"Where Are You Now (My Love) ""Where Are You Now (My Love)"" is a 1965 song written by Tony Hatch and Jackie Trent, and recorded in December 1964 by Trent. The single gave Trent her only No. 1 hit when it reached the top of the UK Singles Chart for one week in May 1965. The song was featured in the popular television series ""It's Dark Outside"". ""Where Are You Now"" was Hatch and Trent's first composition together, and one of many hits they would have as a song writing partnership. Although Trent released two follow-up singles, these were only"
"Picnic A picnic is a meal taken outdoors (""al fresco"") as part of an excursion – ideally in scenic surroundings, such as a park, lakeside, or other place affording an interesting view, or else in conjunction with a public event such as preceding an open-air theatre performance, and usually in summer. Picnics are usually meant for the late mornings or midday breakfasts, but could also be held as a luncheonette or a dinner event. Descriptions of picnics show that the idea of a meal that was jointly contributed and was enjoyed out-of-doors was essential to a picnic from the early"
"the shore from a small fishing boat. It is clear that he is returning from exile and he expresses his joy at returning to his native land and city: ""O tu Palermo"" / ""O thou Palermo, adored land..."". He is surrounded by Manfredo and other companions and he quickly orders his men to bring Elena and Arrigo to him (""Nell'ombra e nel silenzio"" / ""In darkness and in silence""). The three make plans for an uprising during the impending festivities leading to the marriages of a group of young people. After Procida leaves, Elena asks Arrigo what reward he seeks."
"Many restaurants have terraces allowing diners to eat ""al fresco"" (outside) during the late evening. Most restaurants are located near the seafront, either along the main promenade fronting the sea or along Calle Real. There are a number of small plazas or squares next to Calle Real, on which numerous restaurants can be found. Estepona's small and medium-size local shops, particularly in the old town, offer locally made produce and goods. The recently renovated indoor market in the town centre has stalls offering fresh meat, fish and vegetables. Boutiques in the main town centre offer contemporary international clothing brands and"
"film, a woman is lying on a beach as if she has been washed up by the ocean. She climbs a tree with some difficulty, but when she finally reaches the top, she finds herself at the end of a long dining room table during a bourgeois dinner party. All the guests ignore her as she drags herself on top of the table and pulls herself across it, trying to reach a man (played by graphic designer Alvin Lustig) at the opposite end who looks deeply concentrated on a chess game. When she finally gets to the man, he stands"
"then says he must go to Palermo. Béatrice pleads with him to stay. After he has left she calls for the others to return from the shore. Béatrice wildly offers herself to Tibério, and all again toast Venus. ""A poor fishermen's tavern on the Calabrian coast. The gypsy, Beppo, Fabio and others carouse."" Lorenzo appears, with Tibério; they have been travelling for four years. The gypsy asks them what they have brought back from their voyages: exotic and wonderful treasures? They reply: no, emptiness. They both complain about the wine, and Tibério goes off. Béatrice enters, veiled and wearing miserable"
"has been taken with the food. Los Roques Restaurante Los Roques Restaurante is a small restaurant in the village of Los Abrigos, Tenerife, Spain. The restaurant is located directly on the harbour side of this traditional fishing port. The restaurant is open for Dinner at 7pm five days a week, Tuesday to Saturday. Café Los Roques is the lunch time offering from Restaurante Los Roques. Café Los Roques is open for Lunch between 1pm and 4pm Tuesday to Sunday. The food served at Los Roques Restaurante is modern in nature but uses traditional cooking and curing methods to create an"
"in Antonio's father's restaurant. They later make plans to open a restaurant together on some property Antonio's father owns in San Remo. Months later, Emma is having lunch at Antonio's restaurant with Rori and Eva, and she is aroused while relishing a prawn dish he prepares for her. Elisabetta returns to Milan, with her hair cut short, and invites Emma to go with her to Nice to look for a venue for Elisabetta's art exhibition. While stopping in San Remo en route to Nice to surprise her daughter, Emma spots Antonio, follows him, and eventually speaks to him outside of"
"products (""El aceite de ricino ya no es malo de tomar.""). The Tabernero is playing cards with two friends. A man and a woman holding a baby comment on the heat and the baby sleeping. Julián is complaining to Señá Rita that he saw Susanna in a coach and felt she was with a man even though Susanna told him later she was with her sister. After Don Sebastián leaves, Don Hilarión thinks about his planned romantic encounter with Susana and Casta (""Tiene razón don Sebastián""). Scene 2 takes place on a street in the barrio de la Latina. A"
