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Barrel
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This article is about the container. For the gun part, see Gun barrel. For other uses, see Barrel (disambiguation).
"Angels' Share" redirects here. For the film, see The Angels' Share.
Traditional oak barrels made by Chilean cooperage Tonelería Nacional
Modern stainless steel casks and kegs outside the Castle Rock microbrewery in Nottingham, England
Wooden wine barrel at an exhibition in Croatia
A barrel, cask, or tun is a hollow cylindrical container, traditionally made of wooden staves bound by wooden or metal hoops. Traditionally, the barrel was a standard size of measure referring to a set capacity or weight of a given commodity. For example, in the UK a barrel of beer refers to a quantity of 36 imperial gallons (160 L; 43 US gal). Wine was shipped in barrels of 119 litres (31 US gal; 26 imp gal).
Modern wooden barrels for wine-making are either made of French common oak (Quercus robur) and white oak (Quercus petraea) or from American white oak (Quercus alba) and have typically these standard sizes: "Bordeaux type" 225 litres (59 US gal; 49 imp gal), "Burgundy type" 228 litres (60 US gal; 50 imp gal) and "Cognac type" 300 litres (79 US gal; 66 imp gal). Modern barrels and casks can also be made of aluminum, stainless steel, and different types of plastic, such as HDPE.
Someone who makes barrels is called a "barrel maker" or cooper. Barrels are only one type of cooperage. Other types include, but are not limited to: buckets, tubs, butter churns, hogsheads, firkins, kegs, kilderkins, tierces, rundlets, puncheons, pipes, tuns, butts, pins, and breakers.
Barrels have a variety of uses, including storage of liquids such as water and oil, fermenting wine, arrack, and sake, and maturing beverages such as wine, cognac, armagnac, sherry, port, whiskey, and beer. The term can also refer to roughly cylindrical containers made of modern materials like plastic.
Contents
[hide]
1 Uses today
1.1 Beverage maturing
1.1.1 Wine
1.1.1.1 Sherry
1.1.2 Whiskey
1.1.3 Brandy
1.1.4 Tequila
1.1.5 Balsamic vinegar
1.1.6 Tabasco sauce
1.1.7 Beer
1.1.8 Soft drinks
1.1.9 Angels' share
1.1.10 Devil's cut
1.2 Water storage
1.3 Oil storage
2 Barrel shape, construction and parts
3 Sizes
3.1 English wine casks
3.2 Brewery casks
3.3 Dry goods
4 See also
5 References
6 External links
Uses today[edit]
Beverage maturing[edit]
Wine barrels in Napa Valley, California
An "aging barrel" is used to age wine; distilled spirits such as whiskey, brandy, or rum; beer; tabasco sauce; or (in smaller sizes) traditional balsamic vinegar. When a wine or spirit ages in a barrel, small amounts of oxygen are introduced as the barrel lets some air in (compare to microoxygenation where oxygen is deliberately added). Oxygen enters a barrel when water or alcohol is lost due to evaporation, a portion known as the "angels' share". In an environment with 100% relative humidity, very little water evaporates and so most of the loss is alcohol, a useful trick if one has a wine with very high proof. Most beverages are topped up from other barrels to prevent significant oxidation, although others such as vin jaune and sherry are not.
Beverages aged in wooden barrels take on some of the compounds in the barrel, such as vanillin and wood tannins. The presence of these compounds depends on many factors, including the place of origin, how the staves were cut and dried, and the degree of "toast" applied during manufacture. After roughly three years, most of a barrel's flavor compounds have been leached out and it is well on its way to becoming "neutral". Barrels used for aging are typically made of French or American oak, but chestnut and redwood are also used. Some Asian beverages (e.g., Japanese sake) use Japanese cedar, which imparts an unusual, minty-piney flavor. In Peru and Chile, a grape distillate named pisco is either aged in oak or in earthenware.
Wine[edit]
Some wines are fermented "on barrel," as opposed to in a neutral container like steel or wine-grade HDPE (high-density polyethylene) tanks. Wine can also be fermented in large wooden tanks, which—when open to the atmosphere—are called "open-tops". Other wooden cooperage for storing wine or spirits range from smaller barriques to huge casks, with either elliptical or round heads.
The tastes yielded by French and American species of oak are slightly different, with French oak being subtler, while American oak gives stronger aromas.[1] To retain the desired measure of oak influence, a winery will replace a certain percentage of its barrels every year, although this can vary from 5 to 100%. Some winemakers use "200% new oak", where the wine is put into new oak barrels twice during the aging process. Bulk wines are sometimes more cheaply flavored by soaking oak chips in them instead of being aged in a barrel.
Sherry[edit]
Sherry barrel with special glass barrel head to show barrel's contents; note the layer of flor floating on top of the wine.
Sherry is stored in 600-litre casks made of North American oak, which is slightly more porous than French or Spanish oak. The casks, or butts, are filled five-sixths full, leaving "the space of two fists" empty at the top to allow flor to develop on top of the wine.
Whiskey[edit]
Charred white oak barrels are filled with new bourbon whiskey and resting in a rack house for a period of typically 4 to 9 years (for good-quality bourbon), with the char giving the bourbon its characteristic copper color.
NOTE: This section uses both the U.S.–Irish typical spelling "whiskey" and the British–Canadian typical spelling "whisky".
Laws in several jurisdictions require that whiskey be aged in wooden barrels. The law in the United States requires that "straight whiskey" (with the exception of corn whiskey) must be stored for at least two years in new, charred oak containers.[2] Other forms of whiskey aged in used barrels cannot be called "straight".[2]
International laws require any whisky bearing the label "Scotch" to be distilled in Scotland and matured for a minimum of three years and one day in oak casks.[3]
By Canadian law,[4] Canadian whiskies must "be aged in small wood for not less than three years", and "small wood" is defined as a wood barrel not exceeding 700 L capacity.
Since the U.S. law requires the use of new barrels, which is not typically considered necessary elsewhere, whisky made elsewhere is usually aged in used barrels that previously contained U.S. whiskey (usually bourbon whiskey). The typical U.S. bourbon barrel is 53 US gallons (200 L) in size, which is thus the de facto standard whisky barrel size worldwide.[5][6] Some distillers transfer their whiskey into different barrels to "finish" or add qualities to the final product. These finishing barrels frequently aged a different spirit (such as rum) or wine. Other distillers, particularly those producing Scotch, often disassemble 5 used bourbon barrels and reassemble them into 4 casks with different barrel ends for aging Scotch, creating a type of cask referred to as a hogshead.[7]
Brandy[edit]
Maturing is very important for a good brandy, which is typically aged in oak casks. The wood used for those barrels is selected because of its ability to transfer certain aromas to the spirit. Cognac is aged only in oak casks made from wood from the Forest of Tronçais and more often from the Limousin forests.
Tequila[edit]
Some types of tequila are aged in oak barrels to mellow its flavor. "Reposado" tequila is aged for up to one year, "Añejo" tequila is aged for up to three years, and "Extra Añejo" tequila is aged for at least three years. Like with other spirits, longer aging results in a more pronounced flavor.
Balsamic vinegar[edit]
Traditional balsamic vinegar is aged in a series of wooden barrels.
Tabasco sauce[edit]
Since its invention in 1868, the pepper mash used to make tabasco sauce is aged for three years in previously used oak whiskey barrels.
Beer[edit]
Beer barrels at the Munich Oktoberfest
Beers are sometimes aged in barrels which were previously used for maturing wines or spirits. This is most common in darker beers such as stout, which is sometimes aged in oak barrels identical to those used for whiskey. Whiskey distiller Jameson notably purchases barrels used by Franciscan Well brewery for their Shandon Stout to produce a whiskey branded as "Jameson Caskmates". Cask ale is aged in the barrel (usually steel) for a short time before serving. Extensive barrel aging is required of many sour beers.
Soft drinks[edit]
Vernors ginger ale is marketed as having a "barrel-aged" flavor, and the syrup used to produce the beverage was originally aged in oak barrels when first manufactured in the 19th century.[8] Whether the syrup continues to be aged in oak is unclear.[8]
Angels' share[edit]
The angels' share in the sherry aging produces fungus on the walls.
The angels' share fungus, Baudoinia compniacensis on bark with an unaffected branch for comparison
"Angels' share" is a term for the portion (share) of a wine or distilled spirit's volume that is lost to evaporation during aging in oak barrels. The ambient humidity tends to affect the composition of this share. Drier conditions tend to make the barrels evaporate more water, strengthening the spirit. However, in higher humidities, more alcohol than water will evaporate, therefore reducing the alcoholic strength of the product. This alcoholic evaporate encourages the growth of a darkly colored fungus, the angels' share fungus, Baudoinia compniacensis, which tends to appear on the exterior surfaces of most things in the immediate area.[9][10]
Devil's cut[edit]
"Devil's cut" is a term for the portion ("cut" is a slang term for a share, particularly of a forced nature) of a wine or distilled spirit's volume that is absorbed into the wooden barrel. Because evaporation is not involved, the strength of the product is not affected. The amount of product loss is determined by the type and quality of the wood and the ambient humidity. Some wood used in barrels can be more or less porous than other wood; more porous woods allow more product to be absorbed. Meanwhile, humid conditions tend to make the barrel absorb that humidity, allowing less product to be absorbed.
If an aging barrel is repurposed and used to store or age another product, the "devil's cut" may in turn be leached into the new product, providing finishing characteristics desired by the barrel user.
Whiskey distiller Beam Suntory extracts some of spirits from the wood and mixes them into other bourbon, marketing the result as "Jim Beam Devil's Cut". The company does not provide any description of what portion of the brand's ingredients are actually from the Devil's cut.
This does not occur in steel barrels because steel is entirely non-porous and does not absorb any of the spirit.
Water storage[edit]
Water barrels are often used to collect the rainwater from dwellings (so that it may be used for irrigation or other purposes). This usage, known as rainwater harvesting, requires (besides a large rainwater barrel or water butt) adequate (waterproof) roof-covering and an adequate rain pipe.
Oil storage[edit]
Main articles: Drum (container) and Barrel (unit)
Standard Oil Company blue 55-US gallon (46 imp. gal, 208 L) barrel (drum)
The standard barrel of crude oil or other petroleum product (abbreviated bbl) is 42 US gallons (34.972315754 imp gal; 158.987294928 L). This measurement originated in the early Pennsylvania oil fields, and permitted both British and American merchants to refer to the same unit, based on the old English wine measure, the tierce.
Earlier, another size of whiskey barrel was the most common size; this was the 40 US gallons (33.3 imp gal; 151.4 L) barrel for proof spirits, which was of the same volume as 5 US bushels. However, by 1866, the oil barrel was standardized at 42 US gallons.
Oil has not been shipped in barrels[11] since the introduction of oil tankers, but the 42-US-gallon size is still used as a unit for measurement, pricing, and in tax and regulatory codes. Each barrel is refined into about 19.74 US gallons (16.44 imp gal; 74.7 L) of gasoline,[12] the rest becoming other products such as jet fuel and heating oil, using fractional distillation.[13]
Barrel shape, construction and parts[edit]
Wine barrel parts
Shaping barrel staves
Barrels have a convex shape and bulge at their center, called bilge. This facilitates rolling a well-built wooden barrel on its side and change directions with little friction, compared to a cylinder. It also helps to distribute stress evenly in the material by making the container more curved[citation needed]. Barrels have reinforced edges to enable safe displacement by rolling them at an angle (in addition to rolling on their sides as described).
A half-completed beer barrel; in wine barrel cooperage this set up is called "mise en rose"
Casks used for ale or beer have shives and keystones in their openings. Before serving the beer, a spile is hammered into the shive and a tap into the keystone.
The wooden parts that make up a barrel are called staves, while the rings that hold them together are called hoops. The latter are generally made of galvanized iron, though historically they were made of flexible bits of wood called withies. While wooden hoops could require barrels to be "fully hooped", with hoops stacked tightly together along the entire top and bottom third of a barrel, iron-hooped barrels only require a few hoops on each end.
Wine barrels typically come in two hoop configurations. An American barrel features 6 hoops, from top to center: head- or chime hoop, quarter hoop and bilge hoop (times two), while a French barrel features 8, including a so-called French hoop, located between the quarter- and bilge hoops (see "wine barrel parts" illustration). The opening at the center of a barrel is called bung hole and the stopper used to seal it bung. The latter is generally made of white silicone.
Sizes[edit]
Main article: Barrel (unit)
A barrel is one of several units of volume, with dry barrels, fluid barrels (UK beer barrel, US beer barrel), oil barrel, etc. The volume of some barrel units is double others, with various volumes in the range of about 100–200 litres (22–44 imp gal; 26–53 US gal).
English wine casks[edit]
English wine cask units[14]
gallon
rundlet
barrel
tierce
hogshead
puncheon, tertian
pipe, butt
tun
1 tun
1 2 pipes, butts
1 1 1⁄2 3 puncheons, tertians
1 1 1⁄3 2 4 hogsheads
1 1 1⁄2 2 3 6 tierces
1 1 1⁄3 2 2 2⁄3 4 8 barrels
1 1 3⁄4 2 1⁄3 3 1⁄2 4 2⁄3 7 14 rundlets
1 18 31 1⁄2 42 63 84 126 252 gallons (wine)
3.785 68.14 119.24 158.99 238.48 317.97 476.96 953.92 litres
1 15 26 1⁄4 35 52 1⁄2 70 105 210 gallons (imperial)
4.546 68.19 119.3 159.1 238.7 318.2 477.3 954.7 litres
Pre-1824 definitions continued to be used in the US, the wine gallon of 231 cubic inches being the standard gallon for liquids (the corn gallon of 268.8 cubic inches for solids). In Britain, the wine gallon was replaced by the imperial gallon. The tierce later became the petrol barrel. The tun was originally 256 gallons, which explains from where the quarter, 8 bushels or 64 (wine) gallons, comes.
