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Reputation (Taylor Swift album)
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Reputation
Studio album by Taylor Swift
Released
November 10, 2017 (2017-11-10)
Studio
Conway Studios (Los Angeles, California)
MXM Studios (Los Angeles, California and Stockholm, Sweden)
Rough Customer Studio (Brooklyn, New York)
Seismic Activities Studios (Portland, Oregon)
Tree Sound Studios (Atlanta, Georgia)
Genre
Pop
electropop
synth-pop
Length
55:38
Label
Big Machine
Producer
Taylor Swift (also exec.)
Jack Antonoff
Max Martin
Shellback
Ali Payami
Oscar Görres
Oscar Holter
Taylor Swift chronology
1989
(2014) Reputation
(2017)
Singles from Reputation
"Look What You Made Me Do"
Released: August 24, 2017
"...Ready for It?"
Released: October 24, 2017
"End Game"
Released: November 14, 2017
"New Year’s Day"
Released: November 27, 2017
"Gorgeous"
Released: January 12, 2018
"Delicate"
Released: March 12, 2018
Reputation (stylized as reputation) is the sixth studio album by American singer-songwriter Taylor Swift. It was released on November 10, 2017, through Big Machine Records. The record was primarily produced by Jack Antonoff, Max Martin, Shellback and Swift herself, who also serves as the executive producer. Featured artists included on the album are English singer-songwriter Ed Sheeran and American rapper Future.
The album has topped the charts in Australia, Austria, Belgium, Canada, Ireland, the Netherlands, New Zealand, Norway, Scotland, Switzerland, the United Kingdom, and the United States. According to Nielsen SoundScan, Reputation sold 1.216 million copies in the US during its first week, becoming 2017's best-selling album in the country, and 2 million copies worldwide.
Contents
[hide]
1 Release
2 Music and lyrics
3 Artwork and packaging
4 Promotion
4.1 Singles
4.2 Promotional singles
4.3 Tour
5 Critical reception
5.1 Year-end lists
6 Accolades
7 Commercial performance
8 Track listing
9 Personnel
10 Charts
10.1 Weekly charts
10.2 Year-end charts
11 Certifications
12 Release history
13 See also
14 References
15 External links
Release
Swift first announced through Instagram on August 23, 2017 that her sixth album would be titled Reputation and released on November 10, 2017.[1] The album's lead single, "Look What You Made Me Do", was released the next day.[2][3] On September 2, Swift teased a second song during ABC's Saturday Night Football telecast and was later posted on Instagram, titled "...Ready for It?", previewing the new track.[4] The song was released on September 3, 2017 as a promotional single. On October 20, 2017, Swift released a third song titled "Gorgeous" at midnight as a promotional single.[5] A track named "Call It What You Want" was released on November 2, 2017 as a promotional single with an accompanying lyric video.[6]
On November 7, Bloomberg reported the album will be kept off streaming services upon release for an undetermined amount of time and will only be available to purchase in digital and physical formats.[7] Later that same day, Swift posted the album's track list to her social media accounts.[8] Reputation became available to streaming services on December 1, 2017.[9]
Music and lyrics
Greg Kot, writing for Chicago Tribune, described the album as "another shift, this time into electronic pop".[10] Neil McCormick, from The Daily Telegraph, defined it as "brash, weaponised pop",[11] while Rolling Stone's Rob Sheffield said that "Reputation builds on the synth-pop of 1989".[12] Swift explained that the album had a linear timeline, starting with how she felt when she started working on the album, and transitioning to how she feels now.[13] The album's opener, "...Ready for It?", is a "pop-oriented",[14] "electronic-inspired"[15] electropop[16] and industrial pop song,[16][17] with elements of tropical house,[18] dubstep[19] and trap music.[20] Swift states the song "introduces a metaphor you may hear more of throughout the rest album, which is like this kind of Crime and Punishment metaphor". The track is "basically about finding your own partner in crime", Swift said.[21]
"I Did Something Bad", the album's third song, was written on the piano. Swift explained to iHeartRadio that the idea for the production of the song came to her in a dream. Swift described the concept to producer Max Martin, and Martin used Swift's voice and pitched it down to create the effect that takes place after the chorus.[21] Swift's goal for "Delicate" was to use the vocoder to create an "emotional" and "vulnerable" sound for the track. She explains the song is about, "what happens when you meet somebody that you really want in your life and then you start worrying about what they've heard before they met you."[21] Lead single "Look What You Made Me Do" started out as a poem and is "about realizing that you couldn't trust certain people, but realizing you appreciate the people you can trust."[21] It interpolates the song "I'm Too Sexy" by the British dance-pop group Right Said Fred.[22]
Swift structured "King of My Heart" such that each individual section of the song was its own phase of a relationship, with the sections getting deeper and more fast-paced as the song went on.[21] The twelfth song on the album, "Dress", contains many lines that Swift had "came up with like a year before".[21] It was described by critics as Swift's "sexiest song to date"[23] and bringing out her sensual side at last.[23][24] "Call It What You Want" was recorded at Jack Antonoff's home studio in Brooklyn.[25] Swift said the song best represents her current emotional state. The album's closer, "New Year's Day", explores the flip side of the romanticism of a New Year's Eve kiss, and is about how the one that sticks around the next day to "give you Advil and clean up the house" is the person that matters more.[13][21]
Artwork and packaging
Reputation's cover art was photographed by Mert and Marcus[26] in London.[27] The cover features Swift in a grey sweater and choker necklace with newspaper headlines of her name over one side of her face.[28] The typeface used for the headlines is reminiscent of the signature font of The New York Times.[29]
Target released two 72-page magazines that contain different content, including the album in the US.[30] Walmart distributed it in Canada.[31] The magazines contain photos, handwritten lyrics, poetry and paintings by Swift.[32] The Reputation Vol. 1 magazine cover was shot by Mert and Marcus. Vol. 2 was shot by Benny Horne and features Swift in a camouflage jacket.[33]
Promotion
In August 2017, United Parcel Service (UPS) announced it will be the "Official Delivery Partner" for Reputation.[34] UPS trucks in select cities feature the Reputation album cover. The company asked fans to take pictures of the trucks and post images to Twitter with a hashtag for an "improved opportunity" to buy concert tickets.[35]
A month before the album's release, Swift hosted exclusive secret sessions in London,[36] Rhode Island,[37] Los Angeles[38] and Nashville.[39] She said, "Everything about this album is a secret." Each party had a number of attendees, with a total of 500 fans chosen from around the world, for whom the album was played but none of them leaked any music. The behind the scenes footage for the sessions was released on November 7 on ABC's Good Morning America.[40] Swift partnered with AT&T to produce a multi-part behind-the-scenes series chronicling the making of Reputation, titled "The Making of a Song". The series was played on the channel from November 13.[41]
On November 9, a performance of the song "New Year's Day" was premiered during the broadcast of an episode of ABC's Scandal.[40] It was filmed in one of the secret sessions, held at Swift's home in Rhode Island on October 18, with an audience of 100 fans.[42] An extended version of Swift's performance was aired on November 10, during The DUFF's air on Freeform.[43] On November 11, Swift was the musical guest on the fifth episode of the 43rd season of Saturday Night Live, where she performed "...Ready for It?" and "Call It What You Want" from the album.[44] It was her first appearance on live television following the album's release, and she appeared on the show after eight years.[45][46]
Singles
On August 24, 2017, "Look What You Made Me Do" was released as the lead single from Reputation. The song broke several major records including the most Spotify streams in a 24-hour period by any artist.[47] It hit number one on the US Billboard Hot 100 with the biggest sales and streaming figures of the year, becoming the fifth song by Swift to top the chart and also the first solo number one by a woman with 84.4 million streams since Adele's "Hello" in 2015 and the second biggest after "Harlem Shake" (103.3 million).[48] Its accompanying music video later premiered at the 2017 MTV Video Music Awards and was viewed 43.2 million times on YouTube in its first 24 hours, the most in any video in history breaking the 36 million views of "Gentleman" in 2013.[49]
On September 2, 2017, Swift teased on Instagram that the first track off Reputation, titled "...Ready for It?", was going to be released as a promotional single.[50] It was made available for digital download with the pre-order of Reputation on September 3.[51] On October 24, the song was sent to rhythmic contemporary radio as the album's second single[52] and the official music video premiered three days later.[53]
"End Game", featuring Ed Sheeran and Future, was released to French radio on November 14, 2017 as the album's third single.[54] Sheeran confirmed in early December that a music video for the song will be released.[55]
"New Year's Day" was serviced to American country radio as the album's fourth single on November 27.[56]
"Gorgeous" was sent to UK radio stations on January 12, 2018 as the album's fifth single.[57]
"Delicate" was sent to contemporary hit and adult contemporary radio as the album's sixth single on March 12, 2018.[58] Its music video premiered at the 2018 iHeartRadio Music Awards.[59]
Promotional singles
On October 19, 2017, Swift announced she would be releasing a new song titled "Gorgeous".[60] It became available the next day through digital retailers and streaming services as a promotional single from the album.[5] The song reached the top ten in Canada and Australia and the top twenty in the United Kingdom and United States. On November 2, Swift announced she would be releasing the second promotional song from Reputation, while posting teasers on her official Twitter and Instagram accounts. The track, titled "Call It What You Want" was released at midnight on November 3, 2017.[6]
Tour
In August 2017, Swift partnered with Ticketmaster for a bundling program, with people wishing to buy her concert tickets could gain priority by purchasing merchandise and pre-ordering Reputation.[34][61] On November 13, 2017, Swift announced she would be embarking on the Reputation Stadium Tour in 2018 in support of Reputation, first announcing North American dates. The tour is set to commence on May 8, 2018, at the University of Phoenix Stadium in Glendale, Arizona, and to conclude on November 9, 2018 at the Mount Smart Stadium in Auckland, New Zealand, with a total of 51 dates in stadiums throughout North America, Europe and Oceania.[62]
Critical reception
Professional ratings
Aggregate scores
Source
Rating
AnyDecentMusic? 6.7/10[63]
Metacritic 71/100[64]
Review scores
Source
Rating
AllMusic [65]
The A.V. Club B[66]
The Daily Telegraph [11]
Entertainment Weekly B[67]
The Guardian [68]
NME [69]
Pitchfork 6.5/10[70]
Q [71]
Rolling Stone [12]
USA Today [72]
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Reputation received an average score of 71 based on 28 reviews, indicating "generally favorable reviews".[64] The Guardian writer Alexis Petridis opined Reputation, "may be mired in bitterness and gossip, but the pop star's songwriting smarts and lyrical prowess are impossible to deny on her sixth album", noting the songs see "Swift cutting her last ties with her Nashville roots in favour of the blare and honk of EDM-influenced pop".[68] Rolling Stone's Rob Sheffield writes Reputation, "shows the darker, deeper side of the pop mastermind". Sheffield also remarked, "As one of the all-time great pop masterminds, she's trying something new, as she always does."[12]
Roisin O'Connor of The Independent says "Call It What You Want" is "arguably, the best song Swift has ever made", also praising Jack Antonoff's production, calling it "essential" to the album; "[Antonoff's] love of Eighties synth-pop is the perfect counterbalance to Max Martin and Shellback's dance and electronic touch".[73] Neil McCormick of The Daily Telegraph states, "Reputation is a big, brash, all-guns-blazing blast of weaponised pop that grapples with the vulnerability of the human heart as it is pummelled by 21st-century fame." McCormick continued, "This is an album with blockbuster event status, preceded by a satirical hit ("Look What You Made Me Do") in which she provocatively ditched her "girl-next-door" image for something more glamorously sophisticated."[11] Troy Smith from The Plain Dealer said the album served as a reminder of Swift's songwriting talent, labeling "New Year's Day", "End Game", "Delicate" and "Dress" as standouts of the album.[74][75]
In a negative review, Geoff Nelson of Consequence of Sound gave the album a D+ rating writing, "Swift's sixth studio album, is a bloated, moving disaster." Nelson continued, "Reputation doesn't improve past its initial singles, even if the chorus of "...Ready for It?" is one of the few vestiges of 1989 Taylor on the album. Elsewhere, Swift finds trouble: She raps, she adopts African-American Vernacular English, and she bizarrely collaborates with Future." Nelson called "Gorgeous", "Delicate", and "Call It What You Want" the "strongest moments on the album".[76]
Year-end lists
Publication
List
Rank
Ref.
