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The Phantom of the Opera (2004 film)
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The Phantom of the Opera
Theatrical release poster
Directed by
Joel Schumacher
Produced by
Andrew Lloyd Webber
Screenplay by
Andrew Lloyd Webber
Joel Schumacher
Based on
The Phantom of the Opera
by Andrew Lloyd Webber
Charles Hart
Richard Stilgoe
Gaston Leroux
Le Fantôme de l'Opéra by Gaston Leroux
Starring
Gerard Butler
Emmy Rossum
Patrick Wilson
Miranda Richardson
Simon Callow
Ciarán Hinds
Minnie Driver
Jennifer Ellison
Ramin Karimloo
Music by
Andrew Lloyd Webber
Cinematography
John Mathieson
Edited by
Terry Rawlings
Production
company
Joel Schumacher Productions
Really Useful Films
Scion Films
Distributed by
Warner Bros. Pictures (United States)
Odyssey Entertainment (International)
Release date
10 December 2004 (2004-12-10) (United Kingdom)
22 December 2004 (2004-12-22) (United States)
Running time
143 minutes[1]
Country
United Kingdom
United States
Language
English
Budget
$70 million[2]
Box office
$154.6 million[2]
The Phantom of the Opera is a 2004 British-American musical drama film based on Andrew Lloyd Webber's 1986 musical of the same name, which in turn is based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. It was produced and co-written by Lloyd Webber and directed by Joel Schumacher. It stars Gerard Butler in the title role, Emmy Rossum as Christine Daaé, Patrick Wilson as Raoul, Miranda Richardson as Madame Giry, Minnie Driver as Carlotta Giudicelli, and Jennifer Ellison as Meg Giry.
The film was announced in 1989 but production did not start until 2002 due to Lloyd Webber's divorce and Schumacher's busy career. It was shot entirely at Pinewood Studios, with scenery created with miniatures and computer graphics. Rossum, Wilson, and Driver had singing experience, but Butler had none and so had music lessons. The Phantom of the Opera grossed approximately $154 million worldwide, despite receiving mixed to negative reviews, which praised the visuals and acting but criticized the writing and directing.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Casting
3.3 Filming
4 Reception
4.1 Release and awards
4.2 Critical reception
5 See also
6 References
7 External links
Plot[edit]
In 1919, the Opéra Populaire holds a public auction to clear the theatre's vaults. Raoul, Viscount de Chagny purchases a papier-mâché music box in the shape of a monkey and eyes it sadly as Madame Giry, an aged woman dressed in black, watches him. The auctioneer then presents a shattered chandelier as the next item up for bid, explaining that it once played a key role in "the strange affair of the Phantom of the Opera". As it flickers to life and slowly ascends to its original place in the rafters, the audience is transported back in time to the year 1870.
Back to this time, while the company rehearses for a performance of the grand opera Hannibal, manager Monsieur Lefèvre announces that he has decided to retire and that the opera has been purchased by Richard Firmin and Gilles André, two men who have no experience with the arts whatsoever. When resident soprano Carlotta Giudicelli begins to sing for the managers, a backdrop collapses and causes everyone to blame the "Opera Ghost", a mysterious figure who is rumored to live in the catacombs beneath the theater. Carlotta refuses to sing and storms offstage, leaving Firmin and André no choice but to cancel the performance. At the last minute, ballet mistress Madame Giry suggests that dancer Christine Daaé take Carlotta's place as she has been "well taught." The managers reluctantly agree and, to their surprise, Christine wins them over.
Later that night, after Christine's triumphant stage debut, she explains to Madame Giry's daughter, Meg, that she is being coached by a mysterious tutor who she refers to as the "Angel of Music"; a tutor who her late father said would teach her to sing. Christine returns to her dressing room to find Raoul, the opera's new patron and her former childhood sweetheart, waiting for her. The two reminisce about their youth as Christine tells Raoul her secret, only for him to laugh at her "fantasy" and invite her to dinner despite her protests. Unbeknownst to everyone, except Madame Giry, the Phantom of the Opera locks Christine in her dressing room and reveals himself in her mirror to her before hypnotizing her and taking her to his subterranean lair.
The Phantom reveals to her that he loves her and wants her to love him back. He shows Christine a bust of herself, wearing a wedding dress and veil, causing her to faint, and the Phantom places her in a bed. The next morning she awakes to find the Phantom writing music. She approaches him and removes his mask out of curiosity. He bursts into a fit of rage, covering his face with his hand. He at first says she must stay forever because she saw his deformities, revealing that he "dreams of beauty". Pitying him Christine hands him back his mask and the two have a moment of understanding. He then decides to return her to the opera house.
That morning, the two managers lament Christine's disappearance, as well as series of notes they received from the Opera Ghost trying to blackmail them for his payment and ordering them on how to run the opera house. When Carlotta returns, she is furious to find a note sent to her saying if she sang as the countess in Il Muto that night instead of Christine, then disaster "beyond [their] imagination" would occur. Firmin and André ignore the ghost's warnings and give Carlotta the lead role. That night, the Phantom interrupts the performance and criticizes their failure to follow his orders.
Carlotta continues to sing, but her voice croaks (as a result of the Phantom tampering with her throat spray) and the lead role is given to Christine. While the ballet is being performed, the Phantom encounters the chief stagehand Joseph Buquet and strangles him before hanging him from above, creating chaos. Christine flees to the roof with Raoul. She reveals to him that she has seen the Phantom's face and fears him, but also pities him because of his sadness. Raoul tells Christine he loves her and will protect her forevermore. Christine returns his love, kissing him passionately and they both leave the roof. The Phantom, who witnessed the scene, becomes heartbroken. He then hears them both singing together. Growing furious at Raoul, he vows revenge on them both.
Three months later, a masquerade party ensues in the opera house. At the party, Christine wears her new engagement ring from Raoul. The event is interrupted once again by the Phantom, who is dressed as Red Death. The Phantom brings his own composition, Don Juan Triumphant, and orders the managers to stage the opera. Raoul exits the room and Christine approaches the Phantom. At the sight of the engagement ring, the Phantom rips it from Christine and disappears into a trap on the floor. Raoul tries to follow him but is stopped by Madame Giry, who privately tells him the story of the Phantom's past. When she was a little girl, she went to a freak circus where they featured a deformed child in a cage. The child was beaten while everyone watched and laughed. The ringmaster then removed a burlap sack covering the child's face, revealing his deformity. Only the young Madame Giry pitied him. She was the last to leave and saw the child strangle the ringmaster with a rope. Chased by the police, Madame Giry helped him escape and found shelter for him beneath the opera house, where she has hidden him from the world ever since.
Christine takes a carriage to visit her father's grave, but the Phantom secretly takes over the reins. Raoul follows when he realizes she's gone. Christine arrives and laments over her father's death. The Phantom tries to win her back by pretending to be her father's angel, but Raoul arrives and stops him. A sword fight ensues in the cemetery, where Raoul eventually disarms the Phantom and is about to kill him, but Christine pleads for him not to. His rage seemingly augmented, the Phantom watches angrily as Christine and Raoul ride away.
Christine admits she is afraid of the Phantom and tells Raoul he will never stop trying to recapture her. Raoul realizes that they can use the Phantom's opera to capture him, as he will surely attend. Don Juan Triumphant is performed, and the Phantom makes his entrance (having secretly replaced the lead) with Christine. Raoul can do nothing but watch from his box as Christine falls for the Phantom yet again. However, she once again removes his mask, revealing his deformities to the entire audience, who scream in fear. He escapes with her by dropping the chandelier and setting the opera house on fire.