Brewery casks[edit]
English brewery cask units[15]
gallon
firkin
kilderkin
barrel
hogshead
Year designated
1 hogsheads
1 1 1⁄2 barrels
1 2 3 kilderkins
1 2 4 6 firkins
1 8 16 32 48 ale gallons (1454)
= 4.621 l = 36.97 l = 73.94 l = 147.9 l = 221.8 l
1 9 18 36 54 beer gallons
= 4.621 l = 41.59 l = 83.18 l = 166.4 l = 249.5 l
1 8 1⁄2 17 34 51 ale gallons 1688
= 4.621 l = 39.28 l = 78.56 l = 157.1 l = 235.7 l
1 9 18 36 54 ale gallons 1803
= 4.621 l = 41.59 l = 83.18 l = 166.4 l = 249.5 l
1 9 18 36 54 imperial gallons 1824
= 4.546 l = 40.91 l = 81.83 l = 163.7 l = 245.5 l
Although it is common to refer to draught beer containers of any size as barrels, in the UK this is strictly correct only if the container holds 36 imperial gallons. The terms "keg" and "cask" refer to containers of any size, the distinction being that kegs are used for beers intended to be served using external gas cylinders. Cask ales undergo part of their fermentation process in their containers, called casks.
Casks are available in several sizes, and it is common to refer to "a firkin" or "a kil" (kilderkin) instead of a cask.
The modern US beer barrel is 31 US gallons (117.34777 L), half a gallon less than the traditional wine barrel. (26 U.S.C. §5051[16])
Dry goods[edit]
Barrels are also used as a unit of measurement for dry goods (dry groceries), such as flour or produce. Traditionally, a barrel is 196 pounds (89 kg) of flour (wheat or rye), with other substances such as pork subject to more local variation. In modern times, produce barrels for all dry goods, excepting cranberries, contain 7,056 cubic inches, about 115.627 L.[17]
See also[edit]
55 gallon drum
Bankruptcy barrel
Barrel (unit)
Cask ale
Cooper (profession)
Drum (container)
Drunkard's cloak
Gun barrel
Storage tank
Wine barrel
References[edit]
Jump up ^ Oak Barrels: French vs. American Archived 2007-06-02 at the Wayback Machine.
^ Jump up to: a b "27 C.F.R. sec 5.22(b)(1)(i)". Ecfr.GPOAccess.gov. Archived from the original on 2012-08-17. Retrieved 2010-08-05.
Jump up ^ "ASIL Insight: WTO Protections for Food Geographic Indications". Archived from the original on 14 August 2007. Retrieved 2007-08-25.
Jump up ^ "Canadian Food and Drug Regulations (C.R.C., c. 870) – Canadian Whisky, Canadian Rye Whisky or Rye Whisky (B.02.020)". (Access date December 15, 2010.)
Jump up ^ Lew Bryson. "Seen Through a Glass". lewbryson.blogspot.com. Archived from the original on 2015-01-03.
Jump up ^ "Barrels". iscbarrels.com. Archived from the original on 2015-01-03.
Jump up ^ "Casks (barrels, butts, punchons, pipes, barriques, and hogsheads)", Difford's Guide Archived 2015-12-22 at the Wayback Machine.. (Access date December 17, 2015.)
^ Jump up to: a b López-Alt, J. Kenji. "Soda: The Dubious History (and Great Flavor) of Vernors Ginger Ale". Serious Eats. Archived from the original on 5 January 2017. Retrieved 3 April 2017.
Jump up ^ Dixon, B. (March 2009). "The mystery of the warehouse stains (Animacules)" (PDF). Microbe. 4 (3): 104–105. Archived (PDF) from the original on 2016-03-03.
Jump up ^ Byland, Hannah (September 4, 2012). "Whiskey Aging Warehouses and the Effects to Surrounding Residential Neighborhoods in Louisville, Ky" (PDF). Louisville, Kentucky: Louisville, Kentucky government. Archived from the original (PDF) on May 10, 2013. Retrieved July 30, 2014.
Jump up ^ "Does oil come in barrels?". Slate Magazine. Archived from the original on 2005-09-05.
Jump up ^ "Frequently Asked Questions". doe.gov. Archived from the original on 2008-11-04.
Jump up ^ "What's In A Barrel of Oil?". ca.gov. 19 July 2005. Archived from the original on 30 April 2009.
Jump up ^ http://www.sizes.com/units/barrel_wine.htm
Jump up ^ http://www.sizes.com/units/barrel_alebeer.htm
Jump up ^ "27 CFR 25.11 - Meaning of terms". cornell.edu. Archived from the original on 2017-07-09.
Jump up ^ "How big is the U.S. dry goods barrel?". sizes.com. Archived from the original on 2012-09-26.
External links[edit]
Wikimedia Commons has media related to Barrels.
Look up barrel or cask in Wiktionary, the free dictionary.
Origin of "over a barrel"
Chisholm, Hugh, ed. (1911). "Barrel". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Barrel Basics
Barrel Construction
How to store and maintain oak barrel
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text:
The Treasure of the Sierra Madre (film)
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The Treasure of the Sierra Madre
Theatrical poster
Directed by
John Huston
Produced by
Henry Blanke
Screenplay by
John Huston
Based on
The Treasure of the Sierra Madre
by B. Traven
Starring
Humphrey Bogart
Walter Huston
Tim Holt
Bruce Bennett
Music by
Max Steiner
Cinematography
Ted D. McCord
Edited by
Owen Marks
Production
company
Warner Bros.-First National
Distributed by
Warner Bros.
Release date
January 6, 1948 (1948-01-06)
Running time
126 minutes
Country
United States
Language
English
Budget
$3 million[1]
Box office
$4,307,000 (rentals)
The Treasure of the Sierra Madre is a 1948 American dramatic adventurous neo-western written and directed by John Huston. It is a feature film adaptation of B. Traven's 1927 novel of the same name, about two financially desperate Americans, Fred C. Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt), who in the 1920s join old-timer Howard (Walter Huston, the director's father) in Mexico to prospect for gold.
The Treasure of the Sierra Madre was one of the first Hollywood films to be filmed on location outside the United States (in the state of Durango and street scenes in Tampico, Mexico), although many scenes were filmed back in the studio and elsewhere in the US. The film is quite faithful to the source novel. In 1990, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[2]
Contents
[hide]
1 Plot
2 Cast
3 Production notes
3.1 Pre-production
3.2 Casting
3.3 Filming
3.4 Edited scene
3.5 John Huston's screenplay
4 Themes
5 Reception
6 Awards and honors
7 References
8 External links
Plot[edit]
In 1925 in the Mexican oil-town of Tampico, Dobbs (Humphrey Bogart) and Curtin (Tim Holt), two Americans cheated out of promised wages and down on their luck, meet old prospector Howard (Walter Huston). When Dobbs wins a small jackpot in the lottery, they have the bankroll to finance a gold prospecting journey to the remote Sierra Madre mountains.
They ride a train into the hinterlands, surviving a bandit attack en route. In the desert, Howard proves to be the toughest and most knowledgeable; he is the one to discover the gold they seek. A mine is dug, and much gold is extracted. Greed soon sets in, and Dobbs begins to lose both his trust and his sanity, lusting to possess the entire treasure. Dobbs is also unreasonably afraid that he will be killed by his partners.
