text:
Albatross (1920 schooner)
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History
Refit: In 1954 as a Brigantine
Fate: Sunk in a white squall, 125 mi (201 km) west of the Dry Tortugas in 1961
General characteristics
Tonnage: 93 GRT
Length: 82.8 ft (25.2 m)
Beam: 20.8 ft (6.3 m)
Draft: 9.8 ft (3.0 m)
Propulsion: 1 screw
Complement: 19
Albatross, originally named Albatros, later Alk, was a sailing ship that became famous when she sank in 1961 with a group of American teenagers on board. The events were the basis for the highly fictionalized film White Squall.
Contents
[hide]
1 Early history
2 Albatross at the "Ocean Academy" and loss
3 Aftermath and narrations of the ship's loss
4 Further reading
5 External links
Early history[edit]
The Albatross was built as a schooner at the state shipyard in Amsterdam, Netherlands, in 1920, to serve as a pilot boat in the North Sea. The ship spent two decades working the North Sea before being purchased by the German government in 1937. She served as a radio-station ship for submarines during Second World War. In 1949, Royal Rotterdam Lloyd bought her for use as a training ship for future officers of the Dutch merchant marine. The fact that she was small made her ideal for this kind of work, and the dozen trainees could receive personal attention from the six or so professional crew. While under Dutch ownership she sailed the North Sea extensively, with occasional voyages as far as Spain and Portugal.
The American aviator, filmmaker and novelist Ernest K. Gann purchased the Albatross in 1954, re-rigged her as a brigantine, and she cruised the Pacific for three years. According to Charles Gieg (The Last Voyage of the Albatross), the Albatross survived a tsunami in Hawaii during this time. She was also used in the 1958 film Twilight for the Gods (starring Rock Hudson and Arthur Kennedy), whose script and the underlying novel by the same title were written by the Albatross' owner Gann.
Albatross at the "Ocean Academy" and loss[edit]
In 1959, Christopher B. Sheldon's Ocean Academy, Ltd., of Darien, Connecticut, acquired her to use her for trips combining preparatory college classes and sail training. Over the next three years, Christopher B. Sheldon Ph.D. and his wife, Alice Strahan Sheldon M.D., ran programs for up to fourteen students in the Caribbean and Eastern Pacific Ocean.
From fall 1960 to spring 1961, a crew of four instructors (including the Sheldons), a cook and 13 students sailed the Albatross from the Bahamas through the Caribbean to the Galápagos Islands and back to the Caribbean; a fourteenth student had been on the ship for the first part of the voyage, but had left in Balboa, Panama. At the beginning of May, the Albatross was en route from Progreso, Mexico, to Nassau, the Bahamas. On 1 May, skipper Sheldon decided that they would make a stop at one of the Florida keys to refuel.
Shortly after 8:30 am on 2 May 1961 the Albatross was hit by a sudden squall about 125 miles (200 km) west of the Dry Tortugas. She heeled over suddenly and sank almost instantly, taking with her Alice Sheldon, the ship's cook George Ptacnik, and students Chris Coristine, John Goodlett, Rick Marsellus, and Robin Wetherill (John Goodlett was on deck in the last minutes, but probably became entangled in some of the lines or a sail of the sinking ship while freeing a lifeboat, and Christopher Coristine reportedly went below deck in an attempt to save someone else). As there had not been time to send out a radio distress signal before she was lost, the remaining crew used her two lifeboats to make way towards Florida. Around 7:30 a.m. on 3 May, the two boats were found by the Dutch freighter Gran Rio, which took the survivors to Tampa, Florida.
According to Sheldon, the squall hitting the Albatross was a white squall, i.e. an unpredictably sudden, very strong squall. His opinion was that the Albatross was essentially a stable, "safe" ship, and that the crew of teenagers—who had already spent about eight months on board—were sufficiently trained, but that this rare weather phenomenon left the ship no chance. Critics of this view, however, have argued that refittings of the Albatross over the years by her various owners had made her top heavy, which affected her secondary stability, that is, her ability to remain stable or even right herself after tilting to the side, as opposed to capsizing. In her times as North Sea pilot schooner, the ship had a far smaller and lower sail area, which means that the force of the wind did not have as much power and as powerful an angle as it did the day she sank. Almost 40 years after the loss of the Albatross, Daniel S. Parrott reanalyzed some of the documents about the ship and comparable ships in his book, Tall Ships Down. He suggested that due to the ship's impaired stability, even a "normal" squall could have sunk her; according to him, only the expert handling of the ship and the habitual prudence of the ship's captain(s) to reduce sail area early had prevented the refitted Albatross from capsizing in previous strong wind conditions.
In 1932, the German sail training ship Niobe suffered a similar fate, killing 69. Parrott draws parallels to the sudden losses of the Marques (1984) and the original Pride of Baltimore (1986), which were similarly affected by large sail areas; in the case of the Marques, this was likewise the result of refittings over the years of her existence.
Aftermath and narrations of the ship's loss[edit]
The loss of the Albatross prompted the United States Coast Guard to undertake a thorough review of the instantaneous stability—i.e. the ability of ships to remain upright—and design requirements for sailing school ships. The new rules were codified in the Sailing School Vessels Act of 1982.
Narrations of the last voyage of the Albatross were published by two of the survivors; Charles Gieg, who had been one of the students on board the ship, and Richard Langford, who had been the English instructor.
The 1996 film White Squall, starring Jeff Bridges and directed by Ridley Scott, presents a fictionalized version of the ship's loss. The film suggests that the Albatross was sunk by a white squall, although it does not mention the concerns about the seaworthiness of the ship.
After the loss of the Albatross, Sheldon worked for the Peace Corps and briefly started another sailing school. He died on October 5, 2002, of pancreatic cancer, in Stamford, Connecticut. He was 76.
Further reading[edit]
Gieg, Charles F.; Sutton, Felix (1962). The Last Voyage of the Albatross. Duell, Sloan and Pearce.
Langford, Richard E. (1 November 2001). White Squall: The Last Voyage of Albatross. Bristol Fashion Publications. ISBN 978-1-892216-36-6.
Parrott, Daniel S. (26 January 2004). Tall Ships Down: The Last Voyages of the Pamir, Albatross, Marques, Pride of Baltimore, and Maria Asumpta. McGraw-Hill Professional. p. 56. ISBN 978-0-07-143545-1. Retrieved 10 October 2010.
External links[edit]
Twilight for the Gods on IMDb
White Squall on IMDb
[show]
v
t
e
Shipwrecks and maritime incidents in 1961
Shipwrecks
10 Jan: Egoz
26 Jan: S-80
January (unknown date): Yarasli
3 Feb: De Vilhena
18 Feb: USS Huron
16 Mar: Dominator, Lizzonia
10 Apr: Dara
16 Apr: Baldwin
April (unknown date): USS Makassar Strait
3 May: Albatross
31 May: Vercharmian
6 Jun: Baldwin
26 Sep: USNS Potomac
10 Oct: USS Guardfish
22 Oct: Bascobel
23 Oct: Halronell
24 Oct: Bianca C
24 Oct: Union Reliance
12 Nov: Bluebelle
13 Dec: Allegrity
18 Dec: NRP Afonso de Albuquerque
22 Dec: Allegrity
Unknown date: USCGC Triumph
Other incidents
5 Jan: Arcadia
12 Jan: HMS Oberon
23 Jan: Santa Maria
8 Apr: Dara
25 Apr: Ivernia
4 Jul: K-19
22 Oct: Bianca C
22 Nov: Stirlingshire
Unknown date: RFA Wave Chief
1960 1962
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ER (TV series)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Not to be confused with E/R.
ER
Genre
Medical drama
Created by
Michael Crichton
Theme music composer
James Newton Howard
(1994–2006, 2009 finale)
Martin Davich
(2006–2009)
Country of origin
United States
Original language(s)
English
No. of seasons
15
No. of episodes
331 (list of episodes)
Production
Executive producer(s)
Christopher Chulack
John Wells
Michael Crichton
Jack Orman
Lydia Woodward
Carol Flint
David Zabel
Camera setup
Single
Running time
45 minutes without commercials, 60 minutes with commercials
Production company(s)
Constant c Productions
Amblin Television
Warner Bros. Television
Distributor
Warner Bros. Television Distribution
Release
Original network
NBC
Picture format
480i
HDTV 1080i
Original release
September 19, 1994 (1994-09-19) – April 2, 2009 (2009-04-02)
Chronology
Related shows
Third Watch
Medical Investigation
External links
Website
ER is an American medical drama television series created by novelist and medical doctor Michael Crichton that aired on NBC from September 19, 1994, to April 2, 2009, with a total of 331 episodes spanning over 15 seasons. It was produced by Constant c Productions and Amblin Television, in association with Warner Bros. Television. ER follows the inner life of the emergency room (ER) of fictional County General Hospital in Chicago, Illinois, and various critical issues faced by the room's physicians and staff. The show became the longest-running primetime medical drama in American television history. It won 23 Primetime Emmy Awards, including the 1996 Outstanding Drama Series award, and received 124 Emmy nominations, which makes it the most nominated drama program in history.[1] ER won 116 awards in total, including the Peabody Award, while the cast earned four Screen Actors Guild Awards for Outstanding Ensemble Performance in a Drama Series.[2]
Contents
[hide]
1 Production
1.1 Development
1.2 Cast and characters
1.3 Broadcasting
1.4 Episodes
1.4.1 Crossover with Third Watch
1.5 Format
2 Ratings
3 Critical reception
3.1 Awards and nominations
4 Distribution
4.1 Home video
4.2 Soundtrack
4.3 Other media
4.4 Foreign adaptations
5 See also
6 References
7 External links
Production[edit]
Development[edit]
Michael Crichton, the show's creator.
In 1974, author Michael Crichton wrote a screenplay based on his own experiences as a medical student in a busy hospital emergency room.[3] The screenplay went nowhere and Crichton focused on other topics. In 1990, he published the novel Jurassic Park, and in 1993 began a collaboration with director Steven Spielberg on the film adaptation of the book.[4] Crichton and Spielberg then turned to ER, but decided to film the story as a two-hour pilot for a television series rather than as a feature film.[5] Spielberg's Amblin Entertainment provided John Wells as the show's executive producer. The script used to shoot the pilot was virtually unchanged from what Crichton had written in 1974. The only substantive changes made by the producers in 1994 were that the Susan Lewis character became a woman and the Peter Benton character became an African-American, and the running time was shortened by about 20 minutes in order for the pilot to air in a two-hour block on network TV.[6] Because of a lack of time and money necessary to build a set, the pilot episode of ER was filmed in the former Linda Vista Hospital in Los Angeles, an old facility that had ceased operating in 1990.[7] A set modeled after Los Angeles County General Hospital's emergency room was built soon afterward at the Warner Bros. studios in Burbank, California, although the show makes extensive use of location shoots in Chicago, most notably the city's famous "L" train platforms.[8]
Warren Littlefield, running NBC Entertainment at the time, was impressed by the series: "We were intrigued, but we were admittedly a bit spooked in attempting to go back into that territory a few years after St. Elsewhere."[9] After Spielberg had joined as a producer, NBC ordered six episodes. "ER premiered opposite a Monday Night Football game on ABC and did surprisingly well. Then we moved it to Thursday and it just took off", commented Littlefield.[9] ER's success surprised the networks and critics alike, as David E. Kelley's new medical drama Chicago Hope was expected to crush the new series.[10]
Spielberg left the show after one year as a producer, having made one critical decision with lasting effects: the Carol Hathaway character, who died at the end of the original pilot episode script, was retained. Crichton remained executive producer until his death in November 2008, although he was still credited as one throughout that entire final season. Wells, the series' other initial executive producer, served as showrunner for the first three seasons. He was one of the show's most prolific writers and became a regular director in later years. Lydia Woodward was a part of the first season production team and became an executive producer for the third season. She took over as showrunner for the fourth season while Wells focused on the development of other series, including Trinity, Third Watch, and The West Wing. She left her executive producer position at the end of the sixth season but continued to write episodes throughout the series' run.
Joe Sachs, who was a writer and producer of the series, believed keeping a commitment to medical accuracy was extremely important: "We'd bend the rules but never break them. A medication that would take 10 minutes to work might take 30 seconds instead. We compressed time. A 12- to 24-hour shift gets pushed into 48 minutes. But we learned that being accurate was important for more reasons than just making real and responsible drama."[9]
Woodward was replaced as showrunner by Jack Orman. Orman was recruited as a writer-producer for the series in its fourth season after a successful stint working on CBS's JAG. He was quickly promoted and became an executive producer and showrunner for the series' seventh season. He held these roles for three seasons before leaving the series at the end of the ninth season. Orman was also a frequent writer and directed three episodes of the show. David Zabel served as the series' head writer and executive producer in its later seasons. He initially joined the crew for the eighth season and became an executive producer and showrunner for the twelfth season onward. Zabel was the series' most frequent writer, contributing to 41 episodes. He also made his directing debut on the series. Christopher Chulack was the series' most frequent director and worked as a producer on all 15 seasons. He became an executive producer in the fourth season but occasionally scaled back his involvement in later years to focus on other projects. Other executive producers include writers Carol Flint, Neal Baer, R. Scott Gemmill, Dee Johnson, Joe Sachs, Lisa Zwerling, and Janine Sherman Barrois. Several of these writers and producers had extensive background in emergency medicine. Joe Sachs was a regular emergency attending physician, while Lisa Zwerling and Neal Baer had pediatrics backgrounds. The series' crew was recognized with awards for writing, directing, producing, film editing, sound editing, casting, and music.
Cast and characters[edit]
Main articles: Cast of ER and List of supporting characters in ER
Original cast of the show (1994–1995)
Final season cast (2008–2009)
Many notable guests such as Ray Liotta appeared in the series.
The original starring cast consisted of Anthony Edwards as Dr. Mark Greene, George Clooney as Dr. Doug Ross, Sherry Stringfield as Dr. Susan Lewis, Noah Wyle as medical student John Carter, and Eriq La Salle as Dr. Peter Benton.[9] As the series continued, some key changes were made: Nurse Carol Hathaway, played by Julianna Margulies, who attempts suicide in the original pilot script, was made into a regular cast member. Ming-Na Wen debuted in the middle of the first season as medical student Jing-Mei "Deb" Chen, but did not return for the second season, she returns in season 6 episode 10. Gloria Reuben and Laura Innes would join the series as Physician Assistant Jeanie Boulet and Dr. Kerry Weaver, respectively, by the second season.[11]
In the third season, a series of cast additions and departures began that would see the entire original cast leave over time. Stringfield was the first to exit the series, reportedly upsetting producers who believed she wanted to negotiate for more money, but the actress did not particularly care for "fame." [12] She would return to the series from 2001 until 2005.[9] Clooney departed the series in 1999 to pursue a film career, and Margulies exited the following year.[9] Season eight saw the departure of La Salle and Edwards when Benton left County General and Mark Greene died from a brain tumor.[9] Wyle left the series after season 11 in order to spend more time with his family, but would return for two multiple-episode appearances in the show's final seasons.[13] Goran Višnjić as Dr. Luka Kovač, Maura Tierney as Dr. Abby Lockhart, Alex Kingston as Dr. Elizabeth Corday, and Paul McCrane as Dr. Robert Romano, all joined the cast as the seasons went on.[11] In the much later seasons, the show would see the additions of Mekhi Phifer as Dr. Greg Pratt, Scott Grimes as Dr. Archie Morris, Parminder Nagra as Dr. Neela Rasgotra, Shane West as Dr. Ray Barnett, Linda Cardellini as nurse Samantha Taggart, John Stamos as intern Tony Gates, David Lyons as Dr. Simon Brenner and Angela Bassett as Dr. Catherine Banfield.[11]
In addition to the main cast, ER featured a large number of frequently seen recurring cast members who played key roles such as paramedics, hospital support staff, nurses, and doctors. ER also featured a sizable roster of well-known guest stars, some making rare television appearances, who typically played patients in single episode appearances or multi-episode arcs.
Broadcasting[edit]
Following the broadcast of its two-hour pilot movie on September 19, 1994, ER premiered Thursday, September 22 at 10:00. It remained in the same Thursday time slot for its entire run. ER is NBC's third longest-running drama, after Law & Order and Law & Order: Special Victims Unit, and, the longest-running American primetime medical drama of all time.[14] On April 2, 2008, NBC announced that the series would return for its fifteenth season.[15] The fifteenth season was originally scheduled to run for 19 episodes before retiring with a two-hour series finale to be broadcast on March 12, 2009,[16][17] but NBC announced in January 2009 that it would extend the show by an additional three episodes to a full 22-episode order as part of a deal to launch a new series by John Wells titled Police, later retitled Southland.[18] ER's final episode aired on April 2, 2009; the two-hour episode was preceded by a one-hour retrospective special.[19] The series finale charged $425,000 per 30-second ad spot, more than three times the season's rate of $135,000.[9] From season 4 to season 6 ER cost a record-breaking 13 million dollars.[20] TNT also paid a record price of $1 million an episode for four years of repeats of the series during that time.[21] The cost of the first three seasons was 2 million per episode and seasons 7 to 9 cost 8 million dollars per episode.[20][22]
Episodes[edit]
Main article: List of ER episodes
Season
Episodes
Originally aired
Nielsen ratings[23][24]
First aired
Last aired
Rank
Rating
Tied with
1 25 September 19, 1994 (1994-09-19) May 18, 1995 (1995-05-18) 2 20.0 N/A
2 22 September 21, 1995 (1995-09-21) May 16, 1996 (1996-05-16) 1 22.0 N/A
3 22 September 26, 1996 (1996-09-26) May 15, 1997 (1997-05-15) 1 21.2 N/A
4 22 September 25, 1997 (1997-09-25) May 14, 1998 (1998-05-14) 2 20.4 N/A
5 22 September 24, 1998 (1998-09-24) May 20, 1999 (1999-05-20) 1 17.8 N/A
6 22 September 30, 1999 (1999-09-30) May 18, 2000 (2000-05-18) 4 16.9 N/A
7 22 October 12, 2000 (2000-10-12) May 17, 2001 (2001-05-17) 2 15.0 N/A
8 22 September 27, 2001 (2001-09-27) May 16, 2002 (2002-05-16) 3 14.2 N/A
9 22 September 26, 2002 (2002-09-26) May 15, 2003 (2003-05-15) 4 13.1 N/A
10 22 September 25, 2003 (2003-09-25) May 13, 2004 (2004-05-13) 6 12.9 N/A
11 22 September 23, 2004 (2004-09-23) May 19, 2005 (2005-05-19) 12 10.4 N/A
12 22 September 22, 2005 (2005-09-22) May 18, 2006 (2006-05-18) 28 8.1 24
13 23 September 21, 2006 (2006-09-21) May 17, 2007 (2007-05-17) 27 7.4 Ugly Betty
24
14 19 September 27, 2007 (2007-09-27) May 15, 2008 (2008-05-15) N/A N/A N/A
15 22 September 25, 2008 (2008-09-25) April 2, 2009 (2009-04-02) 26 6.7 Law & Order: Special Victims Unit
Bones
A typical episode centered on the ER, with most scenes set in the hospital or surrounding streets. In addition, most seasons included at least one storyline located completely outside of the ER, often outside of Chicago. Over the span of the series, stories took place in the Democratic Republic of The Congo, France, Iraq and Sudan. One early storyline involved a road trip taken by Dr. Ross and Dr. Greene to California and a season eight episode included a storyline in Hawaii featuring Dr. Greene and Dr. Corday. Beginning in season nine, storylines started to include the Democratic Republic of the Congo, featuring Dr. Kovac, Dr. Carter, and Dr. Pratt. "We turned some attention on the Congo and on Darfur when nobody else was. We had a bigger audience than a nightly newscast will ever see, making 25 to 30 million people aware of what was going on in Africa," ER producer, John Wells said. "The show is not about telling people to eat their vegetables, but if we can do that in an entertaining context, then there’s nothing better."[10] The series also focused on sociopolitical issues such as HIV and AIDS, organ transplants, mental illness, racism, human trafficking, euthanasia, poverty and gay rights.[10] The Africa episodes of ER were discussed in a scholarly article by Julie Cupples and Kevin Glynn published in the Annals of the Association of American Geographers in 2013.[25] Other episodes used more creative formats, such as the 1997 live episode, "Ambush" performed twice; once for the east coast broadcast and again three hours later for the west coast,[9] and 2002's "Hindsight" which ran in reverse time as it followed one character, Dr. Luka Kovac, through the tragic events of one Christmas Eve shift and the Christmas party that preceded it.
