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Coronation Street sets
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A partial image of the Granada Studios backlot in Manchester city centre which housed the Coronation Street set from 1982 until 2013.
The sets of the British ITV soap opera Coronation Street have undergone four major and several less significant changes since the first broadcast in December 1960. Originally entirely indoors, in 1968 the original wooden set was moved outside, and shortly afterwards reconstructed in brick. In 1982 the set was entirely rebuilt in a new location. The current set, brought into use in 2013, is based at the ITV Trafford Wharf Studios backlot, MediaCityUK in Trafford.
As of 2018, it consists of early 20th-century terraced houses, with a public house, The Rovers Return, at one end, and a corner shop at the other. The other side of the street consists of a factory, two shop units, a garage and three semi-detached houses, all appearing to have been constructed in the late 1980s.
Contents
1 1960–1982
2 1982–2013
2.1 Production areas in the Granada Studios backlot
2.1.1 Prop vehicle parking
2.1.2 Stage One
2.1.3 Stage Two
3 ITV Trafford Wharf set (2013–)
4 Interior filming and sets
5 Architecture of Coronation Street
6 Weatherfield life – the changing face of Coronation Street
7 External links
8 References
1960–1982[edit]
From 1960 until 1968, the complete set of Coronation Street (house interiors and exteriors) was erected inside one of Granada Television's studios in central Manchester, with the houses reduced in scale to 3/4.[1] This small set was awkward for the actors, who had to walk more slowly than normal to appear in scale with the houses. There are a number of reasons for the use of an indoor studio; the main one being that the infancy of production techniques at the time did not allow easy recording and editing of sequences filmed in different locations.[2] It was not until 1967 that editing techniques had improved enough to allow Coronation Street to be filmed on separate interior and exterior sets.
The studios were not big enough for the entire street to be erected at once, so it was split into two halves.[3] The pavements and cobbled street were painted onto the studio floor.[2] Despite the limitations of the cramped studio set, some complex and dramatic scenes were filmed there. These include the collapse of number 7 in 1965, and two years later, a special effects-laden storyline involving a train crash; the viewers did not know if stalwart Ena Sharples was dead under the rubble.
In 1967, Granada Television made the decision to build an outside set. This new set was built on some old railway sidings near Granada Studios, and coincided with a storyline of the demolition of Elliston's raincoat factory and the Mission Hall, and the subsequent building of maisonettes opposite the terrace.[4]
Coronation Street's 1968 set was not all that different from the interior version previously used, with the wooden facades that had been used in the studio simply being erected on the new site. The only real change seen on screen was natural light illuminating the street for the first time. In late 1968 the street was constructed in brick, with roofs and back yards added later. The set was still reduced in scale and quite cramped and even though the pavements and cobbled street were now real, the cobbles were not parallel to the houses, and ran diagonally down the street.[1] The first exterior set was referred to as "the coldest place on earth"[3] by actors and crew since they disliked working on it due to a near-constant wind which blew directly down the street. Filming on the new exterior set was kept to a minimum, not only because the actors disliked the set, but because of the higher cost of using film for exterior sequences.[5]
The site later became the New York Street at the now-closed Granada Studios Tour complex. The site of New York Street set has been used again in Coronation Street, notably for Davenports (the firm Sally Webster worked for when she embarked on an affair with her boss, Ian Davenport); the strip club where Lloyd Mullaney met Cheryl Gray and also as the location for Weatherfield's tram stop where Izzy Armstrong was mugged in 2011. In 2012, the site featured as the location of a casino and another strip club in which the character Kylie Platt (née Granger) was working.
1982–2013[edit]
In 1982 an almost full-size exterior street was built in the Granada backlot, with the cobbles running in the correct direction. The new set was opened by Queen Elizabeth II in 1982. The properties were constructed to a scale of 7/10; the new backlot at MediaCity UK is constructed to 9/10.
Production areas in the Granada Studios backlot[edit]
Prop vehicle parking[edit]
Parking for the prop vehicles were located where you would expect the western end of Crimea Street to be. This is where most vehicles were seen to be heading when leaving the street via Viaduct Street, however those that left via Victoria Street were in reality heading to a dead end, where the Granada bonded warehouse was.
Stage One[edit]
Featured the interior sets for the Rovers Return and No. 1 Coronation Street, among others. The Rovers Return was permanently erected due to the set's constant use. During Coronation Street: The Tour, visitors saw inside the Rovers Return as well as Carla Connor's former apartment, Numbers 8 and 9 Coronation Street and also Underworld. The barge owned by Martha, who had an affair with Ken Barlow in 2009 was also a set for tourists to see during their Coronation Street visit. In March 2015 the studio tour was updated to include The Kabin.
Stage Two[edit]
Once featured the interior set of No. 13 Coronation Street among others. The entrance to Stage Two is between some flats on Victoria Street and Victoria Court.
Since it was intended to be permanent, the houses were constructed from reclaimed Salford brick and roof slates to give an authentic look. The buildings were not complete, most lacking interior walls. The chimneys were made of fibreglass since there was insufficient support for brick ones. The building interiors were used as offices for writers and as stores for props used in outdoor shooting, aside from the take away, butcher shop and Barlow's Buys, which were built so that filming could be done inside them.
In the following years staircases were added inside the doors of the houses. A number of Granada tower blocks dominate the skyline around the set. These are usually obscured through careful camera angles.
The door next to Audrey's salon leads to a flat above the salon itself, which is actually the supporting artistes' green room, and consists of two simple rooms, one with chairs and a sink/wash area for extras, and the other used as a costume change area.
Towards the end of the 1980s scenes filmed on the exterior set became more numerous after the show's location work switched from film to videotape in 1988,[6] although some outdoor video shooting, using large, tethered cameras, had been trialled as early as 1977. More trials were conducted with a PSC (portable single camera) unit for the Rovers Return fire episode in 1986.
