What is the name of the Irish frame drum played with adouble ended drum stick?
"large farm sieve, which was used to accompany local melodeon players. It was beaten with a double-ended stick, then, particularly during step-dancing, it was vibrated by wetting the thumb and running it across the head of the drum."" Similarly in a series of folk music recordings he made in the South of England. The 1936 album description reads ""15 years before the appearance of the BODHRAN drum in Ireland, Dorset and Wiltshire had similar stick-and-drum players like Alfie Tuck from Bridport who accompanies melodeon player, Bert Pidgeon."" Riddle drum A riddle drum is a makeshift frame drum used in traditional"
"Bodhrán The bodhrán ( , ; plural ""bodhráin"" or ""bodhráns"") is an Irish frame drum ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar"
"double headed drum that originated in Northern India, however, it is still used in the folk songs from Pakistan or Nepal. The last instrument that is used in this style of music is the dhantal which serves as the rhythmic piece of the ensemble, it consists of a long steel rod which is then ""struck"" by a U-formed piece, the origin of this device is unclear, as it may have been brought by the Indian indentured-laborers. The origin of the dhantal was formed from the use of a long steel rod with an almost-enclosed circle tip at the end used"
"not become a popular instrument in the folk music of Ireland, where the quieter and higher-pitched ' traditional frame drum serves the same purpose, and has a unique playing style. The cajón also features in some Breton music. The player sits astride the box, tilting it at an angle while striking the head between their knees. The percussionist can play the sides with the top of their palms and fingers for additional sounds. Some percussionists attach a bass drum pedal to the instrument, enabling them to play it with a single foot. The instrument has been played not only with"
"Lambeg drum A Lambeg drum is a large Irish drum, beaten with curved malacca canes. It is used primarily in Northern Ireland by Unionists and the Orange Order traditionally in street parades held in the summer, particularly on and around 12 July (""The Twelfth""). The weight of the drum means that it had been replaced with smaller replicas for most parades, but the full-sized instrument has started to reappear in recent years - usually on floats. It is also used by the Ancient Order of Hibernians, having historical significance for parts of the nationalist community, as well. The Lambeg drum"
"An Tiompan Gàidhealach The tiompán (Irish) or tiompan (Scottish Gaelic) was a stringed musical instrument used by the Gaelic musicians of Ireland and Scotland and probably therefore the Isle of Man. The word 'timpán' was of both masculine and feminine gender in classical Irish. It is theorised to derive from the Latin word 'tympanum' (tambourine or kettle drum) and 'timpán' does appear to be used in certain ancient texts to describe a drum. The adjective 'timpánach' referred to a performer on the instrument but is also recorded in one instance in the Dánta Grádha as describing a cruit. The feminine"
"named jergh or watt. Qoltuq nagara The Qoltuq nagara(Armpit drum) (, , ) is a folk drum with double head that is played on one side with the bare hands. It is used in Armenia, Turkey, Iranian Azerbaijanis, Azerbaijan Georgia and other Caucasus regions. It has different names, according to the territory in which it is played. This membranophone is different from the dhol and nagara of India. The dhol is a common folk instrument played in Armenia, as well as historically throughout Armenian history, since the times of Cilicia, the Armenian Kingdom. The dhol may be played with sticks,"
"veeru vanam and the metal drum as vengala pambai. The pambai is played in the traditional ensemble naiyandi melam. Pambai The pambai or pamba (Tamil: பம்பை) is a pair of cylindrical drums used in temple festivals and folk music in Tamil Nadu, India. There is a small community in southern Andhra who plays this instrument: the Pambalas. This unit of two drums is held near the waist of the player or put on the floor, and beaten with sticks, or with a hand and a stick. In the simpler varieties, both drums are made of wood, but there is a"
"Double-drumming Double-drumming is a percussion technique, developed around 1900, allowing the use of both a bass and snare drum by one person, using drum sticks, prior to the invention of the bass drum pedal (in 1909) and leading to the availability of the drum kit. According to Len 'Hunt' Doc, double drumming allowed one player to ""beat a fast four-in-a-bar bass drum, doing a close roll on snare at the same time,"" whereas before it would have taken two percussionists. Accomplished through close positioning of the bass and snare heads, the cymbals were played by tapping a foot pedal called"
"Idakka The idakka (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. Similar to the talking drum, The Idakka consists of two circular drum heads each of"