Crossover with Third Watch[edit]
See also: Third Watch § Crossovers
The episode "Brothers and Sisters" (first broadcast on April 25, 2002) begins a crossover that concludes on the Third Watch episode "Unleashed" in which Susan enlists the help of Officers Maurice Boscorelli and Faith Yokas to find her sister and niece.
Format[edit]
ER was filmed in 1.78:1 widescreen from the start, even though it was not broadcast in widescreen until the seventh season when it began appearing in the 1080i HD format.[citation needed] Since the sixth episode of season 7, it has appeared in letterbox format when in standard definition. As a result, the U.S. DVD box set features the widescreen versions of the episodes, including those episodes originally broadcast in 1.33:1 (full frame) format. The episodes also appear in 1080i widescreen when rerun on TNT HD and Pop, though the first six seasons still run in full frame 1.33:1 on the digital TNT network. Only the live episode "Ambush" at the beginning of the fourth season and the title sequence for the first six seasons originated in the 1.33:1 aspect ratio.
Ratings[edit]
US seasonal rankings based on average total viewers per episode of ER on NBC are tabulated below. Each U.S. network television season starts in late September and ends in late May, which coincides with the completion of May sweeps. All times mentioned in this section were in the Eastern and Pacific time zones. Ratings for seasons 1-2 are listed in households (the percentage of households watching the program), while ratings for seasons 3-15 are listed in viewers.
Season
Season premiere
Season finale
Viewer
rank (#)
Households/
Viewers
(in millions)
1
September 19, 1994 May 18, 1995
#2[26]
19.08[26]
2
September 21, 1995 May 16, 1996
#1[27]
21.10[27]
3
September 26, 1996 May 15, 1997
#1[28]
30.79[28]
4
September 25, 1997 May 14, 1998
#2[29]
30.2[29]
5
September 24, 1998 May 20, 1999
#1[30]
25.4[30]
6
September 30, 1999 May 18, 2000
#4[31]
24.95[31]
7
October 12, 2000 May 17, 2001
#2[32]
22.4[32]
8
September 27, 2001 May 16, 2002
#3[33]
22.1[33]
9
September 26, 2002 May 15, 2003
#6[34]
19.99[34]
10
September 25, 2003 May 13, 2004
#8[35]
19.04[35]
11
September 23, 2004 May 19, 2005
#16[36]
15.17[36]
12
September 22, 2005 May 18, 2006
#30[37]
12.06[37]
13
September 21, 2006 May 17, 2007
#40[38]
11.56[38]
14
September 27, 2007 May 15, 2008
#54[39]
9.20[39]
15
September 25, 2008 April 2, 2009
#37[40]
10.30[40]
In its first year, ER attracted an average of 19 million viewers per episode, becoming the years second most watched television show, just behind Seinfeld. In the following two seasons (1995-1997), ER was the most watched show in North America. For almost five years, ER battled for the top spot against Seinfeld, but in 1998, Seinfeld ended and then ER became number one again. The series finale attracted 16.4 million viewers.[41] The show's highest rating came during season 2 episode "Hell and High Water," with 48 million viewers and a 45% market share. It was the highest for a regularly scheduled drama since a May 1985 installment of Dallas received a 46. The share represents the percentage of TVs in use tuned in to that show.[42]
Critical reception[edit]
Chicago is the main plot setting of ER.
Throughout the series ER received positive reviews from critics and fans alike. It scored 80 on Metascore, meaning "generally favorable reviews", based on 21 critics. Marvin Kitman from Newsday gave the show a very positive review, saying: "It's like M*A*S*H with just the helicopters showing up and no laughs. E.R. is all trauma; you never get to know enough about the patients or get involved with them. It's just treat, release and move on". Richard Zoglin from Time stated that it's "probably the most realistic fictional treatment of the medical profession TV has ever presented".
Critical reactions for ER's first season were very favorable. Alan Rich, writing for Variety, praised the direction and editing of the pilot[43] while Eric Mink, writing for the New York Daily News, said that the pilot of ER "was urban, emergency room chaos and young, committed doctors." However some reviewers felt the episodes following the pilot did not live up to it with Mink commenting that "...the great promise of the "E.R." pilot dissolves into the kind of routine, predictable, sloppily detailed medical drama we've seen many times before."[44]
NBC launched the show at the same time that CBS launched its own medical drama Chicago Hope; many critics drew comparisons between the two. Eric Mink concluded that ER may rate more highly in the Nielsens but Chicago Hope told better stories,[44] while Rich felt both shows were "riveting, superior TV fare."[43] The Daily Telegraph wrote in 1996: "Not being able to follow what on earth is going on remains one of the peculiar charms of the breakneck American hospital drama, ER".[45]
In 2002, TV Guide ranked ER No. 22 on their list of "TV's Top 50 Shows", making it the second highest ranked medical drama on the list (after St. Elsewhere at #20).[46] Also, the season 1 episode "Love's Labor Lost" was ranked No. 6 on TV Guide's 100 Greatest Episodes of All-Time list having earlier been ranked #3.[47] The show also placed No. 19 on Entertainment Weekly's "New TV Classics" list.[48] British magazine Empire ranked it No. 29 in their list of the "50 Greatest TV Shows of All Time" and said the best episode was "Hell And High Water" (Season 2, Episode 7) where "Doug Ross (George Clooney) saves a young boy from drowning during a flood."[49] In 2012, ER was voted Best TV Drama on ABC's 20/20 special episode "Best in TV: The Greatest TV Shows of Our Time".[50] In 2013, TV Guide ranked it No. 9 in its list of The 60 Greatest Dramas of All Time[51] and No. 29 in its list of the 60 Best Series.[52] In the same year, the Writers Guild of America ranked ER No. 27 in its list of the 101 Best Written TV Series Of All Time.[53]
Awards and nominations[edit]
Main article: List of awards and nominations received by ER
The series has been nominated for 375 industry awards and has won 116. ER won the George Foster Peabody Award in 1995, and won 22 of the 124 Emmy Awards for which it was nominated.[54] It also won the People's Choice Award for "Favorite Television Dramatic Series" every year from 1995 to 2002. Over the years, it has been nominated for and/or won numerous other awards, including Screen Actors Guild Awards, Image Awards, GLAAD Media Awards, and Golden Globe Awards, among others.[55]
Distribution[edit]
Home video[edit]
Warner Home Video has released all 15 seasons in R1, R2, and R4.
