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Dancing with the Stars (U.S. season 24)
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Dancing with the Stars
(season 24)
Promotional poster featuring pro dancers Witney Carson and Valentin Chmerkovskiy
Country of origin
United States
No. of episodes
11
Release
Original network
ABC
Original release
March 20 (2017-03-20) – May 23, 2017 (2017-05-23)
Additional information
Celebrity winner
Rashad Jennings
Professional winner
Emma Slater
Season chronology
← Previous
Season 23
Next →
Season 25
Season twenty-four of Dancing with the Stars premiered on March 20, 2017, on the ABC network.[1][2]
On May 23, 2017, NFL runningback Rashad Jennings and Emma Slater, were declared the winners, marking Slater's first win. Former MLB catcher David Ross and Lindsay Arnold finished second, while Fifth Harmony singer Normani Kordei and Val Chmerkovskiy finished third.
Contents
[hide]
1 Cast
1.1 Couples
1.2 Hosts and judges
2 Scoring charts
2.1 Average score chart
2.2 Highest and lowest scoring performances
2.3 Couples' highest and lowest scoring dances
3 Weekly scores
3.1 Week 1: First Dances/400th Episode Week
3.2 Week 2
3.3 Week 3: Vegas Night
3.4 Week 4: Most Memorable Year Night
3.5 Week 5: Disney Night
3.6 Week 6: Boy Bands vs. Girl Groups Night
3.7 Week 7: A Night at the Movies
3.8 Week 8: Quarterfinals
3.9 Week 9: Semifinals
3.10 Week 10: Finals
4 Dance chart
5 Ratings
5.1 U.S. Nielsen ratings
6 References
7 External links
Cast[edit]
Couples[edit]
On February 21, 2017, Maksim Chmerkovskiy and Peta Murgatroyd were announced to be the first two professionals returning this season. This marks the return of Murgatroyd following her taking off the twenty-third season due to her pregnancy.[3] In the following days, Lindsay Arnold, Sharna Burgess, Witney Carson, Artem Chigvintsev, Valentin Chmerkovskiy, Sasha Farber, Gleb Savchenko, and Emma Slater were all confirmed to be returning as professional dancers.[4] Also, Kym Herjavec (who last competed in season 20) and Keo Motsepe (who last competed in season 22) were confirmed to be returning as professional dancers. Pros from the previous season not returning included Cheryl Burke, Allison Holker, Derek Hough, and Jenna Johnson.
The full list of celebrities and pros was announced on March 1, 2017, on Good Morning America.[5]
Celebrity [6]
Notability (known for)
Professional partner
Status
Ref.
Chris Kattan Actor & comedian Witney Carson Eliminated 1st
on March 27, 2017 [7]
Charo Actress, comedienne & singer Keo Motsepe Eliminated 2nd
on April 3, 2017 [8]
Mr. T Actor & former wrestler Kym Johnson-Herjavec Eliminated 3rd
on April 10, 2017 [9]
Erika Jayne Singer & reality television star Gleb Savchenko Eliminated 4th
on April 17, 2017 [10]
Heather Morris Glee actress & dancer Maksim Chmerkovskiy
Alan Bersten (weeks 2-5) Eliminated 5th
on April 24, 2017 [11]
Nancy Kerrigan Former Olympic figure skater Artem Chigvintsev Eliminated 6th
on May 1, 2017 [12]
Nick Viall The Bachelor star Peta Murgatroyd
Bonner Bolton Model & bull rider Sharna Burgess Eliminated 8th
on May 8, 2017 [13]
Simone Biles Olympic artistic gymnast Sasha Farber Eliminated 9th
on May 15, 2017 [14]
Normani Kordei Fifth Harmony singer Valentin Chmerkovskiy Third place
on May 23, 2017 [15]
David Ross Former MLB catcher Lindsay Arnold Runner-up
on May 23, 2017
Rashad Jennings NFL running back Emma Slater Winner
on May 23, 2017
Hosts and judges[edit]
Tom Bergeron and Erin Andrews returned as hosts, and Carrie Ann Inaba, Len Goodman, Julianne Hough, and Bruno Tonioli returned as judges.[16] On April 24, former contestant Nick Carter joined the panel as a guest judge, filling in for Hough who was on tour.[17] On May 1, choreographer Mandy Moore also filled in for Hough as a guest judge.[18]
Scoring charts[edit]
Couple
Place
1
2
1+2
3
4
5
6
7
8
9
10
Night 1
Night 2
Rashad & Emma 1 31 32 63 28 39 32 37+33=70 37+2=39 36+39=75 38+39=77 40+40=80 +39=119
David & Lindsay 2 28 27 55 31 31 29 29+33=62 32 36+29=65 34+36=70 33+40=73 +36=109
Normani & Val 3 27 32 59 34 32 39 38+34=72 40+3=43 40+39=79 36+40=76 38+40=78 +40=118
Simone & Sasha 4 32 29 61 32 36 38 35+34=69 37+2=39 36+36=72 40+40=80
Bonner & Sharna 5 22 29 51 24 32 30 30+33=63 29+2=31 30+28=58
Nancy & Artem 6 28 28 56 33 33 36 33+34=67 36
Nick & Peta 24 25 49 26 30 34 28+33=61 34
Heather & Maks 8 28 30 58 33 35 34 40+34=74
Erika & Gleb 9 24 28 52 26 30 32
Mr. T & Kym 10 20 22 42 24 28
Charo & Keo 11 21 25 46 24
Chris & Witney 12 17 22 39
Red numbers indicate the lowest score for each week
Green numbers indicate the highest score for each week
the couple eliminated that week
the returning couple that was the last to be called safe
the couple earned immunity, and could not be eliminated
the winning couple
the runner-up couple
the third-place couple
Average score chart[edit]
This table only counts dances scored on a 40-point scale. (The points awarded in Week 7 for winning either immunity or the dance-offs are not included in these totals.)
Rank by
average
Place
Couple
Total
points
Number
of dances
Average
1 3 Normani & Val 549 15 36.6
2 1 Rashad & Emma 540 36.0
3 4 Simone & Sasha 425 12 35.4
4 8 Heather & Maks 234 7 33.4
5 6 Nancy & Artem 261 8 32.6
6 2 David & Lindsay 484 15 32.3
7 6 Nick & Peta 234 8 29.3
8 5 Bonner & Sharna 287 10 28.7
9 9 Erika & Gleb 140 5 28.0
10 10 Mr. T & Kym 94 4 23.5
11 11 Charo & Keo 70 3 23.3
12 12 Chris & Witney 39 2 19.5
Highest and lowest scoring performances[edit]
The best and worst performances in each dance according to the judges' 40-point scale are as follows:
Dance
Highest scored dancer(s)
Highest score
Lowest scored dancer(s)
Lowest score
Quickstep Rashad Jennings 39 Normani Kordei 27
Viennese Waltz Rashad Jennings 40 Nancy Kerrigan
Heather Morris 28
Cha-cha-cha Heather Morris 35 Chris Kattan 17
Salsa Normani Kordei 38 Charo 21
Tango Rashad Jennings 37 Nick Viall 26
Foxtrot Simone Biles 36 Mr. T
Charo 24
Paso doble Normani Kordei 39 Mr. T 22
Jive Simone Biles 40 Erika Jayne 26
Jazz Normani Kordei 40 Chris Kattan 22
Charleston Simone Biles 37 Bonner Bolton 24
Samba Simone Biles 35 Rashad Jennings 28
Rumba Heather Morris
Simone Biles 40 Nick Viall
Bonner Bolton 30
Waltz David Ross 36 Mr. T 28
Contemporary Normani Kordei 40 Simone Biles 38
Argentine tango Normani Kordei 40 David Ross 29
Team dance Simone Biles
Nancy Kerrigan
Normani Kordei
Heather Morris 34 Bonner Bolton
Rashad Jennings
David Ross
Nick Viall 33
Freestyle David Ross
Normani Kordei
Rashad Jennings 40 __ __
Fusion dance Normani Kordei 40 David Ross 36
Couples' highest and lowest scoring dances[edit]
Scores are based upon a potential 40-point maximum.
Couple
Highest scoring dance(s)
Lowest scoring dance(s)
Rashad & Emma Viennese Waltz & Freestyle (40) Samba (28)
David & Lindsay Freestyle (40) Cha-cha-cha (27)
Normani & Val Argentine tango, Contemporary, Jazz, Freestyle & Argentine tango/Foxtrot fusion (40) Quickstep (27)
Simone & Sasha Jive & Rumba (40) Cha-cha-cha (29)
Bonner & Sharna Foxtrot (32) Cha-cha-cha (22)
Nancy & Artem Jazz & Tango (36) Viennese Waltz & Cha-cha-cha (28)
Nick & Peta Jazz & Argentine tango (34) Cha-cha-cha (24)
Heather & Maks Rumba (40) Viennese Waltz (28)
Erika & Gleb Viennese Waltz (32) Salsa (24)
Mr. T & Kym Waltz (28) Cha-cha-cha (20)
Charo & Keo Paso doble (25) Salsa (21)
Chris & Witney Jazz (22) Cha-cha-cha (17)
Weekly scores[edit]
Individual judges' scores in the charts below (given in parentheses) are listed in this order from left to right: Carrie Ann Inaba, Len Goodman, Julianne Hough, Bruno Tonioli.
Week 1: First Dances/400th Episode Week[edit]
The couples danced the cha-cha-cha, quickstep, salsa, tango, or Viennese Waltz.
At the end, the show paid tribute to season 11 contestant, Florence Henderson who died three days after last season's finale.
Running order
Couple
Scores[19]
Dance
Music[20]
Normani & Val 27 (7, 6, 7, 7) Quickstep "Good Time Good Life"—Erin Bowman
Nancy & Artem 28 (7, 7, 7, 7) Viennese Waltz "She's Always a Woman"—Billy Joel
Chris & Witney 17 (5, 4, 4, 4) Cha-cha-cha "What Is Love"—Haddaway
Bonner & Sharna 22 (6, 5, 5, 6) Cha-cha-cha "Move"—Luke Bryan
Charo & Keo 21 (6, 5, 5, 5) Salsa "Cuban Pete"—Mambo Compañeros
Nick & Peta 24 (6, 6, 6, 6) Cha-cha-cha "Let Me Love You"—DJ Snake feat. Justin Bieber
Heather & Maks 28 (7, 7, 7, 7) Viennese Waltz "Make Something Beautiful"—Ben Rector
David & Lindsay 28 (7, 7, 7, 7) Quickstep "Go, Cubs, Go"—Steve Goodman
Erika & Gleb 24 (6, 6, 6, 6) Salsa "XXPEN$IVE"—Erika Jayne
Rashad & Emma 31 (8, 7, 8, 8) Cha-cha-cha "24K Magic"—Bruno Mars
Mr. T & Kym 20 (5, 5, 5, 5) Cha-cha-cha "The A-Team theme"—Mike Post, Pete Carpenter & The Daniel Caine Orchestra
Simone & Sasha 32 (8, 8, 8, 8) Tango "Untouchable"—Tritonal & Cash Cash feat. JHart
Week 2[edit]
The couples danced one unlearned dance. Foxtrot, jazz, jive, and paso doble are introduced.
Due to a calf muscle injury, Maksim Chmerkovskiy was unable to perform, so Heather Morris danced with troupe member Alan Bersten instead.[7]
Running order
Couple
Scores[7]
Dance
Music[21]
Result
Nancy & Artem 28 (7, 7, 7, 7) Cha-cha-cha "No Rights No Wrongs"—Jess Glynne Safe
Erika & Gleb 28 (7, 7, 7, 7) Foxtrot "Bad Intentions"—Niykee Heaton Safe
Charo & Keo 25 (6, 6, 7, 6) Paso doble "España cañí"—Charo Last to be called safe
Nick & Peta 25 (7, 5, 7, 6) Foxtrot "Love Me Now"—John Legend Safe
Heather & Alan 30 (8, 6, 8, 8) Jive "Grown"—Little Mix Safe
Bonner & Sharna 29 (8, 6, 8, 7) Viennese Waltz "Unlove You"—Jennifer Nettles Safe
Simone & Sasha 29 (7, 7, 7, 8) Cha-cha-cha "Burnin' Up"—Jessie J feat. 2 Chainz Safe
Chris & Witney 22 (6, 5, 6, 5) Jazz "Hey Ya!"—OutKast Eliminated
Normani & Val 32 (8, 8, 8, 8) Cha-cha-cha "Give Me Your Love"—Sigala feat. John Newman & Nile Rodgers Safe
Rashad & Emma 32 (8, 8, 8, 8) Viennese Waltz "Suffer"—Charlie Puth Safe
Mr. T & Kym 22 (6, 5, 6, 5) Paso doble "Eye of the Tiger"—Survivor Safe
David & Lindsay 27 (7, 6, 7, 7) Cha-cha-cha "Bust a Move"—Young MC Safe
Week 3: Vegas Night[edit]
The couples danced one unlearned dance that paid tribute to the sights and sounds of Las Vegas. Charleston and samba are introduced.
For the second consecutive week, Heather Morris danced with Alan Bersten again on account of Maksim Chmerkovskiy's injury.
Running order
Couple
Scores[8]
Dance
Music[22]
Result
Nick & Peta 26 (7, 6, 7, 6) Tango "Poker Face"—Lady Gaga Last to be called safe
Mr. T & Kym 24 (6, 6, 6, 6) Foxtrot "Ain't That a Kick in the Head?"—Robbie Williams Safe
Bonner & Sharna 24 (6, 6, 6, 6) Charleston "A Little Party Never Killed Nobody"—Fergie, Q-Tip & GoonRock Safe
Heather & Alan 33 (9, 8, 8, 8) Tango "Toxic"—Britney Spears Safe
Charo & Keo 24 (6, 6, 6, 6) Foxtrot "Chapel of Love"—The Dixie Cups Eliminated
Simone & Sasha 32 (7, 8, 9, 8) Quickstep "Viva Las Vegas"—Elvis Presley Safe
Nancy & Artem 33 (8, 9, 8, 8) Samba "Shake Your Bon-Bon"—Ricky Martin Safe
David & Lindsay 31 (8, 7, 8, 8) Jazz "Candy Shop"—50 Cent feat. Olivia Safe
Erika & Gleb 26 (6, 7, 7, 6) Jive "Take Me to Heaven"—Alan Menken & Glenn Slater Safe
Rashad & Emma 28 (7, 7, 7, 7) Samba "Swalla"—Jason Derulo feat. Nicki Minaj & Ty Dolla Sign Safe
Normani & Val 34 (8, 8, 9, 9) Foxtrot "Big Spender"—Shirley Bassey Safe
Week 4: Most Memorable Year Night[edit]
The couples danced one unlearned dance to celebrate the most memorable year of their lives. Contemporary, rumba, and waltz are introduced.
For the third consecutive week, Heather Morris danced with Alan Bersten again on account of Maksim Chmerkovskiy's injury.
Running order
Couple
Scores[9]
Dance
Music[23]
Result
Normani & Val 32 (8, 7, 8, 9) Rumba "Impossible"—Fifth Harmony Safe
Nick & Peta 30 (8, 7, 8, 7) Rumba "Shape of You"—Ed Sheeran Safe
Nancy & Artem 33 (8, 9, 8, 8) Foxtrot "My Wish"—Rascal Flatts Safe
Mr. T & Kym 28 (7, 7, 7, 7) Waltz "Amazing Grace"—Ray Chew Eliminated
Heather & Alan 35 (8, 9, 9, 9) Cha-cha-cha "Shut Up and Dance"—Walk the Moon Safe
David & Lindsay 31 (7, 8, 8, 8) Viennese Waltz "Forever Young"—Youth Group Safe
Rashad & Emma 39 (10, 9, 10, 10) Contemporary "Unconditionally"—Katy Perry Safe
Erika & Gleb 30 (8, 7, 7, 8) Cha-cha-cha "Express Yourself"—Madonna Last to be called safe
Simone & Sasha 36 (9, 9, 9, 9) Viennese Waltz "Good Good Father"—Chris Tomlin Safe
Bonner & Sharna 32 (8, 8, 8, 8) Foxtrot "Feeling Good"—Michael Bublé Safe
Week 5: Disney Night[edit]
The couples performed one unlearned dance to a song from a Disney film.
For the fourth and final consecutive week, Heather Morris danced with Alan Bersten on account of Maksim Chmerkovskiy's injury.
Season 9 winner Donny Osmond sang "I'll Make a Man Out of You" live while Normani Kordei and Valentin Chmerkovskiy danced.
Auli'i Cravalho sang "How Far I'll Go" live while Simone Biles and Sasha Farber danced.
Running order
Couple
Scores[10]
Dance
Music[24]
Disney film
Result
Rashad & Emma 32 (7, 8, 9, 8) Foxtrot "Evermore"—Josh Groban Beauty and the Beast Safe
Nick & Peta 34 (9, 8, 9, 8) Jazz "I've Got No Strings"—Dickie Jones Pinocchio Last to be called safe
Erika & Gleb 32 (8, 8, 8, 8) Viennese Waltz "Unforgettable"—Sia Finding Dory Eliminated
Heather & Alan 34 (8, 8, 9, 9) Jazz "For the First Time in Forever"—Kristen Bell & Idina Menzel Frozen Safe
Bonner & Sharna 30 (7, 8, 8, 7) Tango "When Can I See You Again?"—Owl City Wreck-It Ralph Safe
Normani & Val 39 (10, 9, 10, 10) Paso doble "I'll Make a Man Out of You"—Donny Osmond Mulan Safe
David & Lindsay 29 (7, 7, 8, 7) Jive "Ride"—ZZ Ward Cars 3 Safe
Nancy & Artem 36 (9, 9, 9, 9) Jazz "That's How You Know"—Amy Adams Enchanted Safe
Simone & Sasha 38 (9, 9, 10, 10) Contemporary "How Far I'll Go"—Auli'i Cravalho Moana Safe
Week 6: Boy Bands vs. Girl Groups Night[edit]
Individual judges' scores in the chart below (given in parentheses) are listed in this order from left to right: Carrie Ann Inaba, Nick Carter, Len Goodman, Bruno Tonioli.
The couples danced one unlearned dance and a team dance to songs from some of the most popular boy bands and girl groups throughout history. Argentine tango was performed for the first time in the season.
Maksim Chmerkovskiy returned to dance with Heather Morris after a four-week recovery period, but they were ultimately eliminated that night after receiving a perfect score.
Before the show began, the show paid tribute to Happy Days actress Erin Moran, who died two days earlier.
Running order
Couple
Scores[11]
Dance
Music[17]
Result
Simone & Sasha 35 (9, 8, 9, 9) Samba "Survivor"—Destiny's Child Safe
Bonner & Sharna 30 (8, 8, 7, 7) Rumba "I Want It That Way"—Backstreet Boys Safe
Nancy & Artem 33 (9, 8, 8, 8) Paso doble "Free Your Mind"—En Vogue Last to be called safe
Nick & Peta 28 (7, 7, 7, 7) Jive "Fun, Fun, Fun"—The Beach Boys Safe
Normani & Val 38 (10, 10, 8, 10) Salsa "When I Grow Up"—The Pussycat Dolls Safe
David & Lindsay 29 (7, 8, 7, 7) Argentine tango "I Want You Back"—NSYNC Safe
Rashad & Emma 37 (9, 10, 9, 9) Tango "Reach Out I'll Be There"—The Four Tops Safe
Heather & Maks 40 (10, 10, 10, 10) Rumba "Waterfalls"—TLC Eliminated
Bonner & Sharna
Rashad & Emma
David & Lindsay
Nick & Peta 33 (8, 9, 8, 8) Freestyle
(Team Boy Band) "Dancing Machine"—The Jackson 5
"You Got It (The Right Stuff)"—New Kids on the Block
"Best Song Ever"—One Direction
Simone & Sasha
Nancy & Artem
Normani & Val
Heather & Maks 34 (8, 9, 8, 9) Freestyle
(Team Girl Group) "My Boyfriend's Back"—The Chiffons
"No Scrubs"—TLC
"Boss"—Fifth Harmony
Week 7: A Night at the Movies[edit]
Individual judges' scores in the chart below (given in parentheses) are listed in this order from left to right: Carrie Ann Inaba, Len Goodman, Mandy Moore, Bruno Tonioli.
