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Pliers
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For the Jamaican singer, see Pliers (singer).
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Combination pliers
Using an electric pliers
Pliers are a hand tool used to hold objects firmly, possibly developed from tongs used to handle hot metal in Bronze Age Europe.[1] They are also useful for bending and compressing a wide range of materials. Generally, pliers consist of a pair of metal first-class levers joined at a fulcrum positioned closer to one end of the levers, creating short jaws on one side of the fulcrum, and longer handles on the other side.[1] This arrangement creates a mechanical advantage, allowing the force of the hand's grip to be amplified and focused on an object with precision. The jaws can also be used to manipulate objects too small or unwieldy to be manipulated with the fingers.
Pincers are a similar tool with a different type of head used for cutting and pulling, rather than squeezing. Tools designed for safely handling hot objects are usually called tongs. Special tools for making crimp connections in electrical and electronic applications are often called "crimping pliers"; each type of connection uses its own dedicated tool.
There are many kinds of pliers made for various general and specific purposes.
Contents
1 History
2 Design
3 Ergonomics
4 Gallery
5 See also
6 References
7 External links
History[edit]
Medieval pincers found in Hamburg-Harburg (15th/16th century)
As pliers in the general sense are an ancient and simple invention, no single point in history, or inventor, can be credited. Early metal working processes from several millennia BCE would have required plier-like devices to handle hot materials in the process of smithing or casting. Development from wooden to bronze pliers would have probably happened sometime prior to 3000 BCE.[2] Among the oldest illustrations of pliers are those showing the Greek god Hephaestus in his forge.[3] The number of different designs of pliers grew with the invention of the different objects which they were used to handle: horseshoes, fasteners, wire, pipes, electrical, and electronic components.
Design[edit]
The basic design of pliers has changed little since their origins, with the pair of handles, the pivot (often formed by a rivet), and the head section with the gripping jaws or cutting edges forming the three elements.
The materials used to make pliers consist mainly of steel alloys with additives such as vanadium or chromium, to improve strength and prevent corrosion. The metal handles of pliers are often fitted with grips of other materials to ensure better handling; grips are usually insulated and additionally protect against electric shock. The jaws vary widely in size, from delicate needle-nose pliers to heavy jaws capable of exerting much pressure, and shape, from basic flat jaws to various specialized and often asymmetrical jaw configurations for specific manipulations. The surfaces are typically textured rather than smooth, to minimize slipping.
A plier-like tool designed for cutting wires is often called diagonal pliers. Some pliers for electrical work are fitted with wire-cutter blades either built into the jaws or on the handles just below the pivot.
Where it is necessary to avoid scratching or damaging the work piece, as for example in jewellery and musical instrument repair, pliers with a layer of softer material such as aluminium, brass, or plastic over the jaws are used.
Ergonomics[edit]
Much research has been undertaken to improve the design of pliers, to make them easier to use in often difficult circumstances (such as restricted spaces). The handles can be bent, for example, so that the load applied by the hand is aligned with the arm, rather than at an angle, so reducing muscle fatigue. It is especially important for factory workers who use pliers continuously, and prevents carpal tunnel syndrome.
Gallery[edit]
Slip joint pliers
Diagonal pliers or side cutters
Lineman's pliers or combination pliers
Needle-nose pliers
Bent nose pliers
Pincers
Electrical wire stripping and terminal crimping pliers
Crimptool for N, R-SMA, TNC connectors for RG174, RG58 and HDF/LMR200
Heavy duty crimping pliers that have interchangeable RJ heads
Hand crimp tool
Hand crimp tool for insulated terminals and non-insulated terminals; also has a wire cutter and stripper and screw cutters
Tongue-and-groove pliers
Locking pliers, also known as vise-grips
Circlip pliers, for fitting and removing retaining rings
Round-nose pliers, for making loops in wires
See also[edit]
Nipper
References[edit]
^ Jump up to: a b "Hand Tools:Tongs, pincers, and pliers". Encyclopædia Britannica. Retrieved Mar 14, 2013.
Jump up ^ Bellis, Mary. "The History of Hardware Tools". Inventors.About.com. Accessed 16 December 2008.
Jump up ^ Warre Cornish, Francis (1898). A Concise Dictionary of Greek and Roman Antiquities. London: Spottiswoode & Co. p. 313.
External links[edit]
Wikimedia Commons has media related to Pliers.
Look up pliers in Wiktionary, the free dictionary.
How pliers are made (video)
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Finding Nemo
From Wikipedia, the free encyclopedia
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This article is about the film. For the franchise, see Finding Nemo (franchise). For the video game, see Finding Nemo (video game).
Finding Nemo
Theatrical release poster
Directed by
Andrew Stanton
Produced by
Graham Walters
Screenplay by
Andrew Stanton
Bob Peterson
David Reynolds
Story by
Andrew Stanton
Starring
Albert Brooks
Ellen DeGeneres
Alexander Gould
Willem Dafoe
Music by
Thomas Newman
Cinematography
Sharon Calahan
Jeremy Lasky
Edited by
David Ian Salter
Production
company
Walt Disney Pictures
Pixar Animation Studios
Distributed by
Buena Vista Pictures
Release date
May 30, 2003 (2003-05-30)
Running time
100 minutes
Country
United States
Language
English
Budget
$94 million[1]
Box office
$940.3 million[1]
Finding Nemo is a 2003 American computer-animated film produced by Pixar Animation Studios and released by Walt Disney Pictures. Written and directed by Andrew Stanton with co-direction by Lee Unkrich, the film stars the voices of Albert Brooks, Ellen DeGeneres, Alexander Gould, and Willem Dafoe. It tells the story of the overprotective ocellaris clownfish named Marlin who, along with a regal blue tang named Dory, searches for his abducted son Nemo all the way to Sydney Harbour. Along the way, Marlin learns to take risks and comes to terms with Nemo taking care of himself.
