Which French artist, 1848 - 1903, painted 'The Yellow Christ' and 'Two Women On A Beach'?
"Paris to see the Exposition universelle and to arrange the Volpini Exhibition that Gauguin interrupted this sojourn. Soon after his return to Pont-Aven he painted ""The Yellow Christ"": ""The Yellow Christ"" is a symbolic piece that shows the crucifixion of Christ taking place in nineteenth-century northern France as Breton women are gathered in prayer. Gauguin relies heavily on bold lines to define his figures and reserves shading only for the women. The autumn palette of yellow, red and green in the landscape echoes the dominant yellow in the figure of Christ. The bold outlines and flatness of the forms in"
"Émile Bernard's method of painting with flat areas of color and bold outlines, which reminded Dujardin of the Medieval cloisonné enameling technique. Gauguin was very appreciative of Bernard's art and of his daring with the employment of a style which suited Gauguin in his quest to express the essence of the objects in his art. In Gauguin's ""The Yellow Christ"" (1889), often cited as a quintessential Cloisonnist work, the image was reduced to areas of pure color separated by heavy black outlines. In such works Gauguin paid little attention to classical perspective and boldly eliminated subtle gradations of color, thereby"
"The Yellow Crucifixion The Yellow Crucifixion is a painting by Marc Chagall. It was painted in 1943 and is on display at Musée National d'Art Moderne in Paris, France. The piece reworked many themes that first occurred in Chagall's more famous artwork ""White Crucifixion"" whereby the suffering of Jewish victims of the Holocaust was communicated through the image of Jesus Christ as a Jew. Jesus is not the central image of this picture, and instead shares the canvas with a large green Torah scroll and angel. This positioning emphasises the Jewish character of Jesus in this work, supported by Jesus"
"has remained since 1933. Two Sisters (On the Terrace) Two Sisters or On the Terrace is an 1881 oil-on-canvas painting by French artist Pierre-Auguste Renoir. The dimensions of the painting are 100.5 cm × 81 cm. The title ""Two Sisters"" () was given to the painting by Renoir, and the title ""On the Terrace"" () by its first owner Paul Durand-Ruel. Renoir worked on the painting on the terrace of the ""Maison Fournaise"", a restaurant located on an island in the Seine in Chatou, the western suburb of Paris. The painting depicts a young woman and her younger sister seated"
"in the Petit Palais in Paris. A smaller (96.5 x 130 cm) sketch version is now in the National Gallery, London. Young Ladies Beside the Seine (Summer) Young Ladies Beside the Seine (Summer) (French - ""Les Demoiselles des bords de la Seine (été)"") is an oil on canvas painting by Gustave Courbet. He painted it between late 1856 and early 1857 and presented it to the Paris Salon jury, which accepted it and exhibited it on 15 June 1857 with two portraits and three landscapes by the same artist. It was bought by Courbet's friend and patron Étienne Baudry (1830-1908),"
"man as well; in short, to create living art – this is my goal. (Gustave Courbet, 1855) In the Salon of 1857 Courbet showed six paintings. These included ""Young Ladies on the Banks of the Seine (Summer)"", depicting two prostitutes under a tree, as well as the first of many hunting scenes Courbet was to paint during the remainder of his life: ""Hind at Bay in the Snow"" and ""The Quarry"". ""Young Ladies on the Banks of the Seine"", painted in 1856, provoked a scandal. Art critics accustomed to conventional, ""timeless"" nude women in landscapes were shocked by Courbet's depiction"
"of European scenes), and occasional domesticated mythological scenes like his ""The Three Graces"" of 1875. He also produced miniatures and sensitive watercolours. Influenced by the early aesthetic movement, his style relates to both Victorian academic painting and the Pre-Raphaelites. Augustus Jules Bouvier Augustus Jules Bouvier (1827–1881) was a French-born English painter active in London. He exhibited at the British Institution and the Royal Academy. He is best known for oil paintings of women of the English aristocracy, but also was an accomplished water colourist. Augustus Bouvier was the son of Paris-born artist Jules Bouvier (1800-1867), who moved to London with"
"Portrait of Marie-Françoise Rivière Portrait of Marie-Françoise Rivière (also known as Portrait of Madame Rivière, or la Femme au châle) is a c. 1805 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Madame Rivière, born Marie-Françoise-Jacquette-Bibiane Blot de Beauregard, and known as Sabine, married Philibert Rivière de L'Isle, an influential court official in the in Napoleonic Empire, who commissioned this work, along with portraits of himself and their daughter, Caroline. The painting is composed from white, chilly blue, beige and ochre colours. It has an overall, deliberately flat and shadow-less appearance. The portrait has been described as"
