text:
You Know I'm No Good
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"You Know I'm No Good"
UK CD 1 cover
Single by Amy Winehouse
from the album Back to Black
B-side
"Monkey Man"
Released
5 January 2007 (2007-01-05)
Format
12"
CD
digital download
Recorded
Chung King Studios,
Daptone Studios
(New York City)
Metropolis Studios
(London, England)
Genre
Blues
alternative hip hop[1]
Length
4:16
Label
Island
Songwriter(s)
Amy Winehouse
Producer(s)
Mark Ronson
Amy Winehouse singles chronology
"Rehab"
(2006) "You Know I'm No Good"
(2007) "Back to Black"
(2007)
"Rehab"
(2006) "You Know I'm No Good"
(2007) "Back to Black"
(2007)
Amy Winehouse US singles chronology
"You Know I'm No Good"
(2007) You Know I'm No Good2007 "Rehab"
(2007) Rehab2007
Alternative cover
UK CD 2 cover
Music video
"You Know I'm No Good" on YouTube
"You Know I'm No Good" is a song by English singer and songwriter Amy Winehouse from her second and final studio album Back to Black (2006). "You Know I'm No Good" was released as the second single from Back to Black on 5 January 2007. Originally recorded as a solo track, it was remixed with guest vocals from the Wu-Tang Clan member Ghostface Killah. The original appeared on Winehouse's album, while the version with Ghostface Killah appears on his album More Fish.
Arctic Monkeys performed this song on Jo Whiley's Live Lounge on BBC Radio 1 in their second appearance there, along with their single at the time, "Brianstorm". In summer 2007, "You Know I'm No Good" was used in advertisements and in the first season opening for AMC's TV drama Mad Men, although it was replaced with the current theme song for DVD release. It was also used for the opening to ITV's Secret Diary of a Call Girl. On the recap of The Best Songs of 2007 by Entertainment Weekly magazine, this song ranked at number two.[2]
Contents
[hide]
1 Music video
2 Release
3 Response
4 Track listings
5 Official versions and remixes
6 Charts and certifications
6.1 Weekly charts
6.2 Sales and certifications
7 References
8 External links
Music video[edit]
The music video, directed by Phil Griffin (who also directed the video for her previous hit "Rehab"), was released to music channels in late November 2006. The video features Winehouse in numerous settings including a bar, a bedroom, and a bathtub. The plot is based around Winehouse's fictional character's relationship with the male character in the video. Video was shot by director of photography Adam Frisch.
The video premiered on VH1 during the weekend of 3 March 2007. Following its VH1 premiere, it was placed on MTV's Big 10 rotation as of 5 March 2007 and was premiered on TRL the same day. The song was heard on a sneak preview of AMC's original series Mad Men.
Release[edit]
The single was released in the UK on 8 January 2007. The track made it onto BBC Radio 1's A-list playlist. A UK edit of the remix featuring Ghostface Killah was also sent to radio, and to download services, and the original full-length U.S. version, featuring Ghostface Killah name-checking Kelly Clarkson amongst others, also received airplay in the U.S., where it was added to numerous Rhythmic radio stations.
Following Winehouse's success at the 50th Grammy Awards, the song was re-released in the U.S. in mid-February 2008.[3]
A documentary film based on the life and death of Winehouse was released, Amy (2015) and a performance of Winehouse performing You Know I'm No Good at 45th At Night, in 2007 was featured.
Response[edit]
Critical response to the single was positive. For the week of 16 January 2007, the track was chosen as the Single of the Week on the U.S. iTunes Store as a free download. Newsweek also chose the song as its Pick of the Week for 15 January of the same year.[4] Billboard found that the track—"in original form—could be no better"; however, it acknowledged that the Ghostface Killah remix added a "ferocious discordant sputter at the midsection."[5] People magazine called the track "instantly memorable."[6] Raving Rabbids Covered From Rayman Raving Rabbids TV Party Prior to this, Winehouse had not seen any success in the U.S., as her debut album Frank was not released there until November 2007. On the Billboard Hot 100, "You Know I'm No Good" debuted at number 91 spot ahead of "Rehab", which also debuted on the chart the same week.[7] The single peaked on the UK Singles Chart at number 18 for the week ending 14 January 2007, in an excellent week for Winehouse that saw Back to Black achieve a new UK peak of number one, previous single "Rehab" return to the UK top 20, and Frank re-enter the UK chart at number 62 more than three years after its first release. To date, the single, which spent a total of 11 consecutive weeks on the UK Singles Chart, has sold 53,272 copies in the UK.
Winehouse performed the song at the 50th Annual Grammy Awards ceremony while in London, along with her hit single "Rehab". The performance was broadcast internationally via satellite. The song's performance on the awards ceremony subsequently led to an increase in digital downloads, notably on iTunes, where the song reentered the Top Songs chart at number 55 in the United States. This resulted in a new peak for the song on the Billboard Hot 100, of number 77, one spot ahead of its previous peak. Arctic Monkeys performed a cover of the song on their 2007 tour.[8]
A remix by Ghostface Killah appears on the reissue of Back to Black, featuring one verse by Ghostface, and a second remix, featuring more Ghostface verses, appears on his album More Fish.
English actor Roger Moore said he had no idea why Winehouse chose to include him in the lyrics, unless she wanted a word that rhymed with "door", or could not find a word that rhymed with "Connery".[9]
Following her death, the song re-entered the UK Singles Chart at 37.
Track listings[edit]
UK CD 1
"You Know I'm No Good"
"To Know Him Is to Love Him" (NapsterLive Session)
UK CD 2
"You Know I'm No Good"
"Monkey Man"
"You Know I'm No Good" (Skeewiff Mix)
European CD single
"You Know I'm No Good"
"You Know I'm No Good" (featuring Ghostface Killah)
"You Know I'm No Good" (Skeewiff Mix)
German 12" promo single
A1. "You Know I'm No Good" (Skeewiff Mix)
A2. "You Know I'm No Good" (Album Version)
A3. "You Know I'm No Good" (Instrumental)
B1. "You Know I'm No Good" (Ghostface Killah Version)
B2. "You Know I'm No Good" (Fettes Brot Remix)
B3. "You Know I'm No Good" (A Cappella)
USA 12" single (Universal Republic B0008491-11)
A1. "You Know I'm No Good" – 4:16
A2. "You Know I'm No Good" (featuring Ghostface Killah) – 3:22
B1. "Rehab" – 3:32
B2. "Rehab" (Hot Chip Remix) – 6:58
Digital download – Remixes & B-Sides EP (2015)[10]
"You Know I'm No Good" (featuring Ghostface Killah) (Ghostface UK Version) – 3:23
"You Know I'm No Good" (Skeewiff Mix) – 5:45
"You Know I'm No Good" (Demo Version) – 4:14
"You Know I'm No Good" (Vodafone Live at TBA) – 4:21
"You Know I'm No Good" (Fettes Brot Remix) – 3:52
Official versions and remixes[edit]
Album Version – 4:16
Radio Edit – 3:37
Video Version – 3:52
AOL Winter Live 2006 – 4:30
Demo Version – 4:13
Ghostface Killah Remix (U.S.) – 4:23
Ghostface Killah (UK) – 3:22
NapsterLive Sessions – 3:19
Fettes Brot Remix
Skeewiff Mix – 5:45
One-2 Remix – 2:37
Charts and certifications[edit]
Weekly charts[edit]
Chart (2007–08)
Peak
position
Australian Singles Chart[11] 89
Austrian Singles Chart[12] 50
Belgian Tip Chart (Flanders)[12] 2
Belgian Tip Chart (Wallonia)[12] 19
Canadian Hot 100[13] 54
Danish Singles Chart[14] 23
Dutch Single Top 100[12] 27
European Hot 100 Singles[13] 47
French Singles Chart[12] 17
German Singles Chart[15] 71
Irish Singles Chart[16] 39
Norwegian Singles Chart[17] 12
Romanian Top 100[18] 39
Slovak Airplay Chart[19] 29
Spanish Singles Chart[20] 48
Swiss Singles Chart[12] 7
UK Singles Chart[21] 18
US Billboard Hot 100[13] 77
US Hot R&B/Hip-Hop Songs (Billboard)[13] 87
Sales and certifications[edit]
Region
Certification
Certified units/Sales
Switzerland (IFPI Switzerland)[22]
Platinum 30,000^
United States
729,000[23]
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
Jump up ^ Mason, Kerri (11 March 2007). "Review: Amy Winehouse's 'Back to Black'". Billboard. Retrieved 23 December 2014.
