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Strange Case of Dr Jekyll and Mr Hyde
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Strange Case of Dr Jekyll
and Mr Hyde
Title page of the first London edition (1886)
Author
Robert Louis Stevenson
Original title
Strange Case of Dr Jekyll and Mr Hyde
Country
United Kingdom
Language
English
Series
None
Genre
Drama
Horror
Mystery
Thriller
Gothic
Science fiction
Publisher
Longmans, Green & Co.
Publication date
5 January 1886
ISBN
978-0-553-21277-8
Strange Case of Dr Jekyll and Mr Hyde is a gothic novella by the Scottish author Robert Louis Stevenson first published in 1886. The work is also known as The Strange Case of Dr. Jekyll and Mr. Hyde, Dr. Jekyll and Mr. Hyde, or simply Jekyll & Hyde.[1] It is about a London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll,[2][3] and the evil Edward Hyde. The novella's impact is such that it has become a part of the language, with the very phrase "Jekyll and Hyde" coming to mean a person who is vastly different in moral character from one situation to the next.[4][5]
Contents
[hide]
1 Inspiration and writing
2 Plot
3 Characters
3.1 Dr Henry Jekyll/Mr Edward Hyde
3.2 Gabriel John Utterson
3.3 Richard Enfield
3.4 Dr Hastie Lanyon
3.5 Mr Poole
3.6 Inspector Newcomen
3.7 Sir Danvers Carew, MP
3.8 Maid
4 Analysis
4.1 Themes
4.1.1 Dualities
4.1.2 Public vs private
4.1.3 Scottish nationalism vs union with Britain
5 Reception
6 Adaptations
7 Illustrated versions
8 References
9 Further reading
10 External links
Inspiration and writing[edit]
Robert Louis Stevenson
Stevenson had long been intrigued by the idea of how personalities can affect a human and how to incorporate the interplay of good and evil into a story. While still a teenager, he developed a script for a play about Deacon Brodie, which he later reworked with the help of W. E. Henley and which was produced for the first time in 1882.[6] In early 1884, he wrote the short story "Markheim", which he revised in 1884 for publication in a Christmas annual. According to his essay, "A Chapter on Dreams" (Scribner's, Jan. 1888), he racked his brains for an idea for a story and had a dream, and upon wakening had the intuition for two or three scenes that would appear in the story Strange Case of Dr Jekyll and Mr. Hyde. Biographer Graham Balfour quoted Stevenson's wife Fanny Stevenson:
In the small hours of one morning,[...]I was awakened by cries of horror from Louis. Thinking he had a nightmare, I awakened him. He said angrily: "Why did you wake me? I was dreaming a fine bogey tale." I had awakened him at the first transformation scene.[7]
Lloyd Osbourne, Stevenson's stepson, wrote: "I don't believe that there was ever such a literary feat before as the writing of Dr Jekyll. I remember the first reading as though it were yesterday. Louis came downstairs in a fever; read nearly half the book aloud; and then, while we were still gasping, he was away again, and busy writing. I doubt if the first draft took so long as three days."[7]
Inspiration may also have come from the writer's friendship with Edinburgh-based French teacher Eugene Chantrelle, who was convicted and executed for the murder of his wife in May 1878.[8] Chantrelle, who had appeared to lead a normal life in the city, poisoned his wife with opium. According to author Jeremy Hodges,[9] Stevenson was present throughout the trial and as "the evidence unfolded he found himself, like Dr Jekyll, 'aghast before the acts of Edward Hyde'." Moreover, it was believed that the doctor had committed other murders both in France and Britain by poisoning his victims at supper parties with a "favourite dish of toasted cheese and opium".[10]
Louis Vivet, a mental patient who was suffering from multiple personality disorder, caught Frederic W. H. Myers's attention and he wrote to Stevenson after the story was published. Stevenson was polite in his response but rejected that reading. As was customary, Mrs Stevenson would read the draft and offer her criticisms in the margins. Robert Stevenson was confined to bed at the time from a haemorrhage. Therefore, she left her comments with the manuscript and Robert in the toilet. She said that in effect the story was really an allegory, but Robert was writing it as a story. After a while, Robert called her back into the bedroom and pointed to a pile of ashes: he had burnt the manuscript in fear that he would try to salvage it, and in the process forced himself to start again from nothing, writing an allegorical story as she had suggested. Scholars debate whether he really burnt his manuscript; there is no direct factual evidence for the burning, but it remains an integral part of the history of the novella.[11]
Stevenson re-wrote the story in three to six days. A number of later biographers have alleged that Stevenson was on drugs during the frantic re-write; for example, William Gray's revisionist history A Literary Life (2004) said he used cocaine while other biographers said he used ergot.[12] However, the standard history, according to the accounts of his wife and son (and himself), says he was bed-ridden and sick while writing it. According to Osbourne, "The mere physical feat was tremendous and, instead of harming him, it roused and cheered him inexpressibly". He continued to refine the work for four to six weeks after the initial re-write. The novella was written in the southern English seaside town of Bournemouth, where Stevenson had moved due to ill health, to benefit from its sea air and warmer southern climate.[citation needed]
The name Jekyll was borrowed from Reverend Walter Jekyll, a friend of Stevenson and younger brother of horticulturalist and landscape designer Gertrude Jekyll.[13]
Plot[edit]
Gabriel John Utterson and his cousin Richard Enfield reach the door of a large house on their weekly walk. Enfield tells Utterson that months ago he saw a sinister-looking man named Edward Hyde trample a young girl after accidentally bumping into her. Enfield forced Hyde to pay £100 to avoid a scandal. Hyde brought them to this door and provided a cheque signed by a reputable gentleman (later revealed to be Doctor Henry Jekyll, a friend and client of Utterson). Utterson is disturbed because Jekyll recently changed his will to make Hyde the sole beneficiary. Utterson fears that Hyde is blackmailing Jekyll. When Utterson tries to discuss Hyde with Jekyll, Jekyll turns pale and asks that Hyde be left alone.
One night in October, a servant sees Hyde beat to death Sir Danvers Carew, another of Utterson's clients. The police contact Utterson, who leads officers to Hyde's apartment. Hyde has vanished, but they find half of a broken cane. Utterson recognizes the cane as one he had given to Jekyll. Utterson visits Jekyll, who shows Utterson a note, allegedly written to Jekyll by Hyde, apologising for the trouble that he has caused. However, Hyde's handwriting is similar to Jekyll's own, leading Utterson to conclude that Jekyll forged the note to protect Hyde.
For two months, Jekyll reverts to his former sociable manner, but in early January, he starts refusing visitors. Dr Hastie Lanyon, a mutual acquaintance of Jekyll and Utterson, dies of shock after receiving information relating to Jekyll. Before his death, Lanyon gives Utterson a letter to be opened after Jekyll's death or disappearance. In late February, during another walk with Enfield, Utterson starts a conversation with Jekyll at a window of his laboratory. Jekyll suddenly slams the window and disappears.
In early March, Jekyll's butler, Mr. Poole, visits Utterson and says Jekyll has secluded himself in his laboratory for weeks. Utterson and Poole break into the laboratory, where they find Hyde wearing Jekyll's clothes and apparently dead from suicide. They find a letter from Jekyll to Utterson. Utterson reads Lanyon's letter, then Jekyll's. Lanyon's letter reveals his deterioration resulted from the shock of seeing Hyde drink a serum that turned him into Jekyll. Jekyll's letter explains that he had indulged in unstated vices and feared discovery. He found a way to transform himself and thereby indulge his vices without fear of detection. Jekyll's transformed personality, Hyde, was evil, self-indulgent, and uncaring to anyone but himself. Initially, Jekyll controlled the transformations with the serum, but one night in August, he became Hyde involuntarily in his sleep.
