What is the antepenultimate word of this question?
"10. Similarly in Spain, the album peaked at number 42, lasting a total of two weeks on the chart. Stefani's 2006 release, ""The Sweet Escape"", did not chart. On Belgium's Ultratop Wallonia chart, it became her highest peaking album, where it debuted at number 21 and charted for four consecutive weeks. On Belgium's Flanders chart, it peaked at number 32 and lasted six consecutive weeks. In Scotland and Ireland, the album debuted at numbers 13 and 17 respectively. Elsewhere, ""This Is What the Truth Feels Like"" peaked in the lower regions of the charts. In Italy, the album peaked at"
"Ultima (linguistics) In linguistics, the ultima is the last syllable of a word, the penult is the next-to-last syllable, and the antepenult is third-from-last syllable. In a word of three syllables, the names of the syllables are antepenult-penult-ultima. Ultima comes from Latin ""ultima (syllaba)"" ""last (syllable)"". Penult and antepenult are abbreviations for ""paenultima"" and ""antepaenultima"". Penult has the prefix ""paene"" ""almost"", and antepenult has the prefix ""ante"" ""before"". In Latin and Ancient Greek, only the three last syllables can be accented. In Latin, a word's stress is dependent on the weight or length of the penultimate syllable; in Greek, the"
"place and type of accent is dependent on the length of the vowel in the ultima. Ultima (linguistics) In linguistics, the ultima is the last syllable of a word, the penult is the next-to-last syllable, and the antepenult is third-from-last syllable. In a word of three syllables, the names of the syllables are antepenult-penult-ultima. Ultima comes from Latin ""ultima (syllaba)"" ""last (syllable)"". Penult and antepenult are abbreviations for ""paenultima"" and ""antepaenultima"". Penult has the prefix ""paene"" ""almost"", and antepenult has the prefix ""ante"" ""before"". In Latin and Ancient Greek, only the three last syllables can be accented. In Latin, a"
"Penult Penult is a linguistics term for the second to last syllable of a word. It is an abbreviation of ""penultimate"", which describes the next-to-last item in a series. The penult follows the antepenult and precedes the ultima. For example, the main stress falls on the penult in such English words as ""banána"", and ""Mississíppi"". Occasionally, ""penult"" refers to the last word but one of a sentence. The terms are often used in reference to languages like Latin and Ancient Greek, where the position of the pitch accent or stress of a word only falls on one of the last"
"me (I will praise myself)<br> i lobrais me (I would praise myself) da, di, fern, pertot, post, retro, sub, up, vo, pre, alterlit, hastlit, insamel, oft, rarlit, re, so, certlit, ies, non, potlit, villit, alor, altervolt, ankor, bald, ditdai, heri, jam, kras, mai, nun, postdit, primlit, semper, admindest, vix, ben, kom, mal, mind, molt, prox, quant, sat, self, talit, tant, totlit, trop, unlit. ad, adkaus, de, ex, in, inter, kon, kontra, kontravil, ob, per, post, pre, pro, prox, retro, sin, sub, til, tra, um, up, uper. an-, de-, di-, dis-, ab-, mis-, mal, ob-, re- and the prepositions. un (1),"
"of before and (e.g. 'tram'). The velar nasal similarly occur as an allophone of before and (e.g. 'English'). The latter realization is avoided by some speakers who strive for a clear, formal pronunciation. At morpheme boundaries (represented in spelling) and at the end of a word (not represented in spelling), voicing opposition is neutralized. The word stress in Macedonian is antepenultimate, meaning it falls on the third from last syllable in words with three or more syllables, and on the first or only syllable in other words. This is sometimes disregarded when the word has entered the language more recently"
"Proparoxytone Proparoxytone (, """") is a linguistic term for a word with stress on the antepenultimate (third last) syllable such as the English words ""cinema"" and ""operational"". Related terms are paroxytone (stress on the penultimate syllable) and oxytone (accented on the last one). In English, most nouns of three or more syllables are proparoxytones, except in words ending in –tion or –sion that tend to be paroxytones (operation, equivocation, television). This tendency is so strong in English that it frequently leads to the stress moving to a different part of the root in order to preserve an antepenultimate stress. For"
"three syllables, and sometimes in discussing poetic meter. In certain languages, such as Welsh, stress is always on the penult. Penult Penult is a linguistics term for the second to last syllable of a word. It is an abbreviation of ""penultimate"", which describes the next-to-last item in a series. The penult follows the antepenult and precedes the ultima. For example, the main stress falls on the penult in such English words as ""banána"", and ""Mississíppi"". Occasionally, ""penult"" refers to the last word but one of a sentence. The terms are often used in reference to languages like Latin and Ancient"
