"be privy to the intellectual code of Cubist aesthetics and to understand the details of the alternative society of artists and intellectuals in which Picasso lived and worked. The influence of analytical Cubist work like ""Bottle, Glass, Fork"" on future artist movements was enormous. Picasso and Braque created a highly original method of relating objects to each other within space, developing a technique of painting that created a whole sensory experience rather than just a visual experience. Their ideas and structure have influenced later movements like Orphism, Futurism, Expressionism, Dadaism, Purism, Synchromism, and every genre of later abstract art. Bottle,"
"Basket of Fruit (Caravaggio) Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit: ... a good-sized, light-red peach attached to a stem with wormholes in the leaf resembling damage by oriental fruit moth (Orthosia hibisci). Beneath it is a single bicolored apple, shown from a stem perspective with two insect entry holes, probably codling moth, one of which shows secondary rot"
"Boy with a Basket of Fruit Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome. The painting dates from the time when Caravaggio, newly arrived in Rome from his native Milan, was making his way in the competitive Roman art world. The model was his friend and companion, the Sicilian painter Mario Minniti, at about 16 years old. The work was in the collection of Giuseppe Cesari, the Cavaliere d'Arpino, seized by Cardinal Scipione Borghese in 1607, and may therefore date to the"
"Life with Fruit"" (c. 1603), a painting which John Spike identifies as ""the source of all subsequent Roman still-life paintings."" Basket of Fruit (Caravaggio) Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit: ... a good-sized, light-red peach attached to a stem with wormholes in the leaf resembling damage by oriental fruit moth (Orthosia hibisci). Beneath it is a single bicolored"
"Bottle, Glass, Fork Bottle, Glass, Fork (otherwise known as Bouteille, Verre, et Fourchette) is a painting by Pablo Picasso (1881–1973). It was painted in the spring of 1912, at the height of the development of analytic Cubism. ""Bottle, Glass, Fork"" is one of the best representations of the point in Picasso's career when his Cubist painting reached almost full abstraction. The analytic phase of Cubism was an original art movement developed by Picasso and his contemporary Georges Braque (1882–1963) and lasted from 1908-1912. Like ""Bottle, Glass, Fork"", the paintings of this movement are characterized by little use of color, and"
"The Basket of Apples The Basket of Apples is a still life oil painting by French artist Paul Cézanne. It belongs to the Helen Birch Bartlett Memorial Collection of the Art Institute of Chicago. The piece is often noted for its disjointed perspective. It has been described as a balanced composition due to its unbalanced parts; the tilted bottle, the incline of the basket, and the foreshortened lines of the cookies mesh with the lines of the tablecloth. Additionally, the right side of the tabletop is not in the same plane as the left side, as if the image simultaneously"
"Still Life with Fruit (Caravaggio) Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition of his study of the artist). It depicts a wicker basket heaped with various fruit and vegetables sitting on a stone table, caught in Caravaggio's usual strong yet mellow shaft of light falling from top left, ""as if through a hole in the ceiling."" (Caravaggio at around"
"The Hand of the Violinist The Hand of the Violinist (The Rhythms of the Bow) is a 1912 painting by Italian Futurist Giacomo Balla, depicting a musician's hand and the neck of a violin ""made to look like it's vibrating through space""—blurred and duplicated to suggest the motion of frenetic playing. The painting, representative of Futurism's first wave, exhibits techniques of Divisionism. Balla was inspired to use multiplication to imply motion by the photographic experiments of Eadweard Muybridge and Étienne-Jules Marey. As with other Futurists, he was also inspired by Cubism's methods of capturing multiple perspectives; ""The Hand of the"
"reflects two viewpoints. Paintings such as this helped form a bridge between Impressionism and Cubism. The Basket of Apples The Basket of Apples is a still life oil painting by French artist Paul Cézanne. It belongs to the Helen Birch Bartlett Memorial Collection of the Art Institute of Chicago. The piece is often noted for its disjointed perspective. It has been described as a balanced composition due to its unbalanced parts; the tilted bottle, the incline of the basket, and the foreshortened lines of the cookies mesh with the lines of the tablecloth. Additionally, the right side of the tabletop"
"was one of the most productive, turning out more than 1200 finished watercolors for the USDA. Newton's artwork for the USDA covered a wide range of fruit and nuts, principally apples, of which there are many hundreds of examples. There are also paintings of strawberries, plums, citrus, persimmons, avocados, and cherries, as well as fruits that are still not commonly grown in the continental United States such as loquat and baobab. Most of her watercolors show a whole and a half fruit in full color; a few (such as the strawberry and cherry paintings) show foliage as well. Her style"
"Mario Minniti Mario Minniti (8 December 1577 – 22 November 1640) was an Italian artist active in Sicily after 1606. Born in Syracuse, Sicily, he arrived in Rome in 1593, where he became the friend, collaborator and model of the key Baroque painter Michelangelo Merisi da Caravaggio (1571–1610). His main fame today is his identification, or proposed identification, as a model in many of Caravaggio's early works, including ""Boy with a Basket of Fruit"", ""The Fortune Teller"", ""The Musicians"", ""Boy Bitten by a Lizard"" (probable), ""Bacchus"", ""The Lute Player"", ""The Calling of Saint Matthew"", and ""The Martyrdom of Saint Matthew""."
