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History of rugby union matches between England and Ireland
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England and Ireland have played rugby union internationals since 1875, with England winning the first match at The Oval, London by two goals to nil. (A points scoring system was not used in rugby at the time.) The two teams have played a total of 133 Test matches; with England winning 76 of them, Ireland 49 and 8 resulting in a draw.[1]
Apart from their annual match, currently part of the Six Nations Championship, the teams have also met in two warm-up matches prior to the 2011 and 2015 World Cups, and a one-off match in April 1988 to celebrate the millennium of the city of Dublin. The winners of the 1988 match, England, were awarded the Millennium Trophy which then became the trophy for the annual match between the teams.
The Millennium Trophy is currently held by Ireland, who won the most recent match 24–15 at the Twickenham Stadium during the 2018 Six Nations Championship.
Contents
[hide]
1 Breakdown
2 Summary
2.1 Overall
2.2 Records
3 Results
4 References
Breakdown[edit]
In the Home Nations Championship (1874–1909 and 1932–1939), England played Ireland on 41 occasions, England winning 27, Ireland 13 with one match having been drawn.
In the Five Nations (1910–1931 and 1947–1999), England played Ireland on 70 occasions, England winning 38, Ireland 25 with seven matches having been drawn. In these matches, England have scored 851 points, and Ireland 575.
In the Six Nations (2000–present), England have played Ireland on 19 occasions, England winning 8, Ireland 11 and no matches have been drawn. In these matches, England have scored 384 points, and Ireland 310.
In other test matches, England have played Ireland on three occasions (1988, 2011 and 2015), with England winning all three. In these matches, England have scored 62 points, and Ireland 32.
Summary[edit]
Overall[edit]
Details
Played
Won by
England
Won by
Ireland
Drawn
England points
Ireland points
In Ireland 67 32 31 4 635 599
In England 66 44 18 4 915 517
Neutral venue 0 0 0 0 0 0
Overall 133 76 49 8 1550 1116
Records[edit]
Note: Date shown in brackets indicates when the record was or last set.
Record
England
Ireland
Longest winning streak 8 (10 Feb 1912–14 Feb 1925) 5 (12 Feb 1972–5 Feb 1977)
Largest points for
Home 50 (5 February 2000) 43 (24 February 2007)
Away 46 (15 February 1997) 28 (18 March 2006)
Largest winning margin
Home 34 (16 February 2002) 30 (24 February 2007)
Away 40 (15 February 1997) 13 (8 February 1964)
Results[edit]
No.
Date
Venue
Score
Winner
Competition
Match report
1
15 Feb 1875 The Oval, London 2G – 0 England 1874–75 Home Nations rugby union matches
2
13 Dec 1875 Rathmines, Dublin 0 – 1G England 1875–76 Home Nations rugby union matches
3
5 Feb 1877 The Oval , London 2G – 0 England 1876–77 Home Nations rugby union matches
4
11 Mar 1878 Lansdowne Road, Dublin 0 – 2G England 1877–78 Home Nations rugby union matches
5
24 Mar 1879 The Oval, London 3G – 0 England 1878–79 Home Nations rugby union matches
6
30 Jan 1880 Lansdowne Road, Dublin 0 – 1G England 1879–80 Home Nations rugby union matches
7
10 Feb 1881 Whalley Range, Manchester 2G – 0 England 1880–81 Home Nations rugby union matches
8
6 Feb 1882 Lansdowne Road, Dublin 0 – 0 draw 1881–82 Home Nations rugby union matches
9
10 Feb 1883 Whalley Range, Manchester 1G – 0 England 1883 Home Nations Championship
10
4 Feb 1884 Lansdowne Road, Dublin 0 – 1G England 1884 Home Nations Championship
11
7 Feb 1885 Whalley Range, Manchester (2) 0G – 0G (1) England 1885 Home Nations Championship
12
6 Feb 1886 Lansdowne Road, Dublin 0 – 0G (1) England 1886 Home Nations Championship
13
5 Feb 1887 Lansdowne Road, Dublin 2G – 0 Ireland 1887 Home Nations Championship
14
15 Mar 1890 Rectory Field, London 3 – 0 England 1890 Home Nations Championship
15
7 Feb 1891 Lansdowne Road, Dublin 0 – 9 England 1891 Home Nations Championship
16
6 Feb 1892 Whalley Range, Manchester 7 – 0 England 1892 Home Nations Championship
17
4 Feb 1893 Lansdowne Road, Dublin 0 – 4 England 1893 Home Nations Championship
18
3 Feb 1894 Rectory Field, London 5 – 7 Ireland 1894 Home Nations Championship
19
2 Feb 1895 Lansdowne Road, Dublin 3 – 6 England 1895 Home Nations Championship
20
1 Feb 1896 Meanwood Road, Leeds, Leeds 4 – 10 Ireland 1896 Home Nations Championship
21
6 Feb 1897 Lansdowne Road, Dublin 13 – 9 Ireland 1897 Home Nations Championship
22
5 Feb 1898 Athletic Ground, Richmond 6 – 9 Ireland 1898 Home Nations Championship
23
4 Feb 1899 Lansdowne Road, Dublin 6 – 0 Ireland 1899 Home Nations Championship
24
3 Feb 1900 Athletic Ground, Richmond 15 – 4 England 1900 Home Nations Championship
25
9 Feb 1901 Lansdowne Road, Dublin 10 – 6 Ireland 1901 Home Nations Championship
26
8 Feb 1902 Welford Road, Leicester 6 – 3 England 1902 Home Nations Championship
27
14 Feb 1903 Lansdowne Road, Dublin 6 – 0 Ireland 1903 Home Nations Championship
28
13 Feb 1904 Rectory Field, London 19 – 0 England 1904 Home Nations Championship
29
11 Feb 1905 Mardyke, Cork 17 – 3 Ireland 1905 Home Nations Championship
30
10 Feb 1906 Welford Road, Leicester 6 – 16 Ireland 1906 Home Nations Championship
31
9 Feb 1907 Lansdowne Road, Dublin 17 – 9 Ireland 1907 Home Nations Championship
32
8 Feb 1908 Athletic Ground, Richmond 13 – 3 England 1908 Home Nations Championship
33
13 Feb 1909 Lansdowne Road, Dublin 5 – 11 England 1909 Home Nations Championship
