"eventually finds Quixote whipping himself with thorns to prove his love to Dulcinea del Toboso. Healing his wounds by a river, Toby is met by Jacqui on horseback, dressed extravagantly for a costume party by Miiskin. Dragging Quixote along for entertainment, Toby rides to Miiskin's castle, and sees firsthand the Russian's cruel treatment of Angelica. Quixote is welcomed as if he is the literary character, and is humiliated by Miiskin and the Boss to a crowd of people. Remorseful over Angelica's predicament, Toby convinces her to escape with him, stealing horses to ride away. He also tries to convince Quixote"
"she is his lady, Dulcinea, to whom he has sworn eternal loyalty (""Dulcinea""). Aldonza, used to rough treatment, is first flabbergasted and then annoyed at Quixote's kindness, and is further aggravated when the Muleteers turn Quixote's tender ballad into a mocking serenade. Meanwhile, Antonia, Don Quixote's niece, has gone with Quixote's housekeeper to seek advice from the local priest, who realizes that the two women are more concerned with the embarrassment Quixote's madness may bring them, than with his actual welfare (""I'm Only Thinking of Him""). Cervantes chooses ""the Duke"" to play Dr. Sanson Carrasco, Antonia's fiancé, a man just"
"characters of that novel: Quijote was the lead character; Dulcinea his love interest; Rocinante his horse, and Sancho his squire. In 2016, the IAU organized a Working Group on Star Names (WGSN) to catalog and standardize proper names for stars. In its first bulletin of July 2016, the WGSN explicitly recognized the names of exoplanets and their host stars approved by the Executive Committee Working Group Public Naming of Planets and Planetary Satellites, including the names of stars adopted during the 2015 NameExoWorlds campaign. This star is now so entered in the IAU Catalog of Star Names. According to measurements"
"Dulcitius (play) Dulcitius is a Latin comedy written by Hrosvitha of Gandersheim, a member of the female Abbey of Gandersheim in Lower Saxony. Written between 935-973, ""Dulcitius"" is widely believed to be her most comic work. The play treats the figure of Dulcitius, governor of Thessalonica, as a subject for a comedy in the style of Terence. Although the play is dark, with a plot depicts the imprisonment and martyrdom of the three sisters, Agape, Chionia, and Irena, nevertheless its content is presumably deemed less grave because of the reward awaiting the Christian sufferers. The Roman Emperor Diocletian wants to"
"his assistance and sets him free. Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit. Act II Scene 1 – ""A camp of gypsies among the"
"Nausicaa Nausicaa (; Ancient Greek: Ναυσικάα or Ναυσικᾶ, ; also ""Nausicaä, Nausikaa"") is a character in Homer's ""Odyssey"". She is the daughter of King Alcinous (Αλκίνοος, ""Alkínoös"") and Queen Arete of Phaeacia. Her name, in Greek, means ""burner of ships"" (ναῦς: ship; κάω: to burn). In Book Six of the ""Odyssey"", Odysseus is shipwrecked on the coast of the island of Scheria (Phaeacia in some translations). Nausicaä and her handmaidens go to the sea-shore to wash clothes. Awoken by their games, Odysseus emerges from the forest completely naked, scaring the servants away, and begs Nausicaä for aid. Nausicaä gives Odysseus"
"reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls. Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is"
"dance of the Sierra Morena peasants. Act 2 Fernando's guards have found Lucinda. He once again asks her to marry him but she refuses. Alone, Don Chisciotte sings of his love for Dulcinea and how he much he is suffering from their separation. Sancio arrives and recounts how with the aid of magic he was able to fly to Dulcinea who told him that she wants only one thing—Don Chisciotte's return. Lope confirms Sancio's story. Dorotea then appears disguised as the ""Queen of Micomicona"" accompanied by her ""squire"" (Ordogno in disguise) and her ""tutor"" (Cardenio in disguise). She asks Don"
"as they saw each other, they fell in love. From that moment Luis, went frequently in the evening to Carmen's house after work. And she, with the same feelings, stood on her balcony, beautiful as Dulcinea, white, with big and expressive eyes, in a beautiful and unique manila dress that her father gave her, so when Luis passed by her house she gave him a beautiful smile. So the weeks passed by, until Luis dared to greet her and the young lady accepted his greeting with a gentle smile. The next day he started a conversation, shy at the beginning,"
"Aurelia fall in love with Dioclesian's nephew Maximinian. (Maximinian is based on the historical Maximian, Diocletian's co-ruler but no familial relation.) Dioclesian rages at Delphia's interference, but events forestall any action on his part. In their long-running conflict with the Persians, the Romans have captured the Persian princess Cassana, sister of the king, Cosroe. (The historical Khosrau I ruled nearly three centuries after the historical period of the play, 531–579 A.D.; his presence here constitutes the drama's biggest departure from historical fact. ""Cosroe"" is a stereotypical Persian emperor of much Western literature; he appears in ""Tamburlaine"" and in other plays"
"universe. Nausicaa Nausicaa (; Ancient Greek: Ναυσικάα or Ναυσικᾶ, ; also ""Nausicaä, Nausikaa"") is a character in Homer's ""Odyssey"". She is the daughter of King Alcinous (Αλκίνοος, ""Alkínoös"") and Queen Arete of Phaeacia. Her name, in Greek, means ""burner of ships"" (ναῦς: ship; κάω: to burn). In Book Six of the ""Odyssey"", Odysseus is shipwrecked on the coast of the island of Scheria (Phaeacia in some translations). Nausicaä and her handmaidens go to the sea-shore to wash clothes. Awoken by their games, Odysseus emerges from the forest completely naked, scaring the servants away, and begs Nausicaä for aid. Nausicaä gives"
"substantial portion of the ""Odyssey"". Alcinous then generously provides Odysseus with the ships that finally bring him home to Ithaca. Nausicaä is young and very pretty; Odysseus says that she resembles a goddess, particularly Artemis. Nausicaä is known to have several brothers. According to Aristotle and Dictys of Crete, Nausicaä later married Telemachus, the son of Odysseus, and had a son named Ptoliporthus. Homer gives a literary account of love never expressed (possibly one of the earliest examples of unrequited love in literature). While she is presented as a potential love interest to Odysseus – she says to her friend"
"Alcinous Alcinous (; Ancient Greek: Ἀλκίνους or Ἀλκίνοος, ""Alkínoös"") was, in Greek mythology, a son of Nausithous, or of Phaeax (the son of Poseidon and Corcyra), and father of Nausicaa, Halius, Clytoneus and Laodamas with Arete. His name literally means ""mighty mind"". He married his brother Rhexenor's daughter after Rhexenor was killed. In the myth of Jason and the Argonauts, Alcinous is represented as living with his wife Arete in Drepane. The Argonauts, on their return from Colchis, came to his island, and were hospitably received. When the Colchians, in their pursuit of the Argonauts, likewise arrived in Drepane, and"
"horse, and that the horse, Rocinante (David Fernández), hates leaving his stable. As it develops, Dulcinea (Sonia Ferrer) has a difficult time choosing between the knight and his wealthy sidekick. The rivalry between Quixote and Panza leads the two on a journey across Spain to Barcelona as they both vie for the beautiful woman's affections. To defend his honor among the imposters, the real Quixote must duel and win against the Knight of the Moon in order to learn the true identity of Dulcinea. The project entered pre-production in late 2004, and was a co-financed effort of Spain's 'Filmax Animation'"
"(""The Passion of the Holy Virgins Agape, Chionia, and Irena""), but has become more commonly known as ""Dulcitius"" because he serves as the central character in the comedic scenes. ""Dulcitius"" is considered to be Hrosvitha's most comedic work. However, just 56 lines out of 286 lines in the play are considered to be comedic and Dulcitius is only present in the first part of the play. Because of his limited presence, some have criticized Hrosvitha for creating no connection between the plotline of Dulcitius' adventures and that of the martyrdom of the three girls. Hrosvitha's plays are believed to be"
"de Havilland in the 1935 version and by Anna Friel in the 1999 release. Hermia Hermia is a fictional character from Shakespeare's play, ""A Midsummer Night's Dream"". She is a girl of ancient Athens named for Hermes, the Greek god of trade. Hermia is caught in a romantic entanglement where she loves one man, Lysander, but is being courted by another, Demetrius, whose feelings she does not return. Though she loves Lysander, Hermia's father, Egeus, wants her to marry Demetrius and has appealed to Theseus, the Duke of Athens, for support. Under Athenian law, Hermia's refusal of her father's command"
"Hermia Hermia is a fictional character from Shakespeare's play, ""A Midsummer Night's Dream"". She is a girl of ancient Athens named for Hermes, the Greek god of trade. Hermia is caught in a romantic entanglement where she loves one man, Lysander, but is being courted by another, Demetrius, whose feelings she does not return. Though she loves Lysander, Hermia's father, Egeus, wants her to marry Demetrius and has appealed to Theseus, the Duke of Athens, for support. Under Athenian law, Hermia's refusal of her father's command would result in her being put to death or being banished to a nunnery."
"warrior Diomedes. This love triangle would be the central subject of a number of later works. In the ""Roman"", the daughter of Calchas is called Briseida, but she is better known under a different name, becoming Criseida in Boccaccio's , Criseyde in Chaucer, Cresseid in Robert Henryson's ""The Testament of Cresseid"", and ultimately Cressida in Shakespeare's ""Troilus and Cressida"". The dedication of the poem, to a ""riche dame de riche rei"", generally believed to be Eleanor of Aquitaine, consort of Henry II, is buried deep within it, interpolated in the narrative. It serves to date the poem to the years"
"imaginary lady, Dulcinea (""señora de mi alma, día de mi noche, gloria de mis penas, norte de mis caminos"": figuratively ""owner of my soul, light in my darkness, glory of my suffering, my destination""). Master Peter can only complain in despair at the havoc wrought on his puppets. The musical idiom abandons the Andalusian taste of Falla's earlier work in favor of medieval and Renaissance sources; for his narrator, Falla adapted the sung public proclamations, or ""pregones"", of the old Spanish villages. Falla borrowed themes from the Baroque guitarist Gaspar Sanz, the 16th-century organist and theorist Francisco Salinas, and Spanish"
"given a happy ending centred on the transformation scene after the murder of Acis as the pair declare their undying love. Johann Gottlieb Naumann was to turn the story into a comic opera, ""Aci e Galatea"", with the subtitle ""i ciclopi amanti"" (the amorous cyclops). The work was first performed in Dresden in 1801 and its plot was made more complicated by giving Polifemo a companion, Orgonte. There were also two other lovers, Dorinda and Lisia, with Orgonte Lisia's rival for Dorinda's love. After John Gay's libretto in Britain, it was not until the 19th century that the subject was"
"and spirituality. The best known and original of the works of Hrotsvitha is her imitation of ""Terence"". It was written in prose as six comedies. She writes in her preface that her writing will appeal to many who are attracted by the charm of style. The comedies of Hrotsvitha took the place of ""Terence"" in the studies of Gandersheim. Her themes remained love stories. Among them include ""Gallicanus"", ""Dulcitius"", ""Callimachus"", ""Abraham"", ""Paphnutius"", and ""Sapientia"". The reader will note Dulcitius being stricken with illusion, embracing the pots and kettles in the kitchen. In the meantime three lovely maidens, Agape, Chionia, and"
"a few intermediate phases in which the name was retained. Miyazaki had taken a liking to the name ""Nausicaä"" and he used it to rename his main character. The name comes from the Phaeacian princess Nausicaa of the ""Odyssey"", who assisted Odysseus. The Nausicaa of the ""Odyssey"" was ""renowned for her love of nature and music, her fervid imagination and disregard for material possessions"", traits which Dani Cavallaro sees in Miyazaki's Nausicaä. Miyazaki has written that he identified particularly with Bernard Evslin's description of the character in ""Gods, Demigods and Demons"", translated into Japanese by Minoru Kobayashi. Miyazaki expressed disappointment,"
"an elderly aristocrat named Mercutio. As a lark, Aurelio allows the misapprehension to persist. It's a potentially serious situation: though recalled from banishment, Borgia has powerful potential enemies—he was accused of having murdered a brother of Ursini, the favorite of Urbino's ruling Duchess. Borgia also has a beautiful sister called Cornelia, a waiting woman to the Duchess—with whom Aurelio quickly falls in love. Ursini, however, also loves Cornelia; to gain her favor he forgives her ""brother,"" Borgia/Aurelio, and obtains a pardon for him from the Duchess. But Ursini also wants ""Borgia"" to give his blessing to his suit of Cornelia—a"
"by Alfred Tolman in 1890 as Ludovico Ariosto's ""I Suppositi"", which was published in 1551. George Gascoigne's English prose translation ""Supposes"" was performed in 1566 and printed in 1573. In ""I Suppositi"", Erostrato (the equivalent of Lucentio) falls in love with Polynesta (Bianca), daughter of Damon (Baptista). Erostrato disguises himself as Dulipo (Tranio), a servant, whilst the real Dulipo pretends to be Erostrato. Having done this, Erostrato is hired as a tutor for Polynesta. Meanwhile, Dulipo pretends to formally woo Polynesta so as to frustrate the wooing of the aged Cleander (Gremio). Dulipo outbids Cleander, but he promises far more"
"Dochia in connection to the Roman Emperor Trajan and the Dacian Wars — the vague and unprecedented references make it likely that he actually invented the original story as well. References to this universe are also present in an eponymous novella about Dragoş, the first Prince of Moldavia, which partly drew on old chronicles, and partly displayed Asachi's own fictional devices. The story centers on Harboe, a chivalrous Tatar ruler who resides in the Cumanian town of Romidava, who falls in love with Branda, the daughter of a Moesian lord and would-be wife of Dragoş. Dochia's hidden altar, referred to"
