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The Revenant (2015 film)
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The Revenant
Theatrical release poster
Directed by
Alejandro G. Iñárritu
Produced by
Arnon Milchan
Steve Golin
Alejandro G. Iñárritu
Mary Parent
Keith Redmon
James W. Skotchdopole
Screenplay by
Mark L. Smith
Alejandro G. Iñárritu
Based on
The Revenant
by Michael Punke
Starring
Leonardo DiCaprio
Tom Hardy
Domhnall Gleeson
Will Poulter
Music by
Ryuichi Sakamoto
Alva Noto
Cinematography
Emmanuel Lubezki
Edited by
Stephen Mirrione
Production
companies
Regency Enterprises
RatPac Entertainment
Anonymous Content
M Productions
Appian Way Productions
Distributed by
20th Century Fox
Release date
December 16, 2015 (2015-12-16) (TCL Chinese Theatre)
December 25, 2015 (2015-12-25) (United States)
Running time
156 minutes[1]
Country
United States[2]
Language
English
Budget
$135 million[3]
Box office
$533 million[4]
The Revenant is a 2015 American semi-biographical[5][6] western film directed by Alejandro G. Iñárritu. The screenplay by Mark L. Smith and Iñárritu is based in part on Michael Punke's 2002 novel of the same name, describing frontiersman Hugh Glass's experiences in 1823. It stars Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson and Will Poulter.
Development began in August 2001 when producer Akiva Goldsman purchased Punke's manuscript. Iñárritu signed on to direct in August 2011 and in April 2014, after several delays due to other projects, Iñárritu confirmed that he was beginning work on The Revenant and that DiCaprio would play the lead role. Principal photography began in October 2014. Location and crew concerns delayed the film from May to August 2015.
The film premiered at the TCL Chinese Theatre on December 16, 2015 and had a limited release on December 25, expanding on January 8, 2016. It received positive reviews from critics, with the performances, direction and cinematography receiving praise. The Revenant won three Golden Globe Awards, five BAFTA Awards and at the 88th Academy Awards, Iñárritu, DiCaprio and Emmanuel Lubezki won the awards for Best Director, Best Actor and Best Cinematography, respectively. DiCaprio also won the Golden Globe Award for Best Actor – Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, Critics' Choice Movie Award for Best Actor and BAFTA Award for Best Actor in a Leading Role.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development and financing
3.2 Filming
3.3 Visual effects
3.4 Music
3.5 Documentary
4 Themes
5 Historical accuracy
6 Release
6.1 Home media
6.2 Piracy
7 Reception
7.1 Box office
7.2 Critical response
7.3 Accolades
8 See also
9 References
10 External links
Plot[edit]
In 1823, Hugh Glass guides Andrew Henry’s trappers through unorganized territory. While he and his half-Pawnee son, Hawk, are hunting, the company's camp is attacked by an Arikara war party. Guided by Glass, the survivors travel on foot to Fort Kiowa, as traveling downriver will make them vulnerable. After docking, the crew stashes the pelts near the shore.
Glass is badly mauled by a grizzly bear and left close to death. Trapper John Fitzgerald, fearful of another Arikara attack, argues that the group must mercy-kill Glass and keep moving. Henry agrees, but is unable to pull the trigger; instead, he offers money for someone to stay with Glass. When the only volunteers are Hawk and the young Jim Bridger, Fitzgerald agrees to stay for money, to recoup his losses from the abandoned pelts.
After the others leave, Fitzgerald attempts to smother Glass but is discovered by Hawk. Fitzgerald stabs him to death as Glass watches helplessly. The next morning, Fitzgerald convinces Bridger that the Arikara are approaching and they must abandon Glass. After they depart, Fitzgerald admits he lied. When Fitzgerald and Bridger meet Henry at the fort, Fitzgerald tells him that Glass died and Hawk vanished.
Glass begins an arduous journey through the wilderness. He performs crude self-surgery and eludes the pursuing Arikara who are looking for the Chief's kidnapped daughter, Powaqa. Glass encounters Pawnee refugee Hikuc who says that "revenge is in the Creator's hands." The men share bison meat and travel together. After a hallucinogenic experience, Glass discovers Hikuc hanged by French hunters. He infiltrates their camp and sees the leader raping Powaqa. He frees her, kills two hunters, and steals Hikuc's horse, leaving his canteen behind. The next morning, Glass is ambushed by the Arikara and driven over a cliff on his horse. He survives the night by eviscerating the horse and sheltering inside its carcass.
A French survivor staggers into Fort Kiowa and Bridger recognizes his canteen as Glass's. Believing it stolen, Henry organizes a search party. Fitzgerald, realizing Glass is alive, empties the outpost’s safe and flees. The search party finds the exhausted Glass. Enraged, Henry orders Bridger arrested, but Glass vouches that he was deceived and reveals that Fitzgerald murdered his son. Glass and Henry set out in pursuit of Fitzgerald.
After the two split up, Fitzgerald ambushes and kills Henry. Glass uses Henry's corpse on his horse as a decoy and shoots Fitzgerald in the arm. He pursues Fitzgerald to a riverbank where they engage in a brutal fight. Glass is about to kill Fitzgerald, but spots a band of Arikara downstream. He remembers Hikuc's words and pushes Fitzgerald downstream into the hands of the Arikara. The chief fatally scalps Fitzgerald and the Arikara spare Glass. Heavily wounded, Glass retreats into the mountains where he is visited by the spirit of his wife.
Cast[edit]
Leonardo DiCaprio as Hugh Glass
Tom Hardy as John Fitzgerald[7]
Domhnall Gleeson as Andrew Henry[8]
Will Poulter as Jim Bridger[7]
Forrest Goodluck as Hawk
Paul Anderson as Anderson
Kristoffer Joner as Murphy
Joshua Burge as Stubby Bill
Duane Howard as Elk Dog
Melaw Nakehk'o as Powaqa
Fabrice Adde as Toussaint
Arthur Redcloud as Hikuc
Lukas Haas as Jones[9]
Brendan Fletcher as Fryman
Tyson Wood as Weston
Grace Dove as Hugh Glass's wife
Isaiah Tootoosis as Boy Hawk
Production[edit]
Development and financing[edit]
Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring the rights to Michael Punke's then-unpublished manuscript.[10] David Rabe had written the film's script.[11] The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to star. Park later left the project.[12][13] The development stalled until 2010, when Mark L. Smith wrote a new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that John Hillcoat was attached to direct the film and that Christian Bale was in negotiation to star the movie.[14] Hillcoat left the project in October 2010.[13] Jean-François Richet was considered to replace him, but Alejandro G. Iñárritu signed on to direct in August 2011.[13][15] Goldsman was also confirmed to be producing with Weed Road Pictures.[15] In November, New Regency Productions joined to produce with Anonymous Content, and 20th Century Fox was confirmed to be distributing the film.[16][17] Days later, Iñárritu stated that he was seeking Leonardo DiCaprio and Sean Penn for the two lead roles.[18]
Director Alejandro G. Iñárritu
Once Iñárritu agreed to direct, he began working with Smith on script rewrites. In an interview with Creative Screenwriting, Smith admitted during this process he was unsure if Iñárritu would even be able to film some of the sequences they wrote. He recalled, "He would have some ideas and I would say, 'Alejandro, we can’t pull this off. It’s not going to work,' and he would say, 'Mark, trust me, we can do this.' In the end, he was right."[19]
The film was put on hold in March 2012, as New Regency hired Iñárritu to direct an adaptation of Flim-Flam Man, Jennifer Vogel's non-fiction book about her criminal father.[20] Penn was also under consideration for the lead role in that film.[21] In December 2012, Iñárritu announced that his next film would be Birdman or (The Unexpected Virtue of Ignorance), a comedy-drama about an actor who once played a famous superhero. For his work, Iñárritu won the Oscar for Best Director and Best Original Screenplay, and the film won Best Picture. Filming took place in March 2013.[22] Iñárritu was scheduled to begin production on The Revenant after Birdman wrapped.[23]
The film was granted a production budget of $60 million, with $30 million funded by New Regency. Brett Ratner's RatPac-Dune Entertainment, a joint venture between Ratner's RatPac Entertainment and 20th Century Fox's former financing partner, Dune Entertainment, also funded the film.[16] Worldview Entertainment, who also co-financed Birdman, was originally set to fund the film but backed out in July 2014 due to the departure of its CEO, Christopher Woodrow.[16][23][24] New Regency approached 20th Century Fox for additional funding, but the company declined, citing the pay-or-play contracts made for both DiCaprio and Tom Hardy, which would require that the actors be paid regardless of whether the film is completed.[24] Annapurna Pictures' Megan Ellison entered negotiations to finance the film shortly after.[16][24] The Chinese company Guangdong Alpha Animation and Culture Company partially financed the film.[25]
Filming[edit]