The Phantom brings Christine back down to his lair. Madame Giry shows Raoul where the Phantom lives, and he goes to rescue Christine. The Phantom forces Christine to don the wedding dress and once again professes his love, and orders Christine to marry him. Christine tries to convince the Phantom that she does not fear his ugliness, but rather his anger and willingness to kill to get what he wants. Just then, Raoul enters the lair, and the Phantom ties him to a gate and threatens to kill him if Christine refuses to marry him. Christine reflects over the impossible choice before passionately kissing the Phantom to show him he is not alone in the world. The Phantom is shocked from experiencing real human love for the first time in his life. Ashamed of his murderous actions, he allows Christine and Raoul to leave and orders them to never return. He finds comfort in a little monkey music box. Christine approaches the Phantom, who tells her that he loves her, and she silently gives him the diamond ring from her finger to remember her by. After Christine and Raoul leave, the Phantom smashes every mirror in his underground lair and disappears through a secret passage behind a velvet curtain just before the police arrive. Upon entering, Meg finds only the Phantom's white mask.
Moving back to 1919, the elderly Raoul visits Christine's gravesite and places the music box near her tombstone. He stands in silence for a moment and then turns to leave, but stops upon noticing a red rose with a black ribbon tied around the stem lying on the ground with Christine's engagement ring attached to it; implying that the Phantom still lives and still loves Christine.
Cast[edit]
Gerard Butler as The Phantom
Emmy Rossum as Christine Daaé
Patrick Wilson as Viscount Raoul de Chagny
Miranda Richardson as Madame Giry
Minnie Driver as Carlotta Giudicelli
Margaret Preece as Carlotta's singing voice
Simon Callow as Gilles André
Ciarán Hinds as Richard Firmin
Victor McGuire as Ubaldo Piangi
Jennifer Ellison as Meg Giry
Murray Melvin as Monsieur Reyer
Kevin McNally as Joseph Buquet
James Fleet as Monsieur Lefèvre
Ramin Karimloo as Gustave Daaé
Production[edit]
Development[edit]
Warner Bros. purchased the film rights to The Phantom of the Opera in early 1989, granting Andrew Lloyd Webber total artistic control.[3] Despite interest from A-list directors, Lloyd Webber and Warner Bros. instantly hired Joel Schumacher to direct; Lloyd Webber had been impressed with Schumacher's use of music in The Lost Boys.[4] The duo wrote the screenplay that same year,[5] while Michael Crawford and Sarah Brightman were cast to reprise their roles from the original stage production. Filming was set to begin at Pinewood Studios in England in July 1990, under a $25 million budget.[6]
However, the start date was pushed to November 1990 at both Babelsberg Studios in Munich, Germany and Barrandov Studios in Prague, Czech Republic.[7] Production for The Phantom of the Opera was stalled with Lloyd Webber and Brightman's divorce.[8] "Everything got tied up in settlements", Schumacher reflected. "Then my career took off and I was really busy."[9] As a result, The Phantom of the Opera languished in development limbo for Warner Bros. throughout the 1990s.[10] In February 1997, Schumacher considered returning, but eventually dropped out in favour of Batman Unchained, Runaway Jury and Dreamgirls.[11] The studio was keen to cast John Travolta for the lead role,[12] but also held discussions with Antonio Banderas, who undertook vocal preparation and sang the role of the Phantom in the TV special Andrew Lloyd Webber: The Royal Albert Hall Celebration.[13]
Schumacher and Lloyd Webber restarted development for The Phantom of the Opera in December 2002.[5] It was then announced in January 2003 that Lloyd Webber's Really Useful Group had purchased the film rights from Warner Bros. in an attempt to produce The Phantom of the Opera independently.[13] As a result, Lloyd Webber invested $6 million of his own money.[14] The Phantom of the Opera was produced on a $55 million budget. A further $15 million was used for marketing, bringing the final budget to $70 million.[2] Warner Bros. was given a first look deal for distribution; the studio did not sign on until June 2003, when the principal cast was chosen.[15]
Casting[edit]
Hugh Jackman was offered the chance to audition for the Phantom, but he faced scheduling conflicts with Van Helsing. "They rang to ask about my availability", Jackman explained in an April 2003 interview, "probably about 20 other actors as well. I wasn't available, unfortunately. So, that was a bummer."[16] "We needed somebody who has a bit of rock and roll sensibility in him", Andrew Lloyd Webber explained. "He's got to be a bit rough, a bit dangerous; not a conventional singer. Christine is attracted to the Phantom because he's the right side of danger."[5] Director Joel Schumacher had been impressed with Gerard Butler's performance in Dracula 2000.[17] Prior to his audition, Butler had no professional singing experience and had only taken four voice lessons before singing "The Music of the Night" for Lloyd Webber.[3]
Katie Holmes, who began working with a vocal coach, was the front-runner for Christine Daaé in March 2003.[18] She was later replaced by Anne Hathaway, a classically trained soprano, in 2004. However, Hathaway dropped out of the role because the production schedule of the film overlapped with The Princess Diaries 2: Royal Engagement, which she was contractually obligated to make.[19] Hathaway was then replaced with Emmy Rossum. The actress modeled the relationship between the Phantom and Christine after Suzanne Farrell and George Balanchine.[14] Patrick Wilson was cast as Raoul based on his previous Broadway theatre career. For the role of Carlotta, Minnie Driver devised an over-the-top, camp performance as the egotistical prima donna. Despite also lacking singing experience, Ciarán Hinds was cast by Schumacher as Richard Firmin; the two had previously worked together on Veronica Guerin.[4] Ramin Karimloo also briefly appears as the portrait of Gustave Daaé, Christine's father. Karimloo later played the Phantom as well as the role of Raoul on London's West End.
Filming[edit]
Principal photography lasted from 15 September 2003 to 15 January 2004. The film was shot entirely using eight sound stages at Pinewood Studios,[20] where, on the Pinewood backlot, the bottom half exterior of the Palais Garnier was constructed. The top half was implemented using a combination of computer-generated imagery (CGI) and a scale model created by Cinesite. The surrounding Paris skyline for "All I Ask of You" was entirely composed of matte paintings.[4] Cinesite also created a miniature falling chandelier, since a life-size model was too big for the actual set.[21]
Production designer Anthony D. G. Pratt was influenced by French architect Charles Garnier, designer of the original Paris opera house, as well as Edgar Degas, John Singer Sargent, Gustave Caillebotte, the Pre-Raphaelite Brotherhood and Dante Gabriel Rossetti. Schumacher was inspired by Jean Cocteau's Beauty and the Beast (1946), where a hallway is lined with arms holding candelabra. The cemetery was based on the Père Lachaise and Montparnasse.[22] Costume designer Alexandra Byrne utilised a limited black, white, gold and silver colour palette for the Masquerade ball.[4]
Reception[edit]
Release and awards[edit]
The Phantom of the Opera was released in the United States on 22 December 2004. With a limited release of 622 theaters, it opened at tenth place at the weekend box office, grossing $6.5 million across five days.[23] After expanding to 907 screens on 14 January 2005[24] the film obtained the 9th spot at the box office,[25] which it retained during its 1,511 screens wide release on 21 January 2005.[26][27] The total domestic gross was $51,225,796. With a further $107 million earned internationally, The Phantom of the Opera reached a worldwide total of $158,225,796.[2] A few foreign markets were particularly successful,[28] such as Japan, where the film's ¥4.20 billion ($35 million) gross stood as the 6th most successful foreign film and 9th overall of the year.[29][30] The United Kingdom and South Korea both had over $10 million in receipts, with $17.5 million and $11.9 million, respectively.[2][31]
Anthony Pratt and Celia Bobak were nominated for the Academy Award for Best Art Direction, as was John Mathieson for Cinematography. However, both categories were awarded to The Aviator. Andrew Lloyd Webber and lyricist Charles Hart were nominated for the Academy Award for Best Original Song ("Learn to Be Lonely") but lost to "Al otro lado del río" from The Motorcycle Diaries.[32] The song was also nominated for the Golden Globe but it lost to Alfie's "Old Habits Die Hard". In the same ceremony, Emmy Rossum was nominated for Best Actress in a Motion Picture Musical or Comedy, losing to Annette Bening in Being Julia.[33] At the Saturn Awards, Rossum won for Best Performance by a Younger Actor,[34] while The Phantom of the Opera was nominated for Best Action/Adventure/Thriller Film and Alexandra Byrne was nominated for Costume Design.[35]
The soundtrack of the film was released in two separate CD formats on 23 November 2004 as a two-disc deluxe edition which includes dialogue from the film and a single-disc highlights edition.