Complex
The Best Albums of 2017
26
[77]
The New York Times (Jon Caramanica)
The Best Albums of 2017
5
[78]
NME
NME's Albums of the Year
31
[79]
People
10 Best Albums of 2017
1
[80]
Rolling Stone
50 Best Albums of 2017
7
[81]
The Independent
The 30 best albums of 2017
19
[82]
Time
The Top 10 Albums of 2017
9
[83]
Accolades
Year
Organization
Award
Result
Ref.
2018 Juno Awards International Album of the Year Nominated
Commercial performance
Worldwide, Reputation sold two million copies in its first week.[84] A week prior to the album's release, pre-orders for it were reported to be over 400,000 units in the United States. Billboard stated that this is over twice the amount of pre-sales than Swift's previous album, 1989, which sold 1.29 million copies in its first week.[85] According to Nielsen SoundScan, the album sold roughly 700,000 copies during its first day in the country[86] and 1.05 million within four days of release, becoming 2017's biggest-selling album in the US.[87] The album ultimately became Swift's fifth number-one album on the US Billboard 200 when it debuted atop the chart with 1.238 million album-equivalent units that consisted of 1.216 million traditional sales, becoming her fourth album to sell a million copies in the country in its first week. As a result, Swift became the only act to have four albums sell more than a million copies there within a week since Nielsen SoundScan began tracking sales in 1991. Reputation also had the largest album opening in the United States since Adele's 25 in 2015 as well as the 10th largest overall sales week in the nation for an album since Nielsen SoundScan tracked its sales, and became the first album since 25 to sell a million copies there within a week.[88] It additionally sold more that week than any other album on the chart combined.[84]
With 256,000 more album-equivalent units earned and another 232,000 copies sold the next week, Reputation stayed at number one and became the first album to top the country's chart for two weeks since Jay-Z's 4:44 earlier that year, the first by a female to overall spend more than one week at the summit since Rihanna's Anti in 2016, and first by a female to hold the highest position for its first two weeks since 25.[89] Reputation then became the fourth album to spend three or more weeks at the top spot during 2017 after Starboy by The Weeknd, More Life by Drake, and Damn by Kendrick Lamar as well as the first album since 25 by a female artist to do so overall, receiving 147,000 more album-equivalent units and selling an additional 131,000 copies during its third week.[90] The album subsequently dropped to number 3 in its fourth week with 70,000 copies sold and 112,000 album-equivalent units earned[91] before returning to the top spot three weeks later.[92] It was then displaced the next week by The Greatest Showman: Original Motion Picture Soundtrack.[93] With 1,903,000 copies sold and 2,336,000 album-equivalent units earned by the end of 2017, Reputation was the year's best selling album in the country and had its third largest overall consumption behind Damn and Sheeran's ÷.[94] It has been certified 3× Platinum by the Recording Industry Association of America (RIAA).[95] By March 2018 the album sold over 2 million pure copies in the US becoming the first album to do so in two years.
After selling 50,000 copies in Canada during its first day of availability,[96] the record also became Swift's fifth album to top the Canadian Albums Chart, entering at number one with 80,000 copies among 81,000 consumption units. It had the country's largest opening for an album since Drake's Views in 2016.[97] The record then sold 15,000 more copies and earned another 17,000 consumption units over the following week, giving Swift her fourth consecutive album to spend more than one week at Canada's top spot.[98] After receiving an additional 11,000 consumption units during its third week, Reputation became the first album since Damn to spend three consecutive weeks atop the Canadian charts and gave the singer her second-longest run at number one behind 1989.[99] It then descended to number 3 during its fourth week on the chart.[100]
The album sold slightly over 65,000 copies in the United Kingdom within three days,[101] and opened atop the UK Albums Chart with 84,000 copies, becoming her third album to reach the nation's summit. Reputation also had the UK's fifth-biggest album opening sales week of 2017.[102] It then fell down to number eight the following week.[103] The album has been certified Gold by the British Phonographic Industry (BPI).[104] It had Australia's third largest opening of the year with first week sales of 54,976 copies behind ÷ and Pink's Beautiful Trauma,[105] and gave the singer her fourth number-one album on the ARIA Albums Chart. Reputation was also the country's 458th album to debut at its summit and 814th overall to reach the top position.[106] The record then remained atop the chart for another week and was certified Platinum by the Australian Recording Industry Association (ARIA), giving the singer her fifteenth week at number one in the nation,[107] before Beautiful Trauma replaced it at the top spot.[108] It additionally entered at number one in Ireland[109] and New Zealand,[110] and was certified gold by Recorded Music NZ (RMNZ) for shipments of 7,500 units.[111]
Track listing
Standard edition[112][113]
No.
