Which musical features the songs 'Springtime For Hitler', 'Along Came Bialy' and 'In Old Bavaria'?
"a flop could generate up to $2 million. Max asks for Leo's help with the scheme, only for the latter to refuse (""We Can Do It""). Returning to his old accounting firm, Leo starts fantasizing about being a Broadway producer (""I Wanna Be a Producer""). Leo quits his job and forms ""Bialystock & Bloom"" with Max. Searching for the worst play ever written, the duo finds ""Springtime for Hitler"", a musical written by an ex-Nazi named Franz Liebkind. Max and Leo, in order to acquire Franz's rights to the musical, perform Hitler's favorite song and swear the sacred ""Siegfried Oath"""
"backers to fund the musical, Max has dalliances with several elderly women (""Along Came Bialy""), allowing him to raise the $2 million. Leo laments about the dangers of sex distracting him from his work, and shares a kiss with Ulla (""That Face""). At auditions for the role of Hitler, Franz, angered at a performer's rendition of a German song, storms the stage and performs it himself (""Haben Sie gehört das Deutsche Band?""). Based on the performance, Max hires Franz to play Hitler. On opening night, as the cast and crew prepare to go on stage, Leo wishes everyone good luck,"
"defiance of the Nazi regime. The Nazi Party acted against this movement by detaining several of the young leaders of the Swing Youth and sending them to concentration camps. However, the Swing Youth continued to resist the Nazi party by participating in prohibited swing and jazz activities (Neuhaus). ""Charlie and His Orchestra"" was moved in the still bombproof province. Jazz was also incorporated into musical works such as operas and chamber music through ""art-jazz"", which utilized jazz-inspired and ragtime-inspired syncopated rhythms and modes. Famous operas such as Krenek's ""Jonny spielt auf!"" and Boris Blacher's ""Concertante Music for Orchestra"" are examples"
"Maytime (musical) Maytime is a musical with music by Sigmund Romberg and lyrics and book by Rida Johnson Young, and with additional lyrics by Cyrus Wood. The story is based on the 1913 German operetta ""Wie einst im Mai"" (""Like Once in May""), composed by Walter Kollo, with words by Rudolf Bernauer and Rudolph Schanzer. The story, set in New York, is told in episodes covering a long period, from 1840 to the 20th century. Wealthy young Ottillie is in love with Dick, but they are kept apart by family and circumstance. Years later, their descendants marry. ""Maytime"" introduced songs"
"ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, such as ""Edelweiss"", ""My Favorite Things"", ""Climb Ev'ry Mountain"", ""Do-Re-Mi"", and the title song ""The Sound of Music"". The original Broadway production, starring Mary Martin and Theodore Bikel, opened in 1959 and won five Tony Awards, including Best Musical, out of nine nominations. The first London production opened at the Palace Theatre in 1961. The show has enjoyed numerous productions and revivals since then. It"
"production: Maytime (musical) Maytime is a musical with music by Sigmund Romberg and lyrics and book by Rida Johnson Young, and with additional lyrics by Cyrus Wood. The story is based on the 1913 German operetta ""Wie einst im Mai"" (""Like Once in May""), composed by Walter Kollo, with words by Rudolf Bernauer and Rudolph Schanzer. The story, set in New York, is told in episodes covering a long period, from 1840 to the 20th century. Wealthy young Ottillie is in love with Dick, but they are kept apart by family and circumstance. Years later, their descendants marry. ""Maytime"" introduced"
"the decadence of Germany in the 1930s by eliminating all but one of the musical numbers performed outside the club. The only remaining outside number is ""Tomorrow Belongs to Me"", a folk song rendered spontaneously by patrons at an open-air cafe in one of the film's most chilling scenes. In addition, the show's original songwriters, John Kander and Fred Ebb, wrote two new songs, ""Mein Herr"", ""Money"", and incorporated a song they had composed in 1964 for Kaye Ballard, ""Maybe This Time"". The two new songs and ""Maybe This Time"" were performed by the film's leading lady, Liza Minnelli (""Money"""
