Which Pre-Raphaelite artist painted 'The Scapegoat', presently on display at the Lady Lever Art Gallery?
"months in prison. Hunt also painted a small-scale version of the composition in 1873. Hunt expert Judith Bronkhurst describes it as ""harder and crisper in appearance than the Manchester painting"". It was sold for £1.8 million in 1994, which at that time was the highest price paid for a Pre-Raphaelite painting. It is held in Leeds Art Gallery. The Shadow of Death The Shadow of Death is a religious painting by William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. It depicts Jesus as a young man prior to his"
"autobiography ""Pre-Raphaelitism and the Pre-Raphaelite Brotherhood"", Hunt relates the first reaction to the painting by art dealer Ernest Gambart: Dante Gabriel Rossetti, in a letter to William Allingham in 1856, called the painting ""a grand thing, but not for the public"". Ford Madox Brown wrote in his diary: ""Hunt's ""Scapegoat"" requires to be seen to be believed in. Only then can it be understood how, by the might of genius, out of an old goat, and some saline encrustations, can be made one of the most tragic and impressive works in the annals of art."". Ernest Gambart, as related by"
"world. The figure in Scottish art most associated with the Pre-Raphaelites was the Aberdeen-born William Dyce (1806–64). He met the Nazarenes while in Italy and his work moved towards their ""early Christian"" art, as can be seen in his ""Madonna and Child"" (1848). Dyce befriended the young Pre-Raphaelites in London and introduced their work to John Ruskin. His later work was Pre-Raphaelite in its spirituality, as can be seen in his ""The Man of Sorrows"" and ""David in the Wilderness"" (both 1860). His ""Pegwell Bay: a Recollection of October 5th 1858"" has been described as ""the archetypal pre-Raphaelite landscape"". Joseph"
"Albrecht Dürer's much earlier version. Hunt would also have known Bernardino Luini's version of the subject in the National Gallery. At the time this was ascribed to Leonardo da Vinci. Obsessed with the idea of revitalising religious art by emphasising ethnographical accuracy combined with detailed Biblical symbolism, Hunt had travelled to the Middle East to create the picture, using local people as models and studying ancient Judaic customs and rituals. Progress on the painting was delayed by difficulties with models, and eventually Hunt postponed it to work on another project, The Scapegoat. He eventually completed it in 1860, back in"
"St Margaret and the Dragon (Raphael) Saint Margaret and the Dragon is a circa 1518 painting of Saint Margaret by the Renaissance painter Raphael, now held in the Kunsthistorisches Museum in Vienna. The painting shows the saint at the moment before she is swallowed alive by the dragon. She is shown unafraid, holding the crucifix that will save her once she is swallowed. Another version showing her holding a palm branch is in the collection of the Louvre. This painting was documented in David Teniers the Younger's catalog ""Theatrum Pictorium"" of the art collection of Archduke Leopold Wilhelm in 1659"
"His ""The Ugly Duckling"" was voted the favourite painting by visitors to the Cheltenham Art Gallery & Museum in 2005. The record price for a Cowper painting at sale is £469,250 for ""Our Lady of the Fruits of the Earth"" (1917) at Christie's in London on 17 December 2011. Frank Cadogan Cowper Frank Cadogan Cowper (16 October 1877 – 17 November 1958) was an English painter and illustrator of portraits, historical and literary scenes, described as ""The last of the Pre-Raphaelites"". Cowper was born in Wicken, Northamptonshire, son of an author and early pioneer of coastal cruising in yachts, Frank"
"has been exhibited several times, including exhibitions on the Pre-Raphaelites at Tate Britain in London in 1984 and in 2004. It is valued at £7.0 million. John Ruskin (painting) John Ruskin is a painting of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts. The painting depicts Ruskin in front of a waterfall in Glenfinlas, Scotland. Ruskin and Millais spent the summer of 1853 together at"
"Head of a Woman (Leonardo) The Head of a Womanalso known as La Scapigliata is a painting in oil on wood by the Italian Renaissance master Leonardo da Vinci, dating from perhaps around 1500 and housed in the Galleria Nazionale di Parma, Italy. The work is a finished painting, mentioned for the first time in the House of Gonzaga collection in 1627. It was created in the art period high renaissance. It is perhaps the same work that Ippolito Calandra, in 1531, suggested to hang in the bedroom of Margaret Paleologa, wife of Federico II Gonzaga. In 1501, the marquesses"
