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Sweetener (album)
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2018 studio album by Ariana Grande
Sweetener
Studio album by Ariana Grande
Released
August 17, 2018 (2018-08-17)
Studio
Various[show]
Glenwood Place (Burbank, California)
Jungle City and Germano (New York City)
Chalice, Conway and East West (Hollywood, California)
MXM and The Lunchtable (Los Angeles, California)
Midnight Blue and South Beach (Miami, Florida)
MXM and Wolf Cousins (Stockholm, Sweden)
District 4-12 (Northridge, California)
Genre
Pop[1]
R&B[2]
trap[3]
Length
47:25
Label
Republic
Producer
Ariana Grande (exec.)
Scooter Braun (exec.)
Charles Anderson
Brian Malik Baptiste
Tommy Brown
Michael Foster
Hit-Boy
Ilya
Max Martin
Pharrell Williams
Ariana Grande chronology
The Best
(2017) Sweetener
(2018)
Singles from Sweetener
"No Tears Left to Cry"
Released: April 20, 2018
"God Is a Woman"
Released: July 13, 2018
"Breathin"
Released: September 18, 2018
Sweetener is the fourth studio album by American singer Ariana Grande. It was released on August 17, 2018, through Republic Records.[4] The album is the follow-up to her 2016 studio album, Dangerous Woman, and features guest appearances from Pharrell Williams, Nicki Minaj and Missy Elliott.
The lead single, "No Tears Left to Cry", was released on April 20, 2018, and debuted at number three on the US Billboard Hot 100. "The Light Is Coming", featuring Minaj, was released as a promotional single on June 20, 2018, along with the pre-order of the album. "God Is a Woman" was released as the second single on July 13, 2018, and peaked at number 8.
The album debuted at number one on the US Billboard 200, becoming her third to reach the top position in the country. It also topped several international album charts, including in Australia, Belgium, Canada, Ireland, Italy, New Zealand, Norway, Portugal, Spain, Sweden, Switzerland and the United Kingdom.
Contents
1 Background
2 Composition
2.1 Music and lyrics
2.2 Songs and lyrical content
3 Promotion
4 Singles
4.1 Promotional singles
5 Critical reception
6 Commercial performance
7 Track listing
8 Personnel
9 Charts
10 Certifications
11 Release history
12 References
Background
On November 13, 2016, Grande stated on Snapchat that she had finished her fourth album. She later clarified by saying, "I didn't mean to make an album, and I don't know if it's done at all, but I just have a bunch of songs that I really really like. I've been working a lot and have been creating and feeling inspired."[5][6] In December 2017, she confirmed that she was still working on the album.[7]
Grande's manager Scooter Braun told Variety that the album has a more mature sound: "It's time for [Ariana] to sing the songs that define her ... Whitney, Mariah, Adele – when they sing, that's their song. Ariana has big vocal moments; it's time for her song."[8] Pharrell Williams told Los Angeles Times: "The things that [Ariana] has to say on this album, it's pretty next-level."[9] Producers Max Martin and Savan Kotecha were later confirmed to have collaborated with Grande in the album.[10] On December 28, 2017, Grande shared several pictures of her in the studio throughout the year.[11] The following week, Grande shared a snippet from the album on her Instagram, which was later revealed to be a track titled "Get Well Soon".[12]
On April 16, 2018, it was reported that Grande may move up the lead single release to April 20, 2018, due to labelmate Post Malone's album being released on April 27.[13] On April 17, 2018, Grande announced that the album's lead single, "No Tears Left to Cry", would be released on April 20, 2018.[14]
On The Tonight Show Starring Jimmy Fallon, Grande announced that her album would be called Sweetener. She said the meaning behind the title is "It's kind of about like bringing light to a situation, or to someone's life, or somebody else who brings light to your life, or sweetening the situation."[15] A May 2018 cover article in Time magazine by Sam Lansky notes that, for the first time with this album, Grande "took the lead on writing".[16] In late May 2018, she announced that the album would feature 15 tracks and three collaborations, which are Missy Elliott, Nicki Minaj and Pharrell Williams.[17]
In early June 2018, Grande announced at Wango Tango that the album would be available for pre-order on June 20, and "The Light Is Coming" would be released along with it.[18] The second single, "God Is a Woman", was initially scheduled to be released on July 20, 2018,[19] however, she later moved the release forward a week to July 13.[20] Prior to the album's release, Spencer Kornhaber of The Atlantic commented that the first three singles from the album "sparked with a sense of defiance and rattled mortality ... [a] trifecta of pseudo-spiritualism and sneaky innovation. ... Grande's music and videos radiate [intoxicating, unworried confidence]".[21]
Composition
Music and lyrics
"It's definitely more personal. You know, I feel like 'Dangerous Woman' was a grown-up 'My Everything,' and this is a grown-up 'Yours Truly.'"
— Ariana Grande on the album's sound.[22]
Sweetener consists mostly of pop, R&B, and trap songs that include elements of house, funk, neo soul and hip hop music on its beats and productions.[1][2][23] The melodies and harmonies on the album are diverse and include uptempo songs and many different down tempo sentimental ballads.[24] It explores a diversity of other music genres, including tropical house, EDM, synthpop and minimalist urban influences.[25] Stephen Thomas Erlewine from Allmusic stated that the album "deepens the R&B inclinations of 2016's Dangerous Woman."[24] In an interview with Zach Sang she said: "Listen, the thing that I love most about this project sonically, is that all I really did was sing in my sweet lower register".[26]
Songs and lyrical content
The album begins with 38-second a cappella intro, "Raindrops (An Angel Cried)",[27] written by Bob Gaudio and performed by The Four Seasons. The song is known to completely show Grande's vocals.[28] "Blazed" is a high tempo funk-influenced song.[29] It features vocals and background vocals by Pharrell Williams, who also produced the track.[30] She first admitted the name of the song on her Twitter account.[31] Lyrically, it is about "loving someone and being with them."[citation needed] "The Light Is Coming" merges hip hop and R&B elements.[32] Grande sings the lyrics "The light is coming / to give back everything the darkness stole". Which is sung over a "jittery beat" that is used with quick drums and synths.[33][34] It samples a CNN archive clip of a man who is shouting at former senator Arlen Specter at a town hall meeting in Pennsylvania in 2009 concerning healthcare ("You wouldn't let anybody speak for this and instead!").[35][36] Israel Daramola described the song as a "glitchy, thumping" dance record with a sample that highlights Grande's "nursery rhyme-style melody"[37] "R.E.M" is an R&B song that is built over a smooth doo-wop beat.[1] The song's title stands for "rapid eye movement", which is where memorable and vivid dreams occur.[38] In an interview with Jimmy Fallon for the Tonight Show, she admitted that "R.E.M" was her favourite song.[39] She later confirmed on Twitter that "R.E.M." is a song based on Beyoncé's demo titled "Wake Up", a leftover from the singer's 2013 self-titled album.[40]
Missy Elliott (left), Nicki Minaj (middle) and Pharrell Williams (right) all perform, and Williams is a producer, on the album.
