"Restoration of the Sistine Chapel frescoes The conservation-restoration of the frescoes of the Sistine Chapel was one of the most significant conservation-restorations of the 20th century. The Sistine Chapel was built by Pope Sixtus IV within the Vatican immediately to the north of St. Peter's Basilica and completed in about 1481. Its walls were decorated by a number of Renaissance painters who were among the most highly regarded artists of late 15th century Italy, including Ghirlandaio, Perugino, and Botticelli. The Chapel was further enhanced under Pope Julius II by the painting of the ceiling by Michelangelo between 1508 and 1512"
"of the Sistine Chapel, which took approximately four years to complete (1508–1512). According to Condivi's account, Bramante, who was working on the building of St. Peter's Basilica, resented Michelangelo's commission for the pope's tomb and convinced the pope to commission him in a medium with which he was unfamiliar, in order that he might fail at the task. Michelangelo was originally commissioned to paint the Twelve Apostles on the triangular pendentives that supported the ceiling, and to cover the central part of the ceiling with ornament. Michelangelo persuaded Pope Julius to give him a free hand and proposed a different"
"brighter in color. Prophet Isaiah (Michelangelo) The Prophet Isaiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1542–1545) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. Elements of this fresco have inspired various artists, including Caravaggio and Norman Rockwell in his famous Rosie the Riveter illustration. This particular fresco figure is painted fourth on the right from the side of the High Altar. Michelangelo's imagining bursts with movement, as Isaiah's cloak swirls around him. The colors in the portrayal – especially after the"
"this fact to mean that Julius simply desired to be painted in the frescoes. (Gosman, 55) Julius was, according to some scholars, a man who appreciated art, took pleasure in building, and merely wanted to create grand places in which to live, and that this motivation was much more important than the desire to project political ideas and images of his power. (Gosman, 55) Art patronage of Julius II Pope Julius II (reigned 1503–1513), commissioned a series of highly influential art and architecture projects in Rome. The painting of the Sistine Chapel ceiling by Michelangelo and various rooms in the"
"of the ""Last Judgement"" and the frescoes of the Capella Paolina. The Sistine Chapel ceiling was a work of unprecedented grandeur, both for its architectonic forms, to be imitated by many Baroque ceiling painters, and also for the wealth of its inventiveness in the study of figures. Vasari wrote: Michelangelo Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (; ; 6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of"
"Spirituali The Spirituali were members of a reform movement within the Roman Catholic Church, which existed from the 1530s to the 1560s. The movement is sometimes also called evangelism. The ranks of the Spirituali included Cardinal Gasparo Contarini (1483–1542), Cardinal Jacopo Sadoleto (1477–1547), Cardinal Reginald Pole (1500–1558), Italian poet Vittoria Colonna, and her friend, the artist Michelangelo (1475–1564), who painted the ceiling of the Sistine Chapel and the very controversial ""Last Judgement"". These ""Italian evangelicals"" proposed to reform the Church through a spiritual renewal and internalization of faith by each individual, viewing the intense study of scripture and justification by"
"the Book of Genesis: Although in terms of the Genesis chronology it is the first of nine central panels along the Sistine ceiling, the ""Separation of Light from Darkness"" was the last of the nine panels painted by Michelangelo. Michelangelo painted the Sistine ceiling in two stages. Between May 1508 and the summer of 1511, he completed the ""entrance half"" of the Sistine chapel and ended this stage by painting the ""Creation of Eve"" and the scenes flanking this central panel. After an idle period of about 6 months, he painted the ""altar half,"" starting with the ""Creation of Adam"","