Jekyll resolved to cease becoming Hyde. One night, he had a moment of weakness and drank the serum. Hyde, furious at having been caged for so long, killed Carew. Horrified, Jekyll tried more adamantly to stop the transformations. Then, in early January, he transformed involuntarily while awake. Far from his laboratory and hunted by the police as a murderer, Hyde needed help to avoid capture. He wrote to Lanyon (in Jekyll's hand), asking his friend to bring chemicals from his laboratory. In Lanyon's presence, Hyde mixed the chemicals, drank the serum, and transformed into Jekyll. The shock of the sight instigated Lanyon's deterioration and death. Meanwhile, Jekyll's involuntary transformations increased in frequency and required ever larger doses of serum to reverse. It was one of these transformations that caused Jekyll to slam his window shut on Enfield and Utterson.
Eventually, one of the chemicals used in the serum ran low, and subsequent batches prepared from new stocks failed to work. Jekyll speculated that one of the original ingredients must have some unknown impurity that made it work. Knowing he would become Hyde permanently, Jekyll decided to write his "confession". He ended the letter by writing, "I bring the life of that unhappy Henry Jekyll to an end."
Characters[edit]
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Dr Henry Jekyll/Mr Edward Hyde[edit]
Main article: Dr. Jekyll and Mr. Hyde (character)
Dr Jekyll is a "large, well-made, smooth-faced man of fifty with something of a slyish cast",[14] who occasionally feels he is battling between the good and evil within himself, upon leading to the struggle between his dual personalities of Henry Jekyll and Edward Hyde. He has spent a great part of his life trying to repress evil urges that were not fitting for a man of his stature. He creates a serum, or potion, in an attempt to mask this hidden evil within his personality. However, in doing so, Jekyll transpired into the smaller, younger, cruel, remorseless, evil Hyde. Jekyll has many friends and an amiable personality, but as Hyde, he becomes mysterious and violent. As time goes by, Hyde grows in power. After taking the potion repeatedly, he no longer relies upon it to unleash his inner demon, i.e., his alter ego. Eventually, Hyde grows so strong that Jekyll becomes reliant on the potion to remain conscious.
Gabriel John Utterson[edit]
Gabriel John Utterson, a lawyer and loyal friend of Jekyll's (and Lanyon's), is the character the narrator focuses on and follows in Utterson's quest to discover the identity of Hyde. Utterson is a measured and at all times emotionless, bachelor – who nonetheless seems believable, trustworthy, tolerant of the faults of others, and indeed genuinely likable. Utterson has been close friends with Lanyon and Dr Jekyll. However, Utterson is not immune to guilt, as, while he is quick to investigate and judge the faults of others even for the benefit of his friends, Stevenson states that "he was humbled to the dust by the many ill things he had done". Whatever these "ill things" may be, he does not partake in gossip or other views of the upper class out of respect for his fellow man. Often the last remaining friend of the down-falling, he finds an interest in others' downfalls, which creates a spark of interest not only in Jekyll but also regarding Hyde. He comes to the conclusion that human downfall results from indulging oneself in topics of interest. As a result of this line of reasoning, he lives life as a recluse and "dampens his taste for the finer items of life". Utterson concludes that Jekyll lives life as he wishes by enjoying his occupation. Utterson is a good, kind, loyal and honest friend to Henry Jekyll.
Richard Enfield[edit]
Richard Enfield is Utterson's cousin and is a well known "man about town." He first sees Hyde at about three in the morning in an episode that is well documented as Hyde is running over a little girl. He is the person who mentions to Utterson the actual personality of Jekyll's friend, Hyde. Enfield witnessed Hyde running over a little girl in the street recklessly, and the group of witnesses, with the girl's parents and other residents, force Hyde into writing a cheque for the girl's family. Enfield discovers that Jekyll signed the cheque, which is genuine. He says that Hyde is disgusting looking but finds himself stumped when asked to describe the man.
Dr Hastie Lanyon[edit]
A longtime friend of Jekyll's, Hastie Lanyon disagrees with Jekyll's "scientific" concepts, which Lanyon describes as "...too fanciful". He is the first person to discover Hyde's true identity (Hyde transforms himself back into Jekyll in Lanyon's presence). Lanyon helps Utterson solve the case when he describes the letter given to him by Jekyll and his thoughts and reactions to the transformation. When Lanyon witnesses the transformation process (and subsequently hears Jekyll's private confession, made to him alone), Lanyon becomes critically ill and later dies of shock.
Mr Poole[edit]
Poole is Jekyll's butler who has lived with him for many years. Upon noticing the reclusiveness and changes of his master, Poole goes to Utterson with the fear that his master has been murdered and his murderer, Mr Hyde, is residing in the chambers. Poole serves Jekyll faithfully and attempts to do a good job and be loyal to his master. Yet events finally drive him into joining forces with Utterson to find the truth.
Inspector Newcomen[edit]
Utterson joins this Scotland Yard inspector after the murder of Sir Danvers Carew. They explore Hyde's loft in Soho and discover evidence of his depraved life. He is driven by professional ambition and sees the murder of Sir Danvers Carew as a way to further his career.
Sir Danvers Carew, MP[edit]
A kind, white-haired old man and a Member of Parliament. The maid claims that Hyde, in a murderous rage, killed Carew in the streets of London on the night of 18 October (sometime between 11 pm and 2 am by the testimony of the maid). At the time of his death, Carew is 70 years old and is carrying on his person a letter addressed to Utterson. As a result, the police subsequently interview Utterson with regard to the murder.
Maid[edit]
A maid, whose employer Hyde had once visited, is the only person who claims to have witnessed the murder of Sir Danvers Carew. She states that she saw that Mr Hyde murdered Carew with Jekyll's cane and his feet. Having fainted after seeing what happened, she then wakes up and rushes to the police, thus initiating the murder case of Sir Danvers Carew.
Analysis[edit]
Richard Mansfield was mostly known for his dual role depicted in this double exposure. The stage adaptation opened in Boston in 1887, a year after the publication of the novella. (Picture 1895)
Literary genres which critics have applied as a framework for interpreting the novel include religious allegory, fable, detective story, sensation fiction, Doppelgänger literature, Scottish devil tales, and gothic novel.