DVD Name
No. of
episodes
Release dates
Region 1
Region 2 (UK)
Region 4 (AUS)
ER: The Complete First Season (1994–1995) 25 August 26, 2003 February 23, 2004 April 28, 2004
ER: The Complete Second Season (1995–1996) 22 April 27, 2004 July 26, 2004 July 15, 2004
ER: The Complete Third Season (1996–1997) 22 April 26, 2005 January 31, 2005 December 16, 2004
ER: The Complete Fourth Season (1997–1998) 22 December 20, 2005 May 16, 2005 April 27, 2005
ER: The Complete Fifth Season (1998–1999) 22 July 11, 2006 October 24, 2005 November 15, 2005
ER: The Complete Sixth Season (1999–2000) 22 December 19, 2006 April 3, 2006 May 5, 2006
ER: The Complete Seventh Season (2000–2001) 22 May 15, 2007 September 18, 2006 October 3, 2006
ER: The Complete Eighth Season (2001–2002) 22 January 22, 2008 July 16, 2007 September 6, 2007
ER: The Complete Ninth Season (2002–2003) 22 June 17, 2008 October 29, 2007 October 31, 2007
ER: The Complete Tenth Season (2003–2004) 22 March 3, 2009 January 28, 2008 May 7, 2008
ER: The Complete Eleventh Season (2004–2005) 22 July 14, 2009 April 21, 2008 May 7, 2008
ER: The Complete Twelfth Season (2005–2006) 22 January 12, 2010 September 15, 2008 October 1, 2008
ER: The Complete Thirteenth Season (2006–2007) 23 July 6, 2010 November 3, 2008 April 29, 2009
ER: The Complete Fourteenth Season (2007–2008) 19 January 11, 2011 May 18, 2009 April 28, 2010
ER: The Final Season (2008–2009) 22 July 12, 2011 September 21, 2009 October 12, 2010
The first six DVD box sets of ER are unusual in the fact that they are all in anamorphic widescreen even though the episodes were broadcast in a standard 4:3 format. Only the live episode "Ambush" is not in the widescreen format.
Soundtrack[edit]
In 1996, Atlantic Records released an album of music from the first two seasons, featuring James Newton Howard's theme from the series in its on-air and full versions, selections from the weekly scores composed by Martin Davich (Howard scored the two-hour pilot, Davich scored all the subsequent episodes and wrote a new theme used from 2006–2009 until the final episode, when Howard's original theme returned) and songs used on the series.[56]
Theme From ER – James Newton Howard (3:02)
Dr. Lewis And Renee (from "The Birthday Party") (1:57)
Canine Blues (from "Make of Two Hearts") (2:27)
Goodbye Baby Susie (from "Fever of Unknown Origin") (3:11)
Doug & Carol (from "The Gift") – composed by James Newton Howard and Martin Davich (1:59)
Healing Hands – Marc Cohn (4:25)
The Hero (from "Hell And High Water") composed by James Newton Howard and Martin Davich (1:55)
Carter, See You Next Fall (from "Everything Old Is New Again") (1:28)
Reasons For Living – Duncan Sheik (4:33)
Dr. Green and a Mother's Death (from "Love's Labor Lost") (2:48)
Raul Dies (from "The Healers") (2:20)
Hell And High Water (from "Hell And High Water") – composed by James Newton Howard and Martin Davich (2:38)
Hold On (from "Hell And High Water") (2:47)
Shep Arrives (from "The Healers") (3:37)
Shattered Glass (from "Hell And High Water") (2:11)
Theme From ER – James Newton Howard (1:00)
It Came Upon A Midnight Clear – Mike Finnegan (2:30)
Other media[edit]
An ER video game for Windows 2000 and XP was released in 2005.
In the Mad episode "Pokémon Park / WWER", the show was parodied in the style of WWE.
A book about emergency medicine based on the TV series, The Medicine of ER: An Insider's Guide to the Medical Science Behind America's #1 TV Drama was published in 1996. Authors Alan Duncan Ross and Harlan Gibbs M.D. have hospital administration and ER experience, respectively, and are called fans of the TV show in the book's credits.
Foreign adaptations[edit]
In March 2012, Warner Bros. International Television announced that they would sell the format rights to ER to overseas territories. This allowed foreign countries to produce their own version of the series.[57]
In June 2013, Warner Bros. International Television and Emotion Production from Belgrade, Serbia, announced a Serbian version of ER.[58] Urgentni Centar premiered on October 6, 2014 on TV Prva.[59] A Colombian version is also in the works.[60]
Country/Region
Broadcaster
Afghanistan STAR World
English-speaking Africa M-Net
Albania Digit-Alb
Argentina Warner Channel/Telefe
Armenia Shant TV
Australia Nine Network
Austria ORF
Belarus NTV
Belgium (French-speaking) RTL-TVI
Belgium (Dutch-speaking) 2BE
Brazil SBT (Portuguese dub)/Warner Channel (subtitled)
Bulgaria BNT 1
Canada CTV
Chile Televisión Nacional de Chile, Warner Channel
China CCTV, STAR World
Colombia Warner Channel
Costa Rica Teletica
Croatia Hrvatska televizija
Cyprus Lumiere TV
Czech Republic Česká televize
Denmark TV3 Puls
Ecuador Warner Channel
Estonia Kanal 2
Finland MTV3
France, Monaco France 2
Georgia Rustavi 2
Germany ProSieben
Greece Star Channel
Hungary M3, RTL Klub
Hong Kong STAR World
India, Pakistan, Sri Lanka, Bangladesh, Bhutan, Maldives, Nepal Zee Cafe
Indonesia STAR World
Iceland Stöð 2
Ireland RTÉ
Israel Yes
Italy RAI
Japan WOWOW
Kazakhstan NTV
Lithuania TV3
Macedonia A1
Macau STAR World
Malaysia STAR World
Mexico TV Azteca
Middle East, North Africa, East Africa Fox Series
Netherlands NET 5
New Zealand TV 2
Norway TVNorge
Philippines ABC 5
Pay STAR World
Portugal RTP
Poland TVN Siedem
Romania Pro TV, PRO Cinema
Russia NTV
Serbia Radio Television of Serbia (RTS)
Singapore MediaCorp Channel 5, STAR World
Slovak Republic TV MARKÍZA
Slovenia POP TV
South Africa M-Net
Spain Antena 3
Sweden Kanal 5
Switzerland SF zwei
Taiwan STAR World
Thailand True Series
Turkey CNBC-e
United Kingdom More4, Sky Atlantic, CBS Action
United States NBC
Venezuela Warner Channel
See also[edit]
Television in the United States portal
References[edit]
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External links[edit]
Wikiquote has quotations related to: ER
ER's official Warner Bros. website
ER's official NBC website
ER at AllMovie
ER on IMDb
ER at TV.com
[show]
v
t
e
ER
Characters
Main
John Carter
Kerry Weaver
Abby Lockhart
Luka Kovač
Mark Greene
Peter Benton
Robert Romano
Elizabeth Corday
Susan Lewis
Greg Pratt
Carol Hathaway
Neela Rasgotra
Samantha Taggart
Jing-Mei Chen
Archie Morris
Doug Ross
Jeanie Boulet
Tony Gates
Cleo Finch
Dave Malucci
Lucy Knight
Anna Del Amico
Catherine Banfield
Supporting
Doctors
Nurses
Non-medical staff
Family members and friends
Seasons
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
Episodes
"Love's Labor Lost"
"On the Beach"
"The Show Must Go On"
"Strange Bedfellows"
"No Place to Hide"
"There Are No Angels Here"
"The Gallant Hero and the Tragic Victor"
"Twenty-One Guns"
"And in the End..."
Related
Cast
Awards and nominations
[show]
v
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Works by Michael Crichton
Novels
The Andromeda Strain (1969)
The Terminal Man (1972)
The Great Train Robbery (1975)
Eaters of the Dead (1976)
Congo (1980)
Sphere (1987)
Jurassic Park (1990)
Rising Sun (1992)
Disclosure (1994)
The Lost World (1995)
Airframe (1996)
Timeline (1999)
Prey (2002)
State of Fear (2004)
Next (2006)
Pirate Latitudes (2009)
Micro (2011)
Dragon Teeth (2017)
Novels written
under pseudonyms
Odds On (1966)
Scratch One (1967)
Easy Go (1968)
A Case of Need (1968)
Zero Cool (1969)
The Venom Business (1969)
Drug of Choice (1970)
Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1970)
Grave Descend (1970)
Binary (1972)
Non-fiction
Five Patients (1970)
Jasper Johns (1977)
Electronic Life (1983)
Travels (1988)
Films directed
Pursuit (1972)
Westworld (1973)
Coma (1978)
The First Great Train Robbery (1979)
Looker (1981)
Runaway (1984)
Physical Evidence (1989)
Films written
Extreme Close-Up (1973)
Jurassic Park (1993)
Rising Sun (1993)
Twister (1996)
Television series
Beyond Westworld (1980)
ER (1994–2009)
Westworld (2016–present)
Adaptations
The Andromeda Strain (1971)
Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)
The Carey Treatment (1972)
Pursuit (1972)
The Terminal Man (1974)
The First Great Train Robbery (1979)
Jurassic Park (1993)
Rising Sun (1993)
Disclosure (1994)
Congo (1995)
The Lost World: Jurassic Park (1997)
Sphere (1998)
The 13th Warrior (1999)
Timeline (2003)
The Andromeda Strain (2008)
Video games
Amazon (1984)
Timeline (2000)
Franchises
Westworld (1973–present)
Jurassic Park (1993–present)
[show]
Awards for ER
[show]
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Primetime Emmy Award for Outstanding Drama Series
Pulitzer Prize Playhouse (1951)
Studio One (1952)
Robert Montgomery Presents (1953)
The United States Steel Hour (1954)
The United States Steel Hour (1955)
Producers' Showcase (1956)
Gunsmoke (1958)
Alcoa-Goodyear Theatre (1959)
Playhouse 90 (1960)
Hallmark Hall of Fame (1961)
The Defenders (1962)
The Defenders (1963)
The Defenders (1964)
The Fugitive (1966)
Mission: Impossible (1967)
Mission: Impossible (1968)
NET Playhouse (1969)
Marcus Welby, M.D. (1970)
The Bold Ones: The Senator (1971)
Elizabeth R (1972)
The Waltons (1973)
Upstairs, Downstairs (1974)
Upstairs, Downstairs (1975)
Police Story (1976)
Upstairs, Downstairs (1977)
The Rockford Files (1978)
Lou Grant (1979)
Lou Grant (1980)
Hill Street Blues (1981)
Hill Street Blues (1982)
Hill Street Blues (1983)
Hill Street Blues (1984)
Cagney & Lacey (1985)
Cagney & Lacey (1986)
L.A. Law (1987)
thirtysomething (1988)
L.A. Law (1989)
L.A. Law (1990)
L.A. Law (1991)
Northern Exposure (1992)
Picket Fences (1993)
Picket Fences (1994)
NYPD Blue (1995)
ER (1996)
Law & Order (1997)
The Practice (1998)
The Practice (1999)
The West Wing (2000)
The West Wing (2001)
The West Wing (2002)
The West Wing (2003)
The Sopranos (2004)
Lost (2005)
24 (2006)
The Sopranos (2007)
Mad Men (2008)
Mad Men (2009)
Mad Men (2010)
Mad Men (2011)
Homeland (2012)
Breaking Bad (2013)
Breaking Bad (2014)
Game of Thrones (2015)
Game of Thrones (2016)
The Handmaid's Tale (2017)
[show]
v
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People's Choice Awards for Favorite New TV Drama
Eight Is Enough (1978)
Battlestar Galactica (1979)
Hart to Hart (1980)
Magnum, P.I. (1981)
Hill Street Blues (1982)
St. Elsewhere (1983)
Hotel (1984)
Miami Vice (1985)
Dynasty II: The Colbys (1986)
L.A. Law (1987)
Thirtysomething (1988)
China Beach (1989)
Rescue 911 (1990)
Equal Justice (1991)
Homefront (1992)
Melrose Place (1993)
NYPD Blue (1994)
ER (1995)
Murder One (1996)
Millennium (1997)
Brooklyn South (1998)
L.A. Doctors (1999)
Providence (2000)
Dark Angel (2001)
Alias (2002)
CSI: Miami (2003)
Joan of Arcadia (2004)
Desperate Housewives (2005)
Prison Break (2006)
Heroes (2007)
Moonlight (2008)
The Mentalist (2009)
The Vampire Diaries (2010)
Hawaii Five-0 (2011)
Person of Interest (2012)
Beauty & the Beast (2013)
Reign (2014)
The Flash (2015)
Supergirl (2016)
This Is Us (2017)
[show]
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Producers Guild of America Award for Best Episodic Drama
Northern Exposure, season 1 (1991)
I’ll Fly Away, season 1 (1992)
NYPD Blue, season 1 (1993)
ER, season 1 (1994)
Frasier, season 2 (1995)
Law & Order, season 6 (1996)
The Practice, season 2 (1998)
The Sopranos, season 1 (1999)
The West Wing, season 1 (2000)
The West Wing, season 2 (2001)
24, season 1 (2002)
Six Feet Under, season 2 (2003)
The Sopranos, season 5 (2004)
Lost, season 1 (2005)
Grey’s Anatomy, season 2 (2006)
The Sopranos, season 6, part II (2007)
Mad Men, season 1 (2008)
Mad Men, season 2 (2009)
Mad Men, season 3 (2010)
Boardwalk Empire, season 1 (2011)
Homeland, season 1 (2012)
Breaking Bad, season 5, part I (2013)
Breaking Bad, season 5, part II (2014)
Game of Thrones, season 5 (2015)
Stranger Things, season 1 (2016)
The Handmaid's Tale, season 1 (2017)
[show]
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Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series (1994–1999)
1994: NYPD Blue, season 1/season 2
Clapp
Franz
Lawrence
McDaniel
O'Grady
Smits
Turturro
1995: ER, season 1/season 2
Clooney
Edwards
La Salle
Margulies
Reuben
Stringfield
Wyle
1996: ER, season 2/season 3
Clooney
Edwards
Innes
La Salle
Margulies
Reuben
Stringfield
Wyle
1997: ER, season 3/season 4
Bello
Clooney
Edwards
Innes
Kingston
La Salle
Margulies
Reuben
Wyle
1998: ER, season 4/season 5
Clooney
Edwards
Innes
Kingston
La Salle
Margulies
Martin
McCrane
Reuben
Wyle
1999: The Sopranos, season 1
Bracco
Chianese
Falco
Gandolfini
Iler
Imperioli
Marchand
Pastore
Sigler
Sirico
Van Zandt
Complete list
(1994–1999)
(2000–2009)
(2010–present)
[show]
v
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TCA Award for Program of the Year
The Jewel in the Crown (1985)
Death of a Salesman / The Vanishing Family: Crisis in Black America (1986)
Eyes on the Prize (1987)
Dear America: Letters Home from Vietnam (1988)
