text:
Pitch Perfect 3
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Pitch Perfect 3
Theatrical release poster
Directed by
Trish Sie
Produced by
Elizabeth Banks
Paul Brooks
Max Handelman
Screenplay by
Kay Cannon
Mike White
Story by
Kay Cannon
Starring
Anna Kendrick
Rebel Wilson
Hailee Steinfeld
Brittany Snow
Anna Camp
Hana Mae Lee
Alexis Knapp
John Michael Higgins
Elizabeth Banks
Music by
Christopher Lennertz
Cinematography
Matthew Clark
Edited by
Craig Alpert
Colin Patton
Production
company
Gold Circle Films
Brownstone Productions
Distributed by
Universal Pictures
Release date
November 30, 2017 (2017-11-30) (Sydney)
December 22, 2017 (2017-12-22) (United States)
Running time
93 minutes[1]
Country
United States
Language
English
Budget
$45 million[2]
Box office
$183.9 million[2]
Pitch Perfect 3 is a 2017 American musical comedy film directed by Trish Sie and written by Kay Cannon and Mike White. A sequel to Pitch Perfect 2 (2015), and the third and final installment in the Pitch Perfect series, the film stars Anna Kendrick, Anna Camp, Rebel Wilson, Brittany Snow, Hailee Steinfeld, Hana Mae Lee, Ester Dean, Chrissie Fit, Alexis Knapp, John Lithgow, Matt Lanter, Ruby Rose, Kelley Jakle, Shelley Regner, Elizabeth Banks, and John Michael Higgins. The film follows the Bellas, now graduated from college, reuniting for one final performance together during an overseas USO tour.
Principal photography on the film began in January 2017 in Atlanta, Georgia and ended in April 2017. The film was released in the United States on December 22, 2017, received mixed reviews from critics, and has grossed $183 million worldwide.[3][4] It became the second highest-grossing musical comedy film of all time, behind only its predecessor.[5]
Contents
[hide]
1 Plot
2 Cast
2.1 The Bellas
2.2 Additional characters
3 Production
3.1 Filming
4 Release
4.1 Box office
4.2 Critical response
5 Music
6 References
7 External links
Plot[edit]
Three years after the events of the second movie, the Bellas have graduated college, but have jobs which they all hate. Desperate to see each other again to sing once more, Beca (Anna Kendrick), Fat Amy (Rebel Wilson), Chloe (Brittany Snow), Aubrey (Anna Camp), Lilly (Hana Mae Lee), Stacie (Alexis Knapp), Cynthia-Rose (Ester Dean), Florencia (Chrissie Fit), Jessica (Kelley Jakle), and Ashley (Shelley Regner) are all thrilled to learn that Emily (Hailee Steinfeld), now a senior at Barden and leader of the Barden Bellas, has seemingly asked for the Bellas to reunite at an event in New York Aquarium to sing with each other once more. Upon arriving at the reunion they are told that the reunion was not for the Bellas to sing together, but to watch Emily sing with the new Bellas.
They later gather at a bar in disappointment and Emily apologizes as she thought it would be the only way for them to see each other again. They all express how much they miss each other. Suddenly, Aubrey convinces them to join a USO performance accessed by her Army officer father. If they win the competition, they get to open for DJ Khaled. The Bellas gladly accept, all except for Stacie who is eight months pregnant at the moment and is unable to go with them. The Bellas later arrive at a hangar where two soldiers, Chicago (Matt Lanter) and Zeke (Troy Ian Hall) introduce them to their competition, revealed to be three other groups who use instruments, unlike the Bellas. When the band Evermoist, led by their leader Calamity (Ruby Rose) begin to mock and belittle the Bellas, the competitors are challenged to a riff-off by the Bellas, who leave defeated when the other groups compete using their musical instruments.
The Bellas are taken to a fancy hotel in Spain, where Chloe begins to catch an eye for Chicago. Fat Amy finds an old stuffed bunny sitting in her bed, which she recognizes as an old toy she used to hold when she was very little as her father Fergus (John Lithgow) sang her to sleep every night. Amy then realizes that her father is staying in the same hotel she is in and is shocked upon the discovery, seeing as how Fergus is an international criminal. Later that night, the Bellas are invited to a party at DJ Khaled's suite at the hotel, where Fat Amy splits with the group when she is called to be at a poker tournament. The tournament was set up by Fergus, who promptly begs for Amy to be back in his life. A hesitant Amy finally agrees to do so after seeing how much he has changed. Beca, after having her breasts grabbed by Chloe, who develops a friendship with DJ Khaled's music producer Theo (Guy Burnet), is taken to DJ Khaled's music editing room. Beca produces a mix which impresses Theo who is prompted to send the mix to DJ Khaled. Moments later, the party is thrown into chaos when Aubrey accidentally sets the suite on fire.
The Bellas are left in disgrace after the incident with no hopes of winning the competition until Stacie calls the girls to inform she has given birth to a baby girl and named her Bella. This motivates the Bellas to just perform their hearts out without trying to win. Back at the USO competition, the Bellas perform tremendously to adoring crowds through different performances, repairing their reputation and chances to win in the process. Fergus is accepted by Amy, who believes he came to one of their performances to see her. He accidentally reveals that he has not seen her perform at all, while confessing that he is only trying to acquire an offshore account Amy's mother set up which contains US$180 million. After Amy shuts out Fergus again, Chicago and Zeke escort her away from her father, who swears revenge on her. Meanwhile, only Beca is asked personally by DJ Khaled to open for him, disregarding the other Bellas. Beca politely declines the offer and leaves to her room. Later, the Bellas are taken away by a Frenchman in a dark grey van out onto a yacht in a nearby harbor. The yacht belongs to Fergus, who is using the Bellas as a means to get Amy to come for him. Amy and Beca hear of the kidnapping and decide to rescue the Bellas. Beca distracts Fergus by having the Bellas perform "Toxic" for him and two of his men, just as Amy sets the yacht to explode. The Bellas escape the yacht just before it blows. Fergus survives the explosion and is arrested for his crimes.
After the Bellas are rescued by the military, Fat Amy reveals DJ Khaled's proposition to Beca to the others. They encourage her to take the chance, and they all agree that now it's time to move on with their lives, with Amy using her bank account for multiple tributes to singers named Amy, Aubrey trying to be a birthing coach, Flo's juice cart becoming part of an international brand, Chloe getting accepted into vet school, Cynthia-Rose staying at the base to get into flight school, Emily going back to Barden to prepare for her upcoming abnormal psychology test while continuing her songwriting, and Lilly revealing that the reason she was quiet was because she was possessed by Satan and the yacht incident snapped her out of it, and that her real name is Ester. They know very well they'll be separated, but still be connected to each other as a family. Later at the USO's final performance, Beca opens for DJ Khaled and sings on stage, and afterwards brings up the Bellas onstage for the girls to sing their final performance with the other competitors gladly watching the Bellas sing "Freedom! '90" to their hearts content.
Gail (Elizabeth Banks) and John (John Michael Higgins) (who were the Bellas' public announcers in the previous installments) finish filming the Bellas as part of a documentary they have been making about the girls throughout the whole film, only to be appalled when John realizes they didn't record the Bellas' final performance, which was supposed to be the documentary's big ending. A series of mid credit scenes reveal the Bellas' separate story arcs closed out to their mostly happy endings, with Lilly hanging around with DJ Dragon Nutz, whom she flirted with earlier, Chloe and Chicago making out whilst Beca, watching uncomfortably, speaks with Theo about her new job now that he works for her, and Aubrey reconnects with her father.
Cast[edit]
The Bellas[edit]
Anna Kendrick as Beca Mitchell, an alumna and the former leader of The Barden Bellas, who works as a producer but quits due to creative differences, before joining the tour. She has been sharing an apartment in New York City with her best friends Chloe and Fat Amy for the last three years.
Rebel Wilson as Patricia "Fat Amy" Hobart, a comedic alumna of The Barden Bellas, from Australia. She held a one-woman show, "Fat Amy Winehouse", before joining the tour.
Brittany Snow as Chloe Beale, a Barden Bellas alumna and former co-leader, who longs for glory days with the Bellas. She applied to attend a vet school before joining the tour.
Anna Camp as Aubrey Posen, a Barden Bellas alumna and former leader, before Beca, who worked at the Lodge of Fallen Leaves. Through her father, The Bellas were invited to the USO tour.
Hailee Steinfeld as Emily Junk, a senior student at Barden University and the current leader of the new Barden Bellas, who joins her former seniors for the tour.
Ester Dean as Cynthia Rose Adams, a lesbian Barden Bellas alumna, who failed the Flight School simulation before joining the tour.
Hana Mae Lee as Lilly Onakuramara / Esther, a Barden Bellas alumna known for her quiet speaking voice and odd remarks. She worked as a tailor before joining the tour.
Kelley Jakle as Jessica Smith, a Barden Bellas alumna.
Shelley Regner as Ashley Jones, a Barden Bellas alumna.
Chrissie Fit as Florencia "Flo" Fuentes, a Barden Bellas alumna, from Guatemala. She worked at a juice truck before joining the tour.
Alexis Knapp as Stacie Conrad, a Barden Bellas alumna, known for being overly sexual. She works as a pilates instructor and despite wanting to, could not join the tour due to her pregnancy
Additional characters[edit]
Elizabeth Banks as Gail Abernathy-McKadden-Feinberger, an a cappella commentator making an insulting documentary about The Bellas
John Michael Higgins as John Smith, an a cappella commentator making an insulting documentary about The Bellas
John Lithgow as Fergus Hobart, Fat Amy's estranged criminal father
Matt Lanter as Chicago Walp, a U.S. soldier guiding the Bellas during the tour, and Chloe's love interest.
Guy Burnet as Theo, DJ Khaled's music producer, who takes a liking to Beca
DJ Khaled as himself
Troy Ian Hall as Zeke, a U.S. soldier, partners with Chicago
Michael Rose as Aubrey's father
Jessica Chaffin as Evan
Moises Arias as Pimp-Lo
Ruby Rose, Andy Allo, Venzella Joy Williams, and Hannah Fairlight as Calamity, Serenity, Charity, and Veracity, respectively, members of the band Evermoist
Whiskey Shivers as Saddle Up, a country-bluegrass-based band competing against the Bellas
Trinidad James and D.J. Looney as Young Sparrow and DJ Dragon Nutz, respectively
Production[edit]
On April 11, 2015, a month before the release of the second film, it was announced that Rebel Wilson would return for a third film, although she stated that she did not know if Anna Kendrick or other cast members would also reprise their roles. She added that she would be "up for a Fat Amy spin-off."[6] Director, star, and producer of the second film Elizabeth Banks acknowledged the possibility of a third film during promotion of Pitch Perfect 2, saying, "I will say, it would be disingenuous to say that no one’s talking about a Pitch Perfect 3; the possibility of it."[7]
