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Article Three of the United States Constitution
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Article Three of the United States Constitution
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Article Three of the United States Constitution establishes the judicial branch of the federal government. The judicial branch comprises the Supreme Court of the United States and lower courts as created by Congress.
Contents
[hide]
1 Section 1: Federal courts
1.1 Number of courts
1.2 Tenure
1.3 Salaries
2 Section 2: Judicial power, jurisdiction, and trial by jury
2.1 Clause 1: Cases and controversies
2.2 Eleventh Amendment and state sovereign immunity
2.3 Clause 2: Original and appellate jurisdiction
2.4 Judicial review
2.5 Clause 3: Federal trials
3 Section 3: Treason
4 See also
5 References
6 Bibliography
7 External links
Section 1: Federal courts[edit]
Section 1 vests the judicial power of the United States in federal courts, requires a supreme court, allows inferior courts, requires good behavior tenure for judges, and prohibits decreasing the salaries of judges.
The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behavior, and shall, at stated Times, receive for their Services a Compensation which shall not be diminished during their Continuance in Office.
Number of courts[edit]
Article III authorizes one Supreme Court, but does not set the number of justices that must be appointed to it. Article I, Section 3, Clause 6 refers to a Chief Justice (who shall preside over the impeachment trial of a President). The number of justices is fixed by statute at nine: the one chief justice, and eight associate justices.[1]
Proposals to divide the Supreme Court into separate panels have been made, but all have failed. Because all such proposals have failed, the Supreme Court has never ruled on the constitutionality of such a division. Chief Justice Charles Evans Hughes wrote, "the Constitution does not appear to authorize two or more Supreme Courts functioning in effect as separate courts."
The Supreme Court is the only federal court that is explicitly mandated by the Constitution. During the Constitutional Convention, a proposal was made for the Supreme Court to be the only federal court, having both original jurisdiction and appellate jurisdiction. This proposal was rejected in favor of the provision that exists today. Under this provision, the Congress may create inferior (i.e., lower) courts under both Article III, Section 1, and Article I, Section 8. The Article III courts, which are also known as "constitutional courts", were first created by the Judiciary Act of 1789. Article I courts, which are also known as "legislative courts", consist of regulatory agencies, such as the United States Tax Court. Article III courts are the only ones with judicial power, and so decisions of regulatory agencies remain subject to review by Article III courts. However, cases not requiring "judicial determination" may come before Article I courts. In the case of Murray's Lessee v. Hoboken Land & Improvement Co. 59 U.S. 272 (1855), the Supreme Court ruled that cases involving "a suit at the common law, or in equity, or admiralty" inherently involve judicial determination and must come before Article III courts. Other cases, such as bankruptcy cases, have been held not to involve judicial determination, and may therefore go before Article I courts. Similarly, several courts in the District of Columbia, which is under the exclusive jurisdiction of the Congress, are Article I courts rather than Article III courts. This article was expressly extended to the United States District Court for the District of Puerto Rico by the U.S. Congress through Federal Law 89-571, 80 Stat. 764, signed by President Lyndon B. Johnson in 1966. This transformed the article IV United States territorial court in Puerto Rico, created in 1900, to an Article III federal judicial district court.
The Judicial Procedures Reform Bill of 1937—frequently called the court-packing plan,[2]— was a legislative initiative to add more justices to the Supreme Court proposed by U.S. President Franklin Roosevelt shortly after his victory in the 1936 presidential election. Although the bill aimed generally to overhaul and modernize all of the federal court system, its central and most controversial provision would have granted the President power to appoint an additional Justice to the U.S. Supreme Court for every sitting member over the age of 70½, up to a maximum of six.
The Constitution is silent when it comes to judges of courts which have been abolished. The Judiciary Act of 1801 increased the number of courts to permit the Federalist President John Adams to appoint a number of Federalist judges before Thomas Jefferson took office. When Jefferson became President, the Congress abolished several of these courts and made no provision for the judges of those courts. Judicial code of 1911 abolished "circuit riding" and transferred the circuit courts authority and jurisdiction to the district courts.
Tenure[edit]
The Constitution provides that judges "shall hold their Offices during good Behavior." The term "good behavior" is interpreted to mean that judges may serve for the remainder of their lives, although they may resign or retire voluntarily. A judge may also be removed by impeachment and conviction by congressional vote (hence the term good behavior); this has occurred fourteen times. Three other judges, Mark W. Delahay,[3] George W. English,[4] and Samuel B. Kent,[5] chose to resign rather than go through the impeachment process.
Salaries[edit]
The compensation of judges may not be decreased, but may be increased, during their continuance in office.
Section 2: Judicial power, jurisdiction, and trial by jury[edit]
Section 2 delineates federal judicial power, and brings that power into execution by conferring original jurisdiction and also appellate jurisdiction upon the Supreme Court. Additionally, this section requires trial by jury in all criminal cases, except impeachment cases.
The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;—between a State and Citizens of another State;—between Citizens of different States;—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.
In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.
Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.
Clause 1: Cases and controversies[edit]
Main article: Case or Controversy Clause
Clause 1 of Section 2 authorizes the federal courts to hear actual cases and controversies only. Their judicial power does not extend to cases which are hypothetical, or which are proscribed due to standing, mootness, or ripeness issues. Generally, a case or controversy requires the presence of adverse parties who have a genuine interest at stake in the case. In Muskrat v. United States, 219 U.S. 346 (1911), the Supreme Court denied jurisdiction to cases brought under a statute permitting certain Native Americans to bring suit against the United States to determine the constitutionality of a law allocating tribal lands. Counsel for both sides were to be paid from the federal Treasury. The Supreme Court held that, though the United States was a defendant, the case in question was not an actual controversy; rather, the statute was merely devised to test the constitutionality of a certain type of legislation. Thus the Court's ruling would be nothing more than an advisory opinion; therefore, the court dismissed the suit for failing to present a "case or controversy."
