"him to flee from Spike and inevitably lose (usually due to the fact that Tom is usually framed by Jerry and that Spike just doesn't like Tom). Off-screen, Spike does something to Tom and finally Tom is generally shown injured or in a bad situation while Jerry smugly cuddles up to Spike unscathed. Tom sometimes can get irritated with Spike on some occasions (example is in That's My Pup!, when Spike forced Tom to run up a tree every time his son barked, causing Tom to hang Tyke on a flag pole). At least once however, Tom does something that"
"Spike is sleeping beside his son Tyke when Tyke suddenly wakes up after a nightmare. Then Spike gives his son milk and comforts him back to sleep again. No sooner has Tyke dozed off again than Tom and Jerry enter the scene. Tom runs through a door (literally) and into some spades, rakes and hoes, as Jerry hides among the two dogs. To find Jerry, Tom picks Tyke up to look underneath the puppy. Spike yells out """"Hey, you!, That's my boy you got in your hand!"""" Tom holds up his right hand and sees nothing, then holds up his"
"Hic-cup Pup Hic-cup Pup is the 82nd one reel animated ""Tom and Jerry"" short, created in 1952, directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The cartoon was animated by Ed Barge, Kenneth Muse, Ray Patterson and Irven Spence with backgrounds by Robert Gentle. It was released in theaters on April 17, 1954 by Metro-Goldwyn-Mayer, Spike is putting his son, Tyke, to bed. When a bird flies by to chirp, Spike calmly tells the bird to be quiet. However, Tom and Jerry's usual antics wake Tyke up, and Spike asks Tom,"
"""Hey! What's the idea of waking up my boy?!"" Tyke ends up getting the hiccups. Spike is understandably disappointed in both the noise and the hiccups and explains that every time Tyke wakes up disturbed from his nap, he gets the hiccups. Spike issues Tom a warning not to wake Tyke up again or else. Jerry immediately bites Tom's tail, and Tom screams startledly in pain, (waking up Tyke a second time) and runs off. Each successive hiccup from Tyke pushes him another couple inches into the air before Spike pats him on the back. Tom peeks around the corner"
"and Jerry pops his head out of a flower pot. Tom chases after Jerry with a shovel, but Spike quickly hears them again and plugs Tyke's ears, but Jerry climbs onto the top of Spike's head, prompting Tom to accidentally whack Spike on the head with the shovel as Spike screams in pain, unwittingly disturbing his son again, and immediately grabs Tom by the upper-arms in anger. Meanwhile, this causes Tyke to begin hiccupping again, eventually causing him to hop across the ground. Spike tries to stop his son by holding him, with each subsequent hiccup literally carrying Spike with"
"son Spike in the ways of the Samurai, but failing each time. The two of them operated out of a converted garage. Due to Bulk's sister's marriage with Skull, Spike addresses him as ""Uncle Bulk"" - he had to be reminded to call him ""Sensei"" during training. Much like his father, Spike has a big crush on the Pink Ranger. Skull made a brief appearance in the ""Power Rangers Super Samurai"" finale, ""Samurai Forever"", where Skull picks up his son; he arrives in a limo with a suit. Bulk and Skull size each other up and Bulk remarks he's changed,"
"That's My Pup! That's My Pup! is a 1953 one reel animated ""Tom and Jerry"" short, directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The short was animated by animators Kenneth Muse, Ray Patterson, Ed Barge and Irven Spence, with backgrounds by Robert Gentle. This cartoon features the third pairing of Spike with his son Tyke. It was released on April 25, 1953 by Metro-Goldwyn-Mayer. The episode title is a pun on the phrase ""That's my boy!"" Spike is teaching Tyke the three important rules of being a dog: being man's"
"ear, before snuggling up between Spike and Tyke and falling asleep, ending the cartoon. Tops with Pops Tops with Pops is a one-reel animated ""Tom and Jerry"" short, directed and produced by William Hanna and Joseph Barbera with music by Scott Bradley. It is a shot-for-shot CinemaScope remake of 1949's ""Love That Pup"". It was released on February 22, 1957 by Metro-Goldwyn-Mayer. Spike is sleeping beside his son Tyke when he suddenly wakes up from a bad dream. Spike then comforts his son back to sleep again. No sooner does Tyke doze off then Tom and Jerry enter the scene."
