"for a badges by corresponding with the show by post. Applications require a message of at least 50 words explaining why a badge is deserved and often include drawings, poems, or other creative works. There are different types of badges, representing different types of achievement. The badge was originally introduced in 1963, featuring the blue ship logo on a white plastic shield inspired by the ship from Disney's Peter Pan. This design remained unchanged until the 1990s when a revised badge featuring a raised moulding of the ship design by Tony Hart was introduced (more detailed and neater than the"
"Chuck Jones, in person, drawing him out after Bugs Bunny and Daffy Duck argued about who should launch The WB during the network's premiere), and would remain as part of the network's branding in one form or another until 2005. Much of the network's branding was based around Warner Bros. locations and characters: the television network's original logo (which was originally displayed upright until 1999, and displayed at a titled angle thereafter) was based on the typography of the iconic Warner Bros. Pictures' ""shield"" logo; network promotions and imaging campaigns for The WB and the Kids' WB block from their"
"logo designed by Lee Hunt Associates (a black Mickey ear-shaped TV set, though with the introduction of a new graphics package for on-air promotions and IDs during the channel's daytime and evening lineup in 2000, the TV's patterning often varied; early versions of the logo featured people and animated characters appearing within the TV set element of the logo such as a 1930s-era Mickey Mouse). The debut of its new on-air look coincided with the cable television premiere of ""Pocahontas"". The channel continued to transition from a premium service into a basic cable channel around this time, albeit with a"
"September 1985 as a strand of programming for children aged 6–13. The first idents consisted of Children's on top of a large BBC is a similar style to a rushed scribble, generated live on air by a BBC Micro computer. However, 2 years after launch, the idents were replaced by an animated sequence of the letters spelling out Children's with an outline of an object corresponding to that letter. This was replaced by a computer generated sequence in 1990. In 1991, the BBC corporate revamp meant that Children's BBC was given a makeover. The result was a logo centred on"
"a new on-air identity package was created by Velvet mediendesign in 2001. The logo was redesigned by Velvet Mediendesign on New Year's Day 2001, with the introduction of digital TV in Australia and new graphics. On 1 September 2002, the dots were changed back to spheres from the 1997 logo as well as the numeral becoming 3D for their ""7 colours for 7 days"" presentation package. On 30 January 2006, the network and its affiliates relaunched their logos to coincide with Nine's 50th anniversary. The numeral was reworked with a few rounded corners eliminated in process. This logo would use"
"a stylised Children's with a corporate BBC logo at the bottom of the screen. In 1994, the Children's BBC idents changed in style; many featured cartoons or computer generated graphics where the stylised Children's and the BBC corporate logo would feature somewhere. Children's BBC was officially renamed CBBC in October 1997, with the production of appropriate idents. The idents all had a yellow background, and black subjects and often in the cartoon style. When CBBC was given its own channel on the digital terrestrial platform on 11 February 2002, the CBBC ""blob"" ident was created. These animated 'bugs' were designed"
"the concept was reworked into an animated short in 2002. This pilot was greenlit by Nickelodeon to become a full-length series. The show is intended for children aged 2 to 5. Dave Palmer began directing the show in the middle of season one, and directed all subsequent episodes. Evan Lurie (of The Lounge Lizards) and Douglas Wieselman composed the music for the show with lyrics by McPaul Smith. The characters were designed by children's author and illustrator Dan Yaccarino. A second season had been announced on April 30, 2006 by Nelvana and Nickelodeon. The third season was first released in"
