text:
Manganese(II) fluoride
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Manganese(II) fluoride
Names
IUPAC name
Manganese(II) fluoride
Identifiers
CAS Number
7782-64-1 Y
3D model (JSmol)
Interactive image
ChemSpider
22935 N
ECHA InfoCard 100.029.054
PubChem CID
24528
RTECS number OP0875000
InChI[show]
InChI=1S/2FH.Mn/h2*1H;/q;;+2/p-2 N
Key: CTNMMTCXUUFYAP-UHFFFAOYSA-L N
InChI=1/2FH.Mn/h2*1H;/q;;+2/p-2
Key: CTNMMTCXUUFYAP-NUQVWONBAJ
SMILES[show]
F[Mn]F
Properties
Chemical formula
MnF2
Molar mass 92.934855 g/mol
Appearance pale pink crystalline
Density 3.98 g/cm3
Melting point 856 °C (1,573 °F; 1,129 K)
Boiling point 1,820 °C (3,310 °F; 2,090 K)
Magnetic susceptibility (χ)
+10,700·10−6 cm3/mol
Hazards
R-phrases (outdated) R20/21/22, R36/37/38
S-phrases (outdated) S26, S37/39[1]
Flash point non-flammable
Related compounds
Other anions
Manganese(II) chloride
Manganese(II) bromide
Manganese(II) iodide
Other cations
Technetium(VI) fluoride
Rhenium(VII) fluoride
Manganese(III) fluoride
Manganese(IV) fluoride
Except where otherwise noted, data are given for materials in their standard state (at 25 °C [77 °F], 100 kPa).
N verify (what is Y N ?)
Infobox references
Manganese(II) fluoride is the chemical compound composed of manganese and fluoride with the formula MnF2. It is a light pink crystalline solid, the light pink color being characteristic for manganese(II) compounds. It is made by treating manganese and diverse compounds of manganese(II) in hydrofluoric acid. It is used in the manufacture of special kinds of glass and lasers.[2] It is a canonical example of uniaxial antiferromagnet (with Neel temperature of 68 K [3]) which has been experimentally studied since early on.[4]
References[edit]
Jump up ^ "339288 Manganese(II) fluoride 98%". Sigma-Aldrich. Retrieved 2008-06-18.
Jump up ^ Ayres, D. C.; Hellier, Desmond (1997). Dictionary of Environmentally Important Chemicals. CRC Press. p. 195. ISBN 0-7514-0256-7. Retrieved 2008-06-18.
Jump up ^ G.P. Felcher and R. Kleb, Europhys. Lett. 36, 455 (1996)
Jump up ^ J. W. Stout and L. M. Matarrese, Rev. Mod. Phys. 25, 338 (1953).
[show]
v
t
e
Manganese compounds
MnO
Mn3O4
Mn5O8
MnS
MnS2
MnSO4
MnSe2
MnSe
MnTe
Mn(NO3)2
MnCO3
MnCl2
MnCl3
MnCl4
MnF2
MnBr2
MnI2
MnTiO3
MnMoO4
Mn(CH3COO)2
Mn2O3
MnF3
K6Mn2O6
MnO2
Mn(OH)2
MnO3
K3MnO4
MnF4
Na2MnO4
K2MnO4
Mn2O7
NaMnO4
KMnO4
NH4MnO4
AgMnO4
Ca(MnO4)2
Ba(MnO4)2
MnH(CO)5
Mn2(CO)10
[show]
v
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e
Fluorine compounds
Binary compounds
AcF3
AgF
AgF2
Ag2F
AlF3
AmF3
AmF4
AsF3
AsF5
AuF3
BF3
B2F4
BaF2
BeF2
BiF3
BiF5
BrF3
BrF5
CF4
C2F6
CaF2
CdF2
CeF3
ClF3
ClF5
CoF2
CoF3
CrF2
CrF3
CrF4
CrF5
CrF6
CsF
CuF
DyF3
ErF3
EuF2
EuF3
DF
HF
FI
KF
LiF
NaF
RbF
TlF
FeF2
FeF3
HgF2
Hg2F2
KrF2
LaF3
LuF3
MgF2
MnF2
MoF4
MoF5
MoF6
NiF2
F2O
F2O4
PbF2
PbF4
PdF2
SnF2
SrF2
XeF2
ZnF2
ZrF2
GaF3
GdF3
HoF3
InF3
MnF3
F3N
NbF4
NbF5
NdF3
F3P
PrF3
PuF3
SbF3
ScF3
SmF3
TbF3
TiF3
TiF4
TlF3
TmF3
UF3
VF3
YF3
YbF3
GeF4
HfF4
F4N2
PuF4
SF4
SeF4
SiF4
SnF4
TeF4
ThF4
UF4
VF4
WF4
XeF4
ZrF4
IF5
PF5
SbF5
TaF5
UF5
VF5
WF5
OsF6
PtF6
ReF6
SF6
SeF6
TeF6
UF6
WF6
XeF6
IF7
ReF7
IrF3
IrF6
OsF4
OsF5
PmF3
PrF4
PuF6
ReF4
ReF5
RhF6
RuF3
RuF4
RuF5
RuF6
TcF5
TcF6
VF2
YbF2
Other
AgBF4
AgPF6
Cs2AlF5
K3AlF6
Na3AlF6
KAsF6
LiAsF6
NaAsF6
HBF4
KBF4
LiBF4
NaBF4
RbBF4
Ba(BF4)2
Ni(BF4)2
Pb(BF4)2
Sn(BF4)2
BaClF
BaSiF6
BaGeF6
BrOF3
BrO2F
CBrF3
CBr2F2
CBr3F
CClF3
CCl2F2
CCl3F
CFN
CF2O
CF3I
CHF3
CH2F2
CH3F
C2Cl3F3
C2H3F
C6H5F
C7H5F3
C15F33N
ClFO2
CrFO4
CrF2O2
CsBF4
NH4F
FNO
FNO2
FNO3
KHF2
NaHF2
ThOF2
NH5F2
(NH4)2SiF6
F2OS
F3OP
F3PS
HPF6
HSbF6
NH4PF6
KPF6
KSbF6
LiPF6
NaPF6
NaSbF6
Na2SiF6
Na2TiF6
Na2ZrF6
TlPF6
IOF3
K2NbF7
K2TaF7
IO3F
Chemical formulas
This inorganic compound–related article is a stub. You can help Wikipedia by expanding it.
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values: Per CLP Regulation, outdated per 1 June 2017. Replaced by GHS data

values: R20/21/22: Harmful by inhalation, in contact with skin and if swallowed

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values: Manganese(II,IV) oxide (page does not exist)

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Thallium(III) fluoride

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values: Rhenium(V) fluoride (page does not exist)

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values: Ruthenium(IV) fluoride (page does not exist)

values: Ruthenium(V) fluoride (page does not exist)

values: Technetium(V) fluoride (page does not exist)

values: Vanadium(II) fluoride (page does not exist)

values: Ytterbium(II) fluoride (page does not exist)

values: Cesium fluoroaluminate (page does not exist)

values: Potassium hexafluoroaluminate (page does not exist)

values: Potassium hexafluoroarsenate (page does not exist)

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values: Nickel(II) fluoborate (page does not exist)

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West Side Story
From Wikipedia, the free encyclopedia
Jump to: navigation, search
This article is about the stage musical. For the film version, see West Side Story (film).
West Side Story
Original cast recording
Music
Leonard Bernstein
Lyrics
Stephen Sondheim
Book
Arthur Laurents
Basis
Romeo and Juliet
by William Shakespeare
Productions
1957 Broadway
1958 West End
1959 US Tour
1960 Broadway return
1961 Film
1980 Broadway revival
1997 UK Tour and West End revival
2008 West End revival and UK Tour
2009 Broadway revival and US Tour
2013 UK Tour
West Side Story is a musical with a book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim and conception and choreography by Jerome Robbins.[1] It was inspired by William Shakespeare's play Romeo and Juliet.
The story is set in the Upper West Side neighborhood in New York City in the mid 1950s, an ethnic, blue-collar neighborhood (in the early 1960s, much of the neighborhood was cleared in an urban renewal project for the Lincoln Center, which changed the neighborhood's character).[2][3] The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The members of the Sharks, from Puerto Rico, are taunted by the Jets, a white gang.[4] The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theatre. Bernstein's score for the musical includes "Something's Coming", "Maria", "America", "Somewhere", "Tonight", "Jet Song", "I Feel Pretty", "A Boy Like That", "One Hand, One Heart", "Gee, Officer Krupke", and "Cool".
The original 1957 Broadway production, directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince, marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1957,[5] but the award for Best Musical went to Meredith Willson's The Music Man. Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production, a number of revivals and international productions. A 1961 musical film of the same name, directed by Robert Wise and Robbins, starred Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten, including George Chakiris for Supporting Actor, Rita Moreno for Supporting Actress, and Best Picture.
Contents
[hide]
1 Background
1.1 Genesis
1.2 Collaboration and development
1.3 Production period
2 Synopsis
2.1 Act 1
2.2 Act 2
3 Characters
4 Principal cast
5 Musical numbers
5.1 Act 1
5.2 Act 2
6 Productions
6.1 Original Broadway production
6.2 UK productions
6.3 1980 Broadway revival
6.4 2009 Broadway revival
6.5 US national tours and other notable productions
6.6 International productions
7 Critical reaction
8 Score
9 Recordings
10 Film
11 References in popular culture
12 Awards and nominations
12.1 Original Broadway production
12.2 1980 Broadway revival
12.3 2008 West End revival
12.4 2009 Broadway revival
13 References
14 Sources
15 Further reading
16 External links
Background[edit]
Genesis[edit]
In 1947, Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan,[6] during the Easter–Passover season. The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" (a name that made its way into the script as a reference).[7] Eager to write his first musical, Laurents immediately agreed. Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion. They described the project as "lyric theater", and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose. When he opted to drop out, the three men went their separate ways, and the piece was shelved for almost five years.[8][9]
In 1955, theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade, about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book. Laurents accepted and suggested Bernstein and Robbins join the creative team. Robbins felt if the three were going to join forces, they should return to East Side Story, and Bernstein agreed. Laurents, however, was committed to Gabel, who introduced him to the young composer/lyricist Stephen Sondheim. Sondheim auditioned by playing the score for Saturday Night, his musical that was scheduled to open in the fall. Laurents liked the lyrics but was not impressed with the music. Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved.[10]
Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner. While in Hollywood, he contacted Bernstein, who was in town conducting at the Hollywood Bowl. The two met at The Beverly Hills Hotel, and the conversation turned to juvenile delinquent gangs, a fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war. Bernstein suggested they rework East Side Story and set it in Los Angeles, but Laurents felt he was more familiar with Puerto Rican immigrants and Harlem than he was with Mexican Americans and Olvera Street. The two contacted Robbins, who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and I, and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York. When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical.[11]
Collaboration and development[edit]
In New York City, Laurents went to the opening night party for a new play by Ugo Betti, and there he met Sondheim, who had heard that East Side Story, now retitled West Side Story, was back on track. Bernstein had decided he needed to concentrate solely on the music, and he and Robbins had invited Betty Comden and Adolph Green to write the lyrics, but the team opted to work on Peter Pan instead. Laurents asked Sondheim if he would be interested in tackling the task. Initially he resisted, because he was determined to write the full score for his next project (Saturday Night had been aborted), but Oscar Hammerstein convinced him that he would benefit from the experience, and he accepted.[12] Meanwhile, Laurents had written a new draft of the book changing the characters' backgrounds: Anton, once an Irish American, was now of Polish and Irish descent, and the formerly Jewish Maria had become a Puerto Rican.[13]
The original book Laurents wrote closely adhered to Romeo and Juliet, but the characters based on Rosaline and the parents of the doomed lovers were eliminated early on. Later the scenes related to Juliet's faking her death and committing suicide also were deleted. Language posed a problem; four-letter curse words were uncommon in the theater at the time, and slang expressions were avoided for fear they would be dated by the time the production opened. Laurents ultimately invented what sounded like real street talk but actually was not: "cut the frabba-jabba", for example.[14] Sondheim converted long passages of dialogue, and sometimes just a simple phrase like "A boy like that would kill your brother", into lyrics. With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move "One Hand, One Heart", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result "Tonight" was written to replace it. Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act. He was outvoted on other issues: he felt the lyrics to "America" and "I Feel Pretty" were too witty for the characters singing them, but they stayed in the score and proved to be audience favorites. Another song, "Kid Stuff", was added and quickly removed during the Washington, D.C. tryout when Laurents convinced the others it was helping tip the balance of the show into typical musical comedy.[15]
Bernstein composed West Side Story and Candide concurrently, which led to some switches of material between the two works.[16] Tony and Maria's duet, "One Hand, One Heart", was originally intended for Cunegonde in Candide. The music of "Gee, Officer Krupke" was pulled from the Venice scene in Candide.[17] Laurents explained the style that the creative team finally decided on:[18]
Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement. Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance.
The show was nearly complete in the fall of 1956, but almost everyone on the creative team needed to fulfill other commitments first. Robbins was involved with Bells Are Ringing, then Bernstein with Candide, and in January 1957 A Clearing in the Woods, Laurents' latest play, opened and quickly closed.[19] When a backers' audition failed to raise any money for West Side Story late in the spring of 1957, only two months before the show was to begin rehearsals, producer Cheryl Crawford pulled out of the project.[20] Every other producer had already turned down the show, deeming it too dark and depressing. Bernstein was despondent, but Sondheim convinced his friend Hal Prince, who was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Town, to read the script. He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.[21] In his memoirs, Prince recalled, "Sondheim and Bernstein sat at the piano playing through the music, and soon I was singing along with them."[17]
Production period[edit]
Prince began cutting the budget and raising money. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period (instead of the customary four), since there was to be more dancing in West Side Story than in any previous Broadway show,[17] and allowed Robbins to hire Peter Gennaro as his assistant.[22] Originally, when considering the cast, Laurents wanted James Dean for the lead role of Tony, but the actor had recently died. Sondheim found Larry Kert and Chita Rivera, who created the roles of Tony and Anita, respectively. Getting the work on stage was still not easy. Bernstein said:[23]
Everyone told us that [West Side Story] was an impossible project ... And we were told no one was going to be able to sing augmented fourths, as with "Ma-ri-a" ... Also, they said the score was too rangy for pop music ... Besides, who wanted to see a show in which the first-act curtain comes down on two dead bodies lying on the stage?... And then we had the really tough problem of casting it, because the characters had to be able not only to sing but dance and act and be taken for teenagers. Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked 16. Some were wonderful singers but couldn't dance very well, or vice versa ... and if they could do both, they couldn't act.
Throughout the rehearsal period, the New York newspapers were filled with articles about gang warfare, keeping the show's plot timely. Robbins kept the cast members playing the Sharks and the Jets separate in order to discourage them from socializing with each other and reminded everyone of the reality of gang violence by posting news stories on the bulletin board backstage.[24] Robbins wanted a gritty realism from his sneaker- and jeans-clad cast. He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies.[25] As the rehearsals wore on, Bernstein fought to keep his score together, as other members of the team called on him to cut out more and more of the sweeping or complex "operatic" passages.[17] Columbia Records initially declined to record the cast album, saying the score was too depressing and too difficult.[7]
There were problems with Oliver Smith's designs. His painted backdrops were stunning, but the sets were, for the most part, either shabby looking or too stylized. Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it.[26]
The pre-Broadway run in Washington, D.C. was a critical and commercial success, although none of the reviews mentioned Sondheim, listed as co-lyricist, who was overshadowed by the better-known Bernstein. Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein. Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others. As a result, by opening night on Broadway, none of his collaborators were talking to him.[27]
It has been rumored that while Bernstein was off trying to fix the musical Candide, Sondheim wrote some of the music for West Side Story, and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.[28] However, Suskin states in Show Tunes that "As the writing progressed and the extent of Bernstein's lyric contributions became less, the composer agreed to rescind his credit...Contrary to rumor, Sondheim did not write music for the show; his only contribution came on "Something's Coming", where he developed the main strain of the chorus from music Bernstein wrote for the verse.[29])
Synopsis[edit]
Act 1[edit]
Two rival teenage gangs, the Jets (White) and the Sharks (Puerto Rican immigrants), struggle for control of the neighborhood somewhere in the Upper West Side of New York City amidst the police (Prologue). They are warned by Lt. Schrank and Officer Krupke to stop fighting on their beat. The police chase the Sharks off, and then the Jets plan how they can assure their continued dominance of the street. The Jets' leader, Riff, suggests setting up a rumble with the Sharks. He plans to make the challenge to Bernardo, the Sharks' leader, that night at the neighborhood dance. Riff wants to convince his friend and former member of the Jets, Tony, to meet the Jets at the dance. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them ("Jet Song"). Riff meets Tony while he's working at Doc's Drugstore to persuade him to come. Tony initially refuses, but Riff wins him over. Tony is convinced that something important is round the corner ("Something's Coming").
Maria works in a bridal shop with Anita, the girlfriend of her brother, Bernardo. Maria has just arrived from Puerto Rico for her arranged marriage to Chino, a friend of Bernardo's. Maria confesses to Anita that she is not in love with Chino. Anita makes Maria a dress to wear to the neighborhood dance.
The Shark girls extol the virtues of "America" in Portland Center Stage's production of West Side Story in 2007.
At the dance, after introductions, the teenagers begin to dance; soon a challenge dance is called ("Dance at the Gym"), during which Tony and Maria (who aren't taking part in the challenge dance) see each other across the room and are drawn to each other. They dance together, forgetting the tension in the room, and fall in love, but Bernardo pulls his sister from Tony and sends her home. Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom ("Maria"). She appears on her fire escape, and the two profess their love for one another ("Tonight"). Meanwhile, Anita, Rosalia, and the other Shark girls discuss the differences between the territory of Puerto Rico and the mainland United States of America, with Anita defending America, and Rosalia yearning for Puerto Rico ("America").
The Jets get antsy while waiting for the Sharks inside Doc's Drug Store. Riff helps them let out their aggression ("Cool"). The Sharks arrive to discuss weapons to use in the rumble. Tony suggests "a fair fight" (fists only), which the leaders agree to, despite the other members' protests. Bernardo believes that he will fight Tony, but must settle for fighting Diesel, Riff's second-in-command, instead. This is followed by a monologue by the ineffective Lt. Schrank trying to find out the location of the rumble. Tony tells Doc about Maria. Doc is worried for them while Tony is convinced that nothing can go wrong; he is in love.
Tony stabs Bernardo in the 1957 Broadway production.
The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. However, she learns about the upcoming rumble from Anita and is dismayed. When Tony arrives, Maria asks him to stop the fight altogether, which he agrees to do. Before he goes, they dream of their wedding ("One Hand, One Heart"). Tony, Maria, Anita, Bernardo and the Sharks, and Riff and the Jets all anticipate the events to come that night ("Tonight Quintet"). The gangs meet under the highway and, as the fight between Bernardo and Diesel begins, Tony arrives and tries to stop it. Though Bernardo taunts and provokes Tony, ridiculing his attempt to make peace, Tony keeps his composure. When Bernardo pushes Tony, Riff punches him in Tony's defense. The two draw their switchblades and get in a fight ("The Rumble"). Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo. Tony kills Bernardo in a fit of rage, which in turn provokes an all-out fight like the fight in the Prologue. The sound of approaching police sirens is heard, and everyone scatters, except Tony, who stands in shock at what he has done. The tomboy Anybodys, who stubbornly wishes that she could become a Jet, tells Tony to flee from the scene at the last moment and flees with the knives. Only the bodies of Riff and Bernardo remain.
Act 2[edit]
Tony (Justin Gordon) and Maria (Erica Racz) in a Pacific Repertory Theatre production in 2001.
Blissfully unaware of the gangs' plans for that night, Maria daydreams with her friends, Rosalia, Consuelo, Teresita and Francisca, about seeing Tony ("I Feel Pretty"). Later, as Maria dances on the roof happily because she has seen Tony and believes he went to stop the rumble, Chino brings the news that Tony has killed Bernardo. Maria flees to her bedroom, praying that Chino is lying. Tony arrives to see Maria and she initially pounds on his chest with rage, but she still loves him. They plan to run away together. As the walls of Maria's bedroom disappear, they find themselves in a dreamlike world of peace ("Somewhere").
Two of the Jets, A-Rab and Baby John, are set on by Officer Krupke, but they manage to escape him. They meet the rest of the gang. To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them ("Gee Officer Krupke"). Anybodys arrives and tells the Jets she has been spying on the Puerto Ricans; she has discovered that Chino is looking for Tony with a gun. The gang separates to find Tony. Action has taken charge; he accepts Anybodys into the Jets and includes her in the search.
A grieving Anita arrives at Maria's apartment. As Tony leaves, he tells Maria to meet him at Doc's so they can run away to the country. In spite of her attempts to conceal it, Anita sees that Tony has been with Maria, and launches an angry tirade against him ("A Boy Like That"). Maria counters by telling Anita how powerful love is ("I Have a Love"), and Anita realizes that Maria loves Tony as much as she had loved Bernardo. She admits that Chino has a gun and is looking for Tony. Lt. Schrank arrives to question Maria about her brother's death, and Anita agrees to go to Doc's to tell Tony to wait. Unfortunately, the Jets, who have found Tony, have congregated at Doc's, and they taunt Anita with racist slurs and eventually simulate rape. Doc arrives and stops them. Anita is furious, and in anger spitefully delivers the wrong message, telling the Jets that Chino has shot Maria dead.
Doc relates the news to Tony, who has been dreaming of heading to the countryside to have children with Maria. Feeling there is no longer anything to live for, Tony leaves to find Chino, begging for him to shoot him as well. Just as Tony sees Maria alive, Chino arrives and shoots Tony. The Jets, Sharks, and adults flock around the lovers. Maria holds Tony in her arms (and sings a quiet, brief reprise of "Somewhere") as he dies. Angry at the death of another friend, the Jets move towards the Sharks but Maria takes Chino's gun and tells everyone that "all of [them]" killed Tony and the others because of their hate for each other, and, "Now I can kill too, because now I have hate!" she yells. However, she is unable to bring herself to fire the gun and drops it, crying in grief. Gradually, all the members of both gangs assemble on either side of Tony's body, showing that the feud is over. The Jets and Sharks form a procession, and together carry Tony away, with Maria the last one in the procession.
Characters[edit]
The Jets
Riff, the leader
Tony, his best friend
Diesel, Riff's lieutenant
Action, A-Rab, Baby John, Big Deal, Gee-Tar, Mouthpiece, Snowboy, Tiger and Anybodys
The Jet Girls
Velma (Riff's girlfriend), Graziella (Diesel's girlfriend), Minnie, Clarice and Pauline
The Sharks
Bernardo, the leader
Chino, his best friend
Pepe, second-in-command
Indio, Luis, Anxious, Nibbles, Pepe, Juano, Toro and Moose
The Shark Girls
Maria, Bernardo's sister
Anita, Bernardo's girlfriend
Rosalia, Consuelo, Teresita, Francisca, Estella and Marguerita
The Adults
Doc, Schrank, Krupke and Glad Hand
Principal cast[edit]
Characters
Original Broadway Cast (1957)
West End (1958)
1980 Broadway Revival
2009 Broadway Revival
Tony Larry Kert Don McKay Ken Marshall Matt Cavenaugh
Maria Carol Lawrence Marlys Watters Josie de Guzman Josefina Scaglione
Riff Michael Callan George Chakiris James J. Mellon Cody Green
Bernardo Ken LeRoy Héctor Jaime Mercado George Akram
Anita Chita Rivera Debbie Allen Karen Olivo
Musical numbers[edit]
Act 1[edit]
"Prologue" – Orchestra, danced by Jets & Sharks
"Jet Song" – Riff & Jets
"Something's Coming" – Tony
"The Dance at the Gym" – Jets & Sharks
"Maria" – Tony
"Tonight" – Tony & Maria
"America" – Anita, Rosalia, & Shark Girls
"Cool" – Riff & Jets
"One Hand, One Heart" – Tony & Maria
"Tonight (Quintet & Chorus)" – Company
"The Rumble" – Orchestra, danced by Riff, Bernardo, Jets, & Sharks
Act 2[edit]
"I Feel Pretty" – Maria, Rosalia, Estella, & Consuelo
"Somewhere" – Consuelo, danced by Company
"Gee, Officer Krupke" – Action, Snowboy & Jets
"A Boy Like That" – Anita & Maria
"I Have a Love" – Anita & Maria
"Taunting" – Anita & Jets
"Finale" – Company
Notes
In the 1964 and 1980 revivals, "Somewhere" was sung by Francisca rather than Consuelo.