A fourth American named James Cody (Bruce Bennett) appears, which sets up a debate about what to do with the new stranger. Rather than give him a share of the future production of the mine, the men decide to kill Cody. Just as the three confront him with pistols and prepare to kill him, the bandits reappear, crudely pretending to be Federales. After a tense vocal exchange regarding proof, a gunfight with the bandits ensues, in which Cody is killed, a real troop of Federales appears and chases the bandits away.
Howard is called away to assist local villagers to save the life of a seriously ill little boy. When the boy recovers, the next day, the villagers insist that Howard return to the village to be honored. However, he leaves his goods with Dobbs and Curtin. Dobbs, whose paranoia continues, and Curtin constantly argue, until one night when Curtin falls asleep, Dobbs holds him at gunpoint, takes him behind the camp, shoots him, grabs all three shares of the gold, and leaves him for dead. However, the wounded Curtin survives and manages to crawl away during the night.
Nearly dying of thirst, Dobbs is ambushed and killed at a waterhole by the same bandits they encountered earlier at the mine. In their ignorance, the bandits believe Dobbs' bags of unrefined gold are merely filled with sand, and they scatter the gold to the winds. Curtin is discovered by indios and taken to Howard's village, where he recovers.
The bandits try to sell the packing donkeys but a child recognizes the donkeys and Dobbs' clothes and reports them to the police. The bandits are captured, sentenced to death and forced to dig their own graves before being executed. Curtin and Howard miss witnessing the bandits' execution by Federales by only a few minutes as they arrive back in town, and learn that the gold is gone.
While checking the area where the bandits dropped the gold, Howard and Curtin notice some empty sacks and surmise that the winds must have carried the gold away, back to the mountain from which it came. They accept the loss with equanimity, Howard proclaiming it a good joke and laughing while doing a little jig. They part ways, Howard returning to the indio village, where the natives have offered him a permanent home and position of honour, and Curtin returning home to the United States, where he will seek out the widow of Cody in the peach orchards of Texas.
Cast[edit]
Frame from the film trailer
Humphrey Bogart as Fred C. Dobbs
Walter Huston as Howard
Tim Holt as Bob Curtin
Bruce Bennett as James Cody
Barton MacLane as Pat McCormick
Alfonso Bedoya as Gold Hat
Arturo Soto Rangel as El Presidente
Manuel Dondé as El Jefe
José Torvay as Pablo
Margarito Luna as Pancho
Robert Blake as the Mexican Boy Selling Lottery Tickets (uncredited)
John Huston as the American in Tampico in the White Suit (uncredited)
Production notes[edit]
Pre-production[edit]
Director John Huston first read the novel by B. Traven in 1935 and had always thought the material would make a great movie with his father in the main role. Based on a 19th-century ballad by a German poet, Traven's book reminded Huston of his own adventures in the Mexican cavalry. After a smashing success with his directorial debut, The Maltese Falcon, Huston started to work on the project. The studio had George Raft, Edward G. Robinson and John Garfield in mind for the three main roles, but then World War II intervened. While Huston was in the war filming documentaries, Robert Rossen had worked on an adaptation of the novel, but it was left unfinished at the time Huston was brought on board, and differed significantly from the novel.
Vincent Sherman was all set to direct a version of the story during the WWII years until his script fell foul of the Breen office for being derogatory towards Mexicans.
Casting[edit]
By the time Huston came back from making several documentaries for the war effort, Humphrey Bogart had become Warner Brothers' biggest star. This was entirely appropriate, for when Bogart first got wind of the fact that Huston might be making a film of the B. Traven novel, he immediately started badgering Huston for a part. Bogart was given the main role of Fred C. Dobbs. Prior to filming, Humphrey Bogart encountered a critic while leaving a New York nightclub. "Wait till you see me in my next picture," he said, "I play the worst shit you ever saw".
Traven initially disagreed with Huston's decision to cast his father, Walter Huston, as Howard. He had preferred Lewis Stone, but eventually came to agree with Huston's choice.
Walter Huston himself also questioned his son's choice.[citation needed] He still saw himself as a leading man and was not keen on being cast in a supporting role. However, his son was able to convince him to accept, and also persuaded him to play the part without his dentures for the sake of reality. John Huston rated his father's performance as the finest piece of acting in any of his films.[citation needed] On seeing the depth of Walter Huston's performance, Humphrey Bogart famously said. "One Huston is bad enough, but two are murder."
Huston originally wanted to cast Ronald Reagan as James Cody. Jack L. Warner instead insisted on casting Reagan for another film. Bruce Bennett was eventually cast in the role.
A few notable uncredited actors appear in the film. In an opening cameo, director John Huston is pestered for money by Bogart's character. The scene was directed by Bogart himself.[citation needed] Actor Robert Blake also appears as a young boy selling lottery tickets.[citation needed]
A photograph included in the documentary accompanying the DVD release shows Sheridan in streetwalker costume, with Bogart and Huston on the set.[3] Many film-history sources credit Sheridan for the part.
Co-star Tim Holt's father, Jack Holt, a star of silent and early sound Westerns and action films, makes a one-line appearance at the beginning of the film as one of the men down on their luck.[citation needed]
Filming[edit]
The Treasure of the Sierra Madre was one of the first Hollywood films to be filmed on location outside the United States (in the state of Durango and street scenes in Tampico, Mexico), although many scenes were filmed back in the studio and elsewhere in the US. Filming took five and a half months to shoot.
The first scene in the film with Bogart and Holt was the first to be shot. The opening scenes, filmed in longshot on the Plaza de la Libertad in Tampico, show contemporary (i.e. of the 1940s) cars and buses, even though the story opens in 1925, as evidenced by the lottery number's poster.
Just as Huston was starting to shoot scenes in Tampico, Mexico, the production was shut down inexplicably by the local government. The cast and crew were at a complete loss to understand why, since the residents and government of Tampico had been so generous in days past. It turns out that a local newspaper printed a false story that accused the filmmakers of making a production that was unflattering to Mexico.
Huston soon found out why the newspaper skewered him and his production. When you wanted to do anything in Tampico, it was customary to slide a little money toward the editor of the newspaper, something the crew failed to do. Fortunately, two of Huston's associates, Diego Rivera and Miguel Covarrubias, went to bat for the director with the President of Mexico. The libellous accusations were dropped, and a few weeks later, the editor of the newspaper was caught in the wrong bed and shot dead by a jealous husband.
Most of the Mexican extras were paid 10 pesos a day which was the equivalent of $2.00, a considerable amount for an impoverished region at the time.
There were scenes in which Walter Huston had to speak fluent Spanish, a language he did not know off camera. To fill this need, John Huston hired a Mexican to record the lines, and then the elder Huston memorized them so well that many assumed he knew the language like a native. As with most of the Mexican actors selected from the local population, Alfonso Bedoya's heavily accented pronunciation of English proved to be a bit of a problem. Example: "horseback" came out as "whore's back". Bogart only knew two Spanish words, "Dos Equis", a Mexican beer.
The fight scene in the cantina took five days to shoot. During the shooting of the entire film, John Huston pulled pranks on Bennett, Bedoya (along with Bogart) and Bogart himself.