"Rome. He then set about an exploration of the expressive possibilities of the human anatomy. His commission by Pope Julius II to paint the Sistine Chapel ceiling resulted in the supreme masterpiece of figurative composition, which was to have profound effect on every subsequent generation of European artists. His later work, ""The Last Judgement"", painted on the altar wall of the Sistine Chapel between 1534 and 1541 shows a Mannerist (also called Late Renaissance) style with generally elongated bodies which took over from the High Renaissance style between 1520 and 1530. Standing alongside Leonardo and Michelangelo as the third great"
"most famous and influential designs of the Renaissance, and were well known to all artists of the Renaissance and Baroque. Admiration of them reached its highest pitch in the 18th and 19th centuries; they were described as ""the Parthenon sculptures of modern art"". Raphael—whom Michelangelo greatly disliked—was highly conscious that his work would be seen beside the Sistine Chapel ceiling, which had been finished only two years before, and took great care perfecting his designs, which are among his largest and most complicated. Originally the set was intended to include 16 tapestries. Raphael was paid twice by Leo, in June"
"1475 and, like Leonardo, was a true Renaissance man. He was a sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art. He was considered the greatest living artist in his lifetime and, since then, one of the greatest artists of all time. His two best-known sculptures, the Pietà and David, are famous throughout the world. Michelangelo also created two of the most famous and influential frescoes in the history of Western art: the scenes from Genesis covering the ceiling of the Sistine Chapel, and The Last Judgment on the altar wall of"
"period of the Early Renaissance in Italian art is marked, like its beginning, by a particular commission that drew artists together, this time in cooperation rather than competition. Pope Sixtus IV had rebuilt the Papal Chapel, named the Sistine Chapel in his honour, and commissioned a group of artists, Sandro Botticelli, Pietro Perugino, Domenico Ghirlandaio and Cosimo Rosselli to decorate its wall with fresco cycles depicting ""the Life of Christ"" and ""the Life of Moses"". In the sixteen large paintings, the artists, although each working in his individual style, agreed on principals of format, and utilised the techniques of lighting,"
"Cosimo Rosselli Cosimo Rosselli (1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also Lucca earlier in his career, and from 1480 in the Sistine Chapel in Rome, where he painted some of the large fresco panels on the side walls. Despite being roughly the same age (slightly older in each case) as Sandro Botticelli, Pietro Perugino and Domenico Ghirlandaio, the other leading Florentine painters, all regarded as greater talents, Rosselli was still able to win several large commissions, which is a testament to the high level of activity in the city. He"
"Prophet Isaiah (Michelangelo) The Prophet Isaiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1542–1545) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. Elements of this fresco have inspired various artists, including Caravaggio and Norman Rockwell in his famous Rosie the Riveter illustration. This particular fresco figure is painted fourth on the right from the side of the High Altar. Michelangelo's imagining bursts with movement, as Isaiah's cloak swirls around him. The colors in the portrayal – especially after the restoration – strike"
"Sistine Chapel ceiling was constructed in such a way that there were twelve sloping pendentives supporting the vault that formed ideal surfaces on which to paint the Twelve Apostles. Michelangelo soon devised an entirely different scheme, far more complex both in design and in iconography. The scale of the work, which he executed single handed except for manual assistance, was titanic and took nearly five years to complete. The Pope's plan for the Apostles would thematically have formed a pictorial link between the Old Testament and New Testament narratives on the walls, and the popes in the gallery of portraits."
"Influential English critic Roger Fry used the figure to illustrate his emotional elements of design, or how formal elements such as mass and space produce emotion: Prophet Jeremiah (Michelangelo) The Prophet Jeremiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1510-12) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco is the first one on the left from the side of the High Altar. The person of Jeremiah is imagined as lost in anguished meditation. Although the painting portrays Jeremiah as"
"a muscular figure from below. Prophet Daniel (Michelangelo) The Prophet Daniel is one of the seven Old Testament prophet's painted by the Italian High Renaissance master Michelangelo (c. 1542–1545) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco figure is painted second on the right from the side of the High Altar. Unlike many other paintings of the period, this portrayal makes no reference to the most famous event from Daniel's life, that is his time in the den of the lions. Instead, Michelangelo shows Daniel reading a great book,"
"not interrupt the work at all, as he was succeeded by Raphael's last Pope, the Medici Pope Leo X, with whom Raphael formed an even closer relationship, and who continued to commission him. Raphael's friend Cardinal Bibbiena was also one of Leo's old tutors, and a close friend and advisor. Raphael was clearly influenced by Michelangelo's Sistine Chapel ceiling in the course of painting the room. Vasari said Bramante let him in secretly. The first section was completed in 1511 and the reaction of other artists to the daunting force of Michelangelo was the dominating question in Italian art for"
"and passionate Christian beliefs. The Sistine Chapel is 40.9 metres long and 14 metres wide. The ceiling rises to 13.4 metres above the main floor of the chapel. The vault is of quite a complex design and it is unlikely that it was originally intended to have such elaborate decoration. Pier Matteo d'Amelia provided a plan for its decoration with the architectural elements picked out and the ceiling painted blue and dotted with gold stars, similar to that of the Arena Chapel decorated by Giotto at Padua. The chapel walls have three horizontal tiers with six windows in the upper"
"appear in the frescoes of Biblical and classical subjects that Michelangelo painted on the ceiling of the Vatican's Sistine Chapel. The frescoes, painted from 1508 to 1512, rank among the greatest works of Renaissance art. Raphael's paintings are softer in outline and more poetic than those of Michelangelo. Raphael was skilled in creating perspective and in the delicate use of color. He painted a number of beautiful pictures of the Madonna (Virgin Mary) and many outstanding portraits. One of his greatest works is the fresco ""The School of Athens"". The painting was influenced by classical Greek and Roman models. It"
"Prophet Jeremiah (Michelangelo) The Prophet Jeremiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1510-12) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco is the first one on the left from the side of the High Altar. The person of Jeremiah is imagined as lost in anguished meditation. Although the painting portrays Jeremiah as lamenting over the Destruction of Jerusalem, critics have interpreted the figure as a self-portrait by Michelangelo, with the artist lamenting over the weight of his sins."
"Domenico Cunego Domenico Cunego (1724/25 – 8 January 1803) was an Italian printmaker. Cunego was born at Verona. Having studied under the otherwise-unknown painter Francesco Ferrari, he began his artistic career as a painter, producing several works, all of which are now lost or untraceable. At age 18, however, he switched to engraving (a field in which he was possibly self-taught). He died in Rome. The engravings he made depicting Michelangelo's Sistine Chapel ceiling, published in Gavin Hamilton's ""Schola Italica Picturae"" (1773), were an important source for the artists of his time. He is notable not only for reproducing paintings"
"Prophet Joel (Michelangelo) The Prophet Joel is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1508–1512) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco imagines the person of Joel, a prophet from the Hebrew Bible, whose teachings appear in the Book of Joel. Critics have often commented on the rhythmic posture of the figure, and the artist's use of several inner horizontal lines for the clothing, which stands out when compared to some of the other frescoes. But the most engaging"
"Preaching by the Lake of Tiberias"" and ""The Last Supper"". His chief pupil was Fra Bartolomeo. Among Roselli's other pupils were Angelo di Donino and Giovanni Battista Vanni. According to Vasari, Rosselli died in 1484, but this is a mistake, as he was known to have been living on 25 November 1506. Cosimo Rosselli Cosimo Rosselli (1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also Lucca earlier in his career, and from 1480 in the Sistine Chapel in Rome, where he painted some of the large fresco panels on the side walls."
