"The Third Man Theme ""The Third Man Theme"" (also known as ""The Harry Lime Theme"") is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film ""The Third Man"". ""The Third Man"" is a 1949 British film noir, directed by Carol Reed. One night after a long day of filming ""The Third Man"" on location in Vienna, Reed and cast members Joseph Cotten, Alida Valli and Orson Welles had dinner and retired to a wine cellar. In the bistro, which retained the atmosphere of the pre-war days, they heard the zither music of Anton Karas,"
"asked a stunned Karas if he would compose the music for the film. Karas protested, saying he had never actually written music. As Karas later told the story, the director insisted and invited Karas to England. The Austrian became homesick and asked to be allowed to return. Reed told him he could—as soon as he had written the music. Under this pressure Karas wrote his Harry Lime theme. The film—with the music a contributing factor—was a gigantic success, and Karas' life was changed drastically. As a result, he toured all over the world and performed for many celebrities, among them"
"members of the British Royal family. Princess Margaret invited him to London's fashionable ""Empress Club"", where he played twice a week during his stay at London. He also appeared before Queen Juliana of the Netherlands, members of the Swedish royal family, and Pope Pius XII. By the end of 1949, half a million copies of ""The Harry Lime Theme"" had been sold, an unprecedented number for the time. The success of the score also caused a surge in zither sales. In Austria, the film opened on 10 March 1950, in Vienna's Apollo Kino, and it initially offended some Viennese inhabitants,"
"the Gringotts sequence. The main theme of the film, ""Lily's Theme"", was performed by Mai Fujisawa, daughter of Japanese composer Joe Hisaishi. In the film, several tracks are re-used from previous ""Harry Potter"" films, which are not included in the released soundtrack: a variant of ""Hedwig's Theme""', originally composed by John Williams, which plays during a scene in ""Harry Potter and the Chamber of Secrets"", is used twice in Part 2. The first time is when Harry, Ron, and Hermione meet with their friends in the Room of Requirement. Critics have claimed that this has added strongly to the deep,"
"held a cat in the James Bond movies or how the artist Joseph Beuys ""explains pictures to a dead hare” in order to teach philosophical concepts. The movie makes further references to spaghetti western by Sergio Leone, ""Dances With Wolves"" by Kevin Costner, the mining cart ride from the second ""Indiana Jones"" movie by Steven Spielberg as well as different scenes from ""Terminator 2"". Additionally, the theme playing before The Shoe of the movie first appears is reminiscent of the ""Indiana Jones"" movies. On the zither, Winnetouch plays the ""Harry Lime Theme"" from the movie ""The Third Man"", when he,"
"Drew Barrymore, Lucy Liu and Cameron Diaz and The Pussycat Dolls dance troupe danced to the theme in the film """". Christophe Beck rearranged the music for the 2006 reboot, as well as its sequel, ""The Pink Panther 2"". Paul Oakenfold remixed the theme song for the 2006 film. In 2007, saxophonist Dave Koz recorded a version for his album ""At the Movies"". The Pink Panther Theme ""The Pink Panther Theme"" is an instrumental composition by Henry Mancini written as the theme for the 1963 film ""The Pink Panther"" and subsequently nominated for the Academy Award for Best Original Score"
"on the film. To record the score, Younge used vintage tape recording equipment and then sent it to be digitally transferred. The film's theme song is ""Dynomite"" by Sir Charles Hughes; its chorus plays nearly every time Black Dynamite appears or whenever a punch line is delivered. ""Black Dynamite"" premiered at the 2009 Sundance Film Festival, where Sony Worldwide Acquisitions picked it up for distribution for ""nearly $2 million."" On June 14, the film went on to win the Golden Space Needle Audience Award for Best Film at the Seattle International Film Festival, beating ""The Hurt Locker"" among other films."
