text:
Accounting identity
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In accounting, finance and economics, an accounting identity is an equality that must be true regardless of the value of its variables, or a statement that by definition (or construction) must be true.[1][2] Where an accounting identity applies, any deviation from numerical equality signifies an error in formulation, calculation or measurement.[3]
The term accounting identity may be used to distinguish between propositions that are theories (which may or may not be true, or relationships that may or may not always hold) and statements that are by definition true. Despite the fact that the statements are by definition true, the underlying figures as measured or estimated may not add up due to measurement error, particularly for certain identities in macroeconomics.[4]
Contents
[hide]
1 Description
2 Identities in accounting
2.1 Interperiod identities
2.2 Value of an asset
3 Economics
3.1 Balance of payments
3.2 Gross domestic product
3.3 Investment
3.4 Banking
4 See also
5 References
6 External links
Description[edit]
The most basic identity in accounting is that the balance sheet must balance, that is, that assets must equal the sum of liabilities (debts) and equity (the value of the firm to the owner). In its most common formulation it is known as the accounting equation:
Assets = Liabilities + Equity
where debt includes non-financial liabilities. Balance sheets are commonly presented as two parallel columns, each summing to the same total, with the assets on the left, and liabilities and owners' equity on the right. The parallel columns of Assets and Equities are, in effect, two views of the same set of business facts.
The balance of the balance sheet reflects the conventions of double-entry bookkeeping, by which business transactions are recorded. In double-entry bookkeeping, every transaction is recorded by paired entries, and typically a transaction will result in two or more pairs of entries. The sale of product, for example, would record both a receipt of cash (or the creation of a trade receivable in the case of an extension of credit to the buyer) and a reduction in the inventory of goods for sale; the receipt of cash or a trade receivable is an addition to revenue, and the reduction in goods inventory is an addition to expense (an "expense" is the "expending" of an asset, in this case, the inventory). Thus, there are two pairs of entries: an addition to revenue balanced by an addition to cash; a subtraction from inventory balanced by an addition to expense. The cash and inventory accounts are asset accounts; the revenue and expense accounts will close at the end of the accounting period to affect equity.
Double-entry bookkeeping conventions are employed as well for the National Accounts, so the definition and measurement of important economic concepts, such as national product, aggregate income, investment and savings, as well as the balance of payments and balance of trade, involve accounting identities. At base, the application of double-entry bookkeeping conventions to the problems of measuring aggregate economic activity derives from the recognition that every purchase is also a sale, every payment made is also income received, and every act of lending also an act of borrowing.
Here the term identity refers to the concept of a mathematical identity or a logical tautology, since it defines an equivalence which does not depend on the particular values of the variables.
Identities in accounting[edit]
Accounting has a number of identities in common usage, and since many identities can be decomposed into others, no comprehensive listing is possible.
Interperiod identities[edit]
Accounting identities also apply between accounting periods, such as changes in cash balances. For example:
Cash at beginning of period + Changes in cash during period = Cash at end of period[5]
Value of an asset[edit]
Any asset recorded in a firm's balance sheet will have a carrying value. By definition, the carrying value must equal the historic cost (or acquisition cost) of the asset, plus (or minus) any subsequent adjustments in the value of the asset, such as depreciation.
Carrying value = Historic cost + Change in value
Economics[edit]
In economics, there are numerous accounting identities.
Balance of payments[edit]
One of the most commonly known is the balance of payments identity,[6] where:
Current Account Surplus + Capital Account Surplus = Increase in Official Reserve Account
A common problem with the balance of payments identity is that, due to measurement error, the balance of payments may not total correctly. For example, in the context of the identity that the sum of all countries' current accounts must be zero, The Economist magazine has noted that "In theory, individual countries’ current-account deficits and surpluses should cancel each other out. But because of statistical errors and omissions they never do."[7]
Gross domestic product[edit]
The basic equation for gross domestic product is also an identity, and is sometimes referred to as the National Income Identity:[8]
GDP = consumption + investment + government spending + (exports − imports).
This identity holds because investment refers to the sum of intended and unintended investment, the latter being unintended accumulations of inventories; unintended inventory accumulation necessarily equals output produced (GDP) minus intended uses of that output—consumption, intended investment in machinery, inventories, etc., government spending, and net exports.
Investment[edit]
Investment = Fixed investment + Inventory investment
Gross investment – Depreciation = Net investment
Banking[edit]
A key identity that is used in explaining the multiple expansion of the money supply is
Bank assets = Bank liabilities + Owners' equity
Here the liabilities include deposits of customers, against which reserves often must be held.
See also[edit]
Identity (mathematics)
Accounting
Double entry accounