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Transculturation
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Transculturation is a term coined by Cuban anthropologist Fernando Ortiz in 1947[1] to describe the phenomenon of merging and converging cultures.
Transculturation encompasses more than transition from one culture to another; it does not consist merely of acquiring another culture (acculturation) or of losing or uprooting a previous culture (deculturation). Rather, it merges these concepts and additionally carries the idea of the consequent creation of new cultural phenomena (neoculturation).[2] Ortiz also referred to the devastating impact of Spanish colonialism on Cuba's indigenous peoples as a "failed transculturation". Transculturation can often be the result of colonial conquest and subjugation, especially in a postcolonial era as native peoples struggle to regain their own sense of identity.
In simple terms, transculturation reflects the natural tendency of people (in general) to resolve conflicts over time, rather than exacerbating them. (In the modern context, both conflicts and resolutions are amplified by communication and transportation technology—the ancient tendency of cultures drifting or remaining apart has been replaced by stronger forces for bringing societies together.) Where transculturation impacts ethnicity and ethnic issues the term "ethnoconvergence" is sometimes used.[citation needed]
In one general sense, transculturation covers war, ethnic conflict, racism, multiculturalism, cross-culturalism, interracial marriage, and any other of a number of contexts that deal with more than one culture. In the other general sense, transculturation is one aspect of global phenomena and human events.
The general processes of transculturation are extremely complex—steered by powerful forces at the macrosocial level, yet ultimately resolved at the interpersonal level. The driving force for conflict is simple proximity—boundaries, once separating people (providing for a measure of isolation) become the issue of a conflict when societies encroach upon one another territorially. If a means to co-exist cannot be immediately found, then conflicts can be hostile, leading to a process by which contact between individuals leads to some resolution. Often, history shows us, the processes of co-existence begins with hostilities, and with the natural passing of polarist individuals, comes the passing of their polarist sentiments, and soon some resolution is achieved. Degrees of hostile conflict vary from outright genocidal conquest, to lukewarm infighting between differing political views within the same ethnic community.[citation needed]
These changes often represent differences between homeland pons, and their diasporic communities abroad. Nevertheless, obstacles to ethnoconvergence are not great. The primary issue; language, (hence, communication and education) can be overcome within a single generation—as is evident in the easy acclimation of children of foreign parents. English, for example, is spoken by more non-Anglo-American people than Anglo-Americans, making it the current lingua-franca, the worldwide de facto standard international language.
Processes of transculturation become more complex within the context of globalization, given the multiple layers of abstraction that permeate everyday experiences. Elizabeth Kath argues that in the global era we can no longer consider transculturation only in relation to the face-to-face, but that we need to take into account the many layers of abstracted interactions that are interwoven through face-to-face encounters, a phenomenon that she describes as layers of transculturation.[3] Kath draws upon the concept of constitutive abstraction as seen in the work of Australian social theorists Geoff Sharp[4] and Paul James.[5][6]
Contents
1 Homogenization versus ethnoconvergence
2 Obstacles to ethnoconvergence
3 Transcultural communications
4 See also
5 Notes
6 References
7 Further reading
Homogenization versus ethnoconvergence[edit]
It has been observed that even in monolingual, industrial societies like urban North America, some individuals do cling to a "modernized" primordial identity, apart from others. Some intellectuals, such as Michael Ignatieff, argue that convergence of a general culture does not directly entail a similar convergence in ethnic identities. This can become evident in social situations, where people divide into separate groups, despite being of an identical "super-ethnicity", such as nationality.
Within each smaller ethnicity, individuals may tend to see it perfectly justified to assimilate with other cultures, and some others view assimilation as wrong and incorrect for their culture. This common theme, representing dualist opinions of ethnoconvergence itself, within a single ethnic group is often manifested in issues of sexual partners and marriage, employment preferences, etc. These varied opinions of ethnoconvergence represent themselves in a spectrum; assimilation, homogenization, acculturation, and cultural compromise are commonly used terms for ethnoconvegence which flavor the issues to a bias.
Often it's in a secular, multi-ethnic environment that cultural concerns are both minimised and exacerbated; Ethnic prides are boasted, hierarchy is created ("center" culture versus "periphery") but on the other hand, they will still share a common "culture", and common language and behaviours. Often the elderly, more conservative-in-association of a clan, tend to reject cross-cultural associations, and participate in ethnically similar community-oriented activities. Xenophobes tend to think of cross-cultural contact as a component of assimilation, and see this as harmful.