Themes[edit]
Dualities[edit]
The novella is frequently interpreted as an examination of the duality of human nature, usually expressed as an inner struggle between good and evil, with variations such as human versus animal, civilization versus barbarism sometimes substituted, the main thrust being that of an essential inner struggle between the one and other, and that the failure to accept this tension results in evil, or barbarity, or animal violence, being projected onto others.[15] In Freudian theory, the thoughts and desires banished to the unconscious mind motivate the behaviour of the conscious mind. If someone banishes all evil to the unconscious mind in an attempt to be wholly and completely good, it can result in the development of a Mr Hyde-type aspect to that person's character.[15] This failure to accept the tension of duality is related to Christian theology, where Satan's fall from Heaven is due to his refusal to accept that he is a created being (that he has a dual nature) and is not God.[15] This idea is suggested when Hyde says to Lanyon, shortly before drinking the famous potion – "...and your sight shall be blasted by a prodigy to stagger the unbelief of Satan." This is because in Christianity, pride (to consider oneself as without sin or without evil) is the greatest sin, as it is the precursor to evil itself.[15]
In his discussion of the novel, Vladimir Nabokov argues that the "good versus evil" view of the novel is misleading, as Jekyll himself is not, by Victorian standards, a morally good person in some cases.[16]
Public vs private[edit]
The work is commonly associated today with the Victorian concern over the public and private division, the individual's sense of playing a part and the class division of London [4] In this respect, the novella has also been noted as "one of the best guidebooks of the Victorian era" because of its piercing description of the fundamental dichotomy of the 19th century "outward respectability and inward lust," as this period had a tendency for social hypocrisy.[17]
Scottish nationalism vs union with Britain[edit]
Another common interpretation sees the novella's duality as representative of Scotland and the Scottish character. In this reading, the duality represents the national and linguistic dualities inherent in Scotland's relationship with the wider Britain and the English language, respectively, and also the repressive effects of the Church of Scotland on the Scottish character.[11] A further parallel is also drawn with the city of Edinburgh itself, Stevenson's birthplace, which consists of two distinct parts: the old medieval section historically inhabited by the city's poor, where the dark crowded slums were rife with all types of crime, and the modern Georgian area of wide spacious streets representing respectability.[11][18][19]
Reception[edit]
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Strange Case of Dr Jekyll and Mr Hyde was an immediate success and is one of Stevenson's best-selling works. Stage adaptations began in Boston and London and soon moved all across England and then towards his home Scotland.[4]
Strange Case of Dr Jekyll and Mr Hyde was initially sold as a paperback for one shilling in the UK and one dollar in the U.S. The American publisher issued the book on 5 January 1886, four days before the first appearance of the UK edition issued by Longmans; Scribner's published 3000 copies, only 1250 of them bound in cloth. Initially, stores would not stock it until a review appeared in The Times, on 25 January 1886, giving it a favourable reception. Within the next six months, close to forty thousand copies were sold. As Stevenson's biographer, Graham Balfour, wrote in 1901, the book's success was probably due rather to the "moral instincts of the public" than to any conscious perception of the merits of its art. It was read by those who never read fiction and quoted in pulpit sermons and in religious papers.[20] By 1901, it was estimated to have sold over 250,000 copies in the United States.[21]
Adaptations[edit]
Poster from the 1880s
Main article: Adaptations of Strange Case of Dr. Jekyll and Mr. Hyde
There have been numerous adaptations of the novella including over 120 stage and film versions alone.[22]
There have also been many audio recordings of the novella, with some of the more famous readers including Tom Baker, Roger Rees, Christopher Lee, Anthony Quayle, Martin Jarvis, Tim Pigott-Smith, John Hurt, Ian Holm, Gene Lockhart and Richard Armitage.
Illustrated versions[edit]
S. G. Hulme Beaman illustrated a 1930s edition.[23]
References[edit]
Jump up ^ Stevenson published the book as Strange Case of Dr. Jekyll and Mr. Hyde (without "The"), for reasons unknown, but it has been supposed to increase the "strangeness" of the case (Richard Dury (2005)). Later publishers added "The" to make it grammatically correct, but it was not the author's original intent. The story is often known today simply as Dr. Jekyll and Mr. Hyde or even Jekyll and Hyde.
Jump up ^ /ˈdʒiːkəl/ is the Scots pronunciation of the name, but /ˈdʒɛkəl/ is the accepted general pronunciation.
Jump up ^ "Noted - Futility Closet". Futility Closet.
^ Jump up to: a b c Saposnik, Irving S. "The Anatomy of Dr. Jekyll and Mr. Hyde." Studies in English Literature, 1500–1900 11.4, Nineteenth Century (1971): pp. 715–731.
Jump up ^ "Jekyll and Hyde definition | Dictionary.com". Dictionary.reference.com. Retrieved 28 May 2009.
Jump up ^ Swearingen, Roger G. The Prose Writings of Robert Louis Stevenson. London: Macmillan, 1980. (ISBN) p. 37.
^ Jump up to: a b Balfour, Graham (1912). The Life of Robert Louis Stevenson. II. New York: Charles Scribner's Sons. pp. 15–6. Retrieved 28 December 2012.
Jump up ^ Chantrelle, Eugène Marie; Smith, Alexander Duncan. Trial of Eugène Marie Chantrelle. Toronto, Canada Law Book Co.
Jump up ^ "Lamplit Vicious Fairy Land - Robert Louis Stevenson". Robert Louis Stevenson. Retrieved 2016-11-12.
Jump up ^ "Real-life Jekyll & Hyde who inspired Stevenson's classic". www.scotsman.com. Retrieved 2016-11-12.
^ Jump up to: a b c The Beast Within The Guardian, 13 December 2008
Jump up ^ Possibly with the help of cocaine, according to William Gray's revisionist history Robert Louis Stevenson: A Literary Life (2004). ISBN 978-0-333-98400-0
Jump up ^ "Queen of the mixed border". The Guardian. 17 June 2006.
Jump up ^ The Strange Case of Dr. Jekyll and Mr. Hyde, second edition.
^ Jump up to: a b c d Sanford, John A. Evil The Shadow Side of Reality. Crossroad (1981)
Jump up ^ "The Strange Case of Dr. Jekyll and Mr. Hyde: An Introductory Essay." Signet Classic, 2003
Jump up ^ Nightmare: Birth of Victorian Horror (TV series) Jekyll and Hyde (1996)
Jump up ^ Robert Louis Stevenson and His World, David Daiches, 1973
Jump up ^ "Edinburgh: Where Jekyll parties with Hyde". The Daily Telegraph. London. 25 July 1998. Retrieved 24 May 2010.
Jump up ^ Graham Balfour, The Life of Robert Louis Stevenson, volume II, pp 17-18
Jump up ^ Tim Middleton, Introduction to The Strange Case of Dr Jekyll and Mr Hyde: The Merry Men and Other Stories, Wordsworth Editions, 1993, pp. 9
Jump up ^ "Derivative Works - Robert Louis Stevenson". Robert Louis Stevenson.
Jump up ^ https://www.bl.uk/collection-items/illustrations-to-strange-case-of-dr-jekyll-and-mr-hyde-1930
Further reading[edit]
Borinskikh L. I. (1990c). "The method to reveal a character in the works of R.L. Stevenson [The Strange Case of Dr Jekyll and Mr Hyde]". In *** (ed.) The Problem of character in literature. Tchelyabinsk: Tchelyabinsk State University. Pp. 31–32. (In Russian, German and Hindi.)
Richard Dury, ed. (2005). The Annotated Dr Jekyll and Mr Hyde. ISBN 88-7544-030-1, over 80 pages of introduction material, extensive annotation notes, 40 pages of derivative works and extensive bibliography.
Paul M. Gahlinger, (2001). Illegal Drugs: A Complete Guide to their History, Chemistry, Use, and Abuse. Sagebrush Medical Guide. p. 41. ISBN 0-9703130-1-2.
Kathrine Linehan, ed. (2003). Strange Case of Dr Jekyll and Mr Hyde. Norton Critical Edition, contains extensive annotations, contextual essays and criticisms. ISBN 0-393-97465-0
External links[edit]
Wikisource has original text related to this article:
The Annotated Strange Case of Dr Jekyll and Mr Hyde
Strange Case of Dr Jekyll and Mr Hyde[1] from Internet Archive. Many antiquarian illustrated editions.
The Strange Case of Dr Jekyll and Mr Hyde at Project Gutenberg ver.1
"The Beast Within", Freudian fable, sexual morality tale, gay allegory – the novella has inspired as many interpretations as it has film adaptations. By James Campbell, The Guardian, 13 December 2008
1950 Theatre Guild on the Air radio adaptation at Internet Archive
Strange Case of Dr. Jekyll and Mr. Hyde public domain audiobook at LibriVox
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Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde
Character
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Dr. Jekyll and Mr. Hyde (1908)
Dr. Jekyll and Mr. Hyde (1912)
Dr. Jekyll and Mr. Hyde (1913)
Dr. Jekyll and Mr. Hyde (1920)
Dr. Jekyll and Mr. Hyde (1920)
The Head of Janus (1920)
Dr. Pyckle and Mr. Pryde (1925)
Dr. Jekyll and Mr. Hyde (1931)
Dr. Jekyll and Mr. Hyde (1941)
The Son of Dr. Jekyll (1951)
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953)
The Daughter of Dr. Jekyll (1957)
The Doctor's Horrible Experiment (1959)
The Ugly Duckling (1959)
My Friend, Dr. Jekyll (1960)
The Two Faces of Dr. Jekyll (1960)
The Nutty Professor (1963)
Karutha Rathrikal (1967)
Dr. Jekyll and Sister Hyde (1971)
I, Monster (1971)
Dr. Jekyll y el Hombre Lobo (1972)
Dr. Black, Mr. Hyde (1976)
Dr. Jekyll Likes Them Hot (1979)
Dr. Heckyl and Mr. Hype (1980)
Docteur Jekyll et les femmes (1981)
Chehre Pe Chehra (1981)
Jekyll and Hyde... Together Again (1982)
Edge of Sanity (1989)
Dr. Jekyll and Ms. Hyde (1995)
Mary Reilly (1996)
The Nutty Professor (1996)
The League of Extraordinary Gentlemen (2003)
Van Helsing (2004)
The Strange Case of Dr. Jekyll and Mr. Hyde (2006)
The Mummy (2017)
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The Impatient Patient (1942)
Dr. Jekyll and Mr. Mouse (1947)
Motor Mania (1950)
Dr. Jerkyl's Hide (1954)
Hyde and Hare (1955)
Hyde and Go Tweet (1960)
Mad Monster Party? (1967)
Mad Mad Mad Monsters (1972)
The Pagemaster (1994)
The Strange Case of Dr. Jiggle and Mr. Sly (2004)
Van Helsing: The London Assignment (2004)
The Monster of Phineas-n-Ferbenstein (2008)
Hotel Transylvania (2012)
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Dr. Jekyll and Mr. Hyde (1988)
Jekyll and Hyde (2001)
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"Dr. Heckyll & Mr. Jive" (1983)
"Bubba Hyde" (1995)
Jekyll and Hyde (2003)
Jekyll & Hyde en Español (2004)
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Dr. Jekyll and Mr. Hyde (1887)
Dr. Jekyll and Mr. Hyde (1888)
Dr. Jekyll and Mr. Hyde, Or a Mis-Spent Life (1897)
Jekyll & Hyde (1990)
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Jekyll (2007)
Once Upon a Time (2011–present)
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Jekyll and Hyde (2015)
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Batman: Two Faces (1998)
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The Private Memoirs and Confessions of a Justified Sinner (1824)
Knots and Crosses (1987)
Mary Reilly (1990)
Radio
Dr. Jekyll and Mr. Hyde (1932)
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VIAF: 307173707
LCCN: n90662176
GND: 4390920-6
SUDOC: 030330823
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text:
Carlito's Way: Rise to Power
From Wikipedia, the free encyclopedia
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Carlito's Way: Rise to Power
Promotional poster
Directed by
Michael Bregman
Produced by
Martin Bregman
Screenplay by
Michael Bregman
Based on
Carlito's Way
by Edwin Torres
Starring
Jay Hernandez
Mario Van Peebles
Luis Guzmán
Sean Combs
Music by
Joe Delia
Cinematography
Adam Holender
Edited by
David Ray
Production
company
Rogue Pictures
Distributed by
Universal Pictures
Release date
September 7, 2005 (2005-09-07)
Running time
93 minutes
Country
United States
Language
English
Carlito's Way: Rise to Power is a 2005 prequel to Brian De Palma's 1993 film Carlito's Way, based on the novel Carlito's Way by Edwin Torres. The previous film was based on the Torres novel After Hours, but was retitled to avoid it being confused with Martin Scorsese's 1985 film of the same name. The film was written and directed by Michael Bregman, who produced the first film. His father, Martin Bregman, produced both films.[1] The film was released in limited theaters twenty days prior before being released on DVD.[2]
Carlito's Way: Rise to Power stars Jay Hernandez as Carlito Brigante, and chronicles Brigante's rise as a heroin drug czar in 1960s Harlem, New York. The film also features Mario Van Peebles, Michael Joseph Kelly, Luis Guzmán, Jaclyn DeSantis, Sean Combs, Burt Young, and Domenick Lombardozzi.
Contents
[hide]
1 Plot
2 Casting
3 Cast
4 References
5 External links
Plot[edit]
The story begins in the 1960s with three inmates in a New York prison — Earl (Van Peebles), Rocco (Kelly), and Carlito (Hernandez) — controlling their criminal empire within their cell. Upon their release, they all look to control the drug trade in Harlem, which is currently in a power dispute between the Italian Bottolota crime family and black gangsters led by Hollywood Nicky (Combs). Rocco takes them to Artie Bottolota (Young) who at first is reluctant to work with blacks and Puerto Ricans, but who eventually cuts a deal with them in heroin distribution. The friends also meet Artie's son, Artie Jr. Soon, Earl's troubled younger brother Reggie joins them. After Artie Jr. offers to shake hands with Reggie, when he sees he and Carlito at a strip joint, Reggie turns him down, saying "my brother was doing fine without you". Artie Jr. insults Reggie with a racial slur, spurring Reggie to curse him and spit in his face. Artie Jr. assaults Reggie, but the fight is broken up. Carlito urges Reggie to wait until Artie Jr. and his crew leave. The mobsters leave, only for Carlito and Reggie to be cornered by them outside.
Artie Jr. attempts to kill Reggie with a straight razor by cutting his tongue out, while Carlito is restrained. Rocco pulls up and tells Artie Jr. to let him go, reasoning they will "take care of him." Carlito also meets a young lady named Leticia and meets her brother Sigfredo. Carlito is then introduced to Leticia's entire family as a booker. Sigfredo knowing who and what Carlito really is and does, which leads to an immediate confrontation. After shooting Carlito, Sigfredo then has to leave and take his family as well to prevent himself any danger. Reggie, after being abandoned by Carlito, who Earl asked to take care of, attacks and kidnaps Artie Jr. outside of his house, with the help of two other thugs. After Reggie gets the ransom, he leaves Artie Jr. in the trunk of a car to die, but he is released by police and returns to his family.
The Bottolotta Family blames Carlito, Rocco, and Earl, who left with his girlfriend to get married, for assisting Reggie in the kidnapping. Artie Sr. puts out a contract on Carlito, Rocco and Earl until Reggie and his men are dead. The hitman contracted to kill them, Nacho Reyes (Luis Guzmán), and Hollywood Nicky's driver help them find the two hoodlums who were with Reggie. Nacho tortures the two men to death and they give their dismembered body parts to Artie Sr. Carlito and Nacho find Reggie in an apartment, along with Earl who flew back to New York due to the situation. The four men draw guns, Nacho holding two revolvers and Carlito holding a revolver and Reggie threatens Carlito, preparing to fire on him. Earl chooses Carlito over Reggie, and murders his brother, sobbing over his body afterwards. Nacho leaves and Carlito, Earl and Rocco work for the Bottolotta Family, dealing heroin. The Bottolottas have them deal heroin for them, and then dismiss the three.
Carlito and Earl pay off the N.Y.P.D., the team led by the most corrupt, feared cops in Harlem to raid and kill the entire Bottolotta Family. Carlito, Rocco and Earl fly to the islands with Earl for his wedding. Earl retires, and Carlito reunites with Leticia, retiring temporarily.
Casting[edit]
The character of Hollywood Nicky played by Sean Combs is based on real New York City drug lord Nicky Barnes.
In the film, the character Earl played by Mario Van Peebles makes a reference to Governor Rockefeller setting some new drug laws into effect. This is in reference to the Rockefeller drug laws which are tough mandatory sentencing laws for drug dealers.
Three actors appear in both Carlito's Way films: Luis Guzmán plays Pachanga in Carlito's Way and Nacho in Carlito's Way: Rise to Power, Jaime Sánchez plays Rudy in Carlito's Way and Eddie in Carlito's Way: Rise to Power, Jaime Tirelli plays Valentin in Carlito's Way and Mr. Cruz (Leticia's Father) in Carlito's Way: Rise to Power.
Cast[edit]
Jay Hernandez as Carlito "Charlie" Brigante
Mario Van Peebles as Earl
Michael Kelly as Rocco
Sean Combs as Hollywood Nicky
Luis Guzmán as Nacho Reyes
Jaclyn DeSantis as Leticia Cruz
Mtume Gant as Reggie
Burt Young as Artie Bottolota Sr.
Domenick Lombardozzi as Artie Bottolota Jr.
Juan Carlos Hernández as Sigfredo Cruz
Giancarlo Esposito as Little Jeff
Chad Coleman as Clyde
Jaime Sánchez as Eddie
References[edit]
Jump up ^ Scott Weinberg (2005-10-09). "DVD Talk". DVD Talk. Retrieved 2012-02-18.
Jump up ^ Anita Gates (2005-10-01). "Carlito, When He Was Young". The New York Times. Retrieved 2012-02-18.
External links[edit]
Carlito's Way: Rise to Power on IMDb
[hide]
v
t
e
Carlito's Way
Novels
Carlito's Way
After Hours
Films
Carlito's Way
Carlito's Way: Rise to Power
Other
Carlito Brigante
Retrieved from "https://en.wikipedia.org/w/index.php?title=Carlito%27s_Way:_Rise_to_Power&oldid=796141141"
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text:
El Clásico
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For other uses, see El Clásico (disambiguation).
El Clásico
Team kits – Real Madrid in white, Barcelona in blue and red
Locale
Spain
Teams
Barcelona
Real Madrid
Latest meeting
Barcelona 2–2 Real Madrid
La Liga
(6 May 2018)
Stadiums
Camp Nou (Barcelona)
Santiago Bernabéu (Real Madrid)
Statistics
Meetings total
Competitive matches: 237
Exhibition matches: 34
Total matches: 271
Most wins
Competitive matches: Real Madrid (95)
Exhibition matches: Barcelona (20)
Total matches: Barcelona (112)
Most player appearances
Manolo Sanchís (43)
Top scorer
Lionel Messi (26)[note 1]
Largest victory
Real Madrid 11–1 Barcelona
Copa del Rey
(19 June 1943)
El Clásico (Spanish pronunciation: [el ˈklasiko]; Catalan: El Clàssic,[1] pronounced [əɫ ˈkɫasik]; "The Classic") is the name given in football to any match between fierce rivals Real Madrid and FC Barcelona. Originally it referred only to those competitions held in the Spanish championship, but nowadays the term has been generalized, and tends to include every single match between the two clubs: UEFA Champions League, Copa del Rey, etc. Other than the UEFA Champions League Final, it is considered one of the biggest club football games in the world, and is among the most viewed annual sporting events.[2][3][4] The match is known for its intensity.[5]
The rivalry comes about as Madrid and Barcelona are the two largest cities in Spain, and they are sometimes identified with opposing political positions, with Real Madrid viewed as representing Spanish nationalism and Barcelona viewed as representing Catalan nationalism.[6][7] The rivalry is regarded as one of the biggest in world sport.[8][9][10] The two clubs are among the richest and most successful football clubs in the world; in 2014 Forbes ranked them the world's two most valuable sports teams.[3] Both clubs have a global fanbase; they are the world's two most followed sports teams on social media.[11][12]
Real Madrid leads the head to head results in competitive matches with 95 wins to Barcelona's 92, while Barcelona leads in total matches with 112 wins to Real Madrid's 99. Along with Athletic Bilbao, they are the only clubs in La Liga to have never been relegated.
Contents
[hide]
1 Rivalry
1.1 History
1.2 1943 Copa del Generalísimo semi-finals
1.3 Di Stéfano transfer
1.4 Luís Figo Transfer
1.5 Recent issues
2 Results
3 Records
3.1 Biggest wins (5+ goals)
3.2 Longest runs
3.2.1 Most consecutive wins
3.2.2 Most consecutive draws
3.2.3 Most consecutive matches without a draw
3.2.4 Longest undefeated runs
3.2.5 Longest undefeated runs in the league
3.2.6 Most consecutive matches without conceding a goal
3.2.7 Most consecutive games scoring
3.3 Goalscoring
3.3.1 Top goalscorers
3.3.2 Consecutive goalscoring
3.4 Most hat-tricks
3.5 Most assists
3.6 Most appearances
4 Players who played for both clubs
5 Honours
6 See also
7 Notes
8 References
9 External links
Rivalry
History
Santiago Bernabéu, home of Real Madrid, hosted its first Clásico in 1948.
Camp Nou, home of FC Barcelona, hosted its first Clásico in 1958.
