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Chapters and verses of the Bible
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The Gospel according to John - a text showing chapter and verse divisions (King James Version)
The Bible is a compilation of many shorter books written at different times by a variety of authors, and later assembled into the biblical canon. Since the early 13th century, most copies and editions of the Bible present all but the shortest of these books with divisions into chapters, generally a page or so in length. Since the mid-16th century editors have further subdivided each chapter into verses - each consisting of a few short lines or sentences. Sometimes a sentence spans more than one verse, as in the case of Ephesians 2:8–9, and sometimes there is more than one sentence in a single verse, as in the case of Genesis 1:2.
As the chapter and verse divisions did not appear in the original texts, they form part of the paratext of the Bible.
The Jewish divisions of the Hebrew text differ at various points from those used by Christians. For instance, in Jewish tradition, the ascriptions to many Psalms are regarded as independent verses or parts of the subsequent verses, making 116 more verses, whereas established Christian practice treats each Psalm ascription as independent and unnumbered. Some chapter divisions also occur in different places, e.g. Hebrew Bibles have 1 Chronicles 5:27–41 where Christian translations have 1 Chronicles 6:1–15.[citation needed]
Contents
[hide]
1 History
1.1 Chapters
1.2 Verses
2 Jewish tradition
2.1 Verse endings
2.2 Parashiyot
2.3 Sedarim
3 Christian versions
4 Protestant Bible statistics
4.1 Chapters
4.2 Verses
5 See also
6 References
7 External links
History[edit]
"...they shall beat their swords into plowshares, and their spears into pruning hooks: Nation shall not lift up sword against nation, neither shall they learn war any more." ~ Isaiah 2:4 KJV (Bible verse across the street from the United Nations Building in New York City)
Chapters[edit]
Early manuscripts of the biblical texts did not contain the chapter and verse divisions in the numbered form familiar to modern readers. In antiquity Hebrew texts were divided into paragraphs (parashot) that were identified by two letters of the Hebrew alphabet. Peh פ indicated an "open" paragraph that began on a new line, while Samekh ס indicated a "closed" paragraph that began on the same line after a small space.[1] These two letters begin the Hebrew words open (patuach) and closed (sagoor), and are, themselves, open פ and closed ס. The earliest known copies of the Book of Isaiah from the Dead Sea Scrolls used parashot divisions, although they differ slightly from the Masoretic divisions.[2] (This is different from the use of consecutive letters of the Hebrew alphabet to structure certain poetic compositions, known as acrostics, such as several of the Psalms and most of the Book of Lamentations.)
The Hebrew Bible was also divided into some larger sections. In Israel the Torah (its first five books) were divided into 154 sections so that they could be read through aloud in weekly worship over the course of three years. In Babylonia it was divided into 53 or 54 sections (Parashat ha-Shavua) so it could be read through in one year.[2] The New Testament was divided into topical sections known as kephalaia by the fourth century. Eusebius of Caesarea divided the gospels into parts that he listed in tables or canons. Neither of these systems corresponds with modern chapter divisions.[3] (See fuller discussions below.)
Chapter divisions, with titles, are also found in the 9th century Tours manuscript, Paris Bibliothèque Nationale MS Lat. 3, the so-called Bible of Rorigo.[4]
Archbishop Stephen Langton and Cardinal Hugo de Sancto Caro developed different schemas for systematic division of the Bible in the early 13th century. It is the system of Archbishop Langton on which the modern chapter divisions are based.[5][6][7]
While chapter divisions have become nearly universal, editions of the Bible have sometimes been published without them. Such editions, which typically use thematic or literary criteria to divide the biblical books instead, include John Locke's Paraphrase and Notes on the Epistles of St. Paul (1707),[8] Alexander Campbell's The Sacred Writings (1826),[9] Daniel Berkeley Updike’s fourteen-volume The Holy Bible Containing the Old and New Testaments and the Apocrypha, Richard Moulton's The Modern Reader's Bible (1907),[10] Ernest Sutherland Bates's The Bible Designed to Be Read as Living Literature (1936),[11] The Books of the Bible (2007) from the International Bible Society (Biblica), Adam Lewis Greene’s five-volume Bibliotheca (2014),[12][13] and the six-volume ESV Reader's Bible[14] (2016) from Crossway Books.
Verses[edit]
Since at least 916 the Tanakh has contained an extensive system of multiple levels of section, paragraph, and phrasal divisions that were indicated in Masoretic vocalization and cantillation markings. One of the most frequent of these was a special type of punctuation, the sof passuq, symbol for a full stop or sentence break, resembling the colon (:) of English and Latin orthography. With the advent of the printing press and the translation of the Bible into English, Old Testament versifications were made that correspond predominantly with the existing Hebrew full stops, with a few isolated exceptions. Most attribute these to Rabbi Isaac Nathan ben Kalonymus's work for the first Hebrew Bible concordance around 1440.[6]
The first person to divide New Testament chapters into verses was Italian Dominican biblical scholar Santi Pagnini (1470–1541), but his system was never widely adopted.[15] His verse divisions in the New Testament were far longer than those known today.[16] Robert Estienne created an alternate numbering in his 1551 edition of the Greek New Testament[17] which was also used in his 1553 publication of the Bible in French. Estienne's system of division was widely adopted, and it is this system which is found in almost all modern Bibles. Estienne produced a 1555 Vulgate that is the first Bible to include the verse numbers integrated into the text. Before this work, they were printed in the margins.[16]
The first English New Testament to use the verse divisions was a 1557 translation by William Whittingham (c. 1524–1579). The first Bible in English to use both chapters and verses was the Geneva Bible published shortly afterwards in 1560. These verse divisions soon gained acceptance as a standard way to notate verses, and have since been used in nearly all English Bibles and the vast majority of those in other languages. (Nevertheless, some Bibles have removed the verse numbering, including the ones noted above that also removed chapter numbers; a recent example of an edition that removed only verses, not chapters, is The Message: The Bible in Contemporary Language by Eugene H. Peterson.)[18]
Jewish tradition[edit]
Main article: Tanakh § Chapters and verse numbers, book divisions
The Hebrew Masoretic text of the Bible notes several different kinds of subdivisions within the biblical books:
Verse endings[edit]
Main article: Sof passuk
Most important are the verse endings. According to the Talmudic tradition, the division of the text into verses is of ancient origin.[19] In Masoretic versions of the Bible, the end of a verse is indicated by a small mark in its final word called a silluq (which means "stop"). Less formally, verse endings are usually also indicated by two horizontal dots following the word with a silluq.
Parashiyot[edit]
Main article: Parashah
The Masoretic textual tradition also contains section endings called parashot, which are usually indicated by a space within a line (a "closed" section) or a new line beginning (an "open" section). The division of the text reflected in the parashot is usually thematic. Unlike chapters, the parashot are not numbered, but some of them have special titles.
In early manuscripts (most importantly in Tiberian Masoretic manuscripts, such as the Aleppo codex), an "open" section may also be represented by a blank line, and a "closed" section by a new line that is slightly indented (the preceding line may also not be full). These latter conventions are no longer used in Torah scrolls and printed Hebrew Bibles. In this system, the one rule differentiating "open" and "closed" sections is that "open" sections must always start at the beginning of a new line, while "closed" sections never start at the beginning of a new line.
Sedarim[edit]
Another division of the biblical books found in the Masoretic text is the division of the sedarim. This division is not thematic, but is almost entirely based upon the quantity of text. For the Torah, this division reflects the triennial cycle of reading that was practiced by the Jews of the Land of Israel.
Christian versions[edit]
The Byzantines also introduced a concept roughly similar to chapter divisions, called kephalaia (singular kephalaion, literally meaning heading).[20] This system, which was in place no later than the 5th century, is not identical to the present chapters. Unlike the modern chapters, which tend to be of roughly similar length, the distance from one kephalaion mark to the next varied greatly in length both within a book and from one book to the next. For example, the Sermon on the Mount, comprising three chapters in the modern system, has but one kephalaion mark, while the single modern chapter 8 of the Gospel of Matthew has several, one per miracle. Moreover, there were far fewer kephalaia in the Gospel of John than in the Gospel of Mark, even though the latter is the shorter text. In the manuscripts, the kephalaia with their numbers, their standard titles (titloi) and their page numbers would be listed at the beginning of each biblical book; in the book's main body, they would be marked only with arrow-shaped or asterisk-like symbols in the margin, not in the text itself.
The titles usually referred to the first event or the first theological point of the section only, and some kephalaia are manifestly incomplete if one stops reading at the point where the next kephalaion begins (for example, the combined accounts of the miracles of the Daughter of Jairus and of the healing of the woman with a haemorrhage gets two marked kephalaia, one titled of the daughter of the synagogue ruler at the beginning when the ruler approaches Jesus and one titled of the woman with the flow of blood where the woman enters the picture – well before the ruler's daughter is healed and the storyline of the previous kephalaion is thus properly concluded). Thus the kephalaia marks are rather more like a system of bookmarks or links into a continuous text, helping a reader to quickly find one of several well-known episodes, than like a true system of chapter divisions.
Cardinal Hugo de Sancto Caro is often given credit for first dividing the Latin Vulgate into chapters in the real sense, but it is the arrangement of his contemporary and fellow cardinal Stephen Langton who in 1205 created the chapter divisions which are used today. They were then inserted into Greek manuscripts of the New Testament in the 16th century. Robert Estienne (Robert Stephanus) was the first to number the verses within each chapter, his verse numbers entering printed editions in 1551 (New Testament) and 1571 (Hebrew Bible).[21]
The division of the Bible into chapters and verses has received criticism from some traditionalists and modern scholars. Critics state that the text is often divided in an incoherent way, or at inappropriate rhetorical points, and that it encourages citing passages out of context. Nevertheless, the chapter and verse numbers have become indispensable as technical references for Bible study.
Several modern publications of the Bible have eliminated numbering of chapters and verses. Biblica published such a version of the NIV in 2007 and 2011. In 2014, Crossway published the ESV Reader's Bible and Bibliotheca published a modified ASV.[22] Projects such as Icthus[23] also exist which strip chapter and verse numbers from existing translations.
Protestant Bible statistics[edit]
The number of words can vary depending upon aspects such as whether the Hebrew alphabet in Psalm 119, the superscriptions listed in some of the Psalms, and the subscripts traditionally found at the end of the Pauline epistles, are included. Except where stated, the following apply to the King James Version of the Bible in its modern 66-book Protestant form including the New Testament and the protocanonical Old Testament, not the deuterocanonical books.
Chapters[edit]
There are 929 chapters in the Old Testament.
187 chapters in the Pentateuch
249 chapters in the Historical books
243 chapters in the Poetic books ("Wisdom")
183 chapters in the Major prophets
67 chapters in the Minor prophets
There are 260 chapters in the New Testament.
89 chapters in the Gospels
28 chapters in Acts
87 chapters in the Pauline Epistles (excluding Hebrews)
34 chapters in the General Epistles (including Hebrews)
22 chapters in Revelation
This gives a total of 1,189 chapters (on average, 18 per book).
Psalm 117, the shortest chapter, is also the middle chapter of the Bible, being the 595th Chapter.[24]
Psalm 117 is the shortest chapter of the Bible.
Psalm 119 is the longest chapter of the Bible.
Five books are a single chapter: Obadiah, Philemon, 2 & 3 John, Jude. In many printed editions, the chapter number is omitted for these books, and references just use the verse numbers.
Old Testament - 929 chapters[25]
Book / Division
Chapters
Pentateuch (or the Law) 187
Genesis 50
Exodus 40
Leviticus 27
Numbers 36
Deuteronomy 34
Historical Books 249
Joshua 24
Judges 21
Ruth 4
1 Samuel 31
2 Samuel 24
1 Kings 22
2 Kings 25
1 Chronicles 29
2 Chronicles 36
Ezra 10
Nehemiah 13
Esther 10
Books of Wisdom (or "Poetry") 243
Job 42
Psalms 150
Proverbs 31
Ecclesiastes 12
Song of Solomon 8
Major Prophets 183
Isaiah 66
Jeremiah 52
Lamentations 5
Ezekiel 48
Daniel 12
Minor Prophets 67
Hosea 14
Joel 3
Amos 9
Obadiah 1
Jonah 4
Micah 7
Nahum 3
Habakkuk 3
Zephaniah 3
Haggai 2
Zechariah 14
Malachi 4
New Testament - 260 chapters[25]
Book / Division
Chapters
Gospels 89
Matthew 28
Mark 16
Luke 24
John 21
History 28
Acts 28
Pauline Epistles 87
Romans 16
1 Corinthians 16
2 Corinthians 13
Galatians 6
Ephesians 6
Philippians 4
Colossians 4
1 Thessalonians 5
2 Thessalonians 3
1 Timothy 6
2 Timothy 4
Titus 3
Philemon 1
General Epistles 34
Hebrews 13
James 5
1 Peter 5
2 Peter 3
1 John 5
2 John 1
3 John 1
Jude 1
Apocalyptic Writings
(Prophecy)
22
Revelation 22
Verses[edit]
There are 23,145 verses in the Old Testament and 7,957 verses in the New Testament. This gives a total of 31,102 verses,[25] which is an average of a little more than 26 verses per chapter.
Contrary to popular belief, Psalm 118 does not contain the middle verse of the Bible. The King James Version has an even number of verses (31,102), with the two middle verses being Psalm 103:1–2.[26]
John 11:35 ("Jesus wept") is the shortest verse in most English translations. Some translations — including the New International Version, New Living Translation, New Life Version, Holman Christian Standard Bible and New International Reader's Version — render Job 3:2 as "He said". However, that is a translators' condensation of the Hebrew which literally translated is: "And Job answered and said."
