"lights to create the glistening effect."" Portrait of a Man (Self Portrait?) Portrait of a Man (Self Portrait?) (also Portrait of a Man in a Turban or Portrait of a Man in a Red Turban) is an oil painting by the Early Netherlandish painter Jan van Eyck, from 1433. The inscription at the top of the panel, ""Als Ich Can"" (intended as ""as I/Eyck can"") was a common autograph for van Eyck, but here is unusually large and prominent. This fact, along with the man's unusually direct and confrontational gaze, have been taken as an indication that the work is"
"The Boy in the Red Vest The Boy in the Red Vest (""Le Garçon au gilet rouge""), also known as ""The Boy in the Red Waistcoat"", is a painting (Venturi 681) by Paul Cézanne, painted in 1889 or 1890. It is a fine example of Cézanne's skilled, nuanced, and innovative mature work after 1880. Cézanne painted four oil portraits of this Italian boy in the red vest, all in different poses, which allowed him to study the relationship between the figure and space. The most famous of the four, and the one commonly referred to by this title, is the"
"Man with Red Hat Man with a Red Hat is a painting attributed to Italian Renaissance painter Vittore Carpaccio, created around 1490–1493. It is housed in the Museo Correr in Venice. The attribution to Carpaccio is disputed: the names of Bartolomeo Montagna and Lorenzo Lotto have been also proposed, while others assign it to an unknown master from Ferrara or Bologna. The dating is less controversial, having been assigned to the early 1490s, when Carpaccio was painting the ""Legend of Saint Ursula "" and other cycles in Venice, and personal portraits of noblemen were becoming common. The painting depicts an"
"Portrait of a Man in Red Chalk The portrait of a man in red chalk (circa 1510) in the Biblioteca Reale, Turin is widely, though not universally, accepted as a self portrait of Leonardo da Vinci. It is thought that Leonardo da Vinci drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a polymath or ""Renaissance Man"". Despite this, some historians and scholars disagree as to the true identity of the sitter. The portrait is drawn in red chalk on paper. It depicts the head"
"the National Gallery of Art with the rest of his collection in 1937. Portrait of a Young Man in Red Portrait of a Young Man in Red' is a 1485-1490 oil on panel portrait by Giovanni Bellini, now in the National Gallery of Art in Washington. He had been making portraits since 1474 and this is held to be one of his best in the genre, though its subject is unknown. It may have been in Andrea Vendramin's collection in Venice in 1627. It passed to count Manfredi von Ingenheim and was handed down to his heirs until 1930, when"
"Portrait of a Young Man in Red Portrait of a Young Man in Red' is a 1485-1490 oil on panel portrait by Giovanni Bellini, now in the National Gallery of Art in Washington. He had been making portraits since 1474 and this is held to be one of his best in the genre, though its subject is unknown. It may have been in Andrea Vendramin's collection in Venice in 1627. It passed to count Manfredi von Ingenheim and was handed down to his heirs until 1930, when it was sold. Andrew W. Mellon then acquired it and it passed to"
"unknown man's face and (partially) bust, above a landscape background. The latter includes a lake, a portion of countryside and mountains, partially hidden by a far haze. Man with Red Hat Man with a Red Hat is a painting attributed to Italian Renaissance painter Vittore Carpaccio, created around 1490–1493. It is housed in the Museo Correr in Venice. The attribution to Carpaccio is disputed: the names of Bartolomeo Montagna and Lorenzo Lotto have been also proposed, while others assign it to an unknown master from Ferrara or Bologna. The dating is less controversial, having been assigned to the early 1490s,"
"which Leonardo illustrated, the artist may also have included a self-portrait. Portrait of a Man in Red Chalk The portrait of a man in red chalk (circa 1510) in the Biblioteca Reale, Turin is widely, though not universally, accepted as a self portrait of Leonardo da Vinci. It is thought that Leonardo da Vinci drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a polymath or ""Renaissance Man"". Despite this, some historians and scholars disagree as to the true identity of the sitter. The portrait"
"purchased it from Beber in 1948. Following Bührle's death in 1956, his heirs donated the painting to the Foundation E.G. Bührle in 1960. In February 2008, the painting was stolen from the Foundation E.G. Bührle in Zurich. It was the museum's most valuable painting and was valued at $91 million. It was recovered in Serbia in April 2012. The Boy in the Red Vest The Boy in the Red Vest (""Le Garçon au gilet rouge""), also known as ""The Boy in the Red Waistcoat"", is a painting (Venturi 681) by Paul Cézanne, painted in 1889 or 1890. It is a"
"John Trumbull John Trumbull (; June 6, 1756November 10, 1843) was an American artist during the period of the American Revolutionary War and was notable for his historical paintings. He has been called The Painter of the Revolution. Trumbull's ""Declaration of Independence"" (1817), one of his four paintings which hang in the United States Capitol Rotunda, was used on the reverse of the commemorative bicentennial two-dollar bill. Trumbull was born in Lebanon, Connecticut, in 1756, to Jonathan Trumbull and his wife Faith (née Robinson) Trumbull. His father served as Governor of Connecticut from 1769 to 1784. Both sides of his"
"typical of Bellini is the parapet in the lower part, although this time he did not ad the cartouche with the signature. Madonna of the Red Cherubims The Madonna of the Red Cherubims is an oil on panel painting by Italian Renaissance artist Giovanni Bellini, executed around 1485. Stylistic elements such as the child on one of the Virgin's knees, and the mutual glance, suggest that the work was based on Bellini's ""Alzano Madonna"" in the same museum. The Virgin and Child are portrayed as a bust in the foreground, above a typical landscape with towers, castles and a fluvial"
"Juan Mirabal Juan Mirabal (1903 – 1970), also known as ""Tapaiu"" or Red Dancer, was an artist from Taos Pueblo, New Mexico. Albert Looking Elk, Albert Lujan, and Juan Mirabal have been identified as the ""Three Taos Pueblo"" painters. As the Taos art colony grew, these men studied oil and water color painting and made works of art about their community, from a Native American perspective. An exhibition of their work ""Three Pueblo Painters"" was held at the Harwood Museum of Art in Taos, New Mexico January 24 - April 20, 2003. Occasionally Mirabal modeled for Taos artists. As an"
"it was begun c. 1420 by Hubert and completed by Jan in 1432. Another brother, Lambert, is mentioned in Burgundian court documents, and may have overseen his brother's workshop after Jan's death. Considered revolutionary within his lifetime, van Eyck's designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, """" (""AS I CAN""), a pun on his name, first appeared in 1433 on ""Portrait of a Man in a Turban"", which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and"
"The Man with the Golden Helmet The Man with the Golden Helmet (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. Categorized as a work by Rembrandt for many years, doubts were expressed as to its provenance in 1984 by a Dutch curators' commission specifically created to investigate Rembrandt works of questionable authenticity. They made their remarks whilst viewing the painting in West Berlin. In November 1985, Berlin-based art expert Jan Kelch announced that important details in the painting's style did not"
"Madonna of the Red Cherubims The Madonna of the Red Cherubims is an oil on panel painting by Italian Renaissance artist Giovanni Bellini, executed around 1485. Stylistic elements such as the child on one of the Virgin's knees, and the mutual glance, suggest that the work was based on Bellini's ""Alzano Madonna"" in the same museum. The Virgin and Child are portrayed as a bust in the foreground, above a typical landscape with towers, castles and a fluvial inlet with a small boat. The bright sky features a series of red cherubims which give their name to the picture. Also"
"Portrait of a Young Man with a Golden Chain Portrait of a Young Man with a Gold Chain is an oil painting usually attributed to the Dutch painter Rembrandt. Signed and dated 1635, it was traditionally regarded as a self-portrait (under the title Self-Portrait with Beard Rising or Self-Portrait with a Gold Chain), although contemporary criticism tends to challenge this hypothesis. The accreditation of this work to Rembrandt is old and supported by various documents and graphic records dating back to the seventeenth century. However, a report by the Rembrandt Research Project in 1989 assigned it to the ""circle"" of"
