text:
How Did I Get Here?
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How Did I Get Here?
Studio album by Badly Drawn Boy
Released
December 1999
Genre
Rock and Roll/Folk music
Length
43:55
Label
[[]]/Twisted Nerve
Badly Drawn Boy chronology
How Did I Get Here?
(1999) The Hour of Bewilderbeast
(2000)The Hour of Bewilderbeast2000
Professional ratings
Review scores
Source
Rating
AllMusic [1]
How Did I Get Here? is a 1999 compilation album by Badly Drawn Boy. The album was created for American and Japanese audiences who were yet to be exposed to the artist. The album contains many tracks from his fourth and fifth Eps and the entire CD version of his third EP, EP 3.
The album features the one of only two CD versions of Badly Drawn Boy's fourth single "Whirlpool", an instrumental featuring production by Andy Votel which was only released on vinyl with a limited pressing; the other being on a Twisted Nerve compilation album.
Track listing[edit]
"My Friend Cubilas"
"I need a Sign"
"Interlude"
"Meet on the Horizon"
"Road Movie"
"Kerplunk by Candlelight"
"It Came from the Ground"
"Outside there Is a Light, No. 1"
"Soul Attitude"
"Whirlpool"
"It Came from the Ground (Andy Votel Remix)
References[edit]
Jump up ^ How Did I Get Here? at AllMusic
[hide]
v
t
e
Badly Drawn Boy
Studio albums
The Hour of Bewilderbeast
About a Boy
Have You Fed the Fish?
One Plus One Is One
Born in the U.K.
Is There Nothing We Could Do?
It's What I'm Thinking Pt.1 – Photographing Snowflakes
Being Flynn
Compilation albums
How Did I Get Here?
Singles
"Silent Sigh"
"Something to Talk About"
Related articles
Discography
Retrieved from "https://en.wikipedia.org/w/index.php?title=How_Did_I_Get_Here%3F&oldid=724394854"
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text:
Quadriceps femoris muscle
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Not to be confused with quadratus femoris.
Quadriceps femoris muscle
Quadriceps femoris, with different muscles in different colors.
rectus femoris - blue
vastus lateralis - yellow
vastus intermedius - green
vastus medialis - red
Details
Origin
Combined rectus femoris and vastus muscles
Insertion
Tibial tuberosity
Artery
Femoral artery
Nerve
Femoral nerve
Actions
Knee extension; Hip flexion (Rectus femoris only)
Identifiers
Latin
Musculus quadriceps femoris
Dorlands
/Elsevier
Quadriceps femoris muscle
TA
A04.7.02.017
FMA
22428
Anatomical terms of muscle
[edit on Wikidata]
The quadriceps femoris (/ˈkwɒdrɪsɛps ˈfɛmərɪs/) (Latin for "four-headed muscle of the femur"), also called simply the quadriceps, quadriceps extensor, or quads, is a large muscle group that includes the four prevailing muscles on the front of the thigh.
It is the great extensor muscle of the knee, forming a large fleshy mass which covers the front and sides of the femur.
Contents
[hide]
1 Structure
1.1 Innervation
2 Function
3 Society and culture
3.1 Training
4 Etymology
5 Additional images
6 See also
7 References
8 External links
Structure[edit]
The quadriceps consists of four separate muscles
It is subdivided into four separate portions or 'heads', which have received distinctive names:
Rectus femoris occupies the middle of the thigh, covering most of the other three quadriceps muscles. It originates on the ilium. It is named from its straight course.
The other three lie deep to rectus femoris and originate from the body of the femur, which they cover from the trochanters to the condyles:
Vastus lateralis is on the lateral side of the femur (i.e. on the outer side of the thigh).
Vastus medialis is on the medial side of the femur (i.e. on the inner part thigh).
Vastus intermedius lies between vastus lateralis and vastus medialis on the front of the femur (i.e. on the top or front of the thigh), but deep to the rectus femoris. Typically, it cannot be seen without dissection of the rectus femoris.
All four parts of the quadriceps muscle ultimately insert into the tuberosity of the tibia. This is via the patella, where the quadriceps tendon becomes the patellar ligament, which then attaches to the tibia.