The conflict between Real Madrid and Barcelona has long surpassed the sporting dimension,[13][14] so that elections to the clubs' presidencies are strongly politicized.[15]
As early as the 1930s, Barcelona "had developed a reputation as a symbol of Catalan identity, opposed to the centralising tendencies of Madrid".[16][17] In 1936, when Francisco Franco started the Coup d'état against the democratic Second Spanish Republic, the president of Barcelona, Josep Sunyol, member of the Republican Left of Catalonia and Deputy to The Cortes, was arrested and executed without trial by Franco's troops[15] (Sunyol was exercising his political activities, visiting Republican troops north of Madrid).[16]
Barcelona was on top of the list of organizations to be purged by the National faction, just after communists, anarchists, and independentists.[15][18] During the Franco dictatorship, most citizens of Barcelona were in strong opposition to the fascist-like régime. Phil Ball, the author of Morbo: The Story of Spanish Football, says about the match; "they hate each other with an intensity that can truly shock the outsider".[19]
During the dictatorships of Miguel Primo de Rivera and of Francisco Franco, all regional languages and identities in Spain were frowned upon and restrained. In this period, Barcelona gained their motto Més que un club (English: More than a club) because of its alleged connection to Catalan nationalist as well as to progressive beliefs.[20] During Franco's regime, however, Barcelona was granted profit due to its good relationship with the dictator at management level, even giving two awards to him.[21] The links between senior Real Madrid representatives and the Francoist regime were undeniable;[15] for most of the Catalans, Real Madrid was regarded as "the establishment club", despite the fact that presidents of both clubs like Josep Sunyol and Rafael Sánchez Guerra, suffered at the hands of Franco's supporters in the Spanish Civil War.[16][22][23]
The image for both clubs was further affected by the creation of Ultras groups, some of which became hooligans. In 1980, Ultras Sur was founded as a far-right-leaning Real Madrid ultras group, followed in 1981 by the foundation of the initially left-leaning and later on far-right, Barcelona ultras group Boixos Nois. Both groups became known for their violent acts,[15][24][25] and one of the most conflictive factions of Barcelona supporters, the Casuals, became a full-fledged criminal organisation.[26]
For many people, Barcelona is still considered as "the rebellious club", or the alternative pole to "Real Madrid's conservatism".[27][28] According to polls released by CIS (Centro de Investigaciones Sociológicas), Real Madrid is the favorite team of most of the Spanish residents, while Barcelona stands in the second position. In Catalonia, forces of all the political spectrum are overwhelmingly in favour of Barcelona. Nevertheless, the support of the blaugrana club goes far beyond from that region, earning its best results among young people, sustainers of a federal structure of Spain and citizens with left-wing ideology, in contrast with Real Madrid fans which politically tend to adopt right-wing views.[29][30]
1943 Copa del Generalísimo semi-finals
On 13 June 1943, Real Madrid beat Barcelona 11–1 at home in the second leg of a semi-final of the Copa del Generalísimo, the Copa del Rey having been renamed in honour of General Franco.[31] The first leg, played at Barcelona's Les Corts stadium in Catalonia, had ended with Barcelona winning 3–0. Madrid complained about all the three goals that referee Fombona Fernández had allowed for Barcelona,[32] with the home supporters also whistling Madrid throughout, whom they accused of employing roughhouse tactics, and Fombona for allowing them to. A campaign began in Madrid. Barcelona player Josep Valle recalled: "The press officer at the DND and ABC newspaper wrote all sorts of scurrilous lies, really terrible things, winding up the Madrid fans like never before". While former Real Madrid goalkeeper Eduardo Teus, who admitted that Madrid had "above all played hard", wrote in a newspaper: "the ground itself made Madrid concede two of the three goals, goals that were totally unfair".[33]
Barcelona fans were banned from traveling to Madrid. Real Madrid released a statement after the match which former club president (1985–1995) Ramón Mendoza explained, "The message got through that those fans who wanted to could go to El Club bar on Calle de la Victoria where Madrid's social center was. There, they were given a whistle. Others had whistles handed to them with their tickets." The day of the second leg, the Barcelona team were insulted and stones were thrown at their bus as soon as they left their hotel. Barcelona's striker Mariano Gonzalvo said of the incident, "Five minutes before the game had started, our penalty area was already full of coins." Barcelona goalkeeper Lluis Miró rarely approached his line—when he did, he was armed with stones. As Francisco Calvet told the story, "They were shouting: Reds! Separatists!... a bottle just missed Sospedra that would have killed him if it had hit him. It was all set up."[34]
Real Madrid went 2–0 up within half an hour. The third goal brought with it a sending off for Barcelona's Benito García after he made what Calvet claimed was a "completely normal tackle". Madrid's José Llopis Corona recalled, "At which point, they got a bit demoralized," while Mur countered, "at which point, we thought: 'go on then, score as many as you want'." Madrid scored in minutes 31', 33', 35', 39', 43' and 44', as well as two goals ruled out for offside, made it 8–0. Basilo de la Morena had been caught out by the speed of the goals. In that atmosphere and with a referee who wanted to avoid any complications, it was humanly impossible to play... If the azulgranas had played badly, really badly, the scoreboard would still not have reached that astronomical figure. The point is that they did not play at all." Both clubs were fined 2,500 pesetas by the Royal Spanish Football Federation and, although Barcelona appealed, it made no difference. Piñeyro resigned in protest, complaining of "a campaign that the press has run against Barcelona for a week and which culminated in the shameful day at Chamartín".[35][36]
The match report in the newspaper La Prensa described Barcelona's only goal as a "reminder that there was a team there who knew how to play football and that if they did not do so that afternoon, it was not exactly their fault".[37] Another newspaper called the scoreline "as absurd as it was abnormal".[32] According to football writer Sid Lowe, "There have been relatively few mentions of the game [since] and it is not a result that has been particularly celebrated in Madrid. Indeed, the 11–1 occupies a far more prominent place in Barcelona's history. This was the game that first formed the identification of Madrid as the team of the dictatorship and Barcelona as its victims."[32] Fernando Argila, Barcelona's reserve goalkeeper from the game, said, "There was no rivalry. Not, at least, until that game."[38]
Di Stéfano transfer
Alfredo Di Stéfano's controversial 1953 transfer to Real Madrid instead of Barcelona intensified the rivalry.
The rivalry was intensified during the 1950s when the clubs disputed the signing of Alfredo Di Stéfano. Di Stéfano had impressed both Barcelona and Real Madrid while playing for Los Millionarios in Bogotá, Colombia, during a players' strike in his native Argentina.[39] Both Real Madrid and Barcelona attempted to sign him and, due to confusion that emerged from Di Stéfano moving to Millonarios from River Plate following the strike, both clubs claimed to own his registration.[39] After intervention from FIFA representative Muñoz Calero, it was decided that both Barcelona and Real Madrid had to share the player in alternate seasons. Barcelona's humiliated president was forced to resign by the Barcelona board, with the interim board cancelling Di Stéfano's contract.[39] This ended the long struggle for Di Stéfano, as he moved definitively to Real Madrid.[39]
Di Stéfano became integral in the subsequent success achieved by Real Madrid, scoring twice in his first game against Barcelona. With him, Real Madrid won the initial five European Champions Cup competitions. The 1960s saw the rivalry reach the European stage when they met twice at the European Cup, Real Madrid winning in 1960 and Barcelona winning in 1961.
Luís Figo Transfer
Luís Figo's transfer from Barcelona to Real Madrid in 2000 resulted in a hate campaign by some of his former club's fans.
In 2000, Real Madrid's then-presidential candidate, Florentino Pérez, offered Barcelona's vice-captain Luís Figo $2.4 million just to sign an agreement binding him to Madrid if he won the elections. If the player broke the deal, he would have to pay Pérez $30 million in compensation. When his agent confirmed the deal, Figo denied everything, insisting, "I'll stay at Barcelona whether Pérez wins or loses." He accused the presidential candidate of "lying" and "fantasizing". He told Barcelona teammates Luis Enrique and Pep Guardiola he was not leaving and they conveyed the message to the Barcelona squad.[40]
On 9 July, Sport ran an interview in which he said, "I want to send a message of calm to Barcelona's fans, for whom I always have and always will feel great affection. I want to assure them that Luís Figo will, with absolute certainty, be at the Camp Nou on the 24th to start the new season... I’ve not signed a pre-contract with a presidential candidate at Real Madrid. No. I'm not so mad as to do a thing like that."[40]
The only way Barcelona could prevent Figo's transfer to Real Madrid was to pay the penalty clause, $30 million. That would have effectively meant paying the fifth highest transfer fee in history to sign their own player. Barcelona's new president, Joan Gaspart, called the media and told them, "Today, Figo gave me the impression that he wanted to do two things: get richer and stay at Barça." Only one of them happened. The following day, 24 July, Figo was presented in Madrid and handed his new shirt by Alfredo Di Stéfano. His buyout clause was set at $180 million. Gaspart later admitted, "Figo's move destroyed us."[41]
On his return to Barcelona in a Real Madrid shirt, banners with "Judas", "Scum" and "Mercenary" were hung around the stadium. Thousands of fake 10,000 peseta notes had been printed and emblazoned with his image, were among the missiles of oranges, bottles, cigarette lighters, even a couple of mobile phones were thrown at him.[42] In his third season with Real Madrid, the 2002 Clásico at Camp Nou produced one of the defining images of the rivalry. Figo was mercilessly taunted throughout; missiles of coins, a knife, a whisky bottle, were raining down from the stands, mostly from areas populated by the Boixos Nois where he had been taking a corner. Among the debris was a pig's head.[43][44]
Recent issues
During the last three decades, the rivalry has been augmented by the modern Spanish tradition of the Pasillo, where one team is given the guard of honor by the other team, once the former clinches the La Liga trophy before El Clásico takes place. This has happened in three occasions. First, during El Clásico that took place on 30 April 1988, where Real Madrid won the championship on the previous round. Then, three years later, when Barcelona won the championship two rounds before El Clásico on 8 June 1991.[45] The last pasillo, and most recent, took place on 7 May 2008, and this time Real Madrid had won the championship.[46]
The two teams met again in the UEFA Champions League semi-final in 2002, with Real Madrid winning 2–0 in Barcelona and a 1–1 draw in Madrid. The match was dubbed by Spanish media as the "Match of the Century".[47]
In 2005, Ronaldinho became the second Barcelona player, after Diego Maradona in 1983, to receive a standing ovation from Real Madrid fans at the Santiago Bernabéu.
While El Clásico is regarded as one of the fiercest rivalries in world football, there have been rare moments when fans have shown praise for a player on the opposing team. In 1980, Laurie Cunningham was the first Real Madrid player to receive applause from Barcelona fans at Camp Nou; after excelling during the match, and with Madrid winning 2–0, Cunningham left the field to a standing ovation from the locals.[48][49] On 26 June 1983, during the second leg of the Copa de la Liga final at the Santiago Bernabéu in Madrid, having dribbled past the Real Madrid goalkeeper, Barcelona star Diego Maradona ran towards an empty goal before stopping just as the Madrid defender came sliding in an attempt to block the shot and crashed into the post, before Maradona slotted the ball into the net.[48] The manner of Maradona's goal led to many Madrid fans inside the stadium start applauding.[48][50] In November 2005, Ronaldinho became the second Barcelona player to receive a standing ovation from Madrid fans at the Santiago Bernabéu.[48] After dribbling through the Madrid defence twice to score two goals in a 3–0 win, Madrid fans paid homage to his performance with applause.[51][52] On 21 November 2015, Andrés Iniesta became the third Barcelona player to receive applause from Real Madrid fans while he was substituted during a 4–0 away win, with Iniesta scoring Barça's third.[53]
A 2007 survey by the Centro de Investigaciones Sociológicas showed that 32% of the Spanish population supported Real Madrid, while 25% supported Barcelona. In third place came Valencia, with 5%.[54] According to a poll performed by Ikerfel in 2011, Barcelona is the most popular team in Spain with 44% of preferences, while Real Madrid is second with 37%. Atlético Madrid, Valencia and Athletic Bilbao complete the top five.[55] Both clubs have a global fanbase and are the world's two most followed sports teams on social media—on Facebook, as of March 2016, Barcelona has 91 million fans, Real Madrid has 87 million fans.[11][56]
Barcelona's Lionel Messi and Real Madrid midfielder Lassana Diarra in a 2011 Clásico.
The rivalry intensified in 2011 where, due to the final of the Copa Del Rey and the meeting of the two in the UEFA Champions League, Barcelona and Real Madrid were scheduled to meet each other four times in 18 days. Several accusations of unsportsmanlike behaviour from both teams and a war of words erupted throughout the fixtures which included four red cards. Spain national team coach Vicente del Bosque stated that he was "concerned" that due to the rising hatred between the two clubs, that this could cause friction in the Spain team.[57]
In recent years, the rivalry has been "encapsulated" by the rivalry between Cristiano Ronaldo and Lionel Messi.[58] Following the star signings of Neymar and Luis Suárez to Barcelona, and Gareth Bale and Karim Benzema to Madrid, the rivalry has been expanded to a battle of the clubs attacking trios, "BBC" (Bale, Benzema, Cristiano) against "MSN" (Messi, Suárez, Neymar).[59]
Results
Main article: List of El Clásico matches
As of 6 May 2018[60]
Matches
Wins
Draws
Goals
Home Wins
Home Draws
Away Wins
M
B
M
B
M
B
M
B
M
B
La Liga
176 72 70 34 286 282 52 49 15 19 20 21
Copa del Rey
33 12 14 7 64 63 5 7 5 2 3 5
Copa de la Liga
6 0 2 4 8 13 0 1 2 2 0 1
Supercopa de España
14 8 4 2 30 18 6 4 1 1 2 0
Champions League
8 3 2 3 13 10 1 1 2 1 2 1
All competitions
237
95
92
50
401
386
64
61
25
25
27
28
Friendly
34 4 20 10 44 86 3 11 4 6 1 8
All matches
271
99
112
60
445
472
67
72
29
31
28
36
Records
Biggest wins (5+ goals)
10 Real Madrid 11–1 Barcelona 19 June 1943 Copa del Rey
6 Real Madrid 8–2 Barcelona 3 February 1935 La Liga
5 Barcelona 7–2 Real Madrid 24 September 1950 La Liga
Barcelona 6–1 Real Madrid 19 May 1957 Copa del Rey
Real Madrid 6–1 Barcelona 18 September 1949 La Liga
Barcelona 5–0 Real Madrid 21 April 1935
Barcelona 5–0 Real Madrid 25 March 1945
Real Madrid 5–0 Barcelona 5 October 1953
Real Madrid 0–5 Barcelona 17 February 1974
