Who painted the picture called 'The Monarch Of The Glen'?
"from a variation of the mural, depicted on the company's current logo. In 2012 Peter Saville collaborated with Dovecot Studios Edinburgh in celebration of their centenary to create a large scale tapestry of his work ""After, After, After Monarch of the Glen"". This new tapestry commission is Dovecot Studios re appropriation of Peter Saville's appropriation of Sir Peter Blake's appropriation of Sir Edwin Landseer's 1851 painting Monarch of the Glen. Dovecot Studios has woven this new tapestry of Peter Saville's design, thereby joining the artists who have reinterpreted this British masterpiece. Glenfiddich single malt Scotch whisky has used a variation"
"of Landseer's stag image in their logo since 1968. The painting has also been used on the label of tins of Baxter's Royal Game soup in the UK. ""The Monarch of the Glen"" was prominently featured in an episode of ""The Goodies"". The BBC television series ""Monarch of the Glen"" (2000-2005) takes its title from the painting, as well as the title of Compton Mackenzie's 1941 novel of the same name. A novella by Neil Gaiman is named after ""The Monarch of the Glen"". The Monarch of the Glen (painting) The Monarch of the Glen is an oil-on-canvas painting of"
"had become famous for his paintings and drawings of animals. His later works include ""The Monarch of the Glen"", an iconic and much-reproduced painting of a stag in the Highlands, and the sculptures of the lions at the foot of Nelson's Column in Trafalgar Square, London. He completed ""Trial by Jury"" in 1840 — it was exhibited at the Royal Academy in the same year and was acquired by William Cavendish, 6th Duke of Devonshire, who had Landseer add his Blenheim spaniel, Bony, into the scene behind the greyhound. Early copies of the painting can be seen with Bony absent."
"there in 1834. It was originally bought by Anatole Demidov, 1st Prince of San Donato as part of the Demidov collection. From there it passed in 1870 to Henry Eaton, 1st Baron Cheylesmore after whose death in 1891 it realised £1,575 (lot 78) at his sale at Christie's the next year, less than a quarter of the price of the star of the sale, ""The Monarch of the Glen"" (lot 42, £7,245) by Sir Edwin Landseer, one of the most popular paintings of the age. It was bought by his son, William Eaton, 2nd Baron Cheylesmore, who bequeathed it to"
"selling at auction Sir Edwin Landseer's iconic 1851 painting ""The Monarch of the Glen"" – which the company owns, but which has been on loan to the National Museum of Scotland since 1999 – as it had ""no direct link to our business or brands"". The sale was expected to raise over £10 million. Ian Jack, writing in ""The Guardian"", compared the proposed sale to ""feeding old masters into the boilers of luxury liners to keep the steam up"", and stated that ""any business with a sense of history would give the picture to a public gallery in Scotland, the"
"and park, then just outside [[Coventry]], now a Grade II* [[listed building]] used as a [[Registry office]] in the suburb built on the historic park. Cheylesmore was a significant art collector, mainly of contemporary British painting. The star of his collection, and his posthumous sale at [[Christie's]] in May 1892 (lot numbers and prices realized noted), was undoubtedly [[Monarch of the Glen (painting)|""The Monarch of the Glen""]] (lot 42, £7,245) by Sir [[Edwin Landseer]], one of the most popular paintings of the age. Altogether 31 of the 86 lots were by Landseer, many bought at his studio sale in 1874."