"left hand, and drops Tyke in fear. Tom smiles nervously and attempts to run off, but Spike grabs Tom's whiskers and issues an ultimatum: """"Listen pussycat. If I catch you bothering my boy again, I'll tear you apart! Now beat it!"""" Spike then releases him and Tom flees, crashing into (in turn) a tree, a fountain, a clothesline hanger and then into a trash can. Jerry emerges from Tyke's ear and walks off casually until Tom comes running back. Jerry takes cover by diving into what appears to be Spike's jaw, but he really ducked under the dog's chin. Seeing"
"down in 1957, and Hanna and Barbera would move on to television animation production success with their own Hanna-Barbera Productions. Spike was voiced by Billy Bletcher, and later Daws Butler. Tyke did not talk in the theatrical shorts, but did speak on the FOX television series ""Tom & Jerry Kids"", for which the duo appeared in their own segments, and occasionally in the ""Tom and Jerry"" segments. Spike and Tyke were voiced by Richard Gautier and Patric Zimmerman, respectively. Later, they appeared in the straight to video film """" Spike was voiced by Maurice LaMarche and Tyke's barks were done"
"was revealed that this is the case. Daniel Witwicky is a young member of the Witwicky family. He is most often portrayed as the son of Spike and Carly, but was once portrayed as the son of Spike's brother Buster. Daniel was named the worst cartoon kid sidekick by Topless Robot. Daniel's sole appearance in the Marvel era Transformers continuity is in part one of the U.K. story ""Time Wars"" (issue #199), where he is seen alongside his father pleading with Rodimus Prime to save the earth. Another character conceived for the animated universe, Daniel Witwicky is the son of"
"knothole. However, without Tom noticing, Jerry escapes through the side of the barrel as a free trap area and puts Tyke under the barrel instead. Spike busts himself out of the shed by ripping off the whole front facade and under the impression the cat has been at Tyke again, he rushes up to Tom angrily and demands to know where is his son is (""""Where's my boy!? If he's under that barrel, I'll skin ya alive!""""), threatening to skin the cat alive if he sees Tyke underneath the barrel by Tom's trick. Tom's confidently starts to lifts up the"
"in a toy airplane. Jerry turns it on, pilots it, and scalps Tom's head and then shaves Tom's body with the propeller. As soon as Tom's fur comes back the chase starts again. He gets into a larger toy airplane, chases Jerry's plane in a dogfight-like chase and is shredding Jerry's plane with his propeller. Jerry gongs for Spike and Tom slams into Spike's chest, causing him (Tom) to disintegrate. Spike sweeps him up and throws him in a trash can. A panicked Tom calls an exterminator, Butch, along with three more cats to remove Spike from the household. They"
"and watery). He, however, claims to his son that a bit of Hickory smoke always keeps in good barbecue flavor. Spike's third attempt causes the steak to instantly be burnt to a crisp. Spike tires to retrieve another steak, but this time Tom and Jerry have appeared on the scene with Tom chasing Jerry as usual. Jerry repeatedly hides in the items involved in the barbecue: the bag of charcoal, Spike's hat, the salad, the shakers, and the bread. This means every time that Tom pursues Jerry, he's interfering with the barbecue. When this happens, Spike furiously chases Tom off,"
"again. Jerry tries again to tell his friend what happened and begs Spike to help him (""Please help me"" is audible even though it is muffled). Spike laughs at this, calls it ""baby talk"", and goes inside a yard. Jerry then pounds on the door for help, but has to run away from the approaching cat. As Spike opens the door, Tom's head gets stuck in Spike's mouth, forcing the cat to shrug and run away. The mouse crawls through another hole in a different fence and tries to whistle until he turns red in the face. Eventually, Jerry blows"
"Jerry hides among the two dogs. To find Jerry, Tom picks Tyke up to look underneath the puppy, until Spike wakes up and remarks that Tom is holding his son. Tom holds up his right hand and sees nothing, then holds up his left hand, and drops Tyke in fear. Tom smiles nervously, attempting to run off, until Spike grabs Tom by the whiskers and issues him an ultimatum: the cat ""had better"" leave Tyke alone or Spike will make him suffer the consequences. Tom flees blindly, crashing into a tree, fountain, clothesline pole and trash can. Jerry emerges from"
"Fed up, Spike grabs Tom, and angrily tells him that he is becoming a nervous wreck, which he demonstrates by pulling his tongue, producing a crazed look on his face. First calmly, then viciously, he warns Tom that if there is one more sound, no matter who makes it, he will skin Tom alive. On the side, Jerry grins and nods happily. Spike settles down to sleep, and Tom sighs with relief. Jerry then whistles at Tom, showing him a drawing of a cat labelled ""STINKY"". Tom zooms after him, but stops abruptly when Jerry holds up a spoon and"
"and later says to Jerry, """"One custard pie?! Let me have it!"""" Tom's nemesis, Spike, is trying to take a nap, but is awoken by Tom Cat chasing Jerry Mouse with a frying pan. After being hit several times, an annoyed Spike tries to go back to sleep. But he is awoken again by Tom's rather inaccurate use and tossing away of a rifle, which hits Spike on the head. The canine buries his head in his pillow, but is woken a third time by Tom trying to whack Jerry with the flat of an axe, but getting Spike instead."