"who inadvertently ""fell"" into the convent's backyard while on a mission from heaven to Villa del Mar. Sor Ada, the nun who educated Dulce María, becomes her confidante and greatest source of moral support. In her youth, Sor Ada had experienced everything from hunting tigers in the wild to singing classic love ballads, and thus instills in Dulce María a pronounced idealism and zest for life. It is through this that Dulce María becomes a dreamer; a young girl who shares her dreams and adventures with imaginary characters: a lively lizard named Homero, symbol of emotion; the toucan Prometeo symbol"
"literary archetype of this character, the masculine counterpart being Pandarus. While chasing his falcon through the fields, a rich young bachelor named Calisto enters a garden where he meets Melibea, the daughter of the house, and is immediately taken with her. Unable to see her again privately, he broods until his servant Sempronio suggests using the old procuress Celestina. She is the owner of a brothel and in charge of her two young employees, Elicia and Areúsa. When Calisto agrees, Sempronio plots with Celestina to make as much money out of his master as they can. She rewards him with"
"respect. Sophia, a niece of Theodora. is likely to have been his patroness and may have commissioned the poem. The Byzantinist Lynda Garland suggests that both Sophia and Vigilantia were Corippus' actual sources on various events, including ""behind the scenes"" activities. Vigilantia and Dulcidius/Dulcissimus were parents of three known children: Vigilantia Vigilantia (b. a. 490) was a sister of Byzantine emperor Justinian I (r. 527–565), and mother to his successor Justin II (r. 565–578, b. a. 520). The name ""Vigilantia"" is Latin for ""alertness, wakefulness"". Itself deriving from ""vigilia"" (watch, watchfulness) and ""vigil"" ((1)adjective: awake, watching, alert (2)noun: watchman, sentinel)."
"arrange marriages to members of his imperial court for three virgin sisters, Agape, Chionia, and Irena. He insists they must renounce their Christian faith and worship the Roman gods. When the sisters refuse, the emperor orders them imprisoned and examined by Governor Dulcitius. When Dulcitius sees how beautiful the sisters are, he declares that he is in love. He tells his soldiers to lock them in the kitchen so he ""can visit them oftener"". That night, in the darkness of the kitchen, Dulcitius embraces the pots and pans, thinking they are the women. When he leaves the kitchen, Dulcitius is"
"out scenes from ""Orlando Furioso"". Don Chisciotte's friend Lope arrives with his companion Ordogno. They want to bring the Don home and convince Sancho to help them by making Don Chisciotte believe that Dulcinea is pining for him and wants him to return. Dorotea, who had been betrothed to Fernando before he fell in love Lucinda. laments his perfidy. However, Lope tells her that Lucinda had managed to escape from Fernando before the marriage could take place. Overjoyed, Dorotea and Cardenio promise to help Lope and Ordogno in their plan to bring Don Chisciotte home. The act ends with a"
"one of many similar female characters from the Italian ""fumetti"" tradition. Other figures from the same era, and with similarly violent or erotic preoccupations, include Zora la Vampira, Maghella, Biancaneve, Vartan, Jacula, Jolanda de Almaviva, Yra, and Sukia. Ediperiodici, later Edifumetto, published the series, brought with it the birth of the dark erotic genre, and monopolized the market. Other characters with similar characteristics to Lucifera are Zora, Maghella, Biancaneve, Vartan, and Sukia. Artists who have worked on the ""Lucifera"" series include Edoardo Morricone (also known as Morrik, who later worked on other Italian comics such as Biancaneve, Satanik and Djustine),"
"demanded that Jason's lover Medea should be delivered up to them, Alcinous declared that if she was still a virgin she should be restored to them, but if she was already the wife of Jason, he would protect her and her husband against the Colchians. The Colchians were obliged, by the contrivance of Arete, to depart without their princess, and the Argonauts continued their voyage homeward, after they had received expensive presents from Alcinous. He was also the King of the Phaeacians. According to Homer, Alcinous is the happy ruler of the Phaiacians in the island of Scheria, who has"
"much in Pittsburgh. His relations with his mother and father were now of the friendliest, as though he had never left. And his father even invited Mrs. von Kunits to see the family estate, Luigi's inheritance. After a long honeymoon, they returned to Pittsburgh, where their two daughters were born. As an enthusiastic Greek scholar and a bit of an eccentric he had them duly christened Nausicaa, for the daughter of Alcinous in Homer's ""Odyssey"", and Aglaea, for the youngest of the Three Charities (Graces) in Classical mythology. They were busy and fruitful years, devoted to raising a family and"