The film had its initial North America video release on DVD and VHS on 3 May 2005, following its first digital release on HD-DVD on 18 April 2006 and a Blu-ray edition on 31 October 2006.
Critical reception[edit]
The film received mixed to negative reviews from film critics. Rotten Tomatoes gives it 32% rotten with an average score of 5/10. "The music of the night has hit something of a sour note: Critics are calling the screen adaptation of Andrew Lloyd Webber's popular musical histrionic, boring and lacking in both romance and danger", the consensus read. "Still, some have praised the film for its sheer spectacle".[36] By comparison, Metacritic calculated an average score of 40/100 from its 39 reviews collected.[37]
"The film looks and sounds fabulous and I think it's an extraordinarily fine document of the stage show. While it doesn't deviate much from the stage material, the film has given it an even deeper emotional centre. It's not based on the theatre visually or direction-wise, but it's still got exactly the same essence. And that's all I could have ever hoped for."
— Andrew Lloyd Webber[5]
Despite having been impressed with the cast, Jonathan Rosenbaum of the Chicago Reader wrote that "Teen romance and operetta-style singing replace the horror elements familiar to film-goers, and director Joel Schumacher obscures any remnants of classy stage spectacle with the same disco overkill he brought to Batman Forever."[38] Stephanie Zacharek of Salon.com believed that Phantom of the Opera "takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat."[39]
In a mixed review for Newsweek, David Ansen praised Rossum's performance, but criticized the filmmakers for their focus on visual design rather than presenting a cohesive storyline. "Its kitschy romanticism bored me on Broadway and it bores me here—I may not be the most reliable witness. Still, I can easily imagine a more dashing, charismatic Phantom than Butler's. Rest assured, however, Lloyd Webber's neo-Puccinian songs are reprised and reprised and reprised until you're guaranteed to go out humming."[40] Owen Gleiberman of Entertainment Weekly believed Schumacher did not add enough dimension in adapting The Phantom of the Opera. "Schumacher, the man who added nipples to Batman's suit, has staged Phantom chastely, as if his job were to adhere the audience to every note".[41]
Roger Ebert reasoned that "part of the pleasure of movie-going is pure spectacle—of just sitting there and looking at great stuff and knowing it looks terrific. There wasn't much Schumacher could have done with the story or the music he was handed, but in the areas over which he held sway, he has triumphed."[42] In contrasting between the popularity of the Broadway musical, Michael Dequina of Film Threat magazine explained that "it conjures up this unexplainable spell that leaves audiences sad, sentimental, swooning, smiling—in some way transported and moved. Now, in Schumacher's film, that spell lives on."[43]
See also[edit]
The Phantom of the Opera (2004 soundtrack)
The Phantom of the Opera
References[edit]
Jump up ^ "Andrew Lloyd Webber's The Phantom of the Opera (12A)". British Board of Film Classification. 2004-08-26. Retrieved 2013-03-04.
^ Jump up to: a b c d e "The Phantom of the Opera (2004)". Box Office Mojo. Retrieved March 18, 2013.
^ Jump up to: a b Staff (2004-08-10). "Movie Preview: The Phantom of the Opera". Entertainment Weekly. Retrieved 2009-09-25.
^ Jump up to: a b c d The Making of The Phantom of the Opera, [DVD, 2005], Warner Home Video
^ Jump up to: a b c d DVD production notes
Jump up ^ Susan Heller Anderson (1990-03-31). "Chronicle". The New York Times.
Jump up ^ Lawrence Van Gelder (1990-08-10). "At the Movies". The New York Times.
Jump up ^ Staff (2004-08-10). "Movie Preview: The Phantom of the Opera". Entertainment Weekly. Retrieved 2009-09-25.
Jump up ^ Todd Gilchrist (2004-12-20). "Interview: Joel Schumacher". IGN. Retrieved 2009-09-26.
Jump up ^ Michael Fleming (2003-04-01). "'Phantom' cues Wilson for tuner's adaptation". Variety. Retrieved 2009-09-20.
Jump up ^ Michael Fleming (1997-02-21). "Helmer's 3rd At Bat". Variety. Retrieved 2009-09-19.
Jump up ^ Michael Fleming (1997-05-15). "Krane Takes Bull By Horns". Variety. Retrieved 2009-09-19.
^ Jump up to: a b Michael Fleming (2003-01-09). "Lloyd Webber back on 'Phantom' prowl". Variety. Retrieved 2009-09-19.
^ Jump up to: a b Phoebe Hoban (2004-12-24). "In the 'Phantom' Movie, Over-the-Top Goes Higher". The New York Times.
Jump up ^ Adam Dawtrey (2003-06-13). "'Phantom' pic announces latest castings". Variety. Retrieved 2009-09-20.
Jump up ^ Michelle Zaromski (2003-04-29). "An Interview with Michael Jakson". IGN. Retrieved 2009-09-25.
Jump up ^ Lynn Hirschberg (2005-03-13). "Trading Faces". The New York Times.
Jump up ^ Michael Fleming (2003-03-13). "'Men' treads carefully into sequel territory". Variety. Retrieved 2009-09-20.
Jump up ^ "Anne Hathaway: Biography". TV Guide. Retrieved October 19, 2009.
Jump up ^ Staff (2003-10-01). "Production Commences On 'Andrew Lloyd Webber's The Phantom of the Opera'". Box Office Mojo. Retrieved 2009-09-26.
Jump up ^ Skweres, Mary Ann (2004-12-22). "Phantom of the Opera: A Classic in Miniature". Animation World Network. Retrieved 2009-12-23.
Jump up ^ Missy Schwartz (2004-11-05). "Behind the Music". Entertainment Weekly. Retrieved 2009-09-25.
Jump up ^ Gentile, Gary (2004-12-28). "Audiences glad to 'Meet the Fockers'". Associated Press. Retrieved 2011-02-16. [dead link]
Jump up ^ Snyder, Gabriel (2005-01-13). "'Fockers' finds foes". Variety. Retrieved 2011-02-16.
Jump up ^ Blank, Ed (2005-01-18). "'Coach Carter' tops local, national box office in slow weekend". Pittsburgh Tribune-Review. Archived from the original on 2012-12-16. Retrieved 2011-02-16.
Jump up ^ Gans, Andrew (2005-01-21). ""The Phantom of the Opera" Opens Nationwide Jan. 21". Playbill. Archived from the original on June 29, 2011. Retrieved 2011-02-16.
Jump up ^ "Weekend Box Office Results for January 21–23, 2005". Box Office Mojo. Retrieved 2011-02-16.
Jump up ^ Bresnan, Conor (2005-02-02). "Around the World Round Up: 'Fockers' Inherit the World". Box Office Mojo. Archived from the original on July 8, 2011. Retrieved 2011-02-16.
Jump up ^ "MOVIES WITH BOX OFFICE GROSS RECEIPTS EXCEEDING 1 BILLION YEN". Motion Picture Producers Association of Japan. Retrieved 2011-02-16.
Jump up ^ "2005 Japan Yearly Box Office". Box Office Mojo. Retrieved 2011-02-16.
Jump up ^ "The Phantom of the Opera - International Box Office Results". Box Office Mojo. Retrieved 2011-02-16.
Jump up ^ "The Phantom of the Opera". Academy of Motion Picture Arts and Sciences. Retrieved 2009-10-14.
Jump up ^ "Phantom of the Opera, The". Hollywood Foreign Press Association. Archived from the original on December 15, 2009. Retrieved 2009-10-14.
Jump up ^ "Past Saturn Awards". Academy of Science Fiction, Fantasy & Horror Films. Archived from the original on February 7, 2008. Retrieved 2009-10-14.
Jump up ^ "2005 Saturn Awards Nominations". Academy of Science Fiction, Fantasy & Horror Films. Archived from the original on February 28, 2009. Retrieved 2009-10-14.
Jump up ^ "The Phantom of the Opera". Rotten Tomatoes. Retrieved 2009-09-19.
Jump up ^ "The Phantom of the Opera". Metacritic. Retrieved 2009-09-19.
Jump up ^ Jonathan Rosenbaum (2004-12-20). "The Phantom of the Opera". Chicago Reader. Retrieved 2009-10-06.
Jump up ^ Stephanie Zacharek (2004-12-22). "The Phantom of the Opera". Salon.com. Archived from the original on September 4, 2009. Retrieved 2009-10-06.
Jump up ^ David Ansen (2004-12-20). "The Phantom of the Opera: Into the Night". Newsweek. Retrieved 2009-10-09.
Jump up ^ Owen Gleiberman (2005-01-15). "The Phantom of the Opera". Entertainment Weekly. Retrieved 2009-10-09.
Jump up ^ Roger Ebert (2004-12-22). "The Phantom of the Opera". Chicago Sun-Times. Retrieved 2009-10-09.
Jump up ^ Michael Dequina (2004-12-22). "Andrew Lloyd Webber's The Phantom of the Opera". Film Threat. Archived from the original on 2005-04-11. Retrieved 2009-10-09.
External links[edit]
Wikiquote has quotations related to: The Phantom of the Opera (2004 film)
Official website
The Phantom of the Opera on IMDb
The Phantom of the Opera at the TCM Movie Database
The Phantom of the Opera at Box Office Mojo
The Phantom of the Opera at Rotten Tomatoes
The Phantom of the Opera at Metacritic
Michael Williams; Benedict Carver (1998-04-05). "Banderas drawn to 'Phantom'". Variety.
[show]
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Samsung Galaxy Note 8
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Not to be confused with Samsung Galaxy Note 8.0.
Samsung Galaxy Note 8
Brand
Samsung Galaxy
Manufacturer
Samsung Electronics
Slogan
Do bigger things
Series
Samsung Galaxy Note
Model
SM-N950x
Last letter varies by carrier & international models
First released
23 August 2017; 13 months ago (2017-08-23)
Availability by Region
September 15, 2017[show]
United States
Predecessor
Samsung Galaxy Note 7
Samsung Galaxy Note FE
Successor
Samsung Galaxy Note 9
Related
Samsung Galaxy S8/S8+
Samsung Galaxy A8/A8+ (2018)
Type
Phablet
Form factor
Slate
Dimensions
162.5 mm × 74.8 mm × 8.6 mm (6.40 in × 2.94 in × 0.34 in)
Weight
195 g (6.9 oz)
Operating system
Original: Android 7.1.1 "Nougat" with Samsung Experience 8.5
Latest: Oreo with Samsung Experience 9
System on chip
Global: Exynos 8895
USA, China, and Japan: Qualcomm Snapdragon 835
CPU
Exynos: Octa-core (4×7009230000000000000♠2.3 GHz M2 Mongoose & 4×7009170000000000000♠1.7 GHz) Cortex-A53 (GTS)
Snapdragon: Octa-core (4×7009235000000000000♠2.35 GHz & 4×7009190000000000000♠1.9 GHz) Kryo
GPU
Exynos: Mali-G71 MP20
Snapdragon: Adreno 540
Memory
6 GB LPDDR4X RAM
Storage
Global: 64, 128 or 256 GB
USA: 64 GB
Removable storage
microSDXC, expandable up to 7012204800000000000♠256 GB
Battery
Non-removable 3300 mAh
Data inputs
Sensors:
Accelerometer
Barometer
Fingerprint scanner
Iris scanner
Geomagnetic sensor
Gyroscope
Hall sensor
Proximity sensor
Other:
Physical volume keys
Bixby key
Display
6.3 in (160 mm) QHD+ Super AMOLED 2960 x 1440 1440p (521 ppi)
Rear camera
Dual 12 MP (Wide-angle f/1.7 + Telephoto f/2.4) with 2× optical zoom, Dual OIS with Dual Pixel autofocus, 4K video recording at 30fps, 1080p at 60fps, 720p at 240fps
Front camera
8 MP, f/1.7, autofocus, 1/3.6" sensor size, 1.22 µm pixel size, 1440p at 30fps, dual video call, Auto HDR
Connectivity
USB-C
Other
S Pen stylus
Website
www.samsung.com/global/galaxy/galaxy-note8/
References
[1][2]
The Samsung Galaxy Note 8 is an Android phablet smart phone designed, developed and marketed by Samsung Electronics. Unveiled on 23 August 2017, it is the successor to the discontinued Samsung Galaxy Note 7. It became available on 15 September 2017.
The Note 8 improves on the core device specifications and hallmark S Pen features of earlier devices. While retaining the same overall look and approximate size of the Galaxy S8+, it features an upgraded processor and, for the first time in Samsung's smartphone history, a dual-camera system on the rear of the device; one functions as a wide-angle lens and the other as a telephoto lens, with both featuring 12 MP resolution and optical image stabilization. The S Pen has increased pressure sensitivity levels and its software has been upgraded to offer improved note taking capabilities on the always-on display, as well as animated GIF and improved translation features.