The couples performed one unlearned dance, capturing the spirit of a specific movie genre. The couple with the highest score earned an immunity from elimination, while the rest of the couples participated in dance-offs for extra points.
The night also featured a performance from the cast of the upcoming Disney Channel Original Movie, Descendants 2.
Running order
Couple
Scores[12]
Dance
Music[18]
Movie genre
Result
Bonner & Sharna 29 (7, 7, 8, 7) Paso doble "Hoedown"—Aaron Copland Western Safe
Nancy & Artem 36 (9, 9, 9, 9) Tango "Oh, Pretty Woman"—Roy Orbison Romance Eliminated
Simone & Sasha 37 (10, 9, 9, 9) Charleston "Charleston"—Bob Wilson & His Varsity Rhythm Boys Silent Safe
Nick & Peta 34 (8, 8, 9, 9) Argentine tango "Dangerous"—David Guetta feat. Sam Martin Action Eliminated
Rashad & Emma 37 (9, 9, 10, 9) Paso doble "O Fortuna"—Carl Orff Horror Safe
David & Lindsay 32 (8, 8, 8, 8) Salsa "Universal Mind Control"—Common feat. Pharrell Williams Sci-fi Last to be called safe
Normani & Val 40 (10, 10, 10, 10) Argentine tango "Quizás, Quizás, Quizás"—Andrea Bocelli feat. Jennifer Lopez Foreign Safe (Immunity)
For each dance-off, the couple with the highest remaining score picked the opponent against whom they wanted to dance; the chosen opponent was allowed to pick the dance style (cha-cha-cha, jive or rumba). The winner of each dance-off earned two points. The general public helped to determine the winner of each dance-off via the show's official website.
Dance-offs
Couple
Judges' votes
Public vote
Dance
Music
Result
Simone & Sasha Simone, Simone, Simone, Simone Simone (63%) Cha-cha-cha "Crave"—Pharrell Williams Winner (2 pts)
Nancy & Artem Loser
Rashad & Emma Rashad, Rashad, Rashad, Rashad Rashad (54%) Jive "Gimme Some Lovin'"—The Spencer Davis Group Winner (2 pts)
David & Lindsay Loser
Bonner & Sharna Bonner, Bonner, Bonner, Nick Bonner (62%) Rumba "I Will Always Love You"—Whitney Houston Winner (2 pts)
Nick & Peta Loser
Week 8: Quarterfinals[edit]
The couples performed an unlearned dance designed by the pros for their celebrity partners, with a song chosen by the pro to complement their celebrity partner's personality. Each couple also performed a trio dance involving an eliminated pro or a member of the troupe. Unlike in prior seasons, where the couples chose their trio partners, this season the trio partners were assigned by the judges.
Julianne Hough returned to the judging panel after a two-week hiatus.
Running order
Couple
(Trio Dance Partner)
Scores[13]
Dance
Music[25]
Result
Rashad & Emma
(Witney Carson) 36 (9, 9, 9, 9) Jive "Shake a Tail Feather"—The Blues Brothers Last to be called safe
39 (10, 9, 10, 10) Argentine tango "Dreams"—Bastille feat. Gabrielle Aplin
Normani & Val
(Alan Bersten) 40 (10, 10, 10, 10) Contemporary "Freedom"—Anthony Hamilton & Elayna Boynton Safe
39 (10, 9, 10, 10) Jive "Feeling Alive"—Earl St. Clair
Bonner & Sharna
(Britt Stewart) 30 (8, 7, 8, 7) Argentine tango "Believer"—Imagine Dragons Eliminated
28 (7, 7, 7, 7) Jazz "That's What I Like"—Bruno Mars
Simone & Sasha
(Brittany Cherry) 36 (9, 9, 9, 9) Foxtrot "What Makes You Beautiful"—One Direction Safe
36 (9, 9, 9, 9) Paso doble "Don't Let Me Down"—The Chainsmokers feat. Daya
David & Lindsay
(Hayley Erbert) 36 (9, 9, 9, 9) Waltz "Humble and Kind"—Tim McGraw Safe
29 (7, 7, 8, 7) Paso doble "Gangsta's Paradise"—2WEI
Week 9: Semifinals[edit]
The couples performed a dance coached by one of the four judges, as well as an unlearned dance.
Running order
Couple
(Judge)
Scores[14]
Dance
Music[26]
Result
Normani & Val
(Len Goodman) 36 (9, 9, 9, 9) Viennese Waltz "Desperado"—Rihanna Safe
40 (10, 10, 10, 10) Jazz "What a Wonderful World"—Ray Chew
David & Lindsay
(Julianne Hough) 34 (9, 8, 9, 8) Foxtrot "You Make Me Feel So Young"—Michael Bublé Last to be called safe
36 (9, 9, 9, 9) Tango "Castle on the Hill"—Ed Sheeran
Simone & Sasha
(Carrie Ann Inaba) 40 (10, 10, 10, 10) Jive "Faith"—Stevie Wonder feat. Ariana Grande Eliminated
40 (10, 10, 10, 10) Rumba "Skyscraper"—Demi Lovato
Rashad & Emma
(Bruno Tonioli) 38 (9, 9, 10, 10) Rumba "Say You Won't Let Go"—James Arthur Safe
39 (10, 9, 10, 10) Quickstep "Yes I Can"—Sammy Davis Jr.
Week 10: Finals[edit]
On the first night, the couples performed a redemption dance and a freestyle.
On the second night, the couples danced a fusion dance that fused two previously learned dance styles.
Running order (Night 1)
Couple
Scores[27]
Dance
Music[28]
David & Lindsay 33 (8, 8, 9, 8) Viennese Waltz "Let's Hurt Tonight"—OneRepublic
40 (10, 10, 10, 10) Freestyle "It Takes Two"—Rob Base and DJ E-Z Rock
"Take Me Out to the Ball Game"—Ronnie Neuman
Normani & Val 38 (10, 9, 9, 10) Quickstep "Check It Out"—Oh the Larceny
40 (10, 10, 10, 10) Freestyle "What the World Needs Now Is Love"—Andra Day
Rashad & Emma 40 (10, 10, 10, 10) Viennese Waltz "Dark Times"—The Weeknd feat. Ed Sheeran
40 (10, 10, 10, 10) Freestyle "Uptown Funk"—Mark Ronson feat. Bruno Mars
"Let's Go"—Trick Daddy feat. Deuce Poppi, Tre + 6 & Unda Presha
Running order (Night 2)
Couple
Scores[29]
Dance
Music
Result
David & Lindsay 36 (9, 9, 9, 9) Foxtrot
Salsa "Living"—Bakermat feat. Alex Clare Runner-up
Normani & Val 40 (10, 10, 10, 10) Argentine tango
Foxtrot "There's Nothing Holdin' Me Back"—Shawn Mendes Third place
Rashad & Emma 39 (10, 9, 10, 10) Cha-cha-cha
Tango "I Don't Like It, I Love It"—Flo Rida feat. Robin Thicke & Verdine White Winner
Dance chart[edit]
The celebrities and professional partners will dance one of these routines for each corresponding week:
Week 1: Cha-cha-cha, quickstep, salsa, tango, or Viennese Waltz (First Dances/400th Episode Week)
Week 2: One unlearned dance
Week 3: One unlearned dance (Vegas Night)
Week 4: One unlearned dance (Most Memorable Year Night)
Week 5: One unlearned dance (Disney Night)
Week 6: One unlearned dance and team dances (Boy Bands vs. Girl Groups Night)
Week 7: One unlearned dance and dance-offs (A Night at the Movies)
Week 8: One unlearned dance and trio dances (Quarterfinals)
Week 9: Judges' challenge and one unlearned dance (Semifinals)
Week 10 (Night 1): Redemption dance and freestyle
Week 10 (Night 2): 24-hour fusion challenge
Couple
Week 1
Week 2
Week 3
Week 4
Week 5
Week 6
Week 7
Week 8
Week 9
Week 10
Rashad & Emma
Cha-cha-cha Viennese Waltz Samba Contemporary Foxtrot Tango Freestyle
(Team Boy Band) Paso doble Jive Jive Argentine tango Rumba Quickstep Viennese Waltz Freestyle Cha-cha-cha Cha-cha-cha
Tango
David & Lindsay
Quickstep Cha-cha-cha Jazz Viennese Waltz Jive Argentine tango Freestyle
(Team Boy Band) Salsa Jive Waltz Paso doble Foxtrot Tango Viennese Waltz Freestyle Jazz Foxtrot
Salsa
Normani & Val
Quickstep Cha-cha-cha Foxtrot Rumba Paso doble Salsa Freestyle
(Team Girl Group) Argentine tango Immunity Contemporary Jive Viennese Waltz Jazz Quickstep Freestyle Salsa Argentine tango
Foxtrot
Simone & Sasha
Tango Cha-cha-cha Quickstep Viennese Waltz Contemporary Samba Freestyle
(Team Girl Group) Charleston Cha-cha-cha Foxtrot Paso doble Jive Rumba Contemporary
Bonner & Sharna
Cha-cha-cha Viennese Waltz Charleston Foxtrot Tango Rumba Freestyle
(Team Boy Band) Paso doble Rumba Argentine tango Jazz Cha-cha-cha
Nancy & Artem
Viennese Waltz Cha-cha-cha Samba Foxtrot Jazz Paso doble Freestyle
(Team Girl Group) Tango Cha-cha-cha Samba
Nick & Peta
Cha-cha-cha Foxtrot Tango Rumba Jazz Jive Freestyle
(Team Boy Band) Argentine tango Rumba Rumba
Heather & Maks
Viennese Waltz Jive Tango Cha-cha-cha Jazz Rumba Freestyle
(Team Girl Group) Rumba
Erika & Gleb
