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Prélude à l'après-midi d'un faune
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This article is about the musical composition by Claude Debussy. For the ballet based on it, see Afternoon of a Faun (Nijinsky).
Prélude à l'après-midi d'un faune
Symphonic poem by Claude Debussy
Illustration for the ballet after the music by Léon Bakst
English
Prelude to the Afternoon of a Faun
Catalogue
L. 86
Based on
L'après-midi d'un faune
by Stéphane Mallarmé
Performed
22 December 1894 (1894-12-22)
Scoring
flute
orchestra
Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was first performed in Paris on 22 December 1894, conducted by Gustave Doret.[1][2] The flute solo was played by Georges Barrère.
Debussy's work later provided the basis for the ballet Afternoon of a Faun choreographed by Vaslav Nijinsky and a later version by Jerome Robbins.
Contents
1 Background
2 Composition
3 Ballet version
4 Literature
5 In popular culture
5.1 Film
5.2 Lectures
5.3 Music
5.4 Television
6 References
7 Sources
8 External links
Background[edit]
The composition was inspired by the poem L'après-midi d'un faune by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of music. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music."[3]
About his composition Debussy wrote:
The music of this prelude is a very free illustration of Mallarmé's beautiful poem. By no means does it claim to be a synthesis of it. Rather there is a succession of scenes through which pass the desires and dreams of the faun in the heat of the afternoon. Then, tired of pursuing the timorous flight of nymphs and naiads, he succumbs to intoxicating sleep, in which he can finally realize his dreams of possession in universal Nature.[4]
Paul Valéry reported that Mallarmé himself was unhappy with his poem being used as the basis for music:
He believed that his own music was sufficient, and that even with the best intentions in the world, it was a veritable crime as far as poetry was concerned to juxtapose poetry and music, even if it were the finest music there is.[5]
However, when Debussy invited Mallarmé to attend the premiere performance, Mallarmé wrote to Debussy afterwards: "I have just come out of the concert, deeply moved. The marvel! Your illustration of the Afternoon of a Faun, which presents a dissonance with my text only by going much further, really, into nostalgia and into light, with finesse, with sensuality, with richness. I press your hand admiringly, Debussy. Yours, Mallarmé."[6][7]
Composition[edit]
The work is scored for three flutes, two oboes, cor anglais, two clarinets in A and B♭, two bassoons, four horns, two harps, two crotales and strings. In standard notation: 3 3[1.2.Eh] 2 2 – 4 0 0 0 – 1perc[crot] – 2hp – str (10').
Although it is tempting to call this piece a tone poem, there is very little musical literalism in the piece; instead, the slow and mediated melody and layered orchestration as a whole evoke the eroticism of Mallarmé's poem.
[This prelude] was [Debussy's] musical response to the poem of Stephane Mallarmé (1842–1898), in which a faun playing his pan-pipes alone in the woods becomes aroused by passing nymphs and naiads, pursues them unsuccessfully, then wearily abandons himself to a sleep filled with visions. Though called a "prelude," the work is nevertheless complete – an evocation of the feelings of the poem as a whole.[8]
The Prélude at first listening seems improvisational and almost free-form; however, closer observation will demonstrate that the piece consists of a complex organization of musical cells, motifs carefully developed and traded between members of the orchestra. A close analysis of the piece reveals a high amount of consciousness of composition on Debussy's part.
The main musical themes are introduced by woodwinds, with delicate but harmonically advanced underpinnings of muted horns, strings and harp. Recurring tools in Debussy's compositional arsenal make appearances in this piece: extended whole-tone scale runs, harmonic fluidity without lengthy modulations between central keys, and tritones in both melody and harmony. The opening flute solo consists of a semitone descent to a tritone below the original pitch, and the subsequent ascent. The development of the slow main theme transitions smoothly between 9
8, 6
8, and 12
8 meters. Debussy enacts voicings and shading in his orchestration to a high degree, allowing the main melodic cell to move from solo flute to oboe, back to solo flute, then two unison flutes (yielding a completely different atmosphere to the melody), then clarinet, etc. Even the accompaniment explores alternate voicings: the flute duo's crescendo during their melodic cells accompany legato strings with violas carrying the soprano part over alto violins (the tone of a viola in its upper register being especially pronounced).
