"the liturgical reforms of Patriarch Nikon of Moscow, and is in use by the Russian Orthodox Church, the Serbian Orthodox Church, the Bulgarian Orthodox Church and the Ukrainian Orthodox Church). The Hail Mary is the last prayer in Appendix V of the Roman Missal, the last of seven prayers under the heading “Thanksgiving After Mass”. There it appears with ""with you"" instead of the traditional ""with thee"", ""are you"" instead of the traditional ""art thou"" and ""your womb"" in place of the traditional ""thy womb"": Hail, Mary, full of grace, the Lord is with you;<br> blessed are you among women,<br>"
"to Mary, originally written in Koine Greek. The opening word of greeting, , ""chaíre"", here translated ""Hail"", literally has the meaning ""rejoice"" or ""be glad"". This was the normal greeting in the language in which Saint Luke's Gospel is written and continues to be used in the same sense in Modern Greek. Accordingly, both ""Hail"" and ""Rejoice"" are valid English translations of the word (""Hail"" reflecting the Latin translation, and ""Rejoice"" reflecting the original Greek). The word , (""kecharitōménē""), here translated as ""full of grace"", admits of various translations. Grammatically, the word is the feminine perfect passive participle of the"
"Luke, the prayer takes different forms in various traditions. It has often been set to music. The prayer incorporates two greetings to Mary in Saint Luke's Gospel: ""Hail, the Lord is with thee."" and ""Blessed art thou amongst women and blessed is the fruit of thy womb."" In mid-13th-century Western Europe the prayer consisted only of these words with the single addition of the name ""Mary"" after the word ""Hail"", as is evident from the commentary of Saint Thomas Aquinas on the prayer. The first of the two passages from Saint Luke's Gospel is the greeting of the Angel Gabriel"
"Salve Regina The Salve Regina (; , meaning ""Hail Queen""), also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The ""Salve Regina"" is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The ""Hail Holy Queen"" is also the final prayer of the Rosary. The work was composed during the Middle Ages and originally appeared in Latin, the prevalent language of Western Christianity until modern times."
"into the rosary tradition is not clear. It is clear that the 150 beades (Hail Marys) originated from the 150 Psalms prayed from the Hebrew Psalter. The rosary was a way for the ordinary faithful to simulate the meditation of the monks from the hand-printed Psalter. It is clear that the second half of our Hail Mary, the petition to Mary, appeared for the first time in the catechism of Peter Canisius in 1555 in the Counter-Reformation period, in reaction against Protestant criticism of some Catholic beliefs. Following the establishment of the first rosary confraternities in the fifteenth century, the"
"recited in place of the ""Angelus"" during the Easter season, from Easter Sunday until Pentecost. As with many Christian prayers, it takes its name from its incipit or first word(s). The Latin word ""coelum"", meaning ""heaven"" (hence the English word ""celestial""), was a common medieval and early modern spelling of ""caelum"", which was the only form in Classical Latin. In medieval Latin, ""ae"" and ""oe"" were both pronounced [eː]; the form was also influenced by an extremely dubious etymology from Greek ""koilos"", ""hollow"". While the authorship of the ""Regina Caeli"" is unknown, the hymn has been traced back to the"
"Three Hail Marys Three Hail Marys is a traditional Roman Catholic devotional practice of reciting three Hail Marys as a petition for purity and other virtues. Believers recommend that it be prayed after waking in the morning, and before going to bed, following the examination of conscience at night. This devotion has been recommended by St. Anthony of Padua, St. Alphonsus Liguori, St. John Bosco and St. Leonard of Port Maurice. Two saints, Mechtilde and Gertrude, are said to have received revelations from the Blessed Virgin Mary regarding this practice. The practice of reciting the Hail Mary three times dates"
"of thy womb, Jesus.* Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. ""℣"". Behold the handmaid of the . ""℟"". Be it done unto me according to thy word. Hail Mary, full of grace; the is with thee: blessed art thou amongst women, and blessed is the Fruit of thy womb, Jesus.* Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. ""℣"". And the Word was made flesh. ""℟"". And dwelt among us. Hail Mary, full of grace; the is with thee: blessed"