Finding Nemo was released on May 30, 2003, and has received universal critical acclaim since. The film won the Academy Award for Best Animated Feature, and was nominated in three more categories, including Best Original Screenplay. Finding Nemo became the highest-grossing animated film at the time and was the second-highest-grossing film of 2003, earning a total of $871 million worldwide by the end of its initial theatrical run.[2]
The film is the best-selling DVD title of all time, with over 40 million copies sold as of 2006[update],[3] and was the highest-grossing G-rated film of all time before Pixar's own Toy Story 3 overtook it. The film was re-released in 3D in 2012. In 2008, the American Film Institute named it the 10th greatest animated film ever made as part of their 10 Top 10 lists.[4] In a 2016 poll of international critics conducted by BBC, Finding Nemo was voted one of the 100 greatest motion pictures since 2000.[5] A sequel, Finding Dory, was released on June 17, 2016 in the United States.
Contents
[hide]
1 Plot
2 Voice cast
3 Production
4 Video game
5 Reception
5.1 Critical response
5.2 Box office
5.2.1 3D re-release
5.3 Accolades
5.4 Environmental concerns and consequences
6 Home media
7 Soundtrack
8 Theme park attractions
9 Sequel
10 See also
11 References
12 External links
Plot[edit]
Two ocellaris clownfish, Marlin and Coral, admire their new home in the Great Barrier Reef and their clutch of clownfish eggs when a barracuda attacks, knocking Marlin unconscious. He wakes up to find that Coral and all but one of the eggs have been eaten by the barracuda. Marlin names this last egg Nemo, a name that Coral liked.
Following his birth, Nemo develops a smaller right fin due to damage to his egg, which limits his swimming ability. Worried about Nemo's safety, Marlin embarrasses Nemo during a school field trip. Nemo disobeys his father and sneaks away from the reef towards a boat, and is captured by scuba divers. As the boat departs, a diver accidentally knocks his diving mask overboard. While attempting to save Nemo, Marlin meets Dory, a good-hearted and optimistic regal blue tang with short-term memory loss. Marlin and Dory meet three Australian sharks—Bruce, Anchor, and Chum—who claim to be vegetarians. Marlin discovers the diver's mask and notices an address written on it. When he argues with Dory and accidentally gives her a nosebleed, the blood causes Bruce to lose control of himself and enter a violent feeding frenzy. The pair escape from Bruce, but the mask falls into a trench in the deep sea.
During a hazardous struggle with an anglerfish in the trench, Dory sees the diving mask and reads the address located at 42 Wallaby Way, Sydney. As Dory finishes reading the address on the mask, Marlin is able to trap the Anglerfish using the eyepiece of the mask. To her own disbelief, Dory remembers the address on her own despite her short-term memory loss. The pair swims on, receiving directions to Sydney from a school of moonfish. After receiving directions from the moonfish, Marlin and Dory encounter a bloom of jellyfish that entraps them and nearly kills them. As a result, Marlin loses consciousness and wakes up on a sea turtle named Crush, who takes Marlin and Dory on the East Australian Current. Marlin tells the details of his long journey with a group of sea turtles, and his story is spread across the ocean. He also sees how Crush gets along well with his son Squirt.
Meanwhile, Nemo is placed in a fish tank in the office of a dentist. He meets aquarium fish called the Tank Gang, led by Gill, a moorish idol. The fish learn that Nemo is to be given to the dentist's niece, Darla, who previously killed a fish by constantly shaking its bag. Gill then reveals his plan to escape, jamming the tank's filter with a pebble. The fish would be placed in plastic bags so that the dentist can clean the tank, and then they would roll out the window and into the harbor. Nemo attempts to jam the filter, but fails, almost getting himself killed in the process. Near the harbor, a pelican, Nigel, flies to the dentist's office and brings news of Marlin's adventure. Inspired by his father's determination, Nemo makes a second attempt to jam the filter. Unlike the first attempt, he is able to successfully render the filter useless, but to the tank gang's dismay, the dentist installs a new high-tech filter before they can escape.
After leaving the Current, Marlin and Dory are engulfed by a blue whale. Inside the whale's mouth, Marlin desperately tries to escape, while Dory communicates with the whale, which carries them to Sydney Harbour and expels them through his blowhole. They meet Nigel, and after helping the pair escape from a massive flock of seagulls, he takes them to the dentist's office. Darla has just arrived and the dentist is handing Nemo to her. Nemo plays dead to save himself as Nigel arrives, causing Darla to scream. Upon seeing Nemo, Marlin mistakenly believes he is dead, before Nigel is violently thrown out. In despair, Marlin leaves Dory and begins to swim home. Gill helps Nemo escape into a drain that leads to the ocean. Dory loses her memory and becomes confused, and meets Nemo, who reaches the ocean. Eventually, Dory's memory returns after she reads the word "Sydney" on a drainpipe. She reunites Nemo with Marlin, but she is caught in a fishing net with a school of grouper. Nemo enters the net and orders the group to swim downward to break the net, enabling them to escape. After returning home, Nemo leaves for school, with Crush's son Squirt, and Marlin and Dory proudly watch Mr. Ray carry Nemo and his friends to school.
In a pre-credits sequence, Aquascum, the high-tech filter in the dentist's fish tank breaks down, and the Tank Gang escape to Sydney Harbour, eventually realizing that they are still confined inside their (water-filled) plastic bags.
Voice cast[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2016) (Learn how and when to remove this template message)
Albert Brooks as Marlin, a clownfish, Coral's husband and Nemo's father
Ellen DeGeneres as Dory, a regal blue tang with short-term memory loss
Alexander Gould as Nemo, Marlin's only surviving son, who is excited about life and exploring the ocean, but gets captured and domesticated as a pet
Willem Dafoe as Gill, a moorish idol fish living in an aquarium in a dentist clinic, and the leader of the Tank Gang
Brad Garrett as Bloat, the aquarium's pufferfish
Allison Janney as Peach, the aquarium's starfish
Stephen Root as Bubbles, the aquarium's yellow tang fish
Austin Pendleton as Gurgle, the aquarium's royal gramma fish
Vicki Lewis as Deb/Flo, the aquarium's striped damselfish
Joe Ranft as Jacques, the aquarium's cleaner shrimp
Geoffrey Rush as Nigel, a brown pelican who often visits the dentist clinic and is friends with the aquarium fish
Andrew Stanton as Crush, a green sea turtle, and the Seagulls
Elizabeth Perkins as Coral, Marlin's wife and Nemo's mother
Nicholas Bird as Squirt, Crush's son
Bob Peterson as Mr. Ray, a spotted eagle ray and Nemo's schoolteacher
Barry Humphries as Bruce, a vegetarian great white shark who fights his instinctive wills to eat innocent fish and is friends with Anchor and Chum
Eric Bana as Anchor, a hammerhead shark who is friends with Bruce and Chum
Bruce Spence as Chum, a mako shark who is friends with Bruce and Anchor
Bill Hunter as the dentist at the clinic
LuLu Ebeling as Darla, the dentist's rambunctious young niece
Jordy Ranft as Tad, a butterfly fish cub and Nemo's friend at school
Erica Beck as Pearl, a flapjack octopus cub and Nemo's friend at school
Erik Per Sullivan as Sheldon, a seahorse cub and Nemo's friend at school
John Ratzenberger as the school of moonfish
Production[edit]
The inspiration for Nemo sprang from multiple experiences, going back to director Andrew Stanton's childhood, when he loved going to the dentist to see the fish tank, assuming that the fish were from the ocean and wanted to go home.[6] In 1992, shortly after his son was born, he and his family took a trip to Six Flags Discovery Kingdom (which was called Marine World at the time). There, after seeing the shark tube and various exhibits, he felt that the underwater world could be done beautifully in computer animation.[7] Later, in 1997, he took his son for a walk in the park, but realized that he was overprotecting him and lost an opportunity to have a father-son experience that day.[6]
In an interview with National Geographic magazine, Stanton said that the idea for the characters of Marlin and Nemo came from a photograph of two clownfish peeking out of an anemone:
“ It was so arresting. I had no idea what kind of fish they were, but I couldn't take my eyes off them. And as an entertainer, the fact that they were called clownfish—it was perfect. There's almost nothing more appealing than these little fish that want to play peekaboo with you.[8] ”
In addition, clownfish are colourful, but do not tend to come out of an anemone often. For a character who has to go on a dangerous journey, Stanton felt a clownfish was the perfect type of fish for the character.[6] Pre-production of the film began in early 1997. Stanton began writing the screenplay during the post-production of A Bug's Life. As a result, Finding Nemo began production with a complete screenplay, something that co-director Lee Unkrich called "very unusual for an animated film".[6] The artists took scuba diving lessons to study the coral reef.[6]
Andrew Stanton wrote and directed the film.
The idea for the initiation sequence came from a story conference between Andrew Stanton and Bob Peterson while they were driving to record the actors. Stanton was inspired to cast Ellen DeGeneres when he watched an episode of Ellen in which he saw her "change the subject five times before finishing one sentence".[6] The pelican character named Gerald (who in the final film ends up swallowing and choking on Marlin and Dory) was originally a friend of Nigel. They were going to play against each other with Nigel being neat and fastidious and Gerald being scruffy and sloppy. The filmmakers could not find an appropriate scene for them that did not slow the pace of the picture, so Gerald's character was minimized.[6]
Stanton himself provided the voice of Crush the sea turtle. He originally did the voice for the film's story reel, and assumed they would find an actor later. When Stanton's performance became popular in test screenings, he decided to keep his performance in the film. He recorded all his dialogue while lying on a sofa in Unkrich's office.[6] Crush's son Squirt was voiced by Nicholas Bird, the young son of fellow Pixar director Brad Bird. According to Stanton, the elder Bird was playing a tape recording of his young son around the Pixar studios one day. Stanton felt the voice was "this generation's Thumper" and immediately cast Nicholas.[6]
Megan Mullally was originally going to provide a voice in the film. According to Mullally, the producers were dissatisfied to learn that the voice of her character Karen Walker on the television show Will & Grace was not her natural speaking voice. The producers hired her anyway, and then strongly encouraged her to use her Karen Walker voice for the role. When Mullally refused, she was dismissed.[9]
To ensure that the movements of the fish in the film were believable, the animators took a crash course in fish biology and oceanography. They visited aquariums, went diving in Hawaii and received in-house lectures from an ichthyologist.[10] As a result, Pixar's animator for Dory, Gini Cruz Santos, integrated "the fish movement, human movement, and facial expressions to make them look and feel like real characters."[11][12]
The film was dedicated to Glenn McQueen, a Pixar animator who died of melanoma in October 2002.[13] Finding Nemo shares many plot elements with Pierrot the Clownfish,[14] a children's book published in 2002, but allegedly conceived in 1995. The author, Franck Le Calvez, sued Disney for infringement of his intellectual rights and to bar Finding Nemo merchandise in France. The judge ruled against him, citing the color differences between Pierrot and Nemo.[15]
Video game[edit]
Main article: Finding Nemo (video game)
A video game based on the film was released in 2003, for PC, Xbox, PlayStation 2, Nintendo GameCube, and Game Boy Advance. The goal of the game is to complete different levels under the roles of Nemo, Marlin or Dory. It includes cut scenes from the movie, and each clip is based on a level. It was also the last Pixar game developed by Traveller's Tales. Upon release, the game received mixed reviews.[16][17][18][19][20][21] A Game Boy Advance sequel, titled Finding Nemo: The Continuing Adventures, was released in 2004.[22]
Reception[edit]
Critical response[edit]
Finding Nemo received universal acclaim. The review aggregator website Rotten Tomatoes reported a 99% approval rating, with a rating average of 8.7/10, based on 259 reviews. The site's consensus reads: "Breathtakingly lovely and grounded by the stellar efforts of a well-chosen cast, Finding Nemo adds another beautifully crafted gem to Pixar's crown."[23] Another review aggregation website, Metacritic, which assigns a normalized rating out of 100 top reviews from mainstream critics, calculated a score of 90 out of 100, based on 38 reviews, indicating "universal acclaim."[24]
Roger Ebert gave the film four out of four stars, calling it "one of those rare movies where I wanted to sit in the front row and let the images wash out to the edges of my field of vision".[25] Broadway star Nathan Lane, who was the voice of Timon the meerkat in The Lion King, has said Finding Nemo was his favorite animated film.[26] Ed Park of The Village Voice gave the film a positive review, saying "It's an ocean of eye candy that tastes fresh even in this ADD-addled era of SpongeBob SquarePants."[27] Mark Caro of the Chicago Tribune gave the film four out of four stars, saying "You connect to these sea creatures as you rarely do with humans in big-screen adventures. The result: a true sunken treasure."[28] Hazel-Dawn Dumpert of LA Weekly gave the film a positive review, saying "As gorgeous a film as Disney's ever put out, with astonishing qualities of light, movement, surface and color at the service of the best professional imaginations money can buy."[29] Jeff Strickler of the Star Tribune gave the film a positive review, saying it "proves that even when Pixar is not at the top of its game, it still produces better animation than some of its competitors on their best days."[29] Gene Seymour of Newsday gave the film three-and-a-half stars out of four, saying "The underwater backdrops take your breath away. No, really. They're so lifelike, you almost feel like holding your breath while watching."[29] Rene Rodriguez of the Miami Herald gave the film four out of four stars, saying "Parental anxiety may not be the kind of stuff children's films are usually made of, but this perfectly enchanting movie knows how to cater to its kiddie audience without condescending to them."[30]
Kenneth Turan of the Los Angeles Times gave the film three-and-a-half stars out of five, saying "The best break of all is that Pixar's traditionally untethered imagination can't be kept under wraps forever, and "Nemo" erupts with sea creatures that showcase Stanton and company's gift for character and peerless eye for skewering contemporary culture."[31] Stephen Holden of The New York Times gave the film four out of five stars, saying "Visual imagination and sophisticated wit raise Finding Nemo to a level just below the peaks of Pixar's Toy Story movies and Monsters, Inc.."[32] Terry Lawson of the Detroit Free Press gave the film three out of four stars, saying "As we now expect from Pixar, even the supporting fish in "Finding Nemo" are more developed as characters than any human in the Mission: Impossible movies."[33] Claudia Puig of USA Today gave the film three and half stars out of four, saying "Finding Nemo is an undersea treasure. The most gorgeous of all the Pixar films—which include Toy Story 1 and 2, A Bug's Life and Monsters, Inc.—Nemo treats family audiences to a sweet, resonant story and breathtaking visuals. It may lack Monsters, Inc.'s clever humor, but kids will identify with the spunky sea fish Nemo, and adults will relate to Marlin, Nemo's devoted dad."[34] Bruce Westbrook of the Houston Chronicle gave the film an A-, saying "Finding Nemo lives up to Pixar's high standards for wildly creative visuals, clever comedy, solid characters and an involving story."[35] Tom Long of The Detroit News gave the film an A-, saying "A simple test of humanity: If you don't laugh aloud while watching it, you've got a battery not a heart."[29]
Lou Lumenick of the New York Post gave the film four out of four stars, saying "A dazzling, computer-animated fish tale with a funny, touching script and wonderful voice performances that make it an unqualified treat for all ages."[29] Moira MacDonald of The Seattle Times gave the film four out of four stars, saying "Enchanting; written with an effortless blend of sweetness and silliness, and animated with such rainbow-hued beauty, you may find yourself wanting to freeze-frame it."[29] Daphne Gordon of the Toronto Star gave the film four out of five stars, saying "One of the strongest releases from Disney in years, thanks to the work of Andrew Stanton, possibly one of the most successful directors you've never heard of."[29] Ty Burr of The Boston Globe gave the film three and a half stars out of four, saying "Finding Nemo isn't quite up there with the company's finest work—there's finally a sense of formula setting in—but it's hands down the best family film since Monsters, Inc."[29] C.W. Nevius of The San Francisco Chronicle gave the film four out of four stars, saying "The visuals pop, the fish emote and the ocean comes alive. That's in the first two minutes. After that, they do some really cool stuff."[36] Ann Hornaday of The Washington Post gave the film a positive review, saying "Finding Nemo will engross kids with its absorbing story, brightly drawn characters and lively action, and grown-ups will be equally entertained by the film's subtle humor and the sophistication of its visuals."[29] David Ansen of Newsweek gave the film a positive review, saying "A visual marvel, every frame packed to the gills with clever details, Finding Nemo is the best big-studio release so far this year."[37]
Richard Corliss of Time gave the film a positive review, saying "Nemo, with its ravishing underwater fantasia, manages to trump the design glamour of earlier Pixar films."[38] Lisa Schwarzbaum of Entertainment Weekly gave the film an A, saying "In this seamless blending of technical brilliance and storytelling verve, the Pixar team has made something as marvelously soulful and innately, fluidly American as jazz."[39] Carrie Rickey of The Philadelphia Inquirer gave the film three out of four stars, saying "As eye-popping as Nemo's peepers and as eccentric as this little fish with asymmetrical fins."[29] David Germain of the Associated Press gave the film a positive review, saying "Finding Nemo is laced with smart humor and clever gags, and buoyed by another cheery story of mismatched buddies: a pair of fish voiced by Albert Brooks and Ellen DeGeneres."[40] Anthony Lane of The New Yorker gave the film a positive review, saying "The latest flood of wizardry from Pixar, whose productions, from Toy Story onward, have lent an indispensable vigor and wit to the sagging art of mainstream animation."[41] The 3D re-release prompted a retrospective on the film nine years after its initial release. Stephen Whitty of The Star-Ledger described it as "a genuinely funny and touching film that, in less than a decade, has established itself as a timeless classic."[42] On the 3D re-release, Lisa Schwarzbaum of Entertainment Weekly wrote that its emotional power was deepened by "the dimensionality of the oceanic deep" where "the spatial mysteries of watery currents and floating worlds are exactly where 3D explorers were born to boldly go".[43]
Box office[edit]
During its original theatrical run, Finding Nemo grossed $339,714,978 in North America, and $559,492,275 in other countries, for a worldwide total of $940,335,536.[2] It is currently the thirty-fifth-highest-grossing film, the seventh-highest-grossing animated film, and the second-highest-grossing film of 2003, behind The Lord of the Rings: The Return of the King.[44] Worldwide, it was the highest-grossing Pixar film, up until 2010, when Toy Story 3 surpassed it.[45] The film sold an estimated 56,337,500 tickets in the US in its initial theatrical run.[46]
In North America, Finding Nemo set an opening weekend record for an animated feature, making $70,251,710 (first surpassed by Shrek 2) and ended up spending 11 weeks in the top 10 domestically (including 7 weeks in the top 5), remaining there until August 14.[47] It became the highest-grossing animated film in North America ($339.7 million), outside North America ($528.2 million), and worldwide ($867.9 million), in all three occasions out-grossing The Lion King.[48] In North America, it was surpassed by both Shrek 2 in 2004 and Toy Story 3 in 2010.[49] After the re-release of The Lion King in 2011, and then Despicable Me 2 and Frozen in 2013, Minions in 2015, Zootopia, its sequel Finding Dory in 2016, and Despicable Me 3 in 2017, passed it, it stands as the ninth-highest-grossing animated film in these regions. Outside North America, it stands as the fifth-highest-grossing animated film. Worldwide, it now ranks fourth among animated films.[50]
The film had impressive box office runs in many international markets. In Japan, its highest-grossing market after North America, it grossed ¥11.2 billion ($102.4 million), becoming the highest-grossing foreign animated film in local currency (yen).[51] It has only been surpassed by Frozen (¥12.1 billion).[52] Following in biggest grosses are the U.K., Ireland and Malta, where it grossed £37.2 million ($67.1 million), France and the Maghreb region ($64.8 million), Germany ($53.9 million), and Spain ($29.5 million).[53]
3D re-release[edit]
After the success of the 3D re-release of The Lion King, Disney re-released Finding Nemo in 3D on September 14, 2012,[54] with a conversion cost estimated to be below $5 million.[55] For the opening weekend of its 3D re-release in North America, Finding Nemo grossed $16.7 million, debuting at the No. 2 spot behind Resident Evil: Retribution.[56] The film earned $41.1 million in North America and $31.0 million internationally, for a combined total of $72.1 million, and a cumulative worldwide total of $940.3 million.[1]
Accolades[edit]
Main article: List of Pixar awards and nominations: Finding Nemo
Finding Nemo won the Academy Award and Saturn Award for Best Animated Film.[57] It also won the award for Best Animated Film at the Kansas City Film Critics Circle Awards, the Las Vegas Film Critics Society Awards, the National Board of Review Awards, the Online Film Critics Society Awards, and the Toronto Film Critics Association Awards.[58] The film received many other awards, including: Kids Choice Awards for Favorite Movie and Favorite Voice from an Animated Movie (Ellen DeGeneres), and the Saturn Award for Best Supporting Actress (Ellen DeGeneres).[58]
The film was also nominated for two Chicago Film Critics Association Awards, for Best Picture and Best Supporting Actress (Ellen DeGeneres), a Golden Globe Award for Best Motion Picture – Musical or Comedy, and two MTV Movie Awards, for Best Movie and Best Comedic Performance (Ellen DeGeneres).[58]
In June 2008, the American Film Institute revealed its "Ten Top Ten", the best 10 films in 10 "classic" American film genres, after polling over 1,500 people from the creative community. Finding Nemo was acknowledged as the 10th best film in the animation genre.[4] It was the most recently released film among all 10 lists, and one of only three movies made after the year 2000 (the others being The Lord of the Rings: The Fellowship of the Ring and Shrek).[59]
American Film Institute recognition:
AFI's 100 Years...100 Movies – Nominated[59]
AFI's 10 Top 10 – No. 10 Animated film[4]
Environmental concerns and consequences[edit]
The film's use of clownfish prompted mass purchase of the fish breed as pets in the United States, even though the story portrayed the use of fish as pets negatively and suggested that saltwater aquariums are notably tricky and expensive to maintain.[60] The demand for clownfish was supplied by large-scale harvesting of tropical fish in regions like Vanuatu.[61] The Australian Tourism Commission (ATC) launched several marketing campaigns in China and the United States to improve tourism in Australia, many of them utilizing Finding Nemo clips.[62][63] Queensland used Finding Nemo to draw tourists to promote its state for vacationers.[64] According to National Geographic, "Ironically, Finding Nemo, a movie about the anguish of a captured clownfish, caused home-aquarium demand for them to triple."[65]
The reaction to the film by the general public has led to environmental devastation for the clownfish, and has provoked an outcry from several environmental protection agencies, including the Marine Aquarium Council, Australia. The demand for tropical fish skyrocketed after the film's release, causing reef species decimation in Vanuatu and many other reef areas.[66] After seeing the film, some aquarium owners released their pet fish into the ocean, but failed to release them into the correct oceanic habitat, which introduced species that are harmful to the indigenous environment, a practice that is harming reefs worldwide.[67][68]
Home media[edit]
Finding Nemo was released on VHS and DVD on November 4, 2003.[69] The DVD release included an original short film, Exploring the Reef, and the short animated film, Knick Knack (1989).[70] The film was then released on both Blu-ray and Blu-ray 3D on December 4, 2012, with both a 3-disc and a 5-disc set.[71]
Soundtrack[edit]
Finding Nemo was the first Pixar film not to be scored by Randy Newman. The original soundtrack album, Finding Nemo, was scored by Thomas Newman, his cousin, and released on May 20, 2003.[72][73] The album was nominated for the Academy Award for Original Music Score, losing to The Lord of the Rings: The Return of the King.[74]
Theme park attractions[edit]
Finding Nemo has inspired numerous attractions and properties at Disney Parks around the world, including: Turtle Talk with Crush, which opened in 2004 at Epcot, 2005 in Disney California Adventure Park, 2008 in Hong Kong Disneyland, and 2009 in Tokyo DisneySea; Finding Nemo Submarine Voyage, which opened in 2007 in Disneyland Park; The Seas with Nemo & Friends, which opened in 2007 at Epcot; Finding Nemo – The Musical, which opened in 2007 in Disney's Animal Kingdom; and Crush's Coaster, which opened in 2007 at Walt Disney Studios Park.[75][76][77]
Sequel[edit]
Main article: Finding Dory
In 2005, after disagreements between Disney's Michael Eisner and Pixar's Steve Jobs over the distribution of Pixar's films, Disney announced that they would be creating a new animation studio, Circle 7 Animation, to make sequels to the seven Disney-owned Pixar films (which consisted of the films released between 1995 and 2006).[78] The studio had put Toy Story 3 and Monsters University into development, and had hired screenwriter Laurie Craig to write a draft for Finding Dory.[79] Circle 7 was subsequently shut down after Robert Iger replaced Eisner as CEO of Disney and arranged the acquisition of Pixar.
