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The Magnificent Seven (2016 film)
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The Magnificent Seven
Theatrical release poster
Directed by
Antoine Fuqua
Produced by
Roger Birnbaum
Todd Black
Screenplay by
Nic Pizzolatto
Richard Wenk
Based on
Seven Samurai
by Akira Kurosawa
Shinobu Hashimoto
Hideo Oguni
Starring
Denzel Washington
Chris Pratt
Ethan Hawke
Vincent D'Onofrio
Byung-hun Lee
Manuel Garcia-Rulfo
Martin Sensmeier
Haley Bennett
Peter Sarsgaard
Music by
James Horner
Simon Franglen
Cinematography
Mauro Fiore
Edited by
John Refoua
Production
companies
LStar Capital
Village Roadshow Pictures
Pin High Productions
Escape Artists
Distributed by
Metro-Goldwyn-Mayer
Columbia Pictures
Release date
September 8, 2016 (2016-09-08) (TIFF)
September 23, 2016 (2016-09-23) (United States)
Running time
133 minutes[1]
Country
United States
Language
English
Budget
$107 million[2]
Box office
$162.4 million[3]
The Magnificent Seven is a 2016 American Western action film directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. It is a remake of the 1960 western film of the same name, which in turn was a reimagination of Akira Kurosawa's 1954 Japanese film Seven Samurai. The film stars Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett, and Peter Sarsgaard. It is the final film of composer James Horner, who died the previous year after composing a part of the score; his friend Simon Franglen completed the music.
Principal photography began on May 18, 2015, in the north of Baton Rouge, Louisiana. The Magnificent Seven premiered on September 8, 2016, at the 2016 Toronto International Film Festival, and was released in the United States on September 23, 2016, in conventional and IMAX theatres.[4] The film received mixed reviews from critics, although the cast and action sequences was praised, and grossed $162 million worldwide.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Casting
3.3 Music
3.4 Filming
4 Release
4.1 Marketing
5 Reception
5.1 Box office
5.1.1 North America
5.1.2 Outside North America
5.2 Critical response
5.3 Accolades
6 References
7 External links
Plot[edit]
In 1879, robber baron Bartholomew Bogue (Peter Sarsgaard) besieges the mining town of Rose Creek and slaughters a group of locals led by Matthew Cullen (Matt Bomer) when they attempt to stand up to him. Matthew's wife, Emma Cullen (Haley Bennett), and her friend Teddy Q. (Luke Grimes) ride to the nearest town in search of someone who can help them and come upon warrant officer Sam Chisolm (Denzel Washington) of Wichita, Kansas, who initially declines their proposal until he learns of Bogue's involvement.
Chisolm sets out to recruit a group of gunslingers who can help him, starting with gambler Joshua Faraday (Chris Pratt). They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), knife-wielding Billy Rocks (Lee Byung-hun), notorious Mexican outlaw Vasquez (Manuel Garcia-Rulfo), skilled tracker Jack Horne (Vincent D'Onofrio), and Comanche warrior Red Harvest (Martin Sensmeier).
Arriving in Rose Creek, the seven engage in a gunfight with Bogue's enforcer McCann (Cam Gigandet) and his men, shoot dead 22 of them, and drive the corrupt sheriff away with a warning to leave Rose Creek alone. Surmising that Bogue and his forces will return in a week, the seven train the townspeople to defend their home and grow fond of them. Robicheaux, haunted by the horrors of the Civil War and afraid to kill again, abandons the group and is replaced by Cullen.
Bogue arrives with an army of mercenaries and attacks the city, which has been rigged with multiple bombs and traps. A massive shootout ensues, during which Robicheaux rejoins the group. McCann shoots and wounds Faraday but is killed by Vasquez. Bogue then unveils his secret weapon, a Gatling gun, with which he decimates the town and kills many of both sides. Realizing they are outgunned, the seven evacuate the townspeople and mount their last stand. Horne is killed by Bogue's Comanche assassin Denali (Jonathan Joss), who is later killed by Red Harvest.
Robicheaux and Rocks are killed by a second round of gunfire as they cover the mortally wounded Faraday's charge to the Gatling gun, which he destroys by detonating a stick of dynamite, killing himself and the rest of Bogue's men. Bogue flees into town, where he is confronted by Chisolm, who disarms and wounds Bogue. As Chisolm is strangling Bogue, he reveals that Bogue and his men raped and murdered his mother and sisters during a raid several years earlier, in which he himself survived being hanged. Bogue tries to shoot Chisholm with a gun hidden in his boot, but Cullen guns him down just in time.
In the aftermath, Faraday, Robicheaux, Rocks and Horne are buried in town and honoured by the people of Rose Creek as heroes, while Chisolm, Vasquez, and Red Harvest ride off. The film ends with Cullen remarking that their heroism made them "magnificent" legends.
Cast[edit]
The Seven
Denzel Washington as Sam Chisolm, a United States Marshal warrant officer from Wichita, Kansas, and leader of the Seven. The counterpart of Chris Adams (Yul Brynner) from the original film.
Chris Pratt as Joshua Faraday, a gambler with a fondness for explosives and card tricks. The counterpart of Vin Tanner (Steve McQueen) from the original film.
Ethan Hawke as Goodnight Robicheaux, a former Confederate soldier and sharpshooter who is haunted by his past. The counterpart of Lee (Robert Vaughn) from the original film.
Vincent D'Onofrio as Jack Horne, a very religious tracker and mountain man. The counterpart of Bernardo (Charles Bronson) from the original film.
Byung-hun Lee as Billy Rocks, a Korean immigrant and companion of Robicheaux and assassin who uses knives. The counterpart of Britt (James Coburn) from the original film.
Manuel Garcia-Rulfo as Vasquez, a Mexican outlaw who has been on the run for several months. The counterpart of Harry Luck (Brad Dexter) from the original film.
Martin Sensmeier as Red Harvest, an exiled Comanche warrior and the youngest of the Seven. The counterpart of Chico (Horst Buchholz) from the original film.
Others
Haley Bennett as Emma Cullen, a young widow who hires the Seven. The counterpart of Hilario (Jorge Martínez de Hoyos) and Petra (Rosenda Monteros) from the original film.
Peter Sarsgaard as Bartholomew Bogue, a corrupt industrialist. The counterpart of Calvera (Eli Wallach) from the original film.
Luke Grimes as Teddy Q, Emma's friend who helps her hire the Seven.
Matt Bomer as Matthew Cullen, Emma's farmer husband who is murdered by Bogue.
Jonathan Joss as Denali, an exiled Comanche warrior who works with Bogue.
Cam Gigandet as McCann, Bogue's right-hand-man.
Sean Bridgers as Fanning
Billy Slaughter as Josiah
Mark Ashworth as The Preacher, the parish priest of Rose Creek. The counterpart of The Old Man (Vladimir Sokoloff) from the original film.
Production[edit]
Development[edit]
When I first said yes, it was on my mind. Absolutely. But once you go in, you just go in. You just say, "OK, I'm going do it and make my version of it." My big lesson so far is that when you do that you have to respect the film's DNA and you have to respect certain elements of the film because when you respect that you're respecting the people that love the film. Sometimes when people see movies they take whatever is going on in their life into the movie theater. And if the movie affects them a certain way, if you don't give them at least that feeling again or that idea again — even if it's done in a different package — then it's difficult to satisfy them. On Magnificent Seven, I kept reminding myself of when I was a 12‑year‑old boy, when I was a kid watching it with my grandmother, what was the feeling I had? How much fun was it? How cool were they? For me, I always had my grandmother in my mind when making a film. Would she enjoy this film?.
—Director Antoine Fuqua on his approach to the remake.[5]
Fuqua has loved Western films since he was a young boy, watching them at home with his family. He discovered the genre at the age of 12 and has said that his grandmother was a key influence and inspiration in the remake.[5][6][7] The two of them had a penchant for Western films and would watch them together, including films such as Duel in the Sun (1946), Shane (1953) The Searchers (1956), The Magnificent Seven (1960), and The Wild Bunch (1969), and the movies of Steve McQueen, Yul Brynner, James Cagney, and Humphrey Bogart.[6][8][9] Fuqua tried to stay true to the DNA of Seven Samurai in his remake.[7] The film was reported to be in the planning stages in 2012, with Tom Cruise starring. It was reported that Kevin Costner, Morgan Freeman, and Matt Damon might join the film.[10] In early 2014, MGM chairman Gary Barber and his cohorts approached Fuqua to read the script by Richard Wenk and Nic Pizzolatto, while Fuqua was making Southpaw.[11] Fuqua said he wanted to remake the film because the subject of tyranny and terrorism still prevails as it did in Seven Samurai. He has said that there is therefore a strong need for people to come and serve, which is what samurai means – "to serve."[12] Fuqua never thought of getting a chance to direct a Western film, and when MGM called him to helm the picture, he hesitated at first, recalling how amazing he thought Seven Samurai and its director, Kurosawa, were. The decision was not easy for him, citing for example of how many people are unaware that Scarface was a remake from the film of the same name released in 1932.[9]
Casting[edit]
Fuqua worked to create a diverse cast[13] by incorporating actors of color such as African-American Denzel Washington, Korean Byung-hun Lee and Mexican Manuel Garcia-Rulfo, as well as a woman (Haley Bennett).[14] It is a decision Fuqua says reflects historical reality more than it does any conscious attempt to update the story. "There were a lot of black cowboys, a lot of Native Americans; Asians working on the railroads. The truth of the West is more modern than the movies have been."[15] When Fuqua met studio executives to see the possible actors for the film, he found out that they were all white. He found this to be problematic and wanted instead to make the cast diverse so that the audience could identify with more of the characters.[16] The actors were cast between December 2014 and July 2015.[17][18][19][20] At one point, Jason Momoa was in talks to join the project but had had to leave because he was already booked to play Aquaman.[21] The cast were put through cowboy training before filming commenced.[6] They were sent to boot camps in order to hone their skills.[16] Fuqua further brought the remake up-to-date by changing the names and occupations of the seven, casting a diverse set of actors and making sure the lead female Emma Cullen, played by Haley Bennett, did not conform to stereotypes.[16]
Denzel Washington plays Sam Chisolm ("the Bounty Hunter"), a duly sworn warrant officer from Wichita, Kansas who goes after bad guys.[22] Washington's character was renamed from Chris Adams (played by Yul Brynner in the original film) to Sam Chisolm.[23] It is Washington's first Western film.[24] Washington did not watch Western films growing up since it was the end of the Western era in the movies. Moreover, he and his siblings were barred from going to the cinema since his father was a minister in a church. They instead grew up watching biblical films like King of Kings and The Ten Commandments. However, he has admitted seeing portions of Rawhide and Bonanza shows.[12][24] He did not watch the original film in preparation for this but has watched Seven Samurai.[24] This was an arbitrary decision of his, since he figured that watching the original film would not help him much, "[Not seeing it] allowed me to do whatever I wanted to do. Instead of trying not to do what someone else did."[25][26] As with his previous films, Washington would start off the day by kneeling down and praying, asking for forgiveness for all his wrong-doings, "For me, this is more than just making movies. It is a platform."[12] Fuqua said that Washington, whom he has twice collaborated with, was his first choice to be cast irrespective of which role. The producers were skeptical whether he would take the job since it was a Western film. Fuqua then flew to New York City to negotiate with Washington, who accepted the offer.[5][8]
Chris Pratt plays Josh Faraday ("the Gambler").[27] According to Pratt, Faraday is "a bit of a fox, a trickster. He's a gambler, a drinker. He loves the ladies. But he's deadly in a fire fight."[22] Like Washington, it is also Pratt's first Western film and the first film in which the two have starred together.[24] Pratt began watching Western films at the age of 31 while filming in London and would watch films like The Westerner (1940). He credits Gary Cooper for revitalizing his perspective towards Western films.[12][24] Pratt's character was the toughest to find. Fuqua was well aware of Pratt's penchant towards Western films. He and his team then approached Pratt who called back in a few days singing "Oh Shenandoah," to which Fuqua replied, "He's it. He's Steve McQueen."[5]
Ethan Hawke is Goodnight Robicheaux ("the Sharpshooter"), a former Confederate soldier. Fuqua had one idea – to keep picturing Goodnight as if Christopher Walken's character Nikanor "Nick" Chevotarevich in The Deer Hunter was a Civil War veteran; just a shattered person.[28] Hawke was the first person to come on board after the project was finalized.[11] Like Washington, The Magnificent Seven marks the third collaboration between Hawke and Fuqua after Training Day (2001) and Brooklyn's Finest (2009).[28] Hawke stumbled upon Fuqua and Washington during the New York premiere of The Equalizer in 2014 and, upon learning that a remake was in the works, he asked Fuqua to cast him in the film.[28]
Manuel Garcia-Rulfo plays Vasquez ("the Outlaw"), a bandit, robber, and criminal who has been on the run for several months. He does not have anything to lose because he has no family. He describes his character as someone who loves gunfighting.[29]
Martin Sensmeier plays Red Harvest ("the Warrior"), a native Comanche who joins the group.[27][29] Sensmeier auditioned several times in order to get the role. He stayed off social media and studied intently in order to portray his part.[13] Scotty Augere, who previously worked on Dances with Wolves, taught Sensmeier how to ride a horse bareback and would ride with him two hours a day.[13]
Vincent d'Onofrio was cast as Jack Horn, ("the Mountain Man"), on the urging of co-stars Chris Pratt and Ethan Hawke.[30] For the role, d'Onofrio developed a raw, high-pitched voice to give the impression of a man who'd lived in the wilderness for years without speaking to people, and, when he wanted to test the voice for Fuqua, the director refused to listen, instructing the actor to surprise him with it in his first scene, which resulted in a delighted Fuqua laughing so hard that he almost ruined the scene by interfering with the sound recording.[31]
Byung-hun Lee plays Billy Rocks, ("the Assassin") the knife wielding Asian member of the seven. Director Antoine Fuqua compared the way he handled his knives to a ballet dancer.