"Young Ladies Beside the Seine (Summer) Young Ladies Beside the Seine (Summer) (French - ""Les Demoiselles des bords de la Seine (été)"") is an oil on canvas painting by Gustave Courbet. He painted it between late 1856 and early 1857 and presented it to the Paris Salon jury, which accepted it and exhibited it on 15 June 1857 with two portraits and three landscapes by the same artist. It was bought by Courbet's friend and patron Étienne Baudry (1830-1908), then left by him to the painter's daughter Juliette, who left it to the French state in 1906. It now hangs"
"draped young woman with two fighting cocks, the Bay of Naples in the background. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824–1895) and Jean-Louis Hamon), and was championed by the influential French critic Théophile Gautier. Gérôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings ""The Virgin, the Infant Jesus and St John"" (private collection) and ""Anacreon, Bacchus and Cupid"""
"Two Sisters (On the Terrace) Two Sisters or On the Terrace is an 1881 oil-on-canvas painting by French artist Pierre-Auguste Renoir. The dimensions of the painting are 100.5 cm × 81 cm. The title ""Two Sisters"" () was given to the painting by Renoir, and the title ""On the Terrace"" () by its first owner Paul Durand-Ruel. Renoir worked on the painting on the terrace of the ""Maison Fournaise"", a restaurant located on an island in the Seine in Chatou, the western suburb of Paris. The painting depicts a young woman and her younger sister seated outdoors with a small"
"Georges Seurat Georges-Pierre Seurat (; 2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism. Seurat's artistic personality was compounded of qualities which are usually supposed to be opposed and incompatible: on the one hand, his extreme and delicate sensibility; on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work, ""A Sunday Afternoon on the Island of La Grande Jatte"" (1884–1886), altered the direction of modern art"
"1863, his failing health, made worse by his hard work and extended exposure to the damp and draughts of churches, induced him to visit Italy again, where he died of smallpox in Rome on 21 March 1864. Jean-Hippolyte Flandrin Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a 19th-century French painter. His celebrated 1836 work ""Jeune Homme Nu Assis au Bord de la Mer"" (""Young Male Nude Seated beside the Sea"") is in the Louvre. From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become"
"Jean-Hippolyte Flandrin Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a 19th-century French painter. His celebrated 1836 work ""Jeune Homme Nu Assis au Bord de la Mer"" (""Young Male Nude Seated beside the Sea"") is in the Louvre. From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter. Hippolyte was the second of three sons, all of whom were painters in some aspect. Augusto, his older brother, spent most"
"is also inscribed As a tribute to all the Boulogne-sur-Mer sailors killed in the war a Calvary was erected in 1947 and called the ""Calvaire des Marins"". Saupique sculpted the figure of Christ involved, this cast in bronze. The Musée du Louvre département des Arts graphiques hold several of Saupique's drawings including ""Femme voilée, dont les mains tiennent le sexe d'un homme"", ""Femme nue, assise, de face"", ""Etude pour un Christ en Croix"" and ""Homme caressant une femme"". Georges Saupique Georges Saupique was a French sculptor born on 27 January 1880 in Paris. He died in Paris on 20 November"
"Enguerrand Quarton Enguerrand Quarton (or Charonton) ( 1410 – 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlandish painting. Six paintings by him are documented, of which only two survive, and in addition the Louvre now follows most art historians in giving him the famous Avignon Pietà. His two documented works are the remarkable ""Coronation of the Virgin"" (1453–54, Villeneuve-les-Avignon) and ""The Virgin of Mercy"" (1452, Musée Condé, Chantilly). Two smaller altarpieces are also attributed to him. Quarton was"
"Beach in Pourville Beach in Pourville (title in French: ""La plage à Pourville, soleil couchant"") is a painting by French artist Claude Monet. It is one of an 1882 series of oil-on-canvas works by Monet in the small seaside resort of Pourville-sur-Mer (now part of the ""commune"" of Hautot-sur-Mer), near Dieppe in northern France. Monet is considered one of the most important members of the group of painters identified as the Impressionists. The painting was bought by the National Museum, Poznań, Poland in 1906 and exhibited in the display of their collection. The painting was stolen from the Poznań National"
