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Lata Mangeshkar
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Lata Mangeshkar
Mangeshkar in 2014
Born
Hema Hardikar Mangeshkar
(1929-09-28) 28 September 1929 (age 88)[1]
Indore, Indore State, Central India Agency, British India
(present-day Madhya Pradesh, India)
Nationality
Indian
Other names
Queen of Melody , Voice of the Nation, Voice of the Millennium, Nightingale of India
Occupation
Playback singer, Music composer, Producer
Years active
1942–present
Parent(s)
Deenanath Mangeshkar (father)
Shevanti Mangeshkar (mother)
Relatives
Asha Bhosle (Sister)
Usha Mangeshkar (Sister)
Meena Mangeshkar (Sister)
Hridaynath Mangeshkar (Brother)
Awards
3 National Film Awards
12 Bengal Film Journalists' Association Awards
4 Filmfare Award for Best Female Playback Singer
2 Filmfare Special Awards
1 Filmfare Lifetime Achievement Award
Honours
Padma Bhushan (1969)
Dadasaheb Phalke Award (1989)
Rajiv Gandhi Sadbhawana Award (1999)
Padma Vibhushan (1999)
Bharat Ratna (2001)
Legion of Honor (2007)
Lata Mangeshkar ( pronunciation (help·info)) (born 28 September 1929) is an Indian playback singer and occasional music composer. She is one of the best-known and most respected playback singers in India.[2][3] She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the recipient of three National Film Awards, 12 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, Filmfare Lifetime Achievement Award and many more. The Dadasaheb Phalke Award was bestowed on her in 1989 by the Government of India. She is also the second vocalist, after M. S. Subbulakshmi, to have ever been awarded the Bharat Ratna in 2001, India's highest civilian honour.[4] She was the first Indian to perform in Royal Albert Hall in 1974. She was conferred France's highest civilian award (Officer of the Legion of Honour) in 2007. She has four siblings—Asha Bhosle, Hridaynath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar—of which she is the eldest.
Contents
1 Early life
2 Singing career
2.1 Early career in the 1940s
2.2 1950s
2.3 1960s
2.4 1970s
2.5 1980s
2.6 1990s
2.7 2000s
2.8 2010s
3 Bengali career
4 Overall collaboration
5 Non-singing career
5.1 Music direction
5.2 Production
6 Awards and recognitions
7 Guinness controversy
8 See also
9 References
10 Further reading
11 External links
Early life[edit]
Childhood photo of Lata Mangeshkar
Lata Mangeshkar was born in a Marathi-speaking Gomantak Maratha[5] family to a Marathi father and a Gujarati mother[6] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar, was a classical singer and theatre actor. Her mother Shevanti (later renamed Shudhamati), a Gujarati woman from Thalner, Bombay Presidency (now in northwest Maharashtra), was Deenanath's second wife; his first wife Narmada was Shevanti's older sister, but she died early.[7] Lata's maternal grandfather was a Gujarati businessman Sheth Haridas Ramdas Lad, the most prosperous businessman and landlord of Thalner, and Lata learnt Gujarati folk songs such as garbas of Pavagadh from her maternal grandmother.[6][7] The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridaynath are her siblings in sequence.
Mangeshkar took her first lesson from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.
Singing career[edit]
Early career in the 1940s[edit]
In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped Lata get started in a career as a singer and actress.
Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film Gajaabhaau (1943).
Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Aman Ali Khan of Bhendibazaar Gharana.[9][10] She sang "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[8] which was composed by Datta Davjekar. The dance in the film was performed by Rohini Bhate who later became a famous classical dancer. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, "Maata Tere Charnon Mein." She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. He introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin".[8] An annoyed Haider responded that in coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by Nazim Panipati—in the movie Majboor (1948), which became her first big breakthrough film hit. In an interview on her 84th birthday, in September 2013, Lata herself declared, "Ghulam Haider is truly my Godfather. He was the first music director who showed complete faith in my talent."[8][11]
Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.[12]
One of her first major hits was "Aayega Aanewaala," a song in the movie Mahal (1949), composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.[13]
1950s[edit]
Mangeshkar as a young woman
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar Jaikishan, Naushad Ali, S. D. Burman, Pandit Amarnath Husan Lal Bhagat Ram (in films like Bari Behan, Meena Bazaar, Afsana, Aadhi Raat, Ansoo, Chhoti Bhabi, Adal-e-Jehangir), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with the Tamil song "Enthan Kannalan" picturised on Nimmi in the dubbed version composed by Naushad.
Mangeshkar sang many raga-based songs for Naushad in movies such as Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957).[13] Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.[8]
Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Asha (1957) and Amardeep (1958).[14] For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959) and Chacha Zindabad (1959).[15]
1960s[edit]
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and pantomimed by Madhubala, still remains famous. The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh", from Dil Apna Aur Preet Parai (1960), was composed by Shankar Jaikishan and pantomimed by Meena Kumari.
In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.
In early 1962, Mangeshkar was given slow poison. A doctor was called. He came with an x-ray machine to examine her, and gave her an injection to render her unconscious, because she was in pain. For three days, she had a close brush with death. After ten days, she began to recover. The doctor told her that somebody had given her slow poison. The slow poison incident rendered her very weak. She was bedridden for nearly 3 months. The most surprising thing was that soon after the incident, the cook who used to work at Lataji's home, suddenly vanished without taking his wages. The cook had earlier worked with some Bollywood people. Bollywood lyricist Majrooh Sultanpuri used to regularly visit Lataji at her home daily at 6 pm. Majrooh used to first taste the food and then allow Lata to eat. He used to recite poems and stories to keep Lata in good humour.[16]
On 27 January 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, then the Prime Minister of India. The song, composed by C. Ramchandra and written by Kavi Pradeep, is said to have brought the Prime Minister to tears.[8][17]
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan, which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969),[18] and she had a continuing association with the maestros Shankar Jaikishan, who got her to sing in various genres in the '60s.