Salsa Foxtrot Jive Cha-cha-cha Viennese Waltz
Mr. T & Kym
Cha-cha-cha Paso doble Foxtrot Waltz
Charo & Keo
Salsa Paso doble Foxtrot
Chris & Witney
Cha-cha-cha Jazz
Highest scoring dance
Lowest scoring dance
Earned Immunity
Gained bonus points for winning this dance-off
Gained no bonus points for losing this dance-off
Danced, but not scored
Ratings[edit]
U.S. Nielsen ratings[edit]
Episode
Air date
Rating/Share
(18–49)
Viewers
(millions)
18–49 rank
(Weekly)
DVR
18–49
DVR
Viewers
(millions)
Total
18–49
Total
Viewers
1 "Week 1: Premiere" March 20, 2017 2.1 7 12.09[30] 6 (tied)[31] N/A 2.18 N/A 14.27[32]
2 "Week 2" March 27, 2017 1.7 6 11.12[33] 11 (tied)[34] N/A N/A N/A N/A
3 "Week 3: Vegas Night" April 3, 2017 1.5 5 10.47[35] 13 (tied)[36] N/A N/A N/A N/A
4 "Week 4: Most Memorable Year Night" April 10, 2017 1.6 6 10.31[37] 6 (tied)[38] N/A 1.85 N/A 12.16[39]
5 "Week 5: Disney Night" April 17, 2017 1.8 6 11.18[40] 2 (tied)[41] N/A 1.95 N/A 13.15[42]
6 "Week 6: Boy Bands vs. Girl Groups Night" April 24, 2017 1.6 6 10.35[43] 7[44] N/A N/A N/A N/A
7 "Week 7: A Night at the Movies Night" May 1, 2017 1.6 6 10.31[45] 8 (tied)[46] N/A N/A N/A N/A
8 "Week 8: Quarterfinals" May 8, 2017 1.5 6 9.95[47] 10 (tied)[48] N/A N/A N/A N/A
9 "Week 9: Semifinals" May 15, 2017 1.5 5 10.07[49] 7 (tied)[50] N/A N/A N/A N/A
10 "Week 10: The Finals" May 22, 2017 1.8 7 10.54[51] 5 (tied)[52] N/A N/A N/A N/A
11 "Week 10: Season Finale" May 23, 2017 1.4 5 8.91[53] 7[52] N/A N/A N/A N/A
References[edit]
Jump up ^ "Breaking News - ABC's Number One Hit Reality Show, "Dancing with the Stars," Returns with an All-New Season on Monday, March 20 - TheFutonCritic.com". thefutoncritic.com. Retrieved 1 March 2017.
Jump up ^ Wagmeister, Elizabeth (3 March 2016). "ABC Renews 15 Shows Including 'Quantico,' 'The Bachelor' & Comedy Slate". variety.com. Retrieved 1 March 2017.
Jump up ^ News, A. B. C. (21 February 2017). "'Dancing' stars Maksim Chmerkovskiy and Peta Murgatroyd to return to the show". go.com. Retrieved 1 March 2017.
Jump up ^ "Fifth Harmony's Normani Kordei Joins Dancing with the Stars — Plus Find Out Which Pros Are Returning". people.com. 24 February 2017. Retrieved 1 March 2017.
Jump up ^ "Dancing with the Stars 2017 Cast Announcement for Season 24 Is Coming! - Dancing with the Stars". go.com. Retrieved 1 March 2017.
Jump up ^ "EXCLUSIVE: Kym Johnson Returning for 'DWTS' Season 24, Celebrity Pairings Revealed". etonline.com. Retrieved 1 March 2017.
^ Jump up to: a b c Kubicek, John (March 27, 2017). "'Dancing with the Stars' Recap: Second Dances and the First Elimination". BuddyTV. Retrieved March 27, 2017.
^ Jump up to: a b Kubicek, John (April 3, 2017). "'Dancing with the Stars' Recap: Vegas Night for the Top 11". BuddyTV. Retrieved April 3, 2017.
^ Jump up to: a b Kubicek, John (April 10, 2017). "'Dancing with the Stars' Recap: The Emotional Memorable Year Dances". BuddyTV. Retrieved April 10, 2017.
^ Jump up to: a b Kubicek, John (April 17, 2017). "'Dancing with the Stars' Recap: The Magical World of Disney Night". BuddyTV. Retrieved April 17, 2017.
^ Jump up to: a b Kubicek, John (April 24, 2017). "'Dancing with the Stars' Recap: Boy Bands vs. Girl Groups". BuddyTV. Retrieved April 24, 2017.
^ Jump up to: a b Kubicek, John (May 1, 2017). "'Dancing with the Stars' Recap: One Couple Gets Immunity and Two Go Home". BuddyTV. Retrieved May 1, 2017.
^ Jump up to: a b Kubicek, John (May 8, 2017). "'Dancing with the Stars' Recap: The Final 5 Take on the Trio Dances". BuddyTV. Retrieved May 8, 2017.
^ Jump up to: a b Kubicek, John (May 15, 2017). "'Dancing with the Stars' Recap: The Final 4 in the Semifinals". BuddyTV. Retrieved May 15, 2017.
Jump up ^ Surette, Tim (May 23, 2017). "Dancing with the Stars Finale: Who Was Crowned the Winner?". TV Guide. Retrieved May 23, 2017.
Jump up ^ "About Dancing with the Stars". abc.go.com. Retrieved March 1, 2017.
^ Jump up to: a b "Scoop: DANCING WITH THE STARS on ABC - Monday, April 24, 2017". BroadwayWorld.com. April 20, 2017. Retrieved April 20, 2017.
^ Jump up to: a b "Scoop: DANCING WITH THE STARS on ABC - Monday, May 1, 2017". BroadwayWorld.com. April 27, 2017. Retrieved April 27, 2017.
Jump up ^ Kubicek, John (March 20, 2017). "'Dancing with the Stars' Season 24 Premiere Live Blog: The First Dances". BuddyTV. Retrieved March 20, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, March 20, 2017". BroadwayWorld.com. March 14, 2017. Retrieved March 14, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, March 27, 2017". BroadwayWorld.com. March 27, 2017. Retrieved March 27, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, April 3, 2017". BroadwayWorld.com. March 29, 2017. Retrieved April 3, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, April 10, 2017". BroadwayWorld.com. April 10, 2017. Retrieved April 10, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, April 17, 2017". BroadwayWorld.com. April 13, 2017. Retrieved April 17, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, May 8, 2017". BroadwayWorld.com. May 4, 2017. Retrieved May 4, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS on ABC - Monday, May 15, 2017". BroadwayWorld.com. May 11, 2017. Retrieved May 15, 2017.
Jump up ^ Kubicek, John (May 22, 2017). "'Dancing with the Stars' Recap: The Final 3 Perform Their Freestyles". BuddyTV. Retrieved June 1, 2017.
Jump up ^ "Scoop: DANCING WITH THE STARS - Season Finale on May 22 & 23 on ABC". BroadwayWorld.com. May 19, 2017. Retrieved May 22, 2017.
Jump up ^ Kubicek, John (May 23, 2017). "'Dancing with the Stars' Season 24 Finale Recap: Who Won the Mirror Ball?". BuddyTV. Retrieved June 1, 2017.
Jump up ^ Porter, Rick (March 21, 2017). "'Dancing With the Stars' adjusts up, 'Taken' and 'Quantico' adjust down: Monday final ratings". TV by the Numbers. Retrieved March 21, 2017.
Jump up ^ Porter, Rick (March 28, 2017). "'Empire,' March Madness and '60 Minutes' top the week 27 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved March 28, 2017.
Jump up ^ Porter, Rick (April 6, 2017). "'Empire' and 'Designated Survivor' score in week 27 broadcast Live +7 ratings". TV by the Numbers. Retrieved April 6, 2017.
Jump up ^ Porter, Rick (March 28, 2017). "'Voice,' 'Great Indoors' adjust up; 'Taken,' 'Quantico,' 'Jane the Virgin' down: Monday final ratings". TV by the Numbers. Retrieved March 28, 2017.
Jump up ^ Porter, Rick (April 4, 2017). "Final Four, 'Big Bang Theory' lead the week 28 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved April 5, 2017.
Jump up ^ Porter, Rick (April 4, 2017). "'The Voice' adjusts up, 'Taken' adjusts down, final NCAA numbers: Monday final ratings". TV by the Numbers. Retrieved April 4, 2017.
Jump up ^ Porter, Rick (April 11, 2017). "CBS and NCAA Championship score in week 29 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved April 11, 2017.
Jump up ^ Porter, Rick (April 11, 2017). "'The Voice,' 'Dancing With the Stars,' 'Kevin Can Wait' adjust up: Monday final ratings". TV by the Numbers. Retrieved April 11, 2017.
Jump up ^ Porter, Rick (April 18, 2017). "'Big Bang Theory' is low, still tops week 30 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved April 18, 2017.
Jump up ^ Porter, Rick (April 26, 2017). "6 shows double, led by 'Designated Survivor': Week 30 broadcast Live +7 ratings". TV by the Numbers. Retrieved April 26, 2017.
Jump up ^ Porter, Rick (April 18, 2017). "'Dancing With the Stars' and 'Kevin Can Wait' adjust up, 'Quantico' adjusts down: Monday final ratings". TV by the Numbers. Retrieved April 18, 2017.