On June 10, 2015, a third film was officially confirmed, and Kay Cannon was set to return to write the script.[8] On June 15, 2015, it was announced that Kendrick and Wilson would both reprise their roles,[9] and on July 28, 2015, Brittany Snow signed on to return. Paul Brooks again produced for Gold Circle Films, along with Max Handelman and Banks for Brownstone Productions.[10] On October 27, 2015, Banks was officially announced to return as director for the film, though she exited in that capacity on June 3, 2016.[11][12] On September 1, 2016, Trish Sie was confirmed to direct the film.[13] On December 13, 2016, it was reported that Ruby Rose was in talks to join the film, while Anna Camp also signed on to return for the sequel.[14][15] Cannon wrote the script with later drafts by Mike White and Dana Fox; White would eventually receive screenwriting credits alongside Cannon.[14] On January 5, 2017, a table read occurred, with Ester Dean, Hana Mae Lee, Chrissie Fit, Kelley Jakle, and Shelley Regner also being confirmed to reprise their roles,[16] and singer Andy Allo joining as Charity, a rival in a group opposing the Bellas.[17] While it was revealed by vocal director Deke Sharon that Alexis Knapp is returning, she wasn't spotted during the first month of filming, leading fans to show concerns that she might not be returning at all. However, on February 6, she posted a photo on Instagram, confirming her return, and was on set the following day.[18][19]
Filming[edit]
Principal photography on the film began on January 5, 2017, and took place in Atlanta, Georgia, and Cádiz, Spain. Filming wrapped on April 3, 2017.[20][21][22]
Release[edit]
Pitch Perfect 3 was initially scheduled for July 21, and August 4, 2017. It had its world premiere in Sydney, Australia, on November 29, 2017,[23] and was released in the United States on December 22, 2017.[24]
Box office[edit]
As of March 3, 2018[update], Pitch Perfect 3 has grossed $104.9 million in the United States and Canada and $79 million in other territories, for a total of $183.9 million, against a production budget of $45 million.[2]
In the United States and Canada, Pitch Perfect 3 was released alongside the openings of Downsizing and Father Figures, and the wide expansions of The Shape of Water and Darkest Hour, and was projected to gross $27–35 million from 3,447 theaters in its opening weekend.[25][26] The film took in $2.1 million from Thursday night previews, about half of the $4.6 million earned by its predecessor. Over the three-day weekend, which included Christmas Eve, it grossed $19.9 million (down nearly 70% from the second film's $69.2 million debut), finishing third at the box office, behind Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle. It grossed an additional $6.5 million on Christmas Day, for a four-day total of $26.4 million.[27] It dropped 15% the following weekend, grossing $16.8 million, and a total of $21.7 million over the four-day New Year's frame.[28]
Critical response[edit]
On Rotten Tomatoes, the film has an approval rating of 32% based on 117 reviews and an average rating of 4.7/10. The website's critical consensus reads, "Pitch Perfect 3 strains to recapture the magic that helped the original spawn a franchise, but ends up sending this increasingly unnecessary trilogy out on a low note."[29] On Metacritic, the film has a weighted average score of 40 out of 100 based on 35 critics, indicating "mixed or average reviews".[30] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, the same score earned by its predecessor.[27]
Owen Gleiberman of Variety praised the cast and said, "The new film doesn't add anything revolutionary to the Pitch Perfect formula. It still sounds like we're in middle-period Glee written by someone who finds Ryan Murphy too solemn. But as directed by Trish Sie, the movie is bubbly, it's fast, it's hella synthetic-clever, and it's an avid showcase for the personalities of its stars."[31]
In a review for The Hollywood Reporter, Frank Scheck wrote "...what started out as a charmingly offbeat comic premise has inevitably degenerated into the sort of crass commercialism that probably would make the Bellas themselves turn up their noses."[32]
Music[edit]
The official soundtrack was released on December 15, 2017.[33]
No.
Title
Music
Length
1. "Universal Fanfare"
The Bellas
0:38
2. "Toxic" The Bellas 3:21
3. "Sit Still, Look Pretty" The New Bellas 3:06
4. "Riff Off (Get the Party Started/Shut Up and Dance/Ignition/Swing Down Sweet Chariot)/Fly Away/One More Night/Call Me/Love Me Harder/If I Were a Boy/Zombie/Stronger (What Doesn't Kill You)/Human/Wake Me Up/Grenade)" The Bellas, Evermoist, Saddle Up, Young Sparrow and DJ Dragon Nutz & Soldiers 4:48
5. "You Got It" Young Sparrow and DJ Dragon Nutz 3:16
6. "Ex's & Oh's" Saddle Up 2:49
7. "How a Heart Unbreaks" Evermoist 3:44
8. "Cheap Thrills" The Bellas 3:40
9. "I Don't Like It, I Love It" The Bellas 3:59
10. "Cake by the Ocean" The Bellas 3:14
11. "Freedom! '90" The Bellas 5:16
12. "Soy Yo" Bomba Estéreo 2:41
13. "Boom Boom (feat. Zedd)" Iggy Azalea 3:08
14. "Tribe" Kim Viera 3:09
15. "Score Suite From Pitch Perfect 3" Christopher Lennertz 3:46
16. "Silent Night (feat. 80fitz)" Hana Mae Lee 1:50
17. "Baby, It's Cold Outside" Kelley Jakle & Shelley Regner 2:52
18. "Feliz Navidad" Chrissie Fit 2:37
19. "Freedom! '90 x Cups" The Bellas & The Voice Season 13 Top 12 Contestants 2:27
Total length: 60:30[34][35]
References[edit]
Jump up ^ "Pitch Perfect 3". AMC Theatres. Retrieved November 22, 2017.
^ Jump up to: a b c "Pitch Perfect 3 (2017)". Box Office Mojo. Retrieved March 3, 2018.
Jump up ^ "Pitch Perfect 3' is...fine, and you can't have expected more than that". Mashable. December 19, 2017. Retrieved December 19, 2017.
Jump up ^ Jeff Giles (December 21, 2017). "Jumanji: Welcome to the Jungle is Certified Fresh". Retrieved December 21, 2017.
Jump up ^ "List of Top Grossing Music Comedy Films, 1984-Present". Box Office Mojo. Retrieved December 13, 2014.
Jump up ^ "'Pitch Perfect 3' in the Works; Rebel Wilson to Return". Collider.com. Complex Media. April 11, 2015. Retrieved May 17, 2015.
Jump up ^ "Elizabeth Banks Talks PITCH PERFECT 2 (and 3), WET HOT AMERICAN SUMMER and THE LEGO MOVIE Sequel". Collider.com. May 16, 2015. Retrieved December 8, 2017.
Jump up ^ Kit, Borys (June 10, 2015). "'Pitch Perfect 3' Moving Forward at Universal With Writer Kay Cannon (Exclusive)". hollywoodreporter.com. Retrieved June 16, 2015.
Jump up ^ Busch, Anita (June 15, 2015). "'Pitch Perfect 3′ Chimes In With Summer 2017 Date; Anna Kendrick, Rebel Wilson Back". deadline.com. Retrieved June 16, 2015.
Jump up ^ Kroll, Justin (July 28, 2015). "Brittany Snow Set to Return for 'Pitch Perfect 3' (EXCLUSIVE)". variety.com. Retrieved October 28, 2015.
Jump up ^ Kroll, Justin (October 27, 2015). "Elizabeth Banks to Direct 'Pitch Perfect 3' (EXCLUSIVE)". Variety.com. Retrieved October 28, 2015.
Jump up ^ Kroll, Justin (June 3, 2016). "Elizabeth Banks Exits as Director of 'Pitch Perfect 3' (EXCLUSIVE)". Variety. Retrieved June 6, 2016.
Jump up ^ Kroll, Justin (September 1, 2016). "'Pitch Perfect 3' Finds New Director in Trish Sie". Variety. Retrieved September 2, 2016.
^ Jump up to: a b Kroll, Justin (December 14, 2016). "Ruby Rose in Talks to Join 'Pitch Perfect 3' (EXCLUSIVE)". Variety. Retrieved December 20, 2016.
Jump up ^ Ford, Rebecca (December 18, 2016). "Anna Camp Returning for 'Pitch Perfect 3' (Exclusive)". The Hollywood Reporter. Retrieved December 20, 2016.
Jump up ^ "Instagram photo by @kelleyjakle • Jan 5, 2017". Instagram.com. Retrieved 8 December 2017.
Jump up ^ "Prince Protege Andy Allo Joins 'Pitch Perfect 3'". Ew.com. January 5, 2017. Retrieved December 8, 2017.
Jump up ^ "Deke Sharon - Music rehearsal, day one! #PitchPerfect3". Facebook.com. Retrieved 8 December 2017.
Jump up ^ "Instagram photo by @alexisknapp • Feb 6, 2017". Instagram.com. Retrieved 8 December 2017.
Jump up ^ Wilson, Rebel. "And that's a wrap on @PitchPerfect 3! All day today I'm sleeping and eating chocolate xpic.twitter.com/KhW9nkvKCB". Twitter. Retrieved 8 December 2017.
Jump up ^ Lesnick, Silas (January 5, 2017). "Pitch Perfect 3 Filming Begins!". ComingSoon.net. Retrieved January 6, 2017.
Jump up ^ "'Pitch Perfect 3' is now casting extras in Atlanta". On Location Vacations. December 9, 2016. Retrieved December 20, 2016.
Jump up ^ "Pitch Perfect 3 Australian Premiere". Facebook.com. Retrieved December 8, 2017.
Jump up ^ Busch, Anita (May 9, 2016). "'Pitch Perfect 3' Moves Up To Middle Of Summer 2017". Deadline. Retrieved May 10, 2016.
Jump up ^ D'Alessandro, Anthony (November 28, 2017). "Does 2017's Domestic Box Office Stand A Chance To Eclipse Last Year's All-Time $11.4B Record?". Deadline.com. Retrieved November 29, 2017.
Jump up ^ Dave McNary (December 19, 2017). "'Jumanji,' 'Greatest Showman,' 'Pitch Perfect' to Challenge the 'Star Wars' Box Office Force". Variety. Retrieved December 19, 2017.
^ Jump up to: a b Anthony D'Alessandro (December 24, 2017). "Last Jedi' Lords Over Christmas Weekend B.O. With $100M+ As 'Jumanji' Roars $65M+ & 'Pitch Perfect 3' Sings $27M". Deadline.com. Retrieved December 24, 2017.
Jump up ^ Anthony D'Alessandro (December 31, 2017). "'Last Jedi' Has Upper Hand Over 'Jumanji' In New Year's Weekend Duel As 2017 B.O. Closes With $11.1B – Monday Update". Deadline.com. Retrieved January 1, 2018.
Jump up ^ "Pitch Perfect 3 (2017)". Rotten Tomatoes. Fandango. Retrieved March 22, 2018.
Jump up ^ "Pitch Perfect 3 Reviews". Metacritic. Retrieved December 30, 2017.
Jump up ^ Gleiberman, Owen (December 19, 2017). "Film Review: 'Pitch Perfect 3'". Variety. Retrieved December 19, 2017.
Jump up ^ "'Pitch Perfect 3': Film Review". The Hollywood Reporter. Prometheus Global Media, LLC. Retrieved December 19, 2017.
Jump up ^ Last Call Pitches -- Pitch Perfect 3 Soundtrack Available Today
Jump up ^ "Spotify". spotify.com.
Jump up ^ Pitch Perfect 3 [Original Motion Picture Soundtrack - Original Soundtrack _ Songs, Reviews, Credits _ AllMusic]
External links[edit]
Official website
Pitch Perfect 3 on IMDb
[show]
v
t
e
Pitch Perfect
Films
Pitch Perfect (2012)
Pitch Perfect 2 (2015)
Pitch Perfect 3 (2017)
Soundtrack albums
Pitch Perfect
More from Pitch Perfect
Ultimate Pitch Perfect
Pitch Perfect 2
Pitch Perfect 3
Songs
"Cups"
"Flashlight"
[show]
v
t
e
Films directed by Trish Sie
Step Up: All In (2014)
Pitch Perfect 3 (2017)
Retrieved from "https://en.wikipedia.org/w/index.php?title=Pitch_Perfect_3&oldid=832909624"
Categories:
2017 films
English-language films
2010s sequel films
American films
American sequel films
Films set in New York City
Films set in Paris
Films set in Spain
Universal Pictures films
Hidden categories:
Articles containing potentially dated statements from March 2018
All articles containing potentially dated statements
Track listings with input errors
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
Edit
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
Languages
Čeština
Español
فارسی
Français
Gaeilge
한국어
Bahasa Indonesia
Italiano
日本語
Português
Русский
Suomi
Svenska
Українська
中文
6 more
Edit links
This page was last edited on 28 March 2018, at 16:58.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