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. Starting in 1963, Laxmikant-Pyarelal's association with Lata Mangeshkar grew stronger over the years. Lata Mangeshkar sang over 700 songs for the composer duo over a period of 35 long years, most of which became huge hits. She sang for Parasmani (1963), Mr. X in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah, for which she got her third Filmfare Award.[19]
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar. She also made her Kannada debut in 1967 for the film Krantiveera Sangolli Rayanna by recording two songs for the music director Lakshman Berlekar. The song "Bellane Belagayithu" was well received and appreciated.[citation needed]
In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mahendra Kapoor, Mohammed Rafi, and Kishore Kumar. For a brief period during the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. Mangeshkar wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers.[20] But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. This led to tensions between the two. After an argument during the recording of the song Tasveer Teri Dil Mein (Maya, 1961), the two refused to sing with each other.[21] The music director Jaikishan later negotiated a reconciliation between the two.[22]
1970s[edit]
In 1972, Meena Kumari's last film, Pakeezah, was released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973). She recorded many popular songs for Madan Mohan's last films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).[23]
Lata Mangeshkar's most notable songs in the 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in the 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji Anandji.
From the 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974 and was the first Indian to do so.[24][25] She also released an album of Mirabai's bhajans, "Chala Vaahi Des", composed by her brother Hridaynath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of "abhangs" of Sant Tukaram composed by Shrinivas Khale.
In the 1978 Raj Kapoor directed Satyam Shivam Sundaram, Lata Mangeshkar lends her voice to the main theme song "Satyam Shivam Sundaram", which was among the chart-toppers of the year. The story of being inspired by Lata Mangeshkar is revealed by Raj Kapoor's daughter Ritu Nanda in her latest book.
I visualised the story of a man falling for a woman with an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role. The book quotes Raj Kapoor as saying.[26]
In the late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt). She also sang many songs in the Assamese language and had a very good relationship with Dadasaheb Phalke award winner singing legend, the Late Bhupen Hazarika. She sang many songs under his guidance, and in Rudaali the song "Dil hoom hoom kare" made the highest record sales that year.
1980s[edit]
From the 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988) and Chandni (1989); and with Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985) and Maine Pyar Kiya (1989), which was a musical hit. She sang for various big projects including Ek duuje ke liye, Silsila, Karz, Prem Rog, Pyar Jhukta Nahi, Ram teri ganga maili, Hero, Nagina, Chandni and Ram Lakhan. Her song "Zu Zu Zu" from Sanjog was a chartbuster in 1985.[27] In 1988, Mangeshkar made a comeback to Tamil films with two back-to-back renditions "Aaraaro Aaraaro" and "Valai Osai" for composer Ilayaraja's compositions for the films Aanand and Sathya respectively.
Laxmikant Pyarelal were the kings when it came to churning out hits. In the 1980s, they had Lata croon their biggest hits – "Sheesha Ho Ya Dil Ho" in Asha (1980), "Tu Kitne Baras Ka" in Karz (1980), "Kitna Aasan Hai" in Dostana (1980), "Hum Ko Bhi Gham" in Aas Paas (1980), "Mere Naseeb Mein" in Naseeb (1980), "Zindagi Ki Na Toote" in Kranti (1981), "Solah Baras Ki" in Ek Duuje Ke Liye (1981), "Ye Galiyan Ye Chaubara" in Prem Rog (1982), "Likhnewale Ne Likh Dale" in Arpan (1983), which was once extremely popular on Chitrahar on DD, "Din Maheene Saal" in Avtaar (1983), which revived Rajesh Khanna's career after an endless series of flops, "Pyar Karnewale" and "Nindiya Se Jagi" in Hero (1983), "Zu Zu Zu" in Sanjog (1985), "Zindagi Har Qadam" in Meri Jung (1985), "Baith Mere Paas" in Yaadon Ki Kasam (1985), "Ungli Mein Anghoti" in Ram Avtar (1988) and "O Ramji Tere Lakhan Ne" in Ram Lakhan (1989).[28]
Rahul Dev Burman continued to use Lata for melodious compositions. Some of the best Rahul Dev Burman compositions for Lata in these years include "Aaja Sar-e-Bazaar" in Alibaba Aur Chalis Chor (1980), "Bindiya Tarase" in Phir Wohi Raat (1981), "Thodi Si Zameen" in Sitara (1981), "Kya Yahi Pyar Hai" in Rocky (1981), "Dekho Maine Dekha" in Love Story (1981), "Tune O Rangeele" in Kudrat (1981), "Jaane Kaise Kab" in Shakti (1982), "Jab Hum Jawan Honge" in Betaab (1983), which became instantly popular, "Humein Aur Jeene" in Agar Tum Na Hote (1983), "Tujhse Naraaz Nahin" in Masoom (1983), "Kahin Na Ja" and "Jeevan Ke Din" in Bade Dil Wala (1983), "Jaane Kya Baat" in Sunny (1984), "Bhuri Bhuri Aankhon" in Arjun (1985), "Sagar Kinare" in Sagar (1985), "Din Pyar Ke Aayenge" in Savere Wali Gaadi (1986). "Kya Bhala Hai Kya", "Khamosh Sa Afsana" and "Seeli Hawa Chhoo" in Libas (1988). Rajesh Roshan's collaboration with Dev Anand in Lootmaar and Man Pasand resulted in songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such as "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johnny I Love You (1982), "Tujh Sang Preet" in Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman Na Kare" in Aakhir Kyun? (1985) and "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in the soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[29]
Bappi Lahiri was yet to launch a full-fledged assault on the ears of the listeners with his bizarre compositions for Jitendra-Sridevi-Jaya Prada films from the south and the disco-influenced songs, and composed some really good songs for Lata such as "Dooriyan Sab Mita Do" in Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" in Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[30]
Khayyam also continues work with Lata Mangeshkar during the 80s and gave some big hits such as "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), Nakhuda (1981) some above average Lata-Nitin Mukesh duets such as "Tumhari Palkon Ki", "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chaand Ke Paas" in Aye Dil-e-Nadaan (1982), "Bhar Lein Tumhe" and "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[31]
In June 1985, the United Way of Greater Toronto invited Lata Mangeshkar to perform at Maple Leaf Gardens. She filled 12,000 seats, raising $150,000 for the charity. On the request of Anne murray Lata sings her song You Needed Me in the concert.[32][33]
During the 80s, Lata gave some big hits such as "Sun Sahiba Sun" in Ram Teri Ganga Meli Hogayi(1985), (for Ravindra Jain), "Chand Apna Safar" in Shama (1981), "Shayad Meri Shaadi" and "Zindagi Pyar Ka" in Souten (1983), "Hum Bhool Gaye Re" in Souten Ki Beti (1989) for Usha Khanna, which was probably the biggest hit of her career. Hridaynath Mangeshkar had "Kale Kale Gehre Saye" in Chakra (1981), "Ye Ankhen Dekh Kar", which had a slight Khaiyyam touch and "Kuchh Log Mohabbat Ko" in Dhanwan (1981), "Mujhe Tum Yaad Karna" in Mashaal (1984), "Jaane Do Mujhe" in Shahenshah (1989) for Amar-Utpal, "Sajan Mera Us Paar" in Ganga Jamuna Saraswati (1988) and "Mere Pyar Ki Umar" in Waaris (1989) for Uttam Jagdish.[34]
1990s[edit]
During the 1990s, she recorded with music directors including Anand-Milind, Nadeem-Shravan, Jatin Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh. She has also sung with Kumar Sanu, Amit Kumar, S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Suresh Wadkar, Mohammed Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.