The shortest verse in the Greek New Testament is Luke 20:30 ("και ο δευτερος", "And the second") with twelve letters, according to the Westcott and Hort text. In the Textus Receptus, the shortest verse is 1 Thessalonians 5:16 ("παντοτε χαιρετε", "Rejoice always") with fourteen letters,[27] since Stephanus' rendering of Luke 20:30 includes some additional words.[28]
Isaiah 10:8 ("Dicet enim") is the shortest verse in the Latin Vulgate.[29]
Esther 8:9 is the longest verse in the Masoretic Text. The discovery of several manuscripts at Qumran (in the Dead Sea Scrolls) has reopened what is considered the most original text of 1 Samuel 11; if one believes that those manuscripts better preserve the text, several verses in 1 Samuel 11 surpass Esther 8:9 in length.
See also[edit]
Bible portal
Bible citation
List of omitted Bible verses
Parashah
References[edit]
Jump up ^ Ernst Würthwein, The Text of the Old Testament (Grand Rapids: Eerdmans, 1998), p. 20.
^ Jump up to: a b Würthwein, The Text of the Old Testament, n. 28.
Jump up ^ Kurt and Barbara Aland, The Text of the New Testament (Grand Rapids: Eerdmans and Leiden: E.J. Brill, 1989), pp. 252 ff.
Jump up ^ Consortium, Europeana Regia. "Europeana Regia - Paris Bibliothèque nationale de France MSS Latin 3".
Jump up ^ Hebrew Bible article in the Catholic Encyclopedia.
^ Jump up to: a b Moore, G.F. The Vulgate Chapters and Numbered Verses in the Hebrew Bible, pages 73–78 at JSTOR. page 75
Jump up ^ Bruce M. Metzger, The early versions of the New Testament: Their origin, transmission and limitations, Oxford University Press (1977), p.347. Cited in Stephen Langton and the modern chapter divisions of the bible by British translator Roger Pearse, 21 June 2013.
Jump up ^ London: Awnsham and John Churchill, 1707
Jump up ^ 1826; repr. Nashville: Gospel Advocate Restoration Reprints, 2001
Jump up ^ New York: Macmillan, 1907
Jump up ^ New York: Simon and Schuster, 1936)
Jump up ^ "Bibliotheca Multivolume Readers' Bible Homepage". BIBLIOTHECA. Retrieved 2017-10-22.
Jump up ^ "The Bible's a mess, but a designer is fixing it". The Verge. Retrieved 2017-10-22.
Jump up ^ https://www.crossway.org/bibles/esv-readers-bible-none-tru/
Jump up ^ Miller, Stephen M.; Huber, Robert V. (2004). The Bible: A History. Good Books. p. 173. ISBN 1-56148-414-8.
^ Jump up to: a b "Pitts Theology Library Exhibit on the Verses of the New Testament".
Jump up ^ "Chapters and Verses: Who Needs Them?," Christopher R. Smith, Bible Study Magazine (July–Aug 2009): 46–47.
Jump up ^ Colorado Springs: NavPress, 2002
Jump up ^ Babylonian Talmud Nedarim 37b
Jump up ^ Snapp, James (15 April 2016). "Kephalaia: The Ancient Chapters of the Gospels". Retrieved 31 March 2018.
Jump up ^ The Examiner.
Jump up ^ Zylstra, Sarah Eekhof (25 July 2014). "Introducing the Bible! Now with Less!". Christianity Today. Retrieved 23 August 2014.
Jump up ^ "Icthus".
Jump up ^ The Center of the Bible Archived August 28, 2005, at the Wayback Machine. at BreakTheChain.org
^ Jump up to: a b c Study Resources: The Books of the Bible at BlueLetterBible.org
Jump up ^ King James Bible Statistics at BibleBelievers.com
Jump up ^ First Thessalonians 5:12–28, John Walvoord at Bible.org
Jump up ^ Luke 20:30 και ο δευτερος – and the second with interlinear Greek-English and KJV
Luke 20:30, in the 1550 Stephanus New Testament and the 1881 Westcott-Hort New Testament.
Jump up ^ Isaias 10 at LatinVulgate.com
External links[edit]
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It's All Over Now, Baby Blue
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"It's All Over Now, Baby Blue"
Song by Bob Dylan
from the album Bringing It All Back Home
Released
March 22, 1965
Recorded
January 15, 1965
Studio
Columbia Recording Studios, New York City
Genre
Folk rock, folk
Length
4:12
Label
Columbia
Songwriter(s)
Bob Dylan
Producer(s)
Tom Wilson
Bringing It All Back Home track listing
show
11 tracks
Side one
"Subterranean Homesick Blues"
"She Belongs to Me"
"Maggie's Farm"
"Love Minus Zero/No Limit"
"Outlaw Blues"
"On the Road Again"
"Bob Dylan's 115th Dream"
Side two
"Mr. Tambourine Man"
"Gates of Eden"
"It's Alright, Ma (I'm Only Bleeding)"
"It's All Over Now, Baby Blue"
Audio sample
file
help
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965 by Columbia Records (see 1965 in music). The song was recorded on January 15, 1965 with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue." There has been much speculation about the real life identity of "Baby Blue", with possibilites including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
"It's All Over Now, Baby Blue" has been covered many times by a variety of artists, including Joan Baez, Bryan Ferry, The Seldom Scene, Them (also by Van Morrison as a solo artist), The Byrds, The Animals, The Chocolate Watchband, Graham Bonnet, Judy Collins, Joni Mitchell, Marianne Faithfull, Falco, The 13th Floor Elevators, the Grateful Dead, Link Wray, Hugh Masekela, Echo and the Bunnymen and Bad Religion. Them's version, released in 1966 influenced garage bands during the mid-60's and Beck later sampled it for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow up single to "Mr. Tambourine Man" and "All I Really Want to Do", but neither recording was released in that form. The Byrds did release a 1969 recording of the song on their Ballad of Easy Rider album (see 1969 in music).