34
11 Feb 1910 Twickenham, London 0 – 0 draw 1910 Five Nations Championship
35
11 Feb 1911 Lansdowne Road, Dublin 3 – 0 Ireland 1911 Five Nations Championship
36
10 Feb 1912 Twickenham, London 15 – 0 England 1912 Five Nations Championship
37
9 Feb 1913 Lansdowne Road, Dublin 4 – 15 England 1913 Five Nations Championship
38
14 Feb 1914 Twickenham, London 17 – 12 England 1914 Five Nations Championship
39
14 Feb 1920 Lansdowne Road, Dublin 11 – 14 England 1920 Five Nations Championship
40
12 Feb 1921 Twickenham, London 15 – 0 England 1921 Five Nations Championship
41
11 Feb 1922 Lansdowne Road, Dublin 3 – 12 England 1922 Five Nations Championship
42
10 Feb 1923 Welford Road, Leicester 23 – 5 England 1923 Five Nations Championship
43
9 Feb 1924 Ravenhill, Belfast 3 – 14 England 1924 Five Nations Championship
44
14 Feb 1925 Twickenham, London 6 – 6 draw 1925 Five Nations Championship
45
13 Feb 1926 Lansdowne Road, Dublin 19 – 15 Ireland 1926 Five Nations Championship
46
12 Feb 1927 Twickenham, London 8 – 6 England 1927 Five Nations Championship
47
11 Feb 1928 Lansdowne Road, Dublin 6 – 7 England 1928 Five Nations Championship
48
9 Feb 1929 Twickenham, London 5 – 6 Ireland 1929 Five Nations Championship
49
8 Feb 1930 Lansdowne Road, Dublin 4 – 3 Ireland 1930 Five Nations Championship
50
14 Feb 1931 Twickenham, London 5 – 6 Ireland 1931 Five Nations Championship
51
13 Feb 1932 Lansdowne Road, Dublin 8 – 11 England 1932 Home Nations Championship
52
11 Feb 1933 Twickenham, London 17 – 6 England 1933 Home Nations Championship
53
10 Feb 1934 Lansdowne Road, Dublin 3 – 13 England 1934 Home Nations Championship
54
9 Feb 1935 Twickenham, London 14 – 3 England 1935 Home Nations Championship
55
8 Feb 1936 Lansdowne Road, Dublin 6 – 3 Ireland 1936 Home Nations Championship
56
13 Feb 1937 Twickenham, London 9 – 8 England 1937 Home Nations Championship
57
12 Feb 1938 Lansdowne Road, Dublin 14 – 36 England 1938 Home Nations Championship
58
11 Feb 1939 Twickenham, London 0 – 5 Ireland 1939 Home Nations Championship
59
8 Feb 1947 Lansdowne Road, Dublin 22 – 0 Ireland 1947 Five Nations Championship
60
14 Feb 1948 Twickenham, London 10 – 11 Ireland 1948 Five Nations Championship Clip
61
12 Feb 1949 Lansdowne Road, Dublin 14 – 5 Ireland 1949 Five Nations Championship
62
11 Feb 1950 Twickenham, London 3 – 0 England 1950 Five Nations Championship
63
10 Feb 1951 Lansdowne Road, Dublin 3 – 0 Ireland 1951 Five Nations Championship
64
29 Mar 1952 Twickenham, London 3 – 0 England 1952 Five Nations Championship
65
11 Feb 1953 Lansdowne Road, Dublin 9 – 9 draw 1953 Five Nations Championship
66
13 Feb 1954 Twickenham, London 14 – 3 England 1954 Five Nations Championship
67
11 Feb 1955 Lansdowne Road, Dublin 6 – 6 draw 1955 Five Nations Championship
68
10 Feb 1956 Twickenham, London 20 – 0 England 1956 Five Nations Championship
69
9 Feb 1957 Lansdowne Road, Dublin 0 – 6 England 1957 Five Nations Championship
70
08 Feb 1958 Twickenham, London 6 – 0 England 1958 Five Nations Championship
71
14 Feb 1959 Lansdowne Road, Dublin 0 – 3 England 1959 Five Nations Championship
72
13 Feb 1960 Twickenham, London 8 – 5 England 1960 Five Nations Championship
73
11 Feb 1961 Lansdowne Road, Dublin 11 – 8 Ireland 1961 Five Nations Championship
74
10 Feb 1962 Twickenham, London 16 – 0 England 1962 Five Nations Championship
75
11 Feb 1963 Lansdowne Road, Dublin 0 – 0 draw 1963 Five Nations Championship
76
08 Feb 1964 Twickenham, London 5 – 18 Ireland 1964 Five Nations Championship
77
13 Feb 1965 Lansdowne Road, Dublin 5 – 0 Ireland 1965 Five Nations Championship
78
12 Feb 1966 Twickenham, London 6 – 6 draw 1966 Five Nations Championship
79
11 Feb 1967 Lansdowne Road, Dublin 3 – 8 England 1967 Five Nations Championship
80
10 Feb 1968 Twickenham, London 9 – 9 draw 1968 Five Nations Championship
81
8 Feb 1969 Lansdowne Road, Dublin 17 – 15 Ireland 1969 Five Nations Championship
82
14 Feb 1970 Twickenham, London 9 – 3 England 1970 Five Nations Championship
83
13 Feb 1971 Lansdowne Road, Dublin 6 – 9 England 1971 Five Nations Championship
84
12 Feb 1972 Twickenham, London 12 – 16 Ireland 1972 Five Nations Championship
85
10 Feb 1973 Lansdowne Road, Dublin 18 – 9 Ireland 1973 Five Nations Championship
86
06 Feb 1974 Twickenham, London 21 – 26 Ireland 1974 Five Nations Championship
87
18 Jan 1975 Lansdowne Road, Dublin 12 – 9 Ireland 1975 Five Nations Championship
88
06 Mar 1976 Twickenham, London 12 – 13 Ireland 1976 Five Nations Championship
89
05 Feb 1977 Lansdowne Road, Dublin 0 – 4 England 1977 Five Nations Championship
90
18 Mar 1978 Twickenham, London 15 – 9 England 1978 Five Nations Championship
91
17 Feb 1979 Lansdowne Road, Dublin 12 – 7 Ireland 1979 Five Nations Championship
92
19 Jan 1980 Twickenham, London 24 – 9 England 1980 Five Nations Championship
93
7 Mar 1981 Lansdowne Road, Dublin 6 – 10 England 1981 Five Nations Championship
94
06 Feb 1982 Twickenham, London 15 – 16 Ireland 1982 Five Nations Championship
95
19 Mar 1983 Lansdowne Road, Dublin 25 – 15 Ireland 1983 Five Nations Championship
96
18 Feb 1984 Twickenham, London 12 – 9 England 1984 Five Nations Championship
97
30 Mar 1985 Lansdowne Road, Dublin 13 – 10 Ireland 1985 Five Nations Championship IT
98
01 Mar 1986 Twickenham, London 25 – 20 England 1986 Five Nations Championship
99
7 February 1987 Lansdowne Road, Dublin 17 – 0 Ireland 1987 Five Nations Championship
100
19 March 1988 Twickenham, London 35 – 3 England 1988 Five Nations Championship
101
23 April 1988 Lansdowne Road, Dublin 10 – 21 England Inaugural Millennium Trophy
102
18 February 1989 Lansdowne Road, Dublin 3 – 16 England 1989 Five Nations Championship
103
20 January 1990 Twickenham, London 23 – 0 England 1990 Five Nations Championship
104
2 March 1991 Lansdowne Road, Dublin 7 – 16 England 1991 Five Nations Championship
105
1 February 1992 Twickenham, London 38 – 9 England 1992 Five Nations Championship
106
20 March 1993 Lansdowne Road, Dublin 17 – 3 Ireland 1993 Five Nations Championship IT
107
19 February 1994 Twickenham, London 12 – 13 Ireland 1994 Five Nations Championship
108
21 January 1995 Lansdowne Road, Dublin 8 – 20 England 1995 Five Nations Championship
109
16 March 1996 Twickenham, London 28 – 15 England 1996 Five Nations Championship
110
15 February 1997 Lansdowne Road, Dublin 6 – 46 England 1997 Five Nations Championship
111
4 April 1998 Twickenham, London 35 – 17 England 1998 Five Nations Championship NYT
112
6 March 1999 Lansdowne Road, Dublin 15 – 27 England 1999 Five Nations Championship BBC
113
5 February 2000 Twickenham, London 50 – 18 England 2000 Six Nations Championship BBC
114
20 October 2001 Lansdowne Road, Dublin 20 – 14 Ireland 2001 Six Nations Championship BBC
115
16 February 2002 Twickenham, London 45 – 11 England 2002 Six Nations Championship BBC, TG
116
30 March 2003 Lansdowne Road, Dublin 6 – 42 England 2003 Six Nations Championship BBC, TG
117
6 March 2004 Twickenham, London 13 – 19 Ireland 2004 Six Nations Championship BBC
118
27 February 2005 Lansdowne Road, Dublin 19 – 13 Ireland 2005 Six Nations Championship BBC
119
18 March 2006 Twickenham, London 24 – 28 Ireland 2006 Six Nations Championship BBC
120
24 February 2007 Croke Park, Dublin 43 – 13 Ireland 2007 Six Nations Championship BBC
121
15 March 2008 Twickenham, London 33 – 10 England 2008 Six Nations Championship BBC
122
28 February 2009 Croke Park, Dublin 14 – 13 Ireland 2009 Six Nations Championship BBC
123
27 February 2010 Twickenham, London 16 – 20 Ireland 2010 Six Nations Championship BBC
124
19 March 2011 Aviva Stadium, Dublin 24 – 8 Ireland 2011 Six Nations Championship BBC
125
27 August 2011 Aviva Stadium, Dublin 9 – 20 England 2011 Rugby World Cup warm up BBC
126
17 March 2012 Twickenham, London 30 – 9 England 2012 Six Nations Championship BBC
127
10 February 2013 Aviva Stadium, Dublin 6 – 12 England 2013 Six Nations Championship BBC
128
22 February 2014 Twickenham, London 13 – 10 England 2014 Six Nations Championship BBC
129
1 March 2015 Aviva Stadium, Dublin 19 – 9 Ireland 2015 Six Nations Championship BBC
130
5 September 2015 Twickenham, London 21 – 13 England 2015 Rugby World Cup warm up BBC
131
27 February 2016 Twickenham, London 21 – 10 England 2016 Six Nations Championship BBC
132
18 March 2017 Aviva Stadium, Dublin 13 – 9 Ireland 2017 Six Nations Championship BBC
133
17 March 2018 Twickenham, London 24 – 15 Ireland 2018 Six Nations Championship BBC
References[edit]
Jump up ^ RugbyData.com - International Rugby Union Statistics
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England v President's Overseas XV
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1981
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1989
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1973
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1982
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1971
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[show]
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1988
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2000
Argentina 2007
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1976
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2003
Japan
1985
2005
2017
See also
The Fields of Athenry
Ireland's Call
Retrieved from "https://en.wikipedia.org/w/index.php?title=History_of_rugby_union_matches_between_England_and_Ireland&oldid=831433829"
Categories:
History of rugby union matches between England and Ireland
England national rugby union team matches
Ireland national rugby union team matches
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Spider-Man (2002 film)
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Spider-Man
Theatrical release poster
Directed by
Sam Raimi
Produced by
Laura Ziskin
Ian Bryce
Screenplay by
David Koepp
Based on
Spider-Man
by Stan Lee
Steve Ditko
Starring
Tobey Maguire
Willem Dafoe
Kirsten Dunst
James Franco
Cliff Robertson
Rosemary Harris
Music by
Danny Elfman
Cinematography
Don Burgess
Edited by
Bob Murawski
Arthur Coburn
Production
company
Marvel Enterprises
Laura Ziskin Productions
Distributed by
Columbia Pictures
Release date
April 29, 2002 (2002-04-29) (Mann Village Theater)
May 3, 2002 (2002-05-03) (United States)
Running time
121 minutes[1]
Country
United States
Language
English
Budget
$139 million[2]
Box office
$821.7 million[2]
Spider-Man is a 2002 American superhero film directed by Sam Raimi and based on the Marvel Comics character of the same name. The film stars Tobey Maguire as Peter Parker, a high school student living in New York City, who turns to crimefighting after developing spider-like super powers. Spider-Man also stars Kirsten Dunst as Peter's love interest Mary Jane Watson, Willem Dafoe as Norman Osborn/Green Goblin, Rosemary Harris and Cliff Robertson as Aunt May and Uncle Ben, and James Franco as his best friend Harry Osborn.
