The musical Cabaret is set in which Berlin nightclub?
"Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys. ""I Don't Care Much"", which was cut from the original production, was reinstated, and ""Mein Herr"" was added from the film. The second Broadway revival was based on the 1993 Mendes-Donmar Warehouse production. For the Broadway transfer, Rob Marshall was co-director and choreographer. The production opened after 37 previews on March 19, 1998, at the Kit Kat Klub, housed in what previously had been known as Henry Miller's Theatre. Later that year it transferred to Studio 54, where it remained for the rest of its 2,377-performance"
"Cabaret (1972 film) Cabaret is a 1972 American musical drama film directed by Bob Fosse, and starring Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical ""Cabaret"" by Kander and Ebb, which was adapted from the novel ""The Berlin Stories / Goodbye to Berlin"" (1939) by Christopher Isherwood and the 1951 play ""I Am a Camera"" adapted from the same book. Only a few numbers from the stage score were used for the film; Kander"
"Cabaret (Cabaret song) ""Cabaret"" is the title song from the 1966 musical of the same name. It is sung by the character Sally Bowles. The music was composed by John Kander and the lyrics by Fred Ebb. In the musical, the song is performed by the character Sally Bowles in a night club setting in Nazi Germany in 1931. Her lover has told her that he is taking her back to America so that they can raise their baby together in safety. Sally protests as she thinks their life in Berlin is wonderful and she states politics have nothing to"
"Die Katakombe Die Katakombe (literally: ""The Catacombs"") was a political-literary cabaret in Berlin from 1929 to 1935. It was founded by Werner Finck, Hans Deppe, R.A. Stemmle and others in the basement of the Association of Berlin Artists at Bellevuestraße 3. Among the artists who performed in the venue were Rudolf Platte, Theo Lingen, Ursula Herking, Isa Vermehren, Ernst Busch, Hanns Eisler, Erich Kästner, Ivo Veit and Erik Ode. Finck was the ""conférencier"" (master of ceremonies) for a program of sketches and parodies. Within a year differences over the cabaret's artistic direction led to the departure of such politically motivated"
"Quasimodo (music venue) Quasimodo is a music venue in the Charlottenburg district of Berlin, the capital of Germany. It is located in the basement of the building of the , a former dance hall and movie theater which is also home to the Quasimodo Café and the theatre. The club offers accommodation for up to 350 seated guests. Rock, Latin music and world music are also presented in concerts along with its more traditional emphasis on modern jazz, blues, soul and funk. Its programme features renowned international artists as well as musicians from the local Berlin and national scene. The"
"venues in the world for music and/or opera, as of 2004. Konzerthaus Berlin The Konzerthaus Berlin is a concert hall situated on the Gendarmenmarkt square in the central Mitte district of Berlin housing the German orchestra Konzerthausorchester Berlin. Built as a theatre from 1818 to 1821 under the name of the Schauspielhaus Berlin, later also known as the Theater am Gendarmenmarkt and Komödie, its usage changed to a concert hall after the Second World War and its name changed to its present one in 1994. The building's predecessor, the ""National-Theater"" in the Friedrichstadt suburb, was destroyed by fire in 1817."
"time or chooses not to understand it and attempts, like earlier Jewish writers, to throw into the dirt the ideas of Nazism and all that is sacred to the Nazis. Die Katakombe was shut 10 May 1935 at the instigation of Joseph Goebbels. Finck was briefly detained in the Esterwegen concentration camp. Die Katakombe Die Katakombe (literally: ""The Catacombs"") was a political-literary cabaret in Berlin from 1929 to 1935. It was founded by Werner Finck, Hans Deppe, R.A. Stemmle and others in the basement of the Association of Berlin Artists at Bellevuestraße 3. Among the artists who performed in the"
"Konzerthaus Berlin The Konzerthaus Berlin is a concert hall situated on the Gendarmenmarkt square in the central Mitte district of Berlin housing the German orchestra Konzerthausorchester Berlin. Built as a theatre from 1818 to 1821 under the name of the Schauspielhaus Berlin, later also known as the Theater am Gendarmenmarkt and Komödie, its usage changed to a concert hall after the Second World War and its name changed to its present one in 1994. The building's predecessor, the ""National-Theater"" in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans and inaugurated on"
"of the leading proponents of New Objectivity in the theatre. The avant-garde theater of Bertolt Brecht and Max Reinhardt in Berlin was the most advanced in Europe, being rivaled only by that of Paris. The Weimar years saw a flourishing of political and grotesque cabaret which, at least for the English-speaking world, has become iconic for the period through works such as ""The Berlin Stories"" by the English writer Christopher Isherwood, who lived in Berlin from 1929-33. The musical and then the film ""Cabaret"" were based on these. The main center for political cabaret was Berlin, with performers like comedian"