Music[edit]
James Horner was tapped to write the film's score, but he died in June 2015, before filming could commence. In July 2015, Fuqua learned that Horner had already begun working on the music before his passing, and had intended to present it as a surprise.[32] Horner's friend and score producer Simon Franglen co-composed the score afterward. It was released on September 16, 2016 by Sony Classical, and is the third Horner-score released posthumously.[33]
Filming[edit]
Principal photography on the film lasted 64 days, from March 18 to August 18, 2015, in the north of Baton Rouge, Louisiana.[34][35][36] Other locations include St. Francisville; Zachary, Louisiana; Ridgway, Colorado; and New Mexico.[11][35][36] Filming in St. Francisville was completed between May 18 and May 29, 2015.[37]
The climactic battle between the Seven and a small army led by Bogue took three weeks to shoot; the weather was inclement.[11] Sometimes the cast and crew would wait in the on-set saloon for storms to pass, and, at times when the storm would worsen, the trailer would rock and they would have to leave the set.[11] Since his grandmother was the prime influence on the film, every day after filming, Fuqua would ask himself if she would have fun watching it.[6]
Release[edit]
The film had its world premiere at the 2016 Toronto International Film Festival on September 8, 2016,[38][39] and served as the closing-night film at the Venice Film Festival on September 9, 2016.[40] The film was originally set to be released on January 13, 2017;[41] however in February 2016, Sony Pictures Entertainment moved the release date this time from January 13, 2017, and then to September 23, 2016.[42]
Marketing[edit]
Sony kicked off its campaign on April 20, 2016, by launching the first trailer,[43] and the cast took to their social media platforms to reveal character-by-character.[44] Television advertisement began during the summer when the trailers were paired with the NBA finals and BET Awards as well as the 2016 Summer Olympics. Sony rounded out the campaign with a presence in live sporting events such as National Football League, NCAA Football and local Major League Baseball as well as highly anticipated fall premieres and original programming, like Empire, The Voice, American Horror Story, Fear the Walking Dead and Designated Survivor.[44]
Reception[edit]
Box office[edit]
The Magnificent Seven grossed $93.4 million in the United States Canada and $68.9 million in other countries for a worldwide total of $162.4 million, against a net production budget of $90 million.[3] The film had a global 2D IMAX opening of $4.3 million from 606 theaters.[45]
North America[edit]
In the United States and Canada, The Magnificent Seven opened alongside Storks, and was projected to open to around $30 million, with some estimates going as high as $50 million, which would make it one of the biggest September debuts of all-time.[46][47][48][49] The film opened in 3,674 theaters, including having the benefit of playing in all IMAX theaters for one week and a number of premium large formats and D-Box screens.[50] It made $1.75 million from Thursday previews and $12.7 million on its first day.[51][52] The film went on to gross $35.7 million in its opening weekend of which $2.9 million came from 372 IMAX theaters and managed to top the box office and scored the third biggest Western openers (not accounting for inflation), behind Rango ($38.1 million) and Cowboys & Aliens ($36.4 million).[53] It is also director Fuqua's second biggest opening and Washington's third biggest.[54]
The Magnificent Seven's robust opening in North America was partly attributed to the presence of Denzel Washington, with 61% of audiences citing him as the prime reason for seeing the film during its opening weekend.[54]
According to The Los Angeles Times, the film was released in theaters at a time when the Western genre had been struggling to attract wide audiences and accrue lucrative revenues, as it has shown considerable downfall in interest among patrons since the 1970s. The genre has had several recent box office flops such as The Lone Ranger (2013) and Cowboys & Aliens (2011), but has also found success in films like Django Unchained (2012) and True Grit (2010).[47] Its strong debut in North America was partly attributed to the presence of Denzel Washington, who industry analysts say is one of only a handful of movie stars today who consistently draws large audiences to theaters,[55] and also to Fuqua's direction.[56] Deadline.com pointed out that the production budget of films also plays an important role in determining a film's success. By comparison to other recent Western films, The Magnificent cost $90 million to make before promotion and marketing costs are included. The site pointed out that "the trick is keeping their budgets reasonable", unlike The Lone Ranger which cost a hefty $215 million to make and Cowboys & Aliens cost $163 million.[54] It became a financial recoverer for Metro-Goldwyn-Mayer after the studio lost a great deal of money with Ben-Hur the previous month and became the studio's second hit of the year following the sleeper hit Me Before You released in June this year.[57]
Outside North America[edit]
The film was projected to make around $100 million with foreign box office prognosticators expecting a similar $101.6 million total of The Hateful Eight.[45][54] It was released in South Korea (the first market worldwide) on September 14, 2016 and delivered an opening of $5.1 million, finishing in third place at the box office behind local film The Age of Shadows and Hollywood tent pole Ben-Hur.[58] Internationally, it next opened in the United Kingdom and Ireland, Germany, Spain, and Russia.[48] The following weekend, the film expanded to 62 markets and grossed $19.2 million from 63 markets (including Korea). IMAX made up $1.4 million from 234 theaters.[45]
It opened in first place in Russia ($1.8 million) Spain ($1.1 million) and Malaysia ($560,000) and second in the United Kingdom and Ireland ($2.6 million), Germany ($1.4 million) and Brazil ($1.1 million),[45] and had similar openings in Australia ($2.8 million) and France ($1.9 million).[59] China is not yet determined.[45]
