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Faith of the Heart
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"Faith of the Heart"
United States single cover
Single by Rod Stewart
from the album Patch Adams: Original Motion Picture Soundtrack
A-side
"Faith of the Heart"
B-side
'Patch Adams "Main Title
Released
1999 (1999)
Format
CD single
Genre
Pop rock
Length
4:17
Label
Universal
Songwriter(s)
Diane Warren
Producer(s)
Guy Roche
Rod Stewart singles chronology
"When We Were the New Boys"
(1998) "Faith of the Heart"
(1999) "Run Back Into Your Arms"
(2000)
"When We Were the New Boys"
(1998) "Faith of the Heart"
(1999) "Run Back Into Your Arms"
(2000)
"Faith of the Heart" is a song written by Diane Warren and performed by Rod Stewart for the soundtrack to the 1998 film Patch Adams. Stewart's version charted at number 3 on the US Hot Adult Contemporary Tracks and at number 60 on the UK Singles Chart. It was warmly received by critics. The song was later covered in 1999 by Susan Ashton for her album Closer and released as her first single in the country music genre. Although it was expected to do well, it was outperformed by her subsequent single.
It was also recorded by English tenor Russell Watson as "Where My Heart Will Take Me" in order to be used as a theme to the 2001 television series Star Trek: Enterprise. This version of the single was used on four occasions as wake-up calls onboard Space Shuttle missions, and performed by Watson at the 2002 Commonwealth Games. Watson also recorded a special version of the song to be played for the final wake up of the New Horizons exploration spacecraft on December 6, 2014.[1]
Contents
[hide]
1 Development and release
2 Reception
3 Susan Ashton cover version
3.1 Reception
4 Russell Watson cover version
4.1 Development and release
4.2 Reception
4.3 Live performances
5 Charts
5.1 Rod Stewart version
5.2 Susan Ashton version
6 References
7 External links
Development and release[edit]
"Faith of the Heart" appeared on the soundtrack to the 1998 film Patch Adams.[2] It was released on the Universal Records label and produced by Guy Roche.[3] The B-side of the release was the main title theme to the film.[4] The song was released less than a month after a separation from his wife Rachel Hunter.[5]
Reception[edit]
The song was most successful in the Billboard Adult Contemporary within the United States, reaching third place in the chart.[6] The performance of the single placed it in twentieth spot on the Billboard Adult Contemporary chart for the year end 1999.[7]
William Ruhlmann at the website Allmusic described "Faith of the Heart" as a power ballad which is "a standard effort for its genre".[2] Chuck Taylor, reviewed the song for Billboard and said that it was one of Stewart's "more enjoyable performances in the last couple of years",[3] and thought that the song could have just as easily been sung by Celine Dion or LeAnn Rimes.[3]
Susan Ashton cover version[edit]
"Faith of the Heart"
Single by Susan Ashton
from the album Closer
Released
February 23, 1999
Genre
Country music
Length
4:17
Label
Capitol
Songwriter(s)
Diane Warren
Producer(s)
Emory Gordy, Jr.
Susan Ashton singles chronology
"You Move Me"
(1996) "Faith of the Heart"
(1999) "You're Lucky I Love You"
(1999)
"You Move Me"
(1996) "Faith of the Heart"
(1999) "You're Lucky I Love You"
(1999)
Susan Ashton was previously known for being a singer of contemporary Christian music, but decided to move into the country music genre after signing a deal with Columbia Records. She developed the album Closer, which featured a cover of the Rod Stewart single "Faith of the Heart". It was the first release from the album, but was not as successful as the following single, "You're Lucky I Love You".[8] She considered between 800 and 1000 songs to appear on the album, reducing the number down to ten.[8]
Reception[edit]
Tim Anderson, writing in his Country Beat column for Yakima Herald-Republic described Susan Ashton's "Faith of the Heart" as "a definite winner" but that it "did take a couple listens to really hook" him.[9] The release of the single by Ashton was predicted by Brian Mansfield for USA Today as being the first of a career that would increase sales for the country music genre following Aston's previous success with Christian music.[10]
Russell Watson cover version[edit]
"Where My Heart Will Take Me"
Song by Russell Watson
from the album Encore
Released
29 October 2001
Recorded
2001
Genre
Pop rock
Length
4:09
Label
Decca
Songwriter(s)
Diane Warren
Producer(s)
Nick Patrick
"Where My Heart Will Take Me" is a reworked version of "Faith of the Heart" which was performed by English tenor Russell Watson as the theme song to the 2001 television series Star Trek: Enterprise. It was also used on four occasions as wake-up calls on Space Shuttle missions, and was performed by Watson at the 2002 Commonwealth Games. It was poorly received by some Star Trek fans who created petitions and protested against the use of the song as a theme.
