"What term do we use for the style of art known in German as ""Jugendstil""?"
"Gerrit van Arkel Gerrit A. van Arkel (Loenen aan de Vecht, April 3, 1858 – Abcoude, July 11, 1918) was a Dutch architect who designed many of Amsterdam's most prominent Jugendstil (Art Nouveau) buildings. Van Arkel moved to Amsterdam in 1883 to become an architect. His designs initially mixed Neo-Gothic and Neo-Renaissance styles but, from about 1894, he adopted a sobre version of Jugendstil (Art Nouveau). This sobre style of Jugendstil, influenced by the work of H. P. Berlage, was known as the ""Nieuwe Stijl"" (""New Style""). Van Arkel designs are characterized by the frequent use of bay windows and"
"First World War, ""Jugend"" was becoming a national German and Bavarian magazine. That changed until the mid-1920s, when the issues began catering to the artists of the younger generation. After 1933, the magazine changed to fit in with the trend of National Socialism; nevertheless, it lasted until 1940. Jugend (magazine) Jugend (""""Youth"""" in German) was a German art magazine that was created in the late 19th century. The magazine was based in Munich. It featured many famous Art Nouveau artists and is the source of the term """"Jugendstil"""" (""""Jugend""-style""), the German version of Art Nouveau. The magazine was founded by"
"Jugend (magazine) Jugend (""""Youth"""" in German) was a German art magazine that was created in the late 19th century. The magazine was based in Munich. It featured many famous Art Nouveau artists and is the source of the term """"Jugendstil"""" (""""Jugend""-style""), the German version of Art Nouveau. The magazine was founded by writer Georg Hirth. It was published from 1896 to 1940. After the death of Hirth in 1916, Franz Schoenberner became the publisher. Editors who worked on ""Jugend"" include Hans E. Hirsch, Theodore Riegler and Wolfgang Petzet. There were also the text editors, such as Fritz von Ostini and"
"Germany, sometimes referred to as ""Gründerzeit style"", due to the economical boom years at the end of the 19th century. Regional historicist styles include the ""Hanover School"", ""Nuremberg Style"" and Dresden's ""Semper-Nicolai School"". Among the most famous of German buildings, the Schloss Neuschwanstein represents Romanesque Revival. Notable sub-styles that evolved since the 18th century are the German spa and seaside resort architecture. German artists, writers and gallerists like Siegfried Bing, Georg Hirth and Bruno Möhring also contributed to the development of Art Nouveau at the turn of the 20th century, known as ""Jugendstil"" in German. Expressionist architecture developed in the"
"of Edward Everard, features an Art Nouveau façade. The figures depicted are of Johannes Gutenberg and William Morris, both eminent in the field of printing. A winged figure symbolises the ""Spirit of Light"", while a figure holding a lamp and mirror symbolises light and truth. German Art Nouveau is commonly known by its German name, ""Jugendstil"". The name is taken from the artistic journal, ""Die Jugend"", which was published in Munich and which espoused the new artistic movement. It was founded in 1896 by Georg Hirth (Hirth remained editor until his death in 1916, and the magazine continued to be"
"is taken from the artistic journal, ""Die Jugend"", which was published in Munich and which espoused the new artistic movement. Two other journals, ""Simplicissimus"", published in Munich, and ""Pan"", published in Berlin, proved to be important proponents of the Jugendstil. The two main centres for Jugendstil art in Germany were Munich and Darmstadt. Drawing from traditional German printmaking, the style uses precise and hard edges, an element that was rather different from the flowing lines seen in Art Nouveau elsewhere. Henry Van de Velde, who worked most of his career in Germany, was a Belgian theorist who influenced many others"
"the Mathildenhöhe, with the ""Hochzeitsturm"" ('Wedding tower', also commonly known as the 'Five-Finger-Tower') by Joseph Maria Olbrich, the Russian Chapel in Darmstadt and large exhibition halls as well as many private villas built by Jugendstil architects who had settled in Darmstadt. German Art Nouveau is commonly known by its German name, Jugendstil. The name is taken from the artistic journal, Die Jugend, which was published in Munich and which espoused the new artistic movement. It was founded in 1896 by Georg Hirth (Hirth remained editor until his death in 1916, and the magazine continued to be published until 1940). The"
"the German counterpart to the French and Belgian Art Nouveau, derived its name. The leading figures of this movement, including Peter Behrens, Bernhard Pankok, and Richard Riemerschmid, as well as the majority of the founding members of the Munich Secession, all provided illustrations to ""Jugend"". After 1897, Paul joined the staff of the satirical magazine ""Simplicissimus"". Paul's weekly contributions to Simplicissimus between 1897 and 1906 won him international acclaim. In 1898, Paul, together with Behrens, Pankok, and Riemerschmid, was working as an applied artist. He was a leading figure in the development of the Jugendstil, and quickly established himself as"