"to what lies before you"". Others are the sibilation of consonantal ""i"" and the assibilation of ""-di-"" to some sound like that of English ""j"" (denoted by ""l-"" in the local variety of Latin alphabet), as in ""vidadu"", """"viamdö"","" i.e. """"ad-viam""""; ""Musesa"" = Lat. ""Mussedia""; and the loss of ""d"" (in pronunciation) in the ablative, as in ""aetatu firata fertlid"" (i.e. ""aetate fertili finita""), where the contrast of the last with the other two forms shows that the ""-d"" was an archaism still occasionally used in writing. The last sentence of the interesting epitaph from which this phrase is taken"
"antepenultimate syllable; but within those restrictions it is free. In nouns the accent is largely unpredictable. Mostly the accent either comes as close to the beginning of the word as the rules allow, for example, 'war' (such words are said to have recessive accent), or it is placed on the last mora of the word, as in 'river' (such words are called oxytone). But in a few words, such as 'maiden', the accent comes between these two extremes. In verbs the accent is generally predictable and has a grammatical rather than a lexical function, that is, it differentiates different parts"
"and adjectives. The phrases are mentioned with accents to show where stress is placed. In Latin, most words are stressed at the second-last (penultimate) syllable, called in Latin ""paenultima"" or ""syllaba paenultima"". A few words are stressed at the third-last syllable, called in Latin ""antepaenultima"" or ""syllaba antepaenultima"". sálve / salvéte – hello áve / avéte – greetings vále / valéte – goodbye cúra ut váleas – take care exoptátus / exoptáta , optátus / optáta , grátus / gráta , accéptus / accépta – welcome quómodo váles?, ut váles? – how are you? bonus – good amabo te –"
"antepenultimate word is ""nanafi"", with the stress on ""na"". Capell says the syntactic pattern of ""Emae"" is Melanesian, and can be shown by the comparison between the sentence pattern of Maori and Emae (1962). The pattern that Maori, a Polynesian language, follows is the VSO. Capell puts the structures in term of actor, predicate and goal. The actor is the subject, the predicate the verb phrase and the goal is the object of the sentence. Emae follows the SVO pattern, which is the structure that most Melanesian languages use. Reduplication in ""Emae"" is not as common as it is in"
"> Spanish/Portuguese ""amar"". Most words with antepenultimate stress are learned borrowings from Latin, e.g. Spanish/Portuguese ""fábrica"" ""factory"" (the corresponding inherited word is Spanish ""fragua"", Portuguese ""frágua"" ""forge""). This process has gone even farther in French, with deletion of all post-stressed vowels, leading to consistent, predictable stress on the last syllable: e.g. Latin ""Stephanum"" ""Stephen"" > Old French ""Estievne"" > French ""Étienne"" ; Latin ""juvenis"" ""young"" > Old French ""juevne"" > French ""jeune"" . This applies even to borrowings: e.g. Latin ""fabrica"" > French borrowing ""fabrique"" (the inherited word in this case being monosyllabic ""forge"" < Pre-French *""fauriga""). Other than French"
"Antecedent (grammar) In grammar, an antecedent is an expression (word, phrase, clause, sentence, etc.) that gives its meaning to a proform (pronoun, pro-verb, pro-adverb, etc.). A proform takes its meaning from its antecedent, e.g. ""Ava arrived late because traffic held her up"". The pronoun ""her"" refers to and takes its meaning from ""Ava"", so ""Ava"" is the antecedent of ""her"". Proforms usually follow their antecedents, but sometimes they precede them, in which case one is, technically, dealing with ""postcedents"" instead of antecedents. The prefix ""ante-"" means ""before"" or ""in front of"", and ""post-"" means ""after"" or ""behind"". The term ""antecedent"""
"iki, dog I abing (precedes /ng/) Ih pihli, wind pipe O Mohan, name of person O opeen, ancestry Oh dohlung, village U okum, house Uh uhrum, covered with soil Ea lean, come out (in first & mid syllable) Ey Doley, a surname (in last syllable) Eyh leyhne, un-ripe (in first syllable) Ee gee, go (first, mid & final syllables) Iu ambiur dearly baby (r-finale) Iuh liuhbang, rainbow (in first syllable) Wi Tawid, a surname (first member & vowel preceded) With wihr, colorful (first member) Y qiddy, equal (in final syllable) Aspirate Bh Bharat, India Dh Dhemaji, a place Gh Ghanakanta,"
"the adposition. Preposition and postposition Prepositions and postpositions, together called adpositions (or broadly, in English, simply prepositions), are a class of words used to express spatial or temporal relations (""in"", ""under"", ""towards"", ""before"") or mark various semantic roles (""of"", ""for""). A preposition or postposition typically combines with a noun or pronoun, or more generally a noun phrase, this being called its complement, or sometimes object. A preposition comes before its complement; a postposition comes after its complement. English generally has prepositions rather than postpositions – words such as ""in"", ""under"" and ""of"" precede their objects, such as ""in England"", ""under"