Main theme
Ambiguous chord progression
Theme
Theme – similar to the main theme in chromaticism and contour. Uses a whole tone scale in m. 32.
Theme – similar contour to the main theme.
Secondary theme
Theme – new melodic idea created by combining fragments of two previous melodies.
Theme – related to main theme.
Final chromatic harmonization of the main theme
The composition totals 110 bars. If one counts the incomplete lines of verse as one, Mallarmé's text likewise adds up to 110 lines. The second section in D-flat starts at bar 55, exactly halfway through the work.
Ballet version[edit]
Main article: Afternoon of a Faun (Nijinsky)
In 1912, the piece was made into a short ballet, with costumes and sets by painter Léon Bakst, which was choreographed and performed by renowned dancer Vaslav Nijinsky. It proved to be highly controversial because of the dancers' non-traditional movements and because of a moment in which the faun appears to masturbate.
In 1958, a ballet version by Jerome Robbins was made, which has been frequently performed by many companies.
Literature[edit]
In Thomas Mann's The Magic Mountain it is implied that protagonist Hans Castorp listened to Debussy's piece on a gramophone. In the book, the Prélude is one of his favorite recordings, and leads him to daydream about a faun playing pipes in an oneiric landscape.
In popular culture[edit]
Play media
Performed by Natalia Ensemble, 2014
Film[edit]
The theme features prominently in the film Portrait of Jennie (1949), and is used as a musical motif for the ethereal heroine played by Jennifer Jones.
Prelude to the Afternoon of a Faun is the first animated segment in Italian director and animator Bruno Bozzetto's film Allegro Non Troppo (1977). While retaining Debussy's music, the on-screen story instead depicts an aging faun's vain attempts to recapture his youth.
A climactic scene from the film Passion (2013) finds the main character attending the ballet version, with a memorable, several-minute-long split screen, with the ballet on one side and the movie action on the other side.
Lectures[edit]
The work is analyzed at the end of the 4th segment of Leonard Bernstein's Norton lecture The Unanswered Question (1973). Bernstein corroborates the earlier statement that the piece, with its extensive use of the tri-tone interval and whole-tone scale, stretches the limits of tonality, thus setting up the atonal works of the 20th century to come.[9]
Music[edit]
It was rearranged and recorded by jazz musician Eumir Deodato for his album Prelude (1973).
A synthesiser arrangement was performed by Isao Tomita on his album Firebird (1975).
Television[edit]
A production music version (arranged by Charlotte Georg) was featured in The Ren & Stimpy Show episode, "Powdered Toast Man".
References[edit]
Jump up ^ "Pierre Meylan and Chris Walton. "Doret, Gustave."". Oxford. Retrieved 2009-05-25.
Jump up ^ Fanning, Neil Cardew (2005). All music guide to classical music: the definitive guide to classical music. New York: Hal Leonard. p. 351.
Jump up ^ Boulez, Pierre (1958), "Entries for a Musical Encyclopaedia: Claude Debussy", Stocktakings from an Apprenticeship, Oxford: Oxford University Press (published 1991), pp. 259–277, ISBN 0-19-311210-8
Jump up ^ Original French: "La musique de ce prélude est une illustration très libre du beau poème de Mallarmé; elle ne prétend pas en être une synthèse. Il s'agit plutôt de fonds successifs sur lesquels se meuvent les désirs et les rêves du faune dans la chaleur de cet après-midi. Enfin, las de poursuivre les nymphes et les naïades apeurées dans leur fuite, il s'abandonne à un sommeil enivrant, riche de songes enfin réalisés, de pleine possession dans l'universelle nature." Quoted in "Les poètes symbolistes et la musique: de Verlaine à Blok" by Hélène Desgraupes.