In the 2009 revival, "Cool" was performed by Riff, the Jets, and the Jet Girls. "I Feel Pretty" was sung in Spanish as "Siento Hermosa" and "A Boy Like That" was sung in Spanish as "Un Hombre Así". "Somewhere" was sung by Kiddo, a young Jet.
Productions[edit]
Original Broadway production[edit]
After tryouts in Washington, D.C. and Philadelphia beginning in August 1957, the original Broadway production opened at the Winter Garden Theatre on September 26, 1957 to positive reviews. The production was directed and choreographed by Jerome Robbins, produced by Robert E. Griffith and Harold Prince with lighting designed by Jean Rosenthal. The cast starred Larry Kert as Tony, Carol Lawrence as Maria, Chita Rivera as Anita and David Winters as Baby John.[30] The other notable cast members in the original production were: Riff: Michael Callan, A-Rab: Tony Mordente, Big Deal: Martin Charnin, Gee-Tar: Tommy Abbott, Chino: Jamie Sanchez, Rosalia: Marilyn Cooper, Consuela [sic]: Reri Grist and Doc: Art Smith.[31] The production closed on June 27, 1959, after 732 performances.[30] Robbins won the Tony Award for Best Choreographer, and Oliver Smith won the Tony for Best Scenic Designer. Also nominated were Carol Lawrence, as Best Actress in a Supporting Role in a Musical, Max Goberman as Best Musical Director and Conductor, and Irene Sharaff for Best Costume Design.[30] Carol Lawrence received the 1958 Theatre World Award.
The production toured and then returned to the Winter Garden Theatre in April 1960 for another 249 performance engagement.[32] Several dances from West Side Story were included in the Tony Award-winning 1989 Broadway production, Jerome Robbins' Broadway.
UK productions[edit]
The 1958 European premiere at the Manchester Opera House transferred to London, where it opened at Her Majesty's Theatre in the West End on December 12, 1958 and ran until June 1961 with a total of 1,039 performances. Robbins directed and choreographed, and it was co-choreographed by Peter Gennaro, with scenery by Oliver Smith. Featured performers were George Chakiris, who won an Academy Award as Bernardo in the 1961 film version, as Riff, Marlys Watters as Maria, Don McKay as Tony, and Chita Rivera reprising her Broadway role as Anita.[33] David Holliday, who had been playing Gladhand since the London opening, took over as Tony.
A UK national tour started in 1997 and starred David Habbin as Tony, Katie Knight Adams as Maria and Anna-Jane Casey as Anita. The production transferred to London's West End opening at the Prince Edward Theatre in October 1998, transferring to the Prince of Wales Theatre where it closed in January 2000. The production subsequently toured the UK for a second time.[34]
1980 Broadway revival[edit]
A Broadway revival opened at the Minskoff Theatre on February 14, 1980 and closed on November 30, 1980, after 333 performances. It was directed and choreographed by Robbins, with the book scenes co-directed by Gerald Freedman; produced by Gladys Nederlander and Tom Abbott and Lee Becker Theodore assisted the choreography reproduction.[35] The original scenic, lighting, and costume designs were used. It starred Ken Marshall as Tony, Josie de Guzman as Maria and Debbie Allen as Anita. Both de Guzman and Allen received Tony Award nominations as Best Featured Actress in a Musical, and the musical was nominated as Best Reproduction (Play or Musical). Allen won the Drama Desk Award as Outstanding Featured Actress in a Musical. Other notable cast members in the revival included Brent Barrett as Diesel, Harolyn Blackwell as Francisca, Stephen Bogardus as Mouth Piece and Reed Jones as Big Deal
The Minskoff production subsequently opened the Nervi Festival in Genoa, Italy in July 1981 with Josie de Guzman as Maria and Brent Barrett as Tony.[36]
2009 Broadway revival[edit]
In 2007, Arthur Laurents stated, "I've come up with a way of doing [West Side Story] that will make it absolutely contemporary without changing a word or a note."[37] He directed a pre-Broadway production of West Side Story at the National Theatre in Washington, D.C. that ran from December 15, 2008 through January 17, 2009. The Broadway revival began previews at the Palace Theatre on February 23, 2009 and opened on March 19, 2009.[38][39] The production wove Spanish lyrics and dialogue into the English libretto. The translations are by Tony Award winner Lin-Manuel Miranda. Laurents stated, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity. Every member of both gangs was always a potential killer even then. Now they actually will be. Only Tony and Maria try to live in a different world".[40][41][42] In August 2009, some of the lyrics for "A Boy Like That" ("Un Hombre Asi") and "I Feel Pretty" ("Me Siento Hermosa"), which were previously sung in Spanish in the revival, were changed back to the original English.[43] However, the Spanish lyrics sung by the Sharks in the "Tonight" (Quintet) remained in Spanish.[citation needed]
The cast featured Matt Cavenaugh as Tony, Josefina Scaglione as Maria and Karen Olivo as Anita.[44] Olivo won the Tony Award for Best Featured Actress, while Scaglione was nominated for the award for Leading Actress.[45][46] The cast recording won the Grammy Award for Best Musical Show Album.[47] In July 2010, the producers reduced the size of the orchestra, replacing five musicians with an off-stage synthesizer.[48] The production closed on January 2, 2011 after 748 performances and 27 previews.[49] The revival sold 1,074,462 tickets on Broadway over the course of nearly two years.[50]
US national tours and other notable productions[edit]
A national tour was launched on July 1, 1959. The show played in Denver, Los Angeles, San Francisco, Chicago, Detroit, Cincinnati, Cleveland, Baltimore, Philadelphia, and Boston. This tour returned to the Winter Garden Theater in New York on April 27, 1960 and closed on December 10 of that year.
The New York City Center Light Opera Company production played for a four-week limited engagement of 31 performances in 1964. Tony was Don McKay, Maria was Julia Migenes and Anita was played by Luba Lisa. It was staged by Gerald Freedman based on Robbins' original concept, and the choreography was re-mounted by Tom Abbott.[citation needed]
The Musical Theater of Lincoln Center and Richard Rodgers production opened at the New York State Theater, Lincoln Center, in June 1968 and closed in September 1968 after 89 performances. Direction and choreography were reproduced by Lee Theodore, and scenery was by Oliver Smith. Tony was played by Kurt Peterson, with Victoria Mallory as Maria.[51]
A 1987 U.S. tour starred Jack Wagner as Tony, with Valarie Pettiford as Anita and was directed by Alan Johnson.[52] A bus and truck (non-Equity) tour was produced in 1998 by City Vision Theatricals.[citation needed] A national tour, directed by Alan Johnson, was produced in 2002.[53]
A national tour of the 2009 Broadway revival began in October 2010 at the Fisher Theatre in Detroit, Michigan.[54] The cast features Kyle Harris as Tony, Ali Ewoldt as Maria and Eric Hoffmann as Officer Krupke.[55] After a very successful year, the tour was sent out for another year.[56][57] A Non-equity tour version of the 2009 Revival, presented by Troika Entertainment, began in fall 2012.[58]
The musical has also been adapted to be performed as Deaf Side Story using both English and American Sign Language, with deaf Sharks and hearing Jets.[59]
International productions[edit]
The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.[60]
In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982–1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,[61]
The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour.[62] A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008.[63] A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria.[64] Also in 2008, an adaptation played in Portugal, directed by Filipe La Féria, with the name West Side Story – Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lúcia Moniz and Anabela splitting the role of Anita.[citation needed]
An international tour (2005–2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, São Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid.[65][66] In 2011, a Lima production was produced by "Preludio Asociación Cultural" with Marco Zunino as Tony, Rossana Fernández-Maldonado as Maria, Jesús Neyra as Bernardo, Tati Alcántara as Anita and Joaquín de Orbegoso as Riff.[67]
Critical reaction[edit]
The creators' innovations in dance, music and theatrical style resulted in strong reactions from the critics. Walter Kerr wrote in the New York Herald Tribune on September 27, 1957:[68]
The radioactive fallout from West Side Story must still be descending on Broadway this morning. Director, choreographer, and idea-man Jerome Robbins has put together, and then blasted apart, the most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons .... the show rides with a catastrophic roar over the spider-web fire-escapes, the shadowed trestles, and the plain dirt battlegrounds of a big city feud ... there is fresh excitement in the next debacle, and the next. When a gang leader advises his cohorts to play it "Cool", the intolerable tension between an effort at control and the instinctive drives of these potential killers is stingingly graphic. When the knives come out, and bodies begin to fly wildly through space under buttermilk clouds, the sheer visual excitement is breathtaking .... Mr. Bernstein has permitted himself a few moments of graceful, lingering melody: in a yearning "Maria", in the hushed falling line of "Tonight", in the wistful declaration of "I Have a Love". But for the most part he has served the needs of the onstage threshing machine ... When hero Larry Kert is stomping out the visionary insistence of "Something's Coming" both music and tumultuous story are given their due. Otherwise it's the danced narrative that takes urgent precedence ...
