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By the Way
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This article is about the Red Hot Chili Peppers album. For the title track, see By the Way (song). For the Theory of a Deadman song, see By the Way (Theory of a Deadman song). For the Lindsay Ell song, see By the Way (Lindsay Ell song).
By the Way
Studio album by Red Hot Chili Peppers
Released
July 9, 2002
Recorded
November 2001 – May 2002
Studio
Cello Studios and Chateau Marmont in Los Angeles
Genre
Alternative rock
funk rock
Length
68:46
Label
Warner Bros.
Producer
Rick Rubin
Red Hot Chili Peppers chronology
Californication
(1999) By the Way
(2002) Greatest Hits
(2003)
Singles from By the Way
"By the Way"
Released: June 10, 2002
"The Zephyr Song"
Released: August 17, 2002
"Can't Stop"
Released: January 24, 2003
"Dosed"
Released: May 19, 2003
"Universally Speaking"
Released: July 15, 2003
By the Way is the eighth studio album by American rock band Red Hot Chili Peppers. The album was released July 9, 2002 on Warner Bros. Records. It sold more than 286,000 copies in the first week, and peaked at number two on the Billboard 200 (their next album would peak at number one).[1][2] Singles from the album included "By the Way," "The Zephyr Song," "Can't Stop," "Dosed" and "Universally Speaking." The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.[3]
By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers.[3][4] Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around."[5] By the Way contained very little of the signature punk-funk fusion the band had become known for playing.[6] Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than 8 million copies worldwide.[7]
Contents
1 Background
2 Writing and composition
2.1 Outtakes
3 Artwork
4 Release
5 Critical reception
5.1 Accolades
6 By the Way tour
7 Track listing
8 Personnel
9 Charts and certifications
9.1 Charts
9.2 Certifications
10 References
11 External links
Background[edit]
Following a life-threatening drug addiction that developed after leaving the Chili Peppers in 1992, Frusciante made a full recovery after a month of drug rehabilitation during the early months of 1998.[8][9] Shortly thereafter he was asked to rejoin the Red Hot Chili Peppers.[9] After several months of writing and recording, the Chili Peppers' next album, Californication was released. The album went on to sell more than 15 million copies worldwide, becoming the Chili Peppers' most successful recording to date.[10] Frusciante's return generated much response from critics, who recognized the album as a commercial revitalization from their previous record, One Hot Minute.[11][12][13] A two-year-long, international tour followed, which included several festival appearances, including Woodstock 1999 and Rock in Rio.
The writing and formation of By the Way began immediately following the culmination of Californication's world tour, in the spring of 2001. As with Californication, much of the creation took place in the band members' homes and other practice locations, such as a recording studio stage.[14] Kiedis recalled of the situation: "We started finding some magic and some music and some riffs and some rhythms and some jams and some grooves, and we added to it and subtracted from it and pushed it around and put melodies to it."[14] Frusciante and Kiedis would collaborate for days straight, discussing guitar progressions and sharing lyrics.[15] For Kiedis, "writing By the Way...was a whole different experience from Californication. John was back to himself and brimming with confidence."[14] Prior to recording By the Way, the Chili Peppers decided that they would again have Rick Rubin produce the album.[16] Rubin had, in the past, granted the Chili Peppers creative freedom on their recording material; this was something they thought essential for the album to be unique, and could only occur with his return.[17]
Writing and composition[edit]
According to the 2010 book, The Red Hot Chili Peppers: An Oral/Visual History, Frusciante had originally intended for the album to be very different from how it was eventually completed. Frusciante wanted an album of two different types of songs: songs that were more "English-sounding" and melodic, and songs that were more punk-rock sounding. Frusciante's punk inspiration came from listening to music by The Damned and Discharge, among others.[18] Rick Rubin was not familiar with the latter bands and sound and thought that the melodic songs were original and more exciting, causing the band to focus mostly on the melodic material.[18] However, one punk rock influenced song was recorded during these sessions, "Body of Water," but did not make the final cut and was instead included on "The Zephyr Song" single. Many of the more melodic inspired songs came from Frusciante being heavily into music by The Beach Boys and The Beatles along with doo-wop groups and their harmonies. These new styles as well as Frusciante being especially prolific during this era came to alienate Flea, who'd wanted the band to return to its earlier funk-influenced sound. Frusciante felt the band had already thoroughly explored funk and was more interested in creating something new for the band. According to Kiedis, Flea felt his voice wasn't being heard, and there was a point where he considered leaving the band.[18] While speaking to Swedish paper Aftonbladet, Frusciante mentioned that he listened to guitarists such as John McGeoch for his work on the Magazine's and Siouxsie and the Banshees' albums including Juju, Adrian Fisher of Sparks for Kimono My House, Johnny Marr of the Smiths, Vini Reilly of The Durutti Column and Keith Levene of PiL.[19] He also credits XTC singer/guitarist Andy Partridge in the 2002 issue of Total Guitar magazine for being an influence on his guitar work for the album.[20]
The album's guitar and bass ensemble was primarily dictated by Frusciante, rather than a collaborative effort between him and bassist Flea.[21] Therefore, the record took different direction than any previous Chili Peppers' album. Frusciante sought to create an emotional and poignant soundscape throughout the recording.[7] Drawing influences from musicians such as Vini Reilly of The Durutti Column and John McGeoch, Frusciante made use of textured and multilayered guitar progressions on By the Way, using tools such as the mellotron and various effects pedals throughout.[7] In 2006, while promoting the band's subsequent studio album, Stadium Arcadium, Flea reflected on the composition of By the Way, stating: "John went to this whole level of artistry. But he made me feel like I had nothing to offer, like I knew shit."[22]
Can't Stop
Sample of "Can't Stop", the third single from the album, which combined rapidly sung verses and textured, multi-layered guitar riffs. Frusciante sings backing vocals throughout.
