Who painted the 'Marriage Of The Virgin' found in the Pinacoteca di Brera of Milan?
"last of these. Evidently inspired by one of Perugino's paintings, also known as ""Marriage of the Virgin"", Raphael completed his own work, according to the date placed next to his signature, in 1504. There have been several historians who have disputed that Perugino's painting preceded Raphael's and some who have suggested the painting was not Perugino's at all but instead produced after Raphael's by one of Perugino's followers, but 16th century documentary evidence supports the conclusion that Perugino had begun working on the painting in 1499, though it was not completed until some point after December 26, 1503. This particular"
"The Marriage of the Virgin (Michelino da Besozzo) The Marriage of the Virgin is a painting by the Italian late medieval painter Michelino da Besozzo, dating from c. 1435 and housed in the Metropolitan Museum of Art of New York, USA. It is the artist's only certain one alongside ""Mystical Marriage of Saint Catherine"" in the Pinacoteca Nazionale at Siena. The painting depicts the Virgin Mary while receiving the marriage ring by Saint Joseph, in front of a priest of the Temple of Jerusalem. Michelino painted a Dove of the Holy Ghost above Joseph, to underline the supernatural choice of"
"Marriage of the Virgin (Perugino) The Marriage of the Virgin is a painting by the Italian Renaissance master Perugino, although it is now sometimes attributed to his pupil Lo Spagna. It depicts the marriage between Joseph and Mary, and is now in the Musée des Beaux-Arts of Caen, France. Initially commissioned to Pinturicchio for the recently completed cathedral of Perugia, Perugino took over the commission and finished the work around 1500-1504, probably after several periods of stasis. A very similar composition was painted by unknown artists (sometimes attributed to Fiorenzo di Lorenzo, probable teacher of Perugino or Rocco Zoppo, assistant"
"Nativity of the Virgin (Francesco Albani) The Nativity of the Virgin is a painting by the Italian Baroque painter Francesco Albani and housed in the Sala VII di Santa Petronilla in the Capitoline Museum in Rome, Italy. The altarpiece was transferred from a mural to canvas in the 19th century. The Bolognese art historian Carlo Cesare Malvasia attributes a ""Nativity of the Virgin"" to Albani. It was originally painted for the Oratory of Santa Maria del Piombo in Bologna, and is documented there at least until 1598. Albani's contemporary Guido Reni also contributed works for the oratory. In 1797, the"
"Death of the Virgin (Caravaggio) Death of the Virgin (1606) is a painting completed by the Italian Baroque master Caravaggio. It is a near contemporary with Caravaggio's ""Madonna with Saint Anne"" now at the Musée du Louvre. When he painted ""The Death of the Virgin"" (c. 1601-6), Caravaggio had been working in Rome for fifteen years. The painting was commissioned by Laerzio Cherubini, a papal lawyer, for his chapel in the Carmelite church of Santa Maria della Scala in Trastevere, Rome; the painting could not have been finished before 1605-1606. The depiction of the Death of the Virgin caused a"
"The confraternity later passed to the Pistori (ie the bakers) but was suppressed in 1808 during the Napoleonic occupation and all its furnishings and paintings sold off and split up, including the ""Life of the Virgin"" cycle. Life of the Virgin (Carpaccio) Life of the Virgin is a cycle of six large canvases by Vittore Carpaccio, dating to between 1504 and 1508. Originally painted for the sala dell'Albergo in the Scuola di Santa Maria degli Albanesi in Venice, they are now split between several museums. They are mostly in oil, though some of them are in mixed technique. Whilst still"
"Mystical Marriage of Saint Catherine (Michelino da Besozzo) The Mystical Marriage of Saint Catherine is a painting by the medieval Italian painter Michelino da Besozzo. The painting dates from c. 1420 and is housed in the Pinacoteca Nazionale of Siena, Italy. It is the only signed work by the Gothic painter. The only other painting attributed to him with some certainty is ""Marriage of the Virgin"" in the Metropolitan Museum of New York City. The painting shows the virgin Mary holding the Christ child on her knees while the child celebrates the symbolic mystical marriage of Saint Catherine of Alexandria"
"Coronation of the Virgin (Filippo Lippi) The Coronation of the Virgin (in Italian ""Incoronazione Maringhi"") is a painting of the Coronation of the Virgin by the Italian Renaissance master Filippo Lippi, in the Uffizi, Florence. Francesco Maringhi, ""procuratore"" of the church of Sant'Ambrogio, left money after his death in 1441 for a new painting at the high altar of the church. Bills of the payments for the work until 1447 have been preserved. In the late 1430s, brother Filippo Lippi had left the convent of the Carmine convent to open an artist workshop of his own; however, having no money"
