"minutes. \relative c"" { </score> The symphony consists of the following movements: The autograph has been lost. The only source for this symphony was a set of parts in the archives of the publisher Breitkopf & Härtel, which was destroyed during World War II. The Alte Mozart-Ausgabe (published 1879–1882) gives the numbering sequence 1–41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 76, published in supplements to the Alte-Mozart Ausgabe until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's Symphony No. 41 (written in 1788). The"
"strings. \relative c"" { </score> There are four movements. Symphony No. 9 (Mozart) Symphony No. 9 in C major, K. 73/75a, by Wolfgang Amadeus Mozart, was likely composed in July 1772 in Salzburg between his second and third Italian journeys. The symphony is in four movements and is Mozart's first extant symphony in the key of C major. There is no information concerning which of the many Italian concerts given by the Mozarts during this visit saw this symphony's first performance. The autograph score is preserved in the Biblioteka Jagiellońska in Kraków. The symphony is score for 2 flutes, 2"
"Symphony No. 9 (Mozart) Symphony No. 9 in C major, K. 73/75a, by Wolfgang Amadeus Mozart, was likely composed in July 1772 in Salzburg between his second and third Italian journeys. The symphony is in four movements and is Mozart's first extant symphony in the key of C major. There is no information concerning which of the many Italian concerts given by the Mozarts during this visit saw this symphony's first performance. The autograph score is preserved in the Biblioteka Jagiellońska in Kraków. The symphony is score for 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, harpsichord and"
"Symphony No. 34 (Mozart) Symphony No. 34 in C major, K. 338, was written by Wolfgang Amadeus Mozart in 1780, and completed on 29 August. The work is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. \relative c { </score> Although most symphonies have four movements, this symphony has only three, which was still common in the early classical period: The symphony features the fanfares and flourishes typical of the ""festive symphony"" or ""trumpet symphony"", which is characteristic of Austrian symphonic writing in C major. This is the first of Mozart's C-major symphonies to exhibit"
"Piano concertos by Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart wrote 23 original concertos for piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him. For a long time relatively neglected, they are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his ""Essay on the Classical Concerto"" in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively. Hans Tischler published a structural and thematic analysis of the concertos in 1966,"
"Symphony, K. 98 (Mozart) The Symphony in F major ""No. 56"", K. 98/Anh.C 11.04, was once thought to have been written by Wolfgang Amadeus Mozart. As of 2009, it is the only one of Mozart's symphonies published in the Alte Mozart-Ausgabe that has never been recorded. \relative c"" { </score> The symphony is scored for two oboes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The duration is approximately 12–15 minutes. The symphony consists of"
"flutes, two oboes, two horns, two trumpets and strings. \relative c' { </score> There are four movements: Symphony No. 20 (Mozart) Symphony No. 20 in D major, K. 133, was composed by Wolfgang Amadeus Mozart in July, 1772, when Mozart was sixteen years old. This symphony is one of many written during the period Mozart stayed in Salzburg, between two trips to Italy. Compared to other symphonies Mozart wrote in this period, the scoring is extravagant, featuring two trumpets in addition to the standard oboes, horns, and strings. The key of D major, which is a key often reserved for"
"Symphony No. 12 (Mozart) Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro being the longest movement that Mozart had written to that date. It is the first of a group of works ""painted on a larger canvas and achieving a greater individuality than his earlier exuberant pieces"". The instrumentation was: strings, 2 oboes, 2 horns, 2"
"given by Cliff Eisen in 1997 is: Cadenzas to at least K. 466 and 467 also possibly existed. These cadenzas are part of the public domain and can be accessed here: http://imslp.org/wiki/36_Cadenzas,_K.624_%28Mozart,_Wolfgang_Amadeus%29 Piano concertos by Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart wrote 23 original concertos for piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him. For a long time relatively neglected, they are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his ""Essay on the Classical Concerto"""
"symphony is scored for two flutes, two oboes (2nd movement only), two horns and strings. \relative c"" { </score> It has four movements: Symphony No. 14 (Mozart) Symphony No. 14 in A major, K. 114, is a symphony composed by Wolfgang Amadeus Mozart on December 30, 1771, when Mozart was fifteen years old, and a fortnight after the death of the Archbishop Sigismund von Schrattenbach. The piece was written in Salzburg between the composer's second and third trips to Italy. Mozart was also influenced by J. C. Bach's ""Italianate"" style of composition."" Musicologist Jens Peter Larsen called the symphony ""One"
"Haydn Quartets (Mozart) The ""Haydn"" Quartets by Wolfgang Amadeus Mozart are a set of six string quartets published in 1785 in Vienna as his Op. 10, dedicated to the composer Joseph Haydn. They contain some of Mozart's most memorable melodic writing and refined compositional thought. The quartets were published in a set (labelled Mozart's ""Op. 10"") in Vienna, 1785. Dates of completion are shown in parentheses above. Mozart arranged the six quartets in the order of composition, except for reversing the order of K. 428 and K. 458. Wolfgang Amadeus Mozart composed 23 string quartets. The six ""Haydn"" Quartets were"
"Church Sonatas (Mozart) Wolfgang Amadeus Mozart wrote seventeen Church Sonatas (""sonata da chiesa""), also known as Epistle Sonatas, between 1772 and 1780. These are short single-movement pieces intended to be played during a celebration of the Mass between the Epistle and the Gospel. Three of the sonatas include more orchestral scoring including oboes, horns, trumpets and timpani and the rest are scored for organ and strings (with no violas). In eight of the sonatas, the organ has an obbligato solo part and in the other nine the organ accompanies along with the figured bass. Most of these pieces would be"
"great number of friends and admirers in Salzburg and had the opportunity to work in many genres, including symphonies, sonatas, string quartets, masses, serenades, and a few minor operas. Between April and December 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five (the only ones he ever wrote), which steadily increased in their musical sophistication. The last three—K. 216, K. 218, K. 219—are now staples of the repertoire. In 1776, he turned his efforts to piano concertos, culminating in the E concerto K. 271 of early 1777, considered by critics to be a breakthrough work. Despite"
"that publication). Therefore, when these works are enumerated with the rest, it can be seen that Mozart composed 30 keyboard concerti. These three works, however, and the concerti numbered as Piano Concertos 1 through 4 are actually not original compositions, but arrangements of works by other composers. Piano Concertos K. 107 (Mozart) The Piano Concertos, K. 107 are three keyboard concertos by Wolfgang Amadeus Mozart, based on sonatas by Johann Christian Bach. These sonatas are from J.C. Bach's Op. 5; Mozart turned Sonata No. 2 in D, Sonata No. 3 in G, and Sonata No. 4 in E from this"
"cheerful dance cast in an altered rondo form, with a coda. Symphony No. 16 (Mozart) Symphony No. 16 in C major, K. 128, was the first of three symphonies composed by Wolfgang Amadeus Mozart in May, 1772, when Mozart was sixteen years old. This symphony is one of many written during the period in which Mozart stayed in Salzburg, between two trips to Italy. The autograph of the score is preserved in the Staatsbibliothek Preußischer Kulturbesitz in Berlin. The symphony has the basic scoring of two oboes, two horns, and strings. \relative c"" { </score> The form is that of"
"Symphony No. 16 (Mozart) Symphony No. 16 in C major, K. 128, was the first of three symphonies composed by Wolfgang Amadeus Mozart in May, 1772, when Mozart was sixteen years old. This symphony is one of many written during the period in which Mozart stayed in Salzburg, between two trips to Italy. The autograph of the score is preserved in the Staatsbibliothek Preußischer Kulturbesitz in Berlin. The symphony has the basic scoring of two oboes, two horns, and strings. \relative c"" { </score> The form is that of a standard three-movement Italian overture: The first movement, which a C"
