Which film ends with the line “All right Mr De Mille, I’m ready for my close-up”?
"of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment."" DeMille appeared as himself in numerous films, including the M-G-M comedy ""Free and Easy."" He often appeared in his coming-attraction trailers and narrated many of his later films, even stepping on screen to introduce ""The Ten Commandments"". DeMille was immortalized in Billy Wilder's ""Sunset Boulevard"" when Gloria Swanson spoke the line: ""All right, Mr. DeMille. I'm ready for my closeup."" DeMille plays himself in the film. In the 1940s,"
"""Salome"" is an unfilmable script and her fans have long abandoned her. Furious and grief-stricken, Norma fatally shoots Joe three times as he storms out of the house. Now completely insane, Norma mistakes the swarms of police and reporters who arrive for studio personnel. Believing she is on the set of ""Salome"", she slowly descends her grand staircase and utters ""And now, Mr. DeMille, I am ready for my close-up."" † Song added for Los Angeles production ∞ Originally a reprise of ""Let's Have Lunch"" The original West End production, directed by Trevor Nunn and choreographed by Bob Avian, with"
"closes with a dedication to all airmen, friend or foe, who fought in the skies above Europe during World War II. In May 1943, the crew of the ""Memphis Belle"", a Boeing B-17 Flying Fortress of the US Army Air Force, are grounded in England while their aircraft is repaired. The group is under the command of Col. Craig Harriman (David Strathairn), a no-nonsense, stoical leader, tasked with keeping the pressure on Nazi targets. An Army publicist, Lt. Col. Bruce Derringer (John Lithgow) is visiting the base, to interview the ""Belle"" crew in anticipation of their flying their 25th mission,"
"and runs into it. The film concludes with a freeze-frame of Antoine, and the camera optically zooms in on his face, looking into the camera. Truffaut also included a number of friends (fellow directors) in bit or background parts, including: himself and Philippe De Broca in the funfair scene; Jacques Demy as a policeman; Jean-Luc Godard and Jean-Paul Belmondo as overheard voices (Belmondo's in the print works scene). The English title is a literal translation of the French but misses its meaning, as the French title refers to the idiom """"faire les quatre cents coups"","" which means ""to raise hell""."
"used as the film is not as dependent on lighting techniques as it uses a much higher quality film stock than the one deployed in the television series episodes. This appearance of health may also be helped by the unusual cleanliness of his garments which are always stained and unkempt in his previous appearances. One of Grandad's last significant lines is in response to Del telling him to wake up during the oil film as the film is ""exciting"". He says ""I know. I'm getting excited with my eyes shut."" Lennard Pearce's last lines of dialogue in the role of"
"farewells, followed by Elliot, and finally the principal characters Tommy, Jolene, Vera, and Alice. The last thing we see is Mel putting up the ""Closed"" sign and locking up. Flo's catchphrase, ""Kiss my grits!"", enjoyed widespread popularity at the time the character appeared on Alice. According to Polly Holliday, the line was originally written as, ""Kiss my honeydew!"", but did not get any laughs. (In the original film, Flo, as played by Diane Ladd, tells Mel in one scene to, ""Kiss me where the sun don't shine."") Another of Flo's catchphrases was, ""When donkeys fly!"" Since her portrayal of Flo,"
"Mario, who tells her to change into a dress with a zipper down the back, allowing Mario to strip her instantly for her next sexual encounter. Emmanuelle protests that she is tired and asks Mario if he himself will ever have sex with her. Mario replies that he is waiting for the ""next Emmanuelle"". The film ends with Emmanuelle sitting at a mirror and applying makeup, hoping that by following Mario's instructions, she will reach the higher levels of pleasure that he has promised. Due to the success of the film of ""Last Tango in Paris"" which contained explicit sexual"
"flags, to several notes of ""The Stars and Stripes Forever"", and immediately after the kiss, So White and ""Dopey"" both show an obvious ""afterglow"" in their eyes and their smile. The film then fades to the standard ""Merrie Melodies"" ""That's all, Folks!"" end title text, superimposed over a shot of the little girl and her ""mammy"" from the opening scene. In April, 1943, the NAACP protested the caricatures which appeared in ""Coal Black and de Sebben Dwarfs"", and called on Warner to withdraw it. ""Coal Black and de Sebben Dwarfs"" is one of the ""Censored Eleven"": 11 Schlesinger/Warner Bros. cartoons"