There is a fifth muscle of the quadriceps complex that is often forgotten and rarely taught called articularis genus.
In addition, recent cadaver studies have confirmed the presence of a sixth muscle, the tensor vastus intermedius.[1] While the muscle has variable presentations, it consistently originates at the proximal femur, runs between the vastus lateralis and vastus intermedius muscles, and inserts distally at the medial aspect of the patellar base.[1] Historically considered a part of the vastus lateralis, the tensor vastus intermedius muscle is innervated by an independent branch of the femoral nerve and its tendinous belly can be separated from the vasti lateralis and intermedius muscles in most cases.[1]
Innervation[edit]
Femoral nerve (L2, L3, L4).
Function[edit]
All four quadriceps are powerful extensors of the knee joint. They are crucial in walking, running, jumping and squatting. Because rectus femoris attaches to the ilium, it is also a flexor of the hip. This action is also crucial to walking or running as it swings the leg forward into the ensuing step. The quadriceps, specifically the vastus medialis, play the important role of stabilizing the patella and the knee joint during gait.[2]
Society and culture[edit]
Training[edit]
In strength training, the quadriceps are trained by several leg exercises. Effective exercises include the squat and leg press. The isolation movement (i.e. targets solely the quadriceps) is the leg extension exercise.
In body building communities, this muscle is colloquially referred to as the "leg triceps".[3]
Etymology[edit]
The proper Latin plural form of the adjective quadriceps would be quadricipites. In modern English usage, quadriceps is used in both singular and plural. The singular form quadricep, produced by back-formation, is frequently used.
Additional images[edit]
Knee diagram
Capsule of right knee-joint (distended). Lateral aspect.
Cross-section through the middle of the thigh.
Anterior aspect of right leg.
Front and medial aspect of right thigh.
Lateral aspect of right leg.
The leg extension is an isolation exercise.
Quadriceps muscle
Quadriceps muscle
See also[edit]
This article uses anatomical terminology; for an overview, see Anatomical terminology.
Hamstring
References[edit]
^ Jump up to: a b c Grob, K; Ackland, T; Kuster, MS; Manestar, M; Filgueira, L (6 January 2016). "A newly discovered muscle: The tensor of the vastus intermedius". Clinical Anatomy. 29 (2): 256–263. doi:10.1002/ca.22680.
Jump up ^ Therapeutic Exercises, Carolyn Kisner & Lynn A. Colby, 5th ed. (2002) 692-93.
Jump up ^ Monaghan, L. (2002). Vocabularies of motive for illicit steroid use among bodybuilders. Social Science & Medicine (1982), 55(5), 695-708.
External links[edit]
Wikimedia Commons has media related to Quadriceps femoris muscle.
Quadriceps_muscle at the Duke University Health System's Orthopedics program
Muscles/Quadriceps at exrx.net
"Anatomy diagram: 39960.000-1". Roche Lexicon - illustrated navigator. Elsevier. Archived from the original on 2014-01-01.
[hide]
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t
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Muscles of the hip and human leg
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iliacus
Buttocks
Gluteal muscles
maximus
medius
minimus
tensor fasciae latae
lateral rotator group:
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inferior gemellus
superior gemellus
internal obturator
external obturator
piriformis
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compartments
Anterior
sartorius
quadriceps
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vastus lateralis
vastus intermedius
vastus medialis
articularis genus
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Medial
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gracilis
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brevis
magnus
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Fascia
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Muscular lacuna
fascia lata
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Medial intermuscular septum of thigh
Cribriform fascia
Leg/
compartments
Anterior
tibialis anterior
extensor hallucis longus
extensor digitorum longus
peroneus tertius
Posterior
superficial
triceps surae
gastrocnemius
soleus
accessory soleus
Achilles tendon
plantaris
deep
tarsal tunnel
flexor hallucis longus
flexor digitorum longus
tibialis posterior
popliteus
Lateral
peroneus muscles
longus
brevis
Fascia
Pes anserinus
Intermuscular septa
anterior
posterior
transverse
Foot
Dorsal
extensor hallucis brevis
extensor digitorum brevis
Plantar
1st layer
abductor hallucis
flexor digitorum brevis
abductor digiti minimi
2nd layer
quadratus plantae
lumbrical muscle
3rd layer
flexor hallucis brevis
adductor hallucis
flexor digiti minimi brevis
4th layer
dorsal interossei
plantar interossei
Fascia
Plantar fascia
retinacula
Peroneal
Inferior extensor
Superior extensor
Flexor
Retrieved from "https://en.wikipedia.org/w/index.php?title=Quadriceps_femoris_muscle&oldid=775616319"
Categories:
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Thigh muscles
Anterior compartment of thigh
Muscles of the lower limb
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This page was last edited on 16 April 2017, at 01:28.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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text:
Code of ethics in media
From Wikipedia, the free encyclopedia
Jump to: navigation, search
The code of ethics in media was created by a suggestion from the 1947 Hutchins Commission. They suggested that newspapers, broadcasters and journalists had started to become more responsible for journalism and thought they should be held accountable.
Contents
[hide]
1 Original Guidelines
2 Society of Professional Journalists: Code of Ethics
3 See also
4 References
5 External links
Original Guidelines[edit]
The guidelines were set up around two important ideas. The first guideline is that "whoever enjoys a special measure of freedom, like a professional journalist, has an obligation to society to use their freedoms and powers responsibly." (Straubhaar, LaRose & Davenport, Pg 477) This guideline is useful so that people in power are able to be held liable in case their actions are not professional. People that have high media attention should not abuse the power. The second guideline that was established is "society's welfare is paramount, more important than individual careers or even individual rights." (Straubhaar, LaRose & Davenport, Pg 477) Again, holding people responsible for their actions and stating that society is more important due to the vast number of people that could be affected by poor behavior.
The Hutchins Commission added another five guidelines specifically for the press.
"Present meaningful news, accurate and separated from opinion". (Straubhaar, LaRose & Davenport, Pg 477)
"Serve as a forum for the exchange of comment and criticism and to expand access to diverse points of view." (Straubhaar, LaRose & Davenport, Pg 477)
"Project "a representative picture of the constituent groups in society" by avoiding stereotypes by including minority groups." (Straubhaar, LaRose & Davenport, Pg 477)
"Clarify the goals and values of society; implicit was an appeal to avoid pandering to the lowest common denominator." (Straubhaar, LaRose & Davenport, Pg 477)
"Give broad coverage of what was known about society". (Straubhaar, LaRose & Davenport, Pg 477)
All of these guidelines are important because the press is needed to maintain a neutral viewpoint, providing the basic facts and allowing for readers to come up with their own opinions from the news that they report.
These guidelines inspired Society of Professional Journalists which is the current version of media ethics that were adopted n 1996.
Society of Professional Journalists: Code of Ethics[edit]
The Society of Professional Journalists created a code of ethics that are in effect today. The main mantra of the code is "Seek truth and Report it!"(Straubhaar, LaRose & Davenport, Pg 478) The code also states that: "Journalists should be honest, fair, and courageous in gathering, reporting, and interpreting information. Journalists should:"
"Test the accuracy of information from all sources and exercise care to avoid inadvertent error. Deliberate distortion is never permissible."(Straubhaar, LaRose & Davenport, Pg 478)
"Diligently seek out subjects of news stories to give them the opportunity to respond to allegations of wrongdoing."(Straubhaar, LaRose & Davenport, Pg 478)
"Identify sources whenever feasible. The public is entitled to as much information as possible on sources' reliability." (Straubhaar, LaRose & Davenport, Pg 478)
"Always question sources' motives before promising anonymity. Clarify conditions attached to any promise made in exchange for information. Keep promises." (Straubhaar, LaRose & Davenport, Pg 478)
"Make certain that headlines, news teases, and promotional material, photos, video, audio, graphics, sound bites, and quotations do not misrepresent. They should not oversimplify or highlight incidents out of context." (Straubhaar, LaRose & Davenport, Pg 478)
"Never distort the content of news photos or video. Image enhancement for technical clarity is always permissible. Label montages and photo illustrations." (Straubhaar, LaRose & Davenport, Pg 478)
"Avoid misleading reenactments or staged news events. If reenactment is necessary to tell a story, label it." (Straubhaar, LaRose & Davenport, Pg 478)
"Avoid undercover or other surreptitious methods of gathering information except when traditional open methods will not yield information vital to the public. Use of such methods should be explained as part of the story." (Straubhaar, LaRose & Davenport, Pg 478)
"Never plagiarize." (Straubhaar, LaRose & Davenport, Pg 478)
"Tell the story of the diversity and magnitude of the human experience boldly, even, when it is unpopular to do so." (Straubhaar, LaRose & Davenport, Pg 478)
"Examine their own cultural values and avoid imposing on those values on others." (Straubhaar, LaRose & Davenport, Pg 478)