"Assumption of the Virgin (Correggio) The Assumption of the Virgin is a fresco by the Italian Late Renaissance artist Antonio da Correggio decorating the dome of the Cathedral of Parma, Italy. Correggio signed the contract for the painting on November 3, 1522. It was finished in 1530. The composition was influenced by Melozzo da Forlì's perspective and includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph) with an angel carrying the martyrdom palm leaf, and St. Bernard,"
"Brera Madonna The Brera Madonna (also known as the Pala di Brera, the Montefeltro Altarpiece or Brera Altarpiece) is a painting by the Italian Renaissance master Piero della Francesca, executed in 1472-1474. It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon. The work, of a type known as a sacra conversazione, was commissioned by Federico III da Montefeltro, Duke of Urbino, to celebrate the birth of Federico's son, Guidobaldo. According to other sources, it would celebrate his conquest of several castles in the Maremma. The painting was executed between 1472 and 1474; the"
"the painting during the recent restoration led the conservators from the National Gallery to conclude that the greater part of the work is by the hand of Leonardo, but debate continues. The painting of the right hand of the Virgin, and the flowers and rocks, are cited by doubters.. If not by Leonardo, it was most likely painted by Giovanni Ambrogio de Predis and perhaps Evangelista. It was painted for the chapel of the Confraternity of the Immaculate Conception, in the church of San Francesco Maggiore in Milan. It was sold by the church, very likely in 1781, and certainly"
"Nativity of the Virgin (Pietro Lorenzetti) The Nativity of the Virgin is a painting by the Italian late medieval painter Pietro Lorenzetti, dating from around 1335-1342, now housed in the Museo dell'Opera del Duomo of Siena, Italy. The painting originally decorated the altar of St. Sabinus in the Cathedral of Siena, and had been commissioned as part of a cycle of four altarpieces dedicated to the city's patrons saints (St. Ansanus, St. Sabinus of Spoleto, St. Crescentius and St. Victor) during 1330-1350. These included the ""Annunciation with St. Margaret and St. Ansanus"" by Simone Martini and Lippo Memmi, the ""Presentation"
"Nativity of the Virgin (Perugino) Nativity of the Virgin is a small tempera on panel painting by Perugino, dating to around 1472 and now in the Walker Art Gallery in Liverpool. It shows the nativity of Mary. The style of the house is heavily influenced by Andrea del Verrocchio It belongs to the painter's early period and the important commissions he gained during the short time he was active in Florence. Both it and ""Miracle of the Snow"" are usually identified as one of two surviving parts of the same predella, either from a lost altarpiece of the Virgin Mary"
"Assumption of the Virgin (Andrea del Castagno) The Assumption of the Virgin between St. Miniato and St. Julian is a painting by the Italian early Renaissance master Andrea del Castagno, executed around 1449-1450. It is now housed in the Gemäldegalerie of Berlin. An inscription mentioned by Filippo Baldinucci, dated 20 November 1449, reported that the altarpiece was commissioned by Leonardo di Francesco di Nardo Falladanzi, the rector of San Miniato tra le Torri, a church in Florence. Falladanzi kept a notebook in which he noted that he paid ""maestro Andrea, pintore"" 104 lire for an altarpiece for the main altar"
"accessories appear in the right panel. Nativity of the Virgin (Pietro Lorenzetti) The Nativity of the Virgin is a painting by the Italian late medieval painter Pietro Lorenzetti, dating from around 1335-1342, now housed in the Museo dell'Opera del Duomo of Siena, Italy. The painting originally decorated the altar of St. Sabinus in the Cathedral of Siena, and had been commissioned as part of a cycle of four altarpieces dedicated to the city's patrons saints (St. Ansanus, St. Sabinus of Spoleto, St. Crescentius and St. Victor) during 1330-1350. These included the ""Annunciation with St. Margaret and St. Ansanus"" by Simone"
"Apparition of Christ to the Virgin The Apparition of Christ to the Virgin is a painting by the Italian Renaissance master Filippino Lippi, executed around 1493 and now housed in the Alte Pinakothek of Munich, Germany. The work dates to around to the period after Lippi's return to Florence after his works in the Carafa Chapel at Rome. It is perhaps to be identified with the panel mentioned by the Renaissance art historian Giorgio Vasari in the church of San Francesco al Palco of Prato. In the 19th century, Ludwig I of Bavaria acquired the paintings, which later, together with"