In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridaynath.
Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge! (2002) and Veer-Zaara (2004).
During 1990, Mangeshkar records with Ram Laxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Love You (1992 film) (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody of Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), and Dulhan Banoo Main Teri (1999).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" in (Dil Se..), "Khamoshiyan Gungunane Lagin" in (One 2 Ka 4), "Ek Tu Hi Bharosa" in (Pukar), "Pyaara Sa Gaon" in (Zubeidaa), "So Gaye Hain" in (Zubeidaa), "Lukka chuppi" in (Rang De Basanti), "O Paalanhaare" in (Lagaan) and Laadli in (Raunaq (album)).[35] She made an appearance in the film Pukar singing this song.
In 1994, Lata Mangeshkar released Shraddanjali-My Tribute To The Immortals. The special feature of the album is that Lata offer her tributes to immortal singers of the time by rendering a few of their songs in her own voice. There are songs of K.L. Saigal, Rafi, Hemant Kumar, Mukesh, Punkaj Mallick, Kishore Kumar, Geeta dutt, Zohrabai, Amirbai, Parul Ghosh and Kanan Devi.[36]
Mangeshkar sang both Rahul Dev Burman's first and last songs. In 1994, she sang the last song; "Kuch Na Kaho" for Rahul Dev Burman in 1942: A Love Story.[37]
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.[38]
In 1999, Mangeshkar was nominated as a member of Rajya Sabha.[39] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.[40][41] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.[40][42]
2000s[edit]
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Kashmir earthquake relief.[43] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004), and on the film's soundtrack.
On 21 June 2007, she released the album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.[44]
2010s[edit]
On 12 April 2011, she released another album Sarhadein: Music Beyond Boundaries. The album has a rare duet; "Tera Milna Bara Acha Lage" by Lata Mangeshkar and Mehdi Hasan (written by Pakistan's Farhat Shahzad). The album features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Ali.[45]
After 14 years, Lata Mangeshkar recorded a song for composer Nadeem-Shravan; "Kese Piya Sai Mein Kaho" for Bewafaa (2005).[46] After "Kitne Ajeeb Rishte Hain Yahan Par" for Page 3 (2005) and "Daata Sun Le" for Jail (2009), Shamir Tandon once again recorded a song with Lata Mangeshkar; "Tere Hasne Sai Mujheko" for the film Satrangee Parachute (2011).[47] After a hiatus, Lata Mangeshkar is back in playback singing and recorded a song "Jeena kya hai, jaana maine" for the sequel of Kapil Sharma's queer love story Dunno Y... Na Jaane Kyun at her own studio.[48]
On 28 November 2012, Lata Mangeshkar launched her own music label, LM Music, with an album of bhajans, Swami Samarth Maha Mantra, composed by Mayuresh Pai. She sang with younger sister Usha on the album.[49] In 2014, she recorded Shurodhwani (Bengali songs, including poetry by Salil Chowdhury), also composed by Pai.[citation needed]
Bengali career[edit]
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Mangeshkar has sung 185 songs in Bengali, making her debut in 1956 with the song "Prem Ekbari Esechilo Nirobe", composed by Hemant Kumar. It became a classic hit song. The same year, she recorded "Rongila Banshite", composed by Bhupen Hazarika, which was also a hit. In the late 1950s, she recorded a string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", and "Ogo Aar Kichu To Noy", all composed by Salil Chowdhury, and which were respectively adapted in Bollywood as "Jare Udjaa Re Panchi" and "Tasveer Tere Dil Mein" in Maya, for Mala Sinha, and "O Sajna" in Parakh, for Sadhna. In 1960, she recorded "Akash Pradip Jole", a smash hit even today. Later in the 1960s, she sang hits like "Ekbar Biday De Ma Ghure Ashi", "Saat Bhai Champa", "Ke Pratham Kache Esechi", "Nijhum Sandhyay", "Chanchal Mon Anmona", "Asharh Srabon", "Bolchi Tomar Kaney", and "Aaj Mon Cheyeche", by composers like Sudhin Dasgupta, Hemant Kumar, and Chowdhury. Her 1986 classic "Ami Je ke Tomar" was recreated by Armaan Malik in the 2017 film Amar Aponjon.
Overall collaboration[edit]
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From the 1940s to the 1970s, Mangeshkar sang duets with Asha Bhosle, Suraiya, Usha Mangeshkar, Mohammed Rafi, Kishore Kumar, Mukesh, Manna Dey, Hemant Kumar, and Mahendra Kapoor. In 1964, she sang "Chanda Se Hoga" with P.B. Sreenivas from Main Bhi Ladki Hoon.
Mukesh died in 1976. The 1980s saw the deaths of Mohammed Rafi and Kishore Kumar. Mangeshkar's last duets with Mohammed Rafi were during the 1980s; she continued to sing with Shabbir Kumar, Shailendra Singh, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Mohammed Aziz, Vinod Rathod, and S.P. Balasubrahmanyam.
In the 1990s, Mangeshkar began singing duets with Pankaj Udhas, Mohammed Aziz, Abhijeet Bhattacharya, Udit Narayan, Kumar Sanu, and Suresh Wadkar. Her most notable work of the 90s was Dilwale Dulhania Le Jayenge with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko To Pyaar Sajna", "Tujhe Dekha To Yeh Janam Sanam", and "Mehdni Laga Ke Rakhna".
In the 2000s, Mangeshkar's duets were mainly with Udit Narayan and Sonu Nigam. 2005-06 were the years of her last well-known songs: "Kaise Piya Se" from Bewafa and "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love, with Adnan Sami and " Lukka Chhupi" in Rang De Basanti (2006 film) with A.R.Rahman. She sang "Ek Tu Hi Bharosa" from Pukar. Other notable songs of this decade were from Veer-Zaara, sung with Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Mann. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2014).
Non-singing career[edit]
Music direction[edit]
Lata Mangeshkar composed music for the first time in 1955 for the Marathi movie Ram Ram Pavhane. Later in the 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.[50]
1960 - Ram Ram Pavhana
1963 - Maratha Tituka Melvava
1963 - Mohityanchi Manjula
1965 - Sadhi Manase
1969 - Tambadi Mati
She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.[51]
Production[edit]
Lata Mangeshkar has produced four films:
1953 - Vaadal (Marathi)
1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra
1955 - Kanchan (Hindi)
1990 - Lekin... (Hindi)
Awards and recognitions[edit]
Main article: List of awards received by Lata Mangeshkar
Mangeshkar at the Dinanath Mangeshkar Awards announcement in 2013
Lata Mangeshkar has won several awards and honours, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969),[52] Padma Vibhushan (1999), Dadasaheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[53] NTR National Award (1999), Bharat Ratna (2001), Legion of Honor (2007), ANR National Award (2009), three National Film Awards and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993 and Filmfare Special Awards in 1994 and 2004.
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 2009, Mangeshkar was awarded the title of Officer of the French Legion of Honour, France's highest order.[54]
In 2012, Lata Mangeshkar was one of the top ten nominees in The Greatest Indian poll, which was sponsored by Reliance Mobile and conducted by Outlook magazine, in partnership with CNN-IBN and The History Channel.
Ustad Bade Ghulam Ali Khan said kambakht, kabhi besuri na hoti ("[she] is never off-key").[55] Dilip Kumar once said, "Lata Mangeshkar ki awaaz kudrat ki takhleek ka ek karishma hain," meaning "Lata Mangeshkar's voice is a miracle from God."[56]
Guinness controversy[edit]
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammad Rafi, who was claimed to have sung around 28,000 songs.[57][58] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.[59]
The entry was discontinued by Guinness editions in 1991 without explanation, while several sources continued to claim that she recorded thousands of songs, with estimates ranging up to figures as large as 50,000.[60][61] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was disputed and claimed to have been exaggerated by several others, stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5025.[62][63][64][65] Mangeshkar herself has stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.[66] In 2011, the entry was revived by Guinness crediting the record to her sister Asha Bhosle as the most recorded artist in music history, "for recording up to 11,000 solo, duet and chorus-backed songs and in over 20 Indian languages since 1947".[67]
See also[edit]
Bollywood portal
List of Indian playback singers
List of songs by Lata Mangeshkar
Playback singer
Bollywood songs
Asha Bhosle
Mangeshkar Family
References[edit]
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Further reading[edit]
Bichu, Dr. Mandar (2011). Lata — Voice of the Golden Era. Popular Prakashan. ISBN 978-81-7991-625-4.
Bhimani, Harish (1995). In search of Lata Mangeshkar. Indus. ISBN 978-81-7223-170-5.
Bharatan, Raju (1995). Lata Mangeshkar: A Biography. UBS Publishers Distributors. ISBN 978-81-7476-023-4.
Kabir, Nasreen Munni (2009). Lata Mangeshkar: In Her Own Voice. Niyogi Books. ISBN 978-81-89738-41-9.
Lata, Mangeshkar (1995). Madhuvanti Sapre; Dinkar Gangal, eds. In search of Lata Mangeshkar (in Marathi). Harper Collins/Indus. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.
Nerurkar, Vishwas. Lata Mangeshkar Gandhar Swaryatra (1945-1989) (in Hindi). Mumbai: Vasanti P. Nerukar. .
Bichhu, Mandar V. (1996). Gaaye Lata, Gaaye Lata (in Hindi). Sharjah: Pallavi Prakashan. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.
External links[edit]
Wikimedia Commons has media related to Lata Mangeshkar.
Lata Mangeshkar on IMDb
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Lata Mangeshkar
Singles
"Aa Jaane Jaan" (1969)
"Aye Mere Watan Ke Logo" (1963)
"Buddha Mil Gaya" (1964)
"Chadti Jawani Meri Chaal Mastani" (1971)
"Didi Tera Devar Deewana" (1994)
"Dil To Hai Dil" (1978)
"Kabhi Kabhie Mere Dil Mein" (1976)
"Kesariya Balam"
"Kuchh Na Kaho"
"Main Naahin Maakhan Khaayo"
"Mile Sur Mera Tumhara"
"Pyar Kiya To Darna Kya" (1960)
"Saagara Pran Talamalala"
People
Deenanath Mangeshkar (father)
Hridaynath Mangeshkar (brother)
Meena Khadikar (sister)
Asha Bhosle (sister)
Usha Mangeshkar (sister)
Other
List of songs by Lata Mangeshkar
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Mangeshkar Family
