text:
I Belong to You (Lenny Kravitz song)
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"I Belong to You"
Single by Lenny Kravitz
from the album 5
Released
September 23, 1998
Format
CD Single
Maxi single
Genre
Reggae, soft rock
Length
4:17
Label
Virgin Records America
Songwriter(s)
Lenny Kravitz
Producer(s)
Lenny Kravitz
Lenny Kravitz singles chronology
"Thinking of You"
(1998) "I Belong to You"
(1998) "Fly Away"
(1998)
"Thinking of You"
(1998) "I Belong to You"
(1998) "Fly Away"
(1998)
"I Belong to You" is the third single by American rock musician Lenny Kravitz from his 1998 album 5. It was released on September 23, 1998 by Virgin Records America. The song featured a soft-rock and reggae inspired sound.
Contents
[hide]
1 Track listing
2 Charts
3 Music video
4 Personnel
5 External links
6 References
Track listing[edit]
The single featured several remixes for his previous single "If You Can't Say No", apart from the "I Belong To You" song.
"I Belong to You" - 4:17
"If You Can't Say No" (Flunky In The Attic mix) - 5:16
"If You Can't Say No" (Just Say No mix) - 6:00
"If You Can't Say No" (BT Twilo dub) - 8:02
"If You Can't Say No" (Dallas Austin mix) - 4:45
UK Edition
"I Belong To You" - 4:17
"If You Can't Say No" (Flunky In The Attic Mix) - 5:16
"If You Can't Say No" (BT Twilo Dub) - 8:02
Charts[edit]
Chart
Peak
position
U.S. Billboard Hot 100 71
U.S. Billboard Adult Charts 15
United Kingdom Singles Charts 75
Music video[edit]
The music video, directed by Mark Seliger and Fred Woodward, was shot from October 6–7, 1998, in the Bahamas, from where his mother, Roxie Roker hailed. It visually expanded the reggae influence of the song. Kravitz was shot singing and dancing among the people, also walking and biking along the streets. Another memorable scene from the video features Kravitz singing while submerged up to his stomach in the ocean. It should be also noted that Kravitz departed from his signature dreadlocks with this video.
Personnel[edit]
All instruments and vocals performed by Lenny Kravitz, except the toy piano, performed by Terry Manning.
The Flunky In The Attic Mix was mixed by Billy Corgan, lead singer of the Smashing Pumpkins.
External links[edit]
Lyrics of this song at MetroLyrics
References[edit]
I Belong to You at AllMusic. Retrieved 15:00, 28 April 2015 (UTC).
[hide]
v
t
e
Lenny Kravitz singles
Let Love Rule
"Let Love Rule" (1989)
"I Build This Garden for Us" (1990)
"Mr. Cab Driver" (1990)
Mama Said
"Always on the Run" (featuring Slash) (1991)
"It Ain't Over 'til It's Over" (1991)
"Fields of Joy" (1991)
Are You Gonna Go My Way
"Are You Gonna Go My Way" (1993)
"Heaven Help" (1993)
"Heaven Help" / "Spinning Around Over You" (1994)
Circus
"Rock and Roll Is Dead" (1995)
5
"If You Can't Say No" (1998)
"Thinking of You" (1998)
"I Belong to You" (1998)
"Fly Away" (1998)
"American Woman" (1999)
"Black Velveteen" (2000)
Greatest Hits
"Again" (1999)
"Black Velveteen" (2000)
Lenny
"Dig In" (2001)
"Stillness of Heart" (2002)
"Believe in Me" (2002)
"If I Could Fall in Love" (2002)
Baptism
"Where Are We Runnin'?" (2004)
"California" (2004)
"Calling All Angels" (2004)
"Lady" (2005)
It Is Time for a Love Revolution
"I'll Be Waiting" (2008)
"Love Love Love" (2008)
"Dancin' Til Dawn" (2008)
Black and White America
"Stand" (2011)
Strut
"The Chamber" (2014)
Soundtracks
"American Woman" (1999)
Other singles
"Deuce" (featuring Stevie Wonder) (1994)
"(I Can't Make It) Another Day" (featuring Michael Jackson) (2010)
"Superlove" (vs. Avicii) (2012)
Book
Category
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La Marseillaise
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2017) (Learn how and when to remove this template message)
For other uses, see La Marseillaise (disambiguation).
La Marseillaise
English: The Marseillaise
The Marseillais volunteers departing, sculpted on the Arc de Triomphe
National anthem of France
Also known as
Chant de Guerre pour l'Armée du Rhin
English: War song for the Army of the Rhine
Lyrics
Claude Joseph Rouget de Lisle, 1792
Music
Claude Joseph Rouget de Lisle
Adopted
1795
Audio sample
La Marseillaise
(Instrumental)
file
help
v
t
e
"La Marseillaise" (French pronunciation: [la maʁsɛjɛːz]) is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Rhine Army").
The Marseillaise was a revolutionary song, an anthem to freedom, a patriotic call to mobilize all the citizens and an exhortation to fight against tyranny and foreign invasion. The French National Convention adopted it as the Republic's anthem in 1795. It acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the "European march" anthemic style. The anthem's evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music.
Contents
[hide]
1 History
1.1 Musical
2 Lyrics
2.1 Additional verses
3 Notable arrangements
4 Quotations in other musical works
5 Notable use in other media
6 Historical use in Russia
7 Criticism and controversy
8 See also
9 Footnotes
10 Further reading
11 External links
History[edit]
Play media
Belgian singer Jean Noté singing "La Marseillaise" in 1907.
Rouget de Lisle, composer of the Marseillaise, sings it for the first time at the home of Dietrich, Mayor of Strasbourg (Musée historique de Strasbourg, 1849 painting by Isidore Pils)
As the French Revolution continued, the monarchies of Europe became concerned that revolutionary fervor would spread to their countries. The War of the First Coalition was an effort to stop the revolution, or at least contain it to France. Initially, the French army did not distinguish itself, and Coalition armies invaded France. On 25 April 1792, baron Philippe-Frédéric de Dietrich, the mayor of Strasbourg, requested his guest Rouget de Lisle compose a song "that will rally our soldiers from all over to defend their homeland that is under threat".[1] That evening, Rouget de Lisle wrote "Chant de guerre pour l'Armée du Rhin"[2] (English: "War Song for the Army of the Rhine"), and dedicated the song to Marshal Nicolas Luckner, a Bavarian in French service from Cham.[3] A plaque on the building on Place Broglie where De Dietrich's house once stood commemorates the event.[4]
The melody soon became the rallying call to the French Revolution and was adopted as "La Marseillaise" after the melody was first sung on the streets by volunteers (fédérés in French) from Marseille by the end of May. These fédérés were making their entrance into the city of Paris on 30 July 1792 after a young volunteer from Montpellier called François Mireur had sung it at a patriotic gathering in Marseille, and the troops adopted it as the marching song of the National Guard of Marseille.[2] A newly graduated medical doctor, Mireur later became a general under Napoléon Bonaparte and died in Egypt at age 28.[5]
The song's lyric reflects the invasion of France by foreign armies (from Prussia and Austria) that were under way when it was written. Strasbourg itself was attacked just a few days later. The invading forces were repulsed from France following their defeat in the Battle of Valmy. As the vast majority of Alsatians did not speak French, a German version ("Auf, Brüder, auf dem Tag entgegen") was published in October 1792 in Colmar.[6]
The Convention accepted it as the French national anthem in a decree passed on 14 July 1795, making it France's first anthem.[7] It later lost this status under Napoleon I, and the song was banned outright by Louis XVIII and Charles X, only being re-instated briefly after the July Revolution of 1830.[8] During Napoleon I's reign, "Veillons au Salut de l'Empire" was the unofficial anthem of the regime, and in Napoleon III's reign, it was "Partant pour la Syrie". During the nineteenth and early twentieth centuries, "La Marseillaise" was recognised as the anthem of the international revolutionary movement; as such, it was adopted by the Paris Commune in 1871, albeit with new lyrics under the title "La marseillaise de la Commune". Eight years later, in 1879, it was restored as France's national anthem, and has remained so ever since.[citation needed]
Musical[edit]
Several musical antecedents have been cited for the melody:
Mozart's Allegro maestoso of Piano Concerto No. 25[9]
the credo of the fourth mass of Holtzmann of Mursberg[10]
the Oratorio Esther by Jean Baptiste Lucien Grison[11]
Recent[when?] researches have pointed out that the incipit of "Tema e variazioni in Do maggiore", composed in 1781 by Piedmontese violinist and composer Giovanni Battista Viotti bears a strong resemblance to the hymn[12]
Rouget de Lisle himself never signed the Marseillaise score.
Commemorative plaque on 3, place Broglie in Strasbourg
Général Mireur, 1770–1798, anonymous, terra cotta, Faculty of Medicine, Montpellier, France.
Lyrics[edit]
Only the first verse (and sometimes the fifth and sixth) and the first chorus are sung today in France. There are some slight historical variations in the lyrics of the song; the following is the version listed at the official website of the French Presidency.[13] Verses sung in the contemporary version of the anthem are in bold.
Allons enfants de la Patrie,
Le jour de gloire est arrivé!
Contre nous de la tyrannie,
L'étendard sanglant est levé, (bis)
Entendez-vous dans les campagnes
Mugir ces féroces soldats?
Ils viennent jusque dans vos bras
Égorger vos fils, vos compagnes!