Contents
1 Bob Dylan's version
1.1 Composition and recording
1.2 Identity of "Baby Blue"
1.3 Legacy
2 Covers
2.1 Them's version
2.2 The Byrds' version
2.3 Other covers
3 References
4 External links
Bob Dylan's version[edit]
Composition and recording[edit]
Bob Dylan most likely wrote "It's All Over Now, Baby Blue" in January 1965.[1] The master take of the song was recorded during the sessions for the Bringing It All Back Home album on January 15, 1965 and was produced by Tom Wilson.[2] The track was recorded on the same day Dylan recorded the other three songs on side 2 of the album: "Mr. Tambourine Man", "Gates of Eden" and "It's Alright Ma (I'm Only Bleeding)".[3] However, Dylan had been playing those other songs live for some time, allowing them to evolve before recording of the album commenced.[2] For "It's All Over Now, Baby Blue", Dylan wanted to record the song before he became too familiar with it.[2] There were at least two studio recordings prior to the one that was released on the album. Dylan recorded a solo acoustic version on January 13, 1965 (released in 2005 on The Bootleg Series Vol. 7: No Direction Home) and a semi-electric version on January 14.[2]
The version of the song on the album is sparsely arranged with Dylan accompanying himself on acoustic guitar and harmonica, with William E. Lee playing bass guitar.[2] Author Clinton Heylin states that the song is another of Dylan's "'go out in the real world' songs, like "To Ramona", though less conciliatory – the tone is crueler and more demanding."[4] As well as being the final track on Bringing It All Back Home, "It's All Over Now, Baby Blue" was also the final song to be recorded for the album.[2]
Bill Janovitz of Allmusic describes the music as beautiful, with folk guitar chord changes and a somber melody, while the chorus, with its line "and it's all over now, Baby Blue" has a heartbreaking quality to it.[5] Like other Dylan songs of the period, such as "Chimes of Freedom" and "Mr. Tambourine Man", the lyrics of "It's All Over Now, Baby Blue" bear the strong influence of Symbolist poets such as Arthur Rimbaud.[5] Lines such as "take what you have gathered from coincidence" reflect the I Ching philosophy that coincidence represents more than mere chance.[1][6] The song was described by Q magazine as, "The most toxic of strummed kiss-offs, with not a snowball's chance in hell of reconciliation." Dylan, later describing the song, said that "I had carried that song around in my head for a long time and I remember that when I was writing it, I'd remembered a Gene Vincent song. It had always been one of my favorites, Baby Blue... 'When first I met my baby/she said how do you do/she looked into my eyes and said/my name is Baby Blue.' It was one of the songs I used to sing back in high school. Of course, I was singing about a different Baby Blue."[7]
Identity of "Baby Blue"[edit]
Dylan's two previous albums, The Times They Are A-Changin' and Another Side of Bob Dylan both ended with a farewell song, "Restless Farewell" and "It Ain't Me, Babe" respectively.[8] "It's All Over Now, Baby Blue" concludes Bringing It All Back Home in consistent fashion.[8] Much speculation has surrounded who or what the "Baby Blue" to whom Dylan is singing farewell is. Although Dylan himself has remained mute on the subject, Dylan scholars believe that it is probably an amalgam of personalities within Dylan's social orbit. One person who has been regarded as the subject of the song is folk singer Joan Baez.[6][8] Dylan and Baez were still in a relationship and were planning to tour together, but Dylan had been growing as an artist and as a person and may have already been planning to leave the relationship.[8] Another possibility is a singer-songwriter named David Blue.[1] A friend or acquaintance of Dylan's from his days in New York's Greenwich Village, Blue is pictured on the cover of Dylan and the Band's The Basement Tapes album wearing a trench coat.[5] Yet another possibility is Dylan's one-time friend, folk singer Paul Clayton.[1][2] Although Clayton had been Dylan's friend throughout 1964, and had accompanied Dylan on the road trip across the United States on which "Chimes of Freedom" and "Mr. Tambourine Man" were written, by 1965 he may have become more devoted to Dylan than Dylan was comfortable with, and Clayton's use of amphetamines may have made him difficult to be around.[1][2] However, author Paul Williams, in his book Performing Artist: Book One 1960–1973, counters that "Dylan may have been thinking of a particular person as he wrote it, but not necessarily", adding that the song has such a natural, flowing structure to it, that it could "easily have finished writing itself before Dylan got around to thinking about who 'Baby Blue' was."[4]
1963 photo of Joan Baez, left, who has sometimes been regarded as the subject of the song and also covered it, with Bob Dylan, who wrote the song
Another interpretation of the song is that it is directed at Dylan's folk music audience.[9] The song was written at a time when he was moving away from the folk protest movement musically and, as such, can be seen as a farewell to his days as an acoustic guitar-playing protest singer.[5] Dylan's choice of performing "It's All Over Now, Baby Blue" as his last acoustic song at the infamous Newport Folk Festival of 1965, after having had his electric set met with boos, is often used as evidence to support this theory.[5] That particular performance of the song is included in Murray Lerner's film The Other Side of the Mirror.[5]
Yet another interpretation is that Dylan is directing the farewell to himself, particularly his acoustic performer self.[6][8][9][10][11] The opening line "You must leave now" can be a command, similar to the line "Go away from my window" that opens "It Ain't Me, Babe".[10] But it can also be an imperative, meaning just that it is necessary that you leave.[10] And the song is as much about new beginnings as it is about endings.[1] The song not only notes the requirement that Baby Blue leave, but also includes the hope that Baby Blue will move forward, in lines such as "Strike another match, go start anew".[1] If Dylan is singing the song to himself, then he himself would be the "vagabond who's rapping at your door / standing in the clothes that you once wore".[10] That is, the new, electric, surrealist Dylan would be the vagabond, not yet having removed the "clothes" of the old protest singer. Alternatively, the vagabond and "stepping stones" referenced in the song have been interpreted as Dylan's folk audience whom he needs to leave behind.[6][8] He would also be telling himself to "Forget the dead you've left, they will not follow you."[11] Others to whom he may be saying farewell in the song are any of the women he had known, the political left or to the illusions of his youth.[11]
Legacy[edit]
In addition to appearing on the Bringing It All Back Home album, "It's All Over Now, Baby Blue" was also included on the compilation albums Bob Dylan's Greatest Hits Vol. II (1971), The Essential Bob Dylan (2000), Dylan (2007), and the UK version of Bob Dylan's Greatest Hits (1967).[5] Dylan played the song for Donovan in his hotel room during his May 1965 tour of England in a scene shown in the 1967 D. A. Pennebaker documentary Dont Look Back.[5][6] The first studio take of the song, recorded on January 13, 1965, was released in 2005 on The Bootleg Series Vol. 7: No Direction Home, the soundtrack to Martin Scorsese's documentary No Direction Home,[5] and again in 2015 on the 6-disc and 18-disc versions of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966.
Dylan's May 1, 1965 live performance of the song in Liverpool, England is included in Live 1962-1966: Rare Performances From The Copyright Collections (2018). A live version from Dylan's famous May 17, 1966 concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall concert) was released in 1985 on Dylan's box set Biograph and subsequently included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[12] Another live version, recorded during the Rolling Thunder Revue tour of 1975, is contained on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue (2002),[13] while a June 1981 performance appears on the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979–1981 (2017).
In November 2016, all Dylan's recorded live performances of the song from 1966 were released in the boxed set The 1966 Live Recordings, with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert.
As of 2009, Dylan continued to perform the song in concert.[14]
In a 2005 readers' poll reported in Mojo, "It's All Over Now, Baby Blue" was listed as the #10 all-time best Bob Dylan song, and a similar poll of artists ranked the song #7.[15] In 2002, Uncut listed it as the #11 all-time best Bob Dylan song.[16]
Covers[edit]
Them's version[edit]
"It's All Over Now, Baby Blue"
1966 Dutch picture sleeve.
Single by Them
from the album Them Again
A-side
"It's All Over Now, Baby Blue"
B-side
"I'm Gonna Dress in Black" (Holland)
"Bad or Good" (Germany)
Released
October 1966 (Holland)
December 1973 (Germany)
Recorded
1965
Studio
Decca Studios, London, England
Genre
Rock, folk rock
Length
3:50
Label
Decca
Songwriter(s)
Bob Dylan
Producer(s)
Tommy Scott
Audio sample
file
help
Van Morrison covered "It's All Over Now, Baby Blue" both as a member of Them and as a solo artist.
