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Boruto: Naruto Next Generations
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Boruto: Naruto Next Generations
Cover of the first manga volume featuring Sarada Uchiha, Boruto Uzumaki, and Mitsuki
ボルト
Genre
Adventure, fantasy[1]
Manga
Written by
Ukyō Kodachi
Illustrated by
Mikio Ikemoto
Published by
Shueisha
English publisher
NA
Viz Media
Demographic
Shōnen
Imprint
Jump Comics
Magazine
Weekly Shōnen Jump
English magazine
NA
Weekly Shonen Jump
Original run
May 9, 2016 – present
Volumes
4 (List of volumes)
Anime television series
Directed by
Noriyuki Abe
Hiroyuki Yamashita
Written by
Makoto Uezu
Ukyō Kodachi
Music by
Yasuharu Takanashi
-yaiba-
Studio
Pierrot
Licensed by
NA
Viz Media
Original network
TV Tokyo
Original run
April 5, 2017 – present
Episodes
37 (List of episodes)
Anime film
Boruto: Naruto the Movie
Anime and Manga portal
Boruto: Naruto Next Generations (Japanese: BORUTO-ボルト- NARUTO NEXT GENERATIONS) is a Japanese manga series written by Ukyō Kodachi and illustrated by Mikio Ikemoto. Serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump, Boruto is a spin-off of and sequel to Masashi Kishimoto's Naruto, and follows the exploits of Naruto Uzumaki's son Boruto and his ninja team. An anime television series adaptation directed by Noriyuki Abe started airing on TV Tokyo on April 5, 2017. Unlike the manga that started as a retelling of the film Boruto: Naruto the Movie, the Boruto anime acts like a prequel, before Boruto and his friends became ninjas in the later arc.
Critical reception to the series has been largely positive with most critics liking the traits of the main characters, most notably Boruto, who, while resembling his father Naruto, still plays pranks and bonds with his peers. Pierrot's anime prequel also earned praise for its use of both new and returning characters. Shueisha shipped a million units of the manga series as of January 2017.
Contents
[hide]
1 Plot
2 Production
3 Media
3.1 Manga
3.1.1 Volumes
3.1.2 Chapters not yet in tankōbon format
3.2 Anime
3.3 Light novels
4 Reception
5 References
6 External links
Plot
See also: List of Naruto characters
Years later after the Fourth Great Ninja War, Naruto Uzumaki has achieved his dream of becoming the Seventh Hokage and married Hinata Hyuga, and now oversees a new generation in the Ninja World. They have two children: Boruto and Himawari. Boruto has become part of a ninja team led by Naruto's protege Konohamaru Sarutobi, along with Sasuke Uchiha and Sakura Haruno's daughter Sarada and Orochimaru's artificial son Mitsuki. Boruto meets Sasuke when he returns to the village to warn Naruto of an impending threat. Boruto manages to convince Sasuke to teach him for the upcoming Chunin Exam. During the exam, Momoshiki and Kinshiki Ōtsutsuki, the threat whom Sasuke spoke of, appear and abduct Naruto, so they can use Kurama, a creature sealed inside his body, to revitalize the dying Shinju from the dimension which they came from.
Boruto joins Sasuke and the Five Kages. When they travel to the other dimension in order to save Naruto, Momoshiki turns Kinshiki into a chakra fruit and he ingests it in order to become stronger than Naruto and the others. Aided by Naruto and Sasuke, Boruto is able to defeat Momoshiki. Though dying, noting his killer's untapped potential, Momoshiki lives long enough to have a private discussion with Boruto and warns him that he soon will face much tribulation later on in his life. As Sasuke interrogates a criminal who knows of Boruto's mark, he reveals to Naruto and his underlings that there is a group called "Kara" (殻, lit. The Husk) searching for people with marks.
Production
When the Naruto manga ended in 2014, the company Shueisha asked Masashi Kishimoto to start a sequel. However, Kishimoto rejected the idea and proposed artist Mikio Ikemoto, who had been working as an assistant for Kishimoto ever since Naruto's early chapters, to draw it based on the experience Ikemoto had.[2][3] A countdown website was used under the name of "Next Generation" in order to promote the new manga. After Naruto ended in December 2015, the Boruto: Naruto Next Generations's serialization was announced.[4] Kishimoto said that he wanted Boruto to surpass his own work.[5] The writer Ukyō Kodachi had been a writer for Gaara's light novel, Gaara Hiden, and assisted Kishimoto in writing the script of the movie Boruto: Naruto the Movie.[6] Besides writing for the series, Kodachi also supervises the story of the anime. However, for episodes 8 and 9, Kishimoto also acted as the supervisor of the anime.[7]
Despite having a lighter tone than Naruto, the series begins by hinting at a dark future. While Kishimoto is not writing the series, he created multiple characters for the staff to use.[8] While not specifying if Naruto or another important character will die, Kishimoto has commented that he finds this situation interesting, clarifying that it would give the authors more freedom as the series develops.[9]
Media
Manga
Written by Ukyō Kodachi and illustrated by Mikio Ikemoto, Boruto: Naruto Next Generations launched in the twenty-third issue of Shueisha's manga magazine Weekly Shōnen Jump on May 9, 2016. Original series creator Masashi Kishimoto currently supervises the series illustrated by his former chief assistant and written by his co-writer of the Boruto: Naruto the Movie screenplay.[10] A spin-off manga titled Boruto: Saikyo Dash Generations (BORUTO-ボルト- SAIKYO DASH GENERATIONS) was written by Kenji Taira and has been serialized in Saikyō Jump since the May 2017 issue.
Volumes
No.
Title
Japanese release
English release
1
Boruto Uzumaki!!
Uzumaki Boruto!! (うずまきボルト!!) August 4, 2016[11]
ISBN 978-4-08-880756-0 April 4, 2017[12]
ISBN 978-1-4215-9211-4
"Uzumaki Boruto!!" (うずまきボルト!!, Uzumaki Boruto!!)