Principal photography for The Revenant began in October 2014.[26] A planned two-week break from filming in December was extended to six weeks which forced Tom Hardy to drop out of Suicide Squad. In February 2015, Iñárritu, who shot the film using natural lighting, stated that production would last "until the end of April or May", as the crew is "shooting in such remote far-away locations that, by the time we arrive and have to return, we have already spent 40% of the day".[27][28][29] Brad Weston, president and CEO of New Regency Pictures, stated that principal photography had been challenging due to the ambitious nature of the film. Ultimately, principal photography wrapped in August 2015.[30]
The film was shot in twelve locations in three countries: Canada, the United States, and Argentina.[31] In Canada, filming took place in Calgary and Fortress Mountain in Alberta, in Kananaskis Country west of Calgary, the Badlands near Drumheller, and at Squamish and Mammoth Studios, Burnaby, in British Columbia.[31] The scenes in the waterfall were filmed at the Kootenai Falls near Libby, Montana. While the initial plan was to film entirely in Canada, the weather was ultimately too warm, leading the filmmakers to locations near the Rio Olivia at the tip of Argentina with snow on the ground, to shoot the film's ending.[26][32]
Crew members often complained about difficult shoots, with many quitting or being fired. Mary Parent was then brought in as a producer.[26] Iñárritu stated that some of the crew members had left the film, explaining that "as a director, if I identify a violin that is out of tune, I have to take that from the orchestra." On his experience filming, DiCaprio stated: "I can name 30 or 40 sequences that were some of the most difficult things I’ve ever had to do. Whether it’s going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia constantly."[33][34]
Iñárritu had stated that he originally wanted to shoot the film chronologically, a process that would have added $7 million to the film's production budget.[35] Iñárritu later confirmed that the film was shot in sequence, despite Hardy's statement that the film could not be shot chronologically, due to weather conditions.[36][37]
In July 2015, it was reported that the film's budget had ballooned from the original $60 million to $95 million, and by the time production wrapped it had reached $135 million.[3]
Visual effects[edit]
The visual effects for The Revenant were produced primarily by Industrial Light & Magic (ILM). Other companies, such as Moving Picture Company (MPC) and Cinesite, also created visual effects for the film.[38]
Music[edit]
Main article: The Revenant (soundtrack)
The musical score for The Revenant was composed by Japanese musician Ryuichi Sakamoto who had previously scored the Square Enix's Dawn of Mana, The Last Emperor (directed by Bernardo Bertolucci), Poppoya (directed by Yasuo Furuhata), Tony Takitani (directed by Jun Ichikawa the director of the Mitsui ReHouse commercial from 1997 to 1999 starring Chizuru Ikewaki and Mao Inoue), and German electronic musician Alva Noto with additional music composed by Bryce Dessner.[39] The main body of the score was recorded at the Seattlemusic Scoring Stage in the Bastyr Chapel in greater Seattle, Washington by musicians of the Northwest Sinfonia. Sakamoto conducted these sessions. Bryce Dessner's portion of the score was performed by the 25-piece Berlin-based orchestra known as "s t a r g a z e" under conductor André de Ridder.[40][41] Additional licensed music includes "Become Ocean", the Pulitzer Prize and Grammy Award-winning work of John Luther Adams as recorded by the Seattle Symphony with conductor Ludovic Morlot and an excerpt of "Jetsun Mila" from French musician and composer Eliane Radigue.[42] A soundtrack album was released digitally on December 25, 2015, and on CD on January 8, 2016. Milan Records will release a vinyl pressing of the soundtrack in April 2016.[41]
The score by Sakamoto and Noto was ruled ineligible for the Academy Award for Best Original Score at the 2016 Oscars as it was deemed that it was "assembled from the music of more than one composer".[43]
Documentary[edit]
The film was accompanied by a 44-minute documentary, named A World Unseen, highlighting the process of making the production. A World Unseen was released on January 21, 2016, on YouTube; both the date and medium of the documentary's release made it ineligible for the Academy Award for Best Documentary (Short Subject) in the same year as the film nomination.[44][45]
Themes[edit]
In the Los Angeles Review of Books, film critic Wai Chee Dimock compared The Revenant's themes to those addressed in the literary works of James Fenimore Cooper, particularly The Last of the Mohicans. Dimock argues that the film re-interprets the concept of "half-breeds" from a derogatory idea that Cooper despised to an aesthetic way in which to see the world. She compared both works' protagonists—Glass and Hawk-eye—as literary foils, with Glass living an inversion of the latter's biography and perspective.[46]
In the documentary of the film titled A World Unseen, Iñárritu has stated that for the main themes of the film he revisits the issues and concerns of intense parental and filial relations, which audiences of his previous films readily recognize as a recurrent theme in his previous work. Regarding the theme of revenge seen throughout The Revenant, Iñárritu has stated that the approach of vengeance seen in the film needs to be significantly tempered by anyone who would want to see vengeance as either an effective or useful moral to be applied in life. In the end, Iñárritu states, there can only be disappointment and lack of fulfillment for anyone who looks to revenge as providing a higher purpose for living or a life defining purpose.[44][45]
Historical accuracy[edit]
Cheyenne River Indian Reservation in South Dakota. Glass' survival journey did not take place in the cold season, nor did it involve tall mountain ranges.
The Guardian reported, "The backstory about Glass’s love for a Pawnee woman is fiction. It has been suggested the real Glass had such a relationship, but there’s no firm evidence—and no evidence that he had any children. ... As for the ending, it has been changed in one significant way: in real life, nobody got killed."[47]
American Rifleman reported, "There was no Pawnee wife or children to motivate him, no real cause for revenge, either, as he understood that Jim Bridger and John Fitzgerald honestly thought he was as good as dead. He may have done the same thing if their roles were reversed. The one constant in every telling of the tale until “The Revenant” opened was Hugh Glass wanted his gun back."[48] The reporting about this story indicates that Glass did track down Fitzgerald and demand the rifle's return, which Fitzgerald sullenly complied with.
In one scene, a Pawnee character is accompanied by a voiceover in Inupiak, which is spoken in Arctic Alaska, thousands of kilometers away and a different language family from Pawnee. The voiceover was taken from a John Luther Adams recording; the words originally came from an Inuit woman named Uvavnuk, an angakkuq (shaman) and oral poet.[49]
Canadian actor Roy Dupuis was strongly critical of the movie for portraying French-Canadian voyageurs as murderous rapists. Dupuis was originally offered a role as a voyageur, but he rejected it due to perceptions of anti-French bias and historical inaccuracies.[50][51][52][53] According to Allan Greer, the Canada Research Chair in Colonial North America, "generally the American traders had a worse reputation than the Canadians."[50]
Iñárritu has made a special point of emphasizing the importance of historical issues of ethnicity approached in the film and reflected in the mixed ethnic background of Hugh Glass's son portrayed in the film (portrayed as half Pawnee by Glass's wife) as relating to his own life and his identification with ethnic concerns. Iñárritu has referred to having encountered constant xenophobia and stated that: "These constant and relentless xenophobic (comments) have been widely spread by the media without shame, embraced and cheered by leaders and communities around the U.S. The foundation of all this is so outrageous that it can easily be minimized as an SNL sketch, a mere entertainment, a joke ... I debated with myself, if I should bring up this uncomfortable subject tonight but in light of the constant and relentless xenophobic comments that have been expressed recently against my Mexican fellows, it is inevitable."[54]
The massive pile of bison skulls depicted in the film (based upon a real life photograph from the mid-1870s) is also an anachronism. The slaughter of bison on that scale was not yet underway in the early 1820s.[citation needed] Similarly for the assertion that the "Anglos" had taken the Indians' land, which was not to occur in that part of the country for another 20 years.[citation needed] Trapper John Fitzgerald refers to the area of modern-day Texas as if it is a part of the Union or an aligned territory. However, in 1823 Texas was a sparsely populated (in 1825, Texas had about 3,500 people, with most of Mexican descent[55]) province of Mexico.