The other reviews generally joined in speculation about how the new work would influence the course of musical theater. Typical was John Chapman's review in the New York Daily News on September 27, 1957, headed: "West Side Story a Splendid and Super-Modern Musical Drama".
The American theatre took a venturesome forward step when the firm of Griffith & Prince presented West Side Story at the Winter Garden last evening. This is a bold new kind of musical theatre – a juke-box Manhattan opera. It is, to me, extraordinarily exciting .... the manner of telling the story is a provocative and artful blend of music, dance and plot – and the music and the dancing are superb. In [the score], there is the drive, the bounce, the restlessness and the sweetness of our town. It takes up the American musical idiom where it was left when George Gershwin died. It is fascinatingly tricky and melodically beguiling, and it marks the progression of an admirable composer ...
Time magazine found the dance and gang warfare more compelling than the love story and noted that the show's "putting choreography foremost, may prove a milestone in musical-drama history ..."[69][70]
While critics speculated about the comic-tragic darkness of the musical, audiences were captivated. The story appealed to society's undercurrent of rebellion from authority that surfaced in 1950s films like Rebel Without a Cause. West Side Story took this one step further by combining the classic and the hip. Robbins' energetic choreography and Bernstein's grand score accentuated the satiric, hard-edged lyrics of Sondheim, and Laurents' capture of the angry voice of urban youth. The play was criticized for glamorizing gangs, and its portrayal of Puerto Ricans and lack of authentic Latin casting were weaknesses. Yet, the song "America" shows the triumph of the spirit over the obstacles often faced by immigrants. The musical also made points in its description of troubled youth and the devastating effects of poverty and racism. Juvenile delinquency is seen as an ailment of society: "No one wants a fella with a social disease!" One writer summed up the reasons for the show's popularity in these terms: "On the cusp of the 1960s, American society, still recovering from the enormous upheaval of World War II, was seeking stability and control."
Score[edit]
The score for West Side Story was orchestrated by Sid Ramin and Irwin Kostal following detailed instructions from Bernstein, who then wrote revisions on their manuscript (the original, heavily annotated by Ramin, Kostal and Bernstein himself is in the Rare Books and Manuscripts Library at Columbia University).[71] Ramin, Kostal, and Bernstein are billed as orchestrators for the show. The orchestra consisted of 31 players: a large Broadway pit orchestra enhanced to include 5 percussionists, a guitarist and a piano/celesta player.[72]
In 1961, Bernstein prepared a suite of orchestral music from the show, titled Symphonic Dances from West Side Story:
Prologue (Allegro Moderato)
"Somewhere" (Adagio)
Scherzo (Vivace e Leggiero)
Mambo (Meno Presto)
Cha-Cha (Andantino Con Grazia)
Meeting Scene (Meno Mosso)
"Cool", Fugue (Allegretto)
Rumble (Molto Allegro)
Finale (Adagio)
Recordings[edit]
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Recordings of West Side Story include the following:
The 1957 original Broadway cast album, with Carol Lawrence as Maria, Larry Kert as Tony and Chita Rivera as Anita.
A 1959 recording by the pianist André Previn comprised jazz versions of eight songs from the musical.
The movie soundtrack, with Marni Nixon singing Maria's role (played in the film by Natalie Wood) and Tony (played in the film by Richard Beymer) sung by Jimmy Bryant. It won the Grammy Award for Best Sound Track Album or Recording of Original Cast from Motion Picture or Television. The 1992 remastered re-release of this album included the "Overture", the "End Credits" music, the complete "Dance at the Gym" and dialogue from the film. The 2004 re-release added the "Intermission" music.
In 1961, Cal Tjader released a jazz version, arranged by Clare Fischer, on Fantasy Records. The album was released again in 2002 as Cal Tjader Plays Harold Arlen & West Side Story (double CD).
In 1961, Stan Kenton recorded Kenton's West Side Story (a jazz version) that received a 1962 Grammy Award for Best Jazz Performance – Large Group (Instrumental).
In 1962, Oscar Peterson and his trio recorded a jazz version, West Side Story.
In 1962, Dave Brubeck recorded jazz versions of selections from the film score on Music From West Side Story.
In 1963, Bill Barron recorded West Side Story Bossa Nova (Dauntless, 1963)
In 1966, Buddy Rich and his big band performed an arrangement penned by Bill Reddie called West Side Story Medley for many years.
In 1984, Bernstein re-recorded the musical, conducting his own music for the first time. Generally known as the "operatic version" of West Side Story, it stars Kiri Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, Louise Edeiken as Rosalia, and Marilyn Horne as the offstage voice who sings "Somewhere". It won a Grammy Award for Best Musical Show Album in 1985. The recording process was filmed as a documentary "The Making of West Side Story", which was made by the BBC for Unitel, Produced by Humphrey Burton and Directed by Christopher Swann. The documentary won the Flaherty BAFTA for documentary direction, a Prix Italia and was nominated for a Prime Time Emmy. It is available on YouTube.
A 1993 recording, the first recording to document the full score including the overture performed by Britain's National Symphony Orchestra using cast members of the 1992 Leicester Haymarket Theatre production.
In 1996, RCA Victor released the tribute album The Songs of West Side Story featuring new versions of the songs from the musical sung by popular music stars, including: "The Jet Song" sung by Brian Setzer, "A Boy Like That" sung by Selena, "I feel Pretty" sung by Little Richard, two versions of "Somewhere" performed by Aretha Franklin and Phil Collins, "Tonight" sung by Wynonna Judd and Kenny Loggins, "America" sung by Patti LaBelle, Natalie Cole and Sheila E., "I Have a Love" sung by Trisha Yearwood and "Rumble" performed by Chick Corea Elektric Band and Steve Vai's Monsters. Proceeds from the sale of this album go to benefit the Leonard Bernstein Education Through The Arts Fund, the NARAS Foundation and The Leonard Bernstein Center at Nashville, Tennessee.
In 2002, Naxos Records released a CD with the Nashville Symphony Orchestra playing the music with soloists Mike Eldred (Tony), Betsi Morrison (Maria), Marianne Cook (Anita), Robert Dean (Riff), Michael San Giovanni, Joanna Chozen, and Michelle Prentice.[73][74][75]
A 2007 tribute album entitled A Place for Us marking the 50th anniversary of the show. The album features cover versions previously recorded and a new recording of "Tonight" by Kristin Chenoweth and Hugh Panaro.
A 2007 recording was released by Decca Broadway in honor of West Side Story's 50th anniversary. This album stars Hayley Westenra as Maria and Vittorio Grigolo as Tony. The Bernstein Foundation in New York has authorized the recording.[76] It was nominated for the Grammy Award for Best Show Album.
Bernstein recorded the Symphonic Dances suite with the New York Philharmonic in 1961, and with the Los Angeles Philharmonic in 1983. The Symphonic Dances have entered the repertoire of many major world orchestras, most recently by the Simon Bolivar Youth Orchestra under Gustavo Dudamel. It has been recorded by many orchestras, including the San Francisco Symphony under the direction of Seiji Ozawa.
The 2009 new Broadway cast album, with Josefina Scaglione as Maria, Matt Cavenaugh as Tony and Karen Olivo as Anita won the 2010 Grammy Award for Best Musical Theater Album.[47]
A live, semi-staged 2013 recording by the San Francisco Symphony under Music Director Michael Tilson Thomas, featuring Cheyenne Jackson, Alexandra Silber and others, debuted at No.1 on the Billboard Classical Albums chart in May 2014. It was released in 2014 as a hybrid SACD on the SFS Media label, and was nominated for a Grammy Award for Best Musical Theater Album.
Film[edit]
Main article: West Side Story (film)
On October 18, 1961, a film adaptation of the musical was released. It received praise from critics and the public, and became the second highest-grossing film of the year in the United States. The film won ten Academy Awards in its eleven nominated categories, including Best Picture and a special award for Robbins. The film holds the distinction of being the musical film with the most Academy Award wins (10 wins), including Best Picture. The soundtrack album won a Grammy Award and was ranked No. 1 on the Billboard chart for a record 54 weeks.[77]
Differences in the film adaptation from the stage version include that "Tonight" is moved to follow "America"; Bernardo sings a line in "America" instead of Rosalia, with changes in the lyrics. Diesel is renamed Ice. "Gee, Officer Krupke" is moved before "Cool" and is sung by Riff instead of Action, and "Cool" is sung by Ice instead of Riff. After Riff is killed, Ice takes control of the Jets, rather than Action.[78]
References in popular culture[edit]
In addition to Bernstein's own West Side Story Suite, the music from the musical has been adapted by The Buddy Rich Big Band, which arranged and recorded "West Side Story Medley" on the 1966 album Buddy Rich's Swingin' New Big Band.[citation needed] The Stan Kenton Orchestra recorded Johnny Richards' 1961 Kenton's West Side Story, an album of jazz orchestrations based on the Bernstein scores. It won the 1962 Grammy Award for Best Jazz Recording by a Large Group.[citation needed] The 1996 album The Songs of West Side Story included covers by such diverse artists as Selena ("A Boy Like That"), Little Richard ("I Feel Pretty"), Trisha Yearwood ("I Have a Love") and Salt-n-Pepa, Def Jef, Lisa Lopes, the Jerky Boys, and Paul Rodriguez all collaborating on "Gee, Officer Krupke", as well as Chick Corea Elektric Band collaborating with Steve Vai's Monsters on "Rumble".[citation needed]
The television show Curb Your Enthusiasm extensively referenced West Side Story in the season seven episode "Officer Krupke".[79] An episode of Welcome Back, Kotter, "Sweatside Story", parodies West Side Story when the Sweathogs engage in a rumble with students from rival New Utrecht High School.[citation needed] In the third season of the series Glee, three episodes feature characters auditioning, rehearsing and performing a school production of West Side Story. Songs from the musical are performed in episode 2 "I Am Unicorn",[80] episode 3 "Asian F"[citation needed] and episode 5 "The First Time"[citation needed] and also given digital releases.[81] The Animaniacs episode "West Side Pigeons" features a parody romance and rivalry that mirrors that of the Jets and the Sharks.[citation needed] In the Tom and Jerry Tales episode "The League of Cats", Tom's and Jerry's respective leagues act very similar to the Jets and the Sharks. They also perform a number similar to the "Jet Song".[citation needed]
Helena Mattsson and Mohombi in the 2002 Swedish cast of the adaptation Wild Side Story
In film, Pixar animator Aaron Hartline used the first meeting between Tony and Maria as inspiration for the moment when Ken meets Barbie in Toy Story 3.[82] In the 2013 movie Teen Beach Movie, two teens are trapped inside a movie called Wet Side Story, in which a group of surfers and a group of bikers are competing in a turf war.[citation needed] Bring It On: In It to Win It has a plot that parallels West Side Story, and makes the reference explicit to the point where the two rival cheerleading squads are named the Jets and the Sharks.[citation needed]
In 1963, Mad Magazine published "East Side Story" set at the United Nations building on the East Side of Manhattan, a parody of the Cold War, with the two rival gangs led by John F. Kennedy and Nikita Khrushchev, by writer Frank Jacobs and illustrator Mort Drucker.[83]
From 1973 to 2004, Wild Side Story, a camp parody musical, based loosely on West Side Story and adapting parts of the musical's music and lyrics, was performed a total of more than 500 times in Miami Beach, Florida, Stockholm, Gran Canaria and Los Angeles. The show, which lampoons the musical's tragic love story, and also lip-synching and drag shows, was created and directed by Lars Jacob.[84]
Awards and nominations[edit]
Original Broadway production[edit]
Year
Award ceremony
Category
Nominee
Result
1958 Theatre World Award Carol Lawrence Won
Tony Award Best Musical Nominated
Best Performance by an Actress in a Featured Role in a Musical Carol Lawrence Nominated
Best Choreography Jerome Robbins Won
Best Scenic Design Oliver Smith Won
Best Costume Design Irene Sharaff Nominated
Best Conductor and Musical Director Max Goberman Nominated
1980 Broadway revival[edit]
Year
Award ceremony
Category
Nominee
Result
1980 Drama Desk Award Outstanding Featured Actress in a Musical Debbie Allen Won
Tony Award Best Revival Nominated
Best Performance by an Actress in a Featured Role in a Musical Josie de Guzman Nominated
Debbie Allen Nominated
2008 West End revival[edit]
Year
Award ceremony
Category
Nominee
Result
2009 Laurence Olivier Award Best Musical Revival Nominated
Best Actress in a Musical Sofia Escobar Nominated
2009 Broadway revival[edit]
Year
Award ceremony
Category
Nominee
Result
2009 Tony Award Best Revival of a Musical Nominated
Best Performance by an Actress in a Lead Role in a Musical Josefina Scaglione Nominated
Best Performance by an Actress in a Featured Role in a Musical Karen Olivo Won
Best Lighting Design Howell Binkley Nominated
Drama Desk Award Outstanding Revival of a Musical Nominated
Outstanding Featured Actress in a Musical Karen Olivo Nominated
Grammy Award Best Musical Theater Album Won
Theatre World Award Josefina Scaglione Won
References[edit]
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^ Jump up to: a b Information from a Leonard Bernstein.com Archived March 25, 2012, at the Wayback Machine.
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Jump up ^ Gans, Andrew. "Laurents-Directed 'West Side Story' Sets Broadway Preview Date", Playbill.com, May 23, 2008
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Jump up ^ Jones, Kenneth. "West Side Story, This Time with Bilingual Approach", Playbill.com, July 16, 2008
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Jump up ^ Marks, Peter (December 14, 2008). "The Director's Route Back To 'West Side'". The Washington Post.
Jump up ^ Gans, Andrew. "A Song Like That: Collaborators Reconsider Spanish Lyrics in 'West Side Story'", Playbill.com, August 25, 2009
Jump up ^ Gans, Andrew. "Cavenaugh, Scaglione, Olivo, Green and Akram to Lead Cast of 'West Side Story' Revival", Playbill.com, October 28, 2008
Jump up ^ Jones, Kenneth. "Billy Elliot, Norman Conquests, Hair, God of Carnage Are Tony Award Winners", Playbill.com, June 8, 2009
Jump up ^ Gans, Andrew and Jones, Kenneth. "Nominations for 2009 Tony Awards Announced; Billy Elliot Earns 15 Nominations" Archived May 8, 2009, at the Wayback Machine., Playbill.com, May 5, 2009
^ Jump up to: a b Jones, Kenneth. " 'West Side Story' Cast Album Wins Grammy Award", Playbill.com, January 31, 2010
Jump up ^ Woodiel, Paul (July 10, 2010). "Gee, Officer Krupke, I Need Those Violins". The New York Times. Retrieved December 17, 2010.
Jump up ^ Gans, Andrew. Broadway "Revival of West Side Story to Close in January; Olivo Will Not Return", Playbill.com, September 15, 2010
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Jump up ^ "West Side Story: Birth of a Classic". www.loc.gov. Retrieved March 30, 2017.
Jump up ^ Frank, Leah (August 30, 1987). "Theater Review; 'West Side Story': Staging At Its Best". The New York Times.
Jump up ^ Information from the WestSideStory.com "2002 West Side Story tour archives", Westsidestory.com
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Jump up ^ "Grammy Award-Winning Smash Hit 'West Side Story' Launches National Tour at Detroit's Fisher Theatre", broadwayindetroit.com, September 16, 2010, accessed August 18, 2011
Jump up ^ "Ross Lekites, Evy Ortiz Join Cast of WEST SIDE STORY National Tour". Broadwayworld.com. October 3, 2011. Retrieved February 4, 2012.
Jump up ^ "Photo Flash: New Cast Joins WEST SIDE STORY National Tour!". Broadwayworld.com. October 28, 2011. Retrieved February 4, 2012.
