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I Wanna Be with You (Mandy Moore song)
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"I Wanna Be With You"
Single by Mandy Moore
from the album I Wanna Be with You
B-side
"Let Me Be the One" "Love Shot"
Released
April 11, 2000
Format
CD single
Recorded
December 1999
The Bennet House, Franklin, Tennessee
Metropolis, South-Melbourne, Australia
Genre
Pop
R&B
Length
4:15 (album version)
4:20 (Soul Solution remix)
5:02 (Center Stage soundtrack)
Label
Epic
Songwriter(s)
Shelly Peiken
Tiffany Arbuckle
Keith Thomas
Producer(s)
Keith Thomas
Mandy Moore singles chronology
"So Real"
(2000) "I Wanna Be With You"
(2000) "In My Pocket"
(2001)
Music video
"I Wanna Be with You" on YouTube
Audio sample
file
help
"I Wanna Be With You" is a song by American pop singer Mandy Moore. It was released as the only single from Moore's second studio album of the same name on April 11, 2000, one day after Moore's 16th birthday. The song received positive reviews from critics, who complimented Moore's mature vocals and the song's arrangement. The song peaked at number 24 in the United States Billboard Hot 100, becoming Moore's first and only top 30 single in the US to date. The song also peaked at number 13 in Australia and was certified Gold by ARIA. It also peaked at number 21 in the UK, 66 in Austria and 70 in Germany. The song was featured on the soundtrack to the 2000 film Center Stage. The music video for the song, directed by Nigel Dick showed Moore singing the song to her love interest in a dance studio.
Contents
1 Composition
2 Chart success
3 Reception
4 Music video
5 Formats
6 Credits and personnel
7 Charts
7.1 Certifications
8 References
Composition[edit]
"I Wanna Be with You" is a string-heavy pop song with slight R&B influenced beats. The song is written in the key of E♭ Major and is set in the time signature of common time. It is moderately paced with a tempo of 76 beats per minute. The song also follows the sequence of Ebmaj7–Ab–Eb7–Abmaj7 as its chord progression. Moore's vocals in the song spans from the note of A♭3 to D♭5.[1] The version used in the film has more poppy beats.[2]
Chart success[edit]
The single was released in early 2000 and soon became Moore's highest charting song in the US at number 24, becoming her only top 40 song in the nation. It spent 16 weeks on the Billboard Hot 100, and peaked during its 9th week on the chart.[3] As the date, "I Wanna Be with You" has sold 32,000 physical copies and 315,000 paid digital downloads according to Nielsen Soundscan.[4] The single was more successful in Australia, spending over 25 weeks in the top 100 and reaching number 11 on the ARIA charts. It also reached number 21 in the UK, becoming her second, and so far, last single to chart there.
Reception[edit]
Billboard praised the song and said, "Top 40 programmers and listeners alike will love Moore more with this track...just delightful."[5] Allmusic chose the song as a highlight track on the album of the same name.[6]
Music video[edit]
The song's video was directed by Nigel Dick. It gained a lot of airplay on MTV and the song was also featured on the soundtrack to the film "Center Stage" The video shows a 16-year-old Mandy in a dance studio singing to her love interest, who was played by Sascha Radetsky from the movie.
"I Wanna Be With You" is the last song by Moore to chart so far on the Billboard Hot 100. Mandy continued her success in Australia with the following two singles, "In My Pocket" and "Crush" from her follow-up album of 2001, Mandy Moore.
Formats[edit]
Australian CD Single
"I Wanna Be With You" - 4:12
"Let Me Be the One" - 3:48
"Candy" - (Rhythm Masters club mix) - 7:35
"I Wanna Be With You" - (Soul Solution remix - extended) - 10:16
Single Pt.1
"I Wanna Be With You" 4:14
"Let Me Be The One" 3:49
"Love Shot" 4:24
12" Single
"I Wanna Be With You" (Soul Solution Mix)
"I Wanna Be With You" (Soul Solution Dub)
Center Stage Soundtrack
"I Wanna Be With You" - 5:02
UK Maxi CD Single
"I Wanna Be With You" (Radio Edit) 4:12
"I Wanna Be With You" (Soul Solution Remix Extended) 10:16
"Candy" (Rhythm Masters Club Mix) 7:35
Brazil Maxi CD Single, Promo
"I Wanna Be With You" (Album Version)
"I Wanna Be With You" (Soul Solution Radio Edit Remix)
"I Wanna Be With You" (Soul Solution Remix)
"I Wanna Be With You" (Soul Solution Dub Remix)
UK CD Single
"I Wanna Be With You" (Radio Edit)
"I Wanna Be With You" (Soul Solution Remix - Radio Edit)
Mexico CD Single, Promo
"I Wanna Be With You" (Radio Edit)
Credits and personnel[edit]
Lead Vocals - Mandy Moore
Written-By - Shelly Peiken, Tiffany Arbuckle
Written-By, Producer, Arranged By - Keith Thomas
Backing Vocals - Tiffany Arbuckle
Bass Guitar, Acoustic Guitar, Drum Programming, Synthesizer - Keith Thomas
Electric Guitar - Jerry McPhershon, Kenny Greenberg
Engineer [Assistant] - Hadyn Buxton
Engineer, Mixed By - Bill Whittington
Producer [Production Coordinator], Programmed By [Pro Tools Editing] - Shaun Shankel
Programmed By [Additional Programming] - Dan Muckala
Credits adapted from I Wanna Be with You liner notes.[7]
Charts[edit]
Chart (2000)
Peak
position
Australia (ARIA)[8]
13
Canada (Canadian Hot 100)[9]
24
Europe (European Hot 100 Singles)[10]
68
Ireland (IRMA)[11]
34
Scotland (Official Charts Company)[12]
19
UK Singles (Official Charts Company)[13]
21
US Billboard Hot 100[14]
24
US Mainstream Top 40 (Billboard)[15]
11
US Rhythmic (Billboard)[16]
31
US Radio Songs (Billboard)[17]
23
US Top 40 Tracks (Billboard)[18]
14
Certifications[edit]
Region
Certification
Certified units/Sales
Australia (ARIA)[19]
Gold 35,000^
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
Jump up ^ Keith, Thomas,. "Mandy Moore "I Wanna Be With You" Sheet Music in Eb Major - Download & Print". Musicnotes.com.
