"Long"" (Live '83 – 12-inch maxi-single only). ""You Shook Me All Night Long"" placed at number 10 on VH1's list of ""The 100 Greatest Songs of the 80s"". It was also number 1 on VH1's ""Top Ten AC/DC Songs"". ""Guitar World"" placed ""You Shook Me All Night Long"" at number 80 on their ""100 Greatest Guitar Solos"" list. Robert Christgau regarded it as a ""drum-hooked fucksong"" and the band's ""only great work of art"". The song has also become a staple of AC/DC concerts, and is rarely excluded from the setlist. Four live versions of the song were officially released."
"Touch Too Much (Arrows song) ""Touch Too Much"" is a 1974 top 10 UK Singles Chart hit by the band Arrows (often alternatively known as ""The Arrows""), sung by Arrows lead vocalist Alan Merrill, and composed by Mike Chapman and Nicky Chinn. Merrill told Songfacts that the song was turned down by David Cassidy, Suzi Quatro and Sweet. The recording was produced by Mickie Most and released on RAK Records, distributed by EMI. The song was later covered by the bands Roman Holliday in the 1980s, and Hello in the 1990s. The Arrows highest reaching chart hit was ""Touch Too"
"death in 1980. AllMusic's Steve Huey observes: Scott's lyrics on ""Highway to Hell"" deal almost exclusively with lust (""Love Hungry Man"", ""Girls Got Rhythm""), sex (""Beating Around the Bush"", ""Touch Too Much"", ""Walk All Over You""), and partying on the town (""Get It Hot"", ""Shot Down in Flames""). In his 2006 band memoir, Murray Engelheart reveals that Scott felt the lyrics of songs like ""Gone Shootin'"" from the preceding ""Powerage"" were ""simply too serious."" ""Touch Too Much"" had been first recorded in July 1977, with a radically different arrangement and lyrics from its ""Highway to Hell"" incarnation. The final version"
"band), dry humour (e.g. ""Frankly, Mr. Shankly"", allegedly a message to Rough Trade boss Geoff Travis disguised as a letter of resignation from a worker to his superior), and synthesis of both, such as in ""There Is a Light That Never Goes Out"" and "" Gates"". However, all was not well within the group. A legal dispute with Rough Trade had delayed the album by almost seven months (it had been completed in November 1985), and Marr was beginning to feel the stress of the band's exhausting touring and recording schedule. He later told ""NME"", ""'Worse for wear' wasn't the"
"to date, peaking at No. 8 on the Alternative Songs chart and No. 28 on the Hot Rock Songs chart. It is their first entries on both charts. Talk Too Much ""Talk Too Much"" is a song written and recorded by American rock band Coin, released as the lead single for their second studio album ""How Will You Know If You Never Try"" by Columbia Records. ""Talk Too Much"" was co-written by Chase Lawrence and Joe Memmel of the band, together with Tim Pagnotta, Christopher J Baran and Peter Thomas. The song was about Lawrence's inability to leave his thoughts"
"Touch It"" (2007) and invited her to New York City to work with him. However, when Coulter arrived, she ended up working with his producing partner Boyblue. Mann later arrived to hear what they had recorded and decided to spend the rest of the week working with Coulter. In an interview with Auspop, she stated: The next morning I got there, he said that he couldn't stop thinking about me overnight. He said, 'I couldn't stop thinking about that voice. And I've figured it out. Your song is going to be called 'Raining Diamonds'. Then he picked up his guitar"
"a two-year legal battle with liquidators, which precluded them pursuing another recording contract. During this time, Paul Dale, Andy Charters and Neil Buchanan left the band. Charters moved to the U.S. and Buchanan began a successful career in television. The two remaining members, Keith Knowles and Steve Dinwoodie later recruited vocalist Sav Pearse and guitarist Marc Railton from local Liverpool band Savage Lucy to complete a third album entitled ""Touch the Night"" on the Ultra Noise label in 1984. However, lack of industry interest in the band caused this iteration of Marseille to split up soon after. ""Touch the Night"""
"Talk Too Much ""Talk Too Much"" is a song written and recorded by American rock band Coin, released as the lead single for their second studio album ""How Will You Know If You Never Try"" by Columbia Records. ""Talk Too Much"" was co-written by Chase Lawrence and Joe Memmel of the band, together with Tim Pagnotta, Christopher J Baran and Peter Thomas. The song was about Lawrence's inability to leave his thoughts unsaid, and was written in a few hours. The music video for the song was released on September 21, 2016. ""Talk Too Much"" is Coin's most successful hit"
