text:
Taos art colony
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Helmut Naumer, Sr. (1935–36), Taos Pueblo[1]
Taos Mountain, Trail Home. Cordelia Wilson, ca. 1915-1920s, Private collection
Edward S. Curtis, A Taos girl, three-quarter length portrait, seated, facing front, ca. 1905
The Taos art colony is an art colony founded in Taos, New Mexico, by artists attracted by the rich culture of the Taos Pueblo and beautiful landscape. Hispanic craftsmanship of furniture, tin work and more played a role in creating a multicultural tradition of art work in the area.
In 1898 a visit of Bert Geer Phillips and Ernest L. Blumenschein to Taos was one of the first steps in the creation of the Taos art colony and the Taos Society of Artists. In addition to the society, Mabel Dodge Luhan was instrumental in promoting Taos to artists and writers within her circle.
In the early 20th century modern artists infused the area with a new artistic energy, followed in the 1950s by abstract artists. Taos supports more than 80 galleries and three museums. There are a number of organizations that support and promote the work of artists on the Taos Pueblo and in the Taos area.
Contents
[hide]
1 History
1.1 Taos Pueblo
1.2 Taos Pueblo artists
1.3 Hispanic artwork
2 Art colony
2.1 Taos Society of Artists
2.2 Mabel Dodge Luhan
2.3 Andrew Dasburg
2.4 D.H. Lawrence
2.5 Georgia O'Keeffe
2.6 Nicolai Fechin
2.7 Ansel Adams
2.8 Other early 20th-century artists
3 Postwar modernism
3.1 Taos Moderns
3.2 Other postwar artists
4 Organizations
4.1 Taos Art Association
4.2 Taos Artist Organization
4.3 Taos Gallery Association
4.4 Taos Pueblo artists
5 Museums
5.1 Harwood Museum of Art
5.2 Millicent Rogers Museum
5.3 Taos Art Museum
6 Notes
7 References
8 Further reading
9 External links
History[edit]
Taos Pueblo[edit]
Main article: Taos Pueblo
Located in a tributary valley off the Rio Grande, Taos Pueblo is the most northern of the New Mexico pueblos. For nearly a millennium, the Taos Indians have lived there. It is estimated that the pueblo was built between 1000 and 1450 AD, with some later expansion. The Taos Pueblo is considered to be the oldest continuously inhabited community in the United States. The pueblo, at some places five stories high, is a combination of many individual homes with common walls. There are over 1,900 people in the Taos pueblo community. Some of them have modern homes near their fields and stay at their homes on the pueblo during cooler weather. There are about 150 people who live at the pueblo year-around. The Taos Pueblo was added as an UNESCO World Heritage Site in 1992 as one of the most significant historical cultural landmarks in the world; Other sites include the Taj Mahal, Great Pyramids and the Grand Canyon in the United States.[2]
Taos Pueblo artists[edit]
Ancient artistic traditions have been manifested in native craft for generations;[3] an important acknowledgement for understanding the inherent aesthetic allure of this area to the Anglo-American artists. Making paintings with oil and watercolor was a new form of art to the Taos Pueblo who traditionally painted objects such as hides or inside buildings, such as on the walls of a kiva, but one embraced by artists such as Albert Looking Elk, Albert Lujan, Juan Mirabal and Juanito Concha. They provided artwork that was realistic of the Native American lifestyle in contrast to the work of Anglo-Americans romantic depictions. Traditional design elements were formalized at the Santa Fe Indian School, defining authentic Native American art.[4]
Juanita Suazo Dubray, a lifelong resident of Taos Pueblo, is a Native American potter. In 1980, at the age of 50, Dubray began making micaceous pottery, upholding the tradition of her mother and their ancestors. Dubray added an element of sculptural relief with icons of corn, turtles, lizards, and kiva steps in relief; Her original corn design her most recognized symbol.[5][6] Lori "Pop Wea" Tanner (died 1966) was also a noted potter from Taos Pueblo[7]
Pop Chalee, also known as Merina Lujan and "Blue Flower" (1906–1993), was the daughter of a man from the Taos Pueblo; her mother was of Swiss descent. In the 1920s she attended the Santa Fe Indian School and in the 1930s Dorothy Dunn's studio of the same school. Multi-talented, Chalee was a muralist and art instructor; she also worked in radio and the film industry.[8]
Hispanic artwork[edit]
In the late 18th and early 19th centuries it was very expensive to ship furniture to New Mexico. Hispanic carpenters built, with great artistry, cajas (storage chests), harineros (grain chests), trasteros (kitchen cupboards) and other furniture. The work was generally carved and painted brightly.[9]
Tinwork was also made with materials brought from Mexico and sometimes along the Santa Fe Trail. A significant growth in tin work occurred, though, once the railroad opened. At first most of the tin work was in the form of religious, devotional items. By the turn of the 20th century, tinsmiths were creating sconces, lanterns and trinket boxes.[9]
Commissioned by churches and individuals, artists created sacred images called Santos of Roman Catholicism. Patrociño Barela (1900–1964) made secular works that greatly influenced contemporary santeros. His work, shown at the Museum of Modern Art in New York with other artists of the Federal Art Project, was the first Mexican American artist to receive national recognition.[9]
In addition to the Taos museums, the Martinez Hacienda, a fortress occupied by Padre Martinez's family in the 19th century, provides examples of the integration of Spanish and Pueblo artistic movements in retablos (santos painted on flat pieces of wood), bultos (santos carved out of wood and sometimes painted), as well as tin work, jewelry, and basketry.[10]
Santo, Small Spanish Colonial retablo, Harwood Museum of Art
Spanish colonial bulto, Harwood Museum of Art
Art colony[edit]
Taos Society of Artists[edit]
Main article: Taos Society of Artists
Bert Geer Phillips and Ernest L. Blumenschein came to Taos, New Mexico as part of a tour of the western United States, but upon seeing Taos decided to stay.[11]
An article with drawings by Blumenschein about a ceremony at Taos Pueblo appeared in the July 10, 1898, issue of Harper's Weekly.[12]
Within a few years other American and European-born artists joined them in Taos: Joseph Henry Sharp, W. Herbert Dunton, E. Irving Couse and Oscar E. Berninghaus. These six artists were the charter members of the Taos Society of Artists.[11]
The Taos Society of Artists works heralded the beginning of the Taos art colony, a groundbreaking association of European trained painters that collected around the visually spectacular Taos Pueblo in the Southwestern United States. The founding members fostered the emergence of a major school of American painting. Unlike other 'schools' or styles that emerged around the turn of the 19th century in the United States, the early Taos Colony artists were not united under a single manifesto or aesthetic modus, but equally lured by the stunning and, as yet, foreign environs.[13]
Ernest Blumenschein, Star Road and White Sun, 1920, Albuquerque Museum of Art and History
E. I. Couse, Elk Foot of the Taos Tribe, 1909, Smithsonian American Art Museum, Washington, DC
Joseph Henry Sharp, Making Sweet Grass Medicine, Blackfoot Ceremony, ca. 1920, Smithsonian American Art Museum
William Herbert Dunton, The Horse Rustler, ca. 1915
Mabel Dodge Luhan[edit]
Portrait of Mabel Dodge Luhan, Carl Van Vechten, 1934
Many artists were drawn to Taos due to the presence of Mabel Dodge Luhan, a wealthy heiress from Buffalo, New York[14] who had run a prominent art salon in Florence, Italy, and Manhattan, New York, before settling in Taos in 1917. After both divorced their spouses, Mabel Dodge married a Pueblo native, Antonio Lujan, and built a house. She spelled her married name "Luhan" as it was easier for her friends to pronounce.[15][16]
While in the Southwest, Luhan carried on the tradition of the European salon in its newest of iterations. For decades, she invited artists, writers, and other luminaries to be inspired by Taos and each other. Among them were Ansel Adams, Georgia O'Keeffe, Alfred Stieglitz, author D. H. Lawrence and his wife, Frieda von Richthofen. Artist Dorothy Brett came to Taos in 1924 with her friends D.H. Lawrence and Frieda von Richthofen and later permanently settled there.[15]
Georgia O'Keeffe settled in New Mexico in the Mabel Dodge Luhan era, but mostly kept her distance, to Mabel's annoyance.. She stayed in one of Mabel's houses in Taos in the summer of 1929 with Rebecca Strand, Paul Strand's wife, painting the country around Taos and getting to know the country. According to Calvin Tomkins, in a 1974 interview, "She rather liked Mabel Dodge Luhan—was amused by her, even when Mabel was at her bullying worst. Mabel and Dorothy Brett, the painter, and Frieda Lawrence, who had settled near Taos after D. H. Lawrence died, in 1930, carried on a running three-cornered feud. They had all idolized Lawrence, and each considered herself in some way his true muse—a situation that reached lunatic heights during their protracted squabble over Lawrence’s ashes. To prevent Mabel from stealing and scattering the ashes (as she claimed Lawrence had wished), Frieda finally had them mixed with a ton of concrete and formed into a block." The block remains on the D. H. Lawrence Ranch above Taos. [17]
Andrew Dasburg[edit]
Parisian born Andrew Dasburg (1887–1979) was one of the earliest friends of Luhan to come and stay in Taos. He first came to Taos in 1918,[18] and moved to Santa Fe, New Mexico in 1921, when he integrated the boxy traditional construction styles in New Mexico into his Cubist art.[19] In Taos, Dasburg became a mentor to a group of artists known as "Taos Moderns".[20] A leader in the Cubism movement, his works are in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art and the Denver Art Museum, among others.[21]
Andrew Dasburg, American Painter, 1940s
Andrew Dasburg, Improvisation, c.1915-1916
D. H. Lawrence
D.H. Lawrence[edit]
Inspired by the area and artists, D. H. Lawrence (1885–1930) painted while in Taos, signing his work "Lorenzo"; Nine of his paintings are displayed at La Fonda Hotel on the Taos Plaza.[16]
Photograph of Georgia O'Keeffe by Alfred Stieglitz in 1918.
Georgia O'Keeffe[edit]
A friend of D.H. Lawrence, Georgia O'Keeffe (1887–1986) began to spend summers with the Lawrences starting in 1930. O'Keeffe's inspiration led Lawrence to discover he had a talent for painting, too. She made iconic, colorful paintings of flowers and bones she collected during her walks through the desert. In 1940, she bought her first home in New Mexico. Her husband, Alfred Stieglitz, preferring to stay in New York, O'Keeffe spent much of the year with him. Upon his death in 1946, O'Keeffe moved permanently to her New Mexico home, in an area known as Ghost Ranch, and later built a home in Abiquiu, New Mexico.[22]
Nicolai Fechin[edit]
Like Lawrence, Russian artist Nicolai Fechin (1881–1955) suffered from tuberculosis and found Taos helpful for managing his health. In 1927, Fechin moved to Taos with his wife and daughter. For a time they lived with Luhan, but soon purchased an adobe home that was renovated into a beautiful, unusual home with Russian wood carvings, is now the Taos Art Museum.[16]
Nicolai Fechin House, Daughter's Playroom
Ansel Adams[edit]
Ansel Easton Adams (1902–1984) was a photographer, best known for his black-and-white photographs of the American West. In 1930, Taos Pueblo, Adams's second portfolio, was published. In New Mexico, he was introduced to notables from Alfred Stieglitz's circle, including painter Georgia O'Keeffe, artist John Marin, and photographer Paul Strand, all of whom created famous works during their stays in the Southwest.[23]
Ansel Adams and camera, photograph by J. Malcolm Greany
Church, Taos Pueblo, National Historic Landmark, New Mexico, photograph by Ansel Adams, 1941.
At Taos Pueblo, National Historic Landmark, New Mexico, photograph by Ansel Adams, 1941.
Other early 20th-century artists[edit]
Cordelia Wilson, an artist from Georgetown, Colorado developed her skills as an artist motivated by latest trends in American realism led by Robert Henri. Her academic training emphasized development of an alla prima technique and painting out of doors, which inspired her to produce bold impasto works quickly. She started making road trips to New Mexico and became friends with painters in the Taos Society of Artists and the Santa Fe art colony. Her numerous expressive oil sketches and en plein air canvases of adobe dwellings and rugged landscapes caught the attention of art dealers.[24][25]
Autumn in the Sangre de Cristos, ca. 1915-1920, Cordelia Wilson, Private collection
