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Fantasia 2000
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Fantasia 2000
IMAX theatrical release poster
Directed by
Don Hahn
Pixote Hunt
Hendel Butoy
Eric Goldberg
James Algar
Francis Glebas
Paul and Gaëtan Brizzi
Produced by
Roy E. Disney
Donald W. Ernst
Written by
See Credits
Starring
James Levine
Steve Martin
Itzhak Perlman
Quincy Jones
Bette Midler
James Earl Jones
Penn & Teller
Angela Lansbury
Music by
See Program
Cinematography
Tim Suhrstedt
Edited by
Jessica Ambinder-Rojas
Lois Freeman-Fox
Production
company
Walt Disney Pictures
Walt Disney Feature Animation
Distributed by
Buena Vista Pictures
Release date
December 17, 1999 (1999-12-17) (Premiere)
January 1, 2000 (2000-01-01) (IMAX)
June 16, 2000 (2000-06-16) (General)
Running time
75 minutes
Country
United States
Language
English
Budget
$80–$85 million[1][2]
Box office
$90.9 million[1]
Fantasia 2000 is a 1999 American animated film by Walt Disney Feature Animation and Walt Disney Pictures, and released by Buena Vista Pictures. Produced by Roy E. Disney and Donald W. Ernst, it is the 38th Disney animated feature film and the sequel to Fantasia (1940). Like its predecessor, Fantasia 2000 consists of animated segments set to pieces of classical music. Celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, and Angela Lansbury introduce each segment in live action scenes directed by Don Hahn.
After numerous unsuccessful attempts to develop a Fantasia sequel, The Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1984. The commercial success of the 1991 home video release of Fantasia convinced Eisner that there was enough public interest and funds for a sequel and he assigned Disney as executive producer. The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1940 original. Each new segment was produced by combining traditional animation with computer-generated imagery.
Fantasia 2000 premiered on December 17, 1999, at Carnegie Hall in New York City as part of a concert tour that also visited London, Paris, Tokyo, and Pasadena, California. The film was released in 75 IMAX theaters worldwide from January 1 to April 30, 2000, marking the first animated feature-length film to be released in the format. Its general release in traditional theaters followed on June 16, 2000. Some critics praised the film while others singled out its uneven quality. Budgeted at about $80–$85 million, the film has earned $90.8 million in gross revenue worldwide.
Contents
[hide]
1 Program
2 Production
2.1 Development
2.2 Segments
2.2.1 Symphony No. 5
2.2.2 Pines of Rome
2.2.3 Rhapsody in Blue
2.2.4 Piano Concerto No. 2
2.2.5 The Carnival of the Animals, Finale
2.2.6 Pomp and Circumstance
2.2.7 The Firebird
2.3 Music
2.4 Interstitials
3 Release and reception
3.1 Release
3.1.1 Box office
3.1.2 Soundtrack
3.1.3 Home video
3.2 Reception
3.2.1 Critical reaction
3.2.2 Accolades
4 Credits
5 References
6 External links
Program[edit]
See also: List of Disney's Fantasia characters
The film begins with the sound of an orchestra tuning and Deems Taylor's introduction from Fantasia. Panels showing various segments from Fantasia fly in outer space and form the set and stage for an orchestra. Musicians take their seats and tune up and animators draw at their desks before James Levine approaches the conductor's podium and signals the beginning of the first piece.
Symphony No. 5 (first movement) by Ludwig van Beethoven. Abstract patterns and shapes that resemble butterflies in various colorful shades, tints and hues explore a world of light and darkness whilst being pursued by a swarm of black bats. The world is ultimately conquered by light. Introduced by archival recordings by Deems Taylor.
Pines of Rome by Ottorino Respighi. A family of humpback whales are able to fly. The calf is separated from his parents and he becomes trapped in an iceberg. Eventually he finds his way out with his mother's help. The family join a larger pod of whales who fly and frolic through the clouds to emerge into outer space. Introduced by Steve Martin and Itzhak Perlman.
Rhapsody in Blue by George Gershwin. Set in New York City in the 1930s, and designed in the style of Al Hirschfeld's known caricatures of the time, the story follows four individuals, Duke, Joe, Rachel, and John, who wish for a better life. The segment ends with all four getting their wish, though their stories interact with each other's without any of them knowing.[3] Introduced by Quincy Jones with pianist Ralph Grierson.
Piano Concerto No. 2, Allegro, Opus 102 by Dmitri Shostakovich. Based on the fairy tale "The Steadfast Tin Soldier" by Hans Christian Andersen, a broken toy soldier with one leg falls in love with a toy ballerina and protects her from an evil jack-in-the-box.[4] Unlike the original story, this version has a happy ending. Introduced by Bette Midler featuring pianist Yefim Bronfman.
The Carnival of the Animals (Le Carnival des Animaux), Finale by Camille Saint-Saëns. "What would happen if you gave a yo-yo to a flock of flamingoes?" A flock of flamingoes tries to force a slapstick member, who enjoys playing with a yo-yo, to engage in the flock's "dull" routines. Introduced by James Earl Jones with animator Eric Goldberg.
The Sorcerer's Apprentice by Paul Dukas. Based on the poem "Der Zauberlehrling" by Goethe, the segment is the only one featured in both Fantasia and Fantasia 2000. It tells the story of Mickey Mouse, an apprentice of sorcerer Yen Sid who attempts some of his master's magic tricks before knowing how to control them. Introduced by Penn & Teller.
Pomp and Circumstance – Marches 1, 2, 3 and 4 by Edward Elgar. Based on the story of Noah's Ark from the Book of Genesis, Donald Duck is Noah's assistant and Daisy Duck is Donald's wife. Donald is given the task of gathering the animals to the Ark and misses, loses, and reunites with Daisy in the process. Introduced by James Levine featuring Mickey Mouse and Donald Duck.
Firebird Suite—1919 Version by Igor Stravinsky. A Sprite is awoken by her companion, an elk, and accidentally wakes the Firebird, a fiery spirit of destruction in a nearby volcano who destroys the forest and seemingly the Sprite. The Sprite survives and the elk encourages her to restore the forest to its normal state. Introduced by Angela Lansbury.
Production[edit]
Development[edit]
Fantasia is timeless. It may run 10, 20 or 30 years. It may run after I'm gone. Fantasia is an idea in itself. I can never build another Fantasia. I can improve. I can elaborate. That's all.
—Walt Disney[5]
In 1940, Walt Disney released Fantasia, his third animated feature film, consisting of eight animated segments set to pieces of classical music. Initially he planned to have the film on continual release with new segments replacing older ones so audiences would never see the same film twice. The idea was dropped following the film's initial low box office receipts and a mixed response from critics. Following preliminary work on new segments, the idea was shelved by 1942 and was not revisited for the remainder of Disney's life. In 1980, animators Wolfgang Reitherman and Mel Shaw started preliminary work on Musicana, a feature film "mixing jazz, classical music, myths, modern art ... following the old Fantasia format" that was to present "ethnic tales from around the world with the music of the various countries".[6] The project was cancelled in favor of Mickey's Christmas Carol (1983).[7]
Roy E. Disney pitched the idea to a sequel to Fantasia
The idea of a Fantasia sequel was revived shortly after Michael Eisner became chief executive officer of The Walt Disney Company in 1984 when Walt's nephew, vice chairman Roy E. Disney, suggested it to him at a lunch,[8] something that first entered his mind ten years earlier.[9] Disney recalled his reaction: "It was as if a big light bulb went on over his head. The idea was enticing, but we didn't have the resources to carry it out".[10] Walt Disney Studios chairman Jeffrey Katzenberg showed a lack of interest in the film.[11] He had once asked André Previn to work on a Fantasia film but Previn declined after he learned it was to feature songs by the Beatles rather than classical music.[12] Eisner approached Leonard Bernstein with the same idea, but while he seemed enthusiastic, Bernstein died before production began.[13] It took a further seven years before the film was considered, after the 1990 reissue of Fantasia grossed $25 million domestically[14] and its 1991 home video release prompted 9.25 million pre-orders.[15] Disney saw its commercial success as a sign that there was enough public interest in the Fantasia franchise to make a sequel. Eisner finally gave the green-light to the film in 1991 and agreed to have Disney serve as executive producer on the basis that its production was funded by the proceeds from the video sales.[11][16] Disney assigned Donald W. Ernst as producer[16] and Hendel Butoy as supervisory director having liked his work with The Rescuers Down Under (1990).[17]
During the search for a suitable conductor, Disney and Walt Disney Feature Animation president Thomas Schumacher invited Metropolitan Opera conductor James Levine and manager Peter Gelb to a meeting in September 1991.[18] Disney recalled: "I asked James what his thought was on a three minute version of Beethoven's fifth symphony. He paused and went 'I think the right three minutes would be beautiful'".[19] In November 1992, Disney, Schumacher, Levine, Gelb, and Butoy met in Vienna to discuss a collection of story reels developed, one of them being Pines of Rome, which Levine took an immediate liking to. Butoy described Levine's enthusiasm toward the film as "like a kid in a candy store".[19] Because Katzenberg continued to express some hostility towards the film, Disney held development meetings without him and reported directly to Eisner instead, something that author James B. Stewart wrote "would have been unthinkable on any other future animation project."[11]
Production began under the working title of Fantasia Continued with a release in 1997.[8] The title changed to Fantasia 1999 followed by Fantasia 2000 to coincide with its theatrical release in 2000. Disney formed its initial running order with half of the Fantasia program and only "three or four new numbers"[20] with the aim of releasing a "semi-new movie".[21] Realizing the idea would not work, he kept three Fantasia segments—The Sorcerer's Apprentice, The Nutcracker Suite, and Dance of the Hours—in the program for "quite a while".[22] In the end, Dance of the Hours was dropped and The Nutcracker Suite was replaced by Rhapsody in Blue during the last few months of production following the response from numerous test screenings.[23] Disney kept The Sorcerer's Apprentice in the final program as a homage to Fantasia.[24] The segment underwent digital restoration by Cinesite in Los Angeles.[25] Disney considered using Clair de Lune, a piece originally made for Fantasia that followed two Great white herons flying through the Everglades at night, but thought it was "pretty boring".[23] An idea to have "a nightmare and a dream struggling for a sleeping child's soul" to Rhapsody on a Theme of Paganini by Sergei Rachmaninoff was fully storyboarded, but fell through.[2]
Segments[edit]
Symphony No. 5[edit]
Symphony No. 5 is an abstract segment created by Pixote Hunt with story development by Kelvin Yasuda. In December 1997, after rejecting pitches from four other animators, Disney and Ernst asked Hunt for his ideas.[26] Hunt first thought of the story on a morning walk in Pasadena, California, one depicting a battle of "good" multi-colored shapes against "evil" dark ones and how the conflict resolves itself.[27] It took Hunt approximately two years, from start to finish, to complete the segment. Disney and Ernst decided to go with Hunt's idea; Hunt avoided producing an entirely abstract work because "you can get something abstract on every computer screen" with ease.[28] Hunt divided the segment into 31 mini-scenes, noting down points in which he would employ vivid color when the music was bright and fluid, and then switch to darker hues when the music felt darker and denser.[29] To gain inspiration in how the shapes would move, Hunt and his associates visited San Diego Zoo, a butterfly farm, and observed slow motion footage of bats.[30] The segment combines hand drawn backgrounds using pastels and paint that were scanned into the Computer Animation Production System (CAPS), and computer-generated imagery (CGI) of abstract shapes and effects, which were layered on top.[31] Hunt explained that scanning each drawing "was a one-shot deal" as the platen that pressed onto it would alter the pastel once it had been scanned.[32] At one point during production, Hunt and Yasuda completed 68 pastel drawings in eight days.[29] The segment was produced using Houdini animation software.[25]
Pines of Rome[edit]
Pines of Rome was the first piece Disney suggested for the film, as well as the first to be animated; designs appeared in the studio's dailies as early as October 1993.[33] Butoy served as director with James Fujii handling the story.[17] The opening to the piece gave Disney the idea of "something flying".[34] Butoy sketched the sequence on yellow Post-it notes.[35] The story originally involved the whales flying around from the perspective of a group of penguins, but the idea was scrapped to make the baby whale a central character. The whales were also set to return to Earth but Butoy said it "never felt quite right", leading to the decision to have them break through a cloud ceiling and enter a different world by the supernova.[36] Butoy created a "musical intensity chart" for the animators to follow which "tracked the ups and downs of the music ... as the music brightens so does the color", and vice versa.[37] He explained that because CGI was in its infancy during development, the first third of the segment was hand drawn using pencil to get a feel of how the whales would move. When the drawings were scanned into the CAPS system, Butoy found the whales were either moving too fast or had less weight to them. The drawings were altered to make the whales slow down and "more believable".[38] The eyes of the whales were drawn by hand, as the desired looks and glances were not fully achievable using CGI.[39] Butoy recalled the challenge of having the water appear and move as naturally as possible; the team decided to write computer code from scratch as traditional animation would have been too time consuming and would have produced undesired results.[40] The code handling the pod of whales was written so the whales would move away if they were to collide and not bump into, overlap, or go through each other. The same technique was used for the stampede scene in The Lion King (1994), which was produced at the same time.[41]
Eric Goldberg directed the Rhapsody in Blue and The Carnival of the Animals, Finale segments
Rhapsody in Blue[edit]
Rhapsody in Blue is the first Fantasia segment with music from an American composer. It originated in 1992 when director and animator Eric Goldberg approached Al Hirschfeld about the idea of an animated short set to Gershwin's composition in the style of Hirschfeld's illustrations. Hirschfeld agreed to serve as artistic consultant and allowed the animators to use and adapt his previous works for the segment.[42] Goldberg's wife Susan was art director. Duke is named after jazz artist Duke Ellington.[43] The bottom of his toothpaste tube reads "NINA", an Easter egg referencing Hirschfeld's newborn daughter Nina.[44] Rachel was designed after the Goldbergs' daughter[45] and John is based on animation historian and author John Culhane and Hirschfeld's caricature of Alexander Woollcott.[45][46][47] Goldberg took Hirschfeld's original illustration of Gershwin and animated it to make him play the piano.[45] Featured in the crowd emerging from the hotel are depictions of Brooks Atkinson and Hirschfeld, along with his wife Dolly Haas.[48] The segment was completed two months ahead of schedule.[45] Despite this, the sequence was so chromatically complex that the rendering process using the CAPS system delayed work on Tarzan.[25]
Piano Concerto No. 2[edit]
Piano Concerto No. 2 was directed by Butoy with art director Michael Humphries. It originated in the 1930s when Walt Disney wished to adapt a collection of Hans Christian Andersen fairy tales into an animated film. The artists completed a series of preliminary designs based on the stories, including ones for The Steadfast Tin Soldier from 1938 by Bianca Majolie[49] that were stored in the studio's animation research library and used for a 1991 Disney book that retold the story accompanied with the storyboard sketches. When Disney suggested using the Shostakovich piece, Butoy flipped through the book and found the story's structure fit to the music.[50] When Humphries saw the sketches he designed the segment with works by Caravaggio and Rembrandt in mind to give the segment a "timeless" feel, while keeping the colors "as romantic as possible" during the scenes when the soldier and ballerina are first getting acquainted.[51][52] Live action footage of a real ballerina was used as a guide for the toy ballerina's movements.[53] Butoy found the Jack-in-a-box a difficult character to design and animate with its spring base and how he moved with the box. His appearance went through numerous changes, partly due to the lack of reference material available to the team.[54]
The segment marked the first time the Disney studio created a film's main characters entirely from CGI;[25] only backgrounds, secondary, or tertiary characters had been produced using CGI beforehand.[55] Initially Butoy asked Pixar to handle the computer graphics, but CGI artist Steve Goldberg convinced him to let Disney's own team produce it.[25] The backgrounds were completed by hand. Originally the drain sequence included friendly rats who performed comical gags, but the team found it did not fit the mood of the rest of the segment. The drains became a more scary environment, something that Butoy said was "what the music was telling us to do".[56] Rain animation from Bambi (1942) was scanned into the CAPS system and digitally altered to fit into the segment.[25] The ending was to feature the original ending with the soldier and ballerina melting in the fire, but the music was too upbeat to animate it and was changed.[57] An excerpt of the segment was shown at the 1998 SIGGRAPH conference.[25]
The Carnival of the Animals, Finale[edit]
The Carnival of the Animals, Finale was directed by Goldberg; his wife Susan was its art director. The idea originated from animator Joe Grant, one of the two story directors on Fantasia who loved the ostriches in Dance of the Hours. When development for Fantasia 2000 began, Grant suggested the idea of having one of the ostriches play with a yo-yo to the last movement of The Carnival of the Animals. The ostriches were later changed to flamingos as Disney wished to avoid reintroducing characters from the original film and thought flamingos would look more colorful on the screen.[58] Goldberg was partly inspired by co-director Mike Gabriel, who would play with a yo-yo as he took a break from working on Pocahontas (1995).[59] The segment was produced with CGI and 6,000 watercolor paintings on heavy bond paper.[60]
Pomp and Circumstance[edit]
Eisner suggested Pomp and Circumstance as a piece after he attended a graduation and thought its familiarity would be suitable for a Fantasia segment.[61] His idea involved a selection of Disney villains and heroes in a wedding procession carrying their future children who would then be presented in a ceremony. The animators' preliminary designs depicted a Greco-Roman setting; one of the staff members described the artwork as "an appalling abuse" of the characters. Eisner agreed to drop the story, but insisted that the music be used.[62] After numerous ideas were scrapped due to the difficulty in writing a clear plot,[63] animator and director Francis Glebas came up with the Noah's Ark idea that he titled Donald's Last Roundup![64] and pitched it thinking it was "laden with comic possibilities".[65]
The Firebird[edit]
To close the film, Disney wanted a piece that was "emotionally equivalent" to the Night on Bald Mountain and Ave Maria segments that closed Fantasia.[66] Disney chose The Firebird as the piece to use after "half a dozen" others were scrapped, including Symphony No. 9 by Beethoven and the "Hallelujah Chorus" from Messiah by Handel.[21] Disney thought of the idea of the Earth's destruction and renewal after passing Mount St. Helens following its eruption in 1980.[67] French twins Paul and Gaëtan Brizzi from Disney's Paris studio were hired to direct the segment.[25] The Sprite is a Dryad-like creature from Greek mythology.[68] Her form changes six times; she is introduced as a Water Sprite who plants flowers as a Flower Sprite. She becomes a Neutral Sprite where her growth trail stops and an Ash Sprite when the forest has been destroyed. The segment ends with her as a Rain-Wave Sprite, followed by the Grass Sprite. The segment originally ended with the Sprite in the form of a flowing river that rises up into the sky and transforms into a Sun Sprite, but this was abandoned.[69] The antlers on the elk were produced with CGI and placed on top of its body that was drawn traditionally. The segment was produced using Houdini animation software.[25]
Music[edit]
The music to The Sorcerer's Apprentice was recorded on January 9, 1938 at Culver Studios, California with Leopold Stokowski conducting a group of session musicians. The recording of Rhapsody in Blue used in the film is an edited version of Ferde Grofé's orchestration of the piece performed by the Philharmonia Orchestra with conductor Bruce Broughton. The shortened version was made by cutting 125 bars of piano solo in three different places.[70] A recording of James Levine conducting both pieces with the Philharmonia appears on the film's soundtrack.[71]
The remaining six pieces were recorded at the Medinah Temple in Chicago, performed by the Chicago Symphony Orchestra conducted by Levine.[72] Pines of Rome was re-arranged in 1993 by Bruce Coughlin, who reduced the four-movement piece by cutting the second movement and trimming sections of the third and fourth movements. The piece was recorded on March 28, 1994.[73] The second recording involved Symphony No. 5, Carnival of the Animals, and Pomp and Circumstance, on April 25, 1994.[73] Carnival of the Animals, Finale uses two pianos played by Gail Niwa and Philip Sabransky. Pomp and Circumstance was arranged by Peter Schickele[74] and features the Chicago Symphony Chorus and soprano soloist Kathleen Battle. The next recording took place on April 24, 1995 for Piano Concerto No. 2 with pianist Yefim Bronfman.[73] On September 28, 1996, The Firebird was the final piece to be recorded; its session lasted for three hours.[73] The piece was arranged using four sections from Stravinsky's 1919 revision of the score.
Interstitials[edit]
Disney felt the need to keep interstitials (bridges) as used in Fantasia to give the viewer a chance to "cleanse their emotional palate" from the previous segment while providing some information about the next one.[75] Don Hahn directed the live action scenes which were designed by Pixote Hunt.[76] Hahn came up with the set and backgrounds while eating lunch; he proceeded to sketch a rough idea of what he imagined on a napkin. He "wanted to show images on shapes like big sails of a clipper ship. They fly in on the wind and form a sort of Stonehenge concert hall in the middle of a vast, empty, imaginary plain".[77]
Hahn recalled some difficulty in finding someone to host the film, so the studio decided to use a group of artists and musicians from various fields of entertainment.[78] The interstitials were filmed in various locations; the orchestra, Jones, Lansbury, and Bronfman[79] were shot in Los Angeles, Perlman and Middler in New York City, and others in Boston, Massachusetts.[80] Each scene was filmed in front of a green screen to allow shots of the orchestra or the set to be placed behind them.[81] The shots of Levine, the artists, and the orchestra were filmed on October 31, 1998.[82] The piano Grierson plays in his scene with Jones is the same one on which he played Rhapsody in Blue for the soundtrack.[83]
Release and reception[edit]
Release[edit]
Carnegie Hall, where Fantasia 2000 had its premiere.
Fantasia 2000 was officially announced on February 9, 1999 during a Disney presentation at the New Amsterdam Theater in New York City which featured a screening of The Carnival of the Animals.[84][85] The film premiered at Carnegie Hall in New York City on December 17, 1999 for three nights as part of a five city concert tour.[86] The animation was presented on a screen above the stage while Levine conducted the Philharmonia Orchestra[87] with a video auto-cue to time the music to the images.[88] Performances followed at the Royal Albert Hall in London on December 21; the Théâtre des Champs-Élysées in Paris on December 22; the Orchard Hall in Tokyo on December 27; and the Pasadena Civic Auditorium in Pasadena, California on December 31,[89] where Derrick Inouye conducted as part of a black tie $2,000-per-head New Year's Eve event.[90] Each of the seven performances cost over $1 million.[91]
Box office[edit]
Fantasia 2000 first opened in IMAX theatres for a four-month run from January 1 to April 30, 2000, becoming the first animated feature-length film shown in the format.[86][92] A temporary 622-seat theatre costing almost $4 million was built in four weeks for its Los Angeles run as Disney was unable to reach an agreement to show the film exclusively at the city's sole IMAX theatre at the California Science Center.[60][93] After opening at 75 theaters worldwide, the film grossed over $2.2 million in 54 cinemas in North America in its opening weekend, averaging $41,481 per theater,[94] and $842,000 from 21 screens in 14 markets.[95] It set new records for the highest gross for any IMAX engagement and surpassed the highest weekly total for any previously released IMAX film.[96] Its three-day worldwide gross surpassed $3.8 million, setting further records at 18 venues worldwide.[97] Fantasia 2000 grossed a worldwide total of $21.1 million in 30 days,[98] and $64.5 million at the end of its IMAX run.[99]
Following its release in 1,313 regular theatres in the United States on June 16, 2000, the film grossed an additional $2.8 million in its opening weekend that ranked eleventh at the box office. This followed nearly half a year of release in the IMAX format, possibly blunting the amount earned in the weekends of wide release.[100] Fantasia 2000 has earned a total worldwide gross of over $90.8 million since its release, with $60.7 million of that total from the U.S. market, and the rest through foreign box office sales.[1] The film had cost around $90 million and was viewed by Eisner as Roy Disney's "folly".[91]
Soundtrack[edit]
Fantasia 2000
Soundtrack album by the Chicago Symphony Orchestra and the Philharmonia Orchestra
Released
November 30, 1999 (1999-11-30)
Length
59:59
Label
Walt Disney
Producer
Jay David Saks
Walt Disney Animation Studios chronology
Tarzan
(1999)Tarzan1999 Fantasia 2000
(1999) Dinosaur
(2000)Dinosaur2000
Walt Disney Records released 60,000 copies of a limited edition of the film's soundtrack on November 30, 1999 in the United States and internationally under the Sony Classical label.[101] With a running time of 60 minutes, the album features Levine conducting the Philharmonia Orchestra on Rhapsody in Blue and The Sorcerer's Apprentice at AIR Studios in London, and the Chicago Symphony Orchestra for the remaining six tracks using the recordings from the Medinah Temple.[71] The soundtrack went on to reach the number one spot on the Billboard Top Classical Albums chart in July 2000.[102] A Fantasia 2000 Deluxe Read-Along cassette and CD followed which contains two tracks telling the stories of Pomp and Circumstance and The Sorcerer's Apprentice, with narration by Pat Carroll. Included in the set is a 44-page book containing some of the film's artwork.[103]
Track listing
No.
Title
Length
1. "Symphony No. 5" 2:51
2. "Pines of Rome" 10:18
3. "Rhapsody in Blue" 12:32
4. "Piano Concerto No. 2, Allegro, Opus 102" 7:22
5. "Carnival of the Animals (Le Carnaval des Animaux), Finale" 1:54
6. "The Sorcerer's Apprentice" 9:33
7. "Pomp and Circumstance, Marches #1, 2, 3, & 4" 6:18
8. "Firebird Suite—1919 Version" 9:11
Home video[edit]
Fantasia 2000 was first released on VHS and DVD on November 14, 2000,[104] with both featuring a specially made introduction in which Roy gives a history of key Disney productions and what innovations they brought. While it was available as a single-disc DVD, a three-disc set titled The Fantasia Anthology was released, including a digital copy of the film, a restored print of Fantasia to commemorate its 60th anniversary, and a third disc containing bonus features.[105] On November 30, 2010, the film was issued for DVD and Blu-ray in a single and two-disc set with Fantasia and a four-disc DVD and Blu-ray combo pack. The Blu-ray transfer presents the film in 1080p high-definition video with DTS-HD Master Audio 7.1 surround sound.[106] The film has been withdrawn from release after its return to the "Disney Vault" moratorium on April 30, 2011.[107] In January 2015, the film became available on Netflix.
Reception[edit]
Critical reaction[edit]
Fantasia 2000 holds a "Certified Fresh" rating of 82% on Rotten Tomatoes. Its consensus reads: "It provides an entertaining experience for adults and children alike".[108] On Metacritic, the film has a metascore of 59/100. Entertainment Weekly gave a "B-" rating; its reviewer, Bruce Fretts, called Symphony No. 5 "maddeningly abstract", Piano Concerto No. 2 "charmingly traditional", and thought Rhapsody in Blue fit well to the music, but Pomp and Circumstance "inexplicably inspires biblical kitsch". The review ends with a criticism of the inadequate quality of The Sorcerer's Apprentice on the IMAX screen.[109] For Variety magazine, Todd McCarthy pointed out that while the original felt too long and formal, its "enjoyable follow-up is, at 75 minutes, simply too breezy and lightweight". He summarized the film "like a light buffet of tasty morsels rather than a full and satisfying meal".[110]
In his December 1999 review for the Chicago Sun-Times, Roger Ebert gave the film a rating of three stars out of four. He described some of the animation, such as Firebird Suite, his favorite segment, as "powerful" though others, like the dance of the abstract triangles in Symphony No. 5, "a little pedestrian". He admired Rhapsody in Blue and its interlocking stories, pointing out its style was reminiscent of the Madeline picture books by Ludwig Bemelmans. He thought Pines of Rome presented itself well in the IMAX format and found the Piano Concerto No. 2 played "wonderfully as a self-contained film". He found The Sorcerer's Apprentice to be "not as visually sharp as the rest of the film". He nonetheless described the film on the whole as "splendid entertainment".[4] Film critic Stephen Holden of The New York Times wrote that the film "often has the feel of a giant corporate promotion whose stars are there simply to hawk the company's wares" while noting the film "is not especially innovative in its look or subject matter."[91] Firebird Suite was his favorite segment which left "a lasting impression of the beauty, terror, and unpredictability of the natural world". He found The Sorcerer's Apprentice fit well with the rest of the film and the battle in Symphony No. 5 too abbreviated to amount to much.[3] He found the segment with the whales failed in that the images "quickly become redundant".[3] He found Rhapsody in Blue to be the second-best in the film with its witty, hyper kinetic evocation of the melting pot with sharply defined characters. He found the segment with the flamingos cute and the one with the tin soldier to be romantic.[3] James Berardinelli found the film to be of uneven quality. He felt Symphony No. 5 was "dull and uninspired", the yo-yoing flamingos "wasteful", and the New York City-based story of Rhapsody in Blue interesting but out of place in this particular movie. He found the story of the tin soldier to successfully mix its music with "top-notch animation" and "an emotionally rewarding story". He felt the Firebird section was "visually ingenious", and Pomp and Circumstance the most light-hearted episode and the one with the most appeal to children, in an otherwise adult-oriented film. To him The Sorcerer's Apprentice was an enduring classic.[68]
David Parkinson of British film magazine Empire rates the film three stars out of five, calling it a "curate egg, with moments of hilarity and beauty alternating with the pompous and the banal". Moments of Symphony No. 5 and The Firebird he thought lacked the "abstract grace" from Toccata and Fugue from the original, and Pines of Rome was "even less successful" due to the computer imagery which affected its quality. He claims Rhapsody in Blue is "guilty of some dubious racial and sexual caricaturing", but hailed the film's IMAX presentation as "a breathtaking spectacle". He summarized the film as "slightly more successful" than Fantasia, more child friendly, and a "mixed bag of delights".[111] Richard Corliss of Time magazine wrote a positive review of the film, citing Pines of Rome as "a superb, uplifting flight of the spirit" and Piano Concerto No. 2 "a gorgeous blend of traditional and computer animation". He drew a comparison to The Firebird with the 1997 Japanese animated film Princess Mononoke.[2] Brian Sibley wrote a mostly negative review in Sight & Sound, a monthly magazine published by the British Film Institute, in June 2000. He pointed out that though the film includes moments of comedy and pastoral, "the themes running through the old 'Fantasia' – the struggle between light and dark, the war between chaos and order, the ultimate triumph of goodness – find only a pale equivalent in this new version". He compared the film's orchestra set to scenes from A Matter of Life and Death (1946) and thought the CGI in Symphony No. 5 lacked the technical qualities of Toy Story. Sibley argued the film lacked an even quality, highlighting Pines of Rome with its "breathtaking" opening before "its magic has been overtaken by chronic boredom" when the baby whale reunites with his parents. Pomp and Circumstance, he thought, contained "shamefully sloppy animation" but is saved by Donald's comical gags, but pointed out Rhapsody in Blue, with its "strong lines and vivid, flat colours that are fashionably retro", and the "classic Disneyesque ... exquisite beauty and raw natural violence" in Firebird Suite, as the film's most successful segments as they "ironically, hark back to older times".[112]
Accolades [edit]
Award
Category
Name
Outcome
28th Annie Awards[113] Outstanding Achievement in An Animated Theatrical Feature Walt Disney Pictures Nominated
Outstanding Individual Achievement for Character Animation Eric Goldberg Won
Outstanding Individual Achievement for Production Design In an Animated Feature Production Susan McKinsey Goldberg Won
Outstanding Individual Achievement for Production Design In an Animated Feature Production Paul Brizzi, Gaetan Brizzi and Carl Jones Nominated
Individual Achievement in Storyboarding Ted C. Kierscey Won
43rd Grammy Awards[114] Compilation Soundtrack Album for a Motion Picture, Television or other Visual Media James Levine and the Chicago Symphony Orchestra Nominated
12th PGA Golden Laurel Awards[citation needed] Vision Award for Theatrical Motion Pictures Won
1st Phoenix Film Critics Society Awards[115] Best Animated Film Nominated
Best Family Film Nominated
Credits[edit]
Note: All segments performed by the Chicago Symphony Orchestra with conductor James Levine, except where noted.
Segment
Personnel
Live-action scenes
[show]
Director: Don Hahn
Art director: Pixote Hunt
Story: Kirk Hanson
Screenplay: Don Hahn, Irene Mecchi and David Reynolds
James Levine
Chicago Symphony Orchestra
Symphony No. 5 in C minor, I. Allegro con brio
[show]
Musical score: Symphony No. 5 in C minor, I. Allegro con brio by Ludwig van Beethoven
Segment introduction: Deems Taylor (archival footage)
Director: Pixote Hunt
Violinist: Itzhak Perlman
Design: Pixote Hunt
Kevin Yasuda – story
Pines of Rome
[show]
Musical score: Pines of Rome by Ottorino Respighi
Segment introduction: Steve Martin and Itzhak Perlman
Director: Hendel Butoy
Story: James Fujii
Art direction: William Perkins and Dean Gordon
Rhapsody in Blue
[show]
Musical score: Rhapsody in Blue by George Gershwin
Segment introduction: Quincy Jones and Ralph Grierson
Director: Eric Goldberg
Writer: Eric Goldberg
Animator: Eric Goldberg
Art direction: Susan McKinsey Goldberg
Design consultant: Al Hirschfeld
Featured pianist: Ralph Grierson
Conductor: Bruce Broughton
Piano Concerto No. 2 in F Major, Allegro, Op. 102
[show]
Musical score: Piano Concerto No. 2 in F Major, Allegro, Op. 102 by Dmitri Shostakovich
Segment introduction: Bette Midler and Yefim Bronfman
Director: Hendel Butoy
Story development: James Capobianco and Ron Meurin
Art direction: Michael Humphries
Featured pianist: Yefim Bronfman
Based on the story "The Steadfast Tin Soldier" by Hans Christian Andersen
The Carnival of the Animals (Le Carnival des Animaux), Finale
[show]
Musical score: The Carnival of the Animals (La Carnival des Animaux), Finale by Camille Saint-Saëns, arranged by Peter Schickele
Segment introduction: James Earl Jones and Eric Goldberg
Director: Eric Goldberg
Writer: Eric Goldberg
Animator: Eric Goldberg
Art direction: Susan McKinsey Goldberg
The Sorcerer's Apprentice
[show]
Musical score: The Sorcerer's Apprentice by Paul Dukas
Performed by an orchestra of Los Angeles musicians, conducted by Leopold Stokowski
Segment introduction: Penn & Teller
Director: James Algar
Story development: Perce Pearce and Carl Fallberg
Art direction: Tom Codrick, Charles Phillipi and Zack Schwartz
Background painting: Claude Coats, Stan Spohn, Albert Dempster and Eric Hansen
Animation supervisors: Fred Moore and Vladimir Tytla
Animators: Les Clark, Riley Thompson, Marvin Woodward, Preston Blair
Edward Love, Ugo D'Orsi, George Rowley and Cornett Wood
Pomp and Circumstance – Marches 1, 2, 3 and 4
[show]
Musical score: Pomp and Circumstance – Marches 1, 2, 3 and 4 by Edward Elgar, arranged by Peter Schickele
Segment introduction: James Levine, Mickey Mouse (voiced by Wayne Allwine), Leopold Stokowski (archive footage), Donald Duck (voiced by Tony Anselmo) and Daisy Duck (provided by Russi Taylor)
Director: Francis Glebas
Art direction: Daniel Cooper
Story development: Robert Gibbs, Terry Naughton, Todd Kurosawa, Pat Ventura, Don Dougherty and Stevie Wermers
Character animator: Andreas Deja (Mickey Mouse)
Lead character animator: Tim Allen (Donald Duck and Daisy Duck)
Soprano: Kathleen Battle
Based on the story "Noah's Ark" from the Book of Genesis
Firebird Suite – 1919 Version
[show]
Musical score: The Firebird (1919 Version) by Igor Stravinsky
Segment introduction: Angela Lansbury
Director: Paul and Gaëtan Brizzi
Writer: Paul and Gaëtan Brizzi
Art direction: Carl Jones
Lead character animators: Anthony DeRosa (Spring Sprite), Ron Husband (Elk), John Pomeroy (Firebird)
References[edit]
Citations
^ Jump up to: a b c "Fantasia 2000 (35mm & IMAX)". Box Office Mojo. Retrieved May 5, 2011.
^ Jump up to: a b c Corliss, Richard (December 5, 1999). "Disney's Fantastic Voyage". Time. Retrieved August 9, 2015.
^ Jump up to: a b c d Holden 2001, pp. 212–213.
^ Jump up to: a b "Fantasia/2000". RogerEbert.com. December 31, 1999. Retrieved May 5, 2011.
Jump up ^ Solomon, Charles (August 26, 1990). "Fantastic 'Fantasia'". Los Angeles Times. Retrieved May 5, 2011.
Jump up ^ Warga, Wayne (October 26, 1980). "Disney Films: Chasing the Changing Times". Los Angeles Times.
Jump up ^ Solomon 1995
^ Jump up to: a b Taylor, Cathy (October 22, 1994). "Disney Waves Magic Wand And Sequel Comes To Life After 54 Years". Orlando Sentinel. Archived from the original on September 11, 2016. Retrieved July 31, 2015.
Jump up ^ Brennan, Judy (August 19, 1997). "Coming, Sooner or Later". Los Angeles Times. Archived from the original on September 10, 2016. Retrieved May 6, 2011.
Jump up ^ Culhane 1999, p. 10.
^ Jump up to: a b c Stewart 2006, p. 106.
Jump up ^ Previn 1991
Jump up ^ Stewart 2006, p. 288.
Jump up ^ "Fantasia (Re-issue) (1990)". Box Office Mojo. Retrieved July 31, 2015.
Jump up ^ Christiansen, Richard (October 31, 1991). "'Fantasia' A Hit With Video Audience". Chicago Tribune. Archived from the original on September 10, 2016. Retrieved January 21, 2011.
^ Jump up to: a b Culhane 1999, p. 11.
^ Jump up to: a b Culhane 1999, p. 12.
Jump up ^ Culhane 1999, p. 8.
^ Jump up to: a b Culhane 1999, p. 176.
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^ Jump up to: a b Ebert, Roger (December 29, 1999). "Walt's nephew leads new Disney 'Fantasia'". RogerEbert.com. Retrieved July 31, 2015.
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 30:55–31:05
^ Jump up to: a b Kaufman, J.B. (October 1999). "A New Life for Fantasia". Animation World Magazine, Issue 4.7. Retrieved July 31, 2015.
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^ Jump up to: a b c d e f g h i Robertson, Barbara (January 2000). "Fantasia 2000". Computer Graphics World. 23. Archived from the original on September 11, 2016. Retrieved July 31, 2015.
Jump up ^ Culhane 1999, pp. 22–23.
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^ Jump up to: a b Culhane 1999, p. 29.
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Jump up ^ Supplemental Features: Creating Pines of Rome at 2:52–3:49
Jump up ^ Segment Directors Audio Commentary at 9:51–10:17
Jump up ^ Segment Directors Audio Commentary at 10:32–11:59
Jump up ^ Supplemental Features: Creating Pines of Rome at 2:30–2:51
Jump up ^ Segment Directors Audio Commentary at 12:27–13:30
Jump up ^ Segment Directors Audio Commentary at 14:56–15:19
Jump up ^ Culhane 1999, p. 58.
Jump up ^ Segment Directors Audio Commentary at 17:52–17:59
Jump up ^ Segment Directors Audio Commentary at 17:59–18:36
^ Jump up to: a b c d Solomon, Charles (December 1999). "Rhapsody in Blue: Fantasia 2000's Jewel in the Crown". Animation World Magazine. Retrieved March 25, 2013.
Jump up ^ Milligan, Mercedes (August 4, 2015). "Disney Animation Historian John Culhane Dies". Animation Magazine. Archived from the original on September 11, 2016. Retrieved March 29, 2016.
Jump up ^ Segment Directors Audio Commentary at 25:08–25:39
Jump up ^ Supplemental Features: Rhapsody in Blue: Inspirations from Hirschfeld
Jump up ^ Supplemental Features: 1938 Storyboards by Bianca Majolie
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 24:54–26:27
Jump up ^ Segment Directors Audio Commentary at 31:46–31:55
Jump up ^ Segment Directors Audio Commentary at 30:32–31:07
Jump up ^ Segment Directors Audio Commentary at 31:13–31:27
Jump up ^ Segment Directors Audio Commentary at 32:29–32:51
Jump up ^ Supplemental Features: Creating Piano Concerto No. 2 at 00:06–00:30
Jump up ^ Supplemental Features: Creating Piano Concerto No. 2 at 02:57–03:38
Jump up ^ Supplemental Features: Creating Piano Concerto No. 2 at 03:48–04:27
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 28:28–29:24
Jump up ^ Supplemental Features: Creating "Carnival of the Animals (Le Carnival des Animaux) Finale at xx:xx–xx:xx
^ Jump up to: a b Noxon, Christopher (December 30, 1999). "The 'Sorcerer's' Apprentices". Los Angeles Times. Retrieved May 6, 2011.
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Jump up ^ Stewart 2006, p. 289.
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 33:33–33:48
Jump up ^ Supplemental Features: Pomp and Circumstance: Creating Pomp and Circumstance at xx:xx–xx:xx
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 00:55–01:19
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 36:27–36:43
Jump up ^ Bonus Material: The Making of Fantasia 2000 at 36:44–37:18
^ Jump up to: a b Berardinelli 2005, pp. 55–56.
Jump up ^ Supplemental Features: Firebird Suite–1919 Version: Character Designs: Sprite
Jump up ^ Banagale 2014, p. 153.
^ Jump up to: a b "Fantasia 2000". Soundtrack.net. Retrieved July 25, 2015.
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^ Jump up to: a b c d Culhane 1999, p. 177.
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Jump up ^ Bonus Material: The Making of Fantasia 2000 at 39:15–39:42
Jump up ^ Culhane 1999, p. 15.
Jump up ^ Culhane 1999, p. 14.
Jump up ^ Segment Directors Audio Commentary at 5:08–5:22
Jump up ^ Segment Directors Audio Commentary at 29:38–29:50
Jump up ^ Supplemental Features: The Interstitials: Creating the Interstitials at 02:19–03:36
Jump up ^ Culhane 1999, p. 17.
Jump up ^ Culhane 1999, p. 16.
Jump up ^ Segment Directors Audio Commentary at 16:06–16:24
Jump up ^ Frankel, Daniel (February 10, 1999). "Disney's "Fantasia 2000" going Imax". E! Online. Archived from the original on January 23, 2013. Retrieved May 16, 2011.
Jump up ^ Roman, Monica (February 9, 1999). "Disney, Imax set 'Fantasia 2000'". Variety. Retrieved August 9, 2015.
^ Jump up to: a b Matthews, Jack (December 17, 1999). "'Fantasia 2000' grows to IMAX height". New York Daily News. Retrieved February 12, 2011.
Jump up ^ Liberman, Paul (December 20, 1999). "Disney Unwraps 'Fantasia' Sequel, After a Long Spell". Los Angeles Times. Retrieved May 6, 2011.
Jump up ^ Cowan, Rob (December 23, 1999). "Return of the Sorcerer's Apprentice". The Independent. London. Retrieved May 7, 2011.
Jump up ^ Disney Magazine, Fall 1999 Collector's Issue.
Jump up ^ Dutka, Elaine (January 3, 2000). "'Fantasia/2000' New Year's Eve Gala Draws an Artistic Crowd". Los Angeles Times. Retrieved May 7, 2011.
^ Jump up to: a b c Stewart 2006, p. 346–347.
Jump up ^ Zager, Michael (2012). Music Production: For Producers, Composers, Arrangers, and Students.
Jump up ^ Noxon, Christopher (December 7, 1999). "L.A. Imax Says No, So Disney Builds Its Own Huge Screen". Los Angeles Times.
Jump up ^ "News Beat – 'Fantasia' B.O. fantastic". New York Daily News. January 5, 2000. Retrieved May 5, 2011.
Jump up ^ "Weekend Box Office". Box Office Mojo. January 3, 2000. Retrieved August 3, 2017.
Jump up ^ "'Fantasia/2000' smashes house records at IMAX theaters worldwide in its opening weekend". Business Wire. January 3, 2000. Retrieved May 16, 2011.
Jump up ^ "'Fantasia/2000' orchestrates nearly $4 million in just three days at 75 IMAX theaters worldwide". Business Wire. January 4, 2000. Retrieved May 16, 2011.
Jump up ^ "Fantasia/2000 soars past the $21 million mark in just one month of release at 75 venues worldwide". Business Wire. January 30, 2000. Retrieved May 16, 2011.
Jump up ^ Watson, Pernell (May 26, 2000). "Fantasia/2000' coming to regular theatres soon". Daily Press. Retrieved May 7, 2011.
Jump up ^ Natale, Richard (June 19, 2000). "Audiences Dig 'Shaft,' but June Business Isn't Right On". Los Angeles Times. Retrieved May 7, 2011.
Jump up ^ Bramburger, Bradley (January 8, 2000). "Classical: Keeping Score". Billboard: 33. Retrieved July 25, 2015.
Jump up ^ "Top Classical Albums". Billboard: 37. July 8, 2000. Retrieved July 25, 2015.
Jump up ^ "Child's Play: 'Thomas' Film Soundtrack on Track". Billboard: 71. July 15, 2000. Retrieved July 25, 2015.
Jump up ^ Billboard, 16 Sep 2000
Jump up ^ Perigard, Mark (November 12, 2000). "ON DVD; Disc additions enhance 'Fantasia' celebration". Boston Herald. Retrieved February 6, 2011.
Jump up ^ "Fantasia & Fantasia 2000: 2-Movie Collection Special Edition". Ultimate Disney/DVDizzy. September 1, 2010. Retrieved March 8, 2011.
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Jump up ^ "Fantasia 2000 – Rotten Tomatoes". Retrieved January 20, 2013.
Jump up ^ Fretts, Bruce (January 14, 2000). "Fantasia 2000". Entertainment Weekly. Retrieved August 9, 2015.
Jump up ^ McCarthy, Bruce (December 22, 1999). "Review: 'Fantasia 2000'". Variety. Retrieved August 9, 2015.
Jump up ^ Parkinson, David. "Fantasia 2000". Empire. Retrieved August 9, 2015.
Jump up ^ Sibley, Brian (June 2000). "Fantasia 2000". BFI: Sight & Sound. Retrieved August 9, 2015.
Jump up ^ "Legacy: 28th Annual Annie Award Nominees and Winners (2000)". International Animated Film Society. Archived from the original on April 24, 2008. Retrieved May 7, 2012.
Jump up ^ "And the nominees are.." Ocala Star-Banner. p. 5D. Retrieved May 7, 2012.
Jump up ^ https://www.phoenixfilmcriticssociety.org/past-years-awards.html PFCS Awards
Books
Banagale, Ryan (2014). Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-0-19-997840-3.
Berardinelli, James (2005). ReelViews 2: The Ultimate Guide to the Best 1,000 Modern Movies on DVD and Video. Justin, Charles & Co. ISBN 978-1-932112-40-5.
Culhane, John (1999). Fantasia 2000: Visions of Hope. Disney Editions. ISBN 0-7868-6198-3.
Previn, André (1991). No Minor Chords: My Days in Hollywood. Doubleday. ISBN 978-0-385-41341-1.
Holden, Stephen (2001). The New York Times Film Reviews 1999–2000. Taylor & Francis. ISBN 978-0-415-93696-5.
Solomon, Charles (1995). Disney That Never Was: The Stories and Art of Five Decades of Unproduced Animation. Hyperion. ISBN 978-0-7868-6037-1.
Stewart, James B. (2006). DisneyWar: The Battle for the Magic Kingdom. Pocket Books. ISBN 978-0-7434-9600-1.
DVD media
Donald W. Ernst (prod.), Roy E. Disney (prod.), James Levine (cond.) (November 14, 2000). The Fantasia Anthology: Fantasia 2000—Audio Commentary (Ernst, Disney, Levine) (DVD). Disc 2 of 3. Burbank, CA: Walt Disney Studios Home Entertainment. UPC 786936163872.
Various segment directors (November 14, 2000). The Fantasia Anthology: Fantasia 2000—Audio Commentary (Segment Directors) (DVD). Disc 2 of 3. Burbank, CA: Walt Disney Studios Home Entertainment. UPC 786936163872.
Various cast and crew members (November 14, 2000). The Fantasia Anthology: Fantasia 2000—The Making of Fantasia 2000 (DVD). Disc 2 of 3. Burbank, CA: Walt Disney Studios Home Entertainment. UPC 786936163872.
Various cast and crew members (November 14, 2000). The Fantasia Legacy—Supplemental Features (DVD). Disc 3 of 3. Burbank, CA: Walt Disney Studios Home Entertainment. UPC 786936163872.
External links[edit]
Wikiquote has quotations related to: Fantasia 2000
Wikimedia Commons has media related to Fantasia 2000.
Official website
Fantasia 2000 on IMDb
Fantasia 2000 at the TCM Movie Database
Fantasia 2000 at AllMovie
Fantasia 2000 at Rotten Tomatoes
Fantasia 2000 at Box Office Mojo
Fantasia 2000 at The Big Cartoon DataBase
[show]
v
t
e
Disney's Fantasia
Fantasia (1940)
Fantasia 2000 (1999)
Conductors
Leopold Stokowski (Fantasia)
Irwin Kostal (1982 digital re-recording)
James Levine (Fantasia 2000)
Segments
Fantasia
Toccata and Fugue in D minor
The Nutcracker Suite
The Sorcerer's Apprentice
The Rite of Spring
Symphony No. 6
Dance of the Hours
Night on Bald Mountain/Ave Maria
Fantasia 2000
Symphony No. 5
Pines of Rome
Rhapsody in Blue
Piano Concerto No. 2
The Carnival of the Animals
The Sorcerer's Apprentice
Pomp and Circumstance Marches
The Firebird Suite
Characters
Mickey Mouse
Donald Duck
Daisy Duck
Chernabog
Yen Sid
Video games
Fantasia (1991)
Disney Magical World (2013)
Disney Infinity (2013)
Fantasia: Music Evolved (2014)
Related
Destino (2003)
Lorenzo (2004)
One by One (2004)
The Little Matchgirl (2006)
Fantasia Gardens
Fantasmic!
Fantasound
The Sorcerer's Apprentice (2010)
Sorcerer's Hat
Disney Fantasia: Live in Concert
Kingdom Hearts
Epic Mickey
Once Upon a Time
Ten Pieces
Deems Taylor
See also: Category
[show]
v
t
e
Disney theatrical animated features
Walt Disney
Animation Studios
films
Snow White and the Seven Dwarfs (1937)
Pinocchio (1940)
Fantasia (1940)
Dumbo (1941)
Bambi (1942)
Saludos Amigos (1942)
The Three Caballeros (1944)
Make Mine Music (1946)
Fun and Fancy Free (1947)
Melody Time (1948)
The Adventures of Ichabod and Mr. Toad (1949)
Cinderella (1950)
Alice in Wonderland (1951)
Peter Pan (1953)
Lady and the Tramp (1955)
Sleeping Beauty (1959)
One Hundred and One Dalmatians (1961)
The Sword in the Stone (1963)
The Jungle Book (1967)
The Aristocats (1970)
Robin Hood (1973)
The Many Adventures of Winnie the Pooh (1977)
The Rescuers (1977)
The Fox and the Hound (1981)
The Black Cauldron (1985)
The Great Mouse Detective (1986)
Oliver & Company (1988)
The Little Mermaid (1989)
The Rescuers Down Under (1990)
Beauty and the Beast (1991)
Aladdin (1992)
The Lion King (1994)
Pocahontas (1995)
The Hunchback of Notre Dame (1996)
Hercules (1997)
Mulan (1998)
Tarzan (1999)
Fantasia 2000 (1999)
Dinosaur (2000)
The Emperor's New Groove (2000)
Atlantis: The Lost Empire (2001)
Lilo & Stitch (2002)
Treasure Planet (2002)
Brother Bear (2003)
Home on the Range (2004)
Chicken Little (2005)
Meet the Robinsons (2007)
Bolt (2008)
The Princess and the Frog (2009)
Tangled (2010)
Winnie the Pooh (2011)
Wreck-It Ralph (2012)
Frozen (2013)
Big Hero 6 (2014)
Zootopia (2016)
Moana (2016)
Ralph Breaks the Internet: Wreck-It Ralph 2 (2018)
Frozen 2 (2019)
Live-action films
with animation
The Reluctant Dragon (1941)
Victory Through Air Power (1943)
Song of the South (1946)
So Dear to My Heart (1948)
Mary Poppins (1964)
Bedknobs and Broomsticks (1971)
Pete's Dragon (1977)
Who Framed Roger Rabbit (1988)
Enchanted (2007)
DisneyToon Studios
films
DuckTales the Movie: Treasure of the Lost Lamp (1990)
A Goofy Movie (1995)
The Tigger Movie (2000)
Return to Never Land (2002)
The Jungle Book 2 (2003)
Piglet's Big Movie (2003)
Pooh's Heffalump Movie (2005)
Bambi II (2006)
Planes (2013)
Planes: Fire & Rescue (2014)
Other Disney units films
The Nightmare Before Christmas (1993)
James and the Giant Peach (1996)
Doug's 1st Movie (1999)
Recess: School's Out (2001)
Teacher's Pet (2004)
A Christmas Carol (2009)
Gnomeo & Juliet (2011)
Mars Needs Moms (2011)
Frankenweenie (2012)
Strange Magic (2015)
Related lists
Unproduced films
Book
[show]
v
t
e
Walt Disney Animation Studios
[show]
List of feature films
Released
Snow White and the Seven Dwarfs (1937)
Pinocchio (1940)
Fantasia (1940)
Dumbo (1941)
Bambi (1942)
Saludos Amigos (1942)
The Three Caballeros (1944)
Make Mine Music (1946)
Fun and Fancy Free (1947)
Melody Time (1948)
The Adventures of Ichabod and Mr. Toad (1949)
Cinderella (1950)
Alice in Wonderland (1951)
Peter Pan (1953)
Lady and the Tramp (1955)
Sleeping Beauty (1959)
One Hundred and One Dalmatians (1961)
The Sword in the Stone (1963)
The Jungle Book (1967)
The Aristocats (1970)
Robin Hood (1973)
The Many Adventures of Winnie the Pooh (1977)
The Rescuers (1977)
The Fox and the Hound (1981)
The Black Cauldron (1985)
The Great Mouse Detective (1986)
Oliver & Company (1988)
The Little Mermaid (1989)
The Rescuers Down Under (1990)
Beauty and the Beast (1991)
Aladdin (1992)
The Lion King (1994)
Pocahontas (1995)
The Hunchback of Notre Dame (1996)
Hercules (1997)
Mulan (1998)
Tarzan (1999)
Fantasia 2000 (1999)
Dinosaur (2000)
The Emperor's New Groove (2000)
Atlantis: The Lost Empire (2001)
Lilo & Stitch (2002)
Treasure Planet (2002)
Brother Bear (2003)
Home on the Range (2004)
Chicken Little (2005)
Meet the Robinsons (2007)
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Tunisia at the FIFA World Cup
From Wikipedia, the free encyclopedia
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The FIFA World Cup, sometimes called the Football World Cup or the Soccer World Cup, but usually referred to simply as the World Cup, is an international association football competition contested by the men's national teams of the members of Fédération Internationale de Football Association (FIFA), the sport's global governing body. The championship has been awarded every four years since the first tournament in 1930, except in 1942 and 1946, due to World War II.
The tournament consists of two parts, the qualification phase and the final phase (officially called the World Cup Finals). The qualification phase, which currently take place over the three years preceding the Finals, is used to determine which teams qualify for the Finals. The current format of the Finals involves 32 teams competing for the title, at venues within the host nation (or nations) over a period of about a month. The World Cup Finals is the most widely viewed sporting event in the world, with an estimated 715.1 million people watching the 2006 tournament final.
Tunisia have appeared in the finals of the FIFA World Cup on five occasions, the first being at the 1978 FIFA World Cup where they finished in ninth position. Between 1998 and 2006 they had a streak of three World Cup qualifications. They have made their fifth appearance at the finals in the 2018 FIFA World Cup in Russia.[1]
Contents
1 Summary
2 FIFA World Cup record
2.1 1978 FIFA World Cup
2.2 1998 FIFA World Cup
2.3 2002 FIFA World Cup
2.4 2006 FIFA World Cup
2.5 2018 FIFA World Cup
3 Record Players
4 References
5 External links
Summary[edit]
FIFA World Cup record
Year
Round
Position
Pld
W
D
L
GF
GA
1930 to
1954 Part of France
1958 Did not enter
1962 Did not qualify
1966 Withdrew
1970 to
1974 Did not qualify
1978 Group stage 9th 3 1 1 1 3 2
1982 Did not qualify
1986 Did not qualify
1990 Did not qualify
1994 Did not qualify
1998 Group stage 26th 3 0 1 2 1 4
2002 Group stage 29th 3 0 1 2 1 5
2006 Group stage 24th 3 0 1 2 3 6
2010 Did not qualify
2014 Did not qualify
2018 Group stage 24th 3 1 0 2 5 8
2022 To be determined
2026 To be determined
Total Group stage 5/21 15 2 4 9 13 25
FIFA World Cup record[edit]
As of 2018, Tunisia never survived the group stage of a World Cup. They have won two matches: Mexico in 1978, and Panama in 2018.
1978 FIFA World Cup[edit]
Tunisia's first World Cup was the 1978 competition held in Argentina. They became the first African team to win a World Cup game, defeating Mexico 3–1 in Rosario.[2] A 1–0 defeat to 1974 semi-finalists Poland followed. Although The Eagles Of Carthage then held reigning champions West Germany to a 0–0 draw, they failed to advance. Tunisia failed to qualify for the FIFA World Cup again until twenty years later.
Team
Pld
W
D
L
GF
GA
GD
Pts
Poland 3 2 1 0 4 1 +3 5
West Germany 3 1 2 0 6 0 +6 4
Tunisia 3 1 1 1 3 2 +1 3
Mexico 3 0 0 3 2 12 −10 0
2 June 197816:45 ART
Tunisia
3–1
Mexico
Kaabi 55'
Ghommidh 79'
Dhouieb 87' Report Vázquez Ayala 45' (pen.)
Estadio Gigante de Arroyito, Rosario
Attendance: 17,396
Referee: John Gordon (Scotland)
6 June 197816:45 ART
Poland
1–0
Tunisia
Lato 43' Report
Estadio Gigante de Arroyito, Rosario
Attendance: 9,624
Referee: Ángel Franco Martínez (Spain)
10 June 197816:45 ART
West Germany
0–0
Tunisia
Report
Estadio Olímpico Chateau Carreras, Córdoba
Attendance: 30,667
Referee: César Guerrero Orosco (Peru)
1998 FIFA World Cup[edit]
Adel Sellimi's team were beaten 2–0 by England,[3][4] and 1–0 by Colombia[5] to eliminate them at the group stage. Their only point was in a 1–1 draw with Romania.[6]
Team
Pld
W
D
L
GF
GA
GD
Pts
Romania 3 2 1 0 4 2 +2 7
England 3 2 0 1 5 2 +3 6
Colombia 3 1 0 2 1 3 −2 3
Tunisia 3 0 1 2 1 4 −3 1
15 June 199814:30
England
2 – 0
Tunisia
Shearer 43'
Scholes 89' Report
Stade Vélodrome, Marseille
Attendance: 54,587
Referee: Masayoshi Okada (Japan)
England
Tunisia
GK 1 David Seaman
CB 2 Sol Campbell 88'
CB 6 Gareth Southgate
CB 5 Tony Adams
RWB 14 Darren Anderton
LWB 3 Graeme Le Saux
CM 4 Paul Ince
CM 8 David Batty
AM 16 Paul Scholes
CF 10 Teddy Sheringham 85'
CF 9 Alan Shearer(c)
Substitutions:
FW 20 Michael Owen 85'
Manager:
Glenn Hoddle
GK 1 Chokri El Ouaer
RB 5 Hatem Trabelsi 79'
CB 3 Sami Trabelsi(c)
CB 4 Mounir Boukadida
LB 17 José Clayton 48'
MF 10 Kais Ghodhbane 87'
MF 21 Khaled Badra
MF 14 Sirajeddine Chihi
MF 15 Skander Souayah 45'
FW 11 Adel Sellimi
FW 18 Mehdi Ben Slimane 65'
Substitutions:
MF 8 Zoubeir Baya 45'
FW 2 Imed Ben Younes 70' 65'
DF 7 Tarek Thabet 79'
Manager:
Henryk Kasperczak
Assistant referees:
Hyun Jeom-young (South Korea)
Dramane Dante (Mali)
Fourth official:
Kim Milton Nielsen (Denmark)
22 June 199817:30
Colombia
1 – 0
Tunisia
Preciado 83' Report
Stade de la Mosson, Montpellier
Attendance: 29,800
Referee: Bernd Heynemann (Germany)
Colombia
Tunisia
GK 22 Faryd Mondragón
3 Ever Palacios
4 José Santa 18'
5 Jorge Bermúdez
6 Mauricio Serna 62'
7 Antony de Ávila
8 Harold Lozano
9 Adolfo Valencia 56'
10 Carlos Valderrama(c)
13 Wilmer Cabrera
19 Freddy Rincón 56'
Substitutions:
15 Víctor Aristizábal 56'
21 Léider Preciado 56'
14 Jorge Bolaño 62'
Manager:
Hernán Darío Gómez
GK 1 Chokri El Ouaer
3 Sami Trabelsi(c)
6 Ferid Chouchane
7 Tarek Thabet 76'
8 Zoubeir Baya 73'
11 Adel Sellimi 68'
13 Riadh Bouazizi 16'
14 Sirajeddine Chihi
15 Skander Souayah
17 Clayton 83'
18 Mehdi Ben Slimane
Substitutions:
2 Imed Ben Younes 68'
19 Faysal Ben Ahmed 73'
10 Kaies Ghodhbane 76'
Manager:
Henryk Kasperczak
Assistant referees:
Erich Schneider (Germany)
Evzen Amler (Czech Republic)
Fourth official:
László Vágner (Hungary)
26 June 199821:00
Romania
1 – 1
Tunisia
Moldovan 72' Report Souayah 10' (pen.)
Stade de France, Saint-Denis
Attendance: 77,000
Referee: Edward Lennie (Australia)
Romania
Tunisia
GK 12 Bogdan Stelea
2 Dan Petrescu
3 Cristian Dulca 32'
4 Anton Doboș
5 Constantin Gâlcă
7 Marius Lăcătuș 46'
8 Dorinel Munteanu 76'
10 Gheorghe Hagi(c)
13 Liviu Ciobotariu
15 Lucian Marinescu
17 Ilie Dumitrescu 68'
Substitutions:
6 Gheorghe Popescu 32'
11 Adrian Ilie 46'
9 Viorel Moldovan 68'
Manager:
Anghel Iordănescu
GK 1 Chokri El Ouaer
3 Sami Trabelsi(c)
4 Mounir Boukadida
6 Ferid Chouchane
8 Zoubeir Baya 28'
10 Kaies Ghodhbane 85'
11 Adel Sellimi
13 Riadh Bouazizi
14 Sirajeddine Chihi
15 Skander Souayah 57' 91'
18 Mehdi Ben Slimane 60'
Substitutions:
9 Riadh Jelassi 60'
7 Tarek Thabet 85'
2 Imed Ben Younes 91'
Manager:
Ali Selmi
Assistant referees:
Jacek Pocięgiel (Poland)
Yuri Dupanov (Belarus)
Fourth official:
Ramesh Ramdhan (Trinidad and Tobago)
2002 FIFA World Cup[edit]
Tunisia reached their second successive FIFA World Cup (and third overall), which was co-hosted by South Korea and Japan. They started with a 2–0 loss against Russia, but a Raouf Bouzaiene free-kick gave them a 1–1 draw against Belgium in their second match. Their final group game resulted in a 2–0 defeat to co-hosts Japan, meaning they were knocked out in the group stages yet again.

Pos
Team
[
v
t
e
]
Pld
W
D
L
GF
GA
GD
Pts
Qualification
1
Japan (H) 3 2 1 0 5 2 +3 7 Advance to knockout stage
2
Belgium 3 1 2 0 6 5 +1 5
3
Russia 3 1 0 2 4 4 0 3
4
Tunisia 3 0 1 2 1 5 −4 1
Source: FIFA
Rules for classification: Tie-breaking criteria
(H) Host.

All times local (UTC+9)
5 June 200215:30
Russia
2–0
Tunisia
Titov 59'
Karpin 64' (pen.) Report
Kobe Wing Stadium, Kobe
Attendance: 30,957
Referee: Peter Prendergast (Jamaica)
Russia
Tunisia
GK 1 Ruslan Nigmatullin
DF 2 Yuri Kovtun
DF 3 Yuri Nikiforov
DF 5 Andrei Solomatin
DF 7 Viktor Onopko (c)
MF 6 Igor Semshov 27' 46'
MF 8 Valeri Karpin
MF 9 Yegor Titov
MF 20 Marat Izmailov 78'
FW 11 Vladimir Beschastnykh 55'
FW 19 Ruslan Pimenov
Substitutions:
MF 21 Dmitri Khokhlov 46'
FW 22 Dmitri Sychev 55'
MF 15 Dmitri Alenichev 88' 78'
Manager:
Oleg Romantsev
GK 1 Ali Boumnijel
DF 2 Khaled Badra 84'
DF 4 Mohamed Mkacher
DF 6 Hatem Trabelsi
DF 12 Raouf Bouzaiene
DF 15 Radhi Jaïdi
MF 8 Hassen Gabsi 50' 67'
MF 13 Riadh Bouazizi
MF 18 Selim Ben Achour
FW 5 Ziad Jaziri 75'
FW 11 Adel Sellimi (c) 67'
Substitutions:
MF 3 Zoubeir Baya 67'
MF 7 Imed Mhedhebi 67'
FW 20 Ali Zitouni 84'
Manager:
Ammar Souayah
Man of the Match:
Yuri Nikiforov (Russia)
Assistant referees:
Michael Ragoonath (Trinidad and Tobago)
Paul Smith (New Zealand)
Fourth official:
Antonio López Nieto (Spain)
10 June 200218:00
Tunisia
1–1
Belgium
Bouzaiene 17' Report Wilmots 13'
Ōita Big Eye Stadium, Ōita
Attendance: 52,000
Referee: Mark Shield (Australia)
Tunisia
Belgium
GK 1 Ali Boumnijel
DF 2 Khaled Badra (c)
DF 6 Hatem Trabelsi 68'
DF 12 Raouf Bouzaiene
DF 15 Radhi Jaïdi
MF 8 Hassen Gabsi 22' 67'
MF 10 Kaies Ghodhbane 43'
MF 13 Riadh Bouazizi
MF 18 Selim Ben Achour
MF 21 Mourad Melki 69' 88'
FW 5 Ziad Jaziri 77'
Substitutions:
FW 11 Adel Sellimi 67'
FW 20 Ali Zitouni 77'
MF 3 Zoubeir Baya 88'
Manager:
Ammar Souayah
GK 1 Geert De Vlieger
DF 2 Eric Deflandre
DF 3 Glen De Boeck
DF 12 Peter Van Der Heyden
DF 16 Daniel Van Buyten 40'
MF 6 Timmy Simons 74'
MF 8 Bart Goor
MF 11 Gert Verheyen 46'
MF 18 Yves Vanderhaeghe
FW 7 Marc Wilmots (c)
FW 20 Branko Strupar 46'
Substitutions:
FW 9 Wesley Sonck 46'
MF 14 Sven Vermant 46'
FW 22 Mbo Mpenza 74'
Manager:
Robert Waseige
Man of the Match:
Raouf Bouzaiene (Tunisia)
Assistant referees:
Paul Smith (New Zealand)
Komaleeswaran Sankar (India)
Fourth official:
Gilles Veissière (France)
14 June 200215:30
Tunisia
0–2
Japan
Report Morishima 48'
Nakata 75'
Nagai Stadium, Osaka
Attendance: 45,213
Referee: Gilles Veissière (France)
Tunisia
Japan
GK 1 Ali Boumnijel
DF 2 Khaled Badra (c) 81'
DF 6 Hatem Trabelsi
DF 12 Raouf Bouzaiene 78'
DF 15 Radhi Jaïdi
DF 23 José Clayton 61'
MF 10 Kaies Ghodhbane
MF 13 Riadh Bouazizi 21'
MF 18 Selim Ben Achour
MF 21 Mourad Melki 46'
FW 5 Ziad Jaziri
Substitutions:
MF 3 Zoubeir Baya 46'
MF 7 Imed Mhedhebi 61'
FW 20 Ali Zitouni 78'
Manager:
Ammar Souayah
GK 12 Seigo Narazaki
DF 3 Naoki Matsuda
DF 16 Kōji Nakata
DF 17 Tsuneyasu Miyamoto (c)
MF 5 Junichi Inamoto 46'
MF 7 Hidetoshi Nakata 84'
MF 18 Shinji Ono
MF 20 Tomokazu Myojin
MF 21 Kazuyuki Toda
FW 11 Takayuki Suzuki
FW 13 Atsushi Yanagisawa 46'
Substitutions:
MF 8 Hiroaki Morishima 46'
MF 22 Daisuke Ichikawa 46'
MF 19 Mitsuo Ogasawara 84'
Manager:
Philippe Troussier
Man of the Match:
Hidetoshi Nakata (Japan)
Assistant referees:
Frédéric Arnault (France)
Haidar Koleit (Lebanon)
Fourth official:
René Ortubé (Bolivia)
2006 FIFA World Cup[edit]
Tunisia drew their opening game against Saudi Arabia 2–2, but lost their second match to Spain 3–1 and lost their last group match to Ukraine 1–0, ending their 2006 FIFA World Cup campaign.

Pos
Team
[
v
t
e
]
Pld
W
D
L
GF
GA
GD
Pts
Qualification
1
Spain 3 3 0 0 8 1 +7 9 Advance to knockout stage
2
Ukraine 3 2 0 1 5 4 +1 6
3
Tunisia 3 0 1 2 3 6 −3 1
4
Saudi Arabia 3 0 1 2 2 7 −5 1
Source: FIFA
Rules for classification: Tie-breaking criteria

All times local (CEST/UTC+2)
14 June 200618:00
Tunisia
2–2
Saudi Arabia
Jaziri 23'
Jaïdi 90+2' Report Al-Qahtani 57'
Al-Jaber 84'
FIFA WM Stadion München, Munich
Attendance: 66,000
Referee: Mark Shield (Australia)
Tunisia
Saudi Arabia
GK 1 Ali Boumnijel
RB 6 Hatem Trabelsi
CB 15 Radhi Jaïdi
CB 3 Karim Haggui 35'
LB 18 David Jemmali
RM 20 Hamed Namouchi
CM 12 Jawhar Mnari
CM 13 Riadh Bouazizi (c) 36' 55'
LM 14 Adel Chedli 65' 69'
CF 9 Yassine Chikhaoui 79' 82'
CF 5 Ziad Jaziri
Substitutions:
MF 8 Mehdi Nafti 55'
MF 10 Kaies Ghodhbane 69'
FW 2 Karim Essediri 82'
Manager:
Roger Lemerre
GK 21 Mabrouk Zaid
RB 2 Ahmed Dokhi
CB 3 Redha Tukar
CB 4 Hamad Al-Montashari
LB 13 Hussein Sulaimani (c)
RM 16 Khaled Aziz
CM 6 Omar Al-Ghamdi
LM 14 Saud Kariri
AM 8 Mohammed Noor 74'
AM 18 Nawaf Al-Temyat 67'
CF 20 Yasser Al-Qahtani 82'
Substitutions:
FW 23 Malek Mouath 67'
MF 7 Mohammed Ameen 74'
FW 9 Sami Al-Jaber 82'
Manager:
Marcos Paquetá
Wikinews has related news: Saudi Arabia and Tunisia share dramatic draw in Group H
Man of the Match:
Ziad Jaziri (Tunisia)
Assistant referees:
Nathan Gibson (Australia)
Ben Wilson (Australia)
Fourth official:
Carlos Chandía (Chile)
Fifth official:
Christian Julio (Chile)
19 June 200621:00
Spain
3–1
Tunisia
Raúl 71'
Torres 76', 90+1' (pen.) Report Mnari 8'
Gottlieb-Daimler-Stadion, Stuttgart
Attendance: 52,000
Referee: Carlos Simon (Brazil)
Spain
Tunisia
GK 1 Iker Casillas (c)
RB 15 Sergio Ramos
CB 22 Pablo
CB 5 Carles Puyol 30'
LB 3 Mariano Pernía
RM 16 Marcos Senna 46'
CM 14 Xabi Alonso
LM 8 Xavi
RW 21 David Villa 57'
LW 9 Fernando Torres
CF 11 Luis García 46'
Substitutions:
FW 7 Raúl 46'
MF 18 Cesc Fàbregas 89' 46'
MF 17 Joaquín 57'
Manager:
Luis Aragonés
GK 1 Ali Boumnijel
RB 6 Hatem Trabelsi 40'
CB 15 Radhi Jaïdi 70'
CB 3 Karim Haggui
LB 19 Anis Ayari 32' 57'
RM 12 Jawhar Mnari 90+3'
CM 13 Riadh Bouazizi (c) 57'
LM 14 Adel Chedli 80'
AM 8 Mehdi Nafti
AM 20 Hamed Namouchi
CF 5 Ziad Jaziri 85'
Substitutions:
DF 4 Alaeddine Yahia 57'
MF 10 Kaies Ghodhbane 57'
FW 7 Haykel Guemamdia 81' 80'
Manager:
Roger Lemerre
Wikinews has related news: Spain passes Tunisia test to win 3-1 in Group H
Man of the Match:
Xabi Alonso (Spain)
Assistant referees:
Aristeu Tavares (Brazil)
Ednílson Corona (Brazil)
Fourth official:
Carlos Chandía (Chile)
Fifth official:
Christian Julio (Chile)
23 June 200616:00
Ukraine
1–0
Tunisia
Shevchenko 70' (pen.) Report
Olympiastadion, Berlin
Attendance: 72,000
Referee: Carlos Amarilla (Paraguay)
Ukraine
Tunisia
GK 1 Oleksandr Shovkovskiy
CB 6 Andriy Rusol 65'
CB 22 Vyacheslav Sviderskyi 18'
CB 2 Andriy Nesmachniy
RM 9 Oleh Husyev
CM 4 Anatoliy Tymoshchuk 61'
CM 8 Oleh Shelayev 47'
LM 19 Maksym Kalynychenko 75'
AM 11 Serhiy Rebrov 55'
SS 10 Andriy Voronin
CF 7 Andriy Shevchenko (c) 88'
Substitutions:
FW 16 Andriy Vorobey 55'
MF 14 Andriy Husin 75'
FW 15 Artem Milevskiy 88'
Manager:
Oleg Blokhin
GK 1 Ali Boumnijel
RB 6 Hatem Trabelsi
CB 15 Radhi Jaïdi 90'
CB 3 Karim Haggui
LB 19 Anis Ayari
RM 13 Riadh Bouazizi (c) 43' 79'
CM 8 Mehdi Nafti 90+1'
CM 12 Jawhar Mnari
LM 14 Adel Chedli 79'
CF 5 Ziad Jaziri 9', 45+1'
CF 20 Hamed Namouchi
Substitutions:
FW 11 Francileudo Santos 79'
FW 17 Chaouki Ben Saada 79'
MF 10 Kaies Ghodhbane 90+1'
Manager:
Roger Lemerre
Wikinews has related news: Ukraine advance after win against Tunisia in Group H
Man of the Match:
Anatoliy Tymoshchuk (Ukraine)
Assistant referees:
Amelio Andino (Paraguay)
Manuel Bernal (Paraguay)
Fourth official:
Marco Rodríguez (Mexico)
Fifth official:
Hamdi Al Kadri (Syria)
2018 FIFA World Cup[edit]
Pos
Team
[
v
t
e
]
Pld
W
D
L
GF
GA
GD
Pts
Qualification
1
Belgium 3 3 0 0 9 2 +7 9 Advance to knockout stage
2
England 3 2 0 1 8 3 +5 6
3
Tunisia 3 1 0 2 5 8 −3 3
4
Panama 3 0 0 3 2 11 −9 0
Source: FIFA
Rules for classification: Group stage tiebreakers
18 June 2018 (2018-06-18)21:00 MSK (UTC+3)
Tunisia
1–2
England
Sassi 35' (pen.)
Report
Kane 11', 90+1'
Volgograd Arena, Volgograd
Attendance: 41,064[7]
Referee: Wilmar Roldán (Colombia)
23 June 2018 (2018-06-23)15:00 MSK (UTC+3)
Belgium
5–2
Tunisia
E. Hazard 6' (pen.), 51'
Lukaku 16', 45+3'
Batshuayi 90'
Report
Bronn 18'
Khazri 90+3'
Otkritie Arena, Moscow
Attendance: 44,190[8]
Referee: Jair Marrufo (United States)
28 June 2018 (2018-06-28)21:00 MSK (UTC+3)
Panama
1–2
Tunisia
Meriah 33' (o.g.)
Report
F. Ben Youssef 51'
Khazri 66'
Mordovia Arena, Saransk
Attendance: 37,168[9]
Referee: Nawaf Shukralla (Bahrain)

Record Players[edit]
No.
Name
Matches
World Cups
1 Riadh Bouazizi 8 1998, 2002 and 2006
Kaies Ghodhbane 8 1998, 2002 and 2006
3 Hatem Trabelsi 7 1998, 2002 and 2006
4 Zoubeir Baya 6 1998 and 2002
Ali Boumnijel 6 2002 and 2006
Radhi Jaïdi 6 2002 and 2006
Ziad Jaziri 6 2002 and 2006
8 Adel Sellimi 5 1998 and 2002
9 Khaled Badra 4 1998 and 2002
10 25 players 3
References[edit]
Jump up ^ "Victory sends Cameroon to the finals". FIFA.com. 17 November 2013. Retrieved 5 April 2014.
Jump up ^ "Tunisia 3 – 1 Mexico". FIFA.com. Retrieved 31 May 2010.
Jump up ^ "England beat Tunisia". BBC Sport. British Broadcasting Corporation. 15 June 1998. Retrieved 30 March 2012.
Jump up ^ Moore, Glenn (16 June 1998). "England arrive at party in style". The Independent. Independent Print Limited. Retrieved 30 March 2012.
Jump up ^ "World Cup – Colombia 1 Tunisia 0". The Independent. Independent Print Limited. 23 June 1998. Retrieved 30 March 2012.
Jump up ^ "World Cup – Romania 1 Tunisia 1". The Independent. Independent Print Limited. 27 June 1998. Retrieved 30 March 2012.
Jump up ^ "Match report – Group G – Tunisia v England" (PDF). FIFA.com. Fédération Internationale de Football Association. 18 June 2018. Archived (PDF) from the original on 24 June 2018. Retrieved 18 June 2018.
Jump up ^ "Match report – Group G – Belgium v Tunisia" (PDF). FIFA.com. Fédération Internationale de Football Association. 23 June 2018. Archived (PDF) from the original on 23 June 2018. Retrieved 23 June 2018.
Jump up ^ "Match report – Group G – Panama v Tunisia" (PDF). FIFA.com. Fédération Internationale de Football Association. 28 June 2018. Retrieved 28 June 2018.
External links[edit]
Tunisia at FIFA
World Cup Finals Statistics
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Countries at the FIFA World Cup
Team appearances
All-time table
AFC
Australia2
China
Indonesia1
Iran
Iraq
Japan
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North Korea
Saudi Arabia
South Korea
United Arab Emirates
CAF
Algeria
Angola
Cameroon
DR Congo1
Egypt
Ghana
Ivory Coast
Morocco
Nigeria
Senegal
South Africa
Togo
Tunisia
CONCACAF
Canada
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Trinidad and Tobago
United States
CONMEBOL
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Paraguay
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OFC
New Zealand
UEFA
Austria
Belgium
Bosnia and Herzegovina
Bulgaria
Croatia
Czech Republic1
Denmark
East Germany3
England
France
Germany1
Greece
Hungary
Iceland
Israel2
Italy
Netherlands
Northern Ireland
Norway
Poland
Portugal
Republic of Ireland
Romania
Russia1
Scotland
Serbia1
Slovakia1
Slovenia
Spain
Sweden
Switzerland
Turkey
Ukraine
Wales
1 Considered a successor team by FIFA, or have competed under another name(s). 2 Have been member of multiple confederations. 3 Team and national federation no longer exist.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Tunisia_at_the_FIFA_World_Cup&oldid=860872316"
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values: مشاركات تونس في كأس العالم – Arabic

values: Tunesische Fußballnationalmannschaft/Weltmeisterschaften – German

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