Which city's name is given to symphonies 82 to 87 inclusive by Haydn?
"25 louis d'or for each symphony plus 5 louis for the French publication rights; the sum was apparently very satisfactory from Haydn's point of view, since the lack of copyright laws had generally prevented him from profiting much from his popularity as a composer. Symphonies 85-87 were given a new publication soon after in Britain in 1788, from the company Longman & Broderip, re-dedicated to the Duke of York and given opus 52. According to the composer Giuseppe Maria Cambini, who participated in the orchestra, the finest musicians in Paris performed in the premieres of the symphonies, and received them"
"that also includes Symphonies Nos. 30, 31 and 32; Johannes Goritzki conducting the Deutsche Kammerakademie Neuss. Symphony No. 21 (Michael Haydn) Michael Haydn's Symphony No. 21 in D major, Perger 42, Sherman 21, MH 272, written in 1778, is believed to have been written in Salzburg. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: This symphony is the first of four by Michael Haydn to include a slow introduction before the first movement (the others are Symphonies Nos. 22, 27, and 30). All four were written between 1778 and 1785 and attached to symphonies cast"
"the rondo theme first presented in binary form. The first section of this is noteworthy for ending on unusual cadence on the mediant. A ""perpetual-motion finale,"" it is considered one of the most cheerful Haydn ever wrote. Symphony No. 88 (Haydn) Symphony No. 88 in G major (Hoboken I/88) was written by Joseph Haydn, for the orchestra of Esterháza. The symphony was completed in 1787, just like his 89th symphony. It is one of Haydn's best-known works, even though it is not one of the Paris or London symphonies and does not have a descriptive nickname. The work is in"
"Symphony No. 92 (Haydn) Joseph Haydn completed his Symphony No. 92 in G major, Hoboken I/92, popularly known as the Oxford Symphony, in 1789 as one of a set of three symphonies commissioned by the French Count d'Ogny. Instrumentation for the symphony is: flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings. The symphony is called the ""Oxford"" because Haydn is said to have conducted it at the conclusion of a ceremony in 1791 in which the degree of doctor of music was conferred on him by Oxford University. A candidate for this doctorate was required to"
"Symphony No. 80 (Haydn) The Symphony No. 80 in D minor, Hoboken 1/80, is a symphony composed by Joseph Haydn in 1784 as part of a trio of symphonies that also included symphonies 79 and 81. This symphony, along with the one that follows it, and the one that precedes it, were not written for Prince Nikolaus, but for a Lenten concert performed in Vienna in March 1785. It is one of the relatively few later symphonies by Haydn to begin in the minor mode. Symphony No 80 is highly structured with both outer movements in sonata form. There is"
"Symphony No. 89 (Haydn) The Symphony No. 89 in F major, Hoboken I/89, was written by Joseph Haydn in 1787, and performed under the auspices of Nikolaus Esterházy at Esterháza. It is sometimes referred to as ""The Letter W"" referring to an older method of cataloging Haydn's symphonic output. The second and fourth movements of this symphony are based on movements of a Concerto for Lire Organizzata in F, Hob. VIIh/5, that Haydn composed in 1786, a year before this work, for Ferdinand IV, King of Naples. To accommodate other orchestras, Haydn had arranged all of his Lire Concertos to"
"Symphony No. 21 (Michael Haydn) Michael Haydn's Symphony No. 21 in D major, Perger 42, Sherman 21, MH 272, written in 1778, is believed to have been written in Salzburg. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: This symphony is the first of four by Michael Haydn to include a slow introduction before the first movement (the others are Symphonies Nos. 22, 27, and 30). All four were written between 1778 and 1785 and attached to symphonies cast in three movements (without minuets). On the CPO label, this symphony is available on a CD"
"Symphony No. 97 (Haydn) The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the twelve London symphonies (numbers 93-104) written by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed, and by Friedrich"
"Symphony No. 81 (Haydn) Symphony No. 81 in G major (Hoboken I/81) is a symphony by Joseph Haydn composed in 1784 as part of a trio of symphonies that also included symphonies 79 and 80.These three symphonies were specially written for performance in March 1785. The symphony is scored for flute, two oboes, two bassoons, two horns and strings. In the first and third movements, Haydn explores ""ambiguities of tonality ... which eventually reach their peak of subtlety"" of the first movement of Symphony No. 94. The first movement begins ""with an unusual and exciting pedal point ... [and] uses"
