The name of what genre has its origin in what producers Jerry Kasenetz and Jeff Katz had in their mouths when they discussed music targeting the younger crowd?
"Arizona before their senior year they moved back to New York and opened a small office on Broadway in Manhattan. Jerry Kasenetz and Jeff Katz created the concept of bubblegum music. Neil Bogart of Buddah Records asked the duo to come up with a marketing name for their music. Between 1967 to 1969 some of their bubblegum music releases are ""Beg, Borrow and Steal,"" ""1,2,3, Red Light,"" ""Goody, Goody Gumdrops,"" ""Indian Giver"", ""Down at Lulu's,"" ""Chewy,Chewy,"" ""Mercy,"" ""Simon Says,"" ""Special Delivery,"" ""Yummy Yummy Yummy"" and ""Gimme Gimme Good Lovin."" In 1966 their first production was with Christine Cooper ""S.O.S. Heart"
"In Distress."" In 1966 Kasenetz and Katz had also begun working with an Ohio band, The Music Explosion who recorded "" Little Bit O' Soul."" Kasenetz got in his car and drove across the country promoting the song to radio stations. In July 1967, the song reached No. 2 on the charts, selling a million copies. This solidified Kasenetz and Katz as music industry players. In Spring, 1975, Kasenetz and Katz formed their own label, Magna Glide, and recorded artists at K&K Studio City in Great Neck, N.Y. In 1977 Kasenetz and Katz achieved another top twenty hit ""Black Betty"""
"who coined the term, a producer named Kursa. Early pioneering producers of the genre include KOAN Sound, Kursa, Skope, Disprove, Culprate, Joe Ford, MakO, and Posij, who helped kickstart the genre in 2011 through 2013. The genre went through something of a decline in popularity over the next few years as many of these artists either changed genres or went inactive altogether. Between 2016 and 2018, newer producers such as Monuman, COPYCATT, and Chee have continued to innovate and release new music in the genre. Kursa is a music producer who created the term to describe his work. He created"
"came to an end with a final single in 1977. Kasenetz and Katz are releasing their brand new album in 2009, calling themselves Kasenetz and Katz Allstarz Band, featuring Jaymee Lynn Frankel, Lianne Frankel, Lisa Ganz, Kiirstin Marilyn, Donna & Laura Macaluso, Don Chaffin and more. Kasenetz-Katz Singing Orchestral Circus The Kasenetz-Katz Singing Orchestral Circus was a bubblegum ""supergroup"" created by record producers Jerry Kasenetz and Jeff Katz, consisting of various Super K Production groups. For the first album, the fictitious concept was to take eight Kasenetz-Katz produced groups and bring them together for a ""live"" performance at Carnegie Hall"
"Fisher (bass guitar), and Ken Turkin (drums). In 1968, the band signed a recording contract with Super K Productions, a subsidiary of Buddah Records responsible for hits with primarily bubblegum pop bands like 1910 Fruitgum Company and the Ohio Express. Tension soon arouse between the Shadows of Knight and the Jerry Kasenetz-Jeffrey Katz production team over musical direction. The group, in favor of their characteristic bluesy garage rock approach, conflicted with Kasenetz-Katz's polished production techniques, ultimately resulting in the duo instructing co-directors Joey Levine and Arthur Resnick to overdub much of the instrumentals with the work of uncredited session musicians."
"The genre is characterized by its samples of 1980s muzak and its appropriation of late 1990s Internet iconography. It found wider appeal over the middle of 2012, building an audience on sites like Last.fm, Reddit, and 4chan. A wealth of its own subgenres and offshoots—some of which deliberately gesture at the genre's non-seriousness—soon followed. Streaming became the dominant source of music industry revenue in 2016. During that decade, Spotify engendered a trend that became known among the industry as ""lean back listening"", which refers to a listener who ""thinks less about the artist or album they are seeking out, and"
"any members of Ohio Express. The real Ohio Express toured, supporting The Who and Herman's Hermits, with bassist Dean Kastran performing the vocals for the hits, emulating Levine's nasal-punk singing style. Kasenetz and Katz developed a strong relationship with Buddah Records, releasing a series of hits by 1910 Fruitgum Company, Ohio Express and one-offs such as ""Quick Joey Small"" by The Kasenetz-Katz Singing Orchestral Circus, a Levine-fronted group of studio players. Kasenetz and Katz also scored on Bell Records in early 1969 with ""Gimme Gimme Good Lovin'"" by another manufactured band, Crazy Elephant. The dominance of the Kasenetz–Katz team was"
"Delivery,"" ""Yummy Yummy Yummy"" and ""Gimme Gimme Good Lovin."" In 1966 their first production was with Christine Cooper ""S.O.S. Heart In Distress."" In 1966 Kasenetz and Katz had also begun working with an Ohio band, The Music Explosion who recorded "" Little Bit O' Soul."" Kasenetz got in his car and drove across the country promoting the song to radio stations. In July 1967, the song reached No. 2 on the charts, selling a million copies. This solidified Kasenetz and Katz as music industry players. In 1977 Kasenetz and Katz achieved another top twenty hit ""Black Betty"" by the group"
"Zak Baney Ralph Baney, Jr. (born June 3, 1973), better known by the name Zak Baney, is a record producer, songwriter, screenwriter, filmmaker and photographer. He is known for originating a genre of techno music called acid breaks in 1987, which combined elements of Chicago's acid sound with South Florida's breakbeat style. Also was at the forefront of the Miami bass scene, making low bass frequency recordings for car bass competitions. In addition, is known for his filmmaking-besides making many commercials and music videos, he directed two films that had their premieres at the Cannes Film Festival. Ralph Baney, Jr."
"Minimal techno Minimal techno is a minimalist subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell. By the early 2000s the term 'minimal' generally described a style of techno that was popularised in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called ""second wave"" of"
"Kindie rock Kindie rock is a style of children's music that ""melds the sensibility of the singer-songwriter with themes aimed at kids under 10."" Many popular kindie rock artists first gained fame as adult performers, including Dan Zanes and They Might Be Giants. Other well-known kindie rock artists started directly in the genre or did not achieve commercial success until moving in that direction, such as Laurie Berkner, Justin Roberts, Joanie Leeds & The Nightlights, Recess Monkey, Sugar Free Allstars and Tim Kubart and the Space Cadets. Children's music veterans Greg & Steve and Bobby Susser introduced various forms of"
"I'd always wanted to have a studio of my own to work in and to make my own demos. We used to tell ourselves that one day the Beatles would record there – and eventually Paul McCartney did. Gradually the studio did get a name for being a good place to work."" The partners in the business continued to upgrade equipment at the studios, and in December 1969 a deal was struck with US producers Jerry Kasenetz and Jeff Katz of Super K Productions to book the studios solidly for three months to record bubblegum songs, using the talents of"
"a company based in the United States that develops the curricula and materials used by Licensed Kindermusik Programs around the world. ""Kindermusik (Demo)"" is the name of a five song demo tape independently released by New York City based industrial metal band Hanzel und Gretyl in 1994. Kindermusik Founded in the United States in 1978, Kindermusik is an early childhood education music and movement program for children from infants to 7 years of age (2nd grade in Elementary School). It is based on a Kindergarten music and movement program developed by educational experts in Germany in the 1960s. When developing"
"Veronica Vasicka, founder of the Minimal Wave record label, claims to have coined the genre name. She said in a 2009 interview, For a 2009 publicity piece, Vasicka wrote that the music overlaps with several other genres, ""The Minimal Wave genre actually formed only several years ago, as a result of a resurgence of interest in the roots of pre-MIDI electronic new wave (1978-1985), mainly from North America, Europe and Japan. This music is sometimes referred to as minimal electronic, minimal synth, coldwave, new wave, technopop, or synthpop, depending on the particular style, year, and location of the band."" In"
"high on his latest song, ""Kwaheri"" - a collaboration with the Sanaipei Tande. Nonini is the self-titled Godfather of Genge. Genge has given rise to other subgenres such as the Ghipuka popularised by Kenrazy, however it remains a formidable force as America-based producer Keggah has added a flesh flavor to give genge a new sound that Kenyans are loving. Some of the most popular genge tracks include:<br> Genge Genge music, or genge, is a genre of hip hop music that had its beginnings in Nairobi, Kenya. The name was coined by the producer Clemo and popularized by Kenyan rappers Jua"
"as a variety of different genres arose, such as melodic hardcore (Avail, Lifetime, Kid Dynamite), emo (Endpoint, Saves the Day), D-beat (Avskum, Aus Rotten, Skitsystem), powerviolence (Spazz, Dropdead, Charles Bronson), thrashcore (What Happens Next?, Voorhees, Vivisick), mathcore (The Dillinger Escape Plan, Botch, Converge), screamo (Heroin, Antioch Arrow, Portraits of Past, Swing Kids) and rapcore (Biohazard). While the 1990s had many different sounds and styles emerging, the genre primarily branched into two directions; ""new school"" metallic hardcore (also referred as metalcore), which incorporated aspects of thrash metal and death metal for a heavier and more technical sound, and ""old school"", reminiscent"
"across the street from adult contemporary musician Alicia Keys. Hernandez started producing at age 14. He received his stage name, Vinylz, courtesy of a friend who noticed both of his interests for clever sampling and his father's collection of vinyl records. Vinylz began taking music production seriously and it remained his favorite hobby ever since, but he went against his parents' wishes. He got an early professional start working with Swizz Beatz and decided to drop out of college after the first semester of his first year. Setting up shop in Quad Studios, the well-known recording studio located in New"