The Belfast band Them (featuring Van Morrison) recorded a cover of "It's All Over Now, Baby Blue" that was first released on their album, Them Again, in January 1966 in the UK and April 1966 in the U.S.[17][18][19] The song was subsequently issued as a single (b/w "I'm Gonna Dress in Black") in the Netherlands during October 1966 but failed to reach the Dutch Singles Chart.[20] It was later re-released in Germany in December 1973 with "Bad or Good" on the B-side, following its appearance in the 1972 German television movie, Die Rocker (aka Rocker).[21][22] The single became a hit in Germany, first entering the charts in February 1974 and peaking at #13, during a chart stay of 14 weeks.[23]
Morrison recalled his first encounter with Dylan's music in an interview in 2000: "I think I heard [The Freewheelin' Bob Dylan] in a record shop in Smith Street. And I just thought it was just incredible that this guy's not singing about 'moon in June' and he's getting away with it... The subject matter wasn't pop songs, ya know, and I thought this kind of opens the whole thing up."[24] Morrison's record producer at the time, Bert Berns, encouraged him to find models for his songs, so he bought Dylan's Bringing It All Back Home album in March 1965.[25] One of the songs on the album held a unique fascination for Morrison and he soon started performing "It's All Over Now, Baby Blue" in small clubs and pubs as a solo artist (without Them).[25]
Producer Tommy Scott was conscious of the importance of Dylan's music on the current pop scene and was eager for Morrison to cover "It's All Over Now, Baby Blue" during the 1965 sessions for Them's second LP.[25][26] After a failed, preliminary attempt to record the track with session pianist Phil Coulter at Regent Sound studios in London, Scott reconsidered his approach to the song.[26] Scott recalled in interview that "The number wasn't going down, Van wasn't sure. Then the guys said he didn't fancy it and thought it was cheap because I'd tried to go after the "Here Comes the Night" tempo."[26] The band returned to the song during a later session at Decca's recording studios.[26] Scott decided to rearrange the song's musical backing, incorporating a distinctive recurring blues riff and piano work from Them's keyboard player, Peter Bardens, resulting in a finished recording that the band were satisfied with.[26] The song featured one of Morrison's most expressive vocals and included subtle changes to Dylan's lyrics; instead of singing "Forget the dead you've left" Morrison alters the line to "Forget the debts you've left".[24][26]
Greil Marcus stated in a 1969 Rolling Stone review that "Only on Dylan's 'It's All Over Now, Baby Blue' does Van truly shatter all the limits on his special powers...Each note stands out as a special creation – 'the centuries of emotion that go into a musician’s choice from one note to the next' is a phrase that describes the startling depth of this recording. Played very fast, Van's voice virtually fighting for control over the band, 'Baby Blue' emerges as music that is both dramatic and terrifying."[27] In recent years, author Clinton Heylin has noted that Them's 1966 recording of the song is "that genuine rarity, a Dylan cover to match the original."[28] After Van Morrison left the band in 1966, Them spinoff group, The Belfast Gypsies, recorded a cover of the song on their 1967 album, Them Belfast Gypsies.[29][30][31]
Them's interpretation of the song, with Morrison as vocalist, became influential during the years 1966 and 1967, with several garage rock bands, including The Chocolate Watchband and The West Coast Pop Art Experimental Band, recording versions of the song that were indebted to Them's cover version.[32] Beck used a sample of Them's 1966 recording of "It's All Over Now, Baby Blue" as the basis for his single "Jack-Ass", which appeared on his 1996 album, Odelay (see 1996 in music).[5] Insane Clown Posse later sampled Beck's song as the basis for "Another Love Song", which appeared on their 1999 album, The Amazing Jeckel Brothers.[33] Hole's cover of the song also uses Them's recording as a blueprint.[5] Them's original 1966 version of the song has appeared in movies, such as the 1996 film Basquiat, the 1972 German film Rocker by Klaus Lemke and the 2000 film Girl, Interrupted.[22][34][35][36]
In 1993, Van Morrison included Them's cover of the song on his compilation album The Best of Van Morrison Volume Two.[37] In addition to recording "It's All Over Now, Baby Blue" with Them, Morrison has covered the song frequently in concert throughout his solo career, beginning in 1974, but has never released a studio or live recording of it as a solo artist.[38] In 1984, Morrison made a guest appearance at one of Bob Dylan's concerts in London and the two musicians performed a duet of "It's All Over Now, Baby Blue".[39] Morrison and Dylan also sang a duet of "It's All Over Now, Baby Blue" at the final concert of Dylan's 1984 tour on July 8, 1984 at Slane Castle, Ireland.[40]
In a 2009 Paste magazine readers, writers and editors poll of the 50 Best Bob Dylan Covers of All Time, Them's version of "It's All Over Now, Baby Blue" was ranked at #28.[41]
The Byrds' version[edit]
"It's All Over Now, Baby Blue"
Song by The Byrds
from the album Ballad of Easy Rider
A-side
"Jesus Is Just Alright"
Released
October 29, 1969
Recorded
July 22, 1969
Studio
Columbia Studios, Hollywood, CA
Genre
Folk rock, country rock
Length
4:53
Label
Columbia
Songwriter(s)
Bob Dylan
Producer(s)
Terry Melcher
The Byrds' recording of "It's All Over Now, Baby Blue" first saw release on October 29, 1969 as part of the band's Ballad of Easy Rider album.[42][43] The song also appeared on the B-side of the band's December 1969 single, "Jesus Is Just Alright", which reached #97 on the Billboard Hot 100 chart.[43][44] The Byrds had previously attempted to record the song on two separate occasions, some four years earlier, during studio sessions for their second album, Turn! Turn! Turn![45]
The Byrds initially planned to release "It's All Over Now, Baby Blue" in 1965, as a follow-up to their previous hit Bob Dylan covers, "Mr. Tambourine Man" and "All I Really Want to Do".[46] The band's first attempt at recording the song was on June 28, 1965: resulting in an irreverent, garage rock style take on the song.[42][45] This version was deemed unsatisfactory and remained unreleased for 22 years, until its inclusion on the Never Before album in 1987.[47] The June 28, 1965 recording can also be heard on the 1996 expanded reissue of Turn! Turn! Turn! as well as on The Byrds and There Is a Season box sets.[45][48][49]
The band attempted a second recording of the song during August 1965.[45] A program director from KRLA, who was present at the recording sessions, was impressed enough to play an acetate disc of the track on air, plugging it as The Byrds' new single.[46] However, The Byrds soon abandoned the idea of releasing "It's All Over Now, Baby Blue" as their third single and instead issued the song "Turn! Turn! Turn!".[47][50] The Byrds' August 1965 version of "It's All Over Now, Baby Blue" has never been released.[45]