"Haydn wrote this sonata form movement slightly faster and shorter than the first movement of the symphony to create a climactic ending. Symphony No. 92 (Haydn) Joseph Haydn completed his Symphony No. 92 in G major, Hoboken I/92, popularly known as the Oxford Symphony, in 1789 as one of a set of three symphonies commissioned by the French Count d'Ogny. Instrumentation for the symphony is: flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings. The symphony is called the ""Oxford"" because Haydn is said to have conducted it at the conclusion of a ceremony in 1791 in"
"Symphony No. 72 (Haydn) The Symphony No. 72 in D major (Hoboken 1/72) is a symphony by Joseph Haydn. The symphony was probably composed between 1763 and 1765. The date of this composition is earlier than its number suggests. This work is not well chronologically placed in the Hoboken numbering system: it was composed fifteen to twenty years before the neighboring works. It is scored for flute, two oboes, bassoon, four horns and strings. It is one of the few classical-era symphonies to include four horns rather than two. This work is closely related to the Hornsignal Symphony because of"
"Symphony No. 27 (Michael Haydn) Michael Haydn's Symphony No. 27 in B-flat major, Opus 1 No. 1, Perger 18, Sherman 27, MH 358, written in Salzburg in 1784, is the first of the B-flat major symphonies attributed to Joseph Haydn in Hoboken's catalog. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: This symphony is the third of four by Michael Haydn to include a slow introduction before the first movement (the others are Symphonies Nos. 21, 22, and 30). All four were written between 1778 and 1785 and attached to symphonies cast in three movements"
"Symphony No. 28 (Michael Haydn) Michael Haydn's Symphony No. 28 in C major, Opus 1 No. 2, Perger 19, Sherman 28, MH 384, was written in Salzburg in 1784, was the third in the set of the only three symphonies of Haydn's published in his lifetime. The publisher, Artaria, also published several of Joseph Haydn's symphonies. Scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings, in three movements: This is the first of Haydn's symphonies to conclude with the kind of fugato ""that Haydn introduced in several of his late symphonies and which so clearly forecast"
"Mozart's procedures in the ""Jupiter"" Symphony."" (Sherman, 1988) Charles Sherman based his 1988 edition of the score for Ludwig Doblinger on the Artaria edition but compared it with a Breitkopf & Härtel score of 1895 and manuscript parts from the Kroměříž castle in Moravia. Symphony No. 28 (Michael Haydn) Michael Haydn's Symphony No. 28 in C major, Opus 1 No. 2, Perger 19, Sherman 28, MH 384, was written in Salzburg in 1784, was the third in the set of the only three symphonies of Haydn's published in his lifetime. The publisher, Artaria, also published several of Joseph Haydn's symphonies."
"composer, but someone who spent his time as a duty-bound Kapellmeister in a remote palace in the Hungarian countryside."" The new publication campaign resulted in the composition of a great number of new string quartets (the six-quartet sets of Op. 33, 50, 54/55, and 64). Haydn also composed in response to commissions from abroad: the Paris symphonies (1785–1786) and the original orchestral version of ""The Seven Last Words of Christ"" (1786), a commission from Cádiz, Spain. The remoteness of Esterháza, which was farther from Vienna than Eisenstadt, led Haydn gradually to feel more isolated and lonely. He longed to visit"
"Symphony No. 48 (Haydn) The Symphony No. 48 in C major, Hoboken I/48, is a symphony by Joseph Haydn written in 1768 or 1769. The work has the nickname Maria Theresia as it was long thought to have been composed for a visit by the Holy Roman Empress, Maria Theresa of Austria in 1773. An earlier copy dated 1769 was later found, but the nickname has stuck. The symphony composed for the empress's visit was most likely No. 50. H. C. Robbins Landon has described this symphony as a ""great and indeed germinal work."" It was one of the very"
"Symphony No. 37 (Michael Haydn) Michael Haydn's Symphony No. 37 in D major, Perger 29, Sherman 37, MH 476, written in Salzburg in 1788, is the last D major symphony he wrote, the fourth of his final set of six symphonies. The symphony is scored for 2 oboes (2nd alternating on flute in the second movement), 2 bassoons, 2 horns and strings and is in three movements: The first movement is notable among Haydn's works for the use of tremolo notation as a shortcut for repeated semiquavers. The second movement, like the slow movements of other symphonies in the set,"