Title
Writer(s)
Producer(s)
Length
1. "...Ready for It?"
Taylor Swift
Max Martin
Shellback
Ali Payami
Martin
Shellback
Payami
3:28
2. "End Game" (featuring Ed Sheeran and Future)
Swift
Martin
Shellback
Ed Sheeran
Nayvadius Wilburn
Martin
Shellback
4:04
3. "I Did Something Bad"
Swift
Martin
Shellback
Martin
Shellback
3:58
4. "Don't Blame Me"
Swift
Martin
Shellback
Martin
Shellback
3:56
5. "Delicate"
Swift
Martin
Shellback
Martin
Shellback
3:52
6. "Look What You Made Me Do"
Swift
Jack Antonoff
Richard Fairbrass
Fred Fairbrass
Rob Manzoli
Antonoff
Swift
3:31
7. "So It Goes..."
Swift
Martin
Shellback
Oscar Görres
Martin
Shellback
Görres
3:47
8. "Gorgeous"
Swift
Martin
Shellback
Martin
Shellback
3:29
9. "Getaway Car"
Swift
Antonoff
Antonoff
Swift
3:53
10. "King of My Heart"
Swift
Martin
Shellback
Martin
Shellback
3:34
11. "Dancing with Our Hands Tied"
Swift
Martin
Shellback
Oscar Holter
Martin
Shellback
Holter
3:31
12. "Dress"
Swift
Antonoff
Antonoff
Swift
3:50
13. "This Is Why We Can't Have Nice Things"
Swift
Antonoff
Antonoff
Swift
3:27
14. "Call It What You Want"
Swift
Antonoff
Antonoff
Swift
3:23
15. "New Year’s Day"
Swift
Antonoff
Antonoff
Swift
3:55
Total length: 55:38
[show]Japanese deluxe edition – Bonus DVD[114]
No.
Title
Length
1. "Look What You Made Me Do" (music video) 4:16
2. "Look What You Made Me Do" (lyric video) 3:35
3. "Look What You Made Me Do" (making of) 12:09
Total length: 20:00
Sample credit
"Look What You Made Me Do" contains an interpolation of the 1991 song "I'm Too Sexy" by the band Right Said Fred.[115]
Personnel
Adapted from the album liner notes.[116]
Taylor Swift – all vocals; backing vocals (tracks: 1, 4, 10); producer (tracks: 6, 9, 12–15); executive producer; packaging creative design
Max Martin – producer, keyboards, programming (tracks: 1–5, 7, 8, 10, 11); recording (track 1); piano (tracks: 4, 5); backing vocals (track 4)
Shellback – producer, keyboards, programming (tracks: 1–5, 7, 8, 11); drums (tracks: 2, 4, 10); bass (tracks: 2, 10); guitars (track 8)
Ali Payami – producer, keyboards, programming (track 1)
Jack Antonoff – producer, programming, instruments (tracks: 6, 9, 12–14); backing vocals (tracks: 6, 9, 14); piano, bass, guitar, synths (track 15)
Oscar Görres – producer, keyboards, programming, piano (track 7)
Oscar Holter – producer, keyboards, programming (track 11)
Michael Ilbert – engineer (tracks: 2–5, 7, 8, 10, 11)
Sam Holland – engineer (tracks: 2–5, 7, 8, 11)
Laura Sisk – engineer (tracks: 6, 9, 12, 13, 15)
Noah Passovoy – engineer (track 10)
Cory Bice – assistant engineer (tracks: 2–5, 7, 10, 11)
Jeremy Lertola – assistant engineer (tracks: 2, 4, 5, 7, 10, 11)
Jon Sher – assistant engineer (track 10)
Ed Sheeran – featured artist (track 2)
Future – featured artist (track 2)
Ilya Salmanzadeh – additional vocal production (track 2)
Seth Ferkins – engineer (track 2)
Sean Flora – assistant engineer (track 2)
Peter Karlsson – assistant engineer (track 2)
Mike Synphony – assistant engineer (track 2)
Daniel Watson – assistant engineer (track 2)
Victoria Parker – violins (tracks: 6, 9, 13); viola (track 13)
Phillip A. Peterson – cellos (tracks: 6, 9, 13)
Evan Smith – saxophones (track 6)
James Reynolds – baby voice intro (track 8)
Sean Hutchinson – drums (track 9)
Serban Ghenea – mixing (all tracks)
John Hanes – mix engineer (all tracks)
Randy Merrill – mastering (all tracks)
Mert and Marcus – photography
Mat Maitland – photo creative direction
Joseph Cassell – wardrobe stylist
Isamaya French – makeup
Lorraine Griffin – manicurist
Paul Hanlon – hair
Josh and Bethany Newman – packaging art direction
Ben Fieker – packaging design
Parker Foote – packaging design
Austin Hale – packaging design
Charts
Weekly charts
Chart (2017)
Peak
position
Australian Albums (ARIA)[117]
1
Austrian Albums (Ö3 Austria)[118]
1
Belgian Albums (Ultratop Flanders)[119]
1
Belgian Albums (Ultratop Wallonia)[120]
9
Canadian Albums (Billboard)[121]
1
Czech Albums (ČNS IFPI)[122]
2
Danish Albums (Hitlisten)[123]
3
Dutch Albums (MegaCharts)[124]
1
Finnish Albums (Suomen virallinen lista)[125]
5
French Albums (SNEP)[126]
11
German Albums (Offizielle Top 100)[127]
2
Greek Albums (IFPI)[128]
3
Hungarian Albums (MAHASZ)[129]
8
Irish Albums (IRMA)[109]
1
Italian Albums (FIMI)[130]
3
Japanese Albums (Oricon)[131]
3
Japanese International Albums (Oricon)[132]
1
Mexican Albums (AMPROFON)[133]
4
New Zealand Albums (RMNZ)[110]
1
Norwegian Albums (VG-lista)[134]
1
Polish Albums (ZPAV)[135]
6
Portuguese Albums (AFP)[136]
1
Scottish Albums (OCC)[137]
1
South Korean International Albums (Gaon)[138]
3
Slovak Albums (ČNS IFPI)[139]
4
South Africa Albums (RSG)[140]
3
Spanish Albums (PROMUSICAE)[141]
3
Swedish Albums (Sverigetopplistan)[142]
2
Swiss Albums (Schweizer Hitparade)[143]
1
UK Albums (OCC)[144]
1
US Billboard 200[145]
1
Year-end charts
Chart (2017)
Position
Australian Albums (ARIA)[146]
3
Austrian Albums (Ö3 Austria)[147]
55
Belgian Albums (Ultratop Flanders)[148]
57
Belgian Albums (Ultratop Wallonia)[149]
165
Dutch Albums (MegaCharts)[150]
90
German Albums (Offizielle Top 100)[151]
60
Mexican Albums (AMPROFON)[152]
93
New Zealand Albums (RMNZ)[153]
9
Swiss Albums (Schweizer Hitparade)[154]
98
UK Albums (OCC)[155]