In 1989 larger development of the Coronation Street set took place. The factory and community centre which had been part of the street since 1971 were demolished. Three new houses, two shop units, a garage and a factory were built on the site. These developments were the idea of new executive producer David Liddiment.[7] The tour was closed on Mondays, as this was the day that the set was used for filming at the time.
When the Granada Studios Tour was closed in 1999 the exterior set was extended and updated. The derelict Graffiti Club on Rosamund Street was revamped and reopened as a medical centre. A new road, Victoria Street, was built to house three shops and two houses. A builders' yard backing onto the betting shop was built. To obscure one of the Granada Television buildings a new viaduct was built on Rosamund Street. This sat behind the Rovers and parallel to Coronation Street and introduced an error, as it did not appear in the opening titles aerial shots of Coronation Street. The "viaduct" was actually a façade with an optical illusion to make it look complete. A backdrop of some Salford streets was erected in 2005 allowing shots to be filmed looking up Rosamund Street and creating the illusion of other dwellings further along that street.
At the end of Coronation Street there is a fictitious tram line which has seen CGI trams used over it in the past (notably the opening titles and when Kelly Crabtree left the long running drama). The storyline for December 2010 (Coronation Street's 50th anniversary) showed the viaduct collapse, sending the tram onto the cobbles, demolishing the Kabin and the corner shop in the process.
Whilst the majority of the interior scenes were filmed within Stages One and Two (the scale of the houses meant it unfeasible to set up filming within the exterior backlot) Elliott's Butchers, Barlow's Buys, Prima Doner and Webster's Autos all allowed for interior/exterior filming. At one time Barlow's Buys was previously a bookmakers; before 2000 this was merely a façade to hide the Granada Studios Tours and the bookmakers set was interior only.
On 20 December 2013, the final scenes were filmed at Quay Street, and the set re-opened on 5 April 2014, when it became a tourist attraction.[8]
Planning permission was submitted in 2015 to demolish this set which happened in 2017.[9]
ITV Trafford Wharf set (2013–)[edit]
In March 2009, it was announced that Coronation Street would stay on the then-current Quay Street site "for the foreseeable future".[10] Following a change of hands at ITV management, talks between ITV and The Peel Group for the move to the Trafford Park site reopened in January 2010.[11] In December 2010, it was announced that the proposed move was now to take place.[12]
Construction began in September 2011 after the area next to the Imperial War Museum North was surveyed for any possible World War II bomb threats,[13] the studios were constructed by MACE group (the actual set by Askam Construction) and building was completed in 2013.[14] The set is built to a greater scale than the Granada TV set and there are several changes to the structure of the street and the surrounding areas.[15][16]
Despite the houses being built to be a more realistic scale, filming is still completely studio based for the majority of interior scenes. The interior sets for Prestons Petals, the Prima Doner kebab shop and the community centre are also filmed within the actual building like the previous set. The Underworld factory and Street Cars join them and can be filmed within the exterior. The Underworld factory was previously filmed within its building on the backlot at Granada Studios. Furthermore, for the first time in the show's history, The Rovers Return has a partial interior to allow camera shots looking into the exit to the rear yard and smoking area.
On 25 August 2014, viewers saw Tyrone Dobb's bedroom at Number 9 for the first time. Previous to this one interior bedroom set was used for the entire street. For the stunt which saw Tyrone fall through the ceiling from the attic (after Todd Grimshaw ordered 12mm chipboard instead of 14mm and blackmailed Gary Windass to use it, therefore failing to meet building regulations) the interior set was constructed over a period of four weeks and housed inside the empty shell of Roy's Rolls. A behind the scenes video was uploaded after the first installment of the bank holiday episodes aired to the website of Coronation Street.
On 29 November 2013, the new set was officially unveiled.[17] At the press launch ITV announced that an hour-long documentary entitled Coronation Street – A Moving Story will air which will accompany the show's set move to MediaCityUK.[18] Filmed over two years, the programme reveals how the new production base was planned and built. The documentary also features interviews from cast and crew members. Coronation Street- A Moving Story aired on 6 March 2014 on ITV.[19] On 9 March 2014 ITV announced that the opening title sequence had been updated slightly. The new titles now feature the updated exteriors to; The Rovers Return Inn, D&S Alahan's corner shop, and Nick's Bistro, interior scenes have been screened and exterior scenes at the new set first aired on 10 March 2014.[20]
On 12 March 2018 the new expansion of the Victoria Street set was unveiled. The extended set features a garden, and a memorial bench paying tribute to the Manchester Arena bombing 22 victims, including Coronation Street super fan Martyn Hett. New additions to the set include a prescient with facades of a Greater Manchester Police called Weatherfield Police station, a Tram stop station which is part of a product placement deal with Transport for Greater Manchester Metrolink which is named Weatherfield North. and shop front facades of Costa Coffee and the Weatherfield branded Co-op supermarket which will appear onscreen from 20 April 2018.[21]
On 20 April 2018, ITV announced that they have successfully been granted with official approval of planning permission to allow booked public visits to the MediaCityUK Trafford Wharf set. Tours will commence on weekends from 26 May 2018 onwards.[22]
Interior filming and sets[edit]
The majority of interior scenes at the old Granada Studios were shot in the adjoining purpose-built studio, Stage One. The Stage One soundstage was constructed in 1990 next to the exterior set and it was the first time that the actors were given their own dressing rooms.[23] The interior sets were also moved into Stage One, with the Rovers, café and shops being erected permanently. The interior sets for the houses are constructed as required. The Stage One complex includes make-up and costume areas, and a Green Room.
The development of Stage One was as a result of the policy of then-producers David Liddiment and Mervyn Watson to update the show's production techniques.[7] The changes they introduced are still used as of 2010, although the schedules are much tighter due to the higher number of episodes now produced. This leaves almost no time for rehearsal or blocking and most scenes are shot very quickly. The resultant need for additional studio capacity meant the opening of Stage Two, located next to The Bonded Warehouse on the Granada site in what used to be the Baker Street building.