"transferred to Metro-Goldwyn-Mayer (MGM) Studios where he became the general music director and composed the theme for ""Cat on a Hot Tin Roof"". The remaining songs on the soundtrack are composed by a variety of artists such as Andre Previn, Daniel Decatur Emmett and Ludwig van Beethoven. Tennessee Williams was reportedly unhappy with the screenplay, which removed almost all of the homosexual themes and revised the third act section to include a lengthy scene of reconciliation between Brick and Big Daddy. Paul Newman, the film's star, had also stated his disappointment with the adaptation. The Hays Code limited Brick's portrayal"
"Lara's Theme ""Lara's Theme"" is the name given to a leitmotif written for the film ""Doctor Zhivago"" (1965) by composer Maurice Jarre. Soon afterward, the leitmotif became the basis of the song ""Somewhere, My Love"". In 1967, ""Somewhere, My Love"" was nominated for the Grammy Award for Song of the Year. It lost to ""Michelle"" by John Lennon and Paul McCartney of The Beatles. While working on the soundtrack for ""Doctor Zhivago"", Maurice Jarre was asked by director David Lean to come up with a theme for the character of Lara, played by Julie Christie. Initially Lean had desired to"
"the film: Locorriere sang the lead on both ""The Last Morning,"" the movie's theme song, later re-recorded for their second album, ""Sloppy Seconds,"" and ""Bunky and Lucille,"" which the band can be seen performing in the film. Haffkine felt that the film would not be a great box office hit but the soundtrack had a lot of momentum so he arranged a meeting with Clive Davis, CBS Records described in Davis's autobiography. Drummer David used a wastepaper basket to keep the beat, and while Sawyer, Locorriere and Cummings played and sang a few songs, Francis hopped up and danced on"
"at an average of $4,954. In total in the US, the film made $37,903,295, making it almost the least profitable of the five films in the Dirty Harry franchise. The song ""Welcome to the Jungle"" by Guns N' Roses appears as the theme song for Swan's movie, as used in a scene during filming where Johnny Squares is lip-synching. The band can be seen as extras during the funeral scene. The traditional Dirty Harry End Theme (Variously called ""Harry's Theme"", ""Sad Theme"" and with lyrics ""This Side of Forever"") was given a full Hollywood orchestral production. Eastwood has publicly announced"
"During his career he performed on many film soundtracks, such as ""The Pawnbroker"" (1964), ""Midnight Cowboy"" (1969), ""The Getaway"" (1972), ""Turkish Delight"" (1973), ""Cinderella Liberty"" (1973), ""The Sugarland Express"" (1974), ""The Yakuza"" (1974), ""Looking for Mr. Goodbar"" (1977), ""The Wiz"" (1978), ""Jean de Florette"" (1986), and ""French Kiss"" (1995). His theme to the popular ""Sesame Street"" television show was heard for 40 years. His music was heard on the Belgian television series ""Witse,"" and in the Netherlands, for the ""Baantjer"" program. He composed the music for the 1974 Swedish film ""Dunderklumpen!,"" in which he also provided the voice of the"
"Knežević and also recorded ""Lara's Theme"" in Yugoslavia as ""Larina pjesma"" (in Croatian), ""Larina pesma"" (in Serbian) and ""Larina pesem"" (in Slovenian) respectively. Andy Williams released a version in 1967 on his album, ""Born Free"". In 1966 Mrs. Miller covered the song in her second Capitol Records album ""Will Success Spoil Mrs. Miller?"" A version of ""Somewhere, My Love"" is played in the elevator scene of Super Mario Bros. (film) when Luigi teaches the Goombas to dance. Lara's Theme ""Lara's Theme"" is the name given to a leitmotif written for the film ""Doctor Zhivago"" (1965) by composer Maurice Jarre. Soon"
"Magic"". His co-star, Akim Tamiroff, impressed Welles so much that Tamiroff would appear in four of Welles's productions during the 1950s and 1960s. The following year, Welles starred as Harry Lime in Carol Reed's ""The Third Man"", alongside Joseph Cotten, his friend and co-star from ""Citizen Kane"", with a script by Graham Greene and a memorable score by Anton Karas. A few years later, British radio producer Harry Alan Towers would resurrect the Lime character in the radio series ""The Adventures of Harry Lime"". Welles appeared as Cesare Borgia in the 1949 Italian film ""Prince of Foxes"", with Tyrone Power"
"Hot 100 chart for two weeks in September 1985, and ""Love Theme from St. Elmo's Fire"" (the instrumental theme to the movie by David Foster) reached No. 15. Another version of the ""Love Theme from St. Elmo's Fire"" with lyrics, titled ""For Just a Moment"", was performed by Amy Holland and Donny Gerrard, and was included as the final song on the soundtrack album. In August 2009, Sony Pictures Television received a ""script commitment with a penalty attached to it"" to adapt the film into a television series, which would ""use the movie as a takeoff point and as an"
"Harry Brown (film) Harry Brown is a 2009 British vigilante action-thriller film directed by Daniel Barber and starring Sir Michael Caine, Emily Mortimer, Jack O'Connell, and Liam Cunningham. The story follows Harry Brown, a widowed Royal Marines veteran who had served in Northern Ireland during The Troubles, living on a London housing estate that is rapidly descending into youth crime. After a violent gang murders his friend, Harry decides to take justice into his own hands. The film also features actor and rapper Plan B who, with Chase & Status, is also responsible for the film's theme music track ""End"
