Which French artist, 1839-1906, painted 'The Card Players' and 'Mont Sainte Victoire'?
"painted near the end of his working career. In this painting, Cézanne explores the creation of depth using layers to build up a set of horizontal planes that draw the eye into the view. In 1989, this work was described as one of Cézanne's greatest. <br> Mont Sainte-Victoire and the Viaduct of the Arc River Valley Mont Sainte-Victoire and the Viaduct of the Arc River Valley is an oil painting on canvas completed by the French artist Paul Cézanne between 1882 and 1885. It depicts Montagne Sainte-Victoire and the valley of the Arc River, with Cézanne's hometown of Aix-en-Provence in"
"Partie de cartes Partie de cartes (also known as Card Game and The Messers. Lumière at Cards (USA), or ""A Quiet Game of Écarté"") is an 1895 French short black-and-white silent film directed and produced by Louis Lumière and starring ""Antoine Féraud"". It was filmed by means of the Cinématographe, an all-in-one camera, which also serves as a film projector and developer. As with all early Lumière movies, this film was made in a 35 mm format with an aspect ratio of 1.33:1. The production was shot at Villa du Clos des Plages in La Ciotat, France. Three older men,"
"restored. The inclusion of a crossbowman refers back to another dramatic episode in Douaisian history, the Battle of Mons-en-Pévèle in 1324, when 600 citizens of Douai lost their lives. Other works by Descatoire include: Alexandre Descatoire Alexandre Descatoire (22 August 1874 – 7 March 1949) was a French sculptor. Descatoire was born in Douai and was a pupil of André-Louis-Adolphe Laoust. Educated at the École nationale supérieure des Beaux-Arts in Paris, Descatoire was runner up for the Prix de Rome of 1902. Much of his work is war memorials. One of the best known is at Douai, inaugurated on 23"
"for highest price for a painting; surpassed only by Leonardo da Vinci's ""Salvator Mundi"" in November 2017. Paul Cézanne Paul Cézanne ( or ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of"
"while on furlough. In September 1916 he almost died after a mustard gas attack by the German troops at Verdun. During a period of convalescence in Villepinte he painted ""The Card Players"" (1917), a canvas whose robot-like, monstrous figures reflect the ambivalence of his experience of war. As he explained: ...I was stunned by the sight of the breech of a 75 millimeter in the sunlight. It was the magic of light on the white metal. That's all it took for me to forget the abstract art of 1912–1913. The crudeness, variety, humor, and downright perfection of certain men around"
"Playing Cards (film) Playing Cards (), or Card Party, is an 1896 French short black-and-white silent film by Georges Méliès. It was the first film in Méliès' prolific career, and thus is number one in his Star Film catalogue. It is a remake of Louis Lumière's film ""The Messers. Lumière at Cards"", which was released earlier the same year. Along with Georges Méliès himself, his brother Gaston Méliès and daughter Georgette Méliès both appear in the film. The film depicts a typical afternoon scene in a French garden. Three men are sitting at a table, two of them playing cards"
"Benjamin, the title ""The Chess Players"" curiously leaves Eakins' father out of the narrative of the picture. The Chess Players (Eakins painting) The Chess Players is an 1876 genre painting by Thomas Eakins, Goodrich catalogue #96. It is in the collection of the Metropolitan Museum of Art. It is a small oil on wood panel depicting Eakins' father Benjamin observing a chess match. The two players are Bertrand Gardel (at left), an elderly French teacher, and the somewhat younger George Holmes, a painter. The men are in a dark, wood-panelled Victorian parlour with a quality of light suggesting late afternoon."