Obstacles to ethnoconvergence[edit]
The obstacle to ethnoconvergence is ethnocentrism, which is the view that one's culture is of greater importance than another's. Ethnocentrism often takes different forms, as it is a highly personal bias, and manifests itself in countless aspects of culture. Religion, or belief, is the prime ethnocentric divider. Second is custom, which may overlap religion. With the adherence to each distinct component, comes the repulsion of the other. In most regions, ethnic divides are binary, meaning only two distinct cultures are present, each seeing the other as foreign. Many, however make the point that the binary example is the exception, and the norm is far more dynamic.
Ethnicity can be divided into two distinct areas, as they relate to ethnoconvergence: Utilitarian traits, and traditional customs.
Religion, on the other hand, is a highly personal and attached part of culture. However, religion does not neatly correspond with ethnic identity. In many cosmopolitan societies, religion is everything—social, utilitarian, intellectual, political; from the point of view of people of immersed cultures; The very concept of ethnicity and its distinctions is incongruous to their immersed concepts.
In many societies, such as in those in Europe, languages are considered a significant component of ethnic values. This does not mean that most Europeans reject learning other languages. Quite the contrary, Europeans are often polyglots, and may label other individuals by their ethnicities; practical means of distinguishing cultures may resemble tendencies similar to ethnocentrism.
However, the political and cultural significance of regional or national languages are retained because these polyglots conform to the linguistic norms of the place they visit—doing "as the Romans do". Thus, conforming to the "ethnic integrity" of the region.
It has even become a cliché that "to learn a new language is to adopt a new soul". There are many other examples of the essential significance of language. In pre-Russian Siberia, Tatar-Mongol colonists in the Taiga often recognized indigenous speakers of Turkic languages as their "own people" and non-Turkic groups as "foreigners", despite these indigenous groups having a similar level of material culture, and sharing much of a primitive culture with tribes foreign to the Muslim-Buddhist Tatar-Mongols.
Transcultural communications[edit]
In October 2011, U.S. communications agency Bromley launched a new model/strategy utilizing transcultural sociological theory as a means to segment and 'make sense' of the changing American cultural landscape. Returning to classic social science as a solution, Bromley has embraced the anthropological approach put forward by thinkers like Fernando Ortiz as a way to account for ethnicity and language without being limited by them as a way for viewing the world.
See also[edit]
Ángel Rama
Cross-cultural
Cultural globalization
Cultural hegemony
Enculturation
Intercultural competence
Intercultural relations
Khal Torabully
Notes[edit]
Jump up ^ Ortiz 1995, pp. v, 97
Jump up ^ Ortiz 1995, pp. 102–103
Jump up ^ Kath, Elizabeth (2015) "On Transculturation: Re-enacting and Remaking Latin Dance and Music in Foreign Lands" In Julian Lee (Ed) Narratives of Globalization: Reflections on the Global Condition. Rowman & Littlefield International
Jump up ^ Sharp, Geoff (1993) "Extended Forms of the Social", Arena, 1
Jump up ^ James, Paul (1996) Nation Formation: Towards a Theory of Abstract Community, SAGE
Jump up ^ James, Paul (2014). "Emotional Ambivalence Across Times and Spaces: Mapping Petrarch's Intersecting Worlds". Exemplaria. 26.
References[edit]
Allatson, Paul (2007), Key Terms in Latino/a Cultural And Literary Studies, Oxford and Malden, MA: Blackwell, ISBN 1-4051-0250-0 .
Duno-Gottberg, Luis. (2003). Solventando las differencias: La ideología del mestizaje en Cuba, Iberoamericana – Frankfurt am Main, Vervuert, Madrid.
Ortiz, Fernando (1995), Cuban Counterpoint: Tobacco and Sugar, Durham, NC: Duke University Press, ISBN 0-8223-1616-1 . Trans. Harriet de Onís. (Original Spanish edition published in 1940. Original translation by Onìs published in 1947, New York: Knopf.)
Oxford English Dictionary
Further reading[edit]
Dagnino, Arianna. Transcultural Writers and Novels in the Age of Global Mobility. West Lafayette, IN: Purdue University Press, 2015.