"Holy Ghost; Holy Mary, Queen of Heaven; Holy Mary, Mistress of the Angels; Holy Mary, Star of Heaven; Holy Mary, Gate of Paradise; Holy Mary, Mother of True Counsel; Holy Mary, Gate of Celestial Life; Holy Mary, Our Advocate; Holy Mary, brightest Star of Heaven; Holy Mary, Fountain of True Wisdom; Holy Mary, unfailing Rose; Holy Mary, Beauty of Angels; Holy Mary, Flower of Patriarchs; Holy Mary, Desire of Prophets; Holy Mary, Treasure of Apostles; Holy Mary, Praise of Martyrs; Holy Mary, Glorification of Priests; Holy Mary, Immaculate Virgin; Holy Mary, Splendour of Virgins"", etc. The first Marian litanies must"
"O sanctissima """" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days. The earliest known publication was from London in 1785, presenting it as a traditional song from Sicily; but no original source or date has been confirmed for the simple melody or the poetic text. The tune is often called ""Sicilian Mariners Hymn"" or similar titles, referring to the seafarers' nightly invocation of Mary as their maternal protector: Our Lady, Star of the Sea. The tune has been notably reused"
"The song is part of the Protestant hymnal ""Evangelisches Gesangbuch"" as EG 518. The first stanza is included in the Catholic hymnal ""Gotteslob"" as GL 503. The Latin text has ten lines of different length, with irregular meter. Lines 7 to 9 are reminiscent of the Trisagion, ""Sanctus deus, Sanctus fortis, Sanctus immortalis, miserere nobis"" (Holy God, Holy Strong One, Holy Immortal One, have mercy on us). When Luther added two stanzas, he kept the structure, rendering the final request for mercy in each stanza as the Greek ""Kyrieleis"". From stanza to stanza, a line explains the respective line in"
"Deus ti salvet Maria The Deus ti salvet Maria (also known simply as the ""Sardinian Hail Mary"") is a devotional song belonging to the Sardinian tradition of the Gosos, written in the 18th-century by the poet Bonaventura Licheri (Neoneli, 1667 - 1733). The lyrics were composed (or translated) around 1725; the oldest transcription is the one of Maurizio Carrus, who had inserted it as an appendix in the Rosary of San Vero Milis in 1731. The Laude is sung in the form of the gosos, a typical devotional song widespread in Sardinia. In 1974 the Sardinian singer Maria Carta presented"
"Lamentations of Mary The Old Hungarian Lamentations of Mary (OHLM) () is the oldest extant Hungarian poem. It was copied in c. 1300 into a Latin codex, similarly to the first coherent Hungarian text, the ""Halotti beszéd"" (""Funeral Oration""), which was written between 1192 and 1195. Its text is a translation or adaptation of a version of the poem, or rather ""sequence"", that begins ""Planctus ante nescia"" and that was very widespread in medieval Europe. The speaker of the poem is the Blessed Virgin Mary as she laments the crucifixion of her Son, Jesus Christ while being at the side"
"hymn whose first stanza contains an invocation to Christ through the intercession of Mary. It begins with an apostrophe to her - to the Mother of Christ, the Virgin, praised by God, the chosen one. After the apostrophe, there is an appeal to Mary to win favour for people from her Son. The second stanza begins with a direct addresses to Christ (called God's Son) - with an invocation to John the Baptist who can support human imploring. The prayer closing this stanza contains a request that Christ give people a blissful stay on earth and, after death, everlasting existence"
"Mary, mother of God, pray for us sinners, now and at the hour of our death""). The final ""Hail Mary"" can also be replaced by reciting of either the prayer ""Magnificat,"" or Martin Luther's ""Evangelical praise of the Mother of God."" The Wreath of Christ is used in the Swedish Lutheran church. Roman Catholic Marian churches around the world named in honor of the rosary include: the Shrine of the Virgin of the Rosary of Pompei in Italy, ""Our Lady of the Rosary Basilica"" in the Archdiocesan seat of Rosario province, Argentina; the Sanctuary of Our Lady of the Rosary"
"is an anthem of the Roman Catholic Church which replaces the Angelus at Eastertide (from Holy Saturday until the Saturday after Pentecost). It is named for its opening words in Latin. The ""Regina Coeli"" was the subject of numerous intonations throughout the centuries by known and unknown composers. Not all attributions are correct however, as an often quoted ""Regina Coeli"" by Joseph Haydn had other composers. Of unknown authorship, the anthem was in Franciscan use in the first half of the 13th century. Together with three other Marian anthems, it was incorporated in the Minorite Roman Curia Office, which the"