Lonesome Dove (1989)
Twin Peaks (1990)
The Civil War (1991)
Northern Exposure (1992)
Barbarians at the Gate (1993)
Late Show with David Letterman (1994)
ER (1995)
Homicide: Life on the Street (1996)
EZ Streets (1997)
From the Earth to the Moon (1998)
The Sopranos (1999)
The West Wing (2000)
The Sopranos (2001)
24 (2002)
American Idol (2003)
Angels in America (2004)
Desperate Housewives (2005)
Grey’s Anatomy (2006)
Heroes (2007)
Mad Men (2008)
Battlestar Galactica (2009)
Glee (2010)
Friday Night Lights (2011)
Game of Thrones (2012)
Breaking Bad (2013)
Breaking Bad (2014)
Empire (2015)
The People v. O. J. Simpson: American Crime Story (2016)
The Handmaid's Tale (2017)
[show]
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text:
Bring It on Home to Me
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Bring It on Home to Me"
Single by Sam Cooke
from the album The Best of Sam Cooke
A-side
"Having a Party"
Released
May 8, 1962
Format
7"
Recorded
April 26, 1962
RCA Studio 1
(Hollywood, California)
Genre
Rhythm and blues, soul
Length
2:37
Label
RCA Victor
Songwriter(s)
Sam Cooke
Producer(s)
Hugo & Luigi
Sam Cooke singles chronology
"Twistin' in the Kitchen with Dinah"
(1962) "Bring It on Home to Me"
(1962) "Somebody Have Mercy"
(1962)
"Twistin' in the Kitchen with Dinah"
(1962) "Bring It on Home to Me"
(1962) "Somebody Have Mercy"
(1962)
"Bring It on Home to Me" is a song by American soul singer Sam Cooke, released on May 8, 1962 by RCA Victor. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to "Having a Party". The song peaked at number two on Billboard's Hot R&B Sides chart, and also charted at number 13 on the Billboard Hot 100.
The song has become a pop standard, covered by numerous artists of different genres. It is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
Contents
[hide]
1 Background
2 Personnel
3 Cover versions
4 Charts and certifications
4.1 Original version
4.2 The Animals version
4.3 Eddie Floyd version
4.4 Lou Rawls version
4.5 Mickey Gilley version
5 Cultural references
6 References
7 External links
Background[edit]
"Bring It on Home to Me", like its A-side, "Having a Party", was written while Cooke was on tour for Henry Wynn. The song was initially offered to fellow singer Dee Clark, who turned it down.[1] While in Atlanta, Cooke called co-producer Luigi Creatore and pitched both numbers; he was sold and booked an immediate recording session in Los Angeles scheduled for two weeks later.[2] The session's mood "matched the title" of the song, according to biographer Peter Guralnick, as many friends had been invited. "It was a very happy session," recalled engineer Al Schmitt. "Everybody was just having a ball. We were getting people out there [on the floor], and some of the outtakes were hilarious, there was so much ad lib that went on."[2] René Hall assembled an eighteen-piece backing group, "composed of six violins, two violas, two cellos, and a sax, plus a seven-piece rhythm section that included two percussionists, two bassists, two guitars, and a piano."
The song is a significant reworking of Charles Brown's 1959 single "I Want to Go Home",[3][4] and it retains the gospel flavor and call-and-response format; the song differs significantly in that its refrain ("Bring it to me, bring your sweet lovin', bring it on home to me") is overtly secular.[2] The song was the first serious nod to his gospel roots ("[He] felt that he needed more weight, that that light shit wouldn't sustain him," said J.W. Alexander).[1] The song was aiming for a sound similar to Cooke’s former group, the Soul Stirrers.[2] The original, unreleased first take includes vocals from Lou Rawls, J.W. Alexander, Fred Smith (former assistant A&R rep at Keen Records), and "probably" the Sims Twins. A second, final take leaves Lou Rawls as the only echoing voice.[2]
Personnel[edit]
"Bring It On Home to Me" was recorded on April 26, 1962, at RCA Studio 1 in Hollywood, California.[1] The engineer present was Al Schmitt, and the session was conducted and arranged by René Hall. The musicians also recorded "Having a Party" the same day. Credits adapted from the liner notes to the 2003 compilation Portrait of a Legend: 1951–1964.[1]
Sam Cooke – vocals
Lou Rawls – backing vocals
Clifton White – guitar
Tommy Tedesco – guitar
René Hall – guitar
Adolphus Asbrook – bass guitar
Ray Pohlman – bass guitar
Ernie Freeman – piano
Frank Capp – drums, percussion
William Green – saxophone
Cecil Figelski – cello
Armand Kaproff – cello
Wilbert Nuttycombe – viola
Irving Weinper – viola
Myron Sandler – violin
Joseph Saxon – violin
Ralph Schaeffer – violin
Marshall Sosson – violin
Elliot Fisher – violin
Marvin Limonick – violin
Cover versions[edit]
"Bring It On Home to Me"
Single by The Animals
from the album Animal Tracks (American album)
B-side
"For Miss Caulker"
Released
March 1965
Format
7" single
Recorded
March 1965
Genre
Rock, blues, pop, soul
Length
2:43
Label
Columbia
Songwriter(s)
Sam Cooke
Producer(s)
Mickie Most
The Animals singles chronology
"Don't Let Me Be Misunderstood"
(1965) "Bring It On Home to Me"
(1965) "We Gotta Get out of This Place"
(1965)
"Don't Let Me Be Misunderstood"
(1965) "Bring It On Home To Me"
(1965) "We Gotta Get out of This Place"
(1965)
"Bring It on Home to Me"
Single by Mickey Gilley
B-side
"How's My Ex Treating You"
Released
June 1976
Format
7"
Recorded
May 1976
Genre
Country
Length
2:23
Label
Playboy 6075
Songwriter(s)
Sam Cooke
Producer(s)
Eddie Kilroy
Mickey Gilley singles chronology
"Don't the Girls All Get Prettier at Closing Time"
(1976) "Bring It on Home to Me"
(1976) "Lawdy Miss Clawdy"
(1976)
"Don't the Girls All Get Prettier at Closing Time"
(1976) "Bring It on Home to Me"
(1976) "Lawdy Miss Clawdy"
(1976)
The most significant cover versions of the song include versions by:
The Animals (their last single to include original organist Alan Price).[citation needed]
Mickey Gilley hit number one on the country chart in 1976 with his cover.[5]
Eddie Floyd hit #4 on the R&B charts and #17 on the Hot 100 in 1968.