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Gnomeo & Juliet
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Gnomeo & Juliet
Theatrical release poster
Directed by
Kelly Asbury
Produced by
Baker Bloodworth
David Furnish
Steve Hamilton Shaw
Screenplay by
John R. Smith
Rob Sprackling (Original)
Kelly Asbury
Mark Burton
Andy Riley
Kevin Cecil
Emily Cook
Kathy Greenberg
Steve Hamilton Shaw
Story by
Kelly Asbury
John R. Smith
Rob Sprackling
Andy Riley
Kevin Cecil
Steve Hamilton Shaw
Based on
Romeo and Juliet
by William Shakespeare
Starring
James McAvoy
Emily Blunt
Michael Caine
Maggie Smith
Jason Statham
Jim Cummings
Matt Lucas
Patrick Stewart
Ashley Jensen
Stephen Merchant
Dolly Parton
Ozzy Osbourne
Music by
Elton John (songs)
Chris P. Bacon
James Newton Howard (score)
Edited by
Catherine Apple
Production
company
Touchstone Pictures[1]
Rocket Pictures[1]
Distributed by
Walt Disney Studios
Motion Pictures
Entertainment One Films[2][3]
(United Kingdom)
Release date
January 23, 2011 (2011-01-23) (Hollywood premiere)
February 11, 2011 (2011-February-11) (US and UK)
Running time
85 minutes[2]
Country
United Kingdom[1]
United States[1]
Language
English
Budget
$36 million[4]
Box office
$194 million[5]
Gnomeo & Juliet is a 2011 British-American 3D computer-animated fantasy romantic comedy family film loosely based on William Shakespeare's play Romeo and Juliet. Financed by Disney[6] and released through its Touchstone Pictures banner,[7] the film was independently produced by Rocket Pictures and animated by Starz Animation.[6] It was written and directed by Kelly Asbury, and the two title characters are voiced by James McAvoy and Emily Blunt.
The film premiered at the El Capitan Theatre in Hollywood on January 23, 2011. It was theatrically released in the United Kingdom and United States on February 11, 2011.[2][8] Despite mixed reviews, the film earned $194 million on a $36 million budget. The film received nominations for the Satellite Award for Original Song, the Golden Globe Award for Best Original Song, the Critics' Choice Award for Best Song and the Annie Award for Directing in a Feature Production, Storyboarding in a Feature Production, Voice Acting in a Feature Production and Writing in a Feature Production.
A sequel, Sherlock Gnomes, will be released in 2018.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Soundtrack
4.1 Track listing
4.2 Musicians
5 Release
5.1 Home media
6 Reception
6.1 Critical response
6.2 Box office
6.3 Accolades
7 Sequel
8 References
9 External links
Plot[edit]
Mrs. Montague and Mr. Capulet (Julie Walters and Richard Wilson) are two elderly neighbours who despise each other. When they leave their respective gardens, their garden gnomes and other lawn ornaments come alive. The Montague garden is filled with blue-hat gnomes led by Lady Bluebury (Maggie Smith), and the Capulet garden has red-hat gnomes led by Lord Redbrick (Michael Caine). Like their human gardeners, the gnomes also despise each other.
The gnomes hold a back alley lawnmower race, with Lady Bluebury's son Gnomeo (James McAvoy) driving for the blues and Tybalt (Jason Statham) for the reds. Tybalt cheats to win the race, destroying Gnomeo's lawnmower. Gnomeo and his best friend, Benny (Matt Lucas), are disappointed to see Mrs. Montague ordering a new "Kitty Clipper" lawnmower to replace it.
That night, Gnomeo and Benny infiltrate the red garden in black disguise. Benny sprays Tybalt's well and accidentally triggers a security light. During the escape Gnomeo ends up in a nearby garden where he bumps into a disguised Juliet (Emily Blunt), the daughter of Lord Redbrick. Juliet is attempting to retrieve a unique orchid, and the two romantically fight over it. They each discover the other's color before fleeing the garden. When they both go back to their own gardens, Juliet tells her frog-sprinkler friend Nanette (Ashley Jensen) about her newfound love. Nanette states that the relationship is a romantically tragic.
Gnomeo and Juliet have secret meetings in the nearby garden, where they meet a pink plastic flamingo named Featherstone (Jim Cummings) who encourages their love. Lord Redbrick pairs Juliet with a Red Gnome named Paris (Stephen Merchant), but Juliet isn't interested in him and distracts him with Nanette who has feelings for him.
Lady Bluebury is distraught after the reds infiltrate the garden and destroy the plant nurtured by Gnomeo's late father. The blues want Gnomeo to take revenge on the reds, and he realizes that he cannot refuse unless he tells his secret. Just as he is about to spray the prized tulips of the reds, Juliet sees him and he backs out of the attack.