"form owes much to the Order of Preachers. The practice of meditation during the praying of the Hail Mary is attributed to Dominic of Prussia (1382–1460), a Carthusian monk who termed it ""Life of Jesus Rosary"". The German monk from Trier added a sentence to each of the 50 Hail Marys, using quotes from scriptures (which at that time followed the name ""Jesus,"" before the intercessory ending was added during the Counter-Reformation). In 1569, the papal bull Consueverunt Romani Pontifices by the Dominican Pope Pius V officially established the devotion to the rosary in the Catholic Church. From the 16th"
"art thou amongst women, and blessed is the Fruit of thy womb, Jesus.* Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. ""℣"". Pray for us, O Holy Mother of God. ""℟"". That we might be made worthy of the promises of Christ. Let us pray, Pour forth, we beseech Thee, O , Thy grace into our hearts; that, we, to whom the Incarnation of Christ, Thy Son, was made known by the message of an angel, may by His Passion and Cross be brought to the glory of His Resurrection. Through"
"abbreviation of the first line, ""Stabat Mater dolorosa"" ('The sorrowful Mother was standing'). The poem reflects on the suffering of Mary, mother of Jesus, at the time of the Crucifixion. Lasting just over one hour on the debut recording, Jenkins' setting of the 20-verse poem is one of the longest of hundreds of extant settings of the work. ""Stabat Mater"" focuses on the suffering of Mary, but unlike most adaptations of the text, Jenkins uses languages other than Latin and his native English. Jenkins' work extends across twelve movements, six of which use texts other than the original poem. They"
"each. Gradually, the Hail Mary came to replace the Our Father as the prayer most associated with beads. Eventually, each decade came to be preceded by an Our Father, which further mirrored the structure of the monastic Divine Office. The practice of meditation during the praying of the Hail Marys is attributed to Dominic of Prussia (1382–1460), a Carthusian monk, who called it ""Life of Jesus Rosary"". The German monk from Trier added a sentence to each of the 50 Hail Marys already popular at his time, using quotes from scriptures. Promoted by his superior Adolf von Essen and others,"
"Magnificat The Magnificat (Latin for ""[My soul] magnifies [the Lord]"") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church (at vespers) and of the Eastern Orthodox churches (at the morning services). It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Its name comes from the incipit of the Latin version of the canticle's text. The text of the canticle is taken directly from the Gospel"
"it to the general public on the Canzonissima television show and in 1987, accompanied by the pipe organ, had performed it in the St. Patrick's Cathedral in New York. Deus ti salvet Maria The Deus ti salvet Maria (also known simply as the ""Sardinian Hail Mary"") is a devotional song belonging to the Sardinian tradition of the Gosos, written in the 18th-century by the poet Bonaventura Licheri (Neoneli, 1667 - 1733). The lyrics were composed (or translated) around 1725; the oldest transcription is the one of Maurizio Carrus, who had inserted it as an appendix in the Rosary of San"
"Missal. The first English version below, translated by William Josiah Irons in 1849, replicates the rhyme and metre of the original. The second English version is a more formal equivalence. <poem> </poem> <poem> </poem> <poem> </poem> <poem> </poem> This is as the ""Sanctus"" prayer in the Ordinary of the Mass: <poem> </poem> <poem> </poem> This is as the ""Agnus Dei"" in the Ordinary of the Mass, but with the petitions ""miserere nobis"" changed to ""dona eis requiem"", and ""dona nobis pacem"" to ""dona eis requiem sempiternam"": <poem> </poem> <poem> </poem> As mentioned above, there is no ""Gloria"", ""Alleluia"" or Credo"
"Litany of the Blessed Virgin Mary The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto, for its first-known place of origin, the Shrine of Our Lady of Loreto (Italy), where its usage was recorded as early as 1558. The litany contains many of the titles used formally and informally for the Virgin Mary, and would often be recited as a call and response chant in a group setting. This litany is called Litaniae lauretanae in Latin. Many classical composers, like Wolfgang"
"Ave maris stella Ave maris stella (Latin for ""Hail Star of the Sea"") is a plainsong Vespers hymn to Mary from about the eighth century. It was especially popular in the Middle Ages and has been used by many composers as the basis of other compositions. The creation of the original hymn has been attributed to several people, including Bernard of Clairvaux (12th century), Saint Venantius Fortunatus (6th century) and Hermannus Contractus (11th century). The text is found in 9th-century manuscripts, kept in Vienna and in the Abbey of Saint Gall. Its frequent occurrence in the Divine Office made it"