Release[edit]
The Revenant had a limited release in the United States on December 25, 2015, including Los Angeles—making it eligible for the 88th Academy Awards—before being released nationwide on January 8, 2016.[56][57] The film opened in Australia on January 7, 2016 and in the UK on January 15, 2016.[58][59] In the Philippines, the film's release date was originally set for January 27, 2016, but it was eventually delayed a week to February 3, 2016.[60][61] Although studios initially chose not to pursue a theatrical release in China, following the film's three wins at the 88th Academy Awards on February 28, 2016, the film was granted a release in China but with several cuts.[62] It was released on March 18, 2016.[25]
Home media[edit]
The DVD, Blu-ray and 4K Ultra HD Blu-ray were released on April 19, 2016 in the US.[63] Opening sales of the DVD along with on-line streaming orders placed The Revenant as number one in sales at Amazon.[64] Distribution to major rental outlets in the US was done on May 17, 2016.[65]
Piracy[edit]
On December 20, 2015, less than a week before its release, screener copies of The Revenant and numerous Oscar contenders, including The Hateful Eight, Creed and Straight Outta Compton, were uploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon Entertainment. Kosove claimed that he had "never seen this DVD[s]", and that "it never touched his hands."[66] In October 2016, a former 20th Century Fox employee was fined $1.12 million in a separate case for uploading both The Revenant and The Peanuts Movie online.[67]
Reception[edit]
Box office[edit]
The Revenant grossed $183.6 million in the United States and Canada and $349.3 million in other countries for a worldwide total of $533 million, against a production budget of $135 million.[4] Deadline.com calculated the net profit of the film to be $61.6 million, when factoring together all expenses and revenues.[68]
In North America, The Revenant opened in limited release on December 25, 2015, and over the weekend grossed $474,560 from four theaters in New York City and Los Angeles ($118,640 per screen), finishing twenty-third at the box office.[69] It was the second-biggest theater average of 2015 behind the $130,000 four-screen debut of Steve Jobs.[70] The film earned a total of $1.6 million from its two-week limited run before expanding wide on January 8, 2016, across 3,371 theaters.[71][72]
It made $2.3 million from its early Thursday preview showings from 2,510 theaters.[71] On its opening day, the film earned $14.4 million, ranking first at the box office.[73] The film grossed $39.8 million in its opening weekend from 3,375 theaters, exceeding initial projections by 70%, and finishing second at the box office behind Star Wars: The Force Awakens ($42.4 million), which was on its fourth weekend of play. It was the director’s biggest opening of all-time, and the fourth-biggest for DiCaprio and supporting actor Tom Hardy.[74] Critics noted that The Force Awakens had an advantage, considering that it was playing at 781 more theaters, that Sunday matinees are family-friendly, and since it had the benefit of playing in all North American IMAX theaters.[74] Nevertheless, The Revenant played very balanced across the U.S. and overperformed in all states except the Northeast region.[74] Its wide release weekend is among the top openings in the month of January.[75] It finally topped the box office in its fifth weekend overall and third weekend in wide release after competing with Ride Along 2 in its second weekend. It added a $16 million in its third weekend, which was down 49.7% but topped the box office, despite a blizzard blanketing most of the East Coast which reportedly hurt many films' box office performance.[76][77][78][79] The following weekend it was overtaken by Fox’s own animated movie Kung Fu Panda 3 thereby topping the box office for just one weekend.[80] Following the announcement of the Oscar nominees on January 14, The Revenant witnessed the biggest boost among the Best Picture category, jumping from $54.1 million to $170.5 million, an increase of +215% up to the Oscar ceremony in the weekend ending February 28.[81]
Outside North America, the film secured a release in 78 countries.[82] It made $20.5 million from 2,407 screens in just 18 markets, placing behind The Force Awakens at the international box office chart and first among newly released films.[83] The following weekend, it added $32.3 million from 25 markets on 4,849 screens.[82] The film topped the international box office in its third weekend—the same weekend when it topped the U.S. box office—overtaking The Force Awakens with $33.7 million from 48 markets.[84] In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million or £5.2 million ($7.4 million) from 589 theaters and remained there for a second weekend declining only by 24% with £3.86 million ($5.5 million), as well as for a third weekend.[82][85][86][87][88] Similarly, in Russia, it passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.[83] In France, it has the biggest opening day in Paris and the third biggest opening weekend of 2016 (so far) with $8.2 million.[89] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), Holland ($1.3 million), Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway, Israel, Egypt and Portugal among other markets.[82][84][87][90] In Germany ($4.6 million) and Australia ($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind The Ten Commandments.[83][90] It had one of the top ten openings of all time for a Fox film, not accounting for inflation in South Korea with $5.7 million and went on to top the box office there for a second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low box office performance.[91][92] In Russia, despite not opening at No. 1, it topped the box office in its second weekend with $4.4 million—more than The Force Awakens—and went on to top for a third weekend with $3.6 million.[82][93] In China it had an opening day of around $11 million from more than 11,000 screens, including $250,000 in midnight previews, and $23 million in two days.[94][95][96] In its opening weekend, it grossed $31 million, coming in second place behind the animated Zootopia. IMAX comprised $2.3 million on 278 screens.[97] In terms of total earnings, its largest markets outside of the U.S. and Canada are China ($58.6 million), the United Kingdom ($32.8 million), Germany ($28.7 million) and France ($28.2 million).[98][99] The film opened in Japan on March 23.[89][100]
Critical response[edit]
The Revenant received positive reviews from critics, with DiCaprio and Hardy's performances, Iñárritu's directing and Lubezki's cinematography all being praised.[101][102][103][103] However, the film's runtime was criticized.[104] On Rotten Tomatoes, the film has an approval rating of 81%, based on 327 reviews, with an average rating of 7.9/10. The site's critical consensus reads: "As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges -- and rich rewards."[105] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews".[106] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[107][108]
Tom Hardy received strong praise for his performance as John Fitzgerald.
Reviewers cited in a CBS News survey of critics highly praised DiCaprio's performance, referring to it as an "astonishing testament to his commitment to a role" and as an "anchoring performance of ferocious 200 percent commitment."[102] Peter Travers of Rolling Stone called DiCaprio's acting "a virtuoso performance, thrilling in its brute force and silent eloquence."[109] Writing for NY Magazine/Vulture, David Edelstein called the film a "tour de force" and "[b]leak as hell but considerably more beautiful," but noted the film had "traditional masculinity instead of a search for what illuminates man's inhumanity to man."
Justin Chang of Variety wrote Iñárritu "increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work" and it was "an imposing vision... but also an inflated and emotionally stunted one."[102] Stephanie Zacharek, writing for TIME magazine, gave a positive review to the film stating: "Inarritu may have fashioned The Revenant as the ultimate endurance test, but as Glass, DiCaprio simply endures. He gives the movie a beating heart, offering it up, figuratively speaking, alive and bloody on a platter. It—he—is the most visceral effect in the movie: revenge served warm. Bon Appetite."[101] Richard Brody of The New Yorker was critical of the film, and said that Emmanuel Lubezki's images were mere "pictorial ornament[s] to [Alejandro González Iñárritu's] bland theatrical stagings.”[110]
Slant Magazine's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: "Our contempt for The Revenant knows no limits."[110] Gonzalez unfavorably compared Iñárritu's work to Terrence Malick's 2005 film The New World. In the official review, Slant writer Jaime N. Christley wrote: "The Revenant [is] a misery-fest that plants its narrative flags as carelessly as a Roland Emmerich blockbuster, guaranteeing us a viewing experience almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment audiences first meet the key players. After an obligatory false calm, The Revenant's proper opening scene is a show-stopping massacre at a fur-trapper's campsite. It's the kind of thing Howard Hawks would have handled—and did, in The Big Sky—in under 90 seconds, with mostly off-camera particulars and minimal effects, but González Iñárritu forces it to resemble the Normandy Beach sequence in Saving Private Ryan as much as history or sense will allow, and then some."[111] The Revenant was ranked 22nd on Metacritic's and 79th on Rotten Tomatoes' list of best films of 2015.[112][113][114]
Accolades[edit]
Main article: List of accolades received by The Revenant (2015 film)
Leonardo DiCaprio's performance was widely praised and ultimately won him an Academy Award, the first of his career after five previous nominations.