Contents
1 History
2 Specifications
2.1 Hardware
2.2 Software
3 Reception
4 See also
5 References
6 Further information
7 External links
History[edit]
On 20 July 2017, Samsung tweeted a teaser video showing a darkened device with a stylus, stating the date of its next "Unpacked" event as 23 August 2017.[3][4] The Samsung Galaxy Note 8 unveiled was at that event, with a release date on 15 September 2017.[5]
Specifications[edit]
Hardware[edit]
The Note 8 is powered by an Exynos 8895[6] or Snapdragon 835 processor, depending on geographic region,[5][7] along with 6 GB of RAM.[5][7] It has a 6.3-inch 1440p Super AMOLED display with curved edges similar to the Galaxy S8, but with a slightly more flat surface area.[5][7] It is Samsung's first phone to feature a dual-lens camera system, which comes with a 12 MP wide-angle lens with f/1.7 aperture and a 12 MP telephoto lens with f/2.4 aperture, both equipped with optical image stabilization.[5][7] In the United States, it is sold with 64 GB of internal storage, along with microSD card support, but increases storage to 128 GB and 256 GB internationally.[5][7] The handset features a fingerprint scanner next to the rear camera,[5] and retains facial recognition and iris recognition similar to the S8.[8]
The Note 8 comes bundled with high-end AKG-tuned earbuds[9] as well as the Note series' proprietary S Pen. Compared to the Note 5, the S Pen in the Note 8 has enhanced levels of pressure sensitivity (4,096 distinct levels of pressure),[7] though The Verge noted that those enhancements were featured in the defunct Note 7.[5] Ports include a 3.5 mm headphone jack and a USB-C port for charging and data transfer.[5] It has support for Samsung DeX as well, letting Note 8 users connect their device to a dock and monitor to enable a PC-like computing environment with mouse and keyboard input.[5]
Both the Note 8 and its S Pen are certified with IP68 rating for water and dust resistance, and it’s available in five color variants: "Midnight Black," "Orchid Gray," "Maple Gold," "Deepsea Blue," and "Blossom Pink" — which is often dubbed as "Star Pink."[5] However, the Maple Gold, Deep-Sea Blue, and Blossom Pink varients are not available worldwide, and are limited to certain regions and/or countries. Similar to the Galaxy S8, the Note 8 has a dedicated physical key for launching the Bixby virtual assistant.[5][7]
A limited edition version for the 2018 Winter Olympics was made, with a white back, gold accents, and themed wallpapers.[10]
Software[edit]
The Note 8 comes with Android 7.1.1 "Nougat" with Samsung's own custom user interface pre-installed.[5][7] The S Pen offers expanded software features, including "Live Message" for the creation of handwritten notes combined with emojis resulting in short animated GIFs. Users can remove the S Pen from the device and immediately write notes on the display through "Screen Off Memo," which works due to the screen's always-on capabilities. The screen can collect up to 100 notes and allows the user to easily go back to notes pinned directly on the always-on screen. A "Translate" feature now recognizes punctuation marks, letting users highlight entire sentences rather than single words, and supports 71 different languages.[11][5] The edges of the screen on the Note 8 allow the user to open two apps at once in a multi-window view, dubbed "App Pair."[11] In the Camera application, a new "Live Focus" effect lets users adjust the intensity of background blur both before and after capturing photos, while "Dual Capture" makes both rear cameras take individual photos of the same subject, with one acting as a close-up shot and the other from a distance capturing the whole scene.[11]
The Samsung Galaxy Note 8 received an Android 8.0 "Oreo" update on March 30 2018 with Samsung's custom skin overlaid.[12][13] The software update brought enhancements and changes in the user interface with the menu options in the home screen and settings streamlined. The Edge lighting has also been improved with introductions to new lighting options.[14] The Oreo update also brought enhanced stability to the Samsung DEX (UI/UE) docking system as well as introduced improvements to the DEX interface, where the Apps screen displays in full screen instead of in a pop-up window.[15]
Reception[edit]
DxOMark, a camera testing company, gave the Note 8 a rating of 94, being the joint-highest score of any phone, shared with the iPhone 8 Plus.[16][17] Just a few days after the report of the Note 8 published was, the Pixel 2 tested was and given a 98 score, besting them both.[18][19] It was noted that the Note 8 had better Optical Image Stabilization than the iPhone X.[20]
Just like the Galaxy S8 and Galaxy S8+, the Note 8 was heavily criticized for its placement of the fingerprint scanner, which unlike most other Android phones that have the fingerprint scanner placed underneath the rear camera, the S8, S8+ and Note 8 instead had it placed next to the camera, making it uncomfortable and forces many users to shift their hands upwards in order to reach it.
Due to the battery incident with the Note 7, Samsung was more cautious with the Note 8, by implementing a slightly smaller battery than the Note 7 — which had a 3500 mAh battery — a non-removable 3300mAh lithium-ion battery was used in the Note 8. As a result, the Note 8 didn't have the best battery life, and many Note 8 users didn't hold back to complain about it.
The Note 8 was praised by both consumers and critics for the “Infinity Display” — meaning the display has much smaller bezels than the traditional smartphone (such as the iPhone 8 and 8 Plus) making it much more immersive — for it's "punchy colors," and how bright it gets, which is approximately 1200 nits.
Multiple tech reviewers pointed out that the Note 8 had a weak mono speaker. However, the Note 8 was also praised for being one of the few 2017 flagships left that still included a headphone jack, unlike most flagships that followed Apple's controversial decision in 2016 to remove the headphone jack entirely from the iPhone 7 and 7 Plus, which required users to use the included 3.5 mm headphone jack adapter, or use wireless ear buds instead.
See also[edit]
Samsung Galaxy Note series
Samsung Galaxy S9
References[edit]
Jump up ^ "Specifications of Samsung Galaxy Note 8". Samsung.
Jump up ^ "Galaxy Note 8 Specs". GSMArena.
Jump up ^ Gartenberg, Chaim (20 July 2017). "Samsung's next Galaxy Note will be announced on August 23rd". The Verge. Retrieved 24 July 2017.
Jump up ^ Heater, Brian (20 July 2017). "Samsung's Unpacked event happens August 23, likely bringing the Galaxy Note 8 with it". TechCrunch. Retrieved 24 July 2017.
^ Jump up to: a b c d e f g h i j k l m n Welch, Chris (23 August 2017). "Samsung's Galaxy Note 8 comes with a 6.3-inch screen and dual camera". The Verge. Vox Media. Retrieved 5 December 2017.
Jump up ^ Passingham, Michael (1 December 2017). "Samsung Galaxy Note 8 - Performance, battery life and conclusion". Trusted Reviews. Retrieved 5 December 2017.
^ Jump up to: a b c d e f g h Siddiqui, Aamir (23 August 2017). "Samsung Launches the new Galaxy Note 8 with an Infinity Display and Dual Rear Cameras". XDA Developers. Retrieved 5 December 2017.
Jump up ^ McGarry, Caitlin (14 September 2017). "How to Set Up Iris Scanning on the Galaxy Note 8". Tom's Hardware. Purch Group. Retrieved 5 December 2017.
Jump up ^ P., Daniel (23 August 2017). "Note 8 comes with a set of 'premium' AKG earphones in the box, tuned by Harman Kardon". PhoneArena. Retrieved 5 December 2017.
Jump up ^ Gao, Richard (16 January 2018). "Galaxy Note8 Olympic Games Limited Edition comes with a white back, gold accents, and themed wallpapers". Android Police. Retrieved 17 January 2018.
^ Jump up to: a b c Siddiqui, Aamir (23 August 2017). "A Look at the Galaxy Note 8's New & Improved Software Features". XDA Developers. Retrieved 5 December 2017.
Jump up ^ "Android – 8.0 Oreo". Android. Retrieved 2018-04-12.
Jump up ^ "Samsung site lists Oreo update dates for Galaxy Note8, S7 and the 2017 A-series". GSMArena.com. Retrieved 2018-04-12.
Jump up ^ "Difference between Samsung Android 8.0 Oreo device and 7.0 Nougat device | Samsung Support Philippines". Samsung ph. Retrieved 2018-04-12.
Jump up ^ "4 Reasons Not to Install Galaxy Note 8 Oreo & 10 Reasons You Should". GearOpen. 2018-06-19. Retrieved 2018-09-13.
Jump up ^ Fingas, Jon (3 October 2017). "Galaxy Note 8 and iPhone 8 Plus tie for top spot in camera test". Engadget. Oath Inc. Retrieved 8 December 2017.
Jump up ^ Gordon, Scott Adam (4 October 2017). "Galaxy Note 8 ties with iPhone 8 Plus for best smartphone camera: DxOMark". Android Authority. Retrieved 8 December 2017.
Jump up ^ Smith, Chris (5 October 2017). "The Pixel 2 just beat the iPhone 8 Plus and Galaxy Note 8's camera scores". BGR. Penske Media Corporation. Retrieved 8 December 2017.