Jump up ^ "Troika Entertainment Launches National Tour of WEST SIDE STORY at Paramount Arts Center". broadwayworld.com. Retrieved May 15, 2014.
Jump up ^ Mark Rigney. Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical. Book description
Jump up ^ "AusStage - West Side Story". www.ausstage.edu.au. Retrieved 2017-09-21.
Jump up ^ Ouzounian, Richard (June 8, 2009). "This Story achieves greatness". The Star. Toronto.
Jump up ^ "'West Side Story' News, Bregenz Festival", westsidestory.com, accessed August 18, 2011
Jump up ^ Information about the translation (in French only) westsidestory08.com, Archived September 26, 2008, at the Wayback Machine.
Jump up ^ "'West Side Story' at the Meralco Theater this September", Thefilipinoweb, July 2, 2008, accessed August 18, 2011
Jump up ^ Lash, Larry (November 12, 2007). "West Side Story". Variety. Retrieved August 17, 2008.
Jump up ^ Loveridge, Lizzie. " 'West Side Story' 50th Anniversary Production", Curtain Up, August 1, 2008, accessed August 17, 2008
Jump up ^ Marco Zunino y Rossana Fernández Maldonado protagonizan Amor sin barreras La República Perú, accessed June 1, 2011
Jump up ^ Kerr, Walter (September 27, 1957). "'West Side Story'". New York Herald Tribune.
Jump up ^ "Theater: New Musical in Manhattan (West Side Story)", Time, October 7, 1957
Jump up ^ Gianoulis, Tina (January 29, 2002). "West Side Story". St. James Encyclopedia of Pop Culture. Archived from the original on July 10, 2012. Retrieved August 19, 2011.
Jump up ^ See Simeone, Nigel (2009) "Leonard Bernstein: West Side Story", pp. 85–92: 'Sid Ramin and Irwin Kostal: Orchestrating the Show'
Jump up ^ Simeone, Nigel (2009). Leonard Bernstein, West Side Story. Ashgate Publishing, Ltd. ISBN 0754664848.
Jump up ^ http://www.arkivmusic.com/classical/Name/Joanna-Chozen/Performer/98338-2
Jump up ^ http://www.musicweb-international.com/film/2003/Jan03/west_side_story.html
Jump up ^ http://www.allmusic.com/album/leonard-bernstein-west-side-story-the-original-score-mw0000631082/credits
Jump up ^ Album reviews, Manchester Evening News, 2007-08-06, accessed August 13, 2007
Jump up ^ Berson, p. 182
Jump up ^ Berson, p. 155 et. seq
Jump up ^ "'Curb Your Enthusiasm', Season 7, Episode 68, 'Officer Krupke'", HBO.com, accessed August 19, 2011
Jump up ^ Futterman, Erica. "Glee Recap: West Side Story Auditions and the Return of Shelby Corcoran", Rolling Stone, September 28, 2011, accessed October 4, 2016
Jump up ^ Cerasaro, Pat. "World Premiere Exclusive: Glee Takes On West Side Story's 'Something's Coming' With Darren Criss", BroadwayWorld.com, September 26, 2011, accessed October 4, 2016
Jump up ^ Hartline, Aaron. "Ken meets Barbie – A Toy Side Story", aaronhartline.blogspot.com (blog), accessed August 19, 2011
Jump up ^ Cohen, Randy. "Children of Mad: Completely Mad", Los Angeles Times, December 1, 1991, accessed January 26, 2017
Jump up ^ Ekemar, Kim. Wild Side Story at Showcase Alexandra's Stockholm, theatre playbill, January 6, 1976, p. 8; Stevens, Rob. Data Boy Pacific Southwest, West Hollywood, California, October 26, 1979, p. 76; Kearns, Michael. San Diego Update (L.A. Life section), November 30, 1979, p. 13; Norlén, Eva. Aftonbladet, July 21, 1997, p. 37; Island Connections, Los Cristianos, April 7, 2000, p. 2; Metro Stockholm, August 2, 2013, p. 18; and Aftonbladet/Nöjesbladet, August 2, 2013, p. 25
Sources[edit]
Laurents, Arthur (2000). Original story by: a memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Berson, Misha (2011). Something's Coming, Something Good: West Side Story and the American Imagination. Applause Theatre & Cinema Books. </ref>
Further reading[edit]
Acevedo-Munoz, Ernesto R. "West Side Story" as Cinema: The Making and Impact of an American Masterpiece (University Press of Kansas; 2013) 232 pages
Bauch, Marc A. Europäische Einflüsse im amerikanischen Musical, Marburg, Germany: Tectum Verlag, 2013. ISBN 978-3-8288-3209-1 [A paratextual comparison between Romeo and Juliet and West Side Story]
Bauch, Marc (2001) Themes and Topics of the American Musical after World War II Tectum Verlag, Marburg, Germany, ISBN 3-8288-1141-8 described here
Bauch, Marc (2003) The American Musical Tectum Verlag, Marburg, Germany, ISBN 3-8288-8458-X described here
Laurents, Arthur (2009). Mainly on directing: Gypsy, West Side Story, and other musicals. New York: Alfred A. Knopf. ISBN 978-0-307-27088-7.
Simeone, Nigel (2009) Leonard Bernstein: West Side Story Ashgate, Farnham, ISBN 0-7546-6484-8
Vaill, A. (2006) Somewhere: The Life of Jerome Robbins Broadway Books, New York, ISBN 0-7679-0420-6
Wells, Elizabeth A. (2010) West Side Story: Cultural Perspectives on an American Musical Scarecrow Press, Lanham, Maryland, ISBN 978-0-8108-7666-8
Williams, Mary E. (editor) (2001) Readings on West Side Story Greenhaven Press, San Diego, California, ISBN 0-7377-0694-5
External links[edit]
Wikimedia Commons has media related to West Side Story (musical).
Wikiquote has quotations related to: West Side Story
The Official West Side Story website
West Side Story at the Internet Broadway Database
West Side Story at the Music Theatre International website
West Side Story at The Stephen Sondheim Reference Guide
Moving Pictures: West Side Story by Doug Reside, curator at the New York Public Library
West Side Story, extensive material at stageagent.com
Twelve Jazz Versions of West Side Story at Jazz.com
NYC Youth Gangs – 1950s
[show]
v
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Musicals and operas of Leonard Bernstein
On the Town
Peter Pan
Trouble in Tahiti
Wonderful Town
Candide
West Side Story
1600 Pennsylvania Avenue
A Quiet Place
The Race to Urga
[show]
v
t
e
Musicals by Stephen Sondheim
Saturday Night
West Side Story
Gypsy
A Funny Thing Happened on the Way to the Forum
Anyone Can Whistle
Do I Hear a Waltz?