The track "God Is a Woman" contains lyrics about female sexual empowerment[41] and spirituality;[42] Time described the song as "an anthemic, sultry banger".[43] a trap-pop song,[44] "God Is a Woman" contains influences of reggae.[45][46] and is performed in the key of E♭ minor with a tempo of 72–76 beats per minute.[47] "Sweetener" (which is the title track) was the first song that Grande recorded for the album, and it features Williams vocals in the background similar to "R.E.M". Being a trap-inspired song,[24] the chorus contains the lyrics "When life deals us cards / Make everything taste like it is salt / Then you come through like the sweetener you are."[48] which symbolises empowerment.[49] "Successful" is a 90s-inspired neo soul song, that has elements of gospel and trap.[24] Lyrically, it's about "girls feeling good about their own individual success."[50] "Everytime" is a "trap-pop" song that contains a pop-rap chorus.[23] "Breathin" is a dance-pop song that contains influences of synthpop.[49][51] It was written by songwriter Peter Svensson.[52] The Independent called the song an "emotional highlight" and that it is a "mental health bop over a good, solid pop beat."[53] Lyrically, it is about Grande's overcoming growth from anxiety.[54]
"No Tears Left To Cry" is a dance-pop and disco song with a UK garage beat.[55][56][1] and was served as the first official single for the album.[57] Lyrically, it is about the Manchester Arena bombing.[58] "Borderline" is a 90s contemporary R&B song features American rapper Missy Elliott.[24] It's one of Grande's favourites on the album.[59] "Better Off" is a power ballad that discusses a toxic relationship that Grande was in with former-boyfriend Mac Miller.[60] "Goodnight n Go" is an EDM song with deep house and tropical influences.[1][24] It contains a sample of "Goodnight and Go", written and performed by Grande's inspiration Imogen Heap.[61][62] In an interview with Billboard Heap said that "it feels like a gift". She went on saying: "When somebody that famous picks up on a song that has had its day and gives it a second life, it's a real gift. I think she's done a lovely version of it."[63] "Pete Davidson" is an interlude of the album and has a trap and hip hop production. Lyrically, it is about her then-fiancé, Pete Davidson.[24][64][65] "Get Well Soon" is a soul-ballad that has a laid back R&B melody.[1] At the end of the song, 40 seconds of silence are played as a tribute to the twenty-two victims of the Manchester Arena bombing, which took place after her concert on May 22, 2017.[66][67]
Promotion
See also: The Sweetener Sessions and Sweetener World Tour
Grande went silent on all social media after sharing a snippet of a song from the album on December 31, 2017.[12] On April 17, 2018, Grande broke her silence by sharing a teaser of the album's lead single, "No Tears Left to Cry", which was released on April 20, 2018, alongside its music video. She first performed the song at Coachella later that night, as a guest during the performance of DJ Kygo. Grande announced the title of the album and several song titles on The Tonight Show Starring Jimmy Fallon on May 1, 2018, shortly before performing "No Tears Left to Cry".[68] She also opened the 2018 Billboard Music Awards with a performance of the song on May 20, 2018.[69] On June 2, 2018, Grande performed at Wango Tango in California, closing her set with a performance of "No Tears Left to Cry" and also sharing a snippet of "The Light Is Coming".[70] On August 8, 2018, three dates were announced for a series of promotional concerts in the United States, titled The Sweetener Sessions, in partnership with American Express.[71]
Grande also announced a world tour in support of the album. The tour, titled Sweetener World Tour is scheduled to begin on March 18, 2019.[72]
Singles
The album's lead single, "No Tears Left to Cry", was released on April 20, 2018 alongside its music video.[14] The track debuted at number three on the US Billboard Hot 100, becoming Grande's ninth Hot 100 top 10 and sixth to debut in the top 10, tying Grande with Lady Gaga and Rihanna in sixth among acts with the most top 10 debuts on the chart.[73] The single made Grande the first artist in the chart's 60-year history to debut in the top 10 with lead single from each of her first four albums.[74]
The second single, "God Is a Woman", was released on July 13, 2018, with its music video premiering 12 hours after the song's release.[19][20] The single debuted at number eleven on the Hot 100 and peaked at number eight, making it Grande's tenth top ten song on the chart and placing her as the twelfth overall artist and seventh female artist with the most Hot 100 top 10s in the 2010s decade.[75][76]
"Breathin" was released to US contemporary hit radio as the third single from the album on September 18, 2018.[77] The song has reached number 22 on the Hot 100.[78]
Promotional singles
A promotional single, "The Light Is Coming", featuring Nicki Minaj, was released on June 20, 2018, along with the pre-order of the album.[18] The song debuted at number 95 on the Billboard Hot 100 and later peaked at number 89, after the release of the album.
Critical reception
Professional ratings
Aggregate scores
Source
Rating
AnyDecentMusic? 7.5/10[79]
Metacritic 81/100[80]
Review scores
Source
Rating
AllMusic [24]
The Daily Telegraph [2]
Entertainment Weekly A–[81]
The Guardian [64]
The Independent [82]
The Irish Times [83]
NME [49]
Pitchfork 8.1/10[1]
Rolling Stone [23]
The Times [84]
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Sweetener has an average score of 81 based on 20 reviews.[80]
In The New York Times, Jon Pareles wrote that Grande's voice "can be silky, breathy or cutting, swooping through long melismas or jabbing out short R&B phrases; it's always supple and airborne, never forced. … Ms. Grande sails above any fray, past or present. Her aplomb is her triumph."[85] Brittany Spanos of Rolling Stone called the album "a refreshing, cohesive package. … [The producers' approach lets] Grande's easy way with trap phrasing find a home next to her flair for Broadway-esque dramatic runs"; it combines "the sensual romance of the album's plentiful love songs and the aching heartbreak of the others." Spanos concludes that it is Grande's "best album yet, and one of 2018's strongest pop releases to date.[23] Kate Solomon of The Independent commented that with music that is "often unexpected, sometimes in a good way, it is an album by an artist in flux – trying to move forward while reluctant to fully relinquish old ideas."[82]
Writing for NME, Douglas Greenwood deemed the album "[a] confident, accomplished, sometimes left-field collection of pop bangers, proving that she's not shy of experimentation." He also commented that "there are a couple of songs on Sweetener that you'd happily leave on the shelf."[49] Similarly, in The Guardian, Alexis Petridis said that "her collaborations with Pharrell really push the boundaries. But they make the rest of this album seem formulaic." He considered the album "uneven", with its attempts to balance out what Grande called a "weird" record. Petridis felt that "the world could use more pop music as imaginative as Sweetener's highlights."[64]
Neil McCormick in The Daily Telegraph felt that "the quality of the songs is high, although there are moments when they might be trying too hard to demonstrate that the teen queen is all grown up now," and argued, "as modern, branded, blockbuster pop albums go, Sweetener is a delightful confection." He commented less favorably about guest rappers Nicki Minaj and Missy Elliott, who "sound like they dialled in clichéd verses for a pay cheque."[2]
Commercial performance
In the United States, Sweetener opened at number one on the US Billboard 200 with 231,000 album-equivalent units, of which 127,000 were from traditional album sales, thus becoming Grande's third number-one album in the United States. It also logged the largest streaming week for a non-hip hop album by a female artist; the songs were streamed 126.7 million times in the album's first week.[86] On the US Billboard Hot 100 chart issue dated September 1, ten songs (nine of which are from Sweetener) appeared simultaneously, placing Grande as the fourth female artist with the most simultaneous entries on the chart by a solo female artist behind Taylor Swift, Beyoncé, and Cardi B.[87] Grande also topped the Artist 100 chart the same week due to album sales and song streams.[88] In its second week, Sweetener dropped to number four moving 75,000 equivalent album units,[89] while in its third week, it fell one position to number five moving an additional 56,000 equivalent album units.[90]
In the United Kingdom, Sweetener debuted at number one on the UK Albums Chart, moving 45,000 album-equivalent units.[91] It became her second number-one album in the UK, and her fastest selling album to date.[92] Following its release, two album tracks entered the UK Singles Chart as "Breathin" debuted at number 8, and "Sweetener" landed at number 22, while the single "God Is a Woman" ascended six places to number 6.[93]
In Australia, the album became Grande's third number one on the ARIA Albums Chart,[94] with all 15 of its tracks placing on the ARIA Singles Chart in the same week.[95]
Track listing
Sweetener[96][97]
No.