"The Training Begins!!" (修行開始!!, Shūgyō Kaishi!!)
"The Chunin Exam Begins!!" (中忍試験開始!!, Chūnin Shiken Kaishi!!)
Naruto: The Path Lit by the Full Moon (NARUTO−ナルト−外伝 ～満ちた月が照らす道～, Naruto Gaiden: Michita Tsuki ga Terasu Michi)
2
Stupid Old Man!!
Kuso Oyaji…!! (クソオヤジ…!!) December 2, 2016[13]
ISBN 978-4-08-880827-7 September 5, 2017[14]
ISBN 978-1-4215-9584-9
"Stupid Old Man!!" (クソオヤジ…!!, Kuso Oyaji…!!)
"Momoshiki and Kinshiki!!" (モモシキとキンシキ!!, Momoshiki to Kinshiki!!)
"Buffoon" (ウスラトンカチ, Usuratonkachi)
"Collision...!!" (激突…!!, Gekitotsu…!!)
3
My Story!!
Ore no monogatari...!! (オレの物語...!!) May 2, 2017[15]
ISBN 978-4-08-881078-2 March 6, 2018[16]
ISBN 978-1-4215-9822-2
"You'll Need to Do It" (お前がやるんだ, Omae ga yarunda)
"You Remind Me Of..." (まるでお前は, Marude omae wa)
"My Story!!" (オレの物語...！！, Ore no monogatari...!!)
"A New Mission!!" (新たな任務！！, Aratana ninmu)
4
The Value of a Trump Card!!
Kirifuda no Kachi!! (切り札の価値!!) November 2, 2017[17]
ISBN 978-4-08-881227-4 -
"Friends...!!" (友達...!!, Tomodachi...!!)
"The Value of a Trump Card!!" (切り札の価値!!, Kirifuda no Kachi!!)
"Teamwork...!!" (チームワーク...!!, Chimuwaaku...!!)
"The Supporting Shadow!!" (支う影…!!, Sasaukage…!!)
Chapters not yet in tankōbon format
These chapters have yet to be published in a tankōbon volume. They were originally serialized in Japanese in issues of Weekly Shōnen Jump.
"The Vessel" (器, Utsuwa)
"Blue" (青, Ao)
"The Hand" (手, Te)
Anime
See also: List of Boruto: Naruto Next Generations episodes
At the Naruto and Boruto stage event at Jump Festa on December 17, 2016, it was announced that the manga series would be receiving an anime project,[18] which was later confirmed to be an anime television series adaptation that would feature an original story.[19][20] The anime series, supervised by series creator Ukyō Kodachi, would be co-directed by Noriyuki Abe and Hiroyuki Yamashita, with series composition by Makoto Uezu, animation produced by Pierrot, character designs by Tetsuya Nishio and Hirofumi Suzuki, and music co-composed by Yasuharu Takanashi and YAIBA. The series premiered on TV Tokyo on April 5, 2017.[21] Viz Media has licensed the series in North America.[22] From episodes 1 to 26, the first opening theme is "Baton Road" by KANA-BOON. From episodes 27 onwards, the second opening theme is "OVER" by Little Glee Monster. From episodes 1 to 13, the first ending theme is "Dreamy Journey" by The Peggies. From episodes 14 to 26, the second ending theme is "Sayonara Moon Town" by Scenario Art. From episodes 27 onwards, the third ending theme is “I Continue Walking” by Melofloat.[23]
Light novels
A novel entitled The New Konoha Ninja Flying In the Blue Sky! (青天を翔る新たな木の葉たち!Se, iten o Kakeru Aratana Konoha-tachi!) was released on May 2, 2017.[24] A second one was released on July 4, 2017 under the title A Call From the Shadows! (影からの呼び声!, Kage Kara no Yobigoe!).[25] The third novel Those Who Illuminate the Night of Shinobi! (忍の夜を照らす者!, Shinobi no Yoru O Terasu Mono!), was released on September 4, 2017.[26]
Reception
The manga has been generally well-received in Japan, with the compilations appearing as top sellers multiple times.[27][28][29] It also has one million copies in print as of January 2017.[30] The manga's first volume has also sold well in North America.[31]
Rebecca Silverman from Anime News Network admitted Boruto appealed to her despite having never gotten into the Naruto manga. She praised how the writers managed to deal with the protagonist's angst without coming across as "teen whining" as well as how Sasuke Uchiha decides to train him. Amy McNulty found it appealing to fans of the original Naruto series, stating that while Mitsuki does not have a large role in the story, the side story helps to expand his origins. Nik Freeman, another writer from the same site, criticized Boruto's lack of development when comparing him with his first introduction in the Naruto's finale, and that there were multiple differences as to why both the young Naruto and Boruto vandalized their city. Nevertheless, Freeman also liked Mitsuki's backstory as he did not feel it rehashed stories from the past.[32] Reviewing, the first chapter online, Chris Beveridge from the Fandom Post was more negative, complaining more about the large focus between Naruto and Boruto's poor relationship, the rehash elements of Boruto: Naruto the Movie and criticized the adaptation of Kishimoto's artwork. Nevertheless, she praised the relationship between Naruto and Sasuke as well as the foreshadowing of an older Boruto fight.[33] Melina Dargis from the same site reviewed the first volume, commenting that she was looking forward to the development of the characters despite having already watched the Boruto movie and was also pleased by seeing Mitsuki's role in his own side story.[34] Leroy Douresseaux from Comic Book Bin recommended it to Naruto fans, explaining how the new authors managed to use the first volume to establish the protagonists' personalities.[35] Melina Dargis from the Fandom Post was impressed by the apparent message of the series as she found it was trying to connect to modern audiences with its themes such as parental issues, and the use of technology in contrast to Naruto.[36] Leroy Douresseaux liked how Boruto's character has already started development by the second volume of the series.[37]
The anime was popular with Japanese readers of Charapedia who voted it the ninth best anime show of Spring 2017.[38] IGN writer Sam Stewart enjoyed the focus of the new generation of ninjas and their differences from the previous generation, praising the return of other characters like Toneri as well as famous "Eye Techniques".[39] Crunchyroll's Naruto expert and Brand Manager, Victoria Holden, joined once to discuss whether Next Generations could live up to the success of the old series while still reviewing previous episodes of the series.[40] Stewart enjoyed the characterization of both Shikadai Nara and Metal Lee, seeing their relationship and accidental fight as interesting to watch, and that Next Generations managed to improve itself with each episode.[41] Beveridge enjoyed the series' first episode, remarking he felt Boruto's characterization was superior to the one from the manga.[42] In a more comical article, Geek.com writer Tim Tomas compared Boruto with the series The Legend of Korra as, while sharing themes with its prequels, they were still different.[43] Sarah Nelkin considered Boruto as a more lighthearted version of Naruto series, but Amy McNulty from ANN acclaimed its 13th episode for the focus on a subplot that had been developing ever since its first episode and how the revelation of it made the series darker.[44][45] Stewart agreed with McNulty, commenting on how the developers reached the climax of the anime's first story arc, as well as the characterization of the revealed villain, which impressed the reviewer.[46] Allega Frank from Polygon noted that during the start of both the manga and anime, multiple fans were worried in regards to a flash forward; in this sequence, an older Boruto is facing an enemy named Kawaki who implies Naruto might be dead, so his fate left them worried.[47]
References
Jump up ^ "The Official Website for Boruto: Naruto Next Generations". Viz Media. Retrieved October 24, 2017.
Jump up ^ Kishimoto, Masashi (2005). Naruto, volume 6. Viz Media. p. 106. ISBN 978-1-59116-739-6.
Jump up ^ "Masashi Kishimoto X Ikemoto Full Interview English". Weekly Shonen Jump. Spiralling Sphere. July 31, 2016. Retrieved October 24, 2017.
Jump up ^ "Viz's English Shonen Jump to Publish New Boruto Manga, 1-Shot". Anime News Network. Retrieved June 2, 2017.
Jump up ^ "Boruto Manga Gets Anime Project in April 2017". Anime News Network. Retrieved January 7, 2017.
Jump up ^ "Boruto -Naruto the Movie- Reveals Naruto, Sasuke Designs". Anime News Network. Retrieved June 28, 2017.
Jump up ^ "Ukyou Kodachi Talks about Kishimoto's Extremely Carefull Supervision of Boruto". Spiralling Sphere. June 1, 2017. Retrieved October 26, 2017.
Jump up ^ "Jump Festa 2017 Interview – Masashi Kishimoto And The Future Of Boruto: Naruto Next Generations!". Otakukart. January 31, 2017. Retrieved May 2, 2017.
Jump up ^ Aschcraft, Brian (May 8, 2017). "Sounds Like Naruto's Creator Just Talked About Killing Off A Character". Kotaku. Retrieved July 16, 2017.
Jump up ^ "Naruto Spinoff Manga Boruto Launches on May 9". Anime News Network. March 14, 2016. Retrieved December 26, 2016.
Jump up ^ BORUTO―ボルト―　1 [Boruto: Naruto Next Generations 1]. Shueisha (in Japanese). Retrieved December 26, 2016.
Jump up ^ "Boruto, Vol. 1: Naruto Next Generations". Amazon.com. Retrieved December 26, 2016.
Jump up ^ BORUTO―ボルト―　2 [Boruto: Naruto Next Generations 2]. Shueisha (in Japanese). Retrieved December 26, 2016.
Jump up ^ "Boruto, Vol. 2: Naruto Next Generations". Amazon.com. Retrieved February 25, 2017.
Jump up ^ BORUTO―ボルト― 3 [Boruto: Naruto Next Generations 3]. Shueisha (in Japanese). Retrieved April 15, 2017.
Jump up ^ "Boruto, Vol. 3: Naruto Next Generations". Amazon.com. Retrieved July 24, 2017.
Jump up ^ BORUTO―ボルト― 4 [Boruto: Naruto Next Generations 4]. Shueisha (in Japanese). Retrieved October 16, 2017.
Jump up ^ "Boruto Manga Gets Anime Project in April 2017". Anime News Network. December 17, 2016. Retrieved February 23, 2017.
Jump up ^ "Boruto: Naruto Next Generations Anime Reveals Promo Video, Key Visual, Returning Cast (Updated)". Anime News Network. December 17, 2016. Retrieved February 23, 2017.
Jump up ^ "Boruto: Naruto Next Generations Anime Features Original Story". Anime News Network. January 26, 2017. Retrieved February 23, 2017.
Jump up ^ "Boruto: Naruto Next Generations Anime Reveals More Cast, Staff". Anime News Network. February 23, 2017. Retrieved February 23, 2017.
Jump up ^ "Viz Media Licenses Boruto TV Anime, Plans Simulcast (Updated)". Anime News Network. March 23, 2017. Retrieved March 23, 2017.
Jump up ^ "Scenario Art Performs New Ending Theme For Boruto: Naruto Next Generations Anime". Anime News Network. June 1, 2017. Retrieved June 6, 2017.
Jump up ^ "TVアニメと連動した忍者学校での物語を小説化！『BORUTO -ボルト- -NARUTO NEXT GENERATIONS- NOVEL 1』本日発売！" (in Japanese). Shueisha. Retrieved June 15, 2017.
Jump up ^ "『BORUTO -ボルト- -NARUTO NEXT GENERATIONS- NOVEL2』7月4日発売！マンガ本編の前日譚！アカデミー編ノベライズ第二弾が登場！" (in Japanese). Shueisha. Retrieved June 15, 2017.
Jump up ^ "『BORUTO -ボルト- -NARUTO NEXT GENERATIONS- NOVEL3』9月4日発売！マンガ本編の前日譚！ＴＶアニメでは明かされなかった委員長・スミレの物語、収録！" (in Japanese). Shueisha. Retrieved July 30, 2017.
Jump up ^ "Japanese Comic Ranking, May 22–28". Anime News Network. Retrieved July 5, 2017.
