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Shoe size
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World's largest pair of shoes, Riverbank Center, Philippines—5.29 metres (17.4 ft) long and 2.37 metres (7.75 ft) wide, equivalent to a French shoe size of 753
A shoe size is an indication of the fitting size of a shoe for a person.
There are a number of different shoe-size systems used worldwide. While all of them use a number to indicate the length of the shoe, they differ in exactly what they measure, what unit of measurement they use, and where the size 0 (or 1) is positioned. Some systems also indicate the shoe width, sometimes also as a number, but in many cases by one or more letters. Some regions use different shoe-size systems for different types of shoes (e.g. men's, women's, children's, sport, and safety shoes). This article sets out several complexities in the definition of shoe sizes. In practice, shoes should be tried on for size and fit before they are purchased.
Contents
[hide]
1 Deriving the shoe size
1.1 Foot versus shoe and last
1.2 Length
1.3 Zero point
1.4 Width
2 Common sizing systems
2.1 Mondopoint
2.2 United Kingdom and Ireland
2.3 Australia/New Zealand
2.4 United States and Canada
2.4.1 Customary
2.4.2 Children's
2.4.3 Brannock Device
2.4.4 Foot Scanner
2.5 Europe
2.6 Asia
2.7 Mexico
2.8 USSR (Russia/CIS)
3 Difficulties in shoe size comparison
4 See also
5 References
6 External links
Deriving the shoe size[edit]
Foot versus shoe and last[edit]
The length of a foot is commonly defined as (a) the distance between two parallel lines that are perpendicular to the foot and (b) in contact with the most prominent toe and the most prominent part of the heel. Foot length is measured with the subject standing barefoot and the weight of the body equally distributed between both feet.
The sizes of the left and right feet are often slightly different. In this case, both feet are measured, and purchasers of mass-produced shoes are advised to purchase a shoe size based on the larger foot, as most retailers do not sell pairs of shoes in non-matching sizes.
Each size of shoe is considered suitable for a small interval of foot lengths. The inner cavity of a shoe must typically be 15–20 mm longer than the foot, but this varies between different types of shoes.
A shoe-size system can refer to three characteristic lengths:
The median length of feet for which a shoe is suitable. For customers, this measure has the advantage of being directly related to their body measures. It applies equally to any type, form, or material of shoe. However, this measure is less popular with manufacturers,[citation needed] because it requires them to test carefully for each new shoe model, for which range of foot sizes it is recommendable. It puts on the manufacturer the burden of ensuring that the shoe will fit a foot of a given length.
The length of the inner cavity of the shoe. This measure has the advantage that it can be measured easily on the finished product. However, it will vary with manufacturing tolerances and only gives the customer very crude information about the range of foot sizes for which the shoe is suitable.
The length of the "last", the foot-shaped template over which the shoe is manufactured. This measure is the easiest one for the manufacturer to use, because it identifies only the tool used to produce the shoe. It makes no promise about manufacturing tolerances or for what size of foot the shoe is actually suitable. It leaves all responsibility and risk of choosing the correct size with the customer. Further, the last can be measured in several different ways resulting in different measurements.[1]
All these measures differ substantially from one another for the same shoe.
Length[edit]
Sizing systems also differ in what units of measurement they use. This also results in different increments between shoe sizes, because usually only "full" or "half" sizes are made.
The following length units are commonly used today to define shoe-size systems:
The Paris point equates to 2⁄3 centimetre (about 6.7 mm or 0.26 in). That is the increment between whole sizes, and about 3.3 mm or 0.13 in between half sizes. This unit is commonly used in Continental Europe.
The barleycorn is an old English unit that equates to 1⁄3 inch (8.47 mm). This is the basis for current UK and US shoe sizes, with the largest shoe size taken as twelve inches (a size 12) i.e. 30.5 cm, and then counting backwards in barleycorn units, so a size 11 is 11.67 inches or 29.6 cm.
metric measurements in centimetres (cm) or millimetres (mm) are used in the international Mondopoint system and in the Asian system.
Zero point[edit]
The sizing systems also place size 0 (or 1) at different locations:
Size 0 as a foot's length of 0. The shoe size is directly proportional to the length of the foot in the chosen unit of measurement. Sizes of children's, men's, and women's shoes, as well as sizes of different types of shoes, can be compared directly. This is used with the Mondopoint and the Asian system.
Size 0 as the length of the shoe's inner cavity of 0. The shoe size is then directly proportional to the inner length of the shoe. This is used with systems that also take the measurement from the shoe. While sizes of children's, men's and women's shoes can be compared directly, this is not necessarily true for different types of shoes that require a different amount of "wiggle room" in the toe box. This is used with the Continental European system.
Size 0 (or 1) can just be simply a shoe of a given length. Typically this will be the shortest length deemed practical; but this can be different for children's, teenagers', men's, and women's shoes - making it impossible to compare sizes. For example, a women's shoe at size 8 is a different length from a men's shoe at size 8 in the US system, but not the British.
Width[edit]
Some systems also include the width of a foot, but do so in a variety of ways:
Measured width in millimetres (mm). This is done with the Mondopoint system.
Measured width as a letter (or combination of letters), which is taken from a table (indexed to length and width) or just assigned on an ad-hoc basis: Examples are (each starting with the narrowest width):
A, B, C, D, E, EE, EEE, EEEE, F, G (typical North American system, with the unlettered norm being D for men and B for women)
4A, 3A, 2A, A, B, C, D, E, 2E, 3E, 4E, 5E, 6E (variant North American)
C, D, E, F, G, H (common UK; "medium" is usually F, but varies by manufacturer—makers Edward Green and Crockett & Jones, among others, use E instead, but one maker's E is not necessarily the same size as another's).
N (narrow), M (medium) or R (regular), W (wide)
The width for which these sizes are suitable can vary significantly between manufacturers. The A–E width indicators used by most American, Canadian, and some British shoe manufacturers are typically based on the width of the foot, and common step sizes are 3⁄16 inch (4.8 mm).
Common sizing systems[edit]
Mondopoint[edit]
The International Standard is ISO 9407:1991, "Shoe sizes—Mondopoint system of sizing and marking",[2] which recommends a shoe-size system known as Mondopoint.
It is based on the mean foot length and width for which the shoe is suitable, measured in millimetres. A shoe size of 280/110 indicates a mean foot length of 280 millimetres (11.0 in) and width of 110 millimetres (4.3 in).
Because Mondopoint also takes the foot width into account, it allows for better fitting than most other systems. It is, therefore, used by NATO and other military services. Mondopoint is also used for ski boots.
United Kingdom and Ireland[edit]
Shoe size in the United Kingdom and Ireland is based on the length of the last used to make the shoes, measured in barleycorn ( 1⁄3 inch) starting from the smallest size deemed practical, which is called size zero. It is not formally standardised. Note that the last is typically longer than the foot heel to toe length by about 1⁄2 to 2⁄3 inch (13 to 17 mm).