When he and Juliet meet up again, they argue until Featherstone stops them, telling them he lost his wife when the couple living in the house, where the garden is, broke up and never saw each other again. Benny sees them and runs into the alleyway, where Tybalt is waiting with his lawnmower, attempting to run Benny down and chops off his hat. Gnomeo intervenes, and he and Tybalt fight on the red lawnmower until the lawnmower runs into the wall. Gnomeo jumps off at the last minute, but Tybalt crashes into the wall, causing him to fracture and break himself. The reds attempt to attack Gnomeo, thinking that Tybalt died because of him, but Juliet, to the surprise of her clan, defends Gnomeo, saying that she loves him. Gnomeo ends up on a road, and everyone believes he was run over by a truck. Lord Redbrick has the other red gnomes glue Juliet's feet to her fountain because he does not want to lose her like he lost her mother.
Shroom, Gnomeo's mushroom friend finds out that Gnomeo is still alive (A blue teapot fell out of the truck that 'ran him over', which all the gnomes came to believe was Gnomeo), as he eventually reaches a park where he climbs onto a statue of William Shakespeare (Patrick Stewart) and tells him his story. Shakespeare tells Gnomeo that his story is very similar to Romeo and Juliet and that it is likely Gnomeo's will have a sad ending as well.
Benny gets onto Mrs Montague's computer and changes her lawnmower order to a powerful Terrafirminator unit, intending to get revenge on the reds. However, the Terrafirminator goes out of control, destroys most of the two gardens, and gets itself stuck while the gnomes wage a full-scale war. Gnomeo returns to Juliet with the help of Featherstone. However, when he arrives, the Terrafirminator frees itself, sending it flying. Gnomeo tries to un-glue Juliet, but is unable to. She tells him to go, but he refuses. The two share a passionate kiss just as the lawnmower crashes into the fountain, self-destructing in the process. When everyone believes that both are dead, Lord Redbrick and Lady Bluebury decide to end the feud. Miraculously, Gnomeo and Juliet emerge from the ruins and the two clans celebrate.
The film ends happily with the red and blue gnomes finally coming together to celebrate their newfound peace. Tybalt is revealed to still be alive having been glued back together, Featherstone is reunited with his wife after Benny finds and orders her online, Gnomeo and Juliet are married on a purple lawnmower, which symbolizes the new union of both gnome clans.
Cast[edit]
James McAvoy as Gnomeo; a blue gnome counterpart to Romeo Montague.
Emily Blunt as Juliet; a red gnome counterpart to Juliet Capulet.
Michael Caine as Lord Redbrick, the leader of the red gnomes and Juliet's overprotective widower father; counterpart to Lord Capulet.
Maggie Smith as Lady Bluebury, the leader of the blue gnomes and Gnomeo's widowed mother; counterpart to Lady Montague.
Jason Statham as Tybalt; a red gnome counterpart to Tybalt.
Ashley Jensen as Nanette, a Scottish-accented plastic garden frog and Juliet's best friend; counterpart to Nurse.
Matt Lucas as Benny, Gnomeo's impulsive and tall-hatted best friend; counterpart to Benvolio.
Stephen Merchant as Paris, a nerdy red gnome who was arranged to marry Juliet; counterpart to Count Paris.
Patrick Stewart as the statue of William Shakespeare.
Ozzy Osbourne as Fawn, a garden deer and Tybalt's best friend; counterpart to Peter.
Jim Cummings as Featherstone, a lonely plastic flamingo with a thick Spanish accent; counterpart to Friar Laurence.
Hulk Hogan as Terrafirminator Announcer.
Julie Walters as Ms. Montague, the elderly owner of the Blue garden.
Richard Wilson as Mr. Capulet, the elderly owner of the Red garden.
Kelly Asbury as Red Goon Gnomes; counterparts to Gregory, Sampson, Anthony, and Potpan.
Shroom, a silent mushroom and Gnomeo’s friend/pet; counterpart to Romeo's servant Balthasar.
The Bunnies, a group of small, cement bunnies that act as servants for Lady Bluebury and others in the Blue Garden; counterparts to Abram and other miscellaneous servants of the Montagues.
Dolly Parton as Dolly Gnome, the lawnmower race announcer.
Julia Braams as Stone Fish, a stone fish that attached to the Fishing Gnome. In the end, it is seen being dragged by Gnomeo and Juliet's purple lawnmower.
James Daniel Wilson as Fishing Gnome, a red gnome.
Tim Bentinck as Conjoined Gnome Left, a red gnome.
Julio Bonet as Mankini Gnome, a red gnome.
Neil McCaul as Conjoined Gnome Right, a red gnome.
Maurissa Horwitz as Call Me Doll, Benny's newfound girlfriend.
John Todd as Dancer.
There is no counterpart for Mercutio, as stated by James McAvoy in an interview with NBC, ”Gnomeo in this is a little bit of amalgamation between Romeo and Mercutio. We don’t have that Mercutio character in this. We don’t have that leader of the pack, which Romeo isn’t but Gnomeo is a little bit."[9] Prince Escalus also doesn't have a counterpart.
Production[edit]
The film was the original idea of Sprackling and Smith, who sold the spec script to Disney through Rocket Pictures. Disney studio chairman Dick Cook greenlit the film, under the Disney-owned Miramax Films.[10] Miramax was later sold by Disney in 2010, but the latter studio retained the rights to the film.[1] Disney then opted to release the film through its Touchstone Pictures banner, when Starz Animation decided to produce and animate the film. Disney Australian director Adam Elliot was approached and asked to direct the film, but he rejected the offer due the film's incompatibility with his style, as well as his lack of experience with CGI.[11] Starz Animation Toronto (which also made 9) produced all of the animation for the film, including the stereoscopic version.
Asbury got on board in 2006, and was attracted the movie in order to work with Elton John. [12] Asbury and Hamilton Shaw then rewrote the film " sort of from scratch," [12] A particular challenge, according to Asbury was how to differentiate the ending between the original play and the movie in order to "keep daggers and poison and suicide out".[12] Ashbury had free range of the casting and conducted the process only through listening to voices, not knowing which actor was auditioning until he felt they were right for the character. [12] Prior to the casting of James McAvoy and Emily Blunt, the roles of Gnomeo and Juliet were to be voiced by Ewan McGregor and Kate Winslet, respectively.[13]
Soundtrack[edit]
Gnomeo & Juliet (Original Soundtrack)
Soundtrack album by Elton John
Released
February 8, 2011 (2011-02-08)
Recorded
2009-2010
Genre
Orchestral, pop, rock
Length
60:24
Label
Buena Vista
Producer
Elton John and David Furnish
Elton John chronology
The Union
(2010)The Union2010 Gnomeo & Juliet Soundtrack
(2011) Good Morning to the Night
(2012)Good Morning to the Night2012
Gnomeo & Juliet: Original Soundtrack is the soundtrack album and was released by Buena Vista Records on February 8, 2011.[14] It features music by Elton John (who was also the film's executive producer), Nelly Furtado, Kiki Dee, and selections from the score composed by Chris P. Bacon and James Newton Howard (who played keyboards for Elton John and arranged strings on many previous projects).
The duet of John and Lady Gaga for "Hello, Hello" was featured in the film, released on February 11, 2011, but the soundtrack version only features John.[15] Additionally, on May 4, 2011 the duet was leaked online and available for download on most sharing websites.
Track listing[edit]
"Hello Hello" (Album Version) – Elton John
"Crocodile Rock" – Nelly Furtado & Elton John
"Saturday Night's Alright For Fighting" – Elton John
"Don't Go Breaking My Heart" – Elton John & Kiki Dee
"Love Builds a Garden" – Elton John
"Your Song" – Elton John
"Rocket Man" – Elton John
"Tiny Dancer" – Elton John
"Bennie and the Jets" – Elton John
"Gnomeo & Juliet (Score)" – Chris P. Bacon and James Newton Howard
"Dandelions (Score)" – Chris P. Bacon and James Newton Howard
"Bennie and the Bunnies (Score)" – Chris P. Bacon and James Newton Howard
"Terrafirminator (Score)" – Chris P. Bacon and James Newton Howard
"The Tiki Tiki Tiki Room" – Wally Boag, Thurl Ravenscroft, Fulton Burley & The Mellomen
Track 1-9: Original lyrics by Bernie Taupin, all music by Elton John & band.
Track 10: Written by James Newton Howard, contains music by Elton John.
Track 11 & 13: Written by James Newton Howard & Chris P. Bacon, contains music by Elton John.
Track 12: Written by James Newton Howard & Stuart Michael Thomas, contains music by Elton John.
Track 14: Written by Robert & Richard Sherman.
