text:
Mia Sable
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Mia Sable is an American actress, voice over artist[1][2] and singer/songwriter[3] born and raised in Charlotte, North Carolina and currently residing in Los Angeles, California. Sable has opened for well-known artists like Meiko and Sara Bareilles.[4]
Contents
1 Early life
2 Career
3 Discography
4 References
5 External links
Early life[edit]
Mia was born in Charlotte, North Carolina. She is of Korean, German, and Native American (Choctaw) ancestry.[5]
In 2002, she was admitted to UCLA's School of Theater, Film and Television for musical theater.[6] During her time at UCLA, Sable wrote for the music section of the college newspaper, The Daily Bruin, before graduating in 2007.[7]
Career[edit]
While in college Sable interned at 4th Street Recording Studios in Santa Monica, CA (known for recording (Incubus, and No Doubt)[8] where she began recording her first demos with producers Jim Wirt (Fiona Apple, Hoobastank) and Craig Bartock (Heart).[9]
In 2006, Sable founded her own record label, Moduristic Records, and self-released her debut album Propeller[10] which won the Los Angeles Music Award for "Indie Female Vocalist" that year for the song "My Mistake".[11] She began performing with her band in Los Angeles at venues such as Hotel Café,[12] The Roxy, The Knitting Factory,[13] and on campus at UCLA and USC. In 2007 Sable won again in the category of "Alternative Female Vocalist" for her song "Secret Code",[14] the same year she began recording her next release, The Scenic Route EP.
Upon graduation from UCLA, Sable toured and performed at venues in London, Nashville, New York, Los Angeles, including SXSW in Austin,[15] NXNE in Toronto, Folk Alliance Conference in Memphis,[16] and Sundance Film Festival in Park City, with an appearance on Park City TV.[17] At the end of 2008 Sable released X-Mas, a small collection of Christmas songs, and began work on a second full-length album with Roger Greenawalt (Ben Kweller, The Pierces) in Williamsburg, Brooklyn. She finished the album back in LA at 4th Street Recording with Wirt and Bartock, and LIGHT was released in August 2009. Her song "You Should Know"[18] won the 2009 Malibu Music Award for "Adult Contemporary Artist",[19] and the music video was subsequently programmed by FUSE TV On Demand.
Following the release of LIGHT[20] Sable performed in-stores at Best Buy, Whole Foods, and the Apple Store in Los Angeles. She also played at the 2010 & 2011 NAMM shows for Martin guitars.[21][22][23] Sable has also been recognized for her classic and glamorous personal style, being featured in the Sikara Jewelry blog Real Women, Real Style[24] as well as for the original art direction of her websites. Noteworthy mentions include the unique "tarot card navigation" concept on MiaSable.com in 2009, designed by Jeff Toll,[25] and published in Taschen's Web Design: Navigation, and her MySpace layout designed by Dana Bissett, and mentioned on Mashable.com's 50 Hot MySpace Music Layouts.[26]
In fall of 2009, Sable was admitted on full scholarship via the Consortium for Graduate Study in Management[27] to USC's top 20 ranked MBA program at the Marshall School of Business[28][29] to study digital media and entertainment. In the summer of 2010 Sable began recording new material and working on a new concept live production show, "The Mia Sable Supper Club Revue", which debuted October 21, at First & Hope Supper Club's Fedora Music Lounge in downtown Los Angeles. The show held a monthly residence through May 2011, and featured a "playlist" style performance of medleys including Sable's original material interwoven with classic jazz standards as well as versions of several contemporary soul-pop songs.[30][31] On August 5, 2011 the show was featured at the Levitt Pavilion summer concert series in Pasadena[32]
In 2012, Sable released a 3 song album called The Portrait Collection EP.[33] The leading track "It's Easy" was chosen as the opening theme song to the 2014 Bravo TV Series Southern Charm. Other notable TV song placements include Lifetime's "Dance Moms" and TLC's "Toddlers and Tiaras".[34]
Discography[edit]
2006: Propeller
2008: The Scenic Route EP
2008: X-Mas
2009: LIGHT
2012: The Portrait Collection EP
References[edit]
Jump up ^ "Mia Sable Voice Over Actress". Voiceovermia.com. 2013-01-18. Retrieved 2014-06-14.
Jump up ^ "Mia Sable - Hire voice actor for your voice over project". Voice123.com. 2011-06-03. Retrieved 2014-06-14.
Jump up ^ "MiaSable.com". MiaSable.com. Retrieved 2014-06-14.
Jump up ^ "Club Listings". Pasadena Weekly. 2007-05-17. Retrieved 2014-06-14.
Jump up ^ "Archived copy". Archived from the original on 2011-07-16. Retrieved 2010-07-25.
Jump up ^ "Johnhallmtw.com". Johnhallmtw.com. Retrieved 2014-06-14.
Jump up ^ https://web.archive.org/web/20120921010920/http://www.dailybruin.com/index.php/staff/mia_sable. Archived from the original on September 21, 2012. Retrieved August 9, 2011. Missing or empty |title= (help)
Jump up ^ "4th Street Recording". 4th Street Recording. Retrieved 2014-06-14.
Jump up ^ Heart (band)
Jump up ^ Poder, Mindy (2007-02-27). "Propelling her voice". Daily Bruin. Retrieved 2014-06-14.
Jump up ^ (PDF) https://web.archive.org/web/20081119160203/http://www.lamusicawards.com/2006.pdf. Archived from the original (PDF) on November 19, 2008. Retrieved January 26, 2011. Missing or empty |title= (help)
Jump up ^ Tony Pierce in Arts & Entertainment on Feb 12, 2007 2:31 pm (2007-02-12). "Tonight in Rock in LA - Great Northern, Metal Skool, Amy Loftus, The Abe Lincoln Story, The Binges, The Futhermuckas". LAist. Archived from the original on 2016-01-31. Retrieved 2014-06-14.
Jump up ^ Tony Pierce (2007-05-11). "Tonight in Rock in LA - Dinosaur Jr, Keane, Nikka Costa". LAist. Archived from the original on 2016-01-31. Retrieved 2014-06-14.
Jump up ^ https://web.archive.org/web/20100112105717/http://www.lamusicawards.com/maine.html. Archived from the original on January 12, 2010. Retrieved January 26, 2011. Missing or empty |title= (help)
Jump up ^ "Broadjam Blogs - Broadjam Blog". Broadjam.com. 2009-03-20. Retrieved 2014-06-14.
Jump up ^ "June 2014 | Calendar". BMI.com. Retrieved 2014-06-14.
Jump up ^ "Mia Sable "I'll Be The Same"". YouTube. 2010-02-05. Retrieved 2014-06-14.
Jump up ^ "Mia Sable thinks "You Should Know" | Hot Pop News". Pressepeter.wordpress.com. Retrieved 2014-06-14.
Jump up ^ ":: 2013 Malibu Music Festival & Awards Show". Malibumusicawards.com. 2013-10-19. Retrieved 2014-06-14.
Jump up ^ http://www.ohlalamag.com/en/2009/10/will-poston-in-you-should-know.html
Jump up ^ http://www.namm.org/files/pdfs/NS10_Playback_Supplement.pdf
Jump up ^ "NAMM 2011: Craig Chaquico experiments, Kim Wilson blows harp, Night Ranger covers AC/DC". Orange County Register. Retrieved 2014-06-14.
Jump up ^ http://blog.discmakers.com/2011/01/another-day-in-gear-heaven/
Jump up ^ "Archived copy". Archived from the original on 2011-07-16. Retrieved 2010-07-25.
Jump up ^ "Archived copy". Archived from the original on 2011-02-09. Retrieved 2011-01-26.
Jump up ^ http://mashable.com/2008/12/01/myspace-layouts/
Jump up ^ "Archived copy" (PDF). Archived from the original (PDF) on 2011-01-13. Retrieved 2011-01-26.
Jump up ^ http://mymarshallwear.com/MarshallWear-Team.php[permanent dead link]
Jump up ^ http://www.businessweek.com/bschools/mbapremium/feb2009/bs2009029_260677.htm
Jump up ^ "Archived copy". Archived from the original on 2011-01-06. Retrieved 2011-01-26.
Jump up ^ http://www.lajazz.com/calendar.cfm?v=2&t=20101215&c=505&lc=0
Jump up ^ http://www.pasadenaweekly.com/cms/story/detail/sable_smooth/10401/
Jump up ^ https://www.cdbaby.com/cd/miasable5
Jump up ^ https://www.imdb.com/name/nm5402292/
External links[edit]
[1]
[2]
[3]
[4]
[5]
[iTunes.apple.com/us/artist/mia-sable/id192566169]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mia_Sable&oldid=854535875"
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text:
In the Heat of the Night (film)
From Wikipedia, the free encyclopedia
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In the Heat of the Night
Theatrical release poster
Directed by
Norman Jewison
Produced by
Walter Mirisch
Screenplay by
Stirling Silliphant
Based on
a novel by John Ball
Starring
Sidney Poitier
Rod Steiger
Music by
Quincy Jones
Cinematography
Haskell Wexler, A.S.C.