Jump up ^ Coldewey, Devin (4 October 2017). "Pixel 2 dethrones iPhone 8 Plus and Galaxy Note 8 in camera rankings". TechCrunch. Oath Inc. Retrieved 8 December 2017.
Jump up ^ Galaxy Note 8 crushes iPhone X and Pixel 2 in OIS video recording comparison
Further information[edit]
Android Authority Review
BGR — Tests show the Note 8 will survive almost anything – even flames
External links[edit]
Official website
Preceded by
Samsung Galaxy Note 7
(Discontinued and recalled)
Samsung Galaxy Note Fan Edition Samsung Galaxy Note 8
2017 Succeeded by
Samsung Galaxy Note 9
show
v
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e
Samsung Galaxy Note series
Phablets
Note (original)
Note II
Note 3
Note 3 Neo
Note 4
Note Edge
Note 5
Note 7
Note FE
Note 8
Note 9
Tablets
Note 8.0
Note 10.1
Note 10.1 2014
Note Pro 12.2
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A
A127
A167
A177
A300 (Galaxy A3 (2015))
A310 (Galaxy A3 (2016))
A320 (Galaxy A3 (2017))
A460
A500 (Galaxy A5 (2015))
A510 (Galaxy A5 (2016))
A520 (Galaxy A5 (2017))
A503 (The Drift)
A640
A700 (Galaxy A7 (2015))
A710 (Galaxy A7 (2016))
A720 (Galaxy A7 (2017))
A767 (Propel)
A800 (Galaxy A8 (2015))
A810 (Galaxy A8 (2016))
A877 (Impression)
Galaxy A9
A940
Samsung Galaxy A6 / A6+
Samsung Galaxy A8 / A8+ (2018)
B
B450
B5200
B5310 (Genio Slide, Corby Pro)
B7330 (Omnia Pro)
D
D500
D600
D807
D900
E
E250
E250i
E715
E900
E1107 (Crest Solar/Solar Guru)
E1120
E1170
E1200
E2130 (Guru)
E3210 (Hero)
F
F210
F480 (Tocco)
F700
G
G1000
G350E (Galaxy Star 2)
G386x (Galaxy Core LTE)
G388F (Galaxy Xcover 3)
G600
G710x (Galaxy Grand 2)
G750x (Galaxy Mega 2)
G800
G810
G800x (Galaxy S5 Mini)
G850x (Galaxy Alpha)
G890A (Galaxy S6 Active)
G900x (Galaxy S5)
G920x (Galaxy S6) G925x (Galaxy S6 Edge) G928x (Galaxy S6 Edge+)
G930x (Galaxy S7) G935x (Galaxy S7 Edge)
G950x (Galaxy S8) G955x (Galaxy S8 Plus)
G960x (Galaxy S9) G965x (Galaxy S9 Plus)
I
i300 (Palm OS)
i300 (Windows Mobile)
i330
i500
i550
i600
i607 (BlackJack)
i617 (BlackJack II)
i627 (Propel Pro)
i637 (Jack)
i667 (Focus 2)
i700
i760
i770
i847 (Rugby Smart)
i900 (Omnia)
i907 (Epix)
i917 (Focus)
i927 (Captivate Glide)
i937 (Focus S)
i997 (Infuse 4G)
i5500 (Galaxy 5)
i5700 (Galaxy Spica)
i5800 (Galaxy 3)
i7500 (Galaxy)
i8000 (Omnia II)
i8150 (Galaxy W)
i8160 (Galaxy Ace 2)
i8190 (Galaxy S III Mini)
i8520 (Galaxy Beam i8520)
i8530 (Galaxy Beam)
i8550 (Galaxy Win)
i8730 (Galaxy Express)
i9000 (Galaxy S)
i9001 (Galaxy S Plus)
i9070 (Galaxy S Advance)
i9080/i9082 (Galaxy Grand)
i9100 (Galaxy S II)
i9105 (Galaxy S II Plus)
i9250 (Galaxy Nexus)
i9150 (Galaxy Mega 5.8)
i9190/i9192/i9195 (Galaxy S4 Mini)
i9200 (Galaxy Mega 6.3)
i9295 (Galaxy S4 Active)
i9300/i9305 (Galaxy S III)
i9500/i9505/i9506 (Galaxy S4)
J
J100x (J1)
J200x (J2)
J320x/J330x (J3)
J500x (J5 2015)
J510x (J5 2016)
J530x (J5 2017)
J700x (J7 2015)
J710x (J7 2016)
J730x (J7 2017)
M
M100
M300
M310
M520
M540 (Rant)
M550 (Exclaim)
M620 (Upstage)
M800 (Instinct)
M810 (Instinct S30)
M900 (Moment)
M910 (Intercept)
M920 (Transform)
M7500 (Emporio Armani)
N
N075 (Galaxy J)
N270
N7000 (Galaxy Note)
N7100 (Galaxy Note II)
N9000 (Galaxy Note 3)
N7500 (Galaxy Note 3 Neo)
N9100 (Galaxy Note 4)
N9200 (Galaxy Note 5)
N9300 (Galaxy Note 7)
N9350 (Galaxy Note Fan Edition)
N9500 (Galaxy Note 8)
(Galaxy Note 9)
P
P520
R
R810 (Finesse)
S
S3650 (Corby/Corby Classic)
S5230 (Star)
S5280 (Galaxy Star)
S5300 (Galaxy Pocket)
S5310/S5312 (Galaxy Pocket Neo)
S5360 (Galaxy Y)
S5570 (Galaxy Mini)
S5660 (Galaxy Gio)
S5670 (Galaxy Fit)
S5690 (Galaxy Xcover)
S5830 (Galaxy Ace)
S6310 (Galaxy Young)
S6500 (Galaxy Mini 2)
S6810 (Galaxy Fame)
S7270 (Galaxy Ace 3)
S7500 (Galaxy Ace Plus)
S7530 (Omnia M)
S7560 (Galaxy Trend)
S7560M (Galaxy Ace II x)
S7562 (Galaxy S Duos)
S7582 (Galaxy S Duos 2)
S7710 (Galaxy Xcover 2)
S8000 (Jet)
S8300 (UltraTOUCH)
S8500 (Wave)
S8530 (Wave II)
T
T100
T409
T459 (Gravity)
T559 (Comeback)
T639
T669 (Gravity T)
T699 (Galaxy S Relay 4G)
T729 (Blast)
T749 (Highlight)
T819
T919 (Behold)
T939 (Behold II)
U
U450 (Intensity)
U460 (Intensity 2)
U470 (Juke)
U485 (Intensity 3)
U520
U600
U700
U740 (Alias)
U750 (Alias 2/Zeal)
U800 (Soul)
U940 (Glyde)
U960 (Rogue)
X
X200
X480
X427m
X820
Z
Z1
Z2
Z3
Series/other
Ativ
Galaxy
Gravity
Minikit
Omnia
Rugby
REX
Google Nexus (for Nexus S)
SGH for GSM Handset
SCH for CDMA (non-Sprint) Handset
SPH for CDMA (Sprint) Handset
GT for Global Telecommunications
SM for Samsung Mobile
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Android
Captivate Glide
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Exhibit 4G
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A3
2016
2017
A5
2016
2017
A7
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text:
Signs (Five Man Electrical Band song)
From Wikipedia, the free encyclopedia
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"Signs"
Single by Five Man Electrical Band
from the album Good-byes and Butterflies
B-side
"Hello Melinda Goodbye"
Released
May 1971
Genre
Hard rock[1]
Length
4:05 (album version)
3:20 (single version)
Label
Lionel Records
Songwriter(s)
Les Emmerson
Producer(s)
Dallas Smith
Five Man Electrical Band singles chronology
"Signs"
(1971) "Absolutely Right"
(1971)
"Signs"
(1971) "Absolutely Right"
(1971)
"Signs" is a song by the Canadian rock group Five Man Electrical Band. It was written by the band's frontman, Les Emmerson and popularized the relatively unknown band, who recorded it for their second album, Good-byes and Butterflies, in 1970. "Signs" was originally released that year as the B-side to the relatively unsuccessful single "Hello Melinda Goodbye" (#55 Canada).