Barcelona 5–0 Real Madrid 8 January 1994
Real Madrid 5–0 Barcelona 7 January 1995
Barcelona 5–0 Real Madrid 29 November 2010
Longest runs
Most consecutive wins
Games
Club
Period
6 Barcelona 25 January 1948 – 15 January 1949
6 Real Madrid 30 September 1962 – 28 February 1965
5 Real Madrid 5 March 1933 – 3 February 1935
5 Barcelona 13 December 2008 – 29 November 2010
Most consecutive draws
Games
Period
3 11 September 1991 – 7 March 1992
3 1 May 2002 – 20 April 2003
Most consecutive matches without a draw
Games
Period
18 25 January 1948 – 21 November 1954
17 23 November 1960 – 19 March 1967
14 4 December 1977 – 4 June 1983
12 19 May 1957 – 27 April 1960
10 5 March 1933 – 28 January 1940
Longest undefeated runs
Games
Club
Period
14 Real Madrid 31 January 1931 – 3 February 1935
13 Barcelona 1 November 1917 – 3 June 1928
Longest undefeated runs in the league
Games
Club
Period
7 (5 Wins) Real Madrid 31 January 1932 – 3 February 1935
7 (5 Wins) Barcelona 13 December 2008 – 10 December 2011
6 (6 Wins) Real Madrid 30 September 1962 – 28 February 1965
6 (4 Wins) Barcelona 11 May 1997 – 13 October 1999
6 (3 Wins) Barcelona 28 November 1971 – 17 February 1974
5 (4 Wins) Barcelona 30 March 1947 – 15 January 1949
5 (3 Wins) Barcelona 11 May 1975 – 30 January 1977
Most consecutive matches without conceding a goal
Games
Club
Period
5 Barcelona 3 April 1972 – 17 February 1974
3 Barcelona 10 January 1914 – 7 March 1916
3 Real Madrid 29 June 1974 – 11 May 1975
3 Barcelona 29 November 2009 – 29 November 2010
Most consecutive games scoring
Games
Club
Period
23 Barcelona 27 April 2011 – 13 August 2017
18 Real Madrid 3 May 2011 – 22 March 2015
17 Barcelona 27 November 1982 – 31 January 1987
14 Real Madrid 15 February 1959 – 21 January 1962
14 Real Madrid 5 December 1990 – 16 December 1993
13 Real Madrid 1 December 1946 – 23 November 1952
13 Real Madrid 22 April 1962 – 9 April 1968
12 Barcelona 26 March 1916 – 26 April 1926
11 Barcelona 11 September 1991 – 7 May 1994
10 Barcelona 30 January 1997 – 13 October 1999
Goalscoring
Top goalscorers
Players in bold are still active
Player
Club
La Liga
Copa
Super Cup
League Cup
Europe
Total
Lionel Messi Barcelona 18 — 6 — 2 26[note 1]
Alfredo Di Stéfano Real Madrid 14 2 2 — — 18
Cristiano Ronaldo Real Madrid 9 5 4 — — 18
Raúl Real Madrid 11 — 3 — 1 15
César Barcelona 12 2 — — — 14
Francisco Gento Real Madrid 10 2 — — 2 14
Ferenc Puskás Real Madrid 9 2 — — 3 14
Santillana Real Madrid 9 2 — 1 — 12
Hugo Sánchez Real Madrid 8 — 2 — — 10
Juanito Real Madrid 8 — — 2 — 10
Josep Samitier Barca / Real 4 6 — — — 10
Estanislao Basora Barcelona 8 1 — — — 9
Jaime Lazcano Real Madrid 8 — — — — 8
Karim Benzema Real Madrid 6 1 1 — — 8
Iván Zamorano Real Madrid 4 2 2 — — 8
Eulogio Martínez Barcelona 2 5 — — 1 8
Luis Suárez Barcelona 2 4 — — 2 8
Santiago Bernabéu Real Madrid — 8 — — — 8
Consecutive goalscoring
Player
Club
Consecutive matches
Total goals in the run
Start
End
Cristiano Ronaldo Real Madrid 6 7 2011–12 Copa del Rey (1st leg) 2012–13 La Liga (7th round)
Iván Zamorano Real Madrid 5 5 1992–93 La Liga (20th Round) 1993 Supercopa de España (2nd leg)
Simón Lecue Real Madrid 4 5 1935–36 La Liga (7th Round) 1939–40 La Liga (9th Round)
Ronaldinho Barcelona 4 5 2004–05 La Liga (12th Round) 2005–06 La Liga (31st Round)
Giovanni Barcelona 4 4 1997 Supercopa de España (1st leg) 1997–98 La Liga (28th Round)
Lionel Messi is the all-time top scorer in El Clásico history with 26 goals.
Most hat-tricks
Five players have been able to score more than one hat trick: Jaime Lazcano, Santiago Bernabéu, Paulino Alcántara, Lionel Messi and Ferenc Puskás have all scored two hat-tricks in El Clásico history (2).
Most assists
Lionel Messi has delivered the most assists in El Clásico history (14).[61]
Most appearances
Players in bold are still active
Appearances
Player
Club
43 Manuel Sanchís Real Madrid
42 Francisco Gento Real Madrid
42 Xavi Barcelona
38 Lionel Messi Barcelona
38 Sergio Ramos Real Madrid
38 Andrés Iniesta Barcelona
37 Fernando Hierro Real Madrid
37 Raúl Real Madrid
37 Iker Casillas Real Madrid
Players who played for both clubs
Javier Saviola was the most recent player to transfer between the two rivals, in 2007.
Barcelona then Madrid
1902: Alfonso Albéniz
1906: José Quirante
1911: Alfonso Albéniz
1911: Arsenio Comamala
1913: Walter Rozitsky
1930: Ricardo Zamora (via Espanyol)
1932: Josep Samitier
1950: Alfonso Navarro
1961: Justo Tejada
1962: Evaristo
1965: Fernand Goyvaerts
1988: Bernd Schuster
1990: Luis Milla
1992: Nando
1994: Michael Laudrup
1995: Miquel Soler (via Sevilla)
2000: Luís Figo
2000: Albert Celades (via Celta Vigo)
2002: Ronaldo (via Inter Milan)
2007: Javier Saviola
Madrid then Barcelona
1905: Luciano Lizarraga
1939: Hilario (via Valencia)
1961: Jesús María Pereda (via Real Valladolid, then Sevilla)
1965: Lucien Muller
1980: Lorenzo Amador (via Hércules)
1994: Gheorghe Hagi (via Brescia)
1994: Julen Lopetegui (via Logroñés)
1995: Robert Prosinečki (via Real Oviedo)
1996: Luis Enrique
1999: Dani García (via Mallorca)
2000: Alfonso Pérez (via Real Betis)
2004: Samuel Eto'o (via Mallorca)
From Barcelona to Madrid 16
From Barcelona to another club before Madrid 4
Total 20
From Madrid to Barcelona 3
From Madrid to another club before Barcelona 9
Total 12
Total Switches 32
Honours
The rivalry reflected in El Clásico matches comes about as Real Madrid and Barcelona are the most successful football clubs in Spain. As seen below, Barcelona leads Real Madrid 94–91 in terms of official overall trophies.[62] While the Inter-Cities Fairs Cup is recognised as the predecessor to the UEFA Cup, it was not organised by UEFA. Consequently, UEFA does not consider clubs' records in the Fairs Cup to be part of their European record.[63] However, FIFA does view the competition as a major honour.[64]
Real Madrid
Competition
Barcelona
Domestic
33 La Liga 25
19 Copa del Rey 30
10 Supercopa de España 12
1 Copa Eva Duarte (defunct) 3
1 Copa de la Liga (defunct) 2
64 Aggregate 72
European and Worldwide
13 UEFA Champions League 5
— UEFA Cup Winners' Cup (defunct) 4
2 UEFA Europa League —
4 UEFA Super Cup 5
— Inter-Cities Fairs Cup (defunct) 3
3 Intercontinental Cup (defunct) —
2 Latin Cup (defunct) 2
3 FIFA Club World Cup 3
27 Aggregate 22
91 Total Aggregate 94
Note: FIFA recognized the winner of the Intercontinental Cup as a World Champion.
Note: The Inter-Cities Fairs Cup is not recognized in the UEFA records and statistics
See also
Association football portal
Madrid derby
Derbi barceloní
Major football rivalries
Nationalism and sport
Sports rivalry
Notes
^ Jump up to: a b Does not include a goal scored in the 2017 International Champions Cup.
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External links
Wikimedia Commons has media related to Real Madrid-FC Barcelona rivalry.
Ball, Phill (2003). Morbo: The Story of Spanish Football. WSC Books Limited. ISBN 0-9540134-6-8.
Farred, Grant (2008). Long distance love: a passion for football. Temple University Press. ISBN 1-59213-374-6.
Lowe, Sid (2013). Fear and Loathing in La Liga: Barcelona vs Real Madrid. Random House. ISBN 9780224091800.
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El Clásico
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Retrieved from "https://en.wikipedia.org/w/index.php?title=El_Clásico&oldid=843091787"
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