"Avoid stereotyping by race, gender, age, religion, ethnicity, geography, sexual orientation, disability, physical appearance, or social status." (Straubhaar, LaRose & Davenport, Pg 478)
"Support the open exchange of views, even views they find repugnant." (Straubhaar, LaRose & Davenport, Pg 478)
"Give voice to the voiceless; official and unofficial sources of information can be equally valid." (Straubhaar, LaRose & Davenport, Pg 478)
"Distinguish between advocacy and news reporting. Analysis and commentary should be labeled and not misrepresent fact or content." (Straubhaar, LaRose & Davenport, Pg 478)
"Distinguish news from advertising, and shun hybrids that blur the lines between the two." (Straubhaar, LaRose & Davenport, Pg 478)
"Recognize and special obligation to ensure that the public's business is conducted in the open and that government records are open to inspection." (Straubhaar, LaRose & Davenport, Pg 478)
Minimize Harm "Ethical journalists treat sources, subjects, and colleagues as human beings deserving of respect. Journalists should" (Straubhaar, LaRose & Davenport, Pg 478)
"Show compassion for those who may be affected adversely by news coverage. Use special sensitivity when dealing with children and inexperiences sources or subjects." (Straubhaar, LaRose & Davenport, Pg 478)
"Be sensitive when seeking or using interviews or photographs of those affected by tragedy or guilt." (Straubhaar, LaRose & Davenport, Pg 478)
"Recognize that gathering and reporting information may cause harm or discomfort. Pursuit of the news is not a license for arrogance." (Straubhaar, LaRose & Davenport, Pg 478)
"Recognize that private people have a greater right to control information about themselves that do public officials and others who seek power, influence, or attention. Only an overriding public need can justify intrusion into anyone's privacy." (Straubhaar, LaRose & Davenport, Pg 478)
"Show good taste. Avoid pandering to lurid curiosity." (Straubhaar, LaRose & Davenport, Pg 478)
"Be cautions of identifying juvenile suspects or victims of sex crimes." (Straubhaar, LaRose & Davenport, Pg 478)
"Be judicious about naming criminal suspects before the formal filing of charges." (Straubhaar, LaRose & Davenport, Pg 478)
"Balance a criminal suspect's fair trial rights with the public's right to be informed." (Straubhaar, LaRose & Davenport, Pg 478)
Act Independently "Journalists should be free of obligation to any interest other than the public's right to know. Journalists should" ." (Straubhaar, LaRose & Davenport, Pg 478)
"Avoid conflict of interest, real or perceived." (Straubhaar, LaRose & Davenport, Pg 478)
"Remain free of associations and activities that may compromise integrity or damage credibility." (Straubhaar, LaRose & Davenport, Pg 478)
"Refuse gifts, favors, fees, free travel, and special treatment, and shun secondary employment, political involvement, public office, and service in community organizations if they compromise journalistic integrity." (Straubhaar, LaRose & Davenport, Pg 478)
"Disclose unavoidable conflicts." (Straubhaar, LaRose & Davenport, Pg 479)
"Be vigilant and courageous about holding those with power accountable." (Straubhaar, LaRose & Davenport, Pg 479)
"Deny favored treatment to advertisers and special interests and resist their pressure to influence news coverage." (Straubhaar, LaRose & Davenport, Pg 479)
"Be wary of sources offering information for favors or money; avoid bidding for news." (Straubhaar, LaRose & Davenport, Pg 479)
Be Accountable "Journalists are accountable to their readers, listeners, viewers, and each other. Journalists should:" (Straubhaar, LaRose & Davenport, Pg 479)
"Clarify and explain news coverage and invite dialogue with the public over journalistic conduct." (Straubhaar, LaRose & Davenport, Pg 479)
"Encourage the public to voice grievances against the news media." (Straubhaar, LaRose & Davenport, Pg 479)
"Admit mistakes and correct them promptly." (Straubhaar, LaRose & Davenport, Pg 479)
"Expose unethical practices of journalists and the news media." (Straubhaar, LaRose & Davenport, Pg 479)
"Abide by the same high standards to which they hold others." (Straubhaar, LaRose & Davenport, Pg 479)
All of these guidelines are for the betterment of society and regulation of media.