In an episode of Coronation Street in 2010 an editing error meant viewers could see "outside" via No. 5's (Fiz and John Stapes' house) kitchen window showing what would be a "supporting" wall (quite possibly the painted brick wall backdrop) leaning against the studio walls. In another episode where Graham Proctor announced his relationship to Tina McIntyre's ex, David Platt, a brief shot of the Platts' kitchen showed no ceiling above it. It is not the first time such errors have occurred: in one episode where Alan Bradley attacked Rita Fairclough, viewers could see a studio light in what should be No. 7's back yard.
Furthermore, the layouts of the interior sets would be unfeasible in the exterior sets. For example, the two windows by the fireplace in the Rover's interior set don't exist on the outdoor set; the stairs to the living quarters of the Rovers have changed from right to left to left to right, the toilets would be in Ken Barlow's house and the back room would be in the middle of Rosamund Street.
Whilst filming takes place on the interior sets, any actors appearing to walk outside (i.e. back onto the street from The Kabin) have to stand around and remain quiet until filming has finished. This fact was revealed in the 15 May issue of TV Times magazine.
Whereas The Rovers Return was previously an empty shell on the backlot at Granada Studios a partial interior has been constructed within the new pub at the drama serial's new home over at Trafford Wharf. This was shown on screen by actor Simon Gregson (who plays Steve McDonald) during the ITV programme "Coronation Street: A Moving Story", documenting the two-year process of constructing the new set build.
Architecture of Coronation Street[edit]
The architecture of Coronation Street was based on Archie Street, Ordsall, an area of Salford which has long been demolished. Archie Street appeared in the programme's original opening credits.
There is an Archie Street in Salford today, but not on the site of the original – which stood near St Clement's Church, Ordsall. The original Archie Street was part of Ordsall and now part of Salford Quays is on the site. There is, however, a 15-metre stretch of the street's cobbles still there and there is even a street sign just off Trafford Road.
The original Archie Street is pictured on the Real 1970s website. The picture shows the street shortly before it was demolished in 1971. The site includes a picture of an adjacent church which still stands as of 2010.
Weatherfield life – the changing face of Coronation Street[edit]
According to the show's backstory the fictional Coronation Street was built in 1902, and named after the coronation of King Edward VII. The row of terraced houses is the only part of the street to remain relatively unaltered since 1902. The only real structural change to the terrace was in 1965 when number 7 collapsed due to old mine-workings under it. After the collapse the site remained vacant, with a park bench placed in the gap between numbers 5 and 9. A new house was constructed on the site in 1982.
The other side of the street has been the site of several different building developments. The original Hardcastle's Mill building constructed in 1882 was the location of Elliston's raincoat factory in the series. The building was demolished in 1968 along with the Glad Tidings Mission Hall, to make way for new maisonette houses. This three-storey building comprised four three-bedroom duplexes, accessed from ground level, and three OAP ground floor-flats. The maisonettes were demolished in 1971 after a structural fault was identified following a fire and were replaced by the Mark Brittain warehouse and a new community centre. 1989 saw a radical redevelopment of Coronation Street when the factory and community centre were demolished and replaced by three new houses, two shop units, a garage and a factory. They all stood until 2010, when a derailed tram crashed through both D&S Alahan's and The Kabin. After the tram crash, they were rebuilt to be roughly the same as they were before and remain standing to this day.
External links[edit]
The Granada backlot on Google Maps
Interactive Tour of the Coronation Street Set on Google Maps ( broken, 12 July 2016)
References[edit]
^ Jump up to: a b Tinker, Jack, p. 95. Coronation Street; A fully illustrated record of television's most popular serial, Treasure Press, 1987 (ISBN 1-85051-229-9).
^ Jump up to: a b Tinker, p. 10.
^ Jump up to: a b Podmore, Bill, p. 121. Coronation Street; The Inside Story, MacDonald, 1990 (ISBN 0-356-17971-0).
Jump up ^ Little, Daran, 40 Years of Coronation Street, Granada Media, 2000, p. 45 (ISBN 0-233-99806-3).
Jump up ^ Little, p. 51.
Jump up ^ Little, p. 182.
^ Jump up to: a b Little, p. 188.
Jump up ^ Klompus, Jack (21 December 2013). "Coronation Street films final scenes at Quay Street set – video, picture". Digital Spy. Retrieved 9 March 2014.
Jump up ^ Butler, Katie (5 August 2015). "Plan to demolish old Coronation Street set submitted to council". Retrieved 8 August 2018.
Jump up ^ James Welsh, "'Corrie' to stay on Quay Street", Digital Spy, 11 March 2009.
Jump up ^ Tara Conlan, "Coronation Street set to be demolished", The Guardian, 11 January 2010.
Jump up ^ "Coronation Street set to be rebuilt", BBC News, 16 December 2010.
Jump up ^ "After tram disaster, Corrie faces real-life bomb drama", Manchester Evening News, 7 January 2011.
Jump up ^ "Work to start on new Coronation Street set", Place North West, 6 September 2011.
Jump up ^ "Corrie's new set: List of noticeable changes", Weatherfield Recorder, 17 December 2011.
Jump up ^ "A few more changes found on the new set", Coronation Street blog, 20 December 2011.
Jump up ^ "Coronation Street's new set unveiled". BBC News. 29 November 2013. Retrieved 9 March 2014.
Jump up ^ Kilkelly, Daniel (29 November 2013). "'Coronation Street': ITV to air set move documentary". Digital Spy. Retrieved 9 March 2014.
Jump up ^ Earp, Catherine (19 February 2014). "Coronation Street – Moving Story given air date". Digital Spy. Retrieved 9 March 2014.
Jump up ^ "Coronation Street updates opening titles with new shots". Digital Spy. 8 March 2014. Retrieved 9 March 2014.
Jump up ^ "Coronation Street unveils new on-set memorial to Manchester Arena victims". BBC News. BBC. 12 March 2018. Retrieved 27 March 2018.