"The Chess Players (Eakins painting) The Chess Players is an 1876 genre painting by Thomas Eakins, Goodrich catalogue #96. It is in the collection of the Metropolitan Museum of Art. It is a small oil on wood panel depicting Eakins' father Benjamin observing a chess match. The two players are Bertrand Gardel (at left), an elderly French teacher, and the somewhat younger George Holmes, a painter. The men are in a dark, wood-panelled Victorian parlour with a quality of light suggesting late afternoon. The game is well in progress, as many pieces have been removed from the board. Holmes, the"
"Movies Begin - A Treasury of Early Cinema, 1894-1913"". Partie de cartes Partie de cartes (also known as Card Game and The Messers. Lumière at Cards (USA), or ""A Quiet Game of Écarté"") is an 1895 French short black-and-white silent film directed and produced by Louis Lumière and starring ""Antoine Féraud"". It was filmed by means of the Cinématographe, an all-in-one camera, which also serves as a film projector and developer. As with all early Lumière movies, this film was made in a 35 mm format with an aspect ratio of 1.33:1. The production was shot at Villa du Clos"
"Card Players in a Rich Interior Card Players in a Rich Interior is a c. 1663 – 1665 oil on canvas painting by Pieter de Hooch, produced at the start of his time in Amsterdam and signed ""P. D. HOOCH"". It is now in the Louvre, whose collections it entered in 1801. It reworks a theme used in earlier works by the artist such as ""Soldiers Playing Cards"" (1657–1658; private collection) and ""Card Players in a Bright Interior"" (1658; Windsor Castle, Royal Collection) He also returned to the theme in the later ""Card Players at a Table"" (1670–1674; private collection)."
"Card Players in a Rich Interior Card Players in a Rich Interior is a c. 1663 – 1665 oil on canvas painting by Pieter de Hooch, produced at the start of his time in Amsterdam and signed ""P. D. HOOCH"". It is now in the Louvre, whose collections it entered in 1801. It reworks a theme used in earlier works by the artist such as ""Soldiers Playing Cards"" (1657–1658; private collection) and ""Card Players in a Bright Interior"" (1658; Windsor Castle, Royal Collection) He also returned to the theme in the later ""Card Players at a Table"" (1670–1674; private collection)."
"Marseille and Versailles. Among the most successful are ""Halte en Égypte"", ""Jean Bart à la cour"", ""la Conversion du duc de Joyeuse"", ""Frédéric-Guillaume chez le grand Frédéric"", ""Louis XVIII à Mittau"" et ""l’Aveugle au marché des Innocents"". Some of the more notable of Tardieu's paintings: Other notable works include: In addition, public collections hold the following: Citations Sources Jean-Charles Tardieu Jean-Charles Tardieu, also called ""Tardieu-Cochin"" (3 September 1765 – 3 April 1830) was a successful French painter during the ages of Napoleon and of the Bourbon Restoration. His work was primarily historical, but also included landscapes, portraits and religious subjects."
"of La Rochelle, a depiction of Cardinal Richelieu in battle in the 17th century, completed in 1881. Henri-Paul Motte Henri-Paul Motte (13 December 1846 – 1 April 1922) was a 19th-century French painter from Paris, who specialised in history painting and historical genre. Motte was a pupil of Jean-Léon Gérôme and began to exhibit at the Paris Salon from 1874 onwards. The painting ""Le cheval de Troie (The Trojan horse)"" was the artist's début at the Salon, and was acquired by the Wadsworth Atheneum in 2011. In 1892 he was made a Chevalier de la Légion d'honneur. He won a"
"Madame four peters, two forms, value eight and a half moutons, wherewith to buy a pack of cards"". In his book of accounts for 1392 or 1393, Charles or Charbot Poupart, treasurer of the household of Charles VI of France, records payment for the painting of three sets of cards. From about 1418 to 1450 professional card makers in Ulm, Nuremberg, and Augsburg created printed decks. Playing cards even competed with devotional images as the most common uses for woodcuts in this period. Most early woodcuts of all types were coloured after printing, either by hand or, from about 1450"
"also gradually got more attention while facial expressions became more intensive and the architecture in the background more developed. These changes followed contemporary developments in the Baroque style. Less well-known are the genre paintings of Cornelis de Vos. These resemble the Caravaggio-influenced compositions of his contemporaries and pupils like Jan Cossiers, Simon de Vos and Theodoor Rombouts. An example is """" (Nationalmuseum, Stockholm), which depicts players at a card game, a theme which was very popular with the Flemish followers of Caravaggio. The composition is also known through an made by Alexander Voet in the 1630s (Royal Collection), which clearly"
"(1822), which he painted for St. Etienne's Cathedral in Metz. ""Crucifixion"" now hangs in the Louvre. The young Théodore Géricault had painted copies of work by Prud'hon, whose ""thunderously tragic pictures"" include his masterpiece, ""Justice and Divine Vengeance Pursuing Crime"", where oppressive darkness and the compositional base of a naked, sprawled corpse obviously anticipate Géricault's painting ""The Raft of the Medusa"". Pierre-Paul Prud'hon Pierre-Paul Prud'hon (April 4, 1758 – February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as ""Madame Georges Anthony and Her Two Sons"". In particular, he painted"
"The Card Players II The Card Players II (Slovenian: Kvartopirci II) is a painting by the 17th-century Dutch artist Almanach. It is painted in oil on canvas and has dimensions of 147 x 2855 cm. The painting is in the collection of the National Gallery of Slovenia in Ljubljana, which purchased it in 1995. The composition is closely related to the ""Cheerful Company at Table"" (""The Card Players I""), also in the National Gallery of Slovenia. The group are playing the Italian game of trappola. On the table is a rolled piece of tobacco. The painting shows the influence of"
"Playing Cards. The drapery in his prints is stiff, and there is only a limited suggestion of space, creating an illusion that the figures are floating in mid-air. Most of the surviving work assigned to this Master is religious in nature; there is, however, a ""Battle Scene"", a unique impression of which is housed in the Louvre in Paris. This depicts a broad landscape with at least eighty soldiers, both mounted and on foot, in heavy combat. Master of the Death of the Virgin (engraver) The Master of the Death of the Virgin (""fl"" c. 1440–1450) was an engraver, probably"
"He withdrew to Castel Gandolfo, where he died. Charles-Joseph Natoire Charles-Joseph Natoire (3 March 1700 – 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France. He is remembered above all for the series of the ""History of Psyche"" for Germain Boffrand's oval ""salon de la Princesse"" in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the ""History of"
"Pierre-Marie Gault de Saint-Germain Pierre-Marie Gault de Saint-Germain (9 February 1754 – 11 November 1842) was a painter and art historian, inspired by the French enlightenment. He was born in Paris and studied under Louis Jean-Jacques Durameau. He left a very large number of historical and landscape pictures, miniatures and portraits. Among his portraits are those of Voltaire, Mademoiselle Clairon, Crébillon, and Stanislaus, King of Poland. He wrote accounts of the lives and works of Leonardo da Vinci and Nicolas Poussin; a ""Guide des Amateurs de Tableaux pour les Ecoles allemande, flamande et hollandaise,"" 1818; and other works relative to"
"Antoine Blanchard Antoine Blanchard is the pseudonym under which the French painter Marcel Masson (15 November 1910 – 1988) painted his immensely popular Parisian street scenes. He was born in a small village near the banks of the Loire. Blanchard received his initial artistic training at the Beaux-Arts in Rennes, Brittany. He then moved to Paris in 1932 where he joined the Ecole des Beaux-Arts. He won the Prix de Rome. Like Édouard Cortès (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris"
"Charles Monnet Charles Monnet, also known as Charles Monet, (10 January 1732 - after 1808) was a French painter and illustrator, best known for his illustrations used in books, including illustrations of the French Revolution. Born in Paris, he studied under Jean II Restout. Although he never became a full academian, on July 27, 1765 he was made a provisional member of the Académie Royale, where he won first prize for the painting, ""Nabucliodonosor faisant crever les yeux à Sédicias et faisant massacrer ses enfants"". His works in the mid 1760s and 1770s included portraits and religious and mythical scenes."