A child's size zero is equivalent to 4 inches (a hand = 12 barleycorns = 10.16 cm), and the sizes go up to size 13 1⁄2 ( 8 1⁄2 in, 25 1⁄2 barleycorns or 21.59 cm). Thus, the calculation for a children’s shoe size in the UK is:
child shoe size = ( 3 × last length in inches ) − 12 {\displaystyle {\mbox{child shoe size}}=(3\times {\mbox{last length in inches}})-12}
equivalent to
child shoe size ≈ ( 3 × heel to toe length in inches ) − 10 {\displaystyle {\mbox{child shoe size}}\approx (3\times {\mbox{heel to toe length in inches}})-10}
An adult size one is then the next size up ( 8 2⁄3 in, 26 barleycorns or 22.01 cm) and each size up continues the progression in barleycorns.[3] The calculation for an adult shoe size in the UK is thus:
adult shoe size = ( 3 × last length in inches ) − 25 {\displaystyle {\mbox{adult shoe size}}=(3\times {\mbox{last length in inches}})-25}
equivalent to
adult shoe size ≈ ( 3 × heel to toe length in inches ) − 23 {\displaystyle {\mbox{adult shoe size}}\approx (3\times {\mbox{heel to toe length in inches}})-23}
Note: some manufacturers choose to use a constant other than 25, so sizes do vary in either direction e.g. A shoe marked as a European size 40 may also be marked as a UK: 6 by Jimmy Choo, Nike; a 6 1⁄2 by Adidas, Clarks, Dr Martens, Fred Perry, Karrimor, Monsoon, New Balance, Reebok, and Slazenger; a 7 by Converse, Gap, Pavers, and Timberland; and a 7 1⁄2 by Crocs. Some retailers mark a larger size on women's European compatible which can cause confusion with the UK unisex sizes. A size 8 should be a European 42 in both male and female shoes, but this is often marked as a 9 for women.
Australia/New Zealand[edit]
For men and children's footwear the UK system is followed. Women's footwear has a slightly different sizing that is unique. It is in between the UK and US's sizings.[citation needed]
United States and Canada[edit]
In North America, there are different systems that are used concurrently. The size indications are usually similar but not exactly equivalent especially with athletic shoes at extreme sizes. The most common is the customary, described in more detail below, which for men's shoes is one barleycorn shorter than the UK equivalent. (so a men's 13 in the US or Canada is the same size as a men's 12 in the UK)
Customary[edit]
The traditional system is similar to English sizes but start counting at one rather than zero, so equivalent sizes are one greater. So the calculation for a male shoe size in the USA or Canada is:
male shoe size = 3 × last length in inches − 24 {\displaystyle {\mbox{male shoe size}}=3\times {\mbox{last length in inches}}-24}
Women's sizes are almost always determined with the "common" scale, in which women's sizes are equal to men's sizes plus 1.5 (for example, a men's 10.5 is a women's 12). In other words:
female shoe size (common) = 3 × last length in inches − 22 1 2 {\displaystyle {\mbox{female shoe size (common)}}=3\times {\mbox{last length in inches}}-22{\frac {1}{2}}}
In the less popular scale, known as the "standard" or "FIA" (Footwear Industries of America) scale, women's sizes are men's sizes plus 1 (so a men's 10.5 is a women's 11.5).
female shoe size (FIA) = 3 × last length in inches − 23 {\displaystyle {\mbox{female shoe size (FIA)}}=3\times {\mbox{last length in inches}}-23}
Children's[edit]
Children's sizes are equal to men's sizes plus 12 1⁄3. Children’s sizes do not differ by gender even though adults’ do.
Child shoe size = 3 × last length in inches − 11 2 3 {\displaystyle {\mbox{Child shoe size}}=3\times {\mbox{last length in inches}}-11{\frac {2}{3}}}
Children's shoe stores in the United States and Canada use a sizing scheme which ends at 13, after which the adult range starts at 1:
U.S. shoe sizes
Size
Last length
Children's
Women's
Men's
Inches
Millimetres
(appr.)
Common
FIA
5 5 5⁄9 141
6 5 8⁄9 150
7 6 2⁄9 158
8 6 5⁄9 167
9 6 8⁄9 175
10 7 2⁄9 183
11 7 5⁄9 192
1 7 5⁄6 199
12 7 8⁄9 200
1 8 203
2 8 1⁄6 207
13 8 2⁄9 209
2 1 8 1⁄3 212
3 8 1⁄2 216
3 2 8 2⁄3 220
4 8 5⁄6 224
4 3 9 229
5 9 1⁄6 233
5 4 9 1⁄3 237
6 9 1⁄2 241
6 5 9 2⁄3 246
7 9 5⁄6 250
7 6 10 254
8 7 10 1⁄3 262
Alternatively, a scale running from K4 to K13 and then 1 to 7 is in use.[4] K4 to K9 are toddler sizes, K10 to 3 are pre-school and 1 to 7 are grade school sizes.
Brannock Device[edit]
Drawing of a Brannock Device (from U.S. Patent 1,725,334)
A slightly different sizing method is based on the Brannock Device, a measuring instrument invented by Charles F. Brannock in 1925 and now found in many shoe stores. The formula used by the Brannock device assumes a foot length ⅔ inch (1.7 cm) less than the length of the last; thus, men's size 1 is equivalent to a foot's length of 7 ⅔ inches.[5] Women's sizes are one size up.
male shoe size (Brannock) = 3 × foot length in inches − 22 {\displaystyle {\mbox{male shoe size (Brannock)}}=3\times {\mbox{foot length in inches}}-22} [6]
female shoe size (Brannock) = 3 × foot length in inches − 21 {\displaystyle {\mbox{female shoe size (Brannock)}}=3\times {\mbox{foot length in inches}}-21} [6]
The method also measures the length of the distance of the heel and the widest point of the foot. For that purpose, the device has another, shorter scale at the side of the foot. If this scale indicates a larger size, it is taken in place of the foot's length.[7]
For children's sizes, additional wiggle room is added to allow for growth.[7]
The device also measures the width of the foot and assigns it designations of AAA, AA, A, B, C, D, E, EE, or EEE. The widths are 3/16 in apart and differ by shoe length.[5]
Foot Scanner[edit]
Some shoe stores use optical devices to precisely measure the length and width of both feet and recommend the appropriate shoe model and size. [1]
Europe[edit]
The Continental European system is used in Portugal, France, Germany,[8] Italy, Spain,[9] and most other continental European countries. It is also used in Middle Eastern countries (such as Iran), Brazil—which uses the same method but subtracts 2 from the final result—[citation needed] and, commonly, Hong Kong.
In this system, the shoe size is the length of the last, expressed in Paris points, for both sexes and for adults and children alike. Because a Paris point is ⅔ of a centimetre, the formula is as follows:
s h o e s i z e ( P a r i s p o i n t s ) = 3 2 × l a s t l e n g t h ( c m ) {\displaystyle \mathrm {shoe~size~({Paris~points})={\frac {3}{2}}\times {last~length}\left({cm}\right)} }
To compute the size based on actual foot length, one must first add a length of about 1.5 to 2 cm. For instance, for a shoe having an internal length 1.5 cm longer than the foot:
s h o e s i z e ( P a r i s p o i n t s ) = 3 2 × [ f o o t l e n g t h ( c m ) + 1.5 ] {\displaystyle \mathrm {shoe~size~({Paris~points})={\frac {3}{2}}\times {\left[~foot~length\left({cm}\right)+1.5~\right]}} }
This gives the relationships:
European size = 1.27 × UK size + 31.75
UK size = European size / 1.27 - 25 = 0.7874 × European size - 25
Asia[edit]
The Asian system is based on metric measurements and standardised as JIS S 5037:1998, CNS 4800, S 1093, or KS M 6681. Foot length and girth are taken into account.[10]
The foot length is indicated in centimetres; an increment of 5 mm is used. This system was also used in the GDR.