Critical response[edit]
The Magnificent Seven received mixed reviews, with critics praising the cast but noting the film did not offer much that is original or innovative.[60] On review aggregator Rotten Tomatoes, the film has an approval rating of 63%, based on 257 reviews, with an average rating of 6/10. The site's critical consensus reads, "The Magnificent Seven never really lives up to the superlative in its title – or the classics from which it draws inspiration – but remains a moderately diverting action thriller on its own merits."[61] On Metacritic, which assigns a normalized rating to reviews, the film has a score of 54 out of 100, based on 50 critics, indicating "mixed or average reviews".[62] According to CinemaScore polls, audiences gave the film an average "A–" grade, on an A+ to F scale.[63]
IGN critic Terri Schwartz gave the film a 6.7/10 and summarized her review with: "The Magnificent Seven ends up being a bit too predictable to reach its full potential, but the fun the cast clearly had making it allows the movie to be an enjoyable ride while it lasts. Fuqua does his best to update the Western for the modern audience, but doesn't capture what made those films great in the process. The action is big and sleek, the characters are charismatic and the film looks beautiful, but this won't be a movie that stays with you long after you leave the theater.[64]
Chicago Sun-Times' Richard Roeper praised the film by giving a score of 3 stars out of 4, writing: "Over all [sic], this is a rousing, albeit sometimes cheesy, action-packed Western bolstered by Denzel Washington’s baddest-of-the-baddasses lead performance, mostly fine supporting work, and yep, some of the most impressively choreographed extended shootout sequences in recent memory."[65]
James Berardinelli of Reelviews gave a score of 2 stars out of 4, writing: "The original The Magnificent Seven found a perfect balance between moments of grand triumph and the understated, solemn denouement. This The Magnificent Seven has the dour ending without the high points preceding it. With two better versions of this story readily available, why bother with this mediocre re-telling? 'Currently recognizable actors' hardly seems like a good justification."[66]
MTV's Amy Nicholson decried the film, writing: "Fuqua’s made two clean piles separating good and evil, and in doing so, he’s thrown away the film’s point. Now we can trade our conscience for a bucket of popcorn. Today’s The Magnificent Seven is just another superhero flick that spends half its running time assembling a band of bulletproof daredevils. Which makes sense — the original inspired The Avengers, which published its first comic three years after it was a hit."[67]
Peter Travers of Rolling Stone gave the film three out of four stars, saying, "The new Seven isn't aiming for cinema immortality. It's two hours of hardcore, shoot-em-up pow and it's entertaining as hell."[68]
Accolades[edit]
Award
Date of ceremony
Category
Recipient(s)
Result
Ref(s)
Alliance of Women Film Journalists December 21, 2016 Remake or Sequel That Shouldn't Have Been Made The Magnificent Seven Nominated [69]
[70]
Black Reel Awards February 16, 2017 Outstanding Actor Denzel Washington Nominated [71]
Outstanding Director Antoine Fuqua Nominated
Jupiter Awards March 29, 2017 Best International Film The Magnificent Seven Nominated [72]
Best International Actor Denzel Washington Won
Saturn Awards June 28, 2017 Best Action or Adventure Film The Magnificent Seven Nominated [73]
Teen Choice Awards July 31, 2016 Choice Movie Actor: AnTEENcipated Chris Pratt Nominated [74]
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Jump up ^ "The Magnificent Seven". Venice Film Festival. Retrieved August 13, 2016.
Jump up ^ Douglas, Edward (March 29, 2015). "Denzel’s Magnificent Seven Grabs MLK Weekend in 2017". ComingSoon.net. CraveOnline. Retrieved March 30, 2015.
Jump up ^ Kroll, Justin (August 5, 2015). "Sony Dates 16 Films Including Two More ‘Bad Boys’ Sequels, ‘Jumanji’ Remake". Variety. Retrieved September 21, 2015.
Jump up ^ "The Magnificent Seven: trailer for the remake of the classic western – video". The Guardian. April 20, 2016. Retrieved September 24, 2016.
^ Jump up to: a b Anthony D'Alessandro (September 23, 2016). "‘Magnificent Seven’ Roping $37M Opening; Stick A Fork In ‘Storks’ – Late Friday PM B.O. Update". Deadline.com. Retrieved September 24, 2016.
^ Jump up to: a b c d e Nancy Tartaglione (September 25, 2016). "‘Bridget Jones’s Baby’ Tops Overseas Again As ‘Magnificent 7’ Corrals $19.2M & ‘Storks’ Bundles $18.3M – Intl Box Office". Deadline.com. Retrieved September 26, 2016.
Jump up ^ Anthony D'Alessandro (August 29, 2016). "Forget About Summer & Sequelitis: Will Fall’s Crowded Pipeline Cannibalize B.O.? – Box Office". Deadline.com. Retrieved August 30, 2016.
^ Jump up to: a b Rebecca Keegan (September 18, 2016). "With 'The Magnificent Seven' and 'High Noon' remakes, will the western ride again?". Los Angeles Times. Retrieved September 19, 2016.
^ Jump up to: a b Brent Lang (September 20, 2016). "‘The Magnificent Seven,’ ‘Storks’ Swoop in to Save the Box Office". Variety. Retrieved September 21, 2016.
Jump up ^ Pamela McClintock (September 22, 2016). "Box-Office Preview: Will 'Magnificent Seven' Gallop Past 'Storks'?". The Hollywood Reporter. Retrieved September 23, 2016.
Jump up ^ Anthony D'Alessandro (September 20, 2016). "‘Magnificent Seven’ Guns For No. 1, But Will Tracking Cut It Off At The Pass? – B.O. Preview". Retrieved September 21, 2016.
Jump up ^ Anthony D'Alessandro (September 24, 2016). "‘Magnificent Seven’ Roping $35.3M Opening; Stick A Fork In ‘Storks’". Deadline.com. Retrieved September 23, 2016.
Jump up ^ Rebecca Ford (September 23, 2016). "Box Office: 'Magnificent Seven' Earns $1.75 Million Thursday". The Hollywood Reporter. Retrieved September 23, 2016.
Jump up ^ Pamela McClintock (September 25, 2016). "Weekend Box Office: 'Magnificent Seven' Gallops to No. 1 With $35M". The Hollywood Reporter. Retrieved September 25, 2016.