Edited by
Hal Ashby
Production
company
The Mirisch Corporation
Distributed by
United Artists
Release date
August 2, 1967 (1967-08-02)
Running time
109 minutes[1]
Country
United States
Language
English
Budget
$2 million[2]
Box office
$24.3 million[3]
In the Heat of the Night is a 1967 American mystery drama film directed by Norman Jewison. It is based on John Ball's 1965 novel of the same name and tells the story of Virgil Tibbs, a black police detective from Philadelphia, who becomes involved in a murder investigation in a small town in Mississippi. It stars Sidney Poitier and Rod Steiger, and was produced by Walter Mirisch. The screenplay was by Stirling Silliphant.
The film won five Academy Awards, including the 1967 awards for Best Picture and Rod Steiger for Best Actor.
The film was followed by two sequels, They Call Me Mister Tibbs! in 1970, and The Organization in 1971. In 1988, it also became the basis of a television series adaptation of the same name.
Although the film was set in the fictional Mississippi town of Sparta (with supposedly no connection to the real Sparta, Mississippi), most of the movie was filmed in Sparta, Illinois, where many of the film's landmarks can still be seen. The quote "They call me Mister Tibbs!" was listed as number 16 on the American Film Institute's 100 Years...100 Movie Quotes, a list of top film quotes. In 2002, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Contents
[hide]
1 Plot
2 Cast
3 Song credit
4 Production
5 Reception
5.1 Critical response
6 Musical score and soundtrack
6.1 Track listing
6.2 Personnel
7 Legacy
8 Home media
9 Preservation
10 Gallery
11 Accolades
12 See also
13 Sources
14 References
15 External links
Plot[edit]
In 1966, a wealthy industrialist named Phillip Colbert has moved from Chicago to Sparta, Mississippi to build a factory. One night, police officer Sam Wood discovers that Colbert has been murdered.
Chief Gillespie leads the investigation. A doctor estimates that Colbert had been dead for a few hours. Wood finds a black man named Virgil Tibbs at the train station and arrests him. Gillespie quickly assumes that Tibbs is the culprit and tries to get him to confess. However, he is embarrassed to learn that Tibbs is a top homicide detective from Philadelphia. Gillespie phones Tibbs' chief, who confirms this and recommends that Tibbs should assist them. This idea does not appeal to Gillespie or Tibbs, but they reluctantly agree.
Gillespie arrests another suspect, but Tibbs clears him. The victim's widow is frustrated by the ineptitude of the local police and impressed by Tibbs. She threatens to stop the construction of the factory unless Tibbs leads the investigation. Despite the rocky start, the two policemen begin to respect each other as they are forced to work together.
Tibbs initially suspects plantation owner Endicott, a racist who publicly opposes the new factory. When Tibbs attempts to interrogate Endicott, Endicott slaps him in the face and Tibbs slaps him back. Endicott sends a gang of hooligans after Tibbs. Gillespie rescues him from the fight and tells him to leave town for his safety, but Tibbs is convinced he can solve the case. He examines Colbert's body and suggests the murder happened earlier than initially thought. He examines Colbert's car and deduces that Colbert was murdered elsewhere and the culprit moved the body. Tibbs asks Wood to retrace his car patrol route on the night of the murder, and Gillespie joins them. When Tibbs notices that Wood has changed his route, Gillespie starts suspecting Wood, though Tibbs hints there is another reason.
Gillespie discovers that Wood made a sizable deposit into his bank account the day after the murder while Purdy, a local, files charges against Wood for getting his 16-year-old sister Delores pregnant. Gillespie arrests Wood, despite Tibbs' protests, and Delores is interrogated. Purdy is offended that a black man was present at the interrogation, and he gathers a mob to get revenge. Tibbs reveals that the murder was committed at the site of the planned factory and clears Wood. He also admits that he knew why Wood had changed his route: Delores is an exhibitionist and Wood has been spying on her.
Tibbs visits a backstreet abortionist, who reveals that someone paid for Delores to have an abortion. When Delores arrives, Tibbs follows her outside and is confronted by the murderer, Ralph. Purdy's mob tracks down Tibbs and holds him at gunpoint; he responds by proving that Ralph got Delores pregnant. Ralph shoots Purdy dead before Tibbs disarms him. Ralph is arrested and confesses: he robbed Colbert to fund Delores's abortion but accidentally killed him.
The film ends with Tibbs boarding a train home, as Gillespie respectfully bids him farewell.
Cast[edit]
Sidney Poitier as Virgil Tibbs
Rod Steiger as Gillespie
Warren Oates as Sam Wood
Lee Grant as Mrs. Colbert
Larry Gates as Endicott
James Patterson as Mr. Purdy
William Schallert as Mayor Schubert
Beah Richards as Mama Caleba
Peter Whitney as Courtney
Kermit Murdock as Henderson
Larry D. Mann as Watkins
Matt Clark as Packy
Arthur Malet as Ulam
Fred Stewart as Dr. Stuart
Quentin Dean as Delores
Scott Wilson as Harvey Oberst
Timothy Scott as Shagbag
William C. Watson as McNeil
Eldon Quick as Charles Hawthorne
Stuart Nisbet as Shuie
Khalil Bezaleel as Jess
Peter Masterson as Fryer
Jester Hairston as butler
Phil Adams as 1st tough
Nikita Knatz as 2nd tough
Sam Reese as clerk
Anthony James as Ralph
Uncredited
Harry Dean Stanton
as policeman
Clegg Hoyt
as policeman
[final acting role
died two months
after film's release]
Jazan Winona Wallace as Viola
Song credit[edit]
"In the Heat of the Night" sung by Ray Charles
Song lyrics by Alan & Marilyn Bergman
Production[edit]
Jewison, Poitier, and Steiger worked together and got along well during the filming, but Jewison had problems with the Southern authorities, and Poitier had reservations about coming south of the Mason–Dixon Line for filming. However, despite their reservations, Jewison decided to film part of the film in Dyersburg (Endicott's house) and Union City, Tennessee, anyway while the rest was filmed in Sparta, Chester (Harvey Oberst chase scene), and Freeburg (Compton's diner), Illinois.
The famous scene of Tibbs slapping Endicott is not present in the novel, where Endicott slaps Tibbs and Tibbs does not react. According to Poitier, this was also the case with the original script but he pushed for it to be altered, as it was not true to the values his parents instilled in him. Poitier said "[The scene] was almost not there. I said, 'I'll tell you what, I'll make this movie for you if you give me your absolute guarantee when he slaps me I slap him right back and you guarantee that it will play in every version of this movie.' I try not to do things that are against nature." However, Poitier's version of the story is contradicted by Mark Harris in his book, Pictures at a Revolution. Harris states that copies of the original draft of the screenplay that he obtained clearly contain the scene as filmed, which is backed up by Jewison and Silliphant.
The film is also important for being the first major Hollywood film in color that was lit with proper consideration for a person of African descent. Haskell Wexler recognized that standard strong lighting used in filming tended to produce too much glare on dark complexions and rendered the features indistinct. Accordingly, Wexler toned it down to feature Poitier with better photographic results.[4]
Reception[edit]
In contrast to films like The Chase and Hurry Sundown, which offered confused visions of the South, In the Heat of the Night offered a tough, edgy vision of a Southern town that seemed to hate outsiders more than itself, a theme reflecting the uncertain mood of the time as the Civil Rights Movement attempted to take hold. Canadian director Jewison wanted to tell an anti-racist story of a white man and a black man working together in spite of difficulties. Jewison said that this film proved a conviction he had held for a long time: "It's you against the world. It's like going to war. Everybody is trying to tell you something different and they are always putting obstacles in your way."
In one famous scene, Gillespie mocks the name 'Virgil' by saying "That's a funny name for a nigger boy that comes from Philadelphia! What do they call you up there?" An irritated Tibbs replies: "They call me Mr. Tibbs!" The line was later listed as number 16 on the American Film Institute's 100 Years...100 Movie Quotes, a list of top film quotes, and was also the title of the sequel. Another scene that surprised audiences at the time occurs when Tibbs is slapped by Endicott and responds by slapping him back.
In a San Francisco pre-screening, Jewison was concerned when the young audience was laughing at the film as if it were a comedy. The audience's stunned reaction to the slapping scene convinced Jewison that the film was effective as drama.[5] That scene helped make the film so popular for audiences, finally seeing the top black film actor physically strike back against bigotry, that the film earned the nickname, Super-spade Versus the Rednecks.[6] During the film's initial run, Steiger and Poitier occasionally went to the Capitol Theatre in New York to amuse themselves seeing how many black and white audience members there were, which could be immediately ascertained by listening to the former cheering Tibbs's retaliatory slap and the latter whispering "Oh!" in astonishment.[7]
Critical response[edit]
Then-freshman critic Roger Ebert in 1967 gave In the Heat of the Night a positive review and placed it at number ten on his top ten list of 1967 films.[8][9] AD Murphy of Variety magazine felt it was a good but uneven film.[10]
With the release of the film in the United States in August, Poitier was starring in two movies simultaneously at the box office, as To Sir, with Love had been released the previous June.
The film, as of July 2017, holds a 96% "Certified Fresh" rating on the review aggregate website Rotten Tomatoes, out of 44 reviews collected with an average rating of 8.2 out of 10. It's consensus states, "Tense, funny, and thought-provoking all at once, and lifted by strong performances from Sidney Poitier and Rod Steiger.[11]
Musical score and soundtrack[edit]
In the Heat of the Night
Soundtrack album by Quincy Jones
Released
1967
Recorded
1967
Genre
Film score
Length
33:34
Label
United Artists
UAL 4160/UAS 5160
Quincy Jones chronology
Enter Laughing
(1966)Enter Laughing1966 In the Heat of the Night
(1967) In Cold Blood
(1967)In Cold Blood1967
The film score was composed, arranged and conducted by Quincy Jones, and the soundtrack album was released on the United Artists label in 1967.[12][13] The title song performed by Ray Charles, composed by Quincy Jones, and written by Marilyn Bergman and Alan Bergman was released as a single by ABC Records and reached #33 on the Billboard Hot 100 chart and #21 on the Hot Rhythm & Blues Singles chart.
Professional ratings
Review scores
Source
Rating
Allmusic [14]
Allmusic's Steven McDonald said the soundtrack had "a tone of righteous fury woven throughout" and that "the intent behind In the Heat of the Night was to get a Southern, blues-inflected atmosphere to support the angry, anti-racist approach of the picture .. although the cues from In the Heat of the Night show their age".[14] The Vinyl Factory said "this soundtrack to a film about racism in the South has a cool, decidedly Southern-fried sound with funk-bottomed bluesy touches, like on the strutting ‘Cotton Curtain’, the down ‘n’ dirty ‘Whipping Boy’ or the fat ‘n’ sassy ‘Chief’s Drive to Mayor’".[15]
Track listing[edit]
All compositions by Quincy Jones
"In the Heat of the Night' (Lyrics by Alan and Marilyn Bergman) − 2:30
"Peep-Freak Patrol Car" − 1:30
"Cotton Curtain" − 2:33
"Where Whitey Ain't Around" − 1:11
"Whipping Boy" − 1:25
"No You Won't" − 1:34
"Nitty Gritty Time" − 1:50
"It Sure Is Groovy!" − 2:30 (Lyrics by Alan and Marilyn Bergman)
"Bowlegged Polly" − 2:30 (Lyrics by Alan and Marilyn Bergman)
"Shag Bag, Hounds & Harvey" − 3:28
"Chief's Drive to Mayor" − 1:10
"Give Me Until Morning" − 1:09
"On Your Feet, Boy!" − 1:37
"Blood & Roots" − 1:07
"Mama Caleba's Blues" − 5:00
"Foul Owl" − 2:30 (Lyrics by Alan and Marilyn Bergman)
Personnel[edit]
Unidentified orchestra arranged and conducted by Quincy Jones including
Ray Charles − vocals (track 1), piano (track 15)
Glen Campbell − vocals (track 9), banjo
Boomer and Travis (track 16), Gil Bernal (track 8) − vocals
Roland Kirk − flute
Bobby Scott − tack piano
Billy Preston − organ (track 1)
Ray Brown − bass
Don Elliott − human instrument
The Raelettes − backing vocals (track 1)
Legacy[edit]
Steven H. Scheuer's Movies on TV (1972–73 edition) gives In the Heat of the Night its highest rating of 4 stars, recommending it as an "[E]xciting, superbly acted and directed film about prejudice, manners and morals in a small Mississippi town", with the concluding sentences stating, "[D]irector Norman Jewison does an outstanding job in creating the subsurface tension of life in a 'sleepy' Southern town, and the supporting performances are uniformly fine. A first-rate film in all respects." Leonard Maltin's TV Movies & Video Guide (1989 edition) follows Scheuer's example with its own highest rating of 4 stars, concluding that "[M]arvelous social thriller hasn't dated one bit—tough, funny, and atmospheric, with unbeatable acting and splendid Quincy Jones score. Five Oscars include Best Picture..."
Mick Martin's & Marsha Porter's DVD & Video Guide (2007 edition) also puts its rating high, at 4 stars (out of 5), finding it "[A] rousing murder mystery elevated by the excellent acting of Rod Steiger and Sidney Poitier."
British references likewise show high regard for the film, with David Shipman in his 1984 The Good Film and Video Guide giving 3 (out of 4) stars, noting that "[A]s mystery or detective story this film is only fair but it has enormous tension. Within its given framework, it is good on the colour question. There is tension in the eyes of the black (Sidney Poitier), who happens to be a homicide officer, and malevolence in those of the local police chief (Rod Steiger). These are two remarkable performances, well supported by Warren Oates, Lee Grant and Larry Gates."
Another British film critic with a highly personal Film Guide, Leslie Halliwell, gave 2 stars (out of 4) describing it in the 5th edition (1985) as an "[O]verrated policier in which the personality clash is amusing (and was timely) but the murder puzzle is a complete throwaway." The Guide continued to be published after Halliwell's death in 1989 and, in the 21st edition, Halliwell's Film Video & DVD Guide 2007, John Walker, who took over as the Guide's author, raised the rating to the highest level of 4 stars and rewrote the evaluation to state that it is "[A] tense and exciting thriller that also explores racism through the explosive clash of two contrasting personalities."
Home media[edit]
In the Heat of the Night was first released on DVD in 2001. In 2010, the film was digitized in High Definition (1080i) and broadcast on MGM HD.
In 2014, MGM released the film on Blu-ray.
Preservation[edit]
The Academy Film Archive preserved In the Heat of the Night in 1997.[16]
Gallery[edit]
Accolades[edit]
In the Heat of the Night was nominated for seven Academy Awards, winning five. They are as follows:[17]
Academy Award wins
Academy Award for Best Picture — Walter Mirisch
Academy Award for Best Actor — Rod Steiger
Academy Award for Best Film Editing — Hal Ashby
Academy Award for Best Sound — Samuel Goldwyn Studios
Academy Award for Best Screenplay Based on Material from Another Medium — Stirling Silliphant
Academy Award nominations
Academy Award for Best Director — Norman Jewison
Academy Award for Best Sound Effects — James Richard
Other awards
Golden Globe Award for Best Motion Picture – Drama
Golden Globe Award for Best Actor – Motion Picture Drama—Rod Steiger
Golden Globe Award for Best Screenplay—Stirling Silliphant
BAFTA Award for Best Foreign Actor—Rod Steiger
BAFTA UN Award—Walter Mirisch
Edgar Award—Best Motion Picture Screenplay—Stirling Silliphant (Ball's book also received an Edgar, for Best First Novel)
New York Film Critics Circle Awards for Best Picture Walter Mirisch
American Film Institute recognition
AFI's 100 Years... 100 Movies (10th Anniversary Edition): #75
AFI's 100 Years...100 Heroes and Villains: Virgil Tibbs #19 Hero
AFI's 100 Years...100 Movie Quotes:
Virgil Tibbs: "They call me Mister Tibbs!": #16
AFI's 100 Years...100 Cheers: # 21
Other nominations
BAFTA Award for Best Foreign Actor—Sidney Poitier
BAFTA Award for Best Film from any Source—Norman Jewison
Directors Guild of America for Outstanding Directorial Achievement in Motion Pictures—Norman Jewison
Golden Globe Award for Best Motion Picture Director—Norman Jewison
Golden Globe Award for Best Motion Picture Actor—Drama—Sidney Poitier
Golden Globe Award for Best Supporting Actress—Lee Grant
Golden Globe Award for Best Supporting Actress—Quentin Dean
Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media—Quincy Jones
Writers Guild of America for Best Written American Drama—Stirling Silliphant
See also[edit]
List of American films of 1967
Sources[edit]
DuBose, James (2008). Searching for Sparta: A 40-year Retrospective on the Movie In the Heat of the Night (2nd ed.). lulu.com.
References[edit]
Jump up ^ "IN THE HEAT OF THE NIGHT (A)". British Board of Film Classification. July 17, 1967. Retrieved November 13, 2014.
Jump up ^ Tino Balio, United Artists: The Company that Changed the Film Industry, Uni of Wisconsin Press, 1987 p 187
Jump up ^ "In the Heat of the Night, Box Office Information". The Numbers. Retrieved March 8, 2012.
Jump up ^ Harris, Mark. Pictures at a Revolution: Five Films and the Birth of a New Hollywood. Penguin Press, 2008, p. 221.
Jump up ^ Harris, pp. 288–90.
Jump up ^ Harris, p. 336.
Jump up ^ Harris, pp. 335–6
Jump up ^ Ebert's 10 Best Lists: 1967 to Present. Roger Ebert of The Chicago Sun-Times via the Internet Archive. Retrieved October 18, 2016.
Jump up ^ The Best 10 Movies of 1967. Roger Ebert of The Chicago Sun-Times. Retrieved October 18, 2016.
Jump up ^ Later, Poitier did the sequels They Call Me MISTER Tibbs and The Organization, but both films failed at the box office.Variety review, 1967
Jump up ^ "In the Heat of the Night, Movie Reviews". Rotten Tomatoes. Retrieved March 9, 2012.
Jump up ^ Soundtrack Collector: album entry accessed January 17, 2018
Jump up ^ Edwards, D & Callahan, M. Discography Preview for the United Artists label 40000 & 4000/5000 Series (1958-1972), accessed January 17, 2018
^ Jump up to: a b McDonald, Steven. In the Heat of the Night/They Call Me Mr. Tibbs – Review at AllMusic. Retrieved January 19, 2018.
Jump up ^ 10 definitive Quincy Jones soundtracks from the ’60s and ’70s, The Vinyl Factory, accessed January 19, 2018
Jump up ^ "Preserved Projects". Academy Film Archive.
Jump up ^ "The 40th Academy Awards (1968) Nominees and Winners". oscars.org. Retrieved 2011-08-25.
External links[edit]
Wikiquote has quotations related to: In the Heat of the Night (film)
In the Heat of the Night on IMDb
In the Heat of the Night at the TCM Movie Database
In the Heat of the Night at AllMovie
In the Heat of the Night at the American Film Institute Catalog
In the Heat of the Night at Box Office Mojo
In the Heat of the Night at Rotten Tomatoes
[show]
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Films directed by Norman Jewison
40 Pounds of Trouble (1962)
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Send Me No Flowers (1964)
The Art of Love (1965)
The Cincinnati Kid (1965)
The Russians Are Coming, the Russians Are Coming (1966)
In the Heat of the Night (1967)
The Thomas Crown Affair (1968)
Gaily, Gaily (1969)
Fiddler on the Roof (1971)
Jesus Christ Superstar (1973)
Rollerball (1975)
F.I.S.T. (1978)
...And Justice for All (1979)
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Moonstruck (1987)
In Country (1989)
Other People's Money (1991)
Only You (1994)
Bogus (1996)
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[show]
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In the Heat of the Night (1967)
Oliver! (1968)
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2001–present
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Spotlight (2015)
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[show]
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1940s
The Song of Bernadette (1943)
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The Best Years of Our Lives (1946)
Gentleman's Agreement (1947)
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All the King's Men (1949)
1950s
Sunset Boulevard (1950)
A Place in the Sun (1951)
The Greatest Show on Earth (1952)
On the Waterfront (1954)
East of Eden (1955)
Around the World in 80 Days (1956)
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The Defiant Ones (1958)
Ben-Hur (1959)
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Spartacus (1960)
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Lawrence of Arabia (1962)
The Cardinal (1963)
Becket (1964)
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In the Heat of the Night (1967)
The Lion in Winter (1968)
Anne of the Thousand Days (1969)
1970s
Love Story (1970)
The French Connection (1971)
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1980s
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[show]
v
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Virgil Tibbs
Novel
In the Heat of the Night by John Ball
Films
In the Heat of the Night
They Call Me Mister Tibbs!
The Organization
TV series
In the Heat of the Night (episodes)
Retrieved from "https://en.wikipedia.org/w/index.php?title=In_the_Heat_of_the_Night_(film)&oldid=832214430"
Categories:
1967 films
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