"CEO Dellenbach watches all this happen through a live feed from one of his men's helmet camera. As Karas lies mortally injured from a gunshot wound, he imagines himself apologising to Bislane for killing her sister for which she forgives him. The film closes with Muller's little brother living as a tramp, throwing his picture of him and his brother into a burning bin. The final scene shows an advert for Avalon with an old woman becoming young again saying, ""With Avalon, I know I'm beautiful and I'm going to stay that way."" The producers used motion capture and computer"
"her close and ""wraps her up"". Mendes called it ""the most satisfying end to [Lester's] journey there could possibly have been"". With these final scenes, Mendes intended to show Lester at the conclusion of a ""mythical quest"". After Lester gets a beer from the refrigerator, the camera pushes toward him, then stops facing a hallway down which he walks ""to meet his fate"". Having begun to act his age again, Lester achieves closure. As he smiles at a family photo, the camera pans slowly from Lester to the kitchen wall, onto which blood spatters as a gunshot rings out; the"
"and with Dean right by his side, the duo aim for another shot. Also features cameo appearances by Dick Clark and Beach Boys Mike Love and Bruce Johnston. Also, Jan Berry himself and his parents appear in the audience at the end of the movie. In May 1977 CBS announced they would make the film. ""Doing the film was a chance to let the world know there was a reason Jan was no longer making records,"" said Dean. ""He had gotten tired of hearing 'I thought you'd just retired from the business and faded into obscurity'."" The film ends with"
"his chin. My heart stopped off from beating and I fainted dead away, and I never want to come to life until the judgement day,"" was soon printed in ""Photoplay."" The cast and crew left for Hollywood to begin preparations for the film, but much of the budget was taken up during preproduction. Due to the Valentinos' lavish spending on costumes and sets, Ritz-Carlton terminated the deal with the couple, effectively ending Valentino's contract with Ritz-Carlton. During the filming of ""Monsieur Beaucaire,"" both Charlie Chaplin and Douglas Fairbanks approached Valentino privately, due to his contract with Ritz-Carlton, about joining with"
"Bru sitting on his kitchen table next to an open window, with a note thanking him and presenting his ""angels' share"", next to a newspaper piece showing a photo of the community payback group next to the cask. He smells the bottle and rejoices at the Malt Mill inside. In the final scene, we see Robbie and Leonie leave for Stirling in an immaculate old Volkswagen Type 2, having made temporary goodbyes to the rest of the group. After they leave, the rest of the group resolve to go get wasted. The film ends with The Proclaimers' ""500 Miles"" playing."
"J. Cobb reprise their roles as Derek Flint and spy chief Lloyd C. Cramden, Flint's ex-boss, respectively. Jerry Goldsmith, who wrote the score for ""Our Man Flint"", also returns. The ad campaign features poster artwork by Bob Peak. The title is a play on the phrase ""in like Flynn."" This film and ""Caprice"" with Doris Day were the last films made in CinemaScope, with Fox and other studios moving to Panavision and other widescreen processes. After observing the launch of a new space platform, Z.O.W.I.E. (Zonal Organisation World Intelligence Espionage) Chief Lloyd C. Cramden joins President Trent (Andrew Duggan) for"
"distraught and attempts suicide. As a conciliatory gesture, Joe reluctantly returns to work on ""Salome"". A cryptic message from Paramount has Norma certain that DeMille is eager to discuss her script. She drops in on the set of his current film and is greeted warmly by former colleagues and the famed director himself, but DeMille is noncommittal about ""Salome"". Meanwhile, Max discovers the studio had called to ask about Norma's exotic car, not her screenplay. However, a delusional Norma leaves the lot convinced she'll soon be back in front of the cameras and begins to prepare for the role (""As"
"Costello would have killed her. But when his boss picks up Costello’s gun, it is revealed that he had removed all the bullets before entering the club. In an interview with Rui Nogueira, Melville indicated that he had shot an alternate version of Costello’s death scene. In the alternative ending, which was the original version, Costello meets his death with a picture-perfect grin à la Delon. The scene was changed to its current form when Melville angrily discovered that Delon had already used a smiling death scene in another of his films. Still images of the smiling death exist. The"
