A serenade is played in the evening what is it's morning equivalent
"an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word ""serenade"" as commonly used in current English is related to this custom. Music performed followed no one particular form, except that it was typically sung by one person accompanying himself on a portable instrument, most likely a guitar, lute or other plucked instrument. Works of this type also appeared in later eras, but usually in a context that referred specifically"
"lightly echoing separated ensembles of paired horns with strings, and his ""Serenata Notturna"", K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00pm, the latter closer to 11:00 pm. In its more familiar form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to"
"Aubade An aubade is a morning love song (as opposed to a serenade, which is in the evening), or a song or poem about lovers separating at dawn. It has also been defined as ""a song or instrumental composition concerning, accompanying, or evoking daybreak"". In the strictest sense of the term, an aubade is a song from a door or window to a sleeping woman. Aubades are generally conflated with what are strictly called albas, which are exemplified by a dialogue between parting lovers, a refrain with the word ""alba"", and a watchman warning the lovers of the approaching dawn."
"Evening Prayer (Anglican) Evening Prayer is a liturgy in use in the Anglican tradition celebrated in the late afternoon or evening. It is also commonly known as Evensong, especially when the office is rendered chorally, that is, when most of the service is sung. It is roughly the equivalent of Vespers in the Roman Catholic Church and the Lutheran churches, although it was originally formed by combining the monastic offices of Vespers and Compline. Although many churches now take their services from ""Common Worship"" or other modern prayer books, if a church has a choir, Choral Evensong from the ""Book"
"Serenade In music, a serenade (; also sometimes called serenata, from the ) is a musical composition and/or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered"
"music, and serenades can be subtly inserted into a chamber music program. A serenade can be considered somewhere in between a suite and a symphony, but is usually of a light and romantic nature—casual and without too many overly dramatic moments. Serenade In music, a serenade (; also sometimes called serenata, from the ) is a musical composition and/or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . In the oldest usage, which survives in informal form to"
"works performed with minimal staging, intermediate between a ""cantata"" and an opera. The main difference between a ""cantata"" and a serenata, around 1700, was that the ""serenata"" was performed outdoors and therefore could use instruments which would be too loud in a small room (for example, trumpets, horns, and drums). The most important and prevalent type of serenade in music history is a work for large instrumental ensemble in multiple movements, related to the divertimento, and mainly being composed in the Classical and Romantic periods, though a few examples exist from the 20th century. Usually the character of the work"
"fr:""l'aube""). The words of the poem, and its context within the play, indicate that is unquestionably to be sung in the morning: if there were any doubt, the lines which immediately precede the text of the 'Song' include this snippet of dialogue: <poem> </poem> The German word 'Ständchen' is unspecific about the time of the homage, and lacks the connotations of the gloaming of the English equivalent. As others have pointed out, and as Furness in his 'Variorum Edition' of ""Cymbeline"" makes abundantly clear, ""This present song is the supreme crown of all aubades..."" The Schirmer edition of Liszt's transcription"
"Nocturne A nocturne (from the French which meant ""nocturnal,"" from Latin ""nocturnus"") is usually a musical composition that is inspired by, or evocative of, the night. Historically, nocturne is a very old term applied to night Offices and, since the Middle Ages, to divisions in the canonical hour of Matins. The name nocturne was first applied to pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ""notturno"", such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four"
"according to the eight echoi of the weekly cycle. Examples of different liturgical contexts where stichera are commonly used include: Sticheron A sticheron (Greek: ""set in verses""; plural: stichera; Greek: ) is a hymn of a particular genre that has to be sung during the morning (Orthros) and evening service (Hesperinos) of the Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. ""Stichera"" are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ""stichoi"" (sing: ""stichos""), but ""sticheraric"" poetry usually follows the hexameter and is collected in an"
"Sticheron A sticheron (Greek: ""set in verses""; plural: stichera; Greek: ) is a hymn of a particular genre that has to be sung during the morning (Orthros) and evening service (Hesperinos) of the Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. ""Stichera"" are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ""stichoi"" (sing: ""stichos""), but ""sticheraric"" poetry usually follows the hexameter and is collected in an own book called sticherarion (Greek: ). A sticherarion is a book containing the stichera for the morning and evening services"