Musicians[edit]
Elton John & band:
Elton John: Piano, vocals
Davey Johnstone: Guitars, backing vocals
Bob Birch: Bass, backing vocals
Nigel Olsson: Drums, backing vocals
John Mahon: Percussion, backing vocals
James Newton Howard: Keyboards
Release[edit]
Gnomeo and Juliet's worldwide premiere was at El Capitan Theatre in Hollywood on January 23, 2011.[16] The film was released by Walt Disney Studios Motion Pictures under the Touchstone Pictures banner on February 11, 2011.[1] The film was Touchstone's first animated film since 1993's The Nightmare Before Christmas and also Touchstone's first and, so far, only film to receive a G rating from the MPAA, despite some mild language. The film was distributed in the United Kingdom and Canada by Entertainment One Films.[3] Elton John and director Asbury presented 10 minutes of the film at the Cannes Film Festival.[17]
Home media[edit]
Gnomeo & Juliet was released by Touchstone Home Entertainment on Blu-ray 3D, Blu-ray, and DVD on May 24, 2011.[18][19] The film was produced as three different packages: a 1-disc DVD, a 2-disc Blu-ray/DVD combo pack, and a 3-disc Blu-ray 3D, Blu-ray, and DVD combo pack. The 3-disc package also includes access to a digital download of the film.[20] Both the DVD and Blu-ray versions of the release include the music video for Elton John and Nelly Furtado's version of John's "Crocodile Rock", as well as the extras "Elton Builds a Garden" and "Frog Talk" with Ashley Jensen.[21] In addition, the Blu-ray version also has several deleted and alternate scenes, as well as a feature with Ozzy Osbourne called "The Fawn of Darkness".[22]
Reception[edit]
Critical response[edit]
Gnomeo & Juliet received generally mixed reviews. Review aggregate website Rotten Tomatoes reported that 55% of professional critics gave positive reviews based on 117 reviews with an average rating of 5.6/10.[23] Its consensus states "While it has moments of inspiration, Gnomeo & Juliet is often too self-referential for its own good".[23] Another review aggregator, Metacritic, gave the film a 53 rating based on 28 reviews on its review scale.[24]
Box office[edit]
Gnomeo and Juliet earned about $100 million in North America and $94 million in other countries, for a worldwide total of $194 million.[5] Gnomeo & Juliet was ultimately a sleeper hit for Disney, outperforming the much higher-budgeted (and eventual box office bomb)[25] Mars Needs Moms the studio released a month following Gnomeo & Juliet. On its first weekend, the film had a worldwide opening of $30.7 million, finishing in second place behind Just Go with It ($35.8 million).[26][27] However, on its second weekend —Presidents' Day weekend— it topped the worldwide box office (although not being in first place either in North America[28] or overseas[29]) with $29.8 million, ahead of Unknown which ranked second ($26.4 million).
It opened in 2,994 theaters in North America on Friday, February 11, 2011, grossing $6.2 million on its first day and ranking third behind Justin Bieber: Never Say Never and Just Go with It. It then finished the weekend with $25.4 million in third place.[30] However, it scored the largest opening weekend ever for an animated feature released during the winter period (both January and February). It also made the largest debut on record for a minor animated movie (i.e., one with little status, expectations and/or built-in audience), according to Box Office Mojo.[31] With a $99.97 million total it became the highest-grossing animated feature among those released in winter, until it was surpassed by The Lego Movie in 2014.[32]
In the United Kingdom, Ireland, and Malta, it topped the weekend box office by earning £2.9 million ($4.7 million) on its opening. In total it has grossed $25.3 million, making the UK the only market, except North America, where it grossed more than $10 million.[33]
Accolades[edit]
Award
Category
Winner/Nominee
Result
Annie Awards[34] Directing in a Feature Production Kelly Asbury Nominated
Storyboarding in a Feature Production Nelson Yokota Nominated
Voice Acting in a Feature Production Jim Cummings Nominated
Writing in a Feature Production Andy Riley, Kevin Cecil, Mark Burton, Kathy Greenburg, Emily Cook, Rob Sprackling, John R. Smith, Kelly Asbury, Steve Hamilton Shaw Nominated
Critics' Choice Awards[35] Best Song Hello Hello, performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin Nominated
Golden Globe Awards[36] Best Original Song "Hello Hello" Nominated
Satellite Awards[37] Original Song "Hello Hello" Nominated
Sequel[edit]
In March 2012, it was reported that a sequel titled Sherlock Gnomes is in development at Rocket Pictures. Andy Riley and Kevin Cecil, two of the nine writers on the first film, are writing the script for the sequel. Steve Hamilton Shaw and David Furnish are producing the film, and Elton John, an exec producer, is again composing new songs for the film. The film will feature Sherlock Gnomes, "the greatest ornamental detective" hired by the characters from the first film, who will try to solve the mystery of disappearing gnomes.[38] In September 2012, it was reported that John Stevenson, the director of Kung Fu Panda, has been set to direct the sequel.[39] In November 2015, it was announced that Johnny Depp would voice Sherlock Gnomes and that the film is scheduled for release on January 12, 2018.[40] Paramount Animation and Metro-Goldwyn-Mayer will produce the film, with McAvoy and Blunt reprising their roles.[41] On May 26, 2017, Paramount delayed the film's release date to March 23, 2018.[42]
References[edit]
^ Jump up to: a b c d e f "Gnomeo & Juliet (2011)". British Film Institute. Retrieved September 28, 2015.
