"conceived series of repackages after the band left Decca for Atlantic in 1970. The final section of the book includes a United States discography as well as a brief overview of bootleg Stones recordings released by that time. The Rolling Stones: An Illustrated Record The Rolling Stones: An Illustrated Record is a 1976 book by music journalist Roy Carr, published by Harmony Books. The book contains an extensive discography of record releases by the Rolling Stones up to that time (the latest being ""Black and Blue""), with critical reviews of each release by Carr. Sidebars give a concurrent history of"
"of Chuck Berry's ""Run Rudolph Run"" backed by a version of Jimmy Cliff's ""The Harder They Come"". Unlike Apple Records, Grunt Records, Purple Records or Swan Song Records (the vanity labels of the Beatles, Jefferson Airplane, Deep Purple and Led Zeppelin respectively), Rolling Stones Records never made much of an effort to sign outside artists. Kracker, a Cuban rock group produced by Rolling Stones' producer, Jimmy Miller, was the first outside act to be signed to Rolling Stones Records in 1973. Kracker, along with Billy Preston, opened the show for the Stones during their 1973 European Tour. In 1978 Rolling"
"Rolling Stones’ Rolling Stones Records, and Stevie Nick’s Modern Records. Nalli signed the band Yes (band) to ATCO, reviving their career with the release of their album 90125, which ended up being the biggest record of their career and spent most of 1984 in Billboard’s Top 10. In 1981 Nalli brought the Australian rock band INXS to ATCO and they released Shabooh Shoobah which ended up going gold. In 1987 they released their biggest selling album Kick (INXS album) which went Platinum six times in the US and had four Top Ten hits including the number one hit “Need You"
"The Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Brian Jones was the original leader of the group. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Their musical focus shifted from covering blues songs to"
"the label bore the logo ""London American Recordings"", and on Radio Luxembourg it was known as ""London American"". In America, the label was best known as the American imprint of the pre–1971 recordings of the Rolling Stones (currently owned by ABKCO). The label also originally issued some early LPs and singles by Texas-based band ZZ Top (whose catalog went to Warner Brothers when the band moved there). In the late 1970s, London signed deals with Bomp! Records and with Big Sound in Connecticut, U.S. This changed the label in the eyes of many from a backwater into something a little"
"The Rolling Stones, Sade, Santana, Bob Seger, Paul Simon, Bruce Springsteen, Rod Stewart, Johnny Winter, Yes, and others. Suzy closely cooperated with many international major labels such as CBS Records for instance. Other major labels in the former Socialist Federal Republic of Yugoslavia were: PGP-RTB and Jugodisk from Belgrade; Jugoton from Zagreb; Diskoton from Sarajevo; ZKP RTLJ from Ljubljana, and others. From 1972, for this record label, there are three different logos. The first logo of record label has been in use from 1972 to 1974, the second logo has been in use from 1974 to 1989, and the third"
"from 1978 to 1984. In 1986 Columbia Records started distributing it in the United States and CBS for the rest of the world until 1991. It was discontinued in 1992 when the band signed to Virgin Records, but the tongue-and-lips logo remains on all post-1970 Rolling Stones releases. In its original concept, the label was thought of as a way for members of the Rolling Stones to release solo albums. The first album to be released was ""Brian Jones Presents the Pipes of Pan at Joujouka"" in 1971, which is widely credited with being the first world music LP. In"
"independent record label, Stone'd Records. Stone partnered with Surfdog Records to release ""LP1"" on 26 July 2011, through her own label Stone'd Records. Stone also joined the supergroup SuperHeavy which was formed by Mick Jagger of the Rolling Stones, together with Dave Stewart (credited by Mick with the original idea of SuperHeavy), Damian Marley (the youngest son of Bob Marley) and the Indian musician and producer A. R. Rahman. The album was recorded at Jim Henson Studios in Los Angeles and was released on 20 September 2011 by A&M Records. The debut single, ""Miracle Worker"", was released on 19 July"
"Stones Records signed Peter Tosh, a former member of Bob Marley's band the Wailers, to a contract. His first album for the label, ""Bush Doctor"", which featured Jagger on the track ""Don't Look Back"", was moderately successful. Despite further moderate success, Tosh left the label in 1981, citing lack of promotion and a personal feud with the Rolling Stones. Jagger released his first solo albums, ""She's the Boss"" and ""Primitive Cool"", in 1985 and 1987 respectively, through a newly conceived partnership between Rolling Stones Records and CBS Records (now Sony Music). Thus the trademark Rolling Stones logo was affixed to"
"the Rolling Stones, on their Italian tour dates. Soon after, they released their debut single, ""Sensazioni"" (1967), the first of a very long series of chart hitting songs. The band was one of the best live acts in Italy at the time, and Hendrix-inspired guitarist Nico Di Palo was one of the first Italian guitar heroes. Their first full-length album, ""Senza orario Senza bandiera"", came in 1968 with lyrics written for it by famed singer-songwriter Fabrizio de André. This release was very successful at the time. A second album, simply titled ""New Trolls"", followed two years later (1970) as a"
"Sticky Fingers Sticky Fingers is the ninth British and eleventh American studio album by the English rock band The Rolling Stones, released in April 1971. It is the band's first album of the decade and the first release on the band's new label Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is also Mick Taylor's first full-length appearance on a Rolling Stones album and the first Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones. ""Sticky Fingers"" is considered one of"
"the Beatles. The band's name was changed shortly after their first gig to ""The Rolling Stones"". The group's then acting manager, Giorgio Gomelsky, secured a Sunday afternoon residency at the Crawdaddy Club in Richmond, London, in February 1963. He claimed this triggered an ""international renaissance for the blues"". In May 1963, The Rolling Stones signed Andrew Loog Oldham as their manager. His previous clients, the Beatles directed the former publicist to the band. Because Oldham was only nineteen and had not reached the age of majority—he was also younger than anyone in the band—he could not obtain an agent's licence"
"each record and the label ""Rolling Stones Records"" was also printed on each new release, which angered Keith Richards. In fact, through the 1980s and early 1990s, ""Rolling Stones Records"" continued to be printed on the labels of all new releases up through ""Flashpoint"" (1991). However, as the back catalogue has been shifted to Virgin/EMI, these markers are the last vapour trails of Rolling Stones Records. In 2008, the group switched distribution of Rolling Stones Records back catalogue material as well as new material to Polydor Records in the UK, and Interscope Records in the US (both imprints of Universal"
"while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records. After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962–1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and"
"of the beach, to keep the sound in sync with the music from the stage; for every of beach, the sound had to be delayed an additional second. Current members Former members Early members Current touring members Former touring musicians Selected studio albums The Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as"
"act. They signed a recording contract with Decca and their first single was a cover of Chuck Berry's ""Come On"" released in June 1963. Despite its being virtually unpromoted by the band or the record company, their reputation among R&B fans helped it reached number 21 on the UK singles chart. They produced their first album, ""The Rolling Stones"", in 1964, which largely consisted of rhythm and blues standards. Following in the wake of the Beatles' national and then international success, the Rolling Stones established themselves as the second most popular UK band and joined the British Invasion of the"
"The Rolling Stones' fifth UK single, a cover of Willie Dixon's ""Little Red Rooster""—with ""Off the Hook"", credited to Nanker Phelge, as the B-side—was released in November 1964 and became their second No. 1 hit in the UK. The band's US distributors, London Records, declined to release ""Little Red Rooster"" as a single. In December 1964, the distributor released the band's first single with Jagger/Richards originals on both sides: ""Heart of Stone"", with ""What a Shame"" as the B-side; the single went to No. 19 in the US. The band's second UK LP, ""The Rolling Stones No. 2"", was released"
