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Moana (2016 film)
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This article is about the film. For the soundtrack, see Moana (soundtrack). For other uses, see Moana.
Moana
Theatrical release poster
Directed by
Ron Clements
John Musker
Produced by
Osnat Shurer
Screenplay by
Jared Bush
Story by
Ron Clements
John Musker
Chris Williams
Don Hall
Pamela Ribon
Aaron Kandell
Jordan Kandell
Starring
Auli'i Cravalho
Dwayne Johnson
Rachel House
Temuera Morrison
Jemaine Clement
Nicole Scherzinger
Alan Tudyk
Music by
Mark Mancina
Lin-Manuel Miranda (songs)
Opetaia Foa'i (songs)
Edited by
Jeff Draheim
Production
companies
Walt Disney Pictures
Walt Disney Animation Studios
Distributed by
Walt Disney Studios
Motion Pictures
Release date
November 14, 2016 (2016-11-14) (AFI Fest)
November 23, 2016 (2016-11-23) (United States)
Running time
107 minutes
Country
United States
Language
English
Budget
$150 million[1][2][3]
Box office
$643 million[4]
Moana (/moʊˈɑːnə/) is a 2016 American 3D computer-animated musical fantasy-adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It is the 56th Disney animated feature film. Directed by Ron Clements and John Musker, co-directed by Don Hall and Chris Williams, the film introduces Auli'i Cravalho as Moana and features the voices of Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. The film features music written by Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina.
The film tells the story of Moana, the strong-willed daughter of a chief of a Polynesian village, who is chosen by the ocean itself to reunite a mystical relic with a goddess. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in the hope of saving her people.
Moana was released theatrically in the United States on November 23, 2016 to extremely positive reviews, with critics particularly admiring its animation, music, and voice cast. The film went on to gross over $643 million worldwide. Along with Zootopia, it marked the first time since 2002 that Walt Disney Animation Studios released two feature films in the same year. It received two Academy Award nominations at the 89th Academy Awards: one for Best Animated Feature and another for Best Original Song ("How Far I'll Go").[5]
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Writing
3.3 Casting
3.4 Animation
3.5 Music and soundtrack
4 Release
4.1 Marketing
4.2 Home media
5 Reception
5.1 Box office
5.1.1 North America
5.1.2 Outside North America
5.2 Critical response
5.3 Criticism
5.4 Accolades
6 References
7 External links
Plot
On the Polynesian island of Motonui, the inhabitants worship the goddess Te Fiti, who brought life to the ocean, using a pounamu stone as her heart and the source of her power. Maui, the shapeshifting demigod and master of sailing, steals the heart to give humanity the power of creation. However, Te Fiti disintegrates, and Maui is attacked by Te Kā, a volcanic demon, losing both his magical giant fishhook and the heart to the depths.
A millennium later, Moana, daughter of Motonui’s chief Tui, is chosen by the ocean to return the heart to Te Fiti. Tui and Moana’s mother Sina try to keep her away from the ocean to prepare for her ascension as the island’s chief. A blight strikes the island, rotting the coconuts and dwindling the fish caught. Moana suggests going beyond the island’s reef to find more fish, but Tui forbids it. Sina explains to Moana that Tui and his best friend tried going beyond the reef, but the latter perished. Moana and her pet pig Pua try conquering the reef but are shipwrecked.
Moana’s grandmother Tala shows her a secret cave, where a number of ships are hidden, revealing to Moana that their people used to be voyagers. Tala explains they stopped when Maui stole Te Fiti’s heart and that Te Kā’s darkness is poisoning the island, but it can be cured if Moana and Maui return the heart to Te Fiti, which she gives to Moana. Tala falls ill shortly after and dies, but not before encouraging Moana to go and fulfil her destiny.
Moana sets sail on one of the hidden camakau, accidentally accompanied by her dim-witted rooster Heihei. Moana is caught in a typhoon and shipwrecked on an island where she finds the stranded Maui, who traps her and steals the camakau, but Moana catches up to him with help from the ocean. She demands that Maui return the heart but he refuses. Maui is accompanied by a sentient “Mini-Maui” tattoo, acting as his conscience.
They are attacked by Kakamora—coconut-armored pirates—who seek to steal the heart, but Moana and Maui outwit them. Moana realises Maui is no longer a hero, and convinces him to redeem himself by returning the heart. Maui first needs to obtain his fishhook, located in Lalotai, the Realm of Monsters. The fishhook is in the possession of Tamatoa, a greedy, giant coconut crab, but Moana and Maui retrieve it. However, Maui discovers he cannot control his shapeshifting and loses self-confidence, revealing that his first tattoo was earned when his mortal parents rejected him. After reassurance from Moana, Maui teaches her the art of sailing and regains control of his powers.
They arrive at Te Fiti’s island, only to be attacked by Te Kā, who damages Maui’s fishhook. Fearful he will lose his power, Maui abandons Moana, who tearfully asks the ocean to find someone else to restore the heart. Tala’s spirit appears, inspiring Moana to find her true calling. Moana decides to fulfill her destiny, retrieves the heart, and sails back to confront Te Kā. Maui returns, convinced by his tattoo to change his mind, but his fishhook is destroyed by Te Kā. Moana discovers Te Fiti is missing, but realises Te Kā is the goddess. Moana restores Te Fiti’s heart, transforming her back to normal; Te Fiti then heals the ocean and islands of Te Kā's poison. Maui apologizes to Te Fiti, who forgivingly restores his fishhook and goes into a deep sleep. Moana bids farewell to Maui, returning home where she reunites with her parents and takes up the role of chief, setting sail on a voyage, accompanied from afar by Maui (in a form of a giant hawk) and Tala (in the form of a manta ray).
In a post-credits scene, Tamatoa, stuck on his back, addresses the audience, knowing they would help if he was named Sebastian.
Cast
Auli'i Cravalho at the film's premiere in Samoa in December 2016
Auli'i Cravalho as Moana, the 16-year-old daughter of village chief Tui and Sina, who is chosen by the ocean to restore the heart of Te Fiti
Louise Bush as a younger Moana
Dwayne Johnson as Maui, a legendary shapeshifting demigod who sets off with Moana on her journey
Rachel House as Tala, Moana's grandmother. Like Moana, Tala shares a passion for the ocean
Temuera Morrison as Tui, Moana's overprotective father, who is Tala's son, chief of Motunui Island
Christopher Jackson as Tui's singing voice
Jemaine Clement as Tamatoa, a giant treasure-hoarding coconut crab from Lalotai, the Realm of Monsters
Nicole Scherzinger as Sina, Moana's mother and Tui's wife
Alan Tudyk as Heihei, Moana's pet rooster
Tudyk also voices Villager No. 3, who suggests cooking Heihei
Oscar Kightley as a fisherman
Troy Polamalu as Villager No. 1
Puanani Cravalho (Auli'i's mother) as Villager No. 2
Production
Development
Directors John Musker and Ron Clements presented footage from the film at the 2016 Annecy International Animated Film Festival.
