"featured in the animated comedy ""Sausage Party"" and on its soundtrack. In the film the song is performed by an anthropomorphic meatloaf caricature of the singer. It was used in a 2017 commercial for Carvana and in the trailer for the 2018 comedy ""Blockers"". The song also appeared on the EP ""Fire & Ashes"" by German symphonic metal band Xandria. On this version, Meat Loaf's vocal parts are done by Dianne van Giersbergen, while Lorraine Crosby's vocal parts are done by Valerio Recenti, singer of the Dutch rock band my propane. The single cover is a cropped version of the"
"I'd Do Anything for Love (But I Won't Do That) ""I'd Do Anything for Love (But I Won't Do That)"" is a song written by Jim Steinman, and recorded by Meat Loaf with Lorraine Crosby. The song was released in 1993 as the first single from the album ""."" The last six verses feature a female singer who was credited only as ""Mrs. Loud"" in the album notes. She was later identified as Lorraine Crosby. However, she does not appear in the video, in which her vocals are lip-synched by Dana Patrick. Meat Loaf promoted the single with US vocalist"
"not love I am only a resounding gong or clanging cymbal. 2 And though I have the gift of prophecy, and can understand all mysteries and all knowledge, and though I have faith, that can move mountains, but have not love, I am nothing. 3 And though I give all I possess to the poor, and surrender my body to the flames, but have not love, I gain nothing. 4 Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up; 5 does not behave rudely, does not seek its own, is"
"monstrous thing/Returned and yet unrequited love'. According to Robert B. Pippin, Proust claimed that 'the only successful (sustainable) love is unrequited love'. According to Pippin, sometimes 'unrequited love...has been invoked as a figure for the condition of modernity itself'. Examples of unrequited love include W. B. Yeats, Stendhal, Dante, Ayn Rand, Hans Christian Andersen, and Goethe. Unrequited love Unrequited love or one-sided love is love that is not openly reciprocated or understood as such by the beloved. The beloved may not be aware of the admirer's deep and strong romantic affection, or may consciously reject it. The Merriam Webster Online"
"the lover will not wish the boy to mature and take a family, all because the lover is shaping him out of desire for pleasure rather than what is best. At some point, ""right-minded reason"" will take the place of ""the madness of love"", and the lover's oaths and promises to his boy will be broken. Phaedrus believes that one of the greatest goods given is the relationship between lover and boy. This relationship brings guidance and love into the boy’s life. Because the boy has a lover as such a valuable role model, he is on his best behavior"
"flowers and never settles where there is no ""bud to bloom"" (196b). It would seem that none of the characters at the party, with the possible exception of Agathon himself, would be candidates for love's companionship. Socrates, probably the oldest member of the party, seems certain to be ruled out. He also implies that love creates justice, moderation, courage, and wisdom. These are the cardinal virtues in ancient Greece. Although devoid of philosophical content, the speech Plato puts in the mouth of Agathon is a beautifully formal one, and Agathon contributes to the Platonic love theory with the idea that"
"to Come. It is not proper to serve God in this fashion. For one who serves thus serves out of fear. Such a way is not that of the prophets and sages. Only the ignorant, and the women and children serve God in this way. These are trained to serve out of fear until they obtain sufficient knowledge to serve out of love. One who serves God out of love studies the Torah and practices the precepts and walks in the way of wisdom for no ulterior motive at all, neither out of fear of evil nor in order to"
"love for her father in fulsome terms. Moved by her flattery Lear proceeds to grant to Goneril her share as soon as she has finished her declaration, before Regan and Cordelia have a chance to speak. He then awards to Regan her share as soon as she has spoken. When it is finally the turn of his youngest and favourite daughter, Cordelia, at first she refuses to say anything (""Nothing, my Lord"") and then declares there is nothing to compare her love to, nor words to properly express it; she speaks honestly but bluntly, that she loves him according to"
"Anything for Love (But I Won't Do That)"", but as she recorded the track as guide vocals, she did not receive any royalties. The couple eventually returned to England with little money. He is currently performing in a soul/Motown covers band with his partner Lorraine Crosby, appearing regularly at social clubs and holiday camps in England. Notable appearances include: Stuart Emerson Stuart Emerson is a background vocalist and musician playing drums, bass, keyboards and guitars. He has worked on albums for artists including Meat Loaf and Bonnie Tyler. His first recordings were with NWOBHM band Emerson which included Simon Blewitt"
"What You Won't Do for Love (song) ""What You Won't Do for Love"" is a blue-eyed soul-styled single recorded by Bobby Caldwell for his eponymous debut album (1978). It was written by Caldwell and Alfons Kettner and released in by Clouds Records domestically and by TK Records internationally. After gaining a reputation in Miami clubs as a talented musician, Caldwell was signed to an exclusive contract with TK Records in 1978 by TK Records president Henry Stone. Heading to the studio, Caldwell recorded his first album, which was given a redo after Stone felt the album was good but ""didn't"
"had given it solid improvement. But he was neither fitted by abilities nor disposition to answer the wishes of his mother and sister, who longed to see him distinguished—as—they hardly knew what."" His personality, while it lacks the flash of Marianne Dashwood's romantic interest Willoughby, indicates more fortitude. Despite the good common sense that links him to Elinor, he is able to attach himself to other people and form bonds of friendship and love with ease. He exemplifies great loyalty when he sacrifices his potential happiness with Elinor to honor a promise he made to another girl when he was"
"signifying the love he has for her. But once the danger has passed, he goes back to his girl hunts as though nothing happened. Even so, the fact that he sacrifices himself to rescue Lum is enough to prove he truly cares. Also when she leaves for an extended period of time, he becomes very depressed and lonely in her absences. As highlighted in the final story arc, where, even faced with the prospective of losing Lum and all his memories of her he refuses to give in her request of a proper love declaration, most the friction between Lum"
"Good Lord, I don't know, Maybe never, maybe tomorrow. But not today, that's for sure. [sung] Love is a rebellious bird That none can tame, And it is well in vain that one calls it, If it suits it to refuse. Nothing to be done, threat or prayer; The one talks well, the other is silent, And it's the other that I prefer; He said nothing, but he pleases me. (Love is a rebellious bird) Love... (That none can tame,) Love... (And it is well in vain that one calls it,) Love... (Because it suits it to refuse.) Love... Love"
"Unrequited love Unrequited love or one-sided love is love that is not openly reciprocated or understood as such by the beloved. The beloved may not be aware of the admirer's deep and strong romantic affection, or may consciously reject it. The Merriam Webster Online Dictionary defines unrequited as ""not reciprocated or returned in kind"". Psychiatrist Eric Berne states in his book ""Sex in Human Loving"" that ""Some say that one-sided love is better than none, but like half a loaf of bread, it is likely to grow hard and moldy sooner."" Others, however, like the philosopher Friedrich Nietzsche, considered that"
"husband should be to his wife. You shall never complain of my conduct in this respect. I will give you courtesy, respect and apparently devotion. But you must expect nothing more from me. When we are alone I do not intend to keep up the miserable pretense, the farce of love and sentiment. Our marriage will never be a marriage in anything but in name. I do not love you. I can never love you. I can school myself to be polite to you but that is all. The less we see of one another except in the presence of"
"in Love)"" is a love song ""For those who don’t want to admit their hearts’ desires,"" as the protagonist refuses to admit her true feelings for her love interest until the very last lyric. Despite being a parody of love songs, ""I Won't Say (I'm in Love)"" is nonetheless considered to be a love song itself. The song's last line is: ""At least out loud, I won’t say I’m in love."" ""I Won't Say (I'm in Love)"" has garnered positive reviews from both film and music critics, some of whom even identified it as the film's best song. Aja Romano"
