"lawsuits have been filed against Manson by his own crew members. Along with the book are numerous pictures, some of which are familiar to long-time Manson fans, with the center pages including everything from the Slasher Girls to Manson performing ""Antichrist Superstar"" with a Bible in his hand. The book incorporates illustrations from a public domain edition of ""Gray's Anatomy"", originally drawn by Henry Vandyke Carter. For example, the ribcage in the cover image (which also appears in the liner note artwork for ""Antichrist Superstar"") is taken from Gray's Figure 115. Also scattered throughout the pages are documents of such"
"Henry Gray Henry Gray (1827 – 13 June 1861) was an English anatomist and surgeon most notable for publishing the book ""Gray's Anatomy"". He was elected a Fellow of the Royal Society (FRS) at the age of 25. Gray was born in Belgravia, London, in 1827 and lived most of his life in London. In 1842, he entered as a student at St. George’s Hospital, London (then situated in Belgravia, now moved to Tooting), and he is described by those who knew him as a most painstaking and methodical worker, and one who learned his anatomy by the slow but"
"versions can be read online. Although older editions may serve historic and artistic uses because their companion illustrations and anatomical cross sections are renowned for their rustic and often haunting presentation, they may no longer represent an up-to-date understanding of human anatomy. Henry Gray wrote ""Gray's Anatomy"" with an audience of medical students and physicians in mind, especially surgeons. For many decades however, precisely because Gray's textbook became such a classic, successive editors made major efforts to preserve its position as possibly the most authoritative text on the subject in English. Toward this end, a long-term strategy appears to have"
"eventually recover. On the day he was to appear for an interview as a final candidate for a prestigious post at the St. George's Hospital, he died in London - 13 June 1861 - at the age of 34. He was buried at St James, Pancras and Highgate Cemetery. Gray had been vaccinated against smallpox as a child with one of the early forms of the vaccine. Henry Gray Henry Gray (1827 – 13 June 1861) was an English anatomist and surgeon most notable for publishing the book ""Gray's Anatomy"". He was elected a Fellow of the Royal Society (FRS)"
"eventually completed with honors in December the following year. Meanwhile, Carter grew into the idea of fully devoting himself to research and microscopy. Back in London, he was approached by his colleague and professor of anatomy, Henry Gray, with a proposal: a new fully illustrated anatomy textbook for students, which he himself created. Carter began work for Henry Gray and others in 1852, and in 1856–1857 he drew the illustrations for the now famously illustrated Gray's Anatomy. The first meeting between the two authors of Gray's Anatomy occurred probably around 1850 while they were both working at St. George's School"
"Henry Vandyke Carter Henry Vandyke Carter (born 22 May 1831, Hull – 4 May 1897, Scarborough) was an English anatomist, surgeon, and anatomical artist most notable for his illustrations of the book, ""Gray's Anatomy"". Henry Vandyke Carter was born on 22 May 1831 in Hull, England, the eldest son of the painter Henry Barlow Carter and mother Eliza Barlow. Soon after his parents moved to Scarborough where he grew up. The information on Carter's private life are known in large part due to the diary that his grandmother gave him at age 14 and that he guarded for life. His"
"is one well known human anatomy textbook that showcases a variety of anatomy depiction techniques. In 1895, Konrad Roentgen, a German physicist discovered the X-Ray. Internal imaging became a reality after the invention of the X-Ray. Since then internal imaging has progressed to include ultrasonic, CT, and MRI imaging. As a profession, medical illustration has a more recent history. In the late 1890s, Max Brödel, a talented artist from Leipzig, was brought to The Johns Hopkins School of Medicine in Baltimore to illustrate for Harvey Cushing, William Halsted, Howard Kelly, and other notable clinicians. In addition to being an extraordinary"
"early high-water mark was the 1543 CE publication of Andreas Vesalius's ""De Humani Corporis Fabrica Libri Septum"", which contained more than 600 exquisite woodcut illustrations based on careful observation of human dissection. Since the time of the Leonardo Da Vinci, and his depictions of the human form, there has been great advancements in the art of representing the human body. The art has evolved over time from illustration to digital imaging using the technological advancements of the digital age. Berengario da Carpi was the first known anatomist to include medical illustration within his textbooks. Gray’s Anatomy, originally published in 1858,"
"the romantic novelist Amelia Opie, and the travelogue author George Borrow. Physiognomy is a central, implicit assumption underlying the plot of Oscar Wilde's ""The Picture of Dorian Gray"". In 19th-century American literature, physiognomy figures prominently in the short stories of Edgar Allan Poe. Phrenology, also considered a form of physiognomy, was created around 1800 by German physician Franz Joseph Gall and Johann Spurzheim, and was widely popular in the 19th century in Europe and the United States. In the U.S., physician James W. Redfield published his ""Comparative Physiognomy"" in 1852, illustrating with 330 engravings the ""Resemblances between Men and Animals""."
"under the title ""Gray's Anatomy"" and widely appreciated as an authoritative textbook for medical students. Gray held successively the posts of demonstrator of ""Anatomy"", curator of the museum and Lecturer of Anatomy at St. George’s Hospital and was in 1861 a candidate for the post of assistant surgeon. Gray was struck by an attack of confluent smallpox, the most deadly type of the disease where individual lesions become so numerous that they join as a continuous, ""confluent"" sheet. He is assumed to have been infected due to his extended and meticulous caring for his ten-year-old nephew, Charles Gray, who did"
"of the understanding of disease came with the first morbid anatomists, morbid anatomical illustration, and the development of effective colour printing. Matthew Baillie (1761–1823) and Jean Cruveilhier (1791–1874) illustrated the lesions in stroke, in 1799 and 1829 respectively. The famous philosopher René Descartes (1596–1650) speculated that every activity of an animal was a necessary reaction to some external stimulus; the connection between the stimulus and the response was made through a definite nervous path. Luigi Galvani (1737–1798) demonstrated that electrical stimulation of nerve produced muscle contraction, and the competing work of Charles Bell (1774–1842) and Francois Magendie (1783–1855 ) led"
"classes at the Royal Academy. Haydon’s memoirs record that Say always meant to paint portraits. His teaching method was heavily directed towards correct anatomical representation, and his students spent much time drawing from bodies at Sir Charles Bell’s surgery. It may be this anatomical experience that led to a major undertaking by Frederick and his father, to draw and engrave a series of detailed pictures of specimens of diseased human organs for Dr Richard Bright (1789–1858) in the latter 1820s. Frederick also painted Bright’s portrait in 1825, and another in the late 1830s. Frederick began to exhibit in the Royal"
"Gray to Sir Benjamin Collins Brodie, 1st Baronet. An imprint of this English first edition was published in the United States in 1859, with slight alterations. Gray prepared a second, revised edition, which was published in the United Kingdom in 1860, also by J.W. Parker. However, Gray died the following year, at the age of 34, having contracted smallpox while treating his nephew (who survived). His death had come just three years after the initial publication of his ""Anatomy Descriptive and Surgical"". Even so, the work on his much-praised book was continued by others. Longman's publication reportedly began in 1863,"
"Street, London, and acted as principal from 1894-1916. Some of his students were Cecil Aldin, Lionel Edwards, Alfred Munnings, Lady Helena Gleichen, Frederic Whiting and George E. Studdy. He exhibited at the Royal Academy from 1881–1921, and had his first Royal Academy painting bought by Queen Victoria. His 1936 book ""Animal Painting and Anatomy"" is still considered a useful reference source. He illustrated numerous books such as """"The Most Delectable History of Reynard The Fox"""" edited by Joseph Jacobs and published by Macmillan in 1895. The cover, designed by A. A. Turbayne, was gold-blocked in art nouveau style and inspired"
"and some, like those of sculptor George Grey Barnard, were quite brief. Others have taught for decades, notably Frank DuMond and George Bridgman, who taught anatomy for artists and life drawing classes for some 45 years, reportedly to 70,000 students. Bridgman's successor was Robert Beverly Hale. Other longtime instructors included the painters Frank Mason (DuMond's successor, over 50 years), Kenneth Hayes Miller (forty years) from 1911 until 1951, sculptor Nathaniel Kaz (50 years), Peter Golfinopoulos (over 40 years), Knox Martin (over 45 years), Martha Bloom (30 years) and the sculptors William Zorach (30 years), and Jose De Creeft, American impressionist"
"Reformation""; as well as many book-titles and frontispieces. A few mezzotint portraits of noblemen bear White's name as the publisher, and are assumed to have been executed by him. A portrait of White was engraved by W. H. Worthington for Ralph Nicholson Wornum's edition of Horace Walpole's ""Anecdotes"". White was engraver for Andrew Snape's ""The Anatomy of an Horse"" first published in 1683. The images were taken from earlier woodcuts by Carlo Ruini. Robert White (engraver) Robert White (1645–1703) was an English draughtsman and engraver. A Londoner, he was a pupil of David Loggan, and became a leading portrait engraver."