1st generation
Deenanath Mangeshkar
2nd generation
Lata Mangeshkar
Asha Bhosle
Usha Mangeshkar
Meena Khadikar
Hridaynath Mangeshkar
3rd generation
Hemant Bhosle
Varsha Bhosle
Anand Bhosle
Aadinath Mangeshkar
Vaijnath Mangeshkar
Radha Mangeshkar
Yogesh Khadikar
4th generation
Chaitanya Bhosle
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Awards for Lata Mangeshkar
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Bharat Ratna laureates
1954–1960
C. Rajagopalachari, Sarvepalli Radhakrishnan, and C. V. Raman (1954)
Bhagwan Das, Mokshagundam Visvesvarayya, and Jawaharlal Nehru (1955)
Govind Ballabh Pant (1957)
Dhondo Keshav Karve (1958)
1961–1980
Bidhan Chandra Roy and Purushottam Das Tandon (1961)
Rajendra Prasad (1962)
Zakir Husain and Pandurang Vaman Kane (1963)
Lal Bahadur Shastri (1966)
Indira Gandhi (1971)
V. V. Giri (1975)
K. Kamaraj (1976)
Mother Teresa (1980)
1981–2000
Vinoba Bhave (1983)
Khan Abdul Ghaffar Khan (1987)
M. G. Ramachandran (1988)
B. R. Ambedkar and Nelson Mandela (1990)
Rajiv Gandhi, Vallabhbhai Patel, and Morarji Desai (1991)
Abul Kalam Azad, J. R. D. Tata, and Satyajit Ray (1992)
Gulzarilal Nanda, Aruna Asaf Ali, and A. P. J. Abdul Kalam (1997)
M. S. Subbulakshmi and Chidambaram Subramaniam (1998)
Jayaprakash Narayan, Amartya Sen, Gopinath Bordoloi, and Ravi Shankar (1999)
2001–present
Lata Mangeshkar and Bismillah Khan (2001)
Bhimsen Joshi (2008)
C. N. R. Rao and Sachin Tendulkar (2014)
Madan Mohan Malaviya and Atal Bihari Vajpayee (2015)
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Padma Vibhushan award recipients
Arts
Ebrahim Alkazi
Kishori Amonkar
Amitabh Bachchan
M. Balamuralikrishna
T. Balasaraswati
Asha Bhosle
Nandalal Bose
Hariprasad Chaurasia
Girija Devi
Kumar Gandharva
Adoor Gopalakrishnan
Satish Gujral
Gangubai Hangal
Bhupen Hazarika
M. F. Husain
Ilaiyaraaja
Semmangudi Srinivasa Iyer
Bhimsen Joshi
Ali Akbar Khan
Amjad Ali Khan
Allauddin Khan
Bismillah Khan
Ghulam Mustafa Khan
Yamini Krishnamurthy
Dilip Kumar
R. K. Laxman
Birju Maharaj
Kishan Maharaj
Lata Mangeshkar
Sonal Mansingh
Mallikarjun Mansur
Zubin Mehta
Mario Miranda
Kelucharan Mohapatra
Raghunath Mohapatra
Jasraj Motiram
Benode Behari Mukherjee
Hrishikesh Mukherjee
Rajinikanth
Ram Narayan
D. K. Pattammal
K. Shankar Pillai
Akkineni Nageswara Rao
Kaloji Narayana Rao
Satyajit Ray
S. H. Raza
Zohra Sehgal
Uday Shankar
Ravi Shankar
V. Shantaram
Shivkumar Sharma
Umayalpuram K. Sivaraman
M. S. Subbulakshmi
K. G. Subramanyan
Kapila Vatsyayan
Homai Vyarawalla
K. J. Yesudas
Civil Service
Bimala Prasad Chaliha
Naresh Chandra
T. N. Chaturvedi
Jayanto Nath Chaudhuri
Suranjan Das
Rajeshwar Dayal
Basanti Devi
P. N. Dhar
Jyotindra Nath Dixit
M. S. Gill
Hafiz Mohamad Ibrahim
H. V. R. Iyengar
Bhola Nath Jha
Dattatraya Shridhar Joshi
Ajudhia Nath Khosla
Rai Krishnadasa
V. Krishnamurthy
P. Prabhakar Kumaramangalam
Pratap Chandra Lal
K. B. Lall
Sam Manekshaw
Om Prakash Mehra
Mohan Sinha Mehta
M. G. K. Menon
Brajesh Mishra
Sumati Morarjee
A. Ramasamy Mudaliar
Sardarilal Mathradas Nanda
Chakravarthi V. Narasimhan
Braj Kumar Nehru
Bhairab Dutt Pande
Ghananand Pande
Vijaya Lakshmi Pandit
T. V. Rajeswar
C. R. Krishnaswamy Rao
Pattadakal Venkanna R. Rao
V. K. R. V. Rao
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Harish Chandra Sarin
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Balaram Sivaraman
Chandrika Prasad Srivastava
T. Swaminathan
Arun Shridhar Vaidya
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Literature and Education
V. S. R. Arunachalam
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Bhabatosh Datta
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O. N. V. Kurup
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C. D. Deshmukh
Anthony Lancelot Dias
Uma Shankar Dikshit
Kazi Lhendup Dorjee
P. B. Gajendragadkar
Benjamin Gilman
Zakir Husain
V. R. Krishna Iyer
Jagmohan
Lakshmi Chand Jain
Aditya Nath Jha
Murli Manohar Joshi
Mehdi Nawaz Jung
Ali Yavar Jung
Vijay Kelkar
Hans Raj Khanna
V. N. Khare
Balasaheb Gangadhar Kher
Akhlaqur Rahman Kidwai
Jivraj Narayan Mehta
V. K. Krishna Menon
Hirendranath Mukherjee
Ajoy Mukherjee
Pranab Mukherjee
Padmaja Naidu
Gulzarilal Nanda
Govind Narain
Fali Sam Nariman
Hosei Norota
Nanabhoy Palkhivala
K. Parasaran
Hari Vinayak Pataskar
Sunder Lal Patwa
Sharad Pawar
Naryana Raghvan Pillai
Sri Prakasa
N. G. Ranga
Ravi Narayana Reddy
Y. Venugopal Reddy
Ghulam Mohammed Sadiq
Lakshmi Sahgal
P. A. Sangma
M. C. Setalvad
Karan Singh
Nagendra Singh
Swaran Singh
Walter Sisulu
Soli Sorabjee
Kalyan Sundaram
Chandulal Madhavlal Trivedi
Atal Bihari Vajpayee
M. N. Venkatachaliah