After progress on the film stalled for nearly 25 years, it was licensed for a worldwide release by Columbia Pictures in 1999 after it acquired options from MGM on all previous scripts developed by Cannon Films, Carolco and New Cannon. Exercising its option on just two elements from the multi-script acquisition (a different screenplay was written by James Cameron, Ted Newsom, John Brancato, Barney Cohen and "Joseph Goldman"), Sony hired David Koepp to create a working screenplay (credited as Cameron's), and Koepp received sole credit in final billing. Directors Roland Emmerich, Ang Lee, Chris Columbus, Jan de Bont, M. Night Shyamalan, Tony Scott and David Fincher were considered to direct the project before Raimi was hired as director in 2000. The Koepp script was rewritten by Scott Rosenberg during pre-production and received a dialogue polish from Alvin Sargent during production. Filming took place in Los Angeles and New York City from January 8 to June 30, 2001.
Spider-Man premiered in the Philippines on April 30, 2002 and had its general release in the United States on May 3, 2002. It became a critical and financial success; at the time, it was the only film to reach $100 million in its first weekend, had the largest opening weekend gross of all time, and was the most successful film based on a comic book. With $821.7 million worldwide, it was 2002's third-highest-grossing film and is the 56th-highest-grossing film of all time (seventh at the time of release). The film was nominated at the 75th Academy Awards ceremony for Best Visual Effects and Best Sound. The film is credited for redefining the modern superhero genre, as well as the summer blockbuster,[3][4][5][6] and due to its success it was followed by two sequels, Spider-Man 2 (2004) and Spider-Man 3 (2007).
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Filming
3.3 Design
3.4 Effects
4 Release
5 Reception
5.1 Box office performance
5.2 Critical response
5.3 Awards
6 Sequels
7 References
8 External links
Plot[edit]
High-school senior Peter Parker lives with his Aunt May and Uncle Ben, and is a school outcast. On a school field trip, he visits a genetics laboratory with his friend Harry Osborn and love interest Mary Jane Watson. There, Parker is bitten by a genetically engineered "super spider." Shortly after arriving home, he becomes unconscious. Meanwhile, Harry's father, scientist Norman Osborn, owner of Oscorp, is trying to secure an important military contract. He experiments on himself with an unstable performance-enhancing chemical. After absorbing the chemical, he goes insane, and kills his assistant.
The next morning, Parker finds that he is no longer near-sighted, and his body has metamorphosized into a more muscular physique. At school, he finds that his body can produce webs, and his quickened reflexes let him avoid injury during a confrontation with Flash Thompson. Parker discovers he has developed superhuman speed, strength, the ability to stick to surfaces, and a heightened ability to sense danger.
Brushing off Ben's advice that "with great power comes great responsibility," Parker thinks of impressing Mary Jane with a car. He enters an underground fighting tournament and wins his first match, but the promoter cheats him out of his money. When a thief suddenly raids the promoter's office, Parker allows him to escape. Moments later, he discovers that Ben was carjacked, and killed. Parker pursues and confronts the carjacker, only to realize it was the thief he let escape. After Parker disarms him, the carjacker flees, but dies in the process. Meanwhile, a crazed Norman interrupts a military experiment, and kills several scientists and the military's General Slocum.
Upon graduating, Parker begins using his abilities to fight injustice, donning a costume, and the persona of Spider-Man. J. Jonah Jameson, a newspaper company headmaster, hires Parker as a freelance photographer, since he is the only person providing clear images of Spider-Man.
Norman, upon learning Oscorp's board members plan to sell the company, assassinates them at the World Unity Fair. Jameson quickly dubs the mysterious killer the Green Goblin. The Goblin offers Parker a place at his side, but Parker refuses. They fight, and Parker is wounded. At Thanksgiving dinner, May invites Mary Jane, Harry, and Norman. During the dinner, Norman sees the wound, and realizes Parker's identity. Shortly after he leaves, the Green Goblin attacks, and hospitalizes May.
Mary Jane admits she has a crush on Spider-Man, who has rescued her on numerous occasions, and asks Parker whether Spider-Man ever asked about her. Harry, who loves Mary Jane, arrives and learns she has feelings for Parker. Devastated, Harry tells his father that Parker loves Mary Jane, unintentionally revealing Spider-Man's biggest weakness.
The Goblin holds Mary Jane and a Roosevelt Island Tram car full of children hostage alongside the Queensboro Bridge. He forces Parker to choose whom he wants to save, and drops Mary Jane and the children. Parker manages to save both Mary Jane and the tram car, while the Goblin is pelted by civilians who side with Parker. The Goblin then grabs Parker, and throws him into an abandoned building where they battle. When the Goblin boasts about how he will later kill Mary Jane, an enraged Parker overpowers the Goblin.
Norman reveals himself to Parker, who stops attacking. He begs for forgiveness, but at the same time controls his glider to impale his foe. Sensing the attack, Parker dodges, and the glider impales Norman. As he dies, Norman begs Parker not to tell Harry of the Green Goblin's identity. Parker takes Norman's body back to his house. Harry arrives to find Parker standing over his father's body. He seizes a gun, intent on shooting Parker, but Parker escapes, and hides the Green Goblin's equipment.
At Norman’s funeral, Harry swears vengeance toward Spider-Man, whom he deems responsible for his father's death, and asserts that Parker is all the family he has left. Mary Jane confesses to Parker that she is in love with him. Parker, however, feels that he must protect her from the unwanted attentions of Parker's enemies. He hides his true feelings, and tells Mary Jane that they can only be friends. As Parker leaves the funeral, he recalls Ben's words, and accepts his new responsibility as Spider-Man.
