"conditional discharge. Jones' trial took place in November 1967. In December, after appealing the original prison sentence, Jones received a £1,000 fine and was put on three years' probation, with an order to seek professional help. The band released ""Their Satanic Majesties Request"", which reached No. 3 in the UK and No. 2 in the US, in December 1967. It drew unfavourable reviews and was widely regarded as a poor imitation of the Beatles' ""Sgt. Pepper's Lonely Hearts Club Band"". ""Satanic Majesties"" was recorded while Jagger, Richards and Jones were awaiting their court cases. The band parted ways with Oldham"
"the third episode of the of ""American Horror Story"". Monster Magnet included a cover of ""2000 Light Years from Home"" on their 2007 album ""4-Way Diablo"". Source: The Rolling Stones Additional personnel Their Satanic Majesties Request Their Satanic Majesties Request is the sixth British and eighth American studio album by the Rolling Stones, released in December 1967 by Decca Records in the United Kingdom and London Records in the United States. Recording sessions saw the band experimenting widely with a psychedelic sound in the studio, incorporating elements such as unconventional instruments, sound effects, string arrangements, and African rhythms. The album's"
"Their Satanic Majesties Request Their Satanic Majesties Request is the sixth British and eighth American studio album by the Rolling Stones, released in December 1967 by Decca Records in the United Kingdom and London Records in the United States. Recording sessions saw the band experimenting widely with a psychedelic sound in the studio, incorporating elements such as unconventional instruments, sound effects, string arrangements, and African rhythms. The album's title is a play on the ""Her Britannic Majesty requests and requires ..."" text that appears inside a British passport. It is the first Stones album to feature the same track listings"
"heard that the album existed as a promo version including a silk padding. A pink padded version was presented by photo accompanied by a letter from the Decca Copyright Department, but it was shown that the letter does not match the album it was intended to authenticate making it almost entirely certain that this was a forgery. Released in December 1967, ""Their Satanic Majesties Request"" reached No. 3 in the UK and No. 2 in the US (easily going gold), but its commercial performance declined rapidly. It was soon viewed as a pretentious, poorly conceived attempt to outdo the Beatles"
"viewed from one angle and nude when viewed from another angle. The lenticular picture on the album cover for the Rolling Stones' 1967 LP ""Their Satanic Majesties Request"" was manufactured by Vari-Vue, as well as the postcards and other promotional items that accompanied the release. Other lenticular LP covers include Johnny Cash's ""The Holy Land"" (1969) and The Stranglers' ""The Raven"". In the 2010s lenticular covers for LPs became a bit more common, especially for deluxe re-releases. In 1973 the band Saturnalia had lenticular labels on their ""Magical Love"" picture disc lp. From around the mid-1990s some lenticular cd covers"
"and ""Sgt. Pepper's Lonely Hearts Club Band"" (released in June 1967), often explained by drug trials and excesses in contemporary musical fashion, although John Lennon and Paul McCartney did provide backing vocals (uncredited) on ""We Love You"" (recorded during the ""Satanic Majesties Request"" sessions, but released as a single three months before the album). The production, in particular, came in for harsh criticism from Jon Landau in the fifth issue of ""Rolling Stone"", and Jimmy Miller (recommended by the album's engineer, Glyn Johns) was asked to produce the Stones' subsequent albums, on which they would return to the hard driving"
"early 1967 and including many famous names, is now seen as being influential on the early works of Amon Düül and other pioneers of German Krautrock, as well as inspiring sections of the Rolling Stones' ""Their Satanic Majesties Request"" album. Their posters remain highly sought after. The original artwork for a poster advertising Jimi Hendrix's 1967 concert at the Fillmore Auditorium in San Francisco – depicting the guitarist as a psychedelic Native American chief with a hunting bow in one hand and a peace pipe in the other – was sold in 2008 by Bonhams for $72,000. Between October 2000"
"January 1967, the recording of ""Their Satanic Majesties Request"" was long and sporadic, broken up by court appearances and jail terms. For the same reasons, the entire band was seldom present in the studio at one time. Further slowing productivity was the presence of the multiple guests that the band members had brought along. One of the more level-headed members of the band during this time, Bill Wyman, wary of psychedelic drugs, wrote the song ""In Another Land"" to parody the Stones' current goings-on. In his 2002 book ""Rolling with the Stones"", Wyman describes the situations in the studio: The"