"by a different form of service or a service from a church elsewhere in the world or of another denomination. The most recent broadcast is available on the BBC iPlayer for up to a week after the original broadcast. There is also an archive available. Evening Prayer (Anglican) Evening Prayer is a liturgy in use in the Anglican tradition celebrated in the late afternoon or evening. It is also commonly known as Evensong, especially when the office is rendered chorally, that is, when most of the service is sung. It is roughly the equivalent of Vespers in the Roman Catholic"
"to say, these three psalms at the conclusion. Originally Matins and Lauds formed but a single office, the Night Office terminating only at dawn. Nocturns Nocturns (Latin: ""Nocturni"" or ""Nocturna"") or the Night Office is the part of the Christian Liturgy of the Hours said during the night after sleeping and before celebrating Lauds at dawn. It was considered part of Matins. A nocturn consists of psalms with antiphons followed by three lessons, which are taken either from scripture or from the writings of the Church Fathers. The office of Matins is composed of one to three nocturns. The term"
"to a past time, such as arias in an opera (there is a famous example in Mozart's ""Don Giovanni""). Carl Maria von Weber composed his serenade for voice and guitar, ""Horch'! Leise horch', Geliebte!"" (1809). In the Baroque era, a serenata—which the form was called since it occurred most frequently in Italy and Vienna—was a typically celebratory or eulogistic dramatic cantata for two or more singers and orchestra, performed outdoors in the evening by artificial light. Some composers of this type of serenade include Alessandro Stradella, Alessandro Scarlatti, Johann Joseph Fux, Johann Mattheson, and Antonio Caldara. Often these were large-scale"
"Serenade for Tenor, Horn and Strings The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by English composer Benjamin Britten for tenor accompanied by a solo horn and a small string orchestra. Composed during World War II at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by British poets on the subject of night, including both its calm and its sinister aspects. The prologue and epilogue which frame the songs are both performed by the horn alone, and in these movements Britten instructs"
"a single Psalm. Pope John XXIII reduced the readings at Matins. In the wake of the Second Vatican Council a revised Liturgy of the Hours was issued, which renamed Matins as Office of Readings, reduced the number of its Psalms to three and assigned to it two readings, more substantial than those used before, one from Scripture, the other from the Church Fathers. Night Hours The Night Hour or Night Office is what English translations of the Rule of Saint Benedict call the canonical hour whose celebration, particularly in monasteries, began between 2 and 3 a.m. The plural form, Night"
"Matins Matins is the monastic nighttime liturgy, ending at dawn, of the canonical hours. In the Roman Catholic pre-Vatican-II breviary, it is divided into three nocturns. The name ""matins"" originally referred to the morning office also known as lauds. When the nocturnal monastic services called vigils or nocturns were joined with lauds, the name of ""matins"" was applied at first to the concluding morning service and later still to the entire series of vigils. In the Byzantine Rite these vigils correspond to the aggregate comprising the midnight office, orthros, and the first hour. In the Anglican tradition, matins or mattins"
"Aubade (Poulenc) Aubade (FR 051a, and FP051b for the piano reduction), a ""choreographic concerto"" for piano and 18 instruments, is a work of Francis Poulenc premiered in 1929. It was conceived as a ballet, but is more often played as a chamber piano concerto. An aubade is a morning courting song, vs. a serenade in the evening. Here the action begins one morning, and ends the next day at dawn. Poulenc's work was originally conceived as ballet music, but is today regarded as a piano concerto. The work was premiered as a ballet on 18 June 1929 at the Noailles,"
"Nocturns Nocturns (Latin: ""Nocturni"" or ""Nocturna"") or the Night Office is the part of the Christian Liturgy of the Hours said during the night after sleeping and before celebrating Lauds at dawn. It was considered part of Matins. A nocturn consists of psalms with antiphons followed by three lessons, which are taken either from scripture or from the writings of the Church Fathers. The office of Matins is composed of one to three nocturns. The term ""nocturn"" has been used since Late Antiquity. In 1970, following the Second Vatican Council, a revision of the Roman Breviary discontinued the use of"
"solo of Diana follows, before she rejects the bow and sinks into the forest, desperate. Her companions try to console her, but Diane goes hunting, alone. Her companions fall asleep. Aubade (Poulenc) Aubade (FR 051a, and FP051b for the piano reduction), a ""choreographic concerto"" for piano and 18 instruments, is a work of Francis Poulenc premiered in 1929. It was conceived as a ballet, but is more often played as a chamber piano concerto. An aubade is a morning courting song, vs. a serenade in the evening. Here the action begins one morning, and ends the next day at dawn."
