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Dexter (season 6)
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Dexter (season 6)
DVD cover
Starring
Michael C. Hall
Jennifer Carpenter
Desmond Harrington
C. S. Lee
Lauren Velez
David Zayas
James Remar
Country of origin
United States
No. of episodes
12
Release
Original network
Showtime
Original release
October 2 (2011-10-02) – December 18, 2011 (2011-12-18)
Season chronology
← Previous
Season 5
Next →
Season 7
List of Dexter episodes
The sixth season of Dexter premiered on October 2, 2011 on the television cable network Showtime, and consisted of 12 episodes.[1] The season follows Dexter's and Miami Metro's investigations into a string of bizarre ritualistic killings featuring overtly religious apocalyptic symbolism. On November 18, 2011, it was announced that Dexter had been renewed for two more seasons.[2][3]
Contents
1 Plot
2 Cast
2.1 Main
2.2 Special Guest Stars
2.3 Recurring cast
2.4 Guest cast
3 Episodes
4 Reception
5 References
6 External links
Plot[edit]
María LaGuerta is promoted to Captain after blackmailing Deputy Chief Matthews, whose name was on a prostitute's ledger. Vince Masuka is teaching a group of forensic science students, and after his first choice faints at a crime scene, he asks an attractive female student, Ryan Chambers, to become his intern. Masuka eventually fires Ryan when she steals a painted prosthetic hand from the Ice Truck Killer crime scenes, which shows up on an internet auction site. Masuka quickly hires another intern, video game designer and computer programmer Louis Greene, to fix the problem. Greene claims he made the auction page vanish, but was unable to get the hand back.
LaGuerta and Angel Batista have divorced, but try to remain friends; this is further complicated by Matthews' decision to promote Debra Morgan to LaGuerta's vacant lieutenant position instead of Batista. Batista thinks he was passed over due to the feud between Matthews and LaGuerta. LaGuerta continuously thwarts Debra's attempts to make a good first impression as the new lieutenant by giving her the wrong advice; however, Debra makes an independent decision to hire Mike Anderson as her replacement, against LaGuerta's recommendation.
Batista's sister Jamie has become Harrison's babysitter, and Dexter and Debra visit a Catholic pre-school in hopes of signing Harrison up. Quinn proposes to Debra, but she refuses and they break up. Shortly after, Quinn learns of Deb's promotion and surmises that it was her reason for ending their relationship. Quinn begins a long pattern of barhopping, drunkenness, and one-night stands; his unprofessional behavior angers and ultimately endangers Batista, his new partner.
This season features the Doomsday Killers (or DDK), Professor James Gellar and his student Travis Marshall, who seek to bring about the end of the world through killings based on the Book of Revelation. They leave signs of the Apocalypse including the Alpha and Omega or the Four Horsemen as a cryptic tableau at each crime scene. The season also introduces Brother Sam, a former drug addict and murderer who repented and became a minister. He operates a body shop where he employs other ex-convicts, to lead them to crime-free lives.
Initially believing Sam to be behind the first Doomsday Killer murder, Dexter decides to kill Sam but is quickly proven wrong and finds himself befriending him. However, Brother Sam is murdered by Nick, one of his trusted ex-convicts; Dexter, going against Brother Sam's wish that Dexter should forgive his killer, murders him.
Dexter learns that the Trinity Killer's wife and daughter have been found dead in Nebraska, which Jonah Mitchell reports was the work of his father, Arthur Mitchell. Dexter, the only person who knows the Trinity Killer is dead, suspects that Jonah is following in his father's footsteps and goes to Nebraska to kill Jonah, encouraged by a vision of his brother, Brian Moser, the Ice Truck Killer. However, after confronting Jonah, Dexter learns that his sister committed suicide and Jonah killed his mother in a fit of rage, and wants to die out of guilt. Dexter decides to forgive Jonah and leaves him alive to deal with his demons.
Dexter's investigation of the Doomsday Killers leads him to Travis Marshall. Travis says that all he has done was at the request of Professor Gellar, so Dexter asks Travis to help him kill the professor, thinking if he can save Travis then he can save himself. However, Dexter eventually discovers that Professor Gellar had been killed by Travis three years ago and now exists only in the latter's mind. Travis marks Dexter as "the Beast" and tries to kill him in one of his tableaux, the Lake of Fire, but Dexter escapes and is saved by a passing migrant boat. Finally, Travis kidnaps Dexter's son to use as a sacrifice in his final tableau, thinking that "the Beast" is dead. Dexter rescues Harrison and knocks Travis unconscious. He takes Travis back to the church where Travis carried out his earlier murders, which Dexter has set up as a kill room.
The season's subplots include Angel's sister dating Louis Greene. Greene wants to impress the police force, especially Dexter, and is revealed to have acquired the prosthetic hand from the Ice Truck Killer case, which he mails to Dexter. Debra refuses to yield to pressure to close the case of the overdose death of a prostitute, eventually discovering that Deputy Chief Matthews was present when the woman died. Matthews is forced to retire after LaGuerta leaks the information. Finally, Debra attends department-ordered therapy sessions after being involved in a shoot-out. During her sessions, she begins to realize that she may have romantic feelings for Dexter. She goes to the church (she knew Dexter was doing forensics there) but winds up walking in on him just as he plunges a knife into Travis' chest, to which Dexter responds, "Oh God".
Cast[edit]
Main[edit]
Michael C. Hall as Dexter Morgan
Jennifer Carpenter as Debra Morgan
Desmond Harrington as Joey Quinn
C. S. Lee as Vince Masuka
Lauren Vélez as María LaGuerta
David Zayas as Angel Batista
James Remar as Harry Morgan
Special Guest Stars[edit]
Colin Hanks as Travis Marshall
Edward James Olmos as Professor James Gellar
Mos Def as Brother Sam (credited as Mos in episodes 2 & 3, as Yasiin Bey in episodes 4-6)
Recurring cast[edit]
Aimee Garcia as Jamie Batista
Billy Brown as Detective Mike Anderson
Josh Cooke as Louis Greene
Rya Kihlstedt as Dr. Michelle Ross
Lacey Beeman as Holly Benson
Germaine De Leon as Nick
Geoff Pierson as Deputy Chief Tom Matthews
Brea Grant as Ryan Chambers
Molly Parker as Lisa Marshall
Christian Camargo as Brian Moser
Mariana Klaveno as Clarissa Porter
Brando Eaton as Jonah Mitchell
Guest cast[edit]
Kyle Davis as Steve Dorsey
Jordana Spiro as Beth Dorsey
John Brotherton as Joe Walker
Kristen Miller as Trisha Billings
Ronny Cox as Walter Kenney
Jamie Silberhartz as Erin Baer
W. Morgan Sheppard as Father Nicholas Galway
Episodes[edit]
See also: List of Dexter episodes
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
US viewers
(millions)
61
1 "Those Kinds of Things" John Dahl Scott Buck October 2, 2011 (2011-10-02) 2.19[4]
Dexter attends his 20-year high school reunion, hunting his next victim. He begins contemplating the value of religion when Harrison has the chance to attend a Catholic pre-school. LaGuerta, now divorced from Batista, is promoted to captain. Batista is temporarily named lieutenant and hopes to get the job permanently. Debra becomes an unexpected hero when a gunman enters a restaurant where she and Quinn are dining, interrupting Quinn's attempt to propose to her. A murder featuring strange religious symbolism gets the attention of Miami Metro Homicide; the killers, as yet unknown, are two men who seem to be a master and a student.
62
2 "Once Upon a Time..." SJ Clarkson Tim Schlattmann October 9, 2011 (2011-10-09) 1.71[5]
Quinn proposes to Debra, and she turns him down. Dexter meets Brother Sam, an ex-con turned minister who helps other ex-cons start a new life. Dexter suspects Brother Sam is still a criminal, but eventually realizes he was wrong. Meanwhile, Debra is officially promoted over Batista to lieutenant at Miami Metro Homicide. One of the religious murderers shown in the previous episode attacks a male runner in the woods.
63
3 "Smokey and the Bandit" Stefan Schwartz Manny Coto October 16, 2011 (2011-10-16) 1.50[6]
Dexter becomes intrigued with the murder of a prostitute when details of the crime remind him of an unsolved serial killer case from the 1980s. Debra faces the challenges of her new position as LaGuerta tries to thwart her by giving her poor advice. The religious murderers try to force the kidnapped runner from the previous episode to repent for his sins.
64
4 "A Horse of a Different Color" John Dahl Lauren Gussis October 23, 2011 (2011-10-23) 1.89[7]
The religious murderers stage a spectacular crime scene recalling the Book of Revelation, using pieces of the runner’s corpse sewn to pieces from mannequins to form the Four Horsemen of the Apocalypse. The police department officially starts to chase the "Doomsday Killer". Meanwhile, Harrison needs emergency surgery, which forces Dexter to reconsider his views about faith with the help of Brother Sam.
65
5 "The Angel of Death" SJ Clarkson Scott Reynolds October 30, 2011 (2011-10-30) 1.80[8]
Miami Homicide starts investigating Professor James Gellar. Dexter examines the angel wings from Doomsday Killers' most recent killing and finds that a unique glue was used to attach a piece of the wing, which leads him to Travis Marshall, who works with rare books at a museum. Masuka hires a new intern, Louis Greene, who helps him with the missing evidence from the Ice Truck Killer case. Deb moves out of Dexter's apartment and gets her own place. After Travis fails to capture a "Whore of Babylon" on his own, he and Gellar kidnap a woman together, in preparation for the next tableau. Dexter tries to kill Travis, but later decides that Gellar is the one he must kill. An unknown man shoots Brother Sam in his shop.
66
6 "Just Let Go" John Dahl Jace Richdale November 6, 2011 (2011-11-06) 1.98[9]
Brother Sam is found at his shop alive and is taken to the hospital. Dexter initially suspects a gang member, but later realizes the shooter was Nick, one of Brother Sam's ex-con employees. Meanwhile, Miami Metro calls Professor Gellar's former assistant in for further questioning, and learn of his obsession with an old cult who sought to bring about the apocalypse by performing ritualistic sacrifices as depicted in Gellar's notes. Elsewhere, Travis begins to feel conflicted, eventually releasing the woman he and Geller abducted and held as "Whore of Babylon". Debra holds a house-warming party, which is crashed by a drunk Quinn.
67
7 "Nebraska" Romeo Tirone Wendy West November 13, 2011 (2011-11-13) 1.99[10]
Dexter disposes of Nick's body in the ocean after having drowned him in the previous episode. Debra faces scrutiny because her department's case clearance rate is low. Dexter finds out that Rebecca and Sally Mitchell (the daughter and wife of the Trinity Killer) have been killed, which son Jonah blames on his father (who only Dexter knows is dead). He drives to Nebraska to confront Jonah, who reveals that his mother blamed her children for their father's actions, causing Rebecca to commit suicide; following this, Jonah beat his mother to death in anger. Dexter lets Jonah live, telling him to forgive himself. Meanwhile, back in Miami, Masuka and his new intern find a lead related to Doomsday. Travis tells Gellar that he is done working for God and moves in with his sister.
68
8 "Sin of Omission" Ernest Dickerson Arika Lisanne Mittman November 20, 2011 (2011-11-20) 2.05[11]
Dexter, using what he's learned from Brother Sam, persuades Travis to help him get Gellar, but Travis is kidnapped by Gellar for further rituals. Meanwhile, Debra and LaGuerta go head-to-head after a call girl ends up dead when LaGuerta wants Deb to stop the investigation. After Debra interrogates Travis's sister as part of the DDK investigation, the sister is found dead, posed as the "Whore of Babylon". Batista has dinner with Jamie and Louis, but doesn't take too kindly to Louis dating his sister. Also, Quinn takes Masuka on a night on the town to a strip club.
69
9 "Get Gellar" Seith Mann Karen Campbell November 27, 2011 (2011-11-27) 1.89[12]
Dexter attempts to stay ahead of Miami Metro Homicide on his hunt for Gellar, who plans on killing a radical atheist professor, but Dexter fails to stop him after he gets trapped in an elevator. Batista helps Quinn recover his gun that he left in the car of a one-night stand. Dexter later discovers the frozen corpse of Professor Gellar in a freezer in the abandoned church basement and realizes Travis was the sole killer all along; the Professor Gellar that Travis interacted with is actually his dark passenger. Jamie and Louis take a step further in their relationship.
70
10 "Ricochet Rabbit" Michael Lehmann Jace Richdale & Lauren Gussis & Scott Reynolds December 4, 2011 (2011-12-04) 1.87[13]
Travis teams up with a religious and fanatic couple, named Adam and Beth Dorsey, whom he met via Gellar's blog, to kill Holly Benson (the former Whore of Babylon whom he let go) and to unleash the next tableau, Wormwood, a poison which Travis re-imagines as poison gas. Dexter tries to get one step ahead of the Doomsday Killers and figure out where their next victim could possibly be before they attack again. Meanwhile, Debra begins to realize she relies too much on her brother after reacting to a crime scene.
71
11 "Talk to the Hand" Ernest Dickerson Manny Coto & Tim Schlattmann December 11, 2011 (2011-12-11) 1.92[14]
Travis tasks Beth with unleashing Wormwood poison gas in the Miami Metro squad room, but she's stopped by Dexter, saving everyone's life. Debra has dinner with Chief Matthews where she confronts him about being implicated in the dead call girl case. When Matthews is forced to retire, she realizes that LaGuerta has been manipulating her throughout the case. Dexter stages a fake Doomsday Killer tableau in order to draw out Travis, but is captured himself and becomes a part in the final tableau, the "Lake of Fire". Debra's therapist prompts her to consider whether she may actually be in love with her adopted brother.
72
12 "This Is the Way the World Ends" John Dahl Scott Buck & Wendy West December 18, 2011 (2011-12-18) 2.23[15]
Dexter is rescued by a boat of illegal immigrants. Debra dispatches officers to skyscrapers in downtown Miami on a hunch that this is where the final tableau will be executed. Travis sees that the police have found his hideout, so he retreats to Dexter's apartment. Realizing that Harrison is Dexter's son, Travis kidnaps Harrison to use him as his sacrificial lamb in his final act to bring about the end of the world, but is stopped by Dexter who knocks him out, but does not kill him. Dexter takes the unconscious Travis to the abandoned church, where he kills him. Debra, checking in on Dexter at the church, discovers her brother's shocking secret.
Reception[edit]
The sixth season of Dexter received mixed reviews from critics. According to Metacritic, the sixth season of Dexter received "generally favorable reviews" with a score of 63/100 based on 10 critic reviews.[16] It is, however, the lowest rated season of the series on the site, and the only one to average a score that is below 70.
Martin Chilton of The Daily Telegraph gave the first episode of season 6 a score of 1.5 / 5, writing that "With each season, the quality of a show that once won an Emmy nomination and a Golden Globe for Hall has been sliding."[17]
R.L. Shaffer of IGN wrote of the season that "while this season saw a few new twists and turns...it also handed us a fairly hammy story that tied Dexter to an apocalyptic serial killer." However he goes on to write that "even in its weak moments, Dexter is a fascinating show to watch" and that "the subtle seeds of the show's ultimate conclusion...planted throughout season six, are not only compelling, but the real reason to keep watching."[18]
References[edit]
Jump up ^ "Dexter Season 6 Episode Guide"
Jump up ^ Hibberd, James (November 18, 2011). "'Dexter' renewed for two more seasons". Entertainment Weekly. Retrieved December 23, 2011.
Jump up ^ Dos Santos, Kristin (November 18, 2011). "Dexter Renewed! Showtime Resolves Michael C. Hall Salary Dispute". E! Online. Retrieved December 23, 2011.
Jump up ^ Seidman, Robert (October 4, 2011). "Sunday Cable Ratings: Cards/Phillies, New Jersey Housewives Top Night + Boardwalk Empire, Hung, Breaking Bad & Much More". TV by the Numbers. Retrieved October 4, 2011.
Jump up ^ Gorman, Bill (October 11, 2011). "Sunday Cable Ratings: Nothing Keeps Up With Kardashians; Plus Housewives NJ Finale, Boardwalk Empire, Breaking Bad, Dexter & More". TV by the Numbers. Retrieved October 11, 2011.
Jump up ^ Seidman, Robert (October 18, 2011). "Sunday Cable Ratings: The Walking Dead Doubles NLCS + NJ Housewives, Boardwalk Empire, Talking Dead, Dexter & Much More". TV by the Numbers. Retrieved October 18, 2011.
Jump up ^ Gorman, Bill (October 25, 2011). "Sunday Cable Ratings: The Walking Dead Slips, Still Tops; + NJ Housewives, Boardwalk Empire, Homeland, Dexter & Much More". TV by the Numbers. Retrieved October 25, 2011.
Jump up ^ Seidman, Robert (November 1, 2011). "Sunday Cable Ratings: The Walking Dead Drops, Still Tops; + Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved November 1, 2011.
Jump up ^ Seidman, Robert (November 8, 2011). "Sunday Cable Ratings: The Walking Dead, Hell On Wheels Lead AMC + Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved November 8, 2011.
Jump up ^ Gorman, Bill (November 15, 2011). "Sunday Cable Ratings: The Walking Dead Stays On Top + Housewives Atl, Hell On Wheels, Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved November 15, 2011.
Jump up ^ Gorman, Bill (November 22, 2011). "Sunday Cable Ratings: The Walking Dead Stays On Top + NASCAR Championship, Housewives ATL, Hell On Wheels, Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved November 23, 2011.
Jump up ^ Seidman, Robert (November 29, 2011). "Sunday Cable Ratings: The Walking Dead Goes Out on Top + Kardashians, Housewives Soul Train Awards, Hell On Wheels, Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved November 30, 2011.
Jump up ^ Seidman, Robert (December 6, 2011). "Sunday Cable Ratings: Kourtney & Kim Top The Night + Housewives Atlanta, Hell On Wheels, Boardwalk Empire, Homeland, Dexter & More". TV by the Numbers. Retrieved December 6, 2011.
Jump up ^ Seidman, Robert (December 13, 2011). "Sunday Cable Ratings: Kourtney & Kim Top Housewives Atlanta + ' Boardwalk Empire, Bag of Bones, Homeland, Dexter & More". TV by the Numbers. Retrieved December 13, 2011.
Jump up ^ Gorman, Bill (December 20, 2011). "Sunday Cable Ratings: Housewives Atlanta Top 'Kourtney & Kim' + Dexter, Homeland, Iron Chef, Real Deal Finales & More". TV by the Numbers. Retrieved December 20, 2011.
