Which artist painted “A Bar at the Folies Bergeres” and “The Spanish Singer”?
"Bar aux Folies-Bergère (ballet) Bar aux Folies-Bergère is a one-act ballet created in 1934, with scenario and choreography by Ninette de Valois, and designs by William Chappell after Manet. The music consists of piano works by Emmanuel Chabrier, selected and arranged by Constant Lambert. The Ballet Rambert in 1934 had a dancer, Elisabeth Schooling, who had a very similar appearance to the barmaid in Manet’s ""Un bar aux Folies Bergère"". Ashley Dukes, Marie Rambert’s husband suggested there might be a ballet around the picture, also introducing can-can dancers. In fact the role was created by Pearl Argyle, but Schooling danced"
"critics. The other, ""The Spanish Singer"", was admired by Theophile Gautier, and placed in a more conspicuous location as a result of its popularity with Salon-goers. Manet's work, which appeared ""slightly slapdash"" when compared with the meticulous style of so many other Salon paintings, intrigued some young artists. ""The Spanish Singer"", painted in a ""strange new fashion [-] caused many painters' eyes to open and their jaws to drop."" ""Music in the Tuileries"" is an early example of Manet's painterly style. Inspired by Hals and Velázquez, it is a harbinger of his lifelong interest in the subject of leisure. While"
"as a vagary of the artist. Today ""El Jaleo"" is considered to be one of John Singer Sargent's most memorable works. El Jaleo El Jaleo is a large painting by John Singer Sargent, depicting a Spanish Gypsy dancer performing to the accompaniment of musicians. Painted in 1882, it currently hangs in the Isabella Stewart Gardner Museum in Boston. The painting was inspired by a five-month trip Sargent made through Spain and North Africa in 1879, which also yielded a smaller oil painting, ""The Spanish Dance"" (Hispanic Society of America). Chronologically and thematically, the painting is related to a series of"
"knife in self-defense and her face contorted and screaming. The image can faintly be seen in the pentimento as well. Her references can be provocative as she addresses timely social, political and personal concerns. Gilje create a number of portraits in which her subjects were placed in the context of an historic painting of their choice; these were displayed in her exhibition ""Curators and Connoisseur"" at Francis M. Naumann Fine Art, New York, in 2006. For example, art historian Linda Nochlin chose Édouard Manet’s 1882 ""Bar at the Folies Bergère"" for Gilje’s ""Linda Nochlin at the Bar at the Folies"
"El Jaleo El Jaleo is a large painting by John Singer Sargent, depicting a Spanish Gypsy dancer performing to the accompaniment of musicians. Painted in 1882, it currently hangs in the Isabella Stewart Gardner Museum in Boston. The painting was inspired by a five-month trip Sargent made through Spain and North Africa in 1879, which also yielded a smaller oil painting, ""The Spanish Dance"" (Hispanic Society of America). Chronologically and thematically, the painting is related to a series of works Sargent painted during a subsequent stay in Venice; these, too, include dramatic light effects, exotic models, and restrained coloring. Impressed"
"Portrait of Angel Fernández de Soto Portrait of Angel Fernández de Soto (also known as The Absinthe Drinker) () is a portrait by Spanish artist Pablo Picasso completed in 1903 during his Blue Period. The oil painting depicts Picasso's friend and fellow painter, Angel Fernandez de Soto, in a bar with a glass of absinthe. The painting was previously owned by musical theatre composer Andrew Lloyd Webber. On 23 June 2010, the painting was sold at auction for £34.7 million. ""Portrait of Angel Fernández de Soto"" is a study of a young Spanish artist sitting in a bar, shrouded in"
"can draw parallels to the detached barmaid at ""A Bar at the Folies-Bergère"" by Manet and the behind-the-scenes ballet dancers of Degas. His style was also influenced by the classical Japanese woodprints which became popular in art circles in Paris. He excelled at depicting people in their working environments, with the colour and movement of the gaudy nightlife present but the glamour stripped away. He was a master at painting crowd scenes where each figure was highly individualized. At the time they were painted, the individual figures in his larger paintings could be identified by silhouette ""alone"", and the names"
"Singer with A Glove Singer with A Glove by Edgar Degas, originally titled Chanteuse de Café, la chanteuse au gant, is a pastel drawing on canvas 53.2 x 41 cm from the year 1878. Degas himself was a French artist famous for not only pastels, but his paintings, sculptures, prints, and charcoal drawings as well. This pastel is part of a series of works that have cafe-concert singers as their subject. Degas was a habitué of those places, especially the Cafe des Ambassadeurs, and he uses them as the settings for many of his best works. He is drawn to"
"Diego Velázquez Diego Rodríguez de Silva y Velázquez (; baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece ""Las Meninas"" (1656). From the first quarter of the nineteenth century, Velázquez's artwork was"
"1947 film ""The Private Affairs of Bel Ami"" faithfully references ""A Bar at the Folies-Bergère"" twenty nine minutes into the film with a look-alike actress, set and props as the main characters enter the establishment. The painting was the inspiration of a song (possibly by Sydney Carter) in the popular theatre production ""The Lyric Revue"", in London in 1951. The refrain went ""Oh, how I long to be Back in my dear Brittany ... But fate has chosen me For the bar at the Folies-Bergères"". The painting ""The Bar"" (1954) by Australian artist John Brack, which depicts a comparatively grim"
"Francisco Pérez Sierra Francisco Pérez Sierra (c. 1627 in Naples – 1709) was a Neapolitan painter of Spanish origin. According to Antonio Palomino, he was the son of a Spanish general. He was a disciple of Aniello Falcone and Juan de Toledo. Numerous works that he painted included the ""Immaculate Conception"", painted in 1655 in the convent of the Trinitarias de Madrid, ""Santa Ana conduciendo a la Virgen"" which is now at the Museo del Prado and ""Saint Joachim"" which is now at the Museo de Bellas Artes de Granada, he also painted ""Vase of Flowers"" in around 1690 (oil"
"A recent example is Faceboyz Folliez, a monthly burlesque and variety show at the Bowery Poetry Club in New York City. Folies Bergère The Folies Bergère () is a cabaret music hall, located in Paris, France. Located at 32 rue Richer in the 9th Arrondissement, the Folies Bergère was built as an opera house by the architect Plumeret. It opened on 2 May 1869 as the Folies Trévise, with light entertainment including operettas, comic opera, popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after nearby rue Bergère. The house was at the height of"
"Folies Bergère The Folies Bergère () is a cabaret music hall, located in Paris, France. Located at 32 rue Richer in the 9th Arrondissement, the Folies Bergère was built as an opera house by the architect Plumeret. It opened on 2 May 1869 as the Folies Trévise, with light entertainment including operettas, comic opera, popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after nearby rue Bergère. The house was at the height of its fame and popularity from the 1890s' ""Belle Époque"" through the 1920s. Revues featured extravagant costumes, sets and effects, and often"
"Francisco Asenjo Barbieri Francisco Asenjo Barbieri (3 August 1823 – 19 February 1894) was a well-known composer of the popular Spanish opera form, ""zarzuela."" His works include: ""El barberillo de Lavapiés"", ""Jugar con fuego"", ""Pan y toros"", ""Don Quijote"", ""Los diamantes de la corona"", and ""El Diablo en el poder"". He was born and died in Madrid, appropriately, since the themes are characters of his operas are often distinctly Spanish and Madrilenian. Among the characters featured by Barbieri are bullfighters, ""manolos"" and ""manolas"", and even (in ""Pan y toros"") the famous Spanish painter, Francisco Goya. The character of much of"
"Music. Francisco Asenjo Barbieri Francisco Asenjo Barbieri (3 August 1823 – 19 February 1894) was a well-known composer of the popular Spanish opera form, ""zarzuela."" His works include: ""El barberillo de Lavapiés"", ""Jugar con fuego"", ""Pan y toros"", ""Don Quijote"", ""Los diamantes de la corona"", and ""El Diablo en el poder"". He was born and died in Madrid, appropriately, since the themes are characters of his operas are often distinctly Spanish and Madrilenian. Among the characters featured by Barbieri are bullfighters, ""manolos"" and ""manolas"", and even (in ""Pan y toros"") the famous Spanish painter, Francisco Goya. The character of much"