The length is followed by designators for girth (A, B, C, D, E, EE, EEE, EEEE, F, G), which is taken from a table indexed to girth and length. There are different tables for men's, women's, and children's (less than 12 years of age) shoes. The tables also include the width as supplemental indications. Not all designators are used for all genders and in all countries. For example, the largest girth for women in China is EEEE, whereas in Japan, it is F.
Mexico[edit]
Shoes are sized either according to the foot length they are intended to fit, in cm, or alternatively to another variation of the barleycorn system, with sizes calculated approximately as:
adult shoe size = 3 × last length in inches − 25.5 {\displaystyle {\mbox{adult shoe size}}=3\times {\mbox{last length in inches}}-25.5}
USSR (Russia/CIS)[edit]
Historically the USSR used the European (Paris point) system but an alternative metric system (State Standard 3927–64) was devised, with shoe sizes increasing in ½ rather than the ⅔ cm intervals found in the European scheme. This system has been refined by later standards:
GOST 9133-1978 Determination of linear dimensions of footwear
GOST 24382-1980 sneakers size
GOST R 54592-2011 Footwear. Methods for determination of linear dimensions.
Where used this system is sometimes described as a Pointe (ballet shoe) or Stych size:
Pointe/Stych Shoe Sizes
Foot Length (mm)
105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315
Children's
17 18 19 19½ 20 21 22 22½ 23 24 25 25½ 26 27 28 28½ 29 30 31 31½ 32 33 34 34½ 35 36 37 37½ 38 39 40
Women's
34 35 36 37 37½ 38 38½ 39 40 41 41½ 42 42½
Men's
38½ 39 40 41 41½ 42 42½ 43 44 45 46 47 47½
Difficulties in shoe size comparison[edit]
Please note that the following tables indicate theoretical sizes calculated from the standards and information given above. Differences between various shoe size tables, makers' tables or other tables found on the Web are usually due to the following factors:
The systems are not fully standardised. Differences between shoes from different makers, which are due to different methods of measuring the shoes, different manufacturing processes, or different allowances[1] are sometimes related to different countries. A "German" size may then differ from a "French" size, although both countries use the Continental European system.
Different widths may have the result that for wide feet, a shoe multiple sizes larger (and actually too long) may be required. This may also result in different size indications, especially if different typical widths are attributed to different sizing systems or countries.
Some tables for children take future growth into account. The shoe size is then larger than what would correspond to the actual length of the foot.[7]
An indication in centimetres or inches can mean the length of the foot or the length of the shoe's inner cavity. This relation is not constant but varies due to different amounts of wiggle room required for different sizes of shoes.
There are several U.S. systems, which differ substantially for sizes far above or below medium sizes.
Further, some tables available on the Web simply contain errors. For example, the wiggle room or different zero point is not taken into account, or tables based on different U.S. systems (traditional and athletic) are simply combined although they are incompatible.
See also[edit]
Fashion portal
List of shoe styles
Shoes
References[edit]
^ Jump up to: a b Andersson, Bendt. "Recommendations to suppliers and manufacturers of orthopedic footwear concerning sizes of shoes and lasts" (PDF) (in Swedish). Retrieved 2009-01-06.
Jump up ^ International Standard ISO 9407:1991, Shoe sizes—Mondopoint system of sizing and marking
Jump up ^ Cairns, Warwick. About the Size of It. Macmillan. ISBN 978-0-230-01628-6.
Jump up ^ ASICS Oceania Pty Lyd., Asics Shoe Sizes, stating "Shoe sizes on product details pages are in US shoe size"; accessed 16 January 2017
^ Jump up to: a b Brannock Device Co. "History". Retrieved 2009-01-06.
^ Jump up to: a b Brannock Device Co. "Size Conversion Chart". Retrieved 2010-04-20.
^ Jump up to: a b c Brannock Device Co. "Instructions". Retrieved 2009-01-06.
Jump up ^ German Standard DIN 66074:1975, Shoe sizes
Jump up ^ Spanish Standard UNE 59850:1998, Shoes: Size designation
Jump up ^ (in Japanese) Rakuten.co.jp
External links[edit]
Chart of US shoe widths by size
[hide]
v
t
e
ISO standards by standard number
List of ISO standards / ISO romanizations / IEC standards
1–9999
1
2
3
4
5
6
7
9
16
31
-0
-1
-2
-3
-4
-5
-6
-7
-8
-9
-10
-11
-12
-13
128
216
217
226
228
233
259
269
302
306
428
518
519
639
-1
-2
-3
-5
-6
646
690
732
764
843
898
965
1000
1004
1007
1073-1
1413
1538
1745
1989
2014
2015
2022
2047
2108
2145
2146
2240
2281
2709
2711
2788
2848
2852
3029
3103
3166
-1
-2
-3
3297
3307
3602
3864
3901
3977
4031
4157
4217
4909
5218
5428
5775
5776
5800
5964
6166
6344
6346
6385
6425
6429
6438
6523
6709
7001
7002
7098
7185
7200
7498
7736
7810
7811
7812
7813
7816
8000
8178
8217
8571
8583
8601
8632
8652
8691
8807
8820-5
8859
-1
-2
-3
-4
-5
-6
-7
-8
-8-I
-9
-10
-11
-12
-13
-14
-15
-16
8879
9000/9001
9075
9126
9293
9241
9362
9407
9506
9529
9564
9594
9660
9897
9899
9945
9984
9985
9995
10000–19999
10005
10006
10007
10116
10118-3
10160
10161
10165
10179
10206
10218
10303
-11
-21
-22
-28
-238
10383
10487
10585
10589
10646
10664
10746
10861
10957
10962
10967
11073
11170
11179
11404
11544
11783
11784
11785
11801
11898
11940 (-2)
11941
11941 (TR)
11992
12006
12182
12207
12234-2
13211
-1
-2
13216
13250
13399
13406-2
13450
13485
13490
13567
13568
13584
13616
14000
14031
14224
14289
14396
14443
14496
-2
-3
-6
-10
-11
-12
-14
-17
-20
14644
14649
14651
14698
14750
14764
14882
14971
15022
15189
15288
15291
15292
15398
15408
15444
-3
15445
15438
15504
15511
15686
15693
15706
-2
15707
15897
15919
15924
15926
15926 WIP
15930
16023
16262
16612-2
16750
16949 (TS)
17024
17025
17100
17203
17369
17442
17799
18000
18004
18014
18245
18629
18916
19005
19011
19092 (-1
-2)
19114
19115
19125
19136
19439
19500
19501
19502
19503
19505
19506
19507
19508
19509
19510
19600:2014
19752
19757
19770
19775-1
19794-5
19831
20000+
20000
20022
20121
20400
21000
21047
21500
21827:2002
22000
23270
23271
23360
24517
24613
24617
24707
25178
25964
26000
26300
26324
27000 series
27000
27001:2005
27001:2013
27002
27006
27729
28000
29110
29148
29199-2
29500
30170
31000
32000
38500
40500
42010
55000
80000
-1
-2
-3
Category
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1966 FIFA World Cup Final
From Wikipedia, the free encyclopedia
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1966 FIFA World Cup Final
The original Wembley Stadium with its twin towers
Event
1966 FIFA World Cup
England
West Germany
4
2
After extra time
Date
30 July 1966
Venue
Wembley Stadium, London
Referee
Gottfried Dienst (Switzerland)
Attendance
96,924
← 1962
1970 →
The 1966 FIFA World Cup Final was the final match in the 1966 FIFA World Cup, the eighth football World Cup and one of the most controversial finals ever.[1] The match was played by England and West Germany on 30 July 1966 at Wembley Stadium in London, and had an attendance of 96,924.[2] The British television audience peaked at 32.30 million viewers, making the final the most watched television event ever in the United Kingdom.[3]
England won 4–2 after extra time to win the Jules Rimet Trophy. The England team became known as the "wingless wonders", on account of their then-unconventional narrow attacking formation, described at the time as a 4–4–2.[4] The match is remembered for England's only World Cup trophy, Geoff Hurst's hat-trick – the first, and to date, only one ever scored in a World Cup Final – and the controversial third goal awarded to England by referee Gottfried Dienst and linesman Tofiq Bahramov.
