In which decade was the Bernardo Bertolucci directed film 'Last Tango In Paris' released?
"Shortly after, Bertolucci left the University without graduating. In 1962, at the age of 22, he directed his first feature film, produced by Tonino Cervi with a screenplay by Pasolini, called ""La commare secca"" (1962). The film is a murder mystery, following a prostitute's homicide. Bertolucci uses flashbacks to piece together the crime and the person who committed it. The film which shortly followed was his acclaimed ""Before the Revolution"" (""Prima della rivoluzione"", 1964). The boom of Italian cinema, which gave Bertolucci his start, slowed in the 1970s as directors were forced to co-produce their films with several of the"
"Last Tango in Paris Last Tango in Paris () is a 1972 Italian-French erotic drama film directed by Bernardo Bertolucci which portrays a recently widowed American who begins an anonymous sexual relationship with a young Parisian woman. It stars Marlon Brando, Maria Schneider, and Jean-Pierre Léaud. The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different venues. Upon release in the United States, the most graphic scene was cut and the MPAA gave the film an X rating. After revisions were made to the MPAA ratings code,"
"Bernardo Bertolucci Bernardo Bertolucci (; 16 March 1941 – 26 November 2018) was an Italian director and screenwriter, whose films include ""The Conformist"", ""Last Tango in Paris"", ""1900"", ""The Last Emperor"" (for which he won the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay), ""The Sheltering Sky"", ""Little Buddha"", ""Stealing Beauty"" and ""The Dreamers."" In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival. From 1979 until his death in 2018, he was married to screenwriter Clare Peploe. Bertolucci was"
"American, Swedish, French, and German companies and actors due to the effects of the global economic recession on the Italian film industry. Bertolucci caused controversy in 1972 with the film ""Last Tango in Paris"", starring Marlon Brando, Maria Schneider, Jean-Pierre Léaud and Massimo Girotti. The film presents Brando's character, Paul, as he copes with his wife’s suicide by emotionally and physically dominating a young woman, Jeane (Schneider). The depictions of Schneider, then 19 years old, were regarded as exploitative. In one scene, Paul anally rapes Jeane using butter as a lubricant. The use of butter was not in the script;"
"Polanski, who was being held while awaiting extradition to the United States. On Twitter on 24 April 2015, Bertolucci participated in #whomademyclothes, Fashion Revolution's anti-sweatshop campaign commemorating the 2013 Savar building collapse, the deadliest accident in the history of the garment industry. Bertolucci died in Rome on 26 November 2018, at the age of 77 of lung cancer. Bernardo Bertolucci Bernardo Bertolucci (; 16 March 1941 – 26 November 2018) was an Italian director and screenwriter, whose films include ""The Conformist"", ""Last Tango in Paris"", ""1900"", ""The Last Emperor"" (for which he won the Academy Award for Best Director and"
"1900 (film) 1900 (, ""Twentieth Century"") is a 1976 Italian epic historical drama film directed by Bernardo Bertolucci and featuring an international ensemble cast including Robert De Niro, Gérard Depardieu, Dominique Sanda, Francesca Bertini, Laura Betti, Stefania Casini, Ellen Schwiers, Sterling Hayden, Alida Valli, Romolo Valli, Stefania Sandrelli, Donald Sutherland, and Burt Lancaster. Set in Bertolucci's ancestral region of Emilia, the film chronicles the lives and friendship of two men – the landowning Alfredo Berlinghieri (De Niro) and the peasant Olmo Dalcò (Depardieu) – as they witness and participate in the political conflicts between fascism and communism that took place"