Guitarist and band leader, Roger McGuinn, returned to the composition during a July 22, 1969 recording session for the band's Ballad of Easy Rider album.[51] McGuinn decided to slow down the tempo and radically alter the song's arrangement to fashion a more somber and serious version than those recorded in 1965.[42] In tandem with the slower tempo, the band dragged the syllables of each word out in order to emphasize the world-weariness of the song's lyric.[46] Ultimately, McGuinn was dissatisfied with the recording of the song included on Ballad of Easy Rider, feeling that it tended to drag within the context of the album.[46] In addition to appearing on Ballad of Easy Rider, The Byrds' 1969 recording of "It's All Over Now, Baby Blue" can also be found on the compilation albums The Byrds Play Dylan and The Very Best of The Byrds.[52]
Other covers[edit]
Many other artists have covered the song. Joan Baez, who has sometimes been speculated to be the subject of the song, covered it on her 1965 album Farewell, Angelina.[53] It is one of four Dylan covers on that album, the others being the title track, "Mama, You Been on My Mind" (recorded as "Daddy, You Been on My Mind"), and "A Hard Rain's a-Gonna Fall".[53] Baez sings "It's All Over Now, Baby Blue" in a falsetto voice, but retains the power of Dylan's version.[53] Baez has continued to perform the song at live concerts well into the modern era.[54]
Others who have covered the song include Columbia Records contemporary Dion DiMucci (who recorded the song one half year prior to Them's version), The Country Gentlemen, Judy Collins, Joni Mitchell, Marianne Faithfull, Bryan Ferry, Manfred Mann's Earth Band, Energy Orchard.,[55] Turley Richards, Echo & the Bunnymen, Falco, Milltown Brothers, The Seldom Scene, Jon Fratelli, the Grateful Dead[56] , The West Coast Pop Art Experimental Band, The Chocolate Watchband, Richie Havens, Steve Howe, The 13th Floor Elevators, Hole, Graham Bonnet, The Last Drive, Hugh Masekela, and Chris Farlowe.[57][58] Gal Costa performed a version of the song in Portuguese under the title of "Negro Amor" on her 1977 album Caras e Bocas.[59] Link Wray also covered the song on his album Bullshot.[60]
George Harrison, who performed with Dylan in the Traveling Wilburys and also co-wrote the song "I'd Have You Anytime" with Dylan in November 1968,[2] did not cover the song, but did reference the title in his 1987 single, "When We Was Fab". One of the lyrics in the song reads "But it's all over now, baby blue", which is a nod from Harrison to his friend Dylan.[61]
The Chocolate Watchband version of "It's All Over Now, Baby Blue" is featured in the documentary Tarnation.[62]
The Animals recorded a version of the song on their 1977 album Before We Were So Rudely Interrupted.
The song was a source of inspiration for Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?", prompting her to dedicate the story to Dylan.[63] A portion of the first verse of the song was used as the title for Barry Hannah's 1995 novel Yonder Stands Your Orphan.[64] Graham Bonnet's version of the song appears on the soundtrack of the 2009 Peter Jackson film The Lovely Bones.[citation needed]. Philadelphia pop punk band The Wonder Years's 2009 Distances split EP opens with a track entitled "An Elegy for Baby Blue," which references Dylan's song by directly quoting him in its chorus.[citation needed]
Matthew Sweet and Susanna Hoffs covered the song for their 2006 covers album, Under the Covers, Vol. 1.
While not actually a cover, the rock band Nine Days included a sample of Dylan singing two lines from "It's All Over Now, Baby Blue" in their song "Bob Dylan" from the album The Madding Crowd.[65]
In 2011 Bad Religion recorded a punk rock cover version for the 2012 charity compilation album Chimes of Freedom: Songs of Bob Dylan Honoring 50 Years of Amnesty International.[66]
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Jump up ^ "Five Cases Of Plagiarism Involving George Harrison". Dancing About Architecture. Retrieved 2009-07-24.
Jump up ^ "Soundtracks for Tarnation". IMDB. Retrieved 2009-10-19.
Jump up ^ Oates, J.C.; Showalter, E. (1994). "Introduction". Where Are You Going, Where Have You Been. Rutgers University Press. p. 9. ISBN 0-8135-2135-1.
Jump up ^ Hartlaub, J. "Review: Yonder Stands Your Orphan". bookreporter.com. Retrieved 2009-10-22.
Jump up ^ Ruhlmann, W. "The Madding Crowd". allmusic. Retrieved 2009-12-19.
Jump up ^ "Bad Religion: It's All Over Now, Baby Blue". Retrieved 2012-02-09.
External links[edit]
Lyrics: It's All Over Now, Baby Blue
Janovitz B., It's All over Now, Baby Blue (song entry) at AMG
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"What Have They Done to the Rain"
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Discography
List of Joan Baez concerts
Albert Baez (father)
Mimi Fariña (sister)
David Harris (husband)
Richard Fariña (brother-in-law)
Retrieved from "https://en.wikipedia.org/w/index.php?title=It%27s_All_Over_Now,_Baby_Blue&oldid=853609769"
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List of career achievements by Dwyane Wade
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Dwyane Wade playing with the Miami Heat
This page details the career achievements of American basketball player Dwyane Wade.
Contents
[hide]
1 NBA achievements
1.1 Regular Season
1.2 Miami Heat franchise records
1.3 College
1.4 United States National Team
1.5 Other
2 References
3 External links
NBA achievements[edit]
Wade won the NBA All-Star Game MVP award for the 2010 NBA All-Star Game, a game that had an attendance of 108,000.[1]
3x NBA champion: 2006, 2012, 2013,
5 NBA Finals appearances
NBA Finals MVP: 2006
NBA All-Star Game MVP: 2010
12x NBA All-Star:2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016
Leading Scorer: 2009, 2010
10x All-NBA:
First Team: 2009, 2010, 2007
Second Team: 2005, 2006, 2011
Third Team: 2007, 2012, 2013
4× NBA All-Defensive:
First Team: 2005, 2009, 2010, 2011
NBA All-Rookie First Team: 2004
NBA Scoring Champion: 2009
6× NBA Eastern Conference Player of the Month
18× NBA Eastern Conference Player of the Week
NBA All-Star Skills Challenge Champion: 2006, 2007
Only player 6-foot-4 and under to record 700 blocks[2]
No. 11 in all-time playoff scoring
Regular Season[edit]
First player of 6 ft. 4 in. or shorter to register at least 100 blocks in a season.
Only player in NBA history to accumulate at least 2,000 points, 500 assists, 100 steals, and 100 blocks in a season.
Only of three players in NBA history to record at least 50 points, 10 rebounds, and 9 assists in a game.
Includes Russell Westbrook, and James Harden.
One of four players in NBA history to record a triple double in an NBA All-Star game.
Includes LeBron James, Michael Jordan, and Kevin Durant.
One of five players in NBA history to record at least 30 points and 12 assists in three consecutive games.[3]
Includes Oscar Robertson (achieved this four times), Nate Archibald, Kevin Johnson, and Russell Westbrook.
One of five players in NBA history to record at least 2,000 points, 500 assists, and 150 steals in a season.