key: html

type: local

value: div

attrs: id class

values: mw-page-base noprint

values: mw-head-base noprint

value: a

value: i

attrs: id class lang

values: firstHeading firstHeading en

values: siteSub noprint

values: jump-to-nav mw-jump

value: img

attrs: alt src width height class data-file-width data-file-height

attrs: scope style

attrs: href title

value: li

values:
/wiki/Atlanta,_Georgia
mw-redirect
Atlanta, Georgia

values:
/wiki/Moises_Arias
mw-redirect
Moises Arias

values:
/wiki/C%C3%A1diz,_Spain
mw-redirect
Cádiz, Spain

values:
/wiki/Sydney,_Australia
mw-redirect
Sydney, Australia

values: plainlinks noexcerpt noprint asof-tag update

values:
/wiki/The_Shape_of_Water_(film)
mw-redirect
The Shape of Water (film)

values:
/wiki/Average_rating
mw-redirect
Average rating

values:
/wiki/Shut_Up_and_Dance
mw-disambig
Shut Up and Dance

values: padding:0 10px 0 0;text-align:right;background-color:#eee

values:
/wiki/Complex_Media
mw-redirect
Complex Media

values:
/wiki/Fandango_Media
mw-redirect
Fandango Media

values:
nofollow
http://www.pitchperfectmovie.com/
external text

values:
nofollow
https://www.imdb.com/title/tt4765284/
external text

values: nowraplinks collapsible autocollapse navbox-inner

values: Template talk:Trish Sie (page does not exist)

values: Category:Articles containing potentially dated statements from March 2018

values: Category:All articles containing potentially dated statements

values: Category:Track listings with input errors

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Pitch_Perfect_3
View the content page [ctrl-alt-c]
c

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

values:
interlanguage-link interwiki-cs
display: none;

values: آوازخوان حرفه‌ای ۳ – Persian

values:
interlanguage-link interwiki-fa
display: none;

values:
interlanguage-link interwiki-ga
display: none;

values: ピッチ・パーフェクト3 – Japanese

values: Идеальный голос 3 – Russian

values:
interlanguage-link interwiki-fi
display: none;

values:
interlanguage-link interwiki-sv
display: none;

values: Ідеальний голос 3 – Ukrainian

values:
interlanguage-link interwiki-uk
display: none;

values: All languages (initial selection from common choices by you and others)

values: /static/images/wikimedia-button-1.5x.png 1.5x, /static/images/wikimedia-button-2x.png 2x

values: /static/images/poweredby_mediawiki_132x47.png 1.5x, /static/images/poweredby_mediawiki_176x62.png 2x

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-Pitch_Perfect_3 rootpage-Pitch_Perfect_3 skin-vector action-view