"the creation of this work. The first volume of this work is devoted to citrus and its many varieties and variations. The plates were produced by the best artists of the time, such as Johann Friedrich Greuter, Cornelis Bloemaert and Nicolas Joseph Foucault. Plates were also prepared by the renowned painters and draughtsmen of Roman Baroque, such as Pietro da Cortona, Andrea Sacchi, Nicolas Poussin, Pietro Paolo Ubaldini, F. Perier, Francesco Albani, Philippe Gagliard, G.F. Romanelli, Guido Reni, Dominic Zampieri and H. Rinaldi. The plates show life-sized whole fruit, including sections. Other plates show Hercules, mythological scenes, garden buildings, Orangeries,"
"Still Life - Balsam Apples and Vegetables Still Life: Balsam Apple and Vegetables is an early 19th century oil painting by American painter James Peale. Done in oil on canvas, the painting depicts a number of vegetables set on a table. The work is currently on display at the Metropolitan Museum of Art. The painting is a still life, created to allow for an accurate representation of a physical object on a painted canvas. According to the Metropolitan Museum of Art's description of the work, the painting is possibly an ""experimental exercise"" created during the peak of Peale's career. The"
"Fruits on a Table Fruits on a Table or Still Life with Apples and Grapes ( ""Nature Morte a la Comptesse de N"") is a still life painting by French artist Paul Gauguin painted in 1889. It was one of two works stolen from the private collection of Terence F. Kennedy in London in June 1970 and recovered by the Carabinieri in Italy in April 2014. The painting depicts two bowls of brightly coloured apples and grapes on a fringed white linen cloth on a wooden table with a small dog sleeping on the floor in the background. It is"
"Violinist"" has been said to bring the viewer ""inside the reverberations of the instrument itself"", and has earned comparison with Marcel Duchamp's ""Nude Descending A Staircase"". From February to August 2014, the painting was part of the exhibit ""Italian Futurism, 1909–1944: Reconstructing the Universe"", at the Guggenheim in New York. The Hand of the Violinist The Hand of the Violinist (The Rhythms of the Bow) is a 1912 painting by Italian Futurist Giacomo Balla, depicting a musician's hand and the neck of a violin ""made to look like it's vibrating through space""—blurred and duplicated to suggest the motion of frenetic"
"A Boy with a Basket of Fruit, an overtly homoerotic image of a youth extending a large basket of fruit seductively toward the viewer. Borghese also greatly admired Caravaggio's naturalistic and psychologically complex later religious paintings, such as the brooding (but still sensual) youthful Saint John the Baptist (1605/6), which the collector acquired from the artist's estate shortly after his death, and the intense David with the Head of Goliath (1609/10), which represents the Biblical hero extending outwards a severed head with the features of the artist Borghese appropriated Caravaggio's Madonna and Child with St. Anne, a large altarpiece commissioned"
"an 1813 composition ""Peaches and Grapes in a Chinese Export Basket"". Other classic American still lifes featuring fruit or flowers include ""Wrapped Oranges"" (1889) by William J. McCloskey (1859–1941) and ""Abundance"" (after 1848) by Severin Roesen (1815–after 1872). The ACMAA sculpture collection provides historical context for the museum’s deep holdings of bronze sculpture by Frederic Remington and Charles M. Russell, as well as acknowledging the importance of sculpture in the wider history of American art. As such, the collection contains works created by leading individuals in both the nineteenth and twentieth centuries. ""The Choosing of the Arrow"" (1849) by Henry"
"Juan de Zurbarán Juan de Zurbarán (1620–1649), was a Spanish Baroque painter. Juan de Zurbarán was born in Llerena, Badajoz, the son of Francisco de Zurbarán (1598–1664), and joined in the workshop that his father owned in Seville, with which it is likely they collaborated on different paintings, including the ""Still Life with Jug and Cups"". The parental influence is evident in his work, but also his style reflects Dutch, Lombard and Neapolitan influences. He primarily painted still life genre. Some of his works include ""Still Life with Fruit and Goldfinch"" and ""Still Life with Basket of Apples, Quinces and"