While most of the film was shot in Mexico, Jack L. Warner had the unit return to Hollywood when the budget started to exceed three million dollars.
Though the daily rushes impressed Warner Bros., Jack L. Warner, he nearly went berserk with the weekly expenditures. After viewing one scene, Warner threw up his hands and shouted to Blanke, "Yeah, they're looking for gold all right – mine!" During another screening of rushes, Warner watched Dobbs stumble along in the desert for water. Warner jumped up in the middle of the scene and shouted to a gaggle of executives, "If that s.o.b. doesn't find water soon I'll go broke!"
Warner had reason to be upset. John Huston and Blanke led him to believe that the film would be an easy picture to make and that they would be in and out of Mexico in a matter of weeks. Because Warner was notorious for not actually reading scripts, he assumed the film was a B-movie Western. As the full extent of Huston's plans became apparent, Warner nearly blew a gasket. He was especially unhappy with the way the film ended, arguing that audiences wouldn't accept it. Ironically, Warner was correct, since the initial box office take was as impressive as fool's gold. But the film was a huge critical success and, in its many re-releases, it more than earned its original investment of $3 million.
As production dragged on, Bogart, who was an avid yachtsman, was starting to get increasingly anxious about missing the Honolulu Classic, the Catalina-to-Hawaii race in which he usually took part. Despite assurances from the studio that he would be wrapped on the picture by then, he started to constantly annoy Huston about whether he would be done in time. Eventually Huston had enough and grabbed Bogart by the nose and twisted hard. Bogart never again asked him to confirm when shooting was expected to be over.
The wind storm in the final scene was created by borrowing some jet engines from the Mexican Air Force. Traven was asked if he would like to visit the set during location shooting. He demurred, but said he would be sending an associate instead. The associate was actually Traven himself, using a pseudonym. It is debated if this is speculation or not.
Edited scene[edit]
Huston's original filmed depiction[citation needed] of Dobbs' death was more graphic – as it was in the book – than the one that eventually made it onto the screen. When Gold Hat strikes Dobbs with his machete, Dobbs is decapitated. Huston shot Dobbs' (fake) head rolling into the waterhole (a quick shot of Gold Hat's accomplices reacting to Dobbs' rolling head remains in the film, and in the very next shot one can see the water rippling where it rolled in). The 1948 censors would not allow that, so Huston camouflaged the cut shot with a repeat shot of Gold Hat striking Dobbs. Warner Bros' publicity department released a statement that Humphrey Bogart was "disappointed the scene couldn't be shown in all its graphic glory."[citation needed] Bogart's reaction was: "What's wrong with showing a guy getting his head cut off?"[citation needed]
John Huston's screenplay[edit]
Main article: Stinking badges
John Huston's adaptation of Traven's novel was altered to meet Hays Code regulations, which severely limited profanity in film.[4] The original line from the novel was: "Badges, to god-damned hell with badges! We have no badges. In fact, we don't need badges. I don't have to show you any stinking badges, you god-damned cabrón and chinga tu madre!" The dialogue as written for the film is:
Gold Hat: "We are Federales ... you know, the mounted police."
Dobbs: "If you're the police, where are your badges?"
Gold Hat: "Badges? We ain't got no badges. We don't need no badges! I don't have to show you any stinkin' badges!"
Gold Hat's response as written by Huston – and delivered by Bedoya – has become famous, and is often misquoted as "We don't need no stinking badges!" In 2005, the quotation was chosen as No. 36 on the American Film Institute list, AFI's 100 Years...100 Movie Quotes.
Themes[edit]
The film is often described as a story about the corrupting influence of greed.[5] Film critic Roger Ebert expanded upon this idea, saying that "The movie has never really been about gold but about character." [6] In addition, reviewers have noted the importance not just of greed and gold, but also of nature and its desolateness as an influence on the actions of the men.[7] However, the ability of the film to comment on human nature generally has been questioned, in view of the fact that Dobbs' character is so evidently flawed from the beginning.[7]
Reception[edit]
According to Variety the film earned $2.3 million in the US in 1948.[8]
Awards and honors[edit]
John Huston won the Academy Award for Directing and Academy Award for Writing Adapted Screenplay in 1948 for his work on The Treasure of the Sierra Madre. Walter Huston, John Huston's father, also won the Academy Award for Best Supporting Actor for his role in this film, the first father-son win. The film was nominated for the Best Picture award, but lost to Laurence Olivier's film adaptation of Hamlet.
In 1990, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film was among the first 100 films to be selected.[2]
Director Stanley Kubrick listed The Treasure of the Sierra Madre as his 4th favorite film of all time in a 1963 edition of Cinema magazine.[9] Director Sam Raimi ranked it as his favorite film of all time in an interview with Rotten Tomatoes and director Paul Thomas Anderson watched it at night before bed while writing his film There Will Be Blood.[10]
American Film Institute recognition
AFI's 100 Years... 100 Movies – No. 30
AFI's 100 Years... 100 Thrills – No. 67
AFI's 100 Years... 100 Heroes and Villains:
Fred C. Dobbs – Nominated Villain[11]
AFI's 100 Years... 100 Movie Quotes:
"Badges? We ain't got no badges! We don't need no badges! I don't have to show you any stinking badges!" – No. 36
AFI's 100 Years of Film Scores – Nominated[12]
AFI's 100 Years... 100 Movies (10th Anniversary Edition) – No. 38
Breaking Bad creator Vince Gilligan has also cited the film as one of his personal favorites. A key scene from the film was emulated in "Buyout", the sixth episode of the series' fifth season.
References[edit]
Jump up ^ The Treasure of the Sierra Madre, Filmsite Movie Review. AMC's FilmSite. Retrieved April 15, 2013.
^ Jump up to: a b Gamarekian, Barbara (October 19, 1990). "Library of Congress Adds 25 Titles to National Film Registry". The New York Times. Retrieved July 22, 2009.
Jump up ^ Discovering Treasure: The Story of The Treasure of the Sierra Madre, Turner Classic Movies, 2003
Jump up ^ "Treasure of the Sierra Madre, The (1948)". classicfilmguide.com. 2010. Retrieved 2010-04-21.
Jump up ^ "The Treasure of the Sierra Madre (1948)". The New York Times. 1948.
Jump up ^ "Treasure of the Sierra Madre". rogerebert.com. 2003.
^ Jump up to: a b "The Treasure of the Sierra Madre". The Nation. 1948.
Jump up ^ "Top Grossers of 1948", Variety 5 January 1949 p 46
Jump up ^ Baxter 1997, p. 12.
Jump up ^ Lynn Hirschberg (November 11, 2007). "The New Frontier's Man". The New York Times. Retrieved November 10, 2007.
Jump up ^ AFI's 100 Years...100 Heroes and Villains Nominees
Jump up ^ AFI's 100 Years of Film Scores Nominees
Bibliography
Baxter, John (1997). Stanley Kubrick: A Biography. HarperCollins. ISBN 978-0-00-638445-8.
External links[edit]
Wikimedia Commons has media related to The Treasure of the Sierra Madre (film).
Wikiquote has quotations related to: The Treasure of the Sierra Madre (film)
The Treasure of the Sierra Madre on IMDb
The Treasure of the Sierra Madre at Rotten Tomatoes
The Treasure of the Sierra Madre at the TCM Movie Database
The Treasure of Sierra Madre at AllMovie
Literature on The Treasure of the Sierra Madre
The Treasure of the Sierra Madre on Lux Radio Theater: April 18, 1949
[hide]
v
t
e
Films directed by John Huston
Films
The Maltese Falcon (1941)
In This Our Life (1942)
Across the Pacific (1942)
Report from the Aleutians (1943)
The Battle of San Pietro (1945)
Let There Be Light (1946)
The Treasure of the Sierra Madre (1948)
Key Largo (1948)
We Were Strangers (1949)
The Asphalt Jungle (1950)
The Red Badge of Courage (1951)
The African Queen (1951)
Moulin Rouge (1952)
Beat the Devil (1953)
Moby Dick (1956)
Heaven Knows, Mr. Allison (1957)
The Barbarian and the Geisha (1958)
The Roots of Heaven (1958)
The Unforgiven (1960)
The Misfits (1961)
Freud: The Secret Passion (1962)
The List of Adrian Messenger (1963)
The Night of the Iguana (1964)
The Bible: In the Beginning... (1966)
Casino Royale (1967)
Reflections in a Golden Eye (1967)
Sinful Davey (1969)
A Walk with Love and Death (1969)
The Kremlin Letter (1970)
Fat City (1972)
The Life and Times of Judge Roy Bean (1972)
The Mackintosh Man (1973)
The Man Who Would Be King (1975)
Independence (1976)
Wise Blood (1979)
Phobia (1980)
Victory (1981)
Annie (1982)
Under the Volcano (1984)
Prizzi's Honor (1985)
The Dead (1987)
Related
Five Came Back (2017 documentary)
Authority control
WorldCat Identities
VIAF: 316751760
GND: 4644267-4
BNF: cb146626720 (data)
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One Tree Hill (season 3)
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One Tree Hill (season 3)
One Tree Hill Season 3 DVD cover
Country of origin
United States
No. of episodes
22
Release
Original network
The WB
Original release
October 5, 2005 (2005-10-05) – May 3, 2006 (2006-05-03)
Season chronology
← Previous
Season 2
Next →
Season 4
List of One Tree Hill episodes
The third season of One Tree Hill, an American teen drama television series, began airing on October 5, 2005. The season concluded on May 3, 2006, after 22 episodes. It is the final season that aired on The WB television network. Season three dipped in ratings, averaging 2.8 million viewers weekly.[1]
Contents
1 Overview
2 Cast and characters
2.1 Regular
2.2 Recurring
2.3 Guest Cast
3 Episodes
4 Ratings
5 DVD release
6 References
Overview[edit]
This season focuses on the first half of senior year at Tree Hill High School. Starting three months after the second season finale, Haley returns to Tree Hill and tries to save her marriage with Nathan. Peyton gets to know her birth mother. Lucas and Brooke begin a relationship. Keith and Karen get engaged. Nathan patches things up with Lucas, while Mouth begins a complicated relationship with newcomer Rachel, who also spreads a lot of drama through the core characters. After a shooting at the school things between Lucas and Peyton heat up despite Peyton's proposal to Jake.
Cast and characters[edit]
See also: List of One Tree Hill characters
Regular[edit]
Chad Michael Murray as Lucas Scott (21 episodes)
James Lafferty as Nathan Scott (22 episodes)
Hilarie Burton as Peyton Sawyer (22 episodes)
Bethany Joy Galeotti as Haley James Scott (22 episodes)
Paul Johansson as Dan Scott (20 episodes)
Sophia Bush as Brooke Davis (22 episodes)
Barbara Alyn Woods as Deb Scott (13 episodes)
Lee Norris as Mouth McFadden (18 episodes)
Barry Corbin as Whitey Durham (12 episodes)
Craig Sheffer as Keith Scott (6 episodes)
Moira Kelly as Karen Roe (20 episodes)
Recurring[edit]
Danneel Harris as Rachel Gatina (19 episodes)
Bevin Prince as Bevin Mirskey (16 episodes)
Tyler Hilton as Chris Keller (12 episodes)
Sheryl Lee as Ellie Harp (8 episodes)
Vaughn Wilson as Fergie Thompson (7 episodes)
Antwon Tanner as Antwon "Skills" Taylor (7 episodes)
Cullen Moss as Junk Moretti (6 episodes)
Kevin Kilner as Larry Sawyer (6 episodes)
Brett Claywell as Tim Smith (5 episodes)
Kelsey Chow as Gigi Silveri (5 episodes)
Shawn Shepard as Principal Turner (4 episodes)
Guest Cast[edit]
Michael Trucco as Cooper Lee (3 episodes)
Bryan Greenberg as Jake Jagielski (3 episodes)
Colin Fickes as Jimmy Edwards (2 episodes)
Amber Wallace as Glenda Farrell (1 episode)
Allison Scagliotti as Abigail "Abby" Brown (1 episode)
Episodes[edit]
See also: List of One Tree Hill episodes
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
Prod.
code
U.S. viewers
(millions)
46
1 "Like You Like an Arsonist" Greg Prange Mark Schwahn October 5, 2005 (2005-10-05) 2T6151 3.46[3]
In the third season premiere, we finally discover Dan's fate after the fire. In addition to the situation with his father, Nathan also has to deal with Haley's reappearance in Tree Hill and the future of their relationship. Peyton tries to find the truth about the mysterious woman claiming to be her mother. Lucas looks forward to Brooke's return after a summer apart.[2]
This episode is named after a song by Paris, Texas.
47
2 "From the Edge of the Deep Green Sea" Kevin Dowling Mark Schwahn October 12, 2005 (2005-10-12) 2T6152 3.12[4]
Brooke has an end of the summer party on the beach. Nathan is home from basketball camp. Lucas deals with Brooke's rules for non-exclusive dating. Brooke ends up having a ball with many guys whereas Lucas spends the night alone and then tells Brooke that he is the one for her, which marks the beginning of his mission to become exclusive. Peyton deals with family issues, by confronting her mom about her drug problem, after Lucas witnesses her buying. Haley tries to tell Nathan how she feels, however he is not ready for a relationship yet and is still angry with her.
This episode is named after a song by The Cure.
48
3 "First Day on a Brand New Planet" Billy Dickson Terrence Coli October 19, 2005 (2005-10-19) 2T6153 3.12[5]
It's the first day of senior year for the Tree Hill gang. Lucas tells Dan he saved his life. Peyton discovers Ellie's secret. Nathan tells Haley he's considering a divorce. Dan accuses several people of starting the dealership fire and tries to get Whitey replaced as Ravens coach.
This episode is named after a song by the band Jesse James.
49
4 "An Attempt to Tip the Scales" Janice Cooke Stacy Rukeyser October 26, 2005 (2005-10-26) 2T6154 3.36[6]
It's Halloween in Tree Hill and everybody's celebrating at TRIC, with special guest band Fall Out Boy. The masquerade ball gives Haley the chance to win Nathan back, while Lucas keeps trying to convince Brooke to be exclusive. Peyton decides to face her new mother and get to know her. Dan tries to use blackmail to become mayor but things don't turn out the way he thought they would when Deb gets in his way.