text:
Gospel of Luke
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Books of the
New Testament
Gospels
Matthew
Mark
Luke
John
Acts
Acts of the Apostles
Epistles
Romans
1 Corinthians · 2 Corinthians
Galatians · Ephesians
Philippians · Colossians
1 Thessalonians · 2 Thessalonians
1 Timothy · 2 Timothy
Titus · Philemon
Hebrews · James
1 Peter · 2 Peter
1 John · 2 John · 3 John
Jude
Apocalypse
Revelation
New Testament manuscripts
v
t
e
The Gospel According to Luke (Greek: Τὸ κατὰ Λουκᾶν εὐαγγέλιον, to kata Loukan evangelion), also called the Gospel of Luke, or simply Luke, is the third of the four canonical Gospels. It tells of the origins, birth, ministry, atonement, death, resurrection, and ascension of Jesus Christ.[1]
Luke is the second-longest of the four gospels, and together with Acts of the Apostles, the pair make up a two-volume work from the same pen, called Luke–Acts.[2] The cornerstone of Luke–Acts' theology is "salvation history", the author's understanding that God's purpose is seen in the way he has acted, and will continue to act, in history.[3] It divides the history of first century Christianity into three stages, with the gospel making up the first two of these – the arrival among men of Jesus the Messiah, from his birth to the beginning of his earthly mission in the meeting with John the Baptist followed by his earthly ministry, Passion, death and resurrection (concluding the gospel story per se). The gospel's sources are the Gospel of Mark (for the narrative of Christ's earthly life), the sayings collection called the Q source (for his teachings), and a collection of material called the L (for Luke) source, which is found only in this gospel.[4]
Luke–Acts does not name its author.[5] According to Church tradition this was Luke the Evangelist, the companion of Paul, but while this view is still occasionally put forward the scholarly consensus emphasises the many contradictions between Acts and the authentic Pauline letters.[6][7] The most probable date for its composition is around 80–110 AD, and there is evidence that it was still being revised well into the 2nd century.[8]
Contents
[hide]
1 Composition and setting
1.1 Textual history
1.2 Luke–Acts: unity, authorship and date
1.3 Genre, models and sources
1.4 Audience and authorial intent
2 Structure and content
2.1 Structure of Luke's Gospel
2.2 Parallel structure of Luke–Acts
3 Theology
3.1 Luke's "salvation history"
3.2 Christology
3.3 The Holy Spirit, the Christian community, and the kingdom of God
3.4 Christians vs. Rome and the Jews
4 Comparison with other writings
5 See also
6 Notes
7 References
8 Bibliography
9 External links
Composition and setting[edit]
Textual history[edit]
See also: Acts of the Apostles § Manuscripts
A 3rd-century AD Greek papyrus of the Gospel of Luke
Autographs (original copies) of Luke and the other Gospels have not been preserved, as is typical for ancient documents; the texts that survive are third-generation copies, with no two completely identical.[9] The earliest witnesses (the technical term for written manuscripts) for Luke's gospel fall into two "families" with considerable differences between them, the Western and the Alexandrian, and the dominant view is that the Western text represents a process of deliberate revision, as the variations seem to form specific patterns.[10] The oldest witness is a fragment dating from the late 2nd century, while the oldest complete texts are the 4th century Codex Sinaiticus and Vaticanus, both from the Alexandrian family; Codex Bezae, a 5th- or 6th-century Western text-type manuscript that contains Luke in Greek and Latin versions on facing pages, appears to have descended from an offshoot of the main manuscript tradition, departing from more familiar readings at many points.[11][Notes 1]
Luke–Acts: unity, authorship and date[edit]
See also: Authorship of Luke–Acts
The gospel of Luke and the Acts of the Apostles make up a two-volume work which scholars call Luke–Acts.[12] Together they account for 27.5% of the New Testament, the largest contribution by a single author, providing the framework for both the Church's liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus.[13]
The author is not named in either volume.[5] According to a Church tradition dating from the 2nd century he was the Luke named as a companion of Paul in three of the letters attributed to Paul himself, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters (Theissen and Merz 1998, p.32)."[6] (An example can be seen by comparing Acts' accounts of Paul's conversion (Acts 9:1–31, 22:6–21, and 26:9–23) with Paul's own statement that he remained unknown to Christians in Judea after that event (Galatians 1:17–24).)[14] He admired Paul, but his theology was significantly different from Paul's on key points and he does not (in Acts) represent Paul's views accurately.[15] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke's audience.[16]
The eclipse of the traditional attribution to Luke the companion of Paul has meant that an early date for the gospel is now rarely put forward.[6] Some experts date the composition of the combined work to around 80–90 AD, although some others suggest 90–110,[17] and there is evidence, both textual (the conflicts between Western and Alexandrian manuscript families) and from the Marcionite controversy (Marcion was a 2nd-century heretic who produced his own version of Christian scripture based on Luke's gospel and Paul's epistles) that Luke–Acts was still being substantially revised well into the 2nd century.[8]
Genre, models and sources[edit]
Almost all of Mark's content is found in Matthew, and most of Mark is also found in Luke. Matthew and Luke share a large amount of additional material that is not found in Mark, and each also has a proportion of unique material.
Luke–Acts is a religio-political history of the Founder of the church and his successors, in both deeds and words. The author describes his book as a "narrative" (diegesis), rather than as a gospel, and implicitly criticises his predecessors for not giving their readers the speeches of Jesus and the Apostles, as such speeches were the mark of a "full" report, the vehicle through which ancient historians conveyed the meaning of their narratives. He seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a history of Rome, and the Jewish historian Josephus, author of a history of the Jews. All three authors anchor the histories of their respective peoples by dating the births of the founders (Romulus, Moses and Jesus) and narrate the stories of the founders' births from God, so that they are sons of God. Each founder taught authoritatively, appeared to witnesses after death, and ascended to heaven. Crucial aspects of the teaching of all three concerned the relationship between rich and poor and the question of whether "foreigners" were to be received into the people.[18]
The author used as his sources the gospel of Mark, the sayings collection called the Q source, and a collection of material called the L (for Luke) source.[4] Mark, written around 70 AD, provided the narrative outline, but Mark contains comparatively little of Jesus' teachings.[19] For these Luke turned to Q, which consisted mostly, although not exclusively, of "sayings".[20] (Most scholars are reasonably sure that Q existed and that it can be reconstructed).[21] Mark and Q account for about 64% of Luke. The remaining material, known as the L source, is of unknown origin and date.[22] Most Q and L-source material is grouped in two clusters, Luke 6:17–8:3 and 9:51–18:14, and L-source material forms the first two section of the gospel (the preface and infancy and childhood narratives).[23]
Audience and authorial intent[edit]
Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord's supper.[18] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[24] He begins his gospel with a preface addressed to "Theophilus": the name means "Lover of God," and could be an individual or simply any Christian. Here he informs Theophilus of his intention, which is to lead his reader to certainty through an orderly account "of the events that have been fulfilled among us."[16] He did not, however, intend to provide Theophilus with a historical justification of the Christian faith – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[25]
Structure and content[edit]
Detailed content of Luke
1. Formal introduction
To Theophilus (1:1–4)
2. Jesus' birth and boyhood
Zacharias (1:5–25)
Annunciation (1:26–45)
Magnificat (1:46–56)
Nativity of St John the Baptist (1:57–80)
Benedictus (1:68–79)
Census of Quirinius (2:1–5)
Nativity of Jesus (2:6–7)
Annunciation to the shepherds (2:8–15)
Adoration of the Shepherds (2:16–20)
Circumcision of Jesus (2:21–40)
:Nunc dimittis (2:29–32)
Finding in the Temple (2:41–52)
3. Jesus' baptism and temptation
Ministry of John the Baptist (3:1–20)
Baptism (3:21–22)
Genealogy (3:23–38)
Temptation (4:1–13)
4.Jesus' ministry in Galilee
Good News (4:14–15)
Rejection in Nazareth (4:16–30)
Capernaum (4:31–44)
Miraculous catch of fish (5:1–11)
Leper and Paralytic (5:12–26)
Calling of Matthew (5:27–32)
On fasting (5:33–35)
New Wine into Old Wineskins (5:36–39)
Lord of the Sabbath (6:1–5)
Man with withered hand (6:6–11)
Commissioning of the Twelve Apostles (6:12–16)
Sermon on the Plain (6:17–49)
Centurion's servant (7:1–10)
Young man from Nain (7:11–17)
Messengers from John the Baptist (7:18–35)
Anointing (7:36–50)
Women companions of Jesus (8:1–3)
Parable of the Sower (8:4–8,11–15)
Purpose of parables (8:9–10)
Lamp under a bushel (8:16–18; 11:33)
Jesus' true relatives (8:19–21)
Calming the storm (8:22–25)
Demon named Legion (8:26–39)
Raising of Jairus' daughter (8:40–56)
Instructions for the Twelve (9:1–6)
Death of John the Baptist (9:7–9)
Feeding of the 5000 (9:10–17)
Confession of Peter (9:18–20)
Jesus predicts his death (9:21–27, 44–45; 18:31–34)
Transfiguration (9:28–36)
Possessed boy (9:37–43)
The Little Children (9:46–48)
Those not against are for (9:49–50)
5. Jesus' teaching on the journey to Jerusalem
On the road to Jerusalem (9:51)
Samaritan rejection (9:52–56)
Foxes have holes (9:57–58)
Let the dead bury the dead (9:59–60)
Don't look back (9:61–62)
Commission of the Seventy (10:1–12,10:16–20)
Cursing Chorazin, Bethsaida, Capernaum (10:13–15)
Praising the Father (10:21–24)
Great Commandment (10:25–28)
Parable of the Good Samaritan (10:29–37)
Visiting Martha and Mary (10:38–42)
Lord's Prayer (11:1–4)
Parable of the Friend at Night (11:5–13)
Blind-mute man (11:14–19)
Exorcising by the Finger of God (11:20)
Strong man (11:21–22)
Those not with me are against me (11:23)
Return of the unclean spirit (11:24–26)
Those who hear the word and keep it (11:27–28)
Request for a sign (11:29–32)
Eye and Light (11:34–36)
Woes of the Pharisees (11:37–54)
Veiled and Unveiled (12:1–3)
Whom to fear (12:4–7)
Unforgivable sin (12:8–12)
Disputed inheritance (12:13–15)
Parable of the Rich Fool and Birds (12:16–32)
Sell your possessions (12:33–34)
Parable of the Faithful Servant (12:35–48)
Not peace, but a sword (12:49–53; 14:25–27)
Knowing the times (12:54–56)
Settle with your accuser (12:57–59)
Tower of Siloam (13:1–5)
Parable of the barren fig tree (13:6–9)
Infirm woman (13:10–17)
Parable of the Mustard Seed and Parable of the Leaven (13:18–21)
The Narrow Gate (13:22–30)
Lament over Jerusalem (13:31–35)
Man with dropsy (14:1–6)
Parable of the Wedding Feast, Parable of the Great Banquet, Counting the cost,
Parable of the Lost Sheep, Parable of the Lost Coin, Parable of the Prodigal Son, Parable of the Unjust Steward (14:7–16:13)
Not one stroke of a letter (16:14–17)
On divorce (16:18)
Rich man and Lazarus (16:19–31)
Curse those who set traps (17:1–6)
Parable of the Master and Servant (17:7–10)
Cleansing ten lepers (17:11–19)
The Coming Kingdom of God (17:20–37)
Parables of the Unjust judge, Pharisee and Publican (18:1–14)
The Little Children (18:15–17)
Rich young man (18:18–30)
Blind near Jericho (18:35–43)
Zacchaeus (19:1–9)
Son of Man came to save (19:10)
Parable of the Talents (19:11–27)
6. Jesus' Jerusalem conflicts, crucifixion, and resurrection
Entry into Jerusalem (19:28–44)
Cleansing of the Temple (19:45–48)
Authority questioned (20:1–8)
Parable of the Wicked Husbandmen (20:9–19)
Render unto Caesar (20:20–26)
Resurrection of the dead (20:27–40)
Is the Messiah the son of David? (20:41–44)
Denouncing scribes (20:45–47)
Lesson of the widow's mite (21:1–4)
Olivet Discourse (21:5–38)
Plot to kill Jesus (22:1–2)
Bargain of Judas (22:3–6)
Last Supper (22:7–23)
Dispute about Greatness (22:24–30)
Denial of Peter (22:31–34, 55–62)