"Rembrandt studio. Portrait of a Young Man with a Golden Chain Portrait of a Young Man with a Gold Chain is an oil painting usually attributed to the Dutch painter Rembrandt. Signed and dated 1635, it was traditionally regarded as a self-portrait (under the title Self-Portrait with Beard Rising or Self-Portrait with a Gold Chain), although contemporary criticism tends to challenge this hypothesis. The accreditation of this work to Rembrandt is old and supported by various documents and graphic records dating back to the seventeenth century. However, a report by the Rembrandt Research Project in 1989 assigned it to the"
"Man with a Glove The Man with a Glove is an oil-on-canvas portrait by the Italian Renaissance artist Titian, c. 1520. It has been in the Musée du Louvre, Paris. The work originates from the Gonzaga family's collection at Mantua. It was acquired by Charles I of England in 1627. Sometime after his beheading in 1649, the painting was auctioned and bought by the Cologne banker Eberhard Jabach . Eventually it came in the possession of Louis XIV of France, and was transferred from the Palace of Versailles to the Louvre in 1792. The figure has not been identified with"
"An Old Man and his Grandson An Old Man and his Grandson () is a ca. 1490 tempera painting by the Italian Renaissance artist Domenico Ghirlandaio. One of Ghirlandaio's best-known works, it is considered notable for its emotional poignancy. Its realism has been described as unique among the portraits of the Quattrocento. The picture portrays an older man in a red robe, embracing a young child who is also wearing red. They sit in an interior, illuminated against a darkened wall. Behind them at right is a window through which can be seen a generalized landscape, its uneven terrain and"
"Portrait of a Man with a Blue Chaperon Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweler or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame) oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around 1430. It contains a number of elements typical of van Eyck's secular portraits, including a slightly oversized head, a dark and flat background, forensic attention to the small details"
"in this case) had always a meaning. The man dressing in red would be God or Jupiter; in the latter case, the man nearing him would be nearing paganism, the serpent being a symbol of the Devil making him stumble later. Allegory (Filippino Lippi) Allegory is a painting by the Italian Renaissance master Filippino Lippi, executed around 1498. It is now housed in the Uffizi Gallery of Florence. The work had been variously assigned, from Leonardo da Vinci to an unknown 15th century painter. The scene is set on a hill, with Florence in the background. It features a man,"
"Jan Gossaert's ""Adoration of the Kings"" (1911, £40,000) to the National Gallery. A Man with a Quilted Sleeve A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, measuring . Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter. It was long thought to be a portrait of Ariosto, then a self-portrait, but in 2017 is called Portrait of Gerolamo (?) Barbarigo by the gallery, having also been called merely Portrait of a Man, the"
"A Man with a Quilted Sleeve A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, measuring . Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter. It was long thought to be a portrait of Ariosto, then a self-portrait, but in 2017 is called Portrait of Gerolamo (?) Barbarigo by the gallery, having also been called merely Portrait of a Man, the title used here, The Man with the Blue Sleeve, and no doubt"
"Paris. Cueco died of a kidney infection but was weakened by Alzheimer's disease on 13 March 2017 in Paris. He was 87. Henri Cueco Henri Cueco (19 October 1929 – 13 March 2017) was a French painter, essayist, novelist and radio personality. As a self-taught painter, his work was exhibited internationally. He was the author of several books, including collections of essays and novels. He was also a contributor to France Culture. A communist-turned-libertarian, he was a co-founder of Coopérative des Malassis, an anti-consumerist artists' collective. He was best known for ""The Red Men"", a series of figurative paintings depicting"
"Man on a Balcony Man on a Balcony (also known as Portrait of Dr. Théo Morinaud and 'L'Homme au balcon), is a large oil painting created in 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). The painting was exhibited in Paris at the Salon d'Automne of 1912 (no. 689). The Cubist contribution to the salon created a controversy in the French Parliament about the use of public funds to provide the venue for such 'barbaric art'. Gleizes was a founder of Cubism, and demonstrates the principles of the movement in this monumental painting (over six feet tall)"