Title
Writer(s)
Producer(s)
Length
1. "Raindrops (An Angel Cried)" Bob Gaudio
Ilya
Max Martin
0:37
2. "Blazed" (featuring Pharrell Williams) Pharrell Williams Williams 3:16
3. "The Light Is Coming" (featuring Nicki Minaj)
Williams
Onika Maraj
Ariana Grande
Williams 3:48
4. "R.E.M" Williams Williams 4:05
5. "God Is a Woman"
Grande
Ilya Salmanzadeh
Savan Kotecha
Martin
Rickard Göransson
Ilya 3:17
6. "Sweetener"
Williams
Grande
Williams 3:28
7. "Successful" Williams Williams 3:47
8. "Everytime"
Grande
Salmanzadeh
Kotecha
Martin
Martin
Ilya
2:52
9. "Breathin"
Grande
Salmanzadeh
Kotecha
Peter Svensson
Ilya 3:18
10. "No Tears Left to Cry"
Grande
Martin
Kotecha
Salmanzadeh
Martin
Ilya
3:25
11. "Borderline" (featuring Missy Elliott)
Williams
Melissa Elliott
Williams 2:57
12. "Better Off"
Tommy Brown
Chauncey Hollis
Brian Malik Baptiste
Kim "Kaydence" Krysiuk
Grande
Hit-Boy
Brown
Baptiste
2:51
13. "Goodnight n Go"
Imogen Heap
Brown
Charles Anderson
Michael Foster
Grande
Victoria McCants
Brown
Anderson
Foster
3:09
14. "Pete Davidson"
Grande
Brown
Anderson
McCants
Brown
Anderson
1:13
15. "Get Well Soon"
Williams
Grande
Williams 5:22
Total length: 47:25
showJapan bonus tracks[98]
No.
Title
Length
16. "No Tears Left to Cry" (instrumental) 3:25
17. "God Is a Woman" (instrumental) 3:17
showJapan deluxe edition (bonus DVD)[98]
No.
Title
Length
1. "No Tears Left to Cry" (music video) 3:59
2. "The Light Is Coming" (featuring Nicki Minaj; music video) 3:53
Notes
All track titles are stylized in all lowercase, except "R.E.M" and the proper noun "God" in tracks 4 and 5 respectively.
"Raindrops (An Angel Cried)" is a cover of "An Angel Cried", written by Bob Gaudio and performed by The Four Seasons.[99]
"R.E.M" contains a sample elements of Beyoncé's unreleased demo entitled "Wake Up".[100]
"Goodnight n Go" contains a sample of and incorporates lyrics from "Goodnight and Go", written and performed by Imogen Heap.
Personnel
Credits adapted from the liner notes of Sweetener.[101]
Performers and musicians
Ariana Grande – vocals
Pharrell Williams – featured artist (2), additional vocals (4, 6)
Nicki Minaj – featured artist (3)
Missy Elliott – featured artist (11)
Rickard Göransson – guitar (5)
Peter Lee Johnson – strings (12, 14)
Max Martin – bass (8, 10), drums (8, 10), keyboards (8–10), percussion (10)
Ilya Salmanzadeh – background vocals (5, 9), drums (5, 8–10), guitar (5, 9), keyboard (5, 8–10), bass (8–9), percussion (10)
Production
Charles Anderson – production (13–14)
Brian Malik Baptiste – production (12)
Cory Bice – recording engineer assistance (1, 8–10)
Scooter Braun – executive production
Tommy Brown – production (12–14)
Andrew Coleman – recording (2, 4, 6–7, 11), digital editing (2, 4, 6–7, 11), arrangement (2, 4, 6–7, 11)
Kris Crawford – recording assistance (3)
Thomas Cullison – recording assistance (2, 6–7, 11, 15)
Aubrey "Big Juice" Delaine – vocals recording (3)
Jacob Dennis – recording engineer assistance (3, 6)
Scott Desmarais – mix assistance (3)
Corte Ellis – recording (11)
Missy Elliott – recording (11)
Iain Findlay – recording assistance (6)
Robin Florent – mix assistance (3)
Michael Foster – production (13)
Chris Galland – mix assistance (3)
Serban Ghenea – mixing (5, 8–14)
Ariana Grande – executive production
Hart Gunther – recording assistance (7)
John Hanes – mix assistance (5, 8–14)
Hit-Boy – production (12)
Sam Holland – recording (1, 8–10)
Chris Khan – recording assistance (6)
David Kim – recording assistance (6)
Mike Larson – recording (2–4, 6–7, 11, 15), digital editing (2–4, 6–7, 11, 15), arrangement (2–4, 6–7, 11, 15), additional programming (3–4)
Guillermo Lefeld – recording assistance (4)
Jeremy Lertola – recording engineer assistance (1, 8–10)
Manny Marroquin – mixing (3)
Max Martin – production (1, 8, 10), programming (8, 10)
Randy Merrill – mastering
Brendan Morawski – recording engineer assistance (3)
Manny Park – recording assistance (3)
Noah Passovoy – recording (9)
Ramon Rivas – recording engineer assistance (3)
Ilya Salmanzadeh – production (1, 5, 8–10), mixing (1), programming (5, 8–10)
Ben "Bengineer" Sedano – recording assistance (2–3, 6, 11)
Jon Sher – recording assistance (4)
Phil Tan – mixing (2, 4, 6–7, 11, 15)
Pharrell Williams – production (2–4, 6–7, 11, 15)
Bill Zimmerman – additional engineering (2, 4, 6–7, 11, 15)
Artwork
Dave Meyers – photography
Jessica Severn – art direction, design
Charts
Chart (2018)
Peak
position
Australian Albums (ARIA)[102]
1
Austrian Albums (Ö3 Austria)[103]
4
Belgian Albums (Ultratop Flanders)[104]
1
Belgian Albums (Ultratop Wallonia)[105]
1
Canadian Albums (Billboard)[106]
1
Czech Albums (ČNS IFPI)[107]
1
Danish Albums (Hitlisten)[108]
2
Dutch Albums (MegaCharts)[109]
1
Finnish Albums (Suomen virallinen lista)[110]
1
French Albums (SNEP)[111]
2
German Albums (Offizielle Top 100)[112]
3
Hungarian Albums (MAHASZ)[113]
6
Irish Albums (IRMA)[114]
1
Italian Albums (FIMI)[115]
1
Japanese Albums (Oricon)[116]
5
New Zealand Albums (RMNZ)[117]
1
Norwegian Albums (VG-lista)[118]
1
Polish Albums (ZPAV)[119]
1
Portuguese Albums (AFP)[120]
1
Scottish Albums (OCC)[121]
1
South Korean Albums (Gaon)[122]
24
Spanish Albums (PROMUSICAE)[123]
1
Swedish Albums (Sverigetopplistan)[124]
1
Swiss Albums (Schweizer Hitparade)[125]
1
UK Albums (OCC)[126]
1
US Billboard 200[86]
1
Certifications
Region
Certification
Certified units/Sales
New Zealand (RMNZ)[127]
Gold 7,500^
Sweden (GLF)[128]
Gold 20,000^
United Kingdom (BPI)[129]
Gold 100,000^
*sales figures based on certification alone
^shipments figures based on certification alone
Release history
Region
Date
Format
Label
Ref.
Various
August 17, 2018
CD
digital download
streaming
Republic
Island
United Kingdom
August 21, 2018 Cassette Island [130]
Various
October 15, 2018 Republic [131]
November, 2018 LP [132]
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Jump up ^ Lansky, Sam (May 17, 2018). "Ariana Grande Is Ready to Be Happy". Time. Retrieved September 20, 2018.
Jump up ^ Hugh, McIntyre. "Ariana Grande Raps And Sings On Cool New Hip-Hop/Pop Hybrid Single 'God Is A Woman'". Forbes. Retrieved September 20, 2018.
Jump up ^ Rolli, Bryan. "Review: Ariana Grande's 'God Is A Woman' Might Just Be The Song Of The Summer". Forbes. Retrieved September 20, 2018.
Jump up ^ "Ariana Grande Reminds Us That 'God Is a Woman'". Paper Magazine. Retrieved September 20, 2018.
Jump up ^ "Ariana Grande "God Is a Woman" Sheet Music in Eb Minor". Musicnotes.com. Retrieved September 20, 2018.
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Jump up ^ ""girls feeling good about their own individual success."". Twitter. Retrieved September 20, 2018.
Jump up ^ "Premature Evaluation: Ariana Grande Sweetener". Stereogum. August 17, 2018. Retrieved September 20, 2018.
Jump up ^ Sweetener (CD). Ariana Grande. Republic Records. 2018. p. 5. B0028815-02.