"matter is paginated, it uses lowercase Roman numerals. If there is both a foreword and a preface, the foreword appears first; both appear before the introduction, which may be paginated either with the front matter or the main text. The word ""foreword"" was first used around the mid-17th century, originally as a term in philology. It was possibly a calque of German ""Vorwort"", itself a calque of Latin ""praefatio"". Foreword A foreword is a (usually short) piece of writing sometimes placed at the beginning of a book or other piece of literature. Typically written by someone other than the primary"
"a standalone word as well as a suffix. One meaning is ""before"" or ""previously"". Another is ""in front of"". As a suffix, ""-ante"" in Spanish is adverbial; ""rocinante"" refers to functioning as, or being, a ""rocín"". ""Rocinante"", then, follows Cervantes' pattern using ambiguous, multivalent words, which is common throughout the novel. Rocinante's name, then, signifies his change in status from the ""old nag"" of before to the ""foremost"" steed. As Cervantes describes Don Quixote's choice of name: ""nombre a su parecer alto, sonoro y significativo de lo que había sido cuando fue rocín, antes de lo que ahora era, que"
") of a vowel sequence prevents it from being a diphthong (i.e., it signals a hiatus): for example, and have two syllables each. A word with final stress is called oxytone (or in traditional Spanish grammar texts); a word with penultimate stress is called paroxytone ( or ); a word with antepenultimate stress (stress on the third-to-last syllable) is called proparoxytone (). A word with preantepenultimate stress (on the fourth last syllable) or earlier does not have a common linguistic term in English, but in Spanish receives the name . (Spanish words can be stressed only on one of the"
"with long vowels and syllables before consonant clusters. The last syllable is stressed in words with fewer than four syllables and without long vowels or consonant clusters. The antepenultimate syllable is stressed in words with more than four syllables that are all light. In words with many heavy syllables, syllables with long vowels are considered heavier than syllables before a consonant cluster. Geminate consonants are pronounced long, almost exactly with the double duration of a single consonant. Intonation in indicative clauses usually rises on the antepenultimate syllable, falls on the penult and rises on the last syllable. Interrogative intonation rises"
"before the end of any word with three or more syllables, unless the second-to-last syllable (called the ""penult"" in classical linguistics) was ""heavy"", i.e. contained a diphthong, a long vowel, or was followed by two or more consonants, in which case that syllable has the tonic accent. Thus ""perfíciō, perféctus, rédimō, condémnō, inérmis"". If there is any connection, then, between word-accent and vowel-weakening, the accent in question cannot be that of Classical Latin. Since the vowels of initial syllables never show this weakening (to oversimplify a bit), the obvious inference is that at some point in prehistory, the tonic accent"
"Preposition and postposition Prepositions and postpositions, together called adpositions (or broadly, in English, simply prepositions), are a class of words used to express spatial or temporal relations (""in"", ""under"", ""towards"", ""before"") or mark various semantic roles (""of"", ""for""). A preposition or postposition typically combines with a noun or pronoun, or more generally a noun phrase, this being called its complement, or sometimes object. A preposition comes before its complement; a postposition comes after its complement. English generally has prepositions rather than postpositions – words such as ""in"", ""under"" and ""of"" precede their objects, such as ""in England"", ""under the table"","
"of adposition include ""ambiposition"", ""inposition"" and ""interposition"". Some linguists use the word ""preposition"" in place of ""adposition"" regardless of the applicable word order. The word ""preposition"" comes from (""before"") and (""to put""). This refers to the situation in Latin and Greek (and in English), where such words are placed before their complement (except sometimes in Ancient Greek), and are hence ""pre-positioned"". In some languages, including Sindhi, Urdu, Turkish, Hindi, Korean, and Japanese, the same kind of words typically come after their complement. To indicate this, they are called ""postpositions"" (using the prefix ""post-"", from Latin ""post"" meaning ""behind, after""). There"
"preterite"" marker was in a sense absorbed into the root-final consonant when it was or ; the affix after word-final apical stops then belongs to a later stratum in the evolution of the language. The same suffix is involved in both types, but with a 180° reversal of ""strategy"": other exercises of internal reconstruction would point to the conclusion that the aboriginal affix of the dental preterites was (where V = a vowel of uncertain phonetics, and of course an inspection of Old English directly would reveal several different stem-vowels in the mix). In modern formations, it is stems ending"
