"which was to premiere in 2017. Warner Music France released her rendition as a digital single on 22 May 2016. If I Can't Have You ""If I Can't Have You"" is a disco song written by Barry, Robin and Maurice Gibb in 1977. The song initially appeared on the ""Saturday Night Fever"" soundtrack in a version by Yvonne Elliman, released in November 1977. The Bee Gees' version appeared a month later as the B-side of ""Stayin' Alive"". The song later appeared on the Bee Gees' compilation """". The remixed version was released and remastered in the compilation ""Bee Gees Greatest"""
"Walkie Talkie Man ""Walkie Talkie Man"" is a song by New Zealand band Steriogram, released in 2004 on the album ""Schmack!"" and as a single. The song is widely recognized as bringing Steriogram the majority of their popularity. Its simple, catchy riff and fast-talking verses contribute to the song's popularity, and it attracted even more attention when it was used as the background music to an advert by Apple for the iPod. The song debuted at #19 on the UK Singles Chart in the United Kingdom and reached #14 on the New Zealand Singles Chart in the band's native New"
"No Man's Woman (song) ""No Man's Woman"" is a song recorded by Irish singer Sinéad O'Connor for her fifth studio album ""Faith and Courage"" (2000). It was released as the album's lead single on 21 April 2000, by Atlantic Records. ""No Man's Woman"", the lead single from the album Faith and Courage, was sent to pop and rock stations on 21 April 2000. Andy Murray, marketing director of Warner Music Europe, commented: ""It's the right time for her to break her silence. The single is very commercial and everybody seems to think it's her best album since her first record."
"Follow the Wind ""Follow the Wind"" is a song by the Bee Gees. Written by Barry Gibb, produced by Bill Shepherd, released as the B-side of ""Wine and Women"" which was charted in Australia. It was later included on ""The Bee Gees Sing and Play 14 Barry Gibb Songs"" (1965). It was one of the folk rock songs on the album the others are ""I Don't Think It's Funny"", ""And the Children Laughing"" and ""I Was A Lover, A Leader of Men"". The song is a folk rock ballad and sounded like The Beatles' ""I'll Follow the Sun"" (1964), ""You've"
"Jive Talkin' ""Jive Talkin"" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album ""Main Course"" (as well as a song from the 1977 soundtrack, ""Saturday Night Fever"".) and hit number one on the ""Billboard"" Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's ""comeback"" song, it was their first US top-10 hit since ""How Can You Mend a Broken Heart"" (1971). The song was originally called ""Drive Talking"". The song's rhythm"
"Country Woman ""Country Woman"" is a song written and performed by British rock band Bee Gees, it was written and performed by Maurice Gibb, and released as a B-side of ""How Can You Mend a Broken Heart"", which was the group's first US No. 1. The songs were released as a double A-side in Germany, France, Japan and [Canada]]. The song was recorded at the sessions for the group's album ""Trafalgar"" although unlike ""How Can You Mend a Broken Heart"", it did not make the final cut, instead being relegated to the flip side of the single. It was recorded"
"'Left Eye' Lopes."" Girl Talk (TLC song) ""Girl Talk"" is a song by American group TLC. It was written by band members Lisa Lopes and Tionne Watkins along with Anita McLoud, Edmund ""Eddie Hustle"" Clement, and Kandi Burruss for the group's fourth studio album, ""3D"" (2002). Featuring production by Hustle, it was released as the album's lead single in September 2002, along with a previously unreleased song ""Get Away"". While the song contains vocals by Lisa Lopes, the music video for ""Girl Talk"" marked the band's first release without Lopes, following her death in April of the same year. Upon"
"Gold Dust Woman ""Gold Dust Woman"" is a song from the best-selling Fleetwood Mac album ""Rumours"". It was written and sung by Stevie Nicks and released as a B-side to the ""Don't Stop"" single (in the UK) and the ""You Make Loving Fun"" single (in the US). The 2004 two-disc special edition release of ""Rumours"" includes two demos of ""Gold Dust Woman"". One demo features vocal melody and lyrics in the coda which would later be developed into the stand-alone single ""If You Ever Did Believe"" in 1997, which Nicks recorded with Sheryl Crow as part of the early sessions"