"that the Founding Fathers look as if standing patiently in a line, saying that ""the reality is messier and richer."" John Trumbull John Trumbull (; June 6, 1756November 10, 1843) was an American artist during the period of the American Revolutionary War and was notable for his historical paintings. He has been called The Painter of the Revolution. Trumbull's ""Declaration of Independence"" (1817), one of his four paintings which hang in the United States Capitol Rotunda, was used on the reverse of the commemorative bicentennial two-dollar bill. Trumbull was born in Lebanon, Connecticut, in 1756, to Jonathan Trumbull and his"
"The Great Red Dragon Paintings ""The Great Red Dragon"" Paintings are a series of watercolour paintings by the English poet and painter William Blake, painted between 1805 and 1810. It was during this period that Blake was commissioned to create over a hundred paintings intended to illustrate books of the Bible. These paintings depict 'The Great Red Dragon' in various scenes from the Book of Revelation. Height: 43.7 cm, Width: 34.8 cm Housed at the Brooklyn Museum. This image is similar to the work of the same name in the Brooklyn Museum (see above) but the subject is shown from"
"Portrait of a Lady in Yellow Portrait of a Lady in Yellow was painted by the Florentine artist Alesso Baldovinetti sometime in the second half of the 15th century, most likely c. 1465. For centuries the work was mis-attributed; it was purchased by the National Gallery London in 1866 as a portrait of Countess Palma of Urbino, attributed to Piero della Francesca. In 1911 art historian Roger Fry established that it was by Baldovinetti. However, there is no evidence of the source of the commission, and doubt remains as to the identity of the sitter; the most plausible theory is"
"Portrait of a Man in a Yellowish-Gray Jacket Portrait of a Man in a Yellowish-gray Jacket is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1633 and now in the Staatliche Kunstsammlungen Dresden, Dresden. The painting shows a tastefully dressed young man in a floppy hat seated in a chair facing right with his head at an angle looking at the viewer. We don't know the name of the man or the occasion for which it was painted, but the painting is probably a pendant to the portrait of a man in a black jacket,"
"million (€8.9 million). Duchamp works Essays by Duchamp General resources Audio and video Marcel Duchamp Henri-Robert-Marcel Duchamp (; ; 28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art, although he was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century,"
"1784, ""A Woman of Van Diemen's Land"", 1784, ""A Chief of the Sandwich Islands"", 1787, and ""The Resolution Beating Through the Ice"", 1792,); the Dixson Library (includes ""An Opossum of Van Diemen's Land"", 1777, ""Red-tailed Tropic Bird"", 1777, and ""The Death of Captain Cook"", c.1781-83.); and the National Gallery of Victoria (""A Night Dance by Men, in Hapaee"", 1784, ""A Young Woman of the Sandwich Islands"", 1784, and ""A Man of Van Diemen's Land"", 1784.). John Webber John Webber RA (London 6 October 1751 – 29 May 1793 London) was an English artist who accompanied Captain Cook on his third"
"Henri Cueco Henri Cueco (19 October 1929 – 13 March 2017) was a French painter, essayist, novelist and radio personality. As a self-taught painter, his work was exhibited internationally. He was the author of several books, including collections of essays and novels. He was also a contributor to France Culture. A communist-turned-libertarian, he was a co-founder of Coopérative des Malassis, an anti-consumerist artists' collective. He was best known for ""The Red Men"", a series of figurative paintings depicting aspects of the Cold War like the May 1968 events, the Vietnam War and Red Scare, and his 150 still lifes, or"
"Portrait of a Man (Frans Hals, Frick) Portrait of a Man is a painting by the Dutch Golden Age painter Frans Hals, painted circa 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter. The painting is signed on the left at the level of the collar with the FH monogram and shows a man proudly displaying his fine linen shirt that pours out of his split-sleeve jacket. The opulence of the fabric is emphasized by the way the man has wrapped his cloak around him, under his right arm"