dream, Pagliacci, The Magic Flute, Patience, and Hansel and Gretel. The soundtrack album to an Opera Australia staging of Hansel and Gretel earnt"
"Maria Stuarda Maria Stuarda (Mary Stuart) is a tragic opera (""tragedia lirica""), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play ""Maria Stuart"". The opera is one of a number of operas by Donizetti which deal with the Tudor period in English history, including ""Anna Bolena"" (named for Henry VIII's second wife, Anne Boleyn), ""Roberto Devereux"" (named for a putative lover of Queen Elizabeth I of England) and ""Il castello di Kenilworth"". The lead female characters of the operas ""Anna Bolena"", ""Maria Stuarda"", and ""Roberto Devereux"" are"
"Elisabeth (musical) Elisabeth is a Viennese, German-language musical commissioned by the Vereinigte Bühnen Wien (VBW), with book/lyrics by Michael Kunze and music by Sylvester Levay. It portrays the life and death of Empress Elisabeth of Austria, wife of Emperor Franz Joseph I. It has been translated into seven languages and seen by over ten million spectators worldwide, making it the most successful German-language musical of all time. The musical tells the story of Elisabeth (""Sisi""), the Empress of Austria, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni,"
"(as the statue) sings of the struggles and lessons of her long life. ""Virgil Thomson: Composer on the Aisle"". Anthony Tommasini. W. W. Norton. The Mother of Us All The Mother of Us All is an opera by Virgil Thomson to a libretto by Gertrude Stein. It chronicles the life of Susan B. Anthony, one of the major figures in the fight for women's suffrage in the United States. In fanciful style, it brings together characters, fictional and non-fictional, from different periods of American history. The opera premiered on 7 May 1947 at Columbia University's Branders Matthews Hall with soprano"
"and Venetian women. The statue suddenly arrives and drags Don Giovanni to his death. Ottavio and the women enter. Pasquariello and Lanterna describe Giovanni's fate to them. The opera ends as all rejoice at his downfall. Gazzaniga: ""Don Giovanni"" – Orchestra e coro della RCA Italiana Gazzaniga: ""Don Giovanni"" – Kammerchor Stuttgart, Tafelmusik Baroque Orchestra Don Giovanni Tenorio , (English: ""Don Giovanni, or The Stone Guest"") also known as Don Giovanni Tenorio (""tenorio"" is a Spanish word for ""seducer""). The opera appeared the same year as Mozart's version. It is the most famous opera by the Italian composer Giuseppe Gazzaniga."
"performance credits include Belinda in Purcell's ""Dido and Aeneas"", The Queen of the Night and First Lady in Mozart's ""Zauberflöte"" and Violetta Valéry in Verdi's ""La Traviata"". She also understudied the title role in Beethoven's ""Fidelio"" for Garsington Opera. Erica Eloff Erica Eloff is a South African soprano specializing in opera, lieder and oratorio, currently residing in England. She made her professional debut in the UK during the summer of 2008 at Garsington Opera as Fiordiligi in Mozart's ""Così fan tutte"". She also made her Wigmore Hall debut in their 2008/09 season with the pianist James Baillieu as a Kirckman"
"The Mother of Us All The Mother of Us All is an opera by Virgil Thomson to a libretto by Gertrude Stein. It chronicles the life of Susan B. Anthony, one of the major figures in the fight for women's suffrage in the United States. In fanciful style, it brings together characters, fictional and non-fictional, from different periods of American history. The opera premiered on 7 May 1947 at Columbia University's Branders Matthews Hall with soprano Dorothy Dow as Susan B. Anthony. Soprano Shirlee Emmons was awarded an Obie Award for her portrayal of Susan B. Anthony in the 1956"
"""Don Juan Tenorio"" (1844). ""Don Juan Tenorio"" is still performed throughout the Spanish-speaking world on November 2 (""All Souls Day"", the Day of the Dead). Mozart's opera ""Don Giovanni"" is arguably the best-known version. First performed in Prague in 1787, it inspired works by E. T. A. Hoffmann, Alexander Pushkin, Søren Kierkegaard, George Bernard Shaw and Albert Camus. The critic Charles Rosen analyzes the appeal of Mozart's opera in terms of ""the seductive physical power"" of a music linked with libertinism, political fervor, and incipient Romanticism. The first English version of Don Juan was ""The Libertine"" (1676) by Thomas Shadwell."