"Symphony No. 20 (Mozart) Symphony No. 20 in D major, K. 133, was composed by Wolfgang Amadeus Mozart in July, 1772, when Mozart was sixteen years old. This symphony is one of many written during the period Mozart stayed in Salzburg, between two trips to Italy. Compared to other symphonies Mozart wrote in this period, the scoring is extravagant, featuring two trumpets in addition to the standard oboes, horns, and strings. The key of D major, which is a key often reserved for ceremonial music, is well suited to the presence of these trumpets. The symphony is scored for two"
"Symphony, K. 95 (Mozart) The Symphony in D major ""No. 45"", K. 95/73n, was probably written by Wolfgang Amadeus Mozart in 1770 in Rome. The symphony is scored for two oboes, two trumpets and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The trumpets are silent in the second movement, in which the oboes are replaced by flutes. The duration is approximately 12 minutes. \relative c"" { </score> The symphony consists of the following movements: Mozart mentioned two"
"two oboes, two horns, bassoon, continuo. \relative c"" { </score> There are no details available as to when the initial performance took place. Symphony No. 15 (Mozart) The Symphony No. 15 in G major, K. 124 by Wolfgang Amadeus Mozart was written in Salzburg during the first weeks of 1772. A note on the autograph manuscript indicates that it might have been written for a religious occasion, possibly in honour of the new Archbishop of Salzburg. The work is in four movements, the first of which has been described as innovative and ""daring"", in view of its variations of tempo."
"Violin Sonatas, KV 6–9 (Mozart) Wolfgang Amadeus Mozart's first four sonatas for keyboard and violin, K. 6–9 are among his earliest works. These were composed by a budding Mozart between 1762 and 1764. They encompass several of Mozart's firsts as a composer: for example, his first works incorporating the violin, his first works with more than a single instrument, his first works in more than one movement and his first works in sonata form. In fact, previous to this, all his works had been short solo-pieces for the harpsichord. Mozart would have been between 6 and 8 years of age"
"Leopold Mozart's symphonies, finds in a Symphony in G major examples of his ""sensitivity to orchestral colour"" and a work that ""compares favourably with those of virtually any of Mozart's immediate contemporaries"". Some of his work was erroneously attributed to Wolfgang and some pieces attributed to Leopold were subsequently shown to be the work of Wolfgang. Much of what survives is light music but there is some more substantial work including his ""Sacramental Litany"" in D major (1762) and three fortepiano sonatas, all published in his lifetime. Leopold Mozart Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787)"
"Symphony, K. 76 (Mozart) The Symphony in F major ""No. 43"", K. 76/42a, was probably written by Wolfgang Amadeus Mozart. The symphony is scored for two oboes, two horns, two bassoons and strings. The oboes are silent for the second movement. The inclusion of the bassoons is notable as in contemporary orchestras bassoon parts were not usually written in and simply doubled the cellos and double basses. In contemporary orchestras, it was also usual to include the harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The duration is approximately 15"
"in this numbering scheme. Symphony, K. 97 (Mozart) The Symphony in D major ""No. 47"", K. 97/73m, was probably written by Wolfgang Amadeus Mozart in 1770 in Rome. The symphony is scored for two oboes, two trumpets and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The trumpets are silent in the second movement, in which the oboes are replaced by flutes. The duration is approximately 11 minutes. \relative c"" { </score> The symphony consists of the following"
"Symphony, K. 97 (Mozart) The Symphony in D major ""No. 47"", K. 97/73m, was probably written by Wolfgang Amadeus Mozart in 1770 in Rome. The symphony is scored for two oboes, two trumpets and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The trumpets are silent in the second movement, in which the oboes are replaced by flutes. The duration is approximately 11 minutes. \relative c"" { </score> The symphony consists of the following movements: Mozart mentioned two"
"Symphony, K. 74g (Mozart) The Symphony in B major ""No. 54"", K. Anh. 216/74g/Anh.C 11.03, may have been written by Wolfgang Amadeus Mozart in 1771 in Salzburg. \relative c"" { </score> The symphony is scored for two oboes or two flutes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The duration is approximately 14 minutes. The symphony consists of the following movements: The Alte Mozart-Ausgabe (published 1879–1882) gives the numbering sequence 1–41 for the 41"
"in this numbering scheme. Symphony, K. 95 (Mozart) The Symphony in D major ""No. 45"", K. 95/73n, was probably written by Wolfgang Amadeus Mozart in 1770 in Rome. The symphony is scored for two oboes, two trumpets and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The trumpets are silent in the second movement, in which the oboes are replaced by flutes. The duration is approximately 12 minutes. \relative c"" { </score> The symphony consists of the following"
"energetic tarantella or saltarello rhythms. Symphony No. 34 (Mozart) Symphony No. 34 in C major, K. 338, was written by Wolfgang Amadeus Mozart in 1780, and completed on 29 August. The work is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. \relative c { </score> Although most symphonies have four movements, this symphony has only three, which was still common in the early classical period: The symphony features the fanfares and flourishes typical of the ""festive symphony"" or ""trumpet symphony"", which is characteristic of Austrian symphonic writing in C major. This is the first of"
"Symphony No. 30 (Mozart) Wolfgang Amadeus Mozart wrote Symphony No. 30 in D major, K. 202/186b in Salzburg, completing it on May 5, 1774. The work is scored for two oboes, bassoon, two horns, two trumpets, timpani and strings, but the timpani part has been lost. There has been at least one attempt to reconstruct the timpani part. \relative c { </score> The work is in 4 movements: The first movement is in sonata form and opens with a falling, dotted fanfare motif. A transitional section follows which contains a dialogue between violins and bass alternating between loud and soft"
"Symphony"" was not preserved. The symphony is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. \relative c' { </score> There are 4 movements: Every movement except the minuet is in sonata form. The slow movement has a siciliano character and meter which was rare in Mozart's earlier symphonies (only used in one of the slow movements of the ""Paris"") but would appear frequently in later works such as No. 38 and No. 40. The next symphony by Mozart is Symphony No. 38. The work known as ""Symphony No. 37"" is mostly by Michael Haydn. Symphony"
"Violin Sonatas, KV 10–15 (Mozart) Wolfgang Amadeus Mozart's set of six sonatas for keyboard with accompaniment of violin (or flute) and cello, K. 10–15 were composed in late 1764 in London during the Mozart family's grand tour of Europe. Queen Charlotte (the wife of King George III) commissioned them on 25 October and the works were dedicated on 18 January 1765. They were published as Mozart's ""Opus III"" by his father Leopold at 20 Frith Street, Soho, London, where the Mozarts lived from September 1764 until after May 1765. The keyboard part was originally written for a harpsichord. Unlike Mozart's"
"Milanese Quartets (Mozart) The six string quartets, K. 155–160, were composed by Wolfgang Amadeus Mozart in late 1772 and early 1773. Because they were composed in Milan while he was working on his opera Lucio Silla, they are popularly known as the Milanese Quartets. Before this set was composed, Mozart had written one earlier string quartet (K. 80/73f in 1770), so these six quartets are ordinally numbered from No. 2 to No. 7. The quartets are written in a plan of keys of D-G-C-F-B-E following the circle of fifths. All six quartets have only three movements. Four of the quartets"
"Around the time that he composed the three symphonies, Mozart was writing his piano trios in E major and C major (K. 542 and K. 548), his ""sonata facile"" (K. 545), and a violin sonatina (K. 547). Mozart biographer Alfred Einstein has suggested that Mozart took Michael Haydn's Symphony No. 26, in the same key, as a model. It seems to be impossible to determine the date of the premiere of the 39th Symphony on the basis of currently available evidence; in fact, it cannot be established whether the symphony was ever performed in the composer's lifetime. According to Deutsch"
"and authenticity so that, as with the other symphonies of uncertain authorship, a possible authorship of Mozart may be conceded with all due caution. The symphony has been recorded by the Academy of Ancient Music and The English Concert. Symphony, K. 74g (Mozart) The Symphony in B major ""No. 54"", K. Anh. 216/74g/Anh.C 11.03, may have been written by Wolfgang Amadeus Mozart in 1771 in Salzburg. \relative c"" { </score> The symphony is scored for two oboes or two flutes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available"