"Apparition of Face and Fruit Dish on a Beach Apparition of Face and Fruit Dish on a Beach (1938) is a painting by the Spanish surrealist Salvador Dalí. The painting is dominated by a depiction of brown-skinned pears with the eponymous footed silver fruit bowl, which somewhat resembles a wine glass (specifically a coupe). A deliberately created optical illusion of the eponymous human face (a face which would reappear in one of Dalí's later works, ""The Endless Enigma"") occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the"
"Vase of Flowers and Conch Shell Vase of Flowers and Conch Shell is a 1780 painting, by Anne Vallayer-Coster. It is in the collection of the Metropolitan Museum of Art. In 1770, Vallayer-Coster joined the French Academy. Marie Antoinette was her patron. The painting was exhibited in the Salon of 1781. Vallayer had started to show her flower paintings at the Salon of 1775. Denis Diderot, who had been enthusiastic about her work in the Salon of 1771, gave a very different assessment in 1781 and writes of the small oval paintings of flowers and fruits that they lack the"
"Here the composition is balanced by light and dark grapes at either side and filled in by scattered raspberries, cherries, peaches, apples, pears, and apricots. Many of these compositional elements, if not the items depicted, were derived from seventeenth-century Dutch still life paintings by such artists as Jan van Huysum. Severin Roesen Severin Roesen (05.02.1816 in Boppard – after 1872) is a painter known for his abundant fruit and flower still lifes and is today recognized as one of the major American still-life painters of the mid-nineteenth century. Little is known about Roesen. He was baptized on 05.02.1816 in Boppard."
"musical instruments, armor and other objects and more traditional still lifes of fruit. In his still lifes of fruit he arranged the fruit in bunches, bowls and strewn across heavily draped tables. Examples of these are two works in the Museo di Capodimonte in Naples. His perspective still lifes typically included pilasters, arches, niches and bas-reliefs in the background. On the side he placed his typical still lifes with objects characterized by their inclusion of luxurious, coloured fabrics, edged and embroidered in gold, heavy curtains and silverware. The scenes were bathed in luminous reflections of light. Gian Domenico Valentini was"
"have argued that either the Ishizuka version or that in the British Royal Collection could be the prototype. The version in the Royal Collection has been on display in the Cumberland Gallery of Hampton Court Palace since 2004. Boy Peeling Fruit (Caravaggio) Boy Peeling Fruit is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) painted circa 1592–1593. This is the earliest known work by Caravaggio, painted soon after his arrival in Rome from his native Milan in mid 1592. His movements in this period are not certain. According to his contemporary Giulio Mancini he stayed for"
"addition to the frequent collaborations with his brother Jacques, a number of collaborations between Guillaume Courtois and Abraham Brueghel, a Flemish still life painter active in Rome, are recorded. An example is the ""Still life of fruits and flowers with a figure"" (Sold at Sotheby's on 29 January 2015 in New York, lot 302). The still life was painted by Brueghel while Courtois painted the figure. The painting is a variant of the ""Grapes and pomegranate with a vase of flowers and a female figure"" (private collection), which has been dated to the end of the 1660s. Courtois reprised the"
"""""Roses"""", """"Rose and Fruits"""" by Vladimir Gremytskikh, """"Spring flowers"""", """"Lilies of the valley"""", """"A Rose"""" by Dmitry Mitrohin, """"Cucumbers"""", """"Russian edibles"""" by Genrikh Pavlovsky, """"Still life with fish"""", """"Still life with apples"""" by Vasily Sokolov, """"Bratina and garlic"""" by Vladimir Stozharov, """"Flowers of May"""" by Elena Tabakova, """"Still life under the apple tree"""" by Victor Teterin, and some others. Third National Art Exhibition ""Soviet Russia"" were widely covered in the press and literature on Soviet fine art. Soviet Russia (Exhibition, 1967) Third National Art Exhibition ""Soviet Russia"" (Moscow, 1967) () became a main national art event of 1967, as well"