Jump up ^ "Ariana Grande, Sweetener review: A portrait of an artist in flux". The Independent. August 17, 2018. Retrieved September 20, 2018.
Jump up ^ "Ariana Grande Predicted She Would Marry Pete Davidson Three Years Ago". YouTube. August 16, 2018. Retrieved September 20, 2018.
Jump up ^ Caramanica, Jon (April 20, 2018). "The Playlist: Prince's Own 'Nothing Compares 2 U,' and 12 More New Songs". The New York Times. Retrieved September 20, 2018.
Jump up ^ He, Richard S. (April 27, 2018). "Every Ariana Grande Song, Ranked". Billboard. Retrieved September 20, 2018.
Jump up ^ Savage, Mark (April 20, 2018). "No Tears Left To Cry: Ariana Grande's uplifting new single alludes to Manchester". BBC Music. Retrieved September 20, 2018.
Jump up ^ Briones, Issis (September 27, 2017). "48 Hours in Hong Kong With Ariana Grande". Billboard. Retrieved September 20, 2018.
Jump up ^ "Replying to @sweetaner @bedwithgrande". Twitter. June 17, 2017. Retrieved September 20, 2018.
Jump up ^ "Sweetener by Ariana Grande on iTunes". Apple Music. August 17, 2018. Retrieved September 20, 2018.
Jump up ^ Henderson, Taylor (September 17, 2018). "Ariana Grande's Sweetener: A Track-by-Track Review". Pride. Retrieved September 20, 2018.
Jump up ^ Grande, Ariana (June 7, 2018). "issa remix & a cover w a few new parts". Twitter. Retrieved September 20, 2018.
Jump up ^ Kaplan, Ilana (August 24, 2018). "Imogen Heap Talks Ariana Grande's Version of 'Goodnight and Go': 'It's a Real Gift'". Billboard. Retrieved September 20, 2018.
^ Jump up to: a b c Petridis, Alexis. "Ariana Grande: Sweetener review – pop's ponytailed paragon gets weird". The Guardian.
Jump up ^ Hinzman, Denis (August 17, 2018). "Track-by-Track Review: Ariana Grande's Sweetener Does Not Disappoint". OUT. Retrieved September 20, 2018.
Jump up ^ Barbour, Shannon (August 17, 2018). "Fans Think Ariana Grande's New Song "Get Well Soon" Is a Tribute to the Manchester Bombing Victims". Cosmopolitan. Retrieved September 20, 2018.
Jump up ^ Rincón, Alessandra (August 17, 2018). "Fans Speculate Ariana Grande's Sweetener Track "Get Well Soon" Is 5:22 Long to Honor Manchester Attack". Billboard. Retrieved September 20, 2018.
Jump up ^ Blais-Billie, Braudie; Minsker, Evan (May 1, 2018). "Watch Ariana Grande Cover Kendrick in the Style of Evanescence on "Fallon"". Pitchfork.
Jump up ^ Kaufman, Gil (May 20, 2018). "Ariana Grande Opens the Billboard Music Awards With Fiery Performance of 'No Tears Left to Cry'". Billboard.
Jump up ^ "Ariana Grande Performs 'The Light is Coming' for the First Time Live: Watch". Billboard. Retrieved June 3, 2018.
Jump up ^ Thompson, Rita (August 8, 2018). "Ariana Grande Announces Intimate 'Sweetener Sessions' in New York City, Los Angeles & Chicago". Billboard. Retrieved August 9, 2018.
Jump up ^ "Ariana Grande Announces 'Sweetener' World Tour: See the Dates". Billboard. Retrieved 2018-10-25.
Jump up ^ Zellner, Xander (April 30, 2018). "Ariana Grande Scores 9th Billboard Hot 100 Top 10 With 'No Tears Left to Cry'". Billboard. Retrieved June 4, 2018.
Jump up ^ Trust, Gary (April 30, 2018). "Drake Leads Billboard Hot 100, Ariana Grande Arrives at No. 3 & J. Cole Collects Record Three Debuts in Top 10". Billboard. Retrieved June 4, 2018.
Jump up ^ Trust, Gary (July 16, 2018). "Drake's 'In My Feelings' Tops Billboard Hot 100 for Second Week With Record-Breaking 116.2 Million U.S. Streams". billboard. Retrieved August 28, 2018. Just outside the Hot 100's top 10, Ariana Grande launches at No. 11 with "God Is a Woman," the official follow-up single to "Tears" from her album Sweetener, due Aug. 17. Following the July 13 premiere of its official video, "God" starts at No. 4 on Digital Song Sales (42,000) and No. 8 on Streaming Songs (26.5 million).
Jump up ^ Anderson, Trevor (August 27, 2018). "Drake's 'In My Feelings' Leads Billboard Hot 100 for Seventh Week, Ariana Grande's 'God Is A Woman' Hits Top 10". Billboard. Retrieved September 9, 2018.
Jump up ^ "Top 40/M Future Releases - Mainstream Hit Songs Being Released and Their Release Dates". All Access. September 18, 2018. Archived from the original on September 18, 2018. Retrieved September 18, 2018.
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Jump up ^ "Sweetener by Ariana Grande reviews". Any Decent Music. Retrieved August 28, 2018.
^ Jump up to: a b "Reviews for Sweetener by Ariana Grande". Metacritic. Retrieved August 31, 2018.
Jump up ^ "Ariana Grande's Sweetner is a sneakily complex pop album". Entertainment Weekly.
^ Jump up to: a b "Ariana Grande, Sweetener review: A portrait of an artist in flux". The Independent.
Jump up ^ "Ariana Grande: Sweetener – celebrating the art of being okay". The Irish Times.
Jump up ^ Hodgkinson, Will. "Pop review: Ariana Grande: Sweetener". The Times.
Jump up ^ Pareles, Jon (August 29, 2018). "Ariana Grande Sails Above Sorrow on Sweetener". The New York Times. Retrieved August 30, 2018.
^ Jump up to: a b Caulfield, Keith (August 26, 2018). "Ariana Grande Earns Third No. 1 Album on Billboard 200 Chart With 'Sweetener'". Billboard. Retrieved August 27, 2018.
Jump up ^ Zellner, Xander (August 27, 2018). "Ariana Grande Earns 10th Top 10 Hit, Lands 10 Songs on Billboard Hot 100". Billboard. Retrieved August 29, 2018.
Jump up ^ Zellner, Xander (August 28, 2018). "Ariana Grande Returns to No. 1 On the Artist 100 Chart, Aretha Franklin Reaches No. 2". Billboard. Retrieved September 30, 2018.
Jump up ^ Caulfield, Keith (September 2, 2018). "BTS Scores Second No. 1 Album on Billboard 200 Chart With 'Love Yourself: Answer'". Billboard. Retrieved September 2, 2018.
Jump up ^ Caulfield, Keith (September 9, 2018). "Eminem Earns Ninth No. 1 Album on Billboard 200 Chart With 'Kamikaze'". Billboard. Retrieved September 9, 2018.
Jump up ^ http://www.officialcharts.com/chart-news/ariana-grandes-sweetener-earns-her-a-second-number-1-on-the-official-albums-chart-im-so-grateful-__23727/
Jump up ^ http://www.mtv.co.uk/ariana-grande/news/ariana-grande-sweetener-uk-album-chart-number-1
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Jump up ^ "Sweetener lands Ariana Grande third #1 album". Australian Recording Industry Association. August 25, 2018. Retrieved August 25, 2018.
Jump up ^ "ARIA Chart Watch #487". auspOp. August 25, 2018. Retrieved August 25, 2018.
Jump up ^ Sweetener (booklet). Ariana Grande. New York City: Republic Records. 2018. B002881502.
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^ Jump up to: a b "アリアナ・グランデ『Sweetener』特設サイト". Universal Music Japan. Retrieved August 17, 2018.
Jump up ^ Farley, Rebecca (May 2, 2018). "Everything We Know About Ariana Grande's New Album Sweetener". Refinery29. Retrieved August 18, 2018.