Cast[edit]
"I felt like I was an outsider. I think what happened to me made me develop this street sense of watching people and working out what made them tick, wondering whether I could trust them or not. I went to a lot of schools along the coast in California, made few friends and stayed with aunts, uncles and grandparents while my folks tried to make ends meet. It was tough. We had no money."
— Tobey Maguire on identifying with Peter Parker[7]
Tobey Maguire as Peter Parker / Spider-Man
An 18 year-old academically brilliant but socially inept freelance photographer who gets bitten by a genetically modified spider and gains spider-like abilities, all of which he uses to fight crime as a spider-masked vigilante learning for himself that great power comes with great responsibility. Maguire was cast as Peter in July 2000,[8] having been Raimi's primary choice for the role after he saw The Cider House Rules.[9] The studio was initially hesitant to cast someone who did not seem to fit the ranks of "adrenaline-pumping, tail-kicking titans",[8] but Maguire managed to impress studio executives with his audition. The actor was signed for a deal in the range of $3 to $4 million with higher salary options for two sequels.[8] To prepare, Maguire was trained by a physical trainer, a yoga instructor, a martial arts expert, and a climbing expert, taking several months to improve his physique.[10] Maguire studied spiders and worked with a wire man to simulate the arachnidlike motion, and had a special diet.[11] The studio had expressed interest in actors Leonardo DiCaprio, Edward Furlong, Freddie Prinze, Jr.,[12] Chris Klein, Wes Bentley, and Heath Ledger.[13] Edward Furlong had been considered by James Cameron for the role in 1996,[14] while Raimi joked of Prinze that "[he] won't even be allowed to buy a ticket to see this film."[13] In addition, actors Scott Speedman, Jay Rodan, and James Franco were involved in screen tests for the lead role with Franco later being cast as Harry Osborn.[15]
Willem Dafoe as Norman Osborn / Green Goblin
A 56-year-old scientist, engineer, billionaire, founder and owner of Oscorp, who tests an unstable strength enhancer on himself and becomes the insane and powerful demon. Unaware of Spider-Man's true identity, he also sees himself as a father figure for Peter, ignoring his own son, Harry. Dafoe was cast as Osborn in November 2000,[16] after Nicolas Cage, John Malkovich, and John Travolta turned down the role.[17][18] Dafoe insisted on wearing the uncomfortable costume as he felt that a stuntman would not convey the character's necessary body language. The 580-piece suit took half an hour to put on.[13]
Kirsten Dunst as Mary Jane Watson
A 17-year-old girl who Peter Parker has loved since childhood. Mary Jane has an abusive father, and aspires to become an actress, but becomes a waitress at a run down diner, a fact she hides from her boyfriend, Harry. Before Raimi cast Dunst, he had expressed his interest in casting Alicia Witt.[19] Dunst decided to audition after learning Maguire had been cast, feeling the film would have a more independent feel.[20] Dunst earned the role a month before shooting in an audition in Berlin.[13]
James Franco as Harry Osborn
A 16-year-old boy who is Peter Parker's best friend and Norman's son. Before being cast as Peter's best friend and flatmate, Franco had screen tested for Spider-Man himself.[21]
Cliff Robertson as Ben Parker
May Parker's husband and Peter Parker's uncle, a fired electrician who is trying to find a new job. He tells Peter an important advice about responsibility out of concern for his changing behavior before being killed by a carjacker whom Peter failed to stop, and leaves Peter with the message, "With great power comes great responsibility."
Rosemary Harris as May Parker
Ben Parker's wife and Peter Parker's aunt who is supportive of Peter's love for Mary Jane.
J. K. Simmons as J. Jonah Jameson
The grouchy and miserly owner/publisher of the Daily Bugle who despises Spider-Man. Nonetheless, he has a good side and pays Peter for photos of Spider-Man, and refuses to tell the Green Goblin the identity of the photographer.
Joe Manganiello as Flash Thompson:
A repugnant high school jock who bullies Peter, and is defeated in a fight after Peter inherits his spider powers.
Bill Nunn as Robbie Robertson
The kindly editor at the Daily Bugle, who on occasion helps Peter.
Michael Papajohn as The Carjacker
The criminal who robs the wrestling manager who refuses to pay Peter Parker for his ring performance and later murders Ben Parker when he carjacks him in the course of his escape. He dies by falling from a window when confronted by Peter.
Elizabeth Banks as Miss Brant
As seen in past Spider-Man comics, Betty Brant is Jameson's secretary who has a bit of a soft spot for Peter.
Ron Perkins as Dr. Mendel Stromm
A scientist employed by Oscorp that assists Norman Osborn in developing the Human Performance Enhancers that eventually transforms Osborn into the Green Goblin which kills him.
Randy Savage as Bone Saw McGraw
A wrestler whom Spider-Man defeats in the cage match at the wrestling tournament.
Octavia Spencer as Check-in Girl
who signs Peter Parker into the wrestling match and warns him that they are not liable for the injuries he will sustain.
Lucy Lawless as Punk Rock girl
Bruce Campbell, a long-time colleague of director Sam Raimi, has a cameo as the announcer at the wrestling ring Peter takes part in. Years later, Jeffrey Henderson who worked on the storyboards for the cancelled Spider-Man 4 movie, released information regarding which villains would appear within the movie. One of those included Bruce Campbell's character's progression into Quentin Beck / Mysterio.[22][23] Ted Raimi, Sam Raimi's actor brother, plays a small role as editor's assistant "Hoffman". Sam Raimi himself appeared off-screen, throwing popcorn at Peter as he enters the arena to wrestle Bonesaw McGraw.[24] Spider-Man co-creator Stan Lee also has a cameo, in which he asks Peter, "Hey kid, would you like a pair of these glasses? They're the kind they wore in X-Men." The scene was cut, and Lee only briefly appears in the film to grab a young girl from falling debris during the battle between Spider-Man and the Green Goblin in Times Square. R&B/soul singer Macy Gray appears as herself. One of the stunt performers in the film is actor Johnny Tri Nguyen.[9] Robert Kerman, best known for his performances in pornographic and exploitation films, has a bit part as a tugboat captain. It was also intended for Hugh Jackman to make an appearance in the film as Logan / Wolverine, reprising the role from 2000's X-Men, but a dispute between Sony and 20th Century Fox over the characters' film rights prevented it from happening.[25]
Production[edit]
Development[edit]
For more details on this topic, see Spider-Man in film § Development.