Jump up ^ "The 10 best songs of 2007 – Alicia Keys–2–Best & Worst 2007–Music–The Best & Worst of 2007–Entertainment Weekly". Entertainment Weekly.
Jump up ^ Flo Rida Makes It Nine Straight Atop Hot 100
Jump up ^ No byline (2007-01-15), "THE LIST". Newsweek. 149 (3):68
Jump up ^ Taylor, Chuck (2007-03-17), "You Know I'm No Good". Billboard. 119 (11):52
Jump up ^ Arnold, Chuck (2007-11-26), "Amy Winehouse". People. 68 (22):48
Jump up ^ Katie Hasty, "Fergie Scores Second 'Glamorous' Week At No. 1", Billboard.com, 22 March 2007.
Jump up ^ Eliscu, Jenny (2007-06-14), "The Diva and Her Demons". Rolling Stone. (1028):58–69 Retrieved 14 December 2007
Jump up ^ Bryony Gordon (23 September 2008). "Roger Moore: I'm the worst Bond, apparently". The Daily Telegraph. London. Retrieved 6 April 2012.
Jump up ^ "iTunes - Music - You Know I'm No Good (Remixes & B Sides) - EP by Amy Winehouse". iTunes Store (GB).
Jump up ^ Steffen Hung. "Forum - ARIA Chartifacts 01-August-2011 (ARIA Charts: Weekly ARIA Chartifacts)". australian-charts.com. Retrieved 2012-03-16.
^ Jump up to: a b c d e f "Amy Winehouse – You Know I'm No Good". Ultratop. Hung Medien. Retrieved 4 January 2011.
^ Jump up to: a b c d "You Know I'm No Good – Amy Winehouse". Billboard. Nielsen Business Media, Inc. Retrieved 4 January 2011.
Jump up ^ "Track Top 40". IFPI. IFPI. Retrieved 26 February 2012.
Jump up ^ "Musicline.de – Chartverfolgung – Amy Winehouse – You Know I'm No Good (2-track)". Media Control (in German). PhonoNet GmbH. Retrieved 4 January 2011.
Jump up ^ "Top 50 Singles, Week Ending 18 January 2007". Irish Recorded Music Association. Chart-Track. Retrieved 4 January 2011.
Jump up ^ "Amy Winehouse feat. Ghostface Killah – You Know I'm No Good". Verdens Gang. Hung Medien. Retrieved 4 January 2011.
Jump up ^ "Romanian Top 100 – 7/2007" (in Romanian). Vento Consultanta SRL. Archived from the original on 6 March 2007. Retrieved 2 March 2008.
Jump up ^ "RADIO TOP100 Oficiálna" (in Slovak). International Federation of the Phonographic Industry. Retrieved 2 March 2008.
Jump up ^ "Spanish Singles Top 50". PROMUSICAE.
Jump up ^ "Chart Stats – Amy Winehouse – You Know I'm No Good". The Official Charts Company. Chart Stats. Retrieved 4 January 2011.
Jump up ^ "The Official Swiss Charts and Music Community: Awards (Amy Winehouse; 'You Know I'm No Good')". IFPI Switzerland. Hung Medien. Retrieved 23 December 2014.
Jump up ^ Trust, Gary (23 July 2011). "Amy Winehouse's Billboard U.S. Chart History". Billboard. Archived from the original on 31 August 2014.
External links[edit]
Lyrics of this song at MetroLyrics
[show]
v
t
e
Amy Winehouse
Awards and nominations
Discography
Songs
Frank
"Stronger Than Me"
"Take the Box"
"In My Bed"
"You Sent Me Flying"
"Fuck Me Pumps"
"Help Yourself"
Back to Black
"Rehab"
"You Know I'm No Good"
"Back to Black"
"Tears Dry on Their Own"
"Love Is a Losing Game"
Lioness: Hidden Treasures
"Body and Soul"
"Our Day Will Come"
Featured singles
"Valerie"
"B Boy Baby"
"Cherry Wine"
Live albums
Amy Winehouse at the BBC
Video releases
I Told You I Was Trouble: Live in London
Related articles
Lioness Records
Dionne Bromfield
Mark Ronson
Tyler James
Island Records
Secret Diary of a Call Girl
27 Club
Amy Winehouse Foundation
Amy
soundtrack
Statue
[show]
v
t
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Wanda Jackson
Albums
Singles
Studio albums
The Party Ain't Over
Unfinished Business
Live album
Wanda Live! at Third Man Records
Notable songs
"You Can't Have My Love"
"I Gotta Know"
"Riot in Cell Block Number 9"
"Let's Have a Party"
"Happy, Happy Birthday Baby"
"Right or Wrong"
"Funnel of Love"
"In the Middle of a Heartache"
"A Little Bitty Tear"
"The Box It Came In"
"Tears Will Be the Chaser for Your Wine"
"If I Had a Hammer"
"My Big Iron Skillet"
"Two Separate Bar Stools
"A Woman Lives for Love"
"Fancy Satin Pillows"
"You Know I'm No Good"
[show]
v
t
e
Secret Diary of a Call Girl
Episode list
"Episode 1.1"
"Episode 1.8"
Characters
Hannah Baxter
Stephanie Charlton
Related
"You Know I'm No Good"
The Intimate Adventures of a London Call Girl
Billie and the Real Belle Bare All
Belle de Jour
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text:
The Mediator Between Head and Hands Must Be the Heart
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
The Mediator Between Head and Hands Must Be the Heart
Studio album by Sepultura
Released
October 25, 2013 (EU)
October 28, 2013 (UK)
October 29, 2013 (NA)
Recorded
June−July 2013, Venice, Los Angeles, California, United States
Genre
Groove metal
thrash metal
death metal
Length
47:04
Label
Nuclear Blast
Producer
Ross Robinson
Sepultura chronology
Kairos
(2011) The Mediator Between Head and Hands Must Be the Heart
(2013) Machine Messiah
(2017)
Singles from The Mediator Between Head and Hands Must Be the Heart
"The Age of the Atheist"
Released: September 20, 2013
The Mediator Between Head and Hands Must Be the Heart is the thirteenth studio album by the Brazilian metal band Sepultura. It was released on October 25, 2013 in Europe on October 29 in the United States via Nuclear Blast.[1][2] The album is based on the 1927 science fiction film Metropolis; its title is a quote from the film.