"Junge Wilde The term Junge Wilde (German for ""wild youth"") was originally applied to trends within the art world, and was only later used with reference to politics. At present, the term is used by German-language journalists to describe any group within a tradition that seeks to undermine established authority. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established Avant garde, Minimal Art and Conceptual Art. It was linked to the similar Transavantguardia movement in Italy, USA (Neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors"
"its most famous exemplar in the castle of Neuschwanstein, which Ludwig II commissioned in 1869. Neuschwanstein was designed by Christian Jank, a theatrical set designer, which possibly explains the fantastical nature of the resulting building. The architectural expertise, vital to a building in such a perilous site, was provided first by the Munich court architect Eduard Riedel and later by Georg von Dollmann, son-in-law of Leo von Klenze. There is also Ulm Cathedral, and at the end of the period the Reichstag building (1894) by Paul Wallot. German Art Nouveau is commonly known by its German name, Jugendstil. The name"
"Richard Riemerschmid Richard Riemerschmid (20 June 1868 – 13 April 1957) was a German architect, painter, designer and city planner from Munich. He was a major figure in ""Jugendstil"", the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the ""Vereinigte Werkstätte für Kunst im Handwerk"" (United Workshops for Art in Handcrafts) and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects. Riemerschmid was born in Munich, the sixth of nine children of"
"the 20th century, historicism and Jugendstil were still dominant styles in Germany. The Austrian architect Adolf Loos criticized his time's architecture as too ""grandiloquent"" and ""opulent"", and longed for a complete abandonment of architectural ornaments in his 1910 essay ""Ornament and Crime"". As early as the first major modernist movements like Werkbund and Bauhaus gained momentum in Germany, the desire to continue and develop classical styles sprouted. From 1904 until around 1955 the """" prospered in Germany, which focused on vernacular traditions and can be roughly translated to ""cultural protection style"". Examples of this early new classical style are the"
"that she wanted to learn from the avant-garde artists in France. Münter was part of a small subgroup of artists active in transforming late Impressionist, Neo-Impressionist, and Jugendstil (or Art Nouveau) painting into the more radical, non-naturalistic art now identified as Expressionism. Early on, Münter developed a great interest in landscapes. Münter's landscape paintings employ a radical Jugendstil simplicity and suggestive symbolism with softly muted colors, collapsed pictorial space and flattened forms. She enjoyed exploring the world of children; using colorful prints of children and toys, Münter shows precision and simplicity of form in her rejection of symbolic content. By"
"Rundbogenstil Rundbogenstil (Round-arch style), is a nineteenth-century historic revival style of architecture popular in the German-speaking lands and the German diaspora. It combines elements of Byzantine, Romanesque, and Renaissance architecture with particular stylistic motifs. The style was the deliberate creation of German architects seeking a German national style of architecture, particularly Heinrich Hübsch (1795–1863). It emerged in Germany as a response to and reaction against the neo-Gothic style that had come to the fore in the late 18th and early 19th centuries. By adopting the smooth facade of late antique and medieval church architecture, it aimed to extend and develop"
"Plakatstil Plakatstil (German for ""poster style""), also known as ""Sachplakat"", was an early style of poster art that originated in Germany in the 1900s. It was started by Lucian Bernhard of Berlin in 1906. The common characteristics of this style are bold eye-catching lettering with flat colors. Shapes and objects are simplified, and the composition focuses on a central object. ""Plakatstil"" turned away from the complexity of Art Nouveau and propagated a more modern outlook on poster art. Famous ""Plakatstil"" artists include Ludwig Hohlwein, , , Hans Lindenstadt, Julius Klinger, Julius Gipkens, , and Hans Rudi Erdt. A later master"
"August Endell August Endell (1871–1925) was a designer, writer, teacher, and German Jugendstil architect. He is also known as one of the founders of the Jugendstil movement, the German expressionist movement of Art Nouveau. His first marriage was with Elsa von Freytag-Loringhoven. August Endell was born on April 12, 1871, in Berlin. In 1892 Endell moved to Munich, where he gave up his dream of being a teacher and instead became a scholar. He studied aesthetics, psychology and philosophy, German literature, and art at the University of Munich. He had the intention to pursue a doctorate degree in academics, but"