See also[edit]
Journalism ethics and standards
Journalism ethics and standards#Codes of practice
International Council for Press and Broadcasting
International Council for Press and Broadcasting#Media Ethics Code
References[edit]
Straubhaar, Joseph D., Robert LaRose, and Lucinda Davenport. Media Now: Understanding Media, Culture, and Technology. Boston, MA: Wadsworth Cengage Learning, 2010. Print.
External links[edit]
http://www.spj.org/ethicscode.asp
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Fly Me to the Moon
From Wikipedia, the free encyclopedia
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For other uses, see Fly Me to the Moon (disambiguation).
"In Other Words"
First recording titled "In Other Words"
Song by Kaye Ballard
Released
April 1954
Recorded
1954
Genre
Jazz
Length
2:14
Label
Decca
Songwriter(s)
Bart Howard
"Fly Me to the Moon", originally titled "In Other Words", is a song written in 1954 by Bart Howard. Kaye Ballard made the first recording of the song the year it was written. Since then, it has become a frequently recorded jazz standard often featured in popular culture; Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon. It is also used in the Japanese animated series Neon Genesis Evangelion as the closing music at the end of each episode.
In 1999, the US-based Songwriters Hall of Fame recognized the importance of "Fly Me to the Moon" by inducting it as a "Towering Song"[1] which is an award "...presented each year to the creators of an individual song that has influenced our culture in a unique way over many years.”[2]
Contents
1 Background and composition
2 Early recordings
3 "Fly Me to the Moon"
3.1 Other releases
4 NASA association
5 References
6 External links
Background and composition[edit]
In 1954, when writing the song which would become "Fly Me to the Moon", Bart Howard had been pursuing a career in music for over 20 years.[3] He played piano to accompany cabaret singers but also wrote songs with Cole Porter, his idol, in mind.[4] In response to a publisher's request for a simpler song,[5] Bart Howard wrote a cabaret ballad in waltz time[6] which he titled "In Other Words". A publisher tried to make him change some words from "fly me to the moon" to "take me to the moon", but Howard refused to do this.[7] Many years later Howard commented that "... it took me 20 years to find out how to write a song in 20 minutes".[7]
He used his position as a piano accompanist and presenter at the Blue Angel cabaret venue to promote the song,[5] and it was soon introduced in cabaret performances by Felicia Sanders.[4]
Early recordings[edit]
Kaye Ballard circa late 1950s
Kaye Ballard made the first commercial recording of "In Other Words".[citation needed] It was released by Decca in April 1954.[8] A brief review published on 8 May 1954 in Billboard said that "In Other Words" was "A love song sung with feeling by Miss Ballard."[9] This recording was released as the flipside of "Lazy Afternoon" which Kaye Ballard was currently performing as star of the stage show The Golden Apple.[10]
Over the next few years, jazz and cabaret singers released cover versions of "In Other Words" on EP or LP record albums, including Chris Connor, Johnny Mathis, Portia Nelson and Nancy Wilson.[citation needed] Eydie Gormé featured the song on her 1958 album Eydie In Love,[11] which reached #20 in the Cashbox Album Charts[12] and was nominated for a Grammy Award.