"words include adverbs, numbers, particles, pre-nouns, and pre-verbs. Pre-verbs and pre-nouns are not whole words; however, they are modifying forms that freely combine with nouns, verbs, or adverbs to add meaning. These words come before that which they are describing, and may not be at the beginning of the word if other meanings are added to the word. Hyphens in Chippewa signify the break between a stem and a pre-noun or pre-verb. The language uses postpositions, which are attached to the ends of words and are not separated from the words they govern. For example, the word ""ashangewigamig"" means ""welfare"
"word (like pineapple or elephant) with an antepenultimate accent. Some use numbers along with the word triplet (i.e. “1-trip-let”). Still others have devised sounds like “ah-lee” or “la-li” added after the number (i.e. 1-la-li, 2-la-li or 1-tee-duh, 2-tee-duh). Example The folk song lyric ""This Old Man, he played one, he played knick-knack on my thumb, with a knick-knack paddy whack, give my dog a bone, this old man came rolling home"" in time would be said, ""one and two one and two one and two and one and two and uh one and two ee and one ee and uh"
"monosyllabic words, as in for (""whole"") and for (""woman""). This phenomenon is known as pre-occlusion. In Southern Manx, however, there is pre-occlusion of before and of before , as in for (""walking"") and for (""ship""). These forms are generally pronounced without pre-occlusion in the north. Preocclusion of before , on the other hand, is more common in the north, as in (""heavy""), which is in the north but or in the south. This feature is also found in Cornish. Southern Manx tends to lose word-initial before , while Northern Manx usually preserves it, e.g. (""glen"") is in the north and"
"Latin, and have a certain resonance with English speakers due to its relatively large proportion of Latinate-derived vocabulary. For example, ""priori incantatem"" (a spell which causes the last spells performed by a wand to be reproduced in reverse order) would be familiar to many English-speaking readers as the words ""prior"" (previous) and ""incantation"" (spell, charm). To create a similar effect in the Hindi version, the Sanskrit, typical in mantras, has been used for the spells. Some translators have created new words themselves; others have resorted to transliteration. Names that involve wordplay, such as ""Knockturn Alley"" and ""Pensieve"" are also difficult"
"is the following sentence: In this sentence, the pronoun ""he"" (the cataphor) appears earlier than the noun ""John"" (the postcedent) that it refers to. This is the reverse of the more normal pattern, ""strict"" anaphora, where a referring expression such as ""John"" or ""the soldier"" appears before any pronouns that reference it. Both cataphora and anaphora are types of endophora. Other examples of the same type of cataphora are: Cataphora across sentences is often used for rhetorical effect. It can build suspense and provide a description. For example: The examples of cataphora described so far are strict cataphora, because the"
"Antependium An antependium (from Latin ""ante-"" and ""pendēre"" ""to hang before""; pl: ""antependia""), also known as a ""parament"" or ""hanging"", or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ""pallium altaris""), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the"
"is composed of two separable components, the pre-verb is positioned ahead of the second component. The Pre-verb can be positioned at the end of the sentence, owing to versification requirements: از کارِ خير عزمِ تو هرگز نگشت باز هرگز زِ راه بازنگشته‌ست هيچ تير Manuchehri (11th - 12th Century AD) In Algonquian languages, preverbs can be described as phonologically separate words that may precede a verb and share its inflection. In particular, pronominal prefixes or initial change are applied to the first preverb, if any, of the verb complex rather than to the verb stem. Their meaning can range from"
"stress occurs as an iamb (i.e. penultimate stress) one syllable to the left of the final syllable: (L'L)σ. However, when the foot contains a heavy syllable in the first syllable while the second syllable is light, the iamb shifts to a trochee (i.e. antepenultimate stress) because there is a requirement that main stress fall on a heavy syllable whenever possible: ('HL)σ, and not *(H'L)σ. In Ancient Greek hexameter poetry and Latin literature, lines followed certain metrical patterns, such as based on arrangements of heavy and light syllables. A heavy syllable was referred to as a ' and a light as"
"Praecipe Writs of praecipe (imperative of the Latin ""praecipio"" (""I order""), thus meaning ""order [this]"") are a widespread feature of the common law tradition, generally involving the instigation of some form of swift and peremptory action. The word ""praecipe"" moved from the Roman Empire into the medieval latin of the English Chancery, and so reached English law. In the twelfth century, writs praecipe, addressed to sheriffs, emerged as the swiftest way to bring legal disputes to the royal courts. While the so-called possessory assizes, such as Novel Disseisin, had marked a great advance in royal justice, they proved too rigid"