"from mortal sin. Hail Mary, full of grace, the Lord is with thee. Blessed are thou amongst women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners, now and at the hour of our death. Amen. O my Mother, preserve me this day from mortal sin. Hail Mary, full of grace, the Lord is with thee. Blessed are thou amongst women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners, now and at the hour of our death. Amen. O my Mother,"
"of psalms and canticles and in the responsories. It also figures in the Introit of the pre-1970 form of Mass in the Roman Rite. It is restored to the Introit in the form of the Roman Rite published in ""Divine Worship: The Missal"". The prayer also figures prominently in non-liturgical devotions, notably the rosary, where it is recited on the large beads (where also an ""Our Father"" is prayed) that separate the five sets of ten smaller beads, called decades, upon each of which a Hail Mary is prayed. Amongst Anglicans, the ""Gloria Patri"" is mainly used at the Daily"
"ventris tui, Iesus. * Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc et in hora mortis nostræ. Amen."" ""℣"". ""Ora pro nobis, Sancta Dei Genetrix."" ""℟"". ""Ut digni efficiamur promissionibus Christi."" ""Oremus"". ""Gratiam tuam, quæsumus, Domine, mentibus nostris infunde; ut qui, Angelo nuntiante, Christi Filii tui incarnationem cognovimus, per passionem eius et Crucem ad resurrectionis gloriam perducamur. Per eumdem Christum Dominum nostrum."" ""℟"": ""Amen."" ""℣"". The Angel of the declared unto Mary, ""℟"". And she conceived of the Holy Spirit. Hail Mary, full of grace; the is with thee: blessed art thou amongst women, and blessed is the Fruit"
"Lord. Amen"" within the prayer to be omitted, moved the phrase ""The mystery of faith"" from within the ""words of institution"" spoken over the chalice to after them, and made some rubrical changes. History of the Roman Canon The Roman Canon or Eucharistic Prayer I is the first of four anaphoras or eucharistic prayers for general use in the Roman Rite Mass. Before 1970, it was the only one in the Roman Missal. While the other three were newly composed for the 1970 edition of the Roman Missal, the Roman Canon remains essentially in the form it took in the"
"words ""Ave Caesar! Morituri te salutant!"" (""Hail, Caesar! Those who are about to die salute you!"") in an attempt to avoid death. The expression is not recorded as being used in Roman times on any other occasion. The Vulgate version of the Annunciation translates the salute of the angel to Mary, Mother of Jesus as ""Ave Maria, gratia plena"" (""Hail Mary, full of grace""). ""Ave Maria"" is a Catholic Marian prayer that also has inspired authors of religious music. Within Satanism, the phrase ""Ave Satana"" (or, incorrectly, ""Ave Satan"") is used, along with its more popular English translation Hail Satan."
"Giver,"" and especially ""Star of the Sea."" Stella Maris was by far the favored interpretation. Jerome suggested the name meant ""Lady"", based on the Aramaic ""mar"" meaning ""Lord"". In the book, ""The Wondrous Childhood of the Most Holy Mother of God"", St. John Eudes offers meditations on seventeen interpretations of the name ""Mary,"" taken from the writings of ""the Holy Fathers and by some celebrated Doctors"". The name of Mary is venerated because it belongs to the Mother of God. Mary’s name occurs in the first part and in the second part of the Hail Mary. At Rome, one of"
"Immaculate Mary Immaculate Mary or Immaculate Mother (French: Ô Vierge Marie) is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn, a term which also refers to the melody alone. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary. The earliest version of the hymn was written in 1873 by French priest and seminary director Jean Gaignet, for pilgrims to the site of the apparitions of Our Lady of Lourdes. It was set to a traditional French tune and contained 8 verses; he later expanded it to 120 verses."
"the customary ""Salve Regina"". The Litany of Loreto was first included in the Rituale Romanum in 1874, as an appendix. A partial indulgence is granted to those who recite this Litany. The Litany of the Blessed Virgin Mary has also been set to music (as the Litaniae lauretanae) by composers such as Palestrina, Charpentier, Mozart, Jan Dismas Zelenka, Joseph Auer, and Johannes Habert. Litany of the Blessed Virgin Mary The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto, for its first-known"