Problems playing this file? See media help.
By the Way
Sample of "By the Way", the first single from the album, which was far more fast paced and contained heavier guitar riffs than most of the songs on By the Way. Frusciante sings backing vocals throughout the chorus and bridge.
Problems playing this file? See media help.
Kiedis was lyrically influenced by love, his girlfriend, and the emotions expressed when one fell in love.[23] Songs written for the album such as "By the Way," "I Could Die for You," "Dosed," "Warm Tape" and non-album tracks "Someone" and "Body of Water" all digressed into the many sides of love.[24] Drugs also played an integral part in Kiedis' writings, as he'd only been sober since December 2000.[25] Tracks like "This Is the Place" and "Don't Forget Me" expressed his intense relationship with narcotics, the harmful physical and emotional effects they caused him and the ever-present danger of relapse (as Kiedis has suffered chronic relapse into drug-dependency). He referenced early Chili Peppers guitarist Hillel Slovak in "This Is the Place" and describes how drug use forced him to miss the funeral: "On the day my best friend died/I could not get my copper clean." "Venice Queen" was composed lyrically as an ode to Kiedis' drug rehabilitation therapist, Gloria Scott, who died shortly after he purchased her a home on California's Venice Beach.[14] It mourned her death as a painful loss: "We all want to tell her/Tell her that we love her/Venice gets a queen/Best I've ever seen."
By the Way diverged from the band's previous styles, containing few funk-driven songs. "Can't Stop" and the title track were the only songs which revisited the Chili Peppers' once trademark style of short, rapped verses.[26][27] "Throw Away Your Television," while not having any rapidly sung lyrics, also contained a funk-oriented bass line, though hinted at experimental rock due to the heavy use of distortion throughout the verse and chorus. Other "experimental" tracks include the melodica-based "On Mercury." "Cabron," the only track to be played entirely on acoustic guitar, has distinctive Latin influences. "Tear" and "Warm Tape" were keyboard based more so than guitar or bass, the latter being completely written on the instrument. Technically, By the Way saw the Chili Peppers employing several devices to distort and alter guitar and vocal sequences. "Don't Forget Me" utilizes a mellotron, wah pedal, and echoing techniques to convey an emotive atmosphere, while Frusciante uses a Big Muff for the solos on "Minor Thing."[7]
Outtakes[edit]
Many outtakes from the album have been released or exist. "Time" and a cover version of Dion and the Belmonts' "Teenager in Love" were released on the "By the Way" single. "Body of Water," "Out of Range," "Someone" and "Rivers of Avalon" were all released on "The Zephyr Song" single. "Slowly Deeply," which was featured on the "Universally Speaking" single, is an outtake from the Californication sessions. "Fortune Faded," a song originally recorded during the album sessions was later re-recorded in 2003 and released as a single along with the b-side, "Eskimo," another By the Way outtake. A cover version of the Ramones' "Havana Affair" was also recorded and later released in 2003 on 'We're A Happy Family: A Tribute to The Ramones. The single for "Can't Stop" also features an alternate mix of the song with higher harmonies and a clearer bass line. In 2003, the band re-entered the studio to work on its Greatest Hits album. The sessions produced enough songs for a new album, many which have gone unreleased. Of the songs released, "Bicycle Song" and "Runaway" were released in 2006 as bonus tracks on the iTunes release of By the Way.
In August 2014, unreleased tracks from the album's recording sessions were leaked to the internet. Many of the album's released songs and outtakes are in their earliest forms and feature improvised lyrics by Kiedis. The leak included three songs never heard before including "Goldmine," "Fall Water" and "Rock & Roll" along with the original version of "Fortune Faded." Many of the songs are featured under their working titles (which prior to release were also mentioned in various interviews): Soul Train ("By the Way"), Coltraine ("The Zephyr Song"), I Would Die ("I Could Die For You"), Drone ("This is the Place"), Throw Away ("Throw Away Your Television"), Epic ("Venice Queen") and New Wave ("Quixoticelixer") To date, "Strumming on D and J", a song assumed to be an instrumental jam and that Frusciante mentioned during pre-album release interviews, has never been released.[28]
Artwork[edit]
All paintings, photography and art direction is credited to Julian Schnabel and the Red Hot Chili Peppers. The woman featured on the cover of By the Way is Stella Schnabel, Julian Schnabel's daughter and Frusciante's then-girlfriend.[29] Regarding the artwork, Frusciante noted: "My girlfriend's father offered to do the album art, so we sent him rough mixes of eight songs, and he just got the vibe of the album from that. He said that he wouldn't be offended if we didn't like it, but we loved what he did. He's also given us great covers for all the singles. He's a true artist."[30]
Several pages of the album's booklet, and single for "By the Way" contain paintings of a goat head. A somewhat blurry, black and white photograph of the band in a desolate field, and each band member individually, is also present.
The majority of the booklet's artwork are various scenes of replica grass and plants, stars and indistinguishable objects, which appears to be a miniature pole, placed in dirt. Single covers for "The Zephyr Song" and "Can't Stop" both feature this same background, although angled slightly differently. The lyrics for By the Way are placed on top of the landscape, hand written by Kiedis in pink lettering.[29]
Release[edit]
Feeling extremely confident in their album, the Chili Peppers issued the statement, "Greetings from the dimensions of invisible shapes and colors. The music on this record has expanded our space and made us bigger. Thank you for listening and being exactly where and who you are," in a press release.[31] Chad Smith commented that By the Way is "very honest, raw, emotional music. It's a very dynamic, rich and lush album. Probably the best collection of Chili Peppers songs we've ever put out. "[32] Warner Bros. Records promoted the album heavily in the months prior to the record's 2002 release, especially targeting the online market in order to steer customers away from illegal downloads.[31] The record label implemented a campaign they colloquially title "A Song a Day". This program, initiated on June 21, was aimed at leaking one song per day until the album was released.[32] Over 150 radio stations participated in broadcasting the band's new daily material, along with MTV, VH1, and digital music retailers like iTunes, as well as Cell phone companies.[32] AOL featured the Chili Peppers as their "Artist of the Month" in June, streaming interviews and live performances of the band free of charge; they also sold an MP3 of "By the Way", the record's first single, for ninety-nine cents and raffled off tickets that gave fans a chance to see the band in Japan in November.[32]
By the Way was released on CD and LP on July 9, 2002, under the Warner Bros. label, selling 281,948 copies in the United States in its first week and 1.8 million worldwide.[33] It was certified gold just a few months later on October 26, 2002.[34][35] Five singles were released from it; of these, the title track "By the Way" was the most successful, peaking at No. 2 on the UK charts and No. 1 on the Billboard rock charts. Although the album sold fewer copies than Californication, By the Way managed to peak at No. 2 on the Billboard 200,[36][37] one spot higher than Californication. Around the world, the album debuted at number one in the UK,[38] Switzerland, New Zealand, Austria, and Sweden;[39] and number two in France.[39] In March 2006, the Red Hot Chili Peppers' albums were made available for download from the iTunes Music Store and other online retailers.[40] By the Way included two previously unreleased tracks ("Runaway", and "Bicycle Song"), recorded during the 2004 Greatest Hits sessions.