"and she herself directed and edited the 1999 film, ""Ladies Room"". Gabriella Cristiani Gabriella Cristiani (born 1949) is an Italian film editor with about twenty feature film credits. She has had a notable collaboration with director Bernardo Bertolucci. Early in her career she assisted editor Franco Arcalli on two of Bertolucci's films, ""Last Tango in Paris"" (1972) and ""1900"" (1976). Arcalli was the ""supervising editor"" on a 1977 film, ""Berlinguer, I Love You"", that was one of Cristiani's first feature editing credits; the film was directed by Giuseppe Bertolucci - Bernardo's brother. Arcalli was to have edited Bernardo Bertolucci's next"
"some were preserved by the National Film Library). Bertolucci was served with a four-month suspended sentence in prison and had his civil rights revoked for five years, depriving him of voting rights. In Canada, the film was banned by the Nova Scotia Board of Censors, leading to the landmark 1978 Supreme Court of Canada split decision in ""Nova Scotia (Board of Censors) v McNeil"", which upheld the provinces' right to censor films. Brando received an Academy Award nomination for Best Actor in a Leading Role and Bertolucci was nominated for Best Director. Last Tango in Paris Last Tango in Paris"
"a room in her house. Through Bardot, Schneider met people in the film business and Bardot introduced her to the William Morris Agency. She was 18 when she had her first break in 1970, appearing in ""Madly"", starring Alain Delon. Schneider gained international renown for her performance at the age of 19 in the sexually explicit ""Last Tango in Paris"" (1972), directed by Bernardo Bertolucci. She performed several nude scenes in a graphic portrayal of anonymous sex with an older man. In an interview in 2007, Schneider said of Bertolucci: ""He was fat and sweaty and very manipulative, both of"
"says a local filmmaker, “will most likely be only comparable to the night that Bernardo Bertolucci’s masterpiece ""Last Tango In Paris"" premiered at the New York Film Festival back in October 1972.” Many community groups have attempted to halt the Satelli D’Or Film Festival as they find it to be “sleazy and disrespectful. Ernest Satelli, who was very open about his Marxist views, believed that the younger or more liberal generation deserved a “safe haven where they can let their imagination run wild and have as much creative control as they please” and “be able to create the films that"
"cousin Vanessa Schneider published ""Tu t'appelais Maria Schneider"", a book about her. Maria Schneider (actress) Maria-Hélène Schneider (27 March 1952 – 3 February 2011), known as Maria Schneider, was a French actress. She starred opposite Marlon Brando in Bernardo Bertolucci's film ""Last Tango in Paris"" (1972). Schneider worked in more than 50 films and television productions between 1969 and 2008, including ""Last Tango in Paris"", Michelangelo Antonioni's ""The Passenger"" (1975), opposite Jack Nicholson, René Clément's """" (1975), Daniel Schmid's ""Violanta"" (1976), Nouchka van Brakel's ""A Woman Like Eve"" (1979), Daniel Duval's ""Memoirs of a French Whore"" (1979), Jacques Rivette's ""Merry-Go-Round"""
"Gabriella Cristiani Gabriella Cristiani (born 1949) is an Italian film editor with about twenty feature film credits. She has had a notable collaboration with director Bernardo Bertolucci. Early in her career she assisted editor Franco Arcalli on two of Bertolucci's films, ""Last Tango in Paris"" (1972) and ""1900"" (1976). Arcalli was the ""supervising editor"" on a 1977 film, ""Berlinguer, I Love You"", that was one of Cristiani's first feature editing credits; the film was directed by Giuseppe Bertolucci - Bernardo's brother. Arcalli was to have edited Bernardo Bertolucci's next film, ""La Luna"" (1979), but he died during production; Cristiani, who"
"the machine. It keeps you happy. It keeps you running."" Afterwards, in 1970, Warhol published ""Blue Movie"" in book form, with film dialogue and explicit stills, through Grove Press. When ""Last Tango in Paris"", an internationally controversial erotic drama film, directed by Bernardo Bertolucci and starring Marlon Brando, was released in 1972, Warhol considered ""Blue Movie"" to be the inspiration, according to Bob Colacello, the editor of ""Interview"", a magazine dedicated to Pop Culture that was founded by Warhol in 1969. Nonetheless, and also in 1970, ""Mona"", the second adult erotic film, after ""Blue Movie"", depicting explicit sex that received"
"USA"" (1970) by Gerard Damiano. The subgenre went on to enter the mainstream with ""Deep Throat"" (1972). The idea of graphic sex as an integral part of an adult-oriented narrative was further explored in ""Last Tango in Paris"" (1972) by Bernardo Bertolucci, """" (1974) by Artie Mitchell, and ""The Opening of Misty Beethoven"" (1976) by Radley Metzger. As a narrative-driven film, Rob Craig argues that ""Necromania"" can also be considered part of the Golden Age of Porn, along with these films. Thought lost for years, it resurfaced in edited form on Mike Vraney's Something Weird imprint in the late 1980s,"
"""Last Tango in Paris"", an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after ""Blue Movie"" was made. In 1970, ""Mona"", the second adult erotic film, after ""Blue Movie"", depicting explicit sex that received a wide theatrical release in the United States, was shown. Later, other adult films, such as ""Boys in the Sand"", ""Deep Throat"", ""Behind the Green Door"" and ""The Devil in Miss Jones"" were released, continuing the Golden Age of Porn begun with ""Blue Movie"". In 1973, the phenomenon of porn being publicly discussed by celebrities (like Johnny Carson and Bob Hope)"
"screened in the early 1970s (provoking much public controversy, and in some states, legal prosecution) include ""Deep Throat"", ""The Devil in Miss Jones"", and ""Last Tango in Paris"", starring Marlon Brando, whose performance was nominated for an Academy Award. A new wave of raunchier adult magazines such as ""Hustler"" and ""Penthouse"" arrived, making ""Playboy"" seem dull and old-fashioned. Due in large part to the dramatic reduction in the risk of unwanted pregnancy engendered by the introduction of the Pill in 1960, not to mention the legalization of contraception nationwide by the Supreme Court decision in ""Griswold v. Connecticut"" in 1965,"
"1968. In 2007, he received the Golden Lion Award at the Venice Film Festival for his life's work, and in 2011 he also received the Palme d'Or at the Cannes Film Festival. In 2012, his final film, ""Me and You"" was screened out of competition at the 2012 Cannes Film Festival and was released early in 2013 in the UK. The film is an adaptation of Niccolò Ammaniti's young-adult's book ""Me and You"". The screenplay for the movie was written by Bertolucci himself, Umberto Contarello and Niccolò Ammaniti. Bertolucci originally intended to shoot the film in 3D but later changed"
"1972 version of ""The Canterbury Tales,"" in which she played the Wife of Bath; and his controversial ""Salo"" (1975) (""120 Days of Sodom""). In 1976, Betti portrayed a cruel and eroto-maniacal fascist in Bernardo Bertolucci's ""Novecento"" (""1900""). She also played Miss Blandish in his ""Last Tango in Paris"" (1972), though her scenes were deleted. In 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist. From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy"
"old at the time of its publication, but never made a statement on the subject. In 2016, actress Tippi Hedren claimed in her autobiography that in 1963, she had been sexually harassed by film director Alfred Hitchcock during the filming of the film ""The Birds"" and that he had forbidden other male actors to approach her. At the end of 2016, it was reported that in 1972, Marlon Brando had sexually abused actress Maria Schneider during a scene from the film ""Last Tango in Paris"". According to the reports, neither Brando nor director Bernardo Bertolucci warned the actress that she"
"Maria Schneider (actress) Maria-Hélène Schneider (27 March 1952 – 3 February 2011), known as Maria Schneider, was a French actress. She starred opposite Marlon Brando in Bernardo Bertolucci's film ""Last Tango in Paris"" (1972). Schneider worked in more than 50 films and television productions between 1969 and 2008, including ""Last Tango in Paris"", Michelangelo Antonioni's ""The Passenger"" (1975), opposite Jack Nicholson, René Clément's """" (1975), Daniel Schmid's ""Violanta"" (1976), Nouchka van Brakel's ""A Woman Like Eve"" (1979), Daniel Duval's ""Memoirs of a French Whore"" (1979), Jacques Rivette's ""Merry-Go-Round"" (1981), Predrag Golubović's ""Peacetime in Paris"" (1981), Enki Bilal's ""Bunker Palace Hôtel"""