"to lunch. Three months later. It is now the height of summer. Larita is reading Proust's """" on the sofa. Everyone is very concerned that she does not want to play tennis. She is bored and miserable. Her only sympathetic friend is the Colonel, who kindly plays bezique, a card game, with her. He also reveals that he speaks French. Into this scene comes Mrs Whittaker, and later Marion—preparing for a party Mrs Whittaker is throwing that evening. Much consideration is being put into the display of ""Japanese Lanterns"". Larita and the Colonel exit. Marion and Mrs Whittaker are both"
"stretching down the hall and around the corner. Two diners, a business man and a vagabond, are unable to get the waiter's attention. They proceed to eat everything in sight: the flowers, their shoes, pants, shirt, underwear, plates, table cloth, table, and chairs. The vagabond watches the business man and then eats what he eats. All the while they are eating whatever is on or around them, they try to get the waiter's attention whenever he passes by, but to no avail. In the end with everything else eaten, the business man eats his utensils. The vagabond also eats his."
"in the evening and go to a restaurant where, at the end of a memorable binge (tagliatelle, tripe with tomato sauce, oxtail, asparagus, mozzarella with tomatoes, lamb with potatoes), and concoct a clever ruse to escape and cheat the owner Attilio. In running away, they fall into a cold and smelly mud puddle and take refuge in a cattle car to dry off and warm up. They fall asleep and wake to find themselves in a small town in Tuscany, and then begin to wander in the countryside of Poggibonsi (Siena). They try to scrounge food from the old woman"
"dinner party in Rome, trying to drum up business for their product. Falco is invited at the request of Claudius Laeta, Vespasian’s top clerk. The food, the garum and the dancing girl make a big impression on Falco. When two guests at a dinner are assaulted, one fatally, Falco realizes that being at the dinner was just the start of another job. The surviving victim, Anacrites, is Falco's rival and Vespasian's Chief Spy, a significant position in Vespasian's empire, challenged as it was by constant conspiracies. Falco is asked to investigate the attack on Anacrites and its possible connection to"
"a ""rousing anthem to alcoholism"", which, Man in Chair explains, the original actress playing the Chaperone insisted on including in the show. More helpfully, the chaperone tells Janet that she is feeling ""drowsy"" and must take a nap, giving Janet the opportunity to ask Robert if he loves her. Janet leaves for the garden, and Aldolpho enters, mistaking the Chaperone for Janet. The Chaperone happily pretends to be Janet and allows Aldolpho to ""seduce"" her (""I Am Aldolpho""). Janet meets the blindfolded and roller-skating Robert in the garden, and she pretends to be a French woman, ""Mimi,"" ""from ze middle"
"in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London. The painting features a nude woman casually lunching with two fully dressed men. Her body is starkly lit and she stares directly at the viewer. The two men, dressed as young dandies, seem to be engaged in conversation, ignoring the woman. In front of them, the woman's clothes, a basket of fruit, and a round loaf of bread are displayed, as in a still life. In the background, a lightly clad woman bathes in a stream. Too large in comparison with the figures in the foreground,"
"life, a young foreign guest, Leticia (nicknamed ""La Valkiria"") notices that they are all seated in the same positions as when their plight began. Upon her encouragement, the group starts reconstructing their conversation and movements from the night of the party and discover that they are then free to leave the room. Outside the manor, the guests are greeted by the local police and the servants, who had left the house on the night of the party and who had similarly found themselves unable to enter it. To give thanks for their salvation, the guests attend a ""Te Deum"" at"
"to the spot. Owen feels what she has felt and Eleri moves away. Owen re-zips his trousers and simply says ""Sorry."" The scene changes to an autumn night in a bar. Lorraine, a consultant oncologist is sat reading a book with a drink as the aforementioned Skinner approaches with a drink. Skinner begins to attempt to pick up Lorraine. After a while Skinner says the classic line: ""Do you come here often"" and Lorraine stops the conversation. It becomes apparent that Skinner has been through this conversation with Lorraine several times before, trying out various lines on her for practice."