The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's cinematography. At the 88th Annual Academy Awards, Iñárritu won the Best Director award for the second time in a row, Emmanuel Lubezki won for the third time in a row the award for Best Cinematography and DiCaprio won his first award for Best Actor. Hardy lost his category to Mark Rylance for Bridge of Spies, and the film itself lost Best Picture to Spotlight.[115]
At the 73rd Golden Globe Awards it won three awards: Best Motion Picture – Drama, Best Director, and Best Actor – Drama. It also had a nomination for Best Original Score.[116] On January 14, 2016, the film received 12 Academy Award nominations (more than any other film at the ceremony), including Best Picture and Best Director for Iñárritu, as well as Best Actor and Best Supporting Actor, for DiCaprio and Hardy, respectively.[117] On February 14, 2016, the film received the most awards at 69th British Academy Film Awards out of eight-nominations, with five, including Best Film, Best Director, Best Cinematography, Best Sound, and Best Leading Actor.[118] It received nine Critics' Choice Awards nominations, winning two – for DiCaprio as Best Actor and Best Cinematography for Lubezki.[119]
Tom Hardy won the Best British Actor award at the London Film Critics' Circle and was runner-up for Best Supporting Actor at Dallas–Fort Worth Film Critics Association.[120][121] DiCaprio was awarded Outstanding Performance by a Male Actor in a Leading Role award at 22nd Screen Actors Guild Awards, while Iñárritu received Outstanding Directing – Feature Film award at 68th Directors Guild of America Awards.[122] It received five Satellite Awards nominations, winning the award of Best Actor for DiCaprio.[123]
On May 2, 2016, Time magazine included both DiCaprio and Iñárritu in its issue of the 100 Most Influential People of 2015, with a cover photograph of DiCaprio on the magazine. John Kerry, the U.S. Secretary of State, wrote a short testimonial to DiCaprio for this issue of Time stating that DiCaprio's dedication drives him to succeed and "that's how he takes himself back 200 years to create an Oscar-winning, bear-brawling, powerhouse performance in The Revenant."[124]
See also[edit]
Survival film
Man in the Wilderness, a 1971 Western film loosely based on the Hugh Glass story
Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story
References[edit]
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Jump up ^ RTE Staff (July 20, 2015). "Gleeson joins DiCaprio in The Revenant teaser". RTÉ.
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Jump up ^ Vejvoda, Jim "Stax" (August 9, 2001). "Akiva Goldsman Mauled by Grizzly!". IGN.com. Retrieved December 28, 2015.
Jump up ^ Kit, Borys (April 15, 2014). "Leonardo DiCaprio, Alejandro Gonzalez Inarritu Team Up for 'Revenant'". The Hollywood Reporter. Retrieved August 29, 2014.
Jump up ^ Han, Angie (June 4, 2014). "Tom Hardy in Talks for Alejandro González Iñárritu's 'The Revenant'". /Film. Retrieved August 29, 2014.
^ Jump up to: a b c Franklin, Garth (June 30, 2014). ""Revenant," "Orphanage" Dropouts". Dark Horizons. Retrieved September 4, 2014.
Jump up ^ Miska, Brad (May 25, 2010). "'Vacancy' Writer Pens 'Martyrs', Latest John Hillcoat Thriller!". Bloody Disgusting. Retrieved August 29, 2014.
^ Jump up to: a b Weinstein, Joshua L. (August 17, 2011). "Alejandro Gonzalez Inarritu Attached to Direct Warner's 'The Revenant' (Exclusive)". TheWrap. Retrieved August 29, 2014.
^ Jump up to: a b c d McNary, Dave (July 11, 2014). "Leonardo DiCaprio’s Survival Drama 'The Revenant' Attracts Megan Ellison's Annapurna". Variety. Retrieved August 29, 2014.
Jump up ^ Abrams, Rachel (November 1, 2011). "New Regency boarding 'The Revenant'". Variety. Retrieved August 29, 2014.
Jump up ^ Fleming, Jr., Mike (November 4, 2011). "Leonardo DiCaprio, Sean Penn Wanted Men For New Regency's 'The Revenant'". Deadline.com. Retrieved August 29, 2014.
Jump up ^ McKittrick, Christopher (January 27, 2016). ""I think he wanted to toss me off the cliff." Mark L. Smith on The Revenant and Martyrs". Creative Screenwriting. Retrieved January 27, 2016.
Jump up ^ Kroll, Justin (March 8, 2012). "New Regency backing Inarritu pic". Variety. Retrieved August 29, 2014.
Jump up ^ Brodesser-Akner, Claude (March 15, 2012). "How Leonardo DiCaprio Flirted With a Bear But Committed to a Wolf". New York. Retrieved August 29, 2014.
Jump up ^ Fleming, Jr., Mike (December 7, 2012). "A Departure For Alejandro Gonzalez Inarritu: He’ll Next Direct A Comedy". Deadline.com. Retrieved August 29, 2014.
^ Jump up to: a b Kay, Jeremy (April 15, 2014). "Leonardo DiCaprio to star in Alejandro González Iñárritu's The Revenant". Screen International. Retrieved August 29, 2014. (Subscription required (help)).
^ Jump up to: a b c Masters, Kim; Siegel, Tatiana (July 11, 2014). "Megan Ellison in Talks to Rescue Leonardo DiCaprio's 'The Revenant' (Exclusive)". The Hollywood Reporter. Retrieved August 29, 2014.
^ Jump up to: a b Patrick Brzeski (February 29, 2016). "China Clears 'The Revenant' for Release, Cuts Expected". The Hollywood Reporter. Retrieved February 29, 2016.
^ Jump up to: a b c Masters, Kim (July 22, 2015). "How Leonardo DiCaprio's 'The Revenant' Shoot Became 'A Living Hell'". The Hollywood Reporter. Retrieved July 22, 2015.
Jump up ^ Fleming, Jr., Mike (February 3, 2015). "Alejandro Gonzalez Inarritu On The Universal Themes Of 'Birdman' And His Next High Wire Act, 'The Revenant'". Deadline.com. Retrieved February 4, 2015.
Jump up ^ Chitwood, Adam (February 3, 2015). "Alejandro González Iñárritu Explains Why The Revenant Is Taking 9 Months to Shoot". Collider. Retrieved August 11, 2015.
Jump up ^ Evry, Max (January 21, 2015). "First Look at Leonardo DiCaprio in The Revenant". ComingSoon.net. Retrieved December 28, 2015. Through April, Leonardo DiCaprio will be shooting in the wilds of Calgary amid the Canadian Rockies playing a fur trapper hunting the men who left him for dead in The Revenant…
Jump up ^ DailyMail.com Reporter (August 16, 2015). "New Regency Slams Leonardo DiCaprio 'Fleas in Beard' Rumors Amid The Revenant Filming". Daily Mail (online). Retrieved December 28, 2015.
^ Jump up to: a b Humphreys, David (August 5, 2014). "Leonardo DiCaprio To Film 'The Revenant' In British Columbia". Entertainment Tonight Canada. Retrieved September 8, 2014.
Jump up ^ http://www.telegraph.co.uk/travel/destinations/north-america/galleries/the-revenant-filming-locations-canada/revenant17/
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Jump up ^ Miller, Julie. "Leonardo DiCaprio Could Have Starred Opposite Jennifer Lawrence in Joy". Vanity Fair. Retrieved December 28, 2015.
Jump up ^ Chitwood, Adam (July 18, 2014). "The Revenant, Starring Leonardo DiCaprio and Tom Hardy, Gets Christmas 2015 Release Date; Iñárritu Hoping to Shoot in Sequence". Collider.com. Retrieved August 29, 2014.
Jump up ^ Lee, Ashley (October 24, 2015). "'The Revenant' Producers, Alejandro G. Inarritu Defend Budget, Sequential Shoot at Produced By: NY 2015". The Hollywood Reporter. Retrieved December 28, 2015.
