"paintings of Melpoméne, she is represented with a tragic mask and also often holds in her other hand a knife or club. In Greek mythology, she is the daughter of Zeus and Mnemosyne, who had eight other daughters, Melpoméne's sisters and the eight other muses are: Calliope, muse of epic poetry; Clio, muse of history; Euterpe, muse of flute playing; Terpsichore, muse of dancing; Erato, muse of erotic poetry; Thalia muse of comedy; Polyhymnia, muse of hymns; and Urania, muse of astronomy. Reynolds was inspired not only by Sarah Siddons' extreme talent to embody the tragic heroine in Macbeth, but"
"Euterpe In Greek mythology, Euterpe (/juːˈtɜːrpiː/; Greek: Eὐτέρπη, Ancient Greek: [eu̯térpɛː]; ""rejoicing well"" or ""delight"" from Ancient Greek εὖ 'well' + τέρπειν terpein 'to please') was the one of the Muses, presiding over music. In late Classical times, she was named muse of lyric poetry. She has been called “Giver of delight” by ancient poets. Euterpe was born as one of the daughters of Mnemosyne, Titan goddess of memory, and fathered by Zeus, god of the gods. Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Melpomene (muse of tragedy), Terpsichore (muse of dancing), Erato (muse of"
"Polyhymnia Polyhymnia (; ; ""the one of many hymns""), also spelt Polymnia (Πολύμνια) was in Greek mythology the Muse of sacred poetry, sacred hymn, dance, and eloquence as well as agriculture and pantomime. Her name comes from the Greek words ""poly"" meaning ""many"" and ""hymnos"", which means ""praise"". She is depicted as very serious, pensive and meditative, and often holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar. Polyhymnia is also sometimes credited as being the Muse of geometry and meditation. In Bibliotheca historica, Diodorus Siculus wrote, ""Polyhymnia, because"
"lyrical poetry), Terpsichore (muse of dancing), Erato (muse of erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy). She is also the mother of several of the Sirens, the divine handmaidens of Kore (Persephone/Proserpina) who were cursed by her mother, Demeter/Ceres, when they were unable to prevent the kidnapping of Kore (Persephone/Proserpina) by Hades/Pluto. In Roman and Greek poetry, it was traditional to invoke the goddess Melpomene so that one might create beautiful lyrical phrases (see Horace's Odes). Melpomene Melpomene (; ), initially the Muse of Chorus, she then became the Muse of Tragedy,"
"Melpomene Melpomene (; ), initially the Muse of Chorus, she then became the Muse of Tragedy, for which she is best known now. Her name was derived from the Greek verb melpô or melpomai meaning ""to celebrate with dance and song."" She is often represented with a tragic mask and wearing the cothurnus, boots traditionally worn by tragic actors. Often, she also holds a knife or club in one hand and the tragic mask in the other. Melpomene is the daughter of Zeus and Mnemosyne. Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Euterpe (muse of"
"which are the names of the three chords of the ancient musical instrument, the lyre. Alternatively they were called Cēphisso, Apollonis, and Borysthenis, whose names characterise them as daughters of Apollo. In later tradition, four Muses were recognized: Thelxinoē, Aoedē, Archē, and Meletē, said to be daughters of Zeus and Plusia (or of Uranus). Melete In Greek mythology, Melete (Μελέτη) was one of the three original (Boeotian) muses before the Nine Olympian Muses were founded. Her sisters were Aoide and Mneme. She was the muse of thought and meditation. Melete literally means ""ponder"" and ""contemplation"" in Greek. According to Pausanias"
"Melete In Greek mythology, Melete (Μελέτη) was one of the three original (Boeotian) muses before the Nine Olympian Muses were founded. Her sisters were Aoide and Mneme. She was the muse of thought and meditation. Melete literally means ""ponder"" and ""contemplation"" in Greek. According to Pausanias in the later 2nd century AD, there were three original Muses: Aoidē (""song"" or ""voice""), Meletē (""practice"" or ""occasion""), and Mnēmē (""memory""). Together, these three form the complete picture of the preconditions of poetic art in cult practice. In Delphi three Muses were worshipped as well, but with other names: Nētē, Mesē, and Hypatē,"
"three sections. Erdman described the yearlong evolution of the piece as the process through which she came to understand that every posture contains ""a whole state of being or attitude toward life."" The dance evolved as she attuned herself to the physical sensations of the stylized positions and followed where they led her.It was Campbell, informed by his deep well of mythological imagery, who identified the dance character in the first short study as Medusa, the beautiful Greek priestess of Athena who became the hideous snake-headed gorgon. Erdman developed the second and third sections following the development of the mythological"
"Muses In ancient Greek religion and mythology, the Muses (Ancient Greek: Μοῦσαι, ""Moũsai"") are the inspirational goddesses of literature, science, and the arts. They are considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in these ancient cultures. In current English usage, ""muse"" can refer in general to a person who inspires an artist, musician, or writer. The word ""Muses"" (, ""Moũsai"") perhaps came from the o-grade of the Proto-Indo-European root *""men-"" (""to think"") or from root *""men-"" (""to tower, mountain"") since all the most important cult-centres of the"
"though most mythographers credit Marsyas or Athena with its invention. Some say she also invented other wind instruments. Euterpe is often depicted holding a flute in artistic renditions of her. Euterpe In Greek mythology, Euterpe (/juːˈtɜːrpiː/; Greek: Eὐτέρπη, Ancient Greek: [eu̯térpɛː]; ""rejoicing well"" or ""delight"" from Ancient Greek εὖ 'well' + τέρπειν terpein 'to please') was the one of the Muses, presiding over music. In late Classical times, she was named muse of lyric poetry. She has been called “Giver of delight” by ancient poets. Euterpe was born as one of the daughters of Mnemosyne, Titan goddess of memory, and"
"erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy). Sometimes they are referred to as water nymphs having been born from the four sacred springs on Helicon which flowed from the ground after Pegasus, the winged horse, stamped his hooves on the ground. Along with her sister Muses, Euterpe was believed to have lived on Mt. Olympus where she and her sisters entertained their father and the other Olympian gods with their great artistry. Later on, tradition also placed them on Mt. Helicon in Boeotia where there was a major cult center to the"
"one of the twelve greater gods and son of the chief god Zeus, was called The Dancer. In a Greek line Zeus himself is represented as dancing. Terpsichore is one of the nine Muses, representing dancing and dramatic chorus. In Sparta, a province of ancient Greece, the law compelled parents to exercise their children in dancing from the age of five years. They were led by grown men, and sang hymns and songs as they danced. In very early times a Greek chorus, consisting of the whole population of the city, would meet in the market-place to offer up thanksgivings"
"not specified in the source texts. For lists of Naiads, Oceanids, Dryades etc. see respective articles. Nymph A nymph ( ""nýmphē,"" Ancient: Modern: ) in Greek mythology is a minor female nature deity typically associated with a particular location or landform. Different from other goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek ""polis"". They are beloved by many and dwell in mountainous regions and forests"
"change in the direction of the poem. Erato In Greek mythology, Erato (; Ancient Greek: Ἐρατώ) is one of the Greek Muses. The name would mean ""desired"" or ""lovely"", if derived from the same root as Eros, as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his ""Argonautica"". Erato is the Muse of love poetry. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical"
"instruction from her mother since childhood and always assisted her during the workshops, as well as taught for more than 40 years, offers seminars and lectures – backed by accurate documents and rare photos - on Nelly Mazloum’s life, dance method, legacy and work. Nelly Mazloum Nelly Mazloum (9 June 1929 - 21 February 2003), an Egyptian of Italian and Greek origin, was an actress, choreographer, dancer, and teacher of ballet, modern dance, Egyptian folkloric dance, traditional oriental dance and the creator of the oriental dance technique. She was a pioneer, in that she was the first to apply Egypt's"
"Venus de Milo The Aphrodite of Milos (, ""Aphroditi tis Milou""), better but mistakenly known as the Venus de Milo, is an ancient Greek statue and one of the most famous works of ancient Greek sculpture. Initially it was attributed to the sculptor Praxiteles, however from an inscription that was on its plinth, the statue is thought to be the work of Alexandros of Antioch. Created sometime between 130 and 100 BC, the statue is believed to depict Aphrodite, the Greek goddess of love and beauty; however, some scholars claim it is the sea-goddess Amphitrite, venerated on Milos. It is"
"of Salome, who danced for King Herod, as mentioned in the New Testament in Matthew 14:6 and Mark 6:21-22. However, although the Bible records Salome's dance, the first mention of her removing seven veils occurs in Oscar Wilde's play of 'Salome', in 1893. In ancient Greece, the lawgiver Solon established several classes of prostitutes in the late 6th century BC. Among these classes of prostitutes were the auletrides: female dancers, acrobats, and musicians, noted for dancing naked in an alluring fashion in front of audiences of men. In ancient Rome, dance featuring stripping was part of the entertainments ""(ludi)"" at"
"these figurines come from Priene, and they may represent Baubo, a mythical Greek woman who painted a face on her belly and then danced as a form of entertainment for the mourning goddess Demeter. Many figurines similar to those found in Priene have been discovered elsewhere in the Mediterranean. Controversy as to whether these are connected to Agnodice continues among scholars and those interested in ancient midwifery. In the opening words of the story told by Hyginus, 'the ancients had no midwives'; however, at the end of the story freeborn women are permitted to learn 'medicine'. This leaves open the"
"Erato In Greek mythology, Erato (; Ancient Greek: Ἐρατώ) is one of the Greek Muses. The name would mean ""desired"" or ""lovely"", if derived from the same root as Eros, as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his ""Argonautica"". Erato is the Muse of love poetry. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. In Simon"
"Hecaterus In Greek mythology, Hecaterus or Hekateros (Ancient Greek: Ἑκάτερος) was a minor god and the father of five daughters (the Hecaterides) by the daughter of Phoroneus, and through them grandfather of the Oreads, Satyrs, and Curetes. His name has been interpreted as referring to the ""hekateris"" (a rustic dance which involves quickly moving hands), and himself as a patron or personification of this dance. On the other hand, it has been suggested that the name ""Hekateros"" (which stands in the genitive case ""Ἑκατέρου"" in the original Greek text) could result from corruption of the purported ἑκ Δώρου ""of Dorus""."
"Hecaterus In Greek mythology, Hecaterus or Hekateros (Ancient Greek: Ἑκάτερος) was a minor god and the father of five daughters (the Hecaterides) by the daughter of Phoroneus, and through them grandfather of the Oreads, Satyrs, and Curetes. His name has been interpreted as referring to the ""hekateris"" (a rustic dance which involves quickly moving hands), and himself as a patron or personification of this dance. On the other hand, it has been suggested that the name ""Hekateros"" (which stands in the genitive case ""Ἑκατέρου"" in the original Greek text) could result from corruption of the purported ἑκ Δώρου ""of Dorus""."
"daughters of Harmonia (the daughter of Aphrodite and Ares), which contradicts the myth in which they were dancing at the wedding of Harmonia and Cadmus. The Muses had several temples and shrines in ancient Greece, their two main cult centres being Mount Helikon in Boiotia and Pieria in Makedonia. Strabo wrote: The cult of the Muses where also commonly connected to that of Apollo. Some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope. In Renaissance and Neoclassical art, the dissemination of emblem books such as Cesare Ripa's ""Iconologia"""
"Greece, sacred dance was widespread; indeed, it formed a part of almost all worship, and the gods Apollo, Ares, Dionysus and Pan are all described as dancers, while other deities such as Artemis were described as dancing with their companions. The Hawaiian Hula dances to Pele, the volcano goddess, survive, whereas European maypole dances have lost their meaning as tree-worship and survive only as folk tradition. Lewis Farnell observed that sacred dance has an ""extraordinary uniformity"" among indigenous peoples all over the world, something that he found so striking that it suggested either ""belief in an ultimately identical tradition, or,"
"Walt Disney animated film ""Hercules"" (1997). The Muses narrate the film in gospel-inspired song and dance. In New Orleans, Louisiana, there are streets named for all nine Muses. It is commonly held that the local pronunciation of the names has been colorfully anglicized in an unusual manner by the ""Yat"" dialect. The pronunciations are actually in line with the French, Spanish and Creole roots of the city. Muses In ancient Greek religion and mythology, the Muses (Ancient Greek: Μοῦσαι, ""Moũsai"") are the inspirational goddesses of literature, science, and the arts. They are considered the source of the knowledge embodied in"