"Pambai The pambai or pamba (Tamil: பம்பை) is a pair of cylindrical drums used in temple festivals and folk music in Tamil Nadu, India. There is a small community in southern Andhra who plays this instrument: the Pambalas. This unit of two drums is held near the waist of the player or put on the floor, and beaten with sticks, or with a hand and a stick. In the simpler varieties, both drums are made of wood, but there is a pambai in which one drum is of wood and the other of brass: the wooden one is known as"
"Qoltuq nagara The Qoltuq nagara(Armpit drum) (, , ) is a folk drum with double head that is played on one side with the bare hands. It is used in Armenia, Turkey, Iranian Azerbaijanis, Azerbaijan Georgia and other Caucasus regions. It has different names, according to the territory in which it is played. This membranophone is different from the dhol and nagara of India. The dhol is a common folk instrument played in Armenia, as well as historically throughout Armenian history, since the times of Cilicia, the Armenian Kingdom. The dhol may be played with sticks, mallets, or with the"
"bouzouki players may play single note melody instead of harmonizing accompaniment, but in live acoustic sessions with more than two or three players but it is difficult to produce sufficient volume to be heard over drumming and the piercing sound of fiddles and penny whistles. Although not traditional, the Irish bouzouki has found a home in the modern Irish traditional music scene. The Greek bouzouki was introduced to Irish traditional music in the late 1960s by Johnny Moynihan and then popularised by Dónal Lunny, Andy Irvine, and Alec Finn. Today's Irish bouzouki (usually) has four courses of two strings (usually)"
"Tumdak' The tumdak' is a hand-struck double-headed membranophone of the Santal people of India. The Santal typically use the Tumdak' in combination with the Tamah' for religious ceremonies and Santal festivals. Both drums are almost universally played by men rather than women. The body of the drum is cylindrical and made from clay. The two heads of the drum are usually cowhide, the right one being slightly smaller than the left. Like many similar Indian drums, each head has a round patch of tuning paste in the center which enhances the sound. When played for dancing, the Tumdah' player suspends"
"inside of the skin where it is able to control the tension (and therefore the pitch and timbre) by applying varying amounts of pressure and also the amount of surface area being played, with the back of the hand against the crossbar, if present. The drum is struck with the other arm (usually the right) and is played either with the bare hand or with a tipper. There are numerous playing styles, mostly named after the region of Ireland in which they originated. The most common is Kerry style, which uses a two-headed tipper; the West Limerick style uses only"
"uses Vic Firth sticks and Drum Workshop drums, drum hardware and pedals. Graham Hopkins Graham Hopkins (born 20 December 1975) is an Irish drummer. He is the drummer in The Swell Season, The Frames, and former drummer for the hard rock/punk rock band Therapy?. Hopkins was born in Dublin and was brought up in Clane, County Kildare in a musical family (his father, Des being a jazz drummer). He was surrounded by music from an early age and began playing the drums at approximately four or five years old. In 1993, he left school to join My Little Funhouse, a"
"noun 'timpánacht' referred to the art or practice of playing the tiompán. In modern Irish traditional music, the word tiompan was used by Derek Bell, after Francis William Galpin's theories, to refer to the hammered dulcimer. Recorded players included Maol Ruanaidh Cam Ó Cearbhaill (murdered 1329). Finn Ó Haughluinn (died 1490) was the last recorded player of the instrument. An Tiompan Gàidhealach The tiompán (Irish) or tiompan (Scottish Gaelic) was a stringed musical instrument used by the Gaelic musicians of Ireland and Scotland and probably therefore the Isle of Man. The word 'timpán' was of both masculine and feminine gender"
"Dunun Dunun (; plural dunun) (also spelled dun dun or doundoun) is the generic name for a family of West African drums that have developed alongside the ""djembe"" in the Mande drum ensemble. A dunun is a rope-tuned cylindrical drum with a rawhide skin at both ends, most commonly cow or goat. The drum is played with a stick. Depending on the region, a plain straight stick, curved stick with flat head (similar to the stick used for a ""tama""), or a straight stick with a cylindrical head attached at right angles near one end may be used to strike"
"lightly to reduce the rasp when the tipper strikes the face of the drum. Many effects of these and other modifications to the drum-skin, especially high quality skins, can also be achieved through regular use of the drum over time. As world music in general has become more popular, techniques once associated with other ethnic drumming traditions have become widespread in bodhrán playing. The World Bodhrán Championships are held in Milltown, County Kerry, Ireland each year. Bodhrán The bodhrán ( , ; plural ""bodhráin"" or ""bodhráns"") is an Irish frame drum ranging from in diameter, with most drums measuring ."
"is cylindrical, but much shorter than the Yak Bera. An important feature of this drum is that one side is played with the hand while the other side is played with a stick. The sides are covered with cattle skin and the tightening is done with a string made specially for the purpose. These are also twelve elementary exercises to be followed by a person learning to use the drum. This is also referred to as the ""Twin Drum"". This drum is played with two sticks. The two drums are of different sizes and while the right one produces a"
"Davul The davul or atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of Middle East . These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum. Some names of davuls include: Other Greek names for this drum include Davouli, Argano, Toskani, Tsokani, Toubi, Toubaki, Kiossi, Tavouli, Pavouli, Toubano, and Toubaneli. Additionally, other"
"maker. Because of their qualities they are also sometimes used for smaller drums such as bodhráns. The Lambegs are different from other large drums in the quality of their tone. The thin heads are pulled tighter and tighter until the tone is bright and hard. There are no mechanical screws on the drums. The heads are held on with a wooden rim and, traditionally, linen ropes. Lambeg drum A Lambeg drum is a large Irish drum, beaten with curved malacca canes. It is used primarily in Northern Ireland by Unionists and the Orange Order traditionally in street parades held in"
"mouth was constant for all the drums, although its size wasn’t. The bass drum was even more distinctive, with two ray-shaped mouths known to Staccato as Siamese Twins, but to the rest of the world as “elephant’s trousers.” They were designed to work like those old public-address systems you once saw at sports grounds, with two trumpets for spread, sharing a single diaphragm. They remain the most unusual and powerful in the world, possibly the most talked-about drum kit on the Internet. The stunning visual appearance and the thunderous sound of Staccato drums has drawn film, video and television producers."
"were played with ""cipín"", also known in English as ""tipper"". Seán Ó Riada declared the bodhrán to be the native drum of the Celts as did Paraic McNeela (The Bodhrán Maker) possibly used originally for winnowing or the dying of wool, with a musical history that predated Christianity, native to southwest Ireland. The Irish word ""bodhrán"" (, plural ""bodhráin""), indicating a drum, is first mentioned in a translated English document in the 17th century. It appears in Jacob Pool's list of words from the Baronies of Forth and Bargy in county Wexford (collected in the late 18th century), meaning ""A"
"actual rudiment is essentially a double stroke roll (with the sticking being ""RRLLRRLLRRLL""), the difference being that the first note of every right hand double is played with the ""butt"" end of the drum stick (called ""backsticking""), and the very next note of the double is played with the normal playing end, or tip, of the drum stick. The technique is generally regarded as being rather difficult, which is likely the reason that The Cavaliers are the only drum corps to have used it in performance (1994 and 1995). It was first publicly performed however by the University of Kentucky"
"sideways, so that one head is accessible with the left hand and one with the right. Each hand is usually dedicated to playing one side of the drum exclusively, though this can vary by local style and tradition. Drummers of this drum typically uses two kinds of sticks. The drummer plays the accented beats with the dominant hand on the side of the drum with the thicker skin, using a special stick known as the , , or (daouli stick). This stick is a thick pipe-like stick about 440 mm long, which is often made with walnut. Its thick shape"
"Alec Finn and Mick Conneely are the only notable players still using a Greek bouzouki, one of the older style ""trixordo"" three course (six string) instruments tuned DAD. A frame drum, usually of bent wood and goatskin, the bodhrán is considered a relatively modern addition to traditional dance music. Some musicologists suggest its use was originally confined to the wrenboys on St. Stephen's Day and other quasi-ritual processions. It was introduced/popularised in the 1960s by Seán Ó Riada (although there are mentions of ""tambourines"" without zils being played as early as the mid 19th century), and quickly became popular. Notable"
"a high pitched tone – and the Caribbean Bongo drum. These drums are used as a variation to, or combined with, the bodhrán during sessions. Although not as well-documented within the tradition as other free-reed instruments, the Irish harmonica tradition is represented by Rick Epping, Mick Kinsella, Paul Moran, the Murphy family from County Wexford, Eddie Clarke and Brendan Power (the latter being of New Zealand). Paddy Clancy became the first world-famous Irish folk harmonicist in the early 1960s as part of The Clancy Brothers and Tommy Makem. The revival of interest in Irish traditional culture was closely linked to"
"Scottish tenor drum The Scottish tenor drum is a musical instrument used within Scottish pipe bands. It is a double-headed membranophone that is held vertically with one head up, one head down, and played with soft mallets on the top head only. Common sizes of drums are 15, 16, 18, or 20 inch in diameter, with 12, 14, or 16 inch depth. The playing style of the Scottish tenor drum has varied throughout the years, but there is typically a variation of the combination of swings (or flourishes) and rhythmic accompaniment to the Scottish snare drum and the Great Highland"
"Kakko (instrument) The is a Japanese double-headed drum. One way in which the ""kakko"" differs from the regular taiko drum is in the way in which it is made taut. Like the Shime-Daiko and ""tsuzumi"", the skin of the heads are first stretched over metal hoops before they are placed on the body, tying them to each other and tightening them making them taut. ""Kakko"" drums are usually laid on their sides on stands so that it can be played with sticks called ""bachi"" on both heads. Kakko drums have been used in taiko ensembles, but they are also used"
"Kendang Kendhang (Javanese: ""Kendhang"", Malay: ""Gendang"", Tausug/Bajau Maranao: ""Gandang"") is a two-headed drum used by peoples from Maritime Southeast Asia. Kendang is one of the primary instruments used in the Gamelan ensembles of Java, Bali and Terengganu, the Malay Kendang ensemble as well as various Kulintang ensembles in Indonesia, Malaysia, Singapore, Brunei, and the Philippines. It is constructed in a variety of ways by different ethnic groups. The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur"
"that while the earliest evidence of its use beyond ritual occurs in 1842, its use as a general instrument did not become widespread until the 1960s, when Seán Ó Riada used it. There are no known references to this particular name for a drum prior to the 17th century. Although various drums (played with either hands or sticks) have been used in Ireland since ancient times, the bodhrán itself did not gain wide recognition as a legitimate musical instrument until the Irish traditional music resurgence in the 1960s in which it became known through the music of Seán Ó Riada"
"drums. The two drums fit their beats together in hocket, or interlocking form. Both drumheads are played with the hands, like the ""klong songna"". The ""klong khaek tua phu"" has a higher pitch and the ""klong khaek tua mia"" has a lower pitch. Klong khaek Klong khaek (, ) is a type of double-headed barrel drum used in Thai music. The term literally means ""Indian drum"" from the words ""klong"" (กลอง) meaning drum and ""Khaek"" (แขก) meaning Indian or Tamil. Looks the same as the Klong malayu; those are shorter and heavier. There are two types of ""klong khaek"": ""klong"