Sell your cloak and buy a sword (22:35–38)
Agony in the Garden (22:39–46)
Kiss of Judas (22:47–53)
Arrest (22:54)
Guards mock Jesus (22:63–65)
Before the High Priest (22:66–71)
Pilate's court (23:1–7, 13–25)
Jesus at Herod's court (23:8–12)
Simon of Cyrene (23:26)
Crucifixion (23:27–49)
Entombment (23:50–56)
Empty tomb (24:1–12)
Resurrection appearances (24:13–43)
Great Commission (24:44–49)
Ascension of Jesus (24:50–53)
This box:
view
talk
edit
Annunciation (Murillo)
Structure of Luke's Gospel[edit]
Following the author's preface addressed to his patron and the two birth narratives (John the Baptist and Jesus), the gospel opens in Galilee and moves gradually to its climax in Jerusalem:[26]
A brief preface addressed to Theophilus stating the author's aims;
Birth and infancy narratives for both Jesus and John the Baptist, interpreted as the dawn of the promised era of Israel's salvation;
Preparation for Jesus' messianic mission: John's prophetic mission, his baptism of Jesus, and the testing of Jesus' vocation;
The beginning of Jesus' mission in Galilee, and the hostile reception there;
The central section: the journey to Jerusalem, where Jesus knows he must meet his destiny as God's prophet and messiah;
His mission in Jerusalem, culminating in confrontation with the leaders of the Jewish Temple;
His last supper with his most intimate followers, followed by his arrest, interrogation, and crucifixion;
God's validation of Jesus as Christ: events from the first Easter to the Ascension, showing Jesus' death to be divinely ordained, in keeping with both scriptural promise and the nature of messiahship, and anticipating the story of Acts.[Notes 2]
Parallel structure of Luke–Acts[edit]
The structure of Acts parallels the structure of the gospel, demonstrating the universality of the divine plan and the shift of authority from Jerusalem to Rome:[27]
The gospel – the acts of Jesus:
The presentation of the child Jesus at the Temple in Jerusalem
Jesus' forty days in the desert
Jesus in Samaria/Judea
Jesus in the Decapolis
Jesus receives the Holy Spirit
Jesus preaches with power (the power of the spirit)
Jesus heals the sick
Death of Jesus
The apostles are sent to preach to all nations
The acts of the apostles
Jerusalem
Forty days before the Ascension
Samaria
Asia Minor
Pentecost: Christ's followers receive the spirit
The apostles preach with the power of the spirit
The apostles heal the sick
Death of Stephen, the first martyr for Christ
Paul preaches in Rome
Theology[edit]
Parable of the Sower (Biserica Ortodoxă din Deal, Cluj-Napoca), Romania)
Luke's "salvation history"[edit]
Luke's theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[3] His "salvation history" stretches from the Creation to the present time of his readers, in three ages: first, the time of "the Law and the Prophets", the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1:5–3:1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3:2–24:51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[28]
Christology[edit]
Luke's understanding of Jesus – his Christology – is central to his theology. One approach to this is through the titles Luke gives to Jesus: these include, but are not limited to, Christ (Messiah), Lord, Son of God, and Son of Man.[29] Another is by reading Luke in the context of similar Greco-Roman divine saviour figures (Roman emperors are an example), references which would have made clear to Luke's readers that Jesus was the greatest of all saviours.[30] A third is to approach Luke through his use of the Old Testament, those passages from Jewish scripture which he cites to establish that Jesus is the promised Messiah.[31] While much of this is familiar, much also is missing: for example, Luke makes no clear reference to Christ's pre-existence or to the Christian's union with Christ, and makes relatively little reference to the concept of atonement: perhaps he felt no need to mention these ideas, or disagreed with them, or possibly he was simply unaware of them.[32]
Even what Luke does say about Christ is ambiguous or even contradictory.[32] For example, according to Luke 2:11 Jesus was the Christ at his birth, but in Acts 10:37–38 he becomes Christ at the resurrection, while in Acts 3:20 it seems his messiahship is active only at the parousia, the "second coming"; similarly, in Luke 2:11 he is the Saviour from birth, but in Acts 5:31 he is made Saviour at the resurrection; and he is born the Son of God in Luke 1:32–35, but becomes the Son of God at the resurrection according to Acts 13:33.[33] Many of these differences may be due to scribal error, but others were deliberate alterations to doctrinally unacceptable passages, or the introduction by scribes of "proofs" for their favourite theological tenets.[34] An important example of such deliberate alterations is found in Luke's account of the baptism of Jesus, where virtually all the earliest witnesses have God saying, "This day I have begotten you."[35] (Luke has taken the words of God from Psalm 2, an ancient royal adoption formula in which the king of Israel was recognised as God's elect).[35] This reading is theologically difficult, as it implies that God is now conferring status on Jesus that he did not previously hold.[35] It is unlikely, therefore, that the more common reading of Luke 3:22 (God says to Jesus, "You are my beloved son, with you I am well pleased") is original.[35]
The Holy Spirit, the Christian community, and the kingdom of God[edit]
The Holy Spirit plays a more important role in Luke–Acts than in the other gospels. Some scholars have argued that the Spirit's involvement in the career of Jesus is paradigmatic of the universal Christian experience, others that Luke's intention was to stress Jesus' uniqueness as the Prophet of the final age.[36] It is clear, however, that Luke understands the enabling power of the Spirit, expressed through non-discriminatory fellowship ("All who believed were together and had all things in common"), to be the basis of the Christian community.[37] This community can also be understood as the Kingdom of God, although the kingdom's final consummation will not be seen till the Son of Man comes "on a cloud" at the end-time.[38]
Christians vs. Rome and the Jews[edit]
See also: History of the Jews in the Roman Empire
Luke needed to define the position of Christians in relation to two political and social entities, the Roman Empire and Judaism. Regarding the Empire Luke makes clear that, while Christians are not a threat to the established order, the rulers of this world hold their power from Satan, and the essential loyalty of Christ's followers is to God and this world will be the kingdom of God, ruled by Christ the King.[39] Regarding the Jews, Luke emphasises the fact that Jesus and all his earliest followers were Jews, although by his time the majority of Christ-followers were gentiles; nevertheless, the Jews had rejected and killed the Messiah, and the Christian mission now lay with the gentiles.[40]
Comparison with other writings[edit]
Supper at Emmaus (1601), Caravaggio, National Gallery.
The gospels of Matthew, Mark and Luke share so much in common that they are called the Synoptics, as they frequently cover the same events in similar and sometimes identical language. The majority opinion among scholars is that Mark was the earliest of the three (about 70 AD) and that Matthew and Luke both used this work and the "sayings gospel" known as Q as their basic sources. Luke has both expanded Mark and corrected his grammar and syntax – Mark wrote poor Greek. Some passages from Mark he has eliminated entirely, notably most of chapters 6 and 7, which he apparently felt reflected poorly on the disciples and painted Jesus too much like a magician. Despite this, he follows Mark's plot more faithfully than does Matthew.[41]
Despite being grouped with Matthew and Mark, Luke's gospel has a number of parallels with the Gospel of John. For example, Luke uses the terms "Jews" and "Israelites" in a way unlike Mark, but like John; the figures of Mary of Bethany and Martha as well as a person named Lazarus (although Lazarus of Bethany and the Lazarus of the parable are generally not considered the same person) are found only in Luke and John; and at Jesus' arrest, only Luke and John state that the servant's right ear was cut off (there are several such small details found only in Luke and John).[42]
See also[edit]
Book: Gospel
Authorship of Luke–Acts
List of Gospels
List of omitted Bible verses
Marcion
Order of St. Luke
Synoptic Gospels
Synoptic problem
Textual variants in the Gospel of Luke
Notes[edit]
Jump up ^ Verses 22:19–20 are omitted in Codex Bezae and a handful of Old Latin manuscripts. Nearly all other manuscripts including Codex Sinaiticus and Codex Vaticanus and Church Fathers contain the "longer" reading of Luke 22:19 and 20. Verse 22:20, which is very similar to 1 Cor 11:25, provides the only gospel support for the doctrine of the New Covenant. Verses 22:43–44 are found in Western text-type, are omitted by a diverse number of ancient witnesses, and are generally marked as such in modern translations. See Bruce M. Metzger's Textual Commentary on the Greek New Testament for details. P {\displaystyle {\mathfrak {P}}} 4 is probably the earliest witness, dating from the late 2nd century. It contains Lk 1:58–59, 62–2:1,6–7; 3:8–4:2, 29–32, 34–35; 5:3–8; 5:30–6:16. P {\displaystyle {\mathfrak {P}}} 75 dates from the late 2nd century/early 3rd century and contains Lk 3:18–4:2+; 4:34–5:10; 5:37–18:18+; 22:4–24:53 and John 1:1–11:45, 48–57; 12:3–13:10; 14:8–15:10. Finally, P {\displaystyle {\mathfrak {P}}} 45 (mid-3rd century) contains extensive portions of all four Gospels. In addition to these major early papyri there are 6 other papyri ( P {\displaystyle {\mathfrak {P}}} 3, P {\displaystyle {\mathfrak {P}}} 7, P {\displaystyle {\mathfrak {P}}} 42, P {\displaystyle {\mathfrak {P}}} 69, P {\displaystyle {\mathfrak {P}}} 82 and P {\displaystyle {\mathfrak {P}}} 97) dating from between the 3rd–8th century which also have small portions of Luke's Gospel. (See List of New Testament papyri).
Jump up ^ For studies of the literary structure of this Gospel, see recent contributions of Bailey, Goulder and Talbert, in particular for their readings of Luke's Central Section. (Almost all scholars believe the section begins at 9.51; strong case, however, can be put for 9.43b.) Then the introductory pieces to the opening and closing parts that frame the teaching of the Central Section would exhibit a significant dualism: compare 9.43b–45 and 18.31–35. The Central Section would then be defined as 9.43b–19.48, 'Jesus Journey to Jerusalem and its Temple'. Between the opening part ('His Setting out', 9.43b–10.24) and the closing part ('His Arriving', 18.31–19.48) lies a chiasm of parts 1–5,C,5'–1', 'His Teachings on the Way': 1, 10.25–42 Inheriting eternal life: law and love; 2, 11.1–13 Prayer: right praying, persistence, Holy Spirit is given; 3, 11.14–12.12 The Kingdom of God: what is internal is important; 4, 12.13–48 Earthly and Heavenly riches; the coming of the Son of Man; 5, 12.49–13.9 Divisions, warning and prudence, repentance; C, 13.10–14.24 a Sabbath healing, kingdom and entry (13.10–30), Jesus is to die in Jerusalem, his lament for it (13.31–35), a Sabbath healing, banqueting in the kingdom (14.1–24); 5', 14.25–15.32 Divisions, warning and prudence, repentance; 4', 16.1–31 Earthly and Heavenly riches: the coming judgement; 3', 17.1–37 The kingdom of God is 'within', not coming with signs; 2', 18.1–17 Prayer: persistence, right praying, receiving the kingdom; 1', 18.18–30 Inheriting eternal life: law and love. (All the parts 1–5 and 5'–1' are constructed of three parts in the style of ABB'.)
References[edit]
Jump up ^ Allen 2009, p. 325.
Jump up ^ Thompson 2010, p. 319.
^ Jump up to: a b Allen 2009, p. 326.
^ Jump up to: a b Johnson 2010, p. 44.
^ Jump up to: a b Burkett 2002, p. 196.
^ Jump up to: a b c Theissen & Merz 1998, p. 32.
Jump up ^ Ehrman 2005, pp. 172, 235.
^ Jump up to: a b Perkins 2009, pp. 250–53.
Jump up ^ Ehrman 1996, p. 27.
Jump up ^ Boring 2012, p. 596.
Jump up ^ Ellis 2003, p. 19.
Jump up ^ Burkett 2002, p. 195.
Jump up ^ Boring 2012, p. 556.
Jump up ^ Perkins 1998, p. 253.
Jump up ^ Boring 2012, p. 590.
^ Jump up to: a b Green 1997, p. 35.
Jump up ^ Charlesworth 2008, p. 42.
^ Jump up to: a b Balch 2003, p. 1104.
Jump up ^ Hurtado 2005, p. 284.
Jump up ^ Ehrman 1999, p. 82.
Jump up ^ Ehrman 1999, p. 80.
Jump up ^ Powell 1998, pp. 39–40.
Jump up ^ Burkett 2002, p. 204.