"children's channels. Kieron Elliott, Lola Buckley, Gavin Inskip and Jen Long provided out-of-vision continuity. On 22 January 2008 a new channel identity was unveiled. Rebranding was carried out by Red Bee Media, along with agencies MPG and Agency Republic with music and sound design by creative audio company Koink. The Discovery idents were introduced in October 2013 and lasted until January 2016, retaining the logo from 2008. The idents follow the theme of ""discovery"", and were designed by Claire Powell at Red Bee Media. The soundtrack for the idents was composed by Chris Branch and Tom Haines at Brains &"
"people. This was the highest in the industry and the highest percentage ever. MTV's now-iconic logo was designed in 1981 by Manhattan Design (a collective formed by Frank Olinsky, Pat Gorman and Patty Rogoff) under the guidance of original creative director Fred Seibert. The block letter ""M"" was sketched by Rogoff, with the scribbled word ""TV"" spraypainted by Olinksky. The primary variant of MTV's logo at the time had the ""M"" in yellow and the ""TV"" in red. But unlike most television networks' logos at the time, the logo was constantly branded with different colors, patterns and images on a"
"Hart also created the original design for the ""Blue Peter"" badge, also used as the programme's logo. He originally asked for his fee to be paid as a royalty of 1d (one pre-decimalisation penny) for each badge made, but was offered a flat fee of £100 (equivalent to around £1,600 at 2006 rates). The badges are famous throughout the UK and have been coveted by successive generations of ""Blue Peter"" viewers. Hart received two BAFTA awards. His first, for Best Children's Educational Programme, came in 1984 for ""Take Hart"", and he was given a Lifetime Achievement Award in 1998. He"
"""Space 1999"" with free cards of episodes inside the wrapper, ""Star Wars"" with free masks of major characters and film facts on the wrappers, ""The Bionic Man"" TV series, ""Superman"" and even a Goal lolly with lolly sticks containing famous footballers of the day. The Lyons Maid brand logo, sometimes known as the 'Good Time Sign' but more generally referred to in house as the 'Dancing Children' was initially developed by advertising agency Young & Rubicam to identify the brand in sweet shops and later on packaging and on ice cream vans but was eventually phased in across the whole"
"(TeenNick and Nicktoons use this vanity card on end credit tags of their programs regardless of the program's original airdate, whereas Nick Jr. only uses it and its variants for original programs on episodes of series made after the rebrand). Designed by New York City–based creative director/designer Eric Zim, the overall presentation package as well as the renaming of The N and Noggin was designed to bring each of the MTV Networks Kids & Family Group channels in line with the Nickelodeon brand identity, with a new logo system introduced to represent the network's entire family of networks and other"
"The programme title would now be overlaid the white background, rather than be incorporated into the design. The DOG for the CBBC channel was also changed to the new logo, however it retained its green colour scheme, and would often animate, with the letters popping out and in at regular intervals. The new look was created by the Children's BBC marketing team, with Red Bee Media designing the new logo and idents, and Fallon, who created the new TV trails that were used prior to launch. On 13 September 2014, CBBC replaced the ""stylized"" idents with new idents, after seven"
"director Keith Robinson who also oversaw the overall look of the animations. He also designed the logo and branding for the series. Lizzie Dyson designed the background. One of the show's producers, Will Brenton, explains that Melody's sight difficulties are never mentioned directly. ""We often see her using her white cane, or placing her hand on top of her mum's whilst they cut something,"" he says. ""It is never about what Melody can't do or needs help with, but always about what she can do and the methods she uses to do as much as most children."" The first series"
"logo. Bill Kennard was paid £25 for his design. This logo has been modified from two dimensions, to colour, to three dimensions, over time and it is now one of the most well-known logos in Australia. Due to the start of colour test transmissions, ABC TV's logo was modified to a thickened variant on 19 October 1974 and it was also changed to a crossover design. To celebrate the Australian Bicentenary, on Australia Day in 1988, the ID's were updated. The original set of ID's were titled ""Natural Textures of Australia"", with a following called ""Man Made Textures of Australia""."