Jump up ^ Nutburn, Adam (20 April 2018). "NICE WEATHERFIELD Coronation Street's new £10m set will open to fans for the first time next month". The Sun. Retrieved 21 April 2018.
Jump up ^ Little, p. 194.
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Vehicle registration plates of Moldova
From Wikipedia, the free encyclopedia
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2012) (Learn how and when to remove this template message)
Moldovan registration plate, issued from 2015
Moldovan registration plate, issued from November 2011
Moldovan registration plate, issued prior to November 2011
License plates in Moldova were introduced on November 30, 1992. Currently issued plates consist of six black characters on a white background: three letters and three numbers. On the left part of the plates there is a modified, wider than usual blue euroband having the Moldovan flag instead of the EU symbol and the international country code MD underneath it. The plates are 520 mm wide and 112 mm high, made of metal with embossed characters using the FE-Schrift font.[1]
Pre-2015 plates have seven characters: two letters for the region (except for Chișinău, which only has the letters C and K), two letters for the series and three digits, all written using the DIN 1451 Mittelschrift font. The left side of the plate carries the coat of arms of Moldova with the country index MD (before 1993 the country index on car plates was MLD) and since November 1, 2011, it has a vertical blue background, similar to the European Union plates. Additionally, the owners could request to have only one or two digits instead of three.[2]
Contents
1 Transnistria
2 Car designations
3 Special plates
4 References
5 External links
Transnistria[edit]
Further information: Vehicle registration plates of Transnistria
Car designations[edit]
Before 2015, Moldovan vehicle registration plates started with a group of one or two letters, indicating the town or district of registration, followed by two other letters indicating the series and three digits:
Map overlay of Moldova, codes shown
Code
City or District (Notes)
AN Anenii Noi
BE Tighina
BL Bălți
BR Briceni
BS Basarabeasca
C Chișinău
CC Camenca
CG Ceadîr-Lunga (currently Gagauzia)
CH Cahul
CL Călărași
CM Cimișlia
CN Căinari (currently merged with Căușeni)
CO Comrat (currently Gagauzia)
CR Criuleni
CS Căușeni
CT Cantemir
CU Chișinău District (1999–2002)
DB Dubăsari
DN Dondușeni
DR Drochia
ED Edineț
FL Fălești
FR Florești
GE Gagauzia
GL Glodeni
GR Grigoriopol
HN Hîncești
IL Ialoveni
K Chișinău
LP Lăpușna (1999–2002)
LV Leova
NS Nisporeni
OC Ocnița
OR Orhei
RB Rîbnița
RS Rîșcani
RZ Rezina
SD Șoldănești
SG Sîngerei
SL Slobozia
SR Soroca
ST Strășeni
SV Ștefan Vodă
TG Tighina
TL Telenești
TR Taraclia
TS Tiraspol
UN Ungheni
VL Vulcănești (currently Gagauzia)
Special plates[edit]
Government vehicles - Composed of the letters RM (short for 'Republic of Moldova') a single letter representing the authority ('P' for Parliament, 'G' for Government, 'A' for the Chancellery), and three digits. Note: the lower the number [e.g.: 001], the higher the position of its owner [e.g.: RM P 001, RM G 001, RM A 123].
The President/Presidency number plates are composed of the letters RM followed by four digits. Therefore, the presidential limousine has as its number plate RM 0001.
Diplomatic vehicles - Composed of two letters ('CD' for Diplomatic Corps, 'TC' for Consular Staff, 'TS' for Service Staff (or cars belonging to the embassy but not only used by embassy officials) and 'CA' for the Administrative body) three digits (representing the embassy) and one-two letters (on CD plates, A or AA usually states the ambassador's car). [e.g.: CD 111 A, CD 112 AA, TC 113 AA, TS 114 AA, CA 115 AA]. This plate uses blue letters in a white background.
Ministry of Internal Affairs/Police vehicles - composed of the letters MAI and three-four digits. [e.g.: MAI 1234]; Also the Carabinieri Subdivision of the ministry has its own number series - composed of the letters MIC and three-four digits. [e.g.: MIC 1234]. Before the introduction of the MAI series, police vehicles would have POL and three-four digits [e.g.: POL 1234], while the road police would have PR and three-four digits [e.g.: PR 1234]; both series were discontinued and replaced with MAI.
State Security Service (Serviciul de Protecție și Pază de Stat) vehicles - composed of the letters SP and three digits. [e.g.: SP 123].
Army vehicles - composed of the letters FA (Forțele Armate - i.e. Military Forces) and four digits. [e.g.: FA 1234].
Border Control vehicles - composed of the letters DG (Departamentul Grăniceri) and four digits. [e.g.: DG 1234].
In 1992, when the first series of new license plate were introduced, the plates had a mistake – they used Maldivian Islands country code MLD. Those vehicles were not allowed to cross international borders. In 1993 the mistake was corrected, and the country code was changed to MD.
Foreign resident vehicles (Not diplomatic) - composed of the letters H, four digits, and dates in the right side of the plate. Uses red letters in a white background. [e.g.: H 1234]
References[edit]
Jump up ^ "Vehicule rutiere Plăci de înmatriculare pentru autovehicule și remorci" (PDF). Moldova Standard. 27 June 2014.
Jump up ^ "Avem numere noi! Cum vor arata noile placute de inmatriculare". Pro TV Chișinău. October 31, 2011.