"signed-songwriter Kief Brown and producer Jeremy ""JMIKE"" Coleman, who signed in a joint venture with Dr. Luke's Prescription Songs). Johnson tags most of his beats with a robotic male voice saying ""Kane is in the building, nigga."" He has stated that his favorite producers and largest musical influences are Timbaland, Dr. Dre, and Mannie Fresh. Kane Beatz Daniel Andrew Johnson (born December 20, 1986), professionally known as Kane Beatz, is an American record producer and songwriter from Orlando, Florida. Johnson first found monetary success from producing while still in high school by selling his beats over the internet. Working with"
"to ""tinker with pop the way a born mathematician tinkers with numbers"". The origin of Game Theory's name is mathematical, suggesting a ""nearly mathy"" sound cited as ""IQ rock"". By the turn of the 21st century, most of the later generation bands such as Sweep the Leg Johnny had disbanded and the genre had been roundly disavowed by most bands labeled with the ""math rock"" moniker. Bands in the late 90's and 2000s, such as This Town Needs Guns and American Football, began combining math rock and emo, creating a much more vocally oriented sound. In the mid-2000s, many math"
"areas of electronic music, acoustic dance music, ultimately jazz funk, jazz and maybe even hip hop and R&B"". Formed over passionate discussions Jerome Sydenham had with Dance Tracks (a record shop) owner Joe Claussell as well as fellow music producer Kerri Chandler, the label was, in its beginnings, to rework the prestigious Ten City catalogue, which Jerome Sydenham obtained after his resignation in his A&R role at Atlantic Records. Building up a steady slew of quality House music releases over the years, the label has since evolved to include Techno and Tech-house genres and continues to pioneer new directions in"
"a Parrot Party"". 6. The Not It´s from Seatlle -http://www.wearethenot-its.com/ 7. Kindie wiki http://kindiy.wikidot.com/ Kindie rock Kindie rock is a style of children's music that ""melds the sensibility of the singer-songwriter with themes aimed at kids under 10."" Many popular kindie rock artists first gained fame as adult performers, including Dan Zanes and They Might Be Giants. Other well-known kindie rock artists started directly in the genre or did not achieve commercial success until moving in that direction, such as Laurie Berkner, Justin Roberts, Joanie Leeds & The Nightlights, Recess Monkey, Sugar Free Allstars and Tim Kubart and the Space"
"Genge Genge music, or genge, is a genre of hip hop music that had its beginnings in Nairobi, Kenya. The name was coined by the producer Clemo and popularized by Kenyan rappers Jua Cali and Nonini who started off at Calif Records, and is commonly sung in Sheng (slang), Swahili or local dialects. The term Genge is a sheng word for ""a group or a mass of people"". As Kenyan urban music became more and more popular, Kenyan artists and music fans wanted to have a common name for their music and lots of names were suggested; among them were"
"broadcasting, he has maintained a creative career as a concept developer, board game producer and screenwriter, often with his wife Mette Lisby through their creative production company, VIVE Productions. Jesper Baehrenz was born in Herning, Denmark, where he became part of the de-nationalization of Danish radio at age 18, in the wave of new, private, local radio start-ups in 1983. Local station Radio Herning invited him, along with four other young people, to spend 15 minutes each week to talk about a particular music genre. Baehrenz ended up having to talk about a genre he didn’t know anything about: Reggae."
"the stage name Jauz. His career kickstarted when fellow musician Kennedy Jones had played one of his remixes. Jones also had introduced him to his manager, Moe Shalizi which helped Vogel to release music on Borgore's record label, Buygore. Vogel produces chill trap, bass house and dubstep. He also incorporates heavy bass sounds similar to the styles in the 80s and 90s. Vogel uses Ableton as his digital audio workstation. Before starting his professional career, he used ""Escape Dubstep"" as a stage name. He later used 'Jauz' because he thought it was short, simple and catchy despite hating the word."