"he did receive the medal on 20 July that year. He is buried in the cemetery at Gräfelfing, which he laid out in 1913. His drawings are in the architectural museum at the Technical University Munich and his other papers in the German Art Archive of the Germanisches Nationalmuseum in Nuremberg. The Richard-Riemerschmid-Berufskolleg, a vocational school in Cologne, is named for him in memory of his direction of the Kölner Werkschulen. Richard Riemerschmid Richard Riemerschmid (20 June 1868 – 13 April 1957) was a German architect, painter, designer and city planner from Munich. He was a major figure in ""Jugendstil"","
"decorative wall elements. August Endell August Endell (1871–1925) was a designer, writer, teacher, and German Jugendstil architect. He is also known as one of the founders of the Jugendstil movement, the German expressionist movement of Art Nouveau. His first marriage was with Elsa von Freytag-Loringhoven. August Endell was born on April 12, 1871, in Berlin. In 1892 Endell moved to Munich, where he gave up his dream of being a teacher and instead became a scholar. He studied aesthetics, psychology and philosophy, German literature, and art at the University of Munich. He had the intention to pursue a doctorate degree"
"Sensitive style The sensitive style (), ""empfindsam"" style, or tender style is a style of musical composition and poetry developed in 18th-century Germany, intended to express ""true and natural"" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque ""Affektenlehre"" (lit. ""The Doctrine of Affections""), in which a composition (or movement) would have the same affect (e.g., emotion or musical mood) throughout. The German noun ""Empfindsamkeit"" is usually translated as ""sensibility"" (in the sense used by Jane Austen in her novel ""Sense and Sensibility""), while the adjective ""empfindsam"" is sometimes rendered as ""sentimental"" or"
"Jugendweihe Jugendweihe (""Youth consecration"") or Jugendfeier (""Youth ceremony"") is a secular coming of age ceremony practised by German 14-year-olds. It originated among the secular societies in the 19th century as an alternative to Confirmation by the Roman Catholic and Protestant churches. It was especially widespread in East Germany, where state atheism was encouraged under the GDR. There are different groups organising Jugendweihes in Germany, but the most important ones are the Humanistische Verband Deutschlands (""Humanist Association of Germany""), ""Jugendweihe Deutschland e. V."", and ""die Arbeiterwohlfahrt"" (""the Worker Welfare""). Nowadays the term ""Jugendfeier"" is becoming more popular since the ""Humanistischer Verband"""
"textiles, household silver and other utensils, and lighting, as well as the fine arts. In French Switzerland it was known as Art Nouveau after Siegfried Bing's gallery Maison de l'Art Nouveau in Paris. In German Switzerland it was known as Jugendstil after the magazine ""Jugend"" in Munich, while in Italian Switzerland it was the Stile Liberty after the London department store Liberty & Co. Art Nouveau was brought into Switzerland by designers from across Europe. The style took hold in the industrial cantons, but also appeared in mountain resorts and mineral spas which catered to foreign visitors. While a few"
"altar in Knittelfeld; Josef Untersberger worked in the Neo-Romanic style. He distinguished himself in a local art exhibit in Austria; began work in Munich, Germany, in various workshops; and was noted as having painted three paintings in Odrovice, modern day Czech. By the turn of the century, Jugendstil became all the rage, and the church no longer gave out big assignments. Josef Untersberger gave up the family business, and his son Andreas moved to Vienna. From 1895 to 1899 Untersberger studied at the University of Applied Arts Vienna, where he presumably became schooled in the style of the Jugendstil. From"
"street named Mülheimer Freiheit, the six Jungen Wilden sought to explore a contemporary expression for their art by using a neoexpressive, figurative style of intensely colourful painting with traditional subjects and by overriding the intellectual, reduced formal language of Minimal and Conceptual Art. ""I’d come to realize that the conceptual artists had become liars,"" Dokoupil has said. ""What they had promised us was salvation, art without form. But I’d go into a gallery and there would be nothing to see, and it would be for a lot of money – that just couldn’t be it."" But already in an early"
"Art Nouveau Art Nouveau (; ) is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the academic art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants and flowers. English uses the French name Art Nouveau (new art). The style is related to, but not identical with, styles that emerged in many countries in Europe at about the same time: in Austria it is known as ""Secessionsstil"" after ""Wiener Secession""; in Spanish ""Modernismo""; in Catalan"
"and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde (). The term Junge Wilde began to be used by the media in the 1990s with reference to a certain group of politicians who bucked party leadership to make their names. It was first used with reference to the German CDU party (particularly against Helmut Kohl). Since then the term has also been applied to members of other parties. Junge Wilde The term Junge Wilde (German for ""wild youth"") was originally applied"