"culture as contrasted with Fascist oppression, is used diegetically, first in a scene where Guido sees Dora, the woman he loves, at the opera, and later when Guido plays the piece through the concentration camp on a record player and Dora, now his wife, hears it. Other uses include the Walt Disney Silly Symphony ""Birds of a Feather"" (1931); ""G.I. Blues"" (1960), where a jazzed-up version becomes the tune for Elvis Presley's ""Tonight is so Right for Love""; ""Dad's Army"" (""Time on my Hands"", 1972), where it is identified as a ""German"" classical song with a swing rhythm; ""Margaret"" (2011),"
"and the German Autumn, a set of terror events in West Germany in late 1977. The play was continuously updated to incorporate more recent historic events, including the German reunification. Since autumn 2007, however, the repertoire reverted to the play's original version. In 1985, Volker Ludwig wrote the musical Line 1 (""Linie 1""). The title refers to Berlin's subway line U1. The music was written by German musician and composer , a longtime friend of Ludwig, and the rock band No Ticket (Thomas Keller, George Kranz, Axel Kottmann, Michael Brandt, Richard Wester, Matthias Witting). The musical premiered on 30 April"
"lavish production of the title song, ""Springtime for Hitler,"" which celebrates Nazi Germany crushing Europe (""Springtime for Hitler and Germany/Winter for Poland and France""). After seeing the audience's dumbfounded disbelief, Max and Leo, confident that the play will be a flop, go to a bar across the street to celebrate and get drunk. Unbeknownst to them, the audience ends up finding L.S.D.'s beatnik-like portrayal (and constant misinterpretations of the story) hilarious and misinterprets the production as a satire. During intermission, some members of the audience come to the bar at which Max and Leo are drinking and rave about the"
"musical styles, Haindling has been called the musical ambassadors of Bavaria, and the musical example for ""laptop and lederhosen"". In recent years, their song ""Bayern (des samma mia)"" gained popularity in Bavaria—most notably due to a YouTube video which features the band Rammstein wearing Lederhosen and apparently lip-syncing the song—and is now being played at nearly every beer festival in Bavaria. A 2014 documentary film by director Toni Schmid, ""Haindling - und überhaupts..."", chronicles Buchner's journey from ceramic artist to composer and musician, and includes both archival and new performance footage. There are nearly a dozen of different compilations from"
"Zurich with the resulting Swiss nationalities. In 2009, Encores! at New York City Center presented a staged concert version of the show, starring Douglas Sills (Bruno Mahler), Sierra Boggess (Sieglinde Lessing), Dick Latessa (Herr Direktor Kirschner), Marni Nixon (Frau Direktor Kirschner), Ryan Silverman (Karl Reder) and Kristin Chenoweth (Frieda Hatzfeld). It ran from February 5 until February 8. The musical takes place in Bavaria during the 1930s but some contemporary productions have modified it to present day. In the simple mountain town of Edendorff in Bavaria, music teacher Dr. Walther Lessing has a beautiful daughter Sieglinde. She is in love"
"Badonviller Marsch The ""Badonviller-Marsch"" (AM II, 256) is a Bavarian military march by composer (1870–1936). After 1934, with its name Germanized to ""Badenweiler Marsch"" by the Nazis, it was used as the official march of Hitler in his role as ""Führer"", to signal his arrival and therefore personal presence at public events. Fürst composed this tune as the Badonviller-Marsch for the Royal Bavarian Infantry Guard Regiment. The title refers to fighting on 12 August 1914 near Badonviller (the original German name of the town was Badenweiler until annexed by France in 1766) as part of Lorraine, where the Royal Bavarian"