Jump up ^ Porter, Rick (April 25, 2017). "'The Voice' and 'NCIS' top a soft week 31 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved April 25, 2017.
Jump up ^ Porter, Rick (May 4, 2017). "'Designated Survivor' makes more big gains: Week 31 broadcast Live +7 ratings". TV by the Numbers. Retrieved May 5, 2017.
Jump up ^ Porter, Rick (April 25, 2017). "'Gotham' adjusts up, 'Quantico' adjusts down: Monday final ratings". TV by the Numbers. Retrieved April 25, 2017.
Jump up ^ Porter, Rick (May 2, 2017). "'The Big Bang Theory' is No. 1 in week 32's broadcast Top 25 and network rankings". TV by the Numbers. Retrieved May 2, 2017.
Jump up ^ Porter, Rick (May 2, 2017). "'The Voice,' 'Scorpion,' 'Man with a Plan,' 'Superior Donuts' all adjust up: Monday final ratings". TV by the Numbers. Retrieved May 2, 2017.
Jump up ^ Porter, Rick (May 9, 2017). "ABC and 'Big Bang Theory' top the week 33 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved May 10, 2017.
Jump up ^ Porter, Rick (May 9, 2017). "'Gotham,' 'Man with a Plan,' 'Jane the Virgin' adjust up, 'Quantico' adjusts down: Monday final ratings". TV by the Numbers. Retrieved May 9, 2017.
Jump up ^ Porter, Rick (May 16, 2017). "'Big Bang Theory' finale and NBC finish atop the week 34 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved May 16, 2017.
Jump up ^ Porter, Rick (May 16, 2017). "'Dancing with the Stars,' 'Man with a Plan' finale adjust up: Monday final ratings". TV by the Numbers. Retrieved May 16, 2017.
Jump up ^ Porter, Rick (May 23, 2017). "Billboard Awards, 'NCIS' top the week 35 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved May 23, 2017.
Jump up ^ Porter, Rick (May 23, 2017). "'The Voice' adjusts up, 'Jane the Virgin' adjusts down: Monday final ratings". TV by the Numbers. Retrieved May 23, 2017.
^ Jump up to: a b Porter, Rick (May 31, 2017). "'Empire' finale and 'Dancing With the Stars' lead the week 36 broadcast Top 25 and network rankings". TV by the Numbers. Retrieved May 31, 2017.
Jump up ^ Porter, Rick (May 24, 2017). "'Dancing With the Stars finale adjusts up, 'iZombie' adjusts down: Tuesday final ratings". TV by the Numbers. Retrieved May 24, 2017.
External links[edit]
Official website
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Glossary of rhetorical terms
From Wikipedia, the free encyclopedia
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Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
Contents:
Top
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
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V
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X
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A[edit]
Absurdity. The exaggeration of a point beyond belief.
Accumulatio. The emphasis or summary of previously made points or inferences by excessive praise or accusation.
Acutezza. Wit or wordplay used in rhetoric.
Ad hominem. Rebutting an argument by attacking the character, motive, or other attribute of the person making it rather than the substance of the argument itself.
Adjunction. When a verb is placed at the beginning or the end of a sentence instead of in the middle. For example (from Rhetorica ad Herennium), "At the beginning, as follows: 'Fades physical beauty with disease or age.' At the end, as follows: 'Either with disease or age physical beauty fades.'"
Aesthetics. The examination of symbolic expression to determine its rhetorical possibilities.
Aetiologia. Giving a cause or a reason.
Affectus. A term used by the Italian Humanists of the Renaissance to describe the source of emotions or passions in the human mind.
Agenda. That which a persuader successfully makes salient and then spins. [see: Vatz, Richard E.]
Alliteration. The use of a series of two or more words beginning with the same letter.
Alloisis. The breaking down of a subject into its alternatives.
Ambigua. An ambiguous statement used in making puns.
Amplificatio. An all-purpose term for all the ways an argument can be expanded and enhanced.
Amplification. The act and the means of extending thoughts or statements to increase rhetorical effect, to add importance, or to make the most of a thought or circumstance.
Anacoenosis. A speaker asks his or her audience or opponents for their opinion or answer to the point in question.
Anacoluthon. An abrupt change of syntax within a sentence. (What I want is — like anybody cares.)
Anadiplosis. Repeating the last word of one clause or phrase to begin the next.
Analogy. The use of a similar or parallel case or example to reason or argue a point.
Anaphora. From the Greek ἀναφέρω, "I repeat". A succession of sentences beginning with the same word or group of words.
Anastrophe. Inversion of the natural word order.
Anecdote. A brief narrative describing an interesting or amusing event.
Animorum motus. The emotions.
Antanaclasis. From Greek ̩̩ἀντανάκλασις, a figure of speech involving a pun, consisting of the repeated use of the same word, each time with different meanings.
Anthimeria. Substitution of one part of speech for another (such as a noun used as a verb). It is traditionally called antimeria.
Anticlimax. A bathetic collapse from an elevated subject to a mundane or vulgar one. A specialized form of catacosmesis.
Antimetabole. Repetition of two words or short phrases, but in reversed order to establish a contrast. It is a specialized form of chiasmus.
Antinome (/ˈæntənoʊm/ AN-tə-nohm). Two ideas about the same topic that can be worked out to a logical conclusion, but the conclusions contradict each other.
Antiptosis. The substitution of one case for another.
Antistrophe. In rhetoric, repeating the last word in successive phrases. For example (from Rhetorica ad Herennium), "Since the time when from our state concord disappeared, liberty disappeared, good faith disappeared, friendship disappeared, the common weal disappeared." Also see: epiphora.
Antithesis. The juxtaposition of contrasting ideas in balanced or parallel words, phrases, or grammatical structures; the second stage of the dialectic process.
Antonomasia. The substitution of an epithet for a proper name.
Aphaeresis. The omission of a syllable from the beginning of a word.
Apocope. The omission of the last letter or syllable of a word.
Apokoinu construction. A blend of two clauses through a lexical word that has two syntactical functions, one in each of the blended clauses.
Apophasis / Apophesis. Pretending to deny something as a means of implicitly affirming it. As paralipsis, mentioning something by saying that you will not mention it. The opposite of occupatio.
Aporia. An attempt to discredit an opposing viewpoint by casting doubt on it.
Aposiopesis. An abrupt stop in the middle of a sentence; used by a speaker to convey unwillingness or inability to complete a thought or statement.
Apostrophe. From Greek ἀποστροφή, a figure of speech consisting of a sudden turn in a text towards an exclamatory address to an imaginary person or a thing.
Appeals. Rhetorical devices used to enhance the plausibility of one's argument; Aristotle's appeals included ethos, logos, and pathos.
Apposition. The placement of two words or phrases side by side with one element serving to define or modify the other.
Arete. Virtue, excellence of character, qualities that would be inherent in a "natural leader", a component of ethos.
Argument. Discourse characterized by reasons advanced to support conclusions.
Argumentum ad baculum. Settling a question by appealing to force.
Argumentum ad hominem. Using what you know about your opponent's character as a basis for your argument.
Arrangement. See: dispositio.
Ars arengandi. Teaching of forensic speaking during the Medieval rhetorical era.
Ars dictaminis. The art of writing letters, introduced and taught during the Medieval rhetorical era.
Ars poetria. Medieval teaching of grammar and style through analysis of poetry.
Ars praedicandi. The art of preaching based on rhetorical ideas and introduced during the Medieval rhetorical era during an increasing intersection between rhetoric and religion.
Artistic proofs. Rhetorically-produced methods for persuasion. For Aristotle, three possibilities would be ethos, pathos, and logos.
Assonance. Words that repeat the same vowel sound.
Asyndeton. The deliberate omission of conjunctions that would normally be used.
Audience. Real, imagined, invoked, or ignored, this concept is at the very center of the intersections of composing and rhetoric.
Aureation. The use of Latinate and polysyllabic terms to "heighten" diction.
Auxesis. To place words or phrases in a certain order for climactic effect.
Axioms. The point where scientific reasoning starts. Principles that are not questioned.
B[edit]
Backing. Supporting an argument's merit.
Barbarism. Use of a non-standard word, expression or pronunciation in a language, particularly one prescriptively regarded as an error in morphology.
Bases. The issues at question in a judicial case.
Bathos. An emotional appeal that inadvertently evokes laughter or ridicule.
Bdelygmia. Expression of hatred or contempt.
Belles lettres. Written works considered quality because they are pleasing to the senses.
Belletristic movement. Movement of rhetoric in the late 18th and early 19th centuries emphasizing stylistic considerations of rhetoric. It also expanded rhetoric into a study of literature and literary criticism and writing.
Bomphiologia. Bombastic speech: a rhetorical technique wherein the speaker brags excessively.
Brachylogia. Brevity of diction.
Brevitas. Concise expression.
Burden of proof. Theory of argument giving the obligation of proving a case to the asserting party.
Buzzword. A word or phrase used to impress, or one that is fashionable.
C[edit]
Canon. A term often used to discuss significant literary works in a specific field, used by Cicero to outline five significant parts of the rhetorical composition process.
Captatio benevolentiae. Any literary or oral device that seeks to secure the goodwill of the recipient or hearer, as in a letter or in a discussion.
Catachresis. The inexact use of a similar word in place of the proper one to create an unlikely metaphor. For example (from Rhetorica ad Herennium), "The power of man is short" or "the long wisdom in the man".
Catacosmesis. A reverse climax: an arrangement of phrases or topics in decreasing order, as with best, worse, worst. Its extreme form is anticlimax.
Charisma. An attribute that allows a speaker's words to become powerful.
Chiasmus. From the name of the Greek letter "χ", a figure of speech consisting of the contrasting of two structurally parallel syntactic phrases arranged "cross-wise", i.e., in such a way that the second is in reverse order from the first.
Circa rem. Latin: The circumstances surrounding the act in one Roman topical system.