Kottayan Katankot Venugopal
Jigme Dorji Wangchuck
Science and Engineering
V. K. Aatre
Salim Ali
Norman Borlaug
Subrahmanyan Chandrasekhar
Rajagopala Chidambaram
Charles Correa
Satish Dhawan
Anil Kakodkar
A. P. J. Abdul Kalam
Krishnaswamy Kasturirangan
Har Gobind Khorana
Daulat Singh Kothari
Verghese Kurien
Raghunath Anant Mashelkar
G. Madhavan Nair
Roddam Narasimha
Jayant Narlikar
Rajendra K. Pachauri
Benjamin Peary Pal
Yash Pal
I. G. Patel
Venkatraman Ramakrishnan
K. R. Ramanathan
Raja Ramanna
C. R. Rao
C. N. R. Rao
Palle Rama Rao
Udupi Ramachandra Rao
Vikram Sarabhai
Man Mohan Sharma
Obaid Siddiqi
E. Sreedharan
M. R. Srinivasan
George Sudarshan
M. S. Swaminathan
Social Work
Baba Amte
Pandurang Shastri Athavale
Janaki Devi Bajaj
Mirabehn
Kamaladevi Chattopadhyay
Durgabai Deshmukh
Nanaji Deshmukh
Nirmala Deshpande
Mohan Dharia
U. N. Dhebar
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Sister Nirmala
Nellie Sengupta
Sports
Viswanathan Anand
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Trade and Industry
Dhirubhai Ambani
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Portal
Category
WikiProject
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Padma Bhushan award recipients (1960–1969)
1960
Haridas Siddhanta Bagish
Rabindra Nath Chaudhuri
Nilakantha Das
Rajeshwar Shastri Dravid
Kazi Nazrul Islam
Hafiz Ali Khan
Bal Krishna Sharma Naveen
Ayyadevara Kaleswara Rao
Acharya Shivpujan Sahay
Vithal Nagesh Shirodkar
1961
Rustomji Bomanji Billimoria
Seth Govind Das
Verrier Elwin
Niranjan Das Gulhati
L. Venkatakrishna Iyer
Rai Krishnadas
Sumitranandan Pant
Svetoslav Roerich
Bhagwan Sahay
Bindeshwari Prasad Verma
K. Venkataraman
Ardeshir Ruttonji Wadia
1962
Ramchandra Narayan Dandekar
Prem Chandra Dhanda
Asaf Ali Asghar Fyzee
Bade Ghulam Ali Khan
Daulat Singh Kothari
Mithan Jamshed Lam
Sudhansu Sobhan Maitra
Sisir Kumar Mitra
Tarabai Modak
Niaz Fatehpuri
Jal Ratanji Patel
Narayan Sitaram Phadke
V. Raghavan
Dukhan Ram
T. S. Soundram
Mahankali Seetharama Rao
Moturi Satyanarayana
Sitaram Seksaria
Santosh Kumar Sen
Tarlok Singh
Raja Radhika Raman Sinha
1963
Makhanlal Chaturvedi
Omeo Kumar Das
Nitish Chandra Laharry
Badri Nath Prasad
Kanuri Lakshmana Rao
Rahul Sankrityayan
Ramanlal Gokaldas Saraiya
T. R. Seshadri
Sardar Harnarain Singh
Ramkumar Verma
1964
Sheikh Abdullah
Nuruddin Ahmed
Rafiuddin Ahmed
Jacob Chandy
Kunji Lal Dubey
Tushar Kanti Ghosh
Dara Nusserwanji Khurody
Anukul Chandra Mukherjee
Jnanendra Nath Mukherjee
Bhola Nath Mullik
R. K. Narayan
Chintaman Govind Pandit
Tribhuvandas Kishibhai Patel
Bal Gandharva
T. N. Ramachandran
Khushwant Lal Wig
1965
Joginder Singh Dhillon
Bhalchandra Babaji Dikshit
Narasinh Narayan Godbole
Nawang Gombu
Sonam Gyatso
Kashmir Singh Katoch
Akbar Ali Khan
S. L. Kirloskar
Mohan Singh Kohli
Pratap Chandra Lal
Mohammad Mujeeb
Jayant Narlikar
Ramaswamy Rajaram
K. R. Ramanathan
Satyajit Ray
Triguna Sen
Harbaksh Singh
Vrindavan Lal Verma
Manikya Lal Verma
1966
Babubhai Maneklal Chinai
Puliyur Krishnaswamy Duraiswami
Verghese Kurien
Zubin Mehta
K. P. Kesava Menon
Mannathu Padmanabha Pillai
K. Shankar Pillai
Vikram Sarabhai
Vinayak Sitaram Sarwate
Homi Sethna
Jodh Singh
Haribhau Upadhyaya
1967
Mulk Raj Anand
Tara Cherian
Krishna Kanta Handique
Akshay Kumar Jain
Pupul Jayakar
Ali Akbar Khan
D. P. Kohli
Ramanathan Krishnan
C. K. Lakshmanan
S. I. Padmavati
D. C. Pavate
Datto Vaman Potdar
B. Shiva Rao
Khwaja Ghulam Saiyidain
Mihir Sen
Ravi Shankar
M. L. Vasanthakumari
1968
Acharya Vishva Bandhu
Prabhu Lal Bhatnagar
Mary Clubwala Jadhav
K. Shivaram Karanth
Bismillah Khan
Vishnu Sakharam Khandekar
Sam Manekshaw
Mansukhlal Atmaram Master
M. G. K. Menon
Waman Bapuji Metre
Gujarmal Modi
Murugappa Channaveerappa Modi
Benjamin Peary Pal
Brahm Prakash
Manikonda Chalapathi Rau
C. R. Rao
Radhanath Rath
Mariadas Ruthnaswamy
Firaq Gorakhpuri
Shripad Damodar Satwalekar
G. Sankara Kurup
Periyasaamy Thooran
Mamidipudi Venkatarangayya
1969
Tarasankar Bandyopadhyay
Rahim-ud-in Khan Dagar
Mohanlal Lallubhai Dantwala
Keshavrao Krishnarao Datey
Keshav Prasad Goenka
Semmangudi Srinivasa Iyer
Vithalbhai Jhaveri
Prithviraj Kapoor
Kesarbai Kerkar
Krishna Kripalani
Adinath Lahiri
Gobind Behari Lal
Kasturbhai Lalbhai
Lata Mangeshkar
V. K. Narayana Menon
Saghar Nizami
Nanasaheb Parulekar
Yashwant Dinkar Pendharkar
Vitthal Laxman Phadke
Raja Rao
Niharranjan Ray
Prafulla Kumar Sen
Haroon Khan Sherwani
Naval Tata
S. S. Vasan
# Posthumous conferral
1954–1959
1960–1969
1970–1979
1980–1989
1990–1999
2000–2009
2010–2019
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Dadasaheb Phalke Award
1969–1980
Devika Rani Chaudhuri Roerich (1969)