15
Certifications
Region
Certification
Certified units/Sales
Australia (ARIA)[156]
Platinum 70,000^
Austria (IFPI Austria)[157]
Platinum 15,000*
New Zealand (RMNZ)[111]
Gold 7,500^
United Kingdom (BPI)[104]
Gold 258,000[158]
United States (RIAA)[95]
3× Platinum 2,000,000[94]
*sales figures based on certification alone
^shipments figures based on certification alone
sales+streaming figures based on certification alone
Release history
Region
Date
Format(s)
Label
Ref.
Various
November 10, 2017
CD
digital download
Big Machine [112][159]
Brazil
November 24, 2017 CD Universal Music [160]
Various
December 1, 2017 Streaming Big Machine [9]
United States
December 15, 2017 Vinyl [159]
See also
List of Billboard 200 number-one albums of 2017
List of Billboard 200 number-one albums of 2018
List of number-one albums of 2017 (Canada)
List of number-one albums of 2017 (Australia)
List of UK Albums Chart number ones of 2017
List of fastest-selling albums
List of number-one albums of 2017 (Belgium)
List of number-one albums of 2017 (Ireland)
List of number-one albums from the 2010s (New Zealand)
List of Scottish number-one albums of 2017
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^ Jump up to: a b Brandle, Lars (October 20, 2017). "Taylor Swift's 'Gorgeous' New Single Has Arrived: Listen". Billboard. Archived from the original on October 20, 2017. Retrieved October 20, 2017.
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^ Jump up to: a b c McCormick, Neil (November 10, 2017). "Taylor Swift, Reputation, review: 'brash, weaponised pop'". The Telegraph. Archived from the original on November 12, 2017. Retrieved November 10, 2017.
^ Jump up to: a b c Sheffield, Rob (November 9, 2017). "Sheffield: 'Reputation' Is the Most Intimate LP of Taylor Swift's Career". Rolling Stone. Archived from the original on November 10, 2017. Retrieved November 10, 2017.
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Jump up ^ Aswad, Jem (September 3, 2017). "Taylor Swift Releases Full Version of New Song 'Ready for It'". Variety. Archived from the original on September 4, 2017. Retrieved September 4, 2017.
Jump up ^ Powell, Karlie (September 3, 2017). "Taylor Swift's Electronic-Inspired "...Ready for It?" is Speculated to be About Calvin Harris and Others". Your EDM. Archived from the original on September 4, 2017. Retrieved September 4, 2017.
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External links
Reputation on Swift's official website
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Market share analysis
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Market share analysis is a part of market analysis and indicates how well a firm is doing in the marketplace compared to its competitors.
Givon, Mahajan, and Muller have researched spreadsheet and word processing software firms to give a clearer image of how to determine market share in the software industry. They propose six factors to help estimate the value of market share (1997):
unit or dollar sales,
user base (since piracy and brand switching effect),
market definition (scope of definitions),
scope of denominator (which other brands included),
time frame length,
product definition (brand, product line, or strategic business unit).
Detail[edit]
A market share analysis needs to take into account the following:
Total Market Size refers to the annual business volume in currency or in number of transactions;
Market Growth Rate refers to the Compounded Annualized Growth Rate (CAGR) taken over a period of 3 to 5 years;
Market Share is the breakup of market size in percentage terms, to help identify the top players, the middle and the "minnows" of the marketplace, based on the volume of business conducted;
Market Segmentation Some of the factors that determine the market are price, quality, speed of service, ease of maintenance, and points of distribution. By mapping on quality and price parameters, it is possible to identify graphically the spaces which are crowded by service providers and which are the relatively empty spots;
Key Players i.e.the top players in each segment of the market. The extent to which they provide premium quality, or premium service or price advantage, can help identify future target segments;
Swot Analysis. The strengths of players as well as weaknesses/areas of improvement are needed to combat the onslaught in a marketing warfare. Strength and weakness include brand equity, geographic presence, strong management/leadership, technological edge, and patent/copyrights.
Emerging Opportunities should be identified which could make the market grow faster/larger or acquire business more easily. Similarly, are there threat factors that could reduce the total market size. These could be due to regulatory guidelines, changes in fashion trends, consumer preference, macro economic events like currency crisis, import/export, war, natural calamity, or demographic shift;
Business Continuity Plan: While planning for market share analysis, the worse must be planned for to ensure continuity of the concern in the event of a calamity. Companies which have a continuity plan usually sustain shocks better and ensure achievement of targeted market share.