Claim 1. A primary point being made to support an argument. 2. Stephen Toulmin: the resulting conclusion to an argument.
Classicism. A revival in the interest of classical antiquity languages and texts.
Climax. An arrangement of phrases or topics in increasing order, as with good, better, best. The opposite of catacosmesis.
Colon. A colon (Greek κῶλον) is a rhetorical figure consisting of a clause that is grammatically, but not logically, complete.
Colloquialism. A word or phrase that is not formal or literary, typically one used in ordinary or familiar conversation.
Common topics. Arguments and approaches useful in rhetorical settings; koinoi topoi.
Consubstantiality. Substance commonality.
Conclusio. Latin: A letter's conclusion.
Confirmatio. Latin: The section of a judicial speech (in Roman rhetorical theory) that offers evidence supporting the claims given during the statement of facts.
Confutatio. Latin: Counterargument in Roman rhetorical theory.
Constraints. Referring to "persons, events, objects, and relations that are parts of the situation because they have the power to constrain decision and action needed to modify the exigence". Originally used by Lloyd Bitzer.
Contingency. In rhetoric, it relates to the contextual circumstances that do not allow an issue to be settled with complete certainty.
Context. The circumstances surrounding an issue that should be considered during its discussion.
Conversio. Latin: Varying sentence structure to discover its most agreeable form.
Conversation model. The model, in critique of traditional rhetoric by Sally Gearhart, that maintains the goal of rhetoric is to persuade others to accept your own personal view as correct.
Cookery. Plato believed rhetoric was to truth as cookery was to medicine. Cookery disguises itself as medicine and appears to be more pleasing, when in actuality it has no real benefit.
Critical theory. Systematically analyzing any means of communication for hidden assumptions and connotations.
Concession. Acknowledgment of objections to a proposal.
D[edit]
Data. Stephen Toulmin. Initial evidence supporting a claim.
Deconstruction. Analyzing communication artifacts by scrutinizing their meaning and related assumptions, with the goal of determining the social and systemic connotations behind their structure.
Deduction. Moving from an overall hypothesis to infer something specific about that hypothesis.
Delectare. To delight; viewed by Cicero as one of the three goals of rhetoric.
Delivery. Canon #5 in Cicero's list of rhetorical canons; traditionally linked to oral rhetoric, refers to how a speech is given (including tone of voice and nonverbal gestures, among others).
Demos. The ordinary citizens of an ancient Greek city-state, considered as a political entity; population; the common people.
Dialectic. A rhetorical term that has been defined differently by Aristotle and Ramus, among others; generally, it means using verbal communication to come to an agreement on a topic.
Diallage. Establishing a single point with the use of several arguments.
Dictamen. The art of writing letters.
Dispositio. In the classical theory of the production of speech, pronuntiatio dispositio refers to the stage of planning the structure and sequence of ideas. Often referred to as arrangement, the second of Cicero's five rhetorical canons.
Dissoi logoi. Contradictory arguments.
Distribution. Dividing a whole subject into its various parts.
Divisio. To divide into categories or classes.
Docere. To teach; viewed by Cicero as one of the three goals of rhetoric.
Dramatistic. Way to look at the nature of language stressing on language as an action. ex. uses expressions such as 'thou shalt' and 'thou shalt not'.
Dysphemism. A term with negative associations for something in reality fairly innocuous or inoffensive.
E[edit]
Ecphonesis. A sentence consisting of a single word or short phrase ending with an exclamation point.
Ellipse. The suppression of ancillary words to render an expression more lively or more forceful.
Elocutio. In the classical theory of the production of a speech (Pronuntiatio), elocution refers to the stage of elaborating the wording of a text, using correct grammar and diction.
Enallage. The switching of grammatical forms for an expressive purpose.
Energia. The Greek word for 'energy' that was used by Aristotle in reference to the force or vigor of expression in writing or speech.
Enthymeme. A type of argument that is grounded in assumed commonalities between a rhetor and the audience. (For example: Claim 1: Bob is a person. Therefore, Claim 3: Bob is mortal. The assumption (unstated Claim 2) is that People are mortal). In Aristotelian rhetoric, an enthymeme is known as a "rhetorical syllogism:" it mirrors the form of a syllogism, but it is based on opinion rather than fact (For example: Claim 1: These clothes are tacky. Claim 2: I am wearing these clothes. Claim 3: Therefore, I am unfashionable).
Enumeratio. Making a point more forcibly by listing detailed causes or effects; to enumerate: count off or list one by one.
Epanalepsis. A figure of speech in which the same word or phrase appears both at the beginning and at the end of a clause.
Epanaphora. In rhetoric, repeating the same word or phrase at the beginning of successive phrases for emphasis. For example (from Rhetorica ad Herennium), "To you must go the credit for this, to you are thanks due, to you will this act of yours bring glory."
Epideictic. Ceremonial rhetoric, such as might be found in a funeral or victory speech.
Epiphora. The repetition of a phrase or word at the end of several sentences or clauses. Also see: anaphora.
Epistemology. Philosophical study directed at understanding how people gain knowledge.
Epistrophe. A succession of clauses, phrases or sentences that all end with the same word or group of words.
Epithet. A term used as a descriptive and qualifying substitute for the name of a person, place or thing.
Epizeuxis. Emphasizing an idea using one word repetition.
Eristic. Communicating with the aim of winning the argument regardless of truth. The idea is not necessarily to lie, but to present the communication so cleverly that the audience is persuaded by the power of the presentation.
Erotema. The so-called 'Rhetorical Question', where a question is asked to which an answer is not expected.[1]
Ethos. A rhetorical appeal to an audience based on the speaker/writer's credibility.
Ethopoeia. The act of putting oneself into the character of another to convey that persons feelings and thoughts more vividly.
Euphemism. An innocuous, inoffensive or circumlocutory term or phrase for something unpleasant or obscene. E.g., in advertising for female hygiene products any liquid shown is never red, it's usually blue.
Evidence. In rhetoric, facts or testimony used to strengthen a claim.
Exemplum. The citation of an example, either truthful or fictitious.
Exigence. A rhetorical call to action; a situation that compels someone to speak out.
Exordium. The introductory (Lat: exordium, beginning) portion of an oration.
Expression. applying the correct language to an argument.
F[edit]
Fable. A short allegorical story.
Facetiae. Latin, humor or wit.
Facilitas. The improvising of effective oral or written language to suit any situation.
Faculty psychology. 18th century, the mind contains faculties that include understanding, imagination, passion, and will.
False consciousness. (Marxism), a distorted view of reality, people, and the world.
Feminist rhetoric. Rhetorical theory concerned with feminism and its critique of social structures.
Fictio. The attribution of rational traits to non-rational creatures.
Field-dependent. Stephen Toulmin's term, standards for assessing arguments that are specific to a certain field.
Field-invariant. Stephen Toulmin's term, standards for assessing arguments that are not determined by the particular field.
Figure. Unusual arrangement of language that tries to achieve unique meaning for ideas.
Figura etymologica. Repetition of two etymologically-related terms.
Forensic oratory. speaking in a courtroom.
G[edit]
Gens. Latin, an influential group of families.
Genera. (Plural of genus) Classification by race, kind, or possession of similarities; descriptive of different types of oratory.
Graecismus. The use of Greek idiom.
H[edit]
Hendiadys. Using two nouns linked by a conjunction to express a single complex idea.
Hermeneutics. The theoretical underpinnings of interpreting texts, usually religious or literary.
Heteroglossia. Refers to use of a variety of voices or styles within one literary work or context.
Heuristics. Determining or applying the proper methods for investigation.
Homologia. A tedious style or redundancy of style.
Homoioteleuton. From the ancient Greek όμοιοτέλευτος/homoioteleutos (ὅμοιος/hόmoios = "same", and τελευτή/teleutế = "ending") is a figure of speech where adjacent or parallel words have similar endings inside a verse, a sentence. Authors often use it to evoke music or to give a rhythm to their phrase.
Horismus. A brief and often antithetical definition.
Hypallage. A literary device that reverses the syntactic relation of two words (as in "her beauty's face").
Hyperbaton. A figure of speech in which words that naturally belong together are separated from each other for emphasis or effect.
Hyperbole. A figure of speech where emphasis is achieved through exaggeration, independently or through comparison. For example (from Rhetorica ad Herennium), "His body was as white as snow, his face burned like fire."
Hypophora. When a speaker asks aloud what his/her adversaries have to say for themselves or against the speaker, and then proceeds to answer the question. For example (from Rhetorica ad Herennium), "When he reminded you of your old friendship, were you moved? No, you killed him nevertheless, and with even greater eagerness. And then when his children grovelled at your feet, were you moved to pity? No, in your extreme cruelty you even prevented their father's burial."
Hypothesis. An educated guess; usually a clause claiming "if" something happens, "then" a result will come of it.
Hypsos. Great or worthy writing, sometimes called sublime. Longinus's theme in On the Sublime.
Hypozeuxis. A sentence in which every clause has its own subject and verb.
Hysteron proteron. A rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word. The goal is to call attention to the more important idea by placing it first.
I[edit]
Icon. Using imagery to create resemblance.
Identification. Connecting with a larger group through a shared interpretation or understanding of a larger concept; Kenneth Burke was one of the first people to use the term in this way.
Ideology. A way of understanding one's external surroundings.
Ignoratio elenchi. A conclusion that is irrelevant.
Imitatio. Latin, imitation.
Inartistic proofs. Discovered information stemming from the raw data of experience.
Indefinite questions. In Quintlian, questions that are discussed without referring to anything specifically.
Indignatio. To arouse indignation in the audience.
Induction. Rhetorical method for coming to general conclusions through specific examples.
Ingenium. Latin, In Vico- the ability to understand similarities and relationships that is innate in all humans.
In re. Latin, arguments concerned with what actually happened.
Institutio Oratoria. Educational and rhetorical principles as described and prescribed in treatise by Quintillian.