Jump up ^ Valéry, Paul (1933), "Stephane Mallarmé", Leonardo Poe Mallarmé, trans. James R. Lawler, London: Routledge & Kegan Paul (published 1972), p. 263, ISBN 0-7100-7148-5
Jump up ^ Dumesnil, Maurice (1940), "Claude-Achille, Young Musician", Claude Debussy, Master of Dreams, Westport, Connecticut: Greenwood Press, Publishers (published 1979), p. 181, ISBN 0-313-20775-5
Jump up ^ Lloyd, Rosemary (2005), Mallarmé: The Poet and His Circle, Cornell University Press, p. 154, ISBN 9780801489938
Jump up ^ Burkhart, Charles. 2004. Anthology for Musical Analysis, Sixth Edition. p. 402.
Jump up ^ cagin (8 April 2011). "The Unanswered Question 1973 4 The Delights & Dangers of Ambiguity Bernstein Norton" – via YouTube.
Sources[edit]
Hendrik Lücke: "Mallarmé – Debussy. Eine vergleichende Studie zur Kunstanschauung am Beispiel von L'Après-midi d'un Faune". (Studien zur Musikwissenschaft, vol. 4). Dr. Kovac, Hamburg 2005, ISBN 3-8300-1685-9.
External links[edit]
Prelude to the Afternoon of a Faun: Scores at the International Music Score Library Project (IMSLP)
Prélude à l'après-midi d'un faune, score
Free recording by the Columbia University Orchestra
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Alte Nationalgalerie
From Wikipedia, the free encyclopedia
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Alte Nationalgalerie (Old National Gallery)
Established
1861
Location
Bodestrasse 1-3 (Museum Island)
Berlin, Berlin D-10178 Germany
Coordinates
52°31′15″N 13°23′53″E / 52.52083°N 13.39806°E / 52.52083; 13.39806Coordinates: 52°31′15″N 13°23′53″E / 52.52083°N 13.39806°E / 52.52083; 13.39806
Type
Art[1]
Website
Alte Nationalgalerie (in English)
The Alte Nationalgalerie (Old National Gallery) in Berlin is an art gallery showing a collection of Neoclassical, Romantic, Biedermeier, Impressionist and early Modernist artwork, part of the Berlin National Gallery, which in turn is part of the Staatliche Museen zu Berlin. It is the original building of the National Gallery, whose holdings are now housed in several additional buildings. It is situated on Museum Island, a UNESCO-designated World Heritage site.
Contents
1 History
1.1 Founding
1.2 Building and related developments
1.3 20th century
2 Collection
3 Architecture
4 See also
5 References
6 Further reading
7 External links
History[edit]
Founding[edit]
The first impetus to founding a national gallery came in 1815. The idea gained momentum during the 1830s, but without an actual building. In 1841 the first real plans were created. These plans never made it out of the planning stages, but finally in 1861 the National Gallery was founded, after banker Johann Heinrich Wagener donated 262 paintings by both German and foreign artists. This donation formed the basis of the current collection. The collection was first known as Wagenersche und Nationalgalerie (Wagener and National Gallery) and was housed in the buildings of the Akademie der Künste. The current building, shaped like a Roman temple with an appended apse, was designed by Friedrich August Stüler and after his death, realised in detail under Carl Busse.
Building and related developments[edit]
Picture of the Alte Nationalgalerie from Heinrich August Pierer's Universal-Lexikon, 1891.
Friedrich August Stüler began working on a design for the building in 1863, based on a sketch by King Frederick William IV of Prussia.[2] Two years and two failed plans later, his third proposal was finally accepted. Stüler died before planning was completed and Carl Busse handled the remaining details in 1865. In 1866, by order of the king and his cabinet, the Kommission für den Bau der Nationalgalerie (Commission for the construction of the national gallery) was created. Ground was broken in 1867 under the supervision of Heinrich Strack. In 1872 the structure was completed and interior work began. The opening took place on March 22, 1876 in the presence of the Kaiser.
Because of the building's modern construction using brick and iron, it was widely believed to be fireproof. The exterior and outer staircase were constructed of Triassic sandstone from Nebra. At the opening the collection was still relatively small. Next to Wagener's collection, originally, was a display of cartoons by Peter von Cornelius that had been bequeathed to the Prussian government. The initial objective of the gallery was to collect contemporary, primarily Prussian art, as Berlin did not then have any repository of modern art.
In 1874 Max Jordan became the first director of the National Gallery. In 1896 he was succeeded by Hugo von Tschudi, who acquired Impressionist works, risking conflict with the Kaiser because this ended the collection's focus on German art. The German National Gallery thus became the most important museum for modern French Art at the turn of the century.[3]
20th century[edit]
In 1909, Ludwig Justi assumed the post of director, and added Expressionist works to the collection. Following the German Revolution of 1918–19 that ended Imperial rule, he moved the modern art to the Kronprinzenpalais at the end of Unter den Linden, which became known as National Gallery II.
In 1933, the new Nazi authorities dismissed Justi, who was followed by Eberhard Hanfstaengl. He remained until 1937, when he too was dismissed. His successor, Paul Ortwin Rave, remained until 1950, although because of World War II the building was closed during much of that time. It was heavily damaged in Allied air raids. It was partly reopened in 1949, but reconstruction continued until 1969. Between 1998 and 2001, the museum was renovated thoroughly by German architect HG Merz. Some extra halls were added on the uppermost floor and now contain the Romantic works. The three-year, $62 million renovation of the Alte Nationalgalerie was part of a refurbishment of Museum Island and the energetic effort by government and private institutions to re-establish Berlin as Germany's political and cultural heart.[4]
Collection[edit]
Eisenwalzwerk (The Iron Rolling Mill (Modern Cyclopes)) by Adolph von Menzel.
The collection contains works of the Neoclassical and Romantic movements (by artists such as Caspar David Friedrich, Karl Friedrich Schinkel, and Karl Blechen), of the Biedermeier, French Impressionism (such as Édouard Manet and Claude Monet) and early Modernism (including Adolph von Menzel, Max Liebermann and Lovis Corinth). Among the most important exhibits are Friedrich's Der Mönch am Meer (The Monk by the Sea), von Menzel's Eisenwalzwerk (The Iron Rolling Mill) and sculptor Johann Gottfried Schadow's Prinzessinnengruppe, a double statue of princesses Louise of Mecklenburg-Strelitz and Frederica of Prussia. The Alte Nationalgalerie houses one of the largest collections of 19th-century sculptures and paintings in Germany.[1]
Architecture[edit]
The Alte Nationalgalerie, together with the Altes Museum, the Neues Museum, the Bode Museum, the Pergamon Museum, the Berlin Cathedral and the Lustgarten, make up the Museum Island complex in Berlin. It is situated in the middle of the island, between the rails of the Berlin Stadtbahn and Bode Street on the eastern banks.
It is connected to the Pergamon Museum to the north, and to the Neues Museum, the Altes Museum, and the Berlin Cathedral to the south. The building was designed by Friedrich August Stüler with details by Carl Busse, in an architectural style that is a mix between late Classicism and early Neo-Renaissance, and realised by Heinrich Strack. It was intended to express "the unity of art, nation, and history", and therefore has aspects reminiscent of a church (an apse) and a theatre (the grand staircase) as well as a temple. An equestrian statue of Frederick William IV tops the stairs, and the inside stairs have a frieze by Otto Geyer depicting German history from prehistoric times to the 19th century.[2] The exterior of the building still retains its original appearance, whereas the interior has been renovated many times in order to suit the exhibits.[5]
See also[edit]
List of art museums
List of museums in Berlin
List of museums in Germany
Neue Nationalgalerie
References[edit]
^ Jump up to: a b Alte Nationalgalerie: About, ARTINFO, 2008, retrieved 2008-07-24
^ Jump up to: a b Claude Keisch, The Alte Nationalgalerie, Berlin, London: Scala / Munich: Beck, 2005, ISBN 9783406526756, p. 7.
Jump up ^ Philipp Demandt: „Schule des Sehens“. Die Nationalgalerie und die Moderne, in: Angelika Wesenberg (Hg.), Impressionismus – Expressionismus. Kunstwende, Berlin 2015, pp 13-19.