Critical reception[edit]
Professional ratings
Aggregate scores
Source
Rating
Metacritic 70/100[41]
Review scores
Source
Rating
AllMusic [3]
Blender [42]
Entertainment Weekly B[43]
The Guardian [44]
Los Angeles Times [45]
NME 7/10[46]
Q [47]
Rolling Stone [4]
USA Today [48]
The Village Voice B−[49]
The album received a positive reaction from critics, who praised By the Way for its melodic, multilayer and textured styles. AllMusic's Zac Johnson said that the album was "sophisticated...the Peppers have not sacrificed any of their trademark energy or passions for life, universal love, and (of course) lust".[3] Rolling Stone called the album "insanely melodic" and a "near-perfect balance of gutter grime and high-art aspiration", comparing it to other works, such as The Beach Boys' album Pet Sounds.[4] Mojo applauded the recording, and considered it to be "the strongest Chili's album since 1991's Blood Sugar Sex Magik".[41][50] Giving the album 5 stars out of 5, Q called By the Way "A fantastic record; full of wonder."[51] Kimberly Mack of PopMatters commented on how the album "...showcases a more sophisticated, lush sound that only today's Peppers could have conceived", and that "Anthony Kiedis' lyrics are more personal than ever."[5] Frusciante was, in his eyes, "a musical talent to be reckoned with and is the undeniable X factor in the Red Hot Chili Peppers' sound."[5]
However, the praise was balanced by certain critics. Blender considered By the Way to be an indistinguishable sequel to Californication, calling it "Californication 2". It further condemned the Chili Peppers for not varying their style and remaining extremely similar in sound.[42] Jaime Lowe of The Village Voice panned Kiedis's lyrics as "absolutely baffling" and commented that "it's as if he picked up a rhyming dictionary and arbitrarily strung some phrases together."[52] The newspaper's Robert Christgau was also critical of his songwriting, writing that "it's not enough for Anthony Kiedis to get all mature—he's supposed to say something interesting about maturity."[49] Entertainment Weekly praised By the Way for being well refined and a superb collaboration, but criticized the Chili Peppers for playing it safe and keeping the album's energy mild; for being "more fascinating for what it symbolizes than what it is."[43]
Allmusic considered the song "By the Way" to combine "fiery Hollywood funk, gentle harmonies, a little bit of singing about girls, [and] a little bit of hanging out in the streets in the summertime."[53] Rolling Stone commented on "how close this band has come to conjuring pure California sunshine" in "The Zephyr Song".[4] "Midnight" was highly regarded by several sources. It was chosen as one of By the Way's "Allmusic Track Picks".[53] Kimberly Mack of Pop Matters considered it to have "hippie-friendly lyrics" and to "evoke images of tie-dyed T-shirts and AM radio."[5] Mack also regarded "Venice Queen" as "a masterpiece...Frusciante's backing vocals are hauntingly beautiful."[5] In 2005, By the Way was ranked number 375 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.[54]
Accolades[edit]
The information regarding accolades attributed to By the Way is adapted from AcclaimedMusic.net.[55]
Publication
Country
Accolade
Year
Rank
Q Magazine United Kingdom Top 20 Albums from the Lifetime of Q (1986–2006)[56] 2006 16
Q Magazine United Kingdom The Ultimate Music Collection[57] 2005 *
Rolling Stone Germany The 100 Best Albums Since Autumn 1994[58] 2003 71
Rolling Stone Germany The 500 Greatest Albums of All Time[59] 2004 304
* denotes an unranked list
By the Way tour[edit]
Main article: By the Way tour
Red Hot Chili Peppers performing "By the Way" at Slane Castle on August 23, 2003.
Flea was still upset over the problems he had with John during the making of the album. Flea felt that John was trying to take over the band and that he could no longer express himself in the context of the band. Flea decided that he would finish the album but quit prior to their tour.[60] According to Chad Smith, Flea and Frusciante eventually had a sit-down meeting with each other to air out their differences. Frusciante had no idea how Flea was feeling and had no intentions of taking over the band.[60] Flea also credited practicing Vipassanā meditation along with Frusciante for helping the two repair their musical relationship.[22] With their problems worked out, the band launched their promo tour to support the album on New York City's Ellis Island.[33] Sponsored by the rock radio station K-Rock, the event was titled the "Pep Rally".[33] The band performed eight songs from By the Way, as well as tracks from Californication and Blood Sugar Sex Magik in front of 900 contest winners.[33] The New York Post declared the show "one of the top concerts of the year."[33] The location was chosen in order to reinvigorate lower Manhattan after the September 11, 2001 attacks and all proceeds were donated to pertinent charity organizations.[33] Immediately following this, the Chili Peppers embarked on a world tour to support the album. Beginning in Europe, they also played at events such as the Fuji Rock Festival and Coachella Valley Music and Arts Festival in between. The band eventually culminated their Europe leg of the tour in February 2003, and commenced the United States leg on May 1.[61] The Chili Peppers played at Madison Square Garden in New York City on June 3, 2003 to a sold-out crowd and an enthusiastic response from critics. Kelefa Sanneh of The New York Times reported that "on Tuesday night, the [Red Hot Chili Peppers] came to Madison Square Garden for an extraordinary two-hour performance...On 'Don't Forget Me', [Flea] strummed chords, while Mr. Frusciante contributed a gorgeous guitar line that bubbled and hissed like some sort of chemical reaction."[62] The US leg ended on June 21; the band took a small hiatus before performing at Slane Castle on August 23, to a crowd of over 80,000.[63] Live at Slane Castle, the result of the concert, would become the Chili Peppers' second live DVD, after Off the Map.
