"""Star-O"", the sixth track on the album, is essentially a short reprise of ""Day-O"", with slightly different lyrics. It is a traditional Jamaican folk song, not a calypso, sung from the point of view of dock workers working the night shift loading bananas onto ships. Daylight has come, the shift is over, and they want their work to be counted up so that they can return to their homes (this is the meaning of the lyric ""Come, Mr. Tally Man, tally me banana / Daylight come and me wan' go home."") The third track, ""Jamaica Farewell"", is a calypso folk"
"is ""Help me to die, O Lord"". By all the glories of the day And the cool evening's benison By that last sunset touch that lay Upon the hills when day was done, By beauty lavishly outpoured And blessings carelessly received, By all the days that I have lived Make me a soldier, Lord. By all of all man's hopes and fears And all the wonders poets sing, The laughter of unclouded years, And every sad and lovely thing; By the romantic ages stored With high endeavour that was his, By all his mad catastrophes Make me a man, O"
"tigga, tigga flow, flow; flow, flow, flow; 12345! </poem> Another version is: <poem> Quack diddly oso; quack quack quack; Señorita, rita rita rita; Valor, valor, valor-valor-valor! 1-2-3-4-5-6-7-8-9-10 </poem> Another version is: <poem> Stella ella ola, clap clap clap, say es chico chico, chico chico clap, say es chico chico, below, below, the toilet over flows, say 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 </poem> Another version is: <poem> Stella Ella ola tap tap tap singing es tigga tigga Tigga tigga tap tap Baloney baloney Cheese and macaroni Fire 1, 2, 3, 4, 5, 6, 7, 8, 9,"
"सारी गगने दीर्घ तिच्या त्या किंकाळीने, Bring me such a trumpet Leave the old, let it die Burn or bury it Listen with attention to the next Call अशी तुतारी द्या मजलागुनि जुने जाऊ द्या मरणालागुनि जाळूनी किंवा पुरुनी टाका सडत न एका ठायी ठाका सावध ऐका पुढल्या हाका Let us walk shoulder to shoulder Bring me a trumpet The status quo is a large boulder Dig a beautiful cave through it खांद्यास चला खांदा भिडवूनी एक तुतारी द्या मज आणुनी प्राप्तकाल हा विशाल भूधर सुंदर लेणी तयात खोदा Inscribe your own names on it Why just sit around and"
"will come true. Buttons on a dress, petals on a flower, bounces of a ball, number of jumps over a rope, etc., may be counted. There are innumerable variations of the rhyme: A 2013 variation: In Nella Larsen's novel, ""Passing"", it is referred to by character Irene Redfield. ""Rich man,poor man, Beggar man,thief, Doctor, lawyer, Indian chief."" Tinker, Tailor ""Tinker Tailor"" is a counting game, nursery rhyme and fortune telling song traditionally played in England, that can be used to count cherry stones, buttons, daisy petals and other items. It has a Roud Folk Song Index number of 802. It"
"Eeny, meeny, miny, moe ""Eeny, meeny, miny, moe"" — which can be spelled a number of ways — is a children's counting rhyme, used to select a person in games such as tag, or for selecting various other things. It is one of a large group of similar rhymes in which the child who is pointed to by the chanter on the last syllable is either ""chosen"" or ""counted out"". The rhyme has existed in various forms since well before 1820 and is common in many languages with similar-sounding nonsense syllables. Since many similar counting rhymes existed earlier, it is"
"f e2 d2. r g,2 g4 c2 c4 bes4 a2 g2. d'4 d g, \addlyrics { L'hom -- me, l'hom -- me, l'hom -- me_ar -- mé, l'hom -- me_ar -- mé, L'hom -- me_ar -- mé doibt on doub -- ter, doibt on doub -- ter, On a fait par -- tout cri -- er, Que chas -- cun se viegne ar -- mer d'un hau -- bre -- gon de fer L'hom -- me, l'hom -- me, l'hom -- me_ar -- mé, l'hom -- me_ar -- mé, L'hom -- me_ar -- mé doibt on doub -- ter. </score>"
"Merle Kendrick. ""Jiggs, stand up and be a man, "" ""Don't let Maggie get under your collar"" ""Jiggs, be a man for once"" ""And stand up and holler"" ""Jiggs, it's time you make your stand"" ""But it's sure not to make us quit singing of ""Bringing Up Father"""" Internet Archive: ""Bringing Up Father"" <br> Note: This audio example is actually from the 1931 version of the ""Bringing Up Father"" radio show, made under the supervision of the William Morris Agency. The 1931 transcription program of ""Bringing Up Father"" was originally broadcast by The Yankee Chain, which consisted of seven New"
"still had such employment up until the 1960s. The title ""tallyman"" extended to the keeper of a village pound as animals were often held against debts, and tally sticks were used to prove they could be released. The credit information company Experian Tallyman markets debt collection management software called ""Tallyman"", a product originally purchased from Talgentra In 1967 Graham Gouldman wrote a song called ""Tallyman"", which was recorded by Jeff Beck and reached #30 on the British charts. ""'The tallyman,' Mum told me, 'slice off the top of the stems of the bunches as they take them in. Then him"
"""(with) (crown/head)"" Selling Coulter's Candy. When you grow old, a man to be, you'll work hard and you'll sail the seas, an' bring hame pennies for your faither and me, Tae buy mair Coulter's Candy. ""(more)"" Coulter he's a affa funny man, ""(very)"" He maks his candy in a pan, ""(makes)"" Awa an greet to yer ma, ""(away) (cry) (your)"" Tae buy some Coulter's candy. ""(to)"" Little Annie's greetin' tae, Sae whit can puir wee Mammy dae, ""(so) (what) (poor) (do)"" But gie them a penny atween them twae, ""(between) (two)"" Tae buy mair Coulter's Candy. </poem> The following verse"
"score: <br> Prosper or fail; <br> Still in the twilight gray, <br> As ages pass away, <br> Lift we our hearts to say; <br> Saint Charles, hail! <br> O Saint Charles, our holy Father,<br> Mighty patron of us all!<br> In thine honor, lo! we gather,<br> Let thy kindly blessing fall.<br> Pray for us who name thee patron,<br> Hear thy sons who on thee call. O Saint Charles, true guide to heaven,<br> Unto death our patron be.<br> When the clouds grow dark at even'<br> And God's way we fail to see,<br> Lift the weak, inspire the weary,<br> Bring us home to"
"ivry one, man! Gad smash me sark! if aw wad stick Te tummel them a' doon the pit; As fast as aw cud thraw a coal, Aw'd tummel them a' doon the hole, An' close her in aboon, man. Chorus Verse 3 Heeds up! says one, ye silly sow, Ye dinna mind the word, man; Eyes reet! says Tom, an' wi' a dam, And march off at the word, man; Did ever mortals see sic brutes, Te order me to lift maw kutes? Ad smash the fyul! he stands and talks, How can he learn me te walk, That's wark'd"
"kabilang kong sampu"" (When I finish counting up to ten) ""Nakatago na kayo"" (All of you should already been hidden) ""Isa, dalawa, ... sampu!"" (One, two, ... ten!) Another version of the chant goes: ""Tagu-taguan, maliwanag ang buwan"" (Hide and seek, the moon is bright) ""Wala sa likod, wala sa harap"" (Nobody in front, nobody behind) ""'Pag kabilang kong sampu"" (When I finish counting up to ten) ""Nakatago na kayo"" (All of you should already been hidden) ""Isa, dalawa, ... sampu!"" (One, two, ... ten!) Tagutaguan (lit. ""twilight game"", ""look out, cover yourself!"" or ""take-cover game!""): Participants usually step on"
"My, My, My (Johnny Gill song) ""My, My, My"" is a number-one R&B single by American singer-songwriter Johnny Gill. As the second single from Gill's second self-titled album, the hit song, with backing vocals performed by After 7, as well as a jazz solo performed by saxophonist Kenny G, spent two weeks at number-one on the US R&B chart, and made the number ten on the ""Billboard"" Hot 100 charts. It was also Gill's only song to reach the Adult Contemporary singles chart, where it peaked at #32. In 1991 the song won a Soul Train Music Award for Best"
"this forty year, man! Chorus Verse 4 But shud the Frenchmen shew thor fyece, Upon wor waggon-ways, man, Then, there upon the road, ye knaw, We'd myek them end thor days, man; Ay, Bonaparte's sel aw'd tyek, An' thraw him i' the burnin' heap, An' wi' greet speed aw'd roast him deed; His marrows, then, aw waddent heed, We'd pick oot a' thor een, man. Chorus Verse 5 Says Willy Dunn to loyal Tom, Yor words are a' a joke, man; For Geordy winna hae yor help, Ye're sic kamstarie folk, man; Then Willy, lad, we'll rest in peace, In"
"glory, let this holy building shake with joy, filled with the mighty voices of the peoples. (Therefore, dearest friends, standing in the awesome glory of this holy light, invoke with me, I ask you, the mercy of God almighty, that he, who has been pleased to number me, though unworthy, among the Levites, may pour into me his light unshadowed, that I may sing this candle's perfect praises). (""Deacon:"" The Lord be with you. ""People:"" And with your spirit.) ""Deacon:"" Lift up your hearts. ""People:"" We lift them up to the Lord. ""Deacon:"" Let us give thanks to the Lord"