"The first five British Rolling Stones albums were converted into seven LPs for the American market, adding material from singles and the UK EPs. The two ""Big Hits"" singles packages, respectively from 1966 and 1969, differ in each nation, and in the case of ""December's Children (And Everybody's)"" and ""Flowers"", there are no UK counterparts. The Rolling Stones' LP releases from ""Their Satanic Majesties Request"" in 1967 forward are uniform in both the UK and the US, except for ""Through the Past, Darkly (Big Hits Vol. 2)"". The Rolling Stones discography The English rock group The Rolling Stones has released"
"Their Satanic Majesties' Second Request Their Satanic Majesties' Second Request is the fourth studio album by American psychedelic rock band The Brian Jonestown Massacre. It was released on June 18, 1996 by record label Tangible and distributed by Bomp! Records, and is the second of three full-length albums released by the band that year. ""Their Satanic Majesties' Second Request"" was recorded in 1995 at Bloody Angle Studios. The album's title and music is influenced by The Rolling Stones' 1967 album ""Their Satanic Majesties Request"". ""Their Satanic Majesties' Second Request"" reveals vast experimentation with Indian drones, sitars, mellotrons, farfisas, didgeridoos, tablas,"
"the 80's and 90's into a 60's retro-futurist aesthetic. As lineup changes persisted, the band continued to record and in 1996 released three full-length studio albums. The first of these, ""Their Satanic Majesties' Second Request"" reflects a pastiche of 1960s psychedelia. The album also includes vast experimentation with a variety of different instrumentation including Indian drones, sitars, Mellotrons, farfisas, didgeridoos, tablas, congas, and glockenspiels. The title of the album is a play on words of the Rolling Stones' 1967 album ""Their Satanic Majesties Request"". Anton has similarly named songs and records this way throughout the band's catalog. The band's second"
"slavish – the Stones themselves haven't made a record this strong or entertaining in years."" All songs on the album were written by Anton Newcombe, except for ""No Come Down"" and ""Miss June '75"", written by Matt Hollywood. The liner notes also contain a list of instruments appearing on the album: Their Satanic Majesties' Second Request Their Satanic Majesties' Second Request is the fourth studio album by American psychedelic rock band The Brian Jonestown Massacre. It was released on June 18, 1996 by record label Tangible and distributed by Bomp! Records, and is the second of three full-length albums released"
"1960s. Indeed, many of the artists who have appeared on its cover are deceased (Jimi Hendrix and Phil Lynott of Thin Lizzy featured on early covers, as did bands with deceased members such as Queen and The Who). Acts to have appeared on the front cover three times or more to date include Queen, Guns N' Roses, Black Sabbath / Ozzy Osbourne, Bon Jovi, Iron Maiden, Aerosmith, Led Zeppelin (Jimmy Page has been on the cover on his own right at least 4 times), Metallica, Thin Lizzy, Pink Floyd, Jimi Hendrix, Genesis, AC/DC, and Mötley Crüe. More recent acts to"
"Richards was inducted into the Songwriters Hall of Fame in 1993. Richards has been active as a music producer since the 1960s. He was credited as producer and musical director on the 1966 album ""Today's Pop Symphony"", one of manager Andrew Loog Oldham's side projects, although there are doubts about how much Richards was actually involved with it. On the Rolling Stones' 1967 album ""Their Satanic Majesties Request"", the entire band was credited as producer, but since 1974, Richards and Mick Jagger have frequently co-produced both Rolling Stones records and those by other artists under the name ""the Glimmer Twins"","
"marriage to Rose, his muse and model. Cooper also created the cover lenticular for the Rolling Stones 1967 LP ""Their Satanic Majesties Request"". In 1964 Cooper met London art dealer Robert Fraser, through whom he was introduced to leading figures in music, art and literature, including The Beatles, The Rolling Stones (the rock band he worked most closely with), Marianne Faithfull, Eric Clapton, artists Cecil Beaton, Andy Warhol, Jann Haworth, Peter Blake and David Hockney and writers William S. Burroughs, Jean Genet, Terry Southern and Allen Ginsberg. Cooper was one of those present at Keith Richards' house, ""Redlands"", in Sussex,"
"Led Zeppelin, The Rolling Stones, the Beatles (""Get Back"" Sessions), The Who, Eagles, Bob Dylan, Linda Ronstadt, Johnny Hallyday, the Band, Eric Clapton, the Clash, Ryan Adams, the Steve Miller Band, Small Faces, Spooky Tooth, the Easybeats, the Ozark Mountain Daredevils, Blue Öyster Cult, Emmylou Harris, Midnight Oil, New Model Army, Belly, Joe Satriani, Ronnie Lane, Rod Stewart with Faces, John Hiatt, Joan Armatrading, Buckacre, Gallagher and Lyle, Georgie Fame, Family, Helen Watson, Fairport Convention, Humble Pie, and many others. In 1969, Led Zeppelin paid tribute to Johns by including a photo of actress Glynis Johns on the cover of"