"Lucretia (Raphael) Lucretia is a 1500s (Julian) drawing by Raphael. It is in the collection of the Metropolitan Museum of Art. William Russell (died 1884) was the drawing's first recorded owner. Russell was the first to attribute the work to Raphael. Sir James Knowles purchased the drawing in 1908. The work depicts Lucretia in the moment before she commits suicide by putting a dagger into her chest. In its time printers would display images of Lucretia with Dido. Copies of the image have a Greek language inscription with it. The image is part of a contemporary style to depict females"
"Pre-Raphaelite works of art, managed by the National Trust. Standen in West Sussex, England, was designed by Webb between 1892 and 1894 and decorated with Morris carpets, fabrics and wallpapers. The illustrator Edward Linley Sambourne chose to decorate his London family home 18 Stafford Terrace with many Morris & Co wallpapers, which have been preserved and can still be seen today. Morris's homes Red House and Kelmscott Manor have been preserved. Red House was acquired by the National Trust in 2003 and is open to the public. Kelmscott Manor is owned by the Society of Antiquaries of London and is"
"The Hireling Shepherd The Hireling Shepherd (1851) is a painting by the Pre-Raphaelite artist William Holman Hunt. It represents a shepherd neglecting his flock in favour of an attractive country girl to whom he shows a death's-head hawkmoth. The meaning of the image has been much debated. Hunt painted the picture when he was living and working in close collaboration with John Everett Millais, who was painting ""Ophelia"" at the same time near the Hogsmill River near Ewell, Surrey. Both paintings depict English rural scenes, the innocence of which is disturbed by subtle but profoundly threatening violations of natural harmony."
"attitude of being suspended in a state of mind beyond specific thoughtunaware, even, of its own body...here an inner life is suggested by a new order of pictorial effects, without recourse to action or narrative."" Head of a Woman (Leonardo) The Head of a Womanalso known as La Scapigliata is a painting in oil on wood by the Italian Renaissance master Leonardo da Vinci, dating from perhaps around 1500 and housed in the Galleria Nazionale di Parma, Italy. The work is a finished painting, mentioned for the first time in the House of Gonzaga collection in 1627. It was created"
"a distinct idea of the poet’s."" This passage makes apparent Rossetti’s desire to not just support the poet’s narrative, but to create an allegorical illustration that functions separately from the text as well. In this respect, Pre-Raphaelite illustrations go beyond depicting an episode from a poem, but rather function like subject paintings within a text. There are major collections of Pre-Raphaelite work in United Kingdom museums such as the Birmingham Museum and Art Gallery, the Tate Gallery, Victoria and Albert Museum, Manchester Art Gallery, Lady Lever Art Gallery, and Liverpool's Walker Art Gallery. The Art Gallery of South Australia and"
"and again in 1673, but the portrait had already enjoyed notoriety in Teniers' portrayals of the Archduke's art collection: St Margaret and the Dragon (Raphael) Saint Margaret and the Dragon is a circa 1518 painting of Saint Margaret by the Renaissance painter Raphael, now held in the Kunsthistorisches Museum in Vienna. The painting shows the saint at the moment before she is swallowed alive by the dragon. She is shown unafraid, holding the crucifix that will save her once she is swallowed. Another version showing her holding a palm branch is in the collection of the Louvre. This painting was"
"time. Many of the paintings are of London themes. There is also a significant collection of Victorian era art, including Pre-Raphaelites, which features paintings by artists such as John Everett Millais, Dante Gabriel Rossetti, Abraham Solomon, Edward John Poynter and Edwin Landseer, and a view of Salisbury Cathedral by John Constable. The centrepiece of the largest gallery is John Singleton Copley's huge painting ""The Defeat of the Floating Batteries at Gibraltar"". Vivien Knight was head of the Gallery, from 1983 until her death in 2009. The Guildhall complex was built on the site of London's Roman amphitheatre, and some of"
"David and Goliath (Caravaggio) David and Goliath (or ""David with the Head of Goliath"" or ""David Victorious over Goliath"") is a painting by the Italian Baroque master Caravaggio (1571–1610). It was painted in about 1599, and is held in the Museo del Prado, Madrid. Two later versions of the same theme are currently to be seen in Kunsthistorisches Museum, Vienna (""David with the Head of Goliath""), and in Rome's Galleria Borghese (""David with the Head of Goliath""). The ""David and Goliath"" in the Prado was painted in the early part of the artist's career, while he was a member of"
