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Audrey Hepburn
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Audrey Hepburn
Hepburn in 1956
Born
Audrey Kathleen Ruston
(1929-05-04)4 May 1929
Ixelles, Brussels, Belgium
Died
20 January 1993(1993-01-20) (aged 63)
Tolochenaz, Vaud, Switzerland
Cause of death
Appendiceal cancer
Resting place
Tolochenaz Cemetery, Tolochenaz, Vaud
Nationality
British
Other names
Edda van Heemstra
Audrey Kathleen Hepburn-Ruston
Occupation
Actress (1948–89)
Humanitarian (1988–92)
Spouse(s)
Mel Ferrer
(m. 1954; div. 1968)
Andrea Dotti
(m. 1969; div. 1982)
Partner(s)
Robert Wolders (1980–93; her death)
Children
Sean Hepburn Ferrer (de)
Luca Dotti
Parent(s)
Joseph Victor Anthony Ruston
Baroness Ella van Heemstra
Relatives
Baron Aarnoud van Heemstra (maternal grandfather)
Emma Ferrer
(granddaughter)
Signature
Audrey Hepburn (/ˈɔːdri ˈhɛpˌbɜːrn/; born Audrey Kathleen Ruston; 4 May 1929 – 20 January 1993) was a British actress, model, dancer and humanitarian. Recognised as a film and fashion icon, Hepburn was active during Hollywood's Golden Age. She was ranked by the American Film Institute as the third-greatest female screen legend in Golden Age Hollywood and was inducted into the International Best Dressed List Hall of Fame. Born in Ixelles, a district of Brussels, Hepburn spent her childhood between Belgium, England and the Netherlands. In Amsterdam, she studied ballet with Sonia Gaskell before moving to London in 1948, continuing her ballet training with Marie Rambert, and then performing as a chorus girl in West End musical theatre productions.
Following minor appearances in several films, Hepburn starred in the 1951 Broadway play Gigi after being spotted by French novelist Colette, on whose work the play was based. She shot to stardom for playing the lead role in Roman Holiday (1953), for which she was the first actress to win an Academy Award, a Golden Globe and a BAFTA Award for a single performance. The same year Hepburn won a Tony Award for Best Lead Actress in a Play for her performance in Ondine. She went on to star in a number of successful films, such as Sabrina (1954), The Nun's Story (1959), Breakfast at Tiffany's (1961), Charade (1963), My Fair Lady (1964) and Wait Until Dark (1967), for which she received Academy Award, Golden Globe and BAFTA nominations. Hepburn won three BAFTA Awards for Best British Actress in a Leading Role. In recognition of her film career, she was awarded the Lifetime Achievement Award from BAFTA, the Golden Globe Cecil B. DeMille Award, the Screen Actors Guild Life Achievement Award and the Special Tony Award. She remains one of the 12 people who have won Academy, Emmy, Grammy and Tony Awards.
Hepburn appeared in fewer films as her life went on, devoting much of her later life to UNICEF. She had contributed to the organisation since 1954, then worked in some of the poorest communities of Africa, South America and Asia between 1988 and 1992. She was awarded the Presidential Medal of Freedom in recognition of her work as a UNICEF Goodwill Ambassador in December 1992. A month later, Hepburn died of appendiceal cancer at her home in Switzerland at the age of 63.
Contents
[hide]
1 Early life
1.1 Family and early childhood (1929–1938)
1.2 Experiences during World War II (1939–1945)
2 Entertainment career
2.1 Ballet studies and early acting roles (1945–1952)
2.2 Roman Holiday and stardom (1953–1960)
2.3 Breakfast at Tiffany's and continued success (1961–1967)
2.4 Semi-retirement and final projects (1968–1993)
3 Humanitarian career
3.1 1988–1989
3.2 1990–1992
3.3 Recognition
4 Personal life
4.1 Marriages, relationships and children
4.2 Illness and death
5 Legacy
5.1 Style icon
6 Filmography and stage roles
7 Awards
8 See also
9 References
9.1 Notes
9.2 Citations
9.3 Sources
10 Further reading
11 External links
Early life[edit]
Family and early childhood (1929–1938)[edit]
Hepburn was born Audrey Kathleen Ruston or Edda Kathleen Hepburn-Ruston[1] on 4 May 1929 at number 48 Rue Keyenveld in Ixelles, a municipality in Brussels, Belgium.[2]
Her father, Joseph Victor Anthony Ruston (21 November 1889 – 16 October 1980), was a British subject born in Auschitz, Bohemia, Austria-Hungary.[3][a] He was the son of Victor John George Ruston, of British and Austrian descent[4] and Anna Wels, of Austrian descent.[5] In 1923-24, Joseph had briefly been an honorary British consul in Samarang in the Dutch East Indies[6] and prior to his marriage to Hepburn's mother he had been married to Cornelia Bisschop, a Dutch heiress.[3][7] Although born with the surname Ruston, he later double-barrelled his name to the more "aristocratic" Hepburn-Ruston, mistakenly believing himself descended from James Hepburn, third husband of Mary, Queen of Scots.[4][7]
Hepburn's mother, Baroness Ella van Heemstra (12 June 1900 – 26 August 1984), was a Dutch noblewoman. She was the daughter of Baron Aarnoud van Heemstra, who served as mayor of Arnhem from 1910 to 1920 and as Governor of Dutch Suriname from 1921 to 1928, and Baroness Elbrig Willemine Henriette van Asbeck (1873–1939).[8] At the age of nineteen, Ella had married Jonkheer Hendrik Gustaaf Adolf Quarles van Ufford, an oil executive based in Batavia, Dutch East Indies, where they subsequently lived.[9] They had two sons, Jonkheer Arnoud Robert Alexander Quarles van Ufford (1920–1979) and Jonkheer Ian Edgar Bruce Quarles van Ufford (1924–2010), before divorcing in 1925.[7][10]
Hepburn's parents were married in Batavia in September 1926.[9] At the time, Ruston worked for a trading company, but soon after the marriage, the couple relocated to Europe, where he began working for a loan company. After a year in London, they moved to Brussels, where he had been assigned to open a branch office.[9][11] After three years spent travelling between Brussels, Arnhem, The Hague and London, the family settled in the suburban Brussels municipality of Linkebeek in 1932.[9][12] Hepburn's early childhood was sheltered and privileged.[9] As a result of her multinational background and travelling with her family due to her father's job,[13][b] she learned to speak five languages: Dutch and English from her parents, and later varying degrees of French, Spanish, and Italian.
In the mid-1930s, Hepburn's parents recruited and collected donations for the British Union of Fascists.[14] Joseph left the family abruptly in 1935 and moved to London, where he became more deeply involved in Fascist activity and never visited his daughter abroad.[15] Hepburn later professed that her father's departure was "the most traumatic event of my life".[9][16] That same year, her mother moved with Hepburn to her family's estate in Arnhem. Sometime in 1937, Ella and Hepburn moved to Kent, England, where Hepburn was educated at a small independent school in Elham.[17][18]
Hepburn's parents officially divorced in 1938. In the 1960s, Hepburn renewed contact with her father after locating him in Dublin through the Red Cross; although he remained emotionally detached, Hepburn supported him financially until his death.[19]
Experiences during World War II (1939–1945)[edit]
After Britain declared war on Germany in September 1939, Hepburn's mother relocated her daughter back to Arnhem in the hope that, as during the First World War, the Netherlands would remain neutral and be spared a German attack. While there, Hepburn attended the Arnhem Conservatory from 1939 to 1945. She had begun taking ballet lessons during her last years at boarding school, and continued training in Arnhem under the tutelage of Winja Marova, becoming her "star pupil".[9] After the Germans invaded the Netherlands in 1940, Hepburn used the name Edda van Heemstra, because an "English-sounding" name was considered dangerous during the German occupation. Her family was profoundly affected by the occupation, with Hepburn later stating that "had we known that we were going to be occupied for five years, we might have all shot ourselves. We thought it might be over next week ... six months ... next year ... that's how we got through".[9] In 1942, her uncle, Otto van Limburg Stirum (husband of her mother's older sister, Miesje), was executed in retaliation for an act of sabotage by the resistance movement; while he had not been involved in the act, he was targeted due to his family's prominence in Dutch society.[9] Hepburn's half-brother Ian was deported to Berlin to work in a German labour camp, and her other half-brother Alex went into hiding to avoid the same fate.[9]
"We saw young men put against the wall and shot, and they'd close the street and then open it and you could pass by again...Don't discount anything awful you hear or read about the Nazis. It's worse than you could ever imagine."[9]
—Hepburn on the Nazi occupation of the Netherlands
After her uncle's death, Hepburn, Ella and Miesje left Arnhem to live with her grandfather, Baron Aarnoud van Heemstra, in nearby Velp.[9] Food was scarce during this time and during the Dutch famine of 1944 and 1945 Hepburn and her family had to use tulip bulbs to make flour for bread. Around the same time Hepburn also performed silent dance performances in order to raise money for the Dutch resistance effort.[20] It was long believed that during this time, Hepburn participated in the Dutch resistance.[9] In 2016, the Airborne Museum 'Hartenstein' reported that after extensive research it had not found any evidence of such activities.[21] In addition to other traumatic events, she witnessed the transportation of Dutch Jews to concentration camps, later stating that "more than once I was at the station seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon. I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on the train. I was a child observing a child."[22]
After the Allied landing on D-Day, living conditions grew worse and Arnhem was subsequently heavily damaged during Operation Market Garden. During the Dutch famine that followed in the winter of 1944, the Germans blocked the resupply routes of the Dutch people's already-limited food and fuel supplies as retaliation for railway strikes that were held to hinder German occupation. Like others, Hepburn's family resorted to making flour out of tulip bulbs to bake cakes and biscuits;[23][24] she developed acute anæmia, respiratory problems and edema as a result of malnutrition.[25] The van Heemstra family was also seriously financially affected by the occupation, during which many of their properties, including their principal estate in Arnhem, were badly damaged or destroyed.[26] The Allies liberated the Netherlands in May 1945, with the United Nations Relief and Rehabilitation Administration beginning the distribution of food and other essentials.[9][27]
Entertainment career[edit]
Ballet studies and early acting roles (1945–1952)[edit]
After the war ended in 1945, Hepburn moved with her mother and siblings to Amsterdam, where she began ballet training under Sonia Gaskell, a leading figure in Dutch ballet, and Russian Olga Tarassova.[28]
As the family's fortunes had been lost during the war, Ella supported them by working as a cook and housekeeper for a wealthy family.[29] Hepburn made her film debut in 1948, playing an air stewardess in Dutch in Seven Lessons, an educational travel film made by Charles van der Linden and Henry Josephson.[30]
Later that year, Hepburn moved to London to take up a ballet scholarship with Ballet Rambert, which was then based in Notting Hill. [31][c] She supported herself with part-time work as a model, and dropped "Ruston" from her surname. After she was told by Rambert that despite her talent, her height and weak constitution (the after-effect of wartime malnutrition) would make the status of prima ballerina unattainable, she decided to concentrate on acting.[32][33][34]
While Ella worked in menial jobs to support them, Hepburn appeared as a chorus girl[35] in the West End musical theatre revues High Button Shoes (1948) at the London Hippodrome, and Cecil Landeau's Sauce Tartare (1949) and Sauce Piquante (1950) at the Cambridge Theatre. During her theatrical work, she took elocution lessons with actor Felix Aylmer to develop her voice.[36] After being spotted by a casting director while performing in Sauce Piquante, Hepburn was registered as a freelance actress with the Associated British Picture Corporation. She appeared in the BBC Teleplay The Silent Village,[37] as well as minor roles in the 1951 films One Wild Oat, Laughter in Paradise, Young Wives' Tale and The Lavender Hill Mob, before being cast in her first major supporting role in Thorold Dickinson's The Secret People (1952), in which she played a prodigious ballerina, performing all of her own dancing sequences.[38]
Hepburn was then offered a small role in a film being shot in both English and French, Monte Carlo Baby (French: Nous Irons à Monte Carlo, 1952), which was filmed in Monte Carlo. Coincidentally, French novelist Colette was at the Hôtel de Paris in Monte Carlo during the filming, and decided to cast Hepburn in the title role in the Broadway play Gigi.[39] Hepburn went into rehearsals having never spoken on stage and required private coaching.[40] When Gigi opened at the Fulton Theatre on 24 November 1951, she received praise for her performance, despite criticism that the stage version was inferior to the French film adaptation.[41] Life called her a "hit",[41] while The New York Times stated that "her quality is so winning and so right that she is the success of the evening".[40] She also received a Theatre World Award for the role.[42] The play ran for 219 performances, closing on 31 May 1952,[42] before going on tour which began 13 October 1952 in Pittsburgh and visited Cleveland, Chicago, Detroit, Washington D.C. and Los Angeles before closing on 16 May 1953 in San Francisco.[9]
Roman Holiday and stardom (1953–1960)[edit]
Hepburn in a screen test for Roman Holiday (1953) which was also used as promotional material
Hepburn had her first starring role in Roman Holiday (1953), playing Princess Ann, a European princess who, while escaping the reins of royalty, falls in love with an American newsman (Gregory Peck). Its producers initially wanted Elizabeth Taylor for the role, but director William Wyler was so impressed by Hepburn's screen test that he cast her instead. Wyler later commented, "She had everything I was looking for: charm, innocence, and talent. She also was very funny. She was absolutely enchanting and we said, 'That's the girl!'"[43] Originally, the film was to have had only Gregory Peck's name above its title, with "Introducing Audrey Hepburn" beneath in smaller font. However, Peck suggested to Wyler that he elevate her to equal billing so that her name appeared before the title and in type as large as his: "You've got to change that because she'll be a big star and I'll look like a big jerk."[44]
The film was a box office success, and Hepburn gained critical acclaim for her portrayal, unexpectedly winning an Academy Award for Best Actress, a BAFTA Award for Best British Actress in a Leading Role, and a Golden Globe Award for Best Actress – Motion Picture Drama in 1953. In his review in The New York Times, A. H. Weiler wrote: "Although she is not precisely a newcomer to films Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgement of the end of that affair, she remains a pitifully lonely figure facing a stuffy future."[45]
Hepburn with William Holden in the film Sabrina (1954)
Hepburn was signed to a seven-picture contract with Paramount with 12 months in between films to allow her time for stage work.[46] She was featured on 7 September 1953 cover of TIME magazine, and also became noted for her personal style.[47] Following her success in Roman Holiday, Hepburn starred in Billy Wilder's romantic Cinderella-story comedy Sabrina (1954), in which wealthy brothers (Humphrey Bogart and William Holden) compete for the affections of their chauffeur's innocent daughter (Hepburn). For her performance, she was nominated for the 1954 Academy Award for Best Actress while winning the BAFTA Award for Best Actress in a Leading Role the same year. Bosley Crowther of The New York Times stated that she was "a young lady of extraordinary range of sensitive and moving expressions within such a frail and slender frame. She is even more luminous as the daughter and pet of the servants' hall than she was as a princess last year, and no more than that can be said."[48]
Hepburn also returned to the stage in 1954, playing a water spirit who falls in love with a human in the fantasy play Ondine on Broadway. A New York Times critic commented that "somehow Miss Hepburn is able to translate [its intangibles] into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage". Her performance won her the 1954 Tony Award for Best Performance by a Leading Actress in a Play the same year she won the Academy Award for Roman Holiday, making her one of three actresses to receive the Academy and Tony Awards for Best Actress in the same year (the other two are Shirley Booth and Ellen Burstyn).[49] During the production, Hepburn and her co-star Mel Ferrer began a relationship, and were married on 25 September 1954 in Switzerland.[50]
Hepburn and Mel Ferrer on the set of War and Peace
Although she appeared in no new film releases in 1955, Hepburn received the Golden Globe for World Film Favorite that year.[51] Having become one of Hollywood's most popular box-office attractions, she went on to star in a series of successful films during the remainder of the decade, including her BAFTA- and Golden Globe-nominated role as Natasha Rostova in War and Peace (1956), an adaptation of the Tolstoy novel set during the Napoleonic wars, starring Henry Fonda and her husband Mel Ferrer. In 1957, she exhibited her dancing abilities in her debut musical film, Funny Face (1957) wherein Fred Astaire, a fashion photographer, discovers a beatnik bookstore clerk (Hepburn) who, lured by a free trip to Paris, becomes a beautiful model. The same year Hepburn starred in another romantic comedy, Love in the Afternoon, alongside Gary Cooper and Maurice Chevalier.
Hepburn with Anthony Perkins in the film Green Mansions (1959)
Hepburn played Sister Luke in The Nun's Story (1959), which focuses on the character's struggle to succeed as a nun, alongside co-star Peter Finch. The role produced a third Academy Award nomination for Hepburn and earned her a second BAFTA Award. A review in Variety read, "Hepburn has her most demanding film role, and she gives her finest performance", while Films in Review stated that her performance "will forever silence those who have thought her less an actress than a symbol of the sophisticated child/woman. Her portrayal of Sister Luke is one of the great performances of the screen."[52] Reportedly, she spent hours in convents and with members of the Church to bring truth to her portrayal, stating that she "gave more time, energy and thought to this than to any of my previous screen performances."[53]
Following The Nun's Story, Hepburn received a lukewarm reception for starring with Anthony Perkins in the romantic adventure Green Mansions (1959), in which she played Rima, a jungle girl who falls in love with a Venezuelan traveller,[54] and The Unforgiven (1960), her only western film, in which she appeared opposite Burt Lancaster and Lillian Gish in a story of racism against a group of Native Americans.[55]
Breakfast at Tiffany's and continued success (1961–1967)[edit]
Hepburn in the opening scene of Breakfast at Tiffany's (1961), wearing the familiar little black dress by Givenchy and the Roger Scemama necklace
Hepburn next starred as New York call girl Holly Golightly in Blake Edwards's Breakfast at Tiffany's (1961), a film loosely based on the Truman Capote novella of the same name. Capote disapproved of many changes that were made to sanitise the story for the film adaptation, and would have preferred Marilyn Monroe to have been cast in the role, although he also stated that Hepburn "did a terrific job".[56] The character is considered one of the best-known in American cinema, and a defining role for Hepburn.[57] The dress she wears during the opening credits is considered an icon of the twentieth century and perhaps the most famous "little black dress" of all time.[58][59][60][61] Hepburn stated that the role was "the jazziest of my career"[62] yet admitted: "I'm an introvert. Playing the extroverted girl was the hardest thing I ever did."[63] She was nominated for an Academy Award for Best Actress for her performance.
Shirley MacLaine and Hepburn in the trailer for The Children's Hour (1961)
The same year, Hepburn also starred in William Wyler's controversial drama The Children's Hour (1961), in which she and Shirley MacLaine played teachers whose lives become troubled after a student accuses them of being lesbians.[57] Due to the social mores of the time, the film and Hepburn's performance went largely unmentioned, both critically and commercially. Bosley Crowther of The New York Times opined that the film "is not too well acted" with the exception of Hepburn who "gives the impression of being sensitive and pure" of its "muted theme",[64] while Variety magazine also complimented Hepburn's "soft sensitivity, mar-velous [sic] projection and emotional understatement" adding that Hepburn and MacLaine "beautifully complement each other".[65]
With Cary Grant in Charade (1963)
Hepburn next appeared opposite Cary Grant in the comic thriller Charade (1963), playing a young widow pursued by several men who chase the fortune stolen by her murdered husband. The 59-year-old Grant, who had previously withdrawn from the starring male lead roles in Roman Holiday and Sabrina, was sensitive about his age difference with 34-year-old Hepburn, and was uncomfortable about the romantic interplay. To satisfy his concerns, the filmmakers agreed to change the screenplay so that Hepburn's character romantically pursued his.[66] The film turned out to be a positive experience for him, stating that "All I want for Christmas is another picture with Audrey Hepburn."[67] The role earned Hepburn her third and final competitive BAFTA Award and another Golden Globe nomination. Critic Bosley Crowther was less kind to her performance, stating that "Hepburn is cheerfully committed to a mood of how-nuts-can-you-be in an obviously comforting assortment of expensive Givenchy costumes."[68]
Hepburn reteamed with her Sabrina co-star William Holden in Paris When It Sizzles (1964), a screwball comedy in which she played the young assistant of a Hollywood screenwriter, who aids his writer's block by acting out his fantasies of possible plots. Its production was troubled by a number of problems. Holden unsuccessfully tried to rekindle a romance with the now-married Hepburn, and his alcoholism was beginning to affect his work. After principal photography began, she demanded the dismissal of cinematographer Claude Renoir after seeing what she felt were unflattering dailies.[69] Superstitious, she also insisted on dressing room 55 because that was her lucky number and required that Givenchy, her long-time designer, be given a credit in the film for her perfume.[69] Dubbed "marshmallow-weight hokum" by Variety upon its release in April,[70] the film was "uniformly panned"[69] but critics were kinder to Hepburn's performance, describing her as "a refreshingly individual creature in an era of the exaggerated curve".[70]
Hepburn with cinematographer Harry Stradling, Jr. on the set of My Fair Lady
Hepburn's second film of 1964 was George Cukor's film adaptation of the stage musical My Fair Lady, released in November. Soundstage wrote that "not since Gone with the Wind has a motion picture created such universal excitement as My Fair Lady",[49] yet Hepburn's casting in the role of Cockney flower girl Eliza Doolittle sparked controversy. Julie Andrews, who had originated the role in the stage show, had not been offered the part because producer Jack L. Warner thought Hepburn or Elizabeth Taylor were more "bankable" propositions. Hepburn initially asked Warner to give the role to Andrews but was eventually cast. Further friction was created when, although non-singer Hepburn had sung in Funny Face and had lengthy vocal preparation for the role in My Fair Lady, her vocals were dubbed by Marni Nixon as the songs were not written for her vocal range.[71][72] Hepburn was initially upset and walked off the set when informed.[d]
The press further played up the fabricated rivalry between Hepburn and Andrews, when the latter won an Academy Award for Mary Poppins at the 37th Academy Awards (1964) but Hepburn was not even nominated, despite My Fair Lady's accumulation of eight out of a possible twelve awards. Regardless, critics greatly applauded Hepburn's "exquisite" performance.[72] Crowther wrote that "the happiest thing about [My Fair Lady] is that Audrey Hepburn superbly justifies the decision of Jack Warner to get her to play the title role."[71] Gene Ringgold of Soundstage also commented that "Audrey Hepburn is magnificent. She is Eliza for the ages",[49] while adding, "Everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice."[49]
As the decade carried on, Hepburn appeared in an assortment of genres including the heist comedy How to Steal a Million (1966) where she played the daughter of a famous art collector, whose collection consists entirely of forgeries. Fearing her father's exposure, she sets out to steal one of his priceless statues with the help of a man played by Peter O'Toole. It was followed by two films in 1967. The first was Two for the Road, a non-linear and innovative British dramedy that traces the course of a couple's troubled marriage. Director Stanley Donen said that Hepburn was more free and happy than he had ever seen her, and he credited that to co-star Albert Finney.[73] The second, Wait Until Dark, is a suspense thriller in which Hepburn demonstrated her acting range by playing the part of a terrorised blind woman. Filmed on the brink of her divorce, it was a difficult film for her, as husband Mel Ferrer was its producer. She lost fifteen pounds under the stress, but she found solace in co-star Richard Crenna and director Terence Young. Hepburn earned her fifth and final competitive Academy Award nomination for Best Actress; Bosley Crowther affirmed, "Hepburn plays the poignant role, the quickness with which she changes and the skill with which she manifests terror attract sympathy and anxiety to her and give her genuine solidity in the final scenes."[74]
Semi-retirement and final projects (1968–1993)[edit]
After 1967, Hepburn chose to devote more time to her family and acted only occasionally in the following decades. She attempted a comeback in 1976, playing Maid Marian in the period piece Robin and Marian with Sean Connery co-starring as Robin Hood, which was moderately successful. In 1979, Hepburn reunited with director Terence Young in the production of Bloodline, sharing top-billing with Ben Gazzara, James Mason and Romy Schneider. The film, an international intrigue amid the jet-set, was a critical and box-office failure. Hepburn's last starring role in a feature film was opposite Gazzara in the comedy They All Laughed (1981), directed by Peter Bogdanovich. The film was overshadowed by the murder of one of its stars, Dorothy Stratten, and received only a limited release. Six years later, Hepburn co-starred with Robert Wagner in a made-for-television caper film, Love Among Thieves (1987).
After finishing her last motion picture role in 1988—a cameo appearance as an angel in Steven Spielberg's Always—Hepburn completed only two more entertainment-related projects, both critically acclaimed. Gardens of the World with Audrey Hepburn was a PBS documentary series, which was filmed on location in seven countries in the spring and summer of 1990. A one-hour special preceded it in March 1991, and the series itself began airing the day after her death, 21 January 1993. For the debut episode, Hepburn was posthumously awarded the 1993 Emmy Award for Outstanding Individual Achievement – Informational Programming. The other project was a spoken word album, Audrey Hepburn's Enchanted Tales, which features readings of classic children's stories and was recorded in 1992. It earned her a posthumous Grammy Award for Best Spoken Word Album for Children.[75]
Humanitarian career[edit]
In the 1950s, Hepburn narrated two radio programmes for UNICEF, re-telling children's stories of war.[76] In 1989, Hepburn was appointed a Goodwill Ambassador of UNICEF. On her appointment, she stated that she was grateful for receiving international aid after enduring the German occupation as a child, and wanted to show her gratitude to the organisation.[77]
1988–1989[edit]
Hepburn's first field mission for UNICEF was to Ethiopia in 1988. She visited an orphanage in Mek'ele that housed 500 starving children and had UNICEF send food. Of the trip, she said,
"I have a broken heart. I feel desperate. I can't stand the idea that two million people are in imminent danger of starving to death, many of them children, [and] not because there isn't tons of food sitting in the northern port of Shoa. It can't be distributed. Last spring, Red Cross and UNICEF workers were ordered out of the northern provinces because of two simultaneous civil wars... I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die. Horrible. That image is too much for me. The 'Third World' is a term I don't like very much, because we're all one world. I want people to know that the largest part of humanity is suffering."[78]
In August 1988 Hepburn went to Turkey on an immunisation campaign. She called Turkey "the loveliest example" of UNICEF's capabilities. Of the trip, she said "the army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country. Not bad."[79] In October, Hepburn went to South America. Of her experiences in Venezuela and Ecuador, Hepburn told the United States Congress, "I saw tiny mountain communities, slums, and shantytowns receive water systems for the first time by some miracle – and the miracle is UNICEF. I watched boys build their own schoolhouse with bricks and cement provided by UNICEF."
Hepburn toured Central America in February 1989, and met with leaders in Honduras, El Salvador, and Guatemala. In April, she visited Sudan with Wolders as part of a mission called "Operation Lifeline". Because of civil war, food from aid agencies had been cut off. The mission was to ferry food to southern Sudan. Hepburn said, "I saw but one glaring truth: These are not natural disasters but man-made tragedies for which there is only one man-made solution – peace."[79] In October 1989, Hepburn and Wolders went to Bangladesh. John Isaac, a UN photographer, said, "Often the kids would have flies all over them, but she would just go hug them. I had never seen that. Other people had a certain amount of hesitation, but she would just grab them. Children would just come up to hold her hand, touch her – she was like the Pied Piper."[9]
1990–1992[edit]
In October 1990 Hepburn went to Vietnam, in an effort to collaborate with the government for national UNICEF-supported immunisation and clean water programmes. In September 1992, four months before she died, Hepburn went to Somalia. Calling it "apocalyptic", she said, "I walked into a nightmare. I have seen famine in Ethiopia and Bangladesh, but I have seen nothing like this – so much worse than I could possibly have imagined. I wasn't prepared for this."[79][80] Though scarred by what she had seen, Hepburn still had hope. "Taking care of children has nothing to do with politics. I think perhaps with time, instead of there being a politicisation of humanitarian aid, there will be a humanisation of politics."
Recognition[edit]
United States president George H. W. Bush presented Hepburn with the Presidential Medal of Freedom in recognition of her work with UNICEF, and the Academy of Motion Picture Arts and Sciences posthumously awarded her the Jean Hersholt Humanitarian Award for her contribution to humanity.[81][82] In 2002, at the United Nations Special Session on Children, UNICEF honoured Hepburn's legacy of humanitarian work by unveiling a statue, "The Spirit of Audrey", at UNICEF's New York headquarters. Her service for children is also recognised through the US Fund for UNICEF's Audrey Hepburn Society.[83][84]
Personal life[edit]
Marriages, relationships and children[edit]
With first husband Mel Ferrer in Mayerling
In 1952, Hepburn became engaged to James Hanson,[85] whom she had known since her early days in London. She called it "love at first sight", but after having her wedding dress fitted and the date set, she decided the marriage would not work because the demands of their careers would keep them apart most of the time.[86] She issued a public statement about her decision, saying "When I get married, I want to be really married".[87] In the early 1950s, she also dated future Hair producer Michael Butler.[88]
At a cocktail party hosted by mutual friend Gregory Peck, Hepburn met American actor Mel Ferrer, and suggested that they star together in a play.[49][49][89] The meeting led them to collaborate in Ondine, during which they began a relationship. Eight months later, on 25 September 1954, they were married in Bürgenstock, Switzerland,[90] while preparing to star together in the film War and Peace (1955).
Hepburn had two miscarriages, one in March 1955,[91] and another in 1959, after she fell from a horse during the filming of The Unforgiven (1960). When she became pregnant for the third time, she took a year off work to prevent miscarriage; their son, Sean Hepburn Ferrer, was born on 17 July 1960. She had two more miscarriages in 1965 and 1967.[92]
Hepburn and Andrea Dotti
Despite the insistence from gossip columns that their marriage would not last, Hepburn claimed that she and Ferrer were inseparable and happy together, though she admitted that he had a bad temper.[93] Ferrer was rumoured to be too controlling, and had been referred to by others as being her "Svengali" – an accusation that Hepburn laughed off.[94] William Holden was quoted as saying, "I think Audrey allows Mel to think he influences her." After a 14-year marriage, the couple divorced in 1968.[95]
President Ronald Reagan with Hepburn and Robert Wolders in 1981
Hepburn met her second husband, Italian psychiatrist Andrea Dotti, on a Mediterranean cruise with friends in June 1968. She believed she would have more children and possibly stop working. They married on 18 January 1969; their son, Luca Dotti, was born on 8 February 1970. While pregnant with Luca in 1969, Hepburn was more careful, resting for months before delivering the baby via caesarean section. She wanted to have a third child, but had another miscarriage in 1974.[96] Dotti was unfaithful and she had a romantic relationship with actor Ben Gazzara during the filming of the 1979 movie Bloodline.[97] The Dotti-Hepburn marriage lasted thirteen years and was dissolved in 1982.[98]
From 1980 until her death, Hepburn was in a relationship with Dutch actor Robert Wolders,[24] the widower of actress Merle Oberon. She had met Wolders through a friend during the later years of her second marriage. In 1989, she called the nine years she had spent with him the happiest years of her life, and stated that she considered them married, just not officially.[99]
Illness and death[edit]
Hepburn's grave in Tolochenaz, Switzerland
Upon returning from Somalia to Switzerland in late September 1992, Hepburn began suffering from abdominal pain. While initial medical tests in Switzerland had inconclusive results, a laparoscopy performed at the Cedars-Sinai Medical Center in Los Angeles in early November revealed a rare form of abdominal cancer belonging to a group of cancers known as pseudomyxoma peritonei.[100] Having grown slowly over several years, the cancer had metastasised as a thin coating over her small intestine. After surgery, Hepburn began chemotherapy.[101]
Hepburn and her family returned home to Switzerland to celebrate her last Christmas. As she was still recovering from surgery, she was unable to fly on commercial aircraft. Her longtime friend, fashion designer Hubert de Givenchy, arranged for socialite Rachel Lambert "Bunny" Mellon to send her private Gulfstream jet, filled with flowers, to take Hepburn from Los Angeles to Geneva. She spent her last days in hospice care at her home in Tolochenaz, Vaud and was occasionally well enough to take walks in her garden, but gradually became more confined to bedrest.[102]
On the evening of 20 January 1993, Hepburn died in her sleep at home. After her death, Gregory Peck went on camera and tearfully recited her favourite poem, "Unending Love" by Rabindranath Tagore.[103] Funeral services were held at the village church of Tolochenaz on 24 January 1993. Maurice Eindiguer, the same pastor who wed Hepburn and Mel Ferrer and baptised her son Sean in 1960, presided over her funeral, while Prince Sadruddin Aga Khan of UNICEF delivered a eulogy. Many family members and friends attended the funeral, including her sons, partner Robert Wolders, half-brother Ian Quarles van Ufford, ex-husbands Andrea Dotti and Mel Ferrer, Hubert de Givenchy, executives of UNICEF, and fellow actors Alain Delon and Roger Moore.[104] Flower arrangements were sent to the funeral by Gregory Peck, Elizabeth Taylor, and the Dutch royal family.[105] Later on the same day, Hepburn was interred at the Tolochenaz Cemetery.[106]
Legacy[edit]
Hepburn, c. 1956
"How shall I sum up my life?
I think I've been particularly lucky."
—  Audrey Hepburn[107]
Audrey Hepburn's legacy has endured long after her death. The American Film Institute named Hepburn third among the Greatest Female Stars of All Time. She is one of few entertainers who have won Academy, Emmy, Grammy and Tony Awards. She won a record three BAFTA Awards for Best British Actress in a Leading Role. In her last years, she remained a visible presence in the film world. She received a tribute from the Film Society of Lincoln Center in 1991 and was a frequent presenter at the Academy Awards. She received the BAFTA Lifetime Achievement Award in 1992. She was the recipient of numerous posthumous awards including the 1993 Jean Hersholt Humanitarian Award and competitive Grammy and Emmy Awards. She has been the subject of many biographies since her death including the 2000 dramatisation of her life titled The Audrey Hepburn Story which starred Jennifer Love Hewitt and Emmy Rossum as the older and younger Hepburn respectively.[108] In January 2009, Hepburn was named on The Times’ list of the top 10 British actresses of all time.[109]
Audrey Hepburn's Star on Hollywood Walk of Fame.
Hepburn's image is widely used in advertising campaigns across the world. In Japan, a series of commercials used colourised and digitally enhanced clips of Hepburn in Roman Holiday to advertise Kirin black tea. In the United States, Hepburn was featured in a 2006 Gap commercial which used clips of her dancing from Funny Face, set to AC/DC's "Back in Black", with the tagline "It's Back – The Skinny Black Pant". To celebrate its "Keep it Simple" campaign, the Gap made a sizeable donation to the Audrey Hepburn Children's Fund.[110] In 2012, Hepburn was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life that he most admires.[111] In 2013, a computer-manipulated representation of Hepburn was used in a television advert for the British chocolate bar Galaxy.[112][113] On 4 May 2014, Google featured a doodle on its homepage on what would have been Hepburn's 85th birthday.[114]
Audrey Hepburn wax figure at Madame Tussauds Vienna
Sean Ferrer founded the Audrey Hepburn Children's Fund[115] in memory of his mother shortly after her death. The US Fund for UNICEF also founded the Audrey Hepburn Society:[116] chaired by Luca Dotti, it celebrates UNICEF's biggest donors and has raised almost US$100,000,000 to date. Dotti also became patron of the Pseudomyxoma Survivor charity, dedicated to providing support to patients of the rare cancer Hepburn suffered from, pseudomyxoma peritonei,[117] and the rare disease ambassador since 2014 and for 2015 on behalf of European Organisation for Rare Diseases.[118]
Style icon[edit]
Hepburn with a short hair style and wearing one of her signature looks: black turtleneck, slim black trousers and ballet flats
Hepburn was noted for her fashion choices and distinctive look, to the extent that journalist Mark Tungate has described her as a recognisable brand.[119] When she first rose to stardom in Roman Holiday (1953), she was seen as an alternative feminine ideal that appealed more to women than to men, in comparison to the curvy and more sexual Grace Kelly and Elizabeth Taylor.[120][121] With her short hair style, thick eyebrows, slim body and "gamine" looks, she presented a look which young women found easier to emulate than those of more sexual film stars.[122] In 1954, fashion photographer Cecil Beaton declared Hepburn the "public embodiment of our new feminine ideal" in Vogue, and wrote that "Nobody ever looked like her before World War II ... Yet we recognise the rightness of this appearance in relation to our historical needs. The proof is that thousands of imitations have appeared."[121] The magazine and its British version frequently reported on her style throughout the following decade.[123] Alongside model Twiggy, Hepburn has been cited as one of the key public figures who made being very slim fashionable.[122]
Added to the International Best Dressed List in 1961, Hepburn was associated with a minimalistic style, usually wearing clothes with simple silhouettes which emphasised her slim body, monochromatic colours, and occasional statement accessories.[124] In the late 1950s, Audrey Hepburn popularised plain black leggings.[125] Academic Rachel Moseley describes the combination of "slim black trousers, flat ballet-style pumps and a fine black jersey" as one of her signature looks alongside little black dresses, noting that this style was new at the time when women still wore skirts and high heels more often than trousers and flat shoes.[122]
With George Peppard in Breakfast at Tiffany's (1961)
With Cary Grant in Charade (1963)
Hepburn was in particular associated with French fashion designer Hubert de Givenchy, who was first hired to design her on-screen wardrobe for her second Hollywood film, Sabrina (1954), when she was still unknown as a film actor and he a young couturier just starting his fashion house.[126] Although initially disappointed that "Miss Hepburn" was not Katharine Hepburn as he had mistakenly thought, Givenchy and Hepburn formed a lifelong friendship.[126][127] She became his muse,[126][127] and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'".[128]
In addition to Sabrina, Givenchy designed her costumes for Love in the Afternoon (1957), Breakfast at Tiffany's (1961), Funny Face (1957), Charade (1963), Paris When It Sizzles (1964) and How to Steal a Million (1966), as well as clothed her off screen.[126] According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently' in the mise-en-scène, but as 'fashion' becomes an attraction in the aesthetic in its own right".[129] Hepburn herself stated that Givenchy "gave me a look, a kind, a silhouette. He has always been the best and he stayed the best. Because he kept the spare style that I love. What is more beautiful than a simple sheath made an extraordinary way in a special fabric, and just two earrings?"[130] She also became the face of Givenchy's first perfume, L'Interdit, in 1957.[131] In addition to her partnership with Givenchy, Hepburn was credited with boosting the sales of Burberry trench coats when she wore one in Breakfast at Tiffany's, and was associated with Italian footwear brand Tod's.[132]
With Gregory Peck in Roman Holiday (1953)
In her private life, Hepburn preferred to wear casual and comfortable clothes, contrary to the haute couture she wore on screen and at public events.[133] Despite being admired for her beauty, she never considered herself attractive, stating in a 1959 interview that "you can even say that I hated myself at certain periods. I was too fat, or maybe too tall, or maybe just plain too ugly... you can say my definiteness stems from underlying feelings of insecurity and inferiority. I couldn't conquer these feelings by acting indecisive. I found the only way to get the better of them was by adopting a forceful, concentrated drive."[134] In 1989, she stated that "my look is attainable ... Women can look like Audrey Hepburn by flipping out their hair, buying the large glasses and the little sleeveless dresses."[124]
Hepburn's influence as a style icon continues several decades after the height of her acting career in the 1950s and 1960s. Moseley notes that especially after her death in 1993, she became increasingly admired, with magazines frequently advising readers on how to get her look and fashion designers using her as inspiration.[135][122] In 2004, Hepburn was named the "most beautiful woman of all time"[136] and "most beautiful woman of the 20th century"[137] in polls by Evian and QVC respectively, and in 2015, was voted "the most stylish Brit of all time" in a poll commissioned by Samsung.[138] Her film costumes fetch large sums of money in auctions: one of the "little black dresses" designed by Givenchy for Breakfast at Tiffany's was sold by Christie's for a record sum of £467,200 in 2006.[139][e]
On 19 April 2015 a robot called Sophia, modelled after Hepburn, was activated.[143][144]
Filmography and stage roles[edit]
Main article: Audrey Hepburn on screen and stage
Awards[edit]
Main article: List of awards and honours received by Audrey Hepburn
See also[edit]
Biography portal
Film portal
Fashion portal
List of persons who have won Academy, Emmy, Grammy, and Tony Awards
Black Givenchy dress of Audrey Hepburn
White floral Givenchy dress of Audrey Hepburn (Academy Awards, 1954)
References[edit]
Notes[edit]
Jump up ^ On Hepburn's birth certificate her father was stated to have been born in London. This was corrected in 1952 by her mother to "born in Onzic, Bohemia". Onzic is a misreading of Ouzic (German Auschiz), now Úžice in Czech Republic.
Jump up ^ Walker writes that it is unclear for what kind of company he worked; he was listed as a "financial adviser" in a Dutch business directory, and the family often travelled among the three countries.[13]
Jump up ^ She had been offered the scholarship already in 1945, but had had to decline it due to "some uncertainty regarding her national status".[26]
Jump up ^ Overall, about 90% of her singing was dubbed despite being promised that most of her vocals would be used. Hepburn's voice remains in one line in "I Could Have Danced All Night", in the first verse of "Just You Wait", and in the entirety of its reprise in addition to sing-talking in parts of "The Rain in Spain" in the finished film. When asked about the dubbing of an actress with such distinctive vocal tones, Hepburn frowned and said, "You could tell, couldn't you? And there was Rex, recording all his songs as he acted ... next time —" She bit her lip to prevent her saying more.[63] She later admitted that she would have never accepted the role knowing that Warner intended to have nearly all of her singing dubbed.
Jump up ^ This was the highest price paid for a dress from a film,[140] until it was surpassed by the $4.6 million paid in June 2011 for Marilyn Monroe's "subway dress" from The Seven Year Itch.[141] Of the two dresses that Hepburn wore on screen, one is held in the Givenchy archives while the other is displayed in the Museum of Costume in Madrid.[142] A subsequent London auction of Hepburn's film wardrobe in December 2009 raised £270,200, including £60,000 for the black Chantilly lace cocktail gown from How to Steal a Million.
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Steele, Valerie (9 November 2010). The Berg Companion to Fashion. Berg Publishers. ISBN 978-1-84788-592-0. Retrieved 16 May 2011.
Vermilye, Jerry (1995). The Complete Films of Audrey Hepburn. New York: Citadel Press. ISBN 0-8065-1598-8.
Walker, Alexander (1997) [1994]. Audrey, Her Real Story. London: Macmillan. ISBN 0-312-18046-2.
Woodward, Ian (31 May 2012). Audrey Hepburn: Fair Lady of the Screen. Ebury Publishing. ISBN 978-1-4481-3293-5.
Further reading[edit]
Main article: Audrey Hepburn bibliography
External links[edit]
Find more aboutAudrey Hepburnat Wikipedia's sister projects
Media from Wikimedia Commons
Quotations from Wikiquote
Data from Wikidata
Audrey Hepburn – official site of Hepburn and the Audrey Hepburn Children's Fund
Audrey Hepburn Society at the US Fund for UNICEF
Audrey Hepburn at AllMovie
Audrey Hepburn discography at Discogs
Audrey Hepburn at the Internet Broadway Database
Audrey Hepburn on IMDb
"Audrey Hepburn collected news and commentary". The New York Times.
Audrey Hepburn at the TCM Movie Database
Works by or about Audrey Hepburn in libraries (WorldCat catalog)
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People who have won Academy, Emmy, Grammy, and Tony Awards
Competitive EGOTs
Mel Brooks
John Gielgud
Whoopi Goldberg
Marvin Hamlisch
Helen Hayes
Audrey Hepburn
Robert Lopez
Rita Moreno
Mike Nichols
Richard Rodgers
Scott Rudin
Jonathan Tunick
Honorary recipients
Harry Belafonte
James Earl Jones
Quincy Jones
Alan Menken
Liza Minnelli
Barbra Streisand
Book:EGOT winners
[show]
Awards for Audrey Hepburn
[show]
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Academy Award for Best Actress
1928–1950
Janet Gaynor (1928)
Mary Pickford (1929)
Norma Shearer (1930)
Marie Dressler (1931)
Helen Hayes (1932)
Katharine Hepburn (1933)
Claudette Colbert (1934)
Bette Davis (1935)
Luise Rainer (1936)
Luise Rainer (1937)
Bette Davis (1938)
Vivien Leigh (1939)
Ginger Rogers (1940)
Joan Fontaine (1941)
Greer Garson (1942)
Jennifer Jones (1943)
Ingrid Bergman (1944)
Joan Crawford (1945)
Olivia de Havilland (1946)
Loretta Young (1947)
Jane Wyman (1948)
Olivia de Havilland (1949)
Judy Holliday (1950)
1951–1975
Vivien Leigh (1951)
Shirley Booth (1952)
Audrey Hepburn (1953)
Grace Kelly (1954)
Anna Magnani (1955)
Ingrid Bergman (1956)
Joanne Woodward (1957)
Susan Hayward (1958)
Simone Signoret (1959)
Elizabeth Taylor (1960)
Sophia Loren (1961)
Anne Bancroft (1962)
Patricia Neal (1963)
Julie Andrews (1964)
Julie Christie (1965)
Elizabeth Taylor (1966)
Katharine Hepburn (1967)
Katharine Hepburn / Barbra Streisand (1968)
Maggie Smith (1969)
Glenda Jackson (1970)
Jane Fonda (1971)
Liza Minnelli (1972)
Glenda Jackson (1973)
Ellen Burstyn (1974)
Louise Fletcher (1975)
1976–2000
Faye Dunaway (1976)
Diane Keaton (1977)
Jane Fonda (1978)
Sally Field (1979)
Sissy Spacek (1980)
Katharine Hepburn (1981)
Meryl Streep (1982)
Shirley MacLaine (1983)
Sally Field (1984)
Geraldine Page (1985)
Marlee Matlin (1986)
Cher (1987)
Jodie Foster (1988)
Jessica Tandy (1989)
Kathy Bates (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Jessica Lange (1994)
Susan Sarandon (1995)
Frances McDormand (1996)
Helen Hunt (1997)
Gwyneth Paltrow (1998)
Hilary Swank (1999)
Julia Roberts (2000)
2001–present
Halle Berry (2001)
Nicole Kidman (2002)
Charlize Theron (2003)
Hilary Swank (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Sandra Bullock (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Jennifer Lawrence (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Emma Stone (2016)
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Jean Hersholt Humanitarian Award
Y. Frank Freeman (1956)
Samuel Goldwyn (1957)
Bob Hope (1959)
Sol Lesser (1960)
George Seaton (1961)
Steve Broidy (1962)
Edmond L. DePatie (1965)
George Bagnall (1966)
Gregory Peck (1967)
Martha Raye (1968)
George Jessel (1969)
Frank Sinatra (1970)
Rosalind Russell (1972)
Lew Wasserman (1973)
Arthur B. Krim (1974)
Jules C. Stein (1975)
Charlton Heston (1977)
Leo Jaffe (1978)
Robert Benjamin (1979)
Danny Kaye (1981)
Walter Mirisch (1982)
M. J. Frankovich (1983)
David L. Wolper (1984)
Charles "Buddy" Rogers (1985)
Howard W. Koch (1989)
Audrey Hepburn / Elizabeth Taylor (1992)
Paul Newman (1993)
Quincy Jones (1994)
Arthur Hiller (2001)
Roger Mayer (2005)
Sherry Lansing (2007)
Jerry Lewis (2009)
Oprah Winfrey (2011)
Jeffrey Katzenberg (2012)
Angelina Jolie (2013)
Harry Belafonte (2014)
Debbie Reynolds (2015)
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BAFTA Award for Best Actress in a Leading Role
1952–1967
Vivien Leigh British, Simone Signoret Foreign (1952)
Audrey Hepburn British, Leslie Caron Foreign (1953)
Yvonne Mitchell British, Cornell Borchers Foreign (1954)
Katie Johnson British, Betsy Blair Foreign (1955)
Virginia McKenna British, Anna Magnani Foreign (1956)
Heather Sears British, Simone Signoret Foreign (1957)
Irene Worth British, Simone Signoret Foreign (1958)
Audrey Hepburn British, Shirley MacLaine Foreign (1959)
Rachel Roberts British, Shirley MacLaine Foreign (1960)
Dora Bryan British, Sophia Loren Foreign (1961)
Leslie Caron British, Anne Bancroft Foreign (1962)
Rachel Roberts British, Patricia Neal Foreign (1963)
Audrey Hepburn British, Anne Bancroft Foreign (1964)
Julie Christie British, Patricia Neal Foreign (1965)
Elizabeth Taylor British, Jeanne Moreau Foreign (1966)
Edith Evans British, Anouk Aimée Foreign (1967)
1968–present
Katharine Hepburn (1968)
Maggie Smith (1969)
Katharine Ross (1970)
Glenda Jackson (1971)
Liza Minnelli (1972)
Stéphane Audran (1973)
Joanne Woodward (1974)
Ellen Burstyn (1975)
Louise Fletcher (1976)
Diane Keaton (1977)
Jane Fonda (1978)
Jane Fonda (1979)
Judy Davis (1980)
Meryl Streep (1981)
Katharine Hepburn (1982)
Julie Walters (1983)
Maggie Smith (1984)
Peggy Ashcroft (1985)
Maggie Smith (1986)
Anne Bancroft (1987)
Maggie Smith (1988)
Pauline Collins (1989)
Jessica Tandy (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Susan Sarandon (1994)
Emma Thompson (1995)
Brenda Blethyn (1996)
Judi Dench (1997)
Cate Blanchett (1998)
Annette Bening (1999)
Julia Roberts (2000)
Judi Dench (2001)
Nicole Kidman (2002)
Scarlett Johansson (2003)
Imelda Staunton (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Carey Mulligan (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Emmanuelle Riva (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Emma Stone (2016)
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Cecil B. DeMille Award
Cecil B. DeMille (1952)
Walt Disney (1953)
Darryl F. Zanuck (1954)
Jean Hersholt (1955)
Jack L. Warner (1956)
Mervyn LeRoy (1957)
Buddy Adler (1958)
Maurice Chevalier (1959)
Bing Crosby (1960)
Fred Astaire (1961)
Judy Garland (1962)
Bob Hope (1963)
Joseph E. Levine (1964)
James Stewart (1965)
John Wayne (1966)
Charlton Heston (1967)
Kirk Douglas (1968)
Gregory Peck (1969)
Joan Crawford (1970)
Frank Sinatra (1971)
Alfred Hitchcock (1972)
Samuel Goldwyn (1973)
Bette Davis (1974)
Hal B. Wallis (1975)
Walter Mirisch (1977)
Red Skelton (1978)
Lucille Ball (1979)
Henry Fonda (1980)
Gene Kelly (1981)
Sidney Poitier (1982)
Laurence Olivier (1983)
Paul Newman (1984)
Elizabeth Taylor (1985)
Barbara Stanwyck (1986)
Anthony Quinn (1987)
Clint Eastwood (1988)
Doris Day (1989)
Audrey Hepburn (1990)
Jack Lemmon (1991)
Robert Mitchum (1992)
Lauren Bacall (1993)
Robert Redford (1994)
Sophia Loren (1995)
Sean Connery (1996)
Dustin Hoffman (1997)
Shirley MacLaine (1998)
Jack Nicholson (1999)
Barbra Streisand (2000)
Al Pacino (2001)
Harrison Ford (2002)
Gene Hackman (2003)
Michael Douglas (2004)
Robin Williams (2005)
Anthony Hopkins (2006)
Warren Beatty (2007)
Steven Spielberg (2009)
Martin Scorsese (2010)
Robert De Niro (2011)
Morgan Freeman (2012)
Jodie Foster (2013)
Woody Allen (2014)
George Clooney (2015)
Denzel Washington (2016)
Meryl Streep (2017)
Oprah Winfrey (2018)
[show]
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David di Donatello Award for Best Foreign Actress
1957–1975
Ingrid Bergman (1957)
Deborah Kerr (1959)
Audrey Hepburn (1960)
Brigitte Bardot (1961)
Audrey Hepburn (1962)
Geraldine Page (1963)
Shirley MacLaine (1964)
Audrey Hepburn (1965)
Julie Andrews (1966)
Julie Christie / Elizabeth Taylor (1967)
Faye Dunaway / Katharine Hepburn (1968)
Mia Farrow / Barbra Streisand (1969)
Liza Minnelli (1970)
Ali MacGraw (1971)
Elizabeth Taylor (1972)
Liza Minnelli (1973)
Barbra Streisand / Tatum O'Neal (1974)
Liv Ullmann (1975)
1976–1996
Isabelle Adjani / Glenda Jackson (1976)
Faye Dunaway / Annie Girardot (1977)
Jane Fonda / Simone Signoret (1978)
Ingrid Bergman / Liv Ullmann (1979)
Isabelle Huppert (1980)
Catherine Deneuve (1981)
Diane Keaton (1982)
Julie Andrews (1983)
Shirley MacLaine (1984)
Meryl Streep (1985)
Meryl Streep (1986)
Norma Aleandro (1987)
Cher (1988)
Jodie Foster (1989)
Jessica Tandy (1990)
Anne Parillaud (1991)
Geena Davis / Susan Sarandon (1992)
Emmanuelle Béart / Tilda Swinton / Emma Thompson (1993)
Emma Thompson (1994)
Jodie Foster (1995)
Susan Sarandon (1996)
[show]
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Film Society of Lincoln Center Gala Tribute Honorees
Charlie Chaplin (1972)
Fred Astaire (1973)
Alfred Hitchcock (1974)
Joanne Woodward and Paul Newman (1975)
George Cukor (1978)
Bob Hope (1979)
John Huston (1980)
Barbara Stanwyck (1981)
Billy Wilder (1982)
Laurence Olivier (1983)
Claudette Colbert (1984)
Federico Fellini (1985)
Elizabeth Taylor (1986)
Alec Guinness (1987)
Yves Montand (1988)
Bette Davis (1989)
James Stewart (1990)
Audrey Hepburn (1991)
Gregory Peck (1992)
Jack Lemmon (1993)
Robert Altman (1994)
Shirley MacLaine (1995)
Clint Eastwood (1996)
Sean Connery (1997)
Martin Scorsese (1998)
Mike Nichols (1999)
Al Pacino (2000)
Jane Fonda (2001)
Francis Ford Coppola (2002)
Susan Sarandon (2003)
Michael Caine (2004)
Dustin Hoffman (2005)
Jessica Lange (2006)
Diane Keaton (2007)
Meryl Streep (2008)
Tom Hanks (2009)
Michael Douglas (2010)
Sidney Poitier (2011)
Catherine Deneuve (2012)
Barbra Streisand (2013)
Rob Reiner (2014)
Robert Redford (2015)
Morgan Freeman (2016)
Robert De Niro (2017)
Helen Mirren (2018)
[show]
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Golden Globe Award for Best Actress in a Motion Picture – Drama
1943–1975
Jennifer Jones (1943)
Ingrid Bergman (1944)
Ingrid Bergman (1945)
Rosalind Russell (1946)
Rosalind Russell (1947)
Jane Wyman (1948)
Olivia de Havilland (1949)
Gloria Swanson (1950)
Jane Wyman (1951)
Shirley Booth (1952)
Audrey Hepburn (1953)
Grace Kelly (1954)
Anna Magnani (1955)
Ingrid Bergman (1956)
Joanne Woodward (1957)
Susan Hayward (1958)
Elizabeth Taylor (1959)
Greer Garson (1960)
Geraldine Page (1961)
Geraldine Page (1962)
Leslie Caron (1963)
Anne Bancroft (1964)
Samantha Eggar (1965)
Anouk Aimée (1966)
Edith Evans (1967)
Joanne Woodward (1968)
Geneviève Bujold (1969)
Ali MacGraw (1970)
Jane Fonda (1971)
Liv Ullmann (1972)
Marsha Mason (1973)
Gena Rowlands (1974)
Louise Fletcher (1975)
1976–2000
Faye Dunaway (1976)
Jane Fonda (1977)
Jane Fonda (1978)
Sally Field (1979)
Mary Tyler Moore (1980)
Meryl Streep (1981)
Meryl Streep (1982)
Shirley MacLaine (1983)
Sally Field (1984)
Whoopi Goldberg (1985)
Marlee Matlin (1986)
Sally Kirkland (1987)
Jodie Foster / Shirley MacLaine / Sigourney Weaver (1988)
Michelle Pfeiffer (1989)
Kathy Bates (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Jessica Lange (1994)
Sharon Stone (1995)
Brenda Blethyn (1996)
Judi Dench (1997)
Cate Blanchett (1998)
Hilary Swank (1999)
Julia Roberts (2000)
2001–present
Sissy Spacek (2001)
Nicole Kidman (2002)
Charlize Theron (2003)
Hilary Swank (2004)
Felicity Huffman (2005)
Helen Mirren (2006)
Julie Christie (2007)
Kate Winslet (2008)
Sandra Bullock (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Jessica Chastain (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Isabelle Huppert (2016)
[show]
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New York Film Critics Circle Award for Best Actress
1935–1940
Greta Garbo (1935)
Luise Rainer (1936)
Greta Garbo (1937)
Margaret Sullavan (1938)
Vivien Leigh (1939)
Katharine Hepburn (1940)
1941–1960
Joan Fontaine (1941)
Agnes Moorehead (1942)
Ida Lupino (1943)
Tallulah Bankhead (1944)
Ingrid Bergman (1945)
Celia Johnson (1946)
Deborah Kerr (1947)
Olivia de Havilland (1948)
Olivia de Havilland (1949)
Bette Davis (1950)
Vivien Leigh (1951)
Shirley Booth (1952)
Audrey Hepburn (1953)
Grace Kelly (1954)
Anna Magnani (1955)
Ingrid Bergman (1956)
Deborah Kerr (1957)
Susan Hayward (1958)
Audrey Hepburn (1959)
Deborah Kerr (1960)
1961–1980
Sophia Loren (1961)
No Award (1962)
Patricia Neal (1963)
Kim Stanley (1964)
Julie Christie (1965)
Elizabeth Taylor/Lynn Redgrave (1966)
Edith Evans (1967)
Joanne Woodward (1968)
Jane Fonda (1969)
Glenda Jackson (1970)
Jane Fonda (1971)
Liv Ullmann (1972)
Joanne Woodward (1973)
Liv Ullmann (1974)
Isabelle Adjani (1975)
Liv Ullmann (1976)
Diane Keaton (1977)
Ingrid Bergman (1978)
Sally Field (1979)
Sissy Spacek (1980)
1981–2000
Glenda Jackson (1981)
Meryl Streep (1982)
Shirley MacLaine (1983)
Peggy Ashcroft (1984)
Norma Aleandro (1985)
Sissy Spacek (1986)
Holly Hunter (1987)
Meryl Streep (1988)
Michelle Pfeiffer (1989)
Joanne Woodward (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Linda Fiorentino (1994)
Jennifer Jason Leigh (1995)
Emily Watson (1996)
Julie Christie (1997)
Cameron Diaz (1998)
Hilary Swank (1999)
Laura Linney (2000)
2001–present
Sissy Spacek (2001)
Diane Lane (2002)
Hope Davis (2003)
Imelda Staunton (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Julie Christie (2007)
Sally Hawkins (2008)
Meryl Streep (2009)
Annette Bening (2010)
Meryl Streep (2011)
Rachel Weisz (2012)
Cate Blanchett (2013)
Marion Cotillard (2014)
Saoirse Ronan (2015)
Isabelle Huppert (2016)
Saoirse Ronan (2017)
[show]
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Screen Actors Guild Life Achievement Award
1962: Eddie Cantor
1963: Stan Laurel
1965: Bob Hope
1966: Barbara Stanwyck
1967: William Gargan
1968: James Stewart
1969: Edward G. Robinson
1970: Gregory Peck
1971: Charlton Heston
1972: Frank Sinatra
1973: Martha Raye
1974: Walter Pidgeon
1975: Rosalind Russell
1976: Pearl Bailey
1977: James Cagney
1978: Edgar Bergen
1979: Katharine Hepburn
1980: Leon Ames
1982: Danny Kaye
1983: Ralph Bellamy
1984: Iggie Wolfington
1985: Paul Newman and Joanne Woodward
1986: Nanette Fabray
1987: Red Skelton
1988: Gene Kelly
1989: Jack Lemmon
1990: Brock Peters
1991: Burt Lancaster
1992: Audrey Hepburn
1993: Ricardo Montalbán
1994: George Burns
1995: Robert Redford
1996: Angela Lansbury
1997: Elizabeth Taylor
1998: Kirk Douglas
1999: Sidney Poitier
2000: Ossie Davis and Ruby Dee
2001: Ed Asner
2002: Clint Eastwood
2003: Karl Malden
2004: James Garner
2005: Shirley Temple
2006: Julie Andrews
2007: Charles Durning
2008: James Earl Jones
2009: Betty White
2010: Ernest Borgnine
2011: Mary Tyler Moore
2012: Dick Van Dyke
2013: Rita Moreno
2014: Debbie Reynolds
2015: Carol Burnett
2016: Lily Tomlin
2017: Morgan Freeman
[show]
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Tony Award for Best Performance by a Leading Actress in a Play
Ingrid Bergman / Helen Hayes (1947)
Judith Anderson / Katharine Cornell / Jessica Tandy (1948)
Martita Hunt (1949)
Shirley Booth (1950)
Uta Hagen (1951)
Julie Harris (1952)
Shirley Booth (1953)
Audrey Hepburn (1954)
Nancy Kelly (1955)
Julie Harris (1956)
Margaret Leighton (1957)
Helen Hayes (1958)
Gertrude Berg (1959)
Anne Bancroft (1960)
Joan Plowright (1961)
Margaret Leighton (1962)
Uta Hagen (1963)
Sandy Dennis (1964)
Irene Worth (1965)
Rosemary Harris (1966)
Beryl Reid (1967)
Zoe Caldwell (1968)
Julie Harris (1969)
Tammy Grimes (1970)
Maureen Stapleton (1971)
Sada Thompson (1972)
Julie Harris (1973)
Colleen Dewhurst (1974)
Ellen Burstyn (1975)
Irene Worth (1976)
Julie Harris (1977)
Jessica Tandy (1978)
Constance Cummings / Carole Shelley (1979)
Phyllis Frelich (1980)
Jane Lapotaire (1981)
Zoe Caldwell (1982)
Jessica Tandy (1983)
Glenn Close (1984)
Stockard Channing (1985)
Lily Tomlin (1986)
Linda Lavin (1987)
Joan Allen (1988)
Pauline Collins (1989)
Maggie Smith (1990)
Mercedes Ruehl (1991)
Glenn Close (1992)
Madeline Kahn (1993)
Diana Rigg (1994)
Cherry Jones (1995)
Zoe Caldwell (1996)
Janet McTeer (1997)
Marie Mullen (1998)
Judi Dench (1999)
Jennifer Ehle (2000)
Mary-Louise Parker (2001)
Lindsay Duncan (2002)
Vanessa Redgrave (2003)
Phylicia Rashad (2004)
Cherry Jones (2005)
Cynthia Nixon (2006)
Julie White (2007)
Deanna Dunagan (2008)
Marcia Gay Harden (2009)
Viola Davis (2010)
Frances McDormand (2011)
Nina Arianda (2012)
Cicely Tyson (2013)
Audra McDonald (2014)
Helen Mirren (2015)
Jessica Lange (2016)
Laurie Metcalf (2017)
Authority control
WorldCat Identities
VIAF: 66543141
LCCN: n84066746
ISNI: 0000 0001 1068 327X
GND: 118746731
SELIBR: 252116
SUDOC: 032616694
BNF: cb12360908f (data)
BPN: 23359118
BIBSYS: 90766433
MusicBrainz: 7ddb6325-7022-4d30-a585-78a8eab631ab
NLA: 35830346
NDL: 00620813
NKC: jn20000700695
BNE: XX967338
IATH: w6bs10xb
Retrieved from "https://en.wikipedia.org/w/index.php?title=Audrey_Hepburn&oldid=814952543"
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