Contents
[hide]
1 Road to Wembley
1.1 England
1.2 West Germany
2 Match
2.1 Summary
2.1.1 Normal time
2.1.2 Extra time
2.2 Details
3 Champions photograph and statue
4 Cultural impact
5 2009 receipt of winners medals
6 See also
7 References
Road to Wembley[edit]
Both teams were strong throughout the tournament. Each won two and drew one of their three matches in the group stages. England did not concede a goal until their semi-final against Portugal.
England[edit]
Team
Score
Venue
Round
Uruguay 0–0 Wembley Stadium Group 1
Mexico 2–0 Wembley Stadium Group 1
France 2–0 Wembley Stadium Group 1
Argentina 1–0 Wembley Stadium Quarter-final
Portugal 2–1 Wembley Stadium Semi-final
West Germany[edit]
Team
Score
Venue
Round
Switzerland 5–0 Hillsborough Stadium Group 2
Argentina 0–0 Villa Park Group 2
Spain 2–1 Villa Park Group 2
Uruguay 4–0 Hillsborough Stadium Quarter-final
Soviet Union 2–1 Goodison Park Semi-final
Match[edit]
Summary[edit]
Normal time[edit]
England, managed by Alf Ramsey and captained by Bobby Moore, won the toss and elected to kick off. After 12 minutes, Sigfried Held sent a cross into the English penalty area which Ray Wilson misheaded to Helmut Haller, who got his shot on target. Jackie Charlton and goalkeeper Gordon Banks failed to deal with the shot which went in making it 1–0 to West Germany.
In the 19th minute, Wolfgang Overath conceded a free kick, which Moore took immediately, floating a cross into the West German area, where Geoff Hurst rose unchallenged and levelled the scores with a downward glancing header. The teams were level at half-time, and after 77 minutes England won a corner. Alan Ball delivered the ball to Geoff Hurst whose deflected shot from the edge of the area found Martin Peters. He produced the final shot, beating the West German keeper from eight yards to make the score 2–1 to England.[5]
Germany pressed for an equaliser in the closing moments, and in the 89th minute Jack Charlton conceded a free kick for climbing on Uwe Seeler as they both went up for a header.[5] The kick was taken by Lothar Emmerich, who struck it into George Cohen in the wall; the rebound fell to Held, who shot across the face of goal and into the body of Karl-Heinz Schnellinger. The ball deflected across the England six-yard box, wrong-footing the England defence and allowing Wolfgang Weber to level the score at 2–2 and force the match into extra time. Banks protested that the ball had struck Schnellinger on the arm, and reiterated the claim in his 2002 autobiography,[6] but replays showed that it actually struck Schnellinger on the back.[5][7]
Extra time[edit]
Geoff Hurst's "Wembley Goal"
England pressed forward and created several chances. In particular, with five minutes gone, Bobby Charlton struck the post and sent another shot just wide. With 11 minutes of extra time gone, Alan Ball put in a cross and Geoff Hurst swivelled and shot from close range. The ball hit the underside of the cross bar, bounced down and was cleared. The referee Gottfried Dienst was uncertain if it had been a goal and consulted his linesman, Tofiq Bahramov from Azerbaijan in the USSR, who in a moment of drama indicated that it was. After non-verbal communication, as they had no common language, the Swiss referee awarded the goal to the home team. The crowd and the audience of 400 million television viewers were left arguing whether the goal should have been given or not.[8]
England's third goal has remained controversial ever since the match. According to the Laws of the Game the definition of a goal is when "the whole of the ball passes over the goal line".[9]
In England, supporters cite the good position of the linesman and the statement of Roger Hunt, the nearest England player to the ball, who claimed it was a goal and that was why he wheeled away in celebration rather than attempting to tap the rebounding ball in.
Modern studies using film analysis and computer simulation show that the ball never crossed the line – both Duncan Gillies of the Visual Information Processing Group at Imperial College London and Ian Reid and Andrew Zisserman of the Department of Engineering Science at University of Oxford agree that the ball would have needed to travel a further 2.5–6.0 cm to fully cross the line, and that therefore it was not a goal.[10] Furthermore, there exists colour footage of Hurst's goal, taken from another angle by an amateur cameraman in the stands and having a view almost parallel to the English goal line. This film material shows that the ball did not cross the goal line in full.[11]
Some Germans cited possible bias of the Soviet linesman (Bakhramov was from Azerbaijan),[12] especially as the USSR had just been defeated in the semi-finals by West Germany.[13] Bakhramov later stated in his memoirs that he believed the ball had bounced back not from the crossbar, but from the net and that he was not able to observe the rest of the scene, so it did not matter where the ball hit the ground anyway. (An apocryphal story exists that Bakhramov, when asked later why he gave the goal, simply replied "Stalingrad." There is no evidence that this is genuine.) Swiss referee Gottfried Dienst did not see the scene.[citation needed]
Queen Elizabeth II presented England captain Bobby Moore with the FIFA World Cup trophy (Jules Rimet).
One minute before the end of play, the West Germans sent their defenders forward in a desperate attempt to score a last-minute equaliser. Winning the ball, Bobby Moore picked out the unmarked Geoff Hurst with a long pass, which Hurst carried forward while some spectators began streaming onto the field and Hurst scored moments later. Hurst later admitted that his blistering shot was as much intended to send the ball as far into the Wembley stands as possible should it miss, in order to kill time on the clock.[14]
The final goal gave rise to one of the most famous sayings in English football, when BBC commentator Kenneth Wolstenholme described the situation as follows:
"And here comes Hurst. He's got... some people are on the pitch, they think it's all over. It is now! It's four!".[15]
One of the balls from the final is now on display in the National Football Museum in Manchester.
Details[edit]
England v West Germany
30 July 1966
15:00 BST
England
4–2 (a.e.t.)