In July 2012, it was reported that Andrew Stanton was developing a sequel to Finding Nemo, to be titled Finding Dory,[80] with Victoria Strouse writing the script, and the film scheduled to be released in 2016.[81] The same day the news of a potential sequel broke, Stanton called into question the accuracy of the reports. The message said, "Didn't you all learn from Chicken Little? Everyone calm down. Don't believe everything you read. Nothing to see here now. #skyisnotfalling".[82] According to the report by The Hollywood Reporter published in August 2012, Ellen DeGeneres was in negotiations to reprise her role of Dory.[83] In September 2012, Stanton confirmed, saying, "What was immediately on the list was writing a second Carter movie. When that went away, everything slid up. I know I'll be accused by more sarcastic people that it's a reaction to Carter not doing well, but only in its timing, but not in its conceit".[84] In February 2013, it was confirmed by the press that Albert Brooks would reprise the role of Marlin in the sequel.[85]
In April 2013, Disney announced the sequel Finding Dory, confirming that DeGeneres and Brooks would be reprising their roles as Dory and Marlin, respectively. It was scheduled to be released on November 25, 2015,[86][87] but the film's ending was revised after Pixar executives viewed Blackfish.[88][89] On September 18, 2013, it was announced that the film would be pushed back to a UK July 29, 2016 release. Pixar's The Good Dinosaur was moved to the November 25, 2015 slot to allow more time for production of the film.[90]
See also[edit]
2000s portal
Film portal
Animation portal
Disney portal
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Jump up ^ Rose, Lacey (August 21, 2012). "Ellen DeGeneres in Talks to Return for 'Finding Nemo' Sequel (Exclusive)". The Hollywood Reporter. Retrieved August 22, 2012.
Jump up ^ Keegan, Rebecca (September 8, 2012). "Director Andrew Stanton looks back on 'John Carter's' rocky path". Los Angeles Times. Retrieved September 8, 2012.
Jump up ^ Fleming Jr., Mike (February 12, 2013). "Albert Brooks Hooks Deal To Reprise In 'Finding Nemo 2'". Deadline. Retrieved February 12, 2013.
Jump up ^ Kit, Borys (July 7, 2012). "Andrew Stanton to Direct Pixar's 'Finding Nemo' Sequel". The Hollywood Reporter. Retrieved April 2, 2013.
Jump up ^ Farley, Christopher John (April 2, 2013). "Ellen DeGeneres to Star in 'Nemo' Sequel 'Finding Dory'". The Wall Street Journal. Retrieved April 2, 2013.
Jump up ^ Kaufman, Amy (August 9, 2013). "'Blackfish' gives Pixar second thoughts on 'Finding Dory' plot". Los Angeles Times. Retrieved August 9, 2013.
Jump up ^ Barnes, Brooks (August 9, 2013). "'Finding Nemo' Sequel Is Altered in Response to Orcas Documentary". The New York Times. Retrieved August 10, 2013.
Jump up ^ Lussier, Germain (September 18, 2013). "Pixar Skips 2014 as 'The Good Dinosaur' Shifts to 2015 and 'Finding Dory' to 2016". /Film. Retrieved September 27, 2013.
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I Write Sins Not Tragedies
From Wikipedia, the free encyclopedia
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"I Write Sins Not Tragedies"
Single by Panic! at the Disco
from the album A Fever You Can't Sweat Out
Released
February 27, 2006 (2006-02-27)
Format
CD
7"
Recorded
August 2005
Genre
Pop punk[1][2]
emo[1][3]
baroque pop[4]
pop rock[4]
alternative rock[5]
Length
3:06
Label
Fueled by Ramen
Decaydance
Songwriter(s)
Ryan Ross
Brendon Urie
Spencer Smith
Producer(s)
Matt Squire
Panic! at the Disco singles chronology
"The Only Difference Between Martyrdom and Suicide Is Press Coverage"
(2005) "I Write Sins Not Tragedies"
(2006) "But It's Better If You Do"
(2006)
"The Only Difference Between Martyrdom and Suicide Is Press Coverage"
(2005) "I Write Sins Not Tragedies"
(2006) "But It's Better If You Do"
(2006)
"I Write Sins Not Tragedies" is a song by American rock band Panic! at the Disco, and is the second single from their debut studio album, A Fever You Can't Sweat Out (2005). It was released on April 27, 2006 on both CD and 7" vinyl. The pizzicato cello motif that the song is built upon was played by session musician Heather Stebbins. The song reached No. 7 on the United States Billboard Hot 100. This was the band's only top forty hit until the release of "Hallelujah" in 2015. While the song failed to hit the top 10 on the Alternative Songs chart peaking at No. 12 which was lower than their prior single, "The Only Difference Between Martyrdom and Suicide Is Press Coverage" which peaked at No. 5, the song's success on the Hot 100 and Mainstream Top 40 (at No. 2) charts was what made the song one of the biggest modern rock hits of 2006 and is still one of the band's most played songs on alternative radio stations to this day.[6]
In the UK, the song was released on February 27, 2006 as a limited edition single with a free sticker. Because the sticker was included with the CD single, the song was not eligible for the UK Singles Chart. Official Charts Company rules state that stickers are not allowed in single releases. Later, in September 2006, due to the popularity of the track and following further single releases there of "Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off" and "But It's Better If You Do", going top 40 there, the single was re-released on October 30, 2006. Despite receiving significant radio airplay upon its re-release, the single only reached No. 25 in the UK Singles Chart.[7]
Many U.S. radio stations, in response to the language found in the song, wanted an edited version. The lyrics "The poor groom's bride is a whore" and "Haven't you people ever heard of closing a goddamn door?" were changed by replacing "whore" with a "shhh" sound and removing "god" in "goddamn". Some stations — generally modern rock stations – still play the original version.[8]
The song was covered by Fall Out Boy, fellow Decaydance band, for their live album, ****: Live in Phoenix. (Fall Out Boy commonly uses the song's chorus as a lead-in to "This Ain't a Scene, It's an Arms Race" in concert.)[9]
"I Write Sins Not Tragedies" was ranked No. 3 in Billboard's Best 2000's Video poll.[10]
Contents
[hide]
1 Title
2 Music video
3 Track listing
4 Charts and certifications
4.1 Weekly charts
4.2 Year-end charts
4.3 Certifications
5 References
6 External links
Title[edit]
The title of the song refers to Douglas Coupland's novel Shampoo Planet, wherein the main character, Tyler Johnson, says: "I am writing a list of tragic character flaws on my dollar bills with a felt pen. I am thinking of the people in my universe and distilling for each of these people the one flaw in their character that will be their downfall — the flaw that will be their undoing. What I write are not sins; I write tragedies."[11]
Music video[edit]
Brendon Urie and Daniel Isaac in the music video.
"I Write Sins Not Tragedies" is Panic! at the Disco's first single to have a music video. ("The Only Difference Between Martyrdom and Suicide Is Press Coverage" was the first single, but no video was filmed.) The video for the song takes place at a strange, circus-themed wedding played by the Lucent Dossier Vaudeville Cirque.
The video starts as the bride, played by Jessie Preston, and groom, Daniel Isaac McGuffey, are about to be married. Her family dress and behave formally, but are revealed later to have fallen asleep and have eyes painted on their eyelids. His family are lower-class entertainers and carnival folk, and interrupt the wedding. The ringmaster, played by vocalist Brendon Urie, acts as narrator and disrupts the events. After an argument between the two families, the bride runs out and is followed by one of her guests. The ringmaster drags the groom outside by his tie, where his fiancée is kissing the guest who followed her out of the church. The groom straightens up, looking shocked, and Urie and the groom bow to the camera. The ringmaster is revealed to be the groom's alter ego.[12]
The music video by director Shane Drake won the award for Video of the Year during the 2006 MTV Video Music Awards. This marked the first occasion since the 1989 VMAs that the winner of Video of the Year did not win anything else. The video was also ranked No. 7 on VH1's list of the Top 100 Videos of 2006.[13]
The video was shot in December 2005. According to vocalist Brendon Urie, he and guitarist Ryan Ross suffered from the flu while filming the video clip.[14] In August 2011, the video won Best VMA Winning Video of All Time, in a worldwide poll on MTV's website.[15]
Track listing[edit]
UK 7" poster bag (February 2006)
A. "I Write Sins Not Tragedies"
UK CD single (February 2006)
"I Write Sins Not Tragedies"
"Nails for Breakfast, Tacks for Snacks" (demo version)
WMI CD single (May 2006)
"I Write Sins Not Tragedies" – 3:10
"Nails for Breakfast, Tacks for Snacks" (demo version) – 3:57
"The Only Difference Between Martyrdom and Suicide Is Press Coverage" (Tommie Sunshine Brooklyn Fire Remix) – 5:04
Panic! at the Disco – "I Write Sins Not Tragedies"
30-second sample from Panic! at the Disco "I Write Sins Not Tragedies", from the album A Fever You Can't Sweat Out.
Problems playing this file? See media help.
UK CD single (October 2006)
"I Write Sins Not Tragedies"
"Karma Police" (Live in Denver)
UK 7" gatefold sleeve (October 2006)
A. "I Write Sins Not Tragedies"
B. "But It's Better If You Do" (Live from Glasgow)
UK 7" picture disc (October 2006)
A. "I Write Sins Not Tragedies"
B. "I Write Sins Not Tragedies" (Live in Denver)
Enhanced CD single (October 2006)
"I Write Sins Not Tragedies"
"Nails for Breakfast, Tacks for Snacks" (demo version)
"The Only Difference Between Martyrdom and Suicide Is Press Coverage" (Tommie Sunshine Brooklyn Fire Remix)
"I Write Sins Not Tragedies" (video)
Charts and certifications[edit]
Weekly charts[edit]
Chart (2006)
Peak
position
Australia (ARIA)[16]
12
Belgium (Ultratip Flanders)[17]
12
Germany (Official German Charts)[18]
66
Netherlands (Dutch Top 40)[19]
29
Netherlands (Single Top 100)[20]
45
Ireland (IRMA)[21]
50
New Zealand (Recorded Music NZ)[22]
5
Scotland (Official Charts Company)[23]
23
UK Singles (Official Charts Company)[24]
25
US Billboard Hot 100[25]
7
US Alternative Songs (Billboard)[26]
12
US Adult Top 40 (Billboard)[27]
16
US Mainstream Top 40 (Billboard)[28]
2
Year-end charts[edit]
Chart (2006)
Position
Australia (ARIA)[29]
50
UK Singles (Official Charts Company)[30]
247
US Billboard Hot 100[31]
20
Certifications[edit]
Region
Certification
Certified units/Sales
United Kingdom (BPI)[32]
Gold 400,000
United States (RIAA)[33]
4× Platinum 4,000,000
Ringtone
United States (RIAA)[34]
Gold 500,000^
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
^ Jump up to: a b Tamsyn Wilce. "Track by track: Panic! At The Disco – Too Weird To Live, Too Rare To Die". gigwise.com.
Jump up ^ Rose, Ethan. "Best Early 2000s Pop Punk Songs". Rant Hollywood. Retrieved July 18, 2017.
Jump up ^ "Panic! At the Disco's 'This Is Gospel' review: Unstoppable". September 2, 2013. Retrieved May 15, 2016.
^ Jump up to: a b Stanton, Elleah (2016). "Panic! at the disco I write sins not tragedies analysis". Entertainment Weekly. Retrieved May 11, 2016.
Jump up ^ Crane, Matt (September 25, 2015). "Vinyl Theatre cover Panic! At The Disco's "I Write Sins Not Tragedies" (exclusive)". Alternative press. Retrieved December 24, 2017.
Jump up ^ "Billboard". Retrieved 24 December 2015.
Jump up ^ name=theodysseyonline> Wiener, Robert (2016). "10 Facts About Panic! At The Disco". theodysseyonline. Retrieved July 5, 2016.
Jump up ^ name=Songfacts> "I WRITE SINS NOT TRAGEDIES by PANIC! AT THE DISCO". Songfacts. Retrieved July 5, 2016.
Jump up ^ "I Write Sins Not Tragedies by Panic! At the Disco". secondhandsongs.
Jump up ^ name=theodysseyonline> Wiener, Robert (2016). "10 Facts About Panic! At The Disco". theodysseyonline. Retrieved July 5, 2016.
Jump up ^ name=Songfacts> "I WRITE SINS NOT TRAGEDIES by PANIC! AT THE DISCO". Songfacts. Retrieved July 5, 2016.
Jump up ^ video documenting the making of the music video on YouTube
Jump up ^ Watch the latest Music Video by Shakira from Oral Fixation, Vol. 2 | See Hips Don't Lie (featuring Wyclef Jean) Online|VH1.com
Jump up ^ "Panic! at the Disco - Interview 2006". Retrieved 2006-12-17.
Jump up ^ John Mitchell (2011-08-24). "Poll: Best VMA-Winning Video Of The Year Of All Time". MTV. Retrieved Feb 12, 2012.
Jump up ^ "Australian-charts.com – Panic! at the Disco – I Write Sins Not Tragedies". ARIA Top 50 Singles.
Jump up ^ "Ultratop.be – Panic! at the Disco – I Write Sins Not Tragedies" (in Dutch). Ultratip.
Jump up ^ "Musicline.de – Panic! at the Disco Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH.
Jump up ^ "Nederlandse Top 40 – Panic! at the Disco" (in Dutch). Dutch Top 40.
Jump up ^ "Dutchcharts.nl – Panic! at the Disco – I Write Sins Not Tragedies" (in Dutch). Single Top 100. Retrieved September 14, 2015.
Jump up ^ "Chart Track: Week 44, 2006". Irish Singles Chart. Retrieved September 14, 2015.
Jump up ^ "Charts.org.nz – Panic! at the Disco – I Write Sins Not Tragedies". Top 40 Singles.
Jump up ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved September 14, 2015.
Jump up ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved September 14, 2015.
Jump up ^ "Panic at the Disco Chart History (Hot 100)". Billboard. Retrieved March 20, 2016.
Jump up ^ "Panic at the Disco Chart History (Alternative Songs)". Billboard. Retrieved September 14, 2015.
Jump up ^ "Panic at the Disco Chart History (Adult Pop Songs)". Billboard. Retrieved September 14, 2015.
Jump up ^ "Panic at the Disco Chart History (Pop Songs)". Billboard. Retrieved March 20, 2016.
Jump up ^ "ARIA Charts - End Of Year Charts - Top 100 Singles 2006". Retrieved September 14, 2015.
Jump up ^ "End of Year 2006" (PDF). UKChartsPlus. Retrieved September 14, 2015.
Jump up ^ "Hot 100 Songs: Year End 2006". Billboard. Retrieved September 14, 2015.
Jump up ^ "British single certifications – Panic at the Disco – I Write Sins Not Tragedies". British Phonographic Industry. Enter I Write Sins Not Tragedies in the search field and then press Enter.
Jump up ^ "American single certifications – Panic! at the Disco – I Write Sins Not Tragedies". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH
Jump up ^ "American single certifications – Panic! at the Disco – I Write Sins Not Tragedies". Recording Industry Association of America. Retrieved August 12, 2013. If necessary, click Advanced, then click Format, then select Single, then click SEARCH
External links[edit]
"I Write Sins Not Tragedies" Official music video on YouTube
Lyrics of this song at MetroLyrics
[show]
v
t
e
Panic! at the Disco
Brendon Urie
Brent Wilson
Ryan Ross
Jon Walker
Spencer Smith
Dallon Weekes
Studio albums
A Fever You Can't Sweat Out
Pretty. Odd.
Vices & Virtues
Too Weird to Live, Too Rare to Die!
Death of a Bachelor
Pray for the Wicked
Live albums
...Live in Chicago
All My Friends We're Glorious
Singles
"The Only Difference Between Martyrdom and Suicide Is Press Coverage"
"I Write Sins Not Tragedies"
"But It's Better If You Do"
"Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off"
"Build God, Then We'll Talk"
"Nine in the Afternoon"
"Mad as Rabbits"
"That Green Gentleman (Things Have Changed)"
"Northern Downpour"
"The Ballad of Mona Lisa"
"Ready to Go (Get Me Out of My Mind)"
"Let's Kill Tonight"
"Miss Jackson"
"This Is Gospel"
"Girls / Girls / Boys"
"Hallelujah"
"Victorious"
"Emperor's New Clothes"
"Death of a Bachelor"
"Say Amen (Saturday Night)"
Other songs
"New Perspective"
"LA Devotee"
"Don't Threaten Me with a Good Time"
"Crazy=Genius"
Tours
Vices & Virtues Tour
Summer Tour 2016
Death of a Bachelor Tour
Pray for the Wicked Tour
Related articles
Band members
Discography
List of songs recorded
The Young Veins
[show]
v
t
e
MTV Video Music Award for Video of the Year (2000s)
2000
Eminem — "The Real Slim Shady"
2001
Christina Aguilera, Lil' Kim, Mýa and P!nk — "Lady Marmalade"
2002
Eminem — "Without Me"
2003
Missy Elliott — "Work It"
2004
OutKast — "Hey Ya!"
2005
Green Day — "Boulevard of Broken Dreams"
2006
Panic! at the Disco — "I Write Sins Not Tragedies"
2007
Rihanna (featuring Jay-Z) — "Umbrella"
2008
Britney Spears — "Piece of Me"
2009
Beyoncé — "Single Ladies (Put a Ring on It)"
Complete list
(1980s)
(1990s)
(2000s)
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Retrieved from "https://en.wikipedia.org/w/index.php?title=I_Write_Sins_Not_Tragedies&oldid=843214664"
Categories:
2006 singles
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Hidden categories:
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