Following several Japanese and Australian performances, the Red Hot Chili Peppers planned three nights at London's Hyde Park. Over 240,000 tickets were sold within hours, with roughly 80,000 people attending each show on June 19, 20 and 25, respectively.[64] It became the highest-grossing concert at a single venue in history, accumulating an estimated $17 million gross revenue.[64] Due to the success of the three shows, the band released their first live album Live in Hyde Park in Europe, Australia, Japan and New Zealand, excluding the United States.[64] Later that year, the Chili Peppers played for the 2004 Democratic National Convention in support of their political beliefs, with Kiedis saying "Do what you gotta do" at the end of the band's set.[65] Finally, they played at the Rock am Ring festival as one of the final performances of the By the Way tour.
In 2006, Flea revealed that he once again considered leaving the band whilst touring in support of the album, stating that "throughout the By the Way tour I would play a show and then go and sit on the end of my bed staring into space." He planned to teach full-time at the Silverlake Conservatory of Music, but ultimately decided to remain within the band. Flea later stated that "the most painful part of quitting, and the thing that stopped me, was the idea of telling Anthony."[66]
Track listing[edit]
All tracks written by Red Hot Chili Peppers.
No.
Title
Length
1. "By the Way" 3:37
2. "Universally Speaking" 4:19
3. "This Is the Place" 4:17
4. "Dosed" 5:12
5. "Don't Forget Me" 4:37
6. "The Zephyr Song" 3:52
7. "Can't Stop" 4:29
8. "I Could Die for You" 3:13
9. "Midnight" 4:55
10. "Throw Away Your Television" 3:44
11. "Cabron" 3:38
12. "Tear" 5:17
13. "On Mercury" 3:28
14. "Minor Thing" 3:37
15. "Warm Tape" 4:16
16. "Venice Queen" 6:07
Total length: 68:46
iTunes bonus tracks
No.
Title
Length
17. "Runaway" 4:30
18. "Bicycle Song" 3:23
Personnel[edit]
Red Hot Chili Peppers
Anthony Kiedis – lead vocals
John Frusciante – guitar, backing vocals, piano, keyboards, modular synthesizer, additional bass on "Don't Forget Me"[67]
Michael "Flea" Balzary – bass, trumpet, harmonica, backing vocals, double bass on "Cabron", additional guitar on "Dosed"[68]
Chad Smith – drums, percussion, tambourine
Production
David Campbell – string arrangement
Suzie Katayama – contractor and cello
Joel Derouin – concertmaster
Evan Wilson – viola
Larry Corbett – cello
Charlie Bisharat, Gerry Hilera, Peter Kent – violins
Matt Funes – viola
Ryan Hewitt – engineer
Marc Mann – arranger
Ethan Mates – recording engineer
Vlado Meller – mastering
Rick Rubin – production and engineering
Jim Scott – mix engineer, recording engineer
Jason Wormer – recording engineer
Design
Julian Schnabel – art direction
Red Hot Chili Peppers – art direction
Charts and certifications[edit]
Charts[edit]
Chart
Peak
position
Argentine Albums Chart[69]
2
Australian Albums Chart[70]
1
Austrian Albums Chart[71]
1
Belgian Albums Chart (Flanders)[72]
1
Belgian Albums Chart (Wallonia)[73]
2
Canadian Albums Chart[74]
1
Danish Albums Chart[75]
1
Dutch Albums Chart[76]
1
European Albums Chart[77]
1
Finnish Albums Chart[78]
1
French Albums Chart[39]
2
German Albums Chart[79]
1
Greek Albums Chart[80]
1
Irish Albums Chart[81]
1
Italian Albums Chart[82]
1
New Zealand Albums Chart[83]
1
Norwegian Albums Chart[84]
1
Polish Albums Chart[85]
1
Portuguese Albums Chart[86]
2
Spanish Albums Chart[87]
2
Swedish Albums Chart[88]
1
Swiss Albums Chart[89]
1
UK Albums Chart[38]
1
US Billboard 200[2]
2
Certifications[edit]
Region
Certification
Certified units/Sales
Argentina (CAPIF)[90]
Platinum 40,000^
Australia (ARIA)[91]
5× Platinum 350,000^
Austria (IFPI Austria)[92]
Platinum
Belgium (BEA)[93]
Gold 25,000*
Brazil (Pro-Música Brasil)[94]
2× Platinum 250,000*
Canada (Music Canada)[95]
2× Platinum 200,000^
Finland (Musiikkituottajat)[96]
Platinum 30,000[96]
France (SNEP)[97]