"we sing the freedom. (Repeat) No, no more kings, no more crowns, Enough blood, enough mourning, That forgetting in his cold shroud Envelops scepters and thrones. More tears in the cottages When the conscript from the home; Leave, leave, poor mothers Near their son to kneel. (Repeat) Progress! Thy bright light Descend on all our children, That man is free in his fields, That the tax is no longer barrier. Do not exalt your most new laws, The people are deaf to your accents, Enough solemn phrases, Enough empty words. (Repeat) French, the most beautiful victory, It is the conquest"
"B-flat, D, and F. ""Taps"" uses the third, fourth, fifth, and sixth partials. ""Taps"" is a bugle call - a signal, not a song. As such, there is no associated lyric. Many bugle calls had words associated with them as a mnemonic device but these are not lyrics. A Horace Lorenzo Trim wrote a set of words intended to accompany the music: <poem> Day is done, gone the sun, Fading light, dims the sight, Thanks and praise, for our days, Sun has set, shadows come, While the light fades from sight, </poem> Several later lyrical adaptations have been created. There"
"and pierce the heavens through,<br> As we go marching through Uni. Let the Freshman shout again, the Sophomore rejoice,<br> Let the Junior pound his cane, the Senior make a noise,<br> Let the graduates all sing, with one united voice,<br> As we go marching through Uni. Let the people join to swell the volume of the song,<br> Ladies whom we love so well fill out the mighty throng,<br> Let the wandering winds impel the minstrelsy along,<br> As we go marching through Uni. CHORUS: Rally round your colors, lads, and sing the jubilee, Hail to Pitt Hail to Pitt is the most"
"divine, What a tender love was Thine, Thus to come from highest bliss Down to such a world as this. Chorus Teach, O teach us, Holy Child, By Thy face so meek and mild, Teach us to resemble Thee, In Thy sweet humility. Chorus Virgin Mother, Mary blest By the joys that fill thy breast, Pray for us, that we may prove Worthy of the Saviour's love. </poem> <score vorbis=""1""> \relative g' { \time 4/4 \key g \major g4. a8 g4 fis e4. d8 d2 g4 a c b b4. a8 a2 \addlyrics { See, a -- mid the win"
"in sky, Merrily, Merrily, merrily, to welcome in the year. Little boy, Full of joy; Little girl, Sweet and small; Cock does crow, So do you; Merry voice, Infant noise, Merrily, merrily, to welcome in the year. Little lamb, Here I am; Come and lick My white neck; Let me pull Your soft wool; Let me kiss Your soft face; Merrily, merrily, we welcome in the year. The poem is split into three stanzas. The rhyme scheme goes AABBCCDDE. The last line of each stanza is the same to show the joy the author has for this time of year."
"Mon Homme ""Mon Homme"" () is a popular song known by its English translation, ""My Man"". The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. ""Mon Homme"" was copyrighted in France by Maurice Yvain, Albert Willemetz and Jacques-Charles (Jacques Mardochée Charles) in 1920 and was introduced to Parisian audiences in the revue """"Paris qui Jazz"""" at the Casino de Paris. The song was performed by revue star Mistinguett and her stage partner American dancer Harry Pilcer. Although the song originated in France"
"Tinker, Tailor ""Tinker Tailor"" is a counting game, nursery rhyme and fortune telling song traditionally played in England, that can be used to count cherry stones, buttons, daisy petals and other items. It has a Roud Folk Song Index number of 802. It is commonly used by children in both Britain and America for ""counting out,"" e.g. for choosing who shall be ""It"" in a game of tag. The most common modern version is: The most common American version is: Skipping version from the 70s: A similar rhyme has been noted in William Caxton's, ""The Game and Playe of the"
"Credits adapted from liner notes and Discogs. Locations Personnel Truly, Truly ""Truly, Truly"" is a song by American rock band Grant Lee Buffalo. It was released in May 1998 as the lead single from their fourth album, ""Jubilee"". Written by Grant-Lee Phillips and produced by Paul Fox, the single peaked at number 11 on the ""Billboard"" Modern Rock Tracks chart. According to Grant Lee Buffalo drummer Joey Peters, he and Grant-Lee Phillips began work on ""Truly, Truly"" in 1996 while touring with The Smashing Pumpkins. As Phillips and Peters began demoing tracks for what would become the ""Jubilee"" album, bassist"
"Touch Me, Tease Me ""Touch Me, Tease Me"" is a 1996 song by American R&B singer and songwriter Case. It serves as the second single from his self-titled debut album (1996). The single proved successful, it reached number 14 on the US ""Billboard"" Hot 100, was ranked 63rd in the Billboard Year-End Hot 100 singles of 1996 and was Gold certified by the RIAA. It further reached number 26 in the UK charts. It features vocals from R&B artist Mary J. Blige and rapper Foxy Brown, with backing vocals by Vernell Foster (later known as Vee of Koffee Brown) and"