Insultatio. Abusing a person to his/her face by using irony and derisive language.
Interlacement. Combining the figures Antistrophe and Epanaphora for rhetorical style and emphasis. For example (from Rhetorica ad Herennium), "Who are they who have often broken treaties? The Carthaginians. Who are they who have waged war with severest cruelty? The Carthaginians."
Intersubjective agreements. agreements on the fair conduct of an argument among individuals participating in dialogue.
Invention. Described by Cicero as the process of determining "valid or seemingly valid arguments;" the first of his five rhetorical canons.
Invitational rhetoric. (Foss and Griffin, 1995) rhetoric involving "an invitation to understanding as a means to create a relationship rooted in quality, immanent value, and self-determination". Emphasizes the relationship between the speaker and freedoms of the audience to make decisions for themselves in order to promote equality.
Ioci. Jokes, see: Cicero's De Oratore and his theory of humor.
Irony. A deliberate contrast between indirect and direct meaning to draw attention to the opposite.
Isocolon. A string of phrases of corresponding structure and equal length.
Issues of definition. Things related to naming an act.
Issues of fact. Issues related to an act's occurrence.
Issues of quality. Issues related to the seriousness of an act.
J[edit]
Jargon. Highly technical language used by specific group.
Judicial. Type of oratory used to attack or defend someone in a court of law.
K[edit]
Kairos. Generally means, "timing" or "the right circumstances".
Kategoria. Greek for Accusation.
Koinoi topoi. Common topics; in a rhetoric situation, useful arguments and strategies.
Koinonia. To consult with your opponent or judge.
Kolakeia. Flattery; telling people what they want to hear while disregarding their best interests; employed by sophistic rhetoricians.
L[edit]
Latinitas. Stylistic feature involving the proper use of language.
Lexis. Style.
Literae humanae. Academic disciplines that are known as the liberal arts: languages, philosophy, history, literature, music, art and certain abstract sciences.
Litotes. Stating a positive by negating the negative — a form of understatement. ("I am not unaware of your difficulties.")
Localism. A word, phrase, or custom particular to one's location.
Loci communes. Types of arguments. Quintillian trained orators to learn intellectual habits to access the arguments quickly.
Locution. Refers to the utterance of a statement.
Logical fallacy. Misconceptions resulting from faulty reasoning.
Logical positivism. The effort to make scientific standards applicable for resolving all issues.
Logical proof. Arguments used to persuade audience. Reasoned.
Logos. Rhetorical appeals based on logic or reasoning.
Logology. Kenneth Burke. Study of the specific theological terms used. Not to find the truth or falseness of the statement, but why that particular word was chosen.
M[edit]
Major premise. Statement in a syllogism. Generalization.
Magnanimity. Doing good to others, "its opposite is meanness of spirit" (from Aristotle's Rhetoric).
Material fallacy. False notion concerning the subject matter of an argument.
Maxim. "A saying drawn from life, which shows concisely either what happens or ought to happen in life, for example: 'Every beginning is difficult.'" (from Rhetorica ad Herennium)
Memory. Described by Cicero as the "firm mental grasp of matter and words;" the fourth of his five rhetorical canons.
Metanarrative. Universal theories positing to know all aspects of humanity.
Metaphor. A figure of speech where a word that normally applies to one thing is used to designate another for the sake of creating a mental picture. For example (from Rhetorica ad Herennium), "... he lightly breathed a favoring breath".
Metonymy. A figure of speech that substitutes one word or phrase for another with which it is closely associated. For example (from Rhetorica ad Herennium), "one should say 'wine' for 'Liber', 'wheat' for 'Ceres'." In UK, people speak of "Crown property" meaning property belonging to the Sovereign. Similarly: "The White House had no comment to make." ("White House", the residence and office building of the president of the United States, is used as a metonymy for the president or the president's administration.
Metron. Greek, measure.
Minor premise. Statement in an argument.
Modus inveniendi. Latin, in St Augustine, material used to understand the scriptures.
Modus proferendi. Latin, in St. Augustine, expressing ideas found within the scriptures.
Moral reasoning. Reasoning employed in rhetoric that determines a conclusion based on evidence. Used in issues of ethics, religion, economics, and politics.
Motive. Something that plays a role in one's decision to act.
Movere. To persuade; viewed by Cicero as one of the three goals of rhetoric.
N[edit]
Narratio. A presentation of essential facts in a judicial speech.
Narration. Story telling, involving the elements of time, place, actor, action, cause and manner.
Necessary cause. Cause without which effect couldn't/wouldn't have occurred.
Negatio. To negate or deny.
Neoplatonism. School of thought emanating from the works of Plato and Aristotle in early BCE Rome.
Noema. Speech that is deliberately subtle or obscure.
Nomos. Greek, a social custom or convention.
Non sequitur. A statement bearing no relationship to the preceding context.
Notaries. Secretaries trained in rhetoric for dealing with the agreements that were needed for commercial cities in Italy to function.
O[edit]
Occupatio. Introducing and responding to one's opponents' arguments before they have the opportunity to bring them up. The opposite of apophasis.
Oictos. A show of pity or compassion.
Ominatio. A prophecy of evil.
Onomatopoeia. Words that imitate the sounds, objects, or actions they refer to. (ex. "buzz", "hullabaloo", "bling")
Opening. First part of discourse. Should gain audiences' attention.
Optatio. A wish exclaimed.
Orcos. An oath.
Oxymoron. Opposed or markedly contradictory terms joined together for emphasis.[2]
P[edit]
Parachesis. Repetition of the same sound in several words in close succession. Alliteration (initial rhyme) is a special case of parachesis.
Paradeigma. Greek, argument created by a list of examples that leads to a probable generalized idea.
Paradiastole. Greek, redescription - usually in a better light.
Paralipsis. A form of apophasis when a rhetor introduces a subject by denying it should be discussed. To speak of someone or something by claiming not to.
Parallel syntax. repetition of similar sentence structures.
Parallel structure. Using the same tense and structure.
Paraprosdokian. A sentence in which the latter half takes an unexpected turn.
Parataxis. Using juxtaposition of short, simple sentences to connect ideas, as opposed to explicit conjunction.
Parenthesis. An explanatory or qualifying word, clause, or sentence inserted into a passage that is not essential to the literal meaning.
Paremvolia. An interference of speak by speaking.
Parisosis. When clauses have very similar lengths, as measured by syllables; sometimes taken as equivalent to isocolon.
Parody. To imitate something or somebody comically.
Paromoiosis. Parallelism of sound between the words of two clauses approximately equal in size. The similarity of sound can occur at the beginning of the clauses, at the end (where it is equivalent to homoioteleuton), in the middle or throughout the clauses.
Paronomasia. A pun, a play on words, often for humorous effect.
Particular audience. In Perelman and Olbrechts-Tyteca, the actual audience the orator addresses.
Pathos. Greek, the emotional appeal to an audience in an argument. One of Aristotle's three proofs.
Perfectus orator. Latin, a complete orator.
Periphrasis. The substitution of many or several words where one would suffice; usually to avoid using that particular word.
Peroratio. Latin, the last section of a judicial speech where the speaker is the strongest.
Personification. A figure of speech that gives human characteristics to inanimate objects, or represents an absent person as being present. For example (from Rhetorica ad Herennium), "But if this invincible city should now give utterance to her voice, would she not speak as follows?"
Petitio. Latin, in a letter, an announcement, demand, or request.
Phallogocentrism. Examines the relationship between logos (reason) and the phallus (representative of male genitalia). Just as the phallus is implicitly and sometimes explicitly assumed to be the only significant sexual organ, the masculine is the accepted as the central point of reference of validity and authority for a society.
Phronesis. Greek, practical wisdom; common sense.
Physis. Greek, nature.
Pian. Ancient China, the art of disputing.
Pistis. Greek, belief.
Plausibility. Rhetoric that is believable right away due to its association with something that the audience already knows or has experienced.
Pleonasm. The use of more words than necessary to express an idea.
Poetriae, Ars. Latin, poetry as an art.
Polis. Greek, the city-state, especially the people in the city-state.
Polyphonic. Having multiple voices.
Polyptoton. The repetition of a word or root in different cases or inflections within the same sentence.
Polysyndeton. The repeated use of conjunctions within a sentence, particularly where they do not necessarily have to be used.
Portrayal. Describing a person clearly enough for recognition. For example (from Rhetorica ad Herennium), "I mean him, men of the jury, the ruddy, short, bent man, with white and rather curly hair, blue-grey eyes, and a huge scar on his chin, if perhaps you can recall him to memory."
Position. The stance taken by a rhetor that s/he is attempting to prove through argumentation.
Positivism. Term created by Auguste Comte that posits that science, math, or logic can prove any reasonable claim.
Postmodernism. Related to rhetoric, a field of inquiry concerned with the ideological underpinnings of commonly held assumptions.
Praedicandi, Ars. Latin, Preaching.
Praegnans constructio. A form of brachylogy in which two clauses or two expressions are condensed into one.
Pragmatism. Approach based on practical consideration and immediate perception to the exclusion of moral (in the sense of 'should') and ethic arguments.
Pragmatographia. Description of an action (such as a battle, a feast, a marriage, a burial, etc.).
Presence. In Perelman and Olbrechts-Tyteca, choosing to emphasize certain facts and ideas instead of others, leading the audience along that path.
Presumption. An idea is reasonable or acceptable only until it is sufficiently challenged.
Prolepsis. A literary device in which a future state is spoken of in the present; for example, a condemned man may be called a "dead man walking".
Proof surrogate. An expression used to suggest that there is evidence or authority for a claim without actually citing such evidence or authority.
Prosopopoeia. Speaking as another person or object; in a sense, the inverse of apostrophe.
Pronuntiato. Latin: The delivery of an oration or an argument in a manner befitting the subject matter and style, while maintaining control of voice and body.