"2012. ""1900"" won the 1977 Bodil Award for Best Non-American Film and received 2nd place in the National Society of Film Critics Award for Best Cinematography. It has received mixed reviews from American critics: on the review aggregation website Rotten Tomatoes, the film currently holds a 47% rating based on 15 reviews. The music for the movie was composed by Ennio Morricone, who included several melodies from Verdi operas. 1900 (film) 1900 (, ""Twentieth Century"") is a 1976 Italian epic historical drama film directed by Bernardo Bertolucci and featuring an international ensemble cast including Robert De Niro, Gérard Depardieu, Dominique"
"another film?' My personal and artistic life will never be the same."" Review aggregation website Rotten Tomatoes retrospectively collected 31 reviews and gave the film an approval rating of 80%, with an average rating of 7.9/10. The website's critical consensus reads, ""Naturalistic but evocative, ""Last Tango in Paris"" is a vivid exploration of pain, love, and sex featuring a typically towering Marlon Brando performance."" The film earned $12,625,000 in North American rentals in 1973. British censors reduced the duration of the sodomy sequence before permitting the film to be released in the United Kingdom, though it is not cut in"
"the end of the decade, Stanley Kubrick's """" (1968) wowed audiences with its scientific realism, pioneering use of special effects, and unusual visual imagery. In 1969, Andy Warhol released ""Blue Movie"", the first adult art film depicting explicit sex to receive wide theatrical release in the United States. According to Warhol, ""Blue Movie"" was a major influence in the making of ""Last Tango in Paris"", an internationally controversial erotic art film, directed by Bernardo Bertolucci and released a few years after ""Blue Movie"" was made. In Soviet Armenia, Sergei Parajanov's ""The Color of Pomegranates"", in which Georgian actress Sofiko Chiaureli"
"Bologna ordered three copies of the film to be preserved in the national film library with the stipulation that they could not be viewed, until Bertolucci was later able to re-submit it for general distribution with no cuts. Bertolucci increased his fame with his next few films, from ""1900"" (1976), an epic depiction of the struggles of farmers in Emilia-Romagna from the beginning of the 20th century up to World War II with an international cast (Robert De Niro, Gérard Depardieu, Donald Sutherland, Sterling Hayden, Burt Lancaster, Dominique Sanda) to ""La Luna"", set in Rome and in Emilia-Romagna, in which"
"later adapted as a novel by Robert Alley. The film was directed by Bertolucci with cinematography by Vittorio Storaro. Bertolucci originally intended to cast Dominique Sanda, who developed the idea with him, and Jean-Louis Trintignant. Trintignant refused and, when Brando accepted, Sanda was pregnant and decided not to do the film. An art lover, Bertolucci drew inspiration from the works of the Irish-born British artist Francis Bacon for the opening sequence of cast and crew credits. According to American artist Andy Warhol, the ""Last Tango"" film was based on Warhol's own ""Blue Movie"" film released a few years earlier in"
"Pasolini cast him as Creonte opposite Maria Callas in his ""Medea"" (1969). In 1972, he was in Bernardo Bertolucci's ""Last Tango in Paris"". That same year he made a rare appearance in a horror film when he agreed to a supporting role in ""Baron Blood"" as a favor to its director Mario Bava. He continued to act in character roles for the next thirty years. Some of the films he appeared in have been notable, including Joseph Losey's ""Monsieur Klein"" (1976) with Alain Delon and Jeanne Moreau, the 1985 television miniseries ""Quo Vadis?"", Roberto Benigni's ""Il mostro"" (""The Monster"") (1994)."