Target Market Share: Based on the above analysis, it is possible to arrive at the overall market size for the assessment period, and thereby decide on the volume of business the firm targets to achieve during the period. This helps determine the firm's targeted market share. This also helps budget for activities like budgeting for R&D, sales promotion, marketing, and training.
References[edit]
Givon, M. Mahajan, V. and Muller, E. (1997). "Assessing the Relationship between the User-Based Market Share and Unit Sales-Based Market Share for Pirated Software Brands in Competitive Markets". Technological forecasting and social change. 55 (2): 131–144. doi:10.1016/S0040-1625(96)00181-3. CS1 maint: Multiple names: authors list (link)
External links[edit]
http://tutor2u.net/business/marketing/market_analysis_marketshare_intro.asp
Retrieved from "https://en.wikipedia.org/w/index.php?title=Market_share_analysis&oldid=749307763"
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I Survived a Japanese Game Show (season 1)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
I Survived a
Japanese Game Show
(Season 1)
ABC's promotional logo for the first season of I Survived a Japanese Game Show.
Starring
Tony Sano
(TV host, Season 1)
Rome Kanda
(Majide Host)[1]
Narrated by
Robert Cait
Release
Original release
June 24 – August 6, 2008
External links
Production
website
asmithco.com
I Survived a Japanese Game Show was an American reality show that followed a group of Americans who leave the United States for Japan, where they compete in a Japanese style game show.[2][3] Season one premiered on ABC on June 24, 2008. The show was hosted by Tony Sano. On August 6, 2008, financial representative Justin Wood was pronounced the winner. He won a cash prize of US$250,000.
Contents
[hide]
1 Contestants
2 List of episodes
2.1 Episode 1
2.2 Episode 2
2.3 Episode 3
2.4 Episode 4
2.5 Episode 5
2.6 Episode 6
2.7 Episode 7
3 Game results
4 Ratings
5 See also
6 References
Contestants[edit]
Order of appearance in the opening credits: Andrew, Bilenda, Cathy, Ben, Darcy, Mary, Donnell, Olga, Justin and Meaghan.
Contestant
Original
Teams
First
Switch
Second
Switch
Final
Four
Finish
Darcy Sletager[a]
Returned to game Yellow
Penguins 1st eliminated
(against Bilenda)
Ben Hughes (ベン)
44, Punxsutawney, Pennsylvania Green
Monkeys Left game
due to illness[a]
Olga Medvedev (オルガ)
26, Medford, Minnesota Green
Monkeys Green
Monkeys 2nd eliminated
(against Darcy)
Darcy Sletager (ダーシー)
31, Sandpoint, Idaho Yellow
Penguins Green
Monkeys 3rd eliminated
(against Meaghan)
Mary Greenawalt (マリー)
23, Matthews, North Carolina Green
Monkeys Green
Monkeys 4th eliminated
(against Donnell)
Cathy Nardone (キャシー)
21, Staten Island, New York Yellow
Penguins Yellow
Penguins Green
Monkeys[b] 5th eliminated
(against Donnell)
Andrew Kelly-Hayes (アンドリュー)
28, Boston, Massachusetts Yellow
Penguins Yellow
Penguins Yellow
Penguins 6th eliminated
(against Bilenda)
Bilenda Madison (ベリンダ)
38, Charlotte, North Carolina Yellow
Penguins Yellow
Penguins Yellow
Penguins Final Four 7th eliminated,
4th place
Meaghan Cooper (ミーガン)
22, San Antonio, Texas Green
Monkeys Green
Monkeys Green
Monkeys 8th eliminated,
3rd place
Donnell Pitman (ドネル)
32, Chicago, Illinois Green
Monkeys Green
Monkeys Green
Monkeys Runner-up
Justin Wood (ジャスティン)
24, Trussville, Alabama Yellow
Penguins Yellow
Penguins Yellow
Penguins Winner
^ Jump up to: a b Darcy returned to the game after Ben forfeited due to illness.
Jump up ^ When the teams were uneven at the time, Cathy moved over to the opposite team Green Monkeys.
List of episodes[edit]
Episode 1[edit]
The first episode aired on June 24, 2008.
Conveyor Restaurant (コンベ屋食堂) – One person on each team is designated the eater, and the eater's four teammates fill helmet-mounted trays with flour and one mochi ball, and then, one by one, run up a treadmill to the eater, who then eats the mochi without using his hands. If the contestants fail, they would eventually be overtaken by the treadmill and land in a large pile of flour. If the contestants succeed, the eater hits a buzzer, instructing the runner to drop out and fall into the flour so the next runner can start. The team whose eater eats the most mochi balls in four minutes wins the game.
Big Bug Splat On A Windshield (虫人間コンテスト) (Elimination game) – Contestants in bug suits jump on a trampoline and accurately place markers on three separate targets on a target area decorated to look like a car windshield. The contestant with the most points after three rounds wins and advances to the next round. As for the loser, the Sayonara Mob awaited them to send them back to the United States. Scoring: Round one: between one and three points for one jump, Round two: between four and six points for one jump, Round three: between seven and nine points for one jump.
Episode 2[edit]
The second episode aired on July 1, 2008.
Human Crane Finds Fluffy Bear (クマちゃんつかみ取り！) – One person is a human crane while three players each control one axis of the player's movement in order for the human crane to pick up and deliver large stuffed bears into a chute. The team whose human crane delivers the most stuffed bears into the chute in three minutes wins the game.