Includes Michael Jordan (achieved this twice), Allen Iverson (achieved this twice), Larry Bird, and LeBron James.
One of five players in NBA history to record at least 40 points, 5 assists, 5 rebounds, and 5 steals in a game multiple times.
Includes Michael Jordan, Clyde Drexler, James Harden, and Chris Paul.
One of seven players in NBA history to record at least 30 points, 15 assists, and 5 rebounds in a game at least three times.
Includes Magic Johnson, Isiah Thomas, Tim Hardaway, Baron Davis, Chris Paul, Russell Westbrook, and James Harden.
One of eight players in NBA history to lead a franchise in points, assists, and steals.[4][5]
Includes Kevin Garnett, Michael Jordan, Reggie Miller, Gary Payton, Isiah Thomas, LeBron James, and Mike Conley Jr.
Second most steals in an NBA Finals series: 16 (2006)
Youngest player in NBA history to average 30 points in an NBA Finals series en route to an NBA championship.
T-1st for most points in the fourth quarter of a NBA Finals game with 17.
Tied with Shaquille O'Neal, Kevin Durant, Russell Westbrook, and Stephen Curry.
One of five players in NBA history to record at least 40 points in at least two games in a single NBA Finals series.
Includes Michael Jordan, Allen Iverson, LeBron James, and Jerry West.
One of five players in NBA history to record at least 30 points, 10 rebounds, and 5 assists in an NBA Finals clinching game.[6]
Includes John Havlicek, Magic Johnson, James Worthy, and Hakeem Olajuwon.
Miami Heat franchise records[edit]
Statistics accurate as of the conclusion of games on February 8, 2015
Games played, career: 754
Minutes, career: 27,460
Points, career: 20,221
Field goals made, career: 6,567
Field goal attempts, career: 13,350
Free throws made, career: 4,732
Free throw attempts, career: 6,192
Assists, career: 4,489
Steals, career: 1,300
Steals per game, career: 1.7
Turnovers, career: 2,587
Points per game, season: 30.2 (2008-2009)
Steals per game, season: 2.2 (2008-2009)[7]
College[edit]
Conference USA Player of the Year: 2003
Consensus First Team All-American: 2003
United States National Team[edit]
2x Olympic medalist:
Gold: 2008
Bronze: 2004
FIBA World Championship medalist:
Bronze: 2006
Other[edit]
Best NBA Player ESPY Award: 2006
Ranked as one of the top 5 shooting guards in NBA history by Fox Sports[8]
References[edit]
Jump up ^ Stat sheet filler Dwyane Wade grabs NBA All-Star MVP - USATODAY.com
Jump up ^ The 700 Club with Dwyane Wade | Miami Heat
Jump up ^ "Dwyane Wade had 33 points and 13 assists against the 76ers".
Jump up ^ "Elias".
Jump up ^ "SportsCenter on Twitter". Twitter. Retrieved 2016-12-17.
Jump up ^ "Dwyane Wade had 36 points, 10 rebounds and five assists.".
Jump up ^ Miami Heat Career Leaders | Basketball-Reference.com
Jump up ^ Dwyane Wade (2003-present) - Top 3 shooting guards in NBA history
External links[edit]
NBA & ABA Leaders and Records for Hall of Fame Probability | Basketball-Reference.com
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House at the End of the Street
From Wikipedia, the free encyclopedia
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House at the End of the Street
Theatrical release poster
Directed by
Mark Tonderai
Produced by
Aaron Ryder
Peter Block
Ryan Kavanaugh
Sonny Mallhi
Written by
David Loucka
Jonathan Mostow
Starring
Jennifer Lawrence
Max Thieriot
Gil Bellows
Elisabeth Shue
Eva Link
Nolan Gerard Funk
Allie MacDonald
Music by
Theo Green
Cinematography
Miroslaw Baszak
Edited by
Steve Mirkovich
Karen Porter
Production
company
FilmNation Entertainment
Distributed by
Relativity Media
Alliance Films (Canada)
Release date
September 21, 2012 (2012-09-21)
Running time
101 minutes
102 minutes (Unrated cut)
Country
Canada
United States
Language
English
Budget
$6.9 million
Box office
$44.1 million[1]
House at the End of the Street is a 2012 American psychological thriller film directed by Mark Tonderai that stars Jennifer Lawrence, Max Thieriot, Gil Bellows, and Elisabeth Shue. The film's plot revolves around a teenaged girl named Elissa, who along with her newly divorced mother Sarah, moves to a new neighborhood, only to discover that the house at the end of the street was the site of a gruesome double murder committed by a girl named Carrie-Ann who disappeared without a trace. Elissa then starts a relationship with Carrie Anne's brother Ryan, who now lives in the same house.
Although filming had been completed in 2010, the film was not released until 2012 by Relativity Media. Despite a negative response from critics, Jennifer Lawrence's performance was praised and the film was a commercial success, ranking number one at the box office in its opening weekend.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Release
5 Novelization
6 Reception
6.1 Box office
6.2 Critical reception
7 Home Media
7.1 Unrated cut
8 Awards
9 References
10 External links
Plot[edit]
A newly divorced medical doctor Sarah Cassidy (Elisabeth Shue), and her 17-year-old daughter Elissa (Jennifer Lawrence) move to a small, upscale town. They are disturbed to discover the house they are moving into is on the same street as a house in which a family used to live before they were massacred. The story of the massacre is told to them by the neighbors. Four years prior, a girl named Carrie-Ann Jacobson killed her parents, then fled into the forest and was never seen again, leaving her brother Ryan (Max Thieriot) as the sole survivor. Ryan now lives alone and is hated by his neighbors; Bill Weaver (Gil Bellows), a local police officer, appears to be Ryan's only supporter.
The mother-daughter relationship becomes rocky and Elissa starts seeing Ryan against her mother's wishes, finding Ryan to be lonely but a sweet boy. Ryan confides in her that he accidentally injured Carrie-Ann by allowing her to fall from a swing when they were little; he was supposed to be watching her while their parents were getting high on drugs. The resulting brain damage from the accident made her extremely aggressive, leading to their parents' murder. Ryan is revealed to have been secretly taking care of a seemingly now-grown Carrie-Ann (Eva Link) in a hidden room. Carrie-Ann manages to escape and approaches a young couple in a car while brandishing a kitchen knife. Ryan catches up to her before she can reach the couple but accidentally kills her while trying to hide her. In grief, he goes to a diner, where he meets a kind waitress named Peggy (Jordan Hayes).
Later, some unruly high school boys pick a fight with Ryan and he flees, and Elissa drives to his house and subdues a fire the boys started. She finds tampons in the kitchen garbage and explores the house with suspicion until she finds the secret room and is attacked by Carrie-Ann, who is revealed to actually be Peggy. Ryan restrains "Carrie-Ann" while frantically screaming at Elissa to leave. Elissa finds blue contact lenses and Peggy Jones's wallet in the kitchen. Ryan has kidnapped the waitress and attempted to make her look like Carrie-Ann. Elissa tells Ryan she has to go home but Ryan hits her, knocking her unconscious.