Jump up ^ Desmond Butler (December 2, 2001), Berlin Museum's Revival Bolsters German Identity The New York Times.
Jump up ^ Keisch, p. 8.
This article is based on a translation of the German Wikipedia article Alte Nationalgalerie.
Further reading[edit]
Bernhard Maaz (Ed.). Die Alte Nationalgalerie. Geschichte, Bau und Umbau. Berlin: G + H, 2001, ISBN 9783886094530.
Peter-Klaus Schuster. Die Alte Nationalgalerie. Berlin: SMB-DuMont, 2003, ISBN 9783832173708.
Angelika Wesenberg (Ed.). Frankreich in der Nationalgalerie: Courbet, Manet, Cézanne, Renoir, Rodin. Exhibition catalog. Berlin: Nationalgalerie, Staatliche Museen zu Berlin, 2007, ISBN 978-3-88609-585-8.
Bénédicte Savoy & Philippa Sissis (Hrsg.): Die Berliner Museumsinsel: Impressionen internationaler Besucher (1830-1990). Eine Anthologie. Böhlau, Wien/Köln/Weimar 2012, ISBN 978-3-412-20991-9.
External links[edit]
Wikimedia Commons has media related to Alte Nationalgalerie.
(in English) Alte Nationalgalerie
360° Panorama at the Alte Nationalgalerie
Some paintings from museum collection
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text:
Don't Dream It's Over
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Don't Dream It's Over"
Cover of the 1986 Australian single[1]
Single by Crowded House
from the album Crowded House
B-side
"That's What I Call Love"
Released
20 October 1986[2]
Format
7-inch single
Recorded
1986
Studio
Capitol Recording & Sunset Sound Factory, Los Angeles
Genre
Rock[3]
pop[4]
Length
3:55
Label
Capitol
Songwriter(s)
Neil Finn
Producer(s)
Mitchell Froom
Crowded House singles chronology
"Now We're Getting Somewhere"
(1986) "Don't Dream It's Over"
(1986) "Something So Strong"
(1987)
Audio sample
file
help
"Don't Dream It's Over" is a song by the Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album.[5] The song was written by band member Neil Finn, and released in October 1986[2] as the fourth single from the album.
The song, described by AllMusic as a "majestic ballad",[6] became the band's biggest international hit, reaching No. 2 on the Billboard Hot 100 in the United States in April 1987.[7] "Don't Dream It's Over" was also a great success in Neil Finn's native country New Zealand where it peaked at No. 1; it also topped the charts in Canada, while in Australia it peaked at No. 8. In Continental Europe, it reached No. 6 in Norway, No. 7 in the Netherlands, and No. 13 in Germany. In America the single was topped only by "I Knew You Were Waiting (For Me)" by Aretha Franklin and George Michael.
In May 2001, the Australasian Performing Rights Association (APRA) celebrated its 75th anniversary by naming the Best New Zealand and Best Australian songs of all time, as decided by APRA members and an industry panel. "Don't Dream It's Over" was ranked second on the New Zealand list[8] and seventh on the Australian list.[9]
Contents
[hide]
1 Music video
2 Track listing
3 Personnel
4 Release history
5 Chart performance
5.1 Weekly charts
5.2 Year-end charts
6 Paul Young version
6.1 Track listing
6.2 Charts
7 Sixpence None the Richer version
7.1 Track listing
7.2 Charts
8 Other cover versions and uses
9 References
Music video[edit]
The music video, directed by Alex Proyas, features some surreal special effects such as household objects – including shattering crockery – and film reels that float in the air, with lead singer Finn playing a guitar and walking through the same house during different time periods while his bandmates are either performing household chores or playing various backing instruments.[10] It was nominated for Best Group Video, and Best Direction at the 1987 MTV Video Music Awards, and earned the group a Best New Artist award.[11]
Track listing[edit]
"Don't Dream It's Over" written by Neil Finn. "That's What I Call Love" written by Neil Finn and Paul Hester.