"his lover uses persuasion he corrupts the soul of the one loved for his beauty (8.20). The one loved for his beauty is not touched by the same affection as the one who loves him for a youth does not take pleasure in intercourse as a woman does, but soberly looks on as the other is intoxicated by lust (8.21). He may thus develop ill feelings toward his lover, but this does not happen in spiritual love (8.22). In spiritual love the elder often acts as a fatherly figure, an educator, while in physical love the elder is always seeking"
"and by the help of God it turns the impossible into the possible ... Love believes and hopes ... It is ashamed of nothing. Without it, what is the use of prayer? What use are hymns and singing? What is the use of building and adorning churches? What is mortification of the flesh if the neighbor is not loved? Indeed, all are of no consequence ... As an animal cannot exist without bodily warmth, So no good deed can be alive without true love; it is only the pretence of a good deed."" Tikhon of Zadonsk Saint Tikhon of Zadonsk"
"be together. The knight of faith would say ""I believe nevertheless that I shall get her, in virtue, that is, of the absurd, in virtue of the fact that with God all things are possible."" This double movement is paradoxical because on the one hand it is humanly impossible that they would be together, but on the other hand the knight of faith is willing to believe that they will be together through divine possibility. Johannes de Silentio believes that Abraham is one such knight of faith. In the Book of Genesis, God told Abraham to sacrifice his son Isaac."
"the name of love except 'that,' a mysterious thing that he will not specify."" Frank O'day says the lyrics provide ""an enlightening example of how listeners project their own thoughts, values, and concerns onto the meaning of the song with misconstrued lyrics."" The phrase ""I would do anything for love but I won't do that"" had previously appeared as a spoken interlude in the song ""Getting So Excited,"" released in 1985 by Bonnie Tyler in her album Faster Than the Speed of Night. In this song, the phrase's meaning is more clear: a woman is refusing an offensive proposal. Steinman"
"goes along with plans and schemes developed by others. He never truly decides what he wants to do with himself, and ""manages a deep enthusiasm just twice in the novel: he falls in love twice...The first experience fails completely; and the second, as the novels ends, is failing."" Everyone around Augie finds a greater measure of success than he because they commit themselves to some pursuit or goal, even if it is not the most noble. Ultimately, though Augie has every chance to succeed in the world, he never does so because he refuses to engage in that world, and"
"also bring us sadness. ""Love does us no good if we love the wrong person."" When people open their hearts, show their flaws, vulnerabilities, and weaknesses to the wrong person, it can result in heartbreak in regret. So why do humans deal with such a complicated thing such as love? Humans ""need to love and to be loved"". In society, there are four types of love that are visible: agape, phileo, storge, eros. ""Agape"" is a type of unconditional love which is less common in society but more apparent between individuals and their god. ""Phileo"" is a love used to"
"love to an unnamed woman (""If I could reach the stars, I'd pull one down for you"", ""If I could be king, even for a day, I'd take you as my queen, I'd have it no other way""). This love, he fears, will go unrequited without a drastic change in his life (""That this love I have inside, is everything it seems, But for now I find, it's only in my dreams"", ""And our love will rule, in this kingdom we have made, Till then I'd be a fool, wishin' for the day""). Elton John's lyricist Bernie Taupin, who worked"
"turned to stone, And he's died in the chamber where his true love lay in. Harking is bonnie And there lives my love My heart lies on him And will not remove It will not remove Oh for all that I have done Oh I never will forget my love anachie For anachie gordon He's bonnie and he's rough He'd entice any woman that ever he saw He'd entice any woman and so he has done me Oh I never will forget my love anachie Down came her father and he's standing by the door Saying jeannie you're trying the"
"I do assure you there is no prince that loves his subjects better, or whose love can countervail our love. There is no jewel, be it of never so rich a price, which I set before this jewel: I mean your love. For I do esteem it more than any treasure or riches; for that we know how to prize, but love and thanks I count invaluable. And, though God hath raised me high, yet this I count the glory of my Crown, that I have reigned with your loves. This makes me that I do not so much rejoice"