"""The Last Metro"" garnered twelve César Award nominations with ten wins, including Best Director. Truffaut's final movie was shot in black and white. It gives his career almost a sense of having bookends. ""Confidentially Yours"" is Truffaut's tribute to his favorite director, Alfred Hitchcock. It deals with numerous Hitchcockian themes, such as private guilt vs. public innocence, a woman investigating a murder, anonymous locations, etc. Among Truffaut's films, a series features the character Antoine Doinel, played by the actor Jean-Pierre Léaud. He began his career in ""The 400 Blows"" at the age of fourteen, and continued as the favorite actor"
"to have a flash mob dance to ""Closing Time"" set up to surprise Jamie at the station. When the moment comes, he catches up with Jamie and tells her how he really feels. Surprised and happy by this turn of events, Jamie tells him to kiss her. After sharing a passionate kiss, Dylan suggests it is time they go on their first real date. They go across the street to the Pershing Square café and although they attempt to keep the date casual and relaxed, the film ends with them in a sensual embrace and passionate kiss. Credits adapted from"
"to a close. Johnny Depp, Gwen Stefani, Christina Aguilera, Britney Spears, and Matt Damon appear as cardboard cut-outs during the TRL scene. In line with its theme of subliminal advertising, the inordinate degree of product placement in the film constitutes a running gag. Almost every scene features a mention or appearance of one or more famous brands, including Sega and the Dreamcast (Sega's mascot Sonic the Hedgehog also appears in Archie Comics), Motorola, Starbucks, Gatorade, Snapple, Evian, Target, Aquafina, America Online, Pizza Hut, Cartoon Network (which has aired the cartoon series on many occasions), Revlon, Kodak, Puma, Advil, Bounce, and"
"in the stirrup, nestles a nightingale in a mourning veil.) We return to the female reclining in the bedroom. Vous ne rêvez pas (You are not dreaming) The film then reveals a short end to the characters love triangle. Qu'elle était belle (How beautiful she was)<br> Qu'elle est belle (How beautiful she is) The female appears in a mirror with the word 'belle', which shatters. The affair is over, and the film brings to a close. Originally a silent film, recent copies have been dubbed using music taken from Man Ray's personal record collection of the time. The musical reconstruction"
"film close to the book are the ones featuring Sellers and Welles. In the end, Sellers' involvement with the film was cut abruptly short. Jean-Paul Belmondo and George Raft received major billing, even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate """"merde!"""" into ""ooch!"" during his fistfight. Raft's coin flip, which originally appeared in ""Scarface"" (1932), had been"
"each other before killing them. For the most part, the plan works. However, the bosses of the child-gangsters are in fact Philip and Marlowe's fathers. Before he dies, Philip's father tells him that the past does not matter. In the end, the only gangster left standing is Miles, who has the keys. She shoots at them, and misses, but startles Marlowe into shooting and killing her. The film ends with Philip letting go of the angst which he had nursed for 15 years. He adopts Marlowe's ""silver-lining look on life"". The two demonstrate Marlowe's tap-inspired ""post-nuke shuffle"" to the crowds"
"and last film role. Although she always preferred the art of theater to cinema and said she never understood the positive reaction to the film's acting, Falconetti's performance achieved iconic status in film history almost immediately. Dreyer had gone to see Falconetti backstage at a performance of Victor Margueritte's ""La Garçonne"", a comedic play in which she was appearing. He was initially unimpressed, but upon seeing her a second time the day after, Dreyer said he ""felt there was something in her which could be brought out; something she could give, something, therefore, I could take. For behind the make-up,"
"get me coat."" Johnny Depp is a major fan of ""The Fast Show"" and an ardent admirer of Paul Whitehouse, whom he once described as ""the greatest actor in the world"". In 2000, Depp made a cameo appearance as the hapless customer in the 'Suit You, Sir' sketch in the ""Fast Show"" farewell special, and in a 2015 interview, he commented: ""It was absolutely one of my proudest achievements. No question. It was one of my favourite things, to have been on the last ""Fast Show""."" Depp's 2015 movie ""Mortdecai"" features Paul Whitehouse in a minor role and has been"
"matter, particularly Bernard Delfont. The very last words in the film are: ""I said to him, 'Bernie, they'll never make their money back on this one'"", teasing Delfont for his lack of faith in the project. Terry Gilliam later said, ""They pulled out on the Thursday. The crew was supposed to be leaving on the Saturday. Disastrous. It was because they read the script ... finally."" As a reward for his help, Harrison appears in a cameo appearance as Mr. Papadopoulos, ""owner of the Mount"", who briefly shakes hands with Brian in a crowd scene (at 1:09 in the film)."