"Woman in Love ""Woman in Love"" is a song performed by Barbra Streisand and taken from her 1980 album, ""Guilty"". The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit. After the success enjoyed by the Bee Gees in the late 1970s, the band was asked to participate in musical endeavors for other artists, and Streisand asked Barry Gibb to write an album for her. This album ultimately became"
"vocal introduction of the song while all the instruments heard on the track were played by Jackson and Rodney Jerkins. Lyrically, the song's lyrics are about being in love, as well as the effect that it can have, as evident in the opening line, ""My life will never be the same, 'cause, girl, you came and changed the way I walk, the way I talk, I cannot explain"". Praise was mainly directed at the song's composition, while dissatisfaction towards the song was expressed by critics because they felt that the track was not Jackson's best material. Stephen Thomas Erlewine of"
"Alone (Bee Gees song) ""Alone"" is a song by the Bee Gees. It is the opening track on the multi-platinum ""Still Waters"" album released by the Bee Gees in 1997, and the first single from the album. The song is a pop ballad written by Barry, Robin and Maurice Gibb recorded in 1996. The track was a big hit worldwide, peaking at number five for three weeks in the United Kingdom and number two in New Zealand. In Canada, it reached number 20 and was the best-selling adult contemporary song of 1997 according to ""RPM"" magazine. In the United States,"
"Girl Talk (TLC song) ""Girl Talk"" is a song by American group TLC. It was written by band members Lisa Lopes and Tionne Watkins along with Anita McLoud, Edmund ""Eddie Hustle"" Clement, and Kandi Burruss for the group's fourth studio album, ""3D"" (2002). Featuring production by Hustle, it was released as the album's lead single in September 2002, along with a previously unreleased song ""Get Away"". While the song contains vocals by Lisa Lopes, the music video for ""Girl Talk"" marked the band's first release without Lopes, following her death in April of the same year. Upon its release, ""Girl"
"No Woman, No Cry ""No Woman, No Cry"" is a reggae song by Bob Marley and the Wailers. The song first became known in 1974 from the studio album ""Natty Dread"". This studio version used a drum machine. The live version from the 1975 album ""Live!"" was released as a single and is the best known version; it was included on the greatest hits compilation ""Legend"", and was recorded at the Lyceum Theatre in London on July 17, 1975 as part of his ""Natty Dread Tour"". The live version of the song ranked No. 37 on Rolling Stone's 500 Greatest"
"Only One Woman ""Only One Woman"" is a song and the first single by English duo The Marbles, written by Barry, Robin and Maurice Gibb of the Bee Gees. It later also appeared on their self-titled album ""The Marbles"". It was recorded around July 1968 in IBC Studios, London. The backing track was created by Barry Gibb, Maurice Gibb and Colin Petersen, with an orchestral arrangement by Bill Shepherd. Colin plays the same percussion effect as on ""I've Gotta Get a Message to You"". The song exists only in a mono mix. The song was the biggest hit they had"
"later described it as ""anticlimactic"" in the box set ""Tales from the Brothers Gibb"". This song was probably earmarked as the single from early on. It has the big singalong chorus of the Bee Gees hit ""Don't Forget to Remember"" and Robin Gibb's ""Saved by the Bell"" plus unique features like an intro, a verse played once, and a finish. Richie Unterberger at AllMusic describes the song as ""another throwback to country-pop balladry"". Railroad (song) ""Railroad"" is the first solo single released by Maurice Gibb, best known as a member of the Bee Gees. It was released in April 1970,"
"the songs centers in divorce, narrated from both viewpoints. The one of the woman is narrated on side one; while the man's on side two. The recurrent song ""Phases and Stages"" is repeated throughout the album, introducing several other songs. The album begins with ""Phases and Stages/Washing the Dishes"", with the woman tired of caring for her unfaithful husband, emphasizing her domestic chores. This is followed by ""Phases and Stages/Walkin'"" where, after consideration, she leaves her husband at night, saying ""Walkin' is better than runnin' away, and crawlin' ain't no good at all"". In ""Pretend I Never Happened"", she advises"
"on a street, intercut with scenes of a relationship between a man and a woman. I Could Not Love You More ""I Could Not Love You More"" is a song by the Bee Gees. It was the second single issued from their multi-platinum album, ""Still Waters"", released in 1997. The song is a pop ballad written by Barry, Robin and Maurice Gibb and recorded in Los Angeles in March 1996. The track was produced by the Gibb brothers and David Foster. The track was a moderate hit worldwide, peaking at #14 in the UK and appearing in serious charts all"
"but closer to a way-speeded up walking rhythm than to the standard Diddley pattern"". Willie Dixon's lyrics use ""a series of metaphors of all sorts of things you can't judge by their appearances before landing on the title phrase"". In his autobiography, Dixon explained that the lyrics were ""his [Bo Diddley's] bag 100%... and when I told him about it, he like it immediately"". Diddley's original recording breaks the fourth wall by encouraging the listener to turn his or her radio up after the first verse. In 1962, the song reached number 21 on the ""Billboard"" magazine R&B chart and"
"in their short-lived career. It entered the UK chart at number 24 and eventually peaked at number five on 2 November 1968. In the Netherlands, it reached number three. Their performance in a French TV of the song was televised on 192TV. Only One Woman ""Only One Woman"" is a song and the first single by English duo The Marbles, written by Barry, Robin and Maurice Gibb of the Bee Gees. It later also appeared on their self-titled album ""The Marbles"". It was recorded around July 1968 in IBC Studios, London. The backing track was created by Barry Gibb, Maurice"
"Walk Right Now ""Walk Right Now"" is a 1981 song written, produced and performed by the Jacksons and issued as the fourth and final single from the group's popular album, ""Triumph"". The song was written by Michael Jackson, Jackie Jackson and Randy Jackson and was a song in which a man was fed up with his lover's excuses about how they can resolve their relationship despite the woman's acts of infidelity towards him, therefore delivering the message, """"walk right now/I'm not playing"""" in a chant-like phrase. When released, the song performed only modestly on US pop radio, peaking at a"
"No Time (The Guess Who song) ""No Time"" is a song by Canadian rock band The Guess Who. Composed by guitarist Randy Bachman and lead singer Burton Cummings, the song is basically a Dear John letter stating, ""No time left for you"". There are two versions of the song. The original recording was done for The Guess Who's album ""Canned Wheat"". But it is the re-recording (as featured on the ""American Woman"" album) that was released as a single and is the better-known version. This one is slightly faster in tempo and has the two verses transposed. The 1969 single"
"women in question. Critic Tom Maginnis writes that Hugh Cornwell sings with ""a lecherous sneer, the sexual tension is so unrelenting as to spill into macho parody or even censor-baiting territory"". The lyrics of the song include a word that sounds like clitoris, albeit pronounced with an emphasis on the second syllable: ""Is she trying to get out of that clitORis?"" The song is driven by a prominent and distinctive bass line. The single was a double A-side with pub rock song ""Go Buddy Go"" which was played on UK radio at the time and also on the band's BBC"
"with benjis, I can't spend it"", channeling her alter ego. After repeating the introductory lines, Beyoncé employs breathy drawls and robotic shouts to chant the chorus, where the lines, ""Now diva is a female version of a hustla. Of a hustla. Of a, of a hustla"", are looped. In the second verse, she finds love in the club, where she warns ""Better have a six-pack in the cooler ... If you ain’t gettin[g] money, then you ain't got nothin[g] for me"", and asks, ""Where yo Boss at?"" After singing the third verse and the chorus for the third time, Beyoncé"
"She Didn't Have Time ""She Didn't Have Time"" is a song written by Pat Bunch and Nicole Witt, and recorded by Canadian country music artist Terri Clark. It was released in July 2005 as the lead-off single from her album ""Life Goes On"". The song was Clark's fourteenth Top 20 hit on the Canadian country charts, reaching a peak of number 15. ""She Didn't Have Time"" is a mid-tempo country ballad, backed primarily with steel guitar and fiddle. The song describes a narrator's struggles of being left to care for her baby after the man in her life walks out."