"Immediate Records Immediate Records was a British record label, started in 1965 by The Rolling Stones' manager Andrew Loog Oldham and Tony Calder and concentrating on the London-based blues and R&B scene. Immediate Records was started in 1965. Signed musicians included Rod Stewart, P.P. Arnold, songwriter Paul Korda, Billy Nicholls, John Mayall, Savoy Brown, Small Faces, The Nice, Fleetwood Mac, The Groundhogs, Chris Farlowe, Duncan Browne and Humble Pie. Due to financial problems, the label ceased operations in 1970 and it has been the subject of controversy ever since. This is especially true in regard to unpaid royalties owed to"
"and SACD digipak by ABKCO Records, for all markets. The Rolling Stones Got Live If You Want It! (album) Got LIVE If You Want It! is the first live album by British rock band The Rolling Stones. It was released in the US in late 1966. It was also released as ""Have You Seen Your Mother LIVE!"" on Decca in England but for export only; it was not released in the UK under this alternate title. At the time, it was not released officially in the UK; instead, the British market had the 1965 EP release ""Got Live If You"
"Duck Dunn, Sam Lay and Buddy Miles in 1969. Departing from Chess Records in 1970 after the death of his father, Marshall was hired as the founding president of Rolling Stones Records, a record label controlled by the English rock group. Marshall Chess had known the band since the mid-1960s, when they had used Chess studios in Chicago to record songs while touring the United States. He was an active executive manager, touring with the band, and being involved with record production as well as outside business interests. In 1977, Chess resigned from Rolling Stones Records because he felt that"
"sound of the Rolling Stones. Their first single, ""Catch a Ride"" b/w ""In My Life"", was recorded at Arthur Smith's studio in Charlotte and was released on 5-D Records. The fuzz-toned guitar heard on ""Catch a Ride"" was played by Barry Stacks and was inspired by the Rolling Stones' hit ""Satisfction"", in which Keith Richards helped popularize the device. Stacks recounts: On the way to the studio, Stacks worked out his guitar part. After the band completed their session, James Brown came in with his band to do a session. Recalls Stacks: ""Catch a Ride"" became the number one hit"
"weaving"" where both players would play rhythm and lead parts together; Richards would carry the style on with later Stones guitarists and the sound would become a Rolling Stones trademark. After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones' fellow band members Mick Jagger and Keith Richards began to take over the band's musical direction, especially after they became a successful songwriting team. Jones also did not get along with the band's manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones' blues"
"deal, Atlantic subsidiary Atco would distribute the Stones' recordings in the US, with other territories mainly handled by Warner Bros. international divisions. One of Kinney's wisest investments was Fleetwood Mac. The band signed to Reprise in the early 1970s after relocating to the US and the label supported them through numerous lineup changes and several lean years during which the band's records sold relatively poorly, although they remained a popular concert attraction. Ironically, after their transfer to Warner Bros. in 1975 and the recruitment of new members Lindsey Buckingham and Stevie Nicks, the group scored a major international hit with"
"Silvertone Records (1980) Silvertone Records is a current British record label, owned by Zomba Music Group. The first and most famous signing to the label was the Stone Roses in the late 1980s, with whom they later had a lengthy legal battle. According to Jeff Fenster, former Senior VP of A&R, Jive Records/Silvertone Records, Silvertone started as a roots rock-oriented label that developed over time into an alternative music label. After Zomba acquired various Christian labels, acts like Jars of Clay were moved to the Silvertone label, and subsequently released two platinum-selling records as Silvertone artists. Other acts signed to"
"Peter Grant flew to New York with tapes of the debut album by British rock band Led Zeppelin. Ertegun and Wexler knew of the group's leader, Jimmy Page, through The Yardbirds, and their favorable opinion was reinforced by Dusty Springfield, who recommended Atlantic sign the band. Atlantic signed the band to an exclusive five-year contract, one of the ""most substantial"" in the label's history Zeppelin recorded for Atlantic from 1968 to 1973. After the contract expired, they founded their label Swan Song and signed a distribution deal with Atlantic after being turned down by other labels. In 1969 Stephen Stills"