"known there. The co-founder and commander of the SA, Ernst Röhm, was also a patron, and Karl Ernst, later a nazi politician and Gruppenführer SA, tried to survive for a time working —depending on the source— as a waiter, an employee, or a rent boy in the Eldorado of the Lutherstraße. The ballroom cum cabaret has been mentioned, directly or indirectly, serving as inspiration, in many literary works, as in ""Mr Norris Changes Trains"" (1935) and ""Goodbye to Berlin"" (1939) by Christopher Isherwood, or the memories of Erika, and Klaus Mann. The atmosphere has been captured in paintings by Otto"
"the years the KitKatClub has become a notorious Berlin institution. While Berlin was under a conservative regime in 2001, the club was harassed by the police and was charged with ""invitation to public intercourse,"" a crime since pre-World War II. The club moved four times since its opening in 1994. It opened in Glogauer Straße in the Kreuzberg district in the former Turbine. In 1999 it moved to one of the biggest nightlife regions of Berlin, Neues Schauspielhaus at Nollendorfplatz. In 2001, it moved to another lot in the district Schöneberg in Bessemer Straße. At the beginning of July 2007"
"such groups as Cabaret Red Light and . In New York City, since 1985, successful, enduring or innovative cabaret acts have been honored by the annual Bistro Awards. The Cabaret Theatre Club, later known as The Cave of the Golden Calf, was opened by Frida Strindberg (modelled on the Kaberett Fledermaus in Strindberg's native Vienna) in a basement at 9 Heddon Street, London, in 1912. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Jacob Epstein, Eric Gill and Wyndham Lewis, but it rapidly came to be seen as an amusing"
"Matrix (club) Matrix is a club in Berlin which opened in 1996. Located at ""Warschauer Platz 18"" in ten basement vaults of the Warschauer Straße railway station, the discothèque houses up to nine bars and five dance floors. The venue has an overall size of 2,100 square meters, and is one of the biggest clubs in Berlin. The club has 4 dancefloors & one outdoor area. Between 1996 and 2002 many international known discjockeys like Marusha, Chris Isaac, Westbam, Underground Resistance, Josh Wink, Lords of the Underground, Lady B, Sven Väth, Paul van Dyk and other exponents of electronic music"
"ratings. Long overshadowed by ""Cabaret"", the 1966 stage and 1972 film adaptation of the same source material, contemporary critics have noted the historic interest of this earlier presentation. In contemporary London, Christopher Isherwood attends a literary party for the launch of a memoir, the author of which he is surprised to learn is Sally Bowles. This knowledge sparks a reverie, and the film flashes back to Berlin, New Year's Eve 1931. Broke and frustrated with his writing, Christopher plans to spend the night in, but his would-be gigolo friend Fritz insists they go to a night club to see Fritz's"
"to the role of Sally Bowles in a 2014 revival of ""Cabaret"", which was staged at Studio 54 and marked her Broadway debut. Jointly directed by Sam Mendes and Rob Marshall, it tells the story of a free-spirited cabaret performer (Williams) in 1930s Berlin during the rise of the Nazi Party. Before production began, she spent four months privately rehearsing with music and dance coaches. She read the works of Christopher Isherwood, whose novel ""Goodbye to Berlin"" inspired the musical, and visited Berlin to research Isherwood's life and inspirations. She received mixed reviews for her performance; Jesse Green of ""New"
"of the Berlin Wall in 1989, many historic buildings in Mitte, the former city center of East Berlin, were illegally occupied and re-built by young squatters and became a fertile ground for underground and counterculture gatherings. Mitte and surrounding boroughs were home to many nightclubs, including Kunst Haus Tacheles, Cookies, Tresor, WMF, Ufo, E-Werk, KitKatClub and Berghain. Berlin is notable for the length of its parties. Clubs are not required to close at a fixed time on the weekends, and many parties last well into the morning, or all weekend. Berghain features the Panorama Bar, so named because the bar"
"with him. Piscator emigrated in 1931 and after the Nazi takeover the house again became an operetta theatre under the direction of Harald Paulsen. While the auditorium was destroyed in World War II, the facade as well as the cinema survived and in 1951 was renamed Metropol. Since 1977 it has been used as a discothèque and became a famous music club during the 1980s heyday of West Berlin, frequented by bands like Depeche Mode, Morrissey, The Cross, The Human League and Front 242. For a short time in 2000 it was the location of the KitKatClub and in 2005"