Re-released in 1971 as the A-side, "Signs" reached No. 4 in Canada and No. 3 on the US Billboard Hot 100 chart. Billboard ranked it as the No. 24 song for 1971. It became a gold record.
It was briefly sung in a season four episode of Arrested Development.
Contents
1 Chart performance
1.1 Weekly charts
1.2 Year-end charts
2 Covers and sampling
3 References
4 External links
Chart performance[edit]
Weekly charts[edit]
Chart (1971)
Peak
position
Canadian RPM Top Singles[2] 4
US Billboard Hot 100[3] 3
US Cash Box Top 100[4] 7
Year-end charts[edit]
Chart (1971)
Rank
Canada[5] 55
US Billboard Hot 100[6] 24
US Cash Box Top 100[7] 17
Covers and sampling[edit]
"Signs"
Single by Tesla
from the album Five Man Acoustical Jam
Released
1990 (1990)
Songwriter(s)
Les Emmerson
"Signs" was covered and recorded live by Tesla for their Five Man Acoustical Jam album in 1990, peaking at number 8 on the Pop charts.[8] This cover had some minor changes to the lyrics: the line "blockin' out the scenery" was changed to "fuckin' up the scenery," and "made up my own little sign" was changed to "made up my own fuckin' sign". A studio version recorded in 2007 used the original lyrics.
The opening line of the song, "And the sign said long haired freaky people need not apply", was sampled by Fatboy Slim for his song "Don't Let The Man Get You Down", from his Palookaville album.
ApologetiX recorded a parody of the song titled "Lions", telling a Biblical story of a character named Daniel in a lion's den. It was originally included on the cassette of Radical History Tour, and was later re-issued on the "Director's Cut" edition of Isn't Wasn't Ain't.
The Evolution Control Committee used only part of the song's opening line "the sign said long haired freaky people" on the track "Freaky People" from their 2011 album All Rights Reserved.
References[edit]
Jump up ^ "Top Quality Rock Helps Labels Turnaround Their Profit Picture". Billboard. 6 November 1971. p. RN-34. ISSN 0006-2510.
Jump up ^ "RMP100 Singles, July 24, 19751". Library and Archives Canada. Retrieved 2017-03-30.
Jump up ^ Joel Whitburn's Top Pop Singles 1955-1990 - ISBN 0-89820-089-X
Jump up ^ "Cash Box Top 100 9/04/71". tropicalglen.com. 1971-09-04. Retrieved 2016-12-28.
Jump up ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2016-06-03.
Jump up ^ "Top 100 Hits of 1971/Top 100 Songs of 1971". Music Outfitters. Retrieved 2017-03-29.
Jump up ^ "Cash Box YE Pop Singles - 1971". tropicalglen.com. 1971-12-25. Retrieved 2016-12-28.
Jump up ^ Joel Whitburn (2008). Joel Whitburn Presents Rock Tracks 1981-2008. Record Research. p. 255. ISBN 978-0-89820-174-1.
External links[edit]
Lyrics of this song at MetroLyrics
show
v
t
e
Five Man Electrical Band
Ted Gerow
Les Emmerson
Steve Hollingworth
Rick Smithers
Wes Reed
Brian Slim
Dean Hagopian
Vern Craig
Brian Rading
Mike Belanger
Rick Belanger
J. Murray Davison
Studio albums
Good-byes and Butterflies
Coming of Age
Singles
"Signs"
show
v
t
e
Tesla
Brian Wheat
Frank Hannon
Jeff Keith
Troy Luccketta
Dave Rude
Steve Clausman
Bobby Contreras
Colleen Lloy
Brook Bright
Jeff Harper
Joey Murrieta
Curtis Chapman
Tommy Skeoch
Stefano Pasta
Tommy Armstrong-Leavitt
Studio albums
Mechanical Resonance
The Great Radio Controversy
Psychotic Supper
Bust a Nut
Into the Now
Forever More
Simplicity
Acoustic albums
Twisted Wires & the Acoustic Sessions
Cover albums
Real to Reel
Real to Reel, Vol. 2
EPs
A Peace of Time
Live albums
Five Man Acoustical Jam
Replugged Live
Standing Room Only
Alive in Europe
Compilations
Time's Makin' Changes – The Best of Tesla
Tesla - Gold
20th Century Masters - The Millennium Collection: The Best of Tesla
Time Machine
Singles
"Little Suzi"
"Modern Day Cowboy"
"Heaven's Trail (No Way Out)"
"Love Song"
"Signs"
"Thank You"
Related articles
Discography
Bar 7
Nikola Tesla
Retrieved from "https://en.wikipedia.org/w/index.php?title=Signs_(Five_Man_Electrical_Band_song)&oldid=839165355"
Categories:
1970 songs
1971 singles
1990 singles
Environmental songs
Five Man Electrical Band songs
Protest songs
Songs written by Les Emmerson
Tesla (band) songs
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This page was last edited on 1 May 2018, at 18:06 (UTC).
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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2012 SEC Championship Game
From Wikipedia, the free encyclopedia
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For the SEC men's basketball championship of the same year, see 2012 SEC Men's Basketball Tournament.
2012 SEC Championship Game
Conference Championship
2012 SEC Championship Logo
Alabama Crimson Tide Georgia Bulldogs
(11–1) (11–1)
32 28
Head coach:
Nick Saban Head coach:
Mark Richt
AP Coaches BCS
2 2 2
AP Coaches BCS
3 3 3
1
2
3
4
Total
Alabama 0 10 8 14 32
Georgia 0 7 14 7 28
Date
December 1, 2012
Season
2012
Stadium
Georgia Dome
Location
Atlanta, Georgia
MVP
RB Eddie Lacy, Alabama
Favorite
Alabama by 7½
Referee
Tom Ritter
Halftime show
Dr Pepper $100,000 Tuition Throw
Attendance
75,624
United States TV coverage
Network
CBS
Announcers
Verne Lundquist play-by-play
Gary Danielson color
Tracy Wolfson sideline
Nielsen ratings
16.2 million viewers[1]
SEC Championship Game
< 2011 2013 >
2012 SEC football standings
v
t
e
Conf
Overall
Team
W
L
W
L
Eastern Division
No. 5т Georgia xy 7 – 1 12 – 2
No. 9 Florida x% 7 – 1 11 – 2
No. 8 South Carolina 6 – 2 11 – 2
No. 23 Vanderbilt 5 – 3 9 – 4
Missouri 2 – 6 5 – 7
Tennessee 1 – 7 5 – 7
Kentucky 0 – 8 2 – 10
Western Division
No. 1 Alabama x$# 7 – 1 13 – 1
No. 14 LSU 6 – 2 10 – 3
No. 5т Texas A&M 6 – 2 11 – 2
Mississippi State 4 – 4 8 – 5
Ole Miss* 3 – 5 7 – 6
Arkansas 2 – 6 4 – 8
Auburn 0 – 8 3 – 9
Championship: Alabama 32, Georgia 28
# – BCS National Champion
$ – BCS representative as conference champion
% – BCS at-large representative
x – Division champion/co-champions
y – Championship game participant
Rankings from AP Poll
The 2012 SEC Championship Game was played on December 1, 2012, in the Georgia Dome in Atlanta, Georgia, and determined the 2012 football champion of the Southeastern Conference (SEC). The game featured the Georgia Bulldogs, winners of the SEC Eastern Division vs the Alabama Crimson Tide, the winner of the SEC Western Division.