West Germany
Hurst 18', 101', 120'
Peters 78' Report Haller 12'
Weber 89'
Wembley Stadium, London
Attendance: 96,924
Referee: Gottfried Dienst (Switzerland)
England
West Germany
GK 1 Gordon Banks
RB 2 George Cohen
CB 5 Jack Charlton
CB 6 Bobby Moore (c)
LB 3 Ray Wilson
DM 4 Nobby Stiles
RM 7 Alan Ball
AM 9 Bobby Charlton
LM 16 Martin Peters 20'
CF 10 Geoff Hurst
CF 21 Roger Hunt
Manager:
Alf Ramsey
GK 1 Hans Tilkowski
RB 2 Horst-Dieter Höttges
CB 5 Willi Schulz
CB 6 Wolfgang Weber
LB 3 Karl-Heinz Schnellinger
CM 4 Franz Beckenbauer
CM 12 Wolfgang Overath
RF 8 Helmut Haller
CF 9 Uwe Seeler (c)
CF 10 Sigfried Held
LF 11 Lothar Emmerich
Manager:
Helmut Schön
Officials
Linesman: Tofiq Bahramov (Soviet Union)
Linesman: Dr. Karol Galba (Czechoslovakia)
Match rules
90 minutes
30 minutes of extra time if necessary
Replay if scores still level:
19:30 BST, Tuesday, 2 August 1966
Wembley Stadium, London
No substitutions permitted
Champions photograph and statue[edit]
The World Cup Sculpture featuring Moore with the World Cup trophy, on the shoulders of Geoff Hurst and Ray Wilson, together with Martin Peters
One of the enduring images of the celebrations in Wembley immediately after the game was the picture of the captain Bobby Moore holding the Jules Rimet Trophy aloft, on the shoulders of Geoff Hurst and Ray Wilson, together with Martin Peters. In recognition of Moore and other West Ham United players' contribution to the win, the club and Newham Borough Council jointly commissioned a statue of this scene. On 28 April 2003 Prince Andrew as president of The Football Association, duly unveiled the World Cup Sculpture (also called The Champions) in a prominent place near West Ham's ground, at the time, the Boleyn Ground, at the junction of Barking Road and Green Street. The 4 metres (13 ft) high bronze piece was sculpted by Philip Jackson.[16][17]
Cultural impact[edit]
Replica of the English shirt for the final
The final is the most watched event ever on British television, as of January 2012, attracting 32.30 million viewers.[3] In Germany, a goal resulting from a shot bouncing off the crossbar and hitting the line is called a Wembley-Tor (Wembley Goal) due to the controversial nature of Hurst's second goal. This goal has been parodied a large number of times. Some of the most notable include:
England's third goal was referenced in a 2006 Adidas advertisement, where English midfielder Frank Lampard takes a shot at German keeper Oliver Kahn, and a similar event happens. On 27 June 2010 at that year's World Cup a goal by Lampard was disallowed which would have levelled the second-round game against Germany 2–2 (Germany won 4–1).
Kenneth Wolstenholme's commentary on the third goal that bounced on the line, "It's a goal!" was used (along with the sound of breaking glass) in the tape-looped coda of an early version of The Beatles song "Glass Onion", available on the album Anthology 3.[18]
Kit Kat parodied the controversial third goal in an advert for the Kit Kat bar. The goal is scored and the linesman was shown about to eat a Kit Kat bar as opposed to following the game. Upon realising that a possible goal has been scored, he hastily stuffs the bar into his mouth and awards the goal.
In August 1966 a special 4d stamp marked ENGLAND WINNERS was issued by the Royal Mail to celebrate the victory and which soared in value to up to 15 shillings each on the back of public enthusiasm for the victory before falling back in value when the public realised it was not rare.
The 1991 BBC miniseries Sleepers, about a pair of deep-cover KGB agents placed in England in the mid-1960s and then forgotten includes a subplot about an archive film of the match recorded by Soviet agents and then placed in archives. A KGB officer who sees the film in the early 1990s is excited to discover it includes footage of the disputed goal and attempts to sell it to a contact at a television network (pointedly described as not the BBC). Sleepers is coy about what the film depicts and in the course of the story, the film is destroyed.
Marking the 50th anniversary of England's World Cup victory in July 2016, ITV broadcast 1966 - A Nation Remembers, which was narrated by the actor Terence Stamp who attended every England game at the tournament.[19]
England's win in the final also helped fans to create the "Two World Wars and One World Cup" chant.[13]
2009 receipt of winners medals[edit]
The players and staff of England's winning squad who did not get medals in 1966 received them on 10 June 2009 after a ceremony at 10 Downing Street in London. Initially, only the 11 players on the pitch at the end of the match received medals, but FIFA later awarded medals to every non-playing squad and staff member from every World Cup-winning country from 1930 to 1974.[20]
See also[edit]
England–Germany football rivalry
Ghost goal
References[edit]
Jump up ^ "Hurst the hero for England in the home of football". FIFA. Retrieved 11 November 2014
Jump up ^ "1966 FIFA World Cup England". FIFA. Retrieved 21 June 2014.
^ Jump up to: a b "Tracking 30 years of TV's most watched programmes". BBC. Retrieved 2 February 2015
Jump up ^ "Alf Ramsey – England's Anonymous Hero". FIFA. Retrieved 28 January 2013.
^ Jump up to: a b c Smyth, Rob; Murray, Scott (30 May 2014). "World Cup final 1966: England v West Germany – live!". theguardian.com (Guardian News and Media). Retrieved 30 May 2014.
Jump up ^ Banks, Gordon (2002). Banksy. Penguin Books. p. 136. ISBN 978-0-7181-4582-8.
Jump up ^ Glanville, Brian (2010) [1973]. The Story of the World Cup. London: Faber and Faber. p. 154. ISBN 978-0-571-23605-3.
Jump up ^ "Team Spirit Gains England the cup". Glasgow Herald (Page 4). 1 August 1966. Retrieved 30 April 2014.
Jump up ^ https://www.fifa.com/en/laws/Laws10_01.htm Archived 23 May 2007 at the Wayback Machine.
Jump up ^ Reid, Ian; Zisserman, Andrew (1996). Cipolla, R.; Buxton, B., eds. "Goal-directed Video Metrology" (PDF). Proceedings of the 4th European Conference on Computer Vision. New York City: Springer. II: 647–658. LNCS 1065. Archived (PDF) from the original on 19 May 2012. Retrieved 19 May 2012.
Jump up ^ "Youtube Video of the 1966 Wembley Goal, filmed from another angle". Retrieved 13 June 2011.
Jump up ^ Ken Jones (4 December 1997). "Football: It is possible to forget that England's overall World Cup record is nothing much to shout about". The Independent. Retrieved 21 June 2012.
^ Jump up to: a b Lister, Graham (26 June 2010). "Two World Wars, One World Cup And The 'Achtung!' Chaos – The Complex And Violent History Of England Vs Germany". Goal.com. Retrieved 21 June 2012.
Jump up ^ "1966: England – Federal Republic of Germany". Archived from the original on 8 February 2007. Retrieved 7 March 2013.
Jump up ^ "Class of '66 pay tribute to voice of football". The Daily Telegraph. 26 March 2002.
Jump up ^ "World Cup tribute unveiled". BBC News. 28 April 2003. Archived from the original on 3 February 2006. Retrieved 5 May 2010.
Jump up ^ "Champions Sculpture". www.newham.com. Retrieved 15 August 2016.