Jump up ^ Green 1995, pp. 16–17.
Jump up ^ Green 1997, p. 36.
Jump up ^ Carroll 2012, pp. 15–16.
Jump up ^ Boring 2012, p. 569.
Jump up ^ Evans 2011, p. no page numbers.
Jump up ^ Powell 1989, p. 60.
Jump up ^ Powell 1989, pp. 63–65.
Jump up ^ Powell 1989, p. 66.
^ Jump up to: a b Buckwalter 1996, p. 4.
Jump up ^ Ehrman 1996, p. 65.
Jump up ^ Miller 2011, p. 63.
^ Jump up to: a b c d Ehrman 1996, p. 66.
Jump up ^ Powell 1989, pp. 108–11.
Jump up ^ Powell 1989, p. 111.
Jump up ^ Holladay 2011, p. no page number.
Jump up ^ Boring 2012, p. 562.
Jump up ^ Boring 2012, p. 563.
Jump up ^ Johnson 2010, p. 48.
Jump up ^ Boring 2012, p. 576.
Bibliography[edit]
Allen, O. Wesley, Jr. (2009). "Luke". In Petersen, David L.; O'Day, Gail R. Theological Bible Commentary. Westminster John Knox Press. ISBN 9781611640304.
Aune, David E. (1988). The New Testament in its literary environment. Westminster John Knox Press. ISBN 978-0-664-25018-8.
Balch, David L. (2003). "Luke". In Dunn, James D. G.; Rogerson, John William. Eerdmans Commentary on the Bible. Eerdmans. ISBN 9780802837110.
Barton, John; Muddiman, John (2007). The Oxford Bible Commentary. Oxford University Press. ISBN 978-0-19-927718-6.
Boring, M. Eugene (2012). An Introduction to the New Testament: History, Literature, Theology. Westminster John Knox Press. ISBN 9780664255923.
Buckwalter, Douglas (1996). The Character and Purpose of Luke's Christology. Cambridge University Press. ISBN 9780521561808.
Burkett, Delbert (2002). An introduction to the New Testament and the origins of Christianity. Cambridge University Press. ISBN 978-0-521-00720-7.
Carroll, John T. (2012). Luke: A Commentary. Westminster John Knox Press. ISBN 9780664221065.
Charlesworth, James H. (2008). The Historical Jesus: An Essential Guide. Abingdon Press. ISBN 9781426724756.
Collins, Adela Yarbro (2000). Cosmology and Eschatology in Jewish and Christian Apocalypticism. Brill. ISBN 978-90-04-11927-7.
Dunn, James D.G. (2003). Jesus Remembered. Eerdmans. ISBN 978-0-8028-3931-2.
Ehrman, Bart D. (1996). The Orthodox Corruption of Scripture : The Effect of Early Christological Controversies on the Text of the New Testament. Oxford University Press. ISBN 978-0-19-510279-6.
Ehrman, Bart D. (1999). Jesus: Apocalyptic Prophet of the New Millennium. Oxford University Press.
Ehrman, Bart D. (2005). Lost Christianities: The Battles for Scripture and the Faiths We Never Knew. Oxford University Press.
Ellis, E. Earl (2003). The Gospel of Luke. Wipf and Stock Publishers.
Evans, Craig A. (2011). Luke. Baker Books.
Gamble, Harry Y. (1995). Books and Readers in the Early Church: A History of Early Christian Texts. Yale University Press. ISBN 978-0-300-06918-1.
Green, Joel (1995). The Theology of the Gospel of Luke. Cambridge University Press.
Green, Joel (1997). The Gospel of Luke. Eerdmans.
Holladay, Carl R. (2011). A Critical Introduction to the New Testament: Interpreting the Message and Meaning of Jesus Christ. Abingdon Press.
Hurtado, Larry W. (2005). Lord Jesus Christ: Devotion to Jesus in Earliest Christianity. Eerdmans. ISBN 978-0-8028-3167-5.
Johnson, Luke Timothy (2010). The New Testament: A Very Short Introduction. Oxford University Press.
Lössl, Josef (2010). The Early Church: History and Memory. Continuum. ISBN 978-0-567-16561-9.
Miller, Philip M. (2011). "The Least Orthodox Reading is to be Preferred". In Wallace, Daniel B. Revisiting the Corruption of the New Testament. Kregel Academic.
Morris, Leon (1990). New Testament Theology. Zondervan. ISBN 978-0-310-45571-4.
Perkins, Pheme (1998). "The Synoptic Gospels and the Acts of the Apostles: Telling the Christian Story". In Barton, John. The Cambridge companion to biblical interpretation. Westminster John Knox Press. ISBN 978-0-521-48593-7.
Perkins, Pheme (2009). Introduction to the Synoptic Gospels. Eerdmans. ISBN 978-0-8028-6553-3.
Powell, Mark Allan (1998). Jesus as a Figure in History: How Modern Historians View the Man from Galilee. Eerdmans. ISBN 978-0-664-25703-3.
Powell, Mark Allan (1989). What Are They Saying About Luke?. Paulist Press.
Strelan, Rick (2013). Luke the Priest – the Authority of the Author of the Third Gospel. Ashgate Publishing.
Talbert, Charles H. (2002). Reading Luke: A Literary and Theological Commentary. Smyth & Helwys.
Theissen, Gerd; Merz, Annette (1998) [1996]. The historical Jesus: a comprehensive guide. Translated by Bowden, John. Eerdmans.
Thompson, Richard P. (2010). "Luke–Acts: The Gospel of Luke and the Acts of the Apostles". In Aune, David E. The Blackwell Companion to The New Testament. Wiley–Blackwell. p. 319.
Strecker, Georg (2000). Theology of the New Testament. Walter de Gruyter. ISBN 978-0-664-22336-6.
Twelftree, Graham H. (1999). Jesus the miracle worker: a historical & theological study. InterVarsity Press. ISBN 978-0-8308-1596-8.
VanderKam, James C.; Flint, Peter W. (2005). The meaning of the Dead Sea scrolls: Their significance for understanding the Bible, Judaism, Jesus, and Christianity. Bloomsbury Academic. ISBN 0-567-08468-X.
External links[edit]
Wikiversity has learning resources about Biblical Studies (NT) #The Gospels: The Life and Ministry of Jesus
Wikisource has original text related to this article:
Luke
Wikiquote has quotations related to: Gospel of Luke
Wikimedia Commons has media related to Gospel of Luke.
Online translations of the Gospel of Luke:
Bible Gateway 35 languages/50 versions at GospelCom.net
Unbound Bible 100+ languages/versions at Biola University
Online Bible at gospelhall.org
Early Christian Writings; Gospel of Luke: introductions and e-texts
French; English translation
Bible: Luke public domain audiobook at LibriVox Various versions
Secondary literature:
Gospel of Luke Reading Room: on-line virtual library (Tyndale Seminary)
Related articles:
A Brief Introduction to Luke–Acts is available online.
B.H. Streeter, The Four Gospels: A study of origins 1924.
Willker, W (2007), A textual commentary on the Gospel of Luke, Pub. on-line A very detailed text-critical discussion of the 300 most important variants of the Greek text (PDF, 467 pages)
Gospel of Luke
Synoptic Gospel
Preceded by
Gospel of
Mark New Testament
Books of the Bible Succeeded by
Gospel of
John
[show]
v
t
e
Jesus
Historicity
Chronology of Jesus
Genealogy of Jesus
Historical Jesus
Quest for the historical Jesus
portraits
sources
Josephus on Jesus
Tacitus mention
Mara bar Serapion letter
Historicity
Gospels
race and appearance
Life events
Birth
Nativity
Mary
Joseph
Flight into Egypt
Childhood
Unknown years
Baptism
Temptation
Apostles
selecting
Great Commission
Ministry
Sermon on the Mount
Plain
Prayers
Lord's Prayer
Parables
Miracles
Transfiguration
Homelessness
Last Supper
Passion
arrest
trial
Crucifixion
sayings on the cross
Tomb
Resurrection
Ascension
New Testament
Gospels
Matthew
Mark
Luke
John
Gospel harmony
Oral gospel traditions
Life of Jesus in the New Testament
Historical background of the New Testament
New Testament places associated with Jesus
Names and titles of Jesus in the New Testament
Culture
Language of Jesus
Bibliography
Films
Christianity
Christ
Christianity
Christology
Depictions of Jesus
art
Jesus in Christianity
pre-existence
incarnation
Relics associated with Jesus
Scholastic Lutheran Christology
Second Coming
Session of Christ
Other views
Brothers of Jesus
Jesuism
Jesus in comparative mythology
Christ myth theory
Jesus in Islam
Ahmadiyya
Jesus in Scientology
Judaism's view of Jesus
in the Talmud
Master Jesus
Religious perspectives on Jesus
Criticism
[show]
v
t
e
Gospel of Luke
Bible
Luke 1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
Places
Abilene
Bethany
Bethsaida
Capernaum
Decapolis
Emmaus
Galilee
Iturea
Jerusalem
Jordan River
Judea
Nain
Samaria
Sea of Galilee
Trachonitis
People
Abijah
Andrew
Anna
Annas
Augustus
Caiaphas
David
Elizabeth
Gabriel
Herod Antipas
Herod the Great
Jesus Christ
John the Baptist
Joseph
Joseph of Arimathea
Judas Iscariot
Lazarus
Lysanias
Mary
Mary Magdalene
Philip (apostle)
Philip (tetrarch)
Pontius Pilate
Quirinius
Simeon
Simon Peter
Theophilus
Thomas
Tiberius Caesar
Zebedee
Zechariah
Groups
Angels
Pharisees
Sadducees
Samaritans
Sanhedrin
Terms
Crucifixion of Jesus
Feeding the 5000
Genealogy of Jesus
Last Supper
Nativity of Jesus
Nativity of Saint John the Baptist
Prodigal Son
Sermon on the Mount
Sermon on the Plain
Walking on water
Sources
Greek Text
Latin Vulgate
Wycliffe Version
King James Version
American Standard Version
World English Version
← Gospel of Mark (chapter 16)
Gospel of John (chapter 1) →
[show]
v
t
e
Nativity of Jesus
People
Holy Family
Christ Child (Jesus)
Mary
Joseph
Magi
Melchior
Caspar
Balthazar
Others
Shepherds
Herod the Great
Place
Bethlehem
Gifts of the Magi
Gold
Frankincense
Myrrh
Narratives
Gospel of Matthew
Matthew 1
Matthew 1:18
Matthew 1:19
Matthew 1:20
Matthew 1:21
Matthew 1:22
Matthew 1:23
Matthew 1:24
Matthew 1:25
Matthew 2:11
Adoration of the Magi (In art)
Gospel of Luke
Luke 2
Annunciation to the shepherds
Related
Manger
Star of Bethlehem
Virgin birth of Jesus
Saint Joseph's dreams
Flight into Egypt
In art
Christmas village
Kraków szopka
Others
Remembrances
Advent
Christmas
Nativity displays
theft
Nativity play
Nativity Fast
[hide]
v
t
e
Books of the Bible
Principal
divisions
Hebrew Bible/
Old Testament Protocanon
Genesis
Exodus
Leviticus
Numbers
Deuteronomy
Joshua
Judges
Ruth
1–2 Samuel
1–2 Kings
1–2 Chronicles
Ezra
Nehemiah
Esther
Job
Psalms
Proverbs
Ecclesiastes
Song
Isaiah
Jeremiah
Lamentations
Ezekiel
Daniel
Hosea
Joel
Amos
Obadiah
Jonah
Micah
Nahum
Habakkuk
Zephaniah
Haggai
Zechariah
Malachi
Deuterocanon
and Apocrypha
Catholic
Orthodox
Tobit
Judith
Additions to Esther
1 Maccabees
2 Maccabees
Wisdom
Sirach
Baruch / Letter of Jeremiah
Additions to Daniel
Susanna
Song of the Three Children
Bel and the Dragon
Orthodox only
1 Esdras
2 Esdras
Prayer of Manasseh
Psalm 151
3 Maccabees
4 Maccabees
Odes
Tewahedo Orthodox
Enoch
Jubilees
1, 2, and 3 Meqabyan
Paralipomena of Baruch
Broader canon
Syriac
Letter of Baruch
2 Baruch
Psalms 152–155
New Testament
Matthew
Mark
Luke
John
Acts
Romans
1 Corinthians
2 Corinthians
Galatians
Ephesians
Philippians
Colossians
1 Thessalonians
2 Thessalonians
1 Timothy
2 Timothy
Titus
Philemon
Hebrews
James
1 Peter
2 Peter
1 John
2 John
3 John
Jude
Revelation
Subdivisions
Chapters and verses
Pentateuch
Wisdom
Major prophets / Minor prophets
Gospels
Synoptic
Epistles
Pauline
Johannine
Pastoral
Catholic
Apocalyptic literature
Development
Old Testament canon
New Testament canon
Antilegomena
Jewish canon
Christian canon
Manuscripts
Dead Sea Scrolls
Samaritan Pentateuch
Septuagint
Targum
Diatessaron
Muratorian fragment
Peshitta
Vetus Latina
Masoretic Text
New Testament manuscript categories
New Testament papyri
New Testament uncials
See also
Biblical canon
Luther's canon
Authorship
English Bible translations
Other books referenced in the Bible
Pseudepigrapha
list
New Testament apocrypha
Studies
Synod of Hippo
Textual criticism
Category
Portal
WikiProject
Book
Authority control
WorldCat Identities
VIAF: 175769882
GND: 4036616-9
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gospel_of_Luke&oldid=830904623"
Categories:
Gospel Books
Gospel of Luke
Hidden categories:
Pages with numeric Bible version references
Use dmy dates from December 2016
Articles containing Greek-language text
Articles with LibriVox links
Wikipedia articles with VIAF identifiers
Wikipedia articles with GND identifiers
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
Edit
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
In other projects
Wikimedia Commons
Wikiquote
Wikisource
Languages
Afrikaans
العربية
ܐܪܡܝܐ
تۆرکجه
Bân-lâm-gú
Беларуская
Беларуская (тарашкевіца)
Български
Boarisch
བོད་ཡིག
Brezhoneg
Català
Cebuano
Čeština
Cymraeg
Dansk
Deutsch
Dolnoserbski
Eesti
Ελληνικά
Español
Esperanto
Euskara
فارسی
Français
Frysk
Furlan
Gaeilge
Galego
गोंयची कोंकणी / Gõychi Konknni
客家語/Hak-kâ-ngî
한국어
Հայերեն
Hornjoserbsce
Hrvatski
Bahasa Indonesia
Interlingua
Italiano
עברית
Basa Jawa
ქართული
Kaszëbsczi
Kinyarwanda
Kiswahili
Kreyòl ayisyen
Latina
Latviešu
Lietuvių
Lumbaart
Magyar
Македонски
Malagasy
മലയാളം
Mìng-dĕ̤ng-ngṳ̄
Монгол
Na Vosa Vakaviti
Nederlands
日本語
Norsk
Norsk nynorsk
Occitan
Plattdüütsch
Polski
Português
Română
Runa Simi
Русский
Gagana Samoa
Shqip
Sicilianu
Simple English
Slovenčina
Slovenščina
کوردی
Српски / srpski
Srpskohrvatski / српскохрватски
Suomi
Svenska
Tagalog
தமிழ்
ไทย
ತುಳು
Türkçe
Українська
اردو
ئۇيغۇرچە / Uyghurche
Vepsän kel’
Tiếng Việt
Winaray
Yorùbá
粵語
Zeêuws
中文
84 more
Edit links
This page was last edited on 17 March 2018, at 16:15.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