Georgia was the designated "home" team. The game was televised by CBS Sports for the twelfth straight season. Kickoff was scheduled at 4:00 (EST).[2] Alabama won the game 32-28 improving their record to 4-4 in the title game. Alabama's Eddie Lacy was named MVP after rushing for 181 yards and two touchdowns. The game at the time was the most watched college football game of the 2012 season (it would be surpassed by the 2013 BCS National Championship Game on January 7, 2013) with the game receiving a 10.1 share or 21.0 million viewers tuned in.[3]
Contents
[hide]
1 Game summary
2 Scoring summary
3 Notes
4 References
5 External links
Game summary[edit]
After the first-ever scoreless first quarter in this game's history,[4] the teams traded touchdowns in the second quarter. Alabama kicked a field goal as time expired in the first half to take a 10-7 lead.
Georgia took the game's largest lead in the third quarter with two touchdowns, the second of which was an Alec Ogletree 55 yard return of a blocked field goal. Alabama answered with a rushing touchdown and two-point conversion by T. J. Yeldon. Eddie Lacy's second touchdown of the game put the Tide ahead as the fourth quarter began. These two Alabama running backs each finished the game with over 150 yards; they are the first duo of running backs in SEC championship history to each have even 100 yards.[4]
The Bulldogs once again went in front by three on their very next drive, when they took only two minutes to answer with a Todd Gurley touchdown run. Georgia's defense continued to allow Alabama yardage on the ground, but they forced an Alabama punt with 7:14 remaining, still up by three. Georgia could only keep the ball for four plays and two minutes, though, as they punted back to the Tide with 5:24 left in the game.
Georgia's defense was "stacking the line," using an extra defender to prevent gains on the ground.[3] Alabama took advantage: on first down with three minutes left, quarterback AJ McCarron used play action to free up Amari Cooper for a 45-yard touchdown pass.
The Alabama defense forced Georgia to punt with two minutes left. But, Georgia used all of their timeouts while their defense also held firm. A punt gave Georgia one last drive, starting from their own 15 yard line. It seemed as if the game was over when Dee Milliner appeared to have intercepted a pass on the fourth play of the drive. However, replay overturned the interception ruling, and Georgia again had an opportunity.
Three more long passes brought the Bulldogs all the way to the 8 yard line with the clock winding down. With 9 seconds to play, an Aaron Murray pass toward the end zone was deflected toward Chris Conley in the field of play. Surprised to see the ball—he was not the intended receiver on the play—Conley caught the pass as he fell at the 5 yard line.[3] The clock ran out before Georgia could run another play.
Scoring summary[edit]
[hide]Scoring summary
Quarter
Time
Drive
Team
Scoring information
Score
Plays
Yards
TOP
Alabama
Georgia
2 13:59 13 87 4:48 Georgia Jay Rome 19-yard touchdown reception from Aaron Murray, Marshall Morgan kick good 0 7
2 1:59 6 70 3:05 Alabama Eddie Lacy 41-yard touchdown run, Jeremy Shelley kick good 7 7
2 0:00 5 42 1:15 Alabama 22-yard field goal by Jeremy Shelley 10 7
3 12:09 9 75 2:51 Georgia Todd Gurley 3-yard touchdown run, Marshall Morgan kick good 10 14
3 6:31 11 43 5:38 Georgia Cade Foster 49-yd Field Goal blocked, returned by Alec Ogletree for 55 yards for a touchdown 10 21
3 4:19 4 62 2:12 Alabama T. J. Yeldon 10-yard touchdown run, 2-point run good 18 21
4 14:57 7 74 3:07 Alabama Eddie Lacy 1-yard touchdown run, Jeremy Shelley kick good 25 21
4 12:54 5 75 2:03 Georgia Todd Gurley 10-yard touchdown run, Marshall Morgan kick good 25 28
4 3:15 4 55 2:09 Alabama Amari Cooper 44-yard touchdown reception from AJ McCarron, Jeremy Shelley kick good 32 28
"TOP" = time of possession. For other American football terms, see Glossary of American football.
32
28
Notes[edit]
This was Alabama's 8th appearance in the title game. The previous seven appearances were all against the Florida Gators. This was Georgia's 5th appearance and second consecutive SEC Championship game. This was the first meeting between the schools since 2008. From 2006-12, the winner of this game played in the BCS National Championship Game seven straight times with a record of 6-1 (LSU was defeated by fellow SEC member Alabama following winning the 2011 SEC Championship Game).
Their victory in this game, along with their ranking based on their season-long performance, earned Alabama a spot in the BCS National Championship game, where they defeated Notre Dame.
References[edit]
Jump up ^ Rachel Cohen, Can BCS Title Game Challenge TV Ratings Record?, AP via ABCNews.com, January 4, 2013
Jump up ^ [1], 2012 SEC Championship Game
^ Jump up to: a b c "Alabama holds off Georgia, reaches BCS championship game". ESPN. Retrieved 23 November 2013.
^ Jump up to: a b Woodburn, Peter. "Alabama vs. Georgia 2012 results: Bama claims title, shot at national championship". SB Nation. Retrieved 23 November 2013.
External links[edit]
"2012 SEC Championship: #2 Alabama vs. #3 Georgia" Replay of the 2012 SEC Championship Game
[show]
v
t
e
SEC Championship Game
Years
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
Venues
Legion Field (1992–1993)
Georgia Dome (1994–2016)
Mercedes-Benz Stadium (2017–present)
[show]
v
t
e
College Football on CBS
Related articles
College football on television
Southeastern Conference
CBS Sports Network
Current commentators
Brad Nessler
Gary Danielson
Allie LaForce
Adam Zucker
Brian Jones
Rick Neuheisel
Carter Blackburn
Aaron Taylor
Jenny Dell
Past commentators
Gus Johnson
Lindsey Nelson
Jim Nantz
Sean McDonough
Brent Musburger
Todd Blackledge
Tim Brant
Brad Nessler
Ed Cunningham
Terry Donahue
Pat Haden
Craig James
Mike Mayock
Jill Arrington
John Dockery
Greg Gumbel
Andrea Joyce
Pat O'Brien
Ara Parseghian
Lou Holtz
Dean Blevins
Don Criqui
Dan Fouts
Steve Beuerlein
Sam Ryan
Tracy Wolfson
Tim Brando
Spencer Tillman
Archie Manning
Craig Bolerjack
Verne Lundquist
Lore televised by CBS
Tight-roping the sidelines in Happy Valley (1982)
Hail Flutie (1984)
Catholics vs. Convicts (1988)
Georgia Tech vs. Virginia (1990)
Tebow's 4th Quarter comeback (2008)
Game of the Century (2011)
Hello, Johnny Football (2012)
Prayer at Jordan–Hare (2013)
Kick Six (2013)
Games televised annually
Army–Navy Game
SEC Championship Game
Sun Bowl
Retrieved from "https://en.wikipedia.org/w/index.php?title=2012_SEC_Championship_Game&oldid=814249958"
Categories:
2012 Southeastern Conference football season
Alabama Crimson Tide football games
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SEC Championship Game
2012 in sports in Georgia (U.S. state)
2010s in Atlanta
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