"Fly Me to the Moon"[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2017) (Learn how and when to remove this template message)
In 1960, Peggy Lee released the song on the album Pretty Eyes,[13] then made it more popular when she performed it in front of a large television audience on The Ed Sullivan Show.[4] As the song's popularity increased, it became better known as "Fly Me to the Moon",[14] and in 1963 Peggy Lee convinced Bart Howard to make the name change official.[7] In the early 1960s, versions of the song were released under its new name by many well-known singers, including Nat King Cole, Sarah Vaughan and Brenda Lee.[citation needed] Connie Francis released two non-English versions of the song in 1963: in Italian as "Portami Con Te"[15] and in Spanish as "Llévame a la Luna".[16]
Fly Me to the Moon Bossa Nova 1963 album by Joe Harnell
In 1962, Joe Harnell arranged and recorded an instrumental version in a bossa nova style. It was released as a single in late 1962.[17][18] Harnell's version spent 13 weeks on the Billboard Hot 100 chart, reaching No. 14 on February 23, 1963,[19] while reaching No. 4 on Billboard's Middle-Road Singles chart.[20][21] Harnell's version was ranked No. 89 on Billboard's end of year ranking "Top Records of 1963".[22]
Harnell's recording won him a Grammy Award at the 5th Annual Grammy Awards for Best Performance by an Orchestra – for Dancing.[23][24]
Harnell's version was included on his album Fly Me to the Moon and the Bossa Nova Pops[25] released in early 1963, which reached No. 3 stereo album on the Billboard Top LP's chart.[26]
Versions of the song were released by many other 1960s instrumental artists, including Roy Haynes, Al Hirt and Oscar Peterson.[citation needed]
Frank Sinatra included the song on his 1964 album It Might as Well Be Swing, accompanied by Count Basie.[27] The music for this album was arranged by Quincy Jones,[27][28] who had worked with Count Basie a year earlier on the album This Time by Basie, which also included a version of "Fly Me to the Moon".[29] Will Friedwald commented that "Jones boosted the tempo and put it into an even four/four" for Basie's version, but "when Sinatra decided to address it with the Basie/Jones combination they recharged it into a straight swinger... [which]...all but explodes with energy".[6]
Other releases[edit]
Bart Howard estimated that by the time Frank Sinatra covered the song in 1964, more than 100 other versions had been recorded.[6] By 1995, it had been recorded more than 300 times.[10] One notable example is a remix of the song used as a main theme for Platinum Games's PS3 game Bayonetta, which is sung by Helena Noguerra.
NASA association[edit]
Quincy Jones presents platinum copies of Frank Sinatra's album to Senator John Glenn and Apollo 11 Commander Neil Armstrong
Frank Sinatra's 1964 recording of "Fly Me to the Moon" became closely associated with NASA's Apollo space program. A copy of the song was played on the Apollo 10 mission which orbited the Moon.[30] It became the first music heard on the Moon when played on a portable cassette player by Apollo 11 astronaut Buzz Aldrin after he stepped onto the Moon.[31] The song’s association with Apollo 11 was reprised many years later when Diana Krall sang it at the mission's 40th anniversary commemoration ceremony.[32] She also sang a “slow and solemn version” in 2012 at the national memorial service for Apollo 11 mission commander Neil Armstrong.[33]
References[edit]
Jump up ^ "1999 Award and Induction Ceremony". Songwriters Hall of Fame. 1999-06-09. Archived from the original on 2013-12-07. Retrieved 2013-12-07.
Jump up ^ "Towering Song". Songwriters Hall of Fame. Retrieved 2013-12-07.
Jump up ^ "Famous Iowans - Bart Howard | The Des Moines Register | DesMoinesRegister.com". Data.desmoinesregister.com. Retrieved 2013-12-07.
^ Jump up to: a b c STEPHEN HOLDEN (2004-02-23). "Bart Howard, 88, Songwriter Known for 'Fly Me to the Moon' - New York Times". Nytimes.com. Retrieved 2013-12-07.
^ Jump up to: a b ""Fly Me to the Moon": Song History, Commentary, Discography, Performances on Video". Greatamericansongbook.net. 2004-02-23. Retrieved 2016-09-26.
^ Jump up to: a b c Will Friedwald, "Sinatra! The Song Is You: A Singer's Art", Scribner, New York, 1995, page 411
^ Jump up to: a b c Stephen Holden (December 19, 1988). "Product of 20 Minutes: A Million Dollar Song". The New York Times. Retrieved 26 November 2013.
Jump up ^ "Kaye Ballard - In Other Words / Lazy Afternoon - Decca - USA - 9-29114". 45cat.com. 2012-11-25. Retrieved 2016-09-26.