It is the band's first album to feature drummer Eloy Casagrande, and the first album by the band to be recorded in the United States since 1998's Against. The album was produced by Ross Robinson, who previously produced the band's 1996 album Roots.
Contents
[hide]
1 Background
2 Musical style
3 Concept
4 Reception
5 Track listing
6 Singles
7 Personnel
8 References
Background[edit]
The band hinted at a thirteenth studio album as early as May 2012, when guitarist Andreas Kisser told Metal Underground that Sepultura would soon "start working on something new with [new drummer who joined in 2011] Eloy [Casagrande]" and see if they could "get ready for new music early next year."[3] Later,. Kisser revealed that Sepultura was "already thinking about new ideas" for their next album and was going to "have something new going on" in 2013.[4]
On December 10, 2012, producer Ross Robinson, who produced Sepultura's Roots album, hinted on Twitter that he would be producing the new album, tweeting: "Oh, didn't mention.. Spoke to Andreas, it's on. My vision, smoke Roots- It can be done",[5] which was later confirmed with another announcement that Steve Evetts would be co-producing the album.[6]
By April 2013, the band had 13 songs in development, with Kisser commenting positively about the progress of the album, saying: "This is the first time writing with Eloy Casagrande on drums and everything sounds fresh(...)You'll just have to wait to hear it. It's very difficult to describe what we're doing, but I can say that will be one of the strongest Sepultura albums to date."[6] In May, vocalist Derrick Green reported "We have written most of the music already and now we are working on lyrics for the album. We should have everything ready before we hit the studio June 1st."[7]
On June 10, during the recording of the album, the band announced that they had six songs recorded for the album, and according to Kisser, they were "going in a rate of two songs a day".[8] Later that month, it was announced that former Slayer drummer Dave Lombardo would make a guest appearance on the album, with Kisser explaining "When the mics were all ready and running Eloy and Dave started playing and the magic was on, so great! The part they recorded will be a special part on the middle of one of the songs, it came out crazy!" [9]
On July 12, it was announced that the band has completed recording the album, and a week later, they announced that it would be called The Mediator Between Head and Hands Must Be the Heart.
Musical style[edit]
Vocalist Derrick Green described the album's sound as "really sinister, dark, and metal as hell!"[7] whilst guitarist Andreas Kisser said that the album is "brutal, fast and straight to the point".[1] They also commented positively on the input of new drummer Eloy Casagrande, with Green explaining "It's been great working with Eloy in the writing process because it brings a whole different energy to the music. The many changes that have been going on in our lives and in the world also add to the making of the new album."[7]
Concept[edit]
Guitarist Andreas Kisser said of the album title: "I was inspired by a phrase which is the main message of the story: “The mediator between the head and hands must be the heart” to express what we are saying on the lyrics." Although the album was inspired by the 1927 film Metropolis, it is not intended to be a concept album, unlike two of the band's previous studio albums, Dante XXI (based on Dante Alighieri's The Divine Comedy) and A-Lex (based on the 1962 novel A Clockwork Orange by Anthony Burgess). As guitarist Andreas Kisser explains:
"In the movie, a crazy millionaire wants to transform a robot into a real person. That's kind of the opposite of what we live today. More than ever we are robotized, through the worldwide web, Google glasses, chips under our skins and the globalized slavery our society suffers nowadays. The [aforementioned] phrase points to the heart as being the human factor who keeps a man, a man, not a robot. The heart beats with freedom of choice, we have to think by ourselves to create a real world, not a matrix. Being a novel written in the early 1920′s, it's almost prophetical. It helped us to put the ideas together for the lyrics to express what we see today. I live in São Paulo, Brasil, one of the big metropolis in the world with more than 20,000,000 people living and working in it. I know how it is to live in daily chaos, our music reflects a lot of that feeling."[1]
Reception[edit]
Professional ratings
Review scores
Source
Rating
Blabbermouth.net [10]
About.com [11]
Allmusic [12]
Ray Van Horn, Jr. from Blabbermouth gave the album 8 of 10 stars, stating that " (...) most people should come out of this listening session pleased by the results". Matt Hinch from About.com said that "Mediator is arguably Sepultura’s best album this millennium and I'm sure some will even say since Chaos A.D.", and gave the album 4 of 5 stars. The album sold over 1,800 copies in the United States in its first week of release.[13]
Track listing[edit]
All lyrics written by Derrick Green and Andreas Kisser; all music composed by Kisser and Eloy Casagrande, except where noted.
No.
Title
Length
1. "Trauma of War" 3:45
2. "The Vatican" (Intro composed by Renato Zanuto) 6:33
3. "Impending Doom" 4:15
4. "Manipulation of Tragedy" 4:16
5. "Tsunami" 5:10
6. "The Bliss of Ignorants" 4:51
7. "Grief" 5:34
8. "The Age of the Atheist" 4:19
9. "Obsessed" (featuring Dave Lombardo) 3:53
10. "Da Lama ao Caos" (Chico Science & Nação Zumbi cover; music by Science) 4:28
Bonus track (iTunes exclusive)
No.
Title
Length
11. "Stagnate State of Affairs" 3:37
Singles[edit]
"The Age of the Atheist" – released in 2013
No.
Title
Length
1. "The Age of the Atheist" 4:19
2. "Zombie Ritual" (Death cover) 4:45
Personnel[edit]
Sepultura
Derrick Green – lead vocals, percussion on "Da Lama ao Caos"
Andreas Kisser – guitars, backing vocals, vocals on "Da Lama ao Caos"
Paulo Jr. – bass
Eloy Casagrande – drums
Additional personnel
Dave Lombardo – additional drums on "Obsessed"
Fredo Ortiz – percussion
Renato Zanuto – keyboards
Jaque Humara – voice effects
Technical staff
Ross Robinson – producer
Steve Evetts – mixing
Alan Douches – mastering
Alexandre Wagner – paintings
Melissa Castro – photo
Rob Kimura – layout
Mike Balboa – studio assistant
Gregoy Alan Coates – technician
Digipack includes "making of" DVD.
Otavio Juliano – director
Luciana Ferraz – executive producer
Mike Balboa, Eduardo de Andrea and Otavio Juliano – photographers
References[edit]
^ Jump up to: a b c "SEPULTURA – announce upcoming album's title!".
Jump up ^ http://loudwire.com/sepultura-art-track-list-new-album/
Jump up ^ "Brazilian Guitarist Andreas Kisser: "The Spirit Of Sepultura Is Still Very Much Alive"".