Jump up ^ Anthology 3 - The Beatles
Jump up ^ "1966 - A Nation Remembers". ITV. 5 October 2016.
Jump up ^ "World Cup 1966 winners honoured". BBC News. 10 June 2009. Archived from the original on 12 June 2009. Retrieved 10 June 2009.
[show]
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Notes: There was no qualification for the 1930 World Cup as places were given by invitation only. In 1950, there was no final; the article is about the decisive match of the final group stage.
[show]
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10 Things I Hate About You
From Wikipedia, the free encyclopedia
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For the television series, see 10 Things I Hate About You (TV series).
10 Things I Hate About You
Promotional poster
Directed by
Gil Junger
Produced by
Andrew Lazar
Written by
Karen McCullah
Kirsten Smith
Starring
Julia Stiles
Heath Ledger
Joseph Gordon-Levitt
Larisa Oleynik
Larry Miller
Andrew Keegan
David Krumholtz
Susan May Pratt
Allison Janney
Music by
Richard Gibbs
Cinematography
Mark Irwin
Edited by
O. Nicholas Brown
Production
company
Touchstone Pictures
Distributed by
Buena Vista Pictures
Release date
March 31, 1999 (1999-03-31)
Running time
99 minutes
Country
United States
Language
English
French
Budget
US$16 million
Box office
US$53.5 million[1]
10 Things I Hate About You is a 1999 American teen romantic comedy-drama film directed by Gil Junger and starring Julia Stiles, Heath Ledger, Joseph Gordon-Levitt, and Larisa Oleynik. The screenplay, written by Karen McCullah and Kirsten Smith, is a loose modernization of William Shakespeare's late-16th century comedy The Taming of the Shrew, retold in a late-1990s American high school setting. In the story, new student Cameron (Gordon-Levitt) is smitten with Bianca (Oleynik) and, in order to get around her father's strict rules on dating, attempts to get bad boy Patrick (Ledger) to date Bianca's ill-tempered sister, Kat (Stiles). The film is titled after a poem written by Kat about her bittersweet romance with Patrick. Much of the filming took place in the Seattle metropolitan area, with many scenes shot at Stadium High School in Tacoma.
Released March 31, 1999, 10 Things I Hate About You was number two at the domestic box office during its opening weekend, behind only The Matrix, and was a moderate financial and critical success. It was a breakthrough role for Stiles, Ledger, and Gordon-Levitt, all of whom were nominated for various teen-oriented awards. Ten years later, the film was adapted into a television series of the same title, which ran for twenty episodes and featured Larry Miller reprising his role as Walter Stratford from the film.
Contents
1 Plot
2 Cast
3 Production
4 Release and reception
4.1 Box office
4.2 Critics
4.3 Awards and nominations
5 Soundtrack album
6 Adaptations
7 References to Shakespeare
8 References
9 External links
Plot[edit]
Cameron James, a new student at Padua High School in the Seattle area, becomes instantly smitten with popular sophomore Bianca Stratford. Geeky Michael Eckman warns him that Bianca is vapid and conceited, and that her overprotective father does not allow Bianca or her older sister, the shrewish Kat, to date. Kat, a senior, is accepted to Sarah Lawrence College in New York, but her father, Walter, wants her to stay close to home. Bianca wishes to date affluent senior Joey Donner, but Walter, an obstetrician worrisome of teenage pregnancy, will not allow his daughters to date until they graduate. Frustrated by Bianca's insistence and Kat's rebelliousness, Walter declares that Bianca may date only when Kat does, knowing that Kat's antisocial attitude makes this unlikely.
When Cameron asks Bianca out, she informs him of her father's new rule and, as a pretense for allowing her to date Joey, suggests that Cameron find someone willing to date Kat. Cameron selects "bad boy" Patrick Verona, but Patrick scares him off. Michael assists by convincing Joey to pay Patrick to take out Kat, under the pretense that this will allow Joey to date Bianca. Patrick agrees to the deal, but Kat rebuffs his first few advances. Michael and Cameron help him by prying Bianca for information on Kat's likes and dislikes. Armed with this knowledge, Patrick begins to win Kat's interest. She goes to a party with him, which enables Bianca to go as well, much to Walter's dismay.
At the party, Kat becomes upset when she sees Bianca with Joey, and responds by getting drunk. Patrick attends to her, and Kat starts to open up, expressing her interest in starting a band. However, when she tries to kiss him, Patrick pulls away and Kat leaves, infuriated. Meanwhile, Bianca ignores Cameron in favor of Joey, leaving Cameron dejected. Bianca soon realizes, however, that Joey is shallow and self-absorbed, and asks Cameron for a ride home. Cameron admits his feelings for her and his frustration with how she has treated him. Bianca responds by kissing him.
Joey offers to pay Patrick to take Kat to the prom so he can take Bianca. Patrick initially refuses, but relents when Joey offers him more money. Kat is still angry with Patrick, but he wins her over by serenading her with the accompaniment of the marching band, and she helps him sneak out of detention. They go on a date which turns romantic, but Kat becomes suspicious and angry when Patrick insists that she go with him to the prom, an event she is adamantly against. Bianca is irritated that Cameron has not asked her to the prom, and so accepts Joey's invitation, but Walter will not allow it unless Kat goes too. Kat confesses to Bianca that she dated Joey when they were freshmen and, succumbing to peer pressure, had sex with him. Afterward she regretted it and Joey dumped her, so she vowed to never again do anything just because everyone else was doing it. Bianca insists that she can make her own choices, so Kat agrees to go to the prom with Patrick, and Bianca decides to go with Cameron instead of Joey.
All is going well at the prom until Bianca learns that Joey planned to have sex with her that night. Angry that Bianca has spurned him for Cameron, Joey reveals his arrangement with Patrick, which causes Kat to leave heartbroken. Joey then punches Cameron, but is in turn beaten up by Bianca for having hurt her, Kat, and Cameron. Bianca and Cameron share another kiss.
The next day, Bianca reconciles with Kat and begins dating Cameron. Walter admits that Kat is capable of taking care of herself, and gives her permission to attend Sarah Lawrence College. For an assignment in which the students were required to write their own version of William Shakespeare's Sonnet 141, Kat reads aloud a poem titled "10 Things I Hate About You", revealing that she still loves Patrick. Patrick surprises her with a guitar bought with the money that Joey paid him, and confesses that he has fallen for her. Kat forgives him, and the two reconcile with a kiss.
Cast[edit]
Julia Stiles as Katarina "Kat" Stratford, the antisocial, shrewish elder Stratford sister.
Heath Ledger as Patrick Verona, the "bad boy" who is hired to date Kat and falls for her in the process.
Joseph Gordon-Levitt as Cameron James, the new student at Padua High School who is smitten with Bianca and goes to great lengths to win her favor.
Larisa Oleynik as Bianca Stratford, the younger of the two Stratford sisters, superficial and popular.
Larry Miller as Walter Stratford, an obstetrician and single parent who is overprotective of his daughters, Kat and Bianca.
Andrew Keegan as Joey Donner, an affluent, self-absorbed high school senior and aspiring model who intends to have sex with Bianca, and to that end pays Patrick to date Kat.
David Krumholtz as Michael Eckman, a geek who assists Cameron in his quest to woo Bianca, and in the process tries to woo Kat's friend Mandella.