"American rock group Dr. Hook & the Medicine Show. The song satirizes success in the music business; the song's narrator laments that his band, despite having the superficial attributes of a successful rock star (including drug usage, ""teenage groupies, who'll do anything we say"" and a frenetic guitar solo) has been unable to ""get their pictures/on the cover of the ""Rolling Stone"""". Some artists have been featured on the cover many times, and some of these pictures went on to become iconic. The Beatles, for example, have appeared on the cover more than 30 times, either individually or as a"
"Beggars Banquet Beggars Banquet is the seventh British and ninth American studio album by English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to roots rock for the band following the psychedelic pop of their 1967 album ""Their Satanic Majesties Request"". It was the last Rolling Stones album to be released during Brian Jones' lifetime, but he also played on two songs on their next album ""Let It Bleed"", which was released after his death. Glyn Johns, the"
"the Rolling Stones including Brian Jones, who drowned in 1969 while under the influence of drink and drugs. He is seen standing slightly apart from the rest of the group. Bailey was hired in 1970 by Island Records' Chris Blackwell to shoot publicity photos of Cat Stevens for his upcoming album ""Tea for the Tillerman"". Stevens (now known as Yusuf Islam) maintains that he disliked having his photo on the cover of his albums, as had previously been the case, although he allowed Bailey's photographs to be placed on the inner sleeve of the album. In 1972, rock musician Alice"
"resemblance to Bob Dylan's ""Like A Rolling Stone"", which also happens to be a black rock protest song. Curtis Knight and the Squires Curtis Knight and the Squires were a New York band that was fronted by singer and guitarist Curtis Knight in the mid-1960s. Both Jimi Hendrix and sax player Lonnie Youngblood were members for a while. The band is referred to as a workaday party R&B band by ""Billboard"". The line up of the group wasn't always with the same musicians. Sax player Lonnie Youngblood had been a member. The line up pictured on the cover of the"
"Brian Locking, who left the band in October 1963, but John Rostill was ultimately chosen to fill the position. In 1964, on the recommendation of Meehan, Jones began studio session work with Decca Records. From then until 1968, he played on hundreds of recording sessions. He soon expanded his studio work by playing keyboards, arranging and undertaking general studio direction, resulting in his services coming under much demand. He worked with numerous artists including the Rolling Stones on ""Their Satanic Majesties Request"" (Jones' string arrangement is heard on ""She's a Rainbow""); Herman's Hermits; Donovan (on ""Sunshine Superman,"" ""Hurdy Gurdy Man,"""
"The Masked Marauders The Masked Marauders is a record album released on the Warner Bros Reprise/Deity label in the fall of 1969 that was part of an elaborate hoax concocted by ""Rolling Stone"" magazine. In its October 18, 1969 issue, ""Rolling Stone"" ran a tongue-in-cheek review of a non-existent album that purportedly captured a ""super session"" of the era's leading rock and roll musicians, including Bob Dylan, Mick Jagger,George Harrison, John Lennon, and Paul McCartney. The review claimed that none of the artists could be listed on the jacket cover because of contractual agreements with their recording companies. The editors"
"Mellotron. The number was regularly featured during the Stones' 1989–90 Steel Wheels/Urban Jungle Tours; until 1997, when ""She's a Rainbow"" was also added to the band's stage repertoire, it was the only track from ""Satanic Majesties"" that the band had performed in concert. For the first time in 23 years, The Rolling Stones played 2000 Light Years from Home"" on 29 June 2013 at The Glastonbury Festival. Additional personnel 2000 Light Years from Home ""2000 Light Years from Home"" is a song from the Rolling Stones' 1967 psychedelic rock album ""Their Satanic Majesties Request"". Written by Mick Jagger and Keith"
"creative vision dominated at the expense of all commercial concerns. The album influenced Jefferson Airplane's ""After Bathing at Baxter's"", the Rolling Stones' ""Their Satanic Majesties Request"" and the Mothers of Invention's ""We're Only in It for the Money"", the last of which parodied the ""Sgt. Pepper"" cover collage. Everett characterises ""Their Satanic Majesties Request"" and the Small Faces' ""Ogdens' Nut Gone Flake"" as ""Sgt. Pepper"" ""copycat LPs"". During the 1970s, glam rock acts co-opted the Beatles' use of alter ego personas. In Moore's description, the album ""seems to have spoken (in a way no other has) for its generation"". It"
"The Cover of Rolling Stone ""The Cover of 'Rolling Stone'"" is a song written by Shel Silverstein and first recorded by American rock group Dr. Hook & the Medicine Show. Produced by Ron Haffkine and released in 1972, it was the band's third single and peaked at number six on the U.S. pop chart for two weeks on March 17–24, 1973. The song satirizes success in the music business; the song's narrator laments that his band, despite having the superficial attributes of a successful rock star (including drug usage, ""teenage groupies, who'll do anything we say"" and a frenetic guitar"