"and real life. The woman behind them bears an empty bowl and may appear to be ignoring the beggars. The Beggars The Beggars or The Cripples is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1568. It is now in the Louvre in Paris. This work is the only painting by Bruegel in the Louvre, received as a gift in 1892. Attempts have been made to interpret the picture of five cripples and a beggar-woman as an allusion to a historical event: the badger's tails, or foxes' tails, on their clothes might refer to the"
"""The Judgement of Daniel"" in oil, and presented it to the Palace years later, in 1880. John Rogers Herbert John Rogers Herbert (23 January 1810 – 17 March 1890) was an English painter who is most notable as a precursor of Pre-Raphaelitism. John Rogers Herbert was born in Maldon, Essex. In 1826, he moved to London to study at the Royal Academy Schools. However, after the death of his father in 1828, Herbert was forced to leave the Academy Schools and began painting professionally — mostly book illustrations and portraiture. He was successful in his early career, even painting a"
"Our English Coasts, 1852 ('Strayed Sheep') Our English Coasts, also known as Strayed Sheep, is an oil-on-canvas painting by William Holman Hunt, completed in 1852. It has been held by the Tate Gallery since 1946, acquired through The Art Fund. William Holman Hunt was a British painter, who co-founded the Pre-Raphaelite Brotherhood (1848), along with Dante Gabriel Rossetti and John Everett Millais. The Pre-Raphaelite Brotherhood advocated a return to spirituality and sincerity of the arts, despising academic painting, which they considered a mere repetition of clichés.Despite these beliefs, the group created a number of works for institutes of higher learning"
"Salviati for $4.5 million. Its most famous painting is likely ""The Death of General Wolfe"" by Anglo-American artist Benjamin West. In 2005, a sculpture of a giant spider, Louise Bourgeois's ""Maman"", was installed in the plaza in front of the Gallery. In 2011 the gallery installed Canadian sculptor Joe Fafard's ""Running Horses"" next to the Sussex Drive entrance, and American artist Roxy Paine's stainless steel sculpture ""One Hundred Foot Line"" in Nepean Point behind the gallery. The Canadian collection, the most comprehensive in Canada, holds works by Louis-Philippe Hébert, Tom Thomson, the Group of Seven, Emily Carr, Alex Colville, Jean-Paul"
"collector of Pre-Raphaelite art, who died before its completion. A second version, smaller at 684 × 990 mm, was commissioned in 1859 and completed in 1863. This is now in the Birmingham Museum and Art Gallery. It is closely similar, though for the lady with a blue parasol the face of Maria Leathart, the commissioner's wife, replaces that of Mrs Brown in the Manchester version. The picture depicts a group of so-called ""navvies"" digging up the road to build an underground tunnel. It is typically assumed that this was part of the extensions of London's sewerage system, which were being"
"standing alone. In 1984 an artistic critique of the sketch said that person in possession of the paper original was quiet about having it because the art trading industry commonly committed crimes. The Metropolitan Museum of Art acquired the sketch in 1997. Lucretia (Raphael) Lucretia is a 1500s (Julian) drawing by Raphael. It is in the collection of the Metropolitan Museum of Art. William Russell (died 1884) was the drawing's first recorded owner. Russell was the first to attribute the work to Raphael. Sir James Knowles purchased the drawing in 1908. The work depicts Lucretia in the moment before she"
"Three Graces (Raphael) The Three Graces is an oil painting by Italian painter Raphael, housed in the Musée Condé of Chantilly, France. The date of origin has not been positively determined, though it seems to have been painted at some point after his arrival to study with Pietro Perugino in about 1500, possibly 1503-1505. According to James Patrick in 2007's ""Renaissance and Reformation"", the painting represents the first time that Raphael had depicted the nude female form in front and back views. The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired"
"The Deposition (Raphael) The Deposition, also known as the , Borghese Entombment or ""The Entombment"", is an oil painting by the Italian High Renaissance painter Raphael. Signed and dated ""Raphael. Urbinas. MDVII"", the painting is in the Galleria Borghese in Rome. It is the central panel of a larger altarpiece commissioned by Atalanta Baglioni of Perugia in honor of her slain son, Grifonetto Baglioni. Like many works, it shares elements of the common subjects of the Deposition of Christ, the Lamentation of Christ, and the Entombment of Christ. The painting is on wood panel and measures 184 x 176 cm."