"plays as a lyrical how-to. Communication is a must, as is respect, but coming home late and being a one-minute man is a no-no."" Writers further noted that the duet was inspired by the music from the 1990s including a new jack swing-era R&B production. Beyoncé and Blige further sing the lines ""She doesn’t want makeup sex, she wants your respect."" The song also has an extended bridge section during the 2:30 mark where Blige sings the lines ""Pick up your phone…just to say you're still in love from time to time…"" with a vocal styling which was compared to"
"overtly introduced as written by McCartney when Peter and Gordon performed the song on the 11 April 1966 broadcast of the US TV show ""Hullabaloo"". Woman (Paul McCartney song) ""Woman"" is a 1966 single by Peter and Gordon, written by Paul McCartney under a pseudonym (to see if it would be a success without the Lennon-McCartney label). Under the Lennon–McCartney moniker, McCartney had written three previous Peter and Gordon singles (viz. “A World Without Love”, “Nobody I Know”, and “I Don't Want to See You Again”). On this occasion, McCartney used the pseudonym Bernard Webb (though some Capitol pressings carry"
"think a single example of better lyrics that I didn't see"". He refers to these ""nonsense lyric[s]"" as gems, and argues ""what does it matter when as long as it's got a catchy tune"". He adds, via a dialogue with a character named Willie, that ""[Euro-dance artists] just sing about whatever they want and don't worry in the slightest if it makes any sense or not"". An oddity in the song is the timeframe used for the given events. The narrator constantly refers to punctuality of transport and her routine train-catching, yet there seems a clear error. She leaves the"
"Woman to Woman (Beverley Craven song) Woman To Woman is a song by British singer Beverley Craven, included on her self-titled debut album. ""Woman To Woman"" was released as the album's third single in late 1990. As with the previous singles, it failed to chart in the UK. However, after the success of the single ""Promise Me"", the single was re-released, with a new cover art, in September 1991. This time it peaked at number 40 in the UK charts. The song's lyrics talk about a friend who ignores her friendships once she falls in love. As with most of"
"40 on the R&B charts in the same year. In 1978 Valli released a followup album containing the song, ""Frankie Valli... Is the Word"", whose title echoes the chorus of this single, ""Grease Is the Word"". The Bee Gees never recorded a studio version of this song. However, the Bee Gees later performed the song in their tour ""One Night Only"" in 1997 until 1999, and captured on their live offering ""One Night Only"". Grease (song) ""Grease"" is a song written by Barry Gibb and performed by Frankie Valli. ""Grease"" is the title song for the 1978 musical motion picture"
"the single peaked at number 28, making it the Bee Gees' final top 40 hit in that country, after being a ""Billboard"" ""Hot Shot"" debut at number 34. Maurice Gibb explained about the track: Barry and Robin Gibb alternate on lead vocals on the track, with both mostly using the group's trademark falsetto. Two promotional videos directed by Nick Egan were made for the song. The first one, not shown in the United States, featured the brothers singing in a spinning room intercut with a female astronaut slowly removing her space suit in zero gravity, a homage to the opening"
"Hobart Paving ""Hobart Paving"" is a single by British pop group Saint Etienne. It was released by Heavenly Records on 11 May 1993 as a double A-side with the band's cover of ""Who Do You Think You Are"", originally released in 1974 by Jigsaw and a hit for Candlewick Green. It reached number 23 in the UK Singles Chart. The song describes an unhappy woman, using characteristically surreal images such as ""Rain falls like Elvis tears"" and ""Just like a harpsichordist she moves"". The apparently meaningless title appears in the song's chorus: ""Hobart paving, don't you think that's it's time,"
"in the little Pebbles and Bam-Bam outfits. All the sudden it became, like, 'do the mashed potato' or 'the twist.'"" Walk the Dinosaur ""Walk the Dinosaur"" is a song by Was (Not Was), released in 1987, from their album, ""What Up, Dog?"". The song features a tight, funky sound, punctuated by horns and a cowbell, along with what sounds like cavepeople chanting in the background. When released in the UK in 1987, the song reached No. 10 on the singles chart, becoming the group's first UK top 10 hit. The music video featured four scantily clad 'cavewomen' dancing to the"
"between lovers. ""In the closet"" is an English idiom used when one is not open about an aspect of their life, particularly in regard to sexual orientation. Despite the song's suggestive name its lyrics do not allude to hidden sexual orientation but rather a concealed relationship; ""Don't hide our love / Woman to man."" ""The New York Times"" stated, ""Only Jackson would use that title for a heterosexual love song..."" The song's female vocal was originally labeled ""Mystery Girl"" but was later revealed to be Princess Stéphanie of Monaco. The song, with its heavy industrial-sounding percussion and uptempo arrangement, is"