"crime. He confidently goes to the phone to report Delaney for breaking and entering. Delaney shoots Blank in the head with the Luger pistol as Blank is speaking with the police operator on the telephone. Delaney goes to his office at the police precinct station house and retires from the police department. As he is leaving the station house the desk sergeant tells him of the discovery of Blank's body and asks him if he want to respond to the call. Delaney informs the sergeant that he has just retired as he walks out of the building. The final scene"
"three people were nearly electrocuted. On January 26, 1979, the film finally wrapped after 125 days. The three leads (Shatner, Nimoy, and Kelley) delivered their final lines at 4:50 pm. Before the crew could go home, a final shot had to be filmed — the climactic fusing of Decker and V'Ger. The script prescribed a heavy emphasis on lighting, with spiraling and blinding white lights. Collins was covered in tiny dabs of cotton glued to his jacket; these highlights were designed to create a body halo. Helicopter lights, 4000–watt lamps and wind machines were used to create the effect of"
"smiles for reporters and arrests the men. With the realization that he'd rather deal with gangsters and gunmen than ""respectable"" bankers, Snaps decides to abandon his short-lived honest ways and return to a life of crime (looking skyward and admitting to his father, ""Sorry, pop... I did the best I could""). The final scene of the movie shows a double wedding for both his daughters. Oscar himself finally appears and objects to Lisa's marriage, but he is carried off by Snaps' men and the weddings end happily. The film is directed as if it were a film of that time,"
"begin to depart. In the evening twilight, a stunned Kritzinger remarks to Hofmann, ""It is night in Moscow already. Soon it will be dark here. Do you think we will ever see the dawn in our lifetime?"" As the servants at the villa tidy away the remains of the meeting, and the officials depart, a brief account of the fate of each one is given. The movie ends with the house tidied up and all records of the meeting destroyed as if it had never happened. The final card before the credits reveals that Luther's copy of the Wannsee minutes,"
"of the convertible. The ending features an exhausted Madonna laying down in the backseat of the convertible as the chauffeur says in ,"" which means in English: ""The party is over, now fasten the seat-belt, bitch!"". The music video received favorable response from critics, who praised its simplicity. According to Crystal Bell of ""The Huffington Post"", Madonna was able to portray a rich life like that in the 1960 film, ""La Dolce Vita"". Amanda Dobbins of ""New York"" gave props to Madonna for looking good in a leotard and for giving break to the young actors accompanying her in the"
"also little context around the relationship of Thérèse and the man she murders (who, when shot, is only shown in silhouette). Additionally, the film has a prison setting, which would recur in the films ""A Man Escaped"" (1956), ""Pickpocket"" (1959), ""The Trial of Joan of Arc"" (1962), and ""L'Argent"" (1983). Lastly, the film ends with a shot of crossed hands being handcuffed: this form of close-up on hands became one of Bresson's most famous stylistic trademarks, and this particular arrangement of the cuffed hands is repeated in the aforementioned ""The Trial of Joan of Arc"". Though not a Bressonian trademark"
"the telephone, cutting off her call and silencing her. In the end, neither leaves that day, and in the film's final shot they stand side by side looking out the window at the swimming pool, and then embrace. Delon and Schneider had been partners from 1958 to 1963, and it was he who presented her posthumous Honorary César in 2008. Delon ended their romance by sending her a note ""Je regrette"". It was during the making of this film that the dead body of Delon's former bodyguard, Stephan Markovic, was discovered on 22 September 1968, resulting in the Markovic Affair."
"part that took me away from the Jenny Fields, Sarah Coopers—good, nurturing women roles. I did more preparation for that film than I've ever done."" Close received her fourth Oscar nomination for this role and also won the People's Choice Award for Favorite Motion Picture Actress. She played a scheming aristocrat, the Marquise de Merteuil, in 1988's ""Dangerous Liaisons"". Close earned stellar reviews for this performance, and was nominated for an Oscar for Best Actress. In addition, she received her first BAFTA nomination but did not win. Close's final film role of the decade was ""Immediate Family"" (1989), a drama"