"and Signature magazines, conceived other brand and packaging concepts, such as the Westinghouse Turtle Lite, and was the first to design an animated logo for television, for Metromedia TV back in the mid-1960s. Ferriter was later the Art Director at Burson-Marsteller and taught graphic design at the School of Visual Arts in New York for 30 years. He emphasized lean, elegant design solutions, distilling ideas down to their essence. The work of his student's can be found in his book, 'Typerformance.' Roger Ferriter Roger Ferriter is a graphic designer most renowned as the progenitor of the L'eggs name, logo and"
"artist Don LaFontaine. The first new episode aired after his death was dedicated to him. He was replaced by voice actor Wes Johnson, who served in the role until end of the show's run. Notable writers have included Peter Koper and Greg Scott. Logos The show's first logo ran from 1988 to 1990, which consisted of an eagle sitting on a tree branch in a circle, with lines, stars, and zigzags below, and it has ""AMERICA'S MOST WANTED"" written on it. The show's second and final logo ran from 1990 to 2012, which would be used for the rest of"
"worked with art director and director to create the characters and backgrounds for the series. The theme music was composed by Rowland Lee, the lyrics were written by John Grace (who was a writer for the show), and was sung by Clewborough House School Camberley. The show won a BAFTA in 2000 for best international children's program. At one point, the shorts aired on Playhouse Disney as part of their ""Mini Movies"" interstitials and PBS Kids Sprout. The shorts have also aired on Nick Jr. UK, Disney Channel, MBC 3, CBeebies, ZDF, MiniMini+, NRK, RTÉ, and La Cinquième. It also"
"The station also broadcast children's programmes under the strand 'Galaxy Club', which featured home-grown programming, mixed with imported cartoons and series such as the cartoons ""Denver, the Last Dinosaur"", ""Spider-Man"", ""Teenage Mutant Hero Turtles"", and ""Underdog"". Programmes specially made for the channel included ""Cool Cube"" and ""The Galaxy Club Show"". One such programme, ""The Satellite Game"", was made by Broadsword, who re-used the interactive game show format in their following programmes, including the successful Knightmare. The Galaxy logo, along with all the BSB logos, has been critically acclaimed. On the TV Ark website, an archive of British television presentation history,"
"Australia, and at that year's Nickelodeon Animation Festival, intending to create a unified look that can better be conveyed across all of MTV Networks' children's channels. The new logo as well as new on-air graphics debuted on September 28, 2009 across Nickelodeon and Nick at Nite, along with the rebranded TeenNick, Nick Jr. and Nicktoons (formerly The N, Noggin and Nicktoons Network, respectively) channels in varying versions customized for brand unification and refreshment purposes. A new logo for Nickelodeon Productions was also used in end credit tags on all Nickelodeon shows, even on episodes aired before the new logo launch"
"Bernard Lodge Bernard Lodge (born 1933) is a British graphic designer. He worked for the BBC from 1959 to 1977 before launching a freelance career. He has been described by the Open University as a pioneer of graphic design in television. Lodge attended the Royal College of Art and joined the BBC graphics department. He is known for his work on the science-fiction television series ""Doctor Who"", for which he designed the first four series logos. He also designed and engineered the first five title sequences. These include the 'howlaround' versions and the 'slit-scan' time tunnel versions. In 1974, Lodge"
"or referenced film and television shows including other incarnations of Robin Hood in those media. The show was such a success that there was an adaptation produced for the stage and a cartoon strip by Paul Cemmick which was serialised in the ""Daily Telegraph""'s children's paper ""The Young Telegraph"" (also available as a series of collections), and the programme was repeated on BBC One in 2001. Series 1 was released on video in 1990 and 1993, with three episodes each on four tapes, and all four series are available on DVD. It was repeated in April 2002 on the CBBC"
"Robertson & Sons used a golliwog called Golly as its mascot from 1910, after John Robertson apparently saw children playing with golliwog dolls in the United States. Robertson's started producing promotional Golly badges in the 1920s, which could be obtained in exchange for tokens gained from their products. In 1983, the company's products were boycotted by the Greater London Council as offensive, and in 1988 the character ceased to be used in television advertising. The company used to give away golliwog badges and small plaster figures playing musical instruments (jazz musicians) or sports and other such themes. The Gollywog badge"
"used by all students from grades 6 to 12. The School Badge appeared for the first time on the cover of the June Magazine in 1902, and was designed by architect, Robin Dods. The central figure represents Wisdom, standing upon or emerging from, the open book, representing Knowledge. In her hand is a lamp, representing Truth. The school motto ""Honour before Honours"" can be found at the base of the badge. The illustration is also a clear reference to the famous verse from Psalm 119:105 """"Your word is a lamp to my feet and a light to my path."""" In"
