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Pat Garrett and Billy the Kid
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This article is about the movie. For the movie's soundtrack, see Pat Garrett & Billy the Kid (album).
Pat Garrett and Billy the Kid
Theatrical release poster
Directed by
Sam Peckinpah
Produced by
Gordon Carroll
Written by
Rudy Wurlitzer
Starring
James Coburn
Kris Kristofferson
Bob Dylan
Jason Robards
Music by
Bob Dylan
Cinematography
John Coquillon
Edited by
Roger Spottiswoode
Garth Craven
Robert L. Wolfe
Richard Halsey
David Berlatsky
Tony De Zarraga
Production
company
Metro-Goldwyn-Mayer
Distributed by
Metro-Goldwyn-Mayer
Release date
May 23, 1973 (1973-05-23) (USA)
Running time
106 minutes
(Theatrical)
122 minutes
(Preview Version)
115 minutes
(Special Edition)
Country
United States
Language
English
Budget
$4.64 million[1]
Box office
$11 million[1]
Pat Garrett and Billy the Kid is a 1973 American western drama film directed by Sam Peckinpah, written by Rudy Wurlitzer, and stars James Coburn, Kris Kristofferson and Bob Dylan. The film is about an aging Pat Garrett, hired as a lawman by a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.[2]
Dylan composed the score and songs for the film, most prominently "Knockin' on Heaven's Door", which were released on its soundtrack album the same year. It was filmed on location in Durango, Mexico,[3] and was nominated for two BAFTA Awards for Film Music (Dylan) and Most Promising Newcomer (Kristofferson). It was also nominated for a Grammy Award for Album of Best Original Score (Dylan).[4]
The film was noted for behind-the-scenes battles between Peckinpah and the production company Metro-Goldwyn-Mayer. Soon after completion, the film was taken away from the director and substantially re-edited, resulting in a truncated version released to theaters and largely disowned by cast and crew members. Peckinpah's preview version[Note 1] was released on video in 1988, leading to a re-evaluation, with many critics hailing it as a mistreated classic and one of the era's best films. It is ranked 126th on Empire magazine's list of The 500 Greatest Movies of All Time.[5]
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Post-production controversy
5 Rediscovery
6 See also
7 References
8 Further reading
9 External links
Plot[edit]
In 1881 in Old Fort Sumner, New Mexico, William H. Bonney, known as Billy the Kid (Kris Kristofferson), is passing the time with friends shooting chickens for fun. An old friend of Billy's, Pat Garrett (James Coburn), rides into town with Deputy Sheriff J. W. Bell (Matt Clark) and joins the diversion. Later, over drinks, Garrett informs Billy that the electorate want him out of the country, and that in five days, when he becomes Sheriff of Lincoln County, he will make Billy leave.
Six days later, Garrett and his deputies surround the small farmhouse where Billy and his gang are holed up. In the ensuing gun battle, Charlie Bowdre (Charles Martin Smith) and several other men on both sides are killed, and Billy is taken prisoner. As Billy awaits his execution in the Lincoln County Jail for the killing of Buckshot Roberts, he is taunted and beaten by self-righteous Deputy Sheriff Bob Ollinger (R. G. Armstrong) while the hangman's gallows are being built nearby. Garrett warns Ollinger not to taunt Billy again or he will be fired and sent back to Texas then Garrett leaves town to collect taxes leaving his two deputies to guard Billy. Ollinger again argues with Billy but after J. W. Bell intervenes, Ollinger leaves to get a drink. Billy finds a gun hidden for him in the outhouse and gets the drop on Bell, shooting him in the back. He quickly retrieves Ollinger's shotgun loaded with "sixteen thin dimes" and shoots Ollinger dead in the street, saying, "Keep the change, Bob." Billy leaves town.
After Garrett returns to Lincoln and recruits a new deputy sheriff named Alamosa Bill Kermit (Jack Elam), he rides to Santa Fe to meet with Governor Lew Wallace (Jason Robards) who introduces him to a pair of powerful men from the Santa Fe Ring. They offer a thousand dollars for the capture of Billy the Kid with five hundred dollars upfront. Garrett rejects the money saying they can pay him in full when Billy is brought in and warns them that he will be successful as long as another cattle war is not started.
Billy returns to his gang at Old Fort Sumner, where he decides to lie back for a few days. He is confronted by three strangers looking to kill him; all three are killed in the subsequent shootout, helped by another stranger called Alias (Bob Dylan), who kills one of the men with a knife through the neck. Alias had witnessed Billy's escape from the Lincoln County Jail.
Garrett meets up with Sheriff Colin Baker (Slim Pickens), hoping he can provide information on Billy's whereabouts. Baker and his wife (Katy Jurado) go with Garrett to arrest some of Billy's old gang. In a gunfight, the gang members including Black Harris (L. Q. Jones) are killed and Baker is mortally wounded. Baker's wife comforts the dying lawman as he waits to die by a river. Later that evening, Garrett watches a barge floating down a river with a man shooting bottles in the water. Garrett and the two face off briefly from a distance before lowering their rifles.
Garrett is joined by a glory-seeking John W. Poe (John Beck), who works for the Santa Fe Ring. The two ride southwest to meet John Chisum (Barry Sullivan), a powerful cattle baron, who informs them that Billy has been rustling his cattle again and killed some of his men. Billy once worked for him and claims Chisum owes him back salary.
Anticipating Garrett's arrival in Old Fort Sumner, Billy's friend Paco (Emilio Fernández) and his family leave for Mexico, soon followed by Billy. Along the way, Billy stops at the Horrell Trading Post, which is owned by an old friend. By chance, Horrell (Gene Evans) is hosting Garrett's new deputy, Alamosa Bill. After they finish eating, Billy and Alamosa step outside for a duel at ten paces, with Billy shooting Alamosa dead. Meanwhile, Garrett and Poe arrive at a saloon. Garrett tells Poe to ride on without him and that Garrett will pick him up in Roswell in five or six days. Three members of Billy's gang come into the saloon. After taunting Holly (Richard Bright) and getting him drunk, Garrett shoots him dead after he pulls a knife. He tells Alias to give Billy a message that they had "a little drink together".
Garrett rides to Roswell ahead of Poe to gather more clues on Billy's whereabouts. Garrett beats up a prostitute named Ruthie Lee (Rutanya Alda) and learns from her that Billy is in Fort Sumner. Poe arrives in Roswell to find Garrett naked and in bed with several prostitutes, and confirms that Billy is in Fort Sumner. Garrett recruits an old friend he helped become a sheriff and along with Poe rides to Fort Sumner to find Billy.
Billy and his girlfriend, the daughter of Pete Maxwell, have sex as Garrett and his two deputies arrive. Billy goes to get some meat and seeing Garrett's deputies, backs into a bedroom where Garrett shoots him. Garrett angrily hits Poe for attempting to cut off Billy's trigger finger. He stays on the porch until morning, when the townspeople of Fort Sumner, having heard the news of his death, gather to see Billy's lifeless body. Garrett mounts his horse and rides out of town, with a small boy throwing stones at him.
Twenty-eight years later in 1909, near Las Cruces, New Mexico, Garrett is riding with some associates when he is ambushed and killed by men working for the Santa Fe Ring.
Cast[edit]
James Coburn as Sheriff Pat Garrett
Kris Kristofferson as Billy the Kid
Richard Jaeckel as Sheriff Kip McKinney
Katy Jurado as Mrs. Baker
Chill Wills as Lemuel
Barry Sullivan as Chisum
Jason Robards as Governor Lew Wallace
Bob Dylan as Alias
R.G. Armstrong as Deputy Sheriff Bob Ollinger
Luke Askew as Eno
John Beck as John W. Poe
Richard Bright as Holly
Matt Clark as Deputy Sheriff J. W. Bell
Rita Coolidge as Maria
Jack Dodson as Lewellen Howland
Jack Elam as Alamosa Bill Kermit
Emilio Fernández as Paco
Aurora Clavel as Ida Garrett
Paul Fix as Pete Maxwell
L.Q. Jones as Black Harris
Slim Pickens as Sheriff Colin Baker
Charles Martin Smith as Charlie Bowdre
Harry Dean Stanton as Luke
Rutanya Alda as Ruthie Lee
Rudy Wurlitzer as Tom O'Folliard
Gene Evans as Mr. Horrell
Sam Peckinpah as Will (uncredited)
Bruce Dern as Deputy Sheriff (uncredited)
Production[edit]
The screenplay of Pat Garrett and Billy the Kid was written by Rudy Wurlitzer and was originally intended to be directed by Monte Hellman. The two had previously worked together on the acclaimed film Two-Lane Blacktop (1971). Sam Peckinpah became involved through actor James Coburn, who wanted to play the legendary sheriff Pat Garrett.
Peckinpah believed that this was his chance to make a definitive statement on the Western genre and complete the revision that he had begun with Ride the High Country (1962) and The Wild Bunch (1969). Working with Wurlitzer, he rewrote the script in order to create a more cyclical narrative, and added a prologue and epilogue depicting Garrett's own assassination at the hands of the men who hired him to kill Billy the Kid. In the original script, Pat Garrett and Billy the Kid never met onscreen until the film's conclusion, and Wurlitzer reportedly resented Peckinpah's reworking of the narrative. Wurlitzer and Peckinpah had a strained relationship, and Wurlitzer would later write a book highly unfavorable to Peckinpah.
Peckinpah initially considered Bo Hopkins for the part of Billy, but he eventually cast country music star Kris Kristofferson as the outlaw. Kristofferson was 36 when the film was made, playing 21-year-old Billy. Kristofferson's band would play small roles, along with his wife Rita Coolidge. Kristofferson also brought Bob Dylan into the film, initially hired to write the title song. Dylan eventually wrote the score and played the role of "Alias". Peckinpah had never heard of Dylan, but was reportedly moved by hearing him play the proposed title song and hired him immediately. Among the songs written by Dylan for the film was "Knockin' on Heaven's Door," still regarded as one of rock music's most enduring anthems.
Peckinpah deliberately cast his film's supporting roles with legendary Western character actors such as Chill Wills, Katy Jurado, Jack Elam, Slim Pickens, Barry Sullivan, Dub Taylor, R.G. Armstrong, Elisha Cook, Jr., and Paul Fix. Jason Robards had starred in Peckinpah's earlier films, the television production Noon Wine (1966) and The Ballad of Cable Hogue (1970), and had a cameo appearance as the governor. The large supporting cast also included Richard Jaeckel, Charles Martin Smith, Harry Dean Stanton, Matt Clark, L.Q. Jones, Emilio Fernández, Aurora Clavel, Luke Askew, Jack Dodson, Richard Bright, and John Beck.
From the beginning, the film was plagued with production difficulties. Metro-Goldwyn-Mayer President James Aubrey, for economic reasons, refused to give Peckinpah the time or budget required, forcing the director to rely on local crew members in the Mexican state of Durango. Multiple technical problems led to costly reshoots, including malfunctioning cameras. Cast and crew members also came down with influenza. Aubrey objected to several scenes which he considered superfluous to the film's plot, and Peckinpah and his crew reportedly worked weekends and lunch hours in order to secretly complete the sequences. Aubrey began to send telegrams to the set complaining about the number of camera setups that Peckinpah used and the time spent to shoot specific scenes. According to producer Gordon Carroll, the movie's set was "a battleground."
Peckinpah was plagued by alcoholism, which he would struggle with for the remainder of his life. This, combined with his clashes with Aubrey and the studio, led to Peckinpah's growing reputation as a difficult, unreliable filmmaker. Reportedly, when Dylan first arrived on the set, he and Kristofferson sat to watch dailies with Peckinpah. The director was so unhappy with the footage that he angrily stood on a folding chair and urinated on the screen.[citation needed] Similar stories began to reach Hollywood, prompting Peckinpah to purchase a full-page ad in The Hollywood Reporter mocking the rumors and the brass at MGM.[citation needed] The Hollywood producers were not amused. The film finished 21 days behind schedule and $1.6 million over budget.[citation needed]
Post-production controversy[edit]
By the time that Pat Garrett and Billy the Kid was in the editing room, Peckinpah's relationship with the studio and his own producers had reached the breaking point. Aubrey, enraged by the cost and production overruns, demanded the film for an unrealistic release date. Peckinpah and his editors were forced into a desperate situation in order to finish on time. Furthermore, Aubrey still objected to several sequences in the film which he wanted removed, forcing Peckinpah to engage in protracted negotiations over the film's content. Adding to the problems, Bob Dylan had never done a feature film score and Peckinpah's usual composer, Jerry Fielding, was unhappy with being relegated to a minor role in the scoring process.
Peckinpah did complete a preview version of the film, which was shown to critics on at least one occasion. Martin Scorsese had just made Mean Streets (1973) and was at the screening, and he praised the film as Peckinpah's greatest since The Wild Bunch.
This version, however, would not see the light of day for over ten years. Peckinpah was eventually forced out of the production, and Aubrey had the film severely cut from 124 to 106 minutes, resulting in the film being released as a truncated version largely disowned by cast and crew members. This version was a box-office failure, grossing $8 million domestically,[1] of which the studio earned only $2.7 million in theatrical rentals,[6] against a budget of more than $4.6 million. However, the film grossed a total of $11 million worldwide.[1] The film was also panned by most major critics, who had harbored high expectations for the director's first Western since The Wild Bunch. Roger Ebert rated the film two stars out of four, beginning his review with: "Sam Peckinpah attempted to have his name removed from Pat Garrett and Billy the Kid. I sympathized with him. If this wasn't entirely his work, he shouldn't have had to take the blame." Ebert went on to note, "Another alarming factor is that no less than six editors are credited. Not assistant editors, but editors; this sets a modern-day record, I think. My guess is that there was an argument over the movie's final form, and that Peckinpah and MGM platooned editors at each other during the battle. You'd think the executives would have figured out that their only chance was to release the movie as Peckinpah made it; audiences were more interested in the new Peckinpah film than in still another rehash of Billy the Kid."[7]
The film remained something of an enigma for the next decade, with rumors flying about other versions and the nature of what had been left out of the release version. Peckinpah himself was in possession of his own preview version, which he often showed to friends as his own definitive vision of the film.
Rediscovery[edit]
In 1988, Turner Home Entertainment, with distribution by MGM, released Peckinpah's preview version of Pat Garrett and Billy the Kid on video and Laserdisc. This version led to a rediscovery and reevaluation of the film, with many critics praising it as a lost masterpiece and proof of Peckinpah's vision as a filmmaker at this time. The film's reputation has grown substantially since this version was released, and the film has come to be regarded as something of a modern classic, equal in many ways to Peckinpah's earlier films.[8] Kristofferson noted in an interview, though, that Peckinpah had felt that Dylan had been pushed on him by the studio and thus left "Knocking on Heaven's Door" out of the preview version. In Kristofferson's opinion, "Heaven's Door" "was the strongest use of music that I had ever seen in a film. Unfortunately Sam…had a blind spot there."[9]
In 2005, a DVD of the film distributed by Warner Bros. was released containing the preview version as well as a new special edition which combined elements of the theatrical version, the preview version, and several new scenes never released in the previous versions. This third version of the film, known as the "special edition", runs slightly shorter than the preview version.[10]
See also[edit]
List of American films of 1973
References[edit]
Notes
Jump up ^ The preview version is sometimes referred to as Peckinpah's "director's cut".
Citations
^ Jump up to: a b c d "Pat Garrett and Billy the Kid, Box Office Information". The Numbers. Retrieved May 7, 2013.
Jump up ^ "Pat Garrett and Billy the Kid". Internet Movie Database. Retrieved April 9, 2012.
Jump up ^ "Locations for Pat Garrett and Billy the Kid". Internet Movie Database. Retrieved April 9, 2012.
Jump up ^ "Awards for Pat Garrett and Billy the Kid". Internet Movie Database. Retrieved April 9, 2012.
Jump up ^ "Empire's 500 Greatest Movies of All Time". Empire. Retrieved 24 January 2013.
Jump up ^ "Big Rental Films of 1973", Variety, 9 January 1974 p 19
Jump up ^ Ebert, Roger (May 23, 1973). "Pat Garrett and Billy the Kid". Chicago Sun-Times. Retrieved April 24, 2012.
Jump up ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 489–491. ISBN 0-8021-3776-8.
Jump up ^ Leigh, Spencer. "Kris Kristofferson Talks to Spencer Leigh". Spencer Leigh. Retrieved November 25, 2011.
Jump up ^ "Pat Garrett and Billy the Kid: Three Films, One Man's Opinion... Comparing the Three Different Cuts". Listology. Retrieved 24 January 2013.
Further reading[edit]
Bliss, Michael (1993). Justified Lives: Morality and Narrative in the Films of Sam Peckinpah. Southern Illinois University Press. ISBN 978-0-8093-1823-0.
Dukore, Bernard F. (1999). Sam Peckinpah's Feature Films. University of Illinois Press. ISBN 978-0-252-02486-3.
Engel, Leonard ed. (2003). Sam Peckinpah's West: New Perspectives. University of Utah Press. ISBN 978-0-87480-772-1. CS1 maint: Extra text: authors list (link)
Evans, Max (1972). Sam Peckinpah: Master of Violence. Dakota Press. ISBN 978-0-88249-011-3.
Fine, Marshall (1991). Bloody Sam: The Life and Films of Sam Peckinpah. Donald I. Fine. ISBN 978-1-55611-236-2.
Hayes, Kevin J. (2008). Sam Peckinpah: Interviews. University Press of Mississippi. ISBN 978-1-934110-63-8.
Seydor, Paul (1996). Peckinpah: The Western Films, A Reconsideration. University of Illinois Press. ISBN 978-0-252-02268-5.
Simons, John L. (2011). Peckinpah's Tragic Westerns: A Critical Study. McFarland. ISBN 978-0-7864-6133-2.
Weddle, David (1994). If They Move…Kill 'Em! The Life and Times of Sam Peckipah. Grove Press. ISBN 978-0-8021-1546-1.
External links[edit]
Pat Garrett and Billy the Kid on IMDb
Pat Garrett and Billy the Kid at the TCM Movie Database
Summary of the different versions of Pat Garrett and Billy the Kid
Senses of Cinema - Drifting out of the Territory: Sam Peckinpah's Pat Garrett and Billy the Kid
Senses of Cinema - History of Pat Garrett and Billy the Kid
The High Hat/Nitrate: Pat Garrett and Billy the Kid
Pat Garrett and Billy the Kid at AllMovie
Pat Garrett and Billy the Kid at Rotten Tomatoes
[show]
v
t
e
Films directed by Sam Peckinpah
The Deadly Companions (1961)
Ride the High Country (1962)
Major Dundee (1965)
Noon Wine (1966)
The Wild Bunch (1969)
The Ballad of Cable Hogue (1970)
Straw Dogs (1971)
Junior Bonner (1972)
The Getaway (1972)
Pat Garrett and Billy the Kid (1973)
Bring Me the Head of Alfredo Garcia (1974)
The Killer Elite (1975)
Cross of Iron (1977)
Convoy (1978)
The Osterman Weekend (1983)
[show]
v
t
e
Billy the Kid in popular culture
Films
Billy the Kid (1911)
Billy the Kid (1930)
Billy the Kid Returns (1938)
Billy the Kid (1941)
The Outlaw (1943)
The Kid from Texas (1950)
The Left Handed Gun (1958)
Billy the Kid Versus Dracula (1966)
Dirty Little Billy (1972)
Pat Garrett and Billy the Kid (1973)
Billy the Kid and the Green Baize Vampire (1985)
Young Guns (1988)
Gore Vidal's Billy the Kid (1989)
Young Guns II (1990)
Lola and Billy the Kid (1999 German-Turkish)
Billy the Kid
film series
(1940–46)
Bob Steele as
Billy the Kid
Billy the Kid Outlawed (1940)
Billy the Kid in Texas (1940)
Billy the Kid's Gun Justice (1940)
Billy the Kid's Range War (1941)
Billy the Kid's Fighting Pals (1941)
Billy the Kid in Santa Fe (1941)
Buster Crabbe as
Billy the Kid
Billy the Kid Wanted (1941)
Billy the Kid's Round-Up (1941)
Billy the Kid Trapped (1942)
Billy the Kid's Smoking Guns (1942)
Law and Order (1942)
Sheriff of Sage Valley (1942)
The Mysterious Rider (1942)
The Kid Rides Again (1943)
Fugitive of the Plains (1943)
Western Cyclone (1943)
Cattle Stampede (1943)
The Renegade (1943)
Blazing Frontier (1943)
Buster Crabbe as
Billy Carson
Devil Riders (1943)
Frontier Outlaws (1944)
Valley of Vengeance (1944)
The Drifter (1944)
Rustlers' Hideout (1944)
Wild Horse Phantom (1944)
Oath of Vengeance (1944)
His Brother's Ghost (1945)
Thundering Gunslingers (1945)
Shadows of Death (1945)
Gangster's Den (1945)
Fuzzy Settles Down (1945)
Stagecoach Outlaws (1945)
Border Badmen (1945)
Fighting Bill Carson (1945)
Prairie Rustlers (1945)
Lightning Raiders (1945)
Terrors on Horseback (1946)
Gentlemen with Guns (1946)
Ghost of Hidden Valley (1946)
Prairie Badmen (1946)
Overland Riders (1946)
Outlaws of the Plains (1946)
TV
The Tall Man (1960)
The Legend of Billy the Kid (1994)
Music
"The Ballad of Billy the Kid"
Pat Garrett & Billy the Kid (album)
"Billy the Kid"
"Las Cruces Jail"
Stage
Billy the Kid (ballet)
Comics
Billy the Kid (Charlton Comics)
Billy the Kid (Lucky Luke)
Billy the Kid's Old Timey Oddities
Literature
The Authentic Life of Billy, the Kid (Pat Garrett)
Billy the Kid: A Handbook (Jon Tuska)
Billy the Kid: A Short and Violent Life (Robert M. Utley)
The Old West: The Gunfighters (Paul Trachtman)
Art
Dick Brewer, Billy the Kid and the Regulators
Related
Brushy Bill Roberts
Lincoln County Regulators
Category
Commons
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Categories:
1973 films
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American Western (genre) films
Biographical films about Billy the Kid
Films directed by Sam Peckinpah
Metro-Goldwyn-Mayer films
Bob Dylan
Films set in New Mexico
Films set in 1881
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