Evening Primrose
The Race to Urga
Company
Follies
A Little Night Music
The Frogs
Pacific Overtures
Side by Side by Sondheim
Sweeney Todd: The Demon Barber of Fleet Street
Marry Me a Little
Merrily We Roll Along
Sunday in the Park with George
Into the Woods
Assassins
Putting It Together
Passion
Road Show
Sondheim on Sondheim
[show]
v
t
e
William Shakespeare's Romeo and Juliet
Characters
Romeo
Juliet
Mercutio
Tybalt
Benvolio
Friar Laurence
Nurse
Paris
Rosaline
Queen Mab
Atomy
Sources
The Tragical History of Romeus and Juliet
Pyramus and Thisbe
Palace of Pleasure
Troilus and Criseyde
Ballets
Romeo and Juliet (1938, Prokofiev)
Romeo and Juliet (1962, Cranko)
Romeo and Juliet (1965, MacMillan)
Romeo and Juliet (1977, Nureyev)
Romeo and Juliet (1965, Lavery)
Radio and Juliet (2005)
Romeo + Juliet (2007, Martins)
Romeo and Juliet (2008, Pastor)
Operas
Romeo und Julie (1776, Benda)
Giulietta e Romeo (1796, Zingarelli)
Giulietta e Romeo (1825, Vaccai)
I Capuleti e i Montecchi (1830, Bellini)
Gloria (1874, Cilea)
Roméo et Juliette (1867, Gounod)
A Village Romeo and Juliet (1907, Delius)
Romeo und Julia (1940, Sutermeister)
Musicals
The Belle of Mayfair (1906)
West Side Story (1957)
Once on This Island (1990)
Roméo et Juliette, de la Haine à l'Amour (2001)
Giulietta e Romeo (2007)
Classical
Beethoven's String Quartet No. 1 (c. 1800)
Roméo et Juliette (1839, Berlioz)
Romeo and Juliet (1870, Tchaikovsky)
On screen
1900
1908
1916 Metro Pictures
1916 Fox
1936
1953
1954
1955
1968
1978 (TV)
1992 (TV)
1996
2006
2007
2013
Film
adaptations
English
Beneath the 12-Mile Reef (1953)
Romanoff and Juliet (1961)
West Side Story (1961)
Gonks Go Beat (1965)
Lonesome Cowboys (1968)
The Secret Sex Lives of Romeo and Juliet (1969)
Romie-0 and Julie-8 (TV; 1979)
The Tragedy of Romeo and Juliet (1982)
Valley Girl (1983)
Bullies (1986)
China Girl (1987)
Romeo.Juliet (1990)
Tromeo and Juliet (1996)
Love Is All There Is (1996)
Rose by Any Other Name... (1997)
The Lion King II: Simba's Pride (1998)
Shakespeare in Love (1998)
The Magical Legend of the Leprechauns (1999)
Romeo Must Die (2000)
Brooklyn Babylon (2001)
Pizza My Heart (TV; 2005)
West Bank Story (2005)
Life and Lyrics (2006)
Romeo & Juliet: Sealed with a Kiss (2006)
Rome & Jewel (2006)
David & Fatima (2008)
The Cross Road (2008)
Vicious Circle (2008)
Gnomeo & Juliet (2011)
Private Romeo (2011)
Warm Bodies (2013)
Make Your Move (2013)
Romeo & Juliet (2013)
Gnomeo & Juliet: Sherlock Gnomes (2018)
Foreign
Ambikapathy (Tamil 1937)
Romeo and Juliet (Spanish 1940)
Les amants de Vérone (French 1949)
Romeo, Juliet and Darkness (Czech 1960)
Los Tarantos (Spanish 1963)
Fury of Johnny Kid (Italian 1967)
Ma che musica maestro (Italian 1971)
Maro Charitra (Telugu 1978)
Mônica e Cebolinha: No Mundo de Romeu e Julieta (Portuguese 1979)
Ek Duuje Ke Liye (Hindi 1981)
The Sea Prince and the Fire Child (Japanese 1981)
Qayamat Se Qayamat Tak (Hindi 1988)
Saudagar (Hindi 1991)
The Phantom Lover (Mandarin 1995)
30:e november (Swedish/Spanish 1995)
Akkada Ammayi Ikkada Abbayi (Telugu 1996)
Chicken Rice War (Cantonese/English 2000)
Kalisundam Raa (Telugu 2000)
Kuch Tum Kaho Kuch Hum Kahein (Hindi 2002)
Bollywood Queen (English/Hindi 2002)
Amar te duele (Spanish 2002)
Ondagona Baa (Kannada 2003)
Mamay (Ukrainian 2003)
The District! (Hungarian 2004)
O Casamento de Romeu e Julieta (Portuguese 2005)
In Fair Palestine: A Story of Romeo and Juliet (2006)
The Bubble (Hebrew/Arabic 2006)
Maro Charitra (Telugu 2010)
Goliyon Ki Raasleela Ram-Leela (Hindi 2013)
Issaq (Hindi 2013)
Priyatama (Marathi 2014)
Arshinagar (Bengali 2015)
TV series
Sons and Daughters (1982)
Family and Friends (1990)
Villa Quintana (1995)
Yo amo a Paquita Gallego (1998)
Skin (2003)
A Touch Away (2006)
Dangerous (2007)
Romeo × Juliet (2007)
Romeo y Julieta (2007)
Saints & Sinners (2007)
Harina de otro costal (2010)
Villa Quintana (2013)
Westside (2013 pilot)
Star-Crossed (2014)
Still Star-Crossed (2017)
Plays
Romanoff and Juliet (1956)
Romeo and Juliet (2013)
Songs
Lan và Điệp (1930s)
"Montagues and Capulets" (1935)
"Fever" (1956)
Love Theme from Romeo and Juliet (1968)
"(Don't Fear) The Reaper" (1976)
"Angelo" (1978)
"Romeo and Juliet" (1978)
"Romeo and Juliet" (1981)
"Cherish" (1989)
"Amor Prohibido" (1994)
"Kissing You" (1996)
"Exit Music" (1997)
"Romeo and Juliet" (1998)
"Starcrossed" (2004)
"Peut-être toi" (2006)
"Mademoiselle Juliette" (2007)
"Love Story" (2008)
"Love Me Again" (2013)
Albums
Romeo and Juliet (1968)
Romeo + Juliet (1996)
Romeo & Julia (2006)
Tragic Lovers (2008)
Literature
Les Chouans
The Wandering Jew (1844)
The Stolen Dormouse (1941)
The Faraway Lurs (1963)
Romiette and Julio (2001)
New Moon (2006)
Warm Bodies (2010)
Art
Romeo and Juliet: the Tomb Scene (1790)
Romeo and Juliet (1978)
Phrases
"Star-crossed"
"A rose by any other name would smell as sweet"
Story within
a story
Nicholas Nickleby
1912 film
1947 film
1980 play
2001 film
2002 film
The Picture of Dorian Gray
1910 film
1913 film
1915 film
1916 film
1917 film
1918 film
1945 film
1976 TV special
2009 film
Harlequinade
W Juliet
"Nothing Broken but My Heart"
Panic Button
Bare: A Pop Opera
""Into the Light"
Bolji život
The Sky Is Everywhere
Pay as You Exit
The White Mercedes
She Died a Lady
"Moonshine River"
Rendez-vous
Fame
"I Am Unicorn"
The Frog Prince
Molly
Smart Girls Get What They Want
Tumbleweeds
"The Thief of Baghead"
The Songs of a Sentimental Bloke
Prince Charming
Km. 0
Phileine Says Sorry
Hamateur Night
"Say You'll Be Mine"
Into the Gauntlet
Wandering Son
K-On!
Foreign
stories
Adam Khan and Durkhanai
Tum Teav
Yusuf Khan and Sherbano
Solomon & Gaenor
Butterfly Lovers
Hani and Sheh Mureed
Lục Vân Tiên
film
Teav Aek
Layla and Majnun
Lovers of Teruel
film
Lord Saltoun and Auchanachie
Ishaqzaade
Other
Such Tweet Sorrow
Romeo and Juliet effect
After Juliet
"Upper West Side Story" (2012)
Millennium Dome Show
Inge Sylten and Heinz Drosihn
Boys Don't Cry
My Wedding and Other Secrets
Donkey in Lahore
Upside Down
Letters to Juliet
Book:Romeo and Juliet
[show]
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Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film)
West Side Story Suite (1995 ballet)
Variations
Deaf Side Story (c. 2002 musical)
Swango (2002 musical)
West Bank Story (2005 parody film)
Boogie Town (2012 film)
Songs
Act 1
"Something's Coming"
"Maria"
"Tonight"
"America"
"Cool"
"One Hand, One Heart"
"Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty"
"Somewhere"
"A Boy Like That"
Albums
West Side Story (1957 original cast)
West Side Story (1959 Previn)
West Side Story (1961 soundtrack)
West Side Story (1961 Tjader)
Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet)
West Side Story (1962 Peterson Trio)
Kenton's West Side Story (1962 Kenton)
Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi)
West Side Story (1974 Earl Hines)
Related
"The First Time"
"Upper West Side Story"
Wild Side Story
China Girl
"Roses"
Play It Again
Josh
Superjail!
[show]
v
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Works by Arthur Laurents
Writer
Musicals
West Side Story (1957)
Gypsy (1959)
Anyone Can Whistle (1964)
Do I Hear a Waltz? (1965)
Hallelujah, Baby! (1967)
The Madwoman of Central Park West (1979)
Nick & Nora (1991)
Plays
Home of the Brave (1945)
The Time of the Cuckoo (1952)
Films
Rope (1948)
Caught (1949)
Anastasia (1956)
Bonjour Tristesse (1958)
The Way We Were (1973)
The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962)
Anyone Can Whistle (1964)
Gypsy (1974)
The Madwoman of Central Park West (1979)
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VIAF: 184912960
GND: 300019726
BNF: cb13908546r (data)
Retrieved from "https://en.wikipedia.org/w/index.php?title=West_Side_Story&oldid=803668891"
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