"as a replacement for Pete Quaife, and was replaced by new bassist Tony Cooke. Around the same time, Thompson left the band and was not replaced. This Mark Four line-up issued two further non-charting singles: ""Hurt Me If You Will"" (Decca, August 1965) and ""Work All Day (Sleep All Night)"" (Fontana, February 1966). In April 1966, the group signed a management deal with Tony Stratton-Smith. He promptly suggested replacing Cooke with new bassist Bob Garner (previously of the Tony Sheridan Band), and a name change. The band took him up on both suggestions: it was Pickett who came up with"
"hit, peaking at #8 in the UK Singles Chart. Their hit, ""Touch Me"", sampled the lyrics from Cathy Dennis' hit, ""Touch Me (All Night Long)"". Their fourth song, ""Sunrise"", was a cover of a track of the same name by Ashiva, and was a Top 10 hit in the UK and across Europe in February 2005. One of the co-writers of this tune, S. Shawcross also co-wrote ""City Lights"" (which featured on the Angel City album) and has since become an artist in her own right, performing under the name Sarah Lucie Shaw. McAllen left the group in 2005 to"
"revealed that Butler had recommended Chris Thomas as their producer. Thomas was more experienced and had previously worked with punk rock bands The Pretenders and the Sex Pistols; however, Suede's label Nude Records dismissed the idea, saying he was too expensive. Nude's owner Saul Galpern claimed that the guitarist became impossible to reason with and also made threats to him and Buller. Buller claims he received phone calls where he heard something akin to scratching knives. Butler issued the band and their management an ultimatum: either they sacked Buller, or he would walk out. The rest of the band refused"
"and I just knew he would fit in the group"", said Wilder. Temperton played Wilder tunes he had been composing: ""I was very interested because we were doing a lot of cover tunes – we weren't doing a lot of original material – I was really interested."" The songs provided material for 1976's ""Too Hot to Handle"" including ""Boogie Nights"", which broke the band in Britain and the United States, and the ballad ""Always and Forever"" – both tracks were million-sellers in the US. Despite the slick American sound, Temperton's working surroundings were still far from glamorous. Alan Kirk, a"
"Much"" in 1974 which went to #2 in the South African charts and was in the top 20 there for 15 weeks. Arrows version appeared on the soundtrack of the feature film, ""The Look Of Love"", a 2013 biopic of Paul Raymond. Touch Too Much (Arrows song) ""Touch Too Much"" is a 1974 top 10 UK Singles Chart hit by the band Arrows (often alternatively known as ""The Arrows""), sung by Arrows lead vocalist Alan Merrill, and composed by Mike Chapman and Nicky Chinn. Merrill told Songfacts that the song was turned down by David Cassidy, Suzi Quatro and Sweet."
"Originally named Cash Money, the band received national attention in 1999 in ""Rolling Stone"" # 814, in a humorous sidebar piece comparing Cash Money’s low-key touring style (two guys in a station wagon) to the excesses of the hip-hop stars of New Orleans' Cash Money Records. Lawyers from Cash Money Records quickly sent Touch and Go Records a cease and desist for Cash Money ""the band"". Fresh off the legal settlements with several other acts and in order to avoid the costs of another legal battle, Corey Rusk, President of Touch and Go, and the band decided to change their"
"sequencing of ""Need You Tonight"" and ""Mediate"" contrast in lyrics, as the former exudes intimacy while the latter addresses social concerns such as apartheid. Upon completion of ""Kick"", Murphy immediately flew to New York to play the finished album for the top executives of Atlantic Records. The record label rejected the album, feeling that the funk and dance elements would alienate the band's traditional rock following. Despite Atlantic's protests and their offer of one million dollars to produce the album all over again, Murphy resisted their proposition, and devised a strategy to get ""Kick"" released. Unbeknownst to Atlantic, Murphy arranged"
"at the same venue. By that time, however, the band were all struggling with their various addictions, with Thunders' own heroin habit escalating. The first two nights of the three-night stand resulted in very little if any usable material, but by the last night, the band were in rare form, with Thunders and Lure delivering their usual witty introductions between songs. After playing five songs, Thunders suddenly left the stage, claiming he had to ""tune up"" — never to return that evening. Ironically, two songs earlier, the band had played their semi-autobiographical ""Too Much Junkie Business"". Several years later, the"
"Touch (band) Touch was a rock band from New York City formed in 1978. Mark Mangold (songwriter and keyboards), Glen Kithcart (drums), and Craig Brooks (guitars) had all previously been in the band American Tears (releasing three albums on Columbia Records). The lineup was completed by bassist Doug Howard. Their single, ""Don't You Know What Love Is"" only reached #69 on the ""Billboard"" Hot 100. However, the song was played heavily on AOR radio stations in the USA at the end of the 1970s, and did well on a specialist Melody Maker chart in Great Britain. The band released one"
"American Thighs American Thighs is the debut studio album by American alternative rock band Veruca Salt. It was originally released through Minty Fresh on September 27, 1994. The title is a reference to a line from the AC/DC song ""You Shook Me All Night Long"". Stephen Thomas Erlewine of AllMusic gave the album 4 stars out of 5, calling it ""a pure pop album masquerading as the next big thing."" Nick Kelly of ""Hot Press"" said, ""Given that this is their first record, you can’t help asking yourself how a band so young can sing songs so good."" ""Spin"" placed"
"to the Rolling Stones. For their next album, ""Too Much Too Soon"", the quintet hired producer George ""Shadow"" Morton, whose productions for the Shangri-Las and other girl-groups in the mid-1960s had been among the band's favorites. Mercury dropped the Dolls not long after the second album. By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear"
"the last 60 years. In March 1994, father-and-son team Bob and Chris Herbert, together with financer Chic Murphy, working under the business name of Heart Management, placed an advertisement in ""The Stage"", which asked the question: ""Are you street smart, extrovert, ambitious, and able to sing and dance?"" After receiving hundreds of replies, the management had narrowed their search to a group of five girls: Victoria Adams, Melanie Brown, Melanie Chisholm, Geri Halliwell, and Michelle Stephenson. The group moved to a house in Maidenhead and received the name ""Touch"". Stephenson was eventually fired because she lacked the drive of the"
"Too Close to Touch Too Close to Touch is an American rock band from Lexington, Kentucky, formed in 2013. Both their debut EP, ""Too Close to Touch"", and their debut full-length, ""Nerve Endings"", were released through Epitaph. In an interview with Highlight Magazine, guitarist Mason Marble stated that though the band first started playing together in 2012, he and Drummer, Kenny Downey, had been playing together since 2008. ""Kenny and I have been playing together for about seven years now. We just started jamming out in his basement—Improv kind of stuff. Eventually we started getting into constructing songs, which was"
"US R&B chart that year. ""Touch Me (All Night Long)"" reached #1 on the US Hot Dance Club Play chart, and its follow-up, ""Too Many Walls"", which Dennis co-wrote with Anne Dudley of Art of Noise (who also co-wrote the ABC track ""All of My Heart""), was a #1 Adult Contemporary hit in the United States. It was around this time Dennis agreed to join Club MTV's first tour, booked for six weeks. She dropped out on the third date, later publicly accusing one of Milli Vanilli's members (the tour's headline act) of sexual harassment. During this period, she recorded"
"an album that lacks the unified musical stance found on the Doors' early works. Krieger's songs, written almost independently from the rest of the band, most noticeably incorporated the jazz influences that had been a part of the prevailing trend of popular rock music. Only his tracks, ""Tell All the People"", ""Touch Me"", ""Runnin' Blue"", and ""Wishful Sinful"", were written to include string and horn arrangements; Morrison, though not totally opposed to the concept, declined to go in the direction Densmore and Manzarek championed. ""Touch Me"" (penned under the working titles ""Hit Me"" and ""I'm Gonna Love You"") was chosen"
"their second album, ""Changing All the Time"". The first single from the new album, ""If You Think You Know How to Love Me"", became a hit in many European countries, peaking at No. 3 in the UK Singles Chart. They followed it with ""Don't Play Your Rock 'n' Roll to Me"". Around this time, Smokey Robinson threatened to file a lawsuit, alleging that the band's name would confuse the audience. In order to avoid legal action, the group changed the spelling to ""Smokie"", and began their first tour as headline act, after the release of the second album. The third"
"after the top-ten success of ""Voices Carry"". Even more problematic, the album just barely sneaked into the U.S. top 50, also a letdown after the #19 placing for their debut. After the album's release Pesce left the band and was replaced by Michael Montes. Guitarists Jon Brion and Clayton Scoble also joined the group, although not as permanent members. At about the same time, Mann's two-year relationship with singer-songwriter Jules Shear, whom she had been dating since the release of the ""Voices Carry"" album, came to an end. This breakup somewhat informed the band's final album, 1988's ""Everything's Different Now"","