7-inch vinyl
"Don't Dream It's Over" – 4:03
"That's What I Call Love" – 4:22
12-inch vinyl
"Don't Dream It's Over" (Extended version) – 6:10 (only in 12-inch vinyl single)
"Don't Dream It's Over" – 4:03
"That's What I Call Love" – 4:22
7-inch US vinyl (American Pie label)
"Don't Dream It's Over" – 4:03
"Something So Strong" – 2:51
1995 UK CD1
1995 Netherlands CD
"Weather with You" (live) – 4:35
The only B-side track in other UK editions
"Into Temptation" (live) – 4:48
"Locked Out" (live) – 2:04
1995 UK CD2
"Four Seasons in One Day" (live) – 3:08
"In My Command" (live) – 4:14
"Pineapple Head" (live) – 3:40
Personnel[edit]
Neil Finn: lead vocals, guitars
Nick Seymour: bass guitar
Paul Hester: drums, percussion, backing vocals
Mitchell Froom: keyboards
Release history[edit]
Region
Date
Australia October 1986
United Kingdom January 1987
Chart performance[edit]
Weekly charts[edit]
Chart (1986–87)
Peak
position
Australia (Kent Music Report)[12]
8
Belgium (Ultratop 50 Flanders)[13]
6
Canada (RPM)[14]
1
Germany (Official German Charts)[15]
13
Ireland (IRMA)[16]
19
Netherlands (Single Top 100)[17]
7
New Zealand (Recorded Music NZ)[18]
1
Norway (VG-lista)[19]
6
UK Singles (Official Charts Company)[20]
27
US Billboard Hot 100[21]
2
US Adult Contemporary (Billboard)[22]
9
US Mainstream Rock (Billboard)[23]
11
Chart (1996)
Peak
position
UK Singles (Official Charts Company)[24]
25
Year-end charts[edit]
Chart (1987)
Rank
Australia[12] 54
Canada[25] 34
New Zealand[26] 4
US Billboard Hot 100[27] 13
Preceded by
"Funkytown" by Pseudo Echo New Zealand Singles Chart
19 April 1987 Succeeded by
"Lean on Me" by Club Nouveau
Preceded by
"Lean on Me" by Club Nouveau Canadian Singles Chart
2 May 1987 Succeeded by
"With or Without You" by U2
Paul Young version[edit]
"Don't Dream It's Over"
Single by Paul Young
from the album From Time to Time – The Singles Collection
Released
19 September 1991
Format
7" vinyl, 12" vinyl, CD
Recorded
1990
Genre
Pop rock
Length
3:56
Label
Columbia
Songwriter(s)
Neil Finn
Producer(s)
Dan Hartman
Paul Young singles chronology
"Both Sides, Now"
(1991) "Don't Dream It's Over"
(1991) "Come On In"
(1991)
"Both Sides, Now"
(1991) "Don't Dream It's Over"
(1991) "Come On In"
(1991)
In 1991, Paul Young covered "Don't Dream It's Over" on his compilation From Time to Time – The Singles Collection. Young's version featured Paul Carrack.