"The Pearl and the Wave The Pearl and the Wave (French: La Perle et la vague), also known as The Wave and the Pearl, is a painting by the French artist Paul-Jacques-Aimé Baudry created in 1862. The painting shows a nude woman lying on the edge of a rocky sea shore, with her head turned to gaze backward over her shoulder towards the viewer. Waves are breaking in the background. ""The Pearl and the Wave"" was the subject of contemporary curiosity. The painting was met with praise from art critics for its technique and distinguishing quality. Artist Kenyon Cox described"
"the right with cerulean blue which was rarely used by the Impressionists. The green foliage is painted in a mixture of emerald green, viridian, lead white and cadmium yellow. Cadmium yellow was not yet widely used at this time. Summer's Day Summer's Day is a painting by French Impressionist painter Berthe Morisot. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is currently held by the National Gallery, having been donated by Hugh Lane. The painting was stolen from the Tate by two Irish students while it was on display"
"Portrait of Frédéric Chopin and George Sand The Portrait of Frédéric Chopin and George Sand was an 1838 unfinished oil-on-canvas painting by French artist Eugène Delacroix. Originally a double portrait, it was later cut in two and sold off as separate pieces. It showed composer Frédéric Chopin (1810–49) playing piano while writer George Sand (1804–76) sits to his right, listening and sewing (a favorite activity of hers). The sitters were lovers at the time, and both were close friends of the artist. The portrait remained in Delacroix's studio until his death. Shortly afterward, it was cut into two separate works,"
"Summer's Day Summer's Day is a painting by French Impressionist painter Berthe Morisot. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is currently held by the National Gallery, having been donated by Hugh Lane. The painting was stolen from the Tate by two Irish students while it was on display there in order to protest the Lane Bequest. It was later returned after being left anonymously at the Irish Embassy. Morisot employed a rather unusual palette in this painting. She painted the dark blue coat of the woman on"
"of Eugène Manet. Manet and Morisot had one daughter, Julie Manet, born on 14 November 1878. Manet was depicted by his brother in his paintings ""Music in the Tuileries"" (1862), and was probably a model for the right male figure in ""Le Déjeuner sur l’herbe"" (1863) which has been identified as either Eugène or his dark-haired younger brother Gustave Manet, and may be a composite of the two. Eugène may also be the ""chiffonnier"" (rag-picker) to the right in his brother's painting ""Philosophers"" of 1865, and was depicted with Édouard's wife Suzanne in ""On the Beach"" (1873). He was also"
"Two Tahitian Women Two Tahitian Women is an 1899 painting by Paul Gauguin. It depicts two topless women, one holding mango blossoms, on the Pacific Island of Tahiti. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City and was donated to the museum by William Church Osborn in 1949. Although Tahiti is depicted as an innocent paradise, the two women in the painting confront the viewer in a way similar to that in Manet's ""Le déjeuner sur l'herbe"" (1863) or ""Olympia"" (1863), and follow an artistic tradition of comparing woman's breasts"
"It shows the figure of the crucified Christ in an apocalyptic situation: people sinking into the sea, people homeless and in flight, and yellow fire blazing in the background. And with the crucified Christ there appears the angel with the trumpet and the open roll of the book of life [Rev 14.6]. This picture has accompanied me for a long time. It symbolizes the cross on the horizon of the world, and can be thought of as a symbolic expression of the studies which follow."" The Yellow Crucifixion The Yellow Crucifixion is a painting by Marc Chagall. It was painted"
"""The Yellow Christ"" (1889), often cited as a quintessential cloisonnist work, Gauguin reduced the image to areas of single colors separated by heavy black outlines. In such works he paid little attention to classical perspective and boldly eliminated subtle gradations of color—two of the most characteristic principles of post-Renaissance painting. The cloisonnist separation of colors reflects an appreciation for discontinuity that is characteristic of Modernism. Cloisonnism Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March"