"part of the fresco is the face of the central figure, which appears to reveal wisdom, disdain and intense focus all at once; the open scroll in his hands only enhancing this sense of wisdom. Prophet Joel (Michelangelo) The Prophet Joel is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1508–1512) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco imagines the person of Joel, a prophet from the Hebrew Bible, whose teachings appear in the Book of Joel. Critics have often"
"after recent cleaning and restoration. The work took over four years to complete between 1536 and 1541 (preparation of the altar wall began in 1535). Michelangelo began working on it twenty-five years after having finished the Sistine Chapel ceiling, and was nearly 67 at its completion. Michelangelo originally accepted the commission from Pope Clement VII, but it was completed under Pope Paul III, whose stronger reforming views probably affected the final treatment. In the lower part of the fresco, Michelangelo followed tradition in showing the saved ascending at the left and the damned descending at the right. In the upper"
"to ""Master of Santo Spirito"" have been variously attributed to Agnolo or to both. According to tax documents Donnino was the head of the workshop, which began sometime after 1480. Their style suggests that they may have apprenticed with Cosimo Rosselli. Agnola's mention in Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects as well as by Filippo Baldinucci, indicates that he was the more recognized and talented of the brothers. Agnolo was among a group of select artists to consult with Michelangelo for the Sistine Chapel ceiling between 1507 and 1508. 1490 through 1515 was a period"
"indirect and hidden illuminated ceiling painting is dedicated to God and eternity. The ceiling fresco ""Life of Saint Nepomuk"" is considered one of the masterpieces by Cosmas Damian Asam. The high altar of the Asam Church is framed by four spiral columns. At the high altar, these four columns are used as a reference to the four-Bernini columns over the grave of St. Peter in St. Peter's in Rome. Previously, the brothers Asam had studied in Italy, at the Accademia di San Luca, under Lorenzo Bernini. At the top is God, the Saviour. Below the tabernacle, a relic of John"
"2009, under the Stimmell's artistic direction, Expressions in Chalk Street Painting Festival in London, Ontario, Canada, recreated the central ceiling of the Sistine Chapel at 18 x 92 feet. Stimmell also worked as a featured artist on the 2002 San Rafael Sistine Chapel Project. Since then, Stimmell has secured her Maestro status in Europe with her second win in the Netherlands and the highest honor a street painter is bestowed, Italy's Maestro Gold Medal in Grazie di Curtatone. Stimmell is also a fine artist creating works in soft pastels and oils that she shows in Southern California galleries under her"
"he was supposed to paint on the opposite wall—Pope Julius II called him to Rome to paint the Sistine Chapel, and the master's sketches were destroyed by eager young artists who came to study them and took away scraps. The surviving decorations in this hall were made between 1555 and 1572 by Giorgio Vasari and his helpers, among them Livio Agresti from Forlì. They mark the culmination of mannerism and make this hall the showpiece of the palace. On the walls are large and expansive frescoes that depict battles and military victories by Florence over Pisa and Siena: The ceiling"
"was apparently famous for designing the temporary decorations for Carnival and other festivities. The son of a goldsmith, Lorenzo di Piero, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in 1481. In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose ""Portinari Triptych"" (now at the Uffizi Gallery in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the"
"Semi-Gods Ceiling The Demi-Gods Ceiling is a painted coffered ceiling by the Italian Renaissance master Pinturicchio, dating to c. 1490 and housed in the last of the suite of reception rooms in the Palazzo dei Penitenzieri in Rome, Italy. It comprises 63 octagonal coffers in gilded wood, decorated with allegoric and mythological figures on a faux-mosaic background, and painted on paper. The work was commissioned by Cardinal Domenico della Rovere, at the time patron of the young Pinturicchio. The figures of the ceiling were inspired by medieval bestiaries and "" libri monstruorum"", which contained hybrid figures such as sphinxes, armed"
"on the drawings of Michelangelo. Indeed, such was his international standing in the world of Michelangelo studies that he was made a member of the Pontifical Commission for the Restoration of the Sistine Chapel's ceiling in 1987, and the following year curated an exhibition on Michelangelo as Draftsman for the National Gallery of Art in Washington. He has made a signal contribution to knowledge and understanding of sixteenth-century Italian art, devoting most of his scholarly publications to the life and works of Michelangelo. His studies of the Florentine master have shaped a generation of art historians and constitute a point"
"The Crossing of the Red Sea (Sistine Chapel) The Crossing of the Red Sea is a fresco executed in 1481–1482 and located in the Sistine Chapel, Vatican City. Of uncertain attribution, it has been assigned to one between Domenico Ghirlandaio, Biagio d'Antonio or Cosimo Rosselli. On 27 October 1480 several Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the ""de facto"" ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino,"