Jump up ^ "Japanese Comic Ranking, December 12–18". Anime News Network. Retrieved July 5, 2017.
Jump up ^ "Japanese Comic Ranking, August 1–7". Anime News Network. Retrieved July 5, 2017.
Jump up ^ "Boruto: Naruto Next Generations Anime Features Original Story". Anime News Network. Retrieved June 1, 2017.
Jump up ^ "TOP 300 GRAPHIC NOVELS ACTUAL—APRIL 2017". ICv2. Retrieved July 9, 2017.
Jump up ^ "The Spring 2017 Manga Guide Boruto Vol. 1". Anime News Network. Retrieved June 1, 2017.
Jump up ^ "Boruto Chapter #1 Manga Review". The Fandom Post. May 10, 2016. Retrieved June 1, 2017.
Jump up ^ "Boruto Vol. #01 Manga Review". The Fandom Post. May 19, 2017. Retrieved June 1, 2017.
Jump up ^ "Boruto: Naruto Next Generations Volume 1 manga review". Comic Book Bin. April 3, 2017. Retrieved April 3, 2017.
Jump up ^ "Boruto Vol. #02 Manga Review". The Fandom Post. October 16, 2016. Retrieved October 18, 2017.
Jump up ^ "Boruto: Naruto Next Generations Volume 2 manga review". Comic Book Bin. September 24, 2017. Retrieved October 20, 2017.
Jump up ^ "Japanese Fans Choose the Spring 2017 Anime Worth Watching". Otaku USA. May 7, 2017. Retrieved June 1, 2017.
Jump up ^ "BORUTO: NARUTO NEXT GENERATIONS EPISODE 8: "THE DREAM'S REVELATION" REVIEW". IGN. May 25, 2017. Retrieved June 1, 2017.
Jump up ^ "CAN BORUTO LIVE UP TO NARUTO'S LEGACY?". IGN. May 25, 2017. Retrieved June 1, 2017.
Jump up ^ "BORUTO: NARUTO NEXT GENERATIONS EPISODE 3: "METAL LEE GOES WILD!"". IGN. April 20, 2017. Retrieved June 1, 2017.
Jump up ^ "Boruto: Naruto Next Generations Episode #02 Anime Review". The Fandom Post. April 5, 2017. Retrieved June 2, 2017.
Jump up ^ "What To Expect From Viz Media For the Next 3000 Years". Geek.com. October 10, 2016. Retrieved June 1, 2017.
Jump up ^ Nelkin, Sarah (May 16, 2017). "Boruto Is Basically What Naruto Would've Looked Like if the World Had Been at Peace". Anime Now. Archived from the original on June 12, 2017. Retrieved May 18, 2017.
Jump up ^ McNulty, Amy (June 28, 2017). "Boruto: Naruto Next Generations Episode 13". Anime News Network. Retrieved June 28, 2017.
Jump up ^ "BORUTO: NARUTO NEXT GENERATIONS EPISODE 13: "THE DEMON BEAST APPEARS!" REVIEW". IGN. June 29, 2017. Retrieved June 4, 2017.
Jump up ^ Frank, Allega (April 6, 2017). "Boruto premiere leaves fans nervous about Naruto's fate". Polygon. Archived from the original on April 8, 2017. Retrieved July 4, 2017.
External links
Official website (in Japanese)
Boruto: Naruto Next Generations (manga) at Anime News Network's encyclopedia
Boruto: Naruto Next Generations (anime) at Anime News Network's encyclopedia
[show]
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2015
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Population geography
From Wikipedia, the free encyclopedia
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This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (November 2015) (Learn how and when to remove this template message)
Map of world population density in 1994.
Population geography is a division of human geography. It is the study of the ways in which spatial variations in the distribution, composition, migration, and growth of populations are related to the nature of places. Population geography involves demography in a geographical perspective. It focuses on the characteristics of population distributions that change in a spatial context. This often involves factors such as where populations are found, how the size and composition of these populations is regulated by the demographic processes of fertility, mortality and migration.[1] Contributions to population geography are cross-disciplinary because ‘geographical’ epistemologies related to environment, place and space have been developed during varying times.[2] Some of these related disciplines include geography and demography, sociology, or economics.
Since its inception, population geography, has taken at least three distinct but related forms, the most recent of which appears increasingly integrated with human geography in general. The earliest and most enduring form of population geography emerged in the 1950s , as part of spatial science. Pioneered by Glenn Trewartha, Wilbur Zelinsky, William A. V. Clark, and others in the USA, as well as Jacqueline Beujeau-Garnier and Pierre George in France, it focused on the systematic study of the distribution of population as a whole and the spatial variation in population characteristics such as fertility and mortality.[1] Population geography defined itself as the systematic study of:
(1) the simple description of the location of population numbers and characteristics
(2) the explanation of the spatial configuration of these numbers and characteristics
(3) the geographic analysis of population phenomena (the inter-relations among real differences in population with those in all or certain other elements within the geographic study area). Accordingly, it categorized populations as groups synonymous with political jurisdictions representing gender, religion, age, disability, generation, sexuality, and race, variables which go beyond the vital statistics of births, deaths, and marriages.[1]
Given the rapidly growing global population as well as the baby boom in affluent countries such as the USA, these geographers studied the relation between demographic growth, displacement and access to resources at an international scale.[1]
Examples can be shown through population density maps. A few types of maps that show the spatial layout of population are choropleth, isoline, and dot maps. Population geography case studies:
[null Suburbanization]
Suburbanization in the developed part of North America has roots in the migration decisions of many families who leave central cities and relocate on the urban fringe. This type of metropolitan decentralization matters because it contributes to the pressures on rural and ‘green-field’ land, the underfunding of inner-city schools, the continuing segregation of groups in society and the difficulties some ‘suburban’ housewives encounter in finding jobs.[3]
Israel and Palestine
When the ‘political’ creation of Israel was brokered in 1948, the act of drawing boundaries created new populations and divided others. Specifically, the displacement of thousands of residents of the former Palestine and the wholesale destruction of over 500 Arab villages created a refugee population that is, today, the world’s largest (over 4 million) and longest lasting, including over two generations. Palestinian refugee communities lack access to human rights, protection, territorially rooted homelands and land that can support reasonable livelihoods. Refugee populations are some the world’s poorest, most insecure, most fragile and most dependent communities. While poverty and endemic insecurity characterize Palestinian refugees, the state of Israel is both threatened by the co-presence of this refugee community and complicit/active in its maintenance, through acts purported as securing the state.[3]
Tuberculosis in Immigrants
Tuberculosis (TB) was a leading cause of death among young men and women in many North American cities at the turn of the twentieth century. Medical discoveries about the spread of the disease and childhood vaccinations helped to decrease TB infections and case mortality rates declined steadily during the century. However, by the early 1990s, figures by place of birth suggested that foreign-born persons were eight times more likely to die from TB than native-born Americans. By studying the geographic context of disease, it becomes apparent that TB is less a marker of immigration than it is of poverty. Increasing TB levels in parts of the former Soviet Union territories and Haiti suggest that unemployment, poor access to underfunded health care systems and stress all elevate risk. Immigrants don’t seem to be bringing TB to the United States. Immigrants may be developing TB once inside the U.S. Concentrations of TB among immigrants in non-traditional destination states may suggest poor agricultural working conditions, barriers to accessing health care and concentrations of refugee groups in unhealthy areas.[3]
Africa’s Baby Boom
Africa has now become the fastest-growing and fastest-urbanizing continent. Africa's population is estimated to reach 2 billion by 2050. As countries get richer, they experience a demographic transition. Africa's people are its biggest asset. One day, its workforce could be as robust and dynamic as Asia's. But there is nothing inevitable about the ability to cash in the demographic dividend. For that to happen, Africa will have to choose the right policies and overcome its many problems.[4]
Global Population Aging
The traditional United Nations definition of retirees is defined as age 65.[3] The population aging that is presently occurring is unprecedented. Over the next decade, the number of people aged 60 years and over is expected to rise substantially, and most of the increase will occur in developing countries. Globally, the number of older persons is expected to exceed the number of children in 2045 for the first time.[5] The rapidly aging population is likely to have far-reaching effects. Economically, population aging affects growth, savings, investments, consumption, labor markets, social security systems, taxation, and inter-generational transfers. Socially, it influences family structures, housing demands, migration trends, and the epidemiology and need for health care service. Politically, it shapes voting patterns and representation.[5] Population aging has received considerable attention in developed countries, but only in the past few decades has awareness of the ramifications of a rapidly aging population grown in the rest of the world.[6]
Others
Demographic phenomena (natality, mortality, growth rates, etc.) through both space and time
Increase or decrease in population numbers
The movements and mobility of populations
Occupational Structure
The way in which places in turn react to population phenomena e.g. immigration
Research topics of other geographic sub-disciplines, such as settlement geography, have also a population-geographic dimension:
Grouping of people in settlements
The way from the geographical character of places e.g. settlement patterns
All of the above are looked at over space and time. It also studies the relationships between man and his environment including problems from those relationships, such as overpopulation, pollution and others.
See also[edit]
Geodemography
Geodemographic segmentation
Onomastics
V.B. Sochava Institute of Geography SB RAS
References[edit]
Clarke, John I. Population Geography. London: Pergamon Press, 1965.
Notes[edit]
^ Jump up to: a b c d Castree, N., Kitchin, Rogers. "population geography. In A Dictionary of Human Geography". Penn State Library. CS1 maint: Multiple names: authors list (link)
Jump up ^ Gresh A. & Maharaj P. "Policy and Programme Responses". Penn State Library.
^ Jump up to: a b c d Bailey, A. (2014). Making population geography. Retrieved from http://sk8es4mc2l.search.serialssolutions.com/?sid=sersol&SS_jc=TC0000422501&title=Making%20population%20geography
Jump up ^ The Baby Bonanza; Africa's Population. (2009, Aug 29). The Economist, 392, 21-24. Retrieved from http://ezaccess.libraries.psu.edu/login?url=https://search-proquest-com.ezaccess.libraries.psu.edu/docview/223965384?accountid=13158
^ Jump up to: a b (2011), Department of Economic and Social Affairs; World Population Ageing 2009. Population and Development Review, 37: 403. doi:10.1111/j.1728-4457.2011.00421.x http://onlinelibrary.wiley.com.ezaccess.libraries.psu.edu/doi/10.1111/j.1728-4457.2011.00421.x/abstract
Jump up ^ Gresh A., Maharaj P. (2013) Policy and Programme Responses. In: Maharaj P. (eds) Aging and Health in Africa. International Perspectives on Aging, vol 4. Springer, Boston, MA. https://link-springer-com.ezaccess.libraries.psu.edu/chapter/10.1007/978-1-4419-8357-2_11#citeas
N.B. While population geography focuses on the impacts of population on spatial structures and processes, geodemography analyzes the effects of space on demographic structures and processes. However, the boundary between population geography and demographic is becoming more and more blurred.
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text:
You Got Me (The Roots song)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"You Got Me"
Single by The Roots featuring Erykah Badu and Eve
from the album Things Fall Apart
Released
January 22, 1999
Format
CD single
Recorded
1998
Genre
Hip hop, neo soul
Length
4:19
Label
MCA
Songwriter(s)
Tariq Trotter, Ahmir Thompson
Scott Storch, Jill Scott
Producer(s)
The Grand Wizzards & Scott Storch
The Roots singles chronology
"Adrenaline!" (promo only)
(1998) String Module Error: Match not found1998 "You Got Me"
(1999) You Got Me1999 "The Next Movement"
(1999) The Next Movement1999
Erykah Badu singles chronology
"Appletree"
(1998) Appletree1998 "You Got Me"
(1999) You Got Me1999 "Southern Gul"
(1999) Southern Gul1999
Eve singles chronology
"You Got Me"
(1999) You Got Me1999 "What Y'all Want"
(1999) What Y'all Want1999
"You Got Me" is a song by the hip hop band The Roots, featuring vocals by Erykah Badu (who sings the chorus) and Eve, then known as Eve of Destruction, who raps the second verse but does not appear in the music video. The track was released as a single from the band's fourth studio album, Things Fall Apart (1999).
"You Got Me" was co-written by musician Jill Scott, who recorded vocals for the song's chorus and bridge. Her part was subsequently re-recorded by Badu at the insistence of MCA Records, who wanted a higher-profile collaboration for the album's official lead single (at the time, Scott was relatively unknown outside Philadelphia). When the group later went on tour, Scott joined them during performances of the song. The original version was later released on the 2005 compilation Home Grown! The Beginners Guide to Understanding the Roots, Volume One.
The song garnered The Roots and Badu a Grammy Award for Best Rap Performance by a Duo or Group in 2000.
Contents
[hide]
1 Music video
2 Track listing
3 Charts
4 References
5 External links
Music video[edit]
The music video for "You Got Me" was directed by Charles Stone III[1] and features a cameo from rapper and actor Common.
Track listing[edit]
"You Got Me"
"Adrenaline!"
"New Year's @ Jay Dee's"
"You Got Me" (Me Tienes Remix)[2]
Charts[edit]
Charts (1999)
Peak
position
France (SNEP)[3] 28
Switzerland (Schweizer Hitparade)[4] 15
Germany (Official German Charts)[5] 25
Netherlands (Single Top 100)[6] 46
New Zealand (Recorded Music NZ)[7] 37
US Billboard Hot 100[8] 39
References[edit]
Jump up ^ "The Roots - You Got Me (1999)". IMVDb.
Jump up ^ "The Roots Featuring Erykah Badu – You Got Me". Discogs. Retrieved 2013-04-10.
Jump up ^ "Lescharts.com – The Roots feat. Erykah Badu – You Got Me" (in French). Les classement single. Retrieved 2017-02-19.
Jump up ^ "Swisscharts.com – The Roots feat. Erykah Badu – You Got Me". Swiss Singles Chart. Retrieved 2017-02-19.
Jump up ^ "Musicline.de – The Roots feat. Erykah Badu Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH. Retrieved 2017-02-19.
Jump up ^ "Dutchcharts.nl – The Roots feat. Erykah Badu – You Got Me" (in Dutch). Single Top 100. Retrieved 2017-02-19.
Jump up ^ "Charts.org.nz – The Roots feat. Erykah Badu – You Got Me". Top 40 Singles. Retrieved 2017-02-19.
Jump up ^ "The Roots Chart History (Hot 100)". Billboard. Retrieved 2017-03-17.
External links[edit]
"You Got Me" Official music video on YouTube
Lyrics of this song at MetroLyrics
[show]
v
t
e
The Roots
Black Thought
Captain Kirk Douglas
Damon "Tuba" Bryson
Kamal Gray
Mark Kelley
James Poyser
Questlove
Stro Elliot
Owen Biddle
Hub
Ben Kenney
Malik B.
Rahzel
Martin Luther
Dice Raw
Scratch
F. "Knuckles" Walker
Scott Storch
Studio albums
Organix (1993)
Do You Want More?!!!??! (1994)
Illadelph Halflife (1996)
Things Fall Apart (1999)
Phrenology (2002)
The Tipping Point (2004)
Game Theory (2006)
Rising Down (2008)
How I Got Over (2010)
Undun (2011)
...And Then You Shoot Your Cousin (2014)
Collaborations
Wake Up! (2010, with John Legend)
Betty Wright: The Movie (2011, with Betty Wright)
Wise Up Ghost (2013, with Elvis Costello)
Live albums
The Roots Come Alive (1999)
Jay-Z: Unplugged (2001, with Jay-Z)
Extended plays
From the Ground Up (1994)
The Legendary (1999)
Songs
"Proceed" (1995)
"What They Do" (1996)
"You Got Me" (1999)
"The Next Movement" (1999)
"Break You Off" (2002)
"The Seed (2.0)" (2002)
"Don't Say Nuthin'" (2004)
"Star" (2004)
"Don't Feel Right" (2006)
"Here I Come" (2006)
"How I Got Over" (2009)
"Wake Up Everybody" (2010)
"Make My" (2011)
"It Ain't Fair" (2017)
Related articles
Discography
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The Tonight Show Starring Jimmy Fallon
Brooklyn Babylon
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Discography
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Lip Lock
Singles
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"Let Me Blow Ya Mind"
"Gangsta Lovin'"
"Satisfaction"
"Tambourine"
"Give It to You"
"Make It Out This Town"
"She Bad Bad"
Featured singles
"You Got Me"
"Girlfriend/Boyfriend"
"Ryde or Die, Bitch"
"Hot Boyz (Remix)"
"Recognize"
"Brotha"
"Caramel"
"4 My People"
"Not Today"
"Rich Girl"
"Never"
"Like This"
"Patron Tequila"
"Who's That Girl"
"Money in da Bank"
"Girls Just Wanna Have Fun"
Other songs
"Speechless"
Related articles
Eve
episodes
Retrieved from "https://en.wikipedia.org/w/index.php?title=You_Got_Me_(The_Roots_song)&oldid=831163200"
Categories:
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text:
I Can Only Imagine (film)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
I Can Only Imagine
Theatrical release poster
Directed by
Erwin Brothers
Produced by
Cindy Bond
Kevin Downes
Daryl Lefever
Mickey Liddell
Pete Shilaimon
Raymond Harris
Joe Knopp
Screenplay by
Jon Erwin
Brent McCorkle
Story by
Alex Cramer
Jon Erwin
Brent McCorkle
Based on
The life story of
Bart Millard
Starring
J. Michael Finley
Madeline Carroll
Trace Adkins
Priscilla Shirer
Cloris Leachman
Dennis Quaid
Music by
Brent McCorkle
Cinematography
Kristopher Kimlin
Edited by
Andrew Erwin
Brent McCorkle
Production
companies
Kevin Downes Productions
Mission Pictures International
Distributed by
Lionsgate
Roadside Attractions[1]
Release date
March 16, 2018 (2018-03-16)
Running time
110 minutes
Country
United States
Language
English
Budget
$7 million[2]
Box office
$83.5 million[2]
I Can Only Imagine is a 2018 American Christian drama film directed by the Erwin Brothers and written by Alex Cramer, Jon Erwin and Brent McCorkle, based on the story behind the MercyMe song of the same name, the best-selling Christian single of all time.[3] The film stars J. Michael Finley as Bart Millard, the lead singer who wrote the song about his relationship with his father (Dennis Quaid). Madeline Carroll, Priscilla Shirer, Cloris Leachman, and Trace Adkins also star.