"Neo soul Neo soul is a genre of popular music. The term was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music that emerged from soul and contemporary R&B. Heavily based in soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with incorporated elements ranging from jazz, funk, hip hop and electronic to pop, fusion, and African music. It has been noted by music writers for its traditional R&B influences, conscious-driven lyrics, and strong female presence. Neo soul developed during the 1980s and"
"tried to bring some of the ambience from the New York-restaurant The Spotted Pig, owned by Stargate's StarRoc-partner Jay-Z, to the restaurant. Stargate chiefly produces songs in the genres; R&B, pop, dance-pop, Europop and hip hop music. Hermansen and Eriksen grew up as R&B and hip hop fanatics in Norwegian suburbs, where most children listen to Europop and American rock. Their interest in music started in the 1980s with breakdance and rap. Eriksen and Hermansen were raised on pop music, growing up listening to music of 1970s pop group ABBA and Germany-based pop outfit Boney M. In an article by"
"genre due to its close relationship with another well known New York genre referred to as Latin jazz. This Afro-Cuban rhythmic form later branched out from New York to various Latin American countries to form regional variants. In terms of music and culture, New York has always been diverse. After the Great Depression and Dustbowl, Folk became a pillar of the New York music scene and it quickly found a home base in Greenwich Village—a neighborhood that was the center of artistic innovation of all kinds. Israel G Young is also known as Izzy, a famous dancer in Greenwich village,"
"Jeff Rosenstock Jeff Rosenstock (born September 7, 1982) is an American musician and songwriter from Long Island, United States. He was the lead singer of the ska punk band The Arrogant Sons of Bitches, the musical collective Bomb the Music Industry! and the indie rock band Kudrow. After the breakup of Bomb the Music Industry!, he began a solo career. Rosenstock began his solo career in 2012 by releasing his debut solo ""mixtape"" ""I Look Like Shit"" two months after Bomb the Music Industry! had announced their intention to breakup. This was followed by the ""Summer Seven Club"" project in"
"""Roots"" magazine's description of the genre as ""local music from out there"". The term was popularized in the 1980s as a marketing category for non-Western traditional music. Globalization has facilitated the expansion of world music's audiences and scope. It has grown to include hybrid subgenres such as world fusion, global fusion, ethnic fusion, and worldbeat. The term has been credited to ethnomusicologist Robert E. Brown, who coined it in the early 1960s at Wesleyan University in Connecticut, where he developed undergraduate through the doctoral programs in the discipline. To enhance the process of learning, he invited more than a dozen"
"of Distinction, Tuff Enuff Records, First Base Tapes and Gnar Tapes. An exhibition was held at Printed Matter in New York City devoted to current American cassette culture entitled ""Leaderless: Underground Cassette Culture Now"" (May 12–26, 2007). Cassette culture Cassette culture (or the cassette underground) refers to the practices surrounding amateur production and distribution of recorded music that emerged in the late 1970s via home-made audio cassettes. It is characterized by the adoption of home recording by independent artists, and involvement in ad-hoc self-distribution and promotion networks—primarily conducted through mail (though there were a few retail outlets, such as Rough"
"young kids. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'."" The term was seized upon by Buddah Records label executive Neil Bogart. Music writer and bubblegum historian Bill Pitzonka confirmed the claim, telling ""Goldmine"" magazine: ""That's when bubblegum crystallized into an actual camp. Kasenetz and Katz really crystallized it when they came up with the term themselves and that nice little analogy. And Neil Bogart, being the marketing person he was, just crammed it down the throats of"
"response hip-hop slogans in lieu of more substantive approaches. Snap music is a subgenre of crunk that emerged from Atlanta, Georgia in the late 1990s. The genre gained mainstream popularity and in mid-2005, artists from other southern states such as Tennessee began to emerge performing in this style. Tracks commonly consist of an Roland TR-808 bass drum, hi-hat, bass, finger snapping, a main groove and a vocal track. Hit snap songs include ""Lean wit It, Rock wit It"" by ""Dem Franchize Boyz"", ""Laffy Taffy"" by D4L, ""It's Goin' Down"" by Yung Joc and ""Crank That (Soulja Boy)"" by Soulja Boy"
"the developing genre of country music (this is the source of the steel guitar sound that is characteristic of modern country). Eastern European Jews contributed klezmer music to American culture, with the earliest stars including Harry Kandel, Naftule Brandwein, Dave Tarras and Abe Schwartz. Kandel, a clarinetist, set the stage for American klezmer. The blues began in rural communities, primarily in the south. During the 1920s, classic female blues singers like Mamie Smith (""Crazy Blues"") dominated the genre's sound. For most white Americans, these female singers were their first exposure to black music, or ""race music"" as it was then"