A significant omission is that although Clause 1 provides that federal judicial power shall extend to "the laws of the United States," it does not also provide that it shall extend to the laws of the several or individual states. In turn, the Judiciary Act of 1789 and subsequent acts never granted the U.S. Supreme Court the power to review decisions of state supreme courts on pure issues of state law. It is this silence which tacitly made state supreme courts the final expositors of the common law in their respective states. They were free to diverge from English precedents and from each other on the vast majority of legal issues which had never been made part of federal law by the Constitution, and the U.S. Supreme Court could do nothing about that, as it would ultimately concede in Erie Railroad Co. v. Tompkins (1938). By way of contrast, other English-speaking federations like Australia and Canada never adopted the Erie doctrine. That is, their highest courts have always possessed plenary power to impose a uniform nationwide common law upon all lower courts and never adopted the strong American distinction between federal and state common law.
Eleventh Amendment and state sovereign immunity[edit]
Main articles: Eleventh Amendment to the United States Constitution and Sovereign immunity in the United States
In Chisholm v. Georgia, 2 U.S. 419 (1793), the Supreme Court ruled that Article III, Section 2 abrogated the States’ sovereign immunity and authorized federal courts to hear disputes between private citizens and States. This decision was overturned by the Eleventh Amendment, which was passed by the Congress on March 4, 1794 1 Stat. 402 and ratified by the states on February 7, 1795. It prohibits the federal courts from hearing any suit in law or equity, commenced or prosecuted against one of the United States by Citizens of another State, or by Citizens or Subjects of any Foreign State.[6]
Clause 2: Original and appellate jurisdiction[edit]
See also: Jurisdiction stripping
Clause 2 of Section 2 provides that the Supreme Court has original jurisdiction in cases affecting ambassadors, ministers and consuls, and also in those controversies which are subject to federal judicial power because at least one state is a party; the Court has held that the latter requirement is met if the United States has a controversy with a state.[7][8] In other cases, the Supreme Court has only appellate jurisdiction, which may be regulated by the Congress. The Congress may not, however, amend the Court's original jurisdiction, as was found in Marbury v. Madison, 5 U.S. (Cranch 1) 137 (1803) (the same decision which established the principle of judicial review). Marbury held that Congress can neither expand nor restrict the original jurisdiction of the Supreme Court. However, the appellate jurisdiction of the Court is different. The Court's appellate jurisdiction is given "with such exceptions, and under such regulations as the Congress shall make."
Often a court will assert a modest degree of power over a case for the threshold purpose of determining whether it has jurisdiction, and so the word "power" is not necessarily synonymous with the word "jurisdiction".[9][10]
Judicial review[edit]
Main articles: Judicial review and Judicial review in the United States
The power of the federal judiciary to review the constitutionality of a statute or treaty, or to review an administrative regulation for consistency with either a statute, a treaty, or the Constitution itself, is an implied power derived in part from Clause 2 of Section 2.[11]
Though the Constitution does not expressly provide that the federal judiciary has the power of judicial review, many of the Constitution's Framers viewed such a power as an appropriate power for the federal judiciary to possess. In Federalist No. 78, Alexander Hamilton wrote,
The interpretation of the laws is the proper and peculiar province of the courts. A constitution, is, in fact, and must be regarded by the judges, as a fundamental law. It therefore belongs to them to ascertain its meaning, as well as the meaning of any particular act proceeding from the legislative body. If there should happen to be an irreconcilable variance between two, that which has the superior obligation and validity ought, of course, to be preferred; or, in other words, the constitution ought to be preferred to the statute, the intention of the people to the intention of their agents.[12]
Others, however, disagreed, claiming that each branch could determine for itself the constitutionality of its actions.
A continuation of the text of Federalist No. 78 by Hamilton [below] counterbalances the tone of "judicial supremacists" who demand that both Congress and the Executive are compelled by the Constitution to enforce all court decisions, including those that, in their eyes, or those of the People, violate fundamental American principles.
Nor does this conclusion by any means suppose a superiority of the judicial to the legislative power. It only supposes that the power of the people is superior to both; and that where the will of the legislature, declared in its statutes, stands in opposition to that of the people, declared in the Constitution, the judges ought to be governed by the latter rather than the former. They ought to regulate their decisions by the fundamental laws, rather than by those which are not fundamental.[12] [emphasis added]
Hamilton continues. . .
It can be of no weight to say that the courts, on the pretense of a repugnancy, may substitute their own pleasure to the constitutional intentions of the legislature. This might as well happen in the case of two contradictory statutes; or it might as well happen in every adjudication upon any single statute. The courts must declare the sense of the law; and if they should be disposed to exercise WILL instead of JUDGMENT, the consequence would equally be the substitution of their pleasure to that of the legislative body. The observation, if it prove any thing, would prove that there ought to be no judges distinct from that body.[12] [emphasis added]
Marbury v. Madison involved a highly partisan set of circumstances. Though Congressional elections were held in November 1800, the newly elected officers did not take power until March. The Federalist Party had lost the elections. In the words of President Thomas Jefferson, the Federalists "retired into the judiciary as a stronghold". In the four months following the elections, the outgoing Congress created several new judgeships, which were filled by President John Adams. In the last-minute rush, however, Federalist Secretary of State John Marshall had neglected to deliver 17 of the commissions to their respective appointees. When James Madison took office as Secretary of State, several commissions remained undelivered. Bringing their claims under the Judiciary Act of 1789, the appointees, including William Marbury, petitioned the Supreme Court for the issue of a writ of mandamus, which in English law had been used to force public officials to fulfill their ministerial duties. Here, Madison would be required to deliver the commissions.
Secretary of State James Madison, who won Marbury v. Madison, but lost Judicial review.
Marbury posed a difficult problem for the court, which was then led by Chief Justice John Marshall, the same person who had neglected to deliver the commissions when he was the Secretary of State. If Marshall's court commanded James Madison to deliver the commissions, Madison might ignore the order, thereby indicating the weakness of the court. Similarly, if the court denied William Marbury's request, the court would be seen as weak. Marshall held that appointee Marbury was indeed entitled to his commission. However, Justice Marshall contended that the Judiciary Act of 1789 was unconstitutional, since it purported to grant original jurisdiction to the Supreme Court in cases not involving the States or ambassadors[citation needed]. The ruling thereby established that the federal courts could exercise judicial review over the actions of Congress or the executive branch.