^ Jump up to: a b c d Anthony D'Alessandro (September 25, 2016). "‘Magnificent Seven’s $35M Opening Is A Career Best For Director Antoine Fuqua; ‘Storks’ At $21.8M – Sunday AM B.O. Update". Deadline.com. Retrieved September 25, 2016.
Jump up ^ Mekado Murphy (September 26, 2016). "The Box Office Power of Denzel Washington". The New York Times. Retrieved September 28, 2016.
Jump up ^ Tre'vell Anderson (September 26, 2016). "'Magnificent Seven' wins box office shoot-out over 'Storks'". Los Angeles Times. Retrieved September 28, 2016.
Jump up ^ Brooks Barnes (September 25, 2016). "‘The Magnificent Seven’ Dominates Weekend North American Box Office". The New York Times. Retrieved September 28, 2016.
Jump up ^ Sonia Kil (September 18, 2016). "Korea Box Office: ‘Shadows’ Holds Holiday Weekend". Variety. Retrieved September 19, 2016.
Jump up ^ Nancy Tartaglione (October 2, 2016). "‘Miss Peregrine’ Books $36.5M; ‘Finding Dory’, ‘Bridget Jones’ Reach Milestones; Big Frame For Local Pics – Intl Box Office". Deadline.com. Retrieved October 3, 2016.
Jump up ^ Oliver Gettell (September 8, 2016). "Magnificent Seven reviews: Remake falls short of its title at TIFF". Entertainment Weekly. Retrieved September 9, 2016.
Jump up ^ "The Magnificent Seven (2016)". Rotten Tomatoes. Fandango. Retrieved December 15, 2016.
Jump up ^ "The Magnificent Seven Reviews". Metacritic. CBS Interactive. Retrieved September 29, 2016.
Jump up ^ "CinemaScore". cinemascore.com – via Twitter.
Jump up ^ Schwartz, Terri (September 22, 2016). "The Magnificent Seven Review". Retrieved October 1, 2016.
Jump up ^ Roeper, Richard (September 20, 2016). "Lightweight ‘Magnificent Seven’ entertains with guns blazing". Chicago Sun-Times. Retrieved October 1, 2016.
Jump up ^ Berardinelli, James (September 22, 2016). "Magnificent Seven, The (United States, 2016)". Retrieved October 1, 2016.
Jump up ^ Nicholson, Amy (September 23, 2016). "The Magnificent Seven gallops boldly into mediocrity". MTV. Retrieved October 1, 2016.
Jump up ^ Travers, Peter. "'The Magnificent Seven' Review: A Classic, Newly Diversified Western Rides Again". Rolling Stone. Retrieved 16 October 2016.
Jump up ^ Merin, Jennifer (December 16, 2016). "2016 AWFJ EDA Award Nominees". Alliance of Women Film Journalists. Retrieved December 17, 2016.
Jump up ^ McCue, Michelle (December 16, 2016). "'Arrival', 'La La Land', 'Hell or High Water' Among The Nominees for the 2016 AWFJ EDA Awards". WeAreMovieGeeks.com. Retrieved December 17, 2016.
Jump up ^ Davis, Clayton (December 14, 2016). "Black Reel Award Nominees – 'Moonlight' Leads with 13 Nominations". AwardsCircuit.com. Retrieved December 15, 2016.
Jump up ^ "The Jupiter Awards 2017". Jupiter Awards. Retrieved December 26, 2016.
Jump up ^ McNary, Dave (March 2, 2017). "Saturn Awards Nominations 2017: 'Rogue One,' 'Walking Dead' Lead". Variety. Retrieved March 3, 2017.
Jump up ^ Vulpo, Mike (May 24, 2016). "Teen Choice Awards 2016 Nominations Announced: See the "First Wave" of Potential Winners". E!. Archived from the original on May 25, 2016. Retrieved May 25, 2016.
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From Dusk till Dawn
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For other uses, see From Dusk till Dawn (disambiguation).
From Dusk till Dawn
Theatrical release poster
Directed by
Robert Rodriguez
Produced by
Gianni Nunnari
Meir Teper
Screenplay by
Quentin Tarantino
Story by
Robert Kurtzman
Starring
George Clooney
Harvey Keitel
Quentin Tarantino
Juliette Lewis
Cheech Marin
Fred Williamson
Salma Hayek
Music by
Graeme Revell
Cinematography
Guillermo Navarro
Edited by
Robert Rodriguez
Production
company
Dimension Films
A Band Apart
Los Hooligans Productions
Distributed by
Miramax Films
Release date
January 19, 1996 (1996-01-19)
Running time
108 minutes
Country
United States
Language
English
Budget
$19 million[1]
Box office
$25.8 million[1]
From Dusk till Dawn is a 1996 American action horror film directed by Robert Rodriguez and written by Quentin Tarantino.[2] It stars George Clooney, Tarantino, Harvey Keitel and Juliette Lewis. After enjoying modest success at the box office, it has since become a cult film.[3] The film was conceived by Robert Kurtzman who hired Tarantino to write the script as his first paid writing assignment.[4][5]
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 References to other titles
3.2 Labor issues
4 Release
5 Reception
5.1 Awards and nominations
6 Soundtrack
7 Video game
8 Sequels
9 Television
10 See also
11 References
12 External links
Plot[edit]
Fugitive bank robbers Seth and Richie Gecko hold up and destroy a liquor store, killing the clerk and a Texas ranger. At the motel room where they are hiding out, Seth returns to find Richie has raped and murdered a bank clerk they had taken hostage.
Jacob Fuller, a pastor who is experiencing a crisis of faith, is on vacation with his teenage children Scott and Kate in their RV. They stop at the motel and are kidnapped by the Geckos, who force the Fullers to smuggle them over the Mexican border. In Mexico, they arrive at the Titty Twister, a strip club in a desert, where the Geckos will be met by their contact, Carlos, at dawn. Carlos will escort them to sanctuary at "El Rey," a place of safety for fugitives from justice whose admission fee is a non-negotiable 30 percent of everything you have.
The bar employees transform into vampires and most of the patrons are killed. Richie is bitten by a stripper, becomes a vampire himself, and dies after Seth drives a wooden stake through his heart. Only Seth, Jacob, Kate, Scott, a biker named Sex Machine, and Frost, a Vietnam veteran, survive. The others come back to life as vampires, including Richie, forcing Seth to kill him. Sex Machine is bitten, becomes a vampire, and bites Frost and Jacob. Frost throws Sex Machine through the door, allowing an army of vampires to enter as bats.