"at the festival Wiener Festwochen included in 1976 Annius in Mozart's ""La clemenza di Tito"", and in 1986 Dorabella in Mozart's ""Così fan tutte"" in a production of La Monnaie directed by Luc Bondy. Other major parts were Orfeo in Gluck's ""Orfeo ed Euridice"", Cherubino in Mozart's ""Le nozze di Figaro"", Hänsel in Humperdinck's ""Hänsel und Gretel"", and the emperor in Henze's ""We Come to the River"". She appeared at the opera houses of Rome and Amsterdam, and London's Covent Garden. Ilse Gramatzki Ilse Gramatzki (born 1939) is a German operatic mezzo-soprano and contralto who performed at major European opera"
"and her husband, who is also her agent, live in Boulder, Colorado, USA. Emily Magee Emily Magee (born October 31, 1965) is an American operatic soprano. Born in New York City, Magee studied music at Westminster Choir College, from which she graduated in 1987. She continued her studies at the Jacobs School of Music of Indiana University Bloomington, where her teachers included Margaret Harshaw. In 1995, Magee made her operatic debut at the Lyric Opera of Chicago, singing the role of Fiordiligi in Mozart's ""Così fan tutte"". Her international debut came in 1996 at the Berlin State Opera, under the"
"Maria Golovin Maria Golovin is an English language opera in three acts by Gian Carlo Menotti. It is through-composed and centers on a romantic encounter between a blind recluse named Donato and the title character, a married woman living in a European country a few years after a recent war. The work was commissioned by Peter Herman Adler of the NBC Opera Theatre. Its first performance was at the International Exposition Pavilion Theater at Expo '58 in Brussels on 20 August 1958. Later that year, David Merrick and the NBC Opera mounted a Broadway production billed as a ""musical drama."""
"Le donne curiose Le donne curiose (English: ""The Inquisitive Women"") is an opera in three acts by Ermanno Wolf-Ferrari to a text by Luigi Sugana after Carlo Goldoni's play. The first dramatic work by Wolf-Ferrari to achieve more than local notice, it was first performed in Munich on 27 November 1903 in a German translation as ""Die neugierigen Frauen"". The first performance in Italian was in New York on 3 January 1912 with a distinguished cast led by Arturo Toscanini, including Geraldine Farrar and Hermann Jadlowker. Tullio Serafin conducted the first performance in Milan on 16 January 1913. The story"
"Riedel in the title role), Desdemona (""Otello""), Leonora (""Il trovatore"" and ""La forza del destino""), Violetta (""La traviata""), Tatiana (""Eugene Onegin""), Mimi (""La bohème""), most of the Mozart heroines, including Donna Anna and Elvira (""Don Giovanni""), the Countess (""The Marriage of Figaro""), Fiordiligi (""Così fan tutte""), Vitellia (""La clemenza di Tito""), plus Richard Strauss's Feldmarschallin (""Der Rosenkavalier""), Ellen Orford (""Peter Grimes""), the four heroines performed in English and then French, in ""The Tales of Hoffmann"", Eva (""Die Meistersinger von Nürnberg""), Alice Ford (""Falstaff""), Elisabetta (""Don Carlos""), and the title roles in ""Lakmé"", ""Alcina"", ""Adriana Lecouvreur"" and ""Suor Angelica"". She also"
"The Magic Flute The Magic Flute (German: ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ""Singspiel"", a popular form that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high"