"Henry Peters Gray Henry Peters Gray (June 23, 1819 - November 12, 1877) was an American portrait and genre painter. Born in New York City he was a pupil of Daniel Huntington in New York, and subsequently studied in Rome and Florence. Elected a member of the National Academy of Design in 1842, he succeeded Huntington as president in 1870, holding the position until 1871. The later years of his life were devoted to portrait work. He was strongly influenced by the old Italian masters, painting in mellow colour with a classical tendency. One of his notable canvases was an"
"body""), a groundbreaking work of human anatomy that he dedicated to Charles V. Many believe it was illustrated by Titian's pupil Jan Stephen van Calcar, but evidence is lacking, and it is unlikely that a single artist created all 273 illustrations in a period of time so short. At about the same time he published an abridged edition for students, ""Andrea Vesalii suorum de humani corporis fabrica librorum epitome"", and dedicated it to Philip II of Spain, the son of the Emperor. That work, now collectively referred to as the Fabrica of Vesalius, was groundbreaking in the history of medical"
"of England Academy. His uncle was the noted landscape painter George Arthur Fripp of the Royal Watercolour Society, while his great great grandfather was the highly regarded maritime painter Nicholas Pocock. His cousin was the surgeon Sir Alfred Downing Fripp. Downing Fripp wrote ""Human Anatomy For Art Students"" illustrated by Innes Fripp published in 1911 by J. B. Lippincott, Philadelphia. Fripp studied at the Bristol School of Art and the Royal College of Art before moving on to study in Paris. He also taught at the Royal College of Art where he was an Assistant Master, the Lambeth School of"
"featured in a dialogue by Phaedo of Elis), who was said to be an expert in the art. By the fourth century BC, the philosopher Aristotle made frequent reference to theory and literature concerning the relationship of appearance to character. Aristotle was apparently receptive to such an idea, as evidenced by a passage in his ""Prior Analytics"": The first systematic physiognomic treatise to survive to the present day is a slim volume, ""Physiognomonica"" (English: ""Physiognomonics""), ascribed to Aristotle (but probably of his ""school"" rather than created by the philosopher himself). The volume is divided into two parts, conjectured to have"
"illustrator, George Henry Ford, to produce some of the best anatomical artwork ever published. They used the relatively new technique of chromolithography for their imperial folio atlas of fifty-eight plates, """"Illustrations of Dissections in a Series of Original Coloured Plates the Size of Life"""". The plates were done between 1863 and 1867, with from four to seven completed each year. These plates are considered exceptionally clear and accurate, with an aesthetic depiction of the cadavers, printed by Mintern Bros., and published by James Walton. During Ellis' tenure the University College London was regarded as the pre-eminent centre for the study"
"included Alessandro Achillini and Antonio Benivieni. Pathological anatomy Leonardo da Vinci (1452–1519) was trained in anatomy by Andrea del Verrocchio. In 1489 Leonardo began a series of anatomical drawings depicting the ideal human form. This work was carried out intermittently for over 2 decades. During this time he made use of his anatomical knowledge in his artwork, making many sketches of skeletal structures, muscles and organs of humans and other vertebrates that he dissected. Initially adopting an Aristotlean understanding of anatomy, he later studied Galen and adopted a more empirical approach, eventually abandoning Galen altogether and relying entirely on his"
"the resolution needed to make major discoveries. Important general biological observations were made by Robert Hooke (1635–1703) but the foundations of plant anatomy were laid by Italian Marcello Malpighi (1628–1694) of the University of Bologna in his """" (1675) and Royal Society Englishman Nehemiah Grew (1628–1711) in his ""The Anatomy of Plants Begun"" (1671) and ""Anatomy of Plants"" (1682). These botanists explored what is now called developmental anatomy and morphology by carefully observing, describing and drawing the developmental transition from seed to mature plant, recording stem and wood formation. This work included the discovery and naming of parenchyma and stomata."
