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Till Death Us Do Part
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Till Death Us Do Part
Original opening titles
Created by
Johnny Speight
Starring
Warren Mitchell
Dandy Nichols
Una Stubbs
Anthony Booth
Country of origin
United Kingdom
Original language(s)
English
No. of series
7
No. of episodes
54 (23 missing) + 3 shorts (list of episodes)
Production
Running time
40 minutes (2)
30 minutes (50)
25 minutes (1)
20 minutes (1)
Production company(s)
BBC
Distributor
BBC Worldwide
2entertain
Network Distributing
Release
Original network
BBC1
Original release
Pilot:
22 July 1965
First run:
6 June 1966 -
16 February 1968
Special:
18 June 1970
Second run:
13 September 1972 -
16 December 1975
Chronology
Followed by
Till Death...
In Sickness and in Health
Till Death Us Do Part is a British television sitcom that aired on BBC1 from 1965 to 1975. The show was first broadcast as a Comedy Playhouse pilot, then in seven series until 1975. Six years later in 1981, ITV continued the sitcom for six episodes, calling it Till Death.... The BBC produced a sequel from 1985 until 1992, In Sickness and in Health.
Created by Johnny Speight, Till Death Us Do Part centred on the East End Garnett family, led by patriarch Alf Garnett (Warren Mitchell), a reactionary white working-class man who holds racist and anti-socialist views. His long-suffering wife Else was played by Dandy Nichols, and his daughter Rita by Una Stubbs. Rita's husband Mike Rawlins (Anthony Booth) is a socialist layabout. Alf Garnett became a well-known character in British culture, and Mitchell played him on stage and television until Speight's death in 1998.
In addition to the spin-off In Sickness and in Health, Till Death Us Do Part was remade in many countries including Brazil, Germany (Ein Herz und eine Seele), the Netherlands (In Voor- En Tegenspoed), and is known to the United States as the show that inspired All in the Family.
Many episodes from the first three series are thought to no longer exist, having been wiped in the late 1960s and early 1970s as was the policy at the time.
Although Speight claimed he wrote the series to challenge racism, it was felt[by whom?] many people watched it because they agreed with Alf Garnett's views.[1] The linguist Alan Crosby has argued that the constant use of the phrase "Scouse git" with reference to Anthony Booth's character spread both the word "Scouse" and negative stereotypes of Liverpudlians.[2]
In 2000, the show was ranked #88 on the 100 Greatest British Television Programmes list compiled by the British Film Institute.
Contents
[hide]
1 Series
1.1 Success years
1.2 Decline
2 Production
3 Missing black and white episodes
4 Episodes
5 Sequels
6 Cast
7 Film adaptations
8 DVD releases
9 Differences from All in the Family
10 See also
11 References
12 External links
Series[edit]
Success years[edit]
The series became an instant hit because, although a comedy, in the context of its time it did deal with aspects of working-class life comparatively realistically. It addressed racial and political issues at a difficult time in British society. Mitchell imbued the character of Alf Garnett with an earthy charm that served to humanise Alf and make him likable. According to interviews he gave, the fact that some viewers overlooked Alf's views and regarded him as a rough diamond disappointed Speight.
The show captured a key feature of Britain in the 1960s—the widening generation gap. Alf (and to a lesser degree his wife) represented the old guard, the traditional and conservative attitudes of the older generation. Alf's battles with his left-wing son-in-law were not just ideological but generational and cultural. His son-in-law and daughter represented the younger generation. They supported the aspects of the new era such as relaxed sexual mores, fashions, music, etc. The same things were anathema to Alf—and indicative of everything that was wrong with the younger generation and the liberal attitudes they embraced.
Alf was portrayed as the archetypal working-class Conservative. The subjects that excited him most were football and politics, though his actual knowledge of either was limited. He used language not considered acceptable for television in the 1960s. He often referred to racial minorities as "coons" and similar terms. He referred to his Liverpudlian son-in-law as "Shirley Temple" or a "randy Scouse git" (Randy Scouse Git, as a phrase, caught the ear of Micky Dolenz of the Monkees who heard it while on tour in the UK and used it as the title of the group's next single—though their record label renamed it 'Alternate Title' in the UK market to avoid controversy), and to his wife as a "silly [old] moo" (a substitute for 'cow' which was vetoed by the BBC's head of comedy Frank Muir). However, Michael Palin writes in his diary for 16 July 1976 that Warren Mitchell told him that "silly moo" wasn't scripted, "It came out during a rehearsal when he forgot the line "Silly old mare"." Controversially, the show was one of the earliest mainstream programmes to feature the swear word 'bloody'. The show was one of many held up by Mary Whitehouse as an example of the BBC's moral laxity.[3]
In a demonstration of Speight's satirical skills—after a successful libel action brought against Speight by Mary Whitehouse[4]—he created an episode, first broadcast on 27 February 1967, in which Alf Garnett is depicted as an admirer of Whitehouse. Garnett was seen proudly reading her first book. "What are you reading?" his son-in-law asks. When he relates that it is Mary Whitehouse, his son-in-law sniggers. Alf's rejoinder is "She's concerned for the bleedin' moral fibre of the nation!" The episode ends with the book being burnt.[5]
Ultimately "silly moo" became a comic catchphrase. Another Garnett phrase was "it stands to reason", usually before making some patently unreasonable comment. Alf was an admirer of Enoch Powell, a right-wing Conservative politician known particularly for strong opposition to the immigration of non-white races into the United Kingdom. Alf was also a supporter of West Ham United (a football club based in the East End) and known to make derogatory remarks about "the Jews up at Spurs" (referring to Tottenham Hotspur, a north London club with a sizeable Jewish following). This was a playful touch by Speight, knowing that in real life Mitchell was both Jewish and a Spurs supporter. In interviews, Speight explained he had originally based Alf on his father, an East End docker who was staunchly reactionary and held "unenlightened" attitudes toward black people. Speight made clear that he regretted that his father held such attitudes, which Speight regarded as reprehensible. Speight saw the show as a way of ridiculing such views and dealing with his complex feelings about his father.
The series switched to colour when it returned in 1972 and Rita had a baby son, Michael.
Decline[edit]
Toward the end of the series Dandy Nichols fell ill and was unable to attend the live-audience recordings. So in a later episode Else was seen leaving for Australia, to Alf's dismay. Her scenes were recorded separately from the rest of the episodes. Plans was for Nichols to tape scenes from time to time set in Australia where she would phone Alf or Rita in 1–2 minute segments. But only one episode featured such a scene and the idea was dropped as Nichols' health was poor.
Patricia Hayes, who had been seen from time to time previously as next-door neighbour Min, became a starring character along with her husband Bert, previously played by Bill Maynard and now by Alfie Bass. The show's rating began to suffer and when it was clear Nichols was not returning as hoped by the writers, in 1975, the series was dropped. The final episode saw Alf lose his job and receive a telegram from Else asking for a divorce.
Production[edit]
As with most BBC sitcoms Till Death Us Do Part was recorded before a live studio audience. The programmes were recorded onto 2-inch Quadruplex videotape. From 1966 to 1968 the show was transmitted in black and white. When the series returned in 1972, it was transmitted in colour. The opening titles/end credits of the first colour episodes originally used the b/w sequence from the '60s tinted in red, as seen on UKTV Gold repeats in 2006.