"(2011-2012), Fiordiligi in Mozart's ""Così fan tutte"" (2014), Helmwige in ""Die Walküre"" (2012), Konstanze in Mozart's ""Die Entführung aus dem Serail"" (2011), Lora in Wagner's ""Die Feen"" (2011), Musetta in ""La bohème"" (2012), Olympia in Offenbach's ""The Tales of Hoffman"" (2011), Pamina in ""The Magic Flute"" (2011), Servilia in Mozart's ""La clemenza di Tito"" (2011), Violetta in ""La traviata"" (2011), Zerbinetta in Strauss' ""Ariadne auf Naxos"" (2013-2014), and the title roles in Donizetti's ""Maria Stuarda"" (2012) and ""Lucia di Lammermoor"" (2015-2016) among others. Rae's other European performance include appearances at the Bavarian State Opera (debut as Konstanze, 2012), Glyndebourne Festival"
"other pieces by Mozart to complete it. Fragments from ""L'oca del Cairo"", ""Lo sposo deluso"", and ""Der Schauspieldirektor"" have been combined as ""Waiting for Figaro,"" performed in 2002 by the Bampton Classical Opera. Don Pippo, a Spanish Marquess, keeps his only daughter Celidora locked up in his tower. She is betrothed to Count Lionetto, but her true love is Biondello, a wealthy gentleman. Biondello makes a bet with the Marquis that if he can rescue Celidora from the tower within a year he wins her hand in marriage. He succeeds by having himself smuggled into the tower garden inside a"
"decision and bids a tender farewell to the four women, and to Paris. Hahn: ""Mozart"", Orchestre des Concerts Français Yvonne Printemps recorded excerpts from the piece in the 1930s, including ""C'est la saison d'amour"" and ""Je t'aime"" (available on ""La Saison d'Amour"", Pearl CD) and ""Depuis ton départ, mon amour"" and ""Alors, adieu, donc, mon amour"" (available on ""Yvonne Printemps: Arias and Songs"" EMI CD). Mozart (comédie musicale) Mozart is a comédie musicale in three acts with music by Reynaldo Hahn and words by Sacha Guitry, a pastiche of the composer's early works to fit beside arias written for Yvonne"
"out and there is a happy ending. Les Talens Lyriques and Lausanne Opera Chorus La grotta di Trofonio The work was first performed in Vienna, Austria at the Burgtheater on 12 October 1785. The similarity of the story of the opera may have influenced Lorenzo da Ponte when he wrote the libretto of Mozart's ""Così fan tutte"". Dori and Ofelia (sisters) are in love with Plistene and Artemidoro (friends). The two pairs have contrasting personalities: Dori and Plistene are extroverted and enthusiastic, Ofelia and Artemidoro are introverted and reserved. The magician Trofonio invites them to his magic cave where their"
"Norma Burrowes, as well as Dorothy Howard (U of S), Dr Carol Anderson, Wayne Sanders of Opera Ebony, Jane Klaviter of the Metropolitan Opera, Theodore Baerg of Don Wright Faculty of Music, and Irena Welhasch-Baerg of the Canadian Opera Company. Eichhorn Young teaches in North and South America, Europe, and Asia. She is a member of the voice faculty at the Collaborative Arts Project 21 (CAP21) Conservatory in New York City. Her operatic roles have included Purcell's Dido, the Countess in Mozart's ""The Marriage of Figaro"", Fiordiligi in ""Così fan tutte"", Musetta in Puccini's ""La bohème"", and the title role"
"III"", ""The Beaux' Stratagem"", ""Love's Labour's Lost"", ""Othello"", ""Lorenzaccio"" (world premiere), ""Macbeth"", ""Cyrano"", ""Five by Tenn"", ""The Winter's Tale"", ""The Silent Woman"", ""The Oedipus Plays"", ""The Duchess of Malfi"", ""Timon of Athens"", ""Don Carlos"", ""Hedda Gabler"", ""King Lear"", ""Coriolanus"", ""Camino Real"", ""A Woman of No Importance"", ""King John"", ""The Merchant of Venice"", ""Peer Gynt"", ""Sweet Bird of Youth"", combined ""Henry VI, Parts 1, 2 & 3"", ""Mourning Becomes Electra"", ""Henry V"", ""Volpone"", combined ""Henry IV, Parts 1 & 2"", ""Richard II"", ""The Doctor's Dilemma"", ""Hamlet"", ""Mother Courage and Her Children"", ""Much Ado About Nothing"", ""Measure for Measure"", ""Richard III"", ""Twelfth"