Elissa wakes to find herself tightly tied to a chair. Ryan reveals that Carrie-Ann actually died during the swing accident. He says his parents blamed him for it, and reveals that he was the one who killed them. He explains that he wants Elissa, but that he needs Carrie-Ann and cannot have both. Officer Weaver goes to Ryan's house to look for Elissa, but Ryan stabs him to death. Elissa frees herself and tries to escape in Ryan's car, but Ryan knocks her out with chloroform and traps her in his car trunk with Peggy's body. Sarah arrives and is also stabbed by Ryan. Elissa struggles out of the car and ultimately shoots Ryan with Weaver's gun. When she approaches him, he suddenly wakes up and grabs her wrist. When Ryan attempts to stab Elissa with the knife, Sarah strikes him in the head with the hammer.
Elissa and Sarah move out; Ryan is placed in a psychiatric ward (behavior hospital). A flashback shows young Ryan in girl's clothing about to blow out birthday candles. His mother calls him "Carrie-Ann" and when Ryan protests that his name is Ryan, not Carrie-Ann, she slaps him violently; it's revealed that Ryan was the only child who killed the parents and Carrie-Ann is not real.
Cast[edit]
Jennifer Lawrence as Elissa Cassidy
Max Thieriot as Ryan Jacobson
Bobby Osborne as Young Ryan
Elisabeth Shue as Sarah Cassidy
Gil Bellows as Officer Bill Weaver
Eva Link as Carrie Anne
Nolan Gerard Funk as Tyler Reynolds
Allie MacDonald as Jillian
Jordan Hayes as Peggy Jones
Krista Bridges as Mary Jacobson
John Healy as John Jacobson
Grace Tucker-Duguay as Carrie-Ann Jacobson
Production[edit]
The film was originally announced in 2003 with Jonathan Mostow directing and Richard Kelly screenwriting, but the film was put through development hell for 9 years until production was revived in 2010 with Mark Tonderai directing and Jonathan Mostow screenwriting, instead.
Principal photography and filming mostly took place in Metcalfe, Ontario and Carp, Ontario from August 2, 2010, until September 3, 2010.[2]
Release[edit]
The film was originally scheduled to be released in February 2012,[3] but was moved to a September 2012 release. The film had its theatrical premiere in the USA on September 21, 2012, and was released in Canada on the same date. The film was not released theatrically in Sweden or Spain and was released direct-to-video on January 30, 2013, in Sweden and on August 28, 2013 in Spain.
Novelization[edit]
A tie-in novelization of the movie was released on August 12, 2012, to accompany the movie by Little, Brown and Company.
Reception[edit]
Box office[edit]
The film debuted at number one at the US box office on its opening Friday and Saturday nights.[4] In what was one of the tightest races in years for first place at the box-office weekend, the film finished the weekend at number two with $12.3 million, just less than a million behind End of Watch, which included takings from Thursday night through Monday morning, where that movie finished at number one, with $13.1 million.[5] The film went on to gross over $44 million worldwide, from a budget of $6.9 million.[6]
Critical reception[edit]
On Rotten Tomatoes, the film has an approval rating of 11% based on 61 reviews with an average rating of 3.7/10. The site's critical consensus reads, "Poorly conceived, clumsily executed, and almost completely bereft of scares, House at the End of the Street strands its talented star in a film as bland as its title."[7] On Metacritic, the film has a score of 31 out of 100 based on 19 critics, indicating "generally unfavorable reviews".[8] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[9]
Home Media[edit]
House at the End of the Street was released on DVD and Blu-ray Disc on January 8, 2013.[10][11]
Unrated cut[edit]
The unrated cut was also released on January 8, 2013. The extended edition increased the length of certain scenes in the final cut by a few seconds and the amount of violence, blood, and gore was increased by a small amount. The extended cut also included an additional twist in which Bill Weaver was actually a family friend of the Jacobsons and was aware of Carrie-Anne's fate, and he also knew about Ryan's abuse, but did nothing to help him. On the day of Carrie-Anne's accident, he supplied John and Mary Jacobson with drugs and actually could have prevented Carrie-Anne's death if he had not sold them the drugs, as the drugs prevented John and Mary from heeding the cries of Ryan, and he was then disowned as a friend by John Jacobson.
Awards[edit]
Year
Award
Category
Recipients and nominees
Outcome
2012 Directors Guild of Canada[12] Best Sound Editing – Feature Film Mark Gingras, John D. Smith, Katrijn Halliday, Tom Bjelic, James Robb, Dale Lennon Nominated
2013 People's Choice Awards Favorite Movie Actress (also for Silver Linings Playbook and The Hunger Games) Jennifer Lawrence Won
2013 MTV Movie Award[13] Best Scared-As-S**t Performance Jennifer Lawrence Nominated
2013 ASCAP Awards[14] Film Award Theo Green Won
References[edit]
Jump up ^ "House at the End of The Street". The Numbers. Retrieved 23 December 2014.
Jump up ^ "Horror flick to film in Ottawa | Movies | Entertainment". Ottawa Sun. Retrieved 2014-01-07.
Jump up ^ "house-at-the-end-of-the-street gets a release date". Retrieved October 6, 2011.
Jump up ^ Daily Box Office for Friday, September 21, 2012 – Box Office Mojo
Jump up ^ http://boxofficemojo.com/news/?id=3530&p=.htm
Jump up ^ http://www.the-numbers.com/movie/House-at-the-End-of-the-Street
Jump up ^ "House at the End of the Street (2012)". Rotten Tomatoes.
Jump up ^ "House at the End of the Street Reviews". Metacritic.
Jump up ^ "CinemaScore". cinemascore.com.
Jump up ^ "House at the End of the Street with Jennifer Lawrence Blu-ray is Unrated". Thehdroom.com. 2012-10-27. Retrieved 2014-01-07.
Jump up ^ "Killer Blu-ray Art For 'House at the End of the Street'". NextMovie. Retrieved 2014-01-07.
Jump up ^ "Directors Guild of Canada, National Office | 2012 Directors Guild of Canada Awards nominees announced". Newswire.ca. 2012-07-11. Retrieved 2014-01-07.
Jump up ^ "Best Scared-As-S**t Performance Winner 2013 MTV Movie Awards". MTV. Retrieved 2014-01-07.
Jump up ^ "ASCAP Honors Top PRS Songwriters and Publishers". Ascap.com. 2013-10-09. Retrieved 2014-01-07.
External links[edit]
House at the End of the Street on IMDb
House at the End of the Street at Box Office Mojo
House at the End of the Street at Rotten Tomatoes
Retrieved from "https://en.wikipedia.org/w/index.php?title=House_at_the_End_of_the_Street&oldid=834215950"
Categories:
2012 films
English-language films
2012 horror films
2010s horror thriller films
2010s psychological thriller films
2010s teen horror films
American films
American horror thriller films
American psychological thriller films
American teen horror films
FilmNation Entertainment films
Films about revenge
Films shot in Ontario
Films shot in Ottawa
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This page was last edited on 4 April 2018, at 14:50.
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