The BWV catalogue lists the works of which 17/18th century composer?
"Orchestral Suite in G minor, BWV 1070 The Orchestral Suite in G minor, BWV 1070 is a work by an unknown composer. It is part of the Bach-Werke-Verzeichnis catalogue (BWV catalogue) of the works of J. S. Bach, and sometimes called the ""Orchestral Suite No. 5"", but was almost certainly not composed by him. It is more likely that the composer was W. F. Bach. It is a French suite with an overture and several dances, which has a similar structure with the 4 orchestral suites known to have been written by J. S. Bach. Different from those by J."
"BWV 186a. He also most likely wrote the text for BWV 12, BWV 172 and BWV 21. probably by Salomon Franck (1714) From Evangelisches Andachts-Opffer (1715) From Evangelische Sonn- und Fest-Tages-Andachten (1717) Salomon Franck Salomon (also Salomo) Franck, 6 March 1659 – 11 July 1725), was a German lawyer, scientist, and poet. Franck was working at Weimar at the same time as the composer Johann Sebastian Bach and he was the librettist of some of the best-known Bach cantatas. Franck was born in Weimar. After studying law and theology at Jena he held government posts at Zwickau, Arnstadt, Jena and"
"has a minuet-like character and features double thirds, broken thirds, scales, ornaments, contrapuntal textures, and voicing. Piano Sonata Hob. XVI/18 The Piano Sonata in B-flat major, Hob. XVI/18, L. 20, was written in 1767 by Joseph Haydn. Haydn’s keyboard composition style changed in 1766. He had just been appointed full Kapellmeister in the service of the Esterházy family, after the death of Gregor Werner, the previous Kapellmeister. He had new responsibilities overseeing church music and the production of opera. While he was still writing keyboard sonatas for the court, he decided to keep a group of sonatas aside for himself,"
"Symphony No. 18 (Haydn) The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is uncertain. The Breitkopf catalogue entry assures that it was composed no later than 1766, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been suggested. The symphony is scored for 2 oboes, bassoon, 2 horns, strings and continuo. Although the symphony is in three movements, it has been sometimes categorized as in the sonata da chiesa style due to the presence of an entire opening slow"
"Piano Sonata Hob. XVI/18 The Piano Sonata in B-flat major, Hob. XVI/18, L. 20, was written in 1767 by Joseph Haydn. Haydn’s keyboard composition style changed in 1766. He had just been appointed full Kapellmeister in the service of the Esterházy family, after the death of Gregor Werner, the previous Kapellmeister. He had new responsibilities overseeing church music and the production of opera. While he was still writing keyboard sonatas for the court, he decided to keep a group of sonatas aside for himself, including Hob. XVI/18, along with XVI/20, XVI/45 and XVI/46, perhaps because they were experimental. The style"
"Great Eighteen Chorale Preludes The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ. Early versions"
"Great Eighteen Chorale Preludes The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ. Early versions"
"""KV"" followed by this number. The first edition of the catalogue was completed in 1862 by Ludwig von Köchel. It has since been repeatedly updated, as scholarly research improves knowledge of the dates and authenticity of individual works. Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart"
"development. The collection contains 40 chorales with a BWV number: Two chorales of the first edition of the BWV catalogue are no longer generally associated with J. S. Bach: The other thirty-eight works are most often attributed to J. S. Bach, and are sometimes referred to as the Arnstädter Chorales. Five of them were already known from other sources: The other thirty-three were partly or wholly new: The Arnstädter Chorales are considered on stylistic grounds to be early works, probably dating from 1703 to 1707, when Bach was active at Arnstadt, and possibly even earlier. They provide a new window"
"Church remembers Bach and Handel with Heinrich Schütz. Scores Recordings Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the ""Brandenburg Concertos"" and the ""Goldberg Variations"" as well as for vocal music such as the ""St Matthew Passion"" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city"
"movement. The three movements are: The opening movement is written in the form of a trio sonata with two melodic lines over an independent bass. Symphony No. 18 (Haydn) The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is uncertain. The Breitkopf catalogue entry assures that it was composed no later than 1766, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been suggested. The symphony is scored for 2 oboes, bassoon, 2 horns, strings and continuo. Although the symphony"
"The earliest reference to ""classical music"" recorded by the ""Oxford English Dictionary"" is from about 1836. In classical music, during the nineteenth century a ""canon"" developed which focused on what was felt to be the most important works written since 1600, with a great concentration on the later part of this period, termed the Classical period, which is generally taken to begin around 1750. After Beethoven, the major nineteenth-century composers include Robert Schumann, Frédéric Chopin, Hector Berlioz, Franz Liszt, Richard Wagner, Johannes Brahms, Anton Bruckner, Giuseppe Verdi, Giacomo Puccini, and Pyotr Ilyich Tchaikovsky. In the 2000s, the standard concert repertoire"