"Magi, Presentation in the Temple </div> Oddi Altarpiece (Raphael) The Oddi Altarpiece is an altarpiece of the Coronation of the Virgin painted in 1502-1504 by the Italian Renaissance master Raphael for the altar of the Oddi family chapel in the church of San Francesco al Prato in Perugia, Italy, now in the Vatican Pinacoteca. The altarpiece was commissioned for the Oddi family chapel in San Francesco al Prato in Perugia, was taken to Paris in 1797 (for the Musée Napoleon) and with 1815 brought back to Italy, not to Perugia but to the Vatican Pinacoteca. The actions of the painting"
"Coronation of the Virgin (Lorenzo Monaco) The Coronation of the Virgin is a tempera on panel polyptych by the Italian late Gothic artist Lorenzo Monaco, centred on the subject of the Coronation of the Virgin. Once in the Camaldolese monastery of Santa Maria degli Angeli, it is now housed in the Uffizi Gallery in Florence. It is dated February 1413 which, in the Florentine calendar (which began in March), corresponded to 1414. The painting is mentioned in the early 15th century by Antonio Billi. In the late 16th century, it was replaced in the altar it occupied by a large"
"Coronation of the Virgin (Fra Angelico, Louvre) The Coronation of the Virgin is a painting of the Coronation of the Virgin by the Italian early Renaissance master Fra Angelico, executed around 1434-1435. It is now in the Musée du Louvre of Paris, France. The artist executed another ""Coronation of the Virgin"" (c. 1432), now in the Uffizi in Florence. The work is not thought to have originally been painted around 1434 (a few years after the similar painting in the Uffizi) for the convent of San Domenico of Fiesole, near Florence, where Fra Angelico was a Dominican friar and for"
"has not been recorded. Berto di Giovanni Berto di Giovanni (di Marco), a pupil of Perugino, painted at Perugia from 1497 to 1525. He executed works for the magistrates, and was a member of the guild of that city. He painted with a predella, in the convent of Santa Maria di Monteluce at Perugia, the following subjects from the Life of Christ: 'The Nativity,' 'The Presentation,' and 'The Marriage' and 'Death of the Virgin.' These form part of a large work of the 'Coronation of the Virgin,' which Raphael was originally commissioned to paint, but which was subsequently executed by"
"one of the heraldic symbols of the Montefeltro family. According to Italian art historian Carlo Ludovico Ragghianti, the work has been cut down on both sides, as shown by the portions of entablatures barely visible in the upper corners. Brera Madonna The Brera Madonna (also known as the Pala di Brera, the Montefeltro Altarpiece or Brera Altarpiece) is a painting by the Italian Renaissance master Piero della Francesca, executed in 1472-1474. It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon. The work, of a type known as a sacra conversazione, was commissioned by"
"Life of the Virgin (Carpaccio) Life of the Virgin is a cycle of six large canvases by Vittore Carpaccio, dating to between 1504 and 1508. Originally painted for the sala dell'Albergo in the Scuola di Santa Maria degli Albanesi in Venice, they are now split between several museums. They are mostly in oil, though some of them are in mixed technique. Whilst still working on paintings for the Scuola degli Schiavoni, Carpaccio was summoned by their rivals the Scuola degli Albanesi to produce a cycle on the Life of the Virgin, joint patron saint of their confraternity with saint Gall."
"he executed his major works, such as the ""Adoration of the Magi"" (now in the Pinacoteca di Brera), signed and dated 1434. A painting depicting ""The Virgin and Child with Angels in a Garden with a Rose Hedge"" at the Worcester Art Museum has been attributed to Stefano. He was a friend of Pisanello, who was in Verona in the same period. Vincenzo di Stefano da Verona was likely a son or pupil. His brothers Giovanni Antonio and Giovanni Maria were also painters. Stefano da Verona Stefano da Verona (or da Zevio; 1379 – c. 1438) was an Italian painter"
"Ercole Procaccini the Younger Ercole Procaccini il Giovane (""the Younger"") (c. 6 August 1605 – 14 November 1675 or 2 March 1680) was an Italian painter of the Baroque period. Born to a family of painters in Milan, he initially apprenticed with his father, painter Carlantonio Procaccini. In 1621 he was enrolled in the first session of the Accademia Ambrosiana. His uncles, Camillo and Giulio Cesare Procaccini, were also painters. His grandfather was Ercole Procaccini the Elder. He was trained with his uncle Giulio Cesare Procaccini in the city. He painted an altarpiece of the ""Assumption of the Virgin"" for"
"Death of the Virgin (Mantegna) The Death of the Virgin is a painting by the Italian Renaissance painter Andrea Mantegna, from c. 1462–1464. In this picture Mantegna depicts the last moment of Mary's life within a space defined by classical architectures, with a squared pavement which leads the observer's eyes towards the bed on which the Virgin lies. In the background is a lake scene which is a detailed reproduction of the bridge and the burgh of the Castle of St. George in Mantua. The work was originally part of the decoration of the Castle chapel, together with three panels"