Jump up ^ Hussein, Wandera (July 30, 2018). "Ariana Grande's "REM" is a flip of a leaked Beyoncé song". Fader (thefader.com). Retrieved September 19, 2018.
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Jump up ^ "Ultratop.be – Ariana Grande – Sweetener" (in Dutch). Hung Medien. Retrieved August 24, 2018.
Jump up ^ "Ultratop.be – Ariana Grande – Sweetener" (in French). Hung Medien. Retrieved August 24, 2018.
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Jump up ^ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 201834 on the field besides the word "Zobrazit", and then click over the word to retrieve the correct chart data. Retrieved August 28, 2018.
Jump up ^ "Danishcharts.com – Ariana Grande – Sweetener". Hung Medien. Retrieved August 29, 2018.
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Jump up ^ "Ariana Grande: Sweetener" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved August 26, 2018.
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Jump up ^ "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved August 30, 2018.
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Jump up ^ "Swedishcharts.com – Ariana Grande – Sweetener". Hung Medien. Retrieved August 24, 2018.
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Jump up ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved August 25, 2018.
Jump up ^ "New Zealand album certifications – Ariana Grande – Sweetener". Recorded Music NZ. Retrieved October 12, 2018.
Jump up ^ "Ariana Grande – Sweetener" (in Swedish). Grammofon Leverantörernas Förening. Retrieved October 7, 2018.
Jump up ^ "British album certifications – Ariana Grande – Sweetener". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type Sweetener in the "Search BPI Awards" field and then press Enter.
Jump up ^ "Ariana Grande - Sweetener". Universal Music Group.
Jump up ^ "Sweetener Cassette + Album – Ariana Grande Official Store". Universal Music Group.
Jump up ^ "Sweetener Vinyl + Album – Ariana Grande Official Store". Universal Music Group.
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Ariana Grande
Discography
Awards and nominations
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Studio albums
Yours Truly
My Everything
Dangerous Woman
Sweetener
EPs and compilations
Christmas Kisses
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"E Più Ti Penso"
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"Somewhere Over the Rainbow"
"No Tears Left to Cry"
"God Is a Woman"
"Breathin"
Promotional singles
"Almost Is Never Enough"
"Best Mistake"
"Be Alright"
"Let Me Love You"
"The Light Is Coming"
Featured singles
"Popular Song"
"All My Love"
"Adore"
"Boys Like You"
"Over and Over Again"
"Research"
"My Favorite Part"
"Faith"
"Heatstroke"
"Dance to This"
"Bed"
Other songs
"Greedy"
"Goodnight n Go"
"Get Well Soon"
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Dangerous Woman Tour
The Sweetener Sessions
Sweetener World Tour
Related articles
Frankie Grande
One Love Manchester
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Leapfrogging (strategy)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
This article is about war tactics. For the biological migration movement, see Island hopping. For the tactical counterpart, see Leapfrogging (infantry).
Allied island-hopping campaign 1943–1945:
Blue – Japanese-held territory Aug. 1945
Dark red – Allied territory
Red – Occupied Nov. 1943
Dark pink – Occupied Apr. 1944
Pink – Occupied Oct. 1944
Light pink – Occupied Aug. 1945
Leapfrogging, also known as island hopping, was a military strategy employed by the Allies in the Pacific War against Japan and the Axis powers during World War II. The idea was to bypass heavily fortified Japanese positions and instead concentrate the limited Allied resources on strategically important islands that were not well defended but capable of supporting the drive to the main islands of Japan.[1]
Contents
[hide]
1 Background
2 Rationale and use
3 Advantages
4 Ignoring the principle
5 See also
6 References
7 Bibliography
Background[edit]
By the late 19th century, the U.S. had several interests in the western Pacific to defend; namely, access to the Chinese market, and its colonies – the Philippines and Guam – which the U.S. had gained as a result of the Spanish–American War (1898). After Japan's victories in the Sino-Japanese War (1894–95) and in the Russo-Japanese War of 1904, the U.S. began to regard Japan as a potential threat to its interests in the western Pacific.[2] This antagonism was intensified by Japan's objections to an attempt to annex Hawaii to the U.S. (1893)[3] and by Japan's objections to discrimination against Japanese immigrants both in Hawaii (1897) – on this occasion, Japan sent the cruiser Naniwa to Honolulu, Hawaii[4][5] – and in California (1906, 1913).[6] As a result, the U.S. Navy began to draft, as early as 1897, war plans against Japan, which were eventually code-named "War Plan Orange". The war plan of 1911, which was drafted under Rear Admiral Raymond P. Rodgers, included an island-hopping strategy for approaching Japan.[7]
After World War I, the Versailles Treaty gave Japan a mandate over former German colonies in the western Pacific; specifically, the Mariana, Marshall, and Caroline Islands. If these islands were fortified, Japan could, in principle, deny the U.S. access to its interests in the western Pacific. Therefore, in 1921, Major Earl Hancock Ellis of the U.S. Marine Corps drafted "Plan 712, Advanced Base Operations in Micronesia," a plan for war against Japan which updated War Plan Orange by incorporating modern military technology (submarines, aircraft, etc.) and which again included an island-hopping strategy.[8] Shortly afterwards, a British reporter on naval affairs, Hector Charles Bywater, publicized the prospect of a Japanese-American war in his books Seapower in the Pacific (1921)[9] and The Great Pacific War (1925), which detailed an island-hopping strategy. The books were read not only by Americans but by senior officers of the Japanese Imperial Navy,[10] who used "island-hopping" in their successful southeast Asia offensives in 1941 and 1942.[11]
Rationale and use[edit]
This strategy was possible in part because the Allies used submarine and air attacks to blockade and isolate Japanese bases, weakening their garrisons and reducing the Japanese ability to resupply and reinforce them. Thus troops on islands which had been bypassed, such as the major base at Rabaul, were useless to the Japanese war effort and left to "wither on the vine". General Douglas MacArthur greatly supported this strategy in his effort to regain the Philippines from Japanese occupation. This strategy began to be implemented in late 1943 in Operation Cartwheel.[12] While MacArthur claimed to have invented the strategy, it initially came out of the Navy.[12]
Advantages[edit]
Leapfrogging would allow the United States forces to reach Japan quickly and not expend the time, manpower, and supplies to capture every Japanese-held island on the way. It would give the Allies the advantage of surprise and keep the Japanese off balance.[13] The overall leapfrogging strategy would involve two prongs. A force led by Admiral Chester Nimitz, with a smaller land force and larger fleet, would advance north towards the island and capture the Gilbert and Marshall Islands and the Marianas, going generally in the direction of the Bonin Islands.[14] The southern prong, led by General MacArthur and with larger land forces, would take the Solomons, New Guinea, the Bismarck Archipelago, advancing toward the Philippines.[14]
Ignoring the principle[edit]
The principle of leapfrogging was not always followed in the Pacific. When MacArthur moved south to attack Mindanao after capturing the northern Philippines, and when he instigated the reconquest of portions of Borneo, he violated the "basic tenets" of island hopping.[15] In the first case, this may have been motivated by MacArthur's promise to return to the people of the Philippines as soon as possible.[citation needed]
See also[edit]
Seabee
Unsinkable aircraft carrier
References[edit]
Jump up ^ Davis, Jon. "What are some amazing strategies which were used in World War 2 and World War 1?". Quora. Jon Davis. Retrieved 12 June 2016.
Jump up ^ Asada 2006, pp. 11, 18.
Jump up ^ On this occasion, Japan sent the cruiser Naniwa to Honolulu, Hawaii; the Naniwa arrived at Hawaii on February 23, 1894. See: William L. Neumann, "The First Abrasions" in: Ellis S. Krauss and Benjamin Nyblade, ed.s, Japan and North America: First contacts to the Pacific War, Volume 1, (London, England: RouteledgeCurzon, 2004), page 114.
Jump up ^ Asada 2006, p. 10.
Jump up ^ See:
"Japan's Points: Hawaiian government to be asked questions." (May 4, 1897) Hawaiian Gazette, vol. 32, no 36, page 1.
"No Arbitration: Minister Shimamura on indemnity claim." (May 7, 1897), Hawaiian Gazette, vol. 32, no. 37, page 1.
Jump up ^ Asada 2006, pp. 10, 11, 18, 20.
Jump up ^ Asada 2006, pp. 12–13, 22.
Jump up ^ See:
Plan 712, Advanced Base Operations in Micronesia, iBiblio
Advanced Base Operations in Micronesia (PDF), Marine Corps Association and Foundation
Jump up ^ Bywater, Hector C. (1921). Sea-power in the Pacific: A Study of the American-Japanese Naval Problem. London, England: Constable and Co., Ltd.
Jump up ^ Honan, William H (Dec 1970). "Japan Strikes: 1941". American Heritage. 22 (1): 12–15, 91–95.
Jump up ^ "War in Aleutians". Life. 1942-06-29. p. 32. Retrieved November 17, 2011.
^ Jump up to: a b Roehrs & Renzi 2004, p. 122.
Jump up ^ Roehrs & Renzi 2004, p. 119.
^ Jump up to: a b Collier 1967, p. 480.
Jump up ^ Roehrs & Renzi 2004, p. 151.
Bibliography[edit]
Asada, Sadao (2006), From Mahan to Pearl Harbor: The Imperial Japanese Navy and the United States, Annapolis, Maryland, USA: Naval Institute Press .
Collier, Basil (1967), The Second World War: a Military History, New York: William Morrow & Co .
Roehrs, Mark D; Renzi, William A (2004), World War II in the Pacific (2nd ed.), London: ME Sharpe .
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Grammy Award records
From Wikipedia, the free encyclopedia
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Throughout the history of the Grammy Awards, many significant records have been set. This page only includes the competitive awards which have been won by various artists. This does not include the various special awards that are presented by the National Academy of Recording Arts and Sciences such as Lifetime Achievement Awards, Trustees Awards, Technical Awards or Legend Awards. The page however does include other non-performance related Grammys (known as the Craft & Production Fields) that may have been presented to the artist(s).
All the records are as of the 2017 Grammy Awards.
Contents
[hide]
1 Awards
1.1 Most Grammys won
1.2 Most Grammys won by a male artist
1.3 Most Grammys won by a female artist
1.4 Most Grammys won by a group
1.5 Most Grammys won by a producer
1.6 Most Grammys won by an engineer or mixer
1.7 Youngest winners
1.8 Youngest artists to win Album of the Year
1.9 Oldest winners
1.10 Most honored albums
1.11 Most Album of the Year wins
1.12 Most Record of the Year wins
1.13 Most Grammys won for consecutive albums
1.14 Most consecutive Grammys won for the same category
1.15 Artists who have won all four General Field awards
2 Single ceremony
2.1 Most Grammys won in one night
2.2 Most Grammys won by a male artist in one night
2.3 Most Grammys won by a female artist in one night
2.4 Most Grammys won by a group in one night
2.5 Most Grammys won by a record producer in one night
2.6 Most Grammys won by an engineer or mixer in one night
2.7 Artist who has won all four General Field Awards at a single ceremony
2.8 Artists who have won Record, Album and Song of the Year in one night
2.9 Most Grammys won by an album in one night
2.10 Most posthumous Grammys won in one night
3 Nominations
3.1 Most Grammy nominations
3.2 Most nominations in one night
3.3 Most nominations without winning
3.4 Most nominations in one night without winning
3.5 Grammy nominations in the most categories
3.6 Artists who had been nominated for all four General Field awards in one night
3.7 Youngest nominees
4 See also
5 Notes
6 References
7 External links
Awards[edit]
Most Grammys won[edit]
The record for the most Grammy Awards won in a lifetime is held by Sir Georg Solti, a Hungarian-British conductor who conducted the Chicago Symphony Orchestra for twenty-two years. He has won a total of 31 competitive Grammy Awards out of 74 nominations and was awarded a Grammy Lifetime Achievement Award in 1996.[1][2]
Rank
Artist
Awards
1 Georg Solti 31
2 Quincy Jones 27
Alison Krauss
4 Pierre Boulez 26
5 Vladimir Horowitz 25
Stevie Wonder
7 John Williams 23
8 U2 22
Chick Corea
Beyoncé
11 Jay-Z 21
Kanye West
Vince Gill
Paul McCartney
15 Henry Mancini 20
Pat Metheny
Bruce Springsteen
Most Grammys won by a male artist[edit]
Georg Solti had won a total of 31 Grammy Awards.
Rank
Artist
Awards
1 Georg Solti 31
2 Quincy Jones 27
3 Pierre Boulez 26
4 Vladimir Horowitz 25
Stevie Wonder
6 John Williams 23
7 Chick Corea 22
8 Kanye West 21
Paul McCartney
Vince Gill
Jay Z
12 Henry Mancini 20
Pat Metheny
Bruce Springsteen
Al Schmitt
16 Jimmy Sturr 18
Tony Bennett
Yo-Yo Ma
Most Grammys won by a female artist[edit]
Alison Krauss has, as a solo artist, collaborator and producer, won 27 Grammy Awards.[3]
Rank
Artist
Awards
1 Alison Krauss[note 1] 27
2 Beyoncé[note 2] 22
3 Aretha Franklin 18
4 Adele 15
Alicia Keys
6 Ella Fitzgerald 13
Leontyne Price
Emmylou Harris
9 Shirley Caesar 11
10 Chaka Khan 10
Bonnie Raitt
Linda Ronstadt
Taylor Swift
CeCe Winans
15 Mary J. Blige 9
Natalie Cole
Sheryl Crow
Norah Jones
Hillary Scott[note 3]
Most Grammys won by a group[edit]
U2 holds the record for most Grammy Awards won by a group. They have won 22 awards.
Rank
Artists
Awards
1 U2 22
2 Alison Krauss and Union Station 14
3 Dixie Chicks 13
4 Foo Fighters 11
5 Pat Metheny Group 10
6 The Manhattan Transfer 9
The Beatles
Emerson String Quartet
Asleep At The Wheel
10 Blackwood Brothers 8
Metallica
Santana
Take 6
14 Coldplay 7
Kentucky Thunder
Lady Antebellum
Simon & Garfunkel
Los Tigres del Norte
Most Grammys won by a producer[edit]
Quincy Jones with 27 awards holds the record for most Grammy Awards won by a producer (and eleven of those were awarded for production duties. Jones also received Grammys as an arranger and a performing artist). Some producers have also won awards as engineers, mixers and/or mastering engineers.
Rank
Producer
Awards
1 Quincy Jones 27
2 Kanye West 21
3 David Foster 16
James Mallinson
4 Steven Epstein 15
David Frost
7 Phil Ramone 14
8 T Bone Burnett 13
Robert Woods
Jay David Saks
11 Arif Mardin 11
Most Grammys won by an engineer or mixer[edit]
Al Schmitt, with 20 awards, has won more Grammy Awards than any other engineer or mixer.
Youngest winners[edit]
The Peasall Sisters are the youngest Grammy winners, when they were credited artists on the O Brother, Where Art Thou? soundtrack, which won Album of the Year in 2002.[4] LeAnn Rimes is the youngest individual winner. She was 14 years old when she won her first two awards in 1997. She was also the first Country artist to win the Best New Artist Grammy.
Rank
Age
Artist
1 7 years Leah Peasall
2 9 years Hannah Peasall
3 13 years Sarah Peasall
4 14 years, 182 days LeAnn Rimes
5 14 years, 313 days Luis Miguel
6 17 years, 81 days Lorde
7 18 years, 105 days Daya
8 18 years, 123 days Monica
9 19 years, 67 days Christina Aguilera
10 19 years, 112 days LaTavia Roberson
Youngest artists to win Album of the Year[edit]
Taylor Swift is the youngest artist to win Album of the Year. She was 20 years old when she won in 2010 for her album Fearless.