"Hals, though he conceded it was probably after a painting by Hals, calling it a copy of a lost original. Hals' positioning of the figures are related to two other known paintings: Shrovetide Revellers Shrovetide Revellers is a painting by the Dutch Golden Age painter Frans Hals, painted in 1615 and now in the Metropolitan Museum of Art, New York City. The painting shows people enjoying festivities at Shrovetide (Dutch: ""Carnaval""). The painting shows the face of an elegantly dressed smiling woman raising her right finger to make a point, while a man with a string of wurst around his"
"ethnographical material for further religious works, and to employ his “powers to make more tangible Jesus Christ’s history and teaching”; there he painted ""The Scapegoat"", ""The Finding of the Saviour in the Temple"", and ""The Shadow of Death"", along with many landscapes of the region. Hunt also painted many works based on poems, such as ""Isabella"" and ""The Lady of Shalott"". He eventually built his own house in Jerusalem. He eventually had to relinquish painting because failing eyesight meant that he could not achieve the quality that he wanted. His last major works, including a large version of ""The Light"
"taken to Spain shortly after they were made, where they were frequently copied and made a deep impression on art in that country. David and Goliath (Caravaggio) David and Goliath (or ""David with the Head of Goliath"" or ""David Victorious over Goliath"") is a painting by the Italian Baroque master Caravaggio (1571–1610). It was painted in about 1599, and is held in the Museo del Prado, Madrid. Two later versions of the same theme are currently to be seen in Kunsthistorisches Museum, Vienna (""David with the Head of Goliath""), and in Rome's Galleria Borghese (""David with the Head of Goliath"")."
"Isabella (Millais painting) Isabella (1849), also known as Lorenzo and Isabella, is a painting by John Everett Millais, which was his first work in the Pre-Raphaelite style, created shortly after the formation of the Pre-Raphaelite Brotherhood in the previous year. It was first exhibited at the Royal Academy in 1849, and is now in the collection of the Walker Art Gallery in Liverpool. The painting illustrates an episode from Giovanni Boccaccio's Decameron novel ""Lisabetta e il testo di bassilico"" (1349 - 1353), reprised by John Keats's poem, ""Isabella, or the Pot of Basil"", which describes the relationship between Isabella, the"
"the Pre-Raphaelites. Eaton primarily modelled out of necessity; to augment her salary as a ""charwoman"" and provide sustenance for her 10 children. Her distinctive features were often used by artists to portray a variety of ethnicities and characters. The earliest studies done of her are pencil sketches by Simeon Solomon in 1859. These sketches were used as preparation for his ""Mother of Moses"", now in the rich collection of the Delaware Art Museum. Two specific sketches from this series, depicted Mrs Eaton as the two Biblical figures of Jochabed and Miriam. The finished painting was shown at the Royal Academy"
"the Plantin-Moretus Museum, the Fogg Art Museum, the Yale University Art Gallery, the Morgan Library & Museum, the Metropolitan Museum and the Louvre. The drawings are dated to around 1615, or possibly a later date, about 1625–1630. Most of the scenes represented occupy the upper half of the sheet, the lower half being reserved for the text from the Aeneid. The upper part has been cut off in some drawings leaving only the illustration. Whatever the case, the different compositions present a similar size. The handwritten narration is a Dutch translation of Virgil. It is not known if the translation"
"748 guineas. The painting is held at Tate Britain, London, and is valued by experts as worth at least £30 million. Ophelia (painting) Ophelia is a painting by British artist Sir John Everett Millais, completed in 1851 and 1852 and in the collection of Tate Britain in London. It depicts Ophelia, a character from William Shakespeare's play ""Hamlet"", singing before she drowns in a river in Denmark. The work encountered a mixed response when first exhibited at the Royal Academy, but has since come to be admired as one of the most important works of the mid-nineteenth century for its"
"Hunt, was less enthusiastic, and was later to remark: ""I wanted a nice religious picture and he painted me a great goat."" ""The Art Journal"" in 1860, at the time of the exhibition of Hunt's later work ""The Finding of the Saviour in the Temple"", was to characterise the painting as ""having disappointed even his warmest admirers"". At the time of the exhibition of ""The Scapegoat"" itself, in 1856, ""The Art Journal"" questioned Hunt's eye for colour in the painting, casting doubt that the mountains of Edom, seen in the background, really were in actual appearance as painted – which"
"The Magpie on the Gallows The Magpie on the Gallows (German: ""Die Elster auf dem Galgen)"" is a 1568 oil-on-wood panel painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder. The painting shows a woodland clearing containing three peasants dancing to a bagpipes, next to a gallows upon which a magpie is perched. The gallows stands in the centre of the picture, dividing the painting in two, a Mannerist composition with the right side more ""open"" and left more ""closed"", with the magpie close to the exact centre of the painting. The gallows appears to form an ""impossible object"","