"up in me! Speak, speak! Directing! Hulu, hulu, mala, hulu, hulu, hile! Sara, sara! siri, siri! suru, suru! Be awakened, be awakened! Have awakened, have awakened! O merciful one, blue-necked one! Of daring ones, to the joyous, hail! To the successful one, hail! To the great successful one, hail! To the one who has attained master in the discipline, hail! To the blue-necked one, hail! To the boar-faced one, hail! To the one with a lion's head and face, hail! To the one who holds a weapon in his hand, hail! To the one who holds a wheel in his"
"See Me, Feel Me ""See Me, Feel Me"" (aka Listening To You/See Me, Feel Me and See Me, Feel Me/Listening To You) is a song from the Who's 1969 album ""Tommy"". It consists of two overture parts from ""Tommy"", the second and third parts of the album's final song ""We're Not Gonna Take It"": ""See Me, Feel Me"" and ""Listening To You"". It was released as a single in September 1970. The song is not identified as a separate track on the 1969 studio version of the album. The Who performed ""See Me, Feel Me"", followed by the refrain of"
"Handy Man (song) ""Handy Man"" is a song written by singer Jimmy Jones and songwriter Otis Blackwell. Recordings by Del Shannon and also The Sparks Of Rhythm list Charles Merenstein as a co-writer as does BMI. The Sparks Of Rhythm version on the Apollo 541 single version released in 1959 credits Andrew Barksdale and Merenstein as writers omitting Jimmy Jones. The song is noted for Jones singing ""Come-a, come-a come-a come-a, come come-a, yeah"" lyrics, which are heard at the beginning as well as in the coda of the song, before the song's fade. It was originally recorded by The"
"Understand Your Man ""Understand Your Man"" is a 1964 single by Johnny Cash. The single went to number one on the country charts for six weeks. ""Understand Your Man"" also crossed over to the Top 40, peaking at number 35. Cash borrowed parts of the melody from Bob Dylan's ""Don't Think Twice, It's All Right"". It was also the last song Cash ever performed in front of an audience. It was the last song in his performance at the Carter Family Fold in Hiltons, Virginia, on 5 July 2003. Prior to singing it, Cash told the audience that at that"
"Please Mr. Postman ""Please Mr. Postman"" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland, and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the ""Billboard"" Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. ""Please Mr. Postman"" became a number-one hit again in early 1975 when the Carpenters' cover of the song reached the top position of the ""Billboard"" Hot 100. ""Please"
"Love, Me ""Love, Me"" is a song written by Skip Ewing and Max T. Barnes, and recorded by American country music artist Collin Raye. It was released in October 1991 as the second single from the album ""All I Can Be"". In January 1992, the single became Raye's first Number One single on the U.S. ""Billboard"" Hot Country Singles & Tracks charts; the same year, the song received a Song of the Year nomination from the Country Music Association. The single has been cited as a popular choice for funerals. ""Love, Me"" is a ballad in the key of C"
"lauf ich schnell zum Teller hin. Lustig, lustig, ... Nikolaus ist ein guter Mann, dem man nicht g'nug danken kann. Lustig, lustig, ...</poem> <poem style=""margin-left:2em; float:left;"">Let us be happy and cheerful And really be happy in our hearts! Jolly, jolly, tralala-lala, Soon Nicholas Eve is here! Soon Nicholas Eve is here! Soon our school day ends, Home I'll go with all my friends. Jolly, jolly, ... Then I put the plate out Nick'll surely put somethin' on it. Jolly, jolly, ... When I sleep, then I dream: Now Nicholas brings me something. Jolly, jolly, ... When I am woken up,"
"to take and not to shame Whom to take and not to shame Tumbala, Tumbala, Tumbalalaika Tumbala, Tumbala, Tumbalalaika Tumbalalaika, strum balalaika Tumbalalaika, may we be happy Girl, girl, I want to ask of you What can grow, grow without rain? What can burn and never end? What can yearn, cry without tears? Foolish lad, why do you have to ask? A stone can grow, grow without rain Love can burn and never end A heart can yearn, cry without tears What is higher than a house? What is swifter than a mouse? What is deeper than a well? What"