"La grotta di Trofonio The work was first performed in Vienna, Austria at the Burgtheater on 12 October 1785. The similarity of the story of the opera may have influenced Lorenzo da Ponte when he wrote the libretto of Mozart's ""Così fan tutte"". Dori and Ofelia (sisters) are in love with Plistene and Artemidoro (friends). The two pairs have contrasting personalities: Dori and Plistene are extroverted and enthusiastic, Ofelia and Artemidoro are introverted and reserved. The magician Trofonio invites them to his magic cave where their characters are reversed, first the men and then the women. Eventually everything is sorted"
"""Fidelio"" and ""La bohème"". In March 1960, Kertész was invited to become General Music Director of the Augsburg Opera—a post especially created for him. There he conducted performances of Mozart's ""The Magic Flute"", ""The Abduction from the Seraglio"", ""Così fan tutte"", and ""The Marriage of Figaro"", earning himself a reputation as one of the finest interpreters of Mozart's work. With exhilarating performances of Verdi's ""Rigoletto"", ""Don Carlos"", ""Otello"" and ""Falstaff"", and Richard Strauss's ""Salome"", ""Arabella"", and ""Der Rosenkavalier"", Kertész also proved himself a master of the finest of Italian Romantic operas. Invited to the Salzburg Festival, he conducted ""The Abduction"
"a new production of ""Tosca"" by Robert Perdziola. Its 2017 season consisted of ""La Bohème"", a company premiere of ""Frida"" by Robert Xavier Rodríguez, a silent film-styled ""The Magic Flute"", and a production of Missy Mazzoli's new opera """". Cincinnati Opera moved back to Cincinnati Music Hall for its 2018 season, and performed Verdi's ""La Traviata"", a new production of Wagner's ""The Flying Dutchman"", the U.S. premiere of , a new production of Monteverdi's L'incoronazione di Poppea, and a company premiere of Laura Kaminsky's ""As One"", a coming-of-age opera about a transgender woman. (OF:NW) was developed in 2011 as a"
"Cesare"",""Tamerlano"", and ""Rodelinda. The directors of the Royal Academy of Music decided to increase the appeal of the operas by bringing another internationally famous singer, the soprano Faustina Bordoni, to join the established London stars Cuzzoni and Senesino, as was reported in the London press - the ""Daily Journal"" wrote on 31 August 1725 'We hear that the Royal Academy (of) Musick, in the Hay Market, have contracted with famous Chauntess for 2500 ""l"". who is coming over from Italy against the Winter' with the ""London Journal"" adding ""'Signiora Faustina, a famous Italian Lady, is coming over this Winter to"
"several easily recognized numbers: the trios in the first act, the quartet in the second, Rosaura's love soliloquy and the succeeding pages of almost Mozartean simplicity, the prelude to the last act, the barcarolle chorus and the final ensemble. There is no great emotional intensity, nor intellectual depth. The means fit the end. Le donne curiose Le donne curiose (English: ""The Inquisitive Women"") is an opera in three acts by Ermanno Wolf-Ferrari to a text by Luigi Sugana after Carlo Goldoni's play. The first dramatic work by Wolf-Ferrari to achieve more than local notice, it was first performed in Munich"
"Everybody Does It Everybody Does It is a 1949 comedy film starring Paul Douglas, Linda Darnell and Celeste Holm. In the film, a businessman's wife tries to become an opera star, failing miserably due to her lack of talent. When it turns out that her totally untrained husband is found to have a marvelous singing voice and goes on tour under an assumed name, his wife is livid. Darnell sings long stretches of an imaginary opera, ""L'Amore di Fatima."" The music for it was written by Mario Castelnuovo-Tedesco. In a little tongue-in-cheek detail, the poster for the opera lists Tedesco"