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ISO week date
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Week date redirects here; you may be looking for Week, Week-day names, or Week number.
The ISO week date system is effectively a leap week calendar system that is part of the ISO 8601 date and time standard issued by the International Organization for Standardization (ISO) since 1988 (last revised in 2004) and, before that, it was defined in ISO (R) 2015 since 1971. It is used (mainly) in government and business for fiscal years, as well as in timekeeping. This was previously known as "Industrial date coding". The system specifies a week year atop the Gregorian calendar by defining a notation for ordinal weeks of the year.
The Gregorian leap cycle, which has 97 leap days spread across 400 years, contains a whole number of weeks (20871). In every cycle there are 71 years with an additional 53rd week (corresponding to the Gregorian years that contain 53 Thursdays). An average year is exactly 52.1775 weeks long; months (1/12 year) average at exactly 4.348125 weeks.
An ISO week-numbering year (also called ISO year informally) has 52 or 53 full weeks. That is 364 or 371 days instead of the usual 365 or 366 days. The extra week is sometimes referred to as a leap week, although ISO 8601 does not use this term.
Weeks start with Monday. Each week's year is the Gregorian year in which the Thursday falls. The first week of the year, hence, always contains 4 January. ISO week year numbering therefore slightly deviates from the Gregorian for some days close to 1 January.
A precise date is specified by the ISO week-numbering year in the format YYYY, a week number in the format ww prefixed by the letter 'W', and the weekday number, a digit d from 1 through 7, beginning with Monday and ending with Sunday. For example, the Gregorian date 31 December 2006 corresponds to the Sunday of the 52nd week of 2006, and is written 2006-W52-7 (in extended form) or 2006W527 (in compact form).
December 2017
Week
Mon
Tue
Wed
Thu
Fri
Sat
Sun
W48
27 28 29 30 01 02 03
W49
04 05 06 07 08 09 10
W50
11 12 13 14 15 16 17
W51
18 19 20 21 22 23 24
W52
25 26 27 28 29 30 31
Contents
[hide]
1 Relation with the Gregorian calendar
1.1 First week
1.2 Last week
1.3 Weeks per year
1.4 Weeks per month
1.5 Dates with fixed week number
1.6 Equal weeks
2 Advantages
3 Disadvantages
4 Calculation
4.1 Calculating the week number of a given date
4.2 Calculating a date given the year, week number and weekday
5 Other week numbering systems
6 See also
7 Notes
8 External links
Relation with the Gregorian calendar[edit]
The ISO week year number deviates from the Gregorian year number in one of three ways. The days differing are a Friday through Sunday, or a Saturday and Sunday, or just a Sunday, at the start of the Gregorian year (which are at the end of the previous ISO year) and a Monday through Wednesday, or a Monday and Tuesday, or just a Monday, at the end of the Gregorian year (which are in week 01 of the next ISO year). In the period 4 January to 28 December the ISO week year number is always equal to the Gregorian year number. The same is true for every Thursday.
Examples of contemporary dates around New Year’s Day
Date
Notes
Gregorian
ISO
Sat 1 Jan 2005 2005-01-01 2004-W53-6
Sun 2 Jan 2005 2005-01-02 2004-W53-7
Sat 31 Dec 2005 2005-12-31 2005-W52-6
Sun 1 Jan 2006 2006-01-01 2005-W52-7
Mon 2 Jan 2006 2006-01-02 2006-W01-1
Sun 31 Dec 2006 2006-12-31 2006-W52-7
Mon 1 Jan 2007 2007-01-01 2007-W01-1 Both years 2007 start with the same day.
Sun 30 Dec 2007 2007-12-30 2007-W52-7
Mon 31 Dec 2007 2007-12-31 2008-W01-1
Tue 1 Jan 2008 2008-01-01 2008-W01-2 Gregorian year 2008 is a leap year. ISO year 2008 is 2 days shorter: 1 day longer at the start, 3 days shorter at the end.
Sun 28 Dec 2008 2008-12-28 2008-W52-7
Mon 29 Dec 2008 2008-12-29 2009-W01-1 ISO year 2009 begins three days before the end of Gregorian 2008.
Tue 30 Dec 2008 2008-12-30 2009-W01-2
Wed 31 Dec 2008 2008-12-31 2009-W01-3
Thu 1 Jan 2009 2009-01-01 2009-W01-4
Thu 31 Dec 2009 2009-12-31 2009-W53-4 ISO year 2009 has 53 weeks and ends three days into Gregorian year 2010.
Fri 1 Jan 2010 2010-01-01 2009-W53-5
Sat 2 Jan 2010 2010-01-02 2009-W53-6
Sun 3 Jan 2010 2010-01-03 2009-W53-7
First week[edit]
The ISO 8601 definition for week 01 is the week with the Gregorian year's first Thursday in it. The following definitions based on properties of this week are mutually equivalent, since the ISO week starts with Monday:
It is the first week with a majority (4 or more) of its days in January.
Its first day is the Monday nearest to 1 January.
It has 4 January in it. Hence the earliest possible first week extends from Monday 29 December (previous Gregorian year) to Sunday 4 January, the latest possible first week extends from Monday 4 January to Sunday 10 January.
It has the year's first working day in it, if Saturdays, Sundays and 1 January are not working days.
If 1 January is on a Monday, Tuesday, Wednesday or Thursday, it is in week 01. If 1 January is on a Friday, it is part of week 53 of the previous year. If it is on a Saturday, it is part of the last week of the previous year which is numbered 52 in a common year and 53 in a leap year. If it is on a Sunday, it is part of week 52 of the previous year.
Last week[edit]
The last week of the ISO week-numbering year, i.e. the 52nd or 53rd one, is the week before week 01. This week’s properties are:
It has the year's last Thursday in it.
It is the last week with a majority (4 or more) of its days in December.
Its middle day, Thursday, falls in the ending year.
Its last day is the Sunday nearest to 31 December.
It has 28 December in it. Hence the earliest possible last week extends from Monday 22 December to Sunday 28 December, the latest possible last week extends from Monday 28 December to Sunday 3 January.
If 31 December is on a Monday, Tuesday or Wednesday, it is in week 01 of the next year. If it is on a Thursday, it is in week 53 of the year just ending; if on a Friday it is in week 52 (or 53 if the year just ending is a leap year); if on a Saturday or Sunday, it is in week 52 of the year just ending.
Weeks per year[edit]
The long years, with 53 weeks in them, can be described by any of the following equivalent definitions:
any year starting on Thursday (dominical letter D or DC) and any leap year starting on Wednesday (ED)
any year ending on Thursday (D, ED) and any leap year ending on Friday (DC)
years in which 1 January and 31 December (in common years) or either (in leap years) are Thursdays
All other week-numbering years are short years and have 52 weeks.
The number of weeks in a given year is equal to the corresponding week number of 28 December, because it is the only date that is always in the last week of the year since it is a week before 4 January which is always in the first week of the year. Using only the ordinal year number, the number of weeks in that year can be determined:[1]
weeks ( year ) = 52 + { 1 (long) if p ( year ) = 4 or p ( year − 1 ) = 3 0 (short) otherwise p ( year ) = ( year + ⌊ year 4 ⌋ − ⌊ year 100 ⌋ + ⌊ year 400 ⌋ ) mod 7 {\displaystyle {\begin{aligned}{\text{weeks}}({\text{year}})&=52+{\begin{cases}1{\text{ (long)}}&{\text{if }}p({\text{year}})=4\\&{\text{or }}p({\text{year}}-1)=3\\0{\text{ (short)}}&{\text{otherwise}}\end{cases}}\\p({\text{year}})&=\left({\text{year}}+\left\lfloor {\frac {\text{year}}{4}}\right\rfloor -\left\lfloor {\frac {\text{year}}{100}}\right\rfloor +\left\lfloor {\frac {\text{year}}{400}}\right\rfloor \right){\bmod {7}}\end{aligned}}}
The following 71 years in a 400-year cycle have 53 weeks (371 days); years not listed have 52 weeks (364 days); add 2000 for current years:
004, 009, 015, 020, 026,
032, 037, 043, 048, 054,
060, 065, 071, 076, 082,
088, 093, 099, 105, 111, 116, 122,
128, 133, 139, 144, 150,
156, 161, 167, 172, 178,
184, 189, 195, 201, 207, 212, 218,
224, 229, 235, 240, 246,
252, 257, 263, 268, 274,
280, 285, 291, 296, 303, 308, 314,
320, 325, 331, 336, 342,
348, 353, 359, 364, 370,
376, 381, 387, 392, 398.
On average, a year has 53 weeks every 400⁄71 = 5.6338… years, and these long ISO years are 43 times 6 years apart, 27 times 5 years apart, and once 7 years apart (between years 296 and 303). The Gregorian years corresponding to these 71 long years can be subdivided as follows:
27 Gregorian leap years, emphasized in the list above:
14 starting on Thursday, hence ending on Friday, and
13 starting on Wednesday, hence ending on Thursday;
44 Gregorian common years starting, hence also ending on Thursday.
The Gregorian years corresponding to the other 329 short ISO years (neither starting nor ending with Thursday) can also be subdivided as follows:
70 are Gregorian leap years.
259 are Gregorian common years.
Thus, within a 400-year cycle:
27 week years are 5 days longer than the month years (371 − 366).
44 week years are 6 days longer than the month years (371 − 365).
70 week years are 2 days shorter than the month years (364 − 366).
259 week years are 1 day shorter than the month years (364 − 365).
Weeks per month[edit]
The ISO standard does not define any association of weeks to months. A date is either expressed with a month and day-of-the-month, or with a week and day-of-the-week, never a mix.
Weeks are a prominent entity in accounting where annual statistics benefit from regularity throughout the years. Therefore, in practice usually a fixed length of 13 weeks per quarter is chosen which is then subdivided into 5 + 4 + 4 weeks, 4 + 5 + 4 weeks or 4 + 4 + 5 weeks. The final quarter has 14 weeks in it when there are 53 weeks in the year.
When it is necessary to allocate a week to a single month, the rule for first week of the year might be applied, although ISO 8601 does not consider this case. The resulting pattern would be irregular. The only 4 months (or 5 in a long year) of 5 weeks would be those with at least 29 days starting on Thursday, those with at least 30 days starting on Wednesday, and those with 31 days starting on Tuesday.