values: mw-page-base noprint

values: mw-head-base noprint

values: firstHeading firstHeading en

values: siteSub noprint

values: jump-to-nav mw-jump

value: th

attrs: class style

value: tr

attrs: alt src width height srcset data-file-width data-file-height

values: Papyrus 46, one of the oldest New Testament papyri, showing 2 Cor 11:33-12:9

attrs: href class title

value: td

values:
/wiki/New_Testament_manuscript
mw-redirect
New Testament manuscript

values: Template talk:Books of the New Testament

values: float:right;clear:right;width:22.0em;margin:0 0 1.0em 1.0em;background:#f9f9f9;border:1px solid #aaa;padding:0.2em;border-spacing:0.4em 0;text-align:center;line-height:1.4em;font-size:88%

attrs: alt src width height class srcset data-file-width data-file-height

values:
/wiki/Codex_Vaticanus_Graecus_1209
mw-redirect
Codex Vaticanus Graecus 1209

values: Edit section: Luke–Acts: unity, authorship and date

values:
/wiki/Apostle_Paul
mw-redirect
Apostle Paul

values: Edit section: Audience and authorial intent

values:
/wiki/Nativity_of_St_John_the_Baptist
mw-redirect
Nativity of St John the Baptist

values:
/wiki/Ministry_of_John_the_Baptist
mw-redirect
Ministry of John the Baptist

values:
/wiki/Good_news_(Christianity)
mw-redirect
Good news (Christianity)

values:
/wiki/Hometown_rejection_of_Jesus
mw-redirect
Hometown rejection of Jesus

values:
/wiki/Female_disciples_of_Jesus
mw-redirect
Female disciples of Jesus

values:
/wiki/The_Little_Children
mw-redirect
The Little Children

values:
/wiki/Finger_of_God_(Christianity)
mw-redirect
Finger of God (Christianity)

values:
/wiki/Parable_of_the_strong_man
mw-redirect
Parable of the strong man

values:
/wiki/Not_peace,_but_a_sword
mw-redirect
Not peace, but a sword

values:
/wiki/Expounding_of_the_Law#Anger
mw-redirect
Expounding of the Law

values:
/wiki/Antithesis_of_the_Law
mw-redirect
Antithesis of the Law

values:
/wiki/Parable_of_the_Talents
mw-redirect
Parable of the Talents

values:
/wiki/Primacy_of_Simon_Peter
mw-redirect
Primacy of Simon Peter

values:
/wiki/Entombment_of_Christ
mw-redirect
Entombment of Christ

values:
/wiki/Resurrection_appearances_of_Jesus
mw-redirect
Resurrection appearances of Jesus

values: Template talk:Content of Luke (page does not exist)