"and artist/co-writer John Byrne, Leland first appeared in ""Uncanny X-Men"" #132 (April 1980). Artist John Byrne based Leland's appearance on actor-director Orson Welles, and the name refers to two characters in Welles' films: Harry Lime from ""The Third Man"", and Jed Leland from ""Citizen Kane"". The character subsequently appears in ""The Uncanny X-Men"" #132-135 (April–July 1980), #152 (December 1981), and #208-209 (August–September 1986), in which he died. Leland made subsequent posthumous appearances in ""Classic X-Men"" #7 (March 1987), ""Sensational She-Hulk"" #34-35 (December 1991-January 1992), ""Marvel Super-Heroes"" #11 (October 1992), ""Generation X"" #-1 (July 1997), ""X-Men: Hellfire Club"" #4 (April 2000),"
"It was also on the soundtrack to the 1999 film ""Dick"" and in the 2005 French-Canadian film ""C.R.A.Z.Y"", but the song's first movie appearance was in Wim Wenders' 1974 film ""Alice in the Cities"" (7:15 into the movie). The song, with slightly different wording, is used as the theme song to the television series ""Louie"", a sitcom loosely based on the life of American comedian Louis C.K. The word ""cry"" was changed to ""die"" in the second repetition of the chorus. This version was produced by Reggie Watts, with the intro emulating the Hot Chocolate version, and with Stories singer"
"still using variants of the theme as of 2018. ""Plastic Jesus"" was sung by Paul Newman, but this version is not included in the soundtrack album. Other songs heard in the film performed by Harry Dean Stanton (but not included on the soundtrack album) include ""Midnight Special"", ""Just a Closer Walk With Thee"", ""Ain't No Grave Can Keep My Body Down"" and ""Cotton Fields"". Thom Jurek stated in his Allmusic review of the reissue: ""Of all the film scores Lalo Schifrin has composed — good and bad, and yes, he's done some stinkers — the score to Stuart Rosenberg's 1967"
"film's musical score was composed by James Horner and contains musical references to works by Aram Khachaturian (Adagio from ""Gayane"" Suite) and Dmitri Shostakovich ""(Symphony No. 5, 3rd mvt.)"". A music video is shown in an early scene featuring Clannad's song ""Theme from Harry's Game"", originally made for an ITV drama about The Troubles in 1982. All other vocal performances featured on the soundtrack were performed by Maggie Boyle. In 2013, a 2-disc expanded soundtrack album was released by La-La Land Records. Limited to 3000 copies, the album contains over 50 minutes of previously unreleased music (including cues by Wolfgang"
"a tale of a jungle expedition that finds prehistoric monsters in South America; the film also starred Claude Rains, Jill St. John and Richard Haydn. No longer bound by the no-television clause in his studio contract, he began his association with the medium. Rennie became a familiar face on television, taking the role of Harry Lime in ""The Third Man"" (1959–65), an Anglo-American syndicated television series very loosely derived from the film. It ran for several years but the schedule meant Rennie had plenty of time off to work on other projects. ""Every scene of every show I do for"
"theme song, provided by the Movietone sound-on-film system. Leni did not employ the shrieking and creaking sound effects of horror theater (although he did in his following film, ""The Last Warning""). Instead, the film's viewers are disconcerted by hearing the sounds of the crowds and audiences within the film (often laughing at or jeering Gwynplaine), while the main characters (including Gwynplaine himself) are left entirely silent. The film's theme song, ""When Love Comes Stealing"", was an Ernö Rapée instrumental piece previously used for some showings of the 1922 film ""Robin Hood"", but with added lyrics by Walter Hirsch and Lew"
"the song on the BBC2 television show ""The Old Grey Whistle Test"" in 1978. The song has been featured in several Hollywood films and television shows, most notably ""FM"" (1978), ""Fast Times at Ridgemont High"" (1982), ""The Silence of the Lambs"" (1991), The Sopranos (1999), Scrubs (TV series) (2001), ""Chasing Liberty"" (2004), Parks and Recreation (2009), ""Ricki and the Flash"" (2015) and ""The Handmaid's Tale"" (2017). Its use in ""The Silence of the Lambs"" made the list of Top 11 Uses of Classic Rock in Cinema at UGO. According to Tom Petty, The Strokes have admitted to taking the riff"
"Bean"" (1972), ""The Shootist"" (1976), ""Unforgiven"" (1992) and Peckinpah's ""Ride the High Country"" (1962), ""The Wild Bunch"" (1969) and ""Pat Garrett and Billy the Kid"" (1973). ""The Ballad of Cable Hogue"" has an original score by Jerry Goldsmith and songs by Richard Gillis. Each of the main characters has a theme: Hogue's ""Tomorrow is the Song I Sing"", Hildy's ""Butterfly Morning"", and Joshua's ""Wait for Me, Sunrise."" The soundtrack was eventually released in 2001, by Varèse Sarabande in a limited edition album of only 3000 copies. Rotten Tomatoes review aggregator site lists the film as 93% ""fresh"" based on 13"