Jump up ^ "SEPULTURA To Film Concert DVD With French Percussive Group LES TAMBOURS DU BRONX".
Jump up ^ "Twitter / ROSS_ROBINSON".
^ Jump up to: a b "Sepultura Reunite With 'Roots' Producer Ross Robinson For New LP - Music News, Reviews, Interviews and Culture". Music Feeds. Retrieved 2013-07-23.
^ Jump up to: a b c "Derrick Green: 'New Sepultura Album Is Metal as Hell'".
Jump up ^ "Sepultura Reportedly Recorded Six Songs for the New Album".
Jump up ^ "Dave Lombardo To Guest On The Upcoming SEPULTURA Record - Metal Injection | Upcoming Releases". Metal Injection. 2013-06-14. Retrieved 2013-07-23.
Jump up ^ Horn, Ray. "Sepultura - The Mediator Between Head and Hands Must Be The Heart Review". Blabbermouth.net. Retrieved October 2013. Check date values in: |accessdate= (help)
Jump up ^ Hinch, Matt. "Sepultura - The Mediator Between Head and Hands Must Be The Heart Review". About.com. Retrieved October 2013. Check date values in: |accessdate= (help)
Jump up ^ http://www.allmusic.com/album/mediator-between-head-hands-must-be-the-heart-mw0002580761
Jump up ^ http://www.blabbermouth.net/news/sepultura-mediator-between-head-and-hands-first-week-sales-revealed/#o1f7iQuixBRoruZM.99
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Three-point field goal
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In American and Canadian football, a field goal happens to be worth three points.
Sara Giauro shoots a three-point shot at the 2005 FIBA Europe Cup Women's Finals
A three-point field goal (also 3-pointer or informally, trey) is a field goal in a basketball game made from beyond the three-point line, a designated arc surrounding the basket. A successful attempt is worth three points, in contrast to the two points awarded for field goals made within the three-point line and the one point for each made free throw.
The distance from the basket to the three-point line varies by competition level: in the National Basketball Association (NBA) the arc is 23 feet 9 inches (7.24 m) from the basket; in FIBA and the WNBA (the latter uses FIBA's three-point line standard) the arc is 6.75 metres or 22 feet 1 3⁄4 inches from the basket; and in the National Collegiate Athletic Association (NCAA) the arc is 20 feet 9 inches (6.32 m) from the basket. In the NBA and FIBA/WNBA, the three-point line becomes parallel to each sideline at the points where the arc is 3 feet (0.91 m) from each sideline; as a result the distance from the basket gradually decreases to a minimum of 22 feet (6.71 m). In the NCAA the arc is continuous for 180° around the basket. There are more variations (see main article).
In 3x3, a FIBA-sanctioned variant of the half-court 3-on-3 game, the "three-point" line exists, but shots from behind the line are only worth 2 points. All other shots are worth 1 point.[1]
Contents
1 History
2 Rule specifications
3 Related concepts
4 See also
5 References
6 External links
History[edit]
The three-point line was first tested at the collegiate level in a 1945 NCAA game between Columbia and Fordham but it was not kept as a rule. At the direction of Abe Saperstein, the American Basketball League became the first basketball league to institute the rule in 1961. Its three-point line was a radius of 25 feet (7.62 m) from the baskets, except along the sides.[2] The Eastern Professional Basketball League followed in its 1963–64 season.
The three-point shot later became popularized by the American Basketball Association (ABA), introduced in its inaugural 1967–68 season. ABA commissioner George Mikan stated the three-pointer "would give the smaller player a chance to score and open up the defense to make the game more enjoyable for the fans."[3] During the 1970s, the ABA used the three-point shot, along with the slam dunk, as a marketing tool to compete with the National Basketball Association (NBA).
The official scorer's report showing the first three-point field goal in NBA history on October 12, 1979
In the 1979–80 season, after having tested it in the previous pre-season, the NBA adopted the three-point line despite the view of many that it was a gimmick.[4] Chris Ford of the Boston Celtics is widely credited with making the first three-point shot in NBA history on October 12, 1979, a game more noted for the debut of Larry Bird (and two new head coaches).[5][6] Rick Barry of the Houston Rockets, in his final season, also made one in the same game, and Kevin Grevey of the Washington Bullets made one that Friday night as well.[6][7]
The sport's international governing body, FIBA, introduced the three-point line in 1984, at 6.25 m (20 ft 6 in).
The NCAA's Southern Conference became the first collegiate conference to use the three-point rule, adopting a 22-foot (6.71 m) line for the 1980–81 season.[8][9] Ronnie Carr of Western Carolina University was the first to score a three-point field goal in college basketball history on November 29, 1980.[9][10][11] Over the following five years, NCAA conferences differed in their use of the rule and distance required for a three-pointer. The line was as close as 17 ft 9 in (5.41 m) in the Atlantic Coast Conference (ACC), and as far away as 22 ft (6.71 m) in the Big Sky.[12][13][14]
Used only in conference play for several years, it was adopted by the NCAA in April 1986 for the 1986–87 season at 19 ft 9 in (6.02 m),[15] and was first used in the NCAA Tournament in 1987.[16] In the same 1986–87 season, the NCAA adopted the three-pointer in women's basketball on an experimental basis, using the same distance, and made its use mandatory beginning in 1987–88.[17] In 2007, the NCAA lengthened the men's distance by a foot to 20 ft 9 in (6.32 m), effective with the 2008–09 season,[18] and the women's line was moved to match the men's in 2011–12.[17] American high schools, along with elementary and middle schools, adopted a 19 ft 9 in (6.02 m) line nationally in 1987, a year after the NCAA.[19] The NCAA used the FIBA three-point line (see below) in the National Invitation Tournament (NIT) in 2018.[20]
During the 1994–95, 1995–96, and 1996–97 seasons, the NBA attempted to address decreased scoring by shortening the distance of the line from 23 ft 9 in (7.24 m) (22 ft (6.71 m) at the corners) to a uniform 22 ft (6.71 m) around the basket. From the 1997–98 season on, the NBA reverted the line to its original distance of 23 ft 9 in (22 ft at the corners, with a 3 inch differential). Ray Allen is currently the NBA all-time leader in career made three-pointers with 2,973.[21]
In 2008, FIBA announced that the distance would be increased by 50 cm (19.69 in) to 6.75 m (22 ft 1 3⁄4 in), with the change being phased in beginning in October 2010. In December 2012, the WNBA announced that it would be using FIBA's distance, too, as of the 2013 season. The NBA has discussed adding a four-point line, according to president Rod Thorn.[22]
In the NBA, three-point field goals have become increasingly more frequent along the years, with effectiveness increasing slightly. The 1979-80 season had an average 2.2 three-point goals per game and 6.6 attempts (33% effectiveness). The 1989-90 season had an average 4.8 three-point goals per game and 13.7 attempts (35% effectiveness). The 2009-10 season had an average 6.4 three-point goals per game and 18.1 attempts (36% effectiveness). The 2016-17 season had an average 9.7 three-point goals per game and 27.0 attempts (36% effectiveness).[23]
Rule specifications[edit]
A three-point line consists of an arc at a set radius measured from the point on the floor directly below the center of the basket, and two parallel lines equidistant from each sideline extending from the nearest end line to the point at which they intersect the arc. In the NBA and FIBA standard, the arc spans the width of the court until it is a specified minimum distance from each sideline. The three-point line then becomes parallel to the sidelines from those points to the baseline. The unusual formation of the three-point line at these levels allows players some space from which to attempt a three-point shot at the corners of the court; the arc would be less than 2 feet (0.61 m) from each sideline at the corners if it was a continuous arc. In the NCAA and American high school standards, the arc spans 180° around the basket, then becomes parallel to the sidelines from the plane of the basket center to the baseline (5 feet 3 inches or 1.60 metres). The distance of the three-point line to the center of the hoop varies by level:
Arc radius
Minimum distance from sidelines
National Basketball Association 23 feet 9 inches (7.24 m) 3 feet (0.91 m) [24]
FIBA (also used by WNBA) 22 feet 2 inches (6.76 m) 4 feet 1 inch (1.24 m) [25]
National Collegiate Athletic Association 20 feet 9 inches (6.32 m) 4 feet 3 inches (1.30 m) [26]
American high school basketball 19 feet 9 inches (6.02 m) 5 feet 3 inches (1.60 m) [27]
A player's feet must be completely behind the three-point line at the time of the shot or jump in order to make a three-point attempt; if the player's feet are on or in front of the line, it is a two-point attempt. A player is allowed to jump from outside the line and land inside the line to make a three-point attempt, as long as the ball is released in mid-air.
An official raises his/her arm with three fingers extended to signal the shot attempt. If the attempt is successful, he/she raises his/her other arm with all fingers fully extended in manner similar to a football official signifying successful field goal to indicate the three-point goal. The official must recognize it for it to count as three points. Instant replay has sometimes been used, depending on league rules. The NBA,[28] WNBA, FIBA and the NCAA specifically allow replay for this purpose. In NBA, FIBA, and WNBA games, video replay does not have to occur immediately following a shot; play can continue and the officials can adjust the scoring later in the game, after reviewing the video. However, in late game situations, play may be paused pending a review.
If a shooter is fouled while attempting a three-pointer and subsequently misses the shot, the shooter is awarded three free-throw attempts. If a player completes a three-pointer while being fouled, the player is awarded one free-throw for a possible 4-point play. Conceivably, if a player completed a three-pointer while being fouled, and that foul was ruled as either a Flagrant 1 or a Flagrant 2 foul, the player would be awarded two free throws for a possible 5-point play.
Related concepts[edit]
Major League Lacrosse features a two-point line which forms a 15-yard (14 m) arc around the front of the goal. Shots taken from behind this line count for two points, as opposed to the standard one point.
In gridiron football, a standard field goal is worth three points; various professional and semi-pro leagues have experimented with four-point field goals. NFL Europe and the Stars Football League adopted a rule similar to basketball's three-point line in which an additional point was awarded for longer field goals; in both leagues any field goal of 50 yards (46 m) or more was worth four points. The Arena Football League awards four points for any successful drop kicked field goal (like the three-point shot, the drop kick is more challenging than a standard place kick, as the bounce of the ball makes a kick less predictable, and arena football also uses narrower goal posts for all kicks than the outdoor game does).
During the existence of the World Hockey Association in the 1970s, there were proposals for two-point hockey goals for shots taken beyond an established distance (one proposal was a 44-foot (13.4m) arc, which would have intersected the faceoff circles), but this proposal gained little support and faded after the WHA merged with the NHL. It was widely believed that long-distance shots in hockey had little direct relation to skill (usually resulting more from goalies' vision being screened or obscured), plus with the lower scoring intrinsic to the sport a two-point goal was seen as disruptive of the structure of the game.
The Super Goal is a similar concept in Australian rules football, in which a 50-meter (55 yd) arc determines the value of a goal; within the arc, it is the usual 6 points, but 9 points are scored for a "super goal" scored from outside the arc. To date the super goal is only used in pre-season games and not in the season proper.[29]
The National Professional Soccer League II, which awarded two points for all goals except those on the power play, also used a three-point line, drawn 45 feet (14 m) from the goal. It has since been adopted by some other indoor soccer leagues.
See also[edit]
50–40–90 club, exclusive group of players who have made at least 50% of two-pointers, 40% of three-pointers, and 90% of free throws in a season.
List of National Basketball Association career 3-point scoring leaders
References[edit]
Jump up ^ "Article 5: Scoring" (PDF). 3x3 Official Rules of the Game. FIBA. January 2016. Retrieved 3 September 2017.
Jump up ^ Frazier, Walt; Sachare, Alex (1998). The Complete Idiot's Guide to Basketball. New York City: Penguin Group.
Jump up ^ "4-Point Play Gets Approval By ABA". Associated Press. July 11, 1967. Retrieved June 17, 2013.
Jump up ^ "The History of the 3-Pointer - iHoops". Web.archive.org. 16 December 2010. Archived from the original on 16 December 2010. Retrieved 15 November 2017. CS1 maint: BOT: original-url status unknown (link)
Jump up ^ "Bird only 'so-so,' but Celts win over Houston". Deseret News. (Salt Lake City, Utah). UPI. October 13, 1979. p. 4A.
^ Jump up to: a b "Celtics, 114-106". Eugene Register-Guard. (Oregon). October 13, 1979. p. 5C.
Jump up ^ "NBA standings (and boxscores)". Deseret News. (Salt Lake City, Utah). October 13, 1979. p. 5A.
Jump up ^ Sanders, Steve (February 9, 1981). "22 will get you 3". Spartanburg Herald. South Carolina. p. B1.
^ Jump up to: a b "Basketball". Southern Conference. Retrieved July 30, 2015.
Jump up ^ "Carr's shot makes cage Hall of Fame". Gadsden Times. Alabama. Associated Press. May 31, 1981. p. 36.
Jump up ^ "Three-pointer turns 25". Eugene Register-Guard. (Oregon). Associated Press. December 3, 2005. p. B3.
Jump up ^ McCallum, Jack (November 29, 1982). "It will be one testy season". Sports Illustrated: 42.
Jump up ^ "Monson not so high on the 3-point shot". Lewiston Morning Tribune. (Idaho). wire services. November 11, 1982. p. 6B.
Jump up ^ "Debate over 3-pointer Continues". Web.archive.org. 26 July 2010. Archived from the original on 5 December 2012. Retrieved 15 November 2017. CS1 maint: BOT: original-url status unknown (link)
Jump up ^ McCallum, Jack (January 5, 1987). "The three-point uproar". Sports Illustrated: 40.
Jump up ^ Butts, David (April 3, 1986). "NCAA adds three-point basket". Bryan Times Agency=UPI. p. 12.
^ Jump up to: a b "NCAA Women's Basketball Playing Rules History" (PDF). NCAA. Retrieved August 23, 2017.
Jump up ^ "Important Rules Changes by Year" (PDF). NCAA Men's Basketball Record Book. NCAA. Retrieved August 23, 2017.
Jump up ^ Lynch, John (27 March 1987). "High School Basketball Draws Line, Adopts 3-Point Rule". Los Angeles Times.
Jump up ^ Bonagura, Kyle (February 27, 2018). "NIT to experiment with new rules this season". ESPN.com. Retrieved February 28, 2018.
Jump up ^ "NBA & ABA Career Leaders and Records for 3-Pt Field Goals | Basketball-Reference.com". Basketball-Reference.com. Retrieved 2016-05-19.
Jump up ^ "NBA has discussed bigger court, 4-point shot". Espn.go.com. 2014-02-25. Retrieved 2017-03-05.
Jump up ^ NBA League Averages - Basketball Reference
Jump up ^ "Rule No. 1---Court Dimensions--Equipment". NBA Official Rules. Retrieved 19 October 2010.
Jump up ^ "Official Basketball Rules 2010". FIBA. Retrieved 6 July 2018.
Jump up ^ "2009 Court Diagram" (PDF). NCAA. Archived from the original (PDF) on 28 June 2010. Retrieved 19 October 2010.
Jump up ^ "Basketball Court Diagram" (PDF). Nebraska School Activities Association. Retrieved 10 December 2011.
Jump up ^ "Description of the NBA's new instant replay rules". NBA.com. October 23, 2008. Retrieved 16 November 2008.
Jump up ^ Denham, Greg (February 14, 2012). "NAB Cup's ruck and holding rules may run season". The Australian. Archived from the original on March 6, 2012.
External links[edit]
NBA.com's Top 10 three-pointers from past 25 years
Article on Columbia's experimentation with the three-point field goal decades before its official introduction
"Long Live the Three" by Steve Shutt, Basketball Hall of Fame
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All I Have (song)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"All I Have"
Single by Jennifer Lopez featuring LL Cool J
from the album This Is Me... Then
Released
December 14, 2002
Format
CD single, 12"
Recorded
October 16–17, 2002
Genre
Hip hop
R&B
Length
4:17
Label
Epic
Songwriter(s)
Jennifer Lopez
James Todd Smith
Makeba Riddick
Curtis Richardson
Ron G
Dave McPherson
Lisa Peters
William Jeffrey
Producer(s)
Cory Rooney
Ron G
Dave McPherson
Jennifer Lopez singles chronology
"Jenny from the Block"
(2002) "All I Have"
(2002) "I'm Glad"
(2003)
"Jenny from the Block"
(2002) "All I Have"
(2002) "I'm Glad"
(2003)
LL Cool J singles chronology
"Luv U Better"
(2002) Luv U Better2002 "All I Have"
(2002) All I Have2002 "Paradise"
(2003) Paradise2003
"All I Have" is a song recorded by American singer Jennifer Lopez, featuring American rapper LL Cool J. Written by Lopez, Makeba Riddick, Curtis Richardson, and Ron G and produced by Cory Rooney, Ron G, and Dave McPherson, it was released on December 14, 2002 as the second single from Lopez's third studio album, This Is Me... Then (2002).
"All I Have" samples "Very Special" by Debra Laws, who later filed a lawsuit in 2003 against Sony Music Entertainment for "misappropriating her voice" in the song and her name in the credits. The song is a midtempo R&B and hip-hop ballad, about moving on after a breakup. It received favorable reviews from music critics who applauded the chemistry between Lopez and LL Cool J. "Have" also samples the "baby don't go" verse from the Joe single "Stutter".
The song was a huge success on the charts, reaching number one in the United States (remaining at the top for four weeks) and New Zealand, and entered the top five and the top ten in several countries. After the success of "All I Have" with LL Cool J, the track was included on the re-issue of his album 10. The song was ranked as the 15th most successful song on the Billboard Hot 100 of 2003 and in 2011, Billboard named the song the 34th Biggest Duet of All Time[1]. Lopez named her 2016 Las Vegas Residency Show, All I Have, after the song.
As of 2018, "All I Have" is Lopez's last number one song on the Billboard Hot 100.[2]
Contents
[hide]
1 Background and release
2 Composition and critical response
3 Chart performance
4 Music video
5 Live performances
6 Accolades
7 Lawsuit
8 Charts
8.1 Weekly charts
8.2 Year-end charts
8.3 All-time charts
9 Certifications
10 References
Background and release[edit]
"J. Lo is definitely one of the most focused people I ever met (...) I could see why she’s so successful. She definitely has all the star qualities. We got along real well — we made a hot record too.... I like it a lot.... Me and her are getting into it, we had beef on the record. It ain’t always peaches and cream. I am trying to reason with her but she ain’t trying to hear it."
LL Cool J discussing "All I Have", MTV News.[3]
On October 19, 2002, American rapper LL Cool J revealed that he had just recorded a song for Lopez's then-upcoming album two days prior, saying: "We did a new song for her album. Well it's actually going to be her next single, I think – it's a lot of fun, a lot of fun." He stated that, "It's got like a mid-tempo beat, pretty melody, you know what I'm saying. I'm rapping, she's singing. We go back and forth with stuff. It's kind of cool, it's fly."[4]
Initially, Lopez did not want "All I Have" to be released as a single, as she believed it was too musically similar to her previous singles such as "Ain't It Funny" and "I'm Real"; she felt like she was "visiting old territory". "Those tracks were like a different era for me, and I didn't want people to perceive it like I'm just trying to capitalize on the same thing. But the record company was like, 'Who cares what they think, those are hits mama!'". Lopez, who said she "calls the shots", eventually agreed.[5]
The song was officially sent to urban radio in the United States on December 14, 2002 as the second single from This Is Me... Then.[6] It was later released on February 11, 2003 in some regions,[7] and on March 10, 2003 around the world.[8]
Composition and critical response[edit]
"All I Have"
A twenty-six-second sample of "All I Have".
Problems playing this file? See media help.
"All I Have" was written by Lopez, James Todd Smith, Makeba Riddick, Curtis Richardson, Ron G and Dave McPherson, while production was handled by Cory Rooney, Ron G and McPherson. The song was originally titled "I'm Good",[9] and heavily samples Debra Laws's song "Very Special", written by Lisa Peters and William Jeffrey.[10] Featuring LL Cool J, "All I Have" is a midtempo R&B and hip hop ballad about moving on after a break up. On the track, Lopez decides to end her relationship due to her lover's infidelity,[11] while LL Cool J attempts to "make up" with her.[12][13] MTV observed the song to conjure up her own public split with P. Diddy.[12] Amy Sciarretto of PopCrush characterized Lopez's vocals as "cooed" and found the song to have a "classic feel", with LL Cool J heard rapping, grunting and pleading "Baby don't go" over a "subtle" urban beat.[14] WatchMojo.com described it as having a "mid-tempo swing suitable for late night love sessions".[15]
Tom Sinclair of Entertainment Weekly praised LL Cool J as being a "high-spirited guest" on the song,[16] while Sal Cinquemani of Slant Magazine wrote that both "playfully interpolate Debra and Ronnie Laws' 'Very Special'."[17] About.com's Bill Lamb wrote, "There is a relaxed, charming elegance here that sounds timeless."[18] Sam Lansky of MTV Buzzworthy described the duet as "icy-cool".[19] Erika Ramirez of Vibe wrote that the song "deftly conceals Lopez's whispery sighs, but she still generates heat with partner LL on this effervescent collabo".[20]
Chart performance[edit]
For the week of December 28, 2002, "All I Have" entered the US Billboard Hot 100 at number 25, earning the "Hot Shot Debut" of the week. It not only became highest-debuting song of Lopez's career at the time, but was also the highest-debuting song on the chart since September 2001.[21] For the week of January 30, 2003, the single reached number one on the Hot 100, giving Lopez her fourth and LL Cool J his first number one song on the chart. It was also the Hot 100's fastest-growing track at radio.[22] It remained at the summit of the Hot 100 for four weeks, later being displaced by 50 Cent's "In Da Club".[23] It also attained the top position on the Pop Songs chart,[24] and it reached number four on the Hot R&B/Hip-Hop Songs chart.[25] Due to the song's success, LL Cool J included it on a reissue of his album 10 (2002). This allowed the album to register a 491% week-to-week sales gain and re-enter the top ten of the US Billboard 200, jumping from number 84 to number nine for the issue dated February 22, 2003.[26]
On the UK Singles Chart, "All I Have" peaked at number two, becoming Lopez's highest-charting single there since "Love Don't Cost a Thing", which reached number one the previous year. Years later, Lopez's collaboration with LL Cool J on his track "Control Myself" also peaked at number two, on May 13, 2006.[27] In New Zealand, "All I Have" debuted at number 42 on the RIANZ chart, on March 2, 2003. After climbing to number 35 and 33, the song climbed to number two, while the next week the song peaked at number one, becoming Lopez's second number-one single; the first being "If You Had My Love".[28] It was later certified Gold by the Recording Industry Association of New Zealand, for sales of 7,500 copies.[29] In Australia, the song debuting at number three on the ARIA Charts, becoming her fastest debut there. It later spent three weeks at number five, before climbing and remaining for two weeks at number four. Finally, the song peaked at number two on May 4, 2003.[7] It was later certified platinum by the Australian Recording Industry Association, for selling over 70,000 units.[30]
Music video[edit]
The music video for "All I Have" was directed by Dave Meyers, and was shot in New York City in November 2002.[9] MTV News revealed that Lopez and LL Cool J would be playing ex-lovers in the music video. According to a synopsis provided by Meyers' production company, "They keep seeing visions of each other, and you get the feeling that they are still very much in love, yet they don't get back together because they feel that this is the best thing for them. It will have a very happy winter wonderland-type feel, but a sad vibe."[9] The video was shot right before Thanksgiving, but did not premiere on television until after Christmas.[9]
The video features Lopez and LL as former lovers now broken up. The two recall the good and bad times while dealing with being alone for the holidays. Lopez shows up to LL's house with a gift. With him not there, she puts the gift under the tree. He later sees the gift under the tree and realizes it was from Lopez. He opens the gift and sees a golden key. Upset at the relationship being over, he throws the key in the fireplace while a tearful Lopez gets help from her friends with her things.[9]
The music video became one of the most played clips on networks such as MTV, VH1 and BET.[26] While analyzing her DVD The Reel Me, Jason Shawhan of About.com called it a "Christmastime breakup theme" and "a nice shout-out to "No Me Ames" in terms of its hyperexaggerated emotions, but the most notable aspect of the audiovisual experience is the Debra Laws's "Very Special" sample which runs counterpoint to the Lopez/LL Cool J interplay."[31]
Live performances[edit]
Lopez performing "All I Have" during her Dance Again World Tour in São Paulo, Brazil, June 2012.
Lopez and LL Cool J performed "All I Have" on The Today Show for the episode dated December 6, 2002. The performance took place during her concert at Kips Bay High School, Lopez's alma mater.[32] The song was included on the set list for her Dance Again World Tour (2012), including the song as part of a "Back-to-Bronx" hip hop medley.[33]
Lopez included the song on the set list for her 2016 Las Vegas residency show, Jennifer Lopez: All I Have. She performed it as a duet with surprise guest Ne-Yo during the show's opening night on January 20, 2016, with Ne-Yo taking on LL Cool J's verses. The two also covered "Very Special" together.[34] Prince Royce joined Lopez on stage days later during another night of the residency, where the two performed "Very Special" and "All I Have".[35]
Accolades[edit]
The song was nominated for two Teen Choice Awards in 2003 on the categories, "Choice Music Single" and "Choice Music Hook-Up",[36] but lost it for Avril Lavigne's "Sk8er Boi" and 50 Cent and Nate Dogg's "21 Questions", respectively.[37] In May 2003, "All I Have" received a BDSCertified Spin Award, signifying 200,000 radio spins.[38] In 2004, it received an ASCAP Pop Music Award and a BMI Pop Award.[39][40]
Lawsuit[edit]
In March 2003, Debra Laws sued Sony Music Entertainment/Epic Records in the United States District Court for the Central District of California, claiming that the use of samples from "Very Special" without her consent (even though the writers of "Very Special" and Elektra Entertainment Group—successor to Elektra/Asylum Records, which had released the original recording of "Very Special"—had given their consent to the use of the samples) violated her statutory and common law right of publicity under California law. In November 2003, Judge Lourdes Baird granted Sony Music's motion for summary judgment on the ground that Laws's state law claims were preempted by Section 301 of the United States Copyright Act. In 2006, that decision was affirmed by the United States Court of Appeals for the Ninth Circuit.[41]
Charts[edit]
Weekly charts[edit]
Chart (2002–2003)
Peak
position
Australia (ARIA)[7] 2
Austria (Ö3 Austria Top 40)[42] 38
Belgium (Ultratop 50 Flanders)[43] 18
Belgium (Ultratop 50 Wallonia)[44] 16
Brazil (ABPD)[45] 42
Canada (Canadian Hot 100)[46] 17
Europe (European Hot 100 Singles)[47] 4
France (SNEP)[48] 29
Germany (Official German Charts)[49] 19
Ireland (IRMA)[50] 7
Italy (FIMI)[51] 13
Netherlands (Dutch Top 40)[52] 3
New Zealand (Recorded Music NZ)[28] 1
Romania (Romanian Top 100)[53] 37
Scotland (Official Charts Company)[54] 6
Sweden (Sverigetopplistan)[55] 15
Switzerland (Schweizer Hitparade)[56] 4
UK Singles (Official Charts Company)[27] 2
US Billboard Hot 100[57] 1
US Mainstream Top 40 (Billboard)[24] 1
US Hot R&B/Hip-Hop Songs (Billboard)[25] 4
US Rhythmic (Billboard)[58] 1
US Tropical Airplay (Billboard)[59] 15
Year-end charts[edit]
Chart (2003)
Position
Australian Singles Chart[60] 11
Belgium Singles Chart (Flandres)[61] 89
Belgium Singles Chart (Wallonia)[62] 90
Italy (FIMI)[63] 75
Netherlands Mega Single Top 100[64] 52
New Zealand Top 40[65] 37
Sweden (Sverigetopplistan)[66] 100
Switzerland Singles Chart[67] 73
UK Singles Chart[68] 29
US Billboard Hot 100[69] 15
All-time charts[edit]
Chart
Position
Australia (ARIA)[70] 665
Certifications[edit]
Region
Certification
Certified units/Sales
Australia (ARIA)[71]
Platinum 70,000^
New Zealand (RMNZ)[72]
Gold 5,000*
United Kingdom (BPI)[73]
Silver 200,000
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
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Jump up ^ "Best of All Time - Singles". Hung Medien. Retrieved August 15, 2016.
Jump up ^ "ARIA Charts – Accreditations – 2003 Singles". Australian Recording Industry Association. Retrieved November 14, 2003.
Jump up ^ THE FIELD id (chart number) MUST BE PROVIDED for NEW ZEALAND CERTIFICATION.
Jump up ^ "British certifications – Jennifer Lopez feat. LL Cool J – All I Have". British Phonographic Industry. Retrieved April 13, 2003. Enter All I Have in the search field and then press Enter.
[show]
v
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Jennifer Lopez songs
Discography
On the 6
"If You Had My Love"
"Feelin' So Good"
"Let's Get Loud"
"No Me Ames"
"Waiting for Tonight"
"Theme from Mahogany (Do You Know Where You're Going To)"
J.Lo
"Love Don't Cost a Thing"
"I'm Real"
"Play"
"Ain't It Funny"
"Cariño"
"I'm Gonna Be Alright"
"I'm Real (Murder Remix)"
J to tha L–O! The Remixes
"Ain't It Funny (Murder Remix)"
"I'm Gonna Be Alright (Track Masters Remix)"
"Alive"
This Is Me... Then
"I'm Glad"
"All I Have"
"Jenny from the Block"
"You Belong to Me"
"Baby I Love U!"
Rebirth
"Get Right"
"Hold You Down"
Como Ama una Mujer
"Qué Hiciste"
"Me Haces Falta"
Brave
"Hold It Don't Drop It"
"Do It Well"
Love?
"On the Floor"
"I'm Into You"
"(What Is) Love?"
"Run the World"
"Papi"
"Until It Beats No More"
"One Love"
"Invading My Mind"
"Hypnotico"
Dance Again... the Hits
"Dance Again"
"Goin' In"
A.K.A.
"First Love"
"I Luh Ya Papi"
"Booty"
"Same Girl"
"Girls"
Por Primera Vez
"Ni Tú Ni Yo"
"Amor, Amor, Amor"
Collaborations
"Adrenalina"
"Back It Up"
"Control Myself"
"El Mismo Sol"
"El Ultimo Adios (The Last Goodbye)"
"Follow the Leader"
"Quizás, Quizás, Quizás"
"Se Acabó El Amor"
"Sweet Spot"
"T.H.E. (The Hardest Ever)"
"This Boy's Fire"
"Try Me"
"We Are One (Ole Ola)"
"What's Going On"
Other songs
"A Selena Tribute"
"Ain't Your Mama"
"Chegaste"
"Dinero"
"El Anillo"
"Feel the Light"
"Fresh Out the Oven"
"Live It Up"
"Louboutins"
"Love Make the World Go Round"
"Olvídame y Pega la Vuelta"
"Us"
Book
Category
[show]
v
t
e
LL Cool J
Discography
Studio albums
Radio
Bigger and Deffer
Walking with a Panther
Mama Said Knock You Out
14 Shots to the Dome
Mr. Smith
Phenomenon
G.O.A.T.
10
The DEFinition
Todd Smith
Exit 13
Authentic
Compilations
All World: Greatest Hits
All World 2
Singles
"I Need a Beat"
"I Can't Live Without My Radio"
"I Can Give You More"
"Rock the Bells"
"You'll Rock"
"I'm Bad"
"I Need Love"
"Go Cut Creator Go"
"Going Back to Cali"
"I'm That Type of Guy"
"Big Ole Butt"
"One Shot at Love"
"Jingling Baby"
"To da Break of Dawn"
"The Boomin' System"
"Around the Way Girl"
"Mama Said Knock You Out"
"6 Minutes of Pleasure"
"Who's Afraid of the Big Bad Wolf?"
"Strictly Business"
"How I'm Comin'"
"Back Seat (Of My Jeep)"
"Pink Cookies In a Plastic Bag Getting Crushed By Buildings"
"Stand By Your Man"
"Hey Lover"
"Doin' It"
"Loungin"
"I Shot Ya"
"Ain't Nobody"
"Hit 'Em High (The Monstars' Anthem)"
"Phenomenon"
"4, 3, 2, 1"
"Father"
"Candy"
"Zoom"
"Say What"
"Deepest Bluest"
"Hot Hot Hot"
"Shut 'Em Down
"Imagine That"
"You and Me"
"Put Your Hands Up"
"Blink Blink"
"Luv U Better"
"Paradise"
"All I Have"
"Amazin'
"Headsprung"
"Hush"
"It's LL and Santana"
"Control Myself"
"Freeze"
"Cry"
"Baby"
Featured singles
"Rampage"
"This Is for the Lover in You"
"Incredible"
"Fatty Girl"
"All I Have"
"We Are the World 25 for Haiti"
Other songs
"Accidental Racist"
Retrieved from "https://en.wikipedia.org/w/index.php?title=All_I_Have_(song)&oldid=842563706"
Categories:
2000s ballads
2002 songs
2002 singles
2003 singles
Billboard Hot 100 number-one singles
Billboard Mainstream Top 40 (Pop Songs) number-one singles
Jennifer Lopez songs
LL Cool J songs
Music videos directed by Dave Meyers (director)
Number-one singles in New Zealand
Contemporary R&B ballads
Song recordings produced by Cory Rooney
Songs written by Jennifer Lopez
Songs written by Makeba Riddick
Songs written by LL Cool J
Hidden categories:
Pages with citations lacking titles
CS1 maint: Unfit url
CS1 French-language sources (fr)
CS1 Italian-language sources (it)
Cite certification used with missing parameters
Music infoboxes with deprecated parameters
Articles with hAudio microformats
Singlechart usages for Australia
Singlechart making named ref
Singlechart usages for Austria
Singlechart usages for Flanders
Singlechart usages for Wallonia
Singlechart usages for Canada
Singlechart called without song
Singlechart usages for Billboardeuropeanhot100
Singlechart usages for France
Singlechart usages for Germany
Singlechart usages for Ireland
Singlechart called without artist
Singlechart usages for Italy
Singlechart usages for Dutch40
Singlechart usages for New Zealand
Singlechart usages for Scotland
Singlechart usages for Sweden
Singlechart usages for Switzerland
Singlechart usages for UKchartstats
Singlechart usages for Billboardhot100
Singlechart usages for Billboardpopsongs
Singlechart usages for Billboardrandbhiphop
Singlechart usages for Billboardrhythmic
Singlechart usages for Billboardtropicalsongs
Certification Table Entry usages for Australia
Certification Table Entry usages for New Zealand
Certification Table Entry usages for United Kingdom
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