Dates with fixed week number[edit]
For all years, 8 days have a fixed ISO week number (between 01 and 08) in January and February. And with the exception of leap years starting on Thursday, dates with fixed week numbers occur in all months of the year (for 1 day of each ISO week 01 to 52):
Overview of dates with a fixed week number in any year other than a leap year starting on Thursday
Month
Dates
Week numbers
January 04 11 18 25 01–04
February 01 08 15 22 05–08
March 01 08 15 22 29 09–13
April 05 12 19 26 14–17
May 03 10 17 24 31 18–22
June 07 14 21 28 23–26
July 05 12 19 26 27–30
August 02 09 16 23 30 31–35
September 06 13 20 27 36–39
October 04 11 18 25 40–43
November 01 08 15 22 29 44–48
December 06 13 20 27 49–52
During leap years starting on Thursday (i.e. the 13 years numbered 004, 032, 060, 088, 128, 156, 184, 224, 252, 280, 320, 348, 376 in a 400-year cycle), the ISO week numbers are incremented by 1 from March to the rest of the year. This last occurred in 1976 and 2004 and will not occur again before 2032. These exceptions are happening between years that are most often 28 years apart, or 40 years apart for 3 pairs of successive years: from year 088 to 128, from year 184 to 224, and from year 280 to 320.
The day of the week for these days are related to Doomsday because for any year, the Doomsday is the day of the week that the last day of February falls on. These dates are one day after the Doomsdays, except that in January and February of leap years the dates themselves are Doomsdays. In leap years the week number is the rank number of its Doomsday.
Equal weeks[edit]
Week triplets
W06
05 06 07 08 09 10 11
W10
05 06 07 08 09 10 11
W45
05 06 07 08 09 10 11
W07
12 13 14 15 16 17 18
W11
12 13 14 15 16 17 18
W46
12 13 14 15 16 17 18
W08
19 20 21 22 23 24 25
W12
19 20 21 22 23 24 25
W47
19 20 21 22 23 24 25
The pairs 02/41, 03/42, 04/43, 05/44, 15/28, 16/29, 37/50, 38/51 and triplets 06/10/45, 07/11/46, 08/12/47 have the same days of the month in common years. Of these, the pairs 10/45, 11/46, 12/47, 15/28, 16/29, 37/50 and 38/51 share their days also in leap years. Leap years also have triplets 03/15/28, 04/16/29 and pairs 06/32, 07/33, 08/34.
The weeks 09, 19–26, 31 and 35 never share their days of the month with any other week of the same year.
Advantages[edit]
All weeks have exactly 7 days, i.e. there are no fractional weeks.
Every week belongs to a single year, i.e. there are no ambiguous or double-assigned weeks.
The date directly tells the weekday.
All week-numbering years start with a Monday and end with a Sunday.
When used by itself without using the concept of month, all week-numbering years are the same except that some years have a week 53 at the end.
The weeks are the same as used with the Gregorian calendar.
Disadvantages[edit]
The year number of the ISO week very often differs from the Gregorian year number for dates close to 1 January. For example, 29 December 2014 is ISO 2015-W01-1, i.e., it is in year 2015 instead of 2014. A programming bug confusing these two year numbers is probably the cause of some Android users of Twitter unable to log in around midnight of 29 December 2014 UTC.[2]
Solar astronomic phenomena, such as equinox and solstice, vary over a range of at least seven days. This is because each equinox and solstice may occur any day of the week and hence on at least seven different ISO week dates. For example, there are spring equinoxes on 2004-W12-7 and 2010-W11-7.
The ISO week calendar relies on the Gregorian calendar, which it augments, to define the new year day (Monday of week 01). As a result, extra weeks are spread across the 400-year cycle in a complex, seemingly random pattern. There is no simple algorithm to determine whether a year has 53 weeks from its ordinal number alone. Most calendar reform proposals using leap week calendars are simpler in this regard, although they may choose a different leap cycle.
Not all parts of the world consider the week to begin with Monday. For example, in some Muslim countries, the normal work week begins on Saturday, while in Israel it begins on Sunday. In the US and in most of Latin America, although the work week is usually defined to start on Monday, the week itself is often considered to start on Sunday.
Calculation[edit]
Calculating the week number of a given date[edit]
The week number of any date can be calculated, given its ordinal date (i.e. position within the year) and its day of the week. If the ordinal date is not known, it can be computed by any of several methods; perhaps the most direct is a table such as the following.
To the day of:
Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
Add:
0 31 59 90 120 151 181 212 243 273 304 334
For leap years:
0 31 60 91 121 152 182 213 244 274 305 335
Method: Using ISO weekday numbers (running from 1 for Monday to 7 for Sunday), subtract the weekday from the ordinal date, then add 10. Divide the result by 7. Ignore the remainder; the quotient equals the week number. If the week number thus obtained equals 0, it means that the given date belongs to the preceding (week-based) year. If a week number of 53 is obtained, one must check that the date is not actually in week 1 of the following year.
week ( date ) = ⌊ ordinal ( date ) − weekday ( date ) + 10 7 ⌋ week = { lastWeek ( year − 1 ) , week < 1 1 , week > lastWeek ( year ) {\displaystyle {\begin{aligned}{\text{week}}({\text{date}})&=\left\lfloor {\frac {{\text{ordinal}}({\text{date}})-{\text{weekday}}({\text{date}})+10}{7}}\right\rfloor \\{\text{week}}&={\begin{cases}{\text{lastWeek}}({\text{year}}-1),&{\text{week}}<1\\1,&{\text{week}}>{\text{lastWeek}}({\text{year}})\end{cases}}\end{aligned}}}
Friday 26 September 2008
Ordinal day: 244 + 26 = 270
Weekday: Friday = 5
270 − 5 + 10 = 275
275 ÷ 7 = 39.28…
Result: Week 39
Calculating a date given the year, week number and weekday[edit]
This method requires that one know the weekday of 4 January of the year in question.[3] Add 3 to the number of this weekday, giving a correction to be used for dates within this year.
Method: Multiply the week number by 7, then add the weekday. From this sum subtract the correction for the year. The result is the ordinal date, which can be converted into a calendar date using the table in the preceding section. If the ordinal date thus obtained is zero or negative, the date belongs to the previous calendar year; if greater than the number of days in the year, to the following year.
ordinal ( date ) = week ( date ) × 7 + weekday ( date ) − ( weekday ( year ( date ) , 1 , 4 ) + 3 ) if ordinal < 1 then ordinal = ordinal + daysInYear ( year − 1 ) if ordinal > daysInYear ( year ) then ordinal = ordinal − daysInYear ( year ) {\displaystyle {\begin{aligned}{\text{ordinal}}({\text{date}})={}&{\text{week}}({\text{date}})\times 7+{\text{weekday}}({\text{date}})\\&{}-({\text{weekday}}({\text{year}}({\text{date}}),1,4)+3)\\[4pt]{\text{if ordinal}}<{}&{\text{1 then ordinal}}={\text{ordinal}}+{\text{daysInYear}}({\text{year}}-1)\\[4pt]{\text{if ordinal}}>{}&{\text{daysInYear}}({\text{year}}){\text{then ordinal}}\\={}&{\text{ordinal}}-{\text{daysInYear}}({\text{year}})\end{aligned}}}
Example: year 2008, week 39, Saturday (day 6)
Correction for 2008: 5 + 3 = 8
(39 × 7) + 6 = 279
279 − 8 = 271
Ordinal day 271 of a leap year is day 271 − 244 = 27 September
Result: 27 September 2008
Other week numbering systems[edit]
For an overview of week numbering systems see week number.
The US system has weeks from Sunday through Saturday, and partial weeks at the beginning and the end of the year, i.e. 53 or 54 weeks. An advantage is that no separate year numbering like the ISO year is needed. Correspondence of lexicographical order and chronological order is preserved (just like with the ISO year-week-weekday numbering), but partial weeks make some computations of weekly statistics or payments inaccurate at end of December or beginning of January.
A variant of this US scheme groups the possible 1 to 6 days of December remaining in the last week of the Gregorian year within week 1 in January of the next Gregorian year, to make it a full week, bringing a system with accounting years having also 52 or 53 weeks and only the last 6 days of December may be counted as part of another year than the Gregorian year.
The US broadcast calendar counts the week containing 1 January as the first of the year, but otherwise works like ISO week numbering without partial weeks.
See also[edit]
Week
4–4–5 calendar
Notes[edit]
Jump up ^ Gent, Robert H. "The Mathematics of the ISO 8601 Calendar".
Jump up ^ https://www.theguardian.com/technology/2014/dec/29/twitter-2015-date-bug
Jump up ^ Either see calculating the day of the week, or use this quick-and-dirty method: Subtract 1965 from the year. To this difference add one-quarter of itself, dropping any fractions. Divide this result by 7, discarding the quotient and keeping the remainder. Add 1 to this remainder, giving the weekday number of 4 January. Do not use for years past 2100.
External links[edit]
The Mathematics of the ISO 8601 Calendar
ISO week date calendar
ISO Date and time format FAQ
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text:
The Mortal Instruments: City of Bones
From Wikipedia, the free encyclopedia
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The Mortal Instruments: City of Bones
Theatrical release poster
Directed by
Harald Zwart
Produced by
Don Carmody
Robert Kulzer
Screenplay by
Jessica Postigo
Based on
City of Bones
by Cassandra Clare
Starring
Lily Collins
Jamie Campbell Bower
Robert Sheehan
Kevin Zegers
Lena Headey
Kevin Durand
Aidan Turner
Jemima West
Godfrey Gao
C. C. H. Pounder
Jared Harris
Jonathan Rhys Meyers
Music by
Atli Örvarsson
Cinematography
Geir Hartly Andreassen
Edited by
Joel Negron
Production
company
Constantin Film Produktion GmbH[1]
Don Carmody Productions[1]
Unique Features[2]
Distributed by
Screen Gems (US)
Entertainment One (CA/UK)
Release date
August 21, 2013 (2013-08-21)
Running time
130 minutes[3]
Country
Canada[1]
Germany[1]
Language
English
Budget
$60 million[4][5][6]
Box office
$90.6 million[5][7]
The Mortal Instruments: City of Bones is a 2013 Canadian-German urban fantasy action-adventure film based on the first book of The Mortal Instruments series by Cassandra Clare. The story takes place in an urban and contemporary New York City. Directed by Harald Zwart, the film stars an international cast, including Lily Collins, Jamie Campbell Bower, Robert Sheehan, Kevin Zegers, Jemima West, Godfrey Gao, Lena Headey, Jonathan Rhys Meyers, Aidan Turner, Kevin Durand, and Jared Harris. It was released in theaters on August 21, 2013, by Screen Gems in the United States and Entertainment One in the United Kingdom. The Mortal Instruments: City of Bones earned $91 million against a $60 million production budget.[5][7][8][6] The Mortal Instruments: City of Bones was released on DVD and Blu-ray on December 3, 2013, by Sony Pictures Home Entertainment.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Pre-production
3.2 Filming
4 Music
4.1 Soundtrack
4.2 Score
5 Release
5.1 Marketing
5.2 Home media
6 Reception
6.1 Critical response
6.2 Box office
6.3 Awards
7 Sequel
7.1 Canceled sequels
7.2 Television series
8 Games
9 References
10 External links
Plot[edit]
New York City teenager Clary Fray begins seeing a strange symbol, worrying her mother Jocelyn Fray and her mother's friend Luke Garroway. Later, at a nightclub with her friend, Simon Lewis, Clary is the only person who sees Jace Wayland killing a man, who he claims is a demon. Meanwhile, Jocelyn is abducted by two men, Emil Pangborn and Samuel Blackwell, but she is able to call Clary and warn her about someone named Valentine. Jocelyn drinks a potion putting her in a comatose state. Returning home, Clary finds her mother missing and is then attacked by a demon. Clary kills it, and then Jace appears. Jace explains that he and her mother Jocelyn are both Shadowhunters (also called Nephilim), half human half angel warriors that slay demons and rule over the downworlders. Clary has inherited her powers, including the ability to use runes.
Madame Dorothea, the Fray's neighbor and a witch, deduces that Pangborn and Blackwell seek the Mortal Cup, one of the three Mortal Instruments given to the first Shadowhunter by the Angel Raziel. It allows normal humans to become half-Angel Shadowhunters. Simon, now able to see Jace, arrives and they go to Luke's bookstore. Pangborn and Blackhell are interrogating Luke there, who claims he cares nothing for Jocelyn and only wants the Mortal Cup. The trio escapes to the Shadowhunters' hideout, the Institute, where Clary and Simon meet two other Shadowhunters Alec and Isabelle Lightwood, and their leader, Hodge Starkweather. He reveals that Valentine Morgenstern, an ex-Shadowhunter who betrayed the Nephilim, now seeks the Mortal Cup to control both Shadowhunters and demons.
Hodge instructs Jace to take Clary to the City of Bones so the Silent Brothers can probe Clary's mind for the Mortal Cup's location. The Brothers uncover a connection to Magnus Bane, the High Warlock of Brooklyn. Bane says Jocelyn had him block the Shadowhunter world from Clary's mind. Vampires then kidnap Simon from Magnus' party for downworlders. Clary, Jace, Alec, and Isabelle trail them to their hideout and rescue him but are outnumbered. Werewolves (that share a truce with the Shadowhunters) intervene and save them. These are led by Luke.
At the Institute, Clary shares a romantic evening with Jace, ending in a kiss. When Simon confronts Clary about it, she downplays the incident, angering Jace. Simon confesses to Clary that he is in love with her, leaving her feeling guilty because she does not reciprocate his feelings.
Clary realizes the Mortal Cup is hidden inside one of Madame Dorothea's tarot cards that were painted by her mother. The group goes to Dorothea's apartment but she has been replaced by a demon sent to steal the Cup. Simon and Jace kill it, but Alec is critically wounded. Clary retrieves the Mortal Cup and they return to the institute.
Clary gives the Mortal Cup to Hodge who betrays them by summoning Valentine Morgenstern and giving him the cup. Valentine reveals he is Clary's father and wants her to join him. She escapes through a portal that transports her to Luke's bookstore. Luke, revealed to be a werewolf, confirms that Valentine is her father, and says Clary had an older brother named Jonathan who was killed. Luke and his werewolf pack return to the Institute with Clary to fight Valentine, who has summoned an army of demons through a portal he created. Simon and Isabelle close the portal with help from a repentant Hodge, who sacrifices himself. Meanwhile, Magnus Bane arrives and heals Alec.
Clary and Jace fight Valentine, who claims both are his children. They refuse to join him and, following a battle, Clary pushes him through the portal after giving him a fake Mortal Cup. The portal is destroyed, and Jocelyn is rescued, but she remains in a coma at the hospital. Clary tells Simon that someday someone will love him. Clary heads back home and uses her new-found powers to repair the apartment. Jace appears on his motorcycle, confessing he needs her and wants her to return to the Institute. Realizing that she belongs in the Shadowhunter world, she goes with him and they ride into the distance.
Cast[edit]
Lily Collins, Jamie Campbell Bower, Robert Sheehan,
Kevin Zegers and Godfrey Gao promoting the film.
Lily Collins as Clarissa Morgenstern
Jamie Campbell Bower as Jace Wayland
Robert Sheehan as Simon Lewis
Kevin Zegers as Alec Lightwood
Lena Headey as Jocelyn Fairchild
Aidan Turner as Luke Garroway
Jemima West as Isabelle Lightwood
Godfrey Gao as Magnus Bane
C. C. H. Pounder as Madame Dorothea
Jared Harris as Hodge Starkweather
Jonathan Rhys Meyers as Valentine Morgenstern
Kevin Durand as Emil Pangborn
Chris Ratz as Eric
Robert Maillet as Samuel Blackwell
Stephen R. Hart as Brother Jeremiah
Elyas M'Barek as Raphael Santiago
Chad Connell as Lambert
Harry Van Gorkum as Alaric/Werewolf
Production[edit]
Pre-production[edit]
Director Harald Zwart at the 2013 San Diego Comic-Con International promoting the film.
While shopping the film prospect around, author Cassandra Clare had difficulty finding a studio interested in making a film with a female in the lead role. Studios asked her to switch the lead to a male character, which she refused.[9]
On December 9, 2010, it was announced that Lily Collins had been cast in the role of Clary Fray.[10]
Alex Pettyfer was originally offered the role of Jace Wayland, but turned it down.[11] Alexander Ludwig,[12] Ed Speleers and Leebo Freeman tested for the role[13] but it went to Jamie Campbell Bower. Xavier Samuel,[14] Nico Tortorella,[15] Max Irons,[16] and Douglas Booth[16] were also in consideration.
The film is a co-production of the Germany company Constantin Film Produktion GmbH and Canadian company Don Carmody Productions and a co-production with Unique Features.[1]
Filming[edit]
Principal photography took place between August 20 and November 7, 2012, on location in Toronto and Hamilton, Ontario, and New York City.[17]
Music[edit]
Soundtrack[edit]
The Mortal Instruments: City of Bones (Original Motion Picture Soundtrack)
Soundtrack album by Various artists
Released
August 20, 2013
Recorded
2013
Genre
Pop, EDM, indie pop, alternative rock
Length
49:53
Label
Republic
The Mortal Instruments: City of Bones (Original Motion Picture Soundtrack) was released by Republic Records in stores and digital retailers on August 20, 2013.[18] It is headlined by Demi Lovato, Zedd, Colbie Caillat, AFI remixed by LA Riots, and Jessie J among others. The soundtrack is a collaboration between trance DJs Myon & Shane 54 with Seven Lions, as well as a song by Bryan Ellis, produced by Brian West. Some songs, including Lovato's "Heart by Heart" and Caillat's "When the Darkness Comes", were recorded specifically for City of Bones. Zedd "scored for a key scene in the film".[19]
"Almost is Never Enough", performed by Ariana Grande and Nathan Sykes was released as promotional single from the album on August 19, 2013.[20] The album peaked at #32 on the US Billboard 200.[21] "Almost is Never Enough", performed by Ariana Grande and The Wanted's Nathan Sykes, debuted on the Billboard Hot 100 at number 84.
No.
Title
Music
Length
1. "Into the Lair" Zedd 1:44
2. "Almost is Never Enough" (Soundtrack version) Ariana Grande and Nathan Sykes 3:30
3. "17 Crimes" (LA Riots remix) AFI 4:43
4. "Heart by Heart" Demi Lovato 3:43
5. "Bring Me Home" Youngblood Hawke 3:02
6. "When the Darkness Comes[22]" Colbie Caillat 4:16
7. "Strangers" (featuring Tove Lo) Seven Lions, Myon & Shane 54 6:02
8. "Magnetic" Jessie J 3:55
9. "Bear" Pacific Air 3:36
10. "All About Us" (featuring Owl City) He is We 3:26
11. "Calling from Above" (Edit) Bassnectar 1:57
12. "Start a Riot" Jetta 4:14
13. "Strange Days" Bryan Ellis 5:45
Total length: 49:53
Beth Crowley had also written a song inspired by the movie called "Warrior". "All I Need" by Radiohead was the song used in the trailer for the film.
Score[edit]
The Mortal Instruments: City of Bones (Original Motion Picture Score)
Soundtrack album by Atli Örvarsson
Released
August 20, 2013
Recorded
2013
Genre
Soundtrack
Length
1:03:42
Label
Milan Records
The official score was composed by Atli Örvarsson, and was released on August 20, 2013 for physical purchase and digital download.
Release[edit]
A teaser trailer was released in November 2012, and a second trailer was released March 2013. The film was originally due for release on August 23, 2013, but was pushed back two days earlier, on August 21, 2013.[23] The film secured broad European distribution deals at Cannes.[24]
The film premiered on August 12, 2013, at the Cinerama Dome in Hollywood.[25][26]
Marketing[edit]
According to the Los Angeles Times, $60 million was spent on marketing.[6] Kulzer, Constantin's co-president, stated "$60 million has been spent worldwide on prints and advertising...." and went on to explain the importance of managing expectations.[27]
Home media[edit]
The Mortal Instruments: City of Bones was released on DVD and Blu-ray on December 3, 2013 by Sony Pictures Home Entertainment.
Reception[edit]
Critical response[edit]
Review aggregation website Rotten Tomatoes gives the film an approval rating of 13% based on 119 reviews and a rating average of 3.9/10. The site commented that "The Mortal Instruments: City of Bones borrows ingredients from seemingly every fantasy franchise of the last 30 years — but can't seem to figure out what to do with them."[28] At Metacritic, which assigns a normalized rating out of 100, the film has a score of 33% based on reviews from 35 critics, indicating "generally unfavorable reviews."[29]
The Telegraph's Robbie Collin gave the film one out of five stars, saying, "This gothic teen fantasy is one of the most disastrous page-to-screen adaptations in memory". Collin added "the plot is an incomprehensible tangle of dead ends and recaps, and afterwards you realise only two things have stuck: the story’s countless unsubtle borrowings from very recent pop culture... and a brief aside in which we learn one of the earliest demon-hunters was Johann Sebastian Bach."[30] Michael Rechtshaffen from The Hollywood Reporter also gave it a negative review, saying, "Certainly not the first and very unlikely the last studio attempt at launching a Twilight/Hunger Games franchise of their very own, The Mortal Instruments: City of Bones is a bona fide saga all right—just not in a good way" adding "Despite the overstuffed assortment of vampires, werewolves, warlocks and demons of all shapes and sizes, The Mortal Instruments seldom feels like anything more than a shameless, soulless knockoff."[31] New York Daily News also gave it a negative rating of 1 star out of 5; critic Jordan Hoffman wrote, "This one is by far the worst of the Twilight copies. And when that bunch includes The Host and I Am Number Four, that’s saying something." Hoffman added, "Despite an avalanche of back story, the film is merely an excuse to hop from one spookily dressed set to another. Alas, the titular City of Bones is more of a basement. Other than a gag about a cache of weapons beneath every church altar, there's hardly a moment of levity or imagination. For a film that is wall-to-wall fantasy, you've seen all of this before, in much better movies."[32]
Tom Keogh of The Seattle Times also gave it a negative review, stating, "City of Bones is so overwhelmed by CGI effects that it amounts to white noise for the eyes. Far worse is the way director Harald Zwart can’t establish a mature tone to support some of the story’s genuinely bold and challenging elements, especially a forbidden-love theme that deserves a more serious context".[33] A more average review came from film critic Stephanie Merry of The Washington Post, who said, "To be fair, there are elements worth celebrating. The film is thankfully less self-serious than the mopey Twilight films. The Mortal Instruments revels in its own camp." She added, "But there is plenty of room for improvement. The action flick is overly long, complicated and, even by teen romance standards, cringe-worthy in its cheesiness."[34]
David Blaustein from ABC News also gave the film an average review of two-and-a-half out of five stars, saying, "Director Harald Zwart unsuccessfully tries to compress teen angst, love, passion, unfulfilled dreams and action into an overzealous, over-the-top, never-ending finale which seems about as well planned as throwing rocks and sand into a blender in the hope that if you blend it long enough at high-enough speed, you might wind up with a delicious milkshake." then he finally added: "The Mortal Instruments: City of Bones is not a very good film by any stretch of the imagination. However, it does possess a slick, beautiful, young-adult aesthetic and a supernatural, emotional yet nonsensical love triangle that the film's target demographic goes crazy for."[35]
Venetia Falconer of MTV News gave the film a positive review, with a score of 4 out of 5 stars, posting, "The Mortal Instruments more than lives up to its hype of ‘The New Twilight’. The special effects are impressive, the battle scenes enthralling and there is solid acting from all members of the cast. The film's main strength is that it perfectly hits the right balance between drama and comedy."[36]
Cinema audiences responded more positively than critics. Viewers who saw the film on the opening Wednesday, gave an average grade of B+, according to market research firm CinemaScore.[6] The audience was 68% female and 46% under the age of 21.[37]
Box office[edit]
City of Bones grossed $9.3 million for the three-day weekend in the U.S. and $18.2 million worldwide, debuting in #3 place as the highest ranked new release, although losing out on the top two spots to holdovers from previous weeks (Lee Daniels' The Butler and We're the Millers).[38][39] For the five-day cumulative total, it grossed $14,088,359 in the U.S. and $23,188,359 worldwide, placing it below estimates of Variety at $18 million,[40] The Hollywood Reporter at $15 million,[41] and Sony itself who predicted $15 million. According to The Wrap, the film "failed to connect" and is on the same course as other misfires Beautiful Creatures and The Host.[42] Forbes also made comparisons with Beautiful Creatures and The Host, and called the five-day weekend gross "a full-blown disaster"[43] as well as "the biggest bomb of the weekend".[44]
Executive producer Martin Moszkowicz blamed the weak opening in the United States on "a strongly competitive environment", including competition from You're Next and The World's End, as well as strong holdovers The Butler and We're the Millers. Moszkowicz was confident, saying it was still too early to call, with the film still rolling out release in more territories worldwide.[45]
As of October 10, 2013, it grossed $31,165,421 at North American box offices and $59,400,000 internationally, bringing the worldwide gross to $90,565,421.[5][7]
The Hollywood Reporter described the film as a "major in-house flop" and contributing to studio Constantin's losses for the 2013 year.[46]
Awards[edit]
The Mortal Instruments won four Canadian Screen Awards: Achievement in Make-Up, Achievement in Overall Sound, Achievement in Sound Editing and Achievement in Visual Effects. It was also nominated for Achievement in Costume Design and Achievement in Art Direction/Production Design.[47][48] The film was nominated at the 2014 Teen Choice Awards for Choice Movie: Action, Choice Movie: Actor Action, and Choice Movie: Actress Action, but lost to Divergent in all categories.[49]
Sequel[edit]
Canceled sequels[edit]
On May 8, 2013, before the film was released, it was announced that a film adaptation of the second book City of Ashes, would start production on September 23, 2013 with a 2014 release date.[50] In August 2013, after the film opened below expectations, Kulzer, Constantin's co-president, explained that a sequel was still warranted given increasing book sales and soundtrack revenues.[27] Sigourney Weaver was set to join the cast while Lily Collins, Lena Headey, Jonathan Rhys Meyers, Jemima West, and Jamie Campbell Bower were set to reprise their roles.[51][52]
On September 10, 2013, The Hollywood Reporter claimed that the sequel "had been pushed in the wake of a lackluster box-office opening"[53] and The Wrap claimed the film had been postponed indefinitely.[54] Moszkowicz responded "... Constantin is committed to making the sequel, the company did not want to rush into production with an unfinished screenplay, preferring to take the time to get right".[54] Cassandra Clare responded, saying the draft screenplay she saw was "very far from the book" and that the original schedule would not have allowed time for changes, and she thought the delay could therefore be a good thing.[55]
On October 23, 2013, Moszkowicz told The Hollywood Reporter that production on the sequel would resume in 2014, explaining that Constantin was determined to continue the franchise due to the positive response from fans to the adaptation, though noted that the marketing campaign for City of Bones was too narrowly focused on teenage fans, proving to be a detriment of Clare's older readers.[56] Moszkowciz also admitted that nothing had been finalized nor confirmed, saying "It is an ongoing discussion that we are having, and it is not done. We haven't made a final decision. But we will only move forward — and we plan to move forward — when we feel we are going to get it right". Moszkowicz later revealed the intention to shoot the film at some time in 2014.[57] On May 20, 2014, Harald Zwart revealed that the studio still had intentions to make the sequel, but explained that he would not direct it, so that he could focus on other projects, although he complimented the first film as "a good window [for him] to show off".[58]
Scott Mendelson of Forbes magazine expressed surprise that a sequel was in production: "The Mortal Instruments: City of Bones received neither positive reviews nor box office large enough to justify its production and marketing expenses. Yet, against all odds and arguably against all logic, [...] it’s getting a sequel!"[59]
Television series[edit]
Main article: Shadowhunters
On October 12, 2014, at Mipcom, Constantin confirmed that The Mortal Instruments would return as a television series, abandoning previous plans for a film sequel, with Ed Decter as showrunner to start production for next year on at least two or three international shows.[60] Constantin Film and TV head Martin Moszkowicz told The Hollywood Reporter that "It actually makes sense to do (the novels) as a TV series. There was so much from the book that we had to leave out of the Mortal Instruments film. In the series we'll be able to go deeper and explore this world in greater detail and depth."[60][61]
Games[edit]
To tie in with the film, Sony Pictures worked with developers PlayFirst to release a game on August 15, 2013. The game, available free for Android and iOS, allows players to hunt demons and supernatural monsters like the Shadowhunters of the story. That includes cross-platform features, allowing users to sign in on Facebook and save their progress across Android and iOS devices.[62]
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Jump up ^ "The Mortal Instruments: City of Bones (2013)". Rotten Tomatoes. Flixster. Archived from the original on August 28, 2013. Retrieved August 21, 2013.
Jump up ^ "The Mortal Instruments: City of Bones (2013)". Metacritic. CBS. Archived from the original on August 21, 2013. Retrieved August 21, 2013.
Jump up ^ Collin, Robbie (August 21, 2013). "Review: The Mortal Instruments: City of Bones". The Daily Telegraph. London. Archived from the original on August 26, 2013. Retrieved August 21, 2013.
Jump up ^ Rechtshaffen, Michael. "The Mortal Instruments: City of Bones: Film Review". The Hollywood Reporter. Archived from the original on August 22, 2013. Retrieved August 20, 2013.
Jump up ^ Hoffman, Jordan. "'The Mortal Instruments: City of Bones,' movie review". New York Daily News. Archived from the original on August 22, 2013. Retrieved August 21, 2013.
Jump up ^ Keogh, Tom. "'The Mortal Instruments: City of Bones': Teen fantasy doesn't fly". The Seattle Times. Archived from the original on May 25, 2014. Retrieved August 21, 2013.
Jump up ^ Merry, Stephanie (August 23, 2013). "'Mortal Instruments: City of Bones' movie review". The Washington Post. Retrieved August 21, 2013.
Jump up ^ Blaustein, David. "Movie Review: Is 'The Mortal Instruments: City of Bones' The Next 'Twilight'?". ABC News. Archived from the original on August 23, 2013. Retrieved August 21, 2013.
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Jump up ^ "Germany's Constantin Media Results Slump as 'Mortal Instruments,' 'Enders Game' Disappoint". The Hollywood Reporter. March 27, 2014. Archived from the original on July 26, 2014. Retrieved June 1, 2014.
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