Development and release[edit]
It was the first time that an actual vocal theme was used in a Star Trek series.[11] Watson had been approached by the producers of Enterprise and the song's writer, Diane Warren. As he was a fan of Star Trek and as Warren had already written a song for his second album, he agreed to the proposal.[12] The song was featured on the soundtrack to Enterprise and Watson's 2002 album, Encore.[12][13] The song was re-recorded for the third and fourth seasons of Enterprise.[14]
The song has been used on four occasions as the music selected for wake-up calls on space missions. The first was on 16 June 2002 for the Space Shuttle Endeavour during mission STS-111 to the International Space Station. It was again used on 2 August 2005 for mission STS-114, the first mission of the Space Shuttle programme following the Space Shuttle Columbia disaster. It was broadcast to the seven crew of the Space Shuttle Discovery, and had been chosen as a surprise for the crew by Deputy Shuttle Programme Manager Wayne Hale.[15] NASA astronaut Richard Mastracchio selected "Where My Heart Will Take Me" for broadcast on 9 August 2007 onboard Endeavour for STS-118. The final broadcast on board a Space Shuttle was on May 23, 2009 during STS-125, the final Space Shuttle servicing mission to the Hubble Space Telescope. On this occasion it was broadcast to the crew of the Space Shuttle Atlantis. It was the third science fiction themed wake-up call in a row, the previous day having been the Cantina Band composition by John Williams for Star Wars, and two days prior was Alexander Courage's Theme from Star Trek.[15]
Reception[edit]
Singer Russell Watson said that Enterprise fans would get used to the song being used as a theme to the show
Following the pilot episode of Star Trek: Enterprise, "Broken Bow", and the debut of the song as the series' theme tune, the reception among Star Trek fans was mostly negative. Such was the response, that online petitions were formed and a protest held outside Paramount Studios against the use of the song.[16] One petition stated that "We wish to express our unmitigated disgust with the theme song that has been selected for the new 'Enterprise' series, it is not fit to be scraped off the bottom of a Klingon's boot."[17] Actor Simon Pegg, who played engineer Montgomery Scott in Star Trek and Star Trek Into Darkness later said that he had never watched Enterprise due to the song, which he described as "dreadful soft-rock" and "probably the most hideous Star Trek moment in history".[18] The song was mentioned in the review of the Enterprise first season DVD set by DVD Talk. It was called "sappy",[19] and the reviewer said that it "never felt appropriate and serves only to undercut the emotional strength of the images on screen".[19]
Executive producer of Enterprise, Rick Berman, praised the song, saying that it was a song "that's got a lot of hopefulness and uplifting qualities to it. And I like it. I've met a lot of other people who like it, but I've also heard a tremendous amount of banter about people who don't."[16] Enterprise co-creator Brannon Braga also defended the song, saying of the protest, "There are some people who love the song and there are people who think it's cheesy. They came with a petition with 1,000 signatures. But plenty of people find the song very uplifting."[20] Watson also said of the response to the song, "Something new happens, and people aren't quite sure of it. But they'll get used to it. By the time they've watched the 20th episode, they'll be thinking, 'Well, it's not that bad after all."[12]
Live performances[edit]
Russell Watson performed "Where My Heart Will Take Me" as part of the opening ceremony of the 2002 Commonwealth Games, alongside a choir. The choir subsequently performed the song at a ceremony to mark the retirement of Bishop Christopher Mayfield from his post as Bishop of Manchester.[21]
Charts[edit]
Rod Stewart version[edit]
Chart (1999)
Peak
position
Dutch Single Top 100[22] 99
UK Singles Chart[23] 60
U.S. Adult Contemporary[6] 3
Susan Ashton version[edit]
Chart (1999)
Peak
position
Canada Country Tracks (RPM)[24] 71
US Hot Country Songs (Billboard)[25] 51
References[edit]
Jump up ^ http://www.nasa.gov/newhorizons/on-plutos-doorstep-new-horizons-spacecraft-awakens-for-encounter/index.html
^ Jump up to: a b Ruhlmann, William. "Original Soundtrack: Patch Adams". Allmusic. Retrieved 15 June 2013.
^ Jump up to: a b c Taylor, Chuck (9 January 1999). "Reviews & Previews: Singles". Billboard. Retrieved 15 June 2013.
Jump up ^ "Rod Stewart – Faith Of The Heart". Discogs. Retrieved 15 June 2013.
Jump up ^ Gundersen, Edna (8 February 1999). "Stewart: Vagabond with a broken heart". USA Today. Retrieved 15 June 2013.
^ Jump up to: a b "Billboard Adult Contemporary". Billboard. 27 March 1999. Retrieved 15 June 2013.
Jump up ^ "1999 The Year in Music". Billboard. 25 December 1999. p. 95. Retrieved 15 June 2013.
^ Jump up to: a b Samms Rush, Diane (31 August 1999). "Timing Feels Right to Ashton". Lakeland Ledger. Retrieved 15 June 2013.
Jump up ^ Anderson, Tim (17 September 1999). "Susan Ashton's Debut is a Winner". Yakima Herald-Republic. Retrieved 15 June 2013.
Jump up ^ Mansfield, Brian (22 January 1999). "Nashville keeps in tune with new teen spirit". USA Today. Retrieved 15 June 2013.
Jump up ^ Lerner, Neil. "Tracking the Star Trek Title Themes". Music in Science Fiction Television: Tuned to the Future. New York: Routledge: 66–67. ISBN 978-0415641074.
^ Jump up to: a b c O'Hare, Kate (8 November 2001). "Singer Defends "Enterprise" Theme". Zap2it. Archived from the original on 23 November 2001. Retrieved 15 June 2013.
Jump up ^ "Latest Release!". GNP Crescendo Record Co. Archived from the original on 2 August 2002. Retrieved 15 June 2013.
Jump up ^ Schorn, Peter (September 26, 2005). "Star Trek Enterprise - Season Three". IGN. Retrieved June 15, 2013.
^ Jump up to: a b Fries, Colin (20 May 2013). "Chronology of Wakeup Calls" (PDF). NASA. Archived from the original (PDF) on 18 June 2010. Retrieved 15 June 2013.
^ Jump up to: a b "Berman Defends 'Faith'". Sci-Fi Wire. 12 December 2001. Archived from the original on 20 February 2003. Retrieved 15 June 2013.
Jump up ^ Hiatt, Brian. "Sound Trek". Entertainment Weekly. Archived from the original on 8 November 2001. Retrieved 15 June 2013.
Jump up ^ "Interview: Simon Pegg". A.V. Club. Archived from the original on 5 July 2011. Retrieved 15 June 2013.
^ Jump up to: a b "Star Trek Enterprise - The Complete First Season". DVD Talk. 3 May 2005. Retrieved 15 June 2013.
Jump up ^ "Braga Pleased with 'Enterprise' Reception". TrekNation. 10 October 2001. Retrieved 15 June 2013.
Jump up ^ "Musical farewell to bishop". Manchester Evening News. 17 February 2007. Retrieved 15 June 2013.
Jump up ^ "Rod Stewart - Faith of the Heart". dutchcharts.nl. Archived from the original on 17 June 2013. Retrieved 15 June 2013.
Jump up ^ "Search Results: Faith of the Heart". Official Charts Company. Retrieved 15 June 2013.
Jump up ^ "Top RPM Country Tracks: Issue 7470." RPM. Library and Archives Canada. March 8, 1999. Retrieved September 5, 2013.
Jump up ^ "Susan Ashton Chart History (Hot Country Songs)". Billboard.