However, Alexander Hamilton, in Federalist No. 78, expressed the view that the Courts hold only the power of words, and not the power of compulsion upon those other two branches of government, upon which the Supreme Court is itself dependent. Then in 1820, Thomas Jefferson expressed his deep reservations about the doctrine of judicial review:
You seem ... to consider the judges as the ultimate arbiters of all constitutional questions; a very dangerous doctrine indeed, and one which would place us under the despotism of an oligarchy. Our judges are as honest as other men, and not more so. They have, with others, the same passions for party, for power, and the privilege of their corps.... Their power [is] the more dangerous as they are in office for life, and not responsible, as the other functionaries are, to the elective control. The Constitution has erected no such single tribunal, knowing that to whatever hands confided, with the corruptions of time and party, its members would become despots. It has more wisely made all the departments co-equal and co-sovereign within themselves.[13]
Clause 3: Federal trials[edit]
A nineteenth-century painting of a jury.
Clause 3 of Section 2 provides that Federal crimes, except impeachment cases, must be tried before a jury, unless the defendant waives his right. Also, the trial must be held in the state where the crime was committed. If the crime was not committed in any particular state, then the trial is held in such a place as set forth by the Congress. The United States Senate has the sole power to try impeachment cases.[14]
Two of the Constitutional Amendments that comprise the Bill of Rights contain related provisions. The Sixth Amendment enumerates the rights of individuals when facing criminal prosecution and the Seventh Amendment establishes an individual's right to a jury trial in certain civil cases. It also inhibits courts from overturning a jury's findings of fact. The Supreme Court has extended the protections of these amendments to individuals facing trial in state courts through the Due Process Clause of the Fourteenth Amendment.
Section 3: Treason[edit]
Main article: Treason laws in the United States
Iva Toguri, known as Tokyo Rose, and Tomoya Kawakita were two Japanese Americans who were tried for treason after World War II.
Section 3 defines treason and its punishment.
Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.
The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.
The Constitution defines treason as specific acts, namely "levying War against [the United States], or in adhering to their Enemies, giving them Aid and Comfort." A contrast is therefore maintained with the English law, whereby crimes including conspiring to kill the King or "violating" the Queen, were punishable as treason. In Ex Parte Bollman, 8 U.S. 75 (1807), the Supreme Court ruled that "there must be an actual assembling of men, for the treasonable purpose, to constitute a levying of war."[15]
Under English law effective during the ratification of the U.S. Constitution, including the Treason Act 1351, there were essentially five species of treason.[citation needed] Of the five, the Constitution adopted only two: levying war and adhering to enemies. Omitted were species of treason involving encompassing (or imagining) the death of the king, certain types of counterfeiting, and finally fornication with women in the royal family of the sort which could call into question the parentage of royal successors. James Wilson wrote the original draft of this section, and he was involved as a defense attorney for some accused of treason against the Patriot cause.
Section 3 also requires the testimony of two different witnesses on the same overt act, or a confession by the accused in open court, to convict for treason. This rule was derived from an older English statute, the Treason Act 1695.[16]
In Cramer v. United States, 325 U.S. 1 (1945), the Supreme Court ruled that "[e]very act, movement, deed, and word of the defendant charged to constitute treason must be supported by the testimony of two witnesses."[17] In Haupt v. United States, 330 U.S. 631 (1947), however, the Supreme Court found that two witnesses are not required to prove intent, nor are two witnesses required to prove that an overt act is treasonable. The two witnesses, according to the decision, are required to prove only that the overt act occurred (eyewitnesses and federal agents investigating the crime, for example).
Punishment for treason may not "work Corruption of Blood, or Forfeiture except during the Life of the Person" so convicted. The descendants of someone convicted for treason could not, as they were under English law, be considered "tainted" by the treason of their ancestor. Furthermore, Congress may confiscate the property of traitors, but that property must be inheritable at the death of the person convicted.
In Federalist No. 43 James Madison wrote regarding the Treason Clause:
As treason may be committed against the United States, the authority of the United States ought to be enabled to punish it. But as new-fangled and artificial treasons have been the great engines by which violent factions, the natural offspring of free government, have usually wreaked their alternate malignity on each other, the convention have, with great judgment, opposed a barrier to this peculiar danger, by inserting a constitutional definition of the crime, fixing the proof necessary for conviction of it, and restraining the Congress, even in punishing it, from extending the consequences of guilt beyond the person of its author.
Based on the above quotation, it was noted by the lawyer William J. Olson in an amicus curiae in the case Hedges v. Obama that the Treason Clause was one of the enumerated powers of the federal government.[18] He also stated that by defining treason in the U.S. Constitution and placing it in Article III "the founders intended the power to be checked by the judiciary, ruling out trials by military commissions. As James Madison noted, the Treason Clause also was designed to limit the power of the federal government to punish its citizens for “adhering to [the] enemies [of the United States by], giving them aid and comfort.”"[18]
See also[edit]
United States constitutional criminal procedure
References[edit]
Jump up ^ 28 U.S.C. § 1
Jump up ^ Epstein, Lee; Walker, Thomas G. (2007). Constitutional Law for a Changing America: Institutional Powers and Constraints (6th ed.). Washington, D.C.: CQ Press. ISBN 978-1-933116-81-5., at 451.
Jump up ^ "Judges of the United States Courts – Delahay, Mark W.". Federal Judicial Center. n.d. Retrieved 2009-07-02.
Jump up ^ staff (n.d.). "Judges of the United States Courts – English, George Washington". Federal Judicial Center. Retrieved 2009-07-02.
Jump up ^ "Judges of the United States Courts – Kent, Samuel B.". Federal Judicial Center. n.d. Retrieved 2009-07-02.
Jump up ^ "Annotation 1 – Eleventh Amendment – State Immunity". FindLaw. Retrieved May 4, 2013.
Jump up ^ United States v. Texas, 143 U.S. 621 (1892). A factor in United States v. Texas was that there had been an "act of congress requiring the institution of this suit". With a few narrow exceptions, courts have held that Congress controls access to the courts by the United States and its agencies and officials. See, e.g., Newport News Shipbuilding & Dry Dock Co., 514 U.S. 122 ("Agencies do not automatically have standing to sue for actions that frustrate the purposes of their statutes"). Also see United States v. Mattson, 600 F. 2d 1295 (9th Cir. 1979).
Jump up ^ Cohens v. Virginia, 19 U.S. 264 (1821): "[T]he original jurisdiction of the Supreme court, in cases where a state is a party, refers to those cases in which, according to the grant of power made in the preceding clause, jurisdiction might be exercised, in consequence of the character of the party."
Jump up ^ Cover, Robert. Narrative, Violence and the Law (U. Mich. 1995): "Every denial of jurisdiction on the part of a court is an assertion of the power to determine jurisdiction...."
Jump up ^ Di Trolio, Stefania. "Undermining and Unintwining: The Right to a Jury Trial and Rule 12(b)(1) Archived July 5, 2011, at the Wayback Machine.", Seton Hall Law Review, Volume 33, page 1247, text accompanying note 82 (2003).
Jump up ^ "The Establishment of Judicial Review". Findlaw.
^ Jump up to: a b c "The Federalist Papers : No. 78". Archived from the original on 29 October 2006. Retrieved 2006-10-28.
Jump up ^ Jefferson, Thomas. The Writings of Thomas Jefferson, Letter to William Jarvis (September 28, 1820).
Jump up ^ U.S. Constitution, Art. I, sec. 3
Jump up ^ Bollman, at 126
Jump up ^ This rule was abolished in the United Kingdom in 1945.
Jump up ^ Cramer, at 34
^ Jump up to: a b Olson, William J. (16 April 2012). "Case 1:12-cv-00331-KBF Document 29-2 Filed 04/16/12 AMICUS CURIAE BRIEF OF VIRGINIA STATE DELEGATE BOB MARSHALL, VIRGINIA STATE SENATOR DICK BLACK, DOWNSIZE DC FOUNDATION, DOWNSIZEDC.ORG, INC., U.S. JUSTICE FOUNDATION, INSTITUTE ON THE CONSTITUTION, GUN OWNERS FOUNDATION, GUN OWNERS OF AMERICA, INC., THE LINCOLN INSTITUTE FOR RESEARCH AND EDUCATION, THE WESTERN CENTER FOR JOURNALISM, CONSERVATIVE LEGAL DEFENSE AND EDUCATION FUND, U.S. BORDER CONTROL, RESTORING LIBERTY ACTION COMMITTEE, TENTH AMENDMENT CENTER, CENTER FOR MEDIA AND DEMOCRACY, BILL OF RIGHTS DEFENSE COMMITTEE, PASTOR CHUCK BALDWIN, PROFESSOR JEROME AUMENTE, AND THE CONSTITUTION PARTY NATIONAL COMMITTEE IN SUPPORT OF PLAINTIFFS" (PDF). Friedman, Harfenist, Kraut & Perlstein, PPC. lawandfreedom.com. pp. 15–16.
Bibliography[edit]
Irons, Peter. (1999). A People's History of the Supreme Court. New York: Penguin.
This article incorporates material from Judicial Procedures Reform Bill of 1937.
External links[edit]
Kenneth R. Thomas and Larry M. Eig (Eds). (2014). The Constitution of the United States of America: Analysis and Interpretation., gpo.gov
CRS Annotated Constitution: Article 3, law.cornell.edu
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Practice What You Preach (Barry White song)
From Wikipedia, the free encyclopedia
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"Practice What You Preach" is the title of a number-one R&B single by singer Barry White, written by Barry White, Gerald Levert, Edwin Nicholas, from White's 1994 album The Icon Is Love. The hit song spent three weeks at number-one on the US R&B chart and reached 18 on the pop chart.[1] It became a gold record. The 1994 single also won a Soul Train Music Award for Best R&B/Soul Song of the Year.
See also[edit]
R&B number-one hits of 1994 (USA)
References[edit]
Jump up ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 621.
External links[edit]
Lyrics of this song at MetroLyrics
Retrieved from "https://en.wikipedia.org/w/index.php?title=Practice_What_You_Preach_(Barry_White_song)&oldid=817337768"
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A Hat in Time
From Wikipedia, the free encyclopedia
Jump to: navigation, search
A Hat in Time
Developer(s)
Gears for Breakfast
Publisher(s)
Humble Bundle[1]
Director(s)
Jonas Kærlev
Designer(s)
Jonas Kærlev
Aaron Lomas
Programmer(s)
Jonas Kærlev
Artist(s)
Jenna Brown
William T. Nicholls
Luigi Lucarelli
Sieger Vink
Writer(s)
Jonas Kærlev
Aaron Lomas
Composer(s)
Pascal Michael Stiefel
Engine
Unreal Engine 3
Platform(s)
macOS
Microsoft Windows
PlayStation 4
Xbox One
Release
Microsoft Windows, macOS
WW: October 5, 2017
PlayStation 4
NA: December 5, 2017
EU: December 6, 2017
Xbox One
WW: December 7, 2017
Genre(s)
Platforming, action-adventure
Mode(s)
Single-player, multiplayer
A Hat in Time is a platform game developed by Gears for Breakfast and published by Humble Bundle for macOS, Microsoft Windows, PlayStation 4, and Xbox One.[2][3][4] The game was made using Unreal Engine 3 and funded through a Kickstarter campaign, which doubled its fundraising goals within its first two days.[5] It is inspired by earlier 3D platformers for the Nintendo 64 and GameCube[6] such as Super Mario 64, Banjo-Kazooie, and Super Mario Sunshine.[7][8] The game was released for Microsoft Windows and macOS in October 2017, and was released for the PlayStation 4 and Xbox One two months later.[9]
Contents
[hide]
1 Plot
2 Gameplay
3 Development
4 Reception
4.1 Sales
5 References
6 External links
Plot[edit]
A Hat in Time follows Hat Kid, a young girl trying to return to her home world via spaceship. While on her journey, she passes over a planet, and a member of the planet's Mafia comes to collect a toll for the Mafia Town government. The Mafia man busts the spaceship door open, causing Hat Kid and all of her "Time Pieces", magical hourglasses that power her ship, to fall to the planet below. Hat Kid lands in Mafia Town and meets Mustache Girl, a local troublemaker who hates "bad guys". Mustache Girl agrees to look for the missing Time Pieces in exchange for Hat Kid's help fighting the Mafia, and the two defeat the Mafia Boss. When Mustache Girl realizes the Time Pieces can rewind time, she wants to use them to become a time-traveling superhero, but Hat Kid refuses due to the dangers of manipulating time. Angered, Mustache Girl declares the two enemies and sets off to find the Time Pieces on her own.
Hat Kid ventures across the planet looking for Time Pieces and encounters many foes, including two birds competing for a movie award, a malevolent spirit that steals Hat Kid's soul, and a group of mountain villagers infected by a dangerous plague, ultimately befriending them all. While Hat Kid is exploring, Mustache Girl breaks into her ship and steals her Time Pieces, using them to turn the planet into a fiery inferno where her word is law. Hat Kid confronts her, but Mustache Girl uses the Time Pieces to open a time rift and make herself all-powerful. The enemies Hat Kid has fought come to her aid in battle, ultimately deciding to destroy themselves so that Hat Kid can use the Pons they drop to power herself up. Hat Kid finally defeats Mustache Girl and uses the Time Pieces to restore the planet to normal and revive all those who were killed. Though her former foes are sad to see her leave, Hat Kid restores the Time Pieces to her vault and resumes her voyage home.[10][11]
Gameplay[edit]
The gameplay style has been described by several editors to be similar to Nintendo 64 platformers such as Super Mario 64 and Banjo-Kazooie.[12][13] Players travel between four open levels, which can be freely explored without time limits. Players collect various items, solve puzzles, and use an umbrella to combat enemies. The primary objective is to collect Time Pieces, 40 of which can be found in the game, which unlock additional levels as more are collected.[14] After being defeated, the enemies drop "Pons", currency that can be used to unlock additional challenges and purchase badges that increase Hat Kid's abilities.[15] Players can collect Yarn Balls in each level, which can be stitched into new hats to wear. Each hat grants Hat Kid a different ability, such as a faster sprint or brewing explosive potions. Other collectibles include Relics, which can be used to unlock Time Rift bonus levels, and Rift Tokens, which can be exchanged at a machine for bonus materials such as music remixes and additional cosmetics. Initial actions taken earlier in the game have an effect on later levels, as the main character revisits each area several times before the game is finished.[7]
Development[edit]
The initial idea for A Hat in Time was started by director Jonas Kærlev, who launched the project as an answer to his feeling of an ongoing shortage of 3D platformers, specifically developed by Nintendo. In an interview with Polygon, Kærlev revealed that he and Gears for Breakfast initially did not expect the Kickstarter success A Hat in Time eventually received. Kærlev concluded that there would be little demand for the game due to Donkey Kong 64's effects on the genre, which he perceived as overwhelming the player with too much collecting.[16] Development for the game started in August 2012 and was planned for a Q2 2013 release but has been significantly delayed. At the start of development, Kærlev was the sole developer of the game but over time the development grew into Gears for Breakfast, a team spanning four countries and entirely volunteer-based.[7][16] Through the Kickstarter campaign the game surpassed the initial goal of $30,000 with a final total of $296,360.[17] In July 2013, it was announced that the game had been greenlit for release via Steam.[18] Several guest composers contributed tracks to the game, including Grant Kirkhope.
Reception[edit]
A Hat in Time received "generally favorable reviews", according to review aggregator Metacritic.[19] Chris Carter from Destructoid gave the game an 8.5 out of 10 calling it an "Impressive effort with a few noticeable problems holding it back".[20] PC Gamer's Dominic Tarason rated the game 86/100 saying, "Some scuff-marks aside, A Hat in Time is a creative, playful, and polished tribute to a genre that doesn't get nearly enough love on PC."[21]
Sales[edit]
Two weeks after its release, A Hat in Time had sold 50,000 copies.[22]
References[edit]
Jump up ^ "Humble Bundle Becomes a Games Publisher". IGN.com. Retrieved 2017-02-10.
Jump up ^ "ANNOUNCEMENT: A Hat in Time coming to PS4 and XBOX ONE this Fall!". Kickstarter. Retrieved October 8, 2017.
Jump up ^ "Meet the Team". Hatintime.com. Gears for Breakfast. Retrieved 2014-03-18.
Jump up ^ Toyad, Jonathan (2013-06-02). "Denmark studio opens Kickstarter for A Hat in Time". GameSpot. Retrieved 2013-06-25.
Jump up ^ Mitchell, Richard (2013-05-30). "A Hat in Time winds up on Kickstarter, wakes memories of games gone by". Joystiq. Retrieved 2013-06-25.
Jump up ^ A Hat in Time (20 May 2017). "Tweet Number 865911187615223808". Twitter. Retrieved 21 May 2017. While A Hat in Time is inspired by GameCube games like Super Mario Sunshine, we guarantee that no one in A Hat in Time is a chuckster
^ Jump up to: a b c Matulef, Jeffrey (2012-11-16). "A Hat in Time channels Wind Waker's aesthetic for a PC and Mac platformer". Eurogamer. Retrieved 2013-06-28.
Jump up ^ "A Hat in Time - Quirky 3D Platformer!". Gears for Breakfast. Retrieved 2015-09-14.
Jump up ^ @HatInTime (November 27, 2017). "A Hat in Time is releasing for #XboxOne and #Playstation4 on December 6th! That's right, next week" (Tweet) – via Twitter.
Jump up ^ Matulef, Jeffrey (2012-05-31). "Wind Waker-esque platformer A Hat in Time soars on Kickstarter". Eurogamer. Retrieved 2013-06-25.
Jump up ^ Hancock, Patrick (2013-01-17). "A Hat in Time needs to be on your radar". Destructoid. Retrieved 2013-06-25.
Jump up ^ Hernandez, Patricia (2013-05-30). "It Looks Like Wind Waker and Plays Like Super Mario 64. Fantastic". Kotaku. Retrieved 2013-06-27.
Jump up ^ Petitte, Omri (2012-11-16). "A Hat in Time is a collect-a-thon platformer with familiar roots". PC Gamer. Retrieved 2013-07-05.
Jump up ^ Cook, Dave (2013-05-30). "A Hat in Time: Kickstarter platform game gives off a Wind Waker vibe". VG247. Retrieved 2013-06-29.
Jump up ^ Ba-oh, Jorge (2013-07-02). "Interview: Gears for Breakfast Talk A Hat in Time". Cubed3. Retrieved 2013-07-05.
^ Jump up to: a b McElroy, Griffin (2013-06-09). "A Hat in Time hopes to atone for the platforming sins of Donkey Kong 64". Polygon. Retrieved 2013-06-29.