"in their later careers. While the Pre-Raphaelites had a turbulent and divided reception, the most popular and expensive painters of the period included Edwin Landseer, who specialized in sentimental animal subjects, which were favourites of Queen Victoria and Prince Albert. In the later part of the century artists could earn large sums from selling the reproduction rights of their paintings to print publishers, and works of Landseer, especially his ""Monarch of the Glen"" (1851), a portrait of a Highland stag, were among the most popular. Like Millais' ""Bubbles"" (1886) it was used on packaging and advertisements for decades, for brands"
"derivative of the painting ""The Monarch of the Glen"", an oil-on-canvas painting of a red deer stag completed in 1851 by the English painter Sir Edwin Landseer. Before long the Baxter family were supplying upmarket department stores in London such as Harrods and Fortnum & Mason. During the Second World War, the company survived principally by producing jam for the armed forces. Ena and Gordon Baxter joined the company in 1952. Ena, an artist and cook, helped expand the range of Scottish soups on offer to include traditional Scottish recipes such as Cock-a-leekie, Scotch Broth and Chicken Broth. In 1955"
"Lloyd Owen, Tom Baker, Alexander Morton, and Susan Hampshire. The series is loosely based on Sir Compton Mackenzie's ""Highland Novels"", which are set in the same location but in the 1930s and 1940s. The first book in that series is called ""The Monarch of the Glen"", which was a reference to the famous painting of the same name by Landseer. The series was created by Michael Chaplin and produced by Nick Pitt, Paddy Higson, Jeremy Gwilt, Stephen Garwood, and Rob Bullock. The show saw many directors, most notably Edward Bennett, Richard Signy, Rick Stroud, and Robert Knights; and many writers"
"Burlington Fine Arts Club, where he exhibited some of his prints in 1902. The five paintings left to the National Gallery in 1902 included four bought at his father's sale at Christie's in May 1892. He did not buy the star of the sale, ""The Monarch of the Glen"" (lot 42, £7,245) by Sir Edwin Landseer, one of the most popular paintings of the age. But he bought two other Landseers, of the 31 in the 86 lot sale, and two of the next most expensive works, ""The Execution of Lady Jane Grey"" (1833) by Paul Delaroche (lot 78, £1,575),"
"to the house and rented it as a studio for some time. His most famous painting, ""The Monarch of the Glen"" (1851), is said to have been created at Stoke Poges, with the deer in the park used as models. Stoke Poges has a primary school called The Stoke Poges School. There is also a Sikh faith secondary school, Khalsa Secondary Academy, whose curriculum includes horse riding and archery. It is rated 'Good' by Ofsted. Gray's ""Elegy Written in a Country Churchyard"" is believed to have been written in the churchyard of the Church of England parish church of Saint"
"favourite of Queen Victoria, and had become famous for his paintings and drawings of animals. His later works include the sculptures of the lions at the foot of Nelson's Column in Trafalgar Square. From the 1840s, he produced a series of intricately observed studies of stags based on those he had seen on the trips he had been making to the Scottish Highlands since 1824. In 1850, Landseer received a national commission to paint three subjects connected with the chase for the Refreshment Rooms of the House of Lords, for which he produced ""Monarch of the Glen"" and two other"
"(1835–1910). McCulloch was a student of Knox. His images of places including Glen Coe, Loch Lomond and the Trossachs, became parlour room panoramas that defined popular images of Scotland. This was helped by the Queen's declared affection for Scotland, signified by her adoption of Balmoral as a royal retreat. The wildlife around Balmoral was immortalised by English painter Edwin Landseer (1802–73) in the much copied ""Monarch of the Glen"" (1851). In this period a Scottish ""grand tour"" developed with large number of English artists, including Turner, flocking to the Highlands to paint and draw. From the 1870s Farquharson was a"
"The Gallery also holds a collection of works by English painters, such as Constable's ""Dedham Vale"" and a sizeable collection of water colours by Turner which are traditionally displayed in January. ""The Monarch of the Glen"", a painting considered to be iconic of Scottish culture, is also held in the gallery, the work of the English painter Landseer. Key works of art displayed at the National Gallery include: Other artists represented in the collection include: Scottish National Gallery The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The"
"The Crowning of the Virtuous Hero The Crowning of the Virtuous Hero is a painting by Peter Paul Rubens, painted between 1613 and 1614. Unsigned, it was commissioned by the St George Guild of Archers in Antwerp for their banqueting hall and is now in the Gemäldegalerie Alte Meister within the Schloss Wilhelmshöhe in Kassel. It shows an ancient Roman general being crowned by Nike with laurels of victory and treading underfoot a bound barbarian and a personification of Discord (shown with snakes for hair). To his right is a genius of Harmony, who presents him with a bound bundle"
"David Garrick Between Tragedy and Comedy David Garrick Between Tragedy and Comedy is a 1761 painting by the English painter Joshua Reynolds, depicting the actor and playwright David Garrick caught between the Muses of Tragedy and Comedy. It is regarded as one of Reynolds's most studied and well-known paintings, and is now in the collection of Waddesdon Manor, Buckinghamshire.. The art historian Horace Walpole provided the earliest known description of ""David Garrick Between Tragedy and Comedy"". Walpole also recorded that George Montagu-Dunk, 2nd Earl of Halifax, bought the painting for £300, though it is unclear if this ever actually occurred."