The house seen in the opening and closing titles to the 1960s episodes was located on Garnet Street in Wapping (from where writer Johnny Speight took the Garnett family name). This terrace was demolished in the 1980s, a terrace of newer multicoloured homes and an estate agents taking their place. They are located on Garnet Street in close proximity to the local Wallace James shop, St Peter's Primary School, Gastronomica bar, Docklands General Store and Crane Wharf.
Missing black and white episodes[edit]
Most of the show's 26 episodes from series 1–3 that were videotaped in black and white and broadcast 1965–68 no longer exist; they were wiped by the BBC during the late 1960s and early '70s.[citation needed] Currently, most material from twelve episodes still survives, with one episode on the original tape and the rest on film or domestic formats. The surviving 1960s B&W episodes are: "Arguments, Arguments"; "A House With Love In It"; "Intolerance"; "Peace & Goodwill"; "In Sickness and In Health"; "State Visit"; "Alf's Dilemma"; "Till Closing Time Do Us Part"; "The Phone"; "The Blood Donor"; and "Aunt Maud". Sequences exist from: the pilot episode; "Sex Before Marriage"; "The Bulldog Breed"; "A Wapping Mythology (The Workers' King)"; and "The Puppy".[citation needed]
The public appeal campaign the BBC Archive Treasure Hunt continues to search for lost episodes. In 1997 the long-lost episode "Alf's Dilemma" was found in a private collection on a 21-minute 16mm telerecording. This is the episode featuring Garnett reading Mary Whitehouse's first book. The episode was rebroadcast in 1998 on UK Gold. In August 2009, two more black and white episodes, "In Sickness and in Health" and "State Visit", were returned by a film collector.[citation needed] 7 years later in August 2016, another episode "Intolerance" was finally recovered. In autumn 2017, the episode "Sex Before Marriage" was later recovered.
Episodes[edit]
See also: List of Till Death Us Do Part episodes
Sequels[edit]
In 1980, the ITV company ATV picked up the series and produced a solo show starring Alf—titled The Thoughts of Chairman Alf at Christmas—transmitted on 26 December. The master copy has been wiped; however, a home video recording is currently available to view at the National Media Museum (Bradford).
In 1981, ATV made six episodes under the title Till Death.... The series had Alf and Else sharing a bungalow with Min (Patricia Hayes) following the death of her husband Bert (Alfie Bass) in Eastbourne. Although Rita remained in the cast, Anthony Booth declined to return. Rita's son Michael was now a teenager and a punk rocker (even though he was born in 1972 and therefore should only have been about 9 or 10). The series was not a success and when Central Television were awarded the contract for the Midlands region from 1982, it was decided that Till Death... was not to return.
Alf Garnett returned to the BBC in 1985 for In Sickness and in Health. This took Alf and Else (who was now in a wheelchair) onward into old age, and some of Alf's more extreme opinions were found to have mellowed. Una Stubbs made some guest appearances but Anthony Booth apparently wasn't interested in reprising his role. Eventually Mike and Rita divorced and Rita began dating a doctor. After the first series Dandy Nichols died, and so subsequent episodes showed Alf having to deal with the greatest loss of his life, Else, whom he truly loved.
The loss of Else and Rita as regulars in the cast meant that new characters had to be brought in as antagonists for Alf. These notably included his home help, Winston (played by Eamonn Walker), who was both black and gay, and Alf's prim upstairs neighbour, Mrs Hollingberry (played by Carmel McSharry), who eventually agreed to marry Alf.
In 1988, Speight was warned about the use of racist language – and after discussion it was decided that Garnett's offensive language was to be discontinued and the character of Winston was to be written out. With such characters helping update the basic concept, the Sickness and Health series ran until 1992.
Warren Mitchell also appeared solo on stage and TV as Alf Garnett, dispensing variations on Alf's homespun reactionary philosophy and singing old music hall songs. Most notable was the London Weekend Television show An Audience With Alf Garnett—which allowed Garnett to return to his racialist attitude.
Another show was called It Stands To Reason – The Thoughts Of Chairman Alf; one reviewer concluded that "Speight and Mitchell are to be congratulated for understanding so well the mind of a man who they hate".
Cast[edit]
Warren Mitchell – Alfred 'Alf' Garnett
Dandy Nichols – Elsie 'Else' Garnett
Una Stubbs – Rita Rawlins, née Garnett
Antony Booth – Mike Rawlins
Joan Sims – Gran
Patricia Hayes – Mrs. Min Reed
Alfie Bass – Bert Reed
Hugh Lloyd – Mr. Wally Carey
Pat Coombs – Mrs. Carey
Will Stampe – Fred the barman
In the Comedy Playhouse pilot Alf was Alf Ramsey, but the BBC changed his name to Garnett for the subsequent series, not wishing to use the same name as England's 1966 football World Cup winning manager.
Film adaptations[edit]
Two feature films were made based on the series – the first was Till Death Us Do Part (1969), whose first half dealt with the younger Alf and Else during World War II, and whose second half dealt with all the Garnetts in the present day being moved from their East End slum to the new town of Hemel Hempstead, and the adjustments and changes that brought on the family. It gave a nuanced glimpse of British life at the time. The second film, The Alf Garnett Saga (1972), had Adrienne Posta playing the part of Rita and Paul Angelis playing Mike. It is notable for featuring Alf Garnett on an LSD trip.
DVD releases[edit]
In the UK, Network previously released the first two colour series (4 and 5) on DVD, but these releases are no longer printed – the licence had since expired and rights have reverted to BBC Worldwide, who release their titles through 2 Entertain. Some fans have since urged BBC DVD to release the series; however, In Sickness & In Health had seen all six series and the Christmas specials being released on DVD by 2 Entertain.
The fourth series was available in the United States and Canada, having been released before the Network edition and featuring some title sequence variations. The 1969 movie is available in both the UK and the US, but the 1972 movie is only available on DVD via bootlegs.
On 5 December 2016 Network Distributing, under licence with BBC Worldwide and 2 Entertain, released the whole colour series (4 to 7), along with every surviving episode from the black-&-white series (1 to 3) and off-air remastered audio recordings of all lost episodes, on DVD as an eight-disc boxset included with a detailed booklet which includes black-&-white and colour photographs, a "story of" and a full list of episode synopses.[6]
Differences from All in the Family[edit]
While the series is famous in the US as the inspiration for All in the Family, Norman Lear also drew on his family's relationships and added some differences:
Where All in the Family, Else′s counterpart Edith Bunker was a "dingbat", and loyal and loving wife, Else Garnett was a long-suffering woman who was bitter about her unhappy marriage and smoked heavily. She often lashed out at her husband (who called her a "silly old moo"). This divergence evolved over time; in the early days of All in the Family, Edith was more like her English counterpart, but her character evolved into her better-known form over the course of the series.
On All in the Family, Mike Stivic and Archie Bunker were always at odds and rarely got along. In Till Death Us Do Part, Alf and Mike, while never agreeing with each other, were civil to each other for the most part and often went to the pub together. Alf and Mike also attended the World Cup together and Mike was protective of his father-in-law.
Mike Rawlins was a full-on Trotskyite in Till Death Us Do Part. For All In The Family, CBS had softened this considerably; in the American show, Mike Stivic, though sympathetic to the leftist beliefs of the Students for a Democratic Society movement, was simply a liberal Democrat.
Where the Bunkers were living in comfortable (if slightly shabby) surroundings in Queens, in New York City, despite their working-class status, the Garnetts lived in a poor housing area in lower-class Wapping.
See also[edit]
List of films based on British sitcoms
All in the Family
For Richer...For Poorer
Love Thy Neighbour
Bless This House
Kingswood Country, an Australian comedy with a similarly intolerant protagonist.
References[edit]
Jump up ^ Wilson, Benji (1 September 2016). "Till Death Us Do Part should have remained lost – BBC Four, review". Daily Telegraph. Retrieved 25 April 2017.
Jump up ^ Alan Crosby, The Lancashire Dictionary of Dialect, Tradition and Folklore, 2000, entry for word Scouser
Jump up ^ See for example her responses to an episode referred to as "Bird Fancier" (first transmitted on 20 September 1972), which features a discussion of the Virgin birth of Jesus, as detailed in Michael Tracey and David Morrison Whitehouse, London & Basingstoke: Macmillan, 1979, p.110-16. The episode is also known as "Pigeon Fancier", but the recording as broadcast contains no identifying caption.
Jump up ^ Mark Ward "A Family at War: Till Death Do Us Part", Archived 12 October 2010 at the Wayback Machine. The Main Event (Kalaidoscope brochure) 1996
Jump up ^ Thompson Ban This Filth!: Letters From the Mary Whitehouse Archive, London: Faber, 2012, p.12
Jump up ^ "Till Death Us Do Part". Network Distributing. 4 November 2016. Retrieved 6 December 2016.
External links[edit]
Laughterlog – Detailed article and episode guide on Till Death Us Do Part and all other Alf Garnett spin-offs
G. Schaffer ‘Till Death Us Do Part and the BBC: Racial Politics and the British Working Classes 1965–75’, Journal of Contemporary History, Vol 45(2), 454–477. ISSN 0022-0094. doi:10.1177/0022009409356914
Lost Shows on Till Death Us Do Part
Encyclopedia of Television
BBC Treasure Hunt
Till Death Us Do Part at British TV Comedy
Till Death Us Do Part at the BFI's Screenonline
Till Death Us Do Part at British Comedy Guide
Till Death Us Do Part on IMDb
[show]
v
t
e
Works by Johnny Speight
TV
Sykes and a... (1960)
Till Death Us Do Part (1966–75)
Justice For All (US, 1968)
Curry and Chips (1969)
Those Were The Days (US, 1969)
All in the Family (US, 1971–79)
Ein Herz und eine Seele (Germany, 1973–76)
For Richer...For Poorer (1975)
Spooner's Patch (1979-1982) (With Ray Galton)
Till Death... (1981)
The Lady Is a Tramp (1983-84)
In Sickness and in Health (1985–92)
Films
Privilege (1967)
Till Death Us Do Part (film) (1969)
The Alf Garnett Saga (1972)
[show]
v
t
e
Till Death Us Do Part
Characters
Alf Garnett
Episodes
List of episodes
Films
Till Death Us Do Part
The Alf Garnett Saga
Sequels
Till Death...
In Sickness and in Health
Adaptations
Ein Herz und eine Seele
All in the Family
[show]
v
t
e
All in the Family
Main characters
Archie Bunker
Edith Bunker
Gloria Stivic
Michael Stivic
Stephanie Mills
Recurring characters
Joey Stivic
George Jefferson
Louise Jefferson
Lionel Jefferson
Henry Jefferson
Episodes
"Maude"
"Cousin Liz"
"Edith's 50th Birthday"
"The 200th Episode Celebration of All in the Family"
Related series
Based on
Till Death Us Do Part
Spin-offs
Maude (1972–1978) (episodes)
Good Times (1974–1979) (episodes)
The Jeffersons (1975–1985) (episodes)
Checking In (1981)
Gloria (1982–1983)
Sequels
Archie Bunker's Place (1979–1983) (episodes)
704 Hauser (1994)
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text:
Sun Country Airlines destinations
From Wikipedia, the free encyclopedia
Jump to: navigation, search
This is a list of destinations that Sun Country Airlines currently serves (as of January 2017). Charter destinations are not included.
Contents
[hide]
1 Current Destinations
1.1 Caribbean
1.2 Mexico
1.3 United States
2 Terminated destinations
3 References
4 External links
Current Destinations[edit]
Caribbean[edit]
Aruba
Aruba (Queen Beatrix International Airport) Seasonal (begins December 23, 2017)[1]
Dominican Republic
Punta Cana (Punta Cana International Airport) Seasonal
Jamaica
Montego Bay (Sangster International Airport) Seasonal
Costa Rica
Liberia, Costa Rica (Daniel Oduber Quirós International Airport) Seasonal
Sint Maarten
Sint Maarten (Princess Juliana International Airport) Seasonal
Puerto Rico
San Juan (Luis Muñoz Marín International Airport)
United States Virgin Islands
St. Thomas (Cyril E. King Airport) Seasonal
Mexico[edit]
Baja California Sur
San José del Cabo (Los Cabos International Airport) Seasonal
Guerrero
Ixtapa/Zihuatanejo (Ixtapa-Zihuatanejo International Airport) Seasonal
Jalisco
Puerto Vallarta (Lic. Gustavo Díaz Ordaz International Airport) Seasonal
Quintana Roo
Cancún (Cancún International Airport)
Cozumel (Cozumel International Airport) Seasonal
Sinaloa
Mazatlán (General Rafael Buelna International Airport) Seasonal
United States[edit]
Alaska
Anchorage (Ted Stevens Anchorage International Airport) Seasonal
Arizona
Phoenix (Phoenix Sky Harbor International Airport)
Tucson (Tucson International Airport) Seasonal (begins December 21, 2017)[1]
California
Los Angeles (Los Angeles International Airport)
Palm Springs (Palm Springs International Airport) Seasonal
San Diego (San Diego International Airport)
San Francisco (San Francisco International Airport)
Santa Rosa (Charles M. Schulz–Sonoma County Airport) Seasonal[2]
Colorado
Denver (Denver International Airport)
Florida
Fort Myers (Southwest Florida International Airport) Focus City
Miami (Miami International Airport) Seasonal
Tampa (Tampa International Airport) Seasonal
Orlando (Orlando International Airport)
West Palm Beach (Palm Beach International Airport) Seasonal[3]
Georgia
Savannah - (Savannah/Hilton Head International Airport) Seasonal[4]
Massachusetts
Boston (Boston Logan International Airport)
Minnesota
Minneapolis/Saint Paul (Minneapolis−Saint Paul International Airport) Hub
New York
New York City (John F. Kennedy International Airport)
Nevada
Las Vegas (McCarran International Airport)
Oregon
Portland (Portland International Airport)
Tennessee
Knoxville (McGhee Tyson Airport)
Texas
Austin (Austin Bergstrom International Airport) Seasonal[5]
Dallas/Fort Worth (Dallas/Fort Worth International Airport) Focus City
Harlingen (Valley International Airport) Seasonal
Virginia
Washington, D.C. area (Washington Reagan National Airport)
Washington
Seattle/Tacoma (Seattle–Tacoma International Airport)
Terminated destinations[edit]
Trinidad and Tobago
Port of Spain (Piarco International Airport)
United Kingdom
London
(Gatwick Airport) Seasonal
(London Stansted Airport) Seasonal
United States
Florida
Sarasota (Sarasota-Bradenton International Airport)
Illinois
Chicago
(Midway International Airport)[6]
(O'Hare International Airport)
Louisiana
New Orleans (Louis Armstrong New Orleans International Airport)
Michigan
Lansing (Capital Region International Airport)
Missouri
Branson, Missouri (Branson Airport)
Ohio
Cleveland (Cleveland Hopkins International Airport)
Oklahoma
Oklahoma City (Will Rogers World Airport)
Texas
Houston (George Bush Intercontinental Airport)
San Antonio (San Antonio International Airport)
Virginia
Washington, D.C. area (Washington Dulles International Airport) Seasonal
Wisconsin
Milwaukee (General Mitchell International Airport)
[7][8]
References[edit]
^ Jump up to: a b http://www.prnewswire.com/news-releases/sun-country-airlines-announces-new-service-to-aruba-and-tucson-arizona-300455391.html
Jump up ^ "Sun Country plans new routes from August 2017". Routesonline. Retrieved 10 March 2017.
Jump up ^ Sorentrue, Jennifer. "Sun Country Airlines to fly from PBIA to the Twin Cities - Malled!".
Jump up ^ "Sun Country Airlines to offer nonstop seasonal flights from Minneapolis to Savannah".
Jump up ^ "Sun Country plans new routes from August 2017". Routesonline. Retrieved 10 March 2017.
Jump up ^ "Sun Country to drop flights between MSP and Chicago".
Jump up ^ "Cities" as of February 16, 1998. Sun Country Airlines
Jump up ^ "Airlines" at George Bush Intercontinental Airport as of February 22, 2001. Houston Airport System, houstonairportsystem.org
External links[edit]
Sun Country Airlines
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The Emoji Movie
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The Emoji Movie
Theatrical release poster
Directed by
Tony Leondis
Produced by
Michelle Raimo Kouyate
Screenplay by
Tony Leondis
Eric Siegel
Mike White
Story by
Tony Leondis
Eric Siegel
Starring
T. J. Miller
James Corden
Anna Faris
Maya Rudolph
Steven Wright
Jennifer Coolidge
Christina Aguilera
Sofía Vergara
Sean Hayes
Patrick Stewart
Music by
Patrick Doyle
Edited by
William J. Caparella
Production
company
Sony Pictures Animation
Distributed by
Columbia Pictures
Release date
July 23, 2017 (2017-07-23) (Regency Village Theatre)
July 28, 2017 (2017-07-28) (United States)
Running time
86 minutes[1]
Country
United States
Language
English
Budget
$50 million[2]
Box office
$144.3 million[3]
The Emoji Movie is a 2017 American 3D computer-animated science fiction-comedy film directed by Tony Leondis and written by Leondis, Eric Siegel and Mike White, based on the emoji symbols.[4] It stars the voices of T. J. Miller, James Corden, Anna Faris, Maya Rudolph, Steven Wright, Rob Riggle, Jennifer Coolidge, Christina Aguilera, Sofía Vergara, Sean Hayes and Patrick Stewart. The film centers on Gene, a multi-expressional emoji who lives in a teenager's phone, and who sets out on a journey to become a normal meh emoji like his parents.[5][6]
Produced by Sony Pictures Animation, and distributed by Columbia Pictures, The Emoji Movie premiered on July 23, 2017 at the Regency Village Theatre, was theatrically released in the United States on July 28, 2017 and has grossed over $144 million worldwide.[7] It received overwhelmingly negative reviews from critics, many of whom compared it unfavorably to The Lego Movie, Inside Out and Wreck-It Ralph.[8][9]
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Release
4.1 Home media
5 Reception
5.1 Box office
5.2 Critical response
6 References
7 External links
Plot
Gene is an emoji that lives in Textopolis, a digital city inside the phone of his user Alex. He is the son of two meh emojis named Mel and Mary, and is able to make multiple expressions despite his parents' upbringing. His parents are hesitant of him going to work, but Gene insists so that he can feel useful. Upon receiving a text from his crush Addie, Alex decides to send her an emoji. When Gene is selected, he panics, makes a confusing expression, and wrecks the text center. Gene is called in by Smiler, a smiley emoji and leader of the text center, who concludes that Gene is a "malfunction" and therefore must be deleted. Gene is chased by bots, but is rescued by Hi-5, a once popular emoji who has since lost his fame due to lack of use. He tells Gene that he can be fixed if they find a hacker, and Hi-5 accompanies him so that he can reclaim his fame.
Smiler sends more bots to look for Gene when she finds out that he has left Textopolis, as his actions have caused Alex to think that his phone needs to be fixed. Gene and Hi-5 come to a piracy app where they meet the hacker emoji Jailbreak, who wants to reach Dropbox so that she can live in the cloud. The trio is attacked by Smiler's bots, but manage to escape into the game Candy Crush. Jailbreak reveals that Gene can be fixed in the cloud, and the group goes off into the Just Dance app. While there, Jailbreak is revealed to be a princess emoji, named Linda, who fled home too after tiring of being stereotyped. They are once again attacked by bots, and their actions cause Alex to delete the Just Dance app. Gene and Jailbreak escape, but Hi-5 is taken along with the app and ends up in the trash.
Mel and Mary go searching for Gene and have a very lethargic argument. They make up in the Instagram app when Mel reveals that he, too, is a malfunction, explaining Gene's behavior. While traveling through Spotify, Jailbreak admits that she likes Gene just the way he is, and that he should not be ashamed of his malfunction. They make it to the trash and rescue Hi-5, but are soon attacked by an upgraded bot. They evade it and enter Dropbox, where they encounter a firewall. The gang get past it with a password being Addie's name and make it to the cloud, where Jailbreak prepares to reprogram Gene. Gene admits his feelings for Jailbreak, but she wishes to stick to her plan of venturing into the cloud, unintentionally causing Gene to revert to his apathetic programming out of heartbreak. The upgraded bot takes Gene, and Hi-5 and Jailbreak race after them.
As Smiler prepares to delete Gene, Mel and Mary arrive and are also threatened. Jailbreak and Hi-5 arrive and disable the bot, which falls on top of Smiler. Alex has since taken his phone to the store and asks to have his phone erased to fix the problem. Out of desperation, Gene prepares to have himself texted to Addie, making numerous faces to express himself. Realizing that Addie received a text from him, Alex stops his phone from getting erased, saving the emoji and finally getting to speak with Addie. Gene accepts himself for who he is and is celebrated by all of the emojis.
In a mid-credits scene, Smiler is seen wearing numerous braces due to her teeth being cracked by the bot, playing and losing a game of Go Fish in the "loser lounge" with the other forgotten and unused emotions, implying that she was demoted for her crimes.
Cast
T. J. Miller as Gene, an outsider "meh" emoji who can show multiple expressions.[4][10]
James Corden as Hi-5, a hand emoji representing a high five signal.[6][5][11]
Anna Faris as Jailbreak, a codebreaker emoji.[11]
Maya Rudolph as Smiler, a smiley emoji and leader of the text center.[12]
Steven Wright as Mel Meh, Gene's emoji father.[4]
Jennifer Coolidge as Mary Meh, Gene's emoji mother.[12]
Patrick Stewart as Poop, a poop emoji.[5][13]
Christina Aguilera as Akiko Glitter, a "super cool" dancer that lives inside the Just Dance app.[14]
Sofía Vergara as Flamenca, a flamenco dancer emoji.[15]
Sean Hayes as Steven, a devil emoji.[16]
Rachael Ray as Spam, a spam message.[17]
Jeff Ross as an Internet troll.[18]
Jake T. Austin as Alex, a human teenager who owns the phone where Gene and his emoji friends live.[12]
Tati Gabrielle as Addie McCallister, Alex's crush.[19]
Rob Riggle as an ice cream emoji.[4][20]
Production
The film was inspired by director Tony Leondis' love of Toy Story.[21] Wanting to make a new take on the concept, he began asking himself, "What is the new toy out there that hasn't been explored?" At the same time, Leondis received a text message with an emoji, which helped him realize that this was the world he wanted to explore.[21] In fleshing out the story, Leondis considered having the emojis visit the real world. However, his producer felt that the world inside a phone was much more interesting, which inspired Leondis to create the story of where and how the emojis lived.[21] As Leondis is gay, he connected to Gene's plight of "being different in a world that expects you to be one thing," and in eventually realizing that the feeling held true for most people, Leondis has said the film "was very personal".[21]
In July 2015, it was announced that Sony Pictures Animation had won the bidding war against Warner Bros. and Paramount Pictures over production rights to make the film,[22] with the official announcement occurring at the 2016 CinemaCon.[23]
On World Emoji Day on June 17, 2016, Miller was announced as the lead.[10] Leondis created the part with Miller in mind, although the actor was initially hesitant to play the role, only accepting after Leondis briefed him on the story.[24] Leondis chose Miller because "when you think of irrepressible, you think of TJ. But he also has this surprising ability to break your heart".[24] In October 2016, it was announced that Ilana Glazer and Corden would join the cast as well.[6] Glazer was later replaced by Anna Faris.[11]
Singer Ricky Reed recorded the song "Good Vibrations" for the film.[25]
Release
In November 2015, Sony scheduled the film to be released on August 11, 2017.[26] A year later, it was moved to August 4, 2017, with Baby Driver taking its previous date.[27] In late March 2017, the film was moved one week earlier, to July 28, 2017, switching places with Sony Pictures' The Dark Tower.[28]
On December 20, 2016, a teaser trailer for the film was released.[4] A second trailer was later released on May 16, 2017.[29][30] Sony promoted the latter release of the trailer by hosting a press conference in Cannes, the day before the 2017 Cannes Film Festival, which featured T. J. Miller parasailing in.[31] Variety called the event "slightly awkward",[32] and The Hollywood Reporter described it as "promotional ridiculousness".[31]
Days prior the film's release, Sony was criticized after the film's official Twitter account posted a promotional picture of a parody of The Handmaid's Tale, featuring Smiler. The parody was considered to be "tasteless" due to the overall themes of the work, and the image was deleted afterward.[33][34]
The film's theatrical release is preceded by Puppy!, a Hotel Transylvania short directed by Genndy Tartakovsky.[35][36]
Home media
The Emoji Movie will be released on Blu-ray and DVD on October 24, 2017 by Sony Pictures Home Entertainment.[37]
Reception
Box office
As of August 27, 2017[update], The Emoji Movie has grossed $76.4 million in the United States and Canada and $67.7 million in other territories, for a worldwide total of $144.1 million, against a production budget of $50 million.[3]
The Emoji Movie was released alongside Atomic Blonde, and was projected to gross around $20 million from 4,075 theaters in its opening weekend.[38] The film made $900,000 from Thursday night previews and $10.1 million on its first day.[39] It went on to debut to $24.5 million, finishing second at the box office behind Dunkirk.[40]
Review embargoes for the film were lifted midday July 27, only a few hours before the film premiered to the general public, in a move considered among one of several tactics studios are using to try to curb bad Rotten Tomatoes ratings.[41] Speaking of the effect embargoing reviews until last minute had on the film's debut, Josh Greenstein, Sony Pictures president of worldwide marketing and distribution, said, "The Emoji Movie was built for people under 18 ... so we wanted to give the movie its best chance. What other wide release with a score under 8 percent has opened north of $20 million? I don't think there is one."[41] In the film's second weekend it dropped nearly 50%, grossing $12.4 million and finishing in 3rd.[42]
Critical response
Critics panned The Emoji Movie, calling it "unfunny and a waste of time", and comparing it unfavorably to The Lego Movie, Inside Out and Wreck-It Ralph.[8][9][43] On Rotten Tomatoes, the film has an approval rating of 8% based on 93 reviews, with an average rating of 2.5/10. The site's critical consensus displays a no symbol emoji ("🚫") in place of text.[44] On Metacritic, the film has a score of 12 out of 100, based on 26 critics, indicating "overwhelming dislike".[45] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[40]
David Ehrlich of IndieWire gave the film a D, writing: "Make no mistake, The Emoji Movie is very, very, very bad (we're talking about a hyperactive piece of corporate propaganda in which Spotify saves the world and Sir Patrick Stewart voices a living turd), but real life is just too hard to compete with right now."[46] Alonso Duralde of TheWrap was also critical of the film, calling it "a soul-crushing disaster because it lacks humor, wit, ideas, visual style, compelling performances, a point of view or any other distinguishing characteristic that would make it anything but a complete waste of your time".[19]
Glen Kenny of The New York Times described the film as "nakedly idiotic", stating that the film plays off a Hollywood idea that the "panderingly, trendily idiotic can be made to seem less so".[47] Owen Gleiberman of Variety lambasted the film as "hectic situational overkill" and "lazy" while viciously criticizing the film, writing: "There have been worse ideas, but in this case the execution isn't good enough to bring the notion of an emoji movie to funky, surprising life."[18] Writing in The Guardian, Charles Bramesco called the film "insidious evil" and wrote that it was a little more than an exercise in advertising smartphone downloads to children.[48]
References
Jump up ^ "The Emoji Movie (U)". British Board of Film Classification. Archived from the original on July 28, 2017. Retrieved July 24, 2017.
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^ Jump up to: a b "The Emoji Movie (2017)". Box Office Mojo. Retrieved August 27, 2017.
^ Jump up to: a b c d e Goldberg, Matt (December 20, 2016). "'The Emoji Movie' Trailer Literally Gets Promoted by 'Meh'". Collider. Archived from the original on December 21, 2016. Retrieved December 20, 2016.
^ Jump up to: a b c Amidi, Amid (October 10, 2016). "‘Emojimovie: Express Yourself’ Promises To Make You A Better Person". Cartoon Brew. Archived from the original on November 24, 2016. Retrieved November 20, 2016.