Seth and the Fullers escape to a storeroom and fashion weapons including a stake mounted on a pneumatic drill, a crossbow, a shotgun, and holy water, which requires Jacob to recover his faith to bless. Jacob, knowing he will soon become a vampire, makes Scott and Kate promise to kill him when he changes.
The group make their final assault on the undead. Jacob becomes a vampire, but Scott hesitates to kill him, allowing Jacob to bite him. Scott hits Jacob with holy water and shoots him. Scott is overwhelmed by vampires who begin to devour him; he begs for death, and Kate shoots him.
As vampires surround Kate and Seth, streams of morning light enter through bullet holes in the building, making the vampires back away. Carlos's bodyguards blast open the door, letting in the sunlight and killing the vampires. Seth chastises him for his poor choice of meeting place and negotiates a smaller tribute for his admission to El Rey.
Kate asks Seth if she can go with him to El Rey, but he refuses, leaving her with some cash. Kate drives away in the RV, leaving the Titty Twister — in fact the top of a partially buried Aztec temple — behind.
Cast[edit]
George Clooney as Seth Gecko
Quentin Tarantino as Richard "Richie" Gecko
Harvey Keitel as Jacob Fuller
Juliette Lewis as Katherine Fuller
Ernest Liu as Scott Fuller
Salma Hayek as Santanico Pandemonium
Cheech Marin as Border Guard / Chet Pussy / Carlos
Danny Trejo as Razor Charlie
Tom Savini as Sex Machine
Fred Williamson as Frost
Michael Parks as Texas Ranger Earl McGraw
Brenda Hillhouse as Hostage Gloria Hill
John Saxon as FBI Agent Stanley Chase
Marc Lawrence as Old Timer Motel Owner
Kelly Preston as Newscaster Kelly Houge
John Hawkes as Pete Bottoms (liquor store cashier)
Tito & Tarantula as The Titty Twister House Band
Production[edit]
References to other titles[edit]
Earl McGraw became a recurring character in Rodriguez and Tarantino's works, later appearing in Kill Bill, Planet Terror and Death Proof. Chango Beer and Sex Machine's codpiece gun are references to Rodriguez's 1995 film Desperado. Seth also returns to the hotel with Big Kahuna Burgers, which were used in Pulp Fiction and mentioned in Death Proof. Seth Gecko also says the line "All right, Ramblers. Let's get ramblin'!", a quote from Tarantino's Reservoir Dogs. Scott's T-shirt decoration reads "Precinct 13", a reference to John Carpenter's 1976 film, Assault on Precinct 13.[6]
Labor issues[edit]
From Dusk till Dawn employed a non-union production crew, which is unusual for a production with a budget above $15 million.[7]
Release[edit]
From Dusk till Dawn had its world premiere on January 17, 1996.[8] On its first week, the film grossed $10,240,805 in the United States making it the highest-grossing film of the week.[9] The next week, the film fell to third highest in the box office where it grossed $4,851,921 being beaten by Mr. Holland's Opus and Bed of Roses.[10] From Dusk till Dawn earned a total of $25,836,616 on its theatrical release.[9]
Reception[edit]
Rotten Tomatoes, a review aggregator, reports that 64% of 46 surveyed critics gave the film a positive review; the average rating was 6/10. The site's consensus reads: "A pulpy crime drama/vampire film hybrid, From Dusk Till Dawn is an uneven but often deliriously enjoyable B-movie."[11] Metacritic rated it 52/100 based on 14 reviews.[12] Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale.[13]
Roger Ebert gave it three out of four stars and described it as "a skillful meat-and-potatoes action extravaganza with some added neat touches".[14] In her review for The New York Times, Janet Maslin wrote, "The latter part of From Dusk till Dawn is so relentless that it's as if a spigot has been turned on and then broken. Though some of the tricks are entertainingly staged, the film loses its clever edge when its action heats up so gruesomely and exploitatively that there's no time for talk".[15] Entertainment Weekly gave the film a "B" rating and Owen Gleiberman wrote, "Rodriguez and Tarantino have taken the let-'em-eat-trash cynicism of modern corporate moviemaking and repackaged it as junk-conscious 'attitude.' In From Dusk till Dawn, they put on such a show of cooking up popcorn that they make pandering to the audience seem hip".[16] However, in his review for the Washington Post, Desson Howe wrote, "The movie, which treats you with contempt for even watching it, is a monument to its own lack of imagination. It's a triumph of vile over content; mindless nihilism posing as hipness".[17] Cinefantastique magazine's Steve Biodrowski wrote, "Whereas one might reasonably have expected that the combo of Quentin Tarantino and Robert Rodriguez would yield a critical mass of nuclear proportions, instead of an atomic fireball's worth of entertainment, we get a long fuse, quite a bit of fizzle, and a rather minor blast".[18] In his review for the San Francisco Chronicle, Mick LaSalle called the film, "an ugly, unpleasant criminals-on-the-lam film that midway turns into a boring and completely repellent vampire 'comedy.' If it's not one of the worst films of 1996 it will have been one miserable year".[19] In Marc Savlov's review for the Austin Chronicle, he wrote, "Fans of Merchant-Ivory will do well to steer clear of Rodriguez's newest opus, but both action and horror film fans have cause for celebration after what seems like a particularly long splatter-drought. This is horror with a wink and a nod to drive-in theatres and sweaty back seats. This is how it's done".[20]
Awards and nominations[edit]
Award
Category
Subject
Result
Fangoria Chainsaw Award Best Actor George Clooney Won
MTV Movie Awards Best Breakthrough Performance Won
Saturn Awards Best Actor Won
Best Horror Film Won
Best Makeup Nominated
Best Director Robert Rodriguez Nominated
Best Supporting Actress Juliette Lewis Nominated
Best Supporting Actor Harvey Keitel Nominated
Quentin Tarantino Nominated
Best Writing Nominated
Razzie Awards Worst Supporting Actor[21] Nominated
Stinkers Bad Movie Awards Worst Supporting Actor[22] Nominated
Soundtrack[edit]
Main article: From Dusk Till Dawn (soundtrack)
The soundtrack features mainly Texas blues by such artists as ZZ Top and brothers Stevie Ray and Jimmie Vaughan on separate tracks. The Chicano rock band Tito & Tarantula, who portrayed the band in the Titty Twister, appears on the soundtrack as well. The film's score is by Graeme Revell. "Dark Night" by The Blasters plays over the film's opening and closing credits.
Video game[edit]
Main article: From Dusk Till Dawn (video game)
A video game of the same name was released in 2001. It is based on events that transpire directly after the end of the film.