I Can Only Imagine was released in the United States on March 16, 2018. It has grossed $83.5 million worldwide against a production budget of $7 million, and is the third highest-grossing music biopic of all-time in the United States. Some critics praised it as inspiring and noted it as an improvement compared to other faith-based films, while others called it flat and by-the-numbers.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Reception
4.1 Box office
4.2 Critical response
5 References
6 External links
Plot[edit]
Coming from a home with an abusive father, David Bruner Runyan, depicted as 10-year-old Bart Millard, David Bruner Runyan is dropped off at a Christian camp by his mother, where he meets Shannon. Upon his return from camp, Bart (David) finds his mother has left and movers are removing her belongings, leading to a physical confrontation with his father Arthur, who takes custody of him.
Years later, Millard (David) is in Lakeside high school and dating Shannon. Hoping to impress his father, William Edward Runyan, he begins playing football. However, he is injured, breaking both ankles and ending his career. In order to make up the credits he would miss from football, he signs up for music class, the only available class left. Initially, Millard (David) is assigned to be a sound technician. After the director catches him singing in the empty auditorium of Lakeside high school, she casts him as Curly, the lead role in the school production of Oklahoma. He doesn't tell his father, William Edward Runyan of his role in the play, and while Bart (David) has risen to the singing demands of the part, Arthur subsequently collapses with severe abdominal pain, but refuses to tell Bart (David) or Shannon about his cancer diagnosis. The following morning, Millard voices his frustrations with his father and is assaulted by his father, who smashes a plate over his head. Shannon presses Bart to open up, but he responds by breaking up with her and leaving to seek his fortune in the city after graduation.
Millard then connects with the band who would become MercyMe, and eventually attracts the attention of Christian music producer Scott Brickell, who coaches Millard and gets them a showcase in Nashville, leading to meetings with Amy Grant and Michael W. Smith. Millard has been unable to reconcile with Shannon, who rejects his invitation to tour with the band to their upcoming Nashville showcase. While the band felt their performance was the best of their career, industry representatives reject the band as not being good enough to sell records. In despair, Millard quits the band. After talking with Brickell, who encourages him to resolve his issues with his father, Millard rejoins the band but asks they wait for him to confront his father and settle the conflict before they play again.
Millard returns home and is greeted enthusiastically by his father, who prepares breakfast for him the next morning. His father claims to have become a Christian, but Bart is initially skeptical and rejects his father's offer to start over. In anger, Arthur takes a baseball bat and hits his old Jeep, which he had hoped to repair with his son. As Bart prepares to leave, he finds out his father has terminal cancer. Bart and his father reconcile and form a deep bond before Arthur dies of his illness.
After his father's funeral, Millard rejoins the band and writes "I Can Only Imagine". Brickell sends the demo tape to several artists, including Grant, who, deeply moved by the song, asks to record it herself as her next single. The band accepts Grant's offer. Millard is seated in the audience when Grant intends to unveil the song live in concert. However, Grant decides that Millard should be the one to sing the song, and offers it back to him, calling him to the microphone to sing it before the large audience. Millard's unexpected performance is wildly applauded and he reunites with Shannon, who had also been in attendance at the concert. The band releases the song as their first single, achieving success on Christian and mainstream radio. The bottom line is that the film is a snippet of David Bruner Runyan's life. It depicts images of several of his schools and homes, as well as his car, better known to his friends as a yellow 1964 Chevelle (In a nutshell, it tells a portion of his life after dealing with a highly abusive alcolholic father.
Cast[edit]
This list is incomplete; you can help by expanding it.
J. Michael Finley as Bart Millard
Brody Rose as Young Bart
Dennis Quaid as Arthur Millard, Bart's father
Cloris Leachman as Meemaw, Bart's grandmother
Madeline Carroll as Shannon, Bart's girlfriend
Taegen Burns as Young Shannon
Trace Adkins as Scott Brickell, MercyMe's manager
Priscilla Shirer as Mrs. Fincher, Bart's teacher
Nicole DuPort as Amy Grant
Jake B. Miller as Michael W. Smith
Mark Furze as Nathan
Production[edit]
This section needs expansion. You can help by adding to it. (March 2018)
The film was announced in December 2016.[4] Dennis Quaid joined the cast in January 2017.[5] Broadway actor J. Michael Finley makes his film debut as Bart Millard.[1] The same month, it was announced that the film was slated for release in the spring of 2018.[5] In August 2017, Lionsgate and Roadside Attractions signed on as distributors for the film for a nationwide release in the United States.[1][6]
Reception[edit]
Box office[edit]
As of May 13, 2018[update], I Can Only Imagine has grossed $82.4 million in the United States, and Canada and $1.1 million in other territories, for a worldwide total of $83.5 million, against a production budget of $7 million.[2] It is the third-highest grossing music biopic of all-time in the United States, behind Straight Outta Compton and Walk the Line.[7]
The film was released on March 16, 2018, alongside Tomb Raider and Love, Simon, and was originally projected to gross $2–4 million from 1,620 theaters in its opening weekend.[8] However, after making $6.2 million on its first day (including $1.3 million from Thursday night previews), weekend estimates were increased to $14 million.[9] It ended up grossing $17.1 million, exceeding expectations and finishing third at the box office behind Black Panther and Tomb Raider. 67% of the opening weekend audience was female while 80% was over the age of 35.[10] It was the fourth best-ever opening for a faith-based film, following The Passion of the Christ ($83.8 million), Son of God ($25.6 million) and Heaven Is for Real ($22.5 million).[11] In its second weekend the film was added to 624 additional theaters and dropped just 19% to $13.8 million, again finishing third.[12] It was added to another 395 venues and finished fourth in its third weekend, making $10.4 million (including $3 million on Easter Sunday).[13] The film will be released on DVD, Blu-ray and available at iTunes Store and Google Play Store, June 5, 2018.