Jump up ^ Weintraub, Steve (April 30, 2015). "Tom Hardy Talks Mad Max: Fury Road, The Revenant and Splinter Cell". Collider. Retrieved May 20, 2015.
Jump up ^ http://www.studiodaily.com/2016/02/vfx-supervisor-richard-mcbride-on-the-revenant/
Jump up ^ Henry, Dusty; Geslani, Michelle (October 20, 2015). "The National’s Bryce Dessner composing soundtrack for Leonardo DiCaprio’s The Revenant". Consequence of Sound. Retrieved December 6, 2015.
Jump up ^ Gordon, Jeremy (October 21, 2015). "The National's Bryce Dessner and Alva Noto Joined Ryuichi Sakamoto on The Revenant Score". Pitchfork Media. Condé Nast. Retrieved December 6, 2015.
^ Jump up to: a b Minsker, Evan (December 2, 2015). "The National's Bryce Dessner Shares "Imagining Buffalo" From The Revenant Soundtrack". Pitchfork Media. Condé Nast. Retrieved December 6, 2015.
Jump up ^ "The Revenant (2015) - Soundtrack.Net". Retrieved February 7, 2016.
Jump up ^ "Why 'The Revenant' Was Not Eligible to Compete for the Oscar for Original Score". Indiewire.com. Retrieved February 19, 2016.
^ Jump up to: a b "The Revenant: "A World Unseen" Documentary". YouTube.com. 20th Century FOX. January 21, 2016. Retrieved February 15, 2016.
^ Jump up to: a b Gelbart, Bryn (January 22, 2016). "Watch: Experience the Death-Defying 'Revenant' Shoot For Yourself in 44-Minute Documentary". Indiewire.com. Retrieved February 15, 2016.
Jump up ^ Wai Chee Dimock (February 16, 2016). "Half-and-Half: Iñárritu remixes James Fenimore Cooper". Los Angeles Review of Books. Retrieved October 12, 2016.
Jump up ^ "How historically accurate is The Revenant?". The Guardian. January 20, 2016.
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^ Jump up to: a b Tristin Hopper (January 26, 2016). "Actor says The Revenant is ‘stupid’ for portraying French-Canadians as murderous rapists". National Post. Retrieved February 7, 2016.
Jump up ^ "Actor Roy Dupuis slams 'The Revenant' for portrayal of French-Canadians". January 26, 2016. Retrieved February 7, 2016.
Jump up ^ "Roy Dupuis s'en prend au film The Revenant". Le Journal de Montréal. Retrieved February 7, 2016.
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Jump up ^ Elavksy, Cindy (October 7, 2015). "Celebrity Extra". Fort Myers Weekly. King Features.
Jump up ^ Johnson, Neala (January 7, 2016). "British actor Tom Hardy says filming The Revenant was an education in endurance". News.com.au. News Limited. Retrieved February 4, 2016.
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Jump up ^ philstar.com (December 11, 2015). "WATCH: Leonardo DiCaprio in 'The Revenant'". The Philippine Star. Retrieved February 4, 2016.
Jump up ^ "DiCaprio’s film Revenant stays fierce". The Philippine Star. January 30, 2016. Retrieved February 4, 2016.
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Jump up ^ Mike Fleming Jr (March 18, 2016). "No. 19 ‘The Revenant’ – 2015 Most Valuable Movie Blockbuster Tournament". Deadline.com. Retrieved March 19, 2016.
Jump up ^ D'Alessandro, Anthony; Busch, Anita (December 28, 2015). "‘Daddy’, ‘Joy’ & ‘Hateful Eight’ Reap Fortune As ‘Star Wars’ Halo Effect Impacts B.O…Can ‘Force Awakens’ Hit $1 Billion In U.S.?". Deadline.com. Retrieved December 31, 2015.
Jump up ^ Mendelson, Scott (December 13, 2015). "Box Office: 'In The Heart Of The Sea' Is A Whale Of A Fail, 'Big Short' Strikes It Rich". Forbes. Retrieved December 13, 2015.
^ Jump up to: a b D'Alessandro, Anthony (January 8, 2016). "‘Revenant’ & ‘The Forest’ Begin B.O. Journey On Thursday; ‘Force Awakens’ To Cross $800M This Weekend – Box Office". Deadline.com. Retrieved January 8, 2016.
Jump up ^ "‘The Revenant’ Will Bear Through Box Office Weekend Dominated By ‘Force Awakens’ – Preview". Deadline.com.
Jump up ^ Mendelson, Scott (January 9, 2016). "Box Office: 'Star Wars: The Force Awakens' Falls To 2nd Place On Friday, Still Topping $800M". Forbes. Retrieved January 9, 2016.
^ Jump up to: a b c D'Alessandro, Anthony (January 10, 2016). "‘Force Awakens’ Crosses $800M & Holds No. 1, ‘Revenant’ Takes No. 2 With $38M – Final Sunday". Deadline.com. Retrieved January 11, 2016.
Jump up ^ "TOP OPENING WEEKENDS BY MONTH (JANUARY)". Box Office Mojo. Retrieved January 11, 2016.
Jump up ^ Brevet, Brad (January 24, 2016). "'The Revenant' Weathers Snow Storm While Weekend's Newcomers Perform as Expected". Box Office Mojo. Retrieved January 25, 2016.
Jump up ^ McClintock, Pamela (January 24, 2016). "Box Office: Winter Storm Jonas Forces New York City, East Coast Theater Closures". The Hollywood Reporter. Retrieved January 25, 2016.
Jump up ^ Busch, Anita (January 24, 2016). "Superstorm 2016 – Box Office Iced Out Of About 8% To 10% In Receipts". Deadline.com. Retrieved January 25, 2016.
Jump up ^ Devan Coggan (January 28, 2016). "Box office preview: Kung Fu Panda 3 eyes $40+ million opening". Entertainment Weekly. Retrieved January 29, 2016.
Jump up ^ Pamela McClintock (January 31, 2016). "Box Office: 'Kung Fu Panda 3' No. 1 With $41M; 'Finest Hours,' 'Fifty Shades of Black' Sink". The Hollywood Reporter. Retrieved January 31, 2016.
Jump up ^ Anthony D'Alessandro (February 28, 2016). "‘Spotlight’s Surprise Best Picture Win At The Oscars: What Does This Mean For Its Box Office?". Deadline.com. Retrieved February 29, 2016.
^ Jump up to: a b c d e Nancy Tartaglione, Anita Busch (January 19, 2016). "‘Force Awakens’ $100M In China; Oscar Fave ‘The Revenant’ Opens Big In UK, Korea – Intl B.O. Update". Deadline.com. Retrieved January 21, 2015.
^ Jump up to: a b c Tartaglione, Nancy (January 11, 2016). "‘Revenant’ Rides To $20.5M Overseas, ‘Hateful 8’ Takes $17M, ‘Star Wars’ Eyes $1B – Intl Box Office Update". Deadline.com. Retrieved January 12, 2016.
^ Jump up to: a b Tartaglione, Nancy (January 25, 2016). "‘The Revenant’ Tops Offshore Weekend With $33.8M And Over $223M Global; ‘The Force Awakens’ At #2 – Intl Box Office Final". Deadline.com. Retrieved January 26, 2016.
Jump up ^ Gant, Charles (January 20, 2016). "The Revenant attacks Star Wars in rise to top of UK box office". The Guardian. Retrieved January 26, 2016.
Jump up ^ Charles Gant (January 26, 2016). "The Revenant mauls UK box office but Sandra Bullock's brand may be in crisis". The Guardian. Retrieved January 29, 2016.
^ Jump up to: a b Nancy Tartaglione (February 2, 2016). "‘Kung Fu Panda 3’ Kicks Off With $75.7M; ‘Ten Commandments’ Eyes Brazil Record – Intl B.O. Final". Deadline.com. Retrieved February 2, 2016.
Jump up ^ Charles Gant (February 2, 2016). "Dirty Grandpa cleans up at UK box office as The Revenant still clings to top spot". The Guardian. Retrieved February 3, 2016.
^ Jump up to: a b Nancy Tartaglione (February 28, 2016). "‘Deadpool’ At $609M Global; ‘Gods Of Egypt’ Bows To $24M, ‘Zootopia’ Lands $33M 3rd Frame – Int’l B.O. Final". Deadline.com. Retrieved March 1, 2016.
^ Jump up to: a b Nancy Tartaglione (February 7, 2016). "‘Revenant’, ‘Martian’ Land New Global Milestones; ‘Kung Fu Panda 3’ Tops $100M In China – Intl Box Office". Deadline.com. Retrieved February 8, 2016.
Jump up ^ Lee Hyo-won (January 18, 2016). "South Korea Box Office: 'The Revenant' Among Top Fox Openings of All Time". The Hollywood Reporter. Retrieved January 26, 2016.
Jump up ^ Lee Hyo-won (January 25, 2016). "South Korea Box Office: 'The Revenant' Top for Second Week Despite Bitterly Cold Weather". The Hollywood Reporter. Retrieved January 16, 2016.
Jump up ^ Roxborough, Scott (January 25, 2016). "German Box Office: 'The Revenant' Stays on Top in Third Weekend". The Hollywood Reporter. Retrieved January 26, 2016.
Jump up ^ Rob Cain (March 18, 2016). "'Revenant' Soars, 'Eddie the Eagle' Crashes on China Opening Day". Forbes. Retrieved March 20, 2016.
Jump up ^ Rob Cain (March 17, 2016). "Can Leonardo DiCaprio Conquer China Again With 'Revenant'?". Forbes. Retrieved March 20, 2016.
Jump up ^ Nancy Tartaglione (March 19, 2016). "‘The Revenant’ Traps Big China Bow; $30M+ Opening Weekend In Sights". Deadline.com. Retrieved March 20, 2016.
Jump up ^ Nancy Tartaglione (March 21, 2016). "‘Zootopia’ A Flash Away From $600M WW; China Welcomes ‘The Revenant’ With $31M Bow – Intl B.O. Final". Deadline.com. Retrieved March 21, 2016.
Jump up ^ Nancy Tartaglione (February 21, 2016). "‘Deadpool’ Scores $85.3M In 2nd Offshore Frame; Nears $500M Global – Intl Box Office". Deadline.com. Retrieved February 22, 2016.
Jump up ^ Nancy Tartaglione (March 27, 2016). "‘Zootopia’ Nears $700M Global, Crosses $200M In China – International Box Office". Deadline.com. Retrieved March 27, 2016.
Jump up ^ Reuters. "DiCaprio brings 'The Revenant' to Japan. March 23, 2016
^ Jump up to: a b Stephanie Zacharek, TIME magazine, January 18, 2016, p54.
^ Jump up to: a b c Moraski, Lauren (December 25, 2015). ""The Revenant" Reviews: What Critics Are Saying About Leonardo DiCaprio's Latest Film". CBS News. Retrieved December 28, 2015.
^ Jump up to: a b Lane, Anthony. "Wilder West "The Hateful Eight" and "The Revenant."". Retrieved February 8, 2016.
Jump up ^ Barber, Nicholas. "Film Review: How good is The Revenant?". Retrieved February 8, 2016.
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^ Jump up to: a b "oscar-2016-winner-predictions-cinematography". Slant. Retrieved February 19, 2016.
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Jump up ^ John Kerry. "Leonardo DiCaprio:Earth's Leading Man". TIME magazine, May 2, 2016, p 130.
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A Place in the Sun (1951)
The Greatest Show on Earth (1952)
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East of Eden (1955)
Around the World in 80 Days (1956)
The Bridge on the River Kwai (1957)
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Spartacus (1960)
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The Cardinal (1963)
Becket (1964)
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Ordinary People (1980)
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Amadeus (1984)
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Pete's Dragon (1977 film)
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Pete's Dragon
Original theatrical release poster
Directed by
Don Chaffey
Produced by
Jerome Courtland
Ron Miller
Screenplay by
Malcolm Marmorstein
Story by
Seton Miller
S. S. Field
Starring
Helen Reddy
Jim Dale
Mickey Rooney
Red Buttons
Shelley Winters
Music by
Irwin Kostal
Cinematography
Frank Phillips
Edited by
Gordon D. Brenner
Production
company
Walt Disney Productions
Distributed by
Buena Vista Distribution
Release date
November 3, 1977 (1977-11-03)
Running time
134 minutes
Country
United States
Language
English
Budget
$10 million[1]
Box office
$36[1]–39.6 million[2]
Pete's Dragon is a 1977 American live-action animated musical fantasy comedy film directed by Don Chaffey, produced by Jerome Courtland and Ron Miller, and written by Malcolm Marmorstein. It is based on an unpublished short story of the same name, written by classical Hollywood writer Seton I. Miller. It stars Helen Reddy, Jim Dale, Mickey Rooney, Red Buttons, Shelley Winters, and Charlie Callas. It revolves around an orphaned boy raised by an abusive hillbilly family who is friends with a dragon named Elliott.
Upon release, the film was a moderate success, grossing $39 million over a $10 million budget. Its reviews were mixed. The song "Candle on the Water" received an Academy Award nomination, but lost to "You Light Up My Life" from the film of the same name. Reddy's recording (with a different arrangement than the one her character sings in the film) was released as a single by Capitol Records, reaching #27 on the Adult Contemporary charts. Pete's Dragon also received a nomination for Original Song Score and Its Adaptation or Adaptation Score, losing to A Little Night Music.
Contents
[hide]
1 Plot
2 Cast
3 Musical numbers
4 Production
4.1 History
4.2 Locations
4.3 Animation
5 Reception
6 Awards and honors
6.1 Academy Awards
6.2 Academy of Science Fiction, Fantasy and Horror Films Awards
6.3 Golden Globes
7 Alternative versions
8 Home video
9 Reboot
10 References
11 External links
Plot[edit]
In the early 1900s, Pete flees his abusive hillbilly foster family, the Gogans, with help from Elliott who can make himself invisible.
Pete and Elliott visit Passamaquoddy, where the unseen Elliott's clumsiness causes Pete to be labeled a source of ill luck.
Lampie stumbles out of a tavern and encounters Pete. Elliott makes himself visible and a terrified Lampie runs into the saloon to warn the townsfolk. In a seaside cave, Pete scolds Elliott for causing trouble. Just as they make up, Nora appears saying due to the ongoing tides from the sea, it is unsafe for Pete to stay, then offers him food and shelter at the lighthouse, which Pete accepts.
Pete tells Nora of the abuse he suffers at the hands of the Gogans and, as Nora offers to let him stay the night at the lighthouse, they strike up a friendship. Pete learns the story of Paul, whose ship was reported lost at sea the previous year. Pete promises to ask Elliott about Paul, and Nora accepts, believing Elliott to be an imaginary friend.
The next morning, Dr. Terminus and Hoagy arrive and win over the gullible townspeople who are initially angered by their return. The day after that, the local fishermen complain about the scarcity of fish and believe Pete is the cause. Nora tells them the fishing grounds shift and Pete should be welcomed in town. Nora takes him to school, where he is punished unfairly by Miss Taylor as a result of Elliott's antics. An enraged Elliott smashes into the schoolhouse, leaving his shape in the wall, as Pete runs off.
Dr. Terminus makes Pete an offer for Elliott, which he refuses. Believing he needs to stop running from the Gogans, Nora and Lampie offer to let Pete live with them permanently, which he accepts. When the Gogans arrive in town and demand Pete back, Nora refuses to hand him over. As the Gogans attempt to chase them in a small boat, Elliott "torpedoes" their boat, saving Pete.
Dr. Terminus teams up with the Gogans to capture both Pete and Elliott. Terminus also convinces the superstitious locals helping him capture the dragon will solve their problems. That evening, a storm begins to blow.
At sea, a sailing ship is approaching Passamaquoddy with Paul on board. Dr. Terminus lures Pete to the boathouse, while Hoagy does the same to Elliott. Once there, the invisible Elliott is caught in a net, but frees himself and saves Pete, then confronts the Gogans. Lena Gogan yells at Elliott, claiming Pete is their property and waves her Bill of Sale at Elliott, who torches it. Now completely defenseless, the Gogans flee after Elliott frightens them away. Just as Pete and Elliot laugh, Dr. Terminus makes one more effort to harpoon Elliott, but his leg is caught in the rope and he is sent catapulting through the ceiling and screams as he goes through the roof, ending up dangling upside down near a utility pole. In a last-ditch effort, the helpless Dr. Terminus tries to offer buying Elliott's "spare parts", to which he declines and proceeds to destroy Dr. Terminus' traveling wagon, ending his scamming business.