"the score, won a Grammy for Best Instrumental Theme. Fred Neil's song ""Everybody's Talkin'"" won a Grammy Award for Best Contemporary Vocal Performance, Male for Harry Nilsson. Schlesinger chose the song as its theme, and the song underscores the first act. Other songs considered for the theme included Nilsson's own ""I Guess the Lord Must Be in New York City"" and Randy Newman's ""Cowboy"". Bob Dylan wrote ""Lay Lady Lay"" to serve as the theme song, but did not finish it in time. The movie's main theme, ""Midnight Cowboy"", featured harmonica by Toots Thielemans, but on its album version it"
"the city. Production then moved to the Worton Hall Studios in Isleworth and Shepperton Studios near London and was completed in March 1949. The scenes of Harry Lime in the sewer were shot on location or on sets built at Shepperton; most of the location shots used doubles for Welles. However, Reed claimed that, despite initial reluctance, Welles quickly became enthusiastic, and stayed in Vienna to finish the film. The crew sprayed water on the cobbled streets to make them reflect light at night. According to the recollection of assistant director Guy Hamilton, interviewed in 2015, Greene and Reed worked"
"and was certified gold. The theme song was ""If I Had No Loot"" by Tony! Toni! Toné!; however, it is not featured on the soundtrack neither is ""Scatman (Ski-Ba-Bop-Ba-Dop-Bop)"" by Scatman John. The remix version of the song ""Not Tonight"" performed by Lil' Kim and featuring Angie Martinez, Left Eye, Da Brat and Missy Elliott that garnered the most attention from the soundtrack as it gained much airplay on television and radio and even reached the top ten on ""Billboard""'s Hot 100 chart. Honey White by Morphine was also featured in the movie in several scenes. Nothing to Lose (soundtrack)"
"enough to suggest plagiarism. Williams' family got together in 2012 to have Harry Williams officially re-credited with the song. They shared their archives with the Imperial War Museums. The family estate still receives royalties from the song. First sung on the British music hall stage in 1912 by Jack Judge at the Grand Theatre in Stalybridge and later popularised by the music hall star Florrie Forde, it was featured as one of the songs in the 1951 film ""On Moonlight Bay"", the 1960s stage musical and film ""Oh! What a Lovely War"" and the 1970 musical ""Darling Lili"", sung by"
"a reference to cocaine, and it was based upon Moroder's soundtrack ""American Gigolo"" (1980). Robbin Daw considered its lyrics ""fit the overall druggy feel"" of the film, and Harry commented about it is ""[a]s far as the films' themes and the lyrics [she] wrote, they were pretty much up to [her]."" The song also became Harry's debut single as solo artist after Blondie's breakup. Moroder worked with Pete Bellotte, with whom he co-wrote ""Scarface (Push It to the Limit)"", ""She's on Fire"" and ""Turn Out the Night"". The first song features vocals of Paul Engemann, while in the other two"
"""Doctor Who"", a BBC series in which he formerly played the titular character). The use of the opening theme in the 1973 film ""The Exorcist"" gained the record considerable publicity and introduced the work to a broader audience. Along with a number of other Oldfield pieces the theme was used in the 1979 NASA movie ""The Space Movie"". It has gained cultural significance as a 'haunting theme', partly due to the association with ""The Exorcist"", and has been sampled by many other artists, such as Janet Jackson on the title track of her album ""The Velvet Rope"". In television it"
"the film, calls them ""skethers"" (half-feathers, half-scales) and was inspired by the scales of the pangolin. It was eventually decided that Saphira's colors scheme should be subdued rather than vibrant in order to be more realistic. The score for the film was composed by Patrick Doyle who also created the score of 2005's ""Harry Potter and the Goblet of Fire"". Avril Lavigne also recorded the film's theme song, entitled ""Keep Holding On"", which was featured in the credits and on the soundtrack. The track was released as a single in 2006 (and later as a track on her 2007 album"
"Song, but lost to Stevie Wonder's ""I Just Called to Say I Love You"". A lawsuit, regarding Parker's plagiarism of Huey Lewis and the News's song ""I Want a New Drug"", resulted in Lewis receiving a settlement. The drums used in this song are the famous Linn Drums, which had its samples heavily edited to give the song both a serious and eerie feeling at the same time. According to Parker, he was approached by the film's producers to create a theme song for the film, though he only had a few days to do so and the film's title"
"Harry's Game Harry's Game is a British television drama mini-series made by Yorkshire Television for ITV in 1982, closely based on the 1975 novel of the same name by Gerald Seymour. Apart from brief scenes, it is set in and around Belfast in the Troubles. Its lead actors were Ray Lonnen and Derek Thompson. The drama is noted for its closing music by the Irish musical group Clannad titled ""Theme from ""Harry's Game"""" used in trailers and later commercially released, reaching the top five of Irish and British singles charts, bringing the band its first major international exposure. The drama,"