"as Wilhelm Killmayer's ""Sinfonia 2"" on the occasion of the composer's 80th birthday in 2007, 's ""Hamelin"" in 2008, Stravinsky's Concerto in E-flat ""Dumbarton Oaks"" in 2009, Kurt Weill's Second Symphony in 2010, and Schoenberg's ""A Survivor from Warsaw"" in 2015. A second series addresses children age four to nine. ""Große Musik für kleine Hörer"" (Great music for small listeners) introduces classical music to children focusing on a single composer, with the presentation of the music being embedded in a story with Stangel as the narrator. Concerts are also played at kindergartens and schools. The 2016 season began with a"
"""That's our Hitler!""). The play starts with the musical number, ""Springtime for Hitler."" Accompanied by dancing stormtroopers, who at one point form a Busby Berkeley-style swastika, the play immediately horrifies everyone in the audience except the author, and one lone viewer who breaks into applause—only for the latter to get pummeled by other disgusted theatergoers. As the audience begins to storm out of the theater, the first scene starts, with L.S.D. dressed up in full Nazi uniform and talking like a beatnik. The remaining audience starts to laugh, thinking that it is a satire, and those that had left return"
"back for one last song, telling the audience that they have to leave (""Goodbye""). The film is set in the year it was released, 1967, while the musical takes place in 1959. Because of this, the character ""Lorenzo Saint DuBois"", also known as L.S.D was omitted from the show, and Franz took the role of Hitler; Roger takes over the role after Franz breaks his leg. Ulla has a bigger role in the musical, and the overall tone of the musical is more lighthearted with a happier ending. Replacements for Max on Broadway included Henry Goodman, Tony Danza, John Treacy"
"starring Val Kilmer, Sam Shephard, and Stephen Dorff. The music from the movie was performed by the Bavarian Radio Symphony Orchestra at the Film Music Night in Munich in 2009. Soundtracks: Film Music Suites - original film and TV themes That which I love destroys me - original motion picture soundtrack Hindenburg & Hitler - original motion picture soundtrack Film Music Collection II – Drama Love Romance - original film and TV themes Albums: 3D Scoring – Fantasy Animation Family Rural Renewal – Gerhard Daum Guitar & String Ensemble Epic Drama Epic Action Piano Visions String Theory Mental Voyager Mental"
"as a composer in post-war Germany. A revival of his other compositions took place in the 1990s, however. Orchestras of the Communist National People's Army started to adapt a broader range of traditional marches as early as in the 1960s, but Badonviller was left out, as were similarly the Fridericus-Rex-Grenadiermarsch and Preußens Gloria. Badonviller Marsch The ""Badonviller-Marsch"" (AM II, 256) is a Bavarian military march by composer (1870–1936). After 1934, with its name Germanized to ""Badenweiler Marsch"" by the Nazis, it was used as the official march of Hitler in his role as ""Führer"", to signal his arrival and therefore"
"place every year at Easter. The festival started with the symphonic concerts of the Internationale Junge Orchesterakademie and now its program ranges from symphonic and chamber orchestra concerts to organ music, festival brass, jazz and salonorchestra concerts. In 2007 the genre opera has been added to the festival’s program for the first time, with Antonio Salieri’s “Prima la musica e poi le parole”. Musical Director and conductor of the opera was Christoph Ulrich Meier. The opera, the symphonic concerts and the festival brass (directed and conducted by Bob Ross) take place at the Margravial Opera House in Bayreuth (Germany). Musical"
"Blues Away."" The second act's lesser known but crackling ""Fire Crackers/""Song of Freedom"" is also [a] show stopper."" The musical received one 2017 Tony Award nomination, for Best Choreography for Denis Jones. The musical was nominated for the 2017 Drama Desk Award for Outstanding Choreography. Holiday Inn (musical) Holiday Inn (also known as Holiday Inn, The New Irving Berlin Musical) is a musical based on the Paramount Pictures 1942 film of the same name. The libretto is by Gordon Greenberg and Chad Hodge, with music and lyrics by Irving Berlin. The musical opened on Broadway in 2016 after premiering at"
"wrote ""for keeps"" and ""like it is."" At odds with a squalid setting and a cynical, materialistic view of the world, themes of hope and renewal emerged. To guarantee uplift, samples from the students' work were interwoven with a ground-breaking score that combined rock music, classical fugues, early rap and jazz. The musical was performed throughout the world, in cities such as Tel Aviv, London, Paris, Hamburg, and Johannesburg. The German-language version, ""Ich Bin Ich"" was premiered at the Bremen Stadt-Theater, Berman, Germany and was performed there and in Munich on a rotating basis. The stage director was Norman Foster,"
"Ghia, feeling his thick Greek accent would fit. Brooks thought of Dick Shawn to play Lorenzo “L.S.D.” Saint DuBois, and the actor accepted for both liking the part and having no work. Bill Macy, the husband in the TV series ""Maude,"" was brought for a cameo as a jury foreman. Writer-director Mel Brooks is heard briefly in the film, his voice dubbed over a dancer singing, ""Don't be stupid, be a smarty/Come and join the Nazi Party,"" in the song ""Springtime For Hitler"". His version of the line is also dubbed into each performance of the musical, as well as"
"original festival hall, suitable only for concerts, was reconstructed as a third venue for fully staged opera and concert performances and reopened in 2006 as the Haus für Mozart (House for Mozart). During the years from 1934 to 1937 famed conductors such as Arturo Toscanini and Bruno Walter conducted many performances. In 1936, the festival featured a performance by the Trapp Family Singers, whose story was later dramatized as the musical and film ""The Sound of Music"" (featuring a scene of the Trapp Family singing at the ""Felsenreitschule"", but inaccurately set in 1938). In 1937, Boyd Neel and his orchestra"
"play instead of a bad one). While Max and Franz earnestly supervise rehearsals, Leo continues their old scam—overselling shares of the play to their fellow prisoners, and even to the warden. The song ""Prisoners of Love"" plays while the credits roll. The Ladies The title ""Springtime for Hitler"" was first coined by Brooks as a joke during the press conference for ""All American"" in 1962. Shortly afterwards, he also decided to relate this title to a character named Leo Bloom, an homage to Leopold Bloom, protagonist of James Joyce's ""Ulysses."" It was reused by him years later once he had"
"Megaherz, FSK, Colour Haze and Sportfreunde Stiller. Music is so important in the Bavarian capital that the city hall gives permissions every day to 10 musicians for performing in the streets around Marienplatz. This is how performers such as Olga Kholodnaya and Alex Jacobowitz are entertaining the locals and the tourists every day. Next to the Bavarian Staatsschauspiel in the Residenz Theatre (Residenztheater), the ""Munich Kammerspiele"" in the Schauspielhaus is one of the most important German language theatres in the world. Since Gotthold Ephraim Lessing's premieres in 1775 many important writers have staged their plays in Munich such as Christian"
"than prison. After reading many bad plays, the partners find the obvious choice for their scheme: ""Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden."" It is ""a love letter to Hitler"" written in total sincerity by deranged ex-Nazi Franz Liebkind (Kenneth Mars). Max and Leo persuade Liebkind to sign over the stage rights, telling him they want to show the world ""the Hitler you loved, the Hitler you knew, the Hitler with a song in his heart."" To guarantee that the show is a flop, they hire Roger De Bris (Christopher Hewett), a director whose plays"