Elliott then saves the Mayor, Miss Taylor, and the members of the Town Board from a falling utility pole, revealing himself to the grateful townsfolk. Back at the lighthouse, the lamp has been extinguished by a storm-driven rogue wave. Elliott returns and tries to light it with his own fire. As he does, Nora sees that he is real. The light is ignited and the ship is saved.
The next morning, the Mayor and the townsfolk praise Elliott for his help, and Nora reunites with Paul, who was the sole survivor of a shipwreck at Cape Hatteras and suffered amnesia. Now that Pete has a loving family, Elliott tells him he must move on to help another kid in trouble, and is sad the two must part. Pete comforts Elliott by telling him if anyone can help that kid, then he can. Elliott flies away as Pete and his new family wave good-bye to him. The film ends with Pete reminding Elliott once again he is supposed to be invisible.
Cast[edit]
Sean Marshall as Pete, an orphan boy whom the Gogans have purchased and treat like a slave.
Helen Reddy as Nora, Lampie's headstrong but kind daughter who later adopts Pete.
Jim Dale as Dr. Terminus, a scheming quack and showman.
Mickey Rooney as Lampie, Passamaquoddy's lighthouse keeper and Nora's father.
Red Buttons as Hoagy, Dr. Terminus' sidekick.
Shelley Winters as Lena Gogan, the matriarch of the Gogan family.
Jane Kean as Miss Taylor, a strict schoolteacher who reluctantly takes Pete as a student at Nora's suggestion.
Jim Backus as the Mayor of Passamaquoddy, the unnamed cigar-smoking mayor.
Charles Tyner as Merle Gogan, Lena's husband and the patriarch of the Gogan family.
Gary Morgan and Jeff Conaway as Grover and Willie Gogan, Lena and Merle's sons.
Cal Bartlett as Paul, a sailor who has disappeared at sea and Nora's fiancé
Charlie Callas as the voice of Elliott, a dragon that saves Pete from the Gogans.
Walter Barnes as the Captain of the ship on which Paul returns home.
Al Checco, Henry Slate, and Jack Collins appear in the film as local fishermen. Robert Easton plays a store proprietor in Passamaquoddy, and Roger Price is seen as a man with a visor. Robert Foulk plays an old sea captain. Ben Wrigley is the egg vendor that Elliott accidentally knocks into the Mayor and Joe Ross plays the cement man whose cement was stepped in by Elliott. Dinah Anne Rogers has an uncredited role as one of the townspeople, as does Dennis Stewart, who plays a fisherman, and Debbie Fresh is also uncredited as a "Child/Dancer/Singer".[3]
Musical numbers[edit]
"The Happiest Home in These Hills" – Lena, Merle, Grover, Willie
"Boo Bop Bop Bop Bop (I Love You, Too)" – Pete, Elliott
"I Saw a Dragon" – Lampie, Nora, Townsmen
"It's Not Easy" – Nora, Pete
"Passamaquoddy" – Dr. Terminus, Hoagy, Townsfolk
"Candle on the Water" – Nora
"There's Room for Everyone" – Nora, Pete, Children
"Every Little Piece" – Hoagy, Dr. Terminus
"Brazzle Dazzle Day" – Nora, Lampie, Pete
"Bill of Sale" – Nora, Lena, Merle, Grover, Willie
"I Saw a Dragon (Reprise)" – Townsmen
"Brazzle Dazzle Day (Reprise)" – Pete, Nora, Lampie, Paul
Production[edit]
History[edit]
The film was based on an unpublished short story by Hollywood Golden Age writer Seton I. Miller and S. S. Field.[4] The Disney studio acquired the rights to the story in the 1950s with the intent of using it on the Disneyland anthology program.
In the 1970s, it was adapted as a full feature film by writer Malcolm Marmorstein. This remains his biggest undertaking to date. The production was directed by British filmmaker Don Chaffey, who had made two smaller films for Disney in the early 1960s between directing larger fantasy adventures (Jason and the Argonauts, One Million Years B.C.) for others.
Locations[edit]
The lighthouse for the film was built on Point Buchon Trail located south of Los Osos, California,[4] substituting for Maine. It was equipped with such a large beacon that Disney had to get special permission from the Coast Guard to operate it, since doing so during filming would have confused passing ships. Pacific Gas and Electric opened the Point Buchon Trail and allows hikers access to where filming took place.
Animation[edit]
The animators of the film opted to make Elliott look more like an oriental, rather than occidental, dragon because oriental dragons are usually associated with good. The film is the first involving animation in which none of the Nine Old Men – Disney's original team of animators – were involved. One technique used in the movie involved compositing with a yellowscreen that was originally used in Mary Poppins and similar to today's greenscreen compositing, whereby up to three scenes might be overlaid together – for example, a live foreground, a live background, and an animated middle ground containing Elliott. Ken Anderson, who created Elliott, explained that he thought it would be appropriate to make Elliott "a little paunchy" and not always particularly graceful when it comes to flying.[5][6] Don Hahn, who was assistant director to Don Bluth on this film, gained some experience working with a combination of live-action and animation before later going on to work on Who Framed Roger Rabbit.[7]
Reception[edit]
In 1978, the film was ranked at seventeen on Variety's hit list.[8] Thomas J. Harris, in Children’s Live-Action Musical Films: A Critical Survey and Filmography, heavily criticizes the story as well as the compositing of the animated Elliott; he also found the "Mary Poppinsish ending" to be "thoroughly unmotivated", because Pete's life before meeting Elliott is never fleshed out.[9] In 2006, Elliott was ranked no. 5 on a top 10 list of movie dragons by Karl Heitmueller for MTV Movie News.[10]
Critic Leonard Maltin observed that Disney made several attempts to recreate the appeal and success of Mary Poppins (1964), and that Pete's Dragon did not come close on that score. However, he added that it might please children, and that "the animated title character is so endearing that it almost compensates for the live actors' tiresome mugging."[11]
On Rotten Tomatoes, the film has a 50% approval score based on 24 reviews, with an average rating of 4.8/10. The site's consensus states: "Boring and slow, this is a lesser Disney work, though the animation isn't without its charms."[12]
Awards and honors[edit]
Academy Awards[edit]
The film was nominated for two Academy Awards:[13]
Academy Award for Best Original Song – Al Kasha and Joel Hirschhorn for "Candle on the Water"
Academy Award for Original Song Score – Al Kasha, Joel Hirschhorn and Irwin Kostal
Academy of Science Fiction, Fantasy and Horror Films Awards[edit]
The film was nominated for four Saturn Awards:[13]
Saturn Award for Best Fantasy Film
Saturn Award for Best Supporting Actor – Red Buttons
Saturn Award for Best Costume
Saturn Award for Best Special Effects
Golden Globes[edit]
The Hollywood Foreign Press Association nominated the film for one Golden Globe Award:[13]
Golden Globe Award for Best Original Score – Al Kasha and Joel Hirschhorn
Alternative versions[edit]
In its original roadshow theatrical release, the film ran 134 minutes. Shortly after, it was edited down to 121 minutes. The most notable change was an alternative version of the song "I Saw a Dragon". The version most watched today is different from the one that was seen in the premiere version.
In 1980, the film was the first Disney feature to be released on VHS and Betamax, with a running time of 121 minutes. It was only available for a very short time.
When the film was theatrically re-released in March 1984, it was cut again from 121 minutes to 104 minutes. When reissued on home video in December 1985, it was restored considerably to 128 minutes. However, there have been VHS copies spotted on eBay with the 1980 packaging and a run time of 128 minutes.
When the film was shown on TV, it was severely edited and time-compressed to 92 minutes, eliminating the "Candle on the Water" number from the film, instead playing portions during the opening credits.
A 129-minute version, five minutes shorter than the original roadshow edition, was released on DVD in 2002, again in 2009 as the "High-Flying Edition", and in 2012 as a 35th anniversary edition on Blu-ray.