"and Europe, teaching the arts of cultivation wherever he went. According to Hesiod's account (c. 600 BC), generally followed by the writers of antiquity, the Nine Muses were the nine daughters of Zeus and Mnemosyne (i.e., ""Memory"" personified), figuring as personifications of knowledge and the arts, especially literature, dance and music. The Roman scholar Varro (116–27 BC) relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were called Melete or ""Practice"", Mneme or ""Memory"" and"
"The Dances & Songs of Sinasos Mustafapasa. ""Men's Dances"" ""Women's Dances"" Greek dances Greek dance (""horos"") is a very old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There"
"Euphrosyne Euphrosyne (; Εὐφροσύνη), in ancient Greek religion, was one of the Charites, known in English as the ""Three Graces"". She was usually called Euthymia (Εὐθυμία). According to Greek myth, Euphrosyne and the two other Charites were daughters of Zeus and the Oceanid Eurynome. The Greek poet Pindar states that these goddesses were created to fill the world with pleasant moments and good will. Usually the Graces attended the goddess of beauty Aphrodite and her companion Eros and loved dancing around in a circle to Apollo's divine music, together with the Nymphs and the Muses. Euphrosyne is usually depicted with"
"Empusa Empusa or Empousa (; ""plural"": ""Empousai"") is a shape-shifting female being in Greek mythology, said to possess a single leg of copper, commanded by Hecate, whose precise nature is obscure. In Late Antiquity, the empousai has been described as a category of phantoms or spectres, equated with the ""lamiai and mormolykeia, thought to seduce and feed on young men. Also empuse in English usage. The primary sources for the ""empousa"" in Antiquity are Aristophanes's plays (""Frogs"" and ""Ecclesiazusae"") and Philostratus's ""Life of Apollonius of Tyana"". The Empusa has been defined in the Sudas and by Crates of Mallus as"
"Clio In Greek mythology, Clio (, ; , ""Kleiṓ""; ""made famous"" or ""to make famous""), also spelled Kleio, is the muse of history, or in a few mythological accounts, the muse of lyre playing. Clio, sometimes referred to as ""the Proclaimer"", is often represented with an open parchment scroll, a book, or a set of tablets. The name is etymologically derived from the Greek root κλέω/κλείω (meaning ""to recount,"" ""to make famous,"" or ""to celebrate""). Like all the muses, she is a daughter of Zeus and the Titaness Mnemosyne, goddess of memory. Along with her sister Muses, she is considered"
"Nelly Mazloum Nelly Mazloum (9 June 1929 - 21 February 2003), an Egyptian of Italian and Greek origin, was an actress, choreographer, dancer, and teacher of ballet, modern dance, Egyptian folkloric dance, traditional oriental dance and the creator of the oriental dance technique. She was a pioneer, in that she was the first to apply Egypt's traditional legacy of Folkloric Dances into a dramatised artistic form. Known for her sense of humour, she was known in Egypt in the 1930s as a child prodigy and from the 1940s to the 1960s for her many appearances in Egyptian films, her folkloric"
"for some time and decided to make Apollo, leader of the muses, its central figure while reducing the number of muses from nine to three. They were Terpsichore, personifying the rhythm of poetry and the eloquence of gesture as embodied in the dance; Calliope, combining poetry and rhythm; and Polyhymnia, representing mime. Stravinsky explained the original title ""Apollon Musagète"" to mean ""Apollo, Leader of the Muses"". Stravinsky wrote for a homogeneous ensemble of bowed string instruments, substituting contrasts in dynamics for the contrasts in timbre he employed in ""Pulcinella"". The ballet takes its inspiration from the grand tradition of French"
"said to be the Mother of sirens. Calliope is usually seen with a writing tablet in her hand. At times, she is depicted carrying a roll of paper or a book or wearing a gold crown. She would also be seen with her children. The Italian poet, Dante Alighieri, in his ""Divine Comedy"", refers to Calliope: Calliope In Greek mythology, Calliope ( ; , ""Kalliopē"" ""beautiful-voiced"") is the muse who presides over eloquence and epic poetry; so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the ""Chief of all Muses"". One account says Calliope was"
"their role in driving bodily functions was recognised. Horme Horme (Ancient Greek: ) is the Greek spirit personifying energetic activity, impulse or effort (to do a thing), eagerness, setting oneself in motion, and starting an action, and particularly onrush in battle. She had an altar at Athens, where mainly the divine servants and relations of Zeus (including Pheme and Aidos, as well as Athena) had altars. Her opposite character is Aergia, a goddess of sloth and apathy. The word ""horme"" is also used to refer to the philosophical concept represented by the goddess. The name 'horme' was adopted by Sir"