External links[edit]
Media related to License plates of Moldova at Wikimedia Commons
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If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
"If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)"
Single by Alabama
from the album Roll On
B-side
"I'm Not That Way Anymore" (A-side)
Released
July 16, 1984
Format
7"
Recorded
November 3, 1983
Genre
Country rock, bluegrass
Length
3:22 (single edit)
3:44 (Greatest Hits Vol. III)
4:28 (album version)
Label
RCA
Songwriter(s)
Murray Kellum
Dan Mitchell
Producer(s)
Harold Shedd
Alabama
Alabama singles chronology
"When We Make Love"
(1984) "If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)"
(1984) "(There's A) Fire in the Night"
(1984)
"When We Make Love"
(1984) "If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)"
(1984) "(There's A) Fire in the Night"
(1984)
"If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)" is a song written by Murray Kellum and Dan Mitchell, and recorded by American country music band Alabama. It was released in July 1984 as the B-side of the third single from the band's Roll On album. Though "I'm Not That Way Anymore" was released as the A-side, radio programmers preferred the flipside and the song became the group's 14th consecutive number-one single on the Billboard Hot Country Singles chart.[1]
During the first weeks "If You're Gonna Play in Texas..." was on the Billboard chart, "I'm Not That Way Anymore" charted concurrently, being listed as a tag-along B-side. Since "I'm Not That Way" was intended as the A-side, the song had an accompanying music video which was filmed at Fort Payne High School.
The chorus references "Faded Love" by Texas musician Bob Wills and "Louisiana Man" by Doug Kershaw repeatedly throughout this song.
Contents
1 Critical reception
2 Single and album edit differences
3 Chart positions
4 References
Critical reception[edit]
Kip Kirby, of Billboard magazine reviewed the song favorably, saying that Alabama "obviously enjoys this high-energy instrumental romp through roots."[2]
Single and album edit differences[edit]
The single edit was more than a minute shorter than the original album version. Two features were deleted from the single version:
The opening fanfare, featuring Alabama's vocalists — accompanied by just a piano — singing a few bars of "The Eyes of Texas." This introduction leads into the single's opening, which suddenly picks up the tempo to a quick duple-meter.
A second repeat of the refrain, the first part only accompanied by drums, before the fiddle-led bridge leading to the last part of the song.
The version that appears on the band's Greatest Hits Vol. III album excises the intro but retains the extra refrain.
Chart positions[edit]
Chart (1984)
Peak
position
US Hot Country Songs (Billboard)[3] 1
Canadian RPM Country Tracks 1
References[edit]
Jump up ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 19.
Jump up ^ Billboard, July 21, 1984
Jump up ^ "Alabama Chart History (Hot Country Songs)". Billboard.
Morris, Edward, "Alabama," Contemporary Books Inc., Chicago, 1985 (ISBN 0809253062)
Roland, Tom, "The Billboard Book of Number One Country Hits" (Billboard Books, Watson-Guptill Publications, New York, 1991 (ISBN 0-82-307553-2))
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Alabama (band) 1977–1989 singles
My Home's in Alabama
"I Wanna Come Over"
"My Home's in Alabama"
"Tennessee River"
"Why Lady Why"
Feels So Right
"Old Flame"
"Feels So Right"
"Love in the First Degree"
Mountain Music
"Mountain Music"
"Take Me Down"
"Close Enough to Perfect"
The Closer You Get...
"Dixieland Delight"
"The Closer You Get"
"Lady Down on Love"
Roll On
"Roll On (Eighteen Wheeler)"
"When We Make Love"
"If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)"
"(There's A) Fire in the Night"
40-Hour Week
"There's No Way"
"40 Hour Week (For a Livin')"
"Can't Keep a Good Man Down"
Greatest Hits
"She and I"
The Touch
"Touch Me When We're Dancing"
""You've Got" the Touch"
Just Us
"Tar Top"
"Face to Face"
"Fallin' Again"
Southern Star
"Song of the South"
"If I Had You"
"High Cotton"
"Southern Star"
Other singles
"Christmas in Dixie"
"Deep River Woman"
This 1984 country song-related article is a stub. You can help Wikipedia by expanding it.
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Categories:
1984 singles
Alabama (American band) songs
Billboard Hot Country Songs number-one singles
RPM Country Tracks number-one singles
Songs about Texas
Song recordings produced by Harold Shedd
RCA Records Nashville singles
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text:
Abstract (summary)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
An abstract is a brief summary of a research article, thesis, review, conference proceeding, or any in-depth analysis of a particular subject and is often used to help the reader quickly ascertain the paper's purpose.[1] When used, an abstract always appears at the beginning of a manuscript or typescript, acting as the point-of-entry for any given academic paper or patent application. Abstracting and indexing services for various academic disciplines are aimed at compiling a body of literature for that particular subject.
The terms précis or synopsis are used in some publications to refer to the same thing that other publications might call an "abstract". In management reports, an executive summary usually contains more information (and often more sensitive information) than the abstract does.
Contents
[hide]
1 Purpose and limitations
2 Copyright
3 Structure
3.1 Example
4 Abstract types
4.1 Informative
4.2 Descriptive
5 Graphical abstracts
6 Abstract quality assessment
7 See also
8 References
Purpose and limitations[edit]
Academic literature uses the abstract to succinctly communicate complex research. An abstract may act as a stand-alone entity instead of a full paper. As such, an abstract is used by many organizations as the basis for selecting research that is proposed for presentation in the form of a poster, platform/oral presentation or workshop presentation at an academic conference. Most literature database search engines index only abstracts rather than providing the entire text of the paper. Full texts of scientific papers must often be purchased because of copyright and/or publisher fees and therefore the abstract is a significant selling point for the reprint or electronic form of the full text.[2]
The abstract can convey the main results and conclusions of a scientific article but the full text article must be consulted for details of the methodology, the full experimental results, and a critical discussion of the interpretations and conclusions. Consulting the abstract alone is inadequate for scholarship and may lead to inappropriate medical decisions.[3]
An abstract allows one to sift through copious numbers of papers for ones in which the researcher can have more confidence that they will be relevant to his or her research. Once papers are chosen based on the abstract, they must be read carefully to be evaluated for relevance. It is generally agreed that one must not base reference citations on the abstract alone, but the content of an entire paper.
According to the results of a study published in PLOS Medicine, the "exaggerated and inappropriate coverage of research findings in the news media" is ultimately related to inaccurately reporting or over-interpreting research results in many abstract conclusions.[4] A study published in JAMA concluded that "inconsistencies in data between abstract and body and reporting of data and other information solely in the abstract are relatively common and that a simple educational intervention directed to the author is ineffective in reducing that frequency."[5] Other "studies comparing the accuracy of information reported in a journal abstract with that reported in the text of the full publication have found claims that are inconsistent with, or missing from, the body of the full article."[6][7]
Copyright[edit]
Abstracts are protected under copyright law just as any other form of written speech is protected.[citation needed] However, publishers of scientific articles invariably make abstracts freely available, even when the article itself is not. For example, articles in the biomedical literature are available publicly from MEDLINE which is accessible through PubMed.
Structure[edit]
An academic abstract typically outlines four elements relevant to the completed work:
The research focus (i.e. statement of the problem(s)/research issue(s) addressed);
The research methods used (experimental research, case studies, questionnaires, etc.);
The results/findings of the research; and
The main conclusions and recommendations
It may also contain brief references,[8] although some publications' standard style omits references from the abstract, reserving them for the article body (which, by definition, treats the same topics but in more depth).
Abstract length varies by discipline and publisher requirements. Typical length ranges from 100 to 500 words, but very rarely more than a page and occasionally just a few words.[9] An abstract may or may not have the section title of "abstract" explicitly listed as an antecedent to content. Abstracts are typically sectioned logically as an overview of what appears in the paper, with any of the following subheadings: Background, Introduction, Objectives, Methods, Results, Conclusions.[citation needed] Abstracts in which these subheadings are explicitly given are often called structured abstracts by publishers. In articles that follow the IMRAD pattern (especially original research, but sometimes other article types), structured abstract style is the norm.[citation needed] (The "A" of abstract may be added to "IMRAD" yielding "AIMRAD".) Abstracts that comprise one paragraph (no explicit subheadings) are often called unstructured abstracts by publishers. They are often appropriate for review articles that don't follow the IMRAD pattern within their bodies.[citation needed]
Example[edit]
Example taken from the Journal of Biology, Volume 3, Issue 2.:[10]
The hydrodynamics of dolphin drafting
by Daniel Weihs, Faculty of Aerospace Engineering, Technion, Israel Institute of Technology, Haifa 32000, Israel.
Abstract:
Background Drafting in cetaceans is defined as the transfer of forces between individuals without actual physical contact between them. This behavior has long been surmised to explain how young dolphin calves keep up with their rapidly moving mothers. It has recently been observed that a significant number of calves become permanently separated from their mothers during chases by tuna vessels. A study of the hydrodynamics of drafting, initiated inmechanisms causing the separation of mothers and calves during fishing-related activities, is reported here.
Results Quantitative results are shown for the forces and moments around a pair of unequally sized dolphin-like slender bodies. These include two major effects. First, the so-called Bernoulli suction, which stems from the fact that the local pressure drops in areas of high speed, results in an attractive force between mother and calf. Second is the displacement effect, in which the motion of the mother causes the water in front to move forwards and radially outwards, and water behind the body to move forwards to replace the animal's mass. Thus, the calf can gain a 'free ride' in the forward-moving areas. Utilizing these effects, the neonate can gain up to 90% of the thrust needed to move alongside the mother at speeds of up to 2.4 m/s. A comparison with observations of eastern spinner dolphins (Stenella longirostris) is presented, showing savings of up to 60% in the thrust that calves require if they are to keep up with their mothers.
Conclusions A theoretical analysis, backed by observations of free-swimming dolphin schools, indicates that hydrodynamic interactions with mothers play an important role in enabling dolphin calves to keep up with rapidly moving adult school members.
© 2004 Weihs; licensee BioMed Central Ltd. This is an Open Access article: verbatim copying and redistribution of this article are permitted in all media for any purpose, provided this notice is preserved along with the article's original URL
Abstract types[edit]
Informative[edit]
The informative abstract, also known as the complete abstract, is a compendious summary of a paper's substance including its background, purpose, methodology, results, and conclusion.[11][12] Usually between 100 and 200 words, the informative abstract summarizes the paper's structure, its major topics and key points.[11] A format for scientific short reports that is similar to an informative abstract has been proposed in recent years.[13] Informative abstracts may be viewed as standalone documents.[11]
Descriptive[edit]
The descriptive abstract, also known as the limited abstract or the indicative abstract, provides a description of what the paper covers without delving into its substance.[14] A descriptive abstract is akin to a table of contents in paragraph form.[14]
Graphical abstracts[edit]
During the late 2000s, due to the influence of computer storage and retrieval systems such as the Internet, some scientific publications, primarily those published by Elsevier, started including graphical abstracts alongside the text abstracts.[15] The graphic is intended to summarize or be an exemplar for the main thrust of the article. It is not intended to be as exhaustive a summary as the text abstract, rather it is supposed to indicate the type, scope, and technical coverage of the article at a glance. The use of graphical abstracts has been generally well received by the scientific community.[16][17] Moreover, some journals also include video abstracts and animated abstracts made by the authors to easily explain their papers.[18] Many scientific publishers currently encourage authors to supplement their articles with graphical abstracts, in the hope that such a convenient visual summary will facilitate readers with a clearer outline of papers that are of interest and will result in improved overall visibility of the respective publication. However, the validity of this assumption have not been thoroughly studied, and a recent study statistically comparing publications with or without graphical abstracts with regard to several output parameters reflecting visibility failed to demonstrate an effectiveness of graphical abstracts for attracting attention to scientific publications.[19]
Abstract quality assessment[edit]
Various methods can be used to evaluate abstract quality, e.g. rating by readers, checklists (not necessary in structured abstracts), and readability measures (such as Flesch Reading Ease).[16][20]
See also[edit]
Abstract (law)
Abstract management
Academic conference
Annotation
Executive summary
Fast abstract
List of academic databases and search engines
References[edit]
Books
Finkelstein Jr, Leo (2004). Pocket Book of Technical Writing for Engineers and Scientists (2. ed.). London: McGraw-Hill Education - Europe. ISBN 0072468491.
Notes
Jump up ^ Gary Blake and Robert W. Bly, The Elements of Technical Writing, pg. 117. New York: Macmillan Publishers, 1993. ISBN 0020130856
Jump up ^ Gliner, Jeffrey A; Morgan, George Arthur (2000-02-01). Research methods in applied settings. Google Book Search. ISBN 978-0-8058-2992-1. Retrieved 2009-04-22.
Jump up ^ "Meta-analysis, decision analysis .." Google Book Search. Retrieved 2009-04-22.
Jump up ^ Amélie Yavchitz; et al. (September 11, 2012). "Misrepresentation of Randomized Controlled Trials in Press Releases and News Coverage: A Cohort Study". PLOS Medicine: 8–9, 11.
Jump up ^ Pitkin, Roy M.; Branagan, Mary Ann (July 15, 1998). "Can the Accuracy of Abstracts Be Improved by Providing Specific Instructions?". JAMA: 267, 268.
Jump up ^ Sally Hopewell; et al. (January 22, 2008). "CONSORT for Reporting Randomized Controlled Trials in Journal and Conference Abstracts:Explanation and Elaboration". PLoS Medicine. JAMA. 5: 48, 49. doi:10.1371/journal.pmed.0050020.
Jump up ^ Robert Siebers (January 2001). "Data Inconsistencies in Abstracts of Articles in Clinical Chemistry". Clinical Chemistry: 149.
Jump up ^ "Journal Paper Submission Guidelines". Docstoc.com. 2008-11-15. Archived from the original on 4 May 2009. Retrieved 2009-04-22.
Jump up ^ Berry; Brunner, N; Popescu, S; Shukla, P (2011). "Can apparent superluminal neutrino speeds be explained as a quantum weak measurement?". J. Phys. A: Math. Theor. 44 (49): 2001. arXiv:1110.2832  . Bibcode:2011JPhA...44W2001B. doi:10.1088/1751-8113/44/49/492001.
Jump up ^ Mann, J; Smuts, B. "The hydrodynamics of dolphin drafting". Journal of Biology. 3: 8. doi:10.1186/jbiol2. Retrieved 2009-04-22.
^ Jump up to: a b c Finkelstein Jr, pp. 212-214.
Jump up ^ "Types of Abstracts". Colorado State University. Retrieved 30 January 2013.
Jump up ^ Hortolà, Policarp (2008). "An ergonomic format for short reporting in scientific journals using nested tables and the Deming's cycle". Journal of Information Science. 34 (2): 207–212. doi:10.1177/0165551507082590.
^ Jump up to: a b Finkelstein Jr, pp. 211-212.
Jump up ^ "Graphical Abstracts". Elsevier. Retrieved January 24, 2016.
^ Jump up to: a b Bui, Lily (March 3, 2015). "A Glance at Graphical Abstracts". Comparative Media Studies: Writing. MIT. Retrieved January 24, 2016.
Jump up ^ Romans, Brian (February 16, 2011). "Are graphical abstracts a good idea?". Wired. Retrieved January 24, 2016.
Jump up ^ "Video Abstracts". Journal of the American Chemical Society. Retrieved January 24, 2016.
Jump up ^ Pferschy-Wenzig, EM; Pferschy, U; Wang, D; Mocan, A; Atanasov, AG (Sep 2016). "Does a Graphical Abstract Bring More Visibility to Your Paper?". Molecules. 21: 1247. doi:10.3390/molecules21091247. PMID 27649137.
Jump up ^ Ufnalska SB, Hartley J. 2009. How can we evaluate the quality of abstracts?[permanent dead link] European Science Editing 35(3):69-71.
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text:
Asterix: The Mansions of the Gods
From Wikipedia, the free encyclopedia
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Asterix: The Mansions of the Gods
Theatrical release poster
Directed by
Alexandre Astier
Louis Clichy
Produced by
Philippe Bony
Thomas Valentin
Written by
Alexandre Astier
Based on
Asterix: The Mansions of the Gods by René Goscinny and Albert Uderzo
Starring
Jack Whitehall
Nick Frost
Greg Davies
Matt Berry
Catherine Tate
Harry Enfield
Dick & Dom
Jim Broadbent
Music by
Philippe Rombi
Edited by
Soline Guyonneau
Production
company
Belvision
Grid Animation
M6 Films
Distributed by
SND Films
Release date
26 November 2014 (2014-11-26) (France)
Running time
85 minutes
Country
France
Belgium
Language
French
Budget
€31 million[1]
Box office
$34.8 million[1]
Asterix: The Mansions of the Gods (French: Astérix – Le Domaine des Dieux), also titled Asterix and Obelix: Mansion of the Gods, is a 2014 French-Belgian 3D computer-animated adventure family comedy film written and directed by Alexandre Astier. It is based on the Asterix comic book The Mansions of the Gods, which was the seventeenth book in the comic book series Asterix by Goscinny and Uderzo. The film features the voices of Roger Carel, Guillaume Briat, Lionnel Astier, Serge Papagalli, and Florence Foresti. The film sticks to the book's plot very closely while also expanding on it.[2] It was the first Asterix film animated in 3D.[3]
The film was theatrically released on 26 November 2014 by SND Films in France across 696 movie theatres. It received generally favourable reviews and has grossed over $34 million on a €31 million budget. It received a IFMCA Award nomination for Best Original Score for an Animated Feature Film. Asterix: The Land of the Gods was released on DVD, VOD and Blu-ray on 9 June 2015, by M6 Vidéo.