Fight On, Mailman Taro (ガンバレ！郵便太郎) (Elimination game) – Contestants deliver packages into shaped mail-slots through a slippery corridor while a giant fan blows wind against them and their opponent throws objects such as stuffed bears, inflatable pool toys, and newspapers at them to impede their progress. The contestant who delivers the most packages in three minutes moves on to the next round while the other is sent back to the United States by the Sayonara Mob.
Episode 3[edit]
The third episode aired on July 8, 2008.
Pedal Fast or Big Splash (サイクリングドボン) – Two players each have one opportunity to ride a tricycle on a moving treadmill, and they try to stay within a marked region in the middle of the treadmill. The two other players ride a pair of stationary bicycles which decrease the treadmill's speed the faster they are pedaled. At the end of the treadmill is a pool of ice water. Each tricycle rider keeps pedaling along the treadmill until he or she falls into the pool of ice water. Once he or she falls in, that person's turn is officially over. The cumulative time the two tricyclers spend in the marked region is compared for each team to determine the winner of the game. The team whose two players spend a longer time on the marked region wins the game.
You Look Funny Stuck on a Wall (ぴったんこバンバン) (Elimination game) – The two players, wearing sticky suits jump off a trampoline and attempt to stick to the sticky wall within a body-shaped outline. The player judged to be most within the outline wins a point. The first player to win three points wins the game. The loser's conversation will be interrupted by the Sayonara Mob.
Episode 4[edit]
The fourth episode aired on July 15, 2008.
Big Baby Go Boom (ねんねんころりYOおころりYO) – Team members dressed as babies sit in a giant spinning crib, getting dizzy. One at a time, players exit the crib and fill two cups with milk. The player must run an obstacle course carrying milk to a giant baby bottle. The course consists of spinning platforms and crawling; that combined with the dizziness causes the players to spill some of their milk. The player must finish the course regardless of milk remaining in the cups and is not allowed to go back for a refill if he spills any of his milk. After finishing the course, the player must press a button beside the crib enabling another player to exit. Each team has three minutes to get as much milk in their bottle as they can; time starts when the spinning stops for the first time. The team with the most milk in their bottle in three minutes wins.
Big Chicken Butt Scramble (チキンと割りまSHOW) (Elimination game) – Contestants, after covering themselves in oil, slide into a pile of feathers, coat themselves thoroughly, then must use only their rear ends to break as many eggs as possible in two minutes. The player who breaks the most eggs wins. The loser will feel sad to go home; the only thing to make the loser happy would be the Sayonara Mob.
Episode 5[edit]
The fifth episode aired on July 23, 2008.
Sticky Sticky Bang Bang (ハリツキバンバン) – A player from one team is suspended from a rope wearing a sticky suit as one of their teammates throws sticky balls, and the other shoots tennis balls from an air gun, both attempting to stick balls to the suit. Two players from the opposing team hold ropes attached to the hanging player and jerk them left and right during the game, attempting to get the balls to miss. The team with the most balls stuck to their partner's sticky suit in two minutes wins. The title is a play on Chitty Chitty Bang Bang.
You Swing and Hope for the Best (あいたら負けよ！ジャンプップ！！)(Elimination game) – The player begins on a platform facing a wall with seven doors. The player swings on a rope Tarzan-style towards one of the doors, hoping to find one of three solid doors. If they swing through one of the four styrofoam doors, actors dressed as a gorilla and a panda wielding a padded stick and a giant powder puff respectively attack them. Either way, they must return to the platform and swing again until they have found all three solid doors, and press a button to end the game. The players play separately, and the one who finishes in the fastest time wins. The loser would then hear knocks from the door made by none other than the Sayonara Mob.
Episode 6[edit]
The sixth episode aired on July 30, 2008.
You Stand Still! No, You Stand Still! (くらくら鍵パッカン) – Two players, one – a male dressed in comedic drag as a bride and the other as a groom – start out spinning in chairs to get dizzy. After the chairs stop spinning, the players must cross a narrow balance beam over a pool of flour and a pair of spinning floor tiles. They cross to the opposite chair where one player gets a set of keys while the other gets a heart-shaped belt with a lock. The latter player puts the belt on and the two return to the center spinning tiles. While standing on the spinning tiles, the player with the keys must find the correct one to unlock the belt, and then both must return to their original chairs. The team to complete the game in the fastest time wins the game and a big prize.
Clothes On, Clothes Off! (激突！生着替え)(Elimination game) – The two players, in a room full of costumes, race to dress in a given costume modeled by a mannequin. Three rounds are played with different costumes: A construction worker wearing a helmet, a red devil with two horns and a Sweet Lolita Harajuku Girl. The player with the fastest total time after all three changes wins and everyone would then say "Sayonara" to the loser who will be escorted to the egress by the Sayonara Mob.
Note: A third player, ostensibly the defending Majide costume-changing champion Yuji Kamada, also competed in the game alongside the two contestants. Allegedly, if one of the Americans beat Kamada, they would win a bonus prize (which was never shown since Kamada was faster than the two players). However, Kamada was actually played by twins, the famous Japanese comedy duo, The Touch (ザ・たっち). One was already dressed in the required costume, and the two switched places via a secret door in their change room. This was revealed as a prank on the contestants after the second round.
Episode 7[edit]
The seventh and final episode aired on August 6, 2008.
For the final episode, teams are abolished and the final four players face three elimination challenges as individuals.
Making New Friends in Japan (世界に広げようムチャぶりの輪！) – The finalists go out into the streets of Tokyo and must accomplish five tasks in the following order:
Get someone to draw a handlebar moustache on the player's face with a marker;
Get someone to take a Polaroid photo of the player being kissed by another stranger;
Get someone to dress up in a provided Statue of Liberty costume;
Get a business card from someone;
Get three people to do the wave.