Indian Corn and Mexican Vase, Cordelia Wilson, ca. 1915-1920s, Private collection
Rebecca Salsbury James (1891–1968) was largely a self-taught artist, although, after coming to Taos she was influenced by friend, Georgia O'Keeffe. She is most known for her work with reverse oils on glass and also worked in oils, pastels and a Spanish folk art form, colcha embroidery.[26]
Ouray Meyers, a Taos artist, is the son of Ralph Meyers who was an artist, writer, and trader who was good friends with members of the Taos Society of Artists, such as Joseph Henry Sharp and W. Herbert Dunton; He was also a friend of Leon Gaspard, Nicolai Fechin, Dorothy Brett, and Georgia O'Keeffe. As a boy, Ralph Meyers met the artists who often visited his parent's home. Meyers developed his own unique style, influenced by the early Taos painters.[16]
Postwar modernism[edit]
Taos Moderns[edit]
In the 1940s a group of artists, some of whom had studied contemporary European and American modernist art under the G.I. bill, came to Taos. Arriving from cities like New York and San Francisco that were centers for the forms of abstract painting that emerged after World War II, they transformed Taos into a hotbed of contemporary art. These artists became known as the "Taos Moderns" and included Thomas Benrimo, Louis Leon Ribak and his wife Beatrice Mandelman, Agnes Martin, Clay Spohn,[20] Robert Ray,[27] and Edward Corbett. Other visiting artists include Richard Diebenkorn, Mark Rothko, Ad Reinhardt, Clyfford Still and Morris Graves. Andrew Dasburg came to Taos and was a mentor to many of the new artists.[20]
Like earlier artists, they portrayed the colorful New Mexican landscape and cultural influences, such as the "timelessness they perceived in Puebloan culture and the deep connection to the land they noted in the everyday life of both Native Americans and Hispanics influence experimentation and innovation in their own art." Rather than capturing realist images of people and the landscape, they sought to capture the true meaning of their subjects.[20]
Other postwar artists[edit]
Other postwar artists such as R. C. Gorman and Bill Rane also made Taos their home.[16][28]
R. C. Gorman (1931–2005) was an internationally renowned artist of the Navajo Nation, sometimes called the "Picasso" of the American Indian Arts. Even so, he was not accepted by the entire Taos art colony. Gorman opened "The Navajo Gallery" in 1968 on historic Ledoux Street, the first art gallery owned by a Native American in the United States. It contained a large body of his work and those of some local Taos artists. Gorman was a collector of art, such as works by European masters Picasso and Chagall, and local artists, such as Bill Rane, whose work Gorman identified as his favorite of the artist colony.[28][29]
Bill Rane, "Woman Entangled" c. 1990. Oil on canvas, 60" x 48". This is one of Rane's best-known paintings.[30]
Bill Rane (1927 - 2005) was an artist and Taos gallery owner. His historic Taos gallery is maintained by his widow, Judith Rane.[31] Bill Rane was born in Oregon, grew up in Idaho, and studied art and literature at San Francisco State University and the University of California, Berkeley. Rane lived and worked in the Bay Area of California until he moved to Taos, where he lived until his death in 2005.[30]
Organizations[edit]
Taos Art Association[edit]
In the 1950s a group of Taos artists decided to form the Taos Art Association (TAA). They purchased the Manby estate and turned the mansion into art galleries and in the gardens an outdoor community theater. In 2000, the Taos Art Association (TAA) became the Taos Center for the Arts (TCA). It is the oldest non-profit arts organization in the state of New Mexico.[32]
Taos Artist Organization[edit]
Taos Artist Organization is a group of 140+ artists living in Taos and working in a variety of creative media.[33]
Taos Gallery Association[edit]
Taos has over 80 privately owned art galleries.[34]
Taos Pueblo artists[edit]
Contemporary native artists of Taos Pueblo create handcrafted goods using methods passed down through generations of family artisans. Modern interpretation of traditional art is reflected in their sculpture, painting and jewelry. For centuries the Taos pueblo potters have been creating micaceous pottery; now, the pottery is made with a high polish. Also produced on the pueblo are tanned buckskin moccasins and drums.[3]
Museums[edit]
Harwood Museum of Art[edit]
The Harwood Museum of Art in Taos has a permanent collection of over 1,700 works of art and 17,000 photographic images. The collection of works from the 19th century to the present reflect the multicultural heritages and influences of the Taos artistic community. The categories of works include: Hispanic, Taos Society of Artists, Taos Moderns, Contemporary, and Prints, Drawings and Photographs.[35]
Millicent Rogers Museum[edit]
The Millicent Rogers Museum is a collection of item of Southwestern Indian culture. Millicent Rogers was instrumental in the promotion of the Native American culture.[36] The collections are made of works of art that include weavings, kachinas, pottery, baskets, tin work, and contemporary art.[37] In the early 1980s the museum held works of the Hispanic art movement, the first major cultural organization in New Mexico to do so. Millicent's mother, Mary B. Rogers, was the benefactoress for much of the Pueblo Indian works.[38]
Paintings by Pueblo artists Albert Looking Elk (Martinez), Albert Lujan, Juan Mirabal, Juanito Concha and the works of other Pueblo artists are included in the Museum's collection.[39]
Taos Art Museum[edit]
The Taos Art Museum and Nicolai Fechin House is largely a collection of paintings by full and associate members of the Taos Society of Artists. It is housed in the former home and studio of artist Nicolai Fechin.[40]
Notes[edit]
Jump up ^ Flynn (1994), p. 36. Made when Naumer documented scenes in Bandelier National Monument and nearby pueblos.
Jump up ^ "About". Taos Pueblo. Archived from the original on 2011-04-24. Retrieved 2011-05-30.
^ Jump up to: a b "Artists of the Taos Pueblo". Taos Pueblo. Retrieved 2011-05-29.
Jump up ^ Witt, D (2003). "Three Taos Pueblo Painters". Traditional Fine Art Online, Inc. Retrieved 2011-05-30.
Jump up ^ "J. Suazo Dubray". Through the Eyes of the Pot, Artists. L. D. Holmes Museum. Retrieved 2011. Check date values in: |accessdate= (help)
Jump up ^ Anderson, D (1999). All That Glitters: The Emergence of Native American Micaceous Art Pottery in Northern New Mexico. School of American Research Press. p. 62.
Jump up ^ Lester, 443.
Jump up ^ Farris, 13.
^ Jump up to: a b c "Hispanic". Collections. Harwood Museum of Art. Retrieved 2011. Check date values in: |accessdate= (help)
Jump up ^ "Art History, The Taos valley has been a bed of creativity for centuries". Art of Taos. Taos Vacation Guide. Retrieved 2011-05-31.
^ Jump up to: a b Bleiler, 75.
Jump up ^ Hassrick, P; Cunningham, E; Blumenschein, E, 31.
Jump up ^ Whaley, Bill; Stiny, Andy. "Reconsidering Art in Taos; Bert Phillips" Archived 2012-03-10 at the Wayback Machine. in Taos Horse Fly, February 17, 2009.
Jump up ^ Luhan, 120, 291.
^ Jump up to: a b "Mabel Dodge Luhan House in Taos NM, Legendary connections have happened in this house". Collector's Guide. 1995–2011. Retrieved 2011. Check date values in: |accessdate= (help)
^ Jump up to: a b c d e "Taos as an Art Colony: From the Taos Society of Artists to the Present". Taos. Taos Unlimited. 2006–2011. Retrieved 2011-05-31.
Jump up ^ Georgia O’Keeffe’s Vision by Calvin Tomkins, The New Yorker, March 4, 1974 Issue, accessed 5/29/2018
Jump up ^ Corley, Eri. "A Finding Aid to the Andrew Dasburg and Grace Mott Johnson Papers, 1833-1980 (bulk 1900-1980)". Archives of American Art. Smithsonian Institution.
Jump up ^ Zimmer, William (October 27, 1996). "Mexico, Both Sides of the Border, From the Century's First Half". The New York Times. Retrieved October 30, 2007" Andrew Dasburg worked with the idea that New Mexican towns and villages, with their arrangements of box-like buildings, constituted a kind of Cubism in the flesh. His Taos Houses (New Mexican Village) is a good example of this."
^ Jump up to: a b c d "Taos Moderns". Collections. Harwood Museum of Art. Retrieved 2011-05-29.
Jump up ^ "Andrew Dasburg, Cubist Painter, Dies". New York Times. August 14, 1979. Retrieved 2007-09-25. Andrew Dasburg, a painter who was said to be the last survivor of the artists who contributed work to the Armory show of 1913, died yesterday in Taos, N.M. He was 92 years old.
Jump up ^ "Georgia O'Keefe". Taos Art Colony. Taos Unlimited. Retrieved 2011. Check date values in: |accessdate= (help)
Jump up ^ Alinder, 73-74
Jump up ^ "Cordelia Creigh Wilson". Steve Art Gallery LLC. Retrieved 2011-05-31.
Jump up ^ Walter, P, ed. (1918). El Palacio. 5. Santa Fe: Museum of New Mexico, Archaeological Society of New Mexico, School of American Research (Santa Fe, N.M.). pp. 90–91.
Jump up ^ "February 20 - June 06, 2010, Rebecca Salsbury James: Paintings and Colchas". Exhibitions. Harwood Museum. Retrieved 2011. Check date values in: |accessdate= (help)
Jump up ^ "MODERNS – Ictstandardization.com". ictstandardization.com. Retrieved 2018-05-10.
^ Jump up to: a b "Bill Rane & R.C. Gorman". Bill Rane Story. A j P Global Enterprises, Inc. 2007–2008. Retrieved 2011-05-31.
Jump up ^ "Navajo Gallery, The Gallery". Navajo Gallery. Retrieved 2011-05-31.
^ Jump up to: a b Bill Rane Trust, The Master's Hand: Reflections on Rane. 2008, Taos, ISBN 9781436329088
Jump up ^ Bill Rane gallery
Jump up ^ "Taos Center for the Arts, History". About the TCA. Taos Center for the Arts. Retrieved 2011-05-29.
Jump up ^ "Taos Artist Organization". Taos Artist Organization. 2011. Retrieved 2011-05-29.
Jump up ^ "Taos Gallery Association Members". Taosgalleryassoc.com. Taos Gallery Association. Retrieved 2011-05-29.
Jump up ^ "Collections". Harwood Museum of Art. Retrieved 2011-05-29.
Jump up ^ "Millicent Rogers". Millicent Rogers Museum. Archived from the original on 2011-09-07. Retrieved 2011-05-29.
Jump up ^ "Collections". Millicent Rogers Museum. Retrieved 2011-05-29.
Jump up ^ "Contemporary Southwestern Art". Millicent Rogers Museum. Retrieved 2011-05-29.
Jump up ^ "artists of taos pueblo". Taos Pueblo. Archived from the original on 2011-09-07. Retrieved 2011-05-29.
Jump up ^ "About". Taos Art Museum. Archived from the original on 2011-10-06. Retrieved 2011-05-29.
References[edit]
Alinder, Mary; Stillman, Andrea; Adams, Ansel; Stegner, Wallace (1988). Ansel Adams: Letters and Images 1916–1984. Boston: Little, Brown. ISBN 0-8212-1691-0.
Bleiler, L; Society of the Muse of the Southwest (2011). Taos. Images of America. Charleston: Arcadia Publishing. p. 75. ISBN 978-0-7385-7959-7.
Farris, P, ed (1999). Women Artists of Color: A Bio-critical Sourcebook to 20th century Artists in the Americas. Westport: Greenwood Press. p. 13. ISBN 0-313-30374-6.
Flynn, Kathryn A. (1994). Treasures on New Mexico trails: discover New Deal art and architecture. Sunstone Press. ISBN 978-0-86534-236-1.
Hassrick, P; Cunningham, E; Blumenschein, E (2008). In Contemporary Rhythm: The Art of Ernest L. Blumenschein. University of Oklahoma Press. p. 31. ISBN 978-0-8061-3937-1.
Lester, Patrick D. The Biographical Directory of Native American Painters. Norman and London: The Oklahoma University Press, 1995. ISBN 0-8061-9936-9.
Luhan, M (1987) [1937]. Edge of Taos Desert: An Escape to Reality. University of New Mexico Press. p. 120. ISBN 0-8263-0971-2.
Further reading[edit]
Dick, R. H. My Time There: The Art Colonies of Santa Fe & Taos, New Mexico, 1956-2006. St. Louis Mercantile Library, 2007. ISBN 978-0-9639804-8-9
Schimmel, Julie; White, Robert R. Bert Geer Phillips and the Taos Art Colony. Univ of New Mexico Press; 1st edition (June 1994). ISBN 0-8263-1444-9
Shipp, Steve. American Art Colonies, 1850-1930: A Historical Guide to America's Original Art Colonies and Their Artists. Greenwood Press, 1996. ISBN 0-313-29619-7
Witt, David L. Modernists in Taos: From Dasburg to Martin. Red Crane Books, 2002. ISBN 978-1-878610-78-2
External links[edit]
Taos as an Art Colony: From the Taos Society of Artists to the Present
Taos Pre 1940
Retrieved from "https://en.wikipedia.org/w/index.php?title=Taos_art_colony&oldid=843557971"
Categories:
Taos, New Mexico
American artist groups and collectives
Artist colonies
History of Taos, New Mexico
Progressive Era in the United States
Hidden categories:
CS1 errors: dates
Webarchive template wayback links
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
Edit
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
Languages
Русский
Edit links
This page was last edited on 29 May 2018, at 22:48.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

key: html

type: local

value: div

attrs: id class

values: mw-page-base noprint

values: mw-head-base noprint

value: a

attrs: id class lang

values: firstHeading firstHeading en

values: siteSub noprint

attrs: class href

values: mw-jump-link #mw-head

values: mw-jump-link #p-search

value: img

attrs: alt src width height class srcset data-file-width data-file-height

attrs: href class

attrs: href class title

values:
/wiki/Helmut_Naumer,_Sr.
mw-redirect
Helmut Naumer, Sr.

value: i

value: sup

values:
/wiki/World_Heritage_Site
mw-redirect
World Heritage Site

values:
/wiki/Giza_Necropolis
mw-redirect
Giza Necropolis

values: Visual arts by indigenous peoples of the Americas

values:
/wiki/Lori_%22Pop_Wea%22_Tanner
mw-redirect
Lori "Pop Wea" Tanner

values:
/wiki/Santos_(art)
mw-redirect
Santos (art)

values:
/wiki/Mexican_American
mw-redirect
Mexican American

attrs: alt src width height srcset data-file-width data-file-height

values:
/wiki/Florence,_Italy
mw-redirect
Florence, Italy

values:
/wiki/Manhattan,_New_York
mw-redirect
Manhattan, New York

values:
/wiki/Pueblo_people
mw-redirect
Pueblo people

values:
/wiki/Frieda_von_Richthofen
mw-redirect
Frieda von Richthofen

values:
/wiki/Abiquiu,_New_Mexico
mw-redirect
Abiquiu, New Mexico

values:
/wiki/Ansel_Easton_Adams
mw-redirect
Ansel Easton Adams

values: Edit section: Other early 20th-century artists

values:
/wiki/Puebloan_peoples
mw-redirect
Puebloan peoples

values:
nofollow
external text
http://www.taospueblo.com/about.php

values:
nofollow
external text
http://www.tfaoi.com/aa/3aa/3aa495.htm

values:
nofollow
http://colony-t.nm-unlimited.net/
external text

values:
nofollow
http://ictstandardization.com/moderns/
external text

values:
nofollow
external text
http://www.billranestory.info/id52.html

values:
nofollow
http://www.billrane.com/
external text

values:
nofollow
external text
http://www.tcataos.org/page/history

values:
nofollow
http://taosartist.smugmug.com/
external text

values:
nofollow
external text
http://www.taosartmuseum.org/about.php

values: -moz-column-width: 30em; -webkit-column-width: 30em; column-width: 30em; list-style-type: decimal;

values: Category:American artist groups and collectives

values: Category:Progressive Era in the United States

values: Category:Webarchive template wayback links

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Taos_art_colony
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

values: p-namespaces navigation vectorTabs p-namespaces-label

values:
p-variants
navigation
vectorMenu emptyPortlet
p-variants-label

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-interaction p-interaction-label

values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

values: Таосская художественная колония – Russian

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-Taos_art_colony rootpage-Taos_art_colony skin-vector action-view


text:
The Wrong Trousers
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Wallace and Gromit in The Wrong Trousers
Promotional poster, with Feathers McGraw in the foreground
Directed by
Nick Park
Produced by
Christopher Moll
Written by
Nick Park
Bob Baker
Brian Sibley
Starring
Peter Sallis
Music by
Julian Nott
Cinematography
Tristan Oliver
Dave Alex Riddett
Edited by
Helen Garrard
Production
company
Aardman Animations
Distributed by
BBC (UK, TV)
PBS (USA, TV)
Release date
26 December 1993 (1993-12-26)
Running time
30 minutes (NTSC)
29 minutes (PAL)
Country
United Kingdom
Language
English
Budget
£650,000[1]
The Wrong Trousers is a 1993 British stop-motion animated short film directed by Nick Park at Aardman Animations, featuring his characters Wallace and Gromit. It is the second film featuring the eccentric inventor Wallace (voiced by Peter Sallis) and his dog Gromit, following A Grand Day Out (1989). In the film, a sinister penguin uses Wallace and Gromit's robotic "Techno Trousers" to steal a diamond.
The Wrong Trousers premiered in the United States on 17 December 1993, and the United Kingdom on 26 December 1993.[2] It was commercially successful and won the 1993 Academy Award for Best Animated Short Film. It also inspired a charity fundraising day, known as "Wrong Trousers Day", one of several events. A sequel, A Close Shave, was released in 1995.
Contents
[hide]
1 Plot
2 Reception
3 See also
4 References
5 External links
Plot[edit]
Wallace (Peter Sallis) gives his intelligent dog Gromit a pair of robotic legs on his birthday — "Techno Trousers EX-NASA" — to take him for walks.
To alleviate their financial problems, Wallace decides to advertise their spare bedroom to let. The room is taken by an inscrutable penguin, who irritates Gromit by pushing him out of his own room and playing loud music. The penguin takes an interest in the Techno Trousers after seeing Gromit use their suction feet to walk on the ceiling while decorating. After Gromit is driven from the house, the penguin secretly rewires the Techno Trousers for radio control.
While Gromit hunts for lodgings, he discovers a wanted poster offering a reward for the capture of a criminal chicken by the name of Feathers McGraw. In fact, the "chicken" is a penguin who disguises himself with a red rubber glove on his head.
Wallace's morning routine is interrupted when Feathers replaces his clothes with the Techno Trousers and sends him on an extended test run. Gromit witnesses this and spies on Feathers taking measurements of the city museum. He returns home and discovers Feathers' plans to steal a diamond from the museum.
While Wallace sleeps, Feathers marches him to the museum and uses the Trousers to infiltrate the building. He uses a remote-operated crane claw to capture the diamond, but triggers the laser alarm, waking Wallace. Feathers marches him back to the house and, armed with a gun, traps him and Gromit in a wardrobe.
Using his electronics expertise, Gromit rewires the Trousers to make them march and break open the wardrobe. They chase Feathers aboard their model train set. Wallace confiscates Feathers's gun and frees himself from the Trousers. After Feathers's train collides with the Trousers, he is captured in a bottle, arrested, and imprisoned in the city zoo. Wallace and Gromit celebrate paying off their debts with the reward money while the Techno Trousers, consigned to the dustbin, walk off into the sunset.
Reception[edit]
The Wrong Trousers was voted as the eighteenth-best British television show by the British Film Institute.[3] It has a unanimously positive score on Rotten Tomatoes with 24 reviews, 100% positive and an average score of 9.1/10. The film was awarded the Grand Prix at the Tampere Film Festival and the Grand Prix at the World Festival of Animated film – Animafest Zagreb in 1994.
The Wrong Trousers won the Academy Award for Best Animated Short Film.
See also[edit]
List of films featuring powered exoskeletons
List of films with a 100% rating on Rotten Tomatoes
References[edit]
Jump up ^ "Aardman Animations – A Close Shave". telepathy.co.uk. Retrieved 4 May 2015.
Jump up ^ "The Wrong Trousers (1993)". BFI. Retrieved 4 May 2015.
Jump up ^ "Archived copy". Archived from the original on 11 September 2011. Retrieved 19 December 2010.
External links[edit]
Wikiquote has quotations related to: Wallace and Gromit
The Wrong Trousers on IMDb
The Wrong Trousers at Rotten Tomatoes
[show]
v
t
e
Academy Award for Best Animated Short Film
Submissions for Best Animated Short Academy Award
1932–1950
Flowers and Trees (1932)
Three Little Pigs (1933)
The Tortoise and the Hare (1934)
Three Orphan Kittens (1935)
The Country Cousin (1936)
The Old Mill (1937)
Ferdinand the Bull (1938)
The Ugly Duckling (1939)
The Milky Way (1940)
Lend a Paw (1941)
Der Fuehrer's Face (1942)
The Yankee Doodle Mouse (1943)
Mouse Trouble (1944)
Quiet Please! (1945)
The Cat Concerto (1946)
Tweetie Pie (1947)
The Little Orphan (1948)
For Scent-imental Reasons (1949)
Gerald McBoing-Boing (1950)
1951–1975
The Two Mouseketeers (1951)
Johann Mouse (1952)
Toot, Whistle, Plunk and Boom (1953)
When Magoo Flew (1954)
Speedy Gonzales (1955)
Magoo's Puddle Jumper (1956)
Birds Anonymous (1957)
Knighty Knight Bugs (1958)
Moonbird (1959)
Munro (1960)
Ersatz (The Substitute) (1961)
The Hole (1962)
The Critic (1963)
The Pink Phink (1964)
The Dot and the Line: A Romance in Lower Mathematics (1965)
A Herb Alpert and the Tijuana Brass Double Feature (1966)
The Box (1967)
Winnie the Pooh and the Blustery Day (1968)
It's Tough to Be a Bird (1969)
Is It Always Right to Be Right? (1970)
The Crunch Bird (1971)
A Christmas Carol (1972)
Frank Film (1973)
Closed Mondays (1974)
Great (1975)
1976–2000
Leisure (1976)
The Sand Castle (1977)
Special Delivery (1978)
Every Child (1979)
The Fly (1980)
Crac (1981)
Tango (1982)
Sundae in New York (1983)
Charade (1984)
Anna & Bella (1985)
A Greek Tragedy (1986)
The Man Who Planted Trees (1987)
Tin Toy (1988)
Balance (1989)
Creature Comforts (1990)
Manipulation (1991)
Mona Lisa Descending a Staircase (1992)
The Wrong Trousers (1993)
Bob's Birthday (1994)
A Close Shave (1995)
Quest (1996)
Geri's Game (1997)
Bunny (1998)
The Old Man and the Sea (1999)
Father and Daughter (2000)
2001–present
For the Birds (2001)
The ChubbChubbs! (2002)
Harvie Krumpet (2003)
Ryan (2004)
The Moon and the Son: An Imagined Conversation (2005)
The Danish Poet (2006)
Peter and the Wolf (2007)
La Maison en Petits Cubes (2008)
Logorama (2009)
The Lost Thing (2010)
The Fantastic Flying Books of Mr. Morris Lessmore (2011)
Paperman (2012)
Mr Hublot (2013)
Feast (2014)
Bear Story (2015)
Piper (2016)
Dear Basketball (2017)
[show]
v
t
e
Wallace and Gromit
Created by Nick Park
Short films
A Grand Day Out
The Wrong Trousers
A Close Shave
A Matter of Loaf and Death
Jubilee Bunt-a-thon
Shaun the Sheep: The Farmer's Llamas
Feature films
The Best of Aardman Animation
The Curse of the Were-Rabbit
Shaun the Sheep Movie
Television shows
Cracking Contraptions
Shaun the Sheep
episodes
World of Invention
Timmy Time
episodes
Video games
Project Zoo
The Curse of the Were-Rabbit
Grand Adventures
Shaun the Sheep
Attractions
The Thrill-O-Matic
Gromit Unleashed
Shaun in the City
Gromit Unleashed 2
Related articles
Musical Marvels
Aardman Animations
List of Wallace and Gromit characters
Animation portal
United Kingdom portal
Film portal
1990s portal
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Wrong_Trousers&oldid=831605174"
Categories:
1993 films
English-language films
1993 animated films
1990s animated short films
Films directed by Nick Park
1990s comedy films
Aardman Animations short films
Animated comedy films
Animated films about penguins
BBC Television programmes
Best Animated Short Academy Award winners
British animated short films
Clay animation films
Films featuring anthropomorphic characters
Screenplays by Bob Baker
Screenplays by Nick Park
Stop-motion animated short films
Wallace and Gromit films
Animated films about birds
Animated films about animals
Three-handers
Hidden categories:
Use dmy dates from November 2012
Use British English from April 2016
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
Edit
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
Languages
العربية
Deutsch
Français
Italiano
עברית
Magyar
Nederlands
Polski
Português
Русский
Suomi
Svenska
5 more
Edit links
This page was last edited on 21 March 2018, at 11:46.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

values: mw-page-base noprint

values: mw-head-base noprint

values: firstHeading firstHeading en

values: siteSub noprint

values: jump-to-nav mw-jump

value: th

attrs: colspan class style

value: tr

value: td

attrs: colspan style

attrs: scope style

attrs: href title

values:
reflist mw-references-wrap
list-style-type: decimal;

values:
nofollow
https://www.imdb.com/title/tt0108598/
external text

values: Template:Academy Award Best Animated Short Film

values: Template talk:Academy Award Best Animated Short Film

values:
row
navbox-group
background: #EEDD82;width:1%

values: nowraplinks hlist collapsible autocollapse navbox-inner

values: Wallace & Gromit: The Best of Aardman Animation

values: Wallace and Gromit's Cracking Contraptions

values: Wallace & Gromit: The Curse of the Were-Rabbit (video game)

values: nowraplinks collapsible autocollapse navbox-inner

values:
noprint metadata navbox
navigation
Portals
font-weight:bold;padding:0.4em 2em

values: Category:Best Animated Short Academy Award winners

values: Category:Films featuring anthropomorphic characters

values: Category:Stop-motion animated short films

values: Category:Use dmy dates from November 2012

values: Category:Use British English from April 2016

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/The_Wrong_Trousers
View the content page [ctrl-alt-c]
c

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: Guidance on how to use and edit Wikipedia

values: البنطال الخطأ – Arabic

values: Wallace & Gromit – Die Techno-Hose – German

values: המכנסיים הלא מתאימים – Hebrew

values:
interlanguage-link interwiki-he
display: none;

values: Wallace és Gromit: A bolond nadrág – Hungarian

values:
interlanguage-link interwiki-hu
display: none;

values:
interlanguage-link interwiki-nl
display: none;

values: Wallace i Gromit: Wściekłe gacie – Polish

values:
interlanguage-link interwiki-pl
display: none;

values: Wallace & Gromit: The Wrong Trousers – Portuguese

values: Невероятные приключения Уоллеса и Громита: Неправильные штаны – Russian

values:
interlanguage-link interwiki-fi
display: none;

values: All languages (initial selection from common choices by you and others)

values: /static/images/wikimedia-button-1.5x.png 1.5x, /static/images/wikimedia-button-2x.png 2x

values: /static/images/poweredby_mediawiki_132x47.png 1.5x, /static/images/poweredby_mediawiki_176x62.png 2x

values:
suggestions
display: none; font-size: 13px;

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-The_Wrong_Trousers rootpage-The_Wrong_Trousers skin-vector action-view