"of ""Guglielmo Tell"", the third act of ""Otello"", and all of ""il Barbiere di Siviglia"" will certainly endure."" Texts, books Sheet music Performances Gioachino Rossini Gioachino Antonio Rossini (; 29 February 1792 – 13 November 1868) was an Italian composer who wrote 39 operas as well as some sacred music, songs, chamber music, and piano pieces. He was a precocious composer of operas, and he made his debut at age 18 with ""La cambiale di matrimonio"". His best-known operas include the Italian comedies ""The Barber of Seville"" (""Il barbiere di Siviglia""), ""The Italian Girl in Algiers"" (""L'italiana in Algeri""), and"
"Edouard Pingret. The most significant Mexican costumbrista painter is José Agustín Arrieta, whose paintings of a market scene (""""La Sorpresa""""), a kitchen scene (""""La Cocina Poblana""""), and a tavern scene (""Tertulia de pulquería"") are well known. One less famous than Arrieta is (ca. 1830-ca. 1870s), about whom little is known. His painting ""Vendador de buñuelos"", depicting a fritter seller in an urban night scene is in the collections of the Mexican government. Another less well known Mexican artist is (1824-1904), who was also a writer, teacher, art critic, intellectual, and cultural diplomat."" Some of Argentina's most distinguished writers worked in"
"chiefly from Gandia and San Miguel. Among them are ""The Last Supper"", ""Christ Bearing His Cross"", ""The Dead Saviour in the Arms of the Eternal Father"", and ""The Archangel Michael Driving Souls into Purgatory and Hell"". In the last Borrás is supposed to have pictured himself as a white-robed monk kneeling on the brink. He died, aged about 80, in the Monastery of Sant Jeroni de Cotalba, near Gandia. Nicolás Borrás Friar Nicolás Borrás (1530–1610) was a Spanish Renaissance painter, active in Valencia. Borrás was born in Cocentaina, (Kingdom of Valencia), nowadays in the Province of Alicante. He is one"
"been included in her recitals by soprano Victoria de los Ángeles. These were also recorded by soprano María Bonilla after having sung them in recitals accompanied at the piano by Salvador Moreno himself. Soprano Margarita Gonzalez Ontiveros also sung his bel canto music. He also composed music for several poems by Rafael Santos Torroella. As an art historian Moreno published works on Catalan artists who lived and worked in Mexico, such as the romantic painters Pelegrí Clavé (1966) and Antonio Fabrés (1977), the latter brought to Mexico by Porfirio Díaz, and about the sculptor Manuel Vilar (1969), these works have"
"Pablo Picasso Pablo Ruiz Picasso (; ; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist ""Les Demoiselles d'Avignon"" (1907), and ""Guernica"" (1937), a dramatic portrayal of the bombing of Guernica"
"Madrid. Francisco Collantes Francisco Collantes (1599–1656) was a Spanish Baroque era painter. Collantes was born in Madrid but sought influence from Jusepe de Ribera and the Neapolitan School. He was also influenced by 16th century Venetian painters and was renowned for his landscapes and biblical scenes. His works included ""The Burning Bush"" (c. 1634) which is now at the Louvre, ""Agar and Ishmael"" which is now at the Museum of Art, Rhode Island School of Design, in Providence, and ""The Vision of Ezekiel"", ""Saint Arnulph"" and ""The Fall of Troy"" (about 1634), all three now at the Museo del Prado"
"Roberto Angleró Roberto Angleró Pepín (September 12, 1929 – April 28, 2018) was a Puerto Rican music composer and singer, notable for writing various hit songs in the bolero, salsa and Afro-Puerto Rican music genres. He is known for having written various major Spanish language music singles such as ""La Pared"", ""Si Dios fuera negro"", ""La boda de ella"", ""Soy Boricua"" and others. Angleró was born in Fajardo, on Puerto Rico’s eastern coast. His father Juan, an itinerant carpenter, was originally from Maricao, on the western side of the island; his mother Carmen was a seamstress. Always moving where work"
"The Jester Barbarroja The Jester Barbarroja (""El bufón Barbarroja"") is an oil on canvas portrait by Diego Velázquez of Cristóbal de Castañeda y Pernia, nicknamed Barbarroja in his role as a jester at the court of Philip IV of Spain from 1633 to 1649. The painting is now in the Museo del Prado. It was in the Palacio del Buen Retiro in Madrid in 1701 and from 1816 to 1827 it was in the Real Academia de Bellas Artes de San Fernando. The composition's subject also served Cardinal-Infante Ferdinand of Austria, for whom he played Barbarroja (Barbarossa) in comic plays."