"the Psalter and the recitation of biblical canticles, occurs in the Armenian liturgy at the Sunrise Hour which follows Matins, corresponding to Lauds. In the Eastern Churches, matins is called ""orthros"" in Greek (, meaning ""early dawn"" or ""daybreak"") and ""Oútrenya"" in Slavonic (Оўтреня). It is the last of the four night offices, which also include vespers, compline, and midnight office. In traditional monasteries it is celebrated daily so as to end at sunrise. In parishes it is normally served only on Sundays and feast days. Matins is the longest and most complex of the daily cycle of services. The"
"is lighter than other multiple-movement works for large ensemble (for example the symphony), with tunefulness being more important than thematic development or dramatic intensity. Most of these works are from Italy, Germany, Austria and Bohemia. Among the most famous examples of the serenade from the 18th century are those by Mozart, whose serenades typically comprise between four and ten movements. His serenades were often purely instrumental pieces, written for special occasions such as those commissioned for wedding ceremonies. Famous serenades by Mozart include the ""Haffner"" Serenade, the ""Serenata notturna"", and one of his most famous works, ""Eine Kleine Nachtmusik."" The"
"Offices of Morning and Evening Prayer, to introduce and conclude the singing or recitation of psalms, and to conclude the canticles that lack their own concluding doxologies. Lutherans have historically added the ""Gloria Patri"" both after the chanting of the Responsorial Psalm and following the ""Nunc Dimittis"" during their Divine Service, as well as during Matins and Vespers in the Canonical hours. In Methodism, the Gloria Patri (usually in the traditional English form above) is frequently sung to conclude the ""responsive reading"" that takes the place of the Office Psalmody. The prayer is also frequently used in evangelical Presbyterian churches."