"in the Dordogne, France and elsewhere. Major animal paintings include Albrecht Dürer's 1515 ""The Rhinoceros"", George Stubbs's c. 1762 horse portrait ""Whistlejacket"", Edwin Landseer's 1851 ""The Monarch of the Glen"", and Henri Rousseau's 1891 tiger in an imaginary landscape, ""Surprised!"". Mammals from mice and foxes to elephants play a wide variety of roles in literature and media including photography and film. Mammals including cattle, deer, horses, lions and wolves, along with creatures derived from them, such as werewolves, figure in mythology and religion. Jacques Cauvin has argued that Neolithic animal symbols, with early art depicting figures such as bull gods,"
"Théodore Géricault Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was an influential French painter and lithographer, whose best-known painting is ""The Raft of the Medusa"". Although he died young, he was one of the pioneers of the Romantic movement. Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament while recognizing his talent. Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied"
"Monarch of the Glen (TV series) Monarch of the Glen is a British drama television series produced by Ecosse Films for BBC Scotland and broadcast on BBC One for seven series between February 2000 and October 2005 with 64 episodes in total. The first five series of ""Monarch of the Glen"" told the story of young restaurateur, Archie MacDonald, trying to restore his childhood home in the Scottish Highlands, starring Alastair Mackenzie, Richard Briers, Susan Hampshire, and Dawn Steele, whilst the final two series of the show focused on new Laird Paul Bowman trying to modernise the estate, primarily starring"
"associate of the Royal Academy in 1876, and an honorary member of the Royal Scottish Academy in 1883. During the last six years of his life ill-health greatly interfered with the practice of his art. He still, however, exhibited annually at the Royal Academy, where a picture entitled 'The Warren' appeared the year after his death. Among his best works were 'A Carnarvonshire Glen,' 'A Solitary Pool,' 'Glen Derry,' 'Malldraeth Sands,' 'Aberffraw Bay,' 'Marchlyn Mawr,' 'Linn of Muick,' 'Dunnottar Castle,' 'The Bass Rock,' 'The Fallow Field,' 'The Border Countrie,' 'The Dee Sands,' and 'Dirty Weather on the East Coast.' Oakes"
"Vision of a Knight (Raphael) The Vision of a Knight, also called The Dream of Scipio or Allegory, is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1504–1505. It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum. There are a number of theories as to what the panel is intended to represent. Some art historians think the sleeping knight represents the Roman general Scipio Africanus (236–184 BC) who dreamed that he had to"
"the Queen, shown at the Royal Academy in 1873, made from earlier sketches. Landseer was particularly associated with Scotland, which he had first visited in 1824 and the Highlands in particular, which provided the subjects (both human and animal) for many of his important paintings. The paintings included his early successes ""The Hunting of Chevy Chase ""(1825–26), ""An Illicit Whisky Still in the Highlands"" (1826–29) and his more mature achievements, such as the majestic stag study ""Monarch of the Glen ""(1851) and ""Rent Day in the Wilderness"" (1855–68). In 1828, he was commissioned to produce illustrations for the Waverley Edition"
"family, the picture came into the Kolowrat family through marriage. The Kolowrats owned it until 1946. The picture is now in the Museum of Fine Arts, Boston. The picture is painted in tempera on an oak panel covered with stretched canvas. A preparatory drawing is etched into the chalk base and its contours outlined in black. The work is a highly advanced example of the Gothic style, combining elements of Northern European Gothic and the strong influence of Italian, more specifically Sienese painting. It was painted by an unknown master during the reign of Charles IV and belongs to the"
"The Son of Man The Son of Man () is a 1946 painting by the Belgian surrealist painter René Magritte. It is perhaps his most well-known artwork. Magritte painted it as a self-portrait. The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple. Another subtle feature is that the man's left arm appears to bend backwards"
"Middlesex Archaeological Society. He was sometime Vice-Admiral of the Yorkshire Coast. In 1849, he changed his surname to Denison under the terms of the will of his maternal uncle, William Joseph Denison and was created Baron Londesborough a year later. In 1851, he bought both Grimston Park, near Tadcaster, North Yorkshire and the painting ""The Monarch of the Glen"", the latter for £840. On 6 July 1833, Londesborough had married Hon. Henrietta Weld-Forester (a daughter of the 1st Baron Forester) and they had six children: Londesborough's first wife died in 1841 and on 21 December 1847, he married Ursula Bridgeman"