Susan May Pratt as Mandella, Kat's only close friend and an aficionado of William Shakespeare, who ends up going to the prom with Michael.
Gabrielle Union as Chastity Church, Bianca's best friend, who betrays Bianca by going out with Joey when Bianca spurns him.
Daryl Mitchell as Mr. Morgan, teacher of Kat, Patrick, and Joey's English class.
Allison Janney as Ms. Perky, Padua High School's guidance counselor and a writer of erotic literature.
David Leisure as Mr. Chapin, coach of the girls' soccer team.
Greg Jackson as "Scurvy", a friend of Patrick.
Kyle Cease as Bogey Lowenstein, a golf enthusiast and member of a clique of aspiring MBAs.
The band Letters to Cleo (singer Kay Hanley, guitarists Greg McKenna and Michael Eisenstein, bassist Scott Riebling, and drummer Jason Sutter) appears as the band performing at Club Skunk, playing their songs "Come On" and "Co-Pilot", and playing a cover version of Cheap Trick's "I Want You to Want Me" on the school's rooftop during the closing credits. Hanley and Eisenstein also appear in the prom scene, performing a cover of Nick Lowe's "Cruel to Be Kind" with Save Ferris.
The band Save Ferris (singer Monique Powell, guitarist Brian Mashburn, bassist Bill Uechi, trumpeter José Castellaños, trombonist Brian Williams, saxophonist Eric Zamora, and drummer Evan Kilbourne) appears as the band performing at the prom, playing their songs "I Know" and "Can't Stop" as well as covers of The Isley Brothers' "Shout" and Nick Lowe's "Cruel to Be Kind".
Production[edit]
Many of the scenes were filmed on location at Stadium High School and at a house in the Proctor District of Tacoma, Washington. The prom sequence was shot over three days in Seattle.[2]
Costume designer Kim Tillman designed original dresses for Larisa Oleynik and Julia Stiles as well as the period outfits for Susan May Pratt and David Krumholtz. Gabrielle Union's snakeskin prom dress is a Betsey Johnson design. Heath Ledger and Joseph Gordon-Levitt's vintage tuxes came from Isadora's in Seattle.[2]
The primary tagline is an allusion to a poem written by Elizabeth Barrett Browning from her Sonnets from the Portuguese collection. ("How do I loathe thee? Let me count the ways.") Another tagline is a spoof from Shakespeare's Romeo and Juliet ("Romeo, Oh Romeo, Get Out Of My Face.") and another is a line from The Taming of the Shrew that is spoken in the film by Cameron ("I burn, I pine, I perish!"). The original script was finalized on November 12, 1997.[3]
Release and reception[edit]
Box office[edit]
In its opening weekend, the film grossed US$8,330,681 in 2,271 theaters in the United States and Canada, averaging $3,668 per venue, and ranking number two at the box office (behind The Matrix). It grossed a total of $38,178,166 in the United States and Canada and $15,300,000 in other territories, about $53,500,000 worldwide. The film had an estimated budget of $16 million and is considered a moderate financial and critical success. On October 12, 1999, the Region 1 DVD was released. In the box office, the film is number ten in teen romance, 18th in high school comedies, and ranked 96th in comedies.[4]
Critics[edit]
The film received generally positive feedback from critics. Geoff Andrew from Time Out praised the film's leads, stating "Stiles grows into her character, and Ledger is effortlessly charming".[5] Brad Laidman from Film Threat said the film was "pure of heart and perfectly executed."[6] Ron Wells, another critic from Film Threat, expressed, "Of all the teen films released this year, this one is, by far, the best."[7] Roger Ebert gave the film two and a half stars out of four:
“ I liked the movie's spirit, the actors and some of the scenes. The music, much of it by the band Letters to Cleo, is subtle and inventive while still cheerful.[8] ”
Entertainment Weekly listed the film at #49 on its list of Best High School Movies.[9]
On Rotten Tomatoes, the film got a 61% from critics, based on 62 reviews, with a rating of 6.1/10. The critical consensus on the site was:
“ Julia Stiles and Heath Ledger add strong performances to an unexpectedly clever script, elevating 10 Things (slightly) above typical teen fare."[10] ”
Awards and nominations[edit]
10 Things I Hate About You was a breakthrough role for stars Stiles, Ledger, and Gordon-Levitt.[11][12][13] Gordon-Levitt, Stiles, and Oleynik each received Young Star Award nominations for Best Actor/Actress in a Comedy Film. The movie was nominated for seven Teen Choice Awards: Choice Movie: Breakout Star (Stiles), Choice Movie: Comedy, Choice Movie: Funniest Scene (featuring Krumholtz), Choice Movie: Love Scene (featuring Stiles and Ledger), Choice Movie: Hissy Fit (Gordon-Levitt), Choice Movie: Villain (Gordon-Levitt) and Choice Movie: Soundtrack. The film's casting directors Marcia Ross and Donna Morong won "Best Casting for Feature Film, Comedy" at the Casting Society of America in 1999. In 2000, Stiles won the CFCA Award for "Most Promising Actress" for her role as Kat Stratford (tied with Émilie Dequenne in Rosetta) and an MTV Movie Award for Breakthrough Female Performance. The same year, Ledger was nominated for Best Musical Performance for the song "Can't Take My Eyes Off You."
Soundtrack album[edit]
The soundtrack album features popular modern rock anthems from 1970s up to the late 1990s, including various covers from Letters to Cleo, who created modernised renditions of songs such as "I Want You To Want Me" by Cheap Trick and "Cruel to Be Kind" by Nick Lowe. The albums peak position in the Billboard (magazine) charts was 52nd,[14] which was just after its release and it managed to hold a place in the Billboard top 200 for a total of 27 weeks.[15] Artists such as The Notorious B.I.G. and Joan Jett were also used in the films soundtrack, although were not featured on the soundtrack album. The album was described by AllMusic as "One of the best modern rock soundtracks of the spring 1999 season".[16]
10 Things I Hate About You
Soundtrack album by various artists
Released
April 6, 1999 (1999-04-06)
Genre
Alternative rock
ska
pop
funk
Label
Hollywood
Professional ratings
Review scores
Source
Rating
Allmusic [17]
No.