values:
plainlinks hlist navbar
text-align:center

values: float:right; border:1px solid #ddd; margin:0 0 1em 1em; padding:0 0 1em 1em; vertical-align:right; font-size:80%;

values: Edit section: Structure of Luke's Gospel

values: Edit section: Parallel structure of Luke–Acts

values: Edit section: Luke's "salvation history"

values:
/wiki/Kingdom_of_God
mw-redirect
Kingdom of God

values:
/wiki/Second_coming_of_Christ
mw-redirect
Second coming of Christ

values: Edit section: The Holy Spirit, the Christian community, and the kingdom of God

values: Edit section: Christians vs. Rome and the Jews

values: Edit section: Comparison with other writings

values:
/wiki/Michelangelo_Merisi
mw-redirect
Michelangelo Merisi

values:
/wiki/Synoptic_gospels
mw-redirect
Synoptic gospels

values:
/wiki/List_of_omitted_Bible_verses
mw-redirect
List of omitted Bible verses

values:
/wiki/Order_of_St._Luke
mw-redirect
Order of St. Luke

values:
/wiki/Synoptic_problem
mw-redirect
Synoptic problem

values: vertical-align: -0.838ex; width:1.924ex; height:2.676ex;

values:
reflist mw-references-wrap
list-style-type: decimal;

values:
/wiki/Bart_D_Ehrman
mw-redirect
Bart D Ehrman

values:
nofollow
external text
http://www.biblegateway.com

values:
nofollow
external text
http://unbound.biola.edu

values:
nofollow
external text
http://www.ifrance.com/bezae/index.html

values: border-top: 5px solid #FFD700; text-align:center;

values: Historical background of the New Testament

values: New Testament places associated with Jesus

values: Names and titles of Jesus in the New Testament

values: nowraplinks collapsible autocollapse navbox-inner

values:
/wiki/Jesus_Christ
mw-redirect
Jesus Christ

values:
/wiki/Tiberius_Caesar
mw-redirect
Tiberius Caesar

values: wikisource:la:Biblia Sacra Vulgata (Stuttgartensia)/Lucas

values: nowraplinks hlist collapsible autocollapse navbox-inner

values: Gerard van Honthorst - Adoration of the Shepherds (1622).jpg

values:
navbox-image
7
width:1px;padding:0px 0px 0px 2px

values: The Prayer of Azariah and Song of the Three Holy Children

values: Development of the Christian biblical canon

values: Non-canonical books referenced in the Bible

values: nowraplinks hlist collapsible expanded navbox-inner

values:
nofollow
external text
https://viaf.org/viaf/175769882

values:
nofollow
external text
https://d-nb.info/gnd/4036616-9

values: Category:Pages with numeric Bible version references

values: Category:Use dmy dates from December 2016

values: Category:Articles containing Greek-language text

values: Category:Wikipedia articles with VIAF identifiers

values: Category:Wikipedia articles with GND identifiers

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Gospel_of_Luke
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

values: p-namespaces navigation vectorTabs p-namespaces-label

values:
p-variants
navigation
vectorMenu emptyPortlet
p-variants-label

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: Guidance on how to use and edit Wikipedia

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-interaction p-interaction-label

values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: portal navigation p-wikibase-otherprojects p-wikibase-otherprojects-label

values:
interlanguage-link interwiki-af
display: none;

values: إنجيل لوقا – Arabic

values: ܟܪܘܙܘܬܐ ܕܠܘܩܐ – Aramaic

values:
interlanguage-link interwiki-arc
display: none;

values:
interlanguage-link interwiki-azb
display: none;

values:
interlanguage-link interwiki-zh-min-nan
display: none;

values: Паводле Лукі Святое Дабравесце – Belarusian

values:
interlanguage-link interwiki-be
display: none;

values: Эвангельле паводле Лукі – Belarusian (Taraškievica orthography)

values:
interlanguage-link interwiki-be-x-old
display: none;

values: Евангелие от Лука – Bulgarian

values:
interlanguage-link interwiki-bg
display: none;

values:
interlanguage-link interwiki-bar
display: none;

values: ༄༅།། ལུ་ཀཱ་ཡིས་བྲིས་པའི་འཕྲིན་བཟང་བཞུགས་སོ།། – Tibetan

values:
interlanguage-link interwiki-bo
display: none;

values:
interlanguage-link interwiki-br
display: none;

values:
interlanguage-link interwiki-ca
display: none;

values:
interlanguage-link interwiki-ceb
display: none;

values:
interlanguage-link interwiki-cy
display: none;

values:
interlanguage-link interwiki-da
display: none;

values:
interlanguage-link interwiki-de
display: none;

values: Evangeliom swětego Lukaša – Lower Sorbian

values:
interlanguage-link interwiki-dsb
display: none;

values:
interlanguage-link interwiki-et
display: none;

values: Κατά Λουκάν Ευαγγέλιον – Greek

values:
interlanguage-link interwiki-eo
display: none;

values:
interlanguage-link interwiki-eu
display: none;

values: انجیل لوقا – Persian

values:
interlanguage-link interwiki-fy
display: none;

values:
interlanguage-link interwiki-fur
display: none;

values:
interlanguage-link interwiki-gl
display: none;

values: लुका पर्माणें जेजू क्रिसताचें शुभवर्तमान – Goan Konkani

values:
interlanguage-link interwiki-gom
display: none;

values:
interlanguage-link interwiki-hak
display: none;

values: 루가의 복음서 – Korean

values:
interlanguage-link interwiki-ko
display: none;

values: Ավետարան ըստ Ղուկասի – Armenian

values:
interlanguage-link interwiki-hy
display: none;

values:
interlanguage-link interwiki-hsb
display: none;

values:
interlanguage-link interwiki-hr
display: none;

values:
interlanguage-link interwiki-ia
display: none;

values:
interlanguage-link interwiki-it
display: none;

values: הבשורה על-פי לוקאס – Hebrew

values:
interlanguage-link interwiki-he
display: none;

values:
interlanguage-link interwiki-jv
display: none;

values: ლუკას სახარება – Georgian

values:
interlanguage-link interwiki-ka
display: none;

values: Ewanieliô wedle swiãtégò Łukôsza – Kashubian

values:
interlanguage-link interwiki-csb
display: none;

values:
interlanguage-link interwiki-rw
display: none;

values:
interlanguage-link interwiki-sw
display: none;

values:
https://ht.wikipedia.org/wiki/Lik
Lik – Haitian Creole
ht
ht
interlanguage-link-target

values:
interlanguage-link interwiki-ht
display: none;

values:
interlanguage-link interwiki-la
display: none;

values:
interlanguage-link interwiki-lv
display: none;

values:
interlanguage-link interwiki-lt
display: none;

values:
interlanguage-link interwiki-lmo
display: none;

values:
interlanguage-link interwiki-hu
display: none;

values: Евангелие на Лука – Macedonian

values:
interlanguage-link interwiki-mk
display: none;

values: Filazantsara araka an'i Lioka – Malagasy

values:
interlanguage-link interwiki-mg
display: none;

values: ലൂക്കാ എഴുതിയ സുവിശേഷം – Malayalam

values:
interlanguage-link interwiki-ml
display: none;

values:
interlanguage-link interwiki-cdo
display: none;

values:
interlanguage-link interwiki-mn
display: none;

values: Ai Tukutuku-vinaka sa vola ko Luke – Fijian

values:
interlanguage-link interwiki-fj
display: none;

values:
interlanguage-link interwiki-nl
display: none;

values: ルカによる福音書 – Japanese

values:
interlanguage-link interwiki-ja
display: none;

values:
interlanguage-link interwiki-no
display: none;

values: Evangeliet etter Lukas – Norwegian Nynorsk

values:
interlanguage-link interwiki-nn
display: none;

values:
interlanguage-link interwiki-oc
display: none;

values:
interlanguage-link interwiki-nds
display: none;

values:
interlanguage-link interwiki-pl
display: none;

values:
interlanguage-link interwiki-ro
display: none;

values:
interlanguage-link interwiki-qu
display: none;

values: Евангелие от Луки – Russian

values:
interlanguage-link interwiki-sm
display: none;

values:
interlanguage-link interwiki-sq
display: none;

values:
interlanguage-link interwiki-scn
display: none;

values:
interlanguage-link interwiki-simple
display: none;

values:
interlanguage-link interwiki-sk
display: none;

values:
interlanguage-link interwiki-sl
display: none;

values:
interlanguage-link interwiki-ckb
display: none;

values: Јеванђеље по Луки – Serbian

values:
interlanguage-link interwiki-sr
display: none;

values:
interlanguage-link interwiki-sh
display: none;

values:
interlanguage-link interwiki-tl
display: none;

values: லூக்கா நற்செய்தி – Tamil

values:
interlanguage-link interwiki-ta
display: none;

values: พระวรสารนักบุญลูกา – Thai

values:
interlanguage-link interwiki-th
display: none;

values: ಲೂಕೆ ಬರೆತಿ ಸುವಾರ್ತಮಾನ – Tulu

values:
interlanguage-link interwiki-tcy
display: none;

values:
interlanguage-link interwiki-tr
display: none;

values: Євангеліє від Луки – Ukrainian

values: لوقا کی انجیل – Urdu

values: لۇقا بايان قىلغان خۇش خەۋەر – Uyghur

values:
interlanguage-link interwiki-ug
display: none;

values:
interlanguage-link interwiki-vep
display: none;

values:
interlanguage-link interwiki-vi
display: none;

values:
interlanguage-link interwiki-war
display: none;

values:
interlanguage-link interwiki-yo
display: none;

values:
interlanguage-link interwiki-zh-yue
display: none;

values:
https://zea.wikipedia.org/wiki/Lucas
Lucas – Zeelandic
zea
zea
interlanguage-link-target

values:
interlanguage-link interwiki-zea
display: none;

values:
suggestions
display: none; font-size: 13px;

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-Gospel_of_Luke rootpage-Gospel_of_Luke skin-vector action-view