"original opening titles showed a Blue Peter flag being lowered on a ship. In 1979 it was updated by Mike Oldfield, and again in the 1990s. From the 2008 series onwards it became a rendition of the similar ""Sailor's Hornpipe"". However, from 14 October 2008, the tune has become a blend of both tunes. The programme's motif is a stylised sailing ship designed by Tony Hart. Hart's original design was never successfully used in a totally uniform fashion, with several different reproductions used in studio, on badges, the ""Blue Peter"" books and on-screen graphics. This was until the show's redesign"
"top quarter of the screen. The BBC continued its long tradition of using special idents at Christmas time throughout this branding period. The first ident, ""Snowflakes"" featured children dressed as snowflakes falling to earth and running around against a red sky background. This ident was used in 2002 and, for the first time in its history, was re-used again in 2003. BBC Two also followed suit the same year, although rather than re-using an ident, they were used alongside that year's newer one. This re-using of the previous years ident caused public controversy and, as a result a new ident,"
"early years of television, the ABC had been using Lissajous figures as fillers in-between programs. A staff competition was conducted in 1963 to create a new logo for use on television, stationery, publications, microphone badges and ABC vehicles. Graphic designer, Bill Kennard, who had been experimenting with telerecording of the Cathode Ray Oscillograph displays, submitted a design in 1965 which was part of the waveform of an oscilloscope. The letters A-B-C were added to the wavelength design and it was adopted as the ABC's official logo. Mr Kennard was paid twenty five pounds for his design. In 1967, the weeknightly"
"programme. Each blob was computer generated, created by Stefan Marjoram at Aardman Animations, and given a voice from the BBC Sound Archive. The brown blobs parallel the CBBC green and CBeebies yellow blobs used at the time and showing a progression through age groups. The channel's logo consisted of a BBC logo above a slanted, upper case, Three set inside a white box. The contents of the box itself however were transparent, so that the ident could be seen through the logo. The box structure itself is similar to the other BBC Channels, but the slanted text is different from"
"and illustrator). Firmin designed the characters, and his wife knitted and ""dressed"" them. The music, often part of the story, was provided by Vernon Elliott. A third series, narrated by Monty Python actor Michael Palin, was broadcast in the UK from 15 June 2015 on the BBC's CBeebies TV channel, gaining hugely successful viewing figures, following on from a short special broadcast by the BBC earlier that year. The new programmes are still made using stop-motion animation (instead of the computer-generated imagery which had replaced the original stop-motion animation in revivals of other children's shows such as Fireman Sam, Thomas"
"in response to a Humanists UK competition in 1965, after many years of discussion as to what a logo should look like. After some time without progress, radio presenter Margaret Knight backed a popular movement among Humanists UK's membership to commission such a logo, triggering publicity officer Tom Vernon to announce the competition. Of the several hundred designs from a number of countries that were considered, Dennis Barrington's simple design was favoured for its perceived universalism. Within the space of a few years, the logo had emerged as a symbol of Humanism, not just of Humanists UK and was adopted"
"with the launch of the new cable network Current TV and subsequently all of the art and animation was created by Faure-Brac and Steven K. L. Olson until 2006. Faure-Brac and Olson were then joined by animator Dustin McLean (of literal music video) who later became assistant director for the show. SuperNews! episodes (short-form segments) aired in Current TV's ""shuffle"" rotation. In March 2009, as Current TV started shifting to more traditional 30-minute programming, the show transitioned to a full half-hour program consisting of several shorts married together by thematic transitions. During these transitions, the show's logo and mascot Earf"
"rise of cheaply available alternatives and a tightening up of the regulations governing alcohol advertising on television. 1996 saw a major relaunch of the brand and the reintroduction of the chamois mascot, a giant model of which can be seen outside the Shepton Mallet factory where the drink is produced. 1997 saw the reintroduction of Babycham Babe beauty contests that had been popular in the 1960s. The iconic 'Babycham' logo was designed and created by John Emperor of CDP (Collett Dickenson Pearce) which was a well-known advertising company in London. The Showerings company was bought out in the 1990s and"
"that featured computer-generated animations or cartoons and would include the Children's BBC logo in it somewhere, either as a whole or in part, and often accompanied by the BBC logo. These later logos and idents include: In addition to these, some were used for certain programmes, such as ""Saturday Aardvark"", which used bubbles with letters of the 'Children's' on them, and the Breakfast show. Originally this utilised a personalised TV screen with a CBBC ident displaying in the viewer but was later replaced by a cereal box that poured out Children's BBC logos, BBC logos and logos from some of"