"and briefly sees Spike; When Spike hits the cat a third time, he ends up driving him out of the screen, then cordially returns the bell to Jerry and engages Tom in a brutal fight. After the brawl, Spike and Jerry are strolling down a street, with Tom inside a dog's leash and collar. Spike kicks Tom whenever Jerry rings the bell. Fit to Be Tied (film) ""Fit to Be Tied"" is a 1952 American one-reel animated cartoon and is the 69th ""Tom and Jerry"" short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. This cartoon"
"Tom is not responsible, as seen in ""The Invisible Mouse"", Spike still blames Tom and hurts him instead of Jerry. Spike, however, is not without a softer and sympathetic side: in the episode ""Pet Peeve"", after believing that Tom is willing to leave the house in Spike's favour, Spike feels sorry for him to the point that he offers to leave instead, which Spike does until he realises that Tom is only using reverse psychology to trick him into leaving. In ""The Truce Hurts"", Spike is portrayed as a very intelligent and equilibrated character when he convinces Tom and Jerry"
"as ""Spike"". At BotCon 2008, it was confirmed that this was indeed intended to be Spike and Carlee (with Corey Burton reprising his role as Spike, specifically the adult post-movie Spike), and since Daniel had already been seen in the series too, Carlee was in labor with her second child. In ""Transform and Roll Out"", a segment about the wonders of modern society and the impact that robots have had upon it, Spike was seen with his wife and son purchasing some sort of bunless wiener of dubious origin from a robot vendor cart. In ""Garbage In, Garbage Out"", Spike"
"slowed down, causing him to struggle. Spike then allows Tyke to bark in his place while Tom continues trying to climb up the flagpole. By nighttime, Tyke was still barking away that Tom still climbs in fear, while Spike says, ""That's my boy doing' that"". And Spike is sleeping at the doghouse with Jerry. That's My Pup! That's My Pup! is a 1953 one reel animated ""Tom and Jerry"" short, directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The short was animated by animators Kenneth Muse, Ray Patterson, Ed Barge and"
"Bodyguard"", after Jerry willingly saved him from being poached, he became Jerry's protector whenever needed. In all subsequent shorts, Spike becomes typecast as the stereotypical dumb brute who is always duped into becoming a shield for Jerry from Tom. It is only in two episodes where Jerry gets Spike out of a jam and the dog willingly protects him from Tom in well-earned gratitude (""The Bodyguard"" and ""Fit to Be Tied""). On most occasions, Jerry causes trouble for Tom by luring him near Spike and harming him to get him angry, and in some cartoons when it's perfectly obvious that"
"but Jerry smashes Tom's foot first and runs as Tom yowls. Tom is just recovering, but gasps when Jerry places a huge stick of dynamite beneath Spike, and lights the fuse. Tom attempts to pull it out from under Spike, but just then, the knock-out drops finally wear off. Spike awakens and growls at him – Tom smiles, slides the dynamite back under Spike (not known for being the brightest dog) and escapes, before it explodes. A battered Spike with some fur missing and an anchor tattoo revealed on his arm, then gives Tom a thorough beating off-screen. Finally, Spike"
"Dog Trouble Dog Trouble is a 1942 American one-reel animated cartoon and is the fifth ""Tom and Jerry"" cartoon released. It was produced in Technicolor, released to theaters on April 18, 1942 by Metro-Goldwyn Mayer and reissued for re-release on June 21, 1952. It was animated by George Gordon, Irven Spence, Jack Zander, Cecil Surry and Bill Littlejohn. The cartoon introduces the character of Spike, who would later become a recurring supporting character in the ""Tom and Jerry"" and later Metro-Goldwyn-Meyer shorts. In this cartoon, Spike serves as the main antagonist, forcing Tom and Jerry to team up for the"
"intends to watch the film with the cats. But the cats won't allow him to. So, Tom kicks Jerry out of the house and he lands in Spike's mouth. Jerry then pops out from Spike's nose, looking angry. Back at the house, Butch says: """"OK boys, here we go!"""" The movie starts. The movie's title is: ""Tom the Terrific Cat Starring Tom"". Then first part starts and its title is ""Lover Boy!"". This part starts with a zoom into a house and to a doghouse labeled ""KILLER"" with Spike in it (from the 1946 cartoon ""Solid Serenade""). More scenes from"
"through the wall before he sees the mouse and chases Jerry, spotting him in a bone-hat. Tom bolts after him, and Jerry hides. Convinced that the end of the dog bone nearby is Jerry in disguise, Tom grabs it and is met by an angry Spike. As Spike chomps down, Tom causes Spike to swallow his bone and hides underneath a huge St. Bernard, which goes to sleep and Tom pops out from under it without the dog head. Tom wakes the dog and is hanging from the collar. Tom attaches the head to his rear and pops out again,"
"by the 1952 Tom and Jerry cartoon sequel Fit to Be Tied. The starting scene shows Tom running after Jerry. Jerry hides behind a potato mound in a garden when he hears Spike the bulldog call to him. Spike has been caught by a dog catcher and locked in the back of his truck, and Jerry is the only one who can help him escape from the truck before it drives away. Spike begs Jerry to get him out of the truck, and despite their unpleasant previous encounter, Jerry shows Spike mercy and frees him by removing a piece of"
"it from him and placing it on Tom's chest. ""Hey, you! Whatcha doin' with my bone?"" Tom (gesturing) ""Who, me?"" Spike: Yeah, you!; Listen, pussy cat! If I catch you takin' my bone again, there's gonna be trouble! Understand!?"" The dog angrily warns the cat to stay away from his bone. He sticks out his tongue but Spike gets infuriated again and whacks him once more, and he bites it. Tom then spots Jerry laughing and chases the mouse again, but Jerry spins Spike's bone into the air and into Tom's hands. Tom tricks Spike into sitting up and puts"
"by Spike. Tom manages to write his last will before he's wrenched back in and beaten to within an inch of his life. In the end, Tom becomes part of his instrument in place of the strings with Spike strumming the cat's tail while Jerry bows a dramatic ostinato on Tom's whiskers and Toodles watches. The short was included on several DVDs: ""Tom and Jerry's Greatest Chases"", Vol. 1; ""Tom and Jerry Spotlight Collection"" Vol. 1, Disc One; and ""Tom and Jerry Golden Collection"" Volume One, Disc Two. Animation historian Michael Barrier wrote that Tom's appearance stabilized by the time"
"to stop the fighting among the three of them and sign a Peace Treaty, but their newfound friendship comes to an end when they argue over how to share a big steak, symbolised when Spike tears the truce contract to shreds and they go back to fighting again after Tom accidentally threw the steak into the sewer drain. From the 1944 cartoon ""The Bodyguard"" to 1948 cartoon ""Heavenly Puss"", he was voiced by Billy Bletcher. His first name is Bulldog in ""Dog Trouble"", His name also varies in some shorts: in ""Puttin' on the Dog"", ""Solid Serenade"" and ""Cat Fishin'"""
"know where his son is, threatening to skin the cat alive if Tyke is underneath the barrel. Tom confidently starts to lifts up the barrel, thinking it's the mouse, until he hears a whistle, and looks to his side to see that Jerry is lying on a nearby fence, waving to him. Tom does a double gulp, realizing he is put into serious trouble. Spike demands Tom to lift up the barrel. Shivering in fear, Tom nervously begins to lift the barrel, but Spike impatiently swipes it. Tyke is lying underneath it, wiggling his tail at his father. Tom makes"
"but could not stick to it because he did not like bothering people at home. He also wrote the books, ""The Ten Habits of Highly Successful Criminals"" and ""A Criminal's Guide to Hiding in Mexico"". When wearing a prison uniform, his prison number is 7F20, which is the production code of his debut episode. In ""Pygmoelian"", it was revealed that Snake had a son. ""Luca$"" and ""The Seemingly Never-Ending Story"" both give the son's name as Jeremy. The episode reveals that Snake has custody issues with his son. He is a loving father to Jeremy; unfortunately he is raising his"