^ Jump up to: a b c Lee, Ashley (October 10, 2016). "James Corden, Ilana Glazer Join Animated 'EmojiMovie'". The Hollywood Reporter. Archived from the original on November 29, 2016. Retrieved November 20, 2016.
Jump up ^ Franklin, Garth. ""Dark Tower" & "Emoji Movie" Swap Dates - Dark Horizons". www.darkhorizons.com. Retrieved 2017-04-23.
^ Jump up to: a b "7 brutal reviews of The Emoji Movie". Entertainment Weekly. July 27, 2017. Archived from the original on July 27, 2017.
^ Jump up to: a b "'The Emoji Movie': What the Critics Are Saying". The Hollywood Reporter. July 27, 2017. Archived from the original on July 28, 2017.
^ Jump up to: a b Snierson, Dan (July 17, 2016). "Silicon Valley star T.J. Miller to voice lead character in emoji movie". Entertainment Weekly. Archived from the original on July 18, 2016.
^ Jump up to: a b c Schager, Nick (April 20, 2017). "'The Emoji Movie': Meet James Corden's High-Spirited, High-Fiving Character". Yahoo! Movies. Archived from the original on April 25, 2017. Retrieved April 26, 2017.
^ Jump up to: a b c Shaw-Williams, Hannah (January 18, 2017). "Sir Patrick Stewart Voicing Poop Emoji in The Emoji Movie". Screen Rant. Archived from the original on January 19, 2017.
Jump up ^ Giardina, Carolyn (January 18, 2017). "Patrick Stewart to Voice Poop Emoji in 'Emoji Movie'". The Hollywood Reporter. Archived from the original on January 28, 2017. Retrieved January 25, 2017.
Jump up ^ "Meet Christina Aguilera's 'Emoji Movie' Character: First Pic!". Archived from the original on 2017-05-16.
Jump up ^ Miller, Mike (April 18, 2017). "Meet Sofia Vergara's Flamenco Dancer from The Emoji Movie: 'People Are Always Saying I Look Like Her!". People. Archived from the original on April 19, 2017. Retrieved April 18, 2017.
Jump up ^ "The EMOJI Movie (Sony Pictures) Sean Hayes - Devil". YouTube. July 18, 2017. Archived from the original on August 19, 2017. Retrieved July 19, 2017.
Jump up ^ Everett, Christina (July 28, 2017). "See the Voices Behind the Emoji Movie Characters". Entertainment Weekly. Archived from the original on July 30, 2017. Retrieved July 30, 2017.
^ Jump up to: a b Gleiberman, Owen (July 27, 2017). "Film Review: ‘The Emoji Movie’". Variety. Archived from the original on July 29, 2017. Retrieved July 29, 2017.
^ Jump up to: a b "'‘The Emoji Movie’ Review: There Are No Words". TheWrap. July 27, 2017. Archived from the original on July 27, 2017.
Jump up ^ Marnell, Blair (December 20, 2016). "THE EMOJI MOVIE TEASER TRAILER ARRIVES WITH A ‘MEH’ AND A POOP DADDY". The Nerdist. Archived from the original on December 30, 2016.
^ Jump up to: a b c d Frreeman, Molly. "How Toy Story Inspired The Emoji Movie, According to Tony Leondis". Screenrant. Archived from the original on 12 July 2017. Retrieved 14 July 2017.
Jump up ^ Fleming Jr, Mike (July 21, 2015). "Emoji At Center Of Bidding Battle Won By Sony Animation; Anthony Leondis To Direct". Deadline. Archived from the original on December 10, 2015. Retrieved December 23, 2015.
Jump up ^ Chipman, Bob (April 13, 2016). "Emoji Movie Officially Announced by Sony; Plot Details Revealed". Screen Rant. Archived from the original on April 16, 2016. Retrieved April 16, 2016.
^ Jump up to: a b Gaudette, Emily. "How the 'Emoji Movie' Tries to Transcend Capitalism". Inverse. Archived from the original on 13 July 2017. Retrieved 14 July 2017.
Jump up ^ "'The Emoji Movie' to Feature Original Song by Ricky Reed". Film Music Reporter. July 20, 2017. Archived from the original on July 28, 2017. Retrieved July 22, 2017.
Jump up ^ Perry, Spencer (December 22, 2015). "Emoji Movie, Animated Spider-Man and Peter Rabbit Get Release Dates". ComingSoon.net. Archived from the original on December 23, 2015. Retrieved December 23, 2015.
Jump up ^ Hipes, Patrick (November 3, 2016). "‘The Dark Tower’ Release Date Moved Into Summer 2017, ‘Jumanji’ Shifts To Christmas As Sony Juggles Slate". Deadline. Archived from the original on November 8, 2016. Retrieved November 20, 2016.
Jump up ^ "The Dark Tower Movie Delayed". Archived from the original on 2016-11-04.
Jump up ^ Plante, Chris (May 16, 2017). "The Emoji Movie’s first trailer is 150 seconds of kids’ movie cliches". The Verge. Vox Media. Archived from the original on May 17, 2017.
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^ Jump up to: a b Brzeski, Patrick. "T.J. Miller Parasails Into Cannes in Stunt for Sony's 'Emoji Movie'". Hollywood Reporter. Archived from the original on 31 July 2017. Retrieved 14 July 2017.
Jump up ^ Nyreni, Erin. "T.J. Miller Parasails Into Cannes to Debut ‘Emoji Movie’ Trailer". Variety. Archived from the original on 29 July 2017. Retrieved 14 July 2017.
Jump up ^ Alexander, Julia (2017-07-25). "Sony deletes questionable Emoji Movie tweet parodying The Handmaid’s Tale". Polygon. Archived from the original on 2017-07-25. Retrieved 2017-07-25.
Jump up ^ Huff, Lauren (July 24, 2017). "'Emoji Movie' Criticized for "Tasteless" 'Handmaid's Tale' Tweet". The Hollywood Reporter. Archived from the original on July 25, 2017. Retrieved July 26, 2017.
Jump up ^ "Sony Pictures Animation Unveils 'Spider-Man,' 'Hotel Transylvania 3,' 'Smurfs' And More". January 19, 2017. Archived from the original on January 22, 2017. Retrieved January 20, 2017.
Jump up ^ "Sony Pictures Animation Teases Upcoming Slate". January 18, 2017. Archived from the original on January 19, 2017. Retrieved January 20, 2017.
Jump up ^ "The Emoji Movie (2017)". DVDs Release Dates. August 24, 2017. Retrieved August 24, 2017.
Jump up ^ "Will ‘Dunkirk’ Stay Afloat Against ‘Atomic Blonde,’ ‘Emoji Movie’ at Box Office This Weekend?". TheWrap. July 25, 2017. Archived from the original on July 25, 2017. Retrieved July 26, 2017.
Jump up ^ "Atomic Blonde' Delivers $1.52M in Thursday Previews; 'Emoji' with $900k". Box Office Mojo. July 28, 2017. Archived from the original on July 28, 2017.
^ Jump up to: a b "‘Dunkirk’ Marches Ahead Of ‘Emoji Movie’ For Top Spot With $28M+". Deadline.com. Archived from the original on July 30, 2017. Retrieved July 30, 2017.
^ Jump up to: a b "Studios Fight Back Against Withering Rotten Tomatoes Scores". The Hollywood Reporter. August 2, 2017. Archived from the original on August 3, 2017. Retrieved August 3, 2017.
Jump up ^ "‘The Dark Tower’ Opens To $18M+ In Diverse Marketplace: Was The Decade-Plus Battle To The Screen Worth It?". Deadline.com. Archived from the original on August 4, 2017. Retrieved August 5, 2017.
Jump up ^ "Critics Are Absolutely Slating 'the Emoji Movie'". Highsnobiety. 2017-08-01. Archived from the original on 2017-08-01. Retrieved 2017-08-01.
Jump up ^ "The Emoji Movie (2017)". Rotten Tomatoes. Fandango. Archived from the original on July 27, 2017. Retrieved July 28, 2017.
Jump up ^ "The Emoji Movie reviews". Metacritic. Archived from the original on July 22, 2017. Retrieved July 30, 2017.
Jump up ^ David Ehrlich (July 27, 2017). "Review: ‘The Emoji Movie’ Is Almost as Bad and Brutally Depressing as Everything Else in 2017". IndieWire. Archived from the original on July 28, 2017. Retrieved July 27, 2017.
Jump up ^ Kenny, Glenn (July 27, 2017). "Review: ‘The Emoji Movie’ Is Here. No, We’re Not Making This Up.". The New York Times. Archived from the original on July 28, 2017. Retrieved July 27, 2017.
Jump up ^ Bramesco, Charles (27 July 2017). "The Emoji Movie review – a big thumbs down 👎". The Guardian. Archived from the original on 29 July 2017. Retrieved 29 July 2017.
External links
Official website
The Emoji Movie on IMDb
The Emoji Movie at Rotten Tomatoes
The Emoji Movie at Metacritic
The Emoji Movie at Box Office Mojo
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Charlie and the Great Glass Elevator
From Wikipedia, the free encyclopedia
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Charlie and the Great Glass Elevator
Original book cover of Charlie and the Great Glass Elevator with illustrations by Joseph Schindelman
Author
Roald Dahl
Illustrator
Joseph Schindelman (1st US edition)
Faith Jaques (1st UK edition)
Michael Foreman (2nd edition)
Quentin Blake (3rd edition)
Country
United Kingdom
Language
English
Genre
Science fantasy
Children's novel
Publisher
Alfred A. Knopf
Publication date
1972
Media type
Print (Hardback & Paperback)
Pages
159
ISBN
0-394-82472-5 (first edition, hardback)
OCLC
314239
LC Class
PZ7.D1515 Ck3
Preceded by
Charlie and the Chocolate Factory
Followed by
Charlie in the White House (unfinished)
Charlie and the Great Glass Elevator is a children's book by British author Roald Dahl. It is the sequel to Charlie and the Chocolate Factory, continuing the story of young Charlie Bucket and chocolatier Willy Wonka as they travel in the Great Glass Elevator.
Charlie and the Great Glass Elevator was first published in the United States by Alfred A. Knopf, Inc. in 1972, and in the United Kingdom by George Allen & Unwin in 1973.
Unlike its predecessor, this book has never been adapted to film. Willy Wonka & the Chocolate Factory (1971) disappointed Dahl to the point that he refused to have a film version produced.[1] Tim Burton and Johnny Depp have announced that they have no intention of producing a sequel to Charlie and the Chocolate Factory (2005), although elements from Charlie and the Great Glass Elevator are seen at the end of the film.[citation needed]
Dahl had intended to write a third book in the series but never finished it.[2]
Contents
[hide]
1 Plot
2 Unfinished sequel
3 Editions
4 References
Plot[edit]
This section's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2016) (Learn how and when to remove this template message)
The story picks up immediately where the previous book left off, with Charlie and his whole family aboard the flying Great Glass Elevator, en route to the Chocolate Factory which Mr. Wonka intends to give to Charlie. The height to which the Elevator ascends frightens Charlie's family sending the Elevator in the wrong direction. As a result, the Elevator goes into orbit, where Wonka docks them at a Space Hotel
In the White House, President Lancelot R. Gilligrass, Vice President Elvira Tibbs, the president's best friend, chiefs, and the U.S. Cabinet see the Elevator dock with the Space Hotel, and fear it contains hostile agents of a foreign or extraterrestrial government, while the space shuttle containing the hotel staff and three astronauts approaches the Space Hotel. On the Hotel, Wonka and the others hear the President address them across a radio link as Martians, and Wonka therefore teases Gilligrass with nonsense words and grotesque poetry. In the midst of this, the hotel's own elevators open, revealing five gigantic amoeba-like monsters, which change shape: each forming a letter of the word 'SCRAM'. Recognising the danger, Mr. Wonka orders everybody off the Space Hotel. These shape-changers, Mr. Wonka tells the others, are predatory extraterrestrials called Vermicious Knids, waiting in the Space Hotel to consume its staff and guests. Mr. Wonka also explains that the Knids have tried to invade Earth and consume its inhabitants like they have done with many other planets but are always incinerated because of the atmosphere protecting the planet.
Upon the Elevator's departure, the staff and astronauts go aboard, and the Knids consume twenty-four of the staff, while the others escape. The Knids dive-bomb the shuttle, destroying the rockets, cameras, and radio antenna, apparently stranding the occupants in space. Seeing all this from the "Knidproof" Great Glass Elevator, Charlie suggests that he and his companions tow the shuttle back to Earth. Wonka pilots the Elevator into range, whereupon Grandpa Joe connects the two vessels by means of a steel cord. The Knids change into living segments of a towing line, with which to capture the two spacecraft, while a single Knid wraps his body around the Elevator to provide an anchor for this operation; whereupon Willy Wonka returns the Elevator to Earth, and the Knids are incinerated in the atmosphere. At the right moment, Mr. Wonka releases the shuttle, which floats safely home. The Elevator then crashes back down through the roof of the chocolate factory, but thanks to Mr. Wonka's expert piloting, the hurtling Elevator perfectly engages inside another of the same shafts that it had exited from in the first book, and rolls smoothly downward to a normal stop inside the factory.
Despite Charlie's urging, and Mr. Wonka's intention for Charlie's family to help him with the factory's operations, Grandma Georgina, Grandpa George, and Grandma Josephine still refuse to leave their bed. Wonka gives them a rejuvenation formula, called 'Wonka-Vite'. The three bedridden recipients take much more than they need, and they each lose eighty years. Grandpa George reverts to one year old, Grandma Josephine three months, and Grandma Georgina - who was only seventy-eight years old - vanishes altogether, having become "minus two". Charlie and Mr. Wonka journey in the Great Glass Elevator to 'Minusland' (a limbo containing those subject to Grandma Georgina's transformation, discovered by Mr. Wonka when his initial experiments to create Wonka-Vite were too powerful). There Mr. Wonka restores her with 'Vita-Wonk', a sprayable compound that makes people older. Upon her return, Grandma Georgina has become 358 years old, and her memory entails a long history beginning with the voyage in the ship Mayflower and ending in the present moment. Using a more cautious dose of Wonka-Vite, her companions restore her correct age of seventy-eight; and with this done, Charlie and Mr. Wonka return Grandma Josephine and Grandpa George to their original age.
Immediately afterwards, the Oompa-Loompas tell Mr. Wonka a helicopter has landed near the factory and give him a letter from President Gilligrass, in which he says he now realises Wonka was responsible for the rescue. The President congratulates the occupants of the Great Glass Elevator and invites them as the guests of honour to the White House for dinner. Charlie and Grandpa Joe end up goading the other three grandparents out of bed, pointing out that their bed can't make it up to Marine One, forcing them to leap out of bed, not wanting to miss the opportunity. As the helicopter prepares to take the family to a department store so Charlie's grandparents may obtain clothes to replace their pyjamas, Charlie and Grandpa Joe remark between themselves that their adventures have only "just begun".
Unfinished sequel[edit]
A follow-up to the book was planned, called Charlie in the White House. Charlie's family and Willy Wonka are invited by President Gilligrass to have dinner at the White House, as thanks for rescuing the Space Shuttle from its attack by the Vermicious Knids. Dahl only wrote the first chapter, which is on display at the Roald Dahl Museum and Story Centre in Great Missenden.[3]
Editions[edit]
ISBN 0-394-82472-5 (hardcover, 1972)
ISBN 0-394-92472-X (library servings, 1972)
ISBN 0-04-823106-1 (board book, 1973)
ISBN 0-14-030755-9 (paperback, 1975)
ISBN 0-14-032043-1 (paperback, 1986, illustrated by Michael Foreman)
ISBN 0-14-032870-X (paperback, 1988)
ISBN 0-670-85249-X (hardcover, 1995)
ISBN 0-14-037155-9 (paperback, 1995)
ISBN 0-14-038533-9 (paperback, 1997)
ISBN 0-375-91525-7 (library binding, 2001)
ISBN 0-14-131143-6 (paperback, 2001)
ISBN 0-375-81525-2 (hardcover, 2001)
ISBN 0-14-240412-8 (paperback, 2005)
ISBN 0-141-80780-6 (audio CD read by Eric Idle)
References[edit]
Jump up ^ Bishop, Tom (11 July 2005). "Willy Wonka's everlasting film plot". BBC News. Retrieved 2013-12-29.
Jump up ^ Chilton, Martin (18 November 2010). "The 25 best children's books". The Daily Telegraph. Retrieved 2013-12-29.
Jump up ^ "Charlie in the White.".
[show]
v
t
e
Roald Dahl's Charlie and the Chocolate Factory
Books
Charlie and the Chocolate Factory
Charlie and the Great Glass Elevator
Films
Willy Wonka & the Chocolate Factory
Charlie and the Chocolate Factory
soundtrack
Tom and Jerry: Willy Wonka and the Chocolate Factory
Characters
Willy Wonka
Theater
Roald Dahl's Willy Wonka (2004 musical)
Charlie and the Chocolate Factory (2013 musical)
The Golden Ticket
Music
Charlie and the Chocolate Factory: Original Motion Picture Soundtrack
"Pure Imagination"
"The Candy Man"
Miscellaneous
The Ride
Video games
Wonka Bar
Everlasting Gobstopper
Primus & the Chocolate Factory with the Fungi Ensemble
The Willy Wonka Candy Company
[show]
v
t
e
Roald Dahl
Children's fiction
The Gremlins (1943)
James and the Giant Peach (1961)
Charlie and the Chocolate Factory (1964)
The Magic Finger (1966)
Fantastic Mr Fox (1970)
Charlie and the Great Glass Elevator (1972)
Danny, the Champion of the World (1975)
The Enormous Crocodile (1978)
The Twits (1980)
George's Marvellous Medicine (1981)
The BFG (1982)
The Witches (1983)
The Giraffe and the Pelly and Me (1985)
Matilda (1988)
Esio Trot (1990)
The Vicar of Nibbleswicke (1991)
The Minpins (1991)
Children's poetry
Revolting Rhymes (1982)
Dirty Beasts (1983)
Rhyme Stew (1989)
Adult novels
Sometime Never: A Fable for Supermen (1948)
My Uncle Oswald (1979)
Adult short story
collections
Over to You: Ten Stories of Flyers and Flying (1946)
Someone Like You (1953)
Kiss Kiss (1960)
Lamb to the Slaughter (1953)
Switch Bitch (1974)
The Wonderful Story of Henry Sugar and Six More (1977)
The Best of Roald Dahl (1978)
Tales of the Unexpected (1979)
More Tales of the Unexpected (1980)
The Roald Dahl Omnibus (1986)
Two Fables (1986)
Ah, Sweet Mystery of Life: The Country Stories of Roald Dahl (1989)
The Collected Short Stories of Roald Dahl (1991)
The Roald Dahl Treasury (1997)
The Great Automatic Grammatizator (1998)
Skin and Other Stories (2000)
Roald Dahl: Collected Stories (2006)
Non-fiction
The Mildenhall Treasure (1946)
Boy: Tales of Childhood (1984)
Going Solo (1986)
Memories with Food at Gipsy House (1991)
Roald Dahl's Guide to Railway Safety (1991)
My Year (1993)
Film adaptations
36 Hours (1965)
Willy Wonka & the Chocolate Factory (1971)
Danny, the Champion of the World (1989)
The BFG (1989)
The Witches (1990)
Four Rooms (1995)
James and the Giant Peach (1996)
Matilda (1996)
Charlie and the Chocolate Factory (2005)
Fantastic Mr. Fox (2009)
Roald Dahl's Esio Trot (2015)
The BFG (2016)
Revolting Rhymes (2016)
Tom and Jerry: Willy Wonka and the Chocolate Factory (2017)
Film scripts
The Bells of Hell Go Ting-a-ling-a-ling (1966, unfinished)
You Only Live Twice (1967)
Chitty Chitty Bang Bang (1968)
The Night Digger (1971)
Willy Wonka & the Chocolate Factory (1971)
Television series
Way Out (1961)
Tales of the Unexpected (1979–88)
Musicals and plays
The Honeys (1955)
Matilda (2010)
Charlie and the Chocolate Factory (2013)
Fantastic Mr Fox (2016)
See also
Quentin Blake
Roald Dahl bibliography
Roald Dahl short stories bibliography
Roald Dahl's Book of Ghost Stories (1983)
List of Tales of the Unexpected episodes
Related
Roald Dahl Museum and Story Centre
Roald Dahl Children's Gallery
Patricia Neal (wife)
Tessa Dahl (daughter)
Ophelia Dahl (daughter)
Lucy Dahl (daughter)
Sophie Dahl (granddaughter)
Retrieved from "https://en.wikipedia.org/w/index.php?title=Charlie_and_the_Great_Glass_Elevator&oldid=806522644"
Categories:
1972 British novels
1972 in fiction
Children's books by Roald Dahl
Willy Wonka
Venus in fiction
Science fantasy novels
Sequel novels
Alfred A. Knopf books
British children's novels
Novels by Roald Dahl
Works set in elevators
White House in fiction
1972 children's books
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