"their gritty rhythms and ornate, precocious arrangements is enthralling, not in the least because there’s no other record—by the Stones or anybody else—that sounds quite like this."" AllMusic's Bob Eder called the mono mix of the album a distinct improvement over the stereo version, describing it as transforming the maligned album into ""superb, punky psychedelia."" Richie Unterberger of AllMusic writes: ""Their Satanic Majesties Request""s opening song ""Sing This All Together"" was featured in the stage and television productions of ""Paul Sills' Story Theatre"" (1970–71), in particular appearing as the TV version's theme song. Todd Tamanend Clark released a proto-cyberpunk version"
"on only three tracks after dominating the group's first three albums. The album's single, ""Pleasant Valley Sunday""/""Words"", was a double-sided hit. The album was among the earliest to make use of the Moog synthesizer, which Dolenz introduced to the group and played in the studio; he owned one of the first twenty ever sold. Along with the Doors' September 1967 album ""Strange Days"", ""Their Satanic Majesties Request"" by the Rolling Stones in December, and the Byrds' January 1968 album ""The Notorious Byrd Brothers"", ""Pisces"" was one of the first commercial recordings featuring the Moog to reach a wide audience. Dolenz"
"on early records, and through 1967, in concert as well. He sang lead on the track ""In Another Land"", on the ""Their Satanic Majesties Request"" album and a single. The song is one of two Wyman compositions released by the Rolling Stones; the second is ""Downtown Suzie"" (sung by Mick Jagger), on ""Metamorphosis"", a collection of Rolling Stones outtakes. The title ""Downtown Suzie"" was chosen by their erstwhile manager Allen Klein without consulting Wyman or the band. The original title was ""Sweet Lisle Lucy"", named after Lisle Street, a street in the red light district in Soho, London. Wyman has"
"time 0:35) following ""Sing This All Together (See What Happens)"" (running time 7:58). There are only two songs from the album which the Stones performed live, ""2000 Light Years from Home"" (1989–90 world tour, 2013 Glastonbury Festival), and ""She's a Rainbow"" (1997–98 Bridges to Babylon Tour). In August 2002, ""Their Satanic Majesties Request"" was reissued in a new remastered CD, LP and DSD by ABKCO Records. In May 2011, the album was reissued on SHM-SACD. In 2017, a set containing two LPs (mono/stereo) as well as two SACDs (mono/stereo) was released. For the first time since the 2006 Japanese SACD"
"album with the Rolling Stones' concurrent release, ""Their Satanic Majesties Request"", and opined that ""I Am the Walrus"" and ""Blue Jay Way"" alone ""accomplish what the Stones attempted"". The album review in ""Rolling Stone"" consisted of a single-sentence quote from John Lennon: ""There are only about 100 people in the world who understand our music."" Robert Christgau of ""Esquire"" considered three of the five new songs to be ""disappointing"", including ""The Fool on the Hill"", which, he wrote, ""may be the worst song the Beatles have ever recorded"". Christgau still found the album ""worth buying"", however, ""for all the singles,"
"out of all the acid things."" And in a 1968 interview, Brian Jones described it as ""getting back to ... the funky, essential essence"" following the psychedelia of ""Their Satanic Majesties Request"". In his autobiography, ""Stone Alone"", Bill Wyman has said that he came up with the song's distinctive main guitar riff on a piano without being credited for it. In ""Rolling with the Stones,"" Wyman credits Jagger with vocals, Richards with guitar and bass guitar, Brian Jones with guitar, Charlie Watts with drums and himself with organ on the track with producer Jimmy Miller adding backing vocals. According to"
"delays between acts, before the Rolling Stones materialised on stage. Janis Joplin joined the Turners at one of the Madison Square Garden shows. The US was in political turmoil at the time, and some militant groups tried to portray the tour as a call for radical political action, especially in light of the Rolling Stones' 1968 track ""Street Fighting Man"". The Rolling Stones themselves had no such interest, and while on tour Mick Jagger publicly rebuffed a request for support from the Black Panthers. Stones media appearances during the tour featured typical banter of the time on other issues; while"
"String Band"" at The Barbican, featuring Richard Thompson, Danny Thompson, Robyn Hitchcock, Alasdair Roberts, Trembling Bells, Green Gartside, Dr Strangely Strange & more. Stylistically the ISB were centred around the idioms of conventional folk and pop, but their notable experimentation with musical form, instrumentation and styles (e.g. Indian and Moroccan) led them to innovative, often eclectic, compositions. In 1967–68 they were described as part of pop music's ""avant-garde"", and were compared to The Beatles. Williamson claimed that, as both the Beatles and the Rolling Stones saw them play before ""Sgt. Pepper"" and ""Their Satanic Majesties Request"" were recorded, the ISB"