text:
Motion (legal)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For other uses, see Motion (disambiguation).
In United States law, a motion is a procedural device to bring a limited, contested issue before a court for decision.[1] It is a request to the judge (or judges) to make a decision about the case.[1] Motions may be made at any point in administrative, criminal or civil proceedings, although that right is regulated by court rules which vary from place to place. The party requesting the motion may be called the movant, or may simply be the moving party. The party opposing the motion is the nonmovant or nonmoving party.
Contents
[hide]
1 Process
2 Types
2.1 U.S. federal courts
2.1.1 To dismiss
2.1.2 For summary judgment
2.1.3 In limine
2.1.4 For a directed verdict
2.1.5 For judgment n.o.v.
2.1.6 For new trial
2.1.7 To set aside judgment
2.1.8 For nolle prosequi
2.1.9 To compel
3 References
Process[edit]
In the United States, as a general rule, courts do not have self-executing powers. In other words, in order for the court to rule on a contested issue in a case before it, one of the parties or a third party must raise an appropriate motion asking for a particular order. Some motions may be made in the form of an oral request in open court, which is then either summarily granted or denied orally by the court. Today, however, most motions (especially on important or dispositive issues that could decide the entire case) are decided after oral argument preceded by the filing and service of legal papers. That is, the movant is usually required to serve advance written notice along with some kind of written legal argument justifying the motion. The legal argument may come in the form of a memorandum of points and authorities supported by affidavits or declarations. Some northeastern U.S. states have a tradition in which the legal argument comes in the form of an affidavit from the attorney, speaking personally as himself on behalf of his client. In contrast, in most U.S. states, the memorandum is written impersonally or as if the client were speaking directly to the court, and the attorney reserves declarations of his own personal knowledge to a separate declaration or affidavit (which are then cited to in the memorandum). One U.S. state, Missouri, uses the term "suggestions" for the memorandum of points and authorities.
Either way, the nonmovant usually has the opportunity to file and serve papers opposing the motion. In addition, most jurisdictions allow for time for the movant to file reply papers rebutting the arguments made in the opposition.
Customs vary widely as to whether oral argument is optional or mandatory once briefing in writing is complete. Some courts issue tentative rulings (after which the loser may demand oral argument) while others do not. Depending upon the type of motion and the jurisdiction, the court may simply issue an oral decision from the bench (possibly accompanied by a request to the winner to draft an order for its signature reducing the salient points to writing), take the matter under submission and draft a lengthy written decision and order, or simply fill out a standard court form with check boxes for different outcomes. The court may serve all parties directly with its decision or may serve only the winner and order the winner to serve everyone else in the case.
Types[edit]
U.S. federal courts[edit]
Civil procedure
in the United States
Federal Rules of Civil Procedure
Doctrines of civil procedure
Jurisdiction
Subject-matter
(Federal-question
Diversity

Supplemental
Removal)
Personal
(In personam
In rem
Quasi in rem)
Venue
Change of venue
Forum non conveniens
Pleadings
Complaint
(Cause of action
Case Information Statement
Class action (2005 Act) )
Demurrer
Answer (affirmative defense)
Reply
Counterclaim
Crossclaim
Joinder
Indispensable party
Impleader
Interpleader
Intervention
Other motions
Pre-trial procedure
Discovery
Initial conference
Interrogatories
Depositions
Request for admissions
Request for production
Resolution without trial
Default judgment
Summary judgment
Voluntary dismissal
Involuntary dismissal
Settlement
Trial
Parties
plaintiff
defendant
Pro se
Jury (voir dire)
Burden of proof
Judgment
(As a matter of law (JMOL)
Renewed JMOL
Notwithstanding verdict (JNOV)
Motion to set aside
De novo (new trial) )
Remedy
(Injunction
Damages
Attorney's fee (American rule
English rule)
Declaratory judgment)
Appeal
Mandamus
Certiorari
v
t
e
To dismiss[edit]
A "motion to dismiss" asks the court to decide that a claim, even if true as stated, is not one for which the law offers a legal remedy. As an example, a claim that the defendant failed to greet the plaintiff while passing the latter on the street, insofar as no legal duty to do so may exist, would be dismissed for failure to state a valid claim: the court must assume the truth of the factual allegations, but may hold that the claim states no cause of action under the applicable substantive law. A claim that has been presented after the statute of limitations has expired is also subject to dismissal. If granted, the claim is dismissed without any evidence being presented by the other side. A motion to dismiss has taken the place of the common law demurrer in most modern civil practice. When a court dismisses a case, many lay persons state the case was "thrown out."
Under Rule 12 of the Federal Rules of Criminal Procedure, a party may raise by motion any defense, objection, or request that the court can determine without a trial of the general issue. Before the trial starts, the motions can be based on defects in instituting the prosecution, defects in the indictment or information (which can be challenged at any stage but are generally raised before a trial begins). Pleadings in a federal criminal trial are pleadings in a criminal proceeding are the indictment, the information, and the pleas of not guilty, guilty, and nolo contendere. A motion under Rule 14 can address the statement of the charges (or individual specifications, see below) or the defendants. In these instances, the motion to dismiss is characterized as a "motion to sever charges or defendants."
Under Rule 907, (Rules for Courts-Martial),[2] a motion to dismiss is a request to terminate further proceedings on one or more criminal charges and specifications on grounds capable of resolution without trial of the general issue of guilt. A motion may be based on nonwaivable grounds (e.g. lack of jurisdiction or the failure to state an offense) or waivable grounds (denial of a right to a speedy trial, statute of limitation, double jeopardy meaning a person has been previously tried by court-martial or federal civilian court for the same offense, pardon or grant of immunity). Specifications are sometimes referred to as 'counts' or separate instances of a particular offense which are connected to specific factual evidence. A motion may seek to dismiss these specifications, especially if it is so defective it substantially misled the accused, or it is multiplicious.
Multiplicity, also known as allied offenses of similar import, is the situation where two or more allegations allege the same offense, or a situation where one defined offense necessarily includes another. A counts may also be multiplicious if two or more describe substantially the same misconduct in different ways. For example, assault and disorderly conduct may be multiplicious if facts and evidence presented at trial prove that the disorderly conduct consists solely of the assault. That is to say, if all the elements contained in one are all in another they are allied offenses of similar import.
Discovery motions relate to the necessary exchange of information between the parties. In the common law system, these motions capture an irreducible tension in the legal system between the right of discovery and a duty to disclose information to another.
There are numerous practical differences between the discovery expectations and practices in civil and criminal proceedings. The local rules of many courts clarify expectations with respect to civil discovery, in part because these are often poorly understood or are abused as part of a trial strategy. As a result, civil discovery rules pertain to discretionary discovery practices and much of the argument in this respect centers on the proper definition of the scope of the parties requests. Because criminal prosecutions generally implicate a well-defined constitutional guarantee, criminal discovery is much more focused on automatic disclosure principles, which if found to be violated, will trigger the dismissal of the charges.
Rules 7.1 and 26-37 of the Federal Rules of Civil Procedure, are often cited in combination with a specific local rule to form a basis for a civil discovery motion.
Rule 16, Federal Rules of Criminal Procedure, is the basis for a criminal discovery motion. Rule 906(b)(7), Rules for Courts-Martial a variety of a "motion for appropriate relief" is used as a military law basis for discovery.
For summary judgment[edit]
A "motion for summary judgment" asks the court to decide that the available evidence, even if taken in the light most favorable to the non-moving party, supports a ruling in favor of the moving party. This motion is usually only made when sufficient time for discovering all evidence has expired. For summary judgment to be granted in most jurisdictions, a two-part standard must be satisfied: (i) no genuine issue of material fact can be in dispute between the parties, and (ii) the moving party must be entitled to judgment as a matter of law. For example, a claim that a doctor engaged in malpractice by prescribing a drug could result in summary judgment if the plaintiff failed to obtain expert testimony indicating that the drug was improperly prescribed. Motions to dismiss and motions for summary judgment are types of dispositive motions.
Rule 56, Federal Rules of Civil Procedure, is the rule which explains the mechanics of a summary judgment motion. As explained in the notes to this rule, summary judgment procedure is a method for promptly disposing of actions in which there is no genuine issue as to any material fact. Prior to its introduction in the US in 1934, it was used in England for more than 50 years.
In England motions for summary judgments were used only in cases of liquidated claims, there followed a steady enlargement of the scope of the remedy until it was used in actions to recover land or chattels and in all other actions at law, for liquidated or unliquidated claims, except for a few designated torts and breach of promise of marriage. English Rules Under the Judicature Act (The Annual Practice, 1937) O. 3, r. 6; Orders 14, 14A, and 15; see also O. 32, r. 6, authorizing an application for judgment at any time upon admissions. New York was a leader in the adoption of this rule in the US and the success of the method helps account for its current importance as an almost indispensable tool in administrative actions (especially before the Equal Employment Opportunity Commission which adjudicates employment discrimination claims and the Merit Systems Protection Board which adjudicates federal employment matters).[3]
The Civil Litigation Management Manual published by the US Judicial Conference directs that these motions be filed at the optimum time and warns that premature motions can be a waste of time and effort. The significant resources needed to prepare and defend against such motions is a major factor which influences litigants to use them extensively. In many cases, particularly from the defendant's (or defense) perspective, accurate or realistic estimates of the costs and risks of an actual trial are made only after a motion has been denied. Overbroad motions for summary judgment are sometimes designed to make the opponent rehearse their case before trial.
Most summary judgment motions must be filed in accordance with specific rules relating to the content and quality of the information presented to the judge. Among other things, most motions for summary judgment will require or include: page limits on submissions by counsel; an instruction to state disputed issues of fact up front; an instruction to state whether there is a governing case; an instruction that all summary judgment motions be accompanied by electronic versions (on a CD-R or DVD-R), in a chambers-compatible format that includes full pinpoint citations and complete deposition and affidavit excerpts to aid in opinion preparation; an instruction that all exhibits submitted conform to specific physical characteristics (i.e. be tabbed with letters or numbers, that pages be sequentially numbered or "Bates-stamped"); an instruction that citations to deposition or affidavit testimony must include the appropriate page or paragraph numbers and that citations to other documents or materials must include pinpoint citations. Many judges also ask the parties to prepare form orders with a brief statements of law to help the judge write the decision. A judge generally issues a tentative ruling on the submitted pleadings, and counsel will be offered an opportunity to respond in a later oral argument. Alternatively, a judge may grant requests for argument in a preargument order which specifies what points will be discussed prior to a decision.
In limine[edit]
A "motion in limine" asks the court to decide that certain evidence may or may not be presented to the jury at the trial. A motion in limine generally addresses issues which would be prejudicial for the jury to hear in open court, even if the other side makes a timely objection which is sustained, and the judge instructs the jury to disregard the evidence. For example, the defendant may ask the court to rule that evidence of a prior conviction that occurred a long time ago should not be allowed into evidence at the trial because it would be more prejudicial than probative. If the motion is granted, then evidence regarding the conviction could not be mentioned in front of the jury, without first approaching the judge outside of the hearing of the jury and obtaining permission. The violation of a motion in limine can result in the court declaring a mistrial.
There are three types of motions in limine:
Inclusionary - A motion asking the court to have something included in the trial.
Exclusionary - A motion asking the court to have something excluded in the trial.
Preclusionary - A motion asking the court to have something precluded in the trial
For a directed verdict[edit]
A "motion for a directed verdict" asks the court to rule that the plaintiff or prosecutor has not proven the case, and there is no need for the defense to attempt to present evidence. This motion is made after the plaintiff has rested its case, and prior to the defense presenting any evidence. If granted, the court would dismiss the case.
For judgment n.o.v.[edit]
A "motion for judgment n.o.v." (non obstante veredicto, or notwithstanding the verdict) asks the court to reverse the jury's verdict on the grounds that the jury could not reasonably have reached such a verdict. This motion is made after the jury's verdict. If granted, the court enters a new verdict. This motion can be used in a criminal case only to reverse a guilty verdict; not guilty verdicts are immune to reversal by the court.
Under Rule 50, Federal Rules of Civil Procedure, the motion for directed verdict and JNOV have been replaced by the motion for judgment as a matter of law (JMOL), which can be made at the close of the opposing party's evidence and "renewed" after return of the verdict (or after the dismissal of a hung jury).
Under Rule 29, Federal Rules of Criminal Procedure the "motion for a judgment of acquittal," or Rule 917, Rules for Courts-Martial the "motion for a finding of not guilty," if the evidence presented by the prosecution is insufficient to support a rational finding of guilty, there is no reason to submit the issue to a jury.
For new trial[edit]
A motion for new trial asks to overturn or set aside a court's decision or jury verdict. Such a motion is proposed by a party who is dissatisfied with the end result of a case. This motion must be based on some vital error in the court's handling of the trial, such as the admission or exclusion of key evidence, or an incorrect instruction to the jury. Generally the motion is filed within a short time after the trial (7–30 days) and is decided prior to the lodging of an appeal. In some jurisdictions, a motion for new trial which is not ruled upon by a set period of time automatically is deemed to be denied.
To set aside judgment[edit]
A "motion to set aside judgment" asks the court to vacate or nullify a judgment or verdict. Motions may be made at any time after entry of judgment, and in some circumstances years after the case has been closed by the courts. Generally the grounds for the motion cannot be ones which were previously considered when deciding a motion for new trial or on an appeal of the judgment.
For nolle prosequi[edit]
A "motion for nolle prosequi" ("not prosecuting") is a motion by a prosecutor or other plaintiff to drop legal charges. n. Latin for "we do not wish to prosecute," which is a declaration made to the judge by a prosecutor in a criminal case (or by a plaintiff in a civil lawsuit) either before or during trial, meaning the case against the defendant is being dropped. The statement is an admission that the charges cannot be proved, that evidence has demonstrated either innocence or a fatal flaw in the prosecution's claim, or the district attorney has become convinced the accused is innocent. It should be distinguished from the motion for judgment of non prosequitur, or judgment of non pros, which is a motion in some jurisdictions (e.g. Pennsylvania) by a defendant for a judgment in his favor for failure of the plaintiff to timely prosecute his claim.[4]
To compel[edit]
A "motion to compel" asks the court to order either the opposing party or a third party to take some action. This sort of motion most commonly deals with discovery disputes, when a party who has propounded discovery to either the opposing party or a third party believes that the discovery responses are insufficient. The motion to compel is used to ask the court to order the non-complying party to produce the documentation or information requested or to sanction the non-complying party for their failure to comply with the discovery requests.
References[edit]
^ Jump up to: a b "Motion". Wex. Cornell Law School. Retrieved 8 January 2018.
Jump up ^ "Military Legal Resources (Federal Research Division: Customized Research and Analytical Services, Library of Congress)". Loc.gov. 2013-10-25. Retrieved 2013-12-05.
Jump up ^ Clark and Samenow, The Summary Judgment (1929), 38 Yale L.J. 423.
Jump up ^ "Title 231, Rules of Civil Procedure, Rule 237.3. Relief from Judgment of Non Pros or by Default". Pennsylvania Code. Commonwealth of Pennsylvania. Retrieved 8 January 2018.
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A Cinderella Story: Once Upon a Song
From Wikipedia, the free encyclopedia
Jump to: navigation, search
A Cinderella Story: Once Upon a Song
DVD cover
Directed by
Damon Santostefano
Produced by
Dylan Sellers
Written by
Erik Patterson
Jessica Scott
Starring
Lucy Hale
Freddie Stroma
Megan Park
Manu Narayan
Missi Pyle
Music by
Braden Kimbell
Cinematography
John Peters
Edited by
Tony Lombardo
Distributed by
Warner Premiere
Release date
September 6, 2012 (2012-09-06)
Running time
88 minutes
Country
United States
Language
English
A Cinderella Story: Once Upon a Song is a 2012 teen comedy musical film, directed by Damon Santostefano and starring Lucy Hale, Freddie Stroma, Megan Park, Manu Narayan and Missi Pyle. It is a sequel to Another Cinderella Story (2008) and the third installment in A Cinderella Story series. The film was released on DVD on September 6, 2012.[1]
The film was followed by A Cinderella Story: If the Shoe Fits (2016).
Contents
[hide]
1 Plot
2 Cast
3 Soundtrack
3.1 Track listing
4 Critical reception
5 References
6 External links
Plot[edit]
This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
17-year-old aspiring singer Katie Gibbs (Lucy Hale) is over-worked, bullied, and constantly harassed by her stepfamily - mom Gail (Missi Pyle), teenage sister Bev, and young brother Victor (Matthew Lintz). Despite how badly they treat her, Katie does their bidding with no complaints in fear that they might put her in foster care and is only putting up their emotional abuse until she turns 18 and graduates from High School.
In a dream, Katie performs a music video for her hit single ("Run This Town"). Then Victor wakes her up, demanding breakfast. At the Wellesley Academy of the Arts, of which Gail is headmistress, Guy Morgan (Dikran Tulaine) - president of Massive Records, Inc. - enrolls his son Luke (Freddie Stroma). Katie, wanting to change her life for the better, sneaks her demo CD into Guy's briefcase. Guy wants Luke to produce an upcoming showcase at the Academy; Luke, however, is less than excited about following in his dad's footsteps.
Back at home, Bev (Megan Park) wants to win a recording contract with Guy. Bev, however, is a terrible singer; the more she practices, the worse she sounds. Guy calls Gail, who is shocked to hear that he loves Katie's demo. Gail lies, claiming it was Bev's demo and that Katie stole it. Meanwhile, Victor steals Katie's clothes and towel while she showers, locking her out of the house naked. Unable to get back inside, Katie trips over a visiting Luke; thinking fast, she covers herself up using the WELCOME mat. Amused by the situation, Luke gives her his jacket. While Bev welcomes Luke, Gail barges into Katie's room and forces her to sing. Then, after shoving Luke out of the house, Gail plans to get Bev a record deal by using Katie's voice. Bev is reluctant, but goes along with this in order to win Luke's affections.
At school, Katie and her best friend Angela (Jessalyn Wanlim) hear Luke singing. The entranced Katie writes a song of her own, for him, and admits that she likes him. Angela urges Katie to sing for him at the Bollywood Ball that night, and gives her a costume to wear. Then Gail barges in.
Gail orders Katie to babysit Victor tonight, since she wants Bev to win Luke over at the Ball. Katie pleads with Tony (Manu Narayan), Gail's guru (who is no real guru but just a method actor from New Jersey who needed the work) to watch Victor while she goes to the Ball. There Katie leads Luke outside and sings ("Extra Ordinary"). He is entranced by her voice. Angela challenges Gail to a Bollywood dance-off ("Oh Mere Dilruba"). Gail loses and then leaves the Ball. Katie tries to beat Gail home, but with no success. Now it's Katie's turn to get blackmailed: Gail vows to expel Angela from the Academy - which will ruin her chances of getting into Juilliard - unless Katie sings for Bev. To save Angela's dance career, Katie goes along with Gail.
Luke wants to find the girl who sang for him. In the music room, he sees Bev lip-syncing to Katie's voice ("Make You Believe"). Jumping to the obvious-but-wrong conclusion, Luke falls for Bev and invites her to write more songs with him. Much to Bev's horror, he treats her out to a restaurant that evening. Luke is amazed by Bev's musical aptitude, unaware that Katie is texting to her what she should say (because Bev forced her to help). The next day, Luke drops by Bev's house and hits it off with Victor, to whom he gives guitar lessons. Katie also reconnects with Luke, who doesn't like it when she has to head out again - this time, to throw away Gail's prized portrait, which Victor has ruined by cutting out her face. Bev cuts in on Luke, whom she then forces Victor to help her deceive by using miniature electronic-communication devices, so that Katie can coach her through another date. Katie puts together a song on the spot ("Possibilities"), which Luke sings, thinking it's Bev's. She and Luke kiss, which breaks Katie's heart. Victor takes notice of Katie's distress and sympathizes with her.
Luke falls in love with Bev, unaware that her singing and songwriting talents are actually Katie's. Later, Gail reveals that she has access to the savings account opened by Katie's late father; ergo, if Katie doesn't submit to her stepfamily's will, she'll be cut off without a cent. Victor also discovers that his family's money is rightfully Katie's. As it turns out, Victor himself is frequently mistreated by Bev and their mom; he shares no more affection with them than Katie does and he only went along with their mistreatment of Katie because he was afraid of his Mother and older sister and he was afraid of what they would do to him if he did not go along with it. Feeling guilty over not having had a better relationship with Katie over the years - among other things, she's the only one who remembers his birthday - Victor agrees to help expose the fraud perpetrated by his family.
At the showcase, Victor sabotages Bev's performance of ("Make You Believe") by destroying her iPhone, on which is Katie's recorded singing voice. After threatening to drown Victor in the kitchen sink for what he's just done, Gail forces Katie to sing live backstage. Luke trips over what's happening; he realizes at last that Bev is a fake, and that beautiful voice is actually Katie's.
During Bev's second performance, Luke steals a videocamera and films Katie singing backstage, thus exposing the whole charade. Gail tries to stop Luke, but Tony stops her first. Victor and Angela bring Katie onstage to perform another song ("Bless Myself"). Katie and Luke admit their feelings for each other. Guy also loves Katie's performance, and green-lights Luke to produce an album for her. He even agrees to help Angela get into Juilliard.
In a mid-credits scene, Guy vows to tell the school board what he thinks of Gail, who is removed as headmistress of Wellesley Academy. Even Bev is delighted to be rid of her mom, being no stranger herself to Gail's manipulative ways. Gail soon finds herself back to where she started decades before: singing (horribly) at a ranch, where she is bombarded with fruit and booed off the stage.
Cast[edit]
Lucy Hale as Katie Gibbs
Freddie Stroma as Luke Morgan
Missi Pyle as Gail Van Ravensway
Megan Park as Beverly "Bev" Van Ravensway
Matthew Lintz as Victor Van Ravensway
Jessalyn Wanlim as Angela
Manu Narayan as Ravi / Tony Gupta
Titus Makin Jr. as Mickey O' Malley
Dikran Tulaine as Guy Morgan
Lucy Davenport as Ms. Plumberg
Onira Tares as Crazy Girl
Soundtrack[edit]
A Cinderella Story: Once Upon a Song
Soundtrack album by Various artists
Released
September 6, 2011 (2011-09-06)
Recorded
2011
Genre
Pop, pop rock
Label
WaterTower Music
A Cinderella Story soundtracks chronology
Another Cinderella Story
(2008) A Cinderella Story: Once Upon a Song
(2011) A Cinderella Story: If the Shoe Fits
(2016)
Professional ratings
Review scores
Source
Rating
AllMusic
A Cinderella Story: Once Upon a Song is a soundtrack album by the film of the same name, released on September 6, 2011 by WaterTower Music (The same day as the film's release).[2]
Track listing[edit]
No.
Title
Performer(s)
Length
1. "Run This Town" Lucy Hale
2. "Bless Myself" Lucy Hale
3. "Make You Believe" Lucy Hale
4. "Knockin" Freddie Stroma
5. "Extra Ordinary" Lucy Hale
6. "Oh Mere Dilruba" Manu Narayan
7. "Possibilities" Freddie Stroma
8. "Twisted Serenade" Big Pain Ticket
9. "Knockin" Oral Majority
10. "Crazy Girl" The Co-Writes
Critical reception[edit]
The film received mixed reviews although it did not get criticized by Metacritic. It achieved 50% on Rotten Tomatoes.[3] Rotten audience also rate the film 3.3/5 with the 254 users.[4] Mike McGranaghan of The Aisle Seat scored the film one and 1⁄2 out of four, said: "A Cinderella Story: Once Upon a Song is like a movie version of iCarly or Victorious or any of those other tween girl shows that combine broad physical humor, mild expressions of pubescent sexuality and fantasies of becoming famous".[5] The DVD Sleuth gave the film 1 out of 2.
References[edit]
Jump up ^ http://www.dvdsleuth.com/CinderellaStoryReview/
Jump up ^ "A Cinderella Story: Once Upon a Song - Original Motion Picture Soundtrack". iTunes. September 6, 2011.
Jump up ^ http://www.rottentomatoes.com/m/a_cinderella_story_once_upon_a_song/#want_to_see
Jump up ^ http://www.rottentomatoes.com/m/a_cinderella_story_once_upon_a_song/#want_to_see
Jump up ^ http://aisleseat.com/cinderellastory2.htm
External links[edit]
A Cinderella Story: Once Upon a Song on IMDb
[show]
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Bud Ekins
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Bud Ekins
Born
May 11, 1930
Hollywood, California
Died
October 6, 2007 (aged 77)
Los Angeles, California
Occupation
Stuntman
James Sherwin "Bud" Ekins (May 11, 1930 – October 6, 2007) was an American professional stuntman in the U.S. Film industry.[1] He is considered to be one of the film industry's most accomplished stuntmen with a body of work that includes classic films such as The Great Escape and Bullitt.[1] Ekins, acting as stunt double for Steve McQueen while filming The Great Escape, was the rider who performed what is considered to be one of the most famous motorcycle stunts ever performed in a movie.[2] He was recognized for his stunt work by being inducted into the Stuntmen's Hall of Fame.[3]
Ekins was also an accomplished off-road motorcycle racer in motocross and enduro events, and helped pioneer the sport of desert racing.[2] He was inducted into the Off-road Motorsports Hall of Fame in 1980, and the AMA Motorcycle Hall of Fame in 1999.[2][4]
Contents
[hide]
1 Motorcycle racing career
2 Film industry career
3 Later life
4 Filmography and television stunt work[15]
5 References
6 External links
Motorcycle racing career[edit]
Born in Hollywood, California, Ekins began riding off-road motorcycles daily in the hills above his Hollywood home.[2] As a result of his diligence, he developed into a highly talented motorcyclist and started entering local off-road races in 1949.[2] By the mid-1950s, Ekins was the top motocross and desert racers in Southern California, winning the AMA District 37 championship seven times.[2]
His successful race results led the Matchless motorcycle factory to offer him the opportunity to compete in the 1952 European Motocross Championship against the best motocross racers in the world.[2] Despite riding on muddy circuits that were much rougher than he was accustomed to, he managed to earn his senior license and turned in some respectable results to finish the season in ranked 15th in the world.[2][5]
In 1955 Ekins won the Catalina Grand Prix, and in 1959 became the third three-time winner of the prestigious Big Bear Hare & Hound desert race, which at the time was the largest off-road event in the country.[2][6][7][8] Ekins 1959 Big Bear victory was made notable when his motorcycle suffered a flat tire and a broken wheel while he was leading the race at the halfway point of the 153-mile course.[2][7] After his race team repaired the tire and wheel, Ekins rejoined the race and recaptured the lead to win the race 30 minutes ahead of his nearest competitor.[2][7] By the mid-1960s, Ekins owned a Triumph motorcycle dealership in Hollywood which became a popular destination for many young film actors including Steve McQueen, Paul Newman and Clint Eastwood.[2][4] Ekins helped McQueen learn off-road racing and the actor became an accomplished motorcycle racer.[2]
Ekins also represented the United States at the International Six Days Trial, a form of off-road motorcycle Olympics.[2] It was as an enduro competitor that Ekins achieved his greatest international racing success. He received a gold medal at the 1962 International Six Days Trials in East Germany, and was part of the 1964 U.S. ISDT team with his brother, Dave Ekins, John Steen, Cliff Coleman and McQueen.[2] He rode a 650cc Triumph TR6 Trophy alongside teammate Steve McQueen in the 1964 International Six Days Trial. In 1965, again on Triumphs, the team competed at the ISDT on the Isle of Man. Ekins won four gold medals and a silver during his seven years of competing in the ISDT during the 1960s.[2][9]
Ekins helped pioneer the sport of desert racing in 1964 when he and his brother Dave rode a motorcycle almost the entire length of Mexico's Baja California Peninsula in 39 hours and 48 minutes under grueling conditions to set the Tijuana-to-La Paz, Mexico record.[4] Their speed record provided a challenge for other off-road competitors with both, motorcycles and four wheeled vehicles.[4] One of these challengers to Ekins' record run was Ed Pearlman, who decided to organize a yearly off-road race that became known as the Baja 1000.[4]
He participated in many of the early off-road racing events including the Mint 400 and the Stardust 7-11 in Las Vegas, Nevada.[citation needed] In addition to racing motorcycles, Ekins raced four wheeled off-road vehicles. He raced alongside Steve McQueen in the inaugural Baja 500 in 1969 and subsequently won overall.[citation needed] He worked with fellow Off-Road Hall of Fame Inductee, Vic Hickey for five years, helping him to build the Baja Boot racer.[4] He drove three races for Steve McQueen and Drino Miller, another Off-Road Hall of Fame Inductee.[4]
Film industry career[edit]
The motorcycle used by Ekins for stunts in the film The Great Escape.
Through his association with McQueen, Ekins began a career as a film stuntman.[2] Ekins is best known as the actor who jumped the fence on a motorcycle in the 1963 film The Great Escape, and one of the stuntmen who drove the Ford Mustang 390 GT in the car chase scene in the 1968 film Bullitt.[1][10] The chase scene led by stunt coordinator Carey Loftin and filmed on the streets of San Francisco, is regarded as one of the most influential in movie history.[11][12][13][14]
He also coordinated the stunts for the popular 1970s motorcycle cop show CHiPs. Ekins eventually became one of the best stuntmen in Hollywood.[2] He continued doing stunt work until he was in his mid-60s, his stunt career spanned 30 years.[2] Throughout the 1990s Ekins was on screen in movies and TV as a character actor, and can be seen in films such as Pacific Heights, Mac and Me, The Karate Kid series, The Specialist (1994), and Vegas Vacation (1997).[15]
Later life[edit]
After retiring from the film industry, Ekins continued to operate his motorcycle shop in Hollywood which featured his impressive collection of vintage motorcycles.[2] During the 1980s, Ekins became one of the top collectors of vintage motorcycles in the country.[2] Ekins was inducted into the Off-road Motorsports Hall of Fame in 1980 and into the Motorcycle Hall of Fame in 2009.[2][4] Ekins died at the age of 77 on October 6, 2007 in Los Angeles, California.[1]
Filmography and television stunt work[15][edit]
The Great Escape (1963)
The Cincinnati Kid (1965)
Speedway (1968)
Bullitt (1968)
Then Came Bronson (1969 film entitled "And Then Came Bronson" and 1969-70 TV Series)
Flap (1970)
Chrome and Hot Leather (1971)
Diamonds Are Forever (1971)
The Thing with Two Heads (1972)
Electra Glide in Blue (1973)
Earthquake (1974) (stunts)
The Towering Inferno (1974)
The Front Page (1974)
Race with the Devil (1975)
Death Scream (1975)
Dixie Dynamite (1976) - film also features McQueen in an uncredited stunt role
Scorchy (1976)
Sorcerer (1977)
Return from Witch Mountain (1978)
Animal House (1978)
Movie Movie (1978)
Fast Charlie... the Moonbeam Rider (1979)
1941 (1979)
The Blues Brothers (1980)
Megaforce (1982)
Jekyll and Hyde... Together Again (1982)
City Heat (1984)
Black Moon Rising (1986)
Extreme Justice (1993)
The Ransom of Red Chief (1998)
References[edit]
^ Jump up to: a b c d "Bud Ekins, Stunt Cyclist, Dies at 77". nytimes.com. Retrieved 2 February 2017.
^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v "Bud Ekins at the AMA Hall of Fame". motorcyclemuseum.org. Retrieved 2 February 2017.
Jump up ^ "Hollywood Stuntmen's Hall of Fame". stuntmen.org. Retrieved 4 February 2017.
^ Jump up to: a b c d e f g h "Bud Ekins at the Off-road Motorsports Hall of Fame". ormhof.org. Retrieved 2 February 2017.
Jump up ^ "1952 500cc European motocross championship results". memotocross.fr. Retrieved 2 February 2017.
Jump up ^ O'Nan, Wilma (July 1955). They Really Ride At Catalina. American Motorcyclist. Books.Google.com. Retrieved 4 February 2017.
^ Jump up to: a b c Triumph Wins Big Bear Run. American Motorcyclist. Books.Google.com. March 1959. Retrieved 4 February 2017.
Jump up ^ "Big Bear". budanddaveekins.com. Retrieved 4 February 2017.
Jump up ^ Peter Starr (January–February 2008). "Legendary Stuntman Bud Ekins Makes His Final Jump". Motorcycle Classics. Retrieved 2009-08-10.
Jump up ^ Myers, Marc (2011-01-26). "Chasing the Ghosts of 'Bullitt'". Wall Street Journal. Retrieved 2017-02-04.
Jump up ^ "Bullitt Movie Review & Film Summary". rogerebert.com. Retrieved 4 February 2017.
Jump up ^ "Peter Yates, Filmmaker, Dead at 71". nytimes.com. Retrieved 4 February 2017.
Jump up ^ Maltin, Leonard, ed. (2004). Leonard Maltin's 2004 Movie and Video Guide. Penguin Group. p. 195. Taut action-film makes great use of San Francisco locations, especially in now-classic car chase, one of the screen's all-time best; Oscar-winning editing by Frank Keller.
Jump up ^ Jesse Crosse, The Greatest Movie Car Chases of All Time (St. Paul: MBI Publishing, 2006), 16.
^ Jump up to: a b "Bud Ekins at the IMDB database". imdb.com. Retrieved 2 February 2017.
External links[edit]
Bud Ekins on IMDb
Bud and Dave Ekins web site
Obituary in Motorcycle Classics magazine by Peter Starr
Retrieved from "https://en.wikipedia.org/w/index.php?title=Bud_Ekins&oldid=793679395"
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values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Bud_Ekins
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

values: p-namespaces navigation vectorTabs p-namespaces-label

values:
p-variants
navigation
vectorMenu emptyPortlet
p-variants-label

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: Guidance on how to use and edit Wikipedia

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-interaction p-interaction-label

values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

values:
uls-settings-trigger
Language settings
0
button
true

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-Bud_Ekins rootpage-Bud_Ekins skin-vector action-view