"played against the crew of Bernardo Bertolucci's ""Novecento"", which was being filmed nearby. It also marked the reconciliation between the then 34-year-old Bertolucci and his old mentor after several disagreements following Pasolini's criticism of ""Last Tango in Paris"" (1972) and his failure to defend it from drastic censorship measures. During the making of the film, some reels were stolen and the thieves demanded a ransom for their return. They reshot the scenes, using doubles: the same scenes, but from a different angle. At the trial for Pasolini's murder, it was hypothesized that Pasolini was told the film reels were discovered"
"and actress Alessandra Celi. She made her screen debut as Marlon Brando's deceased wife in Bernardo Bertolucci's ""Last Tango in Paris"" (1972), and also appeared in some of the director's subsequent films, ""La Luna"" (1979), ""The Sheltering Sky"" (1990), and ""Besieged"" (1998). Lazăr is probably best known internationally for her role as the demonic Mater Tenebrarum in Dario Argento's ""Inferno"" (1980), as well as the ill-fated Martha in Lucio Fulci's ""The Beyond"" (1981). She later appeared in Argento's ""The Stendhal Syndrome"" (1996) in a role that was removed from the North American version (though she is still billed in the"
"film debut in Bernardo Bertolucci's ""Last Tango in Paris"" (1972) as Mouchette, a dressmaker, alongside her sister Marie-Hélène Breillat. In 2004, Breillat suffered a cerebral hemorrhage, causing a stroke that paralyzed her left side. After five months of hospitalization and a slow rehabilitation, she gradually returned to work, producing ""Une vieille maîtresse"" (""The Last Mistress"") in 2007. This film was one of three French films officially selected for the Cannes Film Festival of that year. In 2007, Breillat met notorious conman Christophe Rocancourt, and offered him a leading role in a movie that she was planning to make, based on"
"married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's ""Last Tango in Paris"" and Tinto Brass's ""Salon Kitty"", her last film. Maria Michi Maria Michi (24 May 1921 - 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: ""Rome, Open City"" and ""Paisà"". Michi worked first as a typist"
"Time in America""), Roman Polanski (""Death and the Maiden"" and ""Bitter Moon""), Louis Malle (""Lacombe, Lucien""), Jean-Jacques Annaud (""The Name of the Rose""), and Federico Fellini, whose last three films he photographed. His collaboration with Pier Paolo Pasolini was especially fruitful: they made twelve films together, including Pasolini's debut ""Accattone"" (1961), ""Mamma Roma"" (1962), ""The Gospel According to St. Matthew"" (1964), ""The Decameron"" (1971), ""The Canterbury Tales"" (1972) and ""Salò o le 120 giornate di Sodoma"" (1976). His last film was Roberto Benigni's ""Life Is Beautiful"" (1997), for which he won his fourth David di Donatello for Best Cinematography. In"
"Bertolucci deals with the thorny issue of drugs and incest, and finally ""La tragedia di un uomo ridicolo"" (1981), with Ugo Tognazzi. He then wrote two screenplays based on Dashiell Hammett’s Red Harvest. He hoped this would be his first film set in America, but nothing came of it. In 1987, Bertolucci directed the epic ""The Last Emperor"", a biographical film telling the life story of Aisin-Gioro Puyi, the last Emperor of China. The film was independently produced by British producer Jeremy Thomas, with whom Bertolucci worked almost exclusively from then on. The film was independently financed and three years"
"level since the end of the 1980s. Probably the most noted film of the period is ""Nuovo Cinema Paradiso"", for which Giuseppe Tornatore won a 1989 Oscar (awarded in 1990) for Best Foreign Language Film. This award was followed when Gabriele Salvatores's ""Mediterraneo"" won the same prize for 1991. """" (1994), directed by and starring Massimo Troisi, received five nominations at the Academy Awards, and won for Best Original Score. Another exploit was in 1998 when Roberto Benigni won three oscars for his movie ""Life Is Beautiful"" (""La vita è bella)"" (Best Actor, Best Foreign Film, Best Music). In 2001"