"1814. Marie-Victoire Lemoine Marie-Victoire Lemoine (1754 – December 2, 1820) was a French classicist painter. Born in Paris, Marie-Victoire Lemoine was the eldest daughter of Charles Lemoine and Marie-Anne Rousselle. Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. However, unlike her sisters, she remained unmarried and became one of the few women in contemporary art that made a living through painting. She was a student of François-Guillaume Ménageot in the early 1770s, with whom she lived and worked in a house acquired by the art dealer Jean-Baptiste-Pierre Lebrun, next to the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's"
"1908 he produced the scheme in the 'Salle del Castillo' at Casino du Rivage in Vevey. However, his work on the 'Grands Magasins du Louvre' was destroyed in 1974. Marcel de Chollet Marcel de Chollet or Marcel Chollet (26 October 1855, Fribourg – 30 July 1924, Paris) was a French-Swiss painter of the Belle Époque. He is mainly known for his ceiling places in public buildings, hotels and casinos in Switzerland and Paris, which can be assigned to both naturalism and impressionism. The son of the architect Charles Joseph de Chollet, little is known of de Chollet's youth. He left"
"Henri Rivière (painter) Henri Rivière (March 11, 1864 – August 24, 1951) was a French artist and designer best known for his creation of a form of shadow play at the ""Chat Noir"" cabaret, and for his post-Impressionist illustrations of Breton landscapes and the Eiffel Tower. Rivière was born in Paris. His father ran a haberdashery shop in the city. In 1870, fleeing from the advancing Prussians during the Franco-Prussian war, his father moved the family back to his childhood home in the Pyrenees. He died three years later and Rivière's mother returned to Paris and remarried. Rivière grew up"
"one of the best instruments in France. Some 80 years later the legendary organ builder Robert Clicquot restored and enhanced the instrument; organists who played the new organ included distinguished composers such as Jacques Boyvin (in 1674–1706), and François d'Agincourt (1706–1758). New organs were built by Merklin & Schütze (1858–60) and, after World War II, by Jacquot-Lavergne. The most famous paintings of the cathedral were done by the Impressionist artist Claude Monet, who produced a series of paintings of the building showing the same scene at different times of the day and in different weather conditions. Two paintings are in"
"Marie-Victoire Lemoine Marie-Victoire Lemoine (1754 – December 2, 1820) was a French classicist painter. Born in Paris, Marie-Victoire Lemoine was the eldest daughter of Charles Lemoine and Marie-Anne Rousselle. Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. However, unlike her sisters, she remained unmarried and became one of the few women in contemporary art that made a living through painting. She was a student of François-Guillaume Ménageot in the early 1770s, with whom she lived and worked in a house acquired by the art dealer Jean-Baptiste-Pierre Lebrun, next to the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's leading"
"for grouping them together as by the same artist. The notname Master of the Gamblers was chosen because the first paintings given to the artist depicted players of cards and dice. Papi regards the artist as an Italian who was influenced by Caravaggio and close followers of Caravaggio such as José de Ribera, Cecco del Caravaggio and Tommaso Salini. Other art historians have described the characteristics of the style of the artist as situated between the Italian Bartolomeo Manfredi and the Flemish artist Theodoor Rombouts. They therefore believe the artist to be a Flemish or Dutch follower of Caravaggio. Other"
"monument to Victorien Sardou which was erected by a public fountain in the Place de la Madeleine. In bronze the sculpture depicted a seated Sardou and behind him were allegories of comedy and drama. In 1941 the Germans had the monument dismantled so that the bronze could be melted down and reused. Albert Bartholomé Paul-Albert Bartholomé was a French painter and sculptor. He was born on 29 August 1848 in Thiverval-Grignon, Yvelines, France, and died in 1928 in Paris. He won the Grand Prize for sculpture at the Exposition Universelle in 1900. He exhibited paintings at the Salon from 1879"
"Charles-Joseph Natoire Charles-Joseph Natoire (3 March 1700 – 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France. He is remembered above all for the series of the ""History of Psyche"" for Germain Boffrand's oval ""salon de la Princesse"" in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the ""History of Don Quixote"", woven at the Beauvais tapestry manufacture,"
"Le Grand Canal Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun ""en plein air"" and completed in France. This painting is a classic view of the"
"Pierre-Paul Prud'hon Pierre-Paul Prud'hon (April 4, 1758 – February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as ""Madame Georges Anthony and Her Two Sons"". In particular, he painted a portrait of both of Napoleon's wives. He was an early influence on Théodore Géricault. Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for"
"by Cornelius Krieghoff. However, the famous artists most closely linked with the mountains are the three who were born or lived in Mont-Saint-Hilaire itself over the course of the late nineteenth and twentieth century: Ozias Leduc, born in 1864 in Mont-Saint-Hilaire, his student Paul-Émile Borduas, also born in Mont-Saint-Hilaire in 1905, and finally, Jordi Bonet, who, after emigrating to Québec, settled down at Mont-Saint-Hilaire in 1969. Leduc especially is known for his numerous representations of the mountain in several paintings such as ""L'Heure Mauve"" and ""Neige Dorée"", but the mountain also inspired the work of Borduas, such as his ""Le"