This episode is named after a song by Bright Eyes.
50
5 "A Multitude of Casualties" Thomas J. Wright R. Lee Fleming, Jr November 2, 2005 (2005-11-02) 2T6155 3.03[7]
The Ravens begin basketball practice. New team captain Nathan clashes with Lucas over Haley, and a new cheerleader named Rachel Gatina sets her sights on Lucas. Dan's mayoral bid takes a surprising turn when an unlikely opponent emerges in Karen.
This episode is named after a song by The Hold Steady.
51
6 "Locked Hearts & Hand Grenades" Marita Grabiak James Stoteraux and Chad Fiveash November 9, 2005 (2005-11-09) 2T6156 3.42[8]
Brooke starts a "Fantasy Boy Draft", after the cheerleaders start fighting over the same guys. Haley and Peyton continue to argue about Nathan. Dan butts heads with Karen as the election draws nearer. Lucas tries to keep up with the fast pace of basketball.
This episode is named after a song by Plan A Project.
52
7 "Champagne for My Real Friends, Real Pain for My Sham Friends" Paul Johansson Mark Schwahn November 16, 2005 (2005-11-16) 2T6157 3.52[9]
The fantasy draft dates begin, Lucas finds himself with Rachel and a very familiar setting. Brooke is on a double date with a surprising person and a surprising couple. Skills goes to Bevin's house for the night, but isn't quite interested in what she has in mind. Mouth and Peyton hang out. Karen and Deb take the campaigning for mayor to a new level, to bring down Dan. Nathan gets mad when Chris gets close to Haley.
This episode is named after a song by Fall Out Boy.
53
8 "The Worst Day Since Yesterday" John Asher Mike Herro & David Strauss November 30, 2005 (2005-11-30) 2T6158 3.41[8]
As the town readies for the Ravens’ first basketball game, Lucas worries that his head and heart aren't in it. Nathan accuses Lucas of being the Ravens' weak link. Peyton and Haley mend fences to support Brooke in her time of need. When the mayoral race tightens, Dan resorts to a smear campaign.
This episode is named after a song by Flogging Molly.
54
9 "How a Resurrection Really Feels" Greg Prange Mark Schwahn December 7, 2005 (2005-12-07) 2T6159 3.33[10]
It is revealed that Lucas knows who tried to kill Dan and he confronts the guilty party. Brooke, Peyton and Haley find themselves behind bars. Peyton is annoyed by the presence of her guilty conscience. Chris Keller convinces Nathan to be his wingman at a cash poker game. The residents of Tree Hill finally choose a mayor.
This episode is named after a song by The Hold Steady.
55
10 "Brave New World" John Asher John A. Norris January 11, 2006 (2006-01-11) 2T6160 3.23[11]
Lucas and Peyton take a road trip together to find Ellie. While out of town, Lucas reconnects with a friend from the past. Brooke, Haley and Mouth successfully launch the Clothes Over Bro's website, only to find that demand far exceeds supply. Deb reveals to Nathan that she tried to kill Dan. Nathan and Haley finally get back together.
This episode is named after a song by Iron Maiden from the album of the same name.
56
11 "Return of the Future" Bethany Rooney Terrence Coli January 18, 2006 (2006-01-18) 2T6161 2.67[12]
The Ravens lose their second game in a row, Whitey decides to teach them a tough lesson. Peyton and Ellie look for support for their album and hope to attract Nada Surf to the project. Both Dan and Haley upset Nathan, while Brooke plans a romantic thank-you for Lucas.
This episode is named after a song by Scooter.
57
12 "I've Got Dreams to Remember" Stuart Gillard Mike Herro & David Strauss January 25, 2006 (2006-01-25) 2T6162 2.70[13]
As the students meet with the school counselor to plan for the future, Nathan and Haley realize they want to attend colleges across the country from one another. Brooke discovers Rachel's reasons for submitting her designs to Rogue Vogue. Meanwhile, Ellie and Peyton bond as they finish the benefit album.
This episode is named after a song by Otis Redding.
58
13 "The Wind That Blew My Heart Away" David Jackson Stacy Rukeyser February 1, 2006 (2006-02-01) 2T6163 3.01[14]
A violent rainstorm knocks out the power in Tree Hill, leading Haley to Nathan's doorstep and Brooke out into the downpour for a dramatic confrontation with Lucas. Peyton finally confronts the truth about Ellie's illness. Mouth is tempted by his new friend, Rachel. Before morning, secrets are revealed, relationships are tested and romance heats up.
This episode is named after a song by Fruit Bats.
59
14 "All Tomorrow's Parties" David Paymer Anna Lotto February 8, 2006 (2006-02-08) 2T6164 2.89[15]
Brooke is forced to grow up in a hurry when her trip to a New York City fashion show prevents her from attending an annual cheerleading tournament. Nathan and Lucas are influenced by the father of a friend. Skills tells Bevin he can't swim to trick her into giving him a swimming lesson. Struggling with her birth mother's cancer, Peyton joins Rachel for a night of blowing off steam. Haley and Nathan use their hotel room as the honeymoon suite they never had.
This episode is named after a song by The Velvet Underground and Nico.
60
15 "Just Watch the Fireworks" Billy Dickson James Stoteraux & Chad Fiveash February 15, 2006 (2006-02-15) 2T6165 2.85[16]
When someone unleashes the students' time capsule on Tree Hill High, Lucas and Mouth must confront a person from their past. Brooke deals with the revelation that secrets aren't the only things she exposed in the time capsule. Dan tries to forgive Keith. Haley is forced to reconcile the man Nathan was before with the man he has become. Peyton's Breast Cancer Benefit Concert at TRIC features performances by Haley and Jack's Mannequin and the return of Fall Out Boy.
This episode is named after a song by Jimmy Eat World.
61
16 "With Tired Eyes, Tired Minds, Tired Souls, We Slept" Greg Prange Mark Schwahn March 1, 2006 (2006-03-01) 2T6166 3.36[17]
In the aftermath of the release of the time capsule, chaos breaks out, Jimmy Edwards holds students of Tree Hill High School hostage with a gun. While lives hang in the balance, Nathan and Lucas put themselves at risk to protect their friends and loved ones. Young lives are shattered and two will end. Dan takes revenge on a close relative.
This episode is named after a song by Explosions in the Sky.
62
17 "Who Will Survive, and What Will Be Left of Them" John Asher Mark Schwahn March 29, 2006 (2006-03-29) 2T6167 2.82[18]
The aftermath of the school shooting and the death of Jimmy Edwards force everyone in Tree Hill to examine their lives. Nathan reassesses his relationship with Haley, while Brooke and Rachel join forces to heal the student body. Dan must deal with the ramifications of killing Keith. Lucas and Peyton consider the implications of their kiss in the library.
This episode is named after an album by Murder by Death. The title is also the tagline of the 1974 horror movie The Texas Chain Saw Massacre.