Track listing[edit]
"Don't Dream It's Over" (Neil Finn) – 3:56
"I Need Somebody" (Paul Young) – 4:00
Charts[edit]
Chart (1991)
Peak
position
UK Singles Chart 20
Irish Singles Chart 13
German Singles Chart 71
French Singles Chart 27
Dutch Top 40 67
Norwegian Singles Chart 6
Swedish Singles Chart 25
Sixpence None the Richer version[edit]
"Don't Dream It's Over"
Single by Sixpence None the Richer
from the album Divine Discontent
Released
2003
Format
CD
Recorded
2001
Genre
Pop rock
Length
4:03
Label
Reprise
Squint
Songwriter(s)
Neil Finn
Producer(s)
Rob Cavallo
Sixpence None the Richer singles chronology
"Breathe Your Name"
(2002) "Don't Dream It's Over"
(2003) "My Dear Machine"
(2008)
"Breathe Your Name"
(2002) "Don't Dream It's Over"
(2003) "My Dear Machine"
(2008)
"Don't Dream It's Over" was the second radio single released in promotion of the album Divine Discontent by Sixpence None the Richer. The commercial single release features the B-side "Don't Pass Me By," which was recorded during the sessions for Divine Discontent. Their version was also included in the 2003 compilation album Smallville: The Talon Mix.[28]
Track listing[edit]
US Commercial Single
"Don't Dream It's Over" (Radio Edit): 3:39
"Don't Pass Me By": 3:26
Radio Promo Single
"Don't Dream It's Over" (Radio Edit): 3:39[29]
"Don't Dream It's Over" (LP Version): 4:04
Charts[edit]
Chart (2003)
Peak
position
Romania (Romanian Top 100)[30] 37
US Billboard Hot 100[31] 78
US Billboard Adult Top 40[31] 9
US Billboard Adult Contemporary[31] 12
Other cover versions and uses[edit]
Other artists who have covered it include Donny Osmond,[32] Teddy Thompson,[33] Faith No More, Paul Shaffer, Stacy & The Kid on an episode of Kids Incorporated,[34] Howie Day, Aiden Grimshaw,[35] Susan Boyle,[36] Hitomi Yaida,[37] G4,[38] Diana Krall,[39] Miley Cyrus and Ariana Grande,[40] Chris Martin and Eddie Vedder,[41] Sarah Blasko,[42] Flock of Dimes with Sylvan Esso,[43] and the cast of Glee.[44]
Rapper Classified sampled the riff on the song "It Ain't Over",[45] as did Irish R&B trio Dove on their hit "Don't Dream".[46] Italian singer Antonello Venditti recorded a re-written version of the song – "Alta Marea" – in 1991, with a then-unknown Angelina Jolie playing a seductress in the video.[47]
References[edit]
Jump up ^ Don't Dream It's Over (7-inch vinyl). Crowded House. Capitol Records. CP 1842.
^ Jump up to: a b "Kent Music Report No 640 – 20 October 1986 > Singles: New Releases". Imgur.com (original document published by Kent Music Report). Retrieved 30 November 2017.
Jump up ^ White, Caitlin (14 May 2015). "Watch Miley Cyrus & Ariana Grande Cover Crowded House's "Don't Dream It's Over"". Stereogum. Retrieved 12 July 2016.
Jump up ^ "Crowded House [Capitol]". Torque. United Kingdom: SPH Magazines. February 2007. Retrieved 12 July 2016.
Jump up ^ Bailey, Marck; Comprehensive discography of Crowded House including track listings for all albums and singles. Released 28 March 1995. Retrieved 5 July 2007. Site offline after 2008.
Jump up ^ Stephen Thomas Erlewine. "Crowded House - Crowded House - Songs, Reviews, Credits, Awards - AllMusic". AllMusic.
Jump up ^ "Crowded House Awards". AllMusic. Retrieved 9 August 2013.
Jump up ^ "Our top song - but vote kept a secret". The New Zealand Herald. 3 November 2001. Retrieved 29 September 2011.
Jump up ^ "The final list: APRA'S Ten best Australian Songs". APRA. 28 May 2001. Archived from the original on 8 March 2008. Retrieved 8 May 2008.
Jump up ^ rvdgu2006. "Music video in". Dailymotion.com. Retrieved 13 April 2011.
Jump up ^ "MTV Video Music Awards". Mtv. 11 September 1987. Retrieved 13 April 2011.
^ Jump up to: a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.
Jump up ^ "Ultratop.be – Crowded House – Don't Dream It's Over" (in Dutch). Ultratop 50. Retrieved 12 November 2016.
Jump up ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 16 October 2013.
Jump up ^ "Offiziellecharts.de – Crowded House – Don't Dream It's Over". GfK Entertainment Charts. Retrieved 12 November 2016.
Jump up ^ "The Irish Charts – Search Results – Don't Dream It's Over". Irish Singles Chart. Retrieved 12 November 2016.
Jump up ^ "Dutchcharts.nl – Crowded House – Don't Dream It's Over" (in Dutch). Single Top 100. Retrieved 12 November 2016.