Jump up ^ "A Hat in Time Kickstarter data". Kicktraq. Retrieved 2013-06-29.
Jump up ^ "Sixteen More Titles Greenlit Today". Steam. 2013-07-24. Retrieved 2015-05-07.
Jump up ^ "A Hat in Time for PC Reviews". Metacritic. Retrieved October 6, 2017.
Jump up ^ Carter, Chris (October 3, 2017). "Review: A Hat in Time". Destructoid. Retrieved October 6, 2017.
Jump up ^ Tarason, Dominic (October 11, 2017). "A Hat in Time Review". PC Gamer. Retrieved October 13, 2017.
Jump up ^ @HatInTime (October 18, 2017). "A Hat in Time has officially sold 50,000 units" (Tweet). Retrieved October 18, 2017 – via Twitter.
External links[edit]
Official website
Retrieved from "https://en.wikipedia.org/w/index.php?title=A_Hat_in_Time&oldid=814673252"
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Love Runs Out
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For 1965 song, see Willie Hutch.
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2014) (Learn how and when to remove this template message)
"Love Runs Out"
Single by OneRepublic
from the album Native
Released
April 14, 2014 (2014-04-14)
Format
Digital download
Recorded
2012–13; Studio Faust Records (Prague); Studio Le Roy (Amsterdam); Motorbass Studio (Paris); Metropolis Studio (London); Tritonus Studio (Berlin)
Length
3:44
Label
Mosley
Interscope
Songwriter(s)
Ryan Tedder
Brent Kutzle
Drew Brown
Zach Filkins
Eddie Fisher
Producer(s)
Ryan Tedder
OneRepublic singles chronology
"Something I Need"
(2013) "Love Runs Out"
(2014) "I Lived"
(2014)
"Something I Need"
(2013) "Love Runs Out"
(2014) "I Lived"
(2014)
"Love Runs Out" is a song recorded by American pop rock band OneRepublic for the 2014 reissue of their third studio album Native (2013). It was produced by Ryan Tedder, who co-wrote the song with Brent Kutzle, Drew Brown, Zach Filkins, and Eddie Fisher. The song was digitally released in Australia on April 14, 2014, and was serviced to contemporary hit radio in the United States on May 6 as the fifth overall single from the album.
Contents
[hide]
1 Background and composition
2 Critical reception
3 Commercial performance
4 Music video
5 Track listing
6 Credits and personnel
7 Charts
7.1 Weekly charts
7.2 Year-end charts
8 Certifications
9 Release history
10 References
Background and composition[edit]
"Love Runs Out" was originally intended to be the first single from Native, but was eventually passed over in favour of "If I Lose Myself". Tedder told Capital FM, "We have a new single that's not even on the album that's about to drop. I can't quote the date," and "I wanted ["Love Runs Out"] to be the first single, a few of us in the band did, but I could not finish the chorus. And you can't have a song without a chorus."[1]
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Love Runs Out" is written in the key of G minor with a moderate tempo of 120 beats per minute. Tedder's vocals span from D3 to D5 in the song.[2]
Critical reception[edit]
4Music called "Love Runs Out" a "spine-tingling track" with "slick production"[3] and a "stomper".[4]
Commercial performance[edit]
"Love Runs Out" debuted at number 81 on the Billboard Hot 100 and at number 22 on the New Zealand Singles Chart. The song eventually reached a peak of number 15 on the Hot 100. It reached its million sales mark in the US in August 2014[5] and by the end of 2014 had sold 1.4 million copies.[6]
The song charted even higher in other countries. It reached the top 5 in Austria, Luxembourg, Canada, Germany and the UK, as well as the top 10 in Spain and South Africa.
Music video[edit]
A music video was produced for the song. It cost the group $180,000. The video has references to Sade's video "Soldier of Love".[7] It has 100 million views as of June 16, 2017, and is OneRepublic's fifth most viewed music video (excluding "Apologize", whose music video is on the VEVO channel for Timbaland instead of OneRepublic).
Track listing[edit]
Digital download[8]
"Love Runs Out" – 3:44
CD single
"Love Runs Out" – 3:44
"Counting Stars" (Mico C remix edit) – 3:18
"Love Runs Out" – remixes
"Love Runs Out" (Passion Pit Remix) – 5:00
"Love Runs Out" (Grabbitz Remix) – 3:19
"Love Runs Out" (Disciples Remix) – 4:59
Credits and personnel[edit]
Credits adapted from the liner notes of Native.[9]
Locations
Recorded at Studio Faust Records, Prague, Czech Republic; Studio Le Roy Amsterdam, Netherlands; Motorbass Studio, Paris, France; Metropolis Studio London, United Kingdom; Tritonus Studio Berlin, Germany
Mixed at MixStar Studios, Virginia Beach, Virginia
Personnel
Songwriting – Ryan Tedder, Brent Kutzle, Drew Brown, Zach Filkins, Eddie Fisher
Production – Ryan Tedder
Backing vocals – Bobbie Gordon, Brent Kutzle, Zach Filkins
Bass – Brent Kutzle
Drums – Eddie Fisher
Engineer – Gerd Krueger, Luke Oldham, Mikel Le Roy, Ryan Tedder, Benjamin McCulloch, Derek Saxenmeyer, Steve Walsh
Engineering assistant – Aaron Ahmad, Sam Harper
Guitar – Drew Brown, Ryan Tedder
Mixing – Serban Ghenea
Piano – Ryan Tedder
Percussion – Zach Filkins
Additional programming – Ryan Tedder
Charts[edit]
Weekly charts[edit]
Chart (2014–15)
Peak
position
Australia (ARIA)[10]
22
Austria (Ö3 Austria Top 40)[11]
3
Belgium (Ultratop 50 Flanders)[12]
33
Belgium (Ultratop 50 Wallonia)[13]
19
Canada (Canadian Hot 100)[14]
4
Czech Republic (Rádio Top 100)[15]
33
Czech Republic (Singles Digitál Top 100)[16]
19
Denmark (Tracklisten)[17]
13
France (SNEP)[18]
76
Germany (Official German Charts)[19]
3
Hungary (Rádiós Top 40)[20]
5
Hungary (Single Top 40)[21]
3
Ireland (IRMA)[22]
14
Israel (Media Forest)[23]
4
Italy (FIMI)[24]
17
Luxembourg (Billboard)[25]
2
Netherlands (Dutch Top 40)[26]
29
New Zealand (Recorded Music NZ)[27]
20
Poland (Polish Airplay Top 100) [28]
5
Scotland (Official Charts Company)[29]
1
Slovakia (Rádio Top 100)[30]
31
Slovakia (Singles Digitál Top 100)[31]
19
Spain (PROMUSICAE)[32]
10
South Africa (EMA)[33]
8
Sweden (Sverigetopplistan)[34]
31
Switzerland (Schweizer Hitparade)[35]
3
UK Singles (Official Charts Company)[36]
3
US Billboard Hot 100[37]
15
US Adult Alternative Songs (Billboard)[38]
9
US Adult Contemporary (Billboard)[39]
15
US Adult Top 40 (Billboard)[40]
4
US Mainstream Top 40 (Billboard)[41]
9
Year-end charts[edit]
Chart (2014)
Position
Canada (Canadian Hot 100)[42]
28
Germany (Official German Charts)[43]
10
Italy (FIMI)[44]
69
Poland (ZPAV)[45]
27
United Kingdom (Official Charts Company)[46]
77
US Billboard Hot 100[47]
67
US Adult Alternative Songs (Billboard)[48]
31
Certifications[edit]
Region
Certification
Certified units/Sales
Australia (ARIA)[49]
Gold 35,000^
Canada (Music Canada)[50]
Platinum 80,000^
Germany (BVMI)[51]
Gold 150,000^
Italy (FIMI)[52]
Platinum 30,000*
New Zealand (RMNZ)[53]
Gold 7,500*
Sweden (GLF)[54]
Platinum 40,000^
Switzerland (IFPI Switzerland)[55]
Platinum 30,000^
United Kingdom (BPI)[56]
Gold 400,000
United States
1,400,000[6]
Streaming
Denmark (IFPI Denmark)[57]
Gold 1,300,000^
*sales figures based on certification alone
^shipments figures based on certification alone
sales+streaming figures based on certification alone
Release history[edit]
Country
Date
Format
Label
Australia[8]
April 15, 2014 Digital download
Mosley Music Group
Interscope Records
Austria[58]
Netherlands[59]
Switzerland[60]
United States[61][62]
May 5, 2014 Adult album alternative radio
May 6, 2014 Contemporary hit radio
Germany[63]
June 6, 2014 Digital download
Ireland[64]
July 25, 2014
United Kingdom[65]
August 3, 2014
References[edit]
Jump up ^ Rigby, Sam (April 13, 2014). "OneRepublic's new single 'Love Runs Out' leaks online". Digital Spy. Hearst Magazines UK. Retrieved April 25, 2014.
Jump up ^ Tedder, Ryan. "OneRepublic "Love Runs Out" Sheet Music - Download & Print". musicnotes.com.
Jump up ^ "This Week's Fresh Music". 19 July 2014. 4Music. Missing or empty |series= (help)
Jump up ^ "This Week's Fresh Music". 25 July 2014. 4Music. Missing or empty |series= (help)
Jump up ^ Paul Grein (August 13, 2014). "Chart Watch: MAGIC! Again Blocks Sam". Yahoo! Music.
^ Jump up to: a b "The Big 9 in 2014: Interscope". HITS Daily Double. HITS Digital Ventures. December 10, 2014. Archived from the original on December 11, 2014. Retrieved December 10, 2014.
Jump up ^ "This Week's Fresh Music Top 20". 26 August 2014. 4Music. Missing or empty |series= (help)
^ Jump up to: a b "Music - Love Runs Out - Single by OneRepublic". iTunes Store (AU). Retrieved April 19, 2014.
Jump up ^ Native (inlay cover). OneRepublic. Mosley Music Group, Interscope Records. 2014.
Jump up ^ "Australian-charts.com – OneRepublic – Love Runs Out". ARIA Top 50 Singles. Retrieved April 25, 2014.
Jump up ^ "Austriancharts.at – OneRepublic – Love Runs Out" (in German). Ö3 Austria Top 40. Retrieved July 17, 2014.
Jump up ^ "Ultratop.be – OneRepublic – Love Runs Out" (in Dutch). Ultratop 50. Retrieved July 30, 2015.
Jump up ^ "Ultratop.be – OneRepublic – Love Runs Out" (in French). Ultratop 50. Retrieved July 30, 2015.
Jump up ^ "OneRepublic Chart History (Canadian Hot 100)". Billboard. Retrieved December 21, 2014.
Jump up ^ "ČNS IFPI" (in Czech). Hitparáda – Radio Top 100 Oficiální. IFPI Czech Republic. Note: insert 201426 into search. Retrieved December 21, 2014.
Jump up ^ "ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic. Note: insert 201430 into search. Retrieved July 29, 2014.
Jump up ^ "Danishcharts.com – OneRepublic – Love Runs Out". Tracklisten. Retrieved April 25, 2014.
Jump up ^ "Lescharts.com – OneRepublic – Love Runs Out" (in French). Les classement single. Retrieved July 30, 2015.
Jump up ^ "Musicline.de – OneRepublic Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH. Retrieved April 25, 2014.
Jump up ^ "Archívum – Slágerlisták – MAHASZ" (in Hungarian). Rádiós Top 40 játszási lista. Magyar Hanglemezkiadók Szövetsége. Retrieved December 21, 2014.
Jump up ^ "Archívum – Slágerlisták – MAHASZ" (in Hungarian). Single (track) Top 40 lista. Magyar Hanglemezkiadók Szövetsége. Retrieved December 21, 2014.
Jump up ^ "Chart Track: Week 33, 2014". Irish Singles Chart. Retrieved December 21, 2014.
Jump up ^ "OneRepublic – Love Runs Out Media Forest". Israeli Airplay Chart. Media Forest. Retrieved August 31, 2014.
Jump up ^ "Top Digital Download – Classifica settimanale WK 31 (dal 28-07-2014 al 03-08-2014)" (in Italian). Federazione Industria Musicale Italiana. Archived from the original on August 8, 2014. Retrieved August 7, 2014.
Jump up ^ "Luxembourg Digital Songs". Billboard. July 19, 2014. Retrieved June 19, 2014. (Subscription required (help)).