Rod Stewart released this song as part of a medley with "You Send Me" and charted it on the UK Singles Chart at #7 as a double A-side with "Farewell".[citation needed]
Rita MacNeil covered the song on her 1992 album Thinking of You. It was released as the album's first single and charted on the RPM pop and country charts.[citation needed]
Otis Redding and Carla Thomas
Dave Mason
American country singer Martina McBride covered this song as a duet with Gavin DeGraw on her 2014 studio album Everlasting, which features covers of famous soul, pop, and R&B songs.
Van Morrison included a cover version of the song on his 1974 live album, It's Too Late to Stop Now, and again on his 2017 album, Roll with the Punches.
Charts and certifications[edit]
Original version[edit]
Chart (1962)
Peak
position
US Billboard Hot 100[6] 13
US Hot R&B Sides (Billboard)[6] 2
The Animals version[edit]
Year
Chart
Position
1965 Pop Singles Chart #32
1965 UK Singles Chart #7
1965 Canada #7
1965 Netherlands #3
1965 Sweden #1
Eddie Floyd version[edit]
Year
Chart
Position
1968 Black Singles Chart #4
1968 Pop Singles Chart #17
1968 Canada #24
Lou Rawls version[edit]
Year
Chart
Position
1970 Black Singles Chart #45
1970 Pop Singles Chart #96
Mickey Gilley version[edit]
Chart (1976)
Peak
position
US Hot Country Songs (Billboard)[7] 1
US Bubbling Under Hot 100 Singles (Billboard)[8] 1
Canadian RPM Country Tracks 1
Cultural references[edit]
The song was featured in the 2017 film Guardians of the Galaxy Vol. 2.[9]
Preceded by
"Say It Again"
by Don Williams Billboard Hot Country Singles
number-one single
August 21, 1976 Succeeded by
"(I'm A) Stand by My Woman Man"
by Ronnie Milsap
Preceded by
"Rocky Mountain Music"
by Eddie Rabbitt RPM Country Tracks
number-one single
September 11, 1976
References[edit]
^ Jump up to: a b c d Portrait of a Legend: 1951–1964 (liner notes). Sam Cooke. US: ABKCO Records. 2003. 92642.
^ Jump up to: a b c d e Guralnick, Peter (2014). Dream Boogie: The Triumph of Sam Cooke. Little, Brown. pp. 404–406. ISBN 9780316210973.
Jump up ^ Guralnick, Peter (14 December 2008). "Dream Boogie: The Triumph of Sam Cooke". Little, Brown – via Google Books.
Jump up ^ "Anatomy of a Classic: Bring It On Home To Me - The Adios Lounge". www.adioslounge.com.
Jump up ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 136. ISBN 9780823074990.
^ Jump up to: a b "Sam Cooke – Awards". AllMusic. Retrieved February 28, 2014.
Jump up ^ "Mickey Gilley – Chart history" Billboard Hot Country Songs for Mickey Gilley.
Jump up ^ "Mickey Gilley – Chart history" Billboard Bubbling Under Hot 100 for Mickey Gilley.
Jump up ^ Shepard, Jack (April 19, 2017). "Tracklist for Guardians of the Galaxy's Awesome Mixtape Vol. 2 revealed". The Independent. Retrieved August 27, 2017.
External links[edit]
Lyrics of this song at MetroLyrics
[show]
v
t
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Sam Cooke
Studio albums
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Songs by Sam Cooke
Encore
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Singles
"You Send Me" / "Summertime"
"I'll Come Running Back to You"
"(I Love You) For Sentimental Reasons"
"You Were Made for Me" / "Lonely Island"
"Everybody Loves to Cha Cha Cha"
"Only Sixteen"
"There! I've Said It Again"
"Wonderful World"
"Chain Gang"
"Sad Mood"
"That's It, I Quit, I'm Movin' On"
"Cupid"
"Twistin' the Night Away"
"Bring It On Home to Me" / "Having a Party"
"Somebody Have Mercy" / "Nothing Can Change This Love"
"Send Me Some Lovin'"
"Another Saturday Night"
"Frankie and Johnny"
"Little Red Rooster"
"(Ain't That) Good News"
"Good Times" / "Tennessee Waltz"
"That's Where It's At"
"Shake" / "A Change Is Gonna Come"
Related articles
Discography
The Soul Stirrers
René Hall
Linda Womack
We Remember Sam Cooke
IAMSAM
Book:Sam Cooke
Category:Sam Cooke
Portal:R&B and Soul Music
Wikiquote:Sam Cooke
[show]
v
t
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Lou Rawls
Albums
Stormy Monday
All Things in Time
Unmistakably Lou
When You Hear Lou, You've Heard It All
Let Me Be Good to You
Sit Down and Talk to Me
Singles
"Love Is a Hurtin' Thing"
"Your Good Thing (Is About to End)"
"Bring It On Home to Me"
"You'll Never Find Another Love Like Mine"
"Lady Love"
[show]
v
t
e
Mickey Gilley
Albums
Too Good to Stop Now
Invitation Only
Notable singles
"Room Full of Roses"
"I Overlooked an Orchid"
"City Lights"
"Window Up Above"
"Bouquet of Roses"
"Overnight Sensation"
"Don't the Girls All Get Prettier at Closing Time"
"Bring It On Home to Me"
"Lawdy Miss Clawdy"
"She's Pulling Me Back Again"
"Honky Tonk Memories"
"Chains of Song"
"The Power of Positive Drinkin'"
"Here Comes the Hurt Again"
"The Song We Made Love To"
"Just Long Enough to Say Goodbye"
"My Silver Lining"
"True Love Ways"
"Stand by Me"
"That's All That Matters"
"A Headache Tomorrow (Or a Heartache Tonight)"
"You Don't Know Me"
"Lonely Nights"
"Tears of the Lonely"
"Put Your Dreams Away"
"Talk to Me"
"Fool for Your Love"
"Your Love Shines Through"
"You've Really Got a Hold on Me"
"Too Good to Stop Now"
"I'm the One Mama Warned You About"
"You've Got Something on Your Mind"
"Your Memory Ain't What It Used to Be"
"Doo-Wah Days"
"Full Grown Fool"
"She Reminded Me of You"
"There I've Said It Again"
Guest singles
"Paradise Tonight" (with Charly McClain)
Related articles
Discography
Playboy Records
Epic Records
Jerry Lee Lewis
Jimmy Swaggart
Barbi Benton
Ray Charles
Gilley's Club
[show]
v
t
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Carla Thomas
Albums
King & Queen
Singles
"Night Time Is the Right Time"
"Tramp"
"Knock on Wood"
"Lovey Dovey"
Songs
"Tell It Like It Is"
"When Something Is Wrong with My Baby"
"It Takes Two"
"Bring It On Home to Me"
Related articles
Rufus and Carla
Rufus Thomas
Marvell Thomas
Otis Redding
Stax Records
Book:Carla Thomas
Retrieved from "https://en.wikipedia.org/w/index.php?title=Bring_It_on_Home_to_Me&oldid=804382077"
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