"""The Artist"" and ""La Patrie"". Nicolas-Auguste Galimard Nicolas-Auguste Galimard (1813 Paris – 1880 Montigny-lès-Cormeilles) was a French historical, portrait and landscape painter. Galimard studied under his uncle, Auguste Hesse, and with Ingres, and soon became known for his pictures, chiefly of Biblical subjects. His first exhibition was at the ""Paris Salon"" of 1835, when he presented his painting of ""The Three Marys At The Tomb"" and of a ""Lady of the Fifteenth Century"" Galimard was just 22 years old and would continue to display works at the Salon until 1880. In 1855 at the ""Exposition Universelle"" Galimard's work on ""The"
"La Parisienne (Renoir painting) La Parisienne is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Wales in Cardiff. The work, which was one of seven presented by Renoir at the first Impressionist exhibition in 1874, is often referred to as The Blue Lady and is one of the centre-pieces of the National Museum's art collection. ""La Parisienne"" is a painting in oils on canvas completed in 1874, signed and dated by the artist. It shows a young woman in a long layered dress of a striking deep blue, her"
"was released, he returned to France in 1817. Jean-Joseph Patu de Rosemont Jean-Joseph Patu de Rosemont (1767 – 11 July 1818) was a French painter. He is mostly known for watercolours depicting landscapes from La Réunion, where he lived from 1788. Some of his paintings show the Piton de la Fournaise, whose he was one of the first known explorators. Patu de Rosemont was born to Antoine-Henry Patu des Hauts-Champs, squire, counselor to the King and auditor at the Chambre des comptes of Paris. Aged 20, he enlisted as an auxiliary officer in the French Navy; his ship was wrecked"
"Pink and Blue (Renoir) Alice and Elisabeth Cahen d’Anvers (most commonly referred to as Pink and Blue) is an oil painting by French impressionist Pierre-Auguste Renoir. Produced in Paris in 1881, the painting depicts the sisters Alice and Elisabeth, daughters of Louise Cahen d'Anvers and her husband the Jewish banker Louis Raphaël Cahen d'Anvers. It is considered one of the most popular works in the collection of the São Paulo Museum of Art, where it has been conserved since 1952. Renoir portrayed the two daughters of Louise Cahen d'Anvers and her banker husband Louis Raphaël Cahen d'Anvers, the blonde, Elisabeth,"
"to an edition of 600 copies. Henri Boutet Henri Boutet (1851 Sainte-Hermine, Vendée - 9 June 1919 Paris), ""le Petit Maître au corset"", was a French Belle Époque artist whose work focused on the genre """"La Parisienne"""". He candidly depicted women ranging from ordinary shop assistants to elegant ladies, managing to portray their common qualities of coquettishness and femininity. His success was in large measure due to his portraying of attractive young women using etching, drypoint and engraving. His prints were often in limited editions of 20. With the growth of his success, Boutet targeted a wider market by doing"
"Two Riders on the Beach Two Riders on the Beach () is the title of two similar paintings by Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas. One of the paintings in the 1930s belonged to the collection of Jewish factory owner and art collector David Friedmann in Wrocław, then Breslau, Silesia. It was seized by the Nazi authorities shortly after the anti-Jewish ""Kristallnacht"" pogrom in 1938 and"
"Marie Cazin Marie Cazin, née Marie Clarisse Marguerite Guillet (19 September 1844, Paimbœuf - 18 March 1924, Équihen-Plage) was a French landscape painter, decorative artist and sculptor. She studied in Paris with Juliette Peyrol-Bonheur (1830-1891), the sister of Rosa Bonheur, and with Jean-Charles Cazin, who she married in 1868. Beginning in 1876, she exhibited paintings at the Salon des Artistes Français and, from 1882, presented sculptures as well. She also exhibited at the Royal Academy of Arts in 1874 and 1878. Her best-known sculpture, ""The Young Ladies"" was shown in 1886 and purchased by the government in 1899. It is"
"Chapel ceiling of Michelangelo (1475–1564) and Raphael's ""Transfiguration"", to the monumental approach of Jacques-Louis David (1748–1825) and Antoine-Jean Gros (1771–1835), to contemporary events. By the 18th century, shipwrecks had become a recognised feature of marine art, as well as an increasingly common occurrence as more journeys were made by sea. Claude Joseph Vernet (1714–1789) created many such images, achieving naturalistic colour through direct observation—unlike other artists at that time—and was said to have tied himself to the mast of a ship in order to witness a storm. Although the men depicted on the raft had spent 13 days adrift and"