Rank
Age
Artist
1 20 years, 49 days Taylor Swift
2 21 years, 242 days Alanis Morissette
3 22 years, 18 days Barbra Streisand
4 23 years, 274 days Lauryn Hill
5 23 years, 283 days Adele
6 23 years, 293 days Stevie Wonder
7 23 years, 330 days Norah Jones
Oldest winners[edit]
Pinetop Perkins is the oldest person to win a Grammy. In 2011 he was awarded Best Traditional Blues Album for Joined At The Hip at 97 years of age.
Rank
Age
Artist
1 97 years, 221 days Pinetop Perkins
2 95 years, 31 days George Burns
3 91 years, 137 days Jimmy Carter
4 90 years, 52 days Elizabeth Cotten
5 90 years, 26 days Betty White
Note: Sources vary on the birth year of Elizabeth Cotten, with some stating it as 1893, while others say 1895. The above information credits it as 1895. With either year, Cotten is the oldest female Grammy winner.
Most honored albums[edit]
Santana's Supernatural and U2's How to Dismantle an Atomic Bomb hold the record for most honored album having won nine awards. Supernatural won nine awards in 2000 and How to Dismantle an Atomic Bomb won three awards in 2005 and won a further six in 2006 giving it a total of nine awards.
Rank
Albums & Artists
Awards
1 How to Dismantle an Atomic Bomb — U2 9
3 Supernatural — Santana
Come Away With Me — Norah Jones 8
Genius Loves Company — Ray Charles
Thriller — Michael Jackson
7 All That You Can't Leave Behind — U2 7
Back on the Block — Quincy Jones
9 21 — Adele 6
Back To Black — Amy Winehouse
The Blueprint 3 — Jay Z
Bridge Over Troubled Water — Simon & Garfunkel
Raising Sand — Robert Plant & Alison Krauss
The Return of Roger Miller — Roger Miller
Taking the Long Way — Dixie Chicks
To Pimp a Butterfly — Kendrick Lamar
Toto IV — Toto
Unforgettable... with Love — Natalie Cole
Unplugged — Eric Clapton
Most Album of the Year wins[edit]
The record for most Album of the Year wins is three. Three recording artists, four record producers, two mastering engineers and one engineer/mixer have won the award three times.
Frank Sinatra, artist — Come Dance with Me! (1960), September of My Years (1966), A Man and His Music (1967)
Stevie Wonder, artist — Innervisions (1974), Fulfillingness' First Finale (1975), Songs in the Key of Life (1977)
Paul Simon, artist — Bridge over Troubled Water (1971), Still Crazy After All These Years (1976), Graceland (1987)
David Foster, producer — Unforgettable… with Love (1992), The Bodyguard: Original Soundtrack Album (1994), Falling into You (1997)
Phil Ramone, producer — Still Crazy After All These Years (1976), 52nd Street (1980), Genius Loves Company (2005)
Daniel Lanois, producer — The Joshua Tree (1988), Time out of Mind (1998), How to Dismantle an Atomic Bomb (2006)
Bob Ludwig, mastering engineer — Babel (2013), Random Access Memories (2014), Morning Phase (2015)
Tom Coyne, mastering engineer — 21 (2012), 1989 (2016), 25 (2017)
Tom Elmhirst, engineer/mixer — 21 (2012), Morning Phase (2015), 25 (2017)
Ryan Tedder, producer — 21 (2012), 1989 (2016), 25 (2017)
Most Record of the Year wins[edit]
The record for most wins are three.
Paul Simon, artist
Tom Elmhirst, engineer/mixer
Tom Coyne, mastering engineer
Most Grammys won for consecutive albums[edit]
Pat Metheny and his band the Pat Metheny Group have won 20 Grammy Awards in total, including seven consecutive awards for seven consecutive albums.[5] Metheny held the record for Grammy wins in the most different categories as of the 2005 Grammy Awards:
Best Jazz Fusion Performance (1983, 1984, 1985, 1988, 1990)
Best Instrumental Composition (1991)
Best Contemporary Jazz Performance/Album (1993, 1994, 1996, 1999, 2003, 2005)
Best Jazz Instrumental Performance, Individual or Group (1998, 2000, 2013)
Best Rock Instrumental Performance (1999)
Best Jazz Instrumental Solo (2001)
Best New Age Album (2004, 2012)
Most consecutive Grammys won for the same category[edit]
Aretha Franklin holds the record for winning the most consecutive Grammys in the same category. She won the Grammy Award for Best Female R&B Vocal Performance every year from 1968 to 1975, for an eight-year winning streak. She also won in this category in 1982, 1986, and 1988, giving her 11 wins in the category.
After Franklin, Jimmy Sturr, Bill Cosby and John Williams are tied for second place for consecutive Grammy wins in the same category:
Sturr won six years in a row between 1987 and 1992 for Best Polka Album. He also won for three runs of four consecutive years (1996–1999, 2001–2004, and 2006–2009.) He won 18 out of the 24 Best Polka Album Grammys that were awarded since that category was added in 1985. The award was discontinued in 2009.
Cosby won six years in a row between 1965 and 1970 for Grammy Award for Best Comedy Album.
Williams won six years in a row between 1978 and 1983 for Grammy Award for Best Score Soundtrack for Visual Media.
Lenny Kravitz won the Best Male Rock Vocal Performance award four years in a row (1999, 2000, 2001, 2002).
Artists who have won all four General Field awards[edit]
There have been only two artists who have won all four General Field awards. In 1981, Christopher Cross won Record, Album and Song of the Year as well as Best New Artist.[6] Adele is the second artist to win all four, and the first female to do so. In 2009, she won Best New Artist and in 2012 and 2017, she won Record, Album and Song of the Year.
Single ceremony[edit]
Most Grammys won in one night[edit]
The Record for Most Grammys won in one night is eight. Michael Jackson won eight in 1984 and Santana tied Jackson's record in 2000.
Rank
Artist(s)
Awards
1 Michael Jackson (1984) 8
Santana (2000)
3 Roger Miller (1966) 6
Toto (1983)
Quincy Jones (1991)
Eric Clapton (1993)
Beyoncé (2010)
Adele (2012)
Most Grammys won by a male artist in one night[edit]
Michael Jackson won eight awards in 1984.
Rank
Artist(s)
Awards
1 Michael Jackson (1984) 8
2 Roger Miller (1966) 6
Quincy Jones (1991)
Eric Clapton (1993)
Most Grammys won by a female artist in one night[edit]
The record most Grammys won by a female artist in one night is six. Beyoncé and Adele each won six in 2010 and 2012, respectively.
Rank
Artist
Awards
1 Beyoncé (2010) 6
Adele (2012)
3 Lauryn Hill (1999) 5
Alicia Keys (2002)
Norah Jones (2003)
Beyoncé (2004)
Amy Winehouse (2008)
Alison Krauss (2009)
Adele (2017)
Most Grammys won by a group in one night[edit]
In 2000, Santana was awarded a total of 8 awards. They won the awards for Record of the Year, Album of the Year, Best Pop Performance by a Duo or Group With Vocals, Best Pop Collaboration with Vocals, Best Pop Instrumental Performance, Best Rock Performance by a Duo or Group With Vocals, Best Rock Instrumental Performance and Best Rock Album.
Rank
Artists
Awards
1 Santana (2000) 8
2 Toto (1983) 6
3 Simon & Garfunkel (1971) 5
U2 (2006)
Dixie Chicks (2007)
Lady Antebellum (2011)
Foo Fighters (2012)
Most Grammys won by a record producer in one night[edit]
The record for most awards won by a producer in one night is five. Rick Rubin won five awards in 2007 including Record of the Year, Album of the Year and Best Country Album for the Dixie Chicks, Best Rock Album for the Red Hot Chili Peppers as well as Producer of the Year, Non Classical.
Most Grammys won by an engineer or mixer in one night[edit]
The most Grammys won by an engineer or mixer in one night is six. At the 59th Annual Grammy Awards in 2017, Tom Elmhirst won Record of the Year, Album of the Year, Best Pop Vocal Album, Best Engineered Album Non Classical, Best Alternative Music Album and Best Rock Album for his work on Adele's '25', David Bowie's 'Blackstar' and Cage The Elephant's 'Tell Me I'm Pretty'.