Jump up ^ [1]
Jump up ^ [2]
Jump up ^ [3]
External links[edit]
Dexter's official website on Showtime
Season six on the Internet Movie Database
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e
Dexter
Awards and nominations
Soundtrack
Novels
Darkly Dreaming Dexter
Dearly Devoted Dexter
Dexter in the Dark
Dexter by Design
Dexter Is Delicious
Double Dexter
Dexter's Final Cut
Dexter Is Dead
Characters
Dexter Morgan
Debra Morgan
Rita Bennett
Joey Quinn
James Doakes
Vince Masuka
María LaGuerta
Angel Batista
Harry Morgan
Arthur Mitchell
Lumen Pierce
Hannah McKay
Episodes
Season 1
"Dexter"
"Crocodile"
"Popping Cherry"
"Let's Give the Boy a Hand"
"Love American Style"
"Return to Sender"
"Circle of Friends"
"Father Knows Best"
"Seeing Red"
"Truth Be Told"
"Born Free"
Season 2
"It's Alive!"
"Waiting to Exhale"
"An Inconvenient Lie"
"See-Through"
"The Dark Defender"
"Dex, Lies, and Videotape"
"That Night, A Forest Grew"
"Morning Comes"
"Resistance Is Futile"
"There's Something About Harry"
"Left Turn Ahead"
"The British Invasion"
Season 3
"Our Father"
"The Damage a Man Can Do"
Season 4
"Hello, Dexter Morgan"
"The Getaway"
Season 5
"My Bad"
"The Big One"
Season 6
"Those Kinds of Things"
"This Is the Way the World Ends"
Season 7
"Are You...?"
Season 8
"What's Eating Dexter Morgan?"
"Remember the Monsters?"
Category
Book
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Notting Hill (film)
From Wikipedia, the free encyclopedia
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This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (January 2017) (Learn how and when to remove this template message)
Notting Hill
Theatrical release poster
Directed by
Roger Michell
Produced by
Duncan Kenworthy
Written by
Richard Curtis
Starring
Julia Roberts
Hugh Grant
Hugh Bonneville
Emma Chambers
James Dreyfus
Rhys Ifans
Tim McInnerny
Gina McKee
Music by
Trevor Jones
Cinematography
Michael Coulter
Edited by
Nick Moore
Production
company
PolyGram Filmed Entertainment
Working Title Films
Distributed by
Universal Pictures
Release date
21 May 1999 (1999-05-21)
Running time
124 minutes
Country
United Kingdom
Language
English
Budget
US$42 million
Box office
US$364 million
Notting Hill is a 1999 British romantic comedy film set in Notting Hill, London, released on 21 May 1999. The screenplay was by Richard Curtis, who had written Four Weddings and a Funeral (1994), and the film was produced by Duncan Kenworthy and directed by Roger Michell. The film stars Hugh Grant, Julia Roberts, Rhys Ifans, Emma Chambers, Tim McInnerny, Gina McKee, and Hugh Bonneville.
Notting Hill was well received by critics and became the highest grossing British film released that year. The film won a BAFTA, was nominated in two other categories, and won other awards, including a British Comedy Award and a Brit Award for the soundtrack.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Music
5 Release
5.1 Critical reception
5.2 Lists
5.3 Box office
5.4 Awards and nominations
6 References
7 External links
Plot[edit]
This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2017) (Learn how and when to remove this template message)
William "Will" Thacker owns an independent book store, The Travel Book Co. in Notting Hill. He is divorced and shares his house with an eccentric, care-free Welshman named Spike and has a small, tight knit group of friends that includes his sister, Honey.
Will encounters Hollywood superstar Anna Scott when she enters his shop. Minutes later, they collide in the street and his drink spills on her clothes. Will offers his house nearby for Anna to change. Before leaving, she impulsively kisses him and then asks him not to mention what just occurred.
Days later, Spike belatedly relays a message from Anna. Will calls and she invites him to visit her at the Ritz Hotel. On arrival, Will is mistaken for a journalist—in a panic he claims he works for Horse & Hound— and is made to interview not only Anna, but the entire cast of her new sci-fi film, which he knows nothing about. Anna calls him back in and says she has cleared her evening. Will is exhilarated, before remembering that he is expected at his sister Honey's birthday party; Anna surprises him by offering to be his date.
At the house of Will's friends Max and Bella, Anna fits in perfectly as they all share stories. Honey immediately recognizes Anna and declares them best friends instantly. She and Will share a private moment in a garden square as they walk back from the birthday party. The following evening they go to a restaurant, where Will overhears a group of patrons making crude remarks about Anna and attempts to defend her, before Anna steps in herself and humiliates them. As they walk back to her hotel, she invites Will up to her room. But when he arrives, she tells him he must leave immediately. Her American movie star boyfriend (who was never mentioned until now) appears and starts to bark orders at him, as well as make unflattering comments about Anna's weight. Anna is apologetic and embarrassed, while a stunned Will leaves. Over the next six months, Max and Bella set Will up on a series of blind dates, trying to help him move on; however Will, still hung up on Anna, does not connect with any of them.
Much of the filming took place on Portobello Road.
One day, a distraught Anna appears at Will's doorstep; some pre-stardom nude photos have been published in the tabloids (along with reports of a video filmed without her permission), and she needs a place to hide from the fallout. Once she calms down, they spend some time on the rooftop patio rehearsing lines from Anna's next film. She also apologizes for the previous incident, telling Will her boyfriend simply showed up out of the blue and the relationship had broken down long before then. When she sees a poster of the Marc Chagall painting La Mariée on his kitchen wall, Anna tells Will that "it feels like how love should be". That night, Anna goes to him and they have sex. The next morning, the press (inadvertently tipped off by Spike) besiege Will's house and get pictures of both him and Anna half-dressed. While packing to leave, a furious Anna accuses Will of exploiting the situation for his own benefit and declares that she regrets their time together, because the press will make sure it never goes away.
Seasons pass and Will, though determined to forget Anna, remains miserable. Spike and Honey find the numbers to Anna's New York and London agents, encouraging him to reach out, but Will decides to throw them away. At a dinner with his friends, Will discovers that Anna is now an Oscar winner and back in town making a period film. He visits her location shoot, where Anna sees him and invites him past security. Although things are not going well on set, she asks him to stay because there are "things to say". He is surprised to find that it is a Henry James film, something he had previously suggested would be a good role for Anna. Given headphones to listen to the actors over their microphones, Will overhears Anna bantering with her rude co-star, until the co-star mentions seeing Will and Anna refers to him dismissively. Saddened, Will leaves the set.
The next day, Anna comes to the bookshop with a present. Visibly nervous, she apologizes for her previous behavior and expresses a desire to rekindle their relationship. When Will points out her comments the previous day, she explains that she would never discuss her private life with "the most indiscreet man in England." Believing it inevitable that they would break up, Will turns her down, as her superstar status would mean he could never really escape the pain of losing her, and having it happen a third time would crush him. Although saddened, Anna accepts his decision, but reminds him that underneath all the fame—which is really just nonsense— she is "also just a girl, standing in front of a boy, asking him to love her."
Will meets his friends in a restaurant with the opened gift—the original La Mariée. They take turns supporting his decision to end the relationship by (halfheartedly) pointing out Anna's flaws. When Spike enters and is told what happened, he promptly calls Will a "daft prick". Will reiterates Anna's last comment and realizes his mistake. They pile into Max's car and race across London to Anna's hotel, where they find that she has checked out and is holding a press conference at the Savoy Hotel. When Will arrives, Anna's publicist is telling the crowd that Anna will be taking time off from making films and leaving the UK that night. Will, pretending to be a reporter again, admits he made the wrong decision and begs Anna to reconsider. After admitting she would, Anna announces that she will be staying in Britain "indefinitely." Anna and Will smile at one another from across the room as the press goes into a frenzy. A montage shows their wedding and arrival at one of Anna's movie premieres, before ending with them on a bench in the private garden, Will reading to a visibly pregnant Anna.
Cast[edit]
(In credits order)
Julia Roberts as Anna Scott
Hugh Grant as William "Will" Thacker
Richard McCabe as Tony
Rhys Ifans as Spike
James Dreyfus as Martin
Dylan Moran as Rufus, the thief
Roger Frost as the Annoying Customer
Henry Goodman as the Ritz Concierge
Julian Rhind-Tutt as 'Time Out' Journalist
Lorelei King as Anna's Publicist
John Shrapnel as Anna's UK press agent
Clarke Peters as 'Helix' Lead Actor
Arturo Venegas as Foreign Actor
Yolanda Vazquez as Interpreter
Mischa Barton as 12-year-old Actress in 'Helix'
Tim McInnerny as Max
Gina McKee as Bella
Emma Chambers as Honey Thacker
Hugh Bonneville as Bernie
Dorian Lough as Loud Man in Restaurant
Sanjeev Bhaskar as Loud Man in Restaurant
Paul Chahidi as Loud Man in Restaurant
Matthew Whittle as Loud Man in Restaurant
Melissa Wilson as Tessa
Emma Bernard as Keziah
Emily Mortimer as Perfect Girl
Tony Armatrading as Security Man
September Buckley as Third Assistant Director
Phillip Manikum as Harry the Sound Man (as Philip Manikum)
Samuel West as Anna's Co-star (as Sam West)
Dennis Matsuki as Japanese Businessman
Patrick Barlow as the Savoy Concierge
Andy de la Tour as Journalist
Maureen Hibbert as Journalist
Rupert Procter as Journalist (as Rupert Proctor)
David Sternberg as Journalist
Ann Beach as William's Mother
Uncredited Cast
Alec Baldwin as Jeff King
Andrew Blackall as Journalist
Ian Boo Khoo as Journalist
Simon Callow as Himself in Film-within-Film
Kenneth W Caravan as Film Crew
Matthew Christian as Photographer
Joe Cornish as Fan Receiving Anna's Autograph
Sean Cronin as Walk On
Omid Djalili as Cashier at Coffee Shop
Ray Donn as Journalist
Michael Higgs as Man at Market
Stuart D. Latham as Market Stall Holder
Anthony Maddalena as Entertainment Journalist
João Costa Menezes as Journalist
Matthew Modine as Actor in Film-within-Film
Taylor Murphy as Journalist
Tim Packham as Reporter
Sally Phillips as Caroline (scenes deleted)
Moses Rockman as Wedding Guest
Vivienne Soan as Bystander
Leigh Tapper as Man in Market
Richard Woolfenden as Press Photographer
Casting Notes
Julia Roberts was the "one and only" choice for the role of Anna Scott, although Roger Michell and Duncan Kenworthy did not expect her to accept. Her agent told her it was "the best romantic comedy she had ever read".[1] Roberts said that after reading the script she decided she was "going to have to do this".[2]
The decision to cast Hugh Grant as William Thacker was unanimous, as he and Richard Curtis had a "writer/actor marriage made in heaven". Michell said that "Hugh does Richard better than anyone else, and Richard writes Hugh better than anyone else", and that Grant is "one of the only actors who can speak Richard's lines perfectly".[1]
Mischa Barton appears as the child actor whom Will pretends to interview for Horse & Hound.[3]
The casting of Bonneville, McInnerny, McKee, Chambers, and Ifans as Will's friends was "rather like assembling a family". Michell explained that "When you are casting a cabal of friends, you have to cast a balance of qualities, of types and of sensibilities. They were the jigsaw that had to be put together all in one go, and I think we've got a very good variety of people who can realistically still live in the same world."[1]
Sanjeev Bhaskar has a cameo role as a loud and offensive restaurant patron (who refers to Meg Ryan as the actress who has an orgasm every time she's taken out for a cup of coffee) in the restaurant Anna and Will visit.[4]
Alec Baldwin makes an uncredited appearance as Anna's boyfriend, Jeff King.[5]
Production[edit]
"I would sometimes wonder what it would be like if I just turned up at my friends' house, where I used to have dinner once a week, with the most famous person at that time, be it Madonna or whomever. It all sprang from there. How would my friends react? Who would try and be cool? How would you get through dinner? What would they say to you afterwards?"
– Richard Curtis[6]
Richard Curtis developed the film from thoughts while lying awake at night. He described the starting point as "the idea of a very normal person going out with an unbelievably famous person and how that impinges on their lives".[6] Four Weddings and a Funeral director Mike Newell was approached but rejected it to work on Pushing Tin. He said that in commercial terms he had made the wrong decision, but did not regret it.[7] The producer, Duncan Kenworthy, then turned to Roger Michell, saying that "Finding someone as good as Roger, was just like finding the right actor to play each role. Roger shone out."[1]
Curtis chose Notting Hill as he lived there and knew the area, saying "Notting Hill is a melting pot and the perfect place to set a film". This left the producers to film in a heavily populated area. Kenworthy noted "Early on, we toyed with the idea of building a huge exterior set. That way we would have more control, because we were worried about having Roberts and Grant on public streets where we could get thousands of onlookers." In the end they decided to film in the streets. Michell was worried "that Hugh and Julia were going to turn up on the first day of shooting on Portobello Road, and there would be gridlock and we would be surrounded by thousands of people and paparazzi photographers who would prevent us from shooting". The location team, and security personnel prevented this, as well as preventing problems the presence of a film crew may have caused the residents of Notting Hill, who Michell believes were "genuinely excited" about the film. The location manager Sue Quinn, described finding locations and getting permission to film as "a mammoth task". Quinn and the rest of her team had to write to thousands of people in the area, promising to donate to each person's favourite charity, resulting in 200 charities receiving money.[8]
"The major problem we encountered was the size of our film unit. We couldn't just go in and shoot and come out. We were everywhere. Filming on the London streets has to be done in such a way that it comes up to health and safety standards. There is no such thing as a road closure. We were very lucky in the fact that we had 100% cooperation from the police and the Council. They looked favorably on what we were trying to do and how it would promote the area."
– Sue Quinn[8]
Stuart Craig, the production designer, was pleased to do a contemporary film, saying "we're dealing with streets with thousands of people, market traders, shop owners and residents which makes it really complex".[8] Filming began on 17 April 1998 in West London and at Shepperton Studios.[1] Will's bookshop was on Portobello Road, one of the main areas in which filming took place. Other places within Notting Hill included Westbourne Park Road, Golborne Road, Landsdowne Road and the Coronet Cinema.[8] Will's house, 280 Westbourne Park Road, was owned by Richard Curtis and behind the entrance there is a grand house, not the flat in the film that was made up in the studios. The blue door was auctioned for charity. The current door is blue again. The Travel Book Store is located at 142 Portobello Road.[9] After filming for six weeks in Notting Hill, filming moved to the Ritz Hotel, where work had to take place at night, the Savoy Hotel, the Nobu Restaurant, the Zen Garden of the Hempel Hotel and Kenwood House.[8] One of the final scenes takes place at a film premiere, which presented difficulties. Michell wanted to film Leicester Square but was declined. Police had found fans at a Leonardo DiCaprio premiere problematic and were concerned the same might occur at the staged premiere. Through a health and safety act, the production received permission to film and constructed the scene in 24 hours.[8] Interior scenes were the last to be filmed, at Shepperton Studios.[8] The final cut was 3.5 hours long, 90 minutes edited out for release.[10]
The film features the 1950 Marc Chagall painting La Mariée. Anna sees a print of the painting in William's home and later gives him what is presumably the original. Michell said in Entertainment Weekly that the painting was chosen because Curtis was a fan of Chagall's work and because La Mariée "depicts a yearning for something that's lost." The producers had a reproduction made for the film, but had to get permission from the owner as well as clearance from the Design and Artists Copyright Society. Finally, according to Kenworthy, "we had to agree to destroy it. They were concerned that if our fake was too good, it might float around the market and create problems." The article also noted that "some experts say the real canvas could be worth between US$500,000 and US$1 million."[11]
The film features the book Istanbul: The Imperial City (1996) by John Freely. William recommends this book to Anna, commenting that (unlike another book in the store) the author has at least been to Istanbul. In reality, Freely taught at Boğaziçi University in Istanbul,[12] and was the author of nine books about the city.
In the very last scene of the movie, Will is shown reading the book Captain Corelli's Mandolin by Louis de Bernières.
Music[edit]
Music was composed by Trevor Jones.[13] Several additional songs written by other artists include Elvis Costello's cover of the Charles Aznavour song "She", Shania Twain's remixed version of "You've Got A Way", as well as Ronan Keating's specially recorded cover of "When You Say Nothing at All"; the song reached number one in the British charts. Pulp recorded new song "Born to Cry", which was released on the European version of the soundtrack album.
The song played when Will strides down Portobello Road is "Ain't No Sunshine" by Bill Withers. Tony and Bernie play "Blue Moon" on the piano at Tony's restaurant on the night it closes.[14] Originally, Charles Aznavour's version of "She" was used in the film, but American test screening audiences did not respond to it. Costello was then brought in by Richard Curtis to record a cover version of the song.[15] Both versions of the song appear in non-US releases.
The soundtrack album was released by Island Records.
US version track listing
"No Matter What" – Boyzone
"You've Got a Way" (Notting Hill remix) – Shania Twain
"I Do (Cherish You)" – 98 Degrees
"She" – Elvis Costello
"Ain't No Sunshine" – Bill Withers
"How Can You Mend a Broken Heart?" – Al Green
"Gimme Some Lovin'" – Spencer Davis Group
"When You Say Nothing at All" - Ronan Keating
"Ain't No Sunshine" – Lighthouse Family
"From the Heart" - Another Level
"Everything About You" - Steve Poltz
"Will and Anna" – Trevor Jones (Score)
"Notting Hill" – Trevor Jones (Score)
The film score and original music was recorded and mixed by Gareth Cousins (who also mixed all the songs used in the film) and Simon Rhodes.
Release[edit]
Critical reception[edit]
The film had generally positive reviews, scoring an 83% "Certified fresh" rating at Rotten Tomatoes based on 93 reviews with an average rating of 7.1/10 , the website's critical consensus reads: "Charming performances provide romance aplenty.".[16] Variety's Derek Elley said that "It's slick, it's gawky, it's 10 minutes too long, and it's certainly not "Four Weddings and a Funeral Part 2" in either construction or overall tone", giving it an overall positive review.[5] Cranky Critic called it "Bloody damned good", as well as saying that it was "A perfect date flick."[17] Nitrate said that "Notting Hill is whimsical and light, fresh and quirky", with "endearing moments and memorable characters".[18] In his review of the film's DVD John J. Puccio noted that "the movie is a fairy tale, and writer Richard Curtis knows how much the public loves a fairy tale", calling it "a sweet film".[19] Desson Howe of The Washington Post gave the film a very positive review, particularly praising Rhys Ifans' performance as Spike.[20] James Sanford gave Notting Hill three and a half stars, saying that "Curtis' dialogue may be much snappier than his sometimes dawdling plot, but the first hour of Notting Hill is so beguiling and consistently funny it seems churlish to complain that the rest is merely good."[21] Sue Pierman of the Milwaukee Journal Sentinel stated that "Notting Hill is clever, funny, romantic – and oh, yes, reminiscent of Four Weddings and a Funeral", but that the film "is so satisfying, it doesn't pay to nitpick."[22] Roger Ebert praised the film, saying "the movie is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like."[23] Kenneth Turan gave a good review, concluding that "the film's romantic core is impervious to problems".[24] CNN reviewer Paul Clinton said that Notting Hill "stands alone as another funny and heartwarming story about love against all odds".[25]
Widgett Walls of Needcoffee.com gave the film "three and a half cups of coffee", stating that "the humor of the film saves it from a completely trite and unsatisfying (nay, shall I say enraging) ending", but criticised the soundtrack.[26] Dennis Schwartz gave the film a negative review with a grade of "C-" citing "this film was pure and unadulterated balderdash".[27] Some criticised the film for giving a "sweetened unrealistic view of London life and British eccentricity."[28] The Independent derided the film for being unrealistic.[29]
Lists[edit]
Notting Hill was 95th on the British Film Institute's "list of the all-time top 100 films", based on estimates of each film's British cinema admissions.[4]
Box office[edit]
The film had its premiere at the Odeon, Leicester Square, on 27 April 1999.[30] It earned US$116,089,678 as its overall domestic gross, with a worldwide gross of US$363,889,678.[31] It totalled US$27.7 million over its opening weekend, an American record,[32] the biggest opening for a romantic comedy film, beating My Best Friend's Wedding (which also starred Julia Roberts).[33] Notting Hill made another US$15 million the following week.[34][35] One month after its release, Notting Hill lost its record for highest grossing opening weekend for a romantic comedy film to Runaway Bride (again starring Roberts).[36] It was the sixteenth highest-grossing film of 1999,[37] and as of February 2014 is the 215th highest-grossing film of all time.[38] In 2007, it became the then highest grossing British film.[39] It opened the same weekend as Star Wars: Episode I – The Phantom Menace, which didn't affect its Box Office as Notting Hill opened at Number 2.
Awards and nominations[edit]
Notting Hill won the Audience Award for Most Popular Film at the BAFTAs in 2000,[40] and was nominated in the categories of The Alexander Korda Award for Outstanding British Film of the year, and Best Performance by an Actor in a supporting role for Rhys Ifans.[41] The film won Best Comedy Film at the British Comedy Awards.[42] The film's soundtrack won Best Soundtrack at the Brit Awards, beating Star Wars: Episode I – The Phantom Menace.[43] The film won Best British Film, Best British Director for Roger Michell, and Best British Actor for Hugh Grant at the Empire Awards.[44] The film received three nominations at the Golden Globes, in the categories Best Motion Picture – Comedy/Musical, Best Motion Picture Actor – Comedy/Musical for Hugh Grant, and Best Motion Picture Actress – Comedy/Musical for Julia Roberts.[45]
References[edit]
^ Jump up to: a b c d e "About the Production". Notting Hill.com. Retrieved 22 May 2007.
Jump up ^ "A Romantic Comedy Dream Team". Notting Hill.com. Retrieved 22 May 2007.
Jump up ^ Gordon, Jane (12 May 2007). "Mischa Barton: Little Miss Sunshine". The Mail on Sunday. Retrieved 19 May 2007.
^ Jump up to: a b "95: NOTTING HILL". British Film Institute. Retrieved 19 May 2007.
^ Jump up to: a b Elley, Derek (30 April 1999). "Notting Hill". Variety. Retrieved 19 May 2007.
^ Jump up to: a b "Behind-the-Scenes". Notting Hill.com. Retrieved 22 May 2007.
Jump up ^ Chris Parry. "The man who told Notting Hill to 'sod off'". eFilm Critic. Retrieved 21 May 2007.
^ Jump up to: a b c d e f g "Notting Hill, the place, the movie location". Notting Hill.com. Retrieved 22 May 2007.
Jump up ^ "Notting Hill – Filming Locations". Movieloci.com. Retrieved 5 July 2012.
Jump up ^ Greg Dean Schmitz. "Notting Hill (1999)". Yahoo!. Archived from the original on 12 July 2007. Retrieved 28 May 2007.
Jump up ^ Joe Dziemianowicz; Clarissa Cruz (11 June 1999). "Flashes". Entertainment Weekly. Retrieved 20 May 2007.
Jump up ^ Murat Taşçi; Tunçel Gŭlsoy. "John Freely Interview". Boğaziçi'nin Hafizasi alumni magazine. Scribd. Retrieved 20 June 2013.
Jump up ^ "Notting Hill". Filmtracks.com. Retrieved 23 May 2007.
Jump up ^ "When You Say Nothing at All". BBC. Retrieved 21 May 2007.
Jump up ^ Darryl Chamberlain (20 July 1999). "Elvis alive and well in Notting Hill". BBC News. Retrieved 23 May 2007.
Jump up ^ "Notting Hill (1999)". Rotten Tomatoes. Retrieved 18 September 2010.
Jump up ^ "Notting Hill". Cranky Critic. Retrieved 19 May 2007.
Jump up ^ Savada, Elias (28 May 1999). "Notting Hill". Nitrate. Retrieved 19 May 2007.
Jump up ^ John J. Puccio. "Notting Hill [Ultimate Edition]". DVD Town.com. Retrieved 20 May 2007.
Jump up ^ Desson Howe (28 May 1999). "'Notting Hill': Easy to Love". The Washington Post. Retrieved 21 May 2007.
Jump up ^ James Sanford. "Notting Hill". Kalamazoo Gazette. Archived from the original on 26 September 2007. Retrieved 21 May 2007.
Jump up ^ Sue Pierman (27 May 1999). "'Notting Hill' is perfect romantic fit for Roberts, Grant". Milwaukee Journal Sentinel. Retrieved 21 May 2007.
Jump up ^ Roger Ebert (28 May 1999). "Notting Hill". Chicago Sun-Times. Retrieved 21 May 2007.
Jump up ^ Kenneth Turan (28 May 1999). "Notting Hill". Calendar Live. Archived from the original on 26 September 2007. Retrieved 21 May 2007.
Jump up ^ Paul Clinton (27 May 1999). "Review: Julia, Hugh a perfect match for 'Notting Hill'". CNN. Retrieved 21 May 2007.
Jump up ^ Widgett Walls. "Notting Hill (1999)". Needcoffee.com. Retrieved 21 May 2007.
Jump up ^ Dennis Schwartz (29 November 2000). "Notting Hill". Ozus' World Movie Reviews. Retrieved 21 May 2007.
Jump up ^ Tom Brook (5 June 1999). "Money takes over the movies". BBC News. Retrieved 22 March 2008.
Jump up ^ Orr, Deborah (20 May 1999). "It's Notting Hill, but not as I know it". The Independent. London.
Jump up ^ "Notting Hill premieres in Leicester Square". BBC News. 27 April 1999. Retrieved 23 May 2007.
Jump up ^ "NOTTING HILL". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ "Notting Hill has The Force". BBC News. 2 June 1999. Retrieved 23 May 2007.
Jump up ^ Brandon Gray (2 June 1999). "Weekend Box Office". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ Brandon Gray (7 June 1999). "Weekend Box Office". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ Brandon Gray (21 June 1999). "Weekend Box Office". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ Brandon Gray (3 August 1999). "Weekend Box Office". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ "1999 DOMESTIC GROSSES". Box Office Mojo. Retrieved 20 May 2007.
Jump up ^ "WORLDWIDE GROSSES". Box Office Mojo. Retrieved 5 February 2014.
Jump up ^ "Notting Hill breaks film record....." BBC News. 26 August 1999. Retrieved 23 May 2007.
Jump up ^ "2000 British Academy of Film and Television Awards". infoplease.com. Retrieved 22 May 2007.
Jump up ^ "Bafta nominations in full". BBC News. 1 March 2000. Retrieved 22 May 2007.
Jump up ^ "The Past Winners 1999". British Comedy Awards. Archived from the original on 29 October 2010. Retrieved 22 May 2007.
Jump up ^ "Brits 2000: The winners". BBC News. 3 March 2000. Retrieved 22 May 2007.
Jump up ^ "What are they doing?". British Theatre Guide. 20 February 2000. Retrieved 21 May 2007.
Jump up ^ "Notting Hill". TheGoldenGlobes.com. Retrieved 22 May 2007.
External links[edit]
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text:
Demand-pull inflation
From Wikipedia, the free encyclopedia
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Aggregate Demand increasing faster than production.
Demand-pull inflation is asserted to arise when aggregate demand in an economy outpaces aggregate supply. It involves inflation rising as real gross domestic product rises and unemployment falls, as the economy moves along the Phillips curve. This is commonly described as "too much money chasing too few goods."[1] More accurately, it should be described as involving "too much money spent chasing too few goods," since only money that is spent on goods and services can cause inflation. This would not be expected to happen, unless the economy is already at a full employment level. It is the opposite of cost-push inflation.
Contents
1 How it happens
2 Causes[3]
3 See also
4 Notes
5 External links
How it happens[edit]
In Keynesian theory, increased employment results in increased aggregate demand (AD), which leads to further hiring by firms to increase output. Due to capacity constraints, this increase in output will eventually become so small that the price of the good will rise. At first, unemployment will go down, shifting AD1 to AD2, which increases demand (noted as "Y") by (Y2 − Y1). This increase in demand means more workers are needed, and then AD will be shifted from AD2 to AD3, but this time much less is produced than in the previous shift, but the price level has risen from P2 to P3, a much higher increase in price than in the previous shift. This increase in price is called inflation.
Demand-pull inflation is in contrast with cost-push inflation, when price and wage increases are being transmitted from one sector to another. However, these can be considered as different aspects of an overall inflationary process: demand-pull inflation explains how price inflation starts, and cost-push inflation demonstrates why inflation once begun is so difficult to stop.[2]
Causes[3][edit]
There is a quick increase in consumption and investment along with an extremely confident firms.
There is a sudden increase in exports which might lead to a huge under-valuation of the currency.
There is a lot of government spending.
The expectation that inflation will rise often leads to a rise in inflation. Workers and firms will increase their prices to 'catch up' to inflation.
There is excessive monetary growth, when there is too much money in the system chasing too few goods. The 'price' of a good will thus increase.
There is a rise in population.
See also[edit]
Built-in inflation
Cost-push inflation
Notes[edit]
Jump up ^ Barth, J. R. & Bennett, J. T. (1975). Cost-push versus Demand-pull Inflation: Some Empirical Evidence. Journal of money, credit & banking (Ohio State University Press),7(3), 391.
Jump up ^ http://oxfordindex.oup.com/view/10.1093/oi/authority.20110803095709229 OxfordIndex, A Dictionary of Economics
Jump up ^ "Causes of Inflation: Demand-Pull Inflation | Intelligent Economist". Intelligent Economist. Retrieved 2016-02-03.
External links[edit]
Theory 1 - Demand-pull inflation - is inflation demanding?, Bank of Biz/ed
Retrieved from "https://en.wikipedia.org/w/index.php?title=Demand-pull_inflation&oldid=840570059"
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Matthew 6:33
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Matthew 6:33 is the thirty-third verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.[1] This verse continues the discussion of worry about material provisions.
In the Authorized King James Version of the Bible the text reads:
But seek ye first the kingdom of God,
and his righteousness; and all these
things shall be added unto you.
The World English Bible translates the passage as:
But seek first God’s Kingdom, and
his righteousness; and all these
things will be given to you as well.
For a collection of other versions see BibRef Matthew 6:33
Jesus has just told his followers not to worry about material things such as food or clothing, as God will provide the needs of his followers. Earlier in the chapter Jesus presented a discussion on how one must not pursue wealth and material things before God. This verse ties the two notions together. If one places the pursuit of the Kingdom of God first, then material needs will follow without need for worry or anxiety. The present imperative verb seek makes clear that pursuing the eschatological kingdom is not a passive act, but one that must be pursued with rigour. Hill notes that the word God is left out of many of the better early manuscripts of the Gospel, and it thus might be a later addition. Kingdom of God is a somewhat unusual phrase, with the author of Matthew generally preferring Kingdom of Heaven. Even without the word it is quite clear that this is a reference to the Kingdom of God.[2] The parallel to this verse at Luke 12:31 does not mention righteousness, but as France notes the author of Matthew shows a special interest in righteousness throughout his gospel.[3]
Interpretation[edit]
The interpretation or meaning of this verse may be a subjective matter. However, the common perception is speaking of prioritization, in which one who is a believer is to place God above all other things.
References[edit]
Jump up ^ "Matthew 6:33"
Jump up ^ Hill, David. The Gospel of Matthew. Grand Rapids: Eerdmans, 1981
Jump up ^ France, R.T. The Gospel According to Matthew: an Introduction and Commentary. Leicester: Inter-Varsity, 1985.

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