Protreptic. Greek, the potential to persuade through language.
Prudence. Judging practically.
Psogos. Greek for blame.
Psychagogos. Greek for a poet.
Psyche. Greek for the mind or soul.
Public sphere. Place where individuals can engage in discussion without the political or state interests interfering.
Purpose. What the speaker or writer is trying to do with language.
Q[edit]
Quadrivium. The major subjects taught in medieval times: geometry, arithmetic, astronomy, and music.
Quaestiones. Debatable points around which disputes are centered.
R[edit]
Reasoning by contraries. Where the first statement of two opposite statements directly proves the second. For example (from Rhetorica ad Herennium), "Or how should you expect a person whose arrogance has been insufferable in private life, to be agreeable and not forget himself when in power...?"
Repetition, repetition, repetition is the simple repeating of a word for emphasis.
Rebuttal. Stephen Toulmin's term, conditions on the acceptability of a claim.
Res. Latin: An argument's substance.
Rhetor. A person who is in the course of presenting or preparing rhetorical discourse.
Rhetores. (Greek) Those who make a living by speaking persuasively.
Rhetoric. The study and practice of good effective expression. Also a type of discourse- focusing on goals of the speech or piece of writing that attempts to sway the mind of the audience.
Rhetoric of fiction. Wayne Booth's idea "the author's judgement is always present" in a narrative.
Rhetorical audience. Those who can be persuaded by rhetoric.
Rhetorical discourse. Discourse created within the boundary of the principles of rhetoric.
Rhetorical opposition. Protagoras's idea that there are two sides to everything.
Rhetorical question. A question asked to make a point instead of to elicit a direct answer.
Rhetorical situation. A term made popular by Lloyd Bitzer; describes the scenario that contains a speech act, including the considerations (purpose, audience, author/speaker, constraints to name a few) that play a role in how the act is produced and perceived by its audience. The counterargument regarding Bitzer's situation-rhetoric relationship was made by Richard E. Vatz in "The Myth of the Rhetorical Situation" and "The Mythical Status of Situational Rhetoric" in The Review of Communication, 2009. He argued for a salience-meaning (or now, agenda-framing-spin) model of persuasion, which emphasized rhetoric as a creative act with increased agent or persuader responsibility for the situation his or her rhetoric creates. He maintained this added to the importance of rhetorical study and that Bitzer's formulation was "anti-rhetorical".
Rhetorical theory. The organized presentation of the art or rhetoric, descriptions of the various functions of rhetoric, and clarifications of how rhetoric achieves its goals.
S[edit]
Salience/Agenda; Meaning/Spin. The basic components of all rhetorical struggles, per Richard E Vatz, The Only Authentic Book of Persuasion, (Kendall Hunt, 2013).
Salon. Intellectual assembly in an aristocratic setting; primarily associated with France in the 17th and 18th centuries.
Salutatio. (Latin) A written greeting.
Sannio. (Latin) the fool. The role to avoid when using humor in a speech.
Scesis Onomaton. (Greek) omit the verb. A style of repeating an idea using words or phrases similar in meaning in close proximity.
Scare-line. A word or phrase that is quoted to scare the reader, or, in a political campaign, to smear an opposing candidate, or to cause an estrangement or cause something to seem unfamiliar in a supernatural way
Scholasticism. Rhetorical study of Christianity that was intellectually prominent in 11th–15th-century Western Europe, emphasizing rhetorical concepts by Aristotle and a search for universal truth.
Scientific method. A system of observing and analyzing data through induction; prominent school of thought since the 17th century whose proponents are often critical of rhetoric.
Scientific reasoning. Moving from axioms to actual conclusions. Also Syllogistic logic.
Scientism. In Weaver, applying scientific assumptions to subjects that are not completely natural.
Scientistic. Kenneth Burke. Way of looking at the nature of language as a way of naming or defining something. ex. 'It is' or 'It is not.'
Second Sophistic. Rhetorical era in Rome that dealt primarily with rhetorical style through some of the Greek Sophists' concepts, while neglecting its political and social uses because of censorship.
Semantics. Philosophical study of language that deals with its connection to perceptions of reality.
Semiotics. Branch of semantics concerning language and communication as a system of symbols.
Sensus communis. A society's basic beliefs and values.
Sententia. Applying a general truth to a situation by quoting a maxim or other wise saying as a conclusion or summary of that situation.
Shui. Formal persuasion in ancient China.
Sign. Term from semiotics that describes something that has meaning through its connection to something else, like words.
Signifying. Term from semiotics that describes the method through which meaning is created with arbitrary signs.
Simile. A figure of speech that compares unlike things, implying a resemblance between them. For example (from Rhetorica ad Herennium), "He entered the combat in body like the strongest bull, in impetuosity like the fiercest lion."
Skepticism. Type of thought that questions whether universal truth exists and is attainable by humans.
Solecismus. Ignorantly misusing tenses, cases, and genders.
Sophists. Considered the first professional teachers of oratory and rhetoric (ancient Greece 4th century BC).
Soraismus. The ignorant or affected mingling of languages.
Sprezzatura. The ability to appear that there is seemingly little effort used to attain success. The art of being able to show that one is able to deceive. Baldessare Castiglione.
Spin. In Vatz, the act of competing to infuse meaning into agenda items for chosen audiences.
Starting points. In Perelman and Olbrechts-Tyteca, the place between the speaker and audience where the argument can begin.
Stasis system. System of finding arguments by means of looking at ideas that are contradictory.
Status quo. Latin: The generally accepted existing condition or state of affairs.
Straw man. An argument that is a logical fallacy based on misrepresentation of an opponent's position.
Studia humanitatis. Latin: Humanistic studies deemed indispensable in Renaissance-era education; rhetoric, poetics, ethics, politics.
Syllepsis. A word modifying others in appropriate, though often incongruous ways. This is a similar concept to zeugma.
Syllogism. A type of valid argument that states if the first two claims are true, then the conclusion is true. (For example: Claim 1: People are mortal. Claim 2: Bob is a person. Therefore, Claim 3: Bob is mortal.) Started by Aristotle.
Syllogistic logic. Reasoning in the form of a syllogism.
Symbol. A visual or metaphorical representation of an idea or concept.
Symbolic inducement. Term coined by Kenneth Burke to refer to rhetoric.
Sympheron. (Greek) Path that is to one's advantage.
Symploce. A figure of speech in which several successive clauses have the same first and last words.
Synchysis. Word order confusion within a sentence.
Syncope. The omission of letters from the middle of a word, usually replaced by an apostrophe.
Synecdoche. A rhetorical device where one part of an object is used to represent the whole. E.g., "There are fifty head of cattle." (Head is substituting for the whole animal). "Show a leg!" (naval command to get out of bed = show yourself)
T[edit]
Tapinosis. Language or an epithet that is debasing. This term is synonymous with Meiosis (figure of speech).
Taste. A learned admiration for things of beauty.
Tautologia. The same idea repeated in different words.
Taxis. The distribution of a proper adjunct to every subject.
Techne. Greek for a true art.
Terministic screens. term coined by Kenneth Burke to explain the way in which the world is viewed when taking languages and words into consideration.
Theme. The central topic of discussion.
Thesis. The major claim or premise made in an argument to be proved or dis-proved.
Thesmos. Greek. The law that comes from the authority of kings.
Tone. The author's voice in an essay through use of figurative language or a style of enunciation in writing (also known as a diction). The way the author expresses himself out loud or through a character.
Topical systems. Methods for finding arguments.
Topographia. The description of a place.
Topothesia. The description of an imaginary or non-existent place.
Topos. A line or specific style of argument.
Toulmin Model. A method of diagramming arguments created by Stephen Toulmin that identifies such components as backing, claim, data, qualifier, rebuttal, and warrant.
Translative issue. Dealing with procedure of an ensuing case.
Tricolon. The pattern of three phrases in parallel, found commonly in Western writing after Cicero. For example, the kitten had white fur, blue eyes, and a pink tongue.
Trivium. (Latin) Grammar, rhetoric, and logic taught in schools during the medieval period.
Tropes. Figure of speech that uses a word aside from its literal meaning.
U[edit]
Understatement. A form of irony, also called litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning.
Universal audience. An audience consisting of all humankind (most specifically of adult age and normal mental capacity).
Utterance. Statement that could contain meaning about one's own person.
V[edit]
Validity. Apprehension over the structure of an argument.
Validity claim. Claiming to have made a correct statement.
Verba. Latin: The part of an argument that advances the subject matter.
Visual rhetoric. A theoretical framework describing how visual images communicate, as opposed to aural or verbal messages.
Vir bonus dicendi peritus. Latin: The good man skilled at speaking well.
Vita activa. A life lived in active involvement in the political arena.
W[edit]
Warrant. term used by Stephen Toulmin to establish a link between data and a claim.
Ways and means. One of the five main matters that Aristotle claims political speakers make speeches on. It consists of the speaker's country's revenue and sources, as well as the expenditures of the country.
Z[edit]
Zeugma. From the Greek word "ζεύγμα", meaning "yoke". A figure of speech in which one word applies to two others in different senses of that word, and in some cases only logically applies to one of the other two words. This is a similar concept to syllepsis.
References[edit]
Jump up ^ Zimmer, John. "Rhetorical Devices: Erotema". Manner Of Speaking. Retrieved 30 September 2014.
Jump up ^ "oxymoron, n.", Oxford English Dictionary, Oxford: Oxford University Press .
External links[edit]
Dr. Debora B. Schwartz. "Figurative Language and Rhetorical Devices [Overview]". Retrieved 2015-03-11.
Robert A. Harris (January 19, 2013). "A Handbook of Rhetorical Devices". VirtualSalt. Retrieved 2015-03-11.
Gideon O. Burton. "Recommended Readings in Rhetoric". The Forest of Rhetoric / silva rhetoricae. Retrieved 2015-03-11.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Glossary_of_rhetorical_terms&oldid=829190991"
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