"apartment in a multi-story, concrete social-housing building in a dull neighbourhood in the outskirts of West Berlin. She's sick of living there and has a passion for rockstar David Bowie. She hears of Sound, a new nightclub in the city's center. Although she's not old enough to get in, she dresses up in high heels and makeup, and asks a school friend, Kessi, who hangs out there regularly, to take her. Kessi also provides her with pills. At the club, she meets a boy named Detlef, who is a little older and in a clique where everybody experiments with various"
"KitKatClub The KitKatClub is a nightclub in Berlin, opened in March 1994 by Austrian pornographic film maker Simon Thaur and his life partner Kirsten Krüger. The KitKatClub is said to attract patrons from all over Europe and other parts of the world because of its music selection (techno and trance music) and its sexually uninhibited parties. The motto of the club is """"Do what you want but stay in communication"""". Guests are allowed to engage in sexual intercourse openly at the venue. A strict dress code needs to be respected in order to get into the KitKatClub door, often enforced"
"Klosteret Klosteret is a nightclub located at Hauser Plads 32 in Copenhagen, Denmark. With an area of circa 2000 square meters, it is the largest night club in Denmark. Klosteret was opened as a night club in February 2015 by the members of the pop group Infernal, Lina Rafn and Paw Lagermann. Infernal owned more than half the place. In the beginning of 2016, the place switched owners and is now called SGK by Fabio Klosteret 2.0. The night club has got its name from the building, which is a 700-year-old monastery. Through centuries, it has functioned as a chapel,"
"artists as Busch and Eisler. The location of the cabaret also changed. After the Nazi seizure of power on 30 January 1933, Secret Police were ever-present in the audience. Although the cabaret was by then entirely non-political, the venue continued to be suspect: B.- Nr.41551/35 II 2 C 8057/ 35, 16 April 1935: The audience in the Katakombe continues in the vast majority made up of Jews, who pay tribute to the meanness and the vicious, destructive criticism of compères Werner Fink with fanatic applause. Fink is the typical former cultural Bolshevik, who apparently has not understood understand the new"
"the Berlin Wall in 1989, many historic buildings in Mitte, the former city center of East Berlin, were illegally occupied and re-built by young squatters and became a fertile ground for underground and counterculture gatherings. Mitte and surrounding boroughs are also home to many nightclubs including techno clubs Tresor, WMF, Ufo, E-Werk, KitKatClub and Berghain. The techno-music club, Linientreu, near the Kaiser Wilhelm Memorial Church, has been in business since the late 1980s. The LaBelle discothèque in Friedenau became widely known as the location of the 1986 Berlin discotheque bombing. Berlin is notable for the length of its parties. Clubs"
"musical style is a mixture of different genres including post-punk, deathrock, electropunk, gothic rock, new wave music, electronic music, classical music and German ""Lieder"" (Romantic-era art songs). Referring to themselves as ""death rock cabaret"", ""multireferential post-punk"" and ""baroque krautpop"", the band also cites early New and Dark Wave bands like Bauhaus, Christian Death and Siouxsie and the Banshees as influences. Katzenjammer Kabarett Katzenjammer Kabarett is a four-piece dark cabaret band from Paris, France. Aesthetically inspired by German Weimar-era cabarets and burlesque shows, the band also chose a name of German origin that literally translates to ""cat's wail cabaret"" with Katzenjammer"
"the Tony Award-winning musical ""Cabaret"" (1966) and the film ""Cabaret"" (1972) for which Liza Minnelli won an Academy Award for playing Sally. Bob Fosse directed the movie and won the award for Best Director. Goodbye to Berlin Goodbye to Berlin is a 1939 novel by Christopher Isherwood set in Weimar Germany. It is often published together with ""Mr Norris Changes Trains"" in a collection called ""The Berlin Stories"". The novel, a semiautobiographical account of Isherwood's time in 1930s Berlin, describes pre-Nazi Germany and the people he met. It is episodic, dealing with a large cast over a period of several"
"Berghain Berghain () is a nightclub in Berlin, Germany. It is named after its location near the border between Kreuzberg and Friedrichshain in Berlin, and is a short walk from Berlin Ostbahnhof main line railway station. An American journalist described Berghain in 2007 as ""quite possibly the current world capital of techno, much as E-Werk or Tresor were in their respective heydays"". Berghain is the reincarnation of the ""legendary"" Ostgut club (1998–2003) and emerged from a male-only fetish night club called ""Snax"", which was held in different locations before it found its permanent home at Ostgut. Ostgut became a focal"