"his label throughout Europe. From 1977, the label was distributed in some territories by Mercury Records. Ringo Starr decided to form his own record label, as George Harrison had done with Dark Horse in 1974, after the two former bandmates had considered buying the Beatles' company, Apple Records and running it together. The name ""Ring O' Records"" was suggested by John Lennon. In September 1973, Starr had bought Lennon's Berkshire estate, Tittenhurst Park, which included a recording studio that Starr renamed Starling Studios and began hiring out to other artists. The label's logo was a chrome-plated telephone, which was one"
"were given billing as ""The New Yorkers."" It was first released by National Records, a New York–based company mostly specializing in rhythm & blues records, as catalog number 9103, and when National's owner, Al Green, decided it was too big a seller for National to handle, it was later distributed by Mercury Records, whose co-owner was Al Green's son, Irving Green. The record became one of the best-selling records on an independent label of all time, charting at #1 best selling in stores for 2 weeks and most played by jockeys for 10 weeks, and altogether on the Billboard charts"
"Jimi Hendrix, Queens of the Stone Age, Bon Jovi, Teenage Head, Shakin' Natives, Etta Royal and Congress Court. On March 4, 1977, looking for an unprepossessing venue to record in, The Rolling Stones played the first of two performances at the club, billing themselves pseudonymously as ""The Cockroaches"". It was their first live club date in 14 years. Their opening act was Canadian rockers April Wine of Montreal. The Stones show was recorded and released as one side (Side 3) of the double album ""Love You Live"", which reached #3 in the UK, #5 in the US. April Wine took"
"attending one of their gigs. Also in the audience was Glaswegian Roddy McKenna, A&R executive with Zomba, who later signed the band to the label. He asked if they could be transferred internally to Andrew Lauder's newly created guitar-based Silvertone Records subsidiary. The band were signed to an eight-album deal, buying the ""Elephant Stone"" tapes from Rough Trade and releasing them as a single in October 1988. The band were co-managed by Matthew Cummings who died in 2007 following an accident. In 1988 and early 1989 the Stone Roses recorded their debut album at Battery Studios and Konk Studios in"
"and Mercury Records publicity director Bud Scoppa, and Paul Nelson, an A&R executive for the label. Scoppa initially viewed them as an amusing but inferior version of the Rolling Stones: ""I split after the first set. Paul stuck around for the second set, though, and after show he called me and said, 'You should have stayed. I think they're really special.' Then, after that, I fell in love with them anyway."" In March 1973, the group signed a two-album deal with a US $25,000 advance from Mercury. According to Sylvain, some of the members' parents had to sign for them"
"continued to release singles on Abramson's label until 1962, with diminishing success, before signing with Lawn. Their first record for the label, ""Let's Stomp"", released as a Bobby Comstock single, reached no.57 on the US pop chart in early 1963. The song was written by Bob Feldman, Jerry Goldstein and Richard Gottehrer, who later recorded as The Strangeloves. It was reputedly performed by the Beatles in Hamburg, and was certainly performed by the Searchers and recorded by Lee Curtis and the All-Stars, a beat group featuring ex-Beatle Pete Best. Follow-ups were less successful, although the group broke into the US"
"released the next year on ABC Dunhill. In early 1973, Mick Jagger and Keith Richards developed an interest in Kracker, resulting in a deal whereby the band's second album was licensed for distribution outside America by Rolling Stones Records, making Kracker the first band on that label. The association with the Rolling Stones continued when later that year Kracker moved to London and toured Europe as the opening act for the Rolling Stones. During their career, Kracker also toured with other notable acts, including Chuck Berry, Sly and the Family Stone, J Geils Band, Lou Reed, Styx, Cheap Trick, and"
"Stones' earliest venues. In the early 1960s, he sang with Alexis Korner's Blues Incorporated, with whom he recorded the first British blues album in 1962, ""R&B from the Marquee"". At stages, Mick Jagger, Jack Bruce and Charlie Watts were members of this band while Keith Richards and Brian Jones played on stage, although none played on the ""R&B at the Marquee"" album. When The Rolling Stones made their debut at the Marquee Club in July 1962, Baldry put together a group to support them. Later, Baldry was the announcer introducing the Stones on their US-only live album, ""Got Live If"