"popular Jugendstil patterns, particularly, that of the Pfauenauge. Even in the studio wares, the blend of folk art and high art is curious and charming, with many of the new and decorative elements taking on a decidedly ""country"" appearance. This is true for the production of the art potter, Friedrich Festersen (1880–1915), born in northern Schleswig, who opened his Kunsttoepferei Friedrich Festersen in Berlin in 1909 at about the same time that the peacock's eye motif was beginning to embellish the ceramics of Bunzlau. Festersen's connection with the Bunzlauer potteries is uncertain but the peacock's eye motif is to be"
"Jugendstil buildings were erected in the village of Ilsfeld. The Protestant church of St. Bartholomew on the Spreuerberg hill, designed by Paul Schmohl, incorporates a late Gothic choir and portions of the tower and west end of the former church and has Jugendstil decorations by Josef Zeitler. The nearby town hall has a Jugendstil entrance, and the school, the parsonage, and the Dorastift kindergarten are similar in style. The town hall was enlarged in 1993. The Dorastift is on the site of the original parsonage, which was the childhood home of Ferdinand von Steinbeis, a 19th-century Württemberg politician, and until"
"quality. His style has been likened to a contemporary version of Holbein or Cranach, but also contains elements of Art Nouveau. He is buried in Loschwitz Cemetery. The figure on his grave (an ephebos with a lowered torch) was designed by Sascha Schneider. Oskar Zwintscher Oskar Zwintscher (2 May 1870 in Leipzig – 12 February 1916 in Dresden) was a German painter. He is often associated with the Jugendstil movement. From 1887 to 1890 he studied at the Hochschule für Grafik und Buchkunst Leipzig and, from 1890 to 1892 was a student of Leon Pohle and Ferdinand Pauwels at the"
"lipstick and fingernail polish, and wore their hair long and down instead of applying braids or German-style rolls. The fondness of the ""Swing girls"" to wear their hair curled and to apply much make-up was a rejection of the Nazi regime's fashion tastes as in the Third Reich, the ""natural look"" with no make-up and braided hair was the preferred style for women as it was felt to be more ""Germanic"". A police report from 1940 described the Swing Youth as follows: One of their German idols was Johannes Heesters, an actor specialized in operettas. The Swingboys admired his pale"
"much more elaborate, often using curved shapes both in the basic shapes of the piece, and in applied decorative motifs. In Germany, the furniture of Peter Behrens and the Jugendstil was largely rationalist, with geometric straight lines and some decoration attached to the surface. Their goal was exactly the opposite of French Art Nouveau; simplicity of structure and simplicity of materials, for furniture that could be inexpensive and easily mass-manufactured. The same was true for the furniture of designers of the Wiener Werkstätte in Vienna, led by Otto Wagner, Josef Hoffmann, Josef Maria Olbrich and Koloman Moser. The furniture was"
"Jugendstil decorativism was combined with themes and subjects typical of technical drawing. Influenced by her own sensibility and knowledge of the arts, his wife, Timina Caproni, also started to contribute as a patron and added to the family's art collection. Their interest moved from simple, traditional naturalism to the new expressive forms of the futurist movement; the latter featured an affinity for action and speed that was manifest in celebrating flight. The Caproni collection then kept expanding; later futurist paintings, along with works of art belonging to the movement of the so-called ""aeropittura"", or aeropainting, were bought by Gianni and"
"buildings still exist and are used for various public and private purposes. In the late 1990s the Waldspirale ('Forest Spiral') was built, a residential complex by Austrian Friedensreich Hundertwasser. As an almost surreal building, it is internationally famous for its almost absolute rejection of rectangular forms, down to every window having a different shape, the style being a trademark of Hundertwasser's work. Hundertwasser died before the Waldspirale was finished. Darmstadt was a centre of the Art Nouveau movement. Surviving examples of the Jugendstil period include the Rosenhöhe, a landscaped English-style rose garden from the 19th century, recently renovated and replanted,"
"arts and crafts movement, the German Jugendstil. Postmodern buildings often combined astonishing new forms and features with seemingly contradictory elements of classicism. James Stirling the architect of the Neue Staatsgalerie in Stuttgart, Germany (1984), described the style as ""representation and abstraction, monumental and informal, traditional and high-tech."" Postmodern architecture often breaks large buildings into several different structures and forms, sometimes representing different functions of those parts of the building. With the use of different materials and styles, a single building can appear like a small town or village. An example is the Staditsches Museum by Hans Hollein in Munich (1972–74)."