Aux armes, citoyens,
Formez vos bataillons,
Marchons, marchons!
Qu'un sang impur
Abreuve nos sillons!

Que veut cette horde d'esclaves,
De traîtres, de rois conjurés?
Pour qui ces ignobles entraves,
Ces fers dès longtemps préparés? (bis)
Français, pour nous, ah! quel outrage
Quels transports il doit exciter!
C'est nous qu'on ose méditer
De rendre à l'antique esclavage!

Aux armes, citoyens...

Quoi! des cohortes étrangères
Feraient la loi dans nos foyers!
Quoi! Ces phalanges mercenaires
Terrasseraient nos fiers guerriers! (bis)
Grand Dieu! Par des mains enchaînées
Nos fronts sous le joug se ploieraient
De vils despotes deviendraient
Les maîtres de nos destinées!

Aux armes, citoyens...

Tremblez, tyrans et vous perfides
L'opprobre de tous les partis,
Tremblez! vos projets parricides
Vont enfin recevoir leurs prix! (bis)
Tout est soldat pour vous combattre,
S'ils tombent, nos jeunes héros,
La terre en produit de nouveaux,
Contre vous tout prêts à se battre!

Aux armes, citoyens...

Français, en guerriers magnanimes,
Portez ou retenez vos coups!
Épargnez ces tristes victimes,
À regret s'armant contre nous. (bis)
Mais ces despotes sanguinaires,
Mais ces complices de Bouillé,
Tous ces tigres qui, sans pitié,
Déchirent le sein de leur mère!

Aux armes, citoyens...

Amour sacré de la Patrie,
Conduis, soutiens nos bras vengeurs
Liberté, Liberté chérie,
Combats avec tes défenseurs! (bis)
Sous nos drapeaux que la victoire
Accoure à tes mâles accents,
Que tes ennemis expirants
Voient ton triomphe et notre gloire!

Aux armes, citoyens...

(Couplet des enfants)[14]
Nous entrerons dans la carrière
Quand nos aînés n'y seront plus,
Nous y trouverons leur poussière
Et la trace de leurs vertus (bis)
Bien moins jaloux de leur survivre
Que de partager leur cercueil,
Nous aurons le sublime orgueil
De les venger ou de les suivre

Aux armes, citoyens...
Arise, children of the Fatherland,
The day of glory has arrived!
Against us tyranny's
Bloody banner is raised, (repeat)
Do you hear, in the countryside,
The roar of those ferocious soldiers?
They're coming right into your arms
To cut the throats of your sons, your women!

To arms, citizens,
Form your battalions,
Let's march, let's march!
Lest an impure blood
Soak our fields!

What does this horde of slaves,
Of traitors and conspiratorial kings want?
For whom are these vile chains,
These long-prepared irons? (repeat)
Frenchmen, for us, ah! What outrage
What fury it must arouse!
It is us they dare plan
To return to the old slavery!

To arms, citizens...

What! Foreign cohorts
Would make the law in our homes!
What! These mercenary phalanxes
Would strike down our proud warriors! (repeat)
Great God! By chained hands
Our brows would yield under the yoke
Vile despots would have themselves
The masters of our destinies!

To arms, citizens...

Tremble, tyrants and you traitors
The shame of all parties,
Tremble! Your parricidal schemes
Will finally receive their reward! (repeat)
Everyone is a soldier to combat you
If they fall, our young heroes,
The earth will produce new ones,
Ready to fight against you!

To arms, citizens...

Frenchmen, as magnanimous warriors,
Bear or hold back your blows!
Spare those sorry victims,
Who arm against us with regret. (repeat)
But not these bloodthirsty despots,
These accomplices of Bouillé,
All these tigers who, mercilessly,
Rip their mother's breast!

To arms, citizens...

Sacred love of the Fatherland,
Lead, support our avenging arms
Liberty, cherished Liberty,
Fight with thy defenders! (repeat)
Under our flags, may victory
Hurry to thy manly accents,
May thy expiring enemies,
See thy triumph and our glory!

To arms, citizens...

(Children's Verse)
We shall enter the (military) career
When our elders are no longer there,
There we shall find their dust
And the trace of their virtues (repeat)
Much less keen to survive them
Than to share their coffins,
We shall have the sublime pride
Of avenging or following them

To arms, citizens...
The United States Library of Congress holds the following English translation.[15]
Ye sons of France, awake to glory,
Hark, hark! what myriads bid you rise!
Your children, wives and white-haired grandsires.
Behold their tears and hear their cries! (repeat)
Shall hateful tyrants, mischiefs breeding,
With hireling hosts, a ruffian band,
Affright and desolate the land,
While peace and liberty lie bleeding?

To arms, to arms, ye brave!
The avenging sword unsheath,
March on, march on!
All hearts resolv'd
On victory or death!

Now, now, the dangerous storm is rolling
Which treacherous kings confederate raise!
The dogs of war, let loose, are howling,
And lo! our fields and cities blaze! (repeat)
alt: And lo! our homes will soon invade!
And shall we basely view the ruin
While lawless force with guilty stride
Spreads desolation far and wide
With crimes and blood his hands embruing?

To arms, to arms, ye brave!...

With luxury and pride surrounded
The vile insatiate despots dare,
Their thirst of power and gold unbounded,
To mete and vend the light and air! (repeat)
Like beasts of burden would they load us,
Like gods would bid their slaves adore,
But man is man, and who is more?
Then shall they longer lash and goad us?

To arms, to arms, ye brave!...

O Liberty, can man resign thee
Once having felt thy generous flame?
Can dungeons, bolts or bars confine thee
Or whips thy noble spirit tame? (repeat)
Too long the world has wept, bewailing
That falsehood's dagger tyrants wield,
But freedom is our sword and shield,
And all their arts are unavailing.

To arms, to arms, ye brave!...
Additional verses[edit]
These verses were omitted from the national anthem.
Dieu de clémence et de justice
Vois nos tyrans, juge nos coeurs
Que ta bonté nous soit propice
Défends-nous de ces oppresseurs (bis)
Tu règnes au ciel et sur terre
Et devant Toi, tout doit fléchir
De ton bras, viens nous soutenir
Toi, grand Dieu, maître du tonnerre.

Aux armes, citoyens...

Peuple français, connais ta gloire;
Couronné par l'Égalité,
Quel triomphe, quelle victoire,
D'avoir conquis la Liberté! (bis)
Le Dieu qui lance le tonnerre
Et qui commande aux éléments,
Pour exterminer les tyrans,
Se sert de ton bras sur la terre.

Aux armes, citoyens...

Nous avons de la tyrannie
Repoussé les derniers efforts;
De nos climats, elle est bannie;
Chez les Français les rois sont morts. (bis)
Vive à jamais la République!
Anathème à la royauté!
Que ce refrain, partout porté,
Brave des rois la politique.

Aux armes, citoyens...

La France que l'Europe admire
A reconquis la Liberté
Et chaque citoyen respire
Sous les lois de l'Égalité; (bis)
Un jour son image chérie
S'étendra sur tout l'univers.
Peuples, vous briserez vos fers
Et vous aurez une Patrie!

Aux armes, citoyens...

Foulant aux pieds les droits de l'Homme,
Les soldatesques légions
Des premiers habitants de Rome
Asservirent les nations. (bis)
Un projet plus grand et plus sage
Nous engage dans les combats
Et le Français n'arme son bras
Que pour détruire l'esclavage.

Aux armes, citoyens...

Oui! Déjà d'insolents despotes
Et la bande des émigrés
Faisant la guerre aux Sans-culottes
Par nos armes sont altérés; (bis)
Vainement leur espoir se fonde
Sur le fanatisme irrité,
Le signe de la Liberté
Fera bientôt le tour du monde.