^ Jump up to: a b c "Gnomeo & Juliet (2D)". British Board of Film Classification. Retrieved May 27, 2014. 83m 45s
^ Jump up to: a b Vlessing, Etan (May 23, 2011). "Film and TV Focus Lifts Entertainment One Profits". The Hollywood Reporter. Retrieved September 28, 2015. Among Entertainment One’s movie releases was Gnomeo & Juliet 3D released in Canada and Britain,...
Jump up ^ Screened Forums - Gnomeo and Juliet
^ Jump up to: a b "Gnomeo and Juliet". Box Office Mojo. Amazon.com. Retrieved April 6, 2011.
^ Jump up to: a b Desowitz, Bill (February 11, 2011). "Cultivating 'Gnomeo & Juliet'". Animated World Network. Retrieved September 29, 2015.
Jump up ^ Day, Patrick Kevin (February 11, 2011). "Critical Mass: 'Gnomeo & Juliet'". Los Angeles Times. Retrieved September 29, 2015.
Jump up ^ "A dazzling Emily Blunt has the white stuff at the Hollywood premiere of Gnomeo and Juliet". Daily Mail Online. January 24, 2011. Retrieved September 29, 2015.
Jump up ^ Huver, Scott. "Emily Blunt and James MacAvoy on the Terror of Gnomes". NBC.
Jump up ^ D'Alessandro, Anthony (November 6, 2015). "Johnny Depp Lending His Voice To Paramount/MGM Sequel 'Sherlock Gnomes'". Deadline.com. Retrieved November 7, 2015.
Jump up ^ "Interview with Adam Elliot, writer/director/designer of Mary and Max". Crickey.com.au. Archived from the original on July 16, 2011. Retrieved January 12, 2011.
^ Jump up to: a b c d Eisenberg, Eric. "Exclusive Interview: Gnomeo And Juliet Director Kelly Asbury". Cinemablend. Retrieved 7 August 2017.
Jump up ^ Reynolds, Simon. "Gnomeo & Juliet". Digital Spy. Retrieved February 9, 2011.
Jump up ^ "Buena Vista Records to Release Gnomeo & Juliet Original Soundtrack 2/8". PR Newsire. January 25, 2011. Retrieved June 25, 2015.
Jump up ^ "Lady Gaga, Elton John Duet Won't Appear On 'Gnomeo & Juliet' Soundtrack". Billboard.com. Associated Press. February 1, 2011.
Jump up ^ "A dazzling Emily Blunt has the white stuff at the Hollywood premiere of Gnomeo and Juliet". Daily Mail Online. January 24, 2011. Retrieved August 1, 2015.
Jump up ^ "Elton John in Cannes to promote Gnomeo And Juliet". Citizenside.com. Retrieved July 24, 2010.
Jump up ^ McCutcheon, David (April 1, 2011). "Gnomeo & Juliet Get Together". IGN. Retrieved April 18, 2011.
Jump up ^ Grabert, Jessica (April 3, 2011). "Gnomeo & Juliet Rushing Out Of Theaters And On To DVD". Cinema Blend. Retrieved April 18, 2011.
Jump up ^ Propst, Andy (April 1, 2011). "Gnomeo and Juliet, Featuring Elton John Songs, Set for May 24 DVD Release". Theater Mania. Retrieved April 18, 2011.
Jump up ^ "Gnomeo & Juliet Announced and Detailed for Blu-ray and Blu-ray 3D". High-Def Digest. April 4, 2011. Retrieved April 18, 2011.
Jump up ^ Ribera, J.C. (April 2, 2011). "Disney Brings Gnomeo & Juliet to Blu-ray and Blu-ray 3D". Blu-ray.com. Retrieved April 18, 2011.
^ Jump up to: a b "Gnomeo and Juliet Movie Reviews, Pictures". Rotten Tomatoes. Flixster. Retrieved February 12, 2011.
Jump up ^ "Gnomeo and Juliet Reviews, Ratings, Credits, and More at Metacritic". Metacritic. CBS Interactive. Retrieved February 12, 2011.