After completing the tasks, the contestants have to return to the studio; the last contestant to return to the studio makes new friends with none other than the Sayonara Mob.
Squishy Squishy (ザ・スポンジマン) – The three remaining players compete, one at a time. Each wears a squishy suit and gets into a shallow pool of water, absorbing some in the suit. They then run a maze, while their opponents each swing a spiked ball at them. (危险! DANGER!) At the end of the maze is a wedge-shaped pair of walls the player may use to squeeze water out of the suit, which drains into a container. The two contestants who collect the most water move on the final game. The player who collects the least water in the container in three minutes is taken away by the Sayonara Mob.
SUPER MAJIDE (本気で！全部のせ) – The two finalists compete head-to-head on an obstacle course which combines elements from the series' previous challenges. They begin in spinning chairs and must then ride a tricycle across a narrow path over a pool of cold water. Then they must smash six eggs with their buttocks, crawl through a pool of flour, climb an inclined sticky wall using sticky grips. The players then continue by sliding down a pole, eating a snack of three mochi balls, and then swing on a rope into one of five doors until they find the one that breaks away and hit a buzzer on the other side. The player who does so first wins the grand prize and gets congratulated by the Omedeto ("Congratulations") Mob (The Sayonara Mob dressed in white suits.)
Game results[edit]
Games with a pink background indicate elimination games.
#
Game
Winner(s)
Reward
Loser(s)
Punishment
1
Conveyor Restaurant
(コンベヤ食管) Green
Monkeys
(10 Mochi balls) A helicopter tour of Tokyo. Yellow
Penguins
(9 Mochi balls) Pulling rickshaws.
Big Bug Splat On A Windshield
(虫人間コンテスト) Bilenda
(16 points)[a] Darcy
(16 points)[a] 1st eliminated in 10th place.[b]
2
Human Crane Finds Fluffy Bear
(クマちゃんつかみ取り) Yellow
Penguins
(10 fluffy bears) A Japanese spa treatment including a fish pedicure. Green
Monkeys
(1 fluffy bear) Working at a pachinko parlor.
Fight On, Mailman Taro
(ガンバレ！郵便太郎) Darcy
(6 packages) Olga
(5 packages) 2nd eliminated in 9th place.
3
Pedal Fast or Big Splash
(サイクリングドボン) Yellow
Penguins
(38 seconds) A VIP tour of the Tsukiji fish market. Green
Monkeys
(34 seconds) Rice farming.
You Look Funny Stuck on a Wall
(ぴったんこバンバン) Meaghan
(3 points) Darcy
(0 points) 3rd eliminated in 8th place.
4
Big Baby Go Boom
(ねんねんころりYOおころりYO) Yellow
Penguins A private soba noodle
making lesson. Green
Monkeys Shucking clams.
Big Chicken Butt Scramble
(チキンと割りまSHOW) Donnell
(11 eggs) Mary
(10 eggs) 4th eliminated in 7th place.
5
Sticky Sticky Bang Bang
(ハリツキバンバン) Yellow
Penguins
(24 balls) A visit to a Shinto shrine and receive a blessing. Green
Monkeys
(7 balls) Making Mochi balls for the studio audience.
You Swing and Hope for the Best
(あいたら負けよ！ジャンプップ) Donnell
(1:07 seconds) Cathy
(2:05 seconds) 5th eliminated in 6th place.
6
You Stand Still! No, You Stand Still!
(くらくら鍵パッカン) Green
Monkeys
(1:04 seconds) An overnight stay in a suite at the Tokyo Grand Hyatt hotel. Yellow
Penguins
(1:09) An overnight stay at a capsule hotel in Tokyo.
Clothes On, Clothes Off!
(激突！生着替え) Bilenda
(3:02 seconds) Andrew
(3:15 seconds) 6th eliminated in 5th place.
7
Making New Friends in Japan
(世界に広げようムチャぶりの輪！) Meaghan,
Donnell,
Justin Bilenda 7th eliminated in 4th place.
Squishy Squishy
(ザ・スポンジマン) Donnell,
Justin Meaghan 8th eliminated in 3rd place.
SUPER MAJIDE
(本気で！全部のせ) Justin A $250,000 Grand Prize Donnell Runner-up
^ Jump up to: a b To decide who were going home, a tiebreaker round were issued. Bilenda scored 8 points, while Darcy only scored 7.
Jump up ^ Darcy returned to the game after Ben forfeited due to illness.
Ratings[edit]
Ep #
Air Date
Rating
Share
18–49
Viewers
Weekly Rank
1
July 24 4.4 7 3.1/9 (#2) 8.03 (#2) 10
2
July 1 3.6 6 2.6/8 (#3) 6.33 (#4) 28
3
July 8 4.0 7 2.8/8 (#3) 6.83 (#4) 26t
4
July 15 4.0 7 2.4/7 (#3) 5.82 (#4) 31t
5
July 23 3.2 5 2.2/7 (#3) 5.74 (#4) 31t
6
July 30 3.4 6 2.3 (#4) 5.84 30
7
August 6 2.9 5 1.9 4.50 42t
t – Tied.
The show went against America's Got Talent on NBC, Big Brother 10 on CBS, reruns of House on Fox, except on July 15 when the MLB All-Star Game was telecast, and repeats of Reaper on The CW.
See also[edit]
Main Article
Season Two of ISaJGS
References[edit]
Jump up ^ What's New from Rome Kanda's official website
Jump up ^ "Show: "I Survived a Japanese Game Show," ABC, June 24"". The Los Angeles Times.
Jump up ^ Chuck Barney (2008-06-04). "Summer TV preview". The Mercury News.
Retrieved from "https://en.wikipedia.org/w/index.php?title=I_Survived_a_Japanese_Game_Show_(season_1)&oldid=795831180"
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