'Vision Of A Knight' was the work of which Italian painter?
"The Vision of the Cross The Vision of the Cross is a painting made between 1520 and 1524 by assistants of the Italian renaissance artist Raphael. After the master's death in 1520, Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle from Raphael's workshop worked together to finish the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. ""The Vision of the Cross"" is located in the ""Sala di Costantino"" (""Hall of Constantine""). In the painting, emperor Constantine I is seen just before the Battle of the"
"Young Knight in a Landscape Young Knight in a Landscape, or Portrait of a Knight, is a painting by the Italian Renaissance artist Vittore Carpaccio, now in the Thyssen-Bornemisza Collection in Madrid. Dated 1510, this is the earliest full-length portrait in Western painting—on the assumption that it is a portrait, as seems likely. It is characteristic of Carpaccio that apart from this important innovation, the style of the work seems in other respects to look back to the previous century. From some date until the 20th century the painting had been given the monogram of Albrecht Dürer, and Carpaccio's signature"
"The Vision of Constantine (Bernini) The Vision of Constantine is an equestrian sculpture by the Italian artist Gian Lorenzo Bernini, located in the Scala Regia by St. Peter's Basilica in Vatican City. Originally commissioned as a free standing work of art within St. Peter's itself, the sculpture was finally unveiled in 1670 as an integral part of the Scala Regia - Bernini's redesigned stairway between St. Peter's Basilica and the Vatican Palace. Unlike other large works by Bernini, art historians have suggested that this work was almost entirely undertaken by him - no other sculptors have been recorded as receiving"
"Portrait of a Knight of Malta Portrait of a Knight of Malta is a c.1515 oil on canvas painting by Titian of a knight belonging to the Order of Malta. It is now in the Uffizi in Florence. The last bead of the rosary held by the knight bears the number XXXV (35), showing the subject's age at the time of the portrait. W.F. Dickes. argued that he was Stefano Colonna, the condottiero who led the republican resistance during the siege of Florence. cited in Thanks to Paolo del Sera, his agent in Venice, cardinal Leopoldo de' Medici acquired several"
"the Virgin as new Venus), from which hang threads of coral pearls and rock crystal, as well as a large piece of red coral, another hint to the Passion of Jesus. The parrot is a comment on the birth of Jesus. Sources References Madonna della Vittoria The Madonna della Vittoria is a painting by the Italian Renaissance painter Andrea Mantegna; the painting was executed in 1496. On 6 July 1495 the French army of Charles VIII of France, retreating from Italy after the French Invasion of 1494-1498, fought the Italic League at the Battle of Fornovo. The League, commanded by"
"Madonna della Vittoria The Madonna della Vittoria is a painting by the Italian Renaissance painter Andrea Mantegna; the painting was executed in 1496. On 6 July 1495 the French army of Charles VIII of France, retreating from Italy after the French Invasion of 1494-1498, fought the Italic League at the Battle of Fornovo. The League, commanded by Francesco II Gonzaga, Marquess of Mantua, was made up of numerous nation-states determined to prevent French dominance in Italy, and included the Holy Roman Empire, Spain, Venice, Milan, and the Papal States controlled by Pope Alexander VI. Though the League lost more soldiers,"
"not decide on the work's artist, Otto Mündler (1869) argued it was by Pietro della Vecchia and Roberto Longhi that it was by Paris Bordone - other critics shifted between Giorgione and Titian as the artist. Stefano Scarpelli restored it in 1998, enabling it to be identified as an early Titian still with heavy influences from Giorgione. Portrait of a Knight of Malta Portrait of a Knight of Malta is a c.1515 oil on canvas painting by Titian of a knight belonging to the Order of Malta. It is now in the Uffizi in Florence. The last bead of the"
"View of Genoa The View of Genoa is a 16th century painting of the harbor of Genoa. The painting was done in tempera on canvas in 1597 by Genoese painter Cristoforo de Grassi. View of Genoa depicts the harbor of the Italian city state of Genoa as it was in the late 15th century. The painting was started by an unknown artist in 1481, but was left incomplete. Cristoforo de Grassi, a painter who was often commissioned to portray naval scenes, was commissioned to finish the painting, which he did in 1597. The painting depicts the city state of Genoa"
"Giovanni Ghirlandini Giovanni Ghirlandini (August 17, 1725 in Valeggio sul Mincio, Province of Verona – After 1791) was an Italian painter, mainly depicting sacred subjects. It is unclear under whom Ghirlandini trained, although he was likely influenced by the circle of Cignaroli of Verona, and Giuseppe Bazzani in Mantua. Among his altarpieces, are a ""Madonna and child with Saints Francis and Luigi Gonzaga"" for parish church of San Matteo at Quaderni. He painted oval canvases of ""St Anthony of Padua"" and ""St Francis of Paola"" for the parish church of San Lorenzo at Nogarole Rocca. He painted an ""Immaculate Conception"""
"Genoa. View of Genoa The View of Genoa is a 16th century painting of the harbor of Genoa. The painting was done in tempera on canvas in 1597 by Genoese painter Cristoforo de Grassi. View of Genoa depicts the harbor of the Italian city state of Genoa as it was in the late 15th century. The painting was started by an unknown artist in 1481, but was left incomplete. Cristoforo de Grassi, a painter who was often commissioned to portray naval scenes, was commissioned to finish the painting, which he did in 1597. The painting depicts the city state of"
"Vision of Saint Jerome The Vision of Saint Jerome is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom. The work was commissioned on 3 January 1526 in Rome, by Maria Bufalini, wife of Antonio Caccialupi, to decorate the family chapel in the church of San Salvatore in Lauro. The contract mentioned ""Francesco Mazola de Parma"" and one ""Pietro"" with the same name, perhaps Parmigianino's uncle Piero Ilario Mazzola. The elongated shape derives from its original destination as part of a triptych, whose sides (never painted) should represent"
"and upwards-pointing finger are reminiscent of Leonardo's painting ""St. John the Baptist"". Vision of Saint Jerome The Vision of Saint Jerome is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom. The work was commissioned on 3 January 1526 in Rome, by Maria Bufalini, wife of Antonio Caccialupi, to decorate the family chapel in the church of San Salvatore in Lauro. The contract mentioned ""Francesco Mazola de Parma"" and one ""Pietro"" with the same name, perhaps Parmigianino's uncle Piero Ilario Mazzola. The elongated shape derives from its original"
"Andrea del Castagno Andrea del Castagno (or Andrea di Bartolo di Bargilla; 1419 – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to"
"Girolamo Michelangelo Grigoletti Girolamo Michelangelo Grigoletti (29 August, 1801 – 11 February, 1870) was an Italian painter, active in a Neoclassical style. Born at Pordenone to a humble family, he was encouraged by an uncle priest who arranged for him to enroll in the Accademia di Belle Arti of Venice, where he was a colleague of Lodovico Lipparino. Among his masterworks are ""Lucia at the feet of the Unnamed"" (episode in Manzoni's novel ""I Promesi Sposi""), ""Erminia seeing Tancredi fall bleeding from his saddle"", ""Venetian doge Francesco Foscari bids farewell to his son Jacopo"", and the ""Assumption of the Virgin"""
"Bronzino Agnolo di Cosimo (; November 17, 1503November 23, 1572), usually known as Bronzino (""Il Bronzino"" in Italian), or Agnolo Bronzino, was an Italian Mannerist painter, born in Florence. His sobriquet, ""Bronzino,"" in all probability refers to his relatively dark skin. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best known work, ""Venus, Cupid, Folly and Time"", c."
"Giovanni Battista Vanni Giovanni Battista Vanni (c. 1599 – 27 July 1660) was an Italian painter and engraver of the Baroque period. He was born in either Pisa or Florence around 1599; he studied successively under Jacopo da Empoli, Aurelio Lomi, and Matteo Rosselli, and then became a disciple of Cristofano Allori. He is better known as an engraver than as a painter. From 1624 to 1632, he lived in Rome, then returning to Florence after visiting Venice. He etched a set of fifteen Plates from Correggio's frescoes in the cupola of San Giovanni Evangelista in Parma, depicting the Vision"
"Giovanni Battista Borghesi Giovan Battista Borghesi"", also called ""Giovanni Battista or Giambattista (25 November 1790 – 11 December 1846) was an Italian painter and scenic designer of the Neoclassic period, active mainly in Parma. He studied in Parma under Biagio Martini. Among his first works were frescoes of the ""Death of Hector"" and ""Flight of the Vestals"" painted for the house of his uncle, Pietro Borghesi. He painted a ""Madonna and Child with Saints"" for the church of Santa Margherita in Colorno; a ""Sant'Antonio Abate"" for the church of Sant'Uldarico; and a ""Trinity"" altarpiece (1822) for the Oratory of Trinità"
"Giovanni Paolo Panini Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect who worked in Rome and is primarily known as one of the ""vedutisti"" (""view painters""). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his ""vedute""—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal"
"Apollonio Domenichini Apollonio Domenichini, alternatively referred to as the Maestro della Fondazione Langmatt, or Menichini or il Menichino (Venice, 1715 - c.1770) was an Italian painter of vedute, active in Venice, Italy, between 1740 and 1770. He was a pupil of Luca Carlevarijs and Johan Richter. He is best known for his pictorial representations of views of Venice and its surroundings. His name is recorded in the records of the fraglia or guild of Venetian painters in 1757, and it often appears as the painter of many works sent by the art dealer Giovanni Maria Sasso to the English minister"
"He painted a ""Pentecost"" for the church of San Francesco at Caiazzo. Among his paintings in Genoa, is an ""Annunciation"" painted for the church of Monache Turchine. He painted a ""Martyrdom of St. Apollonia"" for the church of San Giuseppe. He painted a canvas of ""St. Francis Xavier's vision of the Virgin"" for the saint's chapel in the church of Gesù Nuovo in Naples. His daughter married the painter Jusepe de Ribera and his son-in-law worked together with him on some commissions. Giovanni Bernardino Azzolini Giovanni Bernardino Azzolini (c. 1572 – 12 December 1645) was an Italian painter and sculptor"
"""I prefer to die rather than to incur dishonour"" (""malo mori quam foedari""). The symbolism of these and the other animals and plants have been much discussed by art historians. For centuries the identity of the knight has been a subject of discussion among the most renowned art historians, including Bernard Berenson and Lionello Venturi. The portrait is now considered most likely to show Francesco Maria I della Rovere, the Duke of Urbino and nephew of Pope Julius II, during whose reign it was painted. Nevertheless, a more recent interpretation identifies the knight as the Venetian patrician Marco Gabriel, who"
"Pietro Negroni Pietro Negroni, also called Il Giovane Zingaro ('the young gypsy') and Lo zingarello di Cosenza ('the little gypsy from Cosenza') (Cosenza, c.1505 – 1565) was an Italian painter of the Renaissance period, active mainly in Naples. He was known for his altarpieces, mythological scenes and portraits. Negroni was a pupil of the painters Giovanni Antonio D’Amato and Marco Cardisco, and strongly influenced by Polidoro da Caravaggio. He painted an ""Adoration of Magi"" (1541) and ""Scourging of Christ"" for the church of Santa Maria Donna Regina Vecchia in Naples. He painted a ""Virgin with child and angels and saints"""
"Andrea del Verrocchio Andrea del Verrocchio (; 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. He apparently became known as ""Verrocchio"" after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is"
"Zanobi di Poggino. Giovanni Antonio Sogliani Giovanni Antonio Sogliani (1492–1544) was an Italian painter of the Renaissance, active mainly in Florence. Giorgio Vasari in his ""Vite"", the main source of Sogliani's biography, claimed that the painter had apprenticed with Lorenzo di Credi for two decades. While impossible, the legend rings true because of the persistence an archaic style in Sogliani's paintings. He was the executor of Lorenzo's will in 1531. He painted a ""Martyrdom of St Acasio"" for the Church of San Lorenzo in Florence. Vasari claims that Sogliani was influenced by Fra Bartolomeo in this painting. He painted a"