Jump up ^ Ben Riley-Smith (March 21, 2011). "'Mars Needs Moms': does flop mean 3D is history?". thefirstpost.co.uk. Retrieved July 31, 2011.
Jump up ^ "Overseas Total Box Office". Box Office Mojo. Retrieved April 3, 2011.
Jump up ^ "February 11–13, 2011 Weekend". Box Office Mojo. Retrieved April 3, 2011.
Jump up ^ "February 18–20, 2011". Box Office Mojo. Retrieved April 3, 2011.
Jump up ^ "Overseas Total Box Office". Box Office Mojo. Retrieved April 3, 2011.
Jump up ^ "February 11–13, 2011". Amazon.com. Retrieved February 13, 2011.
Jump up ^ Gray, Brandon (February 13, 2011). "'Just,' 'Justin,' 'Juliet' Jumpin'". Amazon.com. Retrieved February 13, 2011.
Jump up ^ "Animation". Box Office Mojo. Retrieved July 8, 2011.
Jump up ^ "GNOMEO AND JULIET". Box Office Mojo. Amazon.com. Retrieved July 7, 2011.
Jump up ^ Giardina, Carolyn (February 4, 2012). "'Rango' Wins Annie Award for Best Animated Feature". The Hollywood Reporter. Retrieved September 28, 2015.
Jump up ^ Karger, Dave (December 13, 2011). "'The Artist' and 'Hugo' lead Broadcast Film Critics nominations". Entertainment Weekly. Retrieved September 28, 2015.
Jump up ^ "Golden Globes 2012: The Winners List". The Hollywood Reporter. January 15, 2012. Retrieved September 28, 2015.
Jump up ^ "2011". International Press Academy. Retrieved September 28, 2015.
Jump up ^ Fleming, Mike (March 8, 2012). "Rocket Pictures Plots 'Gnomeo & Juliet' Sequel, With New Tunes By Elton John". Deadline. Retrieved March 9, 2012.
Jump up ^ Fleming, Mike (September 5, 2012). "John Stevenson Tapped To Direct 'Gnomeo & Juliet' Sequel 'Sherlock Gnomes'". Deadline. Retrieved September 5, 2012.
Jump up ^ Robinson, Will (November 7, 2015). "Johnny Depp takes lead in Sherlock Gnomes". Entertainment Weekly. Retrieved November 7, 2015.
Jump up ^ CS (November 10, 2015). "Paramount Animation Announces Release Dates". comingsoon.net. Retrieved November 11, 2015.
Jump up ^ Greg Evans (May 26, 2017). "Paramount Nudges 'Sherlock Gnomes' To Later Release Date". Deadline. Retrieved May 26, 2017.
External links[edit]
Wikiquote has quotations related to: Gnomeo & Juliet
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Gnomeo & Juliet at Metacritic
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The Tragedy of Romeo and Juliet (1982)
Valley Girl (1983)
Bullies (1986)
China Girl (1987)
Romeo.Juliet (1990)
Tromeo and Juliet (1996)
Love Is All There Is (1996)
Rose by Any Other Name... (1997)
The Lion King II: Simba's Pride (1998)
Shakespeare in Love (1998)
The Magical Legend of the Leprechauns (1999)
Romeo Must Die (2000)
Brooklyn Babylon (2001)
Pizza My Heart (TV; 2005)
West Bank Story (2005)
Life and Lyrics (2006)
Romeo & Juliet: Sealed with a Kiss (2006)
Rome & Jewel (2006)
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Vicious Circle (2008)
Gnomeo & Juliet (2011)
Private Romeo (2011)
Warm Bodies (2013)
Make Your Move (2013)
Romeo & Juliet (2013)
Foreign
Ambikapathy (Tamil 1937)
Romeo and Juliet (Spanish 1940)
Les amants de Vérone (French 1949)
Romeo, Juliet and Darkness (Czech 1960)
Los Tarantos (Spanish 1963)
Fury of Johnny Kid (Italian 1967)
Ma che musica maestro (Italian 1971)
Maro Charitra (Telugu 1978)
Mônica e Cebolinha: No Mundo de Romeu e Julieta (Portuguese 1979)
Ek Duuje Ke Liye (Hindi 1981)
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The District! (Hungarian 2004)
O Casamento de Romeu e Julieta (Portuguese 2005)
In Fair Palestine: A Story of Romeo and Juliet (2006)
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Songs
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"Romeo and Juliet" (1981)
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"Exit Music" (1997)
"Romeo and Juliet" (1998)
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Albums
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Literature
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Art
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