Title
Writer(s)
Performer
Length
1. "I Want You to Want Me" (originally performed by Cheap Trick) Rick Nielsen Letters to Cleo 3:25
2. "F.N.T." (from Great Divide, 1996) Dan Wilson, Jacob Slichter Semisonic 3:29
3. "I Know" (contains an interpretation of "Shout", written by O'Kelly Isley, Ronald Isley, and Rudolph Isley and originally performed by The Isley Brothers) Michael Holton, Miré Molner, Brian Mashburn Save Ferris 2:52
4. "Your Winter" (from Fortress, 2000) Ken Block, Jett Beres, Andrew Copeland, Ryan Newell, Mark Trojanowski, Bill Smith Sister Hazel 4:39
5. "Even Angels Fall" (from Key of a Minor, 2000) Tom Whitlock, Jessica Riddle, Kim Bullard, Penny Framstad Jessica Riddle 3:27
6. "New World" (from Leroy, 2001) Leroy Miller Leroy 3:02
7. "Saturday Night" Rodney Jerkins, Marti Sharron, Dan Sembello Ta-Gana 4:26
8. "Atomic Dog" (from Computer Games, 1982) George Clinton, Garry Shider, David Spradley George Clinton 4:44
9. "Dazz" (from Good High, 1976) Ray Ransom, Edward Irons, Reginald Hargis Brick 3:24
10. "The Weakness in Me" (from Walk Under Ladders, 1981) Joan Armatrading Joan Armatrading 3:32
11. "War" (from "My Favourite Game", 1998) Peter Svensson, Nina Persson The Cardigans 3:57
12. "Wings of a Dove" (1983) Carl Smyth, Graham McPherson Madness 3:00
13. "Cruel to Be Kind" (originally performed by Nick Lowe) Nick Lowe, Ian Gomm Letters to Cleo 3:01
14. "One More Thing" Richard Gibbs Richard Gibbs 3:01
Total length: 49:59
Adaptations[edit]
In June 1999, the Scholastic Corporation published a novelization of the story, adapted by David Levithan.[18] The story is retold as it is in the film with each chapter written from the point of view of either Bianca, Cameron, Kat, Patrick, or Michael.
In October 2008, ABC Family ordered a pilot episode of 10 Things I Hate About You, a half-hour, single-camera comedy series based on the feature film of the same name. Larry Miller is the only actor from the film to reprise his role in the television series. The director of the film, Gil Junger, directed many of the episodes including the pilot while the film's music composer, Richard Gibbs, also returned to do the show's music. The series was adapted and produced by Carter Covington.[19] The show premiered on July 7, 2009,[20] and lasted 20 episodes.
References to Shakespeare[edit]
The film is a retelling of William Shakespeare's play The Taming of the Shrew in an American high school setting. Screenwriters Karen McCullah and Kirsten Smith also wrote the script for She's the Man (2006), a retelling of Shakespeare's play Twelfth Night set in an American college.
Kat and Bianca share the same names as the female leads in the original play. Their surname is Stratford, a nod to Shakespeare’s birthplace. Patrick’s surname Verona references the home of his relative character Petruchio. The characters attend Padua High School, named after where the play is set.
Cameron (Lucentio, who disguises himself as a tutor named Cambio) tutors Bianca in French and slips in a line from play while obsessing over her: “I burn, I pine, I perish”. Patrick's character reflects the outlandish behavior of Petruchio, and Michael coerces Patrick into the marching band incident with the words from Sonnet 56: “Sweet love, renew thy force”. The physicality of Petruchio and Katherina is transformed into a playful paintball match; the prom substitutes for the Act V feast; Kat's poem replaces Katherina's famous Act V speech; and Joey Donner's wager over Bianca's virginity parallels the bet placed by Shakespeare's husbands regarding their partners' obedience.[21]
References[edit]
Jump up ^ 10 Things I Hate About You at Box Office Mojo
^ Jump up to: a b Write-up on CinemaReview.com. Retrieved May 24, 2008.
Jump up ^ "Internet Movie Script Database". Imsdb.com. November 12, 1997. Retrieved August 23, 2012.
Jump up ^ "10 Things I Hate About You (1999)". Box Office Mojo. Retrieved August 23, 2012.
Jump up ^ "10 Things I Hate About You Review. Movie Reviews - Film - Time Out New York". Archived from the original on September 22, 2009. Retrieved September 19, 2009.
Jump up ^ "10 Things I Hate About You". Film Threat. Archived from the original on September 22, 2009. Retrieved September 19, 2009.
Jump up ^ "Current Movie Reviews, Independent Movies". Film Threat. Archived from the original on September 22, 2009. Retrieved September 19, 2009.
Jump up ^ Ebert, Roger. "10 Things I Hate About You". Chicago Sun-Times. Archived from the original on August 13, 2009. Retrieved August 10, 2009.
Jump up ^ EW Staff (September 22, 2012). "50 Best High School Movies | Photo 1 of 50". EW.com. Retrieved March 7, 2014.
Jump up ^ "10 Things I Hate About You (1999)". rottentomatoes.com. Retrieved 29 November 2014.
Jump up ^ Aames, Ethan. "Julia Stiles on "The Omen"". Cinema Confidential News. June 5, 2006. Retrieved on October 28, 2006.
Jump up ^ Eisenbach, Helen. "10 Thing We Love About Julia Stiles". Manhattan File Magazine. January 2000. Retrieved October 28, 2006.
Jump up ^ Maher, Kevin. "Heath Ledger- The Accidental Hero". Times Sunday Magazine. October 14, 2006. Retrieved October 28, 2006.
Jump up ^ "The Billboard 200". United States. May 1, 1999. Retrieved February 18, 2018.
Jump up ^ "The Billboard 200". United States. September 9, 1999. Retrieved February 18, 2018.
Jump up ^ Peeples, S. 10 Things I Hate About You review allmusic.com. Retrieved on 2018-02-18.
Jump up ^ Peeples, S. 10 Things I Hate About You review allmusic.com. Retrieved on 2011-05-17.
Jump up ^ 10 Things I Hate About You. New York: Scholastic. ISBN 0439087309.
Jump up ^ Nguyen, Hanh. "ABC Family Greenlights '10 Things I Hate,' 'Ruby' Pilots." Zap2it.com. October 8, 2008. Retrieved on October 8, 2008.
Jump up ^ "ABC Family: 10 Things I Hate About You". Archived from the original on June 19, 2009. Retrieved June 17, 2009.
Jump up ^ Pittman, L. Monique (2004). "Taming "10 Things I Hate About You": Shakespeare and the Teenage Film Audience". Salisbury University Literature/Film Quarterly. 32 (2): 144–152. JSTOR 43797167.
External links[edit]
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The Taming of the Shrew
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Films directed by Gil Junger
10 Things I Hate About You (1999)
Black Knight (2001)
If Only (2004)
Get Smart's Bruce and Lloyd: Out of Control (2008)
My Fake Fiancé (2009)
Beauty & the Briefcase (2010)
Christmas Cupid (2010)
Teen Spirit (2011)
Christmas Bounty (2013)
Santa's Little Helper (2015)
10 Things I Hate About Life (cancelled)
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Katherina Minola
Petruchio
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Stage adaptations
The Woman's Prize (c1611)
Catharine and Petruchio (1754)
Las bravías (1896)
Der Widerspänstigen Zähmung (1872)
Sly, ovvero La leggenda del dormiente risvegliato (1927)
Kiss Me, Kate (1948)
The Taming of the Shrew (1953)
Ukroshchenye Stroptivoy (1957)
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1908
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Daring Youth (1924)
You Made Me Love You (1933)
Second Best Bed (1938)
Kiss Me Kate (1953)
Abba Aa Hudugi (1959)
Gundamma Katha (1962)
Manithan Maravillai (1962)
McLintock! (1963)
Arivaali (1963)
Pattikada Pattanama (1972)
Il Bisbetico Domato (1980)
Nanjundi Kalyana (1989)
10 Things I Hate About You (1999)
O Cravo e a Rosa (2000; TV)
Deliver Us from Eva (2003)
The Taming of the Shrew (2005; TV)
Frivolous Wife (2008)
10 Things I Hate About You (2009; TV)
Isi Life Mein (2010)
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The Taming of the Shrew on screen
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LCCN: no00076180
VIAF: 183669909
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