External links[edit]
Lyrics of this song at MetroLyrics
hide
v
t
e
Rod Stewart singles
1970s
"It's All Over Now" (1970)
"Reason to Believe"/"Maggie May" (1971)
"Every Picture Tells a Story"/"Reason to Believe" (1971) Spain only
"(I Know) I'm Losing You"/"Mandolin Wind" (1971)
"Handbags and Gladrags" (1972)
"You Wear It Well" (1972)
"Angel" (1972)
"What's Made Milwaukee Famous (Has Made a Loser Out of Me)" (1972)
"Twistin' the Night Away" (1973, 1987)
"Oh! No Not My Baby" (1973)
"Farewell" / "You Send Me" (1973)
"Mine for Me" (1974)
"You Can Make Me Dance, Sing or Anything" (1974) Stewart/Faces
"Sailing" (1975)
"This Old Heart of Mine" (1975)
"Tonight's the Night" (1976)
"The Killing of Georgie" (1976)
"Get Back" (1976)
"The First Cut Is the Deepest" (1977)
"I Don't Want to Talk About It" (1977, 1990)
"You're in My Heart (The Final Acclaim)" (1978)
"Hot Legs" (1978)
"I Was Only Joking" (1978)
"Da Ya Think I'm Sexy?" (1978, 1997)
"Ain't Love a Bitch" (1979)
"Blondes (Have More Fun)" (1979)
1980s
"(If Loving You Is Wrong) I Don't Want to Be Right" (1980)
"Passion" (1980)
"Tonight, I'm Yours (Don't Hurt Me)" (1981)
"Young Turks" (1982)
"How Long?" (1982)
"Baby Jane" (1983)
"That's What Friends Are For" (1983)
"Infatuation" (1984)
"Some Guys Have All the Luck" (1984)
"All Right Now" (1984)
"People Get Ready" (1985, 1991, 1993) Stewart/Beck
"Love Touch" (1986)
"In My Life" (1987)
"Forever Young" (1988)
"My Heart Can't Tell You No" (1988)
"This Old Heart of Mine (Is Weak for You)" (1989)Stewart/Isley
"Downtown Train" (1989)
1990s
"It Takes Two" (1990)Stewart/Turner
"Rhythm of My Heart" (1991)
"The Motown Song" (1991)
"Your Song" (1992)
"Ruby Tuesday" (1993)
"Have I Told You Lately" (1993)
"Reason to Believe" (unplugged, 1993)
"All for Love" (1993) Stewart/Adams/Sting
"Leave Virginia Alone" (1995)
"Lady Luck" (1996)
"Ooh La La" (1998)
"Rocks" (1998)
"Cigarettes and Alcohol" (1998)
"Faith of the Heart" (1999)
2000s
"These Foolish Things" (2002)
"They Can't Take That Away from Me" (2003)
"Time After Time" (2003)
"What a Wonderful World" (2004)
"Blue Moon" (2004)
"Baby, It's Cold Outside" (2005)
"I've Got a Crush on You" (2005)
"I've Got My Love to Keep Me Warm" (2006)
"Have You Ever Seen the Rain?" (2006)
2010s
"Let It Snow! Let It Snow! Let It Snow!" (2012)
"Have Yourself a Merry Little Christmas" (2012)
"Everyday" (2015)
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Star Trek: Enterprise
Primary characters
Jonathan Archer
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Phlox
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Hoshi Sato
T'Pol
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Episodes
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2
3
4
Other topics
Awards
Cast
Enterprise (NX-01)
Novels
Recurring characters
Soundtrack
Theme song
Russell Watson
Xindi
Category
Retrieved from "https://en.wikipedia.org/w/index.php?title=Faith_of_the_Heart&oldid=811561551"
Categories:
1999 singles
Rod Stewart songs
Songs written by Diane Warren
Songs written for films
Susan Ashton songs
Rock ballads
Music based on Star Trek
1998 songs
Television theme songs
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Bacterial small RNA
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Bacterial small RNAs (sRNA) are small RNAs produced by bacteria; they are 50- to 500-nucleotide non-coding RNA molecules, highly structured and containing several stem-loops.[1][2] Numerous sRNAs have been identified using both computational analysis and laboratory-based techniques such as Northern blotting, microarrays and RNA-Seq[3] in a number of bacterial species including Escherichia coli,[4][5][6] the model pathogen Salmonella,[7] the nitrogen-fixing alphaproteobacterium Sinorhizobium meliloti,[8] marine cyanobacteria,[9] Francisella tularensis (the causative agent of tularaemia),[10] Streptococcus pyogenes[11], the pathogen Staphylococcus aureus[12], and the plant pathogen Xanthomonas oryzae pathovar oryzae.[13] Bacterial sRNAs effect how genes are expressed within bacterial cells via interaction with mRNA or protein, and thus can effect a variety of bacterial functions like metabolism, virulence, environmental stress response, and structure.[7][12]
Contents
[hide]
1 Origin
2 Techniques
3 Function
3.1 House-keeping
3.2 Stress response
3.3 Regulation of RpoS
3.4 Regulation of outer membrane proteins
3.5 Virulence
3.6 Quorum sensing
3.7 Biofilm Formation
3.8 Antibiotic Resistance
4 Target prediction
5 Databases
6 See also
7 References
Origin[edit]
In the 1960s, the abbreviation sRNA was used to refer to "soluble RNA," which is now known as transfer RNA or tRNA (for an example of the abbreviation used in this sense, see[14]). It is now known that most bacterial sRNAs are encoded by free-standing genes located in the intergenic regions (IGR) between two known genes.[3][6] However, a class of sRNAs are shown to be derived from the 3'-UTR of mRNAs by independent transcription or nucleolytic cleavage.[15]
The first bacterial sRNA was discovered and characterized in 1984. MicF in E. coli was found to regulate the expression of a key structural gene that makes up the outer membrane of the E. coli cell.[16] Shortly after, the Staphylococcus aureus sRNA RNAIII was found to act as a global regulator of S. aureus virulence and toxin secretion.[16] Since these initial discoveries, over six thousand bacterial sRNAs have been identified, largely through RNA-sequencing experiments.[17]
Techniques[edit]
Several laboratory and bioinformatic techniques can be used to identify and characterize sRNA transcripts.[3]
RNA-sequencing, or RNA-seq, is used to analyze expression levels of all transcripts in a genome, including sRNAs.[18]
Microarrays use complementary DNA probes to bind to possible sRNA loci in intergenic regions.[3]
Northern blotting can reveal possible sRNA transcript size and expression levels by running a mixed RNA sample on an agarose gel and probing for a desired sRNA.[3]
Target prediction software can predict possible interactions between sRNAs and mRNA by finding regions of complementarity within sRNA and mRNA target sequences.[19]
RNase crosslinking can experimentally validate sRNA and mRNA interactions by crosslinking a sRNA and its target with UV light, along with RNase enzymes that are also usually involved in the interaction. The sRNA:mRNA hybrid can then be isolated and analyzed.[20]
Function[edit]
Four common mechanisms of bacterial sRNA interaction with mRNA or protein targets.
Bacterial sRNAs have a wide variety of regulatory mechanisms. Generally, sRNAs can bind to protein targets and modify the function of the bound protein.[21] Alternately, sRNAs may interact with mRNA targets and regulate gene expression by binding to complementary mRNA and blocking transcription, or by unmasking or blocking the ribosome-binding site.[21]
sRNAs that interact with mRNA can also be categorized as cis- or trans-acting. Cis-acting sRNAs interact with genes encoded on the same genetic locus as the sRNA.[22] Some cis-acting sRNAs act as riboswitches, which have receptors for specific environmental or metabolic signals and activate or repress genes based on these signals.[16] Conversely, trans-encoded sRNAs interact with genes on separate loci.[1]
House-keeping[edit]
Amongst the targets of sRNAs are a number of house-keeping genes. The 6S RNA binds to RNA polymerase and regulates transcription, tmRNA has functions in protein synthesis, including the recycling of stalled ribosomes, 4.5S RNA regulates signal recognition particle (SRP), which is required for the secretion of proteins and RNase P is involved in maturing tRNAs.[23][24]
Stress response[edit]
Many sRNAs are involved in stress response regulation.[25] They are expressed under stress conditions such as cold shock, iron depletion, onset of the SOS response and sugar stress.[24] The small RNA nitrogen stress-induced RNA 1 (NsiR1) is produced by Cyanobacteria under conditions of nitrogen deprivation.[26] Cyanobacteria NisR8 and NsiR9 sRNAs could be related to the differentiation of nitrogen-fixing cells (heterocysts).[27]
Regulation of RpoS[edit]
The RpoS gene in E. coli encodes sigma 38, a sigma factor which regulates stress response and acts as a transcriptional regulator for many genes involved in cell adaptation. At least three sRNAs, DsrA, RprA and OxyS, regulate the translation of RpoS. DsrA and RprA both activate RpoS translation by base pairing to a region in the leader sequence of the RpoS mRNA and disrupting formation of a hairpin which frees up the ribosome loading site. OxyS inhibits RpoS translation. DsrA levels are increased in response to low temperatures and osmotic stress, and RprA levels are increased in response to osmotic stress and cell-surface stress, therefore increasing RpoS levels in response to these conditions. Levels of OxyS are increased in response to oxidative stress, therefore inhibiting RpoS under these conditions.[24][28][29]
Regulation of outer membrane proteins[edit]
The outer membrane of gram negative bacteria acts as a barrier to prevent the entry of toxins into the bacterial cell, and plays a role in the survival of bacterial cells in diverse environments. Outer membrane proteins (OMPs) include porins and adhesins. Numerous sRNAs regulate the expression of OMPs. The porins OmpC and OmpF are responsible for the transport of metabolites and toxins. The expression of OmpC and OmpF is regulated by the sRNAs MicC and MicF in response to stress conditions.[30][31][32] The outer membrane protein OmpA anchors the outer membrane to the murein layer of the periplasmic space. Its expression is downregulated in the stationary phase of cell-growth. In E. coli the sRNA MicA depletes OmpA levels, in Vibrio cholerae the sRNA VrrA represses synthesis of OmpA in response to stress.[30][33]
Virulence[edit]
In some bacteria sRNAs regulate virulence genes. In Salmonella, the pathogenicity island encoded InvR RNA represses synthesis of the major outer membrane protein OmpD; another co-activated DapZ sRNA from 3'-UTR represses abundant membrane Opp/Dpp transporters of oligopeptides;[15] and SgrS sRNA regulates the expression of the secreted effector protein SopD.[7] In Staphylococcus aureus, RNAIII regulates a number of genes involved in toxin and enzyme production and cell-surface proteins.[24] The FasX sRNA is the only well-characterized regulatory RNA known to control the regulation of several virulence factors in Streptococcus pyogenes, including both cell-surface associated adhesion proteins as well as secreted factors.[34][35][36][37]
Quorum sensing[edit]
In Vibrio species, the Qrr sRNAs and the chaperone protein Hfq are involved in the regulation of quorum sensing. Qrr sRNAs regulate the expression of several mRNAs including the quorum-sensing master regulators LuxR and HapR.[38][39]
See also: VqmR sRNA
Biofilm Formation[edit]
Biofilm is a type of bacterial growth pattern where multiple layers of bacterial cells adhere to a host surface. This mode of growth is often found in pathogenic bacteria, including Pseudomonas aeruginosa, which can form persistent biofilm within the respiratory tract and cause chronic infection.[40] The P. aeruginosa sRNA SbrA was found to be necessary for full biofilm formation and pathogenicity.[40] A mutant P. aeruginosa strain with SbrA deleted formed a 66% smaller biofilm and its ability to infect a nematode model was reduced by nearly half when compared to wildtype P. aeruginosa.[40]
Antibiotic Resistance[edit]
Several bacterial sRNAs are involved in the regulation of genes that confer antibiotic resistance.[41] For example, the sRNA DsrA regulates a drug efflux pump in E. coli, which is a system that mechanically pumps antibiotic out of bacterial cells.[41] E. coli MicF also contributes to antibiotic resistance of cephalosporins, as it regulates membrane proteins involved in uptake of these class of antibiotics.[41]
Target prediction[edit]
In order to understand an sRNA's function one primarily needs to describe its targets. Here, target predictions represent a fast and free method for initial characterization of putative targets, given that the sRNA actually exerts its function via direct base pairing with a target RNA. Examples are CopraRNA,[42][43] IntaRNA,[43][44] TargetRNA[19] and RNApredator.[45] It has been shown that target prediction for enterobacterial sRNAs can benefit from transcriptome wide Hfq-binding maps.[46]
Databases[edit]
BSRD (kwanlab.bio.cuhk.edu.hk/BSRD) is a repository for published sRNA sequences with multiple annotations and expression profiles.[17]
SRD (srd.genouest.org/) is a database of Staphylococcus aureus sRNAs with sequences, predicted structures, and genome start and end sites.[47]
sRNAdb (http://srnadb.fb11.uni-giessen.de/sRNAdb) is a databse of sRNAs from Gram-positive bacterial species with sequence annotation.[48]
See also[edit]
5 prime ureB sRNA
Aar small RNA, an sRNA produced by species of Acinetobacter
Bacillus subtilis BSR sRNAs
Escherichia coli sRNA
Mycobacterium tuberculosis sRNA
Non-coding RNA
Xanthomonas sRNA
Brucella sRNA
Anti small RNA
Riboswitches
MicF, the first characterized chromosomal sRNA
RNAIII, the first characterized bacterial sRNA found to influence virulence
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The Dish
From Wikipedia, the free encyclopedia
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This article is about the film. For the radio telescope in the hills above Stanford University, see the Dish (landmark). For the television program, see The Dish (TV series).
The Dish
Promotional poster
Directed by
Rob Sitch
Produced by
Santo Cilauro
Tom Gleisner
Michael Hirsh
Jane Kennedy
Rob Sitch
Written by
Santo Cilauro
Tom Gleisner
Jane Kennedy
Rob Sitch
Starring
Sam Neill
Kevin Harrington
Tom Long
Patrick Warburton
Music by
Edmund Choi
Edited by
Jill Bilcock
Distributed by
Roadshow Entertainment (Australia)
Warner Bros. (United States and Canada)
Icon Entertainment International (UK)
Release date
Toronto International Film Festival
15 September 2000
Australia
19 October 2000
Running time
101 minutes
Country
Australia
Language
English
The Dish is a 2000 Australian film that tells a somewhat fictionalised story of the Parkes Observatory's role in relaying live television of man's first steps on the Moon during the Apollo 11 mission in 1969. It was the top grossing Australian film in Australia in 2000.
Contents
1 Plot
1.1 Accuracy
2 Cast
3 Production
4 Box office
5 Reception
6 See also
7 References
8 External links
Plot[edit]
The radio telescope at Parkes (Parkes Observatory), New South Wales, Australia, was used by NASA throughout the Apollo program to receive signals in the Southern Hemisphere, along with the NASA Honeysuckle Creek Tracking Station near Canberra.
In the days before the July 1969 space mission that marked mankind's first steps on the Moon, NASA was working with a group of Australian technicians who had agreed to engineer a space-to-earth interface to carry the video and telemetry signals from the Lunar Lander on the Moon and relay them to the rest of the global audience, estimated then at some 600 million people. The actual dish antenna used had to be large as the signals expected from the spacecraft were very weak and easily lost. NASA had to use the Parkes radio telescope situated in the middle of an Australian sheep farm. There were some background concerns at NASA about using the Parkes antenna, mainly technical, as the signals had to go via point to point microwave links to get re-transmitted globally.
Based on a true story, The Dish takes a sometimes comical look at the differing cultural attitudes between Australia and the U.S. while revisiting one of the greatest events in history. It depicts the activities in a control room of a radio telescope doing a job it was not originally expected to do. The film depicts some animosity between the Australian staff and the NASA representative, but they come together as a team when one of the locals fails to properly service a backup generator, putting their part in the mission at risk. They apply all their science skills to reacquire the signal and cover their mistake, so that everything works out in the end. The directors of the film portray, quite accurately, what is in essence, a complex technical task, such as re-pointing the dish when it loses the signal's "lock" and deciding to use it when the wind whips up threatening to damage the structure. The film dramatises the team-work of a few technicians, who sometimes nearly lose their tempers with each other, painted against a backdrop of proud Australian townfolk, with visiting dignitaries hoping nothing will go wrong at the crucial moment.
Accuracy[edit]
Although based on true events, the film uses fictional characters and alters historical details for dramatic effect. NASA's Honeysuckle Creek and Goldstone stations both had the signal first, but Parkes' signal was used soon after the beginning of the moonwalk. No power failure occurred, there was no friction with the NASA representatives (of whom there were several, not just one)[1], and Prime Minister John Gorton visited Honeysuckle Creek, not Parkes. They did, however, operate in very high winds gusting to 110 km/h (68 mph) at 60 degrees inclination, risking damage to the dish and even injury to themselves to keep the antenna pointed at the Moon during the moonwalk.[2]
Cast[edit]
Sam Neill as Cliff Buxton
Patrick Warburton as Al Burnett
Tom Long as Glenn Latham
Kevin Harrington as Ross "Mitch" Mitchell
Roy Billing as Bob McIntyre
Eliza Szonert as Janine Kellerman
Tayler Kane as Rudi Kellerman
Billy Mitchell as Cameron
Roz Hammond as Miss Nolan
Christopher-Robin Street as Damien
Luke Keltie as Graeme
Naomi Wright as Melanie
Ben Wright-Smith as Nicholas
Beverley Dunn as Secretary v/o
Grant Thompson as Mr. Callen
Bille Brown as Prime Minister John Gorton
Lenka Kripac as Marie McIntyre
Neil Pigot as the newspaper reporter
Frank Bennett as Barry Steele
Production[edit]
The Parkes 64-metre radio telescope at the Parkes Observatory in New South Wales, Australia (the bigger of the two) Picture credit: CSIRO
Play media
ABC news report on the role of the Parkes radio telescope and the Honeysuckle Creek Tracking Station, broadcast a week before the Moon landing
Much of the film was shot on location; the "cricket match" and "hayride" scenes were shot on the real dish and researchers often postponed experiments to position the dish for photography.[3] The set reconstructing the 1969 control room was extremely accurate, down to some details as small as ashtrays. Some of the "props" were in fact original NASA equipment used during the Apollo 11 landing, left behind in Australia as they were too heavy (i.e. too expensive) to ship back to the U.S.[3] Staff from that era expressed amazement at seeing the set; they said it was like stepping through a time warp.[3]
The Dish was written by Santo Cilauro, Tom Gleisner, Jane Kennedy and Rob Sitch and directed by Sitch[4][5].
Apart from the radio telescope scenes, the majority of the movie was actually filmed in the small town of Forbes 33 km (21 mi) south of Parkes because of its old historic buildings, and also in Old Parliament House in Canberra, and Crawford Studios in Melbourne.[citation needed]
Box office[edit]
The Dish grossed $17,999,473 at the box office in Australia,[6] and was the top grossing Australian film in Australia in 2000.[7]
Reception[edit]
On the review aggregator website Rotten Tomatoes the film holds a 96% fresh rating.[8]
See also[edit]
Cinema of Australia
References[edit]
Jump up ^ Barkham, Patrick (25 May 2001). "Dishing up an Australian legend". The Guardian. Retrieved 1 October 2018.
Jump up ^ "Apollo 11 Moon landing". Commonwealth Scientific and Industrial Research Organisation. Retrieved 24 October 2015.
^ Jump up to: a b c "The Dish Official Site - Production notes (Flash)". Warner Bros. Archived from the original on 28 January 2012.
Jump up ^ Bradshaw, Peter (11 May 2001). "The Dish". the Guardian. Retrieved 1 October 2018.
Jump up ^ Holden, Stephen (14 March 2001). "A Weak Link, But You Still Want to Cheer". New York TImes. Retrieved 1 October 2018.
Jump up ^ "Australian Films at the Australian Box Office" (PDF). Film Victoria. Archived from the original (PDF) on 23 July 2011.
Jump up ^ "Box office: Australia: Top 5 each year". Australian Film Commission. Archived from the original on 29 March 2002. Retrieved 2 October 2018.
Jump up ^ "The Dish". Rotten Tomatoes. Retrieved 1 October 2018.
External links[edit]
Wikiquote has quotations related to: The Dish
Official website, thedishmovie.warnerbros.com (2012 archive)
The Dish on IMDb
The Dish at Box Office Mojo
The Dish at Oz Movies
The Apollo 11 Story on the Parkes Observatory website
"The Dish": Fact versus Fiction — a quick comparison
The dish and the great beyond (vodcast)
Visiting the Parkes radio telescope (CSIRO website)
Josh Olson on The Dish at Trailers from Hell
hide
v
t
e
AACTA Award for Best Original Music Score
1975–2000
The Cars That Ate Paris and The Great McCarthy – Bruce Smeaton (1975)
Not awarded (1976)
The Picture Show Man – Peter Best (1977)
The Chant of Jimmie Blacksmith – Bruce Smeaton (1978)
Mad Max – Brian May (1979)
Manganinnie – Peter Sculthorpe (1980)
Fatty Finn – Rory O'Donoghue and Grahame Bond (1981)
The Man from Snowy River – Bruce Rowland (1982)
Phar Lap – Bruce Rowland (1983)
Street Hero – Garth Porter and Bruce Smeaton (1984)
Rebel – Ray Cook, Chris Neal, Peter Best, Billy Byers, Bruce Rowland (1985)
Young Einstein – William Motzing and Martin Armiger (1986)
The Tale of Ruby Rose – Paul Schütze (1987)
The Lighthorsemen – Mario Millo (1988)
Dead Calm – Graeme Revell (1989)
The Big Steal – Phil Judd (1990)
Dingo – Michel Legrand and Miles Davis (1991)
Romper Stomper – John Clifford White (1992)
The Piano – Michael Nyman (1993)
Traps – Douglas Stephen Rae (1994)
Hotel Sorrento – Nerida Tyson-Chew (1995)
Shine – David Hirschfelder (1996)
Doing Time for Patsy Cline – Peter Best (1997)
Oscar and Lucinda – Thomas Newman (1998)
In a Savage Land – David Bridie (1999)
Bootmen – Cezary Skubiszewski (2000)
2001–present
The Dish – Edmund Choi (2001)
Rabbit-Proof Fence – Peter Gabriel (2002)
Japanese Story – Elizabeth Drake (2003)
Somersault – Decoder Ring (2004)
The Proposition – Nick Cave and Warren Ellis (2005)
Suburban Mayhem – Mick Harvey (2006)
The Home Song Stories – Antony Partos (2007)
Unfinished Sky – Antony Partos (2008)
Mao's Last Dancer – Christopher Gordon (2009)
Animal Kingdom – Antony Partos and Sam Petty (2010)
The Hunter – Andrew Lancaster, Michael Lira and Matteo Zingales (2011)
Not Suitable for Children – Matteo Zingales and Jono Ma (2012)
The Great Gatsby – Craig Armstrong (2013)
The Railwayman – David Hirschfelder (2014)
Mad Max: Fury Road – Tom Holkenborg (2015)
Tanna – Antony Partos (2016)
Lion – Volker Bertelmann and Dustin O'Halloran (2017)
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English-language films
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