"train. They spend an awkward night at the bachelor pad of a carabiniere acquaintance of Antonio's. After a long train and coach journey, the trio arrive unannounced at Antonio's sister's home in Calabria, which doubles as a restaurant. There they celebrate a young girl's First Communion. Antonio tells his family that Rosetta and Luciano are the children of one of his superiors. Given a stylish age-appropriate summer dress to wear, Rosetta plays and socializes with other girls her age, while Luciano is befriended by Antonio's grandmother, who gives him a photo of a six-year-old Antonio in a Zorro costume. Their"
"Gabriel the rest of the night. He becomes more disaffected when he tells his wife of the encounter and she expresses an interest in returning to visit her childhood home of Galway. The music and party continues, but Gabriel retreats into himself, thinking of the snow outside and his impending speech. Dinner begins, with Gabriel seated at the head of the table. The guests discuss music and the practices of certain monks. Once the dining has died down, Gabriel thinks once more about the snow and begins his speech, praising traditional Irish hospitality, observing that ""we are living in a"
"and slinks off in the other direction. Next he encounters the ""sweet senora"" (probably the same actress) at a table in an outdoor restaurant. After stumbling up the curb, he introduces himself. During the lyric, ""My heart went jingle jingle"", Alfonso's chest pulses visibly under his vest. He asks the woman to dance, and she stands up. Alfonso is shocked to find she is a foot taller than he is. He shrugs, and proceeds to dance. In the next scene, they are still dancing, but Alfonso now appears slightly taller than the woman because she is holding him up off"
"whip is heard. A stranger arrives, asking the way to the castle. Lisa points out that it is getting late and he will not reach it before dark and she offers him lodging at her inn. When he says that he knows it, all are surprised. (Rodolfo's aria: ""Vi ravviso, o luoghi ameni, / in cui lieti, in cui sereni"" / ""O lovely scenes, again I see you, / where in serenity I spent the calm and happy days of my earliest youth"".) The newcomer, who surprises the villagers by his familiarity with the locality, asks about the celebrations and"
"to go. During dinner Alfonsina, Rosendo and Damian show up to eat with Augusto, Estefania, Elisa and also Carmina, who acts like she hates Rosendo to not get suspicious. Gael wasn't able to show up as he didn't get permission from Padre Lupe, but he escapes anyway. Elisa and Damian go out and play in the yard when Gael shows up they try to go up a tree to see a bird. Alfonsina and Augusto interrupt the three kids so they go eat, when alone Alfonsina confesses her suspicions to Augusto which worries him deeply. Padre Lupe comes by and"
"for dinner as macho ""Uncle Al"". Albin is still upset, but reluctantly agrees to act like a heterosexual for Jean-Michel. With the help of Monsieur and Madame Renaud, Georges successfully teaches Albin to abandon his flamboyancy (""Masculinity""). Back at the chastely redesigned apartment, Georges shows ""Uncle Al"" to Jean-Michel. Jean-Michel doesn't like the idea and expresses his dislike for Albin's lifestyle. Georges angrily reminds Jean-Michel of how good of a ""mother"" Albin has been to him (""Look Over There""). They then receive a telegram that Jean-Michel's mother Sybil is not coming and Anne's parents arrive (""Dishes [Cocktail Counterpoint]""). Hoping to"
"There is general rejoicing. ""The gardens of Montforte's palace"" As Knight and maidens gather, Elena gives thanks to all: ""Mercé, dilette amiche"" / ""Thank you, beloved friends"". Arrigo arrives, exclaiming his joy: ""La brezza aleggia intorno"" / """"La brise souffle au loin"""" / ""The breeze hovers about..."". He leaves to find his father, but Procida arrives, announcing a plan to outwit his enemies with their massacre to take place at the foot of the altar after the vows have been said. She is torn, the more so following Arrigo's return, between her love and her duty: ""Sorte fata! Oh, fier"
"by the police being called away to respond to crimes being committed, or their own childish pranks, until only two officers are left in the class. The professor continues, using a dinner party at his friends’ house to illustrate a point he is making. We then cut to the ‘dinner’ party which is being held in a modern bourgeois apartment. The guests are seated around the table on flushing toilets. They politely discuss various issues around the topic of defecation whilst publicly using the toilets that they are sitting on. When a guest is hungry, he excuses himself and retires"