Jump up ^ "Charts.org.nz – Crowded House – Don't Dream It's Over". Top 40 Singles. Retrieved 12 November 2016.
Jump up ^ "Norwegiancharts.com – Crowded House – Don't Dream It's Over". VG-lista. Retrieved 12 November 2016.
Jump up ^ "Crowded House: Artist Chart History". Official Charts Company. Retrieved 12 November 2016.
Jump up ^ "Crowded House Chart History (Hot 100)" Billboard. Retrieved 12 November 2016.
Jump up ^ "Crowded House Chart History (Adult Contemporary)" Billboard. Retrieved 12 November 2016.
Jump up ^ "Crowded House Chart History (Mainstream Rock)" Billboard. Retrieved 12 November 2016.
Jump up ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved 8 December 2016.
Jump up ^ "Item Display - RPM - Library and Archives Canada".
Jump up ^ "The Official New Zealand Music Chart".
Jump up ^ "Top 100 Hits of 1987/Top 100 Songs of 1987".
Jump up ^ Phares, Heather. Smallville: The Talon Mix at AllMusic
Jump up ^ "This Is The Best Cover Of Crowded House's 'Don't Dream It's Over' You'll Hear Today". UPROXX. 2015-06-18. Retrieved 2017-08-30.
Jump up ^ "Romanian Top 100: Editia 27, saptamina 14.07-20.07, 2003". Web.archive.org. 14 May 2005. Archived from the original on 14 May 2005. Retrieved 16 October 2013.
^ Jump up to: a b c "Sixpence None the Richer – Don't Dream It's Over (Billboard chart history)". Billboard. Nielsen Business Media, Inc. Retrieved 19 August 2010.
Jump up ^ "Donny Osmond". BBC News. Retrieved 13 April 2011.
Jump up ^ "Teddy Thompson". Coverlaydown.com. Retrieved 13 April 2011.
Jump up ^ 5 Apr 2010, 6:51 pm Idolator (5 April 2010). "Kids Inc". Elbo.ws. Retrieved 13 April 2011. CS1 maint: Multiple names: authors list (link)
Jump up ^ Emily Sheridan (15 November 2010). "Aiden Grimshaw". Dailymail.co.uk. Retrieved 16 October 2013.
Jump up ^ "Susan Boyle". Daily Mirror. 19 September 2010. Retrieved 13 April 2011.
Jump up ^ "矢井田瞳、移籍第2弾シングルは「同情みたいなLOVE」". Natalie. 17 March 2011. Retrieved 17 October 2011.
Jump up ^ Don't Dream It's Over G4
Jump up ^ "Wallflower - Diana Krall | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved 2016-06-16.
Jump up ^ "Neil Finn Salutes Miley Cyrus and Ariana Grande's Crowded House Cover", Yahoo Music, May 16, 2015; and "Watch Miley Cyrus and Ariana Grande Cover 'Don't Dream It's Over'", Time Magazine, May 14, 2015
Jump up ^ Global Citizen (2016-09-24), Chris Martin & Eddie Vedder Don't Dream It's Over | Live at Global Citizen Festival 2016, retrieved 2016-12-06
Jump up ^ Various: She Will Have Her Way: The Songs of Tim & Neil Finn
Jump up ^ Matthew Hickey (19 June 2015). "Single Serving: Flock of Dimes + Sylvan Esso – Don't Dream It's Over (Crowded House)". Turntable Kitchen.
Jump up ^ Tim Elliott (29 December 2012). "Culture: Neil Finn". Sydney Morning Herald.
Jump up ^ Quinlan, Thomas. "Classified". Exclaim.ca. Retrieved 13 April 2011.
Jump up ^ "Dove". Members.tripod.com. 23 April 1998. Retrieved 13 April 2011.
Jump up ^ Mendoza, Nadia (6 May 2008). "Angelina Jolie Alta Marea". The Sun. UK. Retrieved 13 April 2011.
[show]
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"Everytime You Go Away"
"Softly Whispering I Love You"
"Oh Girl"
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"Don't Dream It's Over"
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Discography
Squint Entertainment
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