Contents
[hide]
1 Plot
2 Cast
2.1 French
2.2 English
3 Critical response and box office
4 Awards and nominations
5 Home media release
6 References
7 External links
Plot[edit]
Julius Caesar plans to defeat the Gauls by encroaching on the forest near the village of Asterix and Obelix and building a new city named The Mansion of The Gods with the help of the architect Squareonthehypotenus who he remarks builds buildings, most of which are still standing
Cast[edit]
French[edit]
Roger Carel as Astérix (Asterix)
Lorànt Deutsch as Anglaigus (Squareonthehypothenus)
Laurent Lafitte as Duplicatha
Alexandre Astier as Oursenplus
Alain Chabat as Sénateur Prospectus (Senator Prospectus)
Elie Semoun as Cubitus (Marcus Ubiquitus)
Géraldine Nakache as Dulcia
Artus de Penguern as Petiminus
François Morel as Ordralfabétix (Unhygienix)
Florence Foresti as Bonemine (Impedimenta)
Bernard Alane as Panoramix (Getafix)
Olivier Saladin as Samus
Lionnel Astier as Cétautomatix (Fulliautomatix)
Guillaume Briat as Obélix (Obelix)
Serge Papagalli as Abraracourcix (Vitalstatistix)
Laurent Morteau as Agecanonix (Geriatrix)
Arnaud Léonard as Assurancetourix (Cacofonix)
Joëlle Sevilla as Ielosubmarine (Bacteria) and matron
Philippe Morier-Genoud as Jules César (Julius Caesar)
Christophe Bourseiller as Sénateur Falérius (Senator Falérius)
Brice Fournier as Sénateur Pesticius (Senator Pesticius), a citizen and Roman brute
Florian Gazan as Travaillerpluspourgagnerplus
Sébastien Lalanne as Radius (Unscrupulus)
Franck Pitiot as Julius Humérus (Julius Monotonus)
Damien Gillard as Médius, Roman brute and Roman
Oscar Pauwels as Apeldjus
Benjamin Gauthier as a doctor, guide and Roman
Pascal Demolon as a Goth gladiator
Baptiste Lecaplain as a Numide gladiator
Louis Clichy as a Roman idiot
Virginia Anderson as a Roman and matron
Julien Meunier
Martial Le Minoux
Pauline Moingeon as a Roman
Vincent Ropion
Christian Peythieu
Jérémy Bardeau
François Raison
Matthieu Albertini
Hervé Grull
Juan Llorca
Antoine Lelandais
Magali Rosenzweig
Céline Melloul
Marie-Madeleine Burguet
Delphine Braillon
Axelle Bossard
Brigitte Guedj
Brigitte Lecordier
Aurélie Valat
Jean-Claude Donda
English[edit]
The English dub was released in the United Kingdom on 19 August 2016 titled Asterix: The Mansions of the Gods.[4]
Jack Whitehall as Asterix[5]
Nick Frost as Obelix[6]
Greg Davies as Centurion Somniferus
Matt Berry as Vitalstatistix
Catherine Tate as Dulcia
Harry Enfield as Anonymus
Dick & Dom as Unhygienix and Fulliautomatix
Jim Broadbent as Julius Caesar[6]
Richard Ian Cox as Squaronthehypotenus
Donny Lucas as Flaturtha
Colin Murdock as Senator Prospectus
Samuel Vincent as Tofungus, Mosaic Artist, Numidian and Roman 2
John Innes as Getafix and Doctor
John Clifford as Givusabonus
Scott McNeil as Goth
Elizabeth Bower as Impedimenta, Bacteria and Mrs Fulliautomatix
Saffron Henderson as Roman Lady 2
Alan Marriott as Cacofonix
Hannah Beth Jackson as Mischiefus
Ron Halder as Geriatrix and Senator
Andy Toth as Senator Fastidius, Cluelus, Radius and Guide
Marco Soriano as Senator Consensus, Roman Brute 1, Serius and Civilian 1
Michael Adamthwaite as Humerus and Roman Brute 2
Jennifer Cameron as Roman Lady 1
Critical response and box office[edit]
Laurent Lafitte, Lorànt Deutsch and Alain Chabat were praised by critics for their performances.
The film was released on 26 November 2014 in France across 696 theatres and earned $7.64 million on its opening week from nearly 780,000 admissions placing at No. 1 at the box office ahead of Hollywood blockbuster films The Hunger Games: Mockingjay – Part 1 and Interstellar which were in their second and fourth weeks respectively. The film's opening weekend is also the third highest of 2014 in France. Its opening weekend outperformed other animated movies' openings of Frozen, Tangled, Monsters, Inc., Cars and The Lego Movie.[7] Jordan Mintzer of The Hollywood Reporter said, "Astier and Clichy manage to make the material at once enjoyable and meaningful, while also providing a series of slick, streamlined visuals that never overstuff the screens."[8]
Awards and nominations[edit]
Award
Category
Nominee
Result
IFMCA Award Best Original Score for an Animated Feature Film Philippe Rombi Nominated
Home media release[edit]
Asterix: The Mansions of the Gods was released on DVD, VOD and Blu-ray on 9 June 2015 by M6 Vidéo.[citation needed]
References[edit]
^ Jump up to: a b "Astérix: Le Domaine des Dieux (2014)- JPBox-Office".
Jump up ^ "Astérix – Le Domaine des Dieux". AlloCiné (in French). Retrieved 23 October 2014.
Jump up ^ Beck, Jerry (26 May 2015). "TRAILER: "Asterix: The Mansions Of The Gods"". Indiewire. Retrieved 24 October 2015.
Jump up ^ "Good Movies for Kids on Twitter".
Jump up ^ "Asterix & Obelix on Twitter".
^ Jump up to: a b "Asterix: The Mansions of the Gods set for UK release in August". 21 June 2016.
Jump up ^ Tartaglione, Nancy (3 December 2014). "'Asterix: Mansions Of The Gods' Animates French Box Office In Big Bow (Video)". Deadline.com. Retrieved 20 December 2014.
Jump up ^ Mintzer, Jordan (21 November 2014). "Asterix: The Land of the Gods". The Hollywood Reporter. Retrieved 21 December 2014.
External links[edit]
Asterix: The Mansions of the Gods on IMDb
[hide]
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Comic books
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Asterix the Gaul
The Golden Sickle
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Asterix: The Mansions of the Gods
Live-action
Asterix & Obelix Take On Caesar
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Asterix and Obelix: God Save Britannia
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Characters
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