"Symphony No. 98 (Haydn) The Symphony No. 98 in B major, Hoboken I/98, is the sixth of the twelve London symphonies (numbers 93–104) composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792. Haydn composed the symphony in early 1792. At the time, Haydn was in the midst of the first of his two visits to London, under contract to perform a series of new symphonies with an orchestra led by Johann"
"21, 31 and 32. There is also an Olympia remastering to CD from an LP recording of Ervin Acél conducting the Oradea Philharmonic; that one also includes Symphonies Nos. 18 and 29 (the latter with Miron Raţiu instead of Acél). Symphony No. 30 (Michael Haydn) Michael Haydn's Symphony No. 30 in D major, Perger 21, Sherman 30, MH 399, was written in Salzburg in 1785. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: This symphony is the last of four by Michael Haydn to include a slow introduction before the first movement (the others are"
"Symphony No. 32 (Michael Haydn) Michael Haydn's Symphony No. 32 in D major, Perger 23, Sherman 32, MH 420, was written in Salzburg in 1786. Scored for flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. It is Haydn's only symphony in two movements; this it has in common with Carl Nielsen's Symphony No. 5 but not much else (Delarte, 2006). The first movement, in , begins softly with a somewhat dancelike theme. At measure 20, a new theme is introduced forte with a more pronounced dance character. After the establishment of A major, the second subject"
"Symphony No. 57 (Haydn) The Symphony No. 57 in D major, Hoboken I/57, is a symphony by Joseph Haydn. The symphony was composed in 1774, under the auspices of Nikolaus Esterhazy, for whom he would compose symphonies for until 1789. It is scored for two oboes, two horns and strings. Daniel Heartz has noted Haydn's use of a ""repeated D motif"", from the very beginning of the symphony throughout the work. The second movement is structured as a theme with four variations. The finale is based on a traditional melody which was also used by Baroque composer Alessandro Poglietti in"
"Symphony No. 30 (Michael Haydn) Michael Haydn's Symphony No. 30 in D major, Perger 21, Sherman 30, MH 399, was written in Salzburg in 1785. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: This symphony is the last of four by Michael Haydn to include a slow introduction before the first movement (the others are Symphonies Nos. 21, 22, and 27). All four were written between 1778 and 1785 and attached to symphonies cast in three movements (without minuets). On the CPO label, this symphony is available on a CD that also includes Symphonies Nos."
"Symphony No. 52 (Haydn) The Symphony No. 52 in C minor is one of the last ""Sturm und Drang"" symphonies composed by the Austrian composer Joseph Haydn while the composer was in residence at Esterházy in 1771 or 1772. It is one of a number of minor-key symphonies that Haydn composed in the late 1760s and early 1770s, the others being Symphonies Nos. 39, 44, 45, and 49. The symphony was described by H. C. Robbins Landon as ""the grandfather of Beethoven's Fifth Symphony, also created with mathematical precision and in extreme conciseness."" It may also have served as a"
"Symphony No. 62 (Haydn) The Symphony No. 62 in D major, Hoboken I/62, is a symphony written by Joseph Haydn for the orchestra at Esterháza in 1780 or 1781, a good length of time after the writing of Symphony No. 61. The symphony is scored for flute, two oboes, bassoon, two horns and strings. There are four movements: The first movement contains material which Haydn reworked from an earlier Sinfonia (Overtura) in D, Hob. Ia/7. The slow movement has a barcarole-like accompaniment, but instead of the typical Venetian gondolier melody over the top, Haydn presents only melodic fragments, teasing the"
"Symphony No. 73 (Haydn) The Symphony No. 73 in D major, Hoboken 1/73, is a symphony by Joseph Haydn composed in 1782. It is often known by the subtitle ""La chasse"" (The Hunt) due to the hunting horn calls in the final movement, a popular trope in eighteenth century music. The symphony is scored for flute, two oboes, bassoon, two horns and strings. Some versions also include two trumpets and timpani which appear only in the Finale. The first movement displays one of Haydn's favorite musical devices, turning accompaniment into melody. Here, this is done in the simplest possible manner"
"Symphony No. 79 (Haydn) The Symphony No. 79 in F major, Hoboken 1/79, is a symphony by Joseph Haydn. It was composed in 1784. The 79th Symphony is characterized by a strong and joyful opening theme as well as varied rhythms throughout all four movements, especially in the minuet. The wind section alternated throughout the symphony either doubling the string section, enriching the tempo and solos void of virtuosity. Of note are long rests which were uncommon in early classical symphonies. Symphony No. 79 was composed as part of a trio of symphonies that also included symphonies 80 and 81."