"his honour, as is the main-belt asteroid 1815 Beethoven. Ludwig van Beethoven Ludwig van Beethoven (; ; baptised 17 December 177026 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Classical music, he remains one of the most recognised and influential of all composers. His best-known compositions include 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass, the ""Missa solemnis""; and an opera, ""Fidelio"". Beethoven was born in Bonn, then the capital of the Electorate of Cologne and part of the"
"performed a Schenkerian analysis of each first-movement cadenza. Piano Concerto No. 18 (Mozart) The Piano Concerto No. 18 in B major, KV. 456 is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784. The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. For years, historical speculation was that Mozart had written this concerto for Maria Theresa von Paradis, based on a letter written around that time by Leopold Mozart to his daughter Nannerl. However, Hermann"
"Piano Concerto No. 18 (Mozart) The Piano Concerto No. 18 in B major, KV. 456 is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784. The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. For years, historical speculation was that Mozart had written this concerto for Maria Theresa von Paradis, based on a letter written around that time by Leopold Mozart to his daughter Nannerl. However, Hermann Ullrich has discounted this theory, based on the"
"Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the ""Brandenburg Concertos"" and the ""Goldberg Variations"" as well as for vocal music such as the ""St Matthew Passion"" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After becoming an orphan at age 10,"
"Symphony No. 2 (Mozart) The piece of music once known as Wolfgang Amadeus Mozart's Symphony No. 2 in B major, KV 17, is now considered to be not by him, but by possibly his father, Leopold Mozart. This symphony has been given the number Anhang C 11.02 in the sixth edition of Ludwig Ritter von Köchel's catalog of Mozart's music., and is now also catalogued as Eisen B 6 in Cliff Eisen's catalog of Leopold Mozart's symphonies. \relative c"" { </score> The piece is in four movements in the usual quick-slow-minuet-quick pattern: The publication of this symphony in the Alte"
"Ludwig van Beethoven Ludwig van Beethoven (; ; baptised 17 December 177026 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Classical music, he remains one of the most recognised and influential of all composers. His best-known compositions include 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass, the ""Missa solemnis""; and an opera, ""Fidelio"". Beethoven was born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire. He displayed his musical talents at"
"Symphony, K. 19b (Mozart) The lost Symphony in C major, K. Anh. 222/19b, was probably written by Wolfgang Amadeus Mozart in early 1765 in London. It is one of the twelve symphonies that Ludwig von Köchel only knew by its incipit in the Breitkopf & Härtel manuscript catalogue (p. 10, No. 68), which listed it as one of six symphonies (Nos. 65–70) sourced from Luigi Gatti (1740–1817), Court Kapellmeister in Salzburg from around 1782: \relative c"" { </score> The instrumentation for the symphony is unknown, but Alfred Einstein speculated that it would have been the same as the contemporary known"
"Baroque music Baroque music ( or ) is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the ""classical music"" canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz,"
"three sonatas from Bach's Op. 5 into keyboard concertos, and in later life Mozart ""often acknowledged the artistic debt he owed"" to Johann Christian. The works of JC Bach are given 'W' numbers, from Ernest Warburton's Thematic catalog of his works (New York City: Garland Publishing, 1999). Bach's compositions include eleven operas, as well as chamber music, orchestral music and compositions for keyboard music. Notes Sources Information Music Johann Christian Bach Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of"
"String Quartets Nos. 1–6, Op. 18 (Beethoven) Ludwig van Beethoven's Op. 18, published in 1801 by T. Mollo et Comp in Vienna in two books of three quartets each, consisted of his first six string quartets. They were composed between 1798 and 1800 to fulfill a commission for Prince Joseph Franz Maximilian Lobkowitz, who was the employer of Beethoven's friend, the violinist Karl Amenda. They are thought to demonstrate his total mastery of the classical string quartet as developed by Joseph Haydn and Wolfgang Amadeus Mozart. The order of publication (numbering within the opus) does not correspond to the order"
"with other projects. In 1713 he was offered a post at the Marktkirche, a church in Halle, but was offered inducements to stay on at Weimar. He received a promotion on 2 March 1714 which resulted in him composing cantatas on a monthly schedule. BWV 18 is believed to be one of a small number of cantatas which Bach composed at Weimar prior to 1714. Like the later Weimar cantatas, it would have been performed at the ""Schlosskirche"", the chapel of his employers the co-reigning dukes. Bach composed this cantata for the second Sunday before Lent, called Sexagesima. The prescribed"