Jump up ^ [1][dead link]
Jump up ^ https://www.billboard.com/artist/309062/mandy+moore/chart
Jump up ^ "Billboard.com - Ask Billboard". Billboard. 2012-11-12. Archived from the original on 2012-07-24. Retrieved 2013-04-25.
Jump up ^ Inc, Nielsen Business Media (8 April 2000). "Billboard". Nielsen Business Media, Inc. – via Google Books.
Jump up ^ https://www.allmusic.com/album/r474542
Jump up ^ I Wanna Be with You (liner notes). Mandy Moore. Epic Records. 2000.
Jump up ^ "Australian-charts.com – Mandy Moore – I Wanna Be With You". ARIA Top 50 Singles.
Jump up ^ "Mandy Moore Chart History (Canadian Hot 100)". Billboard.
Jump up ^ "Euro Chart Hot 100" (PDF). Music & Media. 2000-08-26. p. 7. Retrieved June 6, 2018.
Jump up ^ "Chart Track: Week 32, 2000". Irish Singles Chart. Retrieved June 6, 2018.
Jump up ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company.
Jump up ^ "Official Singles Chart Top 100". Official Charts Company.
Jump up ^ "Mandy Moore Chart History (Hot 100)". Billboard.
Jump up ^ "Mandy Moore Chart History (Pop Songs)". Billboard.
Jump up ^ "Mandy Moore". Billboard.
Jump up ^ "Mandy Moore". Billboard.
Jump up ^ "Artist Search for "mandy moore"". AllMusic.
Jump up ^ "ARIA Charts – Accreditations – 2001 Singles". Australian Recording Industry Association. Retrieved 6 January 2014.
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text:
Good Vibrations (Marky Mark and the Funky Bunch song)
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"Good Vibrations"
US commercial cassette single
Single by Marky Mark and the Funky Bunch featuring Loleatta Holloway
from the album Music for the People
B-side
"So What Chu Sayin"
Released
July 16, 1991
Format
7"
maxi CD
Genre
Pop-rap
new jack swing
hip hop
eurodance
Length
4:25
Label
Interscope
Songwriter(s)
Donnie Wahlberg
Mark Wahlberg
Amir Quadeer Shakir
Dan Hartman
Producer(s)
Donnie Wahlberg
Marky Mark and the Funky Bunch singles chronology
"Good Vibrations"
(1991) "Wildside"
(1991)
"Good Vibrations"
(1991) "Wildside"
(1991)
Loleatta Holloway singles chronology
"So Sweet"
(1987) So Sweet1987 "Good Vibrations"
(1991) Good Vibrations1991 "Take Me Away"
(1992) Take Me Away1992
"Good Vibrations" is a song by American group Marky Mark and the Funky Bunch. It was released in July 1991 as the lead single from their debut album Music for the People. The song became a number-one hit in the United States, Denmark, Sweden and Switzerland. The single spent twenty weeks on the Billboard Hot 100, its last week rising 40 positions to number 27, but dropped out the following week.
Contents
[hide]
1 Background
2 Critical reception
3 Music video
4 Track listings
5 Charts
5.1 Peak positions
5.2 Year-end charts
5.3 Certifications
6 References
7 External links
Background[edit]
"Good Vibrations" was written by Amir Quadeer Shakir, aka "M.C. Spice", a good friend of Donnie Wahlberg, Mark Wahlberg, and Dan Hartman. Quadeer also wrote and produced Wildside for Mark Wahlberg's debut LP as well as three other songs. M.C. Spice is featured on the song "Peace" with Mark and the crew and has contributed to the Wahlberg's second LP. The song featured a sample of Loleatta Holloway singing "Love Sensation", written by Dan Hartman. Holloway made an appearance performing the chorus in the music video.
Critical reception[edit]
The Gavin Report wrote about the song: "Bustin' out of Boston, Donnie Wahlberg's younger brother, Marky Mark, is kickin' it and makin' one serious debut! The Wahlberg Brothers wrote and produced this hot track—something they deserve to point to with pride. Credit Loletta Holloway with takin' it up more than a few notches on a chorus nothing short of incredible."[1]
Music video[edit]
The black and white video featured a 20-year-old Marky Mark working out and boxing barechested, and making out with a girl on a bed. Boxer Micky Ward is credited for helping with the boxing technique and training used for this video. Mark Wahlberg first met Micky Ward when he was 18 and later played him on the big screen in the 2010 film The Fighter. The music video was produced by David Horgan and directed by Scott Kalvert.
Track listings[edit]
CD maxi
"Good Vibrations" (club dub) — 5:22
"Good Vibrations" — 4:29
"Good Vibrations" (instrumental dub) — 5:02
"So What Chu Sayin" — 4:41
7" single
"Good Vibrations" — 4:29
"So What Chu Sayin" — 4:41
Charts[edit]
Peak positions[edit]
Chart (1991)
Peak
position
Australia (ARIA)[2] 4
Austria (Ö3 Austria Top 40)[3] 15
Belgium (Ultratop 50 Flanders)[4] 8
Canada (RPM)[5] 7
Canada Dance (RPM)[6] 2
Denmark (IFPI)[7] 1
Finland (Suomen virallinen lista)[8] 8
France (SNEP)[9] 35
Germany (Official German Charts)[10] 3
Ireland (IRMA)[11] 16
Netherlands (Dutch Top 40)[12] 10
Netherlands (Single Top 100)[13] 8
New Zealand (Recorded Music NZ)[14] 8
Norway (VG-lista)[15] 2
Sweden (Sverigetopplistan)[16] 1
Switzerland (Schweizer Hitparade)[17] 1
United Kingdom (The Official Charts Company)[18] 14
U.S. Billboard Hot 100[19] 1
U.S. Billboard Hot Dance Club Play[19] 10
U.S. Billboard Hot Dance Music/Maxi-Singles Sales[19] 1
U.S. Billboard Hot R&B/Hip-Hop Songs[19] 64
Year-end charts[edit]
Chart (1991)
Position
Canada Dance (RPM)[20] 27
Canada (RPM)[21] 91
Netherlands (Dutch Top 40)[22] 88
U.S. Billboard Hot 100[23] 20
Certifications[edit]
Country
Certification
Date
Sales certified
U.S.[24] Gold September 12, 1991 500,000
References[edit]
Jump up ^ Sholin, Dave (July 5, 1991). "Gavin Picks > Singles" (PDF). Gavin Report. No. 1863. p. 52. Retrieved April 17, 2018.
Jump up ^ "Australian-charts.com – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations". ARIA Top 50 Singles.
Jump up ^ "Austriancharts.at – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations" (in German). Ö3 Austria Top 40.
Jump up ^ "Ultratop.be – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations" (in Dutch). Ultratop 50.
Jump up ^ Canada peak
Jump up ^ Canada dance peak
Jump up ^ "Top 10 Denmark" (PDF). Music & Media. Retrieved March 21, 2018.
Jump up ^ Pennanen, Timo (2006). Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Tammi. ISBN 978-951-1-21053-5.
Jump up ^ "Lescharts.com – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations" (in French). Les classement single.
Jump up ^ "Musicline.de – Marky Mark and the Funky Bunch feat. Loletta Holloway Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH.
Jump up ^ Irish Single Chart Irishcharts.ie Archived 2010-01-05 at the Wayback Machine. (Retrieved April 7, 2008)
Jump up ^ "Nederlandse Top 40 – Marky Mark and the Funky Bunch feat. Loletta Holloway" (in Dutch). Dutch Top 40.
Jump up ^ "Dutchcharts.nl – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations" (in Dutch). Single Top 100.
Jump up ^ "Charts.org.nz – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations". Top 40 Singles.
Jump up ^ "Norwegiancharts.com – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations". VG-lista.
Jump up ^ "Swedishcharts.com – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations". Singles Top 100.
Jump up ^ "Swisscharts.com – Marky Mark and the Funky Bunch feat. Loletta Holloway – Good Vibrations". Swiss Singles Chart.
Jump up ^ UK Singles Chart Chartstats.com (Retrieved April 7, 2008)
^ Jump up to: a b c d Billboard Allmusic.com (Retrieved April 7, 2008)
Jump up ^ Canada dance end of year peak
Jump up ^ Canada singles end of year peak
Jump up ^ "Single top 100 over 1991" (pdf) (in Dutch). Top40. Retrieved 13 April 2010.
Jump up ^ "Billboard Top 100 - 1991". Archived from the original on 2009-07-07. Retrieved 2009-09-15.
Jump up ^ U.S. certifications riaa.com (Retrieved August 6, 2008)
External links[edit]
Lyrics of this song at MetroLyrics
Preceded by
"I Adore Mi Amor" by Color Me Badd Billboard Hot 100 number one single
October 5, 1991 (1 week) Succeeded by
"Emotions" by Mariah Carey
Preceded by
"(Everything I Do) I Do It for You" by Bryan Adams Swedish number one single
November 6, 1991 (1 week) Succeeded by
"Black or White" by Michael Jackson
Swiss number one single
November 17, 1991 (1 week) Succeeded by
"(Everything I Do) I Do It for You" by Bryan Adams
[hide]
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Marky Mark
Ashey Ace
Scottie Gee
Hector the Booty Inspector
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"Good Vibrations"
"Wildside"
"United"
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Good_Vibrations_(Marky_Mark_and_the_Funky_Bunch_song)&oldid=836891212"
Categories:
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text:
I Do Like To be Beside the Seaside
From Wikipedia, the free encyclopedia
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"I Do Like to Be Beside the Seaside" is a popular British music hall song. It was written in 1907 by John A. Glover-Kind[1] and made famous by music hall singer Mark Sheridan who first recorded it in 1909.[2] It speaks of the singer's love for the seaside, and his wish to return there for his summer holidays each year. It was composed at a time when the yearly visits of the British working-class to the seaside were booming.
It was, for a long time, used as a signature tune by Reginald Dixon MBE, who was the resident organist at the Tower Ballroom, Blackpool between 1930-70.
Lyrics[edit]
Now everybody likes to spend their summer holiday
down beside the side of the silvery sea.
I'm no exception to the rule, in fact, if I'd me way,
I'd reside by the side of the silvery sea.
But when you're just the common or garden Smith or Jones or Brown
at business up in town, you're got to settle down.
You save your money all the year 'til summer comes around.
Then away you go to a place you know, where the cockle shells are found.
Oh! I do like to be beside the seaside!
I do like to be beside the sea!
I do like to stroll along the Prom, Prom, Prom!
Where the brass bands play, "Tiddely-om-pom-pom!"
So just let me be beside the seaside!
I'll be beside myself with glee
and there's lots of girls beside,
I should like to be beside, beside the seaside,
beside the sea!
Now William Sykes for burglary been out to work one night,
and filled his bag with cash and jewels and plate.
And Constable Brown felt no surprised when William hove in sight.
Said he, "The hours you're keeping are far too late."
So he grabbed him by the collar and lodged him safe and sound in jail.
Next morning looking pale, Bill told a tearful tale.
The judge said, "For a couple of months I'm sending you away!"
Said Bill, "How kind! Well if you don't mind, Where I spend my holiday!"
Oh! I do like to be beside the seaside!
I do like to be beside the sea!
I do like to stroll along the Prom, Prom, Prom!
Where the brass bands play, "Tiddely-om-pom-pom!"
So just let me be beside the seaside!
I'll be beside myself with glee
and there's lots of girls beside,
I should like to be beside, beside the seaside,
beside the sea!
References in culture[edit]
Cavalcade (1933), starring Diana Wynyard and Clive Brook, shows the song being performed by seaside entertainers in a scene set in 1909.
Sylvia Scarlett (1935), starring Katharine Hepburn and Cary Grant.
Bank Holiday (1938), starring Margaret Lockwood and Hugh Williams. The tune is used as a theme several times during the film.
The Adventures of Sherlock Holmes (1939), starring Basil Rathbone, involves a heavily disguised Holmes singing the song. An anachronism, as the film was set in 1894 thirteen years before the song was written.[citation needed]
Mr. Moto's Last Warning (1939), starring Peter Lorre and George Sanders. The antagonist's (Ricardo Cortez) ventriloquism act features a dummy singing the song while he drinks a glass of water and smokes a cigarette.[citation needed]
Carry On... Follow That Camel (1967): when the foreign legionnaires become lost in the North African desert they sing the song.[citation needed]
Oh What a Lovely War (1969) features a pierside scene where Sir Douglas Haig is trying to recruit for the First World War, with the words of the song changed to “I do to like to see a lot of soldiers”.[citation needed]
The Doctor Who episodes Death to the Daleks and The Leisure Hive feature the song. In the first it was sung by the Doctor (Jon Pertwee) while in the second it was part of the music score of the episode.
The opening two sentences in the chorus are included at the end of the song Seven Seas Of Rhye (1974) from Queen. It is also whistled at the beginning of the song "Brighton Rock" from the Album Sheer Heart Attack.
The Goodies episode Holidays (1982) features the song as part of the "Victorian musical evening", at first sung only by Tim Brooke-Taylor, before Graeme Garden and Bill Oddie join in, and it becomes a punk rock song.
An Awfully Big Adventure (1994), starring Hugh Grant and Alan Rickman, includes a scene where two theatre troupes sing the chorus of the song while riding a bus to a football game.[citation needed]
Navy NCIS: Naval Criminal Investigative Service Season 7 Episode 18 (2010), starring David McCallum, includes a scene where he is walking by the seaside singing the song.
In Grand Theft Auto: The Lost and Damned the song is sung near the end of "Off Route" mission by cannibalistic serial killer Curtis Stocker.
Thomas & Friends episode Thomas the Quarry Engine (2014) ends with Mavis, Salty, Cranky, Thomas, and Porter singing the song. It is also sung in the episode "Toad and the Whale" (2015).