"the beautifully furnished but unused villa owned by Philippe. There they find the old caretaker, Hector, who has innocently prepared everything for the great feast, and a Chinese visitor who is there to offer a job to the magistrate in faraway China, which Philippe politely rejects with the phrase ""Timeo Danaos et dona ferentes"" (""Beware of Greeks bearing gifts""), quoting Virgil. Once alone, the four begin their binge. In one scene Marcello and Ugo race each other to see who can eat oysters faster. They discuss organizing a little ""feminine presence"" and decide to invite three prostitutes (not four because"
"seated and clearly visible from the kitchen. After Marcello comes Michel, who already suffering from indigestion and crammed to capacity with food (he cannot even lift his legs practising dance, his favourite pastime) suffers an attack of bowel movements while playing the piano. Amid flatulence and worse he collapses on the terrace. His friends place him in the cold room next to Marcello. Shortly afterwards, Ugo prepares an enormous dish made from three different types of liver pâté in the shape of the Dome of St. Peter, which he serves to the remaining diners, Philippe and Andrea, in the kitchen"
"American restaurant (link between food and sex). At the restaurant a genie comes out of a salsa de chile bottle, and Dionisio asks for various women, one with each plate he orders. He gets a bored anorexic girl from New York, an excited and immature/childlike woman in her 40s, a beautiful but unhappy business woman obsessively talking on her cellphone, a radiant and simple woman who's intelligent and adopted a little girl from Mexico, a talkative divorced woman in her 30s, and finally an angry obese woman who champions the “Fat Liberation Movement.” Dionisio leaves the restaurant to escape the"
"going away through the adjacent garden, upon which a wooden door opens in the middle distance. Three of the principal figures a grey-bearded old man in dark clothes with a black cap, and two elderly women in black with white caps and collars are seated on the righit, in front of an arbour, at a table on which stands a dish of grapes and peaches. On the tiled pavement a watch-dog lies at the feet of one of the women. From the left come a man and a woman ; the man is in black, with a broad-brimmed hat, and"
"restaurant on the beach, they see a sexy young woman, Linda. Cloe tells him where she lives, inside a crumbling medieval tower. He goes to visit her and they have sex. As Christopher leaves the place, the two women later encounter each other on the beach, both naked. After having produced Antonioni's ""Beyond the Clouds"" in 1995, France-based producer Stéphane Tchalgadjieff came up with the idea of doing a trilogy with ""eros"" as the subject, with one segment directed by the Italian director. The concept was to have two major younger directors, who have been on record to say that"
"day. In the foreground three men sit at a table, one of whom is wearing a blue shirt and yellow straw hat, that Paul Signac finds is suggestive of the artist himself. Émile Bernard is believed to be referring to ""The Restaurant de la Sirène at Asnières"" when he recounted to Vollard that some of the van Gogh's Paris works featured ""smart restaurants decorated with colored awnings and oleanders"". The building's purpose in ""Exterior of a Restaurant at Asnières"" (F321) is suggested by the open door, potted plants and outdoor table. The painting portrays a mid-summer day, there is no"
"elevated walkway, a man watches the banquet, and a serving maid awaits for the carver to carve an animal to portions. To the right, a porter arrives with more meat for the feasting diners to eat. The alignment of the Jesus figure under the carver's blade and block, and the butchered animals, prefigure his sacrifice as the ""Lamb of God"". bottom-right-quarter — a barefoot wine-servant pours the new, red wine into a serving ewer, from a large, ornate oenochoe, which earlier had been filled with water. Behind the wine servant stands the poet Pietro Aretino, intently considering the red wine"
"of the work day. The mechanics head upstairs to shower and change. After work, the mechanics gather at Dino's Diner, also owned by Dino Alfano, where they meet their girlfriends, factory girls Gina, Delores, Mercedes and Monica, to socialize with them and to drink. Dino's beautiful wife Lana and her sister Rita work as waitresses at the diner. There is a ""Man wanted"" sign on a lamppost; Lana leans suggestively on the lamppost under the sign. Rita has a soft spot for Angelo and tries to get close to him, but he appears shy and avoids her. Luca arrives at"