"Night Hours The Night Hour or Night Office is what English translations of the Rule of Saint Benedict call the canonical hour whose celebration, particularly in monasteries, began between 2 and 3 a.m. The plural form, Night Hours or Night Offices, is used with reference to the different psalmodies assigned to the seven days of the week. The original text in Latin uses the terms ""Officia divina in noctibus"" (Divine offices in the nights) and ""Vigiliae"" (Vigils), ""Vigiliae nocturnae"", ""Nocturna laus"" (Night Praise),""Nocturni"" (Nocturns, used in reference not, as later, to a section of the service but to the service"
"Church was almost the same as it has been throughout the Middle Ages and up to the present day. In a document of unquestionable authority of that period the Office is described as follows: The evening hour, or ""vespertina synaxis"", is composed of four psalms, a ""capitulum"", a response, a hymn, a versicle, a canticle from the Gospel, litany (""Kyrie eleison, Christe eleison""), ""Pater"" with the ordinary finale, ""oratio"", or prayer, and dismissal (""Regula Sancti Benedicti"", xvii). The psalms recited are taken from the series of psalms from Pss. 109 to 147 (with the exception of the groups 117 to"
"Morning Mood ""Morning Mood"" (Norwegian title: – Morning mood in the desert), is part of Edvard Grieg's ""Peer Gynt"", Op. 23, written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in ""Peer Gynt Suite No. 1"", Op. 46. Written in E major, the melody uses the pentatonic scale and alternates between flute and oboe. Unusually, the climax occurs early in the piece at the first ""forte"" which signifies the sun breaking through. The time signature is 6/8 and the tempo instruction is ""Allegretto pastorale"". It"
"Williams wrote a ""Serenade to Music"" (for 16 solo voices and orchestra) that premiered in 1938, while Leonard Bernstein composed his ""Serenade after Plato's ""Symposium"""" (for solo violin, strings harp and percussion) in 1954. These modern serenades are freely explored adaptations to the serenade's original formal layout and instrumentation. A serenade is commonly of a multi-movement structure, ranging anywhere from four to up to ten movements. They usually are constructed with a fast opening movement, followed by middle slow movements that alternate with fast ones and close with a fast presto or allegro movement. There are strong influences from chamber"
"Dawn The prelude is a slow passage in E major, scored for five solo cellos accompanied by double basses. It begins in E minor with a solo cello which is in turn 'answered' by the remaining cellos and the double basses. An impending storm is hinted at by two very quiet timpani rolls resembling distant thunder. The section ends with a very high sustained note played by the first cello. Its duration is about three minutes. Storm This dynamic section in E minor is played by the full orchestra. It begins with the violins and violas. Their phrases are punctuated"
"in Pinkas's view is it constructed more like a ballade than a nocturne. It opens with a slow (""molto lento"") theme of harmonic ambiguity, followed by a second theme, equally ambiguous in key, though nominally in D major. The central section is in F major, and the re-emergence of the first theme brings the piece to a conclusion. Morrison finds in this piece a sense of bleakness, and of the composer's struggle against despair. Pinkas, however, regards the work as a ""contrast between ambiguity and joy, ending in reassurance."" It is sometimes known as the ""English"" nocturne, having been composed"
"Sonata Sonata (; Italian: , pl. ""sonate""; from Latin and Italian: ""sonare"", ""to sound""), in music, literally means a piece ""played"" as opposed to a cantata (Latin and Italian ""cantare"", ""to sing""), a piece ""sung"". The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance, and is vague. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though"
"Vespers Vespers is a sunset evening prayer service in the Orthodox, Roman Catholic and Eastern Catholic, Anglican, and Lutheran liturgies of the canonical hours. The word comes from the Greek ἑσπέρα (""hespera"") and the Latin ""vesper"", meaning ""evening"". It is also referred to in the Anglican tradition as evening prayer or evensong. The term is also used in some Protestant denominations (such as the Presbyterian Church and Seventh-day Adventists) to describe evening services. Vespers, also called Evening Prayer, takes place as dusk begins to fall. Evening Prayer gives thanks for the day just past and makes an evening sacrifice of"
"can be said at any time during the day."" The office is no longer organized according to units call ""nocturns"". The psalmody consists of three psalms or parts of psalms, each with its own antiphon. After the psalms, two lessons with their responsories are read, the first from the Bible, but not from the Gospels, and the second being patristic, hagiographical, or magisterial. A third lesson, the Gospel reading of ancient times, may optionally be added to this office if it is celebrated at night on a feast or solemnity, preceded by vigil canticles. These are given in an appendix"
"alternatively, they may be sung as plainsong with a congregation. Morning and Evening Prayer and Holy Communion include a Psalm, chosen according to the lectionary of the day. This may be sung by the choir or , either to plainsong, or to a distinctive type of chant known as Anglican chant by the choir or congregation. Part-way through a service of worship, a choir may sing an anthem or motet, a standalone piece of sacred choral music, which is not part of the liturgy but is usually chosen to reflect to the liturgical theme of the day. The singing of"