Mr. Bean (animated TV series) episode Holiday for Teddy ,Mr Bean sings the song.
The Vicar of Dibley, Dawn French, sings the chorus while intoxicated in the "Merry Christmas" episode .
In the Outlander (TV series), the song is sung by Claire Fraser to her stillborn child, Faith, in episode 207, "Faith" (2016).
References[edit]
Jump up ^ "© I Do Like To Be Beside The Seaside, English Music Hall Song, MIDI and Lyrics". Eastbournecousins.com. Retrieved 2012-01-11.
Jump up ^ "Biography Mark Sheridan Main Website". Marksheridan.org. Archived from the original on 2012-03-16. Retrieved 2012-01-11.
Retrieved from "https://en.wikipedia.org/w/index.php?title=I_Do_Like_To_be_Beside_the_Seaside&oldid=844828538"
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text:
Wooden nickel
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For the record label, see Wooden Nickel Records.
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2015) (Learn how and when to remove this template message)
Office for Emergency Management, War Production Board. (circa 1942-43)
In the United States, a wooden nickel is a wooden token coin, usually issued by a merchant or bank as a promotion, sometimes redeemable for a specific item such as a drink.
History[edit]
Scrip and tokens have often been issued locally in times of severe economic distress such as financial crises and the Civil War. During the Depression, a local bank in Tenino, Washington, issued emergency currency printed on thin shingles of wood.[1] Blaine, Washington, soon did the same with both flat scrip and, in response to requests generated by news and word of mouth, coins that included a 5-cent piece.[2] The Chicago World's Fair in 1933 issued wooden nickels as souvenirs, and the tradition of wooden nickels as tokens and souvenirs continues to the present day.[3]
In more recent times, wooden nickel trading has become more popular. Individuals can have their own personalized token made and then trade with others who also have had their own made. This is especially popular in geocaching.
An American adage, "Don't take any wooden nickels" is considered a lighthearted reminder to be cautious in one's dealings. This adage, too, precedes the use of wooden nickels as a replacement currency, suggesting that its origins lie not in the genuine monetary value of nickels but rather in their purely commemorative nature.[4][5][6]
See also[edit]
Elongated coin
Sales tax token
Slug (coin)
References[edit]
Jump up ^ http://teninodepotmuseum.org/wooden_money_5.html.
Jump up ^ Richard Clark, Sam Hill’s Peace Arch, AuthorHouse (2005), p. 230, and http://www.nationalsilverdollarroundtable.org/?p=1179.
Jump up ^ John Blackwell, “Brother, Can You Spare Some Scrip?” Coinage Magazine, June 2009.
Jump up ^ Price, Steven (June 22, 2011). Endangered Phrases: Intriguing Idioms Dangerously Close to Extinction. Skyhorse Publishing. p. 67. ISBN 978-1616082475. Don't let yourself be cheated. This expression was first heard in the early 20th century. Although there never were any wooden nickels as legal tender, country folk going to a city were likely to be cheated by all manner of ruses, including obviously counterfeit coins. Wooden nickels did exist, however, as bank promotions during and after the Great Depression; the “coins” were redeemable for prizes.
Jump up ^ Bruce, Elyse (January 4, 2011). "Don't Take Any Wooden Nickels". Historically Speaking. Retrieved January 9, 2017. However, the concept of wooden nickels was alive and well before the Depression Era as evidenced by an article in the Chicago Daily Tribune on February 11, 1925 reported: He was the kind of man who calls back, 'Don't take any wooden nickels' as he disappears through the door.
Jump up ^ Kipfer, Barbara Ann; Chapman, Robert L. (September 4, 2007). The Dictionary of American Slang (4 ed.). HarperCollins. ISBN 978-0061176463. Retrieved January 9, 2017. Take care of yourself; good-bye, and watch yourself •Used as an amiable parting salutation (1915+)

This coin-related article is a stub. You can help Wikipedia by expanding it.
v
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Big Dipper
From Wikipedia, the free encyclopedia
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This article is about the asterism. For other uses, see Big Dipper (disambiguation).
The asterism of the Big Dipper (shown in this star map in green) lies within the constellation of Ursa Major.
The Big Dipper (US) or the Plough (UK)[1][2] is an asterism consisting of seven bright stars of the constellation Ursa Major;[3][4][5][6] six of them are of second magnitude and one, Megrez (δ), of third magnitude. Four define a "bowl" or "body" and three define a "handle" or "head". It is recognized as a distinct grouping in many cultures.
The North Star (Polaris), the current northern pole star and the tip of the handle of the Little Dipper, can be located by extending an imaginary line through the front two stars of the asterism, Merak (β) and Dubhe (α). This makes it useful in celestial navigation.
Contents
[hide]
1 Names and places
1.1 Western astronomy
1.2 Asian traditions
2 Stars
3 Guidepost
4 Cultural associations
5 See also
6 References
Names and places[edit]
The Big Dipper seen from Kauai.
The constellation of Ursa Major has been seen as a bear, a wagon, or a ladle. The "bear" tradition is Greek, but apparently the name "bear" has parallels in Siberian or North American traditions.[7] [8][9]
Western astronomy[edit]
The name "Bear" is Homeric, and apparently native to Greece, while the "Wain" tradition is Mesopotamian. Book XVIII of Homer's Iliad mentions it as "the Bear, which men also call the Wain".[10] In Latin, these seven stars were known as the "Seven Oxen" (septentriones, from septem triōnēs).[11] The classical mythographer identified the "Bear" as the nymph Callisto, changed into a she-bear by Hera, the jealous wife of Zeus.
In Ireland and the United Kingdom, this pattern is known as the Plough. The symbol of the Starry Plough has been used as a political symbol by Irish Republican and left wing movements. Former names include the Great Wain (i.e., wagon) or Butcher's Cleaver. The terms Charles's Wain and Charles his Wain are derived from the still older Carlswæn.[12] A folk etymology holds that this derived from Charlemagne, but the name is common to all the Germanic languages and intended the churls' wagon (i.e., "the men's wagon"), in contrast with the women's wagon (the Little Dipper).[13][14] An older "Odin's Wain" may have preceded these Nordic designations.[12]
In German, it is known as the "Great Wagon" (Großer Wagen) and, less often, the "Great Bear" (Großer Bär). In Scandinavia, it is known by variations of "Charles's Wagon" (Karlavagnen, Karlsvogna, or Karlsvognen), but also the "Great Bear" (Stora Björn). In Dutch, its official name is the "Great Bear" (Grote Beer), but it is popularly known as the "Saucepan" (Steelpannetje). In Italian, too, it is called the "Great Wagon" (Grande Carro).[citation needed]
In Romanian and most Slavic languages, it is known as the "Great Wagon" as well, but, in Hungarian, it is commonly called "Göncöl's Wagon" (Göncölszekér) or, less often, "Big Göncöl" (Nagy Göncöl) after a táltos (shaman) in Hungarian mythology who carried medicine that could cure any disease. In Finnish, the figure is known as the "Salmon Net" (Otava) and widely used as a cultural symbol.[15] The brown bear in Finnish actually became known as otava, but this is claimed to stem from its resemblance to—and mythical origin from—the asterism rather than vice versa.[16][17]
In the Lithuanian language, the stars of Ursa Major are known as Didieji Grįžulo Ratai ("Stars of the Riding Hall's Wheels"). Other names for the constellation include Perkūno Ratai ("Wheels of Perkūnas"), Kaušas ("Bucket"), Vežimas ("Carriage"), and Samtis ("Summit").
Asian traditions[edit]
The Hall of the Big Dipper in a Taoist temple, Wuhan
In traditional Chinese astronomy, which continues to be used for throughout East Asia (e.g., in astrology), these stars are generally considered to compose the Right Wall of the Purple Forbidden Enclosure which surrounds the Northern Celestial Pole, although numerous other groupings and names have been made over the centuries. Similarly, each star has a distinct name, which likewise has varied over time and depending upon the asterism being constructed.[18] The Western asterism is now known as the "Northern Dipper" (北斗) or the "Seven Stars of the Northern Dipper" (Chinese and Japanese: 北斗七星; pinyin: Běidǒu Qīxīng; Cantonese Yale: Bak¹-dau² Cat¹-sing¹; rōmaji: Hokutō Shichisei; Korean: 북두칠성; romaja: Bukdu Chilseong; Vietnamese: Sao Bắc Đẩu). The personification of the Big Dipper itself is also known as "Doumu" (斗母) in Chinese folk religion and Taoism, and Marici in Buddhism.
In Shinto, the seven largest stars of Ursa Major belong to Amenominakanushi, the oldest and most powerful of all kami.
In South Korea, the constellation is referred to as "the seven stars of the north". In the related myth, a widow with seven sons found comfort with a widower, but to get to his house required crossing a stream. The seven sons, sympathetic to their mother, placed stepping stones in the river. Their mother, not knowing who put the stones in place, blessed them and, when they died, they became the constellation.
In Malaysian, it is known as the "Dipper Stars" (Buruj Biduk); in Indonesian, as the "Canoe Stars" (Bintang Biduk).[19]
In Burmese, these stars are known as Pucwan Tārā (ပုဇွန် တာရာ, pronounced "bazun taya"). Pucwan (ပုဇွန်) is a general term for a crustacean, such as prawn, shrimp, crab, lobster, etc.
In Javanese, as known as "Bintang Kartika". This name comes from Sanskrit which refers "krttikã" the same star cluster. In ancient Javanese this brightest seven stars are known as Lintang Wuluh, literally means "seven stars". This star cluster is so popular because its emergence into the sky signals the time marker for planting.
In Hindu astronomy, it is referred to as the "Collection of Seven Great Sages" (Saptarshi Mandala), as each star is named after a mythical Hindu sage.[citation needed]
An Arabian story has the four stars of the Plough's bowl as a coffin, with the three stars in the handle as mourners, following it.[citation needed]
In Mongolian, it is known as the "Seven Gods" (Долоон бурхан).[citation needed] In Kazakh, they are known as the Jetiqaraqshi (Жетіқарақшы) and, in Kyrgyz, as the Jetigen (Жетиген).[citation needed]
Stars[edit]
Within Ursa Major the stars of the Big Dipper have Bayer designations in consecutive Greek alphabetical order from the bowl to the handle.
The Big Dipper's bowl and part of the handle photographed from the International Space Station. Mizar and Alcor are at the upper right.
Proper
Name
Bayer
designation
Apparent
magnitude
Distance
(l yrs)
Dubhe α UMa 1.8 124
Merak β UMa 2.4 79
Phecda γ UMa 2.4 84
Megrez δ UMa 3.3 58
Alioth ε UMa 1.8 81
Mizar ζ UMa 2.1 78
Alkaid η UMa 1.9 101
In the same line of sight as Mizar, but about one light-year beyond it, is the star Alcor (80 UMa). Together they are known as the "Horse and Rider". At fourth magnitude, Alcor would normally be relatively easy to see with the unaided eye, but its proximity to Mizar renders it more difficult to resolve, and it has served as a traditional test of sight. Mizar itself has four components and thus enjoys the distinction of being part of an optical binary as well as being the first-discovered telescopic binary (1617) and the first-discovered spectroscopic binary (1889).
4D proper moving in -/+ 150 000 years. 3D red cyan glasses are recommended to view this image correctly.
Five of the stars of the Big Dipper are at the core of the Ursa Major Moving Group. The two at the ends, Dubhe and Alkaid, are not part of the swarm, and are moving in the opposite direction. Relative to the central five, they are moving down and to the right in the map. This will slowly change the Dipper's shape, with the bowl opening up and the handle becoming more bent. In 50,000 years the Dipper will no longer exist as we know it, but be re-formed into a new Dipper facing the opposite way. The stars Alkaid to Phecda will then constitute the bowl, while Phecda, Merak, and Dubhe will be the handle.
Guidepost[edit]
Guide to using Big Dipper to locate Arcturus, Spica, and Polaris
Not only are the stars in the Big Dipper easily found themselves, they may also be used as guides to yet other stars. Thus it is often the starting point for introducing Northern Hemisphere beginners to the night sky:
Polaris, the North Star, is found by imagining a line from Merak (β) to Dubhe (α) and then extending it for five times the distance between the two Pointers.
Extending a line from Megrez (δ) to Phecda (γ), on the inside of the bowl, leads to Regulus (α Leonis) and Alphard (α Hydrae). A mnemonic for this is "A hole in the bowl will leak on Leo."
Extending a line from Phecda (γ) to Megrez (δ) leads to Thuban (α Draconis), which was the pole star 4,000 years ago.
Crossing the top of the bowl from Megrez (δ) to Dubhe (α) takes one in the direction of Capella (α Aurigae). A mnemonic for this is "Cap to Capella."
Castor (α Geminorum) is reached by imagining a diagonal line from Megrez (δ) to Merak (β) and then extending it for approximately five times that distance.
By following the curve of the handle from Alioth (ε) to Mizar (ζ) to Alkaid (η), one reaches Arcturus (α Boötis) and Spica (α Virginis). A mnemonic for this is "Arc to Arcturus then speed (or spike) to Spica."
Additionally, the Dipper may be used as a guide to telescopic objects:
The approximate location of the Hubble Deep Field can be found by following a line from Phecda (γ) to Megrez (δ) and continuing on for the same distance again.
Crossing the bowl diagonally from Phecda (γ) to Dubhe (α) and proceeding onward for a similar stretch leads to the bright galaxy pair M81 and M82.
Two spectacular spiral galaxies flank Alkaid (η), the Pinwheel (M101) to the north and the Whirlpool (M51) to the south.
Projecting a line from Alkaid through the pole star will point to Cassiopeia.
Cultural associations[edit]
The "Starry Plough", used by Irish nationalists and leftists.
The "Seven Stars" referenced in the Bible's Book of Amos[20] may refer to these stars or, more likely, to the Pleiades.
In addition, the constellation has also been used in corporate logos[21] and the Alaska flag. The seven stars on a red background of the Flag of the Community of Madrid, Spain, are the stars of the Big Dipper Asterism. It can be said the same thing about the seven stars pictured in the bordure azure of the Coat of arms of Madrid, capital of that country.
See also[edit]
Star portal
Astronomy portal
Abenaki mythology
Amenominakanushi
Apkallu
Saptarishi
Seven Sages of Greece
Swastika symbols
Taidi
References[edit]
Jump up ^ Stern, David P. (23 April 2008). "Finding the Pole Star". Goddard Space Flight Center. Retrieved 31 August 2013.
Jump up ^ Rao, Joe (9 May 2008). "Doorstep Astronomy: See the Big Dipper". space.com. Retrieved 31 August 2013.
Jump up ^ Holbrook, J. C.; Baleisis, Audra (2008). "Naked-eye Astronomy for Cultural Astronomers". African Cultural Astronomy. Astrophysics and Space Science Proceedings. p. 53. Bibcode:2008ASSP....6...53H. ISBN 978-1-4020-6638-2. doi:10.1007/978-1-4020-6639-9_5.
Jump up ^ Olson, R. J. M.; Pasachoff, J. M. (1992). "The 1816 Solar Eclipse and the Comet 1811I in Linnell's Astronomical Album". Journal for the History of Astronomy. 23: 121. Bibcode:1992JHA....23..121O.
Jump up ^ John C. Barentine (4 April 2016). Uncharted Constellations: Asterisms, Single-Source and Rebrands. Springer. pp. 16–. ISBN 978-3-319-27619-9.
Jump up ^ Nemiroff, R.; Bonnell, J., eds. (21 April 2013). "Big Dipper". Astronomy Picture of the Day. NASA.
Jump up ^ "But whence came the same idea into the minds of our North American Indians? Was it by accident? or is it evidence of a common origin in the far antiquity of Asia? The conformation of the seven stars in no way resembles the animal, — indeed the contrary; yet they called them Okuari and Paukunawa, words for a "bear," before they were visited by the white men, as is attested by Le Clercq in 1691, by the Reverend Cotton Mather in 1712, by the Jesuit missionary La Fitau in 1724, and by the French traveler Charlevoix in 1744. And Bancroft wrote in his history of our country: [...] In justice, however, to their familiarity with a bear's anatomy, it should be said that the impossible tail of our Ursa was to them either Three Hunters, or a Hunter with his two Dogs, in pursuit of the creature; the star Alcor being the pot in which they would cook her. They thus avoided the incongruousness of the present astronomical ideas of Bruin's make-up, although their cooking-utensil was inadequate. The Housatonic Indians, who roamed over that valley from Pittsfield through Lenox and Stockbridge to Great Barrington, said that this chase of the stellar Bear lasted from the spring till the autumn, when the animal was wounded and its blood plainly seen in the foliage of the forest." Allen (1899), p. 423. c.f. Gibbon, William B. (1964). "Asiatic parallels in North American star lore: Ursa Major". Journal of American Folklore. 77 (305): 236–250. JSTOR 537746. doi:10.2307/537746.
Jump up ^ Bradley E Schaefer, The Origin of the Greek Constellations: Was the Great Bear constellation named before hunter nomads first reached the Americas more than 13,000 years ago!, Scientific American, November 2006, reviewed at The Origin of the Greek Constellations;[unreliable source?] Yuri Berezkin, The cosmic hunt: variants of a Siberian – North-American myth. Folklore, 31, 2005: 79-100.
Jump up ^ Julien d'Huy reconstructs the following Palaeolithic state of the story: "There is an animal that is a horned herbivore, probably an elk. One human pursues this ungulate. The hunt proceeds to the sky. The animal is alive when it is suddenly transformed into a constellation-- It forms the Big Dipper" d'Huy Julien, Un ours dans les étoiles: recherche phylogénétique sur un mythe préhistorique, Préhistoire du sud-ouest, 20 (1), 2012: 91-106; A Cosmic Hunt in the Berber sky : a phylogenetic reconstruction of Palaeolithic mythology, Les Cahiers de l'AARS, 15, 2012.
Jump up ^ Homer. "Book XVII". The Iliad. Translated by Samuel Butler.
Jump up ^ "Merriam-Webster dictionary". Retrieved 2017-06-06.
^ Jump up to: a b Hinckley Allen, Richard (1963). "Star Names: Their Lore and Meaning – "Ursa Major"".
Jump up ^ Bågenholm, Gösta. "Astro ordlista: Karlavagnen" [Astrological glossary: The Big Dipper]. 150 ord och begrepp inom astronomisk navigation (in Swedish). Archived from the original on 3 December 2005. "Som pendang till Karlavagnen kallas Lilla björn (latin Ursæ Minoris) för kvinnovagnen..." — as an appendix to the Men's Wagon, the Little Bear is called the Women's Wagon
Jump up ^ Hellquist, Elof (1922). Svensk etymologisk ordbok [Swedish etymological dictionary] (in Swedish). Karlavagnen: "I stället sammansatt" ... – "Instead composed from the appellative karl [man] in opposition to Icelandic kvennavagn [women's wagon]"
Jump up ^ Kaisa, Häkkinen (2007). Nykysuomen etymologinen sanakirja (in Finnish) (4th ed.). WSOY. ISBN 978-951-0-27108-7.
Jump up ^ Hämäläinen, Pirjo (11 November 2013). "Otavassa on orjan merkki". Kansan Uutiset (in Finnish). Retrieved 21 April 2014.
Jump up ^ Mykrä, Sakari. "Kahdensadan nimen kontio". Suurpedot.fi (in Finnish). Archived from the original on 9 February 2013. Retrieved 21 April 2014.
Jump up ^ See their individual pages.
Jump up ^ KBBI.
Jump up ^ Amos 5:8.
Jump up ^ Allen P. Adamson; Martin Sorrell (2007). Brandsimple: how the best brands keep it simple and succeed. Palgrave Macmillan. p. 101. ISBN 978-1-4039-8490-6. For an example see Iridium Satellite LLC.
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