"gave ""Everyone…"" a mixed review. While praising the leadoff track, ""Matter Of Time"", as a ""perfectly timed airy swell <nowiki>[that]</nowiki> gives way to an urgent full-band assault"", the Exclaim! reviewer felt the remaining tracks suffered in comparison to its quality and that ""Krieser's yells are inspired and highly developed, but his true skill is found in his toned-down singing voice"". In preparation for the extensive touring in support of the album, the band brought second guitarist Stacey Hahn on board to round out their live sound. The band decided to change their name following a legal threat from a Christian"
"the band's exhausting touring and recording schedule. Meanwhile, Rourke was fired in early 1986 for his use of heroin. Rourke was temporarily replaced on bass guitar by Craig Gannon, but he was reinstated after only a fortnight. Gannon stayed in the band, switching to rhythm guitar. This five-piece recorded the singles ""Panic"" and ""Ask"" (with Kirsty MacColl on backing vocals) which reached numbers 11 and 14 respectively on the UK Singles Chart, and toured the UK. After the tour ended in October 1986, Gannon left the band. The band had become frustrated with Rough Trade and sought a record deal"
"Moneytalks ""Moneytalks"" is a song written by Malcolm and Angus Young and produced by Bruce Fairbairn for the hard rock band AC/DC. Originally released on 21 September 1990 on the album ""The Razors Edge"", it was later released as a single in December later that year. A live version of the song recorded on the band's 1990–1991 ""Razors Edge World Tour"" appeared on AC/DC's 1992 live album, ""Live"". The song is one of AC/DC's biggest hits, breaking the top 40 on the ""Billboard"" Hot 100, the UK Singles Charts, and the Australian ARIA Singles Chart. It is the band's highest"
"band record the song in hope to get a hit single. The album tracks ""You Talk Too Much"" and b-side ""Don't Make Our Love a Crime"" appeared as bonus tracks on the cassette version and later on the CD version. The album was originally supposed to include both of these tracks along with two others called ""Twisted Heart"" and ""Don't Hit Me with Love,"" but Cheap Trick's label at the time, Epic Records, forced the band to include the cover of ""Dancing the Night Away"" and the outtake ""You Say Jump"" in their place. No music video was created for"
"down to a final group of five girls: Victoria Adams, Melanie Brown, Melanie Chisholm, Geri Halliwell and Michelle Stephenson. The new band was originally called Touch and moved to a house in Maidenhead. Emma Bunton was the last to join after Stephenson dropped out when her mother became ill. The group felt insecure about the lack of contract and were frustrated by the direction in which Heart Management was steering them. In October 1994, armed with a catalog of demos and dance routines, the group began touring management agencies. They started to meet with producers, musicians and other business executives,"
"album's title track ""We Care a Lot"" saw minor success on MTV. Mosley's behaviour had started to become increasingly erratic, particularly during a troubled tour of Europe in 1988. Incidents include him allegedly punching Billy Gould on stage, the release party for the album ""Introduce Yourself"" — during which he fell asleep on stage — and one of Mosley's roadies getting into a fist fight with guitarist Jim Martin during the European tour. Mosley was eventually fired after the band returned home from Europe. Billy Gould reflected ""There was a certain point when I went to rehearsal, and Chuck wanted"
"by Omnivore Recordings. During the yearlong promotional tour for the band's debut ""Bellybutton"", tensions arose amongst the band members. The band's bassist Chris Manning left the group at the end of the tour to pursue a quieter life as a producer. The band's lead guitarist Jason Falkner had grown increasingly frustrated with having his songwriting contributions ignored by Roger Manning and Andy Sturmer and left the group after the tour. In regards to his departure, Falkner claims that he had to ""get out"". He recalls being diagnosed with an ulcer and being asked by the doctor if there was something"
"make it too much. He just wanted to address it and to let nigga know, ""I know what's going on, and I could get wreck if I want to."" Like, ""If I really wanted to get on ya niggas, I could."""" Sean Combs, however, denies these claims stating, ""Naw, it was just some emcee lyrics. I know people wanna have their imagination, but it was just lyrics. You're hearing it from the horse's mouth. I would tell the truth."" In the first verse, the lyric ""Laugh Now, Cry Later"" is allegedly a reference to two tattoos on 2Pac's back. A"