Aux armes, citoyens...

À vous ! Que la gloire environne,
Citoyens, illustres guerriers,
Craignez, dans les champs de Bellone,
Craignez de flétrir vos lauriers! (bis)
Aux noirs soupçons inaccessibles
Envers vos chefs, vos généraux,
Ne quittez jamais vos drapeaux,
Et vous resterez invincibles.

Aux armes, citoyens...

(Couplet des enfants)
Enfants, que l'Honneur, la Patrie
Fassent l'objet de tous nos vœux!
Ayons toujours l'âme nourrie
Des feux qu'ils inspirent tous deux. (bis)
Soyons unis! Tout est possible;
Nos vils ennemis tomberont,
Alors les Français cesseront
De chanter ce refrain terrible:

Aux armes, citoyens...
God of mercy and justice
See our tyrants, judge our hearts
Thy goodness be with us
Defend us from these oppressors (repeat)
You reign in heaven and on earth
And before You all must bend
In your arms, come support us
You Great God, Lord of the thunder.

To arms, citizens...

French people know thy glory
Crowned by Equality,
What a triumph, what a victory,
To have won Freedom! (repeat)
The God who throws thunder
And who commands the elements,
To exterminate the tyrants
Uses your arm on the ground.

To arms, citizens...

Of tyranny, we have
Rebuffed the final efforts;
It is banished from our climes;
In France the kings are dead. (repeat)
Forever live the Republic!
Anathema to royalty!
May this refrain sung everywhere,
Defy the politics of kings.

To arms, citizens...

France that Europe admires
Has regained Liberty
And every citizen breathes
Under the laws of Equality, (repeat)
One day its beloved image
Will extend throughout the universe.
People, you will break your chains
And you will have a Fatherland!

To arms, citizens...

Trampling on the rights of man,
soldierly legions
The first inhabitants of Rome
enslave nations. (repeat)
A larger project and wiser
We engage in battle
And the Frenchman does not arm himself
But to destroy slavery.

To arms, citizens...

Yes! Already insolent despots
And the band of emigrants
Waging war on the unclothed [lit. without-breeches]
By our weapons are withered; (repeat)
Vainly their hope is based
On piqued fanaticism
The sign of Liberty
Will soon spread around the world.

To arms, citizens...

To you! Let glory surround
Citizens, illustrious warriors,
Fear in the fields of Bellona,
Fear the sullying of your laurels! (repeat)
As for dark unfounded suspicions
Towards your leaders, your generals,
Never leave your flags,
And you will remain invincible.

To arms, citizens...

(Children's Verse)
Children, let Honour and Fatherland
be the object of all our wishes!
Let us always have souls nourished
With fires that might inspire both. (repeat)
Let us be united! Anything is possible;
Our vile enemies will fall,
Then the French will cease
To sing this fierce refrain:

To arms, citizens...
Notable arrangements[edit]
"La Marseillaise" was arranged for soprano, chorus and orchestra by Hector Berlioz in about 1830.[16]
Franz Liszt wrote a piano transcription of the anthem.[17]
During World War I, bandleader James Reese Europe played a jazz version of "La Marseillaise", which can be heard on Part 2 of the Ken Burns TV documentary Jazz.
Serge Gainsbourg recorded a reggae version in 1978, titled "Aux armes et cætera".[18]
Jacky Terrasson also recorded a jazz version of "La Marseillaise", included in his 2000 album A Paris.
Quotations in other musical works[edit]
During the French Revolution, Giuseppe Cambini published Patriotic Airs for Two Violins, in which the song is quoted literally and as a variation theme, with other patriotic songs.
Ludwig van Beethoven quotes "La Marseillaise" in his Wellington's Victory overture, op. 91, composed in 1813.
Gioachino Rossini quotes "La Marseillaise" in his 1813 opera, L'italiana in Algeri, during the choral introduction to Isabella's 2nd act aria "Pensa alla patria" and in the second act of his opera Semiramide (1823).
Robert Schumann used part of "La Marseillaise" for "Die beiden Grenadiere" (The Two Grenadiers), his 1840 setting (Op. 49, No. 1) of Heinrich Heine's poem "Die Grenadiere". The quotation appears at the end of the song when the old French soldier dies. Schumann also incorporated "La Marseillaise" as a major motif in his overture Hermann und Dorothea, inspired by Johann Wolfgang von Goethe, and quotes it, in waltz rhythm, in the first movement of Faschingsschwank aus Wien, for solo piano.
Richard Wagner also quotes from "La Marseillaise" in his 1839–40 setting of a French translation of Heine's poem.
In Orphée aux enfers (1858), Jacques Offenbach quotes it in the "Choeur de la Révolte" (Revolutionary Chorus) in Act I, Scene. 2
Giuseppe Verdi quotes from "La Marseillaise" in his patriotic anthem Hymn of the Nations, which also incorporates "God Save the King" and "Il Canto degli Italiani". In his 1944 film, the Italian conductor Arturo Toscanini also incorporated "The Internationale" for the Soviet Union and "The Star-Spangled Banner" representing the United States.
Greek composer Pavlos Carrer quotes "La Marseillaise" in the overture of his 1873 opera Maria Antonietta (libretto by Count Georgios Romas).
Pyotr Ilyich Tchaikovsky quotes "La Marseillaise" to represent the invading French army in his 1812 Overture (1882). He also quotes the Russian national anthem he was familiar with, to represent the Russian army. However, neither of these anthems was actually in use in 1812.
In 1896, Umberto Giordano briefly quotes the anthem in his opera Andrea Chénier.
Claude Debussy quotes a fragment of the anthem marked "de très loin" in the dreamlike and dissonant coda of his piano prelude, Feux d'artifice.
Flemish composer Peter Benoit quotes "La Marseillaise" in the overture of his 1876 opera Charlotte Corday.
Edward Elgar quotes the opening of "La Marseillaise" in his choral work The Music Makers, Op. 69 (1912), based on Arthur O'Shaughnessy's Ode, at the line "We fashion an empire's glory", where he also quotes the opening phrase of "Rule, Britannia!".
Felix Weingartner incorporated fragments of the "Marseillaise", as well as of the Russian anthem God Save the Tsar!, the Kaiser's anthem Heil dir im Siegerkranz and of the Austrian anthem Gott erhalte Franz den Kaiser in his concert overture Aus ernster Zeit, reflecting the major opponents of World War I.
Heitor Villa-Lobos quotes "La Marseillaise" in his 3rd ("War") and 4th ("Victory") Symphonies (both 1919). In the finale of No. 3, fragments of it form a collage with the Brazilian national anthem.
Dmitri Shostakovich quotes "La Marseillaise" at some length during the fifth reel of the film score he composed for the 1929 silent movie, The New Babylon (set during the Paris Commune), where it is juxtaposed contrapuntally with the famous "Infernal Galop" from Offenbach's Orpheus in the Underworld.[19]
Gottfried Huppertz quotes "La Marseillaise" in his score for the 1927 film Metropolis over scenes of rioting workers.
Max Steiner weaves quotes from "La Marseillaise" throughout his score for the 1942 film Casablanca. It also forms an important plot element when patrons of Rick's Café Américain, spontaneously led by Czech underground leader Victor Laszlo, sing the actual song to drown out Nazi officers who had started singing "Die Wacht am Rhein", thus causing Rick's to be shut down. The scene is reminiscent of one in Jean Renoir's La Grande Illusion, in which French and British prisoners of war performing amateur theatricals to a mixed audience of guards and fellow-prisoners sing the song aggressively at the Germans upon hearing of a minor French victory.
Django Reinhardt uses the theme in "Échos de France."
The Beatles hit single of 1967, "All You Need Is Love", uses the opening bars of "La Marseillaise" as an introduction.
The Slovenian music group Laibach released the album Volk in 2006, which featured interpretations of various national anthems and included "Francia", a song inspired by "La Marseillaise".
In Peru and Chile, both the Partido Aprista Peruano ("La Marsellesa Aprista"),[20] and the Socialist Party of Chile ("La Marsellesa Socialista"),[21] wrote their own versions of "La Marseillaise" to be their anthems. Both use the original tune.
The Canadian post-hardcore band Silverstein uses the English translation of the first two choruses of "La Marseillaise" in their song "La Marseillaise". The song is featured on their album Short Songs.
Hip hop group A Tribe Called Quest uses the opening bars of "La Marseillaise" as an outro to their song "Push It Along" on their 1990 album People's Instinctive Travels and the Paths of Rhythm.
American song parodist and comedian Allan Sherman, on his album My Son, the Nut, uses the tune of "La Marseillaise" as part of the opening of his song "You Went the Wrong Way, Old King Louie" (a French Revolution-themed parody of You Came a Long Way from St. Louis), solemnly intoning "Louis The Sixteenth was the king of France, in 17–89..."
Notable use in other media[edit]
Stefan Zweig narrates the creation of the anthem by Rouget De Lisle in one of the Decisive Moments in History, as does Alexandre Dumas in The Countess de Charny, claiming his account comes from Rouget de Lisle's own mouth.
In the 1987 NES video game Punch-Out!!, the French boxer Glass Joe uses an arrangement of "La Marseillaise" as his intro theme.
The 1938 film La Marseillaise shows the Marseille fédérés marching to Paris and singing the anthem.
In the RKO film Joan of Paris (1942), "La Marseillaise" is sung by a classroom full of young schoolchildren as the Gestapo hunts their teacher, a French Resistance operative.
"La Marseillaise" was famously used in Casablanca at the behest of Victor Laszlo (Paul Henreid) to drown out a group of German soldiers singing "Die Wacht am Rhein". It was also played during the closing card of the movie. Earlier, it appeared in Jean Renoir's La Grande Illusion in a similar defiant fashion, sung by French and British POWs.
The British sitcom 'Allo 'Allo! spoofed Casablanca by having the patriotic French characters start singing "La Marseillaise," only to switch to Deutschlandlied when Nazi officers enter their café.
On the January 24, 1977 episode of the Steve Allen PBS fantasy/history talk show Meeting of Minds, Empress Marie Antoinette (played by Allen's wife Jayne Meadows) is introduced and walks onstage to "La Marseillaise", and immediately expresses outrage and distress, explaining that the anthem was that of the revolutionary movement that dethroned and executed herself and husband Louis XVI. Allen as host apologizes profusely for the faux pas.
Vanessa Redgrave sings "La Marsellaise" (in French) in the closing scene of Playing for Time, a 1980 CBS television film about the Auschwitz concentration camp.
In the short story 'Boule de suif' by Guy de Maupassant, a stanza from La Marseillaise is hummed by the character Cornudet at the end.
"La Marseillaise" was used in the film Escape to Victory, also known as Victory.
In the biopic La Vie en Rose, chronicling the life of Edith Piaf, ten-year-old Edith is urged by her acrobat father to "do something" in the middle of a lackluster show, and she amazes the audience with an emotional rendition of "La Marseillaise."
The carillon of the town hall in the Bavarian town of Cham plays "La Marseillaise" every day at 12.05 pm to commemorate the French Marshal Nicolas Luckner, who was born there.[22]
The first part of the "La Marseillaise" was used in the film's opening scene in the 2007 Disney's Pixar film, Ratatouille.
Some of the verses of "La Marseillaise" are spoken by a French soldier in "They Shall Not Pass", the DLC trailer for the 2016 game Battlefield 1.[23]
Historical use in Russia[edit]
La Marseillaise
La Marseillaise performed on a synthesizer.
Problems playing this file? See media help.
In Russia, La Marseillaise was used as a republican revolutionary anthem by those who knew French starting in the 18th century, almost simultaneously with its adoption in France. In 1875 Peter Lavrov, a narodist revolutionary and theorist, wrote a Russian-language text (not a translation of the French one) to the same melody. This "Worker's Marseillaise" became one of the most popular revolutionary songs in Russia and was used in the Revolution of 1905. After the February Revolution of 1917, it was used as the semi-official national anthem of the new Russian republic. Even after the October Revolution, it remained in use for a while alongside The Internationale.[24]
Criticism and controversy[edit]
The English philosopher and reformer Jeremy Bentham, who was declared an honorary citizen of France in 1791 in recognition of his sympathies for the ideals of the French Revolution, was not enamoured of La Marseillaise. Contrasting its qualities with the "beauty" and "simplicity" of "God Save the King", he wrote in 1796:
The War whoop of anarchy, the Marseillais Hymn, is to my ear, I must confess, independently of all moral association, a most dismal, flat, and unpleasing ditty: and to any ear it is at any rate a long winded and complicated one. In the instance of a melody so mischievous in its application, it is a fortunate incident, if, in itself, it should be doomed neither in point of universality, nor permanence, to gain equal hold on the affections of the people.[25]
Valéry Giscard d'Estaing, a former President of France, has said that it is ridiculous to sing about drenching French fields with impure Prussian blood as a German Chancellor takes the salute in Paris.[26] A 1992 campaign to change the words of the song involving more than 100 prominent French citizens, including Danielle Mitterrand, wife of then-President François Mitterrand, was unsuccessful.[27]
The historian Simon Schama discussed La Marseillaise on BBC Radio 4's Today programme on 17 November 2015 (in the immediate aftermath of the Paris attacks), saying it was "... the great example of courage and solidarity when facing danger; that's why it is so invigorating, that's why it really is the greatest national anthem in the world, ever. Most national anthems are pompous, brassy, ceremonious, but this is genuinely thrilling. Very important in the song ... is the line before us is tyranny, the bloody standard of tyranny has risen. There is no more ferocious tyranny right now than ISIS, so it's extremely easy for the tragically and desperately grieving French to identify with that".[28]
See also[edit]
France portal
Music portal
"Marche Henri IV", the national anthem of the Kingdom of France
"La Marseillaise des Blancs", the Royal and Catholic variation
"Ça Ira", another famous anthem of the French Revolution
"Chant du Départ", the official anthem of the Napoleonic Empire
"Belarusian Marseillaise", a patriotic song in Belarus
"Onamo", a Montenegrin patriotic song popularly known as The "Serbian Marseillaise"
Footnotes[edit]
Jump up ^ "La Marseillaise" (in French). National Assembly of France. Archived from the original on 15 May 2012. Retrieved 24 April 2012.
^ Jump up to: a b Weber, Eugen (1 June 1976). Peasants into Frenchmen: The Modernization of Rural France, 1870–1914. Stanford University Press. p. 439. ISBN 978-0-8047-1013-8. Retrieved 24 April 2012.
Jump up ^ Stevens, Benjamin F. (January 1896). "Story of La Marseillaise". The Musical Record. Boston, Massachusetts: Oliver Ditson Company (408): 2. Retrieved 24 April 2012.
Jump up ^ "Plaque Frédéric De Dietrich". Archi-Wiki. Retrieved 19 September 2017.
Jump up ^ "General François Mireur". Retrieved 26 January 2015.
Jump up ^ Wochenblatt, dem Unterricht des Landvolks gewidmet, Colmar 1792 [1].
Jump up ^ Mould, Michael (2011). The Routledge Dictionary of Cultural References in Modern French. New York: Taylor & Francis. p. 147. ISBN 978-1-136-82573-6. Retrieved 23 November 2011.
Jump up ^ Modern History Sourcebook: La Marseillaise, 1792.
Jump up ^ "Archived copy". Archived from the original on 5 February 2012. Retrieved 3 February 2013.
Jump up ^ Ripley, George; Dana, Charles A., eds. (1879). "Marseillaise". The American Cyclopædia. See also Geschichte eines deutschen Liedes at German Wikisource.
Jump up ^ Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Marseillaise". New International Encyclopedia (1st ed.). New York: Dodd, Mead.
Jump up ^ "La Marseillaise, un hymne à l'histoire tourmentée" (in French). Retrieved 20 November 2015.
Jump up ^ La Marseillaise, l'Elysée.
Jump up ^ The seventh verse was not part of the original text; it was added in 1792 by an unknown author.
Jump up ^ Library of Congress
Jump up ^ William Apthorp (1879) Hector Berlioz; Selections from His Letters, and Aesthetic, Humorous, and Satirical Writings, Henry Holt, New York
Jump up ^ L.J. de Bekker (1909) Stokes' Encyclopedia of Music and Musicians, Frederick Stokes, New York
Jump up ^ "SCANDALES DU XXe SIÈCLE – Gainsbourg métisse 'La Marseillaise' " (1 September 2006) Le Monde, Paris (in French)
Jump up ^ Described and played on BBC Radio 3's CD Review program (14 January 2012)
Jump up ^ "La Marsellesa Aprista" Archived 18 October 2013 at the Wayback Machine., Partido Aprista Peruano, Official Website
Jump up ^ Boletín del Comité Central del PSCH N°34–35, April–May 1973.
Jump up ^ Cham.de Archived 28 January 1999 at Archive.is
Jump up ^ [2]
Jump up ^ Соболева, Н.А. 2005. Из истории отечественных государственных гимнов. Журнал "Отечественная история", 1. P.10-12 Archived 16 December 2008 at the Wayback Machine.
Jump up ^ Bentham, Jeremy (2001). Quinn, Michael, ed. Writings on the Poor Laws, Vol. I. Oxford: Clarendon Press. p. 136. ISBN 0199242321.
Jump up ^ Bremner, Charles (14 May 2014). "Cannes star denounces 'racist' Marseillaise at festival opening". The Times. Retrieved 14 May 2014.
Jump up ^ Riding, Alan (5 March 1992). "Aux Barricades! 'La Marseillaise' Is Besieged". The New York Times. Retrieved 14 May 2014.
Jump up ^ "Simon Schama explains La Marseillaise". BBC News. 17 November 2015. Retrieved 23 November 2015.
Further reading[edit]
Charles Hughes, "Music of the French Revolution," Science and Society, vol. 4, No. 2 (Spring 1940), pp. 193–210. In JSTOR.
External links[edit]
Wikimedia Commons has media related to La Marseillaise.
La Marseillaise de Rouget de Lisle – Official site of Élysée – Présidence de la République (in French)
La Marseillaise: hymne national Official site of Assemblée nationale (in French)
Instrumental Version of the French National Anthem
Streaming audio of the Marseillaise, with information and links
La Marseillaise – Iain Patterson's comprehensive fansite features sheet music, history, and music files. A full length six verse version of the anthem performed by David Zinman and the Baltimore Symphony Orchestra & Chorus can be found in the Berlioz page.
Adminet-France
Texts on Wikisource:
La Marseillaise
"Marseillaise, The". The Nuttall Encyclopædia. 1907.
"Marseillaise". Collier's New Encyclopedia. 1921.
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Battle of Cassano (27 Apr 1799)
First Battle of Zurich (4–7 Jun 1799)
Battle of Trebbia (19 Jun 1799)
Battle of Novi (15 Aug 1799)
Second Battle of Zurich (25–26 Sep 1799)
1800
Battle of Marengo (14 Jun 1800)
Battle of Hohenlinden (3 Dec 1800)
League of Armed Neutrality (1800–02)
1801
Treaty of Lunéville (9 Feb 1801)
Treaty of Florence (18 Mar 1801)
Algeciras Campaign (8 Jul 1801)
1802
Treaty of Amiens (25 Mar 1802)
[show]
Military leaders
French Army
Eustache Charles d'Aoust
Pierre Augereau
Alexandre de Beauharnais
Jean-Baptiste Bernadotte
Louis-Alexandre Berthier
Jean-Baptiste Bessières
Guillaume-Marie-Anne Brune
Jean François Carteaux
Jean Étienne Championnet
Chapuis de Tourville
Adam Philippe, Comte de Custine
Louis-Nicolas Davout
Louis Desaix
Jacques François Dugommier
Thomas-Alexandre Dumas
Charles François Dumouriez
Pierre Marie Barthélemy Ferino
Louis-Charles de Flers
Paul Grenier
Emmanuel de Grouchy
Jacques Maurice Hatry
Lazare Hoche
Jean-Baptiste Jourdan
François Christophe de Kellermann
Jean-Baptiste Kléber
Pierre Choderlos de Laclos
Jean Lannes
Charles Leclerc
Claude Lecourbe
François Joseph Lefebvre
Jacques MacDonald
Jean-Antoine Marbot
Jean Baptiste de Marbot
François Séverin Marceau-Desgraviers
Auguste de Marmont
André Masséna
Bon-Adrien Jeannot de Moncey
Jean Victor Marie Moreau
Édouard Mortier, duc de Trévise
Joachim Murat
Michel Ney
Pierre-Jacques Osten (fr)
Nicolas Oudinot
Catherine-Dominique de Pérignon
Jean-Charles Pichegru
Józef Poniatowski
Laurent de Gouvion Saint-Cyr
Barthélemy Louis Joseph Schérer
Jean-Mathieu-Philibert Sérurier
Joseph Souham
Jean-de-Dieu Soult
Louis-Gabriel Suchet
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French Navy
Charles-Alexandre Linois
Opposition
Austria
József Alvinczi
Archduke Charles, Duke of Teschen
Count of Clerfayt (Walloon)
Karl Aloys zu Fürstenberg
Friedrich Freiherr von Hotze (Swiss)
Friedrich Adolf, Count von Kalckreuth
Pál Kray (Hungarian)
Charles Eugene, Prince of Lambesc (French)
Maximilian Baillet de Latour (Walloon)
Karl Mack von Leiberich
Rudolf Ritter von Otto (Saxon)
Prince Josias of Saxe-Coburg-Saalfeld
Peter Vitus von Quosdanovich
Prince Heinrich XV of Reuss-Plauen
Johann Mészáros von Szoboszló (Hungarian)
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Dagobert von Wurmser
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Dutch Republic
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Frederick Louis, Prince of Hohenlohe-Ingelfingen
Russia
Alexander Korsakov
Alexander Suvorov
Spain
Luis Firmin de Carvajal
Antonio Ricardos
[show]
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Society of 1789
Jean Sylvain Bailly
Gilbert du Motier, Marquis de Lafayette
François Alexandre Frédéric, duc de la Rochefoucauld-Liancourt
Isaac René Guy le Chapelier
Honoré Gabriel Riqueti, comte de Mirabeau
Emmanuel Joseph Sieyès
Charles-Maurice de Talleyrand-Périgord
Nicolas de Condorcet
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and monarchiens
Madame de Lamballe
Madame du Barry
Louis de Breteuil
Loménie de Brienne
Charles Alexandre de Calonne
de Chateaubriand
Jean Chouan
Grace Elliott
Arnaud de La Porte
Jean-Sifrein Maury
Jacques Necker
François-Marie, marquis de Barthélemy
Guillaume-Mathieu Dumas
Antoine Barnave
Lafayette
Alexandre-Théodore-Victor, comte de Lameth
Charles Malo François Lameth
André Chénier
Jean-François Rewbell
Camille Jordan
Madame de Staël
Boissy d'Anglas
Jean-Charles Pichegru
Pierre Paul Royer-Collard
Girondists
Jacques Pierre Brissot
Roland de La Platière
Madame Roland
Father Henri Grégoire
Étienne Clavière
Marquis de Condorcet
Charlotte Corday
Marie Jean Hérault
Jean Baptiste Treilhard
Pierre Victurnien Vergniaud
Bertrand Barère de Vieuzac
Jérôme Pétion de Villeneuve
Jean Debry
Jean-Jacques Duval d'Eprémesnil
Olympe de Gouges
Jean-Baptiste Robert Lindet
Louis Marie de La Révellière-Lépeaux
The Plain
Abbé Sieyès
de Cambacérès
Charles François Lebrun
Lazare Nicolas Marguerite Carnot
Philippe Égalité
Louis Philippe I
Mirabeau
Antoine Christophe Merlin de Thionville
Jean Joseph Mounier
Pierre Samuel du Pont de Nemours
François de Neufchâteau
Montagnards
Maximilien Robespierre
Georges Danton
Jean-Paul Marat
Camille Desmoulins
Louis Antoine de Saint-Just
Paul Nicolas, vicomte de Barras
Louis Philippe I
Louis Michel le Peletier de Saint-Fargeau
Jacques-Louis David
Marquis de Sade
Jacques-Louis David
Georges Couthon
Roger Ducos
Jean-Marie Collot d'Herbois
Jean-Henri Voulland
Philippe-Antoine Merlin de Douai
Antoine Quentin Fouquier-Tinville
Philippe-François-Joseph Le Bas
Marc-Guillaume Alexis Vadier
Jean-Pierre-André Amar
Prieur de la Côte-d'Or
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Gilbert Romme
Jean Bon Saint-André
Jean-Lambert Tallien
Pierre Louis Prieur
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Antoine Christophe Saliceti
Hébertists
and Enragés
Jacques Hébert
Jacques Nicolas Billaud-Varenne
Pierre Gaspard Chaumette
Charles-Philippe Ronsin
Antoine-François Momoro
François-Nicolas Vincent
François Chabot
Jean Baptiste Noël Bouchotte
Jean-Baptiste-Joseph Gobel
François Hanriot
Jacques Roux
Stanislas-Marie Maillard
Charles-Philippe Ronsin
Jean-François Varlet
Theophile Leclerc
Claire Lacombe
Pauline Léon
Gracchus Babeuf
Sylvain Maréchal
Others
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Louis XVI
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Louis XVIII
Louis Antoine, Duke of Enghien
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Jacques-Donatien Le Ray
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Talleyrand
Thérésa Tallien
Gui-Jean-Baptiste Target
Catherine Théot
List of people associated with the French Revolution
[show]
Influential thinkers
Les Lumières
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Charles-Augustin de Coulomb
Pierre Claude François Daunou
Diderot
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Thomas Jefferson
Antoine Lavoisier
Montesquieu
Thomas Paine
Jean-Jacques Rousseau
Abbé Sieyès
Voltaire
Mary Wollstonecraft
[show]
Cultural impact
La Marseillaise
French Tricolour
Liberté, égalité, fraternité
Marianne
Bastille Day
Panthéon
French Republican Calendar
Cult of the Supreme Being
Cult of Reason
Temple of Reason
Sans-culottes
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Phrygian cap
Women in the French Revolution
Symbolism in the French Revolution
Historiography of the French Revolution
Influence of the French Revolution
Authority control
WorldCat Identities
VIAF: 130369243
LCCN: n81039802
GND: 300132956
SUDOC: 02731202X
BNF: cb119381658 (data)
BNE: XX3063403
Retrieved from "https://en.wikipedia.org/w/index.php?title=La_Marseillaise&oldid=810137957"
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mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: Guidance on how to use and edit Wikipedia

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-wikibase-otherprojects p-wikibase-otherprojects-label

values: لامارسييز – Arabic

values: লা মার্সেইয়েজ – Bangla

values: Марсельеза – Belarusian

values: Марсилеза – Bulgarian

values: Η Μασσαλιώτιδα – Greek

values: سرود ملی فرانسه – Persian

values: 프랑스의 국가 – Korean

values: Մարսելյեզ – Armenian

values: המנון צרפת – Hebrew

values: მარსელიეზა – Georgian

values: Марсельеза – Kazakh

values: «Марсельеза» – Kyrgyz

values: Марсельеза (мыры) – Western Mari

values: Марсельеза – Lezghian

values: Марсељеза – Macedonian

values: ലാ മാർസെയ്യെസ് – Malayalam

values: ラ・マルセイエーズ – Japanese

values: ਲਾ ਮਾਰਸੇਯੈਜ਼ – Punjabi

values: Марсельеза – Russian

values:
https://sl.wikipedia.org/wiki/Marsejeza
Marsejeza – Slovenian
sl
sl
interlanguage-link-target

values: Марсељеза – Serbian

values: பிரான்சு நாட்டுப்பண் – Tamil

values: ลามาร์แซแยซ – Thai

values: Марсельєза – Ukrainian

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-La_Marseillaise rootpage-La_Marseillaise vector-nav-directionality skin-vector action-view