"The latter depicts the ""Triumph of Wisdom"". He also frescoed a ceiling in the Biblioteca Palatina. He died after an illness that led to paralysis. Giovanni Battista Borghesi Giovan Battista Borghesi"", also called ""Giovanni Battista or Giambattista (25 November 1790 – 11 December 1846) was an Italian painter and scenic designer of the Neoclassic period, active mainly in Parma. He studied in Parma under Biagio Martini. Among his first works were frescoes of the ""Death of Hector"" and ""Flight of the Vestals"" painted for the house of his uncle, Pietro Borghesi. He painted a ""Madonna and Child with Saints"" for"
"energy"". Andrea del Verrocchio Andrea del Verrocchio (; 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. He apparently became known as ""Verrocchio"" after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice,"
"Altichiero Altichiero da Verona (c. 1330 – c. 1390), also called Aldighieri da Zevio, was an Italian painter of the Gothic style. A follower of Giotto, Altichiero is credited with founding the Veronese school. He worked in Verona and Padua—works by him survive in the church of Sant'Anastasia in Verona and in the basilica of Sant'Antonio and the Oratorio di San Giorgio in Padua (where the credit for the work has been generally shared with Jacopo d'Avanzi, about whom little is known). Altichiero was probably born somewhere near Zevio. He became an important member of the della Scala's household, and"
"Giovanni Monevi Giovanni Monevi or Monevo (May 19, 1637 December 15, 1714) was an Italian painter of the Baroque period. The name Giovanni Moneri is used by a number of authors, but may reflect a misspelling. He was born in Visone, near Acqui, in the Piedmont. He was sent by his parents to Rome, to study under Giovanni Francesco Romanelli. He also studied in Turin. He returned in 1657 to paint an ""Assumption of the Virgin"" for the Cathedral of Acqui. In a chapel, he painted a scene of Paradise. He also painted scenes of the ""Life of St Francis"""
"Giovanni Battista Bolognini Giovanni Battista Bolognini (1611–1668) was an Italian painter and engraver of the Baroque. He was born and died at Bologna. He was a pupil of Guido Reni. He painted a ""Virgin and child with St Dominic, St Eustatius, and Mary Magdalene"" for Santa Maria Nuova. He painted a ""Dead Christ mourned by the Virgin, St. John, and others""; an ""Immaculate Conception"" for the church of Santa Lucia. He etched a ""Murder of the Innocents"", a ""St Peter named Head of the Church""; a ""Bacchus and Ariadne""; and ""The Crucifixion"" after Reni. He was uncle and teacher of"
"Stefano da Verona Stefano da Verona (or da Zevio; 1379 – c. 1438) was an Italian painter who was active in Verona. He was the son of the French painter Jean d'Arbois, who had come to Italy at the court for Gian Galeazzo Visconti after working for Philip II of Burgundy. He likely apprenticed at Pavia in the workshops of illuminators of the Visconti. He was influenced by Michelino da Besozzo, as it can be seen in the ""Madonna of the Rose Garden"" (1420s–1430s), variously attributed to him or Michelino. Before settling in Verona, Stefano worked at Padua. In Verona"
"Giovanni Antonio Boltraffio Giovanni Antonio Boltraffio (or Beltraffio) (1466 or 1467 – 1516) was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the ""Resurrection"" (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A ""Madonna and Child"" in the Museo Poldi Pezzoli of Milan, is one of the high"
"Filippo da Verona Filippo da Verona (16th century) was an Italian painter of the early-Renaissance period. He painted in a style recalling Giambattista Cima, and is the author of a ""Virgin and Child"" in the Academy of Arts in Turin, a replica of which is in the Locchis Carrara Gallery at Bergamo. He was employed at the Church of the Eremitani in Padua, where he painted the ""Glory of the Virgin, with Angels and Saints"" in 1511; having previously in 1509 produced a ""Virgin and Child, with SS. Felix and Catharine"" for the Basilica of Saint Anthony of Padua. The"
"the Bolognese painter Giacomo Bolognini. Giovanni Battista Bolognini Giovanni Battista Bolognini (1611–1668) was an Italian painter and engraver of the Baroque. He was born and died at Bologna. He was a pupil of Guido Reni. He painted a ""Virgin and child with St Dominic, St Eustatius, and Mary Magdalene"" for Santa Maria Nuova. He painted a ""Dead Christ mourned by the Virgin, St. John, and others""; an ""Immaculate Conception"" for the church of Santa Lucia. He etched a ""Murder of the Innocents"", a ""St Peter named Head of the Church""; a ""Bacchus and Ariadne""; and ""The Crucifixion"" after Reni. He"