"to you—but it lies even in me to make you smile and if you and I never meet, then this play of love remains incomplete.' The great distinguished people of the world do not know that these beggars—deprived of education, honour and wealth—can, in the pride of their souls, look down upon them as the unfortunate ones who are left on the shore for their worldly uses but whose life ever misses the touch of the Lover's arms. This feeling that man is not a mere casual visitor at the palace-gate of the world, but the invited guest whose presence"
"love. Charny is convinced that such great ladies share the chivalric values of their men. Thus, a lady will feel pride when her lover is showered with praise and honor by his peers, but shame if he has not performed any great deeds. In fact, Charny argues that a noble lady should abandon any lover who fails in prowess, and that the unfortunate knight has no cause to resent this treatment, since it is his own fault. Lastly, Charny emphasizes that women have no recourse to chivalry in order to achieve honor, arguing the necessity for them to adorn themselves"
"who are good and men who are neither good nor bad. In the end, Socrates seems to discard all these ideas as wrong, although his para-logical refutations have strong hints of irony about them. Hippothales is accused by Ctesippus, that he still presents annoying praises of his beloved person before the others. He is then asked by Socrates to show his usual behavior in this situation. He admits his love for Lysis, but refuses, that he behaves by the manner depicted by the others. According to Ctesippus it is possible only by his absolute madness, because how would the others"
"Harthgrepa. He is eager to become a warrior but Harthgrepa tries to dissuade him from it in favor of entering into a quasi-incestuous love-relationship with her. Why doth thy life thus waste and wander? Why dost thou pass thy years unwed, following arms, thirsting for throats? Nor does my beauty draw thy vows. Carried away by excess of frenzy, thou art little prone to love. Steeped in blood and slaughter, thou judgest wars better than the bed, nor refreshest thy soul with incitements. Thy fierceness finds no leisure; dalliance is far from thee, and savagery fostered. Nor is thy hand"
"point that he is not suited for love and claimed he only saved her to use her to blackmail her family (this is heavily implied to be a lie). Nonetheless, there are times he does seem to respect her feelings. When he thought she was dying, he built her a human adult body and promised to marry her during her final moments but managed to save her and never gave her the adult body. She also writes multiple love letters to him which he is exasperated by. In addition, when he has a dream about the people that he has"
"lover gets more pleasure from giving in a relationship than from receiving. They will remain faithful to their partners to avoid causing them pain and often wait patiently for their partners after a break-up. Agape requires one to be forgiving, patient, understanding, loyal, and willing to make sacrifices for their partner. An agapic lover believes that this love is unconditional, though lovers taking an agapic stance to relationships risk suffering from inattention to their own needs. The advantage of agapic love is its generosity. A disadvantage is that it can induce feelings of guilt or incompetence in a partner. There"
"in 'Reason in Society', ""a truly rational morality or social regimen has never existed in the world, and is hardly to be looked for"" as such constructions are the luxury of philosophers. The non-philosopher must rely upon the ""growth of those social emotions which bloom in the generous atmosphere of love and the home."" He agrees with Schopenhauer that, in love, ""nine-tenths of the cause of love are in the lover, for one-tenth that may be in the object"" and that love ""fuses the soul again into the impersonal blind flux."" Despite this, he still champions love as the most"
"the only one present not in love with someone (8.3). Antisthenes insists that he is not, for he is in love with Socrates! (Antisthenes was one of the main Socratic authors, contemporary with Plato and Xenophon, who also presumably loved Socrates.) Socrates dismisses him, insisting that he is busy (8.4). Antisthenes continues, accusing Socrates of always having an excuse to ignore him (8.5). Socrates pleads that Antisthenes stop berating him, and jokingly suggests that Antisthenes keep his love a secret since it is clearly a love of Socrates’ physical beauty, not his sprit (8.6). Socrates returns to his speech and"