Sequels[edit]
Main articles: From Dusk Till Dawn 2: Texas Blood Money and From Dusk Till Dawn 3: The Hangman's Daughter
From Dusk till Dawn was followed by two direct-to-video[23] prequels, From Dusk Till Dawn 2: Texas Blood Money and From Dusk Till Dawn 3: The Hangman's Daughter. They were both received poorly by critics.[24][25] Danny Trejo is the only actor to appear in all three, although Michael Parks appears in both From Dusk till Dawn and The Hangman's Daughter. Rodriguez, Tarantino and Lawrence Bender served as producers on all three movies.
In late 2010, it was reported that a possible fourth film in the series may be produced.[26]
Television[edit]
Main article: From Dusk till Dawn: The Series
On March 17, 2014, a television series inspired by the films premiered on the El Rey, produced and directed by Rodriguez. The show will explore and expand on the characters and story from the film, providing a wider scope and richer Aztec mythology.[27][28]
See also[edit]
Near Dark
Vampire film
References[edit]
^ Jump up to: a b "From Dusk Till Dawn (1996)". Box Office Mojo. Retrieved January 25, 2010.
Jump up ^ Tobey, Matthew. "From Dusk till Dawn". Allmovie. Rovi Corporation. Retrieved January 7, 2013.
Jump up ^ Cult Classic: From Dusk Till Dawn, by Emmet Purcell JOE.ie
Jump up ^ "ROBERT KURTZMAN INTERVIEW". backwoodshorror.com. Retrieved July 16, 2016.
Jump up ^ "From Dusk Till Dawn – The Oft Forgotten 90s Classic". January 7, 2014. Retrieved July 16, 2016.
Jump up ^ "Review: 'From Dusk Till Dawn'". Retrieved November 12, 2014.
Jump up ^ "STRIKE MAY DAWN ON 'DUSK' SHOOT". Retrieved November 14, 2014.
Jump up ^ Marshall, Fine (January 28, 1996). "'Dusk till Dawn': A top-notch ride through hell". The Daily Sentinel. p. 11. Retrieved August 6, 2013.
^ Jump up to: a b "From Dusk Till Dawn". Box Office Mojo. Internet Movie Database. Retrieved August 7, 2013.
Jump up ^ "January 26-28, 1996". Box Office Mojo. Internet Movie Database. Retrieved August 7, 2013.
Jump up ^ "From Dusk Till Dawn (1996)". Rotten Tomatoes. Retrieved December 15, 2014.
Jump up ^ "From Dusk Till Dawn". Metacritic. Retrieved December 15, 2014.
Jump up ^ "CinemaScore". cinemascore.com.
Jump up ^ Ebert, Roger (January 19, 1996). "From Dusk Till Dawn". Chicago Sun-Times. Retrieved September 30, 2009.
Jump up ^ Maslin, Janet (January 19, 1996). "Enough Blood to Feed The Thirstiest Vampires". The New York Times. Retrieved September 30, 2009.
Jump up ^ Gleiberman, Owen (February 2, 1996). "Monster Mishmash". Entertainment Weekly. Retrieved September 30, 2009.
Jump up ^ Howe, Desson (January 19, 1996). "Quentin's Dusk: Hurry Up Dawn". Washington Post. Retrieved September 30, 2009.
Jump up ^ Biodrowski, Steve (June 1996). "From Dusk Till Dawn". Cinefantastique. Retrieved September 30, 2009.
Jump up ^ LaSalle, Mick (January 19, 1996). "Tarantino Continues to Stumble in 'Dusk'". San Francisco Chronicle. Retrieved September 30, 2009.
Jump up ^ Savlov, Marc (January 19, 1996). "From Dusk Till Dawn". Austin Chronicle. Retrieved September 30, 2009.
Jump up ^ "1996 RAZZIE® Nominees & "Winners" - The Official RAZZIE® Forum". Razzies.com. Retrieved June 26, 2012.
Jump up ^ "1996 19th Hastings Bad Cinema Society Stinkers Awards". Stinkers Bad Movie Awards. Los Angeles Times. Archived from the original on January 3, 2007. Retrieved March 30, 2013.
Jump up ^ "Miramax From Dusk Till Dawn Series DVD Review". Video Vault. Archived from the original on July 14, 2012. Retrieved March 3, 2012.
Jump up ^ "Audience & Critic Reviews - From Dusk Till Dawn 2: Texas Blood Money". Rotten Tomatoes. Retrieved October 21, 2008.
Jump up ^ "Audience & Critic Reviews - From Dusk Till Dawn 3: The Hangman's Daughter". Rotten Tomatoes. Retrieved March 3, 2012.
Jump up ^ Block, Alex Ben (December 16, 2010). "Weinstein Co., Miramax Ink Deal to Produce Movie Sequels". The Hollywood Reporter. Retrieved March 5, 2012.
Jump up ^ "El Rey's 'From Dusk Till Dawn' Rounds Out Cast", by The Deadline Team
Jump up ^ "T2's Robert Patrick & More Join 'From Dusk Till Dawn: The Series'", by Craig Hunter
External links[edit]
Wikiquote has quotations related to: From Dusk till Dawn
From Dusk till Dawn on IMDb
From Dusk till Dawn at AllMovie
From Dusk till Dawn at Box Office Mojo
From Dusk till Dawn at Rotten Tomatoes
From Dusk till Dawn at Metacritic
From Dusk till Dawn at AllMovie
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North Central Association of Colleges and Schools
From Wikipedia, the free encyclopedia
Jump to: navigation, search
North Central Association of Colleges and Schools
NCA logo
Abbreviation
NCA
Successor
AdvancED
Higher Learning Commission
Formation
1895
Legal status
Defunct
Purpose
Educational accreditation
Headquarters
Tempe, Arizona
Chicago, Illinois
Region served
Arkansas, Arizona, Colorado, Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, New Mexico, North Dakota, Ohio, Oklahoma, South Dakota, West Virginia, Wisconsin, Wyoming
Main organ
Board of Directors
Affiliations
CHEA
Website
www.northcentralassociation.org
The North Central Association of Colleges and Schools (NCA), also known as the North Central Association, was a membership organization, consisting of colleges, universities, and schools in 19 U.S. states engaged in educational accreditation. It was one of six regional accreditation bodies in the U.S. and its Higher Learning Commission was recognized by the United States Department of Education and the Council for Higher Education Accreditation (CHEA) as a regional accreditor for higher education institutions.[1]
The organization was dissolved in 2014.[2] The primary and secondary education accreditation functions of the association have been merged into AdvancED with the postsecondary education accreditation functions vested in the Higher Learning Commission.