B. N. Sircar (1970)
Prithviraj Kapoor (1971)
Pankaj Mullick (1972)
Ruby Myers (1973)
Bommireddy Narasimha Reddy (1974)
Dhirendranath Ganguly (1975)
Kanan Devi (1976)
Nitin Bose (1977)
Rai Chand Boral (1978)
Sohrab Modi (1979)
Paidi Jairaj (1980)
1981–2000
Naushad (1981)
L. V. Prasad (1982)
Durga Khote (1983)
Satyajit Ray (1984)
V. Shantaram (1985)
B. Nagi Reddy (1986)
Raj Kapoor (1987)
Ashok Kumar (1988)
Lata Mangeshkar (1989)
Akkineni Nageswara Rao (1990)
Bhalji Pendharkar (1991)
Bhupen Hazarika (1992)
Majrooh Sultanpuri (1993)
Dilip Kumar (1994)
Rajkumar (1995)
Sivaji Ganesan (1996)
Pradeep (1997)
B. R. Chopra (1998)
Hrishikesh Mukherjee (1999)
Asha Bhosle (2000)
2001–present
Yash Chopra (2001)
Dev Anand (2002)
Mrinal Sen (2003)
Adoor Gopalakrishnan (2004)
Shyam Benegal (2005)
Tapan Sinha (2006)
Manna Dey (2007)
V. K. Murthy (2008)
D. Ramanaidu (2009)
K. Balachander (2010)
Soumitra Chatterjee (2011)
Pran (2012)
Gulzar (2013)
Shashi Kapoor (2014)
Manoj Kumar (2015)
Kasinathuni Viswanath (2016)
Vinod Khanna (2017)
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National Film Award for Best Female Playback Singer
1968–1980
P. Susheela (1968)
K. B. Sundarambal (1969)
Sandhya Mukherjee (1970)
P. Susheela (1971)
Lata Mangeshkar (1972)
No Award (1973)
Lata Mangeshkar (1974)
Vani Jairam (1975)
P. Susheela (1976)
S. Janaki (1977)
Chhaya Ganguly (1978)
Vani Jairam (1979)
S. Janaki (1980)
1981–2000
Asha Bhosle (1981)
P. Susheela (1982)
P. Susheela (1983)
S. Janaki (1984)
K. S. Chithra (1985)
K. S. Chithra (1986)
Asha Bhosle (1987)
K. S. Chithra (1988)
Anuradha Paudwal (1989)
Lata Mangeshkar (1990)
Vani Jairam (1991)
S. Janaki (1992)
Alka Yagnik (1993)
Swarnalatha (1994)
Anjali Marathe (1995)
K. S. Chithra (1996)
K. S. Chithra (1997)
Alka Yagnik (1998)
Jayshree Dasgupta (1999)
Bhavatharini Ilaiyaraaja (2000)
2001–present
Sadhana Sargam (2001)
Shreya Ghoshal (2002)
Tarali Sarma (2003)
K. S. Chithra (2004)
Shreya Ghoshal (2005)
Arati Ankalikar-Tikekar (2006)
Shreya Ghoshal (2007)
Shreya Ghoshal (2008)
Nilanjana Sarkar (2009)
Rekha Bhardwaj (2010)
Roopa Ganguly (2011)
Arati Ankalikar-Tikekar (2012)
Bela Shende (2013)
Uthara Unnikrishnan (2014)
Monali Thakur (2015)
Iman Chakraborty (2016)
Shashaa Tirupati (2017)
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Filmfare Award for Best Female Playback Singer
1959–1980
Lata Mangeshkar (1959)
No Award (1960, 1961, 1962)
Lata Mangeshkar (1963)
No Award (1964, 1965)
Lata Mangeshkar (1966)
No Award (1967)
Asha Bhosle (1968)
Asha Bhosle (1969)
Lata Mangeshkar (1970)
Sharda (1971)
Asha Bhosle (1972)
Asha Bhosle (1973)
Asha Bhosle (1974)
Asha Bhosle (1975)
Sulakshana Pandit (1976)
Hemlata (1977)
Preeti Sagar (1978)
Asha Bhosle (1979)
Vani Jairam (1980)
1981–2000
Nazia Hassan (1981)
Parveen Sultana (1982)
Salma Agha (1983)
Aarti Mukherji (1984)
Anupama Deshpande (1985)
Anuradha Paudwal (1986)
No Award (1987, 1988)
Alka Yagnik (1989)
Sapna Mukherjee (1990)
Anuradha Paudwal (1991)
Anuradha Paudwal (1992)
Anuradha Paudwal (1993)
Alka Yagnik and Ila Arun (1994)
Kavita Krishnamurthy (1995)
Kavita Krishnamurthy (1996)
Kavita Krishnamurthy (1997)
Alka Yagnik (1998)
Jaspinder Narula (1999)
Alka Yagnik (2000)
2001–present
Alka Yagnik (2001)
Alka Yagnik (2002)
Kavita Krishnamurthy and Shreya Ghoshal (2003)
Shreya Ghoshal (2004)
Alka Yagnik (2005)
Alisha Chinai (2006)
Sunidhi Chauhan (2007)
Shreya Ghoshal (2008)
Shreya Ghoshal (2009)
Kavita Seth and Rekha Bhardwaj (2010)
Mamta Sharma and Sunidhi Chauhan (2011)
Rekha Bhardwaj and Usha Uthup (2012)
Shalmali Kholgade (2013)
Monali Thakur (2014)
Kanika Kapoor (2015)
Shreya Ghoshal (2016)
Neha Bhasin (2017)
Meghna Mishra (2018)
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Filmfare Award for Lifetime Achievement
Amitabh Bachchan (1991)
Dev Anand (1992)
Dilip Kumar (1993)
Lata Mangeshkar (1994)
Shammi Kapoor & Waheeda Rehman (1995)
Ashok Kumar, Sunil Dutt & Vyjayanthimala (1996)
Dharmendra, Mumtaz & Pran (1997)
Sharmila Tagore (1998)
Manoj Kumar & Helen (1999)
Vinod Khanna & Hema Malini (2000)
Feroz Khan & Asha Bhosle (2001)
Gulzar & Asha Parekh (2002)
Jeetendra (2003)
Sulochana Latkar, Nirupa Roy & B.R. Chopra (2004)
Rajesh Khanna (2005)
Shabana Azmi (2006)
Javed Akhtar & Jaya Bachchan (2007)
Rishi Kapoor (2008)
Bhanu Athaiya & Om Puri (2009)
Shashi Kapoor & Khayyam (2010)
Manna Dey (2011)
Pyarelal & Aruna Irani (2012)
Yash Chopra (2013)
Tanuja (2014)
Kamini Kaushal (2015)
Moushumi Chatterjee (2016)
Shatrughan Sinha (2017)
Bappi Lahiri & Mala Sinha (2018)
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Sangeet Natak Akademi fellows
1954–1960