"late 1920s due to its use by German communists in the ""Rote Flieger"" song. The song ""Deutschland Erwache"" (Germany Awaken), or ""Heil Hitler Dir"" (Heil Hitler to Thee), otherwise known as ""Sachsenmarsch der NSDAP"", was written by Dresden-based composer and NSDAP member Bruno C. Schestak, and premiered (in the famous surviving version performed by Carl Woitschach) in the celebrations of Hitler's 48th birthday on 20 April 1937. ""SS marschiert in Feindesland"" (""SS marches in enemy territory"") also known as ""Teufelslied"" (""The Devil's song"") was a marching song of the Waffen-SS during World War II. A marching song with the same"
"Parade"",""Puttin' on the Ritz"", ""Cheek to Cheek"", ""White Christmas"", ""Happy Holiday"", ""Anything You Can Do (I Can Do Better)"", and ""There's No Business Like Show Business"". His Broadway musical and 1943 film ""This is the Army"", with Ronald Reagan, had Kate Smith singing Berlin's ""God Bless America"" which was first performed in 1938. Berlin's songs have reached the top of the charts 25 times and have been extensively re-recorded by numerous singers including The Andrews Sisters, Eddie Fisher, Al Jolson, Fred Astaire, Ethel Merman, Louis Armstrong, Frank Sinatra, Dean Martin, Elvis Presley, Judy Garland, Barbra Streisand, Linda Ronstadt, Rosemary Clooney,"
"the song ""All Aboard Dixieland"" by Jack Yellen and George L. Cobb) and ""Katinka"" (1915). Most of the shows they wrote together ran for over 200 performances. In 1914, he contributed the libretto only to the Percy Wenrich musical ""The Crinoline Girl"". In 1917, he shortened his name from Hauerbach to Harbach to avoid anti-German sentiment caused by World War I. He would also work with composer Louis Hirsch during this time, and would score his biggest success so far in 1917 with ""Going Up"". This was his first attempt at a musical comedy, as opposed to an American operetta."
"Very Warm for May Very Warm for May is a musical composed by Jerome Kern, with a libretto by Oscar Hammerstein II. It was the team's final score for Broadway, following their hits ""Show Boat"", ""Sweet Adeline"", and ""Music in the Air"". It marked a return to Broadway for Kern, who had spent several years in Hollywood writing music for movies, including ""Swing Time"" for Fred Astaire and Ginger Rogers. Vincente Minnelli directed ""Very Warm for May"", which opened at the Alvin Theatre on November 17, 1939. It contained such favorite songs as ""All the Things You Are"", ""All in"
"with Olsen and first-time composer John Morris at the piano, and improvised some lyrics. Morris then developed the stage performance with choreographer Alan Johnson, instructed to do the number ""big, wonderful, flashy, but terrible."" As Brooks kept suggesting bizarre costume ideas to enhance the burlesque nature of ""Springtime for Hitler"", such as women with clothes inspired by beer mugs and pretzels, Johnson decided to showcase them all in a parade. Few scenes had to be altered from the original script. Leo and Max would visit the Parachute Jump in Coney Island, but the attraction was closed by the time filming"
"films are portrayed from the Allied perspective (increasingly being limited to that of the Americans). Some exceptions include ""Das Boot"", ""Der Untergang"", ""Letters from Iwo Jima"", ""Stalingrad"", ""Joy Division"", and ""Cross of Iron"". World War II used to provide most of the material for the USA TV channel, the History Channel. Mel Brooks used the theme in the fictitious musical ""Springtime for Hitler"" and in his 1968 film and 2001 musical, ""The Producers"". A number of television comedy sitcoms are based on the war, e.g. ""Hogan's Heroes"" from America, which follows the actions of a group of Allied POWs involved"
"era musical compositions made by Jews in the Nazi concentration camps. In 1970 he read that some musical compositions and fragments had been found at the Terezin concentration camp and been donated to Prague's Jewish State Museum, including a version of Hans Krasa's children's opera, ""Brundibar"", which was performed at Terezin many times between September 1943 and October 1944. He conducted the North American premiere of ""Brundibar"" in Czech in 1975 and the English language premiere in 1977 after he and his first wife, the former Milada Javora (died 1974), translated the opera into English. In 1993 Channel Classics recorded"