After directing The Princess and the Frog (2009), Clements and Musker started working on an adaptation of Terry Pratchett's Mort,[6] but problems with acquiring the necessary film rights prevented them from continuing with that project. To avoid a recurrence of that issue, they pitched three original ideas.[7] The genesis of one of those ideas (the one that was ultimately green-lighted) occurred in 2011, when Musker began reading up on Polynesian mythology, and learned of the heroic exploits of the demigod Māui. Intrigued with the rich culture of Polynesia, he felt it would be a suitable subject for an animated film. Shortly thereafter, Musker and Clements wrote a treatment and pitched it to John Lasseter, who recommended that both of them should go on research trips.[8][9] Accordingly, in 2012, Clements and Musker went on research trips to Fiji, Samoa, and Tahiti to meet the people of the South Pacific Ocean and learn about their culture.[10] At first, they had planned to make the film entirely about Maui, but their initial research trips inspired Clements to pitch a new idea focused on the young daughter of a chief.[11] They were fascinated to learn during their research that the people of Polynesia abruptly stopped making long-distance voyages about three thousand years ago, then resumed voyaging again a thousand years later, and no one really knows why. They set the film at the end of that era, about two thousand years ago, on a fictional island in the central Pacific Ocean, which drew inspiration from elements of the real-life island nations of Fiji, Samoa, and Tonga.[12]
Over the five years it took to develop and produce the film, Clements and Musker recruited experts from across the South Pacific to form an Oceanic Story Trust, who consulted on the film's cultural accuracy and sensitivity as the story evolved through nine versions.[13] The Trust responded negatively, for example, to a depiction of Maui as bald, and to a proposed scene in which Moana threw a tantrum by throwing coconuts. In response, Maui was reworked with long hair and the coconut scene was scrapped.[11]
Te Kā was referred to in early drafts of the film as Te Pō,[14] a reference to the Māori goddess Hine-nui-te-pō, who was originally the life-giving goddess Hine-tītama, but became the goddess of death upon discovering that her husband the god Tāne was also her father.[15] Māui set out to defeat her in order to bring immortality to humans, but failed and was himself killed.[16]
During the 2015 D23 Expo's panel for Disney's slate of upcoming animated films, Moana's last name was given as "Waialiki", but that name was not retained in the final film.[17]
Writing
Taika Waititi wrote the initial screenplay.[18] The first draft focused on Moana as the sole daughter in a family with "five or six brothers",[19] in which gender played into the story. However, the brothers and gender-based theme were deleted from the story, as the directors thought Moana's journey should be about finding herself.[9] A subsequent draft presented Moana's father as the one who wanted to resume navigation, but it was rewritten to have him oppose navigation so he would not overshadow Moana.[9] Instead, Pamela Ribon came up with the idea of a grandmother character for the film,[20] who would serve as a mentor linking Moana to ancient traditions.[19] Another version focused on Moana rescuing her father, who had been lost at sea.[21] The film's story changed drastically during the development phase (which happens with most Disney films), and that idea ultimately survived only as a subtle element of the father's backstory.[21] Aaron and Jordan Kandell joined the project during a critical period to help deepen the emotional story architecture of the film. They are credited with developing the core relationship between Moana and Maui, the prologue, the Cave of the Wayfinders, the Kakamora, and the collector crab Tamatoa (played by Jemaine Clement).[22] Jared Bush received sole credit as the writer of the final version of the screenplay.
Like most Disney and Pixar animated films, several major story problems were identified in 2015 only after the film had already transitioned from development into production, but computer-generated films tend to have much shorter production schedules and much larger animation teams (in this case, about 90 animators) than traditionally animated films.[21] Since Clements and Musker were already working 12-hour days (and Saturdays) directing such a large team of animators, Don Hall and Chris Williams (who had just finished directing Big Hero 6) came on board as co-directors to help fix the film's story issues.[21] The scene in which Maui and Moana encounter the Kakamora is an intentional homage to Mad Max: Fury Road.[21]
Casting
Dwayne Johnson (pictured here in 2013) played the co-starring role of Maui in Moana
After the filmmakers sat through auditions of hundreds of candidates from across the Pacific,[10] 14-year-old high school freshman Auli'i Cravalho was cast as the lead character Moana.[23][24] At that point in time, the design of Moana's face and personality was already complete, and Cravalho's obvious physical resemblance to her character was simply a coincidence.[25] During animation production, Disney animators were able to integrate some of Cravalho's mannerisms into Moana's behavior as depicted onscreen.[25]
The majority of the film's cast members are of Polynesian descent: Auli'i Cravalho (Moana) and Nicole Scherzinger (Sina, Moana's mother) were born in Hawaii and are of Native Hawaiian heritage; Dwayne Johnson (Maui), Oscar Kightley (Fisherman), and Troy Polamalu (Villager No. 1) are of Samoan heritage; and New Zealand–born Rachel House (Tala, Moana's grandmother), Temuera Morrison (Tui, Moana's father), and Jemaine Clement (Tamatoa) are of Māori heritage.
Animation
Moana is Clements and Musker's first fully computer-animated film.[10][26] One of the reasons for using computer animation was that the environment, including the ocean, benefited much more from the use of CGI as opposed to traditional animation.[27] The filmmakers have also suggested that three-dimensional computer animation is well-suited to the "beautiful sculpturing" of the faces of the people of the South Pacific.[28] Eric Goldberg worked on the hand-drawn animation used to depict Maui's sentient tattoos.[29][30] During early development, the filmmakers considered the possibility of making the film with hand-drawn traditional animation, but only a few early animation tests were made in that style. In the final cut, only Maui's tattoos are hand-drawn.[31]
Moana was produced in makeshift quarters in a giant warehouse in North Hollywood (together with Zootopia), while Disney Animation's headquarters building in Burbank was being renovated. Musker observed that Moana was similar in that respect to The Little Mermaid, which was produced in a warehouse in Glendale. Production wrapped on October 20, 2016.[32]
Music and soundtrack
Main article: Moana (soundtrack)
The film's soundtrack was released by Walt Disney Records on November 18, 2016. The songs were written by Opetaia Foa'i, Mark Mancina, and Lin-Manuel Miranda, while the score was written by Mancina.[33][34] The lyrics are in English, Samoan and the Tokelauan language.[35] The soundtrack peaked at number two on the Billboard 200.[36]
Release
On October 20, 2014, Walt Disney Pictures announced that it would be releasing the film in late 2016,[37] and hinted that it might be the November 23, 2016 release window previously announced by the studio in March 2014 for a then-untitled film.[38] In November 2014, Disney confirmed that it would be releasing the film on November 23, 2016.[39] The film is accompanied by the short film, Inner Workings.[40] The film's world premiere was held at the El Capitan Theatre in Los Angeles on November 14, 2016.[41]
In many European countries, the name of the titular character, Moana, was changed to Vaiana due to a trademark conflict. The film was released in those countries to bear the alternative name in the title.[42] In Italy, Vaiana's film was released with the title Oceania also to avoid confusion with an Italian porn star named Moana Pozzi.[43][44]
On October 25, 2016, at a press conference in Papeete, it was announced that the film will be the first motion picture to be fully dubbed in the Tahitian language.[45] This marks the third time Disney has released a special dubbing dedicated to the culture which inspired the film: the first case was The Lion King (1994), for which the directors travelled to South Africa to cast voice actors for a Zulu-dubbed version;[46] and the second case was Mulan (1998), which was the first Disney film to have a Mandarin Chinese dubbing made in China, separate from and independent of the version released in Taiwan.[47] In June 2017, a Māori-language dubbing of the movie was announced.[48] Rachel House, Jemaine Clement, Temuera Morrison and Oscar Kightley will reprise their respective roles in this version, which will be directed by Rachel House herself.[49][50]
In India, popular music composer Bappi Lahiri (who is known to be India's "gold-man") voiced the character of Tamatoa in the Hindi-dubbed version of the film; mostly because in reality, he too, similar to Tamatoa, has an immense love and fondness for gold.[51][52] In Russia, Tamatoa was voiced by a popular singer Ilya Lagutenko, who performed Tamatoa's song with his distinctive soft "meowing" intonations.[53]
On January 27, 2017, a sing-along version of Moana was released in more than 2,000 theaters in the United States, featuring on-screen lyrics.[54]
Marketing
Hawaiian Airlines Airbus A330-200 Moana logojet landing at Las Vegas McCarran International Airport (March 2017)
On October 15, 2016, Hawaiian Airlines unveiled their Moana-themed livery for three of their Airbus A330-200 fleet.[55]
There are currently meet-and-greets with Moana at Disneyland, Walt Disney World, Disneyland Paris, and at Aulani, a Disney Resort and Spa. At Hong Kong Disneyland, there will be a stage show called Moana's Village Festival, which is scheduled to open in 2018.
Home media
Moana was released by Walt Disney Studios Home Entertainment on Blu-ray (2D and 3D) and DVD in the United States on March 7, 2017, with a digital release on February 21, 2017. The releases include the short film, Inner Workings. The Blu-ray release also introduces a short film featuring Maui and Moana, titled Gone Fishing.[56] The film is also available for streaming on Netflix.
Reception
Box office
Moana grossed $248.8 million in the U.S. and Canada and $394.2 million in other countries for a worldwide total of $643 million.[4] On January 22 and March 16, 2017, respectively, the film reached the $500 million and $600 million marks, becoming the fourth consecutive Walt Disney Animation Studios film to reach both milestones after Frozen (2013), Big Hero 6 (2014), and Zootopia (2016).[57][58] Although Disney has not disclosed the film's production budget, most of its animated films cost around $150 million.[59][60] Deadline Hollywood calculated the net profit of the film to be $121.3 million, when factoring together all expenses and revenues for the film, making it the 12th most profitable release of 2016.[2]
North America
In the United States, Moana was released during the Thanksgiving weekend. The film played in 3,875 theaters of which a majority of them (80%) screened it in 3D. It also played in 50 premium large format screens and more than 400 D-Box screens. It was projected to take in around $50 million in three days, with $75–85 million in five days (some estimates going as high as $90 million).[61][62][63] Deadline.com said the numbers were good for the original Disney film and marked a great rebound for the company in the wake of Pixar's The Good Dinosaur the previous year, which had made $55 million over five days off a production budget of $175–200 million.[64]
The film made $2.6 million from Tuesday paid previews which began at 7 pm, the highest ever for a Walt Disney Animation Studios film and for a non-Pixar Disney animated film.[65] On its opening day, it made $15.5 million, a new record for a Walt Disney Animation Studios film opening on Wednesday (breaking Frozen's record) and the biggest opening day ever for a film released on pre-Thanksgiving Day.[66] On Thanksgiving Day, it earned $9.9 million, a decrease of 36% from its previous day. On Black Friday—the highest-grossing day of the Thanksgiving stretch—it made $21.8 million, a 127% increase from the day before.[67] Through Sunday, the film posted a three-day opening weekend worth $56.6 million over its Friday-to-Sunday debut and $82.1 million from Wednesday to Sunday, the third biggest three-day Thanksgiving opening[68] (behind Frozen and Toy Story 2) and the second biggest five-day Thanksgiving opening[69] (behind Frozen), dethroning Fantastic Beasts and Where to Find Them off the top spot. Among all films that did not necessarily open in this weekend but may have played, Moana ranks sixth among three-day[70] weekends and fifth among five-day weekends.[71]
The film's opening was considered to be another animated success for the studio after Zootopia and Pixar's Finding Dory posted huge openings, respectively, the same year in March and June.[72]
In its second weekend, the film dropped by about 50% for a total of $28.3 million, a smaller drop than Toy Story 2, Frozen, Tangled, and The Good Dinosaur.[73][74] The film managed to top the box office for its third weekend, despite competition from newcomers and holdovers, earning $18.5 million while falling by 34%. It became the sixth film of 2016 to top the box office three times, following Deadpool, Zootopia, The Jungle Book, Finding Dory, and Suicide Squad.[75] The film was overtaken by Disney's own Rogue One: A Star Wars Story in its fourth weekend, despite only a marginal decline.[76]
It fell to number six in its fifth weekend, due to competition from four new releases—Sing, Passengers, Why Him?, and Assassin's Creed—despite a small drop again; it grossed $2.9 million on Christmas Day.[77] On the holiday week of December 23–29, the film finished at number four with a gross of $26 million, which was 14% up from the previous week, despite losing over 300 theaters.[78] It finished at number four in its sixth weekend, going up 42% and 97%, respectively, during the three-day[79] and four-day weekends;[80] it grossed $3.6 million on New Year's Day.
It fell outside the top ten in its eighth weekend (which included Martin Luther King Jr. Day), dropping 33% and 4% respectively, during the three-day[81] and four-day weekends.[82]
Outside North America
Internationally, the film earned $17.2 million in its first weekend from 12 markets, the bulk of which came from China. In its second weekend, the film expanded to a total of 30 markets, adding an additional $33.7 million.[83]
In China, the film had a November 25 opening day[84] with $1.9 million from 38,000 screenings. However, it enjoyed a big weekend bump on Saturday—even though its screens dipped—and Sunday.[85] In total, it scored an opening weekend of $17.2 million, the second best for a Disney animated title, behind only Zootopia. It was No. 2 behind Fantastic Beasts and Where to Find Them. Strong social media numbers showed among the highest the studio has seen there. Similar to how Zootopia started off slow and later became a blockbuster phenomenon.[86] The film slipped 55% in its second weekend, earning $5.8 million, and $21.8 in total in China.[87] It would eventually earn a total of $32.7 million in China.[84]
It had similar successful number-one debuts in France, Russia, Mexico and Spain. The film also saw success in Belgium, the Netherlands and French-speaking Switzerland.[83] In the United Kingdom and Ireland, the film faced competition from Fantastic Beasts—which was playing in its third weekend—and as a result, it posted a low opening of only £2.2 million ($2.8 million).[88]
The biggest earning markets to date have been Japan ($45.9 million), followed by France ($35.5 million), China ($32.8 million), the UK ($25.3 million), Brazil ($22.9 million), Australia ($19 million), Germany ($17 million), Italy ($15.9 million), and South Korea ($15.5 million).[89]
Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 96% based on 229 reviews, and an average rating of 7.8/10. The site's critical consensus reads, "With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages."[90] On Metacritic, the film holds a normalized score of 81 out of 100, based on 44 critics, indicating "universal acclaim."[91] Audiences polled by CinemaScore gave the film an average grade of "A" on a scale ranging from A+ to F.[92]
Joe Morgenstern of The Wall Street Journal proclaimed that "Moana is beautiful in more ways than I can tell, thanks to the brilliance of more animators than I could count."[93] Animator Eric Goldberg received praise from critics and audiences for his hand-drawn animation of Maui's tattoos, which they claimed "stole the show" from the actual CGI-animated motion picture.[94][95][96] Wai Chee Dimock, writing in the Los Angeles Review of Books, compared the ocean in Moana to the one in "The Water Baby," a short story by Jack London, saying that both are animated: one, by the tension between digital and analog animation, and the other, by the tension between an encroaching future and a past in retreat still capable of pushing back.[97]
Criticism
Colin Philp, an educator on Polynesian history, noted that the sailing canoe used by the film's protagonists is believed to be a Fijian camakau, and that the film's concept artists based it on one of the canoes they saw when they visited Korova settlement in Laucala. Philp said that using that design without permission of the Korova community, could be viewed as a violation of the intellectual property rights of their elders.[98]
Brigham Young University–Hawaii sociocultural anthropologist Tēvita 'Ō. Ka'ili stated that "despite its important girl-power message, the film had a major flaw. It lacked symmetry by its omission of a heroic goddess. Disney resorted to reducing the mighty god Maui to a one-dimensional, selfish, borderline abusive, buffoon to foreground the strength of the movie's protagonist Moana." He went on to explain that, "the omission of a goddess-heroine is significant because Polynesia is a culture with a vast pantheon of powerful heroic goddesses. Hina, a companion goddess to the god Maui, was nowhere to be found in Disney's imagineering of Moana."[99]
Merchandise produced alongside the film has also been criticized. A Maui "skin suit" costume made to tie in with the film was pulled by Disney from its online store following complaints about it being culturally insensitive[100] and for appearing to promote brownface.[101]
Accolades
Main article: List of accolades received by Moana (2016 film)
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Jump up ^ Dell, Brad (October 15, 2015). "'Moana': a look into Disney's upcoming Polynesian voyage". Ka Leo. Retrieved October 16, 2015.
Jump up ^ Madison, Charles (March 1, 2015). "Concept art of Maui, Dwayne Johnson's character in Disney's Moana". filmdivider.com. Retrieved October 8, 2015.
Jump up ^ Siegemund-Broka, Austin (June 16, 2015). "Veteran Animator Eric Goldberg Joins USC Film School Faculty". The Hollywood Reporter. Retrieved October 8, 2015.
Jump up ^ Busch, Jenna. "D23: Interview with Moana's Dwayne Johnson and the Filmmakers". Welcome to the Legion!. Retrieved April 6, 2016.
Jump up ^ Snetiker, Marc (November 24, 2016). "Moana directors Ron Clements, John Musker talk four decades Disney movies". Entertainment Weekly. New York: Time Inc. Retrieved January 13, 2017.
Jump up ^ Breznican, Anthony (August 14, 2015). "Dwayne 'The Rock' Johnson makes surprise appearance for Disney's 'Moana': 'This is my heritage'". Entertainment Weekly. Retrieved October 8, 2015.
Jump up ^ "Disney's "Moana" Original Motion Picture Soundtrack Available Today" (Press release). PR Newswire. November 18, 2016. Retrieved November 18, 2016.
Jump up ^ "Tokelau Pride: Te Vaka’s song for Disney’s Princess Moana" (Press release). Government of Tokelau Bulletin. August 24, 2015. Retrieved November 26, 2016.
Jump up ^ Caulfield, Keith (January 9, 2017). "The Weeknd Returns to No. 1 on Billboard 200, 'Moana' Soundtrack Zooms to No. 2". Billboard. Retrieved March 5, 2017.
Jump up ^ "Walt Disney Animation Studios Announces 2016 Release, Moana". ComingSoon.net. CraveOnline. October 20, 2014. Retrieved October 20, 2014.
Jump up ^ "Disney Animation Unveils 'Moana' From 'Little Mermaid' Filmmakers For November 2016". Deadline. Penske Media Corporation. October 20, 2014. Retrieved October 21, 2014.
Jump up ^ Yamato, Jen (November 10, 2014). "Disney Dates 2016 Animated Pics 'Zootopia' & 'Moana'". deadline.com. Retrieved November 10, 2014.
Jump up ^ Evry, Max (April 22, 2016). "Moana Footage & Inner Workings Coming to Annecy Fest". ComingSoon.net. Retrieved April 25, 2016.
Jump up ^ Flores, Terry (November 15, 2016). "'Moana' Premiere: Hollywood Transforms Into Ocean of Stars". Variety. Retrieved November 19, 2016.
Jump up ^ "La princesa Moana en España se llamará Vaiana (y otros problemas de branding)" [Princess Moana in Spain will be called Vaiana (and other branding problems)] (in Spanish). Verne (El País). October 11, 2015. Retrieved October 18, 2015.
Jump up ^ "In Italia il nuovo film Disney si intitolerà 'Oceania' e non 'Moana'" [In Italy, the new Disney movie will be titled 'Oceania' and not 'Moana']. Il Post (in Italian). December 3, 2015. Retrieved December 6, 2015.
Jump up ^ "Oceania della Disney ha cambiato titolo per Moana Pozzi: è... ufficioso!". ComingSoon.it (in Italian). November 18, 2016. Retrieved November 18, 2016.
Jump up ^ "Moana to be first Disney film translated into Tahitian language". Entertainment Weekly. October 25, 2016. Retrieved November 12, 2016.
Jump up ^ "Nala". Charguigou. Retrieved November 15, 2016.
Jump up ^ "Mandarin". Charguigou. Retrieved November 21, 2016.
Jump up ^ "Casting". www.adrenalingroup.com. Retrieved June 11, 2017.
Jump up ^ "Moana / English cast". Charguigou. Retrieved June 27, 2017.
Jump up ^ Speak Māori (June 8, 2017), Te Reo Māori Moana Casting, retrieved June 27, 2017
Jump up ^ "Moana | Bappi Lahiri as Tamatoa | In Cinemas December 2". YouTube. Retrieved December 2, 2016.
Jump up ^ "From Tamma Tamma to Tamatoa, Bappi da goes Hollywood". Bollywood Hungama. October 31, 2016. Retrieved October 31, 2016.
Jump up ^ Белик, Ольга (December 4, 2016). ""Моана" и другие: лучшие песни из анимационных фильмов Disney по версии THR". The Hollywood Reporter (in Russian).
Jump up ^ "Disney Says 'You're Welcome': 'Moana' Sing-Along Coming To Theaters Nationwide". /Film. Retrieved January 11, 2017.
Jump up ^ "Hawaiian Airlines unveils "Moana" plane". Honolulu Star-Advertiser. October 15, 2016. Retrieved December 20, 2016.
Jump up ^ Wolfe, Jennifer (January 13, 2017). "'Moana' Sails Home on Digital HD February 21 and Blu-ray March 7". Animation World Network. Retrieved January 15, 2017.
Jump up ^ Nancy Tartaglione (January 22, 2017). "'Rogue One' Blasts Past $1B at Global Box Office; 'Moana' Sails To $500M+". Deadline Hollywood. Retrieved January 22, 2017.
Jump up ^ Dave McNary (March 16, 2017). "Disney's 'Moana' Sails to $600 Million at Worldwide Box Office". Variety. Retrieved March 19, 2017.
Jump up ^ Thompson, Adam (December 8, 2016). "Disney Needed a Brainless Rooster for 'Moana,' So It Called Alan Tudyk". The Wall Street Journal. New York: The Dow Jones Company. Retrieved December 14, 2016. Disney won't disclose the budget of Moana, but major animated films typically run upward of $150 million.
Jump up ^ Brent Lang (November 21, 2016). "Thanksgiving Box Office: Disney’s ‘Moana’ to Feast on Brad Pitt’s ‘Allied,’ ‘Bad Santa 2’". Variety. Retrieved November 22, 2016. Disney didn't release a budget, but most of the studio's animated films cost north of $150 million.
Jump up ^ Meriah Doty (November 21, 2016). "'Moana' to Ride Big Box Office Wave With $75 Million-Plus". The Wrap. Retrieved November 22, 2016.
Jump up ^ Pamela McClintock (November 21, 2016). "Holiday Box Office: Disney to Dominate, Can Awards Contenders Escape the Arthouse?". The Hollywood Reporter. Retrieved November 22, 2016.
Jump up ^ Brevet, Brad (November 22, 2016). "'Moana' Sets Sights on $80+ Million 5-Day Thanksgiving Debut". Box Office Mojo. Retrieved November 23, 2016.
Jump up ^ D'Alessandro, Anthony (November 21, 2016). "Will 'Moana' Slay 'Fantastic Beasts' Over The Thanksgiving Stretch?". Deadline Hollywood. Retrieved November 22, 2016.
Jump up ^ D'Alessandro, Anthony (November 23, 2016). "'Moana' & 'Fantastic Beasts' Owning Thanksgiving Stretch – Midday B.O. Update". Deadline Hollywood. Retrieved November 23, 2016.
Jump up ^ D'Alessandro, Anthony (November 24, 2016). "Can 'Moana' Melt 'Frozen's $93.6M Thanksgiving 5-Day Record? – Early AM Update". Deadline Hollywood. Retrieved November 24, 2016.
Jump up ^ D'Alessandro, Anthony (November 26, 2016). "'Moana' Rings Up $22.5M on Black Friday As She Cruises Toward Disney's 2nd Best Thanksgiving Debut – Late Night B.O.". Deadline.com. Retrieved November 26, 2016.
Jump up ^ "Biggest 3-day Thanksgiving Openings at the Box Office". Box Office Mojo. Retrieved November 28, 2016.
Jump up ^ "Biggest 5-day Thanksgiving Openings at the Box Office". Box Office Mojo. Retrieved November 28, 2016.
Jump up ^ "Biggest 3-day Thanksgiving Weekends at the Box Office". Box Office Mojo. Retrieved November 28, 2016.
Jump up ^ "Biggest 5-day Thanksgiving Weekends at the Box Office". Box Office Mojo. Retrieved November 28, 2016.
Jump up ^ D'Alessandro, Anthony (November 27, 2016). "'Moana' Slots 2nd Best Thanksgiving Debut; 'Allied's Fight; 'Rules' The Worst Turkey Since 'Victor Frankenstein'". Deadline Hollywood. Retrieved November 28, 2016.
Jump up ^ D'Alessandro, Anthony (December 4, 2016). "'Moana' Keeps Fire Going in Chilly December Weekend; 'Manchester' & 'Jackie' Bask in Awards Season Rays". Deadline Hollywood. Retrieved December 6, 2016.
Jump up ^ Brevet, Brad (December 4, 2016). "'Moana' Repeats at No. 1, Topping Slow Post-Thanksgiving Weekend". Box Office Mojo. Retrieved December 6, 2016.
Jump up ^ Brevet, Brad (December 11, 2016). "'Moana' Threepeats at No. 1, 'La La Land' Opens Big in Limited Release". Box Office Mojo. Retrieved December 12, 2016.
Jump up ^ Brevet, Brad (December 18, 2016). "'Star Wars: Rogue One' Debuts With Over $290 Million Worldwide, 'Collateral Beauty' Struggles". Box Office Mojo. Retrieved December 19, 2016.
Jump up ^ D'Alessandro, Anthony (December 27, 2016). "'Rogue One' & 'Sing' Christmas Juggernaut Leaves Room For Specialty Films – Final Weekend Update". Deadline Hollywood. Retrieved December 30, 2016.
Jump up ^ "Moana (2016) – Weekly Box Office Results". Box Office Mojo. December 30, 2016. Retrieved December 31, 2016.
Jump up ^ "December 30 – January 1, 2017". Box Office Mojo. January 2, 2017. Retrieved January 11, 2017.
Jump up ^ "December 30 – January 2, 2017". Box Office Mojo. January 2, 2017. Retrieved January 11, 2017.
Jump up ^ "January 13–15, 2017". Box Office Mojo. January 15, 2017. Retrieved January 17, 2017.
Jump up ^ "January 13–16, 2017". Box Office Mojo. January 16, 2017. Retrieved January 17, 2017.
^ Jump up to: a b Tartaglione, Nancy (December 6, 2016). "'Fantastic Beasts' Bests $600M WW; 'Moana' Mints $180M; 'Doctor Strange' Ices 'Deadpool', 'Iron Man 2' – Intl Box Office". Deadline Hollywood. Retrieved December 11, 2016.
^ Jump up to: a b "China Box Office for Moana (2016)". The Numbers. Retrieved July 20, 2017.
Jump up ^ Patrick Frater (November 28, 2016). "China Box Office: 'Fantastic Beasts' Enjoys $40 Million Opening". Variety. Retrieved November 28, 2016.
Jump up ^ Tartaglione, Nancy (November 27, 2016). "'Fantastic Beasts' Climbs To $474M Global; 'Moana' Catches $16.3M Offshore Wave – Intl Box Office". Deadline Hollywood. Retrieved November 28, 2016.
Jump up ^ Amidi, Amid (December 4, 2016). "Chinese Embrace Makoto Shinkai's 'Your Name,' Reject 'Moana'". Cartoon Brew.
Jump up ^ Charles Gant (December 6, 2016). "Moana and Sully bobbing in the wake of Fantastic Beasts at UK box office". The Guardian. Retrieved December 11, 2016.
Jump up ^ Tartaglione, Nancy (January 15, 2017). "'Rogue One' Rises To $980M Global; 'Passengers' Takes Over Offshore No. 1 – International Box Office". Deadline Hollywood. Retrieved January 17, 2017.
Jump up ^ "Moana (2016)". Rotten Tomatoes. Fandango. Retrieved June 5, 2017.
Jump up ^ "Moana Reviews". Metacritic. CBS Interactive. Retrieved December 30, 2016.
Jump up ^ CinemaScore on Twitter (November 23, 2016). "Moana". Retrieved April 10, 2017.
Jump up ^ Morgenstern, Joe (November 23, 2016). "'Moana' Review: The Waves Part". The Wall Street Journal. Retrieved November 23, 2016.
Jump up ^ Brayson, Johnny (November 23, 2016). "'Moana' In 3D & 2D Both Offer Something Special for the Viewer". Bustle. Retrieved May 13, 2017.
Jump up ^ Monahan, Kaely (November 23, 2016). "Disney mixes classic animation, computers to create captivating 'Moana'". KTAR News. Retrieved May 13, 2017.
Jump up ^ McDonnell, Brandy (November 23, 2016). "Movie review: 'Moana'". NewsOK. Retrieved May 13, 2017.
Jump up ^ "Animating the Ocean". Los Angeles Review of Books. February 3, 2017. Retrieved May 13, 2017.
Jump up ^ Madigibuli, Ana (October 27, 2014). "Disney uses our camakau". Fiji Times.
Jump up ^ Anthropologist, Tēvita O. Ka'ili Indigenous Oceanian Cultural (November 26, 2016). "Goddess Hina: The Missing Heroine from Disney's Moana". The Huffington Post. Retrieved December 2, 2016.
Jump up ^ "Disney has pulled its controversial Moana costume after consumer complaints". Chip and Co. September 23, 2016. Retrieved September 24, 2016.
Jump up ^ "Disney accused of 'brownface' over Moana costume". BBC News.
External links
Wikiquote has quotations related to: Moana (2016 film)
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Amniotic fluid index
From Wikipedia, the free encyclopedia
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Amniotic fluid index (AFI) is a quantitative estimate of amniotic fluid[1] and an indicator of fetal well-being. It is a part of the biophysical profile.[1]
AFI is the score (expressed in cm) given to the amount of amniotic fluid seen on ultrasonography of a pregnant uterus. To determine the AFI, doctors may use a four-quadrant technique,[2] when the deepest, unobstructed, vertical length of each pocket of fluid is measured in each quadrant and then added up to the others,[3] or the so-called "Single Deepest Pocket" technique.[4]
An AFI between 8-18 is considered normal.[5] Median AFI level is approximately 14 from week 20 to week 35,[6] when the amniotic fluid begins to reduce in preparation for birth.
An AFI < 5-6 is considered as oligohydramnios.[3] The exact number can vary by gestational age. The fifth percentile for gestational age is sometimes used as a cutoff value.[7]
An AFI > 24-25 is considered as polyhydramnios.[3][8]
Causes of low amniotic fluid[edit]
Leaking or rupture of membranes
Leaking or rupture of membranes may be caused by a gush of fluid or a slow constant trickle of fluid. This is due to a tear in the membrane. Premature rupture of membranes can also result in low amniotic fluid levels.
Placental problems
Placental problems may cause low amniotic fluid. If the placenta is not providing enough blood and nutrients to the baby, then the baby may stop recycling fluid.
Birth defects
Birth defects may occur if the fetus has problems with the development of the kidneys or urinary tract, which could cause little urine production, and it can lead to low levels of amniotic fluid.
Maternal complications
Maternal complications may cause low amniotic fluid. Some factors such as hypertension, diabetes, dehydration, preeclampsia, and chronic hypoxia in a woman can have an effect on amniotic fluid levels.
References[edit]
^ Jump up to: a b Tom C Winter; Sanders, Roger C. (2006). Clinical Sonography: A Practical Guide. Hagerstown, MD: Lippincott Williams & Wilkins. p. 502. ISBN 0-7817-4869-0.
Jump up ^ http://www.perinatology.com/Reference/glossary/A/Amniotic%20Fluid%20Index.htm
^ Jump up to: a b c Carr, Phyllis L.; Ricciotti, Hope; Freund, Karen M.; Scott Kahan (2003). In a Page Ob/Gyn & Women's Health (In a Page). Cambridge, MA: Blackwell Publishers. p. 105. ISBN 1-4051-0380-9.
Jump up ^ http://www.americanpregnancy.org/pregnancycomplications/lowamnioticfluidoligohydramnios.htm
Jump up ^ http://www.gynob.com/biopamfl.htm
Jump up ^ http://www.fetalanomalies.org/Fluid.html
Jump up ^ Griffin M, Attilakos G, Greenwood R, Denbow M (2009). "Amniotic fluid index in low-risk, post-dates pregnancies". Fetal Diagn. Ther. 26 (4): 212–5. doi:10.1159/000265554. PMID 20029220.
Jump up ^ Sylvia Dobo; Mitchell King; Lipsky, Martin S.; Jeff Susman (2003). Family Medicine Certification Review. Cambridge, MA: Blackwell Publishers. p. 133. ISBN 1-4051-0329-9.
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Obstetrical surgery and other procedures (ICD-9-CM V3 72–75, ICD-10-PCS 1)
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Fetal fibronectin test
Obstetric ultrasonography:
Nuchal scan
Anomaly scan
Prenatal testing:
Fetal movement counting
Contraction stress test
Nonstress test
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Biophysical profile
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Umbilical Artery Dopplers
Intervention
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Amnioinfusion
Delivery
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Category 7: The End of the World
From Wikipedia, the free encyclopedia
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For the cable standard, see Category 7 cable.
Category 7: The End of the World
Cover of the DVD release of Category 7
Written by
Christian Ford
Roger Soffer
Directed by
Dick Lowry
Starring
Randy Quaid
Gina Gershon
Shannen Doherty
Tom Skerritt
Swoosie Kurtz
James Brolin
Robert Wagner
Adam Rodriguez
Lindy Booth
Theme music composer
Joseph Williams
Country of origin
United States
Canada
Original language(s)
English
Production
Producer(s)
Lesley Oswald
Peter Sadowski
Robert M. Sertner
Frank von Zerneck
Cinematography
Neil Roach
Editor(s)
Tod Feuerman
Running time
240 minutes
Distributor
CBS Television
Echo Bridge Home Entertainment
Budget
$15,000,000
Release
Original network
CBS
Original release
November 6 – November 13, 2005
Chronology
Preceded by
Category 6: Day of Destruction
Category 7: The End of the World is a 2005 four-hour television film miniseries that was broadcast in the United States on CBS in two parts, the first part aired on November 6 and the second on November 13. It was directed by Dick Lowry.[1] A sequel to the 2004 miniseries Category 6: Day of Destruction, this film starts directly after the events shown in that film. The new director of the Federal Emergency Management Agency (FEMA) must continue to contend with the massive storm system that hit Chicago in the first film. The storm has continued to gain strength, spawning additional storms around the world, with three converging over Washington, D.C. and forming a massive tropical cyclone scale 7 hurricane (although no tropical cyclone scale has a category numbered 7).
Contents
[hide]
1 Plot
2 Production
3 Release
4 Reception
5 References
6 External links
Plot[edit]
Following the events in Category 6: Day of Destruction, the superstorm that hit Chicago is continuing to grow in size and strength, with tornadoes hitting Paris and destroying the Eiffel Tower. Judith Carr (Gina Gershon), the new head of FEMA struggles to coordinate efforts to prepare for the aftermath of the storm and provide aid to ravaged areas. She calls in her former college lover, Dr. Ross Duffy (Cameron Daddo), and her father Senator Ryan Carr (Robert Wagner) to help her try to determine what is causing the storms and how to deal with the political issues. "Tornado Tommy" (Randy Quaid), who survived his seeming death in the previous film, returns to aid in tracking the storm in the United States, assisted by scientist Faith Clavell (Shannen Doherty). Similar storms are developing around the country and an interaction between urban heat islands and "falling chunks of mesosphere" fuels the storms making it more powerful. Hurricane Eduardo strikes toward Florida, while the Category 6 storm hits Buffalo and heads towards New York City.
During these catastrophic events, two Christian fundamentalists (James Brolin and Swoosie Kurtz) fake the arrival of the plagues of Egypt to lure in new converts, culminating in their kidnapping of the first-born children of Judith Carr and other high-ranking officials. When Tommy and Faith get their data to FEMA in New York, Judith realizes that Hurricane Eduardo is heading towards Washington, D.C. and the Category 6 storm in New York is heading in the same direction. When both storms collide with the mesosphere, it turns into a "Category 7" hurricane, obliterating anything in its path. The force of the storm is so massive, that a category 7 could potentially cause a global catastrophe, possibly leading to the apocalypse.
Production[edit]
The miniseries was produced by von Zerneck/Sertner Films, which also produced Category 6.[2] It was filmed at various locations around Winnipeg, Manitoba, Canada and the Canadian air force base 17 Wing was used for the fictional version of Biloxi, Mississippi's Keesler Air Force Base. Air force members were tapped as extra by the production company to play the United States Air Force members seen during the film. The air force base commander noted that the filming helped to boost the local economy, due to the $600,000 in salaries generated during filming, but did not cause interfering with operations or security at the base.[3]
David Price, the weather man for CBS's The Early Show who was given a cameo role in Category 6, returned for another cameo in Category 7. In this film, Price appears in a brief scene as a reporter who questions the character Judith Carr about bringing her former lover, Dr. Duffy, in to help with the storm issue. In an interview for his own show, Price said it took him a lot of practice to deliver his "crucial line" just right, with it taking four hours to shoot the brief scene. Director Dick Lowry jokingly noted that his biggest mistake in the film was giving Price the key line in that scene.[4]
Release[edit]
Category 7 was initially aired on CBS as a two-part, four-hour miniseries. The first part aired on Sunday, November 6, 2005. The second part aired a week later.[5][6]
The miniseries was released to DVD by Echo Bridge Entertainment on April 4, 2006 on a single disc.[7] On March 4, 2008, Echo Bridge released the film as a two movie set with another disaster film, 10.5: Apocalypse.[8] This was later followed by an April 2008 release of the film to Blu-ray, and a July 2008 Blu-ray release of the two movie pack.[9][10]
Reception[edit]
Category 7 was the top rated network miniseries in 2006.[2] The first part of the miniseries came in number 16 among the top 25 network programs aired in the week of October 31-November 6, and was the second most watched program for that Sunday with 14.7 million viewers.[11][12] The second part of the film was also the second most watched program for its timeslot on November 13, with 13.85 million viewers.[13]
The film was nominated for multiple awards in 2006, including a Primetime Emmy Award for "Outstanding Sound Editing for a Miniseries, Movie or a Special."[14] It was nominated for a Saturn Award for "Best Television Presentation",[15] a Cinema Audio Society Award for "Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series",[16] and two Golden Reel Awards for "Best Sound Editing in Television Long Form — Dialogue and Automated Dialogue Replacement" and "Best Sound Editing in Television Long Form — Sound Effects & Foley."[17][18]
Before Category 7 aired, CBS was criticized for choosing to air the miniseries only months after two devastating hurricanes, Hurricane Katrina and Hurricane Rita, hitting the United States, and a third, Hurricane Wilma, causing destruction in Florida in the same month the film was slated to première.[19]
The film received mixed reviews from critics, with many critics feeling that the first portion of the film was weak and confusing due to the large number of characters being introduced at once. SciFi.com's Kathie Huddleston considered the film to be "a pretty good disaster movie as disaster movies go", praising the overall acting, particularly the chemistry between Shannen Doherty and Randy Quaid, while criticizing it for having a weak opening, having a large, confusing number of characters, and for the inclusion of too many "silly things that distract", including most of the Fundamentalist plague and kidnapping subplot.[5]
Category 7 holds together better than either of last year's disaster minis, Category 6 or NBC's 10.5. While I'd absolutely love it if the writers didn't feel they had to resort to kidnapped teenagers and poisonous frogs when other storm-related drama would make so much more sense, Category 7 kind of brought me back to the good old days of the Poseidon Adventure and Earthquake. Ah, the memories. Back then they really knew how to make a disaster flick warm the cockles of your heart.
—  Kathie Huddleston, SciFi.com, On Screen[5]
References[edit]
Jump up ^ "Category 7: The End of the World". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved October 1, 2016.
^ Jump up to: a b "About". von Zerneck/Sertner Films. Archived from the original on February 13, 2009. Retrieved September 17, 2008.
Jump up ^ "17 Wing – Stars of Stage and Screen". Canada's Air Force. October 3, 2005. Retrieved September 17, 2008. [permanent dead link]
Jump up ^ David Price (Reporter) (November 4, 2005). Dave Price's Starring Role (Flash) (Television production). Manhattan, New York: CBS. Retrieved September 16, 2008.
^ Jump up to: a b c Huddleston, Kathie (October 31, 2005). "Category 7: The End of the World". On Screen. SciFi.com. 11 (445). Archived from the original on July 27, 2008. Retrieved September 2, 2008.
Jump up ^ "Category 7: The End of the World' Hits TV". ET Online. CBS. November 8, 2005. Retrieved September 2, 2008. [dead link]
Jump up ^ "Category 7: The End of the World". Amazon.com. Retrieved September 2, 2008.
Jump up ^ "10.5 Apocalypse / Category 7: The End of the World". Amazon.com. Retrieved September 2, 2008.
Jump up ^ "Category 7: The End of the World [Blu-ray]". Amazon.com. Retrieved September 2, 2008.
Jump up ^ "10. 5 Apocalypse/Category 7: The End of the World [Blu-ray]". Amazon.com. Retrieved September 2, 2008.
Jump up ^ "CBS' winning streak at 7 weeks". The San Diego Union-Tribune. November 9, 2005. Archived from the original on September 13, 2012. Retrieved October 4, 2008.
Jump up ^ Van Gelder, Lawrence (November 8, 2005). "Arts, Briefly". New York Times. Retrieved October 4, 2008.
Jump up ^ Van Gelder, Lawrence (November 15, 2005). "Arts, Briefly". New York Times. Retrieved October 4, 2008.
Jump up ^ "The 58th Primetime Emmy Awards and Creative Arts Emmys Nominations". Academy of Television Arts & Sciences. Retrieved September 2, 2008.
Jump up ^ "SITH Leads Nomination List for 32nd Annual". Mania Entertainment. February 15, 2006. Archived from the original on August 15, 2010. Retrieved September 2, 2008.
Jump up ^ "The Nominees for the Cinema Audio Society Awards for Outstanding Achievement in Sound Mixing for 2005". Cinema Audio Society. Archived from the original on July 23, 2008. Retrieved September 2, 2008.
Jump up ^ "Motion Picture Sound Editors, USA: 2006 Golden Reel Award". IMDB, Motion Picture Sound Editors. Retrieved September 2, 2008.
Jump up ^ "Past Golden Reel Awards". Motion Picture Sound Editors. Retrieved September 2, 2008.
Jump up ^ Jakle, Jeanne (October 20, 2005). "CBS going ahead with storm drama". San Antonio Express-News. pp. 05F.
External links[edit]
Official site
Category 7: The End of the World on IMDb
Category 7: The End of the World at AllMovie
Category 7: The End of the World at Rotten Tomatoes
Category 7: The End of the World at Metacritic
hide
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Films directed by Dick Lowry
Kenny Rogers as The Gambler (1980)
The Jayne Mansfield Story (1980)
Living Proof: The Hank Williams Jr. Story (1983)
Smokey and the Bandit Part 3 (1983)
Wet Gold (1984)
Murder with Mirrors (1985)
Dream West (1986)
In the Line of Duty: The F.B.I. Murders (1988)
Miracle Landing (1990)
Archie: To Riverdale and Back Again (1990)
In the Line of Duty: Street War (1992)
In the Line of Duty: Ambush in Waco (1993)
Forgotten Sins (1996)
Last Stand at Saber River (1997)
Two Came Back (1997)
Mr. Murder (1998)
Atomic Train (1999)
Follow the Stars Home (2001)
Category 6: Day of Destruction (2004)
Category 7: The End of the World (2005)
Silver Bells (2005)
Jesse Stone: Innocents Lost (2011)
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values: 최후의 카테고리 7 – Korean

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values: Категорія 7: Кінець світу – Ukrainian

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