"still lifes from his hand have been identified to date. These are the ""Still Life with Fruit on a Stone Ledge"" and the ""Basket of Fruit"" at the Ambrosiana in Milan. Because of both the extraordinary virtuosity of its execution and the complexity of meaning suggested by its composition, scholars have referred to the ""Still Life with Fruit on a Stone Ledge"" as a ""capital picture for the artist"" and a ""masterpiece of still life."" Still Life with Fruit (Caravaggio) Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da"
"Roses, Convolvulus, Poppies, and Other Flowers in an Urn on a Stone Ledge Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge (1688) is an oil on canvas painting by the Dutch painter Rachel Ruysch. It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a ""bloemstuk"") and another of fruit (""fruitstuk""), often on a forest floor. A pendant to this painting is unknown. Various attempts have been"
"Still life paintings were presented of """"Wildflowers"""" by Evgenia Antipova, """"Roses"""", """"Still life with oranges"""", """"Still life"""" by Olga Bogaevskaya, """"Roses in Crystal vase"""", """"Bird Cherry tree branches"""" by Vladimir Konashevich, """"Apples and Pears"""", """"Snowdrop flowers"""", """"Yellow flowers"""" by Maya Kopitseva, """"Still life"""" by Yaroslav Krestovsky, """"Jasmine. Still life"""", """"Sunflowers"""" by Lia Ostrova, """"Still Life with Peaches"""", """"Still life with Melon"""", """"Still life wuth Bananas"""" by Genrikh Pavlovsky, """"Baskets"""" by Nikolai Pozdneev, """"Still life with fish"""", """"Still life with quince"""" by Elena Skuin, """"Larch branches"""" by Kim Slavin, """"Still life"""" by Victor Teterin, """"Still life with radish"""", """"Flowers in white"
"Still Life with Lemons, Oranges and a Rose Still Life with Lemons, Oranges and a Rose is an oil-on-canvas painting by Baroque Spanish artist Francisco de Zurbarán completed in 1633. It is currently displayed at the Norton Simon Museum in Pasadena, California as part of its permanent collection. It is the only still life signed and dated by him and is considered a masterwork of the genre. The painting shows three groups of objects (a saucer of four citrons, a basket of oranges, and a saucer holding both a cup of water and a rose) resting on a table against"
"The Good Fruit of the Earth The Good Fruit of the Earth is a painting created by the Cypriot painter Loukia Nicolaidou between the years 1933 - 1936. The painting, oil on canvas, has dimensions of 188 cm. X 140 cm and is exhibited at the State Gallery of Contemporary Cypriot Art. The painting was made by Lucia Nicolaidou-Vasiliou, the first woman from Cyprus to study painting abroad, particularly in France. In this canvas she demonstrates the obvious influence of Paul Gauguin as shown in the areas of the forms, the theme and the symbolism. The painting stands out for"
"painting is noted as being similar to the Spanish School of still life painting due to its focus on vegetables. From left to right, the vegetables depicted in the painting are as follows, Still Life - Balsam Apples and Vegetables Still Life: Balsam Apple and Vegetables is an early 19th century oil painting by American painter James Peale. Done in oil on canvas, the painting depicts a number of vegetables set on a table. The work is currently on display at the Metropolitan Museum of Art. The painting is a still life, created to allow for an accurate representation of"
"Fruit"", characterized by various arrangements of dried and mummified fruits placed on intricate varieties of patterned surfaces with celestial bodies hanging somberly or luminously in the sky. ""My paintings are dense, they have layers and layers of acrylic paint; thus, as I saturate the space, the possibility of the void expands (...) The fruit is a contradiction, because although itself it means life, at the same time it is dry, soft or stony, that is to say, lonely"". In the tradition of vanitas and ""memento mori"", with these paintings the artist reflects on death, decay and the passage of time."
"were returned to him by a court in Rome. Simultaneously, the sole and universal heir of the original owner, Mr Terence F. Kennedy, was found and has since made his claim to title. Fruits on a Table Fruits on a Table or Still Life with Apples and Grapes ( ""Nature Morte a la Comptesse de N"") is a still life painting by French artist Paul Gauguin painted in 1889. It was one of two works stolen from the private collection of Terence F. Kennedy in London in June 1970 and recovered by the Carabinieri in Italy in April 2014. The"