"German Chamber Academy. Symphony No. 38 (Michael Haydn) Michael Haydn's Symphony No. 38 in F major, Perger 30, Sherman 38, MH 477, written in Salzburg in 1788, is the next to last F major symphony he wrote, the fifth of his final set of six symphonies. The symphony is scored for 2 oboes, 2 bassoons, 2 horns and strings. Sherman's edition of the score has ""Cembalo"" written in square brackets, suggesting continuo is optional in this work, despite his often-repeated statement that Haydn considered continuo essential even in the most fully instrumented works. This work is in three movements: Unlike"
"Symphony No. 38 (Michael Haydn) Michael Haydn's Symphony No. 38 in F major, Perger 30, Sherman 38, MH 477, written in Salzburg in 1788, is the next to last F major symphony he wrote, the fifth of his final set of six symphonies. The symphony is scored for 2 oboes, 2 bassoons, 2 horns and strings. Sherman's edition of the score has ""Cembalo"" written in square brackets, suggesting continuo is optional in this work, despite his often-repeated statement that Haydn considered continuo essential even in the most fully instrumented works. This work is in three movements: Unlike the other symphonies"
"this time accentuated by counterpoint, before D major returns and symphony drives towards its conclusion. L.P. Burstein has noted Haydn's use of the VII chord and the VII → V progression in the fourth movement. Symphony No. 62 (Haydn) The Symphony No. 62 in D major, Hoboken I/62, is a symphony written by Joseph Haydn for the orchestra at Esterháza in 1780 or 1781, a good length of time after the writing of Symphony No. 61. The symphony is scored for flute, two oboes, bassoon, two horns and strings. There are four movements: The first movement contains material which Haydn"
"Symphony No. 95 (Haydn) The Symphony No. 95 in C minor (Hoboken I/95) is the third of the twelve London symphonies (numbers 93–104) written by Joseph Haydn. It is the only one of the twelve London symphonies in a minor key, and is also the only one of them to lack a slow introduction. It was completed in 1791 as one of the set of symphonies composed for his first trip to London. It was first performed at the Hanover Square Rooms in London during the season of 1791; the exact date of the premiere is unknown. The work is"
"reminiscent of a minuet, and can be regarded as an ""expanded Minuet"". Brown has also commented that the overall nature of the work highly resembles a suite where all four movements are dance-like in nature. Symphony No. 58 (Haydn) Symphony No. 58 in F major, Hoboken I/58, is a symphony by Joseph Haydn, composed probably around 1767 but certainly not after 1774, after which time the traits of this symphony were outmoded. It is scored for two oboes, two horns and strings. The unique distinction ""alla zoppa"" on the Menuet literally means ""limping"" which Haydn accomplishes with a dotted rhythm"
"a subsidiary subject that appears like a cordial greeting to the newly won friend Mozart."" The pedals and dissonances point to Mozart's K. 465. The second movement is a siciliano theme with three variations. The variations are for the most part strophic and straightforward with the exception of a minor-key interlude in the center of the movement between the first and second variations. The final variation contains the fullest orchestration with pizzicato accompaniment and serves to recapitulate the movement. Symphony No. 81 (Haydn) Symphony No. 81 in G major (Hoboken I/81) is a symphony by Joseph Haydn composed in 1784"
"Symphony No. 104 (Haydn) The Symphony No. 104 in D major (H. 1/104) is Joseph Haydn's final symphony. It is the last of the twelve London symphonies, and is known (somewhat arbitrarily, given the existence of eleven others) as the London Symphony. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon. The work was composed in 1795 while Haydn was living in London, and premiered there at"