Platinum 377,100 [98]*
Germany (BVMI)[99]
3× Gold 450,000^
Greece (IFPI Greece)[80]
Platinum 30,000^
Japan (RIAJ)[100]
2× Platinum 505,022[101]
New Zealand (RMNZ)[102]
2× Platinum 30,000^
Poland (ZPAV)[103]
Gold 35,000*
Sweden (GLF)[104]
Gold 30,000^
Switzerland (IFPI Switzerland)[105]
2× Platinum 80,000^
United Kingdom (BPI)[106]
6× Platinum 1,973,046[107]
United States (RIAA)[108]
2× Platinum 2,000,000^
Summaries
Europe (IFPI)[109]
3× Platinum 3,000,000*
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
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^ Jump up to: a b "Reviews for By the Way by Red Hot Chli Peppers". Metacritic. Retrieved January 11, 2016.
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^ Jump up to: a b "Greek album certifications – Red Hot Chili Peppers – By the Way" (in Greek). IFPI Greece.
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Bibliography
Apter, Jeff (November 23, 2004). Fornication: The Red Hot Chili Peppers Story. Omnibus Press. ISBN 1-84449-381-4.
Kiedis, Anthony; Sloman, Larry (October 6, 2004). Scar Tissue. Hyperion. ISBN 1-4013-0101-0.
External links[edit]
By the Way at Google Music
By the Way at Metacritic
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Those who live in glass houses should not throw stones
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Look up people who live in glass houses shouldn't throw stones in Wiktionary, the free dictionary.
"Those who live in glass houses should not throw stones" is a proverb used in several European countries. It means that one should not criticize others, because everybody has faults of one kind or another.
Another less common but accurate meaning is: "One who isn't open to criticism should not criticize others."
See also[edit]
Pot calling the kettle black
The Mote and the Beam
References[edit]
This vocabulary-related article is a stub. You can help Wikipedia by expanding it.
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John Tucker Must Die
From Wikipedia, the free encyclopedia
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John Tucker Must Die
Theatrical release poster
Directed by
Betty Thomas
Produced by
Bob Cooper
Michael Birnbaum
Written by
Jeff Lowell
Starring
Jesse Metcalfe
Brittany Snow
Ashanti
Sophia Bush
Arielle Kebbel
Penn Badgley
Jenny McCarthy
Music by
Richard Gibbs
Cinematography
Anthony B. Richmond
Edited by
Matt Friedman
Production
company
Landscape Productions
Dune Entertainment
Major Studio PArtners
John US Productions
Distributed by
20th Century Fox
Release date
July 28, 2006 (2006-07-28)
Running time
89 minutes
Country
United States
Canada
Language
English
Budget
$18 million[1]
Box office
$68.8 million[1]
John Tucker Must Die is a 2006 American teen romantic comedy film directed by Betty Thomas. The film is about a trio of girls who plot to break the heart of manipulative basketball star John Tucker after they learn he has been secretly dating all three and pledging each is "the one". They recruit cute wallflower Kate in their scheme to publicly humiliate the cad. Released in North America on July 29, 2006, the film made $68 million worldwide.
Contents
[hide]
1 Plot
2 Cast
3 Reception
3.1 Box office
3.2 Critical response
4 Home media
5 References
6 External links
Plot[edit]
The movie begins with Kate discussing her mother Lori's series of bad relationships which always causes them to move to a new town. She and her mother move to a suburb of Portland, Oregon and Kate gets a job as a waitress. While at work, she sees popular local boy John Tucker on dates with three different girls: Carrie, a chronic overachiever; Heather, who is head cheerleader; and Beth a promiscuous and liberal vegan activist. Kate learns from a co-worker that he dates girls from different cliques at his school so that they never interact and convinces the girls he dates to keep their relationships secret.