In April 1999, although Sony Pictures optioned from Metro-Goldwyn-Mayer all preceding script versions of a Spider-Man film, it only exercised the options on "the Cameron material," which contractually included a multi-author screenplay and a forty-five page "scriptment" credited only to James Cameron. The studio announced they were not hiring Cameron himself to direct the film nor would they be using his script.[26] The studio lined up Roland Emmerich, Tony Scott, Chris Columbus, Ang Lee, David Fincher, Jan de Bont and M. Night Shyamalan as potential directors. Fincher did not want to depict the origin story, pitching the film as being based on The Night Gwen Stacy Died storyline, but the studio disagreed.[13] Sam Raimi was attached to direct in January 2000,[27] for a summer 2001 release.[28] He had been a fan of the comic book during his youth, and his passion for Spider-Man earned him the job.[29]
Cameron's work became the basis of David Koepp's first draft screenplay, often word for word.[30] Cameron's versions of the Marvel villains Electro and Sandman remained the antagonists. Koepp's rewrite substituted the Green Goblin as the main antagonist and added Doctor Octopus as the secondary antagonist.[31] Raimi felt the Green Goblin and the surrogate father-son theme between Norman Osborn and Peter Parker would be more interesting, thus, he dropped out Doctor Octopus from the film.[32] In June, Columbia hired Scott Rosenberg to rewrite Koepp's material. Remaining a constant in all the rewrites was the "organic webshooter" idea from the Cameron "scriptment".[33] Raimi felt he would stretch the audience's suspension of disbelief too far to have Peter invent mechanical webshooters.[10]
Rosenberg removed Doctor Octopus and created several new action sequences.[34] Raimi felt adding a third origin story would make the film too complex. Sequences removed from the final film had Spider-Man protecting Fargas, the wheelchair-using Oscorp executive, from the Goblin, and Spider-Man defusing a hostage situation on a train.[13] As production neared, producer Laura Ziskin hired her husband, award-winning writer Alvin Sargent, to polish the dialogue, primarily between Peter and Mary Jane.[35] Columbia gave the Writers Guild of America a list of four writers as contributors to the final "Spider-Man" script: Rosenberg, Sargent and James Cameron, all three of whom voluntarily relinquished credit to the fourth, David Koepp.[30]
Filming[edit]
With Spider-Man cast, filming was set to begin the following November in New York City and on Sony soundstages. The film was set for release a year later,[8] but when the film was postponed to be released on May 3, 2002,[36] filming officially began on January 8, 2001[35] in Culver City, California. After the terrorist attacks on September 11, 2001, certain sequences were re-filmed, and images of the Twin Towers were digitally erased from the film.[37][38] Sony's Stage 29 was used for Peter's Forest Hills home, and Stage 27 was used for the wrestling sequence where Peter takes on Bonesaw McGraw (Randy Savage). Stage 27 was also used for the complex Times Square sequence where Spider-Man and the Goblin battle for the first time, where a three-story set with a breakaway balcony piece was built. The scene also required shooting in Downey, California.[39] On March 6,[40] forty-five-year-old construction worker Tim Holcombe was killed when a forklift modified as a construction crane crashed into a construction basket that he was in. The following court case led to the California Division of Occupational Safety and Health to fine Sony $58,805.[41]
In Los Angeles, locations included the Natural History Museum (for the Columbia University lab where Peter is bitten and receives his powers), the Pacific Electricity Building (the Daily Bugle offices) and Greystone Mansion (for the interiors of Norman Osborn's home). In April, 4 of the Spider-Man costumes were stolen, and Sony put up a $25,000 reward for their return.[42] They were recovered after 18 months and a former movie studio security guard and an accomplice were arrested.[43] Production moved to New York City for two weeks, taking in locations such as the Queensboro Bridge, the exteriors of Columbia University's Low Memorial Library and the New York Public Library, and a rooftop garden in the Rockefeller Center.[39] The crew returned to Los Angeles where production and filming ended in June. The Flatiron Building was used for the Daily Bugle.[35]
Design[edit]
Although it wound up being faithful to the comics, many designs were made for Spider-Man's costumes: one concept costume designer James Acheson became fond of the idea of having a red emblem over a black costume. Another, which would eventually lead to the final product, featured an enlarged logo on the chest and red stripes going down the sides of the legs.[13] To create Spider-Man's costume, Maguire was fitted for the skintight suit, being covered with layers of substance to create the suit's shape.[44] It was designed as a single piece, except for the mask. The webbing, which accented the costume, was cut by computer. The mask eye lenses were designed to have a mirror look.[45]
Effects[edit]
Visual effects supervisor John Dykstra was hired to produce the film's visual effects in May 2000.[46] He convinced Raimi to make many of the stunts computer generated, as they would have been physically impossible. Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production.[29] Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, "ballet in the sky." The complexity of such sequences meant the budget rose from an initially planned $70 million to around $100 million.[9] Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen. Shooting them together would have resulted in one character being erased from a shot.[13]
Dykstra said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization. Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of Spider-Man as being, "the transition that occurs between him being a young man going through puberty and being a superhero." Dykstra said his crew of animators had never reached such a level of sophistication to give subtle hints of still making Spider-Man feel like a human being.[47] When two studio executives were shown shots of the computer generated character, they believed it was actually Maguire performing stunts.[13] In addition, Dykstra's crew had to composite areas of New York City and replaced every car in shots with digital models. Raimi did not want it to feel entirely like animation, so none of the shots were 100% computer generated.[48]
Release[edit]
Original Spider-Man teaser poster, which was recalled from theatres following 9/11 (the World Trade Center is reflected in Spider-Man's eyes)
After the terrorist attacks on the United States on September 11, 2001, Sony recalled teaser posters which showed a close-up of Spider-Man's face with the New York skyline (including, prominently, the World Trade Center towers) reflected in his eyes. The film's original teaser trailer, released in 2001 and shown before Atlantis: The Lost Empire, American Pie 2, Final Fantasy: The Spirits Within and Jurassic Park III, featured a mini-film plot involving a group of bank robbers escaping in a Eurocopter AS355 Twin Squirrel helicopter, which gets caught from behind and propelled backward into what at first appears to be a net, then is shown to be a gigantic spider web spun between the World Trade Center towers. According to Sony, the trailer did not contain any actual footage from the film itself and is consequently one of the most popular "Special Shoot" trailers since Terminator 2: Judgment Day.[49] The trailer and poster were pulled after the events of the attacks, but can be found on the internet on websites such as YouTube.[50]
Before the film's British theatrical release in June 2002, the British Board of Film Classification (BBFC) gave the film a "12" certificate. Due to Spider-Man's popularity with younger children, this prompted much controversy. The BBFC defended its decision, arguing that the film could have been given a "15". Despite this, North Norfolk and Breckland District Councils, in East Anglia, changed it to a "PG", and Tameside council, Manchester, denoted it a "PG-12". The U.S. rated it "PG-13"[51] for "stylized violence and action". In late August, the BBFC relaxed its policy to "12A", leading Sony to re-release the film.[52][53]
Reception[edit]
Box office performance[edit]
Spider-Man became the first film to pass the $100 million mark in a single weekend, even when adjusting for inflation, with its $114,844,116[54] mark establishing a new opening weekend record.[55][56] The gross surpassed the previous record holder's Harry Potter and the Sorcerer's Stone $90 million opening; on this, Rick Lyman of The New York Times wrote, "while industry executives had expected a strong opening for the film because there was little competition in the marketplace and prerelease polling indicated intense interest from all age groups, no one predicted that Spider-Man would surpass the Harry Potter record."[56]
The film also set a record for crossing the $100 million milestone in 3 days, at the time being the fastest any film had reached the mark.[57] This opening weekend haul had an average of $31,769 per theater, which at time, Box Office Mojo reported as being "the highest per theater average ever for an ultra-wide release."[55] The film's three-day record was surpassed by Pirates of the Caribbean: Dead Man's Chest four years later.[58] The $114.8 million opening weekend was the highest at the North America box office film for a non-sequel, until it was surpassed eight years later by Alice in Wonderland.[59]
With the release in the United States and Canada on May 3, 2002 on 7,500 screens at 3,615 theaters,[56] the film earned $39,406,872 on its opening day, averaging $10,901 per theater.[60] This was the highest opening day at the time until it was surpassed by its sequel Spider-Man 2's $40.4 million haul in 2004.[61] Spider-Man also set an all-time record for the highest earnings in a single day with $43,622,264 on its second day of release,[55][60] a record later surpassed by Shrek 2 in 2004.[62] On the Sunday during its opening weekend, the film earned an additional $31,814,980,[60] the highest gross a film took in on a Sunday, at the time.[55]
The film stayed at the top position in its second weekend, dropping only 38% and grossing another $71,417,527,[63] while averaging $19,755.89 per theater. At the time, this was the highest grossing second weekend of any film.[63] During its second weekend, the film crossed the $200 million mark on its ninth day of release, also a record at the time.[63] At the end of its second weekend, the film brought in a 10-day total of $223,040,031.[63]
The film dropped to the second position in its third weekend, behind Star Wars: Episode II – Attack of the Clones, but still made $45,036,912, dropping only 37%, averaging $12,458 per theater, and bringing the 17-day tally to $285,573,668.[64] Its third weekend haul set the record for highest grossing third weekend, which was first surpassed by Avatar (2009).[65] It stayed at the second position in its fourth weekend, grossing $35,814,844 over the four-day Memorial Day frame, dropping only 21% while expanding to 3,876 theaters, averaging $9,240 over four days, and bringing the 25-day gross to $333,641,492.[66] In the box office, Spider-Man became 2002's highest-grossing film with $403,706,375 in the U.S. and Canada, defeating The Lord of the Rings: The Two Towers and Star Wars Episode II: Attack of the Clones.[67]
Spider-Man currently ranks as the 24th highest-grossing film of all time in the U.S. and Canada, not adjusted for inflation. The film also grossed $418,002,176 from its international markets, bringing its worldwide total to $821,708,551,[68] making it 2002's third-highest-grossing film behind The Lord of the Rings: The Two Towers and Harry Potter and the Chamber of Secrets and the 58th highest-grossing film of all time, worldwide.[69] The film sold an estimated 69,484,700 tickets in the US.[68] Spider-Man was the highest-grossing superhero origin film, a record it held for 15 years until it was surpassed by Wonder Woman[70]. It is the eighth highest-grossing superhero film, as well as eighth highest-grossing comic book adaptation in general.[71][72]
International markets which generated grosses in excess of $10 million include Australia ($16.9 million), Brazil ($17.4 million), France, Algeria, Monaco, Morocco and Tunisia ($32.9 million), Germany ($30.7 million), Italy ($20.8 million), Japan ($56.2 million), Mexico ($31.2 million), South Korea ($16.98 million), Spain ($23.7 million), and the United Kingdom, Ireland and Malta ($45.8 million).[73]
Spider-Man became the highest-grossing superhero film of all time at the time of its release, both domestically and worldwide. Its domestic gross was eventually topped by The Dark Knight (2008). Its worldwide gross was first surpassed by Spider-Man 3 (2007). Since then, the 2012 Avengers film has topped all superhero films both domestically and worldwide.