Jump up ^ "Nederlandse Top 40 – week 21, 2014" (in Dutch). Dutch Top 40 Retrieved December 21, 2014.
Jump up ^ "Charts.org.nz – OneRepublic – Love Runs Out". Top 40 Singles. Retrieved April 25, 2014.
Jump up ^ "Listy bestsellerów, wyróżnienia :: Związek Producentów Audio-Video". Polish Airplay Top 100. Retrieved September 22, 2014.
Jump up ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved December 21, 2014.
Jump up ^ "SNS IFPI" (in Slovak). Hitparáda – Radio Top 100 Oficiálna. IFPI Czech Republic. Note: insert 201426 into search. Retrieved December 21, 2014.
Jump up ^ "SNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic. Note: insert 201427 into search. Retrieved July 8, 2014.
Jump up ^ "Spanishcharts.com – {{{artist}}} – {{{song}}}" Canciones Top 50. Retrieved December 21, 2014.
Jump up ^ "EMA Top 10 Airplay: Week Ending 2014-06-17". Entertainment Monitoring Africa. Retrieved September 16, 2015.
Jump up ^ "Swedishcharts.com – OneRepublic – Love Runs Out". Singles Top 100. Retrieved June 5, 2014.
Jump up ^ "Swisscharts.com – OneRepublic – Love Runs Out". Swiss Singles Chart. Retrieved April 25, 2014.
Jump up ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved December 21, 2014.
Jump up ^ "OneRepublic Chart History (Hot 100)". Billboard. Retrieved July 17, 2014.
Jump up ^ "OneRepublic Chart History (Adult Alternative Songs)". Billboard. Retrieved July 17, 2014.
Jump up ^ "OneRepublic Chart History (Adult Contemporary)". Billboard. Retrieved July 17, 2014.
Jump up ^ "OneRepublic Chart History (Adult Pop Songs)". Billboard. Retrieved July 17, 2014.
Jump up ^ "OneRepublic Chart History (Pop Songs)". Billboard. Retrieved July 17, 2014.
Jump up ^ "Canadian Hot 100: Year End 2014". Billboard. Retrieved December 21, 2014.
Jump up ^ "Top 100 Single-Jahrescharts". GfK Entertainment (in German). offiziellecharts.de. Retrieved 10 August 2015.
Jump up ^ "FIMI - Classifiche Annuali 2014 "TOP OF THE MUSIC" FIMI-GfK: un anno di musica italiana" (in Italian). Federazione Industria Musicale Italiana. Archived from the original on 13 January 2015. Retrieved 14 January 2015.
Jump up ^ "Utwory, których słuchaliśmy w radiu – Airplay 2014" (in Polish). Polish Society of the Phonographic Industry. Retrieved January 21, 2015.
Jump up ^ Copsey, Rob (31 December 2014). "The Official Top 100 Biggest Songs of 2014 revealed". Official Charts Company. Retrieved 31 January 2014.
Jump up ^ "Hot 100 Songs: Year End 2014". Billboard. Retrieved December 21, 2014.
Jump up ^ "Adult Alternative Songs: Year End 2014". Billboard. Retrieved December 21, 2014.
Jump up ^ "ARIA Charts – Accreditations – 2014 Singles". Australian Recording Industry Association.
Jump up ^ "Canadian single certifications – OneRepublic – Love Runs Out". Music Canada.
Jump up ^ "Gold-/Platin-Datenbank (OneRepublic; 'Love Runs Out')" (in German). Bundesverband Musikindustrie.
Jump up ^ "Italian single certifications – OneRepublic – Love Runs Out" (in Italian). Federazione Industria Musicale Italiana. Retrieved December 30, 2014.
Jump up ^ "New Zealand single certifications – OneRepublic – Love Runs Out". Recorded Music NZ.
Jump up ^ "OneRepublic - Love Runs Out" (in Swedish). Grammofon Leverantörernas Förening. Retrieved December 24, 2014.
Jump up ^ "The Official Swiss Charts and Music Community: Awards (OneRepublic; 'Love Runs Out')". IFPI Switzerland. Hung Medien.
Jump up ^ "British single certifications – OneRepublic – Love Runs Out". British Phonographic Industry. Retrieved November 3, 2017. Enter Love Runs Out in the search field and then press Enter.
Jump up ^ "Certificeringer - OneRepublic - Love Runs Out" (in Danish). IFPI Denmark. Retrieved October 9, 2014.
Jump up ^ "iTunes - Musik – „Love Runs Out - Single" von OneRepublic". iTunes.
Jump up ^ "iTunes - Muziek - 'Love Runs Out - Single' van OneRepublic". iTunes.
Jump up ^ "iTunes - Musik – „Love Runs Out - Single" von OneRepublic". iTunes.
Jump up ^ "Triple A E-Weekly". All Access Music Group. Retrieved August 18, 2014.
Jump up ^ "Top 40/M Future Releases". All Access Music Group. Archived from the original on May 2, 2014. Retrieved April 18, 2014.
Jump up ^ [1]
Jump up ^ "Music - Love Runs Out - Single by OneRepublic". iTunes Store (IE). Retrieved April 19, 2014.
Jump up ^ "Music - Love Runs Out - Single by OneRepublic". iTunes Store (GB). Retrieved April 19, 2014.
[hide]
v
t
e
OneRepublic
Ryan Tedder
Zach Filkins
Drew Brown
Eddie Fisher
Brent Kutzle
Tim Myers
Studio albums
and singles
Dreaming Out Loud (2007)
"Apologize"
"Stop and Stare"
"Say (All I Need)"
"Mercy"
"Come Home"
Waking Up (2009)
"All the Right Moves"
"Secrets"
"Marchin On"
"Good Life"
Native (2013)
"Feel Again"
"If I Lose Myself"
"Counting Stars"
"Something I Need"
"Love Runs Out"
"I Lived"
Oh My My (2016)
"Wherever I Go"
"Kids"
"Let's Hurt Tonight"
"Lift Me Up"
Other singles
"No Vacancy"
"Truth to Power"
"Rich Love"
Concert tours
Native Tour
16th Annual Honda Civic Tour
Related
Discography
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Native Tour
List of awards and nominations
Retrieved from "https://en.wikipedia.org/w/index.php?title=Love_Runs_Out&oldid=819093497"
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