Critical response[edit]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 70% based on 23 reviews, and an average rating of 6/10. The site's critical consensus reads, "I Can Only Imagine's message will have the most impact among Christian audiences, but overall, its performances and storytelling represent a notable evolution in faith-based cinema."[14] On Metacritic, the film has a weighted average score of 29 out of 100, based on 7 critics, indicating "generally unfavorable reviews".[15] Audiences polled by CinemaScore gave the film an average grade of "A+" on an A+ to F scale, one of fewer than 80 films in the history of the service to earn such a score.[9]
The Arizona Republic's James Ward gave the film 4/5 stars and wrote, "Too often faith-based films — say anything with Kirk Cameron or the terrible God's Not Dead series — tend to preach to the choir or hector their audience. The Erwins’ films — I Can Only Imagine definitely among them — are more inclusive, charitable of spirit and hopeful, all qualities that are always appreciated, be they rooted in Christian faith or otherwise."[16] David Ehrlich of IndieWire gave the film a "C–" saying: "There’s a reason why all of these movies are so amateurishly made; why they all end with links to religious websites; why they all look like they were shot on an iPhone by a Walmart-brand Janusz Kaminski who lit each interior like the white light of heaven was streaming through every window...Art can be affirmation, but affirmation cannot be art."[17]
References[edit]
^ Jump up to: a b c Anita, Busch (August 14, 2017). "Faith-Based 'I Can Only Imagine' Picked Up By Lionsgate & Roadside Attractions". Deadline Hollywood. Penske Business Media. Retrieved March 19, 2018.
^ Jump up to: a b c "I Can Only Imagine (2018)". The Numbers. Nash Information Services, LLC. Retrieved May 13, 2018.
Jump up ^ Ryan, Patrick (March 13, 2018). "How did 'I Can Only Imagine' become the biggest Christian hit ever (and inspire a movie)?". USA Today. Retrieved April 18, 2018.
Jump up ^ Staff Reports (December 2, 2016). "MercyMe hit song turning into Okie production". NewsOK. Retrieved March 19, 2018.
^ Jump up to: a b Busch, Anita (January 5, 2017). "Faith-Based Film 'I Can Only Imagine' With Dennis Quaid, Cloris Leachman And Trace Adkins Eyes Spring 2018 Release". Deadline Hollywood. Penske Business Media. Retrieved March 19, 2018.
Jump up ^ Galuppo, Mia (August 14, 2017). "Lionsgate, Roadside Acquire Faith-Based Drama 'I Can Only Imagine'". The Hollywood Reporter. Retrieved March 19, 2018.
Jump up ^ "Biopic - Music Movies at the Box Office". Box Office Mojo. Retrieved April 20, 2018.
Jump up ^ Fuster, Jeremy (March 13, 2018). "Will 'Tomb Raider' Be the Movie to Finally Knock 'Black Panther' From Box Office Perch?". TheWrap. Retrieved March 19, 2018.
^ Jump up to: a b D'Alessandro, Anthony (March 16, 2018). "'Black Panther' Poised For $460M+ In Profit; 'I Can Only Imagine' Surprises – Box Office Update". Deadline Hollywood. Penske Business Media. Retrieved March 17, 2018.
Jump up ^ D'Alessandro, Anthony (March 18, 2018). "'Black Panther' Keeps B.O. Treasure From 'Tomb Raider'; How 'I Can Only Imagine' Hit A $17M High Note". Deadline Hollywood. Penske Business Media. Retrieved March 18, 2018.
Jump up ^ "Box Office: 'I Can Only Imagine' Revives Faith-Based Genre". The Hollywood Reporter. March 20, 2018. Retrieved March 20, 2018.
Jump up ^ D'Alessandro, Anthony (March 25, 2018). "Does 'Pacific Rim: Uprising' Break Even At The Global B.O.?; 'Black Panther' Sets Marvel Record – Sunday Postmortem". Deadline Hollywood. Retrieved March 25, 2018.
Jump up ^ D'Alessandro, Anthony (April 1, 2018). "How Warner Bros. Sold 'Ready Player One' On The Spielberg Spirit & Beat Tracking With $53M+ 4-Day – Sunday Postmortem". Deadline Hollywood. Retrieved April 4, 2018.
Jump up ^ "I Can Only Imagine (2018)". Rotten Tomatoes. Fandango. Retrieved March 29, 2018.
Jump up ^ "I Can Only Imagine Reviews". Metacritic. CBS Interactive. Retrieved March 22, 2018.
Jump up ^ Ward, James (March 15, 2018). "Faith-based drama 'I Can Only Imagine' doesn't just preach to the choir". The Arizona Republic. Retrieved March 22, 2018.
Jump up ^ Ehrlich, David (March 21, 2018). "'I Can Only Imagine' Review: A Christian Rock Biopic Shows Why Faith-Based Films Struggle to Convert Secular Audiences". IndieWire. Retrieved March 22, 2018.
External links[edit]
Official website
I Can Only Imagine on IMDb
I Can Only Imagine at the TCM Movie Database
I Can Only Imagine at AllMovie
I Can Only Imagine at Box Office Mojo
I Can Only Imagine at History vs. Hollywood
Retrieved from "https://en.wikipedia.org/w/index.php?title=I_Can_Only_Imagine_(film)&oldid=841070305"
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This page was last edited on 13 May 2018, at 21:57.
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