"over a Banner to Niccolo Orsini"", Titian's ""Portrait of Doge Marcantonio Trevisani"", Tintoretto's ""Supper at Emmaus"", Tiepolo's ""St James the Greater in the Battle of Clavijo"", Dürer's ""Portrait of a Young Man"", Bernard van Orley's ""Portrait of Emperor Charles V"", eight pictures by Lucas Cranach the Elder, Pieter Bruegel the Elder's ""St John the Baptist Preaching"", Rubens's ""Mucius Scaevola Before Porsenna"", Maarten van Heemskerck's ""Lamentation"", two excellent portraits by Frans Hals, and a particularly strong collection of works by Spanish masters including El Greco, Velázquez and Goya. The collection's main section is devoted to pieces from the Middle Ages to"
"Canadian pavilion depicted aspects of Canadian culture. The Spanish pavilion attracted attention as the exposition took place during the Spanish Civil War. The Spanish pavilion was built by the Spanish architect Josep Lluis Sert. The pavilion, set up by the Republican government, included Pablo Picasso's famous painting ""Guernica"", a depiction of the horrors of war, Alexander Calder's sculpture ""Mercury Fountain"" and Joan Miró's painting ""Catalan peasant in revolt"". Two of the other notable pavilions were those of Nazi Germany and the Soviet Union. The organization of the world exhibition had placed the German and the Soviet pavilions directly across from"
"Picasso's Regjeringskvartalet murals In the late 1950s and the early 1970s the Spanish artist Pablo Picasso designed five murals (""The Beach"", ""The Seagull"", ""Satyr and Faun"" and two versions of ""The Fisherman"") for the Regjeringskvartalet ('Government quarter') buildings in central Oslo, Norway. The designs by Picasso were executed in concrete by Norwegian artist Carl Nesjar, and were Picasso's first attempt at monumental concrete murals. The buildings onto which the murals were executed are known as the 'H-block' or Highrise (1959) and 'Y-block' (1968); they were designed by the Norwegian architect Erling Viksjø. The largest mural, ""The Fisherman"" (1970) is on"
"Ramírez Ángel (1883–1928), Luis Bello (1872–1935), and Federico Carlos Sainz de Robles (1899–1983). Similarly, 20th century Andalusia saw work by José Nogales (1860?–1908), Salvador Rueda (1857–1933), Arturo Reyes (1864–1913), José Mas y Laglera (1885–1940), Ángel Cruz Rueda (1888–1961), and Antonio Alcalá Venceslada (1883–1955). Costumbrismo is an art form developed by Spanish painters. In the 19th-century, a wave of nationalistic fervour took hold, providing the stimulus for painters to focus on local customs (or ""costumbres""). As in literary ""costumbrismo"", Madrid and Andalusia (particularly Seville) were Spain's two great centers of ""costumbrismo"" in the visual arts. Andalusian ""costumbrista"" paintings were mainly romantic"
"dance, its sound and movement. ""El Jaleo"" is an example of Hispanism, the phenomenon of widespread fascination with Spanish culture throughout Europe and America in the nineteenth and early twentieth century. The painting has been called both an example of John Singer Sargent's Impressionism and also his early affinity with the Realist movement. Sargent exhibited ""El Jaleo"" at the 1882 Paris Salon, where the painting was purchased by a Boston patron, Thomas Jefferson Coolidge. It was the last subject picture that Sargent exhibited at the Salon, and his greatest success there. In 1888 the painting was publicly exhibited in Boston,"
"Three Musicians Three Musicians is the title of two similar collage and oil paintings by Spanish artist Pablo Picasso. They were both completed in 1921 in Fontainebleau near Paris, France, and exemplify the Synthetic Cubist style; the flat planes of color and ""intricate puzzle-like composition"" echoing the arrangements of cutout paper with which the style originated. These paintings each colorfully represent three musicians wearing masks in the tradition of the popular Italian theater Commedia dell'arte. Each painting features a Harlequin, a Pierrot, and a monk, who are generally believed to represent Picasso, Guillaume Apollinaire, and Max Jacob, respectively. Apollinaire and"
"so intense that he forced Haussmann to become a scapegoat, hoping his resignation would satisfy the bourgeois parties which had become increasingly angered during the economic depression of the late 1860s. Haussmann's plans, with their radical redevelopment, coincided with a time of intense political activity in Paris. Many Parisians were troubled by the destruction of ""old roots"". Historian Robert Herbert says that ""the impressionist movement depicted this loss of connection in such paintings as Manet's ""A Bar at the Folies-Bergère""."" The subject of the painting is talking to a man, seen in the mirror behind her, but seems disengaged. According"
"The Three Musicians (painting) The Three Musicians is an oil painting by Diego Velázquez (1599-1660), a Spanish Baroque painter considered one of the great Spanish naturalists. It depicts three young men grouped around a dinner table playing music. It is painted in chiaroscuro, a Baroque painting technique that made use of the contrast between light and dark shadows to achieve a sense of volume. ""The Three Musicians"" is one of Velázquez's earliest works, from his early Seville period. It is one of approximately ten paintings in the bodegón style that Velázquez created before 1622, while living in Seville. Its subject"
"Pietá (Ribera, 1633) The Pietá is a painting by José de Ribera, ""The Españoleto"", painted, signed and dated in 1633. It is oil on canvas and its dimensions are 157 x 210 cm. It is owned by the Thyssen-Bornemisza Museum in Madrid. Ribera painted two other known canvases of the same subject and title. One is in the San Martino Museum, and the other is in the National Gallery, London. The painting comes from the collection of the Marquis de Heredia. The person who commissioned the work is unknown. The canvas is signed in the lower right corner on a"
"Bartolomé Pérez Bartolomé Pérez de la Dehesa (1634 – 16 January 1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. He is known as a painter of flowers and still life, known as ""bodegones"". He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San"