One day in gym class, Kate, Carrie, Heather and Beth end up on the same team for a volleyball game. During the game, Carrie brags about being with John Tucker, and the girls learn about his scheme. Carrie, Heather and Beth begin fighting. Kate tries to intervene, only to get all four of them sent to detention for the fight. Later that evening, the girls enlist Kate's help in seeking revenge against John Tucker. Meanwhile, Kate becomes friends with John's brother Scott, better known as "The Other Tucker". The girls' initial attempts to undo John (making people believe he has genital herpes and with Heather undermining his confidence by pranking him with estrogen, causing him to become weak and say strange things about himself) initially work in humiliating John, but eventually backfire as John manages to use them to his advantage. After he breaks up with all three girls, they agree that breaking his heart is the ideal revenge. They then enlist Kate to be the heartbreaker.
Kate joins the cheerleading team in order to get John's attention, and the girls give her advice on how to act around John and spy on the dates using surveillance equipment. Kate also gets a make over and John immediately notices Kate and tries to win her attention, but Kate dismisses him. With his ego insulted that there is a girl he cannot charm, John becomes determined to get her.
Kate and John eventually go on a series of dates, the first of which is a bonfire at the beach. Kate is unprepared after John asks to take her home and Beth intervenes to teach her how to kiss. However, John arrives, forcing Beth to hide in the back of his Land Rover.
At her house, Kate manages to buy Beth time to escape by kissing John, with Beth's skirt being ruined in the process after getting it caught in the car's door. The plan seems to be working as John relentlessly chases after Kate, even going to her house in the middle of the night while talking to her on the phone at the same time. (Kate tells him that she needs to call the police because there is a stalker outside the house, and John drives away in panic, hitting a trash can.)
The next date is a romantic boat ride, and Kate and John have a good time together. Beth later notices that Kate is starting to fall for John. To counteract this, Carrie tapes John bragging to his friends in the locker room, saying he'll be scoring "more than baskets" at the away game, and shows the tape to Kate in order to get her to snap out of it.
The girls try another plan to embarrass John Tucker at a hotel on the night of the away game. Kate seduces John on a video-chat and tells him to put on a woman's thong and climb out of his room and into hers. He is misled and climbs into a teacher's room and ultimately becomes the laughingstock of the school. John again uses this to his advantage, starting a fashion trend that helps the boys in the basketball team play better. Meanwhile, Kate's mother and Scott both discover the plan and lament the change in Kate's behavior.
Afterward, Kate tells John that she heard about what he said in the locker room about her. John makes amends by giving her his watch and asking her to be his girlfriend. Kate tells Heather, Carrie and Beth that she wants to be out of the plan, as whether they are dating or plotting to destroy John Tucker, it is still all about him. At John's birthday party, the tape the girls made of John's destruction is played, and Kate reveals the entire plot as John stares in disbelief, seemingly hurt.
Heather, Beth, and Carrie defend her after a guest throws his drink at Kate. Still, John Tucker becomes unfazed, and the party devolves into a cake fight. A few days later, John and Kate agree to be friends, and John resolves to be honest. Scott, happy that Kate confessed, becomes her lab partner again, and it is hinted the two will begin dating. Kate is now good friends with Beth, Carrie, and Heather. Kate finishes saying, "as for the girl who made John Tucker fall in love, well, she's a legend". After the credits, Kate warns viewers at home wanting to try this that destroying a man has consequences, and the camera pans to several male teachers bending over to grab some papers, all wearing thongs.