"(1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a ""Madonna with St. Christopher and St George"" (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ""Pentecost"", is also in the Pinacoteca di Brera. In 1534–35, he painted his large-scale masterpiece for the ""Scuola di San Marco"" a canvas of ""The Fisherman Presenting the Ring to Doge Gradenigo"" (Accademia). However, comparison between this latter painting and the near-contemporary, and structurally similar, ""Presentation of the Virgin"" reveals Bordone's limitations, his use of superior perspective which creates"
"of Lovere. He also frescoed the Chapel of the Blessed Virgin in the parish church of Corte Madama, considered his masterworks. He has an Assumption found in the Pinacoteca of Orzi Nuovi. Giovanni Battista Botticchio Giovanni Battista Bottecchi (1619 – 1666) was an Italian painter of the Baroque period, active in Crema, Lombardy. He was born in Crema, and was a pupil of Giovanni Giacomo Barbelli. He painted a ""Coronation of the Virgin with Saints Andrew and Zeno"" (1647) for the parish church of Capralba, He painted a ""Crucifixion and Saints"" (1648)for the apse of San Benedetto, Crema. He also"
"the collection of Carifano Foundation is the famed ""Marriage of the Virgin"" by Guercino, but also canvases by Simone Cantarini, Sebastiano Ceccarini, Simone de Magistris, Giovanni Francesco Guerrieri, Federico Barocci, Palma il Giovane, Federico Zuccari, and others. San Domenico, Fano San Domenico is a deconsecrated Roman Catholic church in the town of Fano, province of Pesaro and Urbino in the Marche, Italy. The deconsecrated church is now used to display the painting collection of the Fondazione Cassa di Risparmio di Fano. The church has been selected to display sacred works and altarpieces from the 16th and 17th centuries in an"
"and Rustico, Caravaggio, Lombardy. Francesco Prata Francesco Prata was an Italian painter who worked in Brescia during the 16th century. Born in Caravaggio, Lombardy. He was influenced by Il Romanino and Altobello Melone. He painted the altarpiece of ""Saint Agatha crucified among St. Peter, St. Paul, St. Lucy and St. Apollonia"" (1522) in the church of Sant'Agata. He also painted a ""Marriage of the Virgin"" in the church of San Francesco A portrait of ""Giovanni Battista Vannucci"" (or Vannini) from 1515–18 is attributed to Prata. Among his masterworks are frescoes decorating the dome of the Holy Sacrament Chapel in the"
"Oddi Altarpiece (Raphael) The Oddi Altarpiece is an altarpiece of the Coronation of the Virgin painted in 1502-1504 by the Italian Renaissance master Raphael for the altar of the Oddi family chapel in the church of San Francesco al Prato in Perugia, Italy, now in the Vatican Pinacoteca. The altarpiece was commissioned for the Oddi family chapel in San Francesco al Prato in Perugia, was taken to Paris in 1797 (for the Musée Napoleon) and with 1815 brought back to Italy, not to Perugia but to the Vatican Pinacoteca. The actions of the painting occur in two related scenes, one"
"now in the Uffizi of Florence (""Adoration of the Magi"","" The Ascension"" and ""The Circumcision"") and one now in Ferrara (""Christ Bearing the Soul of the Virgin""). The unfinished appearance of the pilasters in the upper part of the picture suggests that it was once larger than it appears today. The fragment of ""Christ with the Virgin's Soul"", now in Ferrara, was most likely part of the original composition. Death of the Virgin (Mantegna) The Death of the Virgin is a painting by the Italian Renaissance painter Andrea Mantegna, from c. 1462–1464. In this picture Mantegna depicts the last moment"
"is crowded but, like other Giottoesque paintings, lacks perspective. The gilded background is typical of Lorenzo's style. Coronation of the Virgin (Lorenzo Monaco) The Coronation of the Virgin is a tempera on panel polyptych by the Italian late Gothic artist Lorenzo Monaco, centred on the subject of the Coronation of the Virgin. Once in the Camaldolese monastery of Santa Maria degli Angeli, it is now housed in the Uffizi Gallery in Florence. It is dated February 1413 which, in the Florentine calendar (which began in March), corresponded to 1414. The painting is mentioned in the early 15th century by Antonio"
"Assumption of the Virgin (Cerasi Chapel) The Assumption of the Virgin () by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600-1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: ""The Conversion of Saint Paul on the Road to Damascus"" and ""The Crucifixion of Saint Peter"". Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates"