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Bible citation
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A citation from the Bible is usually referenced with the book name, chapter number and verse number. Sometimes, the name of the Bible translation is also included. There are several formats for doing so.[citation needed]
For example, The Book of Genesis, chapter 3, verse 5, of The Living Bible (TLB) could be cited as:
Genesis 3:5, TLB
"God knows very well that the instant you eat it you shall become as he is..."
Contents
1 Common formats
2 Punctuation
3 Abbreviating book names
4 Roman numerals
5 Editions
6 Multiple citations
7 Citing non-biblical text in Bibles
8 See also
9 References
10 External links
Common formats[edit]
A common format for biblical citations is Book chapter:verses, using a colon to delimit chapter from verse, as in:
"In the beginning, God created the heaven and the earth" (Gen. 1:1).
Or, stated more formally,[1][2][3][4]
Book chapter for a chapter (John 3);
Book chapter1–chapter2 for a range of chapters (John 1–3);
book chapter:verse for a single verse (John 3:16);
book chapter:verse1–verse2 for a range of verses (John 3:16–17);
book chapter:verse1,verse2 for multiple disjoint verses (John 6:14, 44).
The range delimiter is an en-dash, and there are no spaces on either side of it.[2]
This format is the one accepted by the Chicago Manual of Style and is also the format used by The Church of Jesus Christ of Latter-day Saints to cite scriptural standard works. The MLA style is similar, but replaces the colon with a period.
Citations in the APA style add the translation/version of the Bible after the verse.[5] For example, (John 3:16, New International Version). Translation/version names should not be abbreviated (e.g., write out King James Version instead of using KJV). Subsequent citations do not require the translation/version unless that changes. In APA style, the Bible is not listed in the references at the end of the document.
Punctuation[edit]
When citations are used in run-in quotations, they should not, according to The Christian Writer's Manual of Style, contain the punctuation either from the quotation itself (such as a terminating exclamation mark or question mark) or from the surrounding prose. The full-stop at the end of the surrounding sentence belongs outside of the parentheses that surround the citation. For example:[3]
Take him away! Take him away! Crucify him! (John 19:15).
The Christian Writer's Manual of Style also states that a citation that follows a block quotation of text may either be in parentheses flush against the text, or right-aligned following an em-dash on a new line. For example:[3]
These things I have spoken to you, so that in Me you may have peace. In the world you have tribulation, but take courage; I have overcome the world. (John 16:33 NASB)
These things I have spoken to you, so that in Me you may have peace. In the world you have tribulation, but take courage; I have overcome the world.
— John 16:33 NASB
Abbreviating book names[edit]
The names of the books of the Bible can be abbreviated. Most Bibles give preferred abbreviation guides in their tables of contents, or at the front of the book.[2] Abbreviations may be used when the citation is a reference that follows a block quotation of text.[3]
Abbreviations should not be used, according to The Christian Writer's Manual of Style, when the citation is in running text. Instead, the full name should be spelled out. Hudson observes, however, that for scholarly or reference works that contain a large number of citations in running text, abbreviations may be used simply to reduce the length of the prose, and that a similar exception can be made for cases where a large number of citations are used in parentheses.[3][6]
There are two commonly accepted styles for abbreviating the book names, one used in general books and one used in scholarly works.[3]
Electronic editions of Bibles use internal abbreviations. Some of these abbreviation schemes are standardized. These include OSIS and ParaTExt USFM.
Roman numerals[edit]
Roman numerals are often used for the numbered books of the Bible. For example, Paul's First Epistle to the Corinthians may be written as "I Corinthians", using the Roman numeral "I" rather than the Arabic numeral "1".[2] The Christian Writer's Manual of Style, however, recommends using Arabic numerals for numbered books, as in "2 Corinthians" rather than "II Corinthians".[3]
Editions[edit]
The Student Supplement to the SBL Handbook of Style published by the Society of Biblical Literature states that for modern editions of the Bible, publishers information is not required in a citation. One should simply use the standard abbreviation of the version of the Bible (e.g. "KJV" for King James Version, "RSV" for Revised Standard Version, "NIV" for New International Version, and so forth).[6]
Multiple citations[edit]
The Student Supplement to the SBL Handbook of Style recommends that multiple citations be given in the form of a list separated by a semi-colon, without a conjunction before the final item in the list. When multiple consecutive citations reference the same book, the name of the book is omitted from the second and subsequent citations. For example:[6]
John 1–3; 3:16; 6:14, 44
Citing non-biblical text in Bibles[edit]
Some Bibles, particularly study bibles, contain additional text that is not the biblical text. This includes footnotes, annotations, and special articles. The Student Supplement to the SBL Handbook of Style recommends that such text be cited in the form of a normal book citation, not as a Bible citation. For example:[6]
Sophie Laws (1993). "The Letter of James". In Wayne A. Meeks; et al. The HarperCollins Study Bible: New Revised Standard Version, with the Apocryphal/Deuterocanonical Books. New York: HarperCollins. pp. 2269–2270.
See also[edit]
Books of the Bible
Christian popular culture
Religious text citation
References[edit]
Jump up ^ Gary W. Fick (2008). "Abbreviations and Citation of Books in the Bible". Food, Farming, and Faith. SUNY Press. p. 175. ISBN 9780791473832.
^ Jump up to: a b c d David Whitbread (2001). "Typography: Citing the Bible". The Design Manual. UNSW Press. p. 209. ISBN 9780868406589.
^ Jump up to: a b c d e f g Bob Hudson; Robert Hudson; Shelley Townsend-Hudson (2004). "References, Bible". The Christian Writer's Manual of Style. Zondervan. pp. 358–361. ISBN 9780310487715.
Jump up ^ Five books have a single chapter: Obadiah, Philemon, 2 & 3 John, Jude. In many printed editions, the chapter number is omitted for these books, and references just use the verse numbers.
Jump up ^ Publication Manual of the American Psychological Association, 5th Edition. American Psychological Association. 2001. p. 213. ISBN 1-55798-810-2.
^ Jump up to: a b c d Melanie Greer Nogalski; James D. Nogalski; Sophia G. Steibel & Danny M. West (September 2004). "Biblical Citations" (PDF). In Joel M. LeMon. Student Supplement to the SBL Handbook of Style. Society of Biblical Literature. pp. 1–2.
External links[edit]
Search and read Bible passages at Bible Gateway (various versions)
Summary of MLA rules at Purdue University's Online Writing Lab
Citing the Bible at Grove City College's Henry Buhl Library
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Spread the Word to End the Word
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Spread the Word to End the Word
Founded
February 2009; 9 years ago (2009-02)
Origins
Special Olympics Global Youth Activation Summit
Website
www.r-word.org
Spread the Word to End the Word is a United States national campaign to encourage people to pledge to stop using the word retard.
End the "R" word advocates believe the use of the word “retard” in colloquial and everyday speech is hurtful and dehumanizing to individuals with intellectual or learning disabilities. According to R-word.org, "The R-word hurts because it is exclusive. It's offensive. It's derogatory."[1] They advocate for the use of language that respects the dignity of people with mental disabilities. Advocates believe individuals with cognitive or learning disabilities are capable of enjoying life’s experiences and that causal references to the words retard or retarded makes a person with intellectual disabilities feel "less than human."
History[edit]
The Spread the Word to End the Word movement was established in 2009 during the Special Olympics Global Youth Activation Summit at the 2009 Special Olympics World Winter Games. The Spread the Word to End the Word movement was created by youth with and without intellectual disabilities. According to the Special Olympics:
“The motivation for the campaign was driven by a united passion to promote the positive contributions people with intellectual disabilities make to communities around the world combined with a simple call to action that also symbolizes positive attitude change and a commitment to make the world a more accepting place for all people.”[2]
On March 31, 2009 the campaign celebrated the 1st Annual Spread the Word to End the Word National Awareness Day. Across the country, students of all ages made a pledge to eliminate "retard" from their vocabulary and encourage others to do the same. In 2010, the 2nd Annual Spread the Word to End the Word National Day of Awareness took place on March 3, 2010.
In January 2010, the news of the past summer use of "retards" by White House chief of staff Rahm Emanuel to describe liberal groups planning attack ads on Democrats was reported in the Wall Street Journal.[3] This led to Emanuel's apologizing to Tim Shriver, chief executive of the Special Olympics. A meeting was held with Emanuel, who was asked to visit www.r-word.org, and he promised to take the R-word pledge.[4][5]
References[edit]
Jump up ^ "Special Olympics: Why Pledge". www.r-word.org. Retrieved 2018-02-28.
Jump up ^ "Spread the Word to End the Word". Special Olympics.
Jump up ^ PETER WALLSTEN (2010-01-26). "Chief of Staff Draws Fire From Left as Obama Falters". The Wall Street Journal. Retrieved 2013-10-24.
Jump up ^ | Jeff Zeleny and Sheryl Stolberg (2010-02-02). "Emanuel Apologizes, in Wake of Palin Slam". The New York Times. Retrieved 2013-10-24.
Jump up ^ Christopher M. Fairman (2010-02-14). "Saying it is hurtful. Banning it is worse". The Washington Post. Retrieved 2013-10-24.
External links[edit]
R-Word Pledge
Special Olympics - Spread the Word to End the Word
Retrieved from "https://en.wikipedia.org/w/index.php?title=Spread_the_Word_to_End_the_Word&oldid=839455615"
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All Dogs Go to Heaven
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This article is about the film. For the television series, see All Dogs Go to Heaven: The Series. For the Supernatural episode, see All Dogs Go to Heaven (Supernatural).
All Dogs Go to Heaven
Theatrical release poster
Directed by
Don Bluth
Produced by
Don Bluth
Gary Goldman
John Pomeroy
Screenplay by
David N. Weiss
Story by
Don Bluth
Ken Cromar
Gary Goldman
Larry Leker
Linda Miller
Monica Parker
John Pomeroy
Guy Shulman
David J. Steinberg
David N. Weiss
Starring
Loni Anderson
Judith Barsi
Dom DeLuise
Melba Moore
Charles Nelson Reilly
Burt Reynolds
Vic Tayback
Music by
Ralph Burns
Edited by
John K. Carr
Production
company
Sullivan Bluth Studios
Goldcrest Films
Sweatbox Animation[1]
Distributed by
United Artists (United States)
Rank Organisation (United Kingdom)
Release date
November 17, 1989 (1989-11-17) (United States)
February 1, 1990 (1990-02-01) (United Kingdom)
Running time
85 minutes
Country
Ireland
United Kingdom
United States
Language
English
Budget
$13.8 million[2]
Box office
US$27.1 million [3]
All Dogs Go to Heaven is a 1989 animated musical comedy-drama film directed and produced by Don Bluth, and released by United Artists and Goldcrest Films.[4] It tells the story of Charlie B. Barkin (voiced by Burt Reynolds), a German Shepherd that is murdered by his former friend, Carface (voiced by Vic Tayback, in his final film role), but withdraws from his place in Heaven to return to Earth, where his best friend, Itchy Itchiford (voiced by Dom DeLuise) still lives, and he teams up with a young orphan girl named Anne-Marie (voiced by Judith Barsi, in her final film role), who teaches them an important lesson about kindness, friendship and love.
The film is an Irish, British and American venture, produced by Sullivan Bluth Studios and Goldcrest Films. On its cinema release, it competed directly with Walt Disney Feature Animation's The Little Mermaid, released on the same day. While it did not repeat the box-office success of Sullivan Bluth's previous feature films, The Secret of NIMH, An American Tail, and The Land Before Time, it was successful on home video, becoming one of the biggest-selling VHS releases ever. It inspired a theatrical sequel, a television series, and a holiday direct-to-video film.
All Dogs Go to Heaven was released on DVD on November 17, 1998, and as an MGM Kids edition on March 6, 2001. It had a DVD double-feature release with its sequel on March 14, 2006, and January 18, 2011. The film was released in high definition for the first time on Blu-ray on March 29, 2011, without special features except the original theatrical trailer.
Contents
[hide]
1 Plot
2 Voice cast
3 Production
4 Soundtrack
5 Reception
5.1 Critical response
5.2 Box office
6 Awards and honors
7 Home media
8 Sequels and spin-off
9 References
10 Further reading
11 External links
Plot[edit]
In 1939 New Orleans, Charlie B. Barkin and Itchy Itchiford escape from the dog pound and return to a casino riverboat on the bayou, formerly run by Charlie and his business partner, Carface Caruthers. Refusing to share the profits with Charlie, Carface persuades him to leave town with 50% of the casino's earnings. Charlie agrees, but is later intoxicated and murdered by Carface. He is sent to Heaven, where he meets a whippet angel, who tells him that a gold watch representing his life has stopped. He steals and winds it, returning to Earth, but is told that if he dies again, he will not return to Heaven. After reuniting with Itchy, they discover that Carface has kidnapped a young orphaned girl named Anne-Marie, who has the ability to talk to animals and gain knowledge of a race's results beforehand, allowing Carface to rig the odds on the rat races and become rich. They rescue her, intending to use her abilities to get revenge on Carface, though Charlie tells her that they plan to give their winnings to the poor and help her find her parents. The next day at the race track, Charlie steals a wallet from a couple as they talk to Anne-Marie and become alarmed by her unwashed appearance.
Charlie and Itchy use their winnings to build a successful casino in the junkyard where they live. Anne-Marie, upon discovering that she had been used, threatens to leave. To persuade her to stay, Charlie brings pizza to a family of poor puppies and their mother, Flo, at the old abandoned church. While there, Anne-Marie becomes upset at Charlie for stealing the wallet. She goes to the attic and wishes to live with the couple in the future. After a nightmare in which he is sent to Hell for eternity, Charlie wakes up in the room, only to find Anne-Marie gone. The couple, Kate and Harold, welcome Anne-Marie into their home, serving waffles. While they privately discuss adopting her, Charlie arrives and tricks her into leaving with him. Walking home, Charlie is shot by Carface and Killer, but finds that he is unable to be harmed as long as he is wearing the watch. Anne-Marie and Charlie hide in an abandoned building, but the ground breaks and they fall into the lair of King Gator. He and Charlie strike a chord as kindred spirits and he lets them go, but Anne-Marie falls ill with pneumonia.
After beating up Itchy, Carface and his thugs destroy Charlie and Itchy's casino. Itchy berates Charlie, who seems to care more about Anne-Marie than him. Charlie angrily declares that he is using her and will eventually "dump her in an orphanage". Anne-Marie overhears the conversation and tearfully runs away before she is kidnapped by Carface, and Charlie follows them. Flo, hearing Anne-Marie's scream, sends Itchy to get help from Kate and Harold, and he rouses the dogs of the city by his side. Charlie returns to Carface's casino, where he is ambushed by Carface and his thugs. They attack Charlie, inadvertently setting an oil fire that soon engulfs the whole structure. King Gator arrives and chases Carface off, eventually eating him. Charlie drops his watch into the water, he pushes Anne-Marie to safety onto some debris, and dives into the water to retrieve it, but it stops before he can get to it. Anne-Marie and a redeemed Killer are discovered by Kate, Harold, and the authorities, as the boat sinks into the water.
Sometime later, Kate and Harold adopt Anne-Marie, who has also adopted Itchy, and Charlie returns in ghost form to apologize to Anne-Marie. The whippet angel appears and tells him that because he sacrificed his life for Anne-Marie, Charlie has earned his place in Heaven. Anne-Marie awakens, and they reconcile. Charlie asks her to take care for Itchy. When Anne-Marie goes to sleep again, Charlie leaves and returns to Heaven.
Voice cast[edit]
Burt Reynolds as Charlie B. Barkin, a brash German Shepherd mix and a former con artist. The character was designed specifically with Reynolds in mind for the role and the animators mimicked some of his mannerisms. Reynolds is replaced by Charlie Sheen for All Dogs Go To Heaven 2, and Steven Weber for All Dogs Go to Heaven: The Series and An All Dogs Christmas Carol. The model for the character of Charlie was a German Shepherd, appropriately named Burt. Burt the dog often spent time with the animators at the studio, even going with them during the studio's move to Ireland.
Dom DeLuise as Itchy Itchiford, a paranoid, anxious but loyal Dachshund. DeLuise reprised his role in All Dogs Go To Heaven 2, the series and An All Dogs Christmas Carol.
Judith Barsi as Anne-Marie, a young orphan girl with the ability to talk to and understand animals. Her singing voice was performed by Lana Beeson. This was Barsi's final film role before her murder in 1988. The end credits song "Love Survives" was dedicated in her memory as her character became absent in the further franchise.
Vic Tayback as Carface Caruthers, a violent, sadistic mixed American Pit Bull Terrier/Bulldog gangster. This was Tayback's final film role before his death in 1990. For All Dogs Go To Heaven 2, All Dogs Go to Heaven: The Series, and An All Dogs Christmas Carol, Ernest Borgnine took Tayback's role.
Charles Nelson Reilly as Killer, a misnamed, fidgety, neurotic and spectacles-wearing Schnoodle. Reilly was the second original voice actor that reprised his role in the series and An All Dogs Christmas Carol.
Loni Anderson as Flo, a female Rough Collie and Charlie's friend.
Melba Moore as a Whippet angel who welcomes deceased dogs into Heaven. She was named "Annabelle" in the sequel. Bebe Neuwirth succeeded Melba in the role.
Ken Page as King Gator, an American alligator and voodoo witch doctor living below the streets of New Orleans.
Rob Fuller and Earleen Carey as Kate and Harold, a married couple who later become Anne-Marie's adoptive parents.
Godfrey Quigley as Terrier, a dog that appears when Itchy tells everyone Anne-Marie is in danger.
Anna Manahan as Stella Dallas, a horse that appears when Anne-Marie, Charlie, and Itchy are at the derby.
Candy Devine as Vera, a female gambling dog.
Production[edit]
The earliest idea for the film was conceived by Don Bluth after finishing work on The Secret of NIMH. The treatment was originally about a canine private eye, and one of three short stories making up an anthology film. The character of a shaggy German Shepherd was designed specifically for Burt Reynolds. However, Bluth's first studio, Don Bluth Productions, was going through a period of financial difficulty, ultimately having to declare bankruptcy, and the idea never made it beyond rough storyboards. The concept was revived by Bluth, John Pomeroy, and Gary Goldman, and rewritten by David N. Weiss, collaborating with the producers from October through December 1987. They built around the title All Dogs Go to Heaven and drew inspiration from films, such as It's a Wonderful Life, Little Miss Marker, and A Guy Named Joe. The film's title came from a book read to Bluth's fourth-grade class, and he resisted suggestions to change it, stating he liked how "provocative" it sounded, and how people reacted to the title alone.
During the production of their previous feature film, Sullivan Bluth Studios had moved from Van Nuys, California, to a state-of-the-art studio facility in Dublin, Ireland, and the film was their first to begin production wholly at the Irish studio. It was also their first to be funded from sources outside of Hollywood, the previous two feature films, An American Tail and The Land Before Time, had been backed by Amblin Entertainment and Universal Pictures, and executive producers Steven Spielberg and George Lucas (for The Land Before Time only) exercised a degree of control over the content of the films, a situation Bluth found disagreeable.[5][6] The studio found investment from UK-based Goldcrest Films in a US$70m deal to produce three animated feature films (though only two, Rock-a-Doodle and it, were completed under the deal).[7] The three founding members of the studio, Bluth, Pomeroy, and Goldman, had all moved to Ireland to set up the new facility, but during the film's production, John Pomeroy returned to the U.S. to head up a satellite studio which provided some of the animation for the film. Pomeroy also used his presence in the U.S. to generate early publicity for the film, including a presentation at the 1987 San Diego Comic-Con.[8]
The film's lead voices, Burt Reynolds and Dom DeLuise, had previously appeared together in five films. For this one, they requested them to record their parts in the studio together (in American animation, actors more commonly record their parts solo). Bluth agreed and allowed Reynolds and DeLuise to ad-lib extensively; Bluth later commented, "their ad-libs were often better than the original script".[9] However, Reynolds was more complimentary of the draft, warmly quipping, "Great script, kid", as he left the studio. Another pair of voices, those of Carface and Killer (Vic Tayback and Charles Nelson Reilly, respectively), also recorded together. Loni Anderson, who voices Flo, was Reynolds' then-wife.[8] Child actress Judith Barsi, who voiced Ducky in Bluth's previous film The Land Before Time, was selected to voice Anne-Marie; she was killed in an apparent murder-suicide over a year before All Dogs Go to Heaven was released.[8]
As production neared completion, the studio held test screenings and decided that some of the scenes were too intense for younger viewers. Writer and producer Pomeroy decided to shorten Charlie's nightmare about being condemned. Co-director Gary Goldman also agreed to the cut, recognizing that the concession needed to be made in the name of commercial appeal. Don Bluth owned a private 35-mm print of the movie with the cut-out scenes and planned to convince Goldcrest Films on releasing a director's cut of the film after returning from Ireland in the mid-1990s, but the print was eventually stolen from Bluth's locked storage room, diminishing hopes of this version being released on home media.[2]
Soundtrack[edit]
All Dogs Go to Heaven Original Motion Picture Soundtrack
Soundtrack album by Various Artists
Released
July 1, 1989[10]
Genre
Soundtrack
Length
33:18
Label
Curb Records
Producer
Ralph Burns
Don Bluth Music of Films chronology
The Land Before Time
(1988) The Land Before Time1988 All Dogs Go to Heaven
(1989) All Dogs Go to Heaven1989 Rock-a-Doodle
(1992) Rock-a-Doodle1992
The music for All Dogs Go to Heaven was composed by Ralph Burns with lyrics by Charles Strouse, T.J. Kuenster, Joel Hirschhorn, and Al Kasha.[11] An official soundtrack was released on July 1, 1989, by Curb Records on audio cassette and CD featuring 13 tracks, including seven vocal songs performed by various cast members.[10] The end credits theme "Love Survives" was dedicated to Anne-Marie's voice actress Judith Barsi, who died before the film's release.
Professional ratings
Review scores
Source
Rating
AllMusic [1]
Track listing
"Love Survives" - Irene Cara and Freddie Jackson - Length: 3:25
"Mardi Gras" - Music Score - Length: 1:17
"You Can't Keep a Good Dog Down" - Burt Reynolds and Dom DeLuise - Length: 2:30
"Hellhound" - Music Score - Length: 2:09
"What's Mine Is Yours" - Burt Reynolds - Length: 1:48
"At the Race Track" - Music Score - Length: 1:49
"Let Me Be Surprised" - Melba Moore and Burt Reynolds - Length: 4:54
"Soon You'll Come Home" (Anne-Marie's Theme) - Lana Beeson - Length: 2:38
"Money Montage" - Music Score - Length: 3:43
"Dogs to the Rescue" - Music Score - Length: 3:10
"Let's Make Music Together" - Ken Page and Burt Reynolds - Length: 2:24
"Goodbye Anne-Marie" - Music Score - Length: 2:10
"Hallelujah" - Candy Devine - 1:21
Reception[edit]
Critical response[edit]
All Dogs Go to Heaven received mixed reviews from critics,[8] maintaining a 50% approval rating on Rotten Tomatoes based on 10 reviews,[4] and a 50 out of 100 score from Metacritic.[12] Reviewers often drew unfavorable comparisons to Disney's offering, criticizing the disjointed narrative, the quality of the animation, and the songs by Charlie Strouse and T.J. Kuenster.[13] The film received a "thumbs down" from Gene Siskel and a "thumbs up" from Roger Ebert on a 1989 episode of their television program At the Movies. While Siskel found it to be "surprisingly weak" given director Don Bluth's previous works, due largely to its "confusing story" and "needlessly violent" scenes, Ebert was a fan of the movie's "rubbery and kind of flexible" animation, stating he felt it was a good film despite not being an "animated classic".[14]
Some also found the darker subject material objectionable in a family film,[15][16] given the film's depictions of death, violence, drinking, smoking, gambling, murder, demons, and images of Hell. Other reviews were mostly positive, with critics praising the film's emotional qualities, humor, and vibrant color palette.[17][18] Roger Ebert, who was unimpressed with Bluth's previous film An American Tail, gave it three out of four stars, remarking that the animation "permits such a voluptuous use of color that the movie is an invigorating bath for the eyes," and that although he preferred The Little Mermaid, which opened on the same day, he still found Dogs to be "bright and inventive."[17] More recent reviews of the film have generally been less harsh, with Box Office Mojo awarding it a B- rating. However, film critic Leonard Maltin gave it one-and-a-half out of four stars, due to "unappealing characters, confusing storytelling, and forgettable songs."[19]
Box office[edit]
Dissatisfied with the terms imposed by Universal Studios, which had distributed their previous two films, the studio found an alternative distributor in United Artists. Somewhat unusually, production investors Goldcrest Films covered the cost of the release prints and the promotional campaign, in return for a greatly reduced distribution fee from UA. This was similar to the arrangement with United Artists when they distributed Bluth's first feature film, The Secret of NIMH. Goldcrest Films invested $15 million in printing and promoting the film. Due to contractual issues, very little tie-in merchandise accompanied the film's theatrical release;[8] a computer game adaptation for the Commodore Amiga's DOS system (with a free software package) was released, and restaurant chain Wendy's offered toys with their Kids' Meals or regular fries.[20]
The film opened in North America on November 17, 1989, which was the same day as Disney's 28th full-length animated motion picture The Little Mermaid; once again, Sullivan Bluth Studios' latest feature would be vying for box-office receipts with Disney's, just as their last two films (An American Tail and The Land Before Time) had. On its theatrical release, while still making its budget of $13.8 million back, the film's performance fell short of Sullivan Bluth Studios' previous box-office successes, grossing $27 million in North America alone, just over half of what An American Tail and The Land Before Time each took.[21]
Awards and honors[edit]
All Dogs Go to Heaven received a nomination for "Best Family Motion Picture: Adventure or Cartoon" at the 11th annual Youth in Film Awards ceremony, being beaten by Disney's The Little Mermaid.[22] The home video release received an Award of Excellence from the Film Advisory Board.[23]
Award
Nomination
Nominee
Result
Youth in Film Award Best Family Motion Picture: Adventure or Cartoon All Dogs Go to Heaven Nominated
Home media[edit]
All Dogs Go to Heaven was released on VHS, S-VHS, 8mm video and LaserDisc in both regular[24] and special CAV standard play editions[25] by MGM/UA Home Video on August 29, 1990.[26] The film became a sleeper hit due to its home video release; a strong promotional campaign helped it become one of the top-selling VHS releases of all time, selling over 3 million copies in its first month.[27]
A DVD version was made available for the first time on March 6, 2001, under the MGM Kids label[28] and was later released as a double feature with All Dogs Go to Heaven 2 on March 14, 2006.[29] On March 29, 2011, the film made its debut on Blu-ray,[30] which was later included as a bundle with its sequel on October 7, 2014,[31] along with a re-release of the compilation on DVD.[32] The Blu-ray version was also packaged with another Don Bluth film, The Pebble and the Penguin, on October 8, 2013,[33] and again with eight other MGM films as part of the company's 90th anniversary "Best of Family Collection" on February 4, 2014.[34]
Sequels and spin-off[edit]
The success of the film, particularly its performance on home video, prompted several follow-up productions. A theatrical sequel, All Dogs Go to Heaven 2, a television series, All Dogs Go to Heaven: The Series and An All Dogs Christmas Carol, a Christmas television movie based on Charles Dickens' A Christmas Carol, were made. Don Bluth and his studio had no involvement with any of them, and Burt Reynolds did not reprise his role as Charlie after the first film; he was replaced in the sequel film and television series by Charlie Sheen and Steven Weber, respectively. Charles Nelson Reilly declined to return for the sequel film, but voiced Killer for the television productions. Dom DeLuise played Itchy through the entire franchise.
References[edit]
Jump up ^ "Sweatbox Animation features". Sweatbox Animation. Retrieved July 28, 2017.
^ Jump up to: a b Ask Us Questions at [donbluth.com]
Jump up ^ "All Dogs Go to Heaven (1989)". Box Office Mojo. Retrieved October 20, 2015.
^ Jump up to: a b "All Dogs Go To Heaven (1989)". RottenTomatoes. Retrieved October 21, 2015.
Jump up ^ Cawley, John. "Don Bluth American Tail". The Animated Films of Don Bluth. Retrieved October 20, 2015.
Jump up ^ Cawley, The Land Before Time
Jump up ^ Cawley, At Home in Ireland
^ Jump up to: a b c d e Cawley, John. "Don Bluth All Dogs Heaven". The Animated Films of Don Bluth. Retrieved October 20, 2015.
Jump up ^ * Beck, Jerry (October 2005). The Animated Movie Guide. Chicago Review Press. pp. 13–14. ISBN 1-55652-591-5. p.14
^ Jump up to: a b "All Dogs Go To Heaven: Various artists". Amazon.com. Retrieved October 20, 2015.
Jump up ^ "All Dogs Go to Heaven - Original Soundtrack". AllMusic. Retrieved October 15, 2015.
Jump up ^ "All Dogs Go to Heaven". Metacritic. Retrieved October 25, 2015.
Jump up ^ Rainer, Peter (November 17, 1989). "All Dogs Go to Heaven (review)". L.A. Times.
Jump up ^ "Back to the Future Part II / All Dogs Go to Heaven / Henry V (1989)". Siskel & Ebert.org. Retrieved October 30, 2015.
Jump up ^ Kempley, Rita (November 17, 1989). "'All Dogs Go to Heaven' (G)". New York Times. Retrieved October 20, 2015.
Jump up ^ Carr, Jay (November 17, 1989). "All Dogs Go to Heaven Review". Boston Globe.
^ Jump up to: a b Ebert, Roger (November 17, 1989). "All Dogs Go to Heaven Movie Review". RogerEbert.com. Retrieved October 20, 2015.
Jump up ^ Kehr, Dave (November 17, 1989). "All Dogs Go to Heaven Review". Chicago Tribune.
Jump up ^ "Movie Detail: All Dogs Go to Heaven". The Movie Geek. Retrieved October 26, 2015.
Jump up ^ "Wendy's All Dogs Go to Heaven Toys". Retro Junk. Retrieved October 20, 2015.
Jump up ^ "Don Bluth - Box Office". The Numbers. Retrieved October 20, 2015.
Jump up ^ "11th Annual Awards". Young Artist Awards. Retrieved October 21, 2015.
Jump up ^ "Film Advisory Board, Inc.". Film Advisory Board. Retrieved December 30, 2014.
Jump up ^ "All Dogs Go to Heaven [ML101868]". LaserDisc Database. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven [ML102043]". LaserDisc Database. Retrieved October 25, 2015.
Jump up ^ Steven, Mary (August 24, 1990). "All Animals Go To Heaven And To Video". Chicago Tribune. Retrieved October 29, 2015.
Jump up ^ Lenburg, p.32
Jump up ^ "All Dogs Go to Heaven". Amazon. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven 1 and 2 (Double Feature)". Amazon. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven Blu-ray". Blue-ray.com. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven 1 and 2 Blu-ray". Blue-ray.com. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven 1 & 2". Amazon. Retrieved October 25, 2015.
Jump up ^ "All Dogs Go to Heaven/The Pebble and the Penguin Blu-ray". Blue-ray.com. Retrieved October 25, 2015.
Jump up ^ "MGM Best of Family Collection Blu-ray". Blue-ray.com. Retrieved October 25, 2015.
Further reading[edit]
Cawley, John (October 1991). The Animated Films of Don Bluth. Image Pub of New York. ISBN 0-685-50334-8.
Lenburg, Jeff (June 2006). Who's Who in Animated Cartoons: An International Guide to Film and Television's Award-Winning and Legendary Animators. Applause Books. p. 32. ISBN 1-55783-671-X.
External links[edit]
Wikiquote has quotations related to: All Dogs Go to Heaven
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All Dogs Go to Heaven at The Big Cartoon DataBase
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All Dogs Go to Heaven at Rotten Tomatoes
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1979 Daytona 500
From Wikipedia, the free encyclopedia
Jump to: navigation, search
1979 Daytona 500
Race details
Race 2 of 31 in the 1979 NASCAR Winston Cup Series
Track map of Daytona International Speedway showing mainly the speedway.
Date
February 18, 1979 (1979-02-18)
Location
Daytona International Speedway
Daytona Beach, Florida, U.S.
Course
Permanent racing facility
2.5 mi (4.023 km)
Distance
200 laps, 500 mi (804.672 km)
Weather
Mild with temperatures reaching as high as 70 °F (21 °C); wind speeds approaching 14 miles per hour (23 km/h)[1]
Average speed
143.977 miles per hour (231.709 km/h)
Pole position
Driver
Buddy Baker
Ranier-Lundy
Qualifying race winners
Duel 1 Winner
Buddy Baker Ranier-Lundy
Duel 2 Winner
Darrell Waltrip DiGard Motorsports
Most laps led
Driver
Donnie Allison Ellington Racing
Laps
93
Winner
No. 43
Richard Petty Petty Enterprises
Television in the United States
Network
CBS
Announcers
Ken Squier and David Hobbs
Nielsen Ratings
10.5/29
(15.1 million viewers)
The 1979 Daytona 500, the 21st annual event, was the second race of the 1979 NASCAR Winston Cup (now Sprint Cup) season. It was held on February 18, 1979. Sports pundits consider the 1979 Daytona 500 to be the most important race in stock car history.[2]
The race was televised live beginning to end, a rarity in that era, and the first for a 500-mile race in the United States. Camera angles such as the "in-car" view were introduced to United States racing viewers.
On the final lap of the 500, race leaders Cale Yarborough and Donnie Allison collided with each other on the Daytona International Speedway's back stretch. Both drivers' races ended in Daytona's grass infield. The wreck allowed Richard Petty, then over one-half lap behind both, to claim his sixth Daytona 500 win.
At the same time Petty made his way to Victory Lane to celebrate, a fight erupted between Yarborough, Donnie Allison, and his brother Bobby at the site of the back stretch wreck. Both events were caught by television cameras and broadcast live.
The 1979 Daytona 500 brought national publicity to NASCAR. Motorsports announcer and editor Dick Berggren said: "Nobody knew it then, but that was the race that got everything going. It was the first 'water cooler' race, the first time people had stood around water coolers on Monday and talked about seeing a race on TV the day before. It took a while – years, maybe – to realize how important it was."[2]
Contents
[hide]
1 Television
2 Qualifying
3 Race
3.1 Finish
3.2 Play-by-play of the final lap
4 Race results
5 In media
6 References
Television[edit]
The 1979 Daytona 500 was the first 500-mile race to be broadcast in its entirety live on national television in the United States.[3][4] Races were shown on television but as an example, the Indianapolis 500 was broadcast on tape delay later in the evening on the day it was run, in this era, and usually in edited form. Most races aired during this period were only broadcast starting with the final quarter to half of the race, as was the procedure for ABC's IndyCar broadcasts on their Wide World of Sports program.
CBS signed a new contract with NASCAR to telecast the race. Ken Squier and David Hobbs were the booth announcers with Ned Jarrett and Brock Yates[5] in the pits for that race, while other angles, such as an interview with race grand marshall Ben Gazzara and NASCAR founder Bill France, Sr., were handled by Marianne Bunch-Phelps. The day was fortunate for CBS as a major snowstorm known as the Presidents Day Snowstorm of 1979 bogged down most of the Northeast and parts of the Midwestern United States, increasing the viewership of the event. The race introduced two new innovative uses of TV cameras: The "in-car" camera and the low angle "speed shot", which are now considered standard in all telecasts of auto racing.
Motor Racing Network was broadcasting the race on the radio, and their broadcasters included Jack Arute, Barney Hall, Mike Joy, Gary Gerould (who also hosted prerace ceremonies), and Dick Berggren.[6]
Qualifying[edit]
Buddy Baker qualified on the pole, but dropped out on lap 38 with ignition problems causing a misfiring engine. The team had made some minor repairs by welding before the race and it was thought the primary ignition control box had been damaged. During attempts to diagnose and repair the problem, the team switched to the backup box and replaced much of the ignition system, to no avail.[7] When the team returned home after the race, engine builder Waddell Wilson checked and determined that the crewman who had switched to the backup box by unplugging the primary ignition box and plugging into the backup box had in fact, during the chaos, plugged back into the defective primary box. When Wilson switched to the backup ignition box, the car fired in perfect condition.
The rest of the five fastest qualifiers included Donnie Allison, Cale Yarborough, Darrell Waltrip, and Benny Parsons.
Race[edit]
The race started under the yellow flag for 15 laps due to wet track conditions from rain the previous night. This impacted contender Darrell Waltrip, as running at relatively slow speeds on the high banks of the track caused a lack of oil to lubricate the camshaft, resulting in a cam lobe wearing away prematurely and causing the engine to run on seven cylinders for the rest of the race. On the start at Lap 16 Baker fell back and lost the draft; he eventually fell out when his team could not get the engine firing fully. Donnie Allison raced with Cale Yarborough and Bobby Allison, but lost control of his car on lap 32 (of 200 laps) and forced Yarborough and Bobby Allison to take evasive action. All three cars spun through the backstretch infield which was slippery and muddy from the rain. Yarborough was forced to repair his car, and fell two laps behind the leader, as did Bobby Allison, while Donnie lost one lap.
Following the yellow, the race swelled into a huge 18-car battle. Neil Bonnett, driving an Oldsmobile, raced into the lead and was challenged by A. J. Foyt and Darrell Waltrip; he fought them off but was soon challenged by Bobby Allison, trying to unlap himself, and rookie Dale Earnhardt and dark-horse driver Tighe Scott, driving a Buick Century prepared by Harry Hyde. A six-car crash eliminated David Pearson and others. Then Donnie Allison raced to unlap himself, and did so when Bonnett blew a tire and spun in traffic. Other contenders were eliminated, as Bobby Allison fell multiple laps behind, Harry Gant crashed, Dale Earnhardt over-revved his engine leaving the pits and broke a rocker arm and valve spring, Benny Parsons' car overheated and Scott slid through his pits unable to stop when he hit a puddle of water from Parsons' overheating engine. Past the halfway point Donnie assumed the lead, but Cale Yarborough used more caution flags to make up his laps.
Finish[edit]
Following green flag stops Donnie Allison took the lead on lap 178 with Yarborough right on his tail. These two cars pulled away during the final laps and led the next closest competitors by half a lap. Donnie Allison took the white flag and was leading the race on the final lap with Yarborough drafting him tightly. As Yarborough attempted a slingshot pass on the backstretch, Allison attempted to block him. Yarborough refused to give ground and as he pulled alongside Allison, his left side tires left the pavement and went into the wet and muddy infield grass. Yarborough lost control of his car and contacted Allison's car halfway down the backstretch. As both drivers tried to regain control, their cars made contact three more times before locking together and crashing into the outside wall in turn three.The cars slid down the banking and came to rest in the infield. Richard Petty, who was over half a lap behind before the incident, went on to win.[3] beating Darrell Waltrip by a car length.
After the wrecked cars of Donnie Allison and Yarborough settled in the infield grass (short of the finish line), the two drivers began to argue. After they stopped arguing, Bobby Allison, who was one lap down at that point, stopped where the wreck was and a fight broke out. With the leaders wrecking near the end of the last lap, the television audience was shown seconds of Petty's win.
The story made the front page of The New York Times Sports section. NASCAR had arrived as a national sport, and began to expand from its Southeastern United States base and become a national sport, shedding its moonshine running roots along the way.
Reactions from Yarborough and the Allisons were, not surprisingly, different. Yarborough said "I was going to pass him and win the race, but he turned left and crashed me. So, hell, I crashed him back. If I wasn't going to get back around, he wasn't either."[6] Allison said "The track was mine until he hit me in the back," he says. "He got me loose and sideways, so I came back to get what was mine. He wrecked me, I didn't wreck him."[6]
In the aftermath, both Allison brothers and Yarborough were fined. Donnie Allison was put on probation for six months. After further review, Allison's probation was reduced to three months and Yarborough was put on probation for three months as well, as the initial judgment that the wreck was Allison's fault was amended to place blame equally on both Donnie and Cale. $5,000 of their $6,000 fines were returned a thousand dollars at a time over the next five races.
Play-by-play of the final lap[edit]
David Hobbs: "The white flag is out, one lap to go. This is it; last lap."
The cars of Cale Yarborough and Donnie Allison from the 1979 Daytona 500 in the NASCAR Hall of Fame.
Ken Squier: "Stand by, stand by for a photo finish. Two of the greatest fiddling here, fidgeting with first place, passing some of the stragglers; this is the last lap. Trying to take it home, it's all come down to this. Out of turn two, Donnie Allison in first. Where will Cale make his move?" (Yarborough attempts to slingshot) "He comes to the inside. Donnie Allison throws the block." (The two cars collide and hit the wall) "Cale hits him! He slides! Donnie Allison slides! They hit again! They drive up the turn! They're hitting the wall! They're head onto the wall! They slide down to the inside. Let's watch those third place cars. They're out of it! Who is going to win? Coming down third place, they're coming around for the finish between A.J. Foyt and Richard Petty. Down the back straightaway come the leaders now. Two cars are out. In the backstretch are the leaders, watching for the leaders to come – they're still up in three and four. The leaders are up in turns three and four. Coming down, Richard Petty is now pulling out in front, Darrell Waltrip is in second, A. J. Foyt is in third. Here they come, Waltrip trying to slingshot..." (but Petty blocks him) "...Petty is out in front. At the line..." (the checkered and caution flags wave at the flag stand) "Waltrip to the inside... Petty wins it !! ! Down on pit road it has gone crazy, the Petty crew is out there jumping up and down as Richard Petty has won it."
Hobbs: "Richard Petty has won his 6th Daytona 500 and the crowd here are going absolutely mad!"
Squier: "Well, there he is after a full year without a win as the two leaders tangle in the back straightaway. They threw the block; it didn't work. A.J. Foyt pulls up to congratulate Petty. No matter how hard A.J. fights, when it's over he is a gentleman. Let's look again at that crash." (Square-wipe to a slow motion replay of the Yarborough/Allison crash) "Here it is, they're into the turn already, spinning, sliding. The hopes for Donnie Allison vanish. Cale Yarborough trying to win his third, he's out of it. A sad moment for these people. But for Richard Petty, hurt all of last year, driving most of the year with a broken and battered body, he comes home a winner today after 45 straight losses. We... if we can, we should be down at pit road. Tell the folks in the truck just a moment. It's going to be some scene, just a moment. The 18-year-old son of Richard Petty, Kyle..." (who had just started his racing career) "...out there waiting for his father. They have both, they have both tasted success..." (Kyle had won the Daytona ARCA 200 the previous week. Square-wipe to the finish.) "Here is the finish again, ladies and gentlemen. Richard Petty."
Hobbs: "Darrell Waltrip absolutely fighting that car. He got the left wheels on the flat in the bank, and was really out of control there."
Squier: "And here comes a $60,000 car becoming a 22 passenger school bus to bring his crew to victory lane. Richard Petty, the great master, has just recorded his 186th career -" (Cut to the scene of the crash, where Yarborough and both Donnie and Bobby Allison are fighting) "And there's a fight between Cale Yarborough and Donnie Allison !! The tempers overflowing; they're angry. They know they have lost. And what a bitter defeat."
Race results[edit]
43-Richard Petty[7]
88-Darrell Waltrip
51-A. J. Foyt
1-Donnie Allison
11-Cale Yarborough
30-Tighe Scott
68-Chuck Bown
2-Dale Earnhardt
14-Coo Coo Marlin
79-Frank Warren
15-Bobby Allison
67-Buddy Arrington
40-D. K. Ulrich
19-Bill Dennis
98-Ralph Jones
44-Terry Labonte
3-Richard Childress
72-Benny Parsons
50-Bruce Hill
39-Blackie Wangerin
74-Bobby Wawak
82-Paul Fess
41-Grant Adcox
02-Dave Marcis
70-J. D. McDuffie
37-Dave Watson
05-Dick Brooks
00-John Utsman
47-Geoffrey Bodine
54-Lennie Pond
90-Ricky Rudd
5-Neil Bonnett
12-Harry Gant
25-Ronnie Thomas
87-Gary Balough
72-Joe Millikan
21-David Pearson
17-Skip Manning
75-Butch Mock
28-Buddy Baker
89-Jim Vandiver
In media[edit]
The race was released on DVD in 2007. The race re-aired on Fox Sports 1 in 2015 hosted by Dale Earnhardt Jr. with notes on bottom on the screen throughout the entire race.
The race was also the subject of the documentary A Perfect Storm: The 1979 Daytona 500, featuring interviews of CBS Sports commentators and 1979 Daytona 500 drivers.
References[edit]
Jump up ^ "Weather of the 1979 Daytona 500". The Old Farmers' Almanac. Retrieved 2013-06-25.
^ Jump up to: a b "No. 1: An Ending For The Ages". tribunedigital-dailypress. Retrieved 2016-02-23.
^ Jump up to: a b Mark Aumann (January 23, 2003). "1979: Petty winds up in 'fist' place". Turner Sports Interactive. Archived from the original on May 25, 2011. Retrieved June 9, 2007.
Jump up ^ "1979 Daytona 500". Amazon.com. Archived from the original on July 16, 2007. Retrieved June 9, 2007.
Jump up ^ https://www.amazon.com/1979-Daytona-500-Artist-Provided/dp/B000E4IED2
^ Jump up to: a b c Al Pearce (March 23, 2003). "No. 1: An ending for the ages". Daily Press. Retrieved June 11, 2007.
^ Jump up to: a b "1979 Daytona 500". racing-reference.info. Retrieved June 9, 2007.
Preceded by
1979 Winston Western 500 NASCAR Winston Cup Series Season
1979 Succeeded by
1979 Carolina 500
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