"Waschhaus The Waschhaus () is the largest nightclub of the Brandenburg state capital Potsdam in Germany. Founded in the summer of 1992 in the laundry rooms of the former garrison in the Schiffbauergasse, forty young people interested in art and culture started to present parties, events and exhibitions. Soon afterwards the ""Waschhaus e.V."" club was founded. Now the ""Waschhaus Potsdam"", it has established itself as a centre of art and culture with the main focus on music, film, dance and fine arts, has become a major attraction for the Potsdam cultural scene. Thousands of visitors attend the Schiffbauergasse every week"
"Kabarett Kabarett (; from French ""cabaret"" = tavern) is satirical revue, a form of cabaret which developed in France by Rodolphe Salis in 1881 as the ""cabaret artistique"". It was named Le Chat Noir and was centered on political events and satire. It later inspired creation of Kabarett venues in Germany from 1901, with the creation of Berlin's Überbrettl venue and in Austria with the creation of the Jung-Wiener Theater zum lieben Augustin housed in the Theater an der Wien. By the Weimar era in the mid-1920s it was characterized by political satire and gallows humor. It shared the characteristic"
"is Berlin's major venue for performances of musical theatre. There are several symphony orchestras in Berlin: The city's many choral ensembles include the professional Rundfunkchor Berlin, the Sing-Akademie zu Berlin, the Berliner Singakademie, the Philharmonischer Chor Berlin, and the RIAS Kammerchor. Berlin's nightlife is one of the most diverse and vibrant of its kind in Europe. The music club, Linientreu, near the Kaiser Wilhelm Memorial Church, has been in business in the late 1980s and 1990s. Throughout the 1990s, people in their twenties from many countries, made Berlin's club scene the premier nightlife destination in the world. After the fall"
"Katzenjammer Kabarett Katzenjammer Kabarett is a four-piece dark cabaret band from Paris, France. Aesthetically inspired by German Weimar-era cabarets and burlesque shows, the band also chose a name of German origin that literally translates to ""cat's wail cabaret"" with Katzenjammer also generally meaning ""discordant sound"" and being used as a synonym for a hangover. Other stylistic influences range from Dadaism, Futurism and Symbolism to Postmodernism. The band was founded in 2004 by vocalist Mary Komplikated, guitarist Herr Katz, keyboardist Klischee and bass player Mr. Guillotine. In 2005 they released a self-titled EP which was freely distributed on their website. It"
"Cabaret Concert Theatre The Cabaret Concert Theatre was a small cellar café/cabaret, located in the Silverlake district of Central Los Angeles, California. It operated between 1950 and 1961. It was created by dancer Miriam Schiller with the help of a group of young actors and dancers who wanted a place to showcase their talent, the 100 seat theatre became a popular nightspot among television and film producers, talent scouts, agents and celebrities, who came to eat, drink and enjoy a wide variety of sophisticated revues, plays and concerts. The long-running ""Billy Barnes Revue"" ran for two years before transferring to"
"Theater des Westens The Theater des Westens (Theatre of the West) is one of the most famous theatres for musicals and operettas in Berlin, Germany, located at 10–12 in Charlottenburg. It was founded in 1895 for plays. The present house was opened in 1896 and dedicated to opera and operetta. Enrico Caruso made his debut in Berlin here, and the Ballets Russes appeared with Anna Pavlova. In the 1930s it was run as the Volkstheater Berlin. After World War II it served as the temporary opera house of Berlin, the Städtische Oper (Municipal Opera). In 1961 it became the first"
"Mojo Club The Mojo Club is a music club in Hamburg, Germany – located on the city’s famous Reeperbahn. Originally opened in 1989, it closed in 2003 and re-opened on February 2, 2013 in a spacious basement location of Reeperbahn No. 1, a high rise building also known as the ""Dancing Towers"". Founded in 1989 and relocated to the Reeperbahn in 1991, the Mojo Club developed to be one of the leading lights of Hamburg nightlife, with an international reputation similar to the Star Club. With its characteristic “M”-logo, the club became the continental stage for the progressive London club"
"performed in the Matrix. Since 2003 the programming is enlarged. Artists who have performed in recent years are Sabrina Setlur, Ne-Yo, Georges Morel, Vibe Kingz, DJ Size and others. About three years the club had an own truck at the Berlin Love Parade. The venue is also used for showcases and filmsets. Matrix (club) Matrix is a club in Berlin which opened in 1996. Located at ""Warschauer Platz 18"" in ten basement vaults of the Warschauer Straße railway station, the discothèque houses up to nine bars and five dance floors. The venue has an overall size of 2,100 square meters,"