Artist who has won all four General Field Awards at a single ceremony[edit]
Christopher Cross (1981) received all four General Field awards in one night. Cross won the Record of the Year ("Sailing"), Album of the Year ("Christopher Cross"), Song of the Year ("Sailing"), and Best New Artist Grammys in a single ceremony.[7]
Artists who have won Record, Album and Song of the Year in one night[edit]
The three biggest Grammy Awards are Record of the Year, Album of the Year and Song of the Year. Six artists have won all three in one night. Adele is the only artist in Grammy history to accomplish this twice.
Year
Artist
1971 Paul Simon
1972 Carole King
1981 Christopher Cross
1993 Eric Clapton
2007 Dixie Chicks
2012 Adele
2017
Most Grammys won by an album in one night[edit]
The most awards awarded to an album in one night is nine. In 2000 Santana's Supernatural was awarded nine awards. It won Record of the Year, Album of the Year, Song of the Year, Best Pop Performance by a duo or Group With Vocals, Best Pop Collaboration with vocals, Best Pop Instrumental Performance, Best Rock Performance by a Duo or group with Vocals, Best Rock Instrumental Performance and Best Rock Album.
Most posthumous Grammys won in one night[edit]
Ray Charles holds the record for most posthumous awards won in one night. He was awarded five Grammy Awards in 2005 including Album of the Year.
Nominations[edit]
Most Grammy nominations[edit]
Quincy Jones holds the record for the most Grammy nominations with 79.[8][9]
Rank
Artist
Nominations
1 Quincy Jones 79
2 Paul McCartney[note 4] 78
3 Georg Solti 74
Stevie Wonder
5 Henry Mancini 72
6 Kanye West 68
7 Pierre Boulez 67
8 Jay Z 66
9 Leonard Bernstein 63
10 Chick Corea 64
11 Beyoncé[note 5] 62
John Williams
13 Bruce Springsteen[note 6] 51
Jay David Saks
15 Bono[note 7][note 6] 50
Thomas Z. Shepard
17 Willie Nelson 49
James Mallinson
Babyface
Most nominations in one night[edit]
Michael Jackson holds the record for most Grammy nominations in one night with 12 nominations.
Rank
Artist
Nominations
Year
1 Michael Jackson 12 1984
2 Kendrick Lamar 11 2016
3 Lauryn Hill 10 1999
Kanye West 2005
Beyoncé 2010
Eminem 2011
7 Roger Miller 9 1966
Paul McCartney 1966
The Manhattan Transfer 1986
Jay Z 2014
Beyoncé 2017
Most nominations without winning[edit]
The record for most Grammy nominations without a win is 20, held by Morten Lindberg.
Rank
Artist
Nominations
1 Morten Lindberg 20
2 Snoop Dogg 17
Brian McKnight
4 Joe Satriani 15
5 Toshiko Akiyoshi 14
Martina McBride
Björk
8 Katy Perry 13
Nas
Spyro Gyra
11 Diana Ross 12
Dierks Bentley
Busta Rhymes
Lenny Gomulka
Peter Kater
16 Musiq Soulchild 11
Connie Smith
Vanessa L. Williams
Jazmine Sullivan
R. Carlos Nakai
Alan Parsons
Elly Ameling
Most nominations in one night without winning[edit]
Rank
Artist
Nominations
1 Paul McCartney (1966) 9
2 Kanye West (2017) 8
Rihanna (2017)
4 Stevie Wonder (1983) 7
India.Arie (2002)
Kendrick Lamar (2014)
7 Henry Mancini (1959) 6
Mariah Carey (1996)
50 Cent (2006)
Bruno Mars (2012)
11 Robert M. Jones (1961) 5
Elvis Presley (1961)
Frank Sinatra (1961)
James Taylor (1971)
Sting (1986)
Joan Osborne (1996)
Avril Lavigne (2003)
50 Cent (2004)
Alicia Keys (2006)
Gwen Stefani (2006)
James Blunt (2007)
Jazmine Sullivan (2009)
B.o.B (2011)
Lil Wayne (2012)
Drake (2014, 2016)
Grammy nominations in the most categories[edit]
Bob Dylan has been nominated in more categories than any other musician. He has been nominated in 13 different categories. These were in folk, spoken word, country, general, gospel, historical, rock, music video, visual media, pop, american roots, and most recently traditional. He is followed by Sir Paul McCartney who has received nomination in the general field, pop, arrangement, rock, visual media, music video, spoken word, historical, alternative music and rap. Béla Fleck is the artist with the third most nominations among categories. He has been nominated in the country, pop, jazz, bluegrass, world music, classical, folk, and spoken word, as well as composition and arranging categories.
Jackson siblings Michael and Janet are tied for the fourth most nominations in the most categories with nominations in seven different categories, they have received nominations in the general field and other categories. See list of awards and nominations received by Michael and Janet.
Artists who had been nominated for all four General Field awards in one night[edit]
Only ten artists have been nominated for all four General Field awards in one night.
Year
Artist
1968 Bobbie Gentry
1980 Christopher Cross
1985 Cyndi Lauper
1989 Tracy Chapman
1991 Mariah Carey
1998 Paula Cole
2002 India.Arie
2008 Amy Winehouse
2013 Fun.
2015 Sam Smith
Youngest nominees[edit]
Leah Peasall of the Peasall sisters is the youngest ever Grammy nominee (and winner) as one of the credited artists on the O Brother, Where Art Thou? (soundtrack) in 2002.[4] Deleon Richards is the youngest performer to receive an individual nomination, for Best Soul/Gospel performance.[10]
Rank
Age
Artist
1 7 years Leah Peasall
2 8 years, 161 days Deleon Richards
3 9 years Hannah Peasall
4 12 years, 126 days Zac Hanson
5 12 years, 155 days Joey Alexander
6 12 years, 199 days Michael Jackson
7 12 years, 273 days Billy Gilman
8 13 years Sarah Peasall
9 14 years, 45 days Chris "Daddy Mac" Smith
10 14 years, 182 days LeAnn Rimes
11 14 years, 197 days Chris "Mac Daddy" Kelly
12 14 years, 313 days Luis Miguel
13 14 years, 348 days Taylor Hanson
See also[edit]
Latin Grammy Award records
List of Academy Award records
List of people who have won Academy, Emmy, Grammy, and Tony Awards
Notes[edit]
Jump up ^ Includes 14 awards as part of Union Station
Jump up ^ Includes 3 awards as part of Destiny's Child
Jump up ^ Includes 7 awards as part of Lady Antebellum
Jump up ^ Includes 41 nominations as part of The Beatles
Jump up ^ Includes 13 nominations as part of Destiny's Child
^ Jump up to: a b Includes 2 nominations as part of Artists United Against Apartheid
Jump up ^ Includes 47 nominations as part of U2
References[edit]
Jump up ^ "Georg Solti - Biography". Retrieved 19 January 2016.
Jump up ^ "WHO ARE THE TOP GRAMMY WINNERS OF ALL TIME?". Grammy.com. Retrieved March 12, 2017.
Jump up ^ "U2 dominates Grammy night", CBC News, February 9, 2006. Retrieved 2008-01-07.
^ Jump up to: a b "Past winners search 2001". Grammy.Com. Retrieved 27 February 2014.
Jump up ^ Jazz Legends Pat Metheny Group Improvise on Austin City Limits :: eJazzNews.com : The Number One Jazz News Resource On The Net :: Jazz News Daily
Jump up ^ 2003 Grammy Awards
Jump up ^ "A Virtual College of Grammy Knowledge", by Wook Kim, Entertainment Weekly, 2007. Retrieved 2008-01-07.
Jump up ^ "2008 NEA Jazz Master: Quincy Jones", National Endowment for the Arts, 2008. Retrieved 2008-01-07.
Jump up ^ "Artist With The Most Grammy Nominations for 2017". Billboard. December 6, 2016. Retrieved March 13, 2017.
Jump up ^ [1], Retrieved 2009-09-02.
External links[edit]
Wikimedia Commons has media related to Grammy Awards.
Official Grammy Awards website
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