text:
Emma Swan
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Emma Swan
Once Upon a Time character
Promotional photograph of Jennifer Morrison as Emma Swan.
First appearance
"Pilot"
Last appearance
"A Pirate's Life"
Created by
Adam Horowitz & Eddy Kitsis
Portrayed by
Jennifer Morrison
Abby Ross (teenager)
Mckenna Grace (child)
Information
Nickname(s)
Swan
Dark Swan (briefly)
The Black Swan[1]
Aliases
Princess Leia
Princess Emma (alternate reality)
Occupation
Savior
Sheriff
Bail bond agent (formerly)
Deputy (formerly)
Princess (alternate reality)
Title
The Savior
The Dark One (formerly)
Family
David Nolan/Prince Charming (father)
Snow White/Mary Margaret Blanchard (mother)
Neal Nolan (brother)
Spouse(s)
Killian Jones (husband)
Significant other(s)
Neal Cassidy (ex-boyfriend, deceased)
Graham Humbert (brief love interest, deceased)
Walsh (ex-boyfriend, deceased)
Children
Henry Mills (son, with Neal Cassidy)
Unborn child (with Killian Jones)
Relatives
Ruth (paternal grandmother, deceased)
Robert (paternal grandfather, deceased)
Albert Spencer (paternal adoptive grandfather)
Prince James (paternal uncle, deceased)
King Leopold (maternal grandfather, deceased)
Queen Eva (maternal grandmother, deceased)
Brennan Jones (father-in-law, deceased)
Liam Jones (brother-in-law, deceased)
Liam Jones II (half-brother-in-law)
Lucy (granddaughter)
Nationality
American
Born
October 22, 1983 (age 29)[2]
The Enchanted Forest
Abilities
Light Magic
Dark Magic (Season 5)
Lie detection (self-proclaimed)
Status
Alive
Type
Enchanted Forest character
Centric episodes
Season Two
"Tallahassee"
Season Three
"The Heart of the Truest Believer"
"Going Home"
"Snow Drifts"
"There's No Place Like Home"
Season Four
"Breaking Glass"
"Shattered Sight"
"Lily"
Season Five
"The Dark Swan"
"Dreamcatcher"
"Birth"
"Broken Heart"
"Firebird"
Season Six
"The Savior"
"Wish You Were Here"
"Tougher Than the Rest"
"The Song in Your Heart"
"The Final Battle"
Emma Swan is a fictional character in ABC's television series Once Upon a Time. She is portrayed by Jennifer Morrison, by Abby Ross as a teenager, and Mckenna Grace as a child. Emma first appeared in the series's pilot as a bail bond agent in Boston, Massachusetts until she meets her biological son Henry, whom she gave up for adoption 10 years before, and learns she is the daughter of Snow White and Prince Charming. Henry urges Emma to go to the fictional town of Storybrooke, Maine, to break a curse enacted by the Evil Queen and to restore the fairy tale characters' happy endings.
The daughter of Snow White and Prince Charming,[3] an ex-bail bonds collector,[4] and Henry Mills' biological mother.[4] Morrison described her character at the beginning of the first season as "broken, damaged and worldly".[4] During the fourth season finale, "Operation Mongoose", Emma absorbs the power of the Dark One into herself to save Storybrooke.[5] In order to successfully create a dark version of Emma, Morrison explained that "In order to build Dark Emma, I've been doing a bunch of research there with some of their mythology books and old fairy tale books and just looking back through the history of swans and the etymology of 'Swan'" and explained that Emma's rate of evolution "challenged [her] on a daily basis".[6] Emma became the primary antagonist of the fifth season's first half, until the end of the season's eighth episode when her real plans are revealed.
Morrison's portrayal of Emma has received praise, with some reviewers noting a feminist twist in the depiction of fairy tales and a strong female lead. She is loosely based on the title character of the fairy tale "The Ugly Duckling", a swan which was lost and raised by ducks, before finding its birth family and recognizing its true nature. It is revealed in the Season 6 episode "Tougher Than the Rest" that she chose the last name Swan when she was young after a friend mentioned that story.
Contents
[hide]
1 Character development and casting
2 Character Background
2.1 Season 1 & 2
2.2 Season 3 & 4
2.3 Season 5
2.4 Season 6
3 Reception
4 References
5 External links
Character development and casting
Jennifer Morrison at the 2012 San Diego Comic-Con.
In early stages of the conception of the character, Emma's name was Anna,[7] and she was supposed to have three children, but she ended up having just Henry.[8] In the original script of the Pilot, she is described as "Late 20s. Beautiful, with great strength behind classic features. But also not quite at home in her skin."[9]
It was reported that actress Katee Sackhoff auditioned five times for the role of Emma, but according to her, the producers really wanted Morrison to play the part, and she accepted a role in the television series Longmire.[10] In the end, Morrison was hired for the part of Emma.[11] Morrison explained her character as someone who "help[s] her son Henry whom she abandoned when he was a baby and who seems like he's a little bit emotionally dysfunctional", but noted that Emma does not start out believing in the fairytale universe.[12] Morrison has described Emma as being like an overgrown teenager who does not know how to properly do certain things, like eating or taking care of herself; this is due to Emma not growing up in a family unit. Morrison said that when she does not know what to do with Emma, she thinks, "What a 14-year-old boy would do?"[13] Morrison has also stated that Emma is loosely based on "The Ugly Duckling", and that Emma's last name Swan is derived from this fairy tale.[14] According to the creators of the series, the name Swan is "very symbolic and fairy tale name and it just felt right for her and for the journey we are creating for Emma."[15]
After Emma became the "Dark One" in the fourth season of the series, Morrison began doing research with mythology books and old fairy tale books, and looking back through the history of swans and the etymology of 'Swan' to prepare for this new trait of her character. For Morrison, it is a great opportunity to now play a villain and it is challenging for her to portray a character that is constantly evolving.[16]
Character Background
Emma is the daughter of Snow White and Prince Charming, older sister to Prince Neal and mother to Henry Daniel Mills.
Season 1 & 2
When Snow White becomes pregnant, Geppetto forms a magical wardrobe for her and Charming, after Rumplestiltskin informs them that their daughter is the key to breaking the Evil Queen's curse in 28 years. Emma is born shortly after and placed in the wardrobe along with Pinocchio, successfully travelling to the new land.[17]
In the real world, Emma grows up in foster care, bouncing from various families, one including Ingrid, the Snow Queen. As a teenager, Emma becomes a petty criminal with Neal Cassidy. They plan to start a new life in Tallahassee, Florida, until Neal is persuaded by August Booth (Pinocchio) to turn Emma over to the police, to protect her destiny. Emma is jailed, later giving birth to Henry,[18] whom she gives up for adoption to give him a better life; he is then adopted by Regina Mills (the Evil Queen).[19] After some time in prison, Emma becomes a bail bond agent. On her 28th birthday, a ten-year-old Henry Mills arrives in Boston, explaining Emma's origins. Disbelieving him, she returns him home to Regina in Storybrooke, who becomes worried that Emma wants to be in Henry's life. Regina's repeated warnings to leave town and keep out of Henry's life make Emma decide to stay.[17] In Storybrooke, Emma initially wants Henry to let go of his theories of the curse, but later plays along.[20] She moves in with Mary Margaret (Snow White), unaware that they are related, and Sheriff Graham appoints Emma his deputy as the two form an attraction,[21] until Regina crushes his heart, causing him to die in Emma's arms.[22] Emma is soon elected sheriff, assisting in the arrest of Mary Margaret for the alleged murder of Kathryn Nolan until she is found alive.[23] When August Booth (Pinocchio) arrives in Storybrooke revealing her destiny of breaking the curse, a pressured Emma decides to leave the town, not wanting Henry to suffer from her and Regina's feud. Regina, however, attempts to poison Emma, though Henry willingly consumes it to prove that magic exists.[24] Emma finally believes, but Henry is pronounced dead. However, he is awoken with true love's kiss from Emma, thus breaking the curse and allowing all residents to remember their true identities.[25]
Emma reunites with her parents, only to fall through a portal with her mother to the Enchanted Forest.[26] They meet Princess Aurora and Mulan who help them return to Storybrooke.[27][28] Emma then helps Mr. Gold travel to Manhattan to locate his son Baelfire, who she discovers is Henry's father Neal.[18] Returning to Storybrooke, Emma deals with Regina and her mother Cora who are trying to use Mr. Gold to kill them and take back Henry but they eventually stop them then end up dealing with newcomers Greg Mendell and Neal's fiancé Tamara.[29] Emma's skeptical theories on the pair are proven correct when it is revealed they want to destroy magic.[30] After Emma and Regina stop their trigger to destroy Storybrooke, Henry is taken to Neverland by Greg and Tamara; Emma, her parents, Regina, Hook and Mr. Gold follow them.[31]
Season 3 & 4
The team eventually manages to rescue Henry from the sinister Peter Pan,[32][33] and return to Storybrooke.[34] However, Pan enacts the original curse once more, forcing Emma and Henry to leave Storybrooke after Regina reverses her curse, erasing the events following its enactment. Emma's past is temporarily altered by Regina. After leaving Storybrooke, Emma lives with Henry in New York City. Sometime later, she meets Walsh and they begin dating.[35]
One year after the curse's reversal, Hook restores Emma's memories with a potion and the two return to Storybrooke with Henry to save her family by breaking the new curse caused by Zelena, the Wicked Witch of the West.[36] She finds an insane Neal trapped within Mr. Gold's body. Losing his mind, Neal asks for Emma to free his father by killing him to defeat Zelena; she reluctantly agrees.[37] Regina later helps Emma to strengthen her magical powers, though they are removed when Zelena curses Hook but thanks to Regina they managed to defeat Zelena and close her time portal.[38]
After Emma and Hook are dragged into Zelena's time portal, she accepts Storybrooke as her home, regaining her magic to re-open the portal to the present where she begins a relationship with Hook. However, unaware to her, she also brings a previously deceased Maid Marian to the future which ruins Regina's happiness, having not heeded the warning of messing with the past. Elsa, who was trapped in an urn, was also brought to Storybrooke by the time portal. While working with Elsa, who helps Emma to finally embrace and control her powers, Emma helps her new friend find her sister and return home while balancing the threat of the Snow Queen against her friends and family. After a period of peace, Emma begins to help Regina on her quest to find the Author of Henry's book. Cruella De Vil and Ursula soon come into town resurrecting Maleficent and working with Rumplestiltskin to find the Author of the magical tome Once Upon a Time. After Cruella De Vil threatens to kill Henry, Emma kills her, soon after learning of her parents' actions of removing Emma's potential for darkness by putting black magic within Maleficent's daughter and Emma's childhood friend Lily.[39] After Emma returns to town, with the encouragement from Hook, she chooses to forgive her parents and let go of her anger. In moments before the finale, Emma is able to finally let her walls down and tells Hook she loves him. Emma then chooses to sacrifice herself for the town of Storybrooke, asking her parents and Hook to save her, she voluntarily plunges the dagger into the Darkness, transforming into the new Dark One.
Season 5
Emma searches for Merlin and is helped by a manifestation of Rumplestiltskin, who wants to teach her to be the Dark One, while Emma attempts to resist becoming evil at the same time. Sometime later, she transformed Hook into a second Dark One to save his life. Hook then cast the Dark Curse to get back to Storybrooke to have his revenge on Mr. Gold. Emma then altered the curse, adding a dream-catcher in it to wipe out everyone's memories of their time in Camelot.
Six weeks later, the rest of her friends returned to Storybrooke, but with a horrifying and shocking twist, their memories were wiped out once again and wearing Arthurian attires. As it turned out Emma made an appearance as the Dark One, with her new attire. Henry asks what happened to her, and she told them that they all went to Camelot to remove the darkness from her and they all failed (except Henry). Emma with her powers turned Sneezy into stone, proclaiming that there's no savior in the town. Emma surprisingly gave the Dark One dagger to Regina with the intention that if she goes too dark Regina would be the only one that would willingly "put her down." Shortly after this, Hook attempts true love's kiss with Emma in the hopes that the Dark One's curse would break, but ultimately failed, as Emma has fully embraced the darkness. Unbeknownst to the others, Emma currently has possession of the Excalibur in a locked room inside of her new house. She intends to make Excalibur and the Dark One's dagger whole again, as with it she will be able to snuff out the light forever and become invulnerable. However, she must recruit a hero to do so, as she cannot remove the sword; the hero she chooses is her predecessor Rumplestiltskin, who she tells finally has a chance to become a hero. She planned to siphon the darkness out of both of them and put it Zelena, who she forced into an accelerated labor to avoid killing Robin's child, and slay her. She regains her memories of what Hook plans, by resurrecting all the Dark Ones as part of his revenge. At first, Emma plans to absorb all the darkness inside her and kill herself. Things do not go according to plan when Hook steals it from her. Killian orders her to kill him, taking in all the darkness and Emma slays him with Excalibur while the darkness is removed from her, reverting to her old self. After blackmailing Mr. Gold for tricking her and Hook into making him the Dark One again, she and her friends and family descend into the Underworld to find Hook and plans to split her heart in half and share it with him like her parents.
Arriving in the Underworld, Emma is contacted by Neal Cassidy, who warns to turn back, advice Emma chooses to ignore. She and the others later discover that the Underworld is for those with unfinished business, and they decide to help others move on, while they search for Hook. With the help of Hook's ex-girlfriend Milah, Emma manages to retrieve Hook from Hades's captivity. However, she is unable to split her heart, as Hades has decided that she, Regina, and Snow are to remain behind for freeing the souls of Prince Henry, Hercules, and Megara. It is discovered that the only way they would have a chance to return to the "Overworld" with Hook is by overthrowing Hades. In order to defeat Hades, Emma and Hook receive help from Hook's brother Liam; however, it is soon discovered that Liam betrayed them after being blackmailed by Hades. Fortunately, Henry agrees to help undo Liam's work by using his powers as the Author. Later, when Emma and Hook try to perform the heartsplit, they are informed by Hades that Hook's body has been dead for too long and is decaying, making him unable to come back to life. When Emma and Hook go into the depths of the Underworld to find ambrosia, something that would save Hook, they are faced with a True Love test, which they pass when Emma chooses Hook over her own heart, only to realize that Hades had tricked them and destroyed the ambrosia, and Hook tells Emma to leave him in the Underworld, as time is running out for her to go through the open portal. Emma objects, saying that she came to the Underworld to save Hook, and she wasn't leaving without him. Hook eventually gets her to say her goodbyes and she does, only to find out that Hades had trapped her and her family in the library using magic. Emma and Regina work together to use their own magic to counteract it. They all go through the portal, and while Emma has second thoughts about leaving Hook, she is persuaded to go by her father. When they get back to Storybrooke, Zelena is informed by Regina and Robin that Hades tried to trap them in the Underworld, but she brushes off the information and is upset with her sister. She talks to Hades about having the life she wants, which is just a simple picket fence life. However, Hades wants a whole kingdom. Robin and Regina break into the mayor's house, where Zelena and Hades are, trying to get Robin's daughter back from Zelena. Emma, distraught and unable to grieve Hook's death, tries to break down the protection spell surrounding the house, but Zelena uses her magic to stop her. Hades is about to use the Olympian Crystal to "end" Regina, but Robin steps in front of her, taking the blow, which kills him. Hades tries to pressure Zelena into killing Regina, but she stabs Hades instead.
Before Robin's funeral, Emma stands at Hook's grave and cries, trying to cope with the fact that he is truly gone now. Suddenly, a wave of magic flies through the air, causing her to stumble. She hears her name called from behind her and turns around and is shocked to see Hook. She happily embraces Hook, who tells her Zeus sent him back as a reward for stopping Hades. After informing him that Robin is gone, Emma decides to break the news about Hook's return to Regina as delicately as possible. However, when an earthquake occurs, Hook rushes to see if Emma is okay. It turns out the earthquake was caused by Mr. Gold tethering magic to the Olympian Crystal fragment. Emma works with Regina to find it, only to later have Gold explain that Henry used his Author power to steal the crystal to destroy magic (again). Both follow Henry to New York, where it turns out Gold got the crystal back. At the same time, Hook, David, Snow and Zelena are accidentally sucked into another realm, which they could become trapped in without any magic in the Real World. Henry succeeds in destroying magic, only to be later convinced by the Dragon to get enough belief to recharge the crystal. It works and everyone is brought home. Once back in Storybrooke, Emma shares a passionate kiss with Hook.
Season 6
In the past, Aladdin, a "Savior", is taunted by Jafar over the inevitable downfall of all Saviors. In Storybrooke, refugees arrive from the Land of Untold Stories. Emma experiences tremors and visions; an arrested Hyde helps her receive an oracle's vision of a hooded figure killing her. Guided by Morpheus, Gold enters Belle's dreams to lift the sleeping curse; he tries to renew their love, but she rejects him. "Morpheus" reveals he is really their unborn son, and desired this outcome. Belle wakes and leaves Gold. Henry convinces Regina that Hades may have lied about Robin Hood's soul having been destroyed. Zelena moves in with Regina but, after learning her sister blames her for Robin Hood's death, moves out and is approached by the Evil Queen.
Emma discovers the sword can kill the Evil Queen without hurting Regina. The Queen steals the lamp and wishes Emma to an alternate reality where she was never the Savior; Regina follows her. In the "wish realm", Emma lives as a princess until Regina traumatically restores her memory. Regina frees Rumplestiltskin in exchange for a magic bean, but the portal to Storybrooke closes while Regina is distracted by the appearance of Robin Hood.
In 1990 Minnesota, a young Emma is told by a teenager that she has the power to change her fate. In present day, after they miss their way out of the Wish realm, Emma and Regina find another option for escape when they come across August, who agrees to help create a new portal. Emma discovers that August was the teenager she met back in Minnesota and inspires him to complete the portal. Emma, Regina, and Robin return to Storybrooke, where Gideon explains to Gold and Belle his intention to kill Emma so that he can acquire her savior powers and kill the Black Fairy, a move that has David furious and Belle concerned. Emma and Gideon finally meet for the battle, but Emma survives, choosing her own fate. Gideon retreats, proclaiming this far from over. Gold and Belle decide to work together for the good of the son. In past, Snow makes a wish that grants the entire Enchanted Forest to use the gift of Song to defeat Regina, which also spreads to Oz as well. When Regina also becomes affected by the wish she finds a way to end it before the first curse takes place, but the Blue Fairy, who granted Snow the wish, tells Snow and David that the wish will be part of Emma's destiny. In Emma's past, her chance to make use of her talent is held back by being told she'll be alone. This would come back to taunt Emma in the present day, as Fiona returns to use that weakness to take Emma's heart before she unleashes a new curse on her wedding, with unlikely help from Gold by freezing her family. When Henry discovers the page in the book that reveals Emma's heart will make her stronger, not only does it embolden Emma, it stopped Fiona from crushing it, but Fiona still tells her the battle is still on. On wedding day, Emma and Hook finally marry just in time for the dark clouds to release a new curse that will set up the final battle.
Reception
"[Emma]'s pursuit of a 'happy ending' is not about finding a man or going to a ball all gussied up, but about detective work, about building a relationship with her son Henry, and about seeking the 'truth' as to why time stands still in the corrupt Storybrooke world."
—Natalie Wilson from Ms. reviewing Emma Swan.[40]
Jennifer Morrison has received praise for her portrayal of Emma. In a review from the St. Louis Post-Dispatch, TV critic Gail Pennington had high marks for Morrison.[41] Mary McNamara of the Los Angeles Times gave excellent reviews for Morrison's character: "Her Emma is predictably cynical and prickly – fairy-tale princess, my Aunt Fanny – but she's sharp and lively enough to keep audiences begging for 'just a few more pages' before they go to bed."[42] For TVLive, "Morrison does a nice job of mirroring the viewer's disbelief of this fantastical dilemma – and Emma looks like she could become a worthy adversary for Regina."[43] For Daniel Fienberg, "Jennifer Morrison is very good in the lead".[44] On less favorable reviews, Matthew Gilbert of The Boston Globe was not enthusiastic of Morrison's portrayal and called her a "wooden lead".[45]
Several feminist outlets were pleased with the show for its feminist twist on fairy tales and with Emma being a strong female protagonist. Genie Leslie at Feministing commented that Emma was a "badass", that she liked how Emma was "very adamant that women be able to make their own decisions about their lives and their children", and how Emma was a "well-rounded" character who was "feminine, but not 'girly'".[46] Natalie Wilson from Ms. praised the show for a strong, "kick-butt" female lead, and for dealing with the idea of what makes a mother in a more nuanced fashion.[40]
References
Jump up ^ http://ew.com/article/2015/03/13/hot-seat-once-upon-time-bosses-answer-your-burning-questions/
Jump up ^ "Once Upon a Time timeline". ONCE - Once Upon a Time podcast. The page states, "Emma's birthday is October 22." The show itself corroborates this date. In "Pilot", Emma celebrates her twenty-eight birthday on this date.
Jump up ^ Sparks, Lily (September 28, 2012). "Once Upon a Time Q&A: Jennifer Morrison Drops a Few Hints About Season 2". TV.com. Retrieved October 7, 2015.
^ Jump up to: a b c Jeffery, Morgan (October 20, 2011). "'Once Upon a Time': Meet the cast of ABC's new fantasy drama". Digital Spy. Retrieved October 7, 2015.
Jump up ^ Ratcliffe, Amy (May 10, 2015). "ONCE UPON A TIME: "OPERATION MONGOOSE" REVIEW". IGN. Retrieved October 7, 2015.
Jump up ^ "Once Upon a Time season 5 news: Jennifer Morrison is looking forward to playing Dark Emma; Casting call out for Rumplestilskin's mother". vinereport.com. Retrieved June 25, 2015.
Jump up ^ Original Script of the Pilot. On page 7 she is called 'ANNA SWAN'.
Jump up ^ "Adam Horowitz on Twitter". Twitter.
Jump up ^ Original Script of the Pilot.
Jump up ^ Radish, Christina (May 26, 2012). "Katee Sackhoff Talks LONGMIRE, RIDDICK with Vin Diesel, Auditioning for ONCE UPON A TIME, and Reflects on the BATTLESTAR GALACTICA Series Finale". Collider.com. Retrieved November 26, 2015.
Jump up ^ Andreeva, Nellie (March 9, 2011). "Jennifer Morrison Set as the Lead in ABC Pilot 'Once Upon a Time', 3 Others Cast". Deadline.com. Retrieved January 4, 2012.
Jump up ^ Halterman, Jim (October 21, 2011). "Interview: "Once Upon a Time" Co-Stars Ginnifer Goodwin, Josh Dallas & Lana Parrilla". The Futon Critic. Retrieved January 3, 2012.
Jump up ^ Once Upon a Time - Behind the Magic - Page 32. London: Titan Books, October 2013
Jump up ^ "Jennifer Morrison On Being The Skeptic In 'Once Upon A Time' - FanBolt". FanBolt.
Jump up ^ Monica (October 21, 2013). "Adam Horowitz & Edward Kitsis Talk New Seasons of OUAT and OUATIW". Cabletv.com.
Jump up ^ Corriston, Michele (June 17, 2013). "Jennifer Morrison Is Reading Old Fairy Tales to Play 'Dark Emma' on Once Upon a Time". People.
^ Jump up to: a b Orlando, Christine (October 23, 2011). "Once Upon a Time Review: Believe in Magic". TV Fanatic. Retrieved January 21, 2013.
^ Jump up to: a b "'Once Upon a Time' recap: Locker, Stalk, and Two Smoking Hotties" from Entertainment Weekly (November 4, 2012)
Jump up ^ Shaunna, Murphy (October 31, 2011). "'Once Upon a Time' recap: This Town Ain't Big Enough". Entertainment Weekly. Retrieved September 2, 2013.
Jump up ^ Carlyle, Robert; Dallas, Josh; Goodwin, Ginnifer; Horowitz, Adam; Kitsis, Edward; Morrison, Jennifer; Parrilla, Lana; Pearlman, Steve; Sbarge, Raphael (March 4, 2012). "Paleyfest 2012: A Conversation with the Cast and Creators of Once Upon a Time" (Panel). Interview with Matt Mitovich. Beverly Hills. Retrieved March 5, 2012.
Jump up ^ Murphy, Shaunna (November 7, 2011). "'Once Upon a Time' recap: The Woods Are Lovely, Dark, And Deep". Entertainment Weekly. Retrieved November 18, 2012.
Jump up ^ Ratcliffe, Amy (December 12, 2011). "Once Upon a Time: "The Heart is a Lonely Hunter" Review". IGN. Retrieved April 16, 2012.
Jump up ^ "'Once Upon a Time' recap: Mad Man" from Entertainment Weekly (March 26, 2012)
Jump up ^ "'Once Upon a Time' recap: Of Motherhood and Apple Turnovers" by Hilary Busis, from Entertainment Weekly (May 6, 2012)
Jump up ^ "'Once Upon a Time' season finale recap: Now I'm a Believer" by Hilary Busis, from Entertainment Weekly (May 13, 2012)
Jump up ^ Prudom, Laura (September 30, 2012). "'Once Upon A Time' Season Premiere Recap: Magic Returns And Brings New Danger In 'Broken'". The Huffington Post. Retrieved October 17, 2012.
Jump up ^ 'Once Upon A Time' Recap: Mother Knows Best And Charming Steps Up In 'We Are Both' by Laura Prudom The Huffington Post (October 7, 2012)
Jump up ^ Busis, Hilary (January 15, 2012). "'Once Upon a Time' recap: It Takes Two". Entertainment Weekly. Retrieved January 16, 2012.
Jump up ^ "'Once Upon a Time' recap: Oh Brother" from Entertainment Weekly (December 2, 2012)
Jump up ^ "'Once Upon a Time' recap: Dark Shadows" from Entertainment Weekly (April 28, 2013)
Jump up ^ "'Once Upon a Time' recap: Little Boy Lost" from Entertainment Weekly (May 12, 2013)
Jump up ^ 'Once Upon a Time' recap: Doubt: A Parable by Hilary Busis, from Entertainment Weekly (October 6, 2013)
Jump up ^ 'Once Upon a Time' recap: Secrets, Secrets Are No Fun by Hilary Busis, from Entertainment Weekly (November 3, 2013)
Jump up ^ "'Once Upon a Time' recap: Freaky Sunday". Entertainment Weekly. December 1, 2013. Retrieved December 1, 2013.
Jump up ^ Busis, Hilary (December 15, 2013). "'Once Upon a Time' recap: The End Is the Beginning Is the End". Entertainment Weekly. Retrieved December 16, 2013.
Jump up ^ Hillary, Busis (March 9, 2014). "'Once Upon a Time' recap: Monkey Business". Entertainment Weekly.
Jump up ^ "'Once Upon a Time' recap: Really, Most Sincerely Dead?" from Entertainment Weekly (March 30, 2014)
Jump up ^ "'Once Upon a Time' recap: Boat Show" from Entertainment Weekly (April 13, 2014)
Jump up ^ Sympathy for the De Vil
^ Jump up to: a b Natalie Wilson (November 13, 2011). "What a Difference a Strong Snow White Makes". Ms. Magazine blog. Retrieved April 26, 2012.
Jump up ^ Pennington, Gail (July 24, 2011). "A sneak peek at the fall TV season". St. Louis Post-Dispatch.
Jump up ^ McNamara, Mary (October 22, 2011). " 'Grimm', 'Once Upon a Time' reviews: Fairy tales all grown up". Los Angeles Times.
Jump up ^ Mitovich, Matt Webb (July 8, 2011). "Fall TV First Impression: ABC's Once Upon a Time Is Fairy Ambitious". TVLine.
Jump up ^ Fienberg, Daniel (July 13, 2011). "Take Me To The Pilots '11: ABC's 'Once Upon a Time". HitFix.
Jump up ^ Gilbert, Matthew (September 4, 2011). "Which new fall series make the grade?". The Boston Globe. Archived from the original on July 25, 2012. Retrieved September 14, 2011.
Jump up ^ Genie Leslie (January 19, 2012). "Once Upon a (Feminist) Time". Feministing. Retrieved February 13, 2012.
External links
Emma Swan on IMDb
[hide]
v
t
e
Once Upon a Time
Episodes
Season 1
2
3
4
5
6
7
Characters
Mary Margaret Blanchard
Emma Swan
Regina Mills
David Nolan
Henry Mills
Mr. Gold
Hook
Belle
Zelena
Robin Hood
Universe
Creatures
Items
Related
Awards and nominations
List of cast members
Once Upon a Time in Wonderland
Category
Retrieved from "https://en.wikipedia.org/w/index.php?title=Emma_Swan&oldid=806038335"
Categories:
Once Upon a Time (TV series) characters
Fictional bounty hunters
Fictional characters introduced in 2011
Fictional characters with fire or heat abilities
Fictional characters with precognition
Fictional characters who can teleport
Fictional characters who have made pacts with devils
Fictional characters who use magic
Fictional female detectives
Fictional princesses
Fictional sheriffs
Fictional thieves
Fictional telekinetics
Fictional characters from Maine
Fictional witches
Witchcraft in television
Hidden categories:
Wikipedia pages semi-protected against vandalism
Pages using deprecated image syntax
Articles using Infobox character with multiple unlabeled fields
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
View source
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
Languages
Español
Polski
Edit links
This page was last edited on 19 October 2017, at 07:42.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

values: mw-page-base noprint

values: mw-head-base noprint

values: This article is semi-protected until April 13, 2019, due to vandalism

attrs: class id

values: firstHeading firstHeading en

values: siteSub noprint

values: jump-to-nav mw-jump

values: text-align:center;font-size:125%;font-weight:bold;background: #B3022E; color: #FFFFFF;

values:
/wiki/Eddy_Kitsis
mw-redirect
Eddy Kitsis

values: text-align:center;background: #B3022E; color: #FFFFFF;

values:
/wiki/Henry_Mills_(Once_Upon_A_Time)
mw-redirect
Henry Mills (Once Upon A Time)

values:
/wiki/Enchanted_Forest
mw-redirect
Enchanted Forest

values: There's No Place Like Home (Once Upon a Time)

values: Tougher Than the Rest (Once Upon a Time)

values:
infobox
width:22em;border-spacing: 2px 5px;

values:
/wiki/San_Diego_Comic-Con_International
mw-redirect
San Diego Comic-Con International

values:
/wiki/Cruella_De_Vil
mw-redirect
Cruella De Vil

values: float:left; margin-left:1em; margin-right:2em; font-size:85%; background:#eee; color:black; width:30em; max-width:40%;

values:
/wiki/Adam_Horowitz_(screenwriter)
mw-redirect
Adam Horowitz (screenwriter)

values:
/wiki/The_Huffington_Post
mw-redirect
The Huffington Post

values: -moz-column-width: 30em; -webkit-column-width: 30em; column-width: 30em; list-style-type: decimal;

values: Template talk:Once Upon a Time (TV series)

values: List of awards and nominations received by Once Upon a Time

attrs: alt src title width height srcset data-file-width data-file-height

values: nowraplinks hlist collapsible autocollapse navbox-inner

values: Category:Once Upon a Time (TV series) characters

values: Category:Fictional characters introduced in 2011

values: Category:Fictional characters with fire or heat abilities

values: Category:Fictional characters with precognition

values: Category:Fictional characters who can teleport

values: Category:Fictional characters who have made pacts with devils

values: Category:Fictional characters who use magic

values: Category:Fictional characters from Maine

values: Category:Wikipedia pages semi-protected against vandalism

values: Category:Pages using deprecated image syntax

values: Category:Articles using Infobox character with multiple unlabeled fields

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/Emma_Swan
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

values: p-namespaces navigation vectorTabs p-namespaces-label

values:
p-variants
navigation
vectorMenu emptyPortlet
p-variants-label

values:
This page is protected.
You can view its source [ctrl-alt-e]

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-interaction p-interaction-label

values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

values:
uls-settings-trigger
Language settings
0
button
true

values:
https://es.wikipedia.org/wiki/Emma_Swan
Emma Swan – Spanish
es
es
interlanguage-link-target

values:
https://pl.wikipedia.org/wiki/Emma_Swan
Emma Swan – Polish
pl
pl
interlanguage-link-target

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-Emma_Swan rootpage-Emma_Swan vector-experimental-print-styles vector-nav-directionality skin-vector action-view