Jump up ^ Billboard. Books.google.com. 1954-05-08. p. 24. Retrieved 2016-09-26.
^ Jump up to: a b Liz Smith, Liner Notes for the CD Portia Nelson, "Let Me Love You: Portia Nelson Sings the Songs of Bart Howard", DRG 91442, 1995
Jump up ^ "ABC-Paramount Album Discography, Part 2". Bsnpubs.com. 2005-09-01. Retrieved 2016-09-26.
Jump up ^ Carolyn Hope (2007-09-11). "Barry's Hits of All Decades Pop rock n roll Music Chart Hits". Hitsofalldecades.com. Retrieved 2016-09-26.
Jump up ^ "Pretty Eyes - Peggy Lee". AllMusic. Retrieved February 17, 2018.
Jump up ^ "Bart Howard: 1915-2004". Jazzhouse.org. Retrieved 2016-09-26.
Jump up ^ "Connie Francis - Mala Femmena / Portami Con Te (Fly Me To The Moon) - MGM - Italy - K 2078". 45cat.com. Retrieved 2016-09-26.
Jump up ^ "Connie Francis - Connie Francis Canta En Español - MGM - Spain". 45cat.com. 2015-02-15. Retrieved 2016-09-26.
Jump up ^ "Reviews of New Singles", Billboard, November 10, 1962. p. 52. Retrieved February 17, 2018.
Jump up ^ Thompson, Dave (2016). Standard Catalog of American Records, F+W Media, Inc. p. 567. Retrieved February 17, 2018.
Jump up ^ Hot 100 - Joe Harnell and His Orchestra Fly Me to the Moon - Bossa Nova Chart History, Billboard.com. Retrieved February 17, 2018.
Jump up ^ "Middle-Road Singles", Billboard, February 23, 1963. p. 42. Retrieved February 17, 2018.
Jump up ^ Adult Contemporary - Joe Harnell and His Orchestra Fly Me to the Moon - Bossa Nova Chart History, Billboard.com. Retrieved February 17, 2018.
Jump up ^ "Top Records of 1963", Billboard, Section II, December 28, 1963. p. 30. Retrieved February 17, 2018.
Jump up ^ Joe Harnell, Recording Academy Grammy Awards, grammy.com. Retrieved February 17, 2018.
Jump up ^ "Joe Harnell, 80; Pianist, Conductor, Composer, Arranger - Los Angeles Times". Articles.latimes.com. 1994-09-29. Retrieved 2013-12-07.
Jump up ^ "Fly Me to the Moon and the Bossa Nova Pops - Joe Harnell & His Orchestra, Joe Harnell". AllMusic. Retrieved February 17, 2018.
Jump up ^ "Billboard Top LP's for Week Ending March 16". Billboard. 1963-03-16. p. 66. Retrieved 2018-02-17.
^ Jump up to: a b "It Might as Well Be Swing - Count Basie, Frank Sinatra". AllMusic. Retrieved February 17, 2018.
Jump up ^ "It Might as Well Be Swing - Count Basie, Frank Sinatra - Credits". AllMusic. Retrieved February 17, 2018.
Jump up ^ "This Time by Basie: Hits of the 50's - Count Basie". AllMusic. Retrieved February 17, 2018.
Jump up ^ "Lunar Collections: April 2006". Apollotribute2.blogspot.com.au. 2006-04-13. Retrieved 2016-09-26.
Jump up ^ Diane K. Shah (November 18, 1990). ""On Q"". The New York Times. Retrieved 1 December 2013.
Jump up ^ "NASA - NASA TV's This Week @NASA, July 24". Nasa.gov. 2009-07-24. Retrieved 2016-09-26.
Jump up ^ "Neil Armstrong remembered at public memorial". BBC News. Retrieved 2016-09-26.
External links[edit]
Lyrics of this song at MetroLyrics
ASCAP Foundation: Bart Howard Provides A Musical Gift
Fly Me to the Moon Chord Study for Guitar
"Fly Me to the Moon (In Other Words)" at MusicBrainz (information and list of recordings)
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Fly_Me_to_the_Moon&oldid=853120055"
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Prisoner of Love (1931 song)

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