"17 minutes This concerto was probably based on an original in D major for three violins. A reconstructed arrangement of this concerto for three violins in D major is classified as BWV 1064R. In both forms this concerto shows some similarity to the concerto for two violins/harpsichords, BWV 1043/1062, in the interaction of the concertino group with the ripieno and in the cantabile slow movement. Scoring: harpsichord I/II/III/IV solo, violin I/II, viola, continuo (cello, violone) Length: Bach made a number of transcriptions of Antonio Vivaldi's concertos, especially from his Op. 3 set, entitled ""L'estro armonico"". Bach adapted them for solo"
"to recorders. The recorder work of the latter half of the 18th century most known today is probably a trio sonata by C. P. E. Bach, Wq.163, composed in 1755 – an arrangement of a trio sonata for two violins and continuo, scored for the unusual ensemble of viola, bass recorder and continuo. This work is also notable for being perhaps the only significant surviving historical solo work for bass recorder. Also of note are the works of Johann Christoph Schultze ( 1733–1813), who wrote two concertos for the instrument, one in G major and another in B major, written"
"Symphony No. 18 (Michael Haydn) Michael Haydn's Symphony No. 18 in C major, Perger 10, Sherman 18, MH 188, written in Salzburg in 1773, is the fifth of the C major symphonies attributed to Joseph Haydn in Hoboken's catalog. Scored for 2 oboes, 2 English horns, 2 fifes, 3 bassoons, tamburo and strings, in four movements: The Minuet is unusual in that it has a composed coda (as opposed to a mere da capo repeat after the trio) something which would become standard in the Scherzi of Ludwig van Beethoven. Included in a set of 20 symphonies on the CPO"
"in period inventories, including 37 choral works. One, a Passion oratorio from 1700, anticipates Bach by setting the words of Jesus in arioso style. We know of three operas, of which only ""Die beständige Argenia"" (performed in Reval (Tallinn), 1680) survives; lost are ""Die wiederverehligte Coelia"" (1698) and ""Nero"" (Danzig, 1695). A small number of his secular works survives. 13 of his compositions are preserved in the Düben Collection in Uppsala. Johann Valentin Meder Johann Valentin Meder (baptised May 3, 1649 – July 1719) was a German composer, organist, and singer. (He is not to be confused with the German"
"Last Judgment"". The recently rediscovered frescoes from the early 15th century attest to the high quality of the art of painting in Vienna in those times. The Baptistery shows us in a niche the wooden statue ""Man of Sorrows"" (1430). The gilded pipe organ (1714) by Johann David Sieber is the largest Baroque organ in Vienna. It was once played by the 17-year-old Joseph Haydn in 1749. Mozart's Requiem was performed for the first time in this church at a memorial service for the composer on 10 December 1791. As Mozart hadn't finished this work at the time of his"
"Minuet in G minor (BWV Anh. 115), as a pair to be performed ""da capo"". The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century, including François Couperin, Georg Böhm, Johann Sebastian Bach himself, and possibly some of his sons (e.g., Carl Philipp Emanuel Bach). Most of the entries in the 1725 notebook were made by Anna Magdalena herself, and a few were contributed by Johann Sebastian and various friends of the Bach family. Only a few composers are identified"
"of Dieterich Buxtehude. Over 40 chorale preludes by Buxtehude have survived to this day. Johann Pachelbel's compositions are another example of the form, with many of his chorale preludes elaborating upon Protestant chorale melodies. The best-known composer of chorale preludes is Johann Sebastian Bach. His earliest extant compositions, works for organ which he possibly wrote before his fifteenth birthday, include the chorale preludes BWV 700, 724, 1091, 1094, 1097, 1112, 1113 and 1119. In Bach’s early ""Orgelbüchlein"" (1708-1717), the chorale melody is usually in the upper part and the accompanying lower parts, while being highly elaborate in their harmonic and"
"to change the list of parts. The authenticity of this symphony is more credibly shown by the source attribution to Gatti in the Breitkopf & Härtel manuscript catalogue, making it plausible that it was among the six sent to Donaueschingen by Leopold Mozart in 1767. Symphony, K. 19b (Mozart) The lost Symphony in C major, K. Anh. 222/19b, was probably written by Wolfgang Amadeus Mozart in early 1765 in London. It is one of the twelve symphonies that Ludwig von Köchel only knew by its incipit in the Breitkopf & Härtel manuscript catalogue (p. 10, No. 68), which listed it"
"by Salomo Franck for the third Sunday of Advent, published in in 1717. His lyrics contained movements 1, 3, 5, 8, 10 of the later work and a different closing chorale of Ludwig Helmbold. Bach composed the music, BWV 186a, in 1716 in Weimar, where he first performed it on 13 December 1716. A reconstruction of the cantata by Diethard Hellmann was published in 1963. As Leipzig observed ""tempus clausum"" (time of silence) from Advent II to Advent IV, Bach could not perform the cantata there in Advent and expanded it to a cantata in two parts for the Seventh"
"Händel-Werke-Verzeichnis The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel. The catalogue also includes the first few bars of each piece and large amounts of factual information including manuscript sources, early prints, photographs, spurious works, etc. The catalogue does not include the full scores of Handel's works (for the full scores, see Händel-Gesellschaft and Hallische Händel-Ausgabe). The HWV thematic catalogue serves as the modern numbering system for Handel's"