Cast[edit]
Jesse Metcalfe as John Tucker
Brittany Snow as Kate Spencer
Ashanti as Heather Straham
Sophia Bush as Beth McIntyre
Arielle Kebbel as Carrie Schaeffer
Penn Badgley as Scott Tucker
Jenny McCarthy as Lori Spencer
Fatso-Fasano as Tommy
Patricia Drake as Coach Williams
Taylor Kitsch as Justin
Kevin McNulty as Basketball Coach
Amber Borycki as Jennifer
Meghan Ory as Jill
Samantha McLeod as Holly
Nicole LaPlaca as Molly
Chelan Simmons as Crying Waitress
Amanda Crew as Hallway girl
Devon Weigel as Volleyball girl
Alf Humphreys as Detention Teacher
Fulvio Cecere as Chemistry Teacher
Connor Widdows as Freshman at Beach
People in Planes as themselves
Reception[edit]
Box office[edit]
In its opening weekend, the film grossed a total of US$14,276,534, ranking third in the U.S. box office results for that weekend. As of November 2, the film grossed $41.9 million in the United States and Canada. The film made a total of $68,824,526 worldwide.[2]
Critical response[edit]
on Rotten Tomatoes the film has an approval rating of 26% based on 93 reviews, with an average rating of 4.3/10. The site's critical consensus reads, "This derivative teen comedy tries to go for cute when it could use more bite."[3] On Metacritic, which assigns a weighted mean rating to reviews, the film has an average score of 41 out of 100, based on 27 critics, indicating "mixed or average reviews".[4] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[5]
Angel Cohn from TV Guide gave the film a three stars rating out of four, making the usual criticism of teen movies that the 19 to 27 year old age range of the six young leads meant that "not one member of this teen picture's cast appears remotely young enough to be in high school", though adding that "veteran director Betty Thomas' light revenge comedy is surprisingly entertaining, if less than original." Cohn concluded, "Teen comedies are notoriously predictable, and screenwriter Jeff Lowell isn't out to rock the genre boat, but his smartly written dialogue and the infectious charm of the cast, particularly Snow and Metcalfe, add up to a winning combination."[6]
Jeannette Catsoulis of the New York Times wrote that the film is "unforgivably clueless about teen culture" and "can't even sustain the courage of its girl-power convictions." Catsoulis was also critical of Metcalfe's "unconvincing" performance, writing that he musters "fewer expressions than a Botox infomercial."[7] Michael Medved gave John Tucker Must Die two stars out of four, calling it "slick, stupid and slightly sleazy," and that at the half-way mark, the plot collapses. He added that Jenny McCarthy, in a supporting role, "...is notably better than the rest of the cast."[citation needed] James Berardinelli of ReelViews also disliked the film. He gave it 1.5 stars out of 4, saying "The gulf is vast between what the studio wants us to think John Tucker Must Die is and what it really is. The marketers and publicists would have us believe this is a dark, edgy teen comedy about a band of two-timed girls taking revenge on the school's biggest hunk. Unfortunately, Betty Thomas' film is neither dark nor edgy (although it occasionally tries masquerading in those categories), nor is it particularly funny." He goes on to mention "The movie may be able to bamboozle a few teen female fans into multiplexes, but it's hard to imagine any of them – even those who swoon at the sight of Jesse Metcalfe – labeling this as better than forgettable. And for anyone outside that demographic unfortunate enough to endure John Tucker Must Die, the memory will be too painful to fade quickly."[8]
Jenny McCarthy's performance in the film earned her a Razzie Award nomination for Worst Supporting Actress.
Home media[edit]
The DVD was released on November 14, 2006.[9]
References[edit]
^ Jump up to: a b "John Tucker Must Die (2006) - Box Office Mojo".
Jump up ^ "John Tucker Must Die". Box Office Mojo. Retrieved December 30, 2016.
Jump up ^ "John Tucker Must Die (2006)". Rotten Tomatoes. Flixster. Retrieved March 30, 2012.
Jump up ^ "John Tucker Must Die reviews". Metacritic. CNET Networks. Retrieved March 30, 2012.
Jump up ^ "CinemaScore". cinemascore.com.
Jump up ^ Cohn, Angel (July 28, 2006). "John Tucker Must Die: Review". TV Guide. Retrieved March 30, 2012.
Jump up ^ Catsoulis, Jeannette (July 28, 2006). "John Tucker Must Die". The New York Times. Retrieved 2010-12-31.
Jump up ^ James Berardinelli. "John Tucker Must Die - Reelviews Movie Reviews". Reelviews Movie Reviews.
Jump up ^ "John Tucker Must Die : DVD Talk Review of the DVD Video". Dvdtalk.com. 2006-11-14. Retrieved 2012-08-14.
External links[edit]
Wikiquote has quotations related to: John Tucker Must Die
Official Website
John Tucker Must Die on IMDb
John Tucker Must Die at Rotten Tomatoes
John Tucker Must Die at Metacritic
John Tucker Must Die at Box Office Mojo
John Tucker Must Die at AllMovie
[hide]
v
t
e
Films directed by Betty Thomas
Only You (1992)
The Brady Bunch Movie (1995)
The Late Shift (1996)
Private Parts (1997)
Dr. Dolittle (1998)
28 Days (2000)
I Spy (2002)
John Tucker Must Die (2006)
Alvin and the Chipmunks: The Squeakquel (2009)
Retrieved from "https://en.wikipedia.org/w/index.php?title=John_Tucker_Must_Die&oldid=817234266"
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This page was last edited on 27 December 2017, at 02:26.
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