Ariyakudi Ramanuja Iyengar (1954)
Karaikudi Sambasiva Iyer (1954)
Prithviraj Kapoor (1954)
Anjanibai Malpekar (1958)
1961–1980
Gopeshwar Banerjee (1962)
D. Annaswami Bhagavathar (1962)
Uday Shankar (1962)
Papanasam Sivan (1962)
Swami Prajnanananda (1963)
Shrikrishna Narayan Ratanjankar (1963)
Pichu Sambamoorthi (1963)
Mama Warerkar (1963)
T. L. Venkatarama Aiyar (1964)
C. Saraswathi Bai (1964)
Birendra Kishore Roy Choudhury (1964)
B. R. Deodhar (1964)
V. Raghavan (1964)
P. V. Rajamannar (1964)
Vinayak Narayan Patwardhan (1965)
Ganesh Hari Ranade (1965)
Dilipkumar Roy (1965)
Jaideva Singh (1965)
D. G. Vyas (1965)
Ashutosh Bhattacharya (1966)
E. Krishna Iyer (1966)
Sombhu Mitra (1966)
Jayachamarajendra Wadiyar (1966)
Ebrahim Alkazi (1967)
Rukmini Devi Arundale (1967)
Musiri Subramania Iyer (1967)
Bade Ghulam Ali Khan (1967)
P. K. Kunju Kurup (1967)
Shambhu Maharaj (1967)
V. Satyanarayana Sarma (1967)
Adya Rangacharya 'Shriranga' (1967)
Kali Charan Patnaik (1968)
K. C. D. Brahaspati (1970)
Kapila Vatsyayan (1970)
Dilip Chandra Vedi (1970)
Tarapada Chakraborty (1972)
Krishnarao Phulambrikar (1972)
Rallapalli Ananta Krishna Sharma (1972)
K. Shivaram Karanth (1973)
Kamaladevi Chattopadhyay (1974)
Jnan Prakash Ghosh (1974)
M. S. Subbulakshmi (1974)
T. Balasaraswati (1975)
Zubin Mehta (1975)
Rasiklal Chhotalal Parikh (1975)
Ravi Shankar (1975)
Embar S. Vijayaraghavachariar (1975)
Santidev Ghosh (1976)
Semmangudi Srinivasa Iyer (1976)
Hirjibhai Rustomji Doctor (1977)
Tinuvengadu Subramania Pillai (1978)
B. Puttaswamayya (1978)
P. L. Deshpande (1979)
D. T. Joshi (1979)
Sumati Mutatkar (1979)
T. P. Kuppiah Pillai (1979)
V. K. Narayana Menon (1980)
1981–2000
Mani Madhava Chakyar (1982)
Mallikarjun Mansur (1982)
M. Kirupanandawari (1984)
Chandravadan Mehta (1984)
Siyaram Tiwari (1984)
V. V. Swarna Venkatesa Deekshithar (1986)
Komal Kothari (1986)
S. Ramanathan (1986)
Satyajit Ray (1986)
Lata Mangeshkar (1989)
Utpal Dutt (1990)
Ram Gopal (1990)
Alain Daniélou (1991)
Kelucharan Mohapatra (1991)
T. S. Parthasarathy (1991)
Ali Akbar Khan (1992)
D. K. Pattammal (1992)
Prem Lata Sharma (1992)
Girish Karnad (1993)
Mrinalini Sarabhai (1993)
Bismillah Khan (1994)
Yehudi Menuhin (1994)
Maheswar Neog (1994)
Vilayat Khan (1995)
Ammannur Madhava Chakyar (1996)
Gangubai Hangal (1996)
Habib Tanvir (1996)
Badal Sarkar (1997)
Bhimsen Joshi (1998)
Birju Maharaj (1998)
K. P. Kittappa Pillai (1998)
Vijay Tendulkar (1998)
2001–present
M. Balamuralikrishna (2001)
B. V. Karanth (2001)
Vempati Chinna Satyam (2001)
Shanno Khurana (2002)
Kavalam Narayana Panicker (2002)
Chandralekha (2004)
Annapurna Devi (2004)
Bindhyabasini Devi (2004)
Ramankutty Nair (2004)
Zohra Sehgal (2004)
Tapas Sen (2004)
Rohini Bhate (2006)
T. N. Krishnan (2006)
Kishan Maharaj (2006)
Gursharan Singh (2006)
N. Khelchandra Singh (2006)
Sushil Kumar Saxena (2007)
Khaled Choudhury (2008)
Sitara Devi (2008)
Bhupen Hazarika (2008)
R. C. Mehta (2008)
Kishori Amonkar (2009)
Jasraj (2009)
Lalgudi Jayaraman (2009)
Yamini Krishnamurthy (2009)
Shriram Lagoo (2009)
Kamlesh Dutt Tripathi (2009)
Girija Devi (2010)
T. K. Murthy (2010)
Nataraja Ramakrishna (2010)
M. Chandrasekaran (2011)
Hariprasad Chaurasia (2011)
Kalamandalam Gopi (2011)
Chandrashekhara Kambara (2011)
Heisnam Kanhailal (2011)
Mukund Lath (2011)
Shivkumar Sharma (2011)
Rajkumar Singhajit Singh (2011)
Umayalpuram K. Sivaraman (2011)
Padma Subrahmanyam (2011)
N. Rajam (2012)
Ratan Thiyam (2012)
T. H. Vinayakram (2012)
Mahesh Elkunchwar (2013)
Kanak Rele (2013)
R. Sathyanarayana (2013)
Tulsidas Borkar (2014)
S. R. Janakiraman (2014)
Vijay Kumar Kichlu (2014)
M. S. Sathyu (2014)
C. V. Chandrasekhar (2015)
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Naat Khawans
Shamshad Begum
Mubarak Begum
Muhammad Rafi
Lata Mangeshkar
Junaid Jamshed
Muhammad Farooq
Mushtaq Qadri
Naeem Hashmi
Mehdi Hassan
Siddiq Ismail
Zubaida Khanum
Saleem Raza (Pakistani singer)
Muzaffar Warsi
Iqbal Bahu
Qari Waheed Zafar Qasmi
Abdul Rauf Rufi
Syed Fasihuddin Soharwardy
Khurshid Ahmad
Tasleem Ahmed Sabri
Portal:Islam
Authority control
WorldCat Identities
BIBSYS: 8046799
BNF: cb139215454 (data)
GND: 119348632
ISNI: 0000 0000 8095 5165
LCCN: n89204009
MusicBrainz: aeb71bd8-447d-4415-8ea1-2b7d664f67e1
NLA: 41120438
SUDOC: 080879896
VIAF: 15578255
Retrieved from "https://en.wikipedia.org/w/index.php?title=Lata_Mangeshkar&oldid=854453343"
Categories:
1929 births
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Mangeshkar family
Best Female Playback Singer National Film Award winners
21st-century Indian women musicians
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