"respecting his future progress"". Giorgio Vasari, Carel van Mander, and others credit Calcar with the eleven large woodcut illustrations of anatomical studies which accompanied Andreas Vesalius's work on anatomy. The most notable among these is the anatomical study of the human body entitled ""De humani corporis fabrica libri septem"" or ""On the Fabric of the Human Body in Seven Books"" (1543). Calcar is also said to have drawn the portraits of the artists in the early edition of Vasari's ""Lives"". By some writers he has been declared to have been a close imitator of Giorgione; all who write about him"
"was also published in Germany After retiring as director of the sculpture program, he continued to work with the Herron School of Art as Sculptor in Residence at Indiana University-Purdue University Indianapolis. 1953 - ""The Human Figure: An Anatomy for Artists"". Rubins wrote it because it was much needed in the field. It was and is still used as a text book in many schools. Rubins used Gray's Anatomy to reference the scientific names of muscles/anatomy. Rubins worked primarily as a sculptor, and sculpture was the major thrust of his early apprenticeship under sculptor James Earle Fraser and his studies"
"the discomfort of the Bloomsbury semi-basement. Ford continued working under John Edward Gray, assistant to the Keeper of Zoology. Ford, because of chronic backache, eventually worked from the Surbiton home of Albert Günther who was to succeed Gray in 1875. George Viner Ellis (1812-1900) succeeded to the Chair of Anatomy at University College London in 1850, and became one of the foremost anatomists of his time. This institution, in its first thirty-five years of existence, published an extraordinary number of anatomical atlases. Ellis and Ford used the relatively new technique of chromolithography for their imperial folio atlas of fifty-eight plates,"
"hit a few roadblocks along the way! The study and teaching of anatomy through the ages would not have been possible without sketches and detailed drawings of discoveries when working with human corpses. The artistic depiction of the placement of body parts plays a crucial role in studying anatomy and in assisting those working with the human body. These images serve as the only glance into the body that most will never witness in person. Da Vinci collaborated with Andreas Vesalius who also worked with many young artists to illustrate Vesalius’ book ""De Humani Corporis Fabrica"" and this launched the"
"Anatomy"", the first textbook of applied anatomy of its kind ever issued. Before his death he was to see this department of anatomy become one of the most important portions of the teaching in the medical schools of the world. It was as a teacher that Hyrtl did his great work. Professor Karl von Bardeleben, himself one of the great teachers of the nineteenth century, did not hesitate to say that in this Hyrtl was unequalled. His fame spread throughout Europe, and he came to be looked upon as the special glory of the University of Vienna. In 1858, he"
"to the studies of the human anatomy. The practice of dissecting the human body was banned for many centuries due to the belief that body and soul were inseparable. It wasn’t until the election of Pope Boniface VIII that the practice of dissection was once again allowed for observation. Many painters and artists documented and even performed the dissections themselves by taking careful observations of the human body. Among them were Leonardo da Vinci and Andreas Vesalius, two of the most influential artists in anatomical illustrations. Leonardo da Vinci, in particular, was very detailed in his studies that he was"
"ideas of what women are. They never got to be nasty or competitive or hungry or angry. They were often just the loving wife or the nice friend. But who gets to be the bitch? Who gets to be the three-dimensional woman? The show's title, ""Grey's Anatomy"", was devised as a play on words: a reference to both Henry Gray's classic English medical textbook, ""Gray's Anatomy"" (first published in 1858 and still in print), and the title character Dr. Meredith Grey (Ellen Pompeo). Before the series debuted on March 27, 2005, a few early releases were shown to close friends"
"the two-volume ""Manual of Diseases of the Nervous System"", in the years between 1870 and 1890. The book is still used today by medical professionals as a primary reference for this disease. A master of diagnosis, his clinical teaching at Queen Square earned him an international reputation. He was appointed Professor of Clinical Medicine at University College London in 1887. He was a self-taught artist, and skilled etcher, an accomplishment he enjoyed both as a hobby and in his work. One of his holiday etchings was exhibited at the Royal Academy, much to his great pride. Overwork caused his health"
"Dr. Stephen Gray who believed that electric properties of a body depended on its colour. Du Fay's observations on electricity were reported in a paper written in December 1733 and printed in Volume 38 of the Philosophical Transactions of the Royal Society in 1734. He became a member of the French Academy of Sciences in 1723. Du Fay died of smallpox in 1739. All Du Fay's publications appeared in the journal ""Histoire de l'Académie Royale des Sciences: avec les mémoires de mathématique & de physique pour les mêmes années"" Charles François de Cisternay du Fay Charles François de Cisternay du"
"Padua, is considered the founder of modern human anatomy. Originally from Brabant, Vesalius published the influential book ""De humani corporis fabrica"" (""the structure of the human body""), a large format book in seven volumes, in 1543. The accurate and intricately detailed illustrations, often in allegorical poses against Italianate landscapes, are thought to have been made by the artist Jan van Calcar, a pupil of Titian. In England, anatomy was the subject of the first public lectures given in any science; these were given by the Company of Barbers and Surgeons in the 16th century, joined in 1583 by the Lumleian"