See also[edit]
List of recognized accreditation associations of higher learning
References[edit]
Jump up ^ Recognized Accrediting Organizations, Council for Higher Education Accreditation, accessed October 8, 2010
Jump up ^ "About the Higher Learning Commission". Higher Learning Commission. 2015. Retrieved December 18, 2015.
External links[edit]
Official website
Retrieved from "https://en.wikipedia.org/w/index.php?title=North_Central_Association_of_Colleges_and_Schools&oldid=743372737"
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Ghost of a Rose
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ghost of a Rose
Studio album by Blackmore's Night
Released
June 30, 2003 (Europe)
August 30, 2003 (North America)[1]
Recorded
January/April 2003
Genre
Celtic, folk rock, neo-medieval, hard rock
Length
60:19
Label
SPV
Steamhammer US
Producer
Pat Regan, Ritchie Blackmore
Blackmore's Night chronology
Past Times with Good Company
(2002)Past Times with Good Company2002 Ghost of a Rose
(2003) Beyond the Sunset: The Romantic Collection
(2004)Beyond the Sunset: The Romantic Collection2004
Professional ratings
Review scores
Source
Rating
Allmusic [2]
Ghost of a Rose is the fourth studio album by the folk rock group Blackmore's Night, released June 30, 2003.[1] It features covers of Joan Baez's "Diamonds and Rust", and Jethro Tull's "Rainbow Blues".
Contents
[hide]
1 Track listing
1.1 Bonus tracks
2 Personnel
3 Production
4 Charts performance
5 Certifications
6 Covers
7 References
Track listing[edit]
No.
Title
Writer(s)
Length
1. "Way to Mandalay" Blackmore, Night 6:27
2. "3 Black Crows" Night 3:43
3. "Diamonds and Rust" (Joan Baez) Baez 4:54
4. "Cartouche" Blackmore, Night 3:48
5. "Queen for a Day (Part 1)" Blackmore, Night 3:05
6. "Queen for a Day (Part 2)" Blackmore 1:36
7. "Ivory Tower" Night 4:24
8. "Nur eine Minute" (Instrumental; Nur eine Minute being German for "Just One Minute") Blackmore 1:08
9. "Ghost of a Rose" Blackmore, Night, Edward Elgar 5:45
10. "Mr. Peagram's Morris and Sword" (Instrumental) Blackmore 2:01
11. "Loreley" Blackmore, Night 3:36
12. "Where Are We Going from Here" Blackmore, Night 4:05
13. "Rainbow Blues" (Jethro Tull) Ian Anderson 4:30
14. "All for One" (based on Breton drinking song 'Son Ar Chistr') trad. 5:36
15. "Dandelion Wine" Blackmore, Night 5:39
Bonus tracks[edit]
[show]Special edition
No.
Title
Writer(s)
Length
16. "Mid Winter's Night" (live acoustic version) trad., Blackmore, Night 4:45
17. "Way to Mandalay" (radio edit) Blackmore, Night 3:02
[show]Japanese edition
No.
Title
Writer(s)
Length
16. "Just One Minute" Blackmore 1:10
Personnel[edit]
Ritchie Blackmore – acoustic guitar, electric guitar, hurdy-gurdy, mandola, tambourine, Renaissance drum
Candice Night – chant, penny whistle, shawm, vocals, background vocals
Additional musicians
Madeline Posner (Lady Madeline) – harmony vocals ("Ghost of a Rose", "Way to Mandalay")
Nancy Posner (Lady Nancy) – harmony vocals ("Ghost of a Rose", "Way to Mandalay")
Marnen Laibow-Koser (Lord Marnen of Wolfhurst) – violin, viola
Robert Curiano (Sir Robert Of Normandie) – bass
David Baranowski (Bard David Of Larchmont) – background vocals ("All for One")
Mike Sorrentino – drums, percussion
Tim Cotov – background vocals ("All for One")
Production[edit]
Sascha Braun – photography
Michael Keel – photography
David Owen – photography
Johanna Pieterman – cover art
Pat Regan – mixing, producer
Takaomi Shibayama – design
Carole Stevens – photography
Charts performance[edit]
Year
Chart
Position
2003 Germany 11
Sweden 39
Switzerland 75
Austria 75
Japan 77
Certifications[edit]
Country
Date
Award
Amount (units)
Czech Republic 2004 Gold 2,500[3]
Covers[edit]
"Way to Mandalay" was recorded by Axel Rudi Pell on his 2014 album Into the Storm.
References[edit]
^ Jump up to: a b "BLACKMORE'S NIGHT: 'Ghost Of A Rose' Track-By-Track Description". BLABBERMOUTH.NET. June 22, 2003. Archived from the original on 2007-03-19.
Jump up ^ https://www.allmusic.com/album/r647089
Jump up ^ "Ritchie's Bio". The Official Ritchie Blackmore and Blackmore's Night website. Archived from the original on 2010-11-17. Retrieved 2010-08-02.
[show]
v
t
e
Blackmore's Night
Ritchie Blackmore
Candice Night
Studio albums
Shadow of the Moon
Under a Violet Moon
Fires at Midnight
Ghost of a Rose
The Village Lanterne
Winter Carols
Secret Voyage
Autumn Sky
Dancer and the Moon
All Our Yesterdays
Live albums
Past Times with Good Company
Paris Moon
A Knight in York
Compilation albums
Beyond the Sunset: The Romantic Collection
Videography
Castles and Dreams
Paris Moon
A Knight in York
The Beginning
Related articles
Discography
Rainbow
Deep Purple
This 2000s folk album-related article is a stub. You can help Wikipedia by expanding it.
v
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e
This 2000s rock album-related article is a stub. You can help Wikipedia by expanding it.
v
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Ghost_of_a_Rose&oldid=805464663"
Categories:
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2003 albums
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values: All Our Yesterdays (Blackmore's Night album)

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/wiki/Rainbow_(English_band)
mw-redirect
Rainbow (English band)

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presentation
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values: Category:Articles with hAudio microformats

values: Category:Music infoboxes with deprecated parameters

values: Category:Track listings with deprecated parameters

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Ghost_of_a_Rose
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

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values: Past revisions of this page [ctrl-alt-h]

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values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

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values: All languages (initial selection from common choices by you and others)

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