"Saint George and the Dragon (Raphael) St. George and the Dragon is a small cabinet painting by the Italian High Renaissance artist Raphael, painted between 1504 and 1506, and now in the National Gallery of Art in Washington, D.C. The saint wears the blue garter of the English Order of the Garter, reflecting the award of this decoration in 1504 to Raphael's patron Guidobaldo da Montefeltro, Duke of Urbino, by King Henry VII of England. The first word of the order's motto, ""HONI"" can be made out. The painting was presumably commissioned by the Duke, either to present to the"
"that the Founding Fathers look as if standing patiently in a line, saying that ""the reality is messier and richer."" John Trumbull John Trumbull (; June 6, 1756November 10, 1843) was an American artist during the period of the American Revolutionary War and was notable for his historical paintings. He has been called The Painter of the Revolution. Trumbull's ""Declaration of Independence"" (1817), one of his four paintings which hang in the United States Capitol Rotunda, was used on the reverse of the commemorative bicentennial two-dollar bill. Trumbull was born in Lebanon, Connecticut, in 1756, to Jonathan Trumbull and his"
"of the nineteenth century. Grace Glueck described it as ""a little-known dazzler"". The painting has been attributed to at least three painters. In 1963, Basil Taylor attributed the painting to Jacques-Laurent Agasse. In 1978, Judy Egerton attributed the painting to Scottish portrait and history painter John Zephaniah Bell. When the portrait was cleaned by Lance Mayer for the 2001 exhibition, ""The Paul Mellon Bequest: Treasures of a Lifetime"", a signature ('R. Burnard pinxit') was discovered in the foliage in the upper left corner of the painting. On the basis of the signature, the painting was attributed to Robert Burnard. John"
"of grain, in contrast to the large shadowy figures in the foreground. The dark homespun dresses of the gleaners cut robust forms against the golden field, giving each woman a noble, monumental strength. The painting was commissioned by Thomas Gold Appleton, an American art collector based in Boston, Massachusetts. Appleton previously studied with Millet's friend, the Barbizon painter Constant Troyon. It was completed during the summer of 1857. Millet added a steeple and changed the initial title of the work, ""Prayer for the Potato Crop"" to ""The Angelus"" when the purchaser failed to take possession of it in 1859. Displayed"
"exist many studies for paintings, some of which can be identified as preparatory to particular works such as ""The Adoration of the Magi"", ""The Virgin of the Rocks"" and ""The Last Supper"". His earliest dated drawing is a ""Landscape of the Arno Valley"", 1473, which shows the river, the mountains, Montelupo Castle and the farmlands beyond it in great detail. Among his famous drawings are the ""Vitruvian Man"", a study of the proportions of the human body; the ""Head of an Angel"", for ""The Virgin of the Rocks"" in the Louvre; a botanical study of ""Star of Bethlehem""; and a"
"The Adoration of the Kings (Bruegel) The Adoration of the Kings is an oil-on-panel painting of the Adoration of the Magi by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1564, and now in the National Gallery, London. In the chronological sequence of Bruegel's work, this painting of 1564 marks an important departure as the first to be composed almost exclusively of large figures. The group of people, taken from Italian mannerist painters like Parmigianino, permits Bruegel to concentrate on individual faces, giving each a quite distinct, and sometimes grotesque, expression. This emphasis on the uniqueness of each"
"latter having been brought to Britain by the Romans but not becoming widespread in Scotland until the 19th century. Landseer's painting of a red deer stag, ""Monarch of the Glen"", is one of the most notable images of Victorian Scotland. The species, a member of the biological order artiodactyla or ""even-toed ungulates"", is still 400,000 strong, although its existence in the pure form is threatened by hybridisation with introduced sika deer. Very much a hill-dwelling species in Scotland (and so typically smaller in stature than its European forest-loving cousins), it is generally replaced by roe deer in lower-lying land. Although"
"Bonaparte Crossing the Alps Bonaparte Crossing the Alps (also called Napoleon Crossing the Alps, despite the existence of another, more well-known painting with that name) is an 1848–1850 oil-on-canvas portrait of Napoleon Bonaparte, by French artist Paul Delaroche. The painting depicts Bonaparte leading his army through the Alps on a mule, a journey Napoleon and his army of soldiers made in the spring of 1800, in an attempt to surprise the Austrian army in Italy. The two main versions of this painting that exist are in the Louvre in Paris and the Walker Art Gallery in Liverpool, England. Queen Victoria"