63
18 "When It Isn't Like It Should Be" Paul Johansson R. Lee Fleming, Jr. April 5, 2006 (2006-04-05) 2T6168 2.93[19]
Rachel invites the gang for a weekend getaway at her family's cabin. Craziness will ensue, including a game of "I Never" which will cause people to do things they normally wouldn't. A nasty little issue Mouth has been harboring toward Rachel will surface. Meanwhile, Karen confronts Dan about Keith's death.
This episode is named after a song by Saves the Day.
64
19 "I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me" Moira Kelly William H. Brown April 12, 2006 (2006-04-12) 2T6169 2.76[20]
Lucas attempts to play in the first game after Keith's death, but he cannot bring himself to do it. After seeing Lucas's pain, Nathan asks Whitey to forfeit the game. Lucas finally tells Whitey, Nathan, and Karen about his heart condition (HCM) after Deb convinces him to be there for Karen after Keith's death. Nathan and Haley prepare to renew their vows. Mouth tries to get closer to Rachel. Peyton gets an invitation to go to Chicago, from Pete. Brooke gets revenge on Rachael, by making posters of Rachael who got multiple surgeries to become attractive, because she was obese when she was 14.
This episode is named after a song by Fall Out Boy.
65
20 "Everyday Is a Sunday Evening" Billy Dickson Mark Schwahn April 19, 2006 (2006-04-19) 2T6170 2.67[21]
Nathan deals with a player who is a rival both on and off the court. Dan is given a restraining order from Deb and Nathan. Brooke and Mouth look to get even with Rachel, who has tricked Cooper into thinking she is 26 and a model. Dan has a run-in with Cooper. Peyton makes a major decision and goes to see Jake and Jenny who are in Savannah. At the end of the episode Peyton asks Jake to marry her.
This episode is named after an album by The Blackouts.
66
21 "Over the Hills and Far Away" Thomas J. Wright Mark Schwahn April 26, 2006 (2006-04-26) 2T6171 2.87[22]
Haley argues with Brooke about her wedding dress. Brooke plans an engagement party for Nathan and Haley. Karen and Lucas get back in town. Peyton is surprised by her own feelings when she mumble she loves Lucas in her sleep and Jake overhears.
This episode is named after a song by Led Zeppelin and another by Gary Moore which was covered by Nightwish.
67
22 "The Show Must Go On" Mark Schwahn Mark Schwahn May 3, 2006 (2006-05-03) 2T6172 3.06[23]
Nathan worries about Haley as they prepare to renew their vows. Deb confesses to Dan about the fire. Peyton and Brooke's friendship becomes strained when Peyton confesses she still loves Lucas. Nathan, Cooper and Rachel's lives hang in the balance after a car accident. Someone might be pregnant.
This episode is named after a song by Queen.
Ratings[edit]
Season
Timeslot
Season premiere
Season finale
TV season
Rank
Viewers
(in millions)
3rd
Wednesday 8/7C
October 5, 2005 May 3, 2006 2005–2006
#137
2.8[1]
DVD release[edit]
The DVD release of season three was released after the season has completed broadcast on television. It has been released in Regions 1, 2 and 4. As well as every episode from the season, the DVD release features bonus material such as audio commentaries on some episodes from the creator and cast, deleted scenes, gag reels and behind-the-scenes featurettes.
The Complete Third Season
Set details[24] Special features[24]
22 episodes
937 minutes (Region 1);[25] 968 minutes (Region 2);[26] 900 minutes (Region 4) [27]
6-disc set
1.78:1 aspect ratio
Languages:
English (Dolby Digital 2.0 Surround)
Subtitles:
Spanish and French (Region 1)
English, Danish, Finnish, Portuguese, Norwegian, Swedish, English for the Hearing Impaired (Regions 2 and 4) [27]
Audio commentaries:
"With Tired Eyes, Tired Minds, Tired Souls, We Slept" - with creator/executive producer/writer Mark Schwahn, executive producer Joe Davola, actors Colin Fickes, Sophia Bush, Lee Norris and music supervisor Lindsey Wolfington
"The Show Must Go On" - with creator/executive producer/writer/director Mark Schwahn, executive producer Joe Davola, actors Sophia Bush and Lee Norris
Deleted scenes:
Episodes: 2, 3, 4, 5, 9, 10, 14, 15, 16, 17, 20 & 22
"Anatomy of an Episode: A Behind-the-Scenes Look at the Creation of "With Tired Eyes, Tired Minds, Tired Souls, We Slept"
Gag reel
Release dates
United States United Kingdom Australia
September 26, 2006[24] October 23, 2006[26] July 4, 2007[27]
References[edit]
^ Jump up to: a b "Hollywood Reporter: 2005-06 primetime wrap". Hollywood Reporter. May 26, 2006. Archived from the original on January 14, 2007.
Jump up ^ Mark Schwahn (writer) & Gregory Prange (director) (2004-10-05). "Like You Like an Arsonist". One Tree Hill. Season 3. Episode 1. 42 minutes in. The WB.
Jump up ^ [1]
Jump up ^ [2]
Jump up ^ [3]
Jump up ^ [4]
Jump up ^ [5]
^ Jump up to: a b [6]
Jump up ^ [7]
Jump up ^ [8]
Jump up ^ [9]
Jump up ^ [10]
Jump up ^ "Archived copy". Archived from the original on 2014-07-28. Retrieved 2008-07-29.
Jump up ^ [11]
Jump up ^ [12]
Jump up ^ [13]
Jump up ^ Kissell, Rick (March 2, 2006). "Super sweeps sesh". Variety.com. Archived from the original on August 5, 2011. Retrieved August 6, 2011.
Jump up ^ [14]
Jump up ^ [15]
Jump up ^ [16]
Jump up ^ [17]
Jump up ^ [18]
Jump up ^ "Archived copy". Archived from the original on 2009-06-01. Retrieved 2009-09-23.
^ Jump up to: a b c "One Tree Hill - The Complete 3rd Season". TVShowsOnDVD.com. Archived from the original on 2008-03-02. Retrieved 2008-02-09.
Jump up ^ "One Tree Hill - The Complete Third Season (2006)". Amazon.co.uk. Retrieved 2008-02-11.
^ Jump up to: a b "One Tree Hill - Series 3". Amazon.co.uk. Retrieved 2008-02-11.
^ Jump up to: a b c "One Tree Hill; Complete Season 3: M15 (DVD)". Sanity. Archived from the original on 2007-05-02. Retrieved 2008-02-11.
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One Tree Hill
Season 1
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Lucas Scott
Nathan Scott
Peyton Sawyer
Episodes
"Pilot"
"With Tired Eyes, Tired Minds, Tired Souls, We Slept"
"4 Years, 6 Months, 2 Days"
Related
Official soundtracks
"I Don't Want to Be"
Retrieved from "https://en.wikipedia.org/w/index.php?title=One_Tree_Hill_(season_3)&oldid=856657308"
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values: Category:One Tree Hill (TV series) episodes

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values: Anexo:Episodios de la tercera temporada de One Tree Hill – Spanish

values: Episodi di One Tree Hill (terza stagione) – Italian

values: Холм одного дерева (сезон 3) – Russian

values: Три Хил (трећа сезона) – Serbian

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