Home video[edit]
Pete's Dragon was released on VHS in early 1980. It was re-released on VHS on October 28, 1994 as a part of Masterpiece Collection. The film was going to be released for the first time on DVD in a Walt Disney Gold Classic Collection line-up on December 5, 2000, but it was pushed back to January 16, 2001. Some bonus features includes two animated shorts Lighthouse Keeping and Man, Monsters and Mysteries, two vintage excerpt episodes "Ken Anderson" from Disney Family Album and "The Plausible Impossible" from Disneyland, and both theatrical trailers for the film.
It was re-released in a "High-Flying Edition" DVD on August 18, 2009. This includes the original concept song "Boo Bop Bop Bop Bop (I Love You, Too)". It was released on the 35th-anniversary edition Blu-ray on October 16, 2012.
Reboot[edit]
Main article: Pete's Dragon (2016 film)
In March 2013, Disney announced a reboot of the film, written by David Lowery and Toby Halbrooks, the director/writer and co-producer (respectively) of the Sundance hit Ain't Them Bodies Saints (2013). It re-imagines a venerable Disney family and is presented as a straightforward drama rather than a musical.[14] Principal photography commenced in January 2015 in New Zealand, with Lowery directing. It was released on 12 August 2016.[15][16]
References[edit]
^ Jump up to: a b "Pete's Dragon, Box Office Information". The Numbers. Retrieved January 29, 2012.
Jump up ^ "Pete's Dragon (Re-issue) (1984)". Box Office Mojo. Retrieved September 18, 2016.
Jump up ^ "Full Cast and Crew for Pete's Dragon". IMDb.com, Inc. Retrieved 2009-11-10.
^ Jump up to: a b Pete's Dragon. Bonus Features: Film Facts (DVD)|format= requires |url= (help). Disney Enterprises (distributed by Buena Vista Home Entertainment).
Jump up ^ Pete's Dragon. Bonus Features: "Disney Family Album" (Excerpt) (DVD)|format= requires |url= (help). Disney Enterprises (distributed by Buena Vista Home Entertainment).
Jump up ^ Thomlison, Adam. "Q: I saw "Pete's Dragon" for the first time the other day, and I'm wondering how they combined the animation and live-action sequences. How did they make Pete float while Elliott was invisible?". TV Media. Retrieved 2013-01-11.
Jump up ^ Farago, Andrew (2008-11-30). "Roger Rabbit turns 20". Animation World Network. Retrieved 2009-11-12.
Jump up ^ Krämer, Peter. "'The Best Disney Film Disney Never Made': Children's Films and the Family Audience in American Cinemas since the 1960s". In Neale, Steve. Genre And Contemporary Hollywood. London, UK: British Film Institute. p. 189. ISBN 0-85170-887-0.
Jump up ^ Harris, Thomas J. (1989). Children’s Live-Action Musical Films: A Critical Survey and Filmography. McFarland & Company, Inc. ISBN 0-89950-375-6.
Jump up ^ Heitmueller, Karl (2006-12-12). "Rewind: Dragons Have Breathed Fire In Many Films Besides 'Eragon': Top 10 dragons in filmdom include Haku of 'Spirited Away,' Maleficent in 'Sleeping Beauty,' Ghidorah of 'Godzilla' fame.". MTV Movie News. MTV Networks. Retrieved 2009-11-09.
Jump up ^ Maltin, Leonard (1999). Leonard Maltin's Family Film Guide. New York: Signet. p. 437. ISBN 0-451-19714-3.
Jump up ^ "Pete's Dragon (1977)". Rotten Tomatoes. Flixster. Retrieved August 22, 2016.
^ Jump up to: a b c "Awards for Pete's Dragon". Internet Movie Database. Retrieved 2009-10-15.
Jump up ^ "After Gritty Sundance Debut On 'Ain't Them Bodies Saints', David Lowery to Reinvent 'Pete's Dragon' For Disney". Deadline.com (March 19, 2013).
Jump up ^ "Casting call for Disney feature film Pete's Dragon lead role".
Jump up ^ Pedersen, Erik (January 15, 2015). "Disney Dates 'Ghost in the Shell', Moves Jungle Book Back 6 Months". Deadline.com.
External links[edit]
Official website
Pete's Dragon on IMDb
Pete's Dragon at the TCM Movie Database
Pete's Dragon at The Big Cartoon DataBase
Pete's Dragon at Box Office Mojo
Pete's Dragon at Rotten Tomatoes
Pete's Dragon at UltimateDisney.com
Detailed info on Pete's Dragon including Don Bluth's involvement
[show]
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Disney theatrical animated features
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Snow White and the Seven Dwarfs (1937)
Pinocchio (1940)
Fantasia (1940)
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Bambi (1942)
Saludos Amigos (1942)
The Three Caballeros (1944)
Make Mine Music (1946)
Fun and Fancy Free (1947)
Melody Time (1948)
The Adventures of Ichabod and Mr. Toad (1949)
Cinderella (1950)
Alice in Wonderland (1951)
Peter Pan (1953)
Lady and the Tramp (1955)
Sleeping Beauty (1959)
One Hundred and One Dalmatians (1961)
The Sword in the Stone (1963)
The Jungle Book (1967)
The Aristocats (1970)
Robin Hood (1973)
The Many Adventures of Winnie the Pooh (1977)
The Rescuers (1977)
The Fox and the Hound (1981)
The Black Cauldron (1985)
The Great Mouse Detective (1986)
Oliver & Company (1988)
The Little Mermaid (1989)
The Rescuers Down Under (1990)
Beauty and the Beast (1991)
Aladdin (1992)
The Lion King (1994)
Pocahontas (1995)
The Hunchback of Notre Dame (1996)
Hercules (1997)
Mulan (1998)
Tarzan (1999)
Fantasia 2000 (1999)
Dinosaur (2000)
The Emperor's New Groove (2000)
Atlantis: The Lost Empire (2001)
Lilo & Stitch (2002)
Treasure Planet (2002)
Brother Bear (2003)
Home on the Range (2004)
Chicken Little (2005)
Meet the Robinsons (2007)
Bolt (2008)
The Princess and the Frog (2009)
Tangled (2010)
Winnie the Pooh (2011)
Wreck-It Ralph (2012)
Frozen (2013)
Big Hero 6 (2014)
Zootopia (2016)
Moana (2016)
Ralph Breaks the Internet: Wreck-It Ralph 2 (2018)
Frozen 2 (2019)
Gigantic (2020)
Live-action films
with animation
The Reluctant Dragon (1941)
Victory Through Air Power (1943)
Song of the South (1946)
So Dear to My Heart (1948)
Mary Poppins (1964)
Bedknobs and Broomsticks (1971)
Pete's Dragon (1977)
Who Framed Roger Rabbit (1988)
Enchanted (2007)
DisneyToon Studios
films
DuckTales the Movie: Treasure of the Lost Lamp (1990)
A Goofy Movie (1995)
The Tigger Movie (2000)
Return to Never Land (2002)
The Jungle Book 2 (2003)
Piglet's Big Movie (2003)
Pooh's Heffalump Movie (2005)
Bambi II (2006)
Planes (2013)
Planes: Fire & Rescue (2014)
Other Disney units films
The Nightmare Before Christmas (1993)
James and the Giant Peach (1996)
Doug's 1st Movie (1999)
Recess: School's Out (2001)
Teacher's Pet (2004)
A Christmas Carol (2009)
Gnomeo & Juliet (2011)
Mars Needs Moms (2011)
Frankenweenie (2012)
Strange Magic (2015)
Related lists
Unproduced films
Book
[show]
v
t
e
Walt Disney Animation Studios
[show]
List of feature films
Released
Snow White and the Seven Dwarfs (1937)
Pinocchio (1940)
Fantasia (1940)
Dumbo (1941)
Bambi (1942)
Saludos Amigos (1942)
The Three Caballeros (1944)
Make Mine Music (1946)
Fun and Fancy Free (1947)
Melody Time (1948)
The Adventures of Ichabod and Mr. Toad (1949)
Cinderella (1950)
Alice in Wonderland (1951)
Peter Pan (1953)
Lady and the Tramp (1955)
Sleeping Beauty (1959)
One Hundred and One Dalmatians (1961)
The Sword in the Stone (1963)
The Jungle Book (1967)
The Aristocats (1970)
Robin Hood (1973)
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Pete%27s_Dragon_(1977_film)&oldid=801414181"
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1977 films
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