The film's U.S. television rights (Fox, TBS/TNT) were sold for $60 million.[74] Related gross toy sales were $109 million.[74] Its U.S. DVD revenue as of July 2004 stands at $338.8 million.[74] Its U.S. VHS revenue as of July 2004 is $89.2 million.[74]
Critical response[edit]
On the review aggregator website Rotten Tomatoes the film has an approval rating of 89% based on 236 reviews, with an average rating of 7.7/10. The site's critical consensus reads, "Not only does Spider-Man provide a good dose of web-swinging fun, it also has a heart, thanks to the combined charms of director Sam Raimi and star Tobey Maguire."[75] On Metacritic, the film has an average score of 73 out of 100, based on 37 critics, indicating "generally favorable reviews".[76] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[77]
The casting, mainly Tobey Maguire and Willem Dafoe, is often cited as one of the film's high points. Eric Harrison, of the Houston Chronicle, was initially skeptical of the casting of Maguire, but, after seeing the film, he stated, "within seconds, however, it becomes hard to imagine anyone else in the role."[78] USA Today critic Mike Clark believed the casting rivaled that of Christopher Reeve as 1978's Superman.[79] Owen Gleiberman, of Entertainment Weekly, had mixed feelings about the casting, particularly Tobey Maguire. "Maguire, winning as he is, never quite gets the chance to bring the two sides of Spidey – the boy and the man, the romantic and the avenger – together."[80] The Hollywood Reporter's Kirk Honeycutt thought, "the filmmakers' imaginations work in overdrive from the clever design of the cobwebby opening credits and Spider-Man and M.J.'s upside down kiss – after one of his many rescues of her – to a finale that leaves character relationships open ended for future adventures."[81]
Conversely, LA Weekly's Manohla Dargis wrote, "It isn't that Spider-Man is inherently unsuited for live-action translation; it's just that he's not particularly interesting or, well, animated."[82] Giving it 2.5/4 stars, Roger Ebert felt the film lacked a decent action element; "Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea."[83] Stylistically, there was heavy criticism of the Green Goblin's costume, which led IGN's Richard George to comment years later, "We're not saying the comic book costume is exactly thrilling, but the Goblin armor (the helmet in particular) from Spider-Man is almost comically bad... Not only is it not frightening, it prohibits expression."[84]
Entertainment Weekly put "the kiss in Spider-Man" on its end-of-the-decade "best-of" list, saying, "There's a fine line between romantic and corny. And the rain-soaked smooch between Spider-Man and Mary Jane from 2002 tap-dances right on that line. The reason it works? Even if she suspects he's Peter Parker, she doesn't try to find out. And that's sexy."[85] Empire magazine ranked Spider-Man 437 in its 500 Greatest Movies of All Time list the following year.
Awards[edit]
Main article: List of accolades received by the Spider-Man film series
The film won several awards ranging from Teen Choice Awards to the Saturn Awards, and was also nominated for two Academy Awards (Best Visual Effects and Best Sound (Kevin O'Connell, Greg P. Russell and Ed Novick), but lost to The Lord of the Rings: The Two Towers and Chicago, respectively.[86][87] While only Danny Elfman brought home a Saturn Award, Raimi, Maguire, and Dunst were all nominated for their respective positions. It also took home the People's Choice Award for "Favorite Motion Picture."[87] The film was nominated for Favorite Movie at the Nickelodeon Kids' Choice Awards, but lost to Austin Powers in Goldmember.
Award
Date of ceremony
Category
Recipients and nominees
Outcome
Academy Awards[88] March 23, 2003 Best Sound Kevin O'Connell, Greg P. Russell and Ed Novick Nominated
Best Visual Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier Nominated
BMI Film and TV Awards[89] May 14, 2003 BMI Film Music Award Danny Elfman Won
British Academy Film Awards[90] February 23, 2003 Best Achievement in Special Visual Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier Nominated
Broadcast Film Critics Association[91] January 17, 2003 Best Song Chad Kroeger ("Hero") Nominated
Empire Awards[9] February 5, 2003 Best Actress Kirsten Dunst Won
Golden Trailer Awards[92] March 14, 2002 Best Action Spider-Man Nominated
Best Music Spider-Man Nominated
Best of Show Spider-Man Nominated
Best Voice Over Spider-Man Won
Grammy Award[93] February 23, 2003 Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media Danny Elfman Nominated
Best Song Written for a Motion Picture, Television or Other Visual Media Chad Kroeger ("Hero") Nominated
Hugo Awards[94] August 30, 2003 Best Dramatic Presentation – Long Form Spider-Man Nominated
MTV Movie Awards[95] May 31, 2003 Best Female Performance Kirsten Dunst Won
Best Kiss Kirsten Dunst and Tobey Maguire Won
Best Male Performance Tobey Maguire Nominated
Best Movie Spider-Man Nominated
Best Villain Willem Dafoe Nominated
People's Choice Awards[96] January 12, 2003 Favorite Motion Picture Spider-Man Nominated
Satellite Awards[97] January 12, 2003 Best Film Editing Eric Zumbrunnen Nominated
Best Visual Effects John Dykstra Nominated
Saturn Awards[98] May 18, 2003 Best Fantasy Film Spider-Man Nominated
Best Actor Tobey Maguire Nominated
Best Actress Kirsten Dunst Nominated
Best Director Sam Raimi Nominated
Best Music Danny Elfman Won
Best Special Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara
and John Frazier Nominated
World Soundtrack Awards[99] October 19, 2002 Best Original Soundtrack of the Year – Orchestral Danny Elfman Nominated
World Stunt Awards[100] June 1, 2003 Best Fight Chris Daniels, Zach Hudson, Kim Kahana Jr., Johnny Nguyen and Mark Aaron Wagner Nominated
Young Artist Awards[101] March 29, 2003 Best Family Feature Film - Fantasy Spider-Man Nominated
Sequels[edit]
Main articles: Spider-Man 2 and Spider-Man 3
In January 2003, Sony revealed that a sequel to Spider-Man was in development, and would be produced and directed by Sam Raimi. On March 15, 2003, a trailer revealed that the film, Spider-Man 2, would be released in June 30, 2004. Spider-Man 3, the second sequel to Spider-Man and the final film in the series to be directed by Raimi, was released on May 4, 2007. Spider-Man: The New Animated Series was an alternate sequel to the film and did not include the events of Spider-Man 2 and 3.[102]
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External links[edit]
Wikimedia Commons has media related to Spider-Man (2002 film).
Wikiquote has quotations related to: Spider-Man (film)
Official website
Spider-Man on IMDb
Spider-Man at the TCM Movie Database
Spider-Man at Box Office Mojo
Kaplan, Richard L. (2011). "Spiderman in Love". The Journal of Popular Culture. Wiley Periodicals. 44 (2): 291–313. Retrieved March 20, 2015.
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