This panel is a classic example of golden age American comic book art, likely from the 1930s or 1940s. The scene is set inside a car, viewed through a circular frame that draws the reader's attention to the action.

The main character is a man sitting in the driver's seat. He has a distinctive appearance, with long black hair and a blue beret. His expression is intense, with a furrowed brow and a prominent nose, suggesting he's deep in thought or focused on something outside the car.

The man is wearing a brown jacket, which adds to his mysterious and possibly criminal persona. His posture is hunched over, with his arms resting on the steering wheel. This stance gives the impression that he's either planning something or reacting to a situation unfolding outside the vehicle.

The interior of the car is sparsely detailed, with a black dashboard and a brown steering wheel. These elements are rendered in a simple, stylized manner typical of the era's comic book art.

Through the car window, we can see a glimpse of the outside world. There's a building visible, with a brown roof and white walls. The sky is depicted in a light blue color, suggesting it's daytime.

The panel is framed by a black border, with a yellow banner at the top containing text in black letters. The text reads, "YES, THE ONLY PASSENGER IN THE CAR!" This exclamation adds drama to the scene and emphasizes the solitude of the main character.

The overall composition and style of the panel are characteristic of the golden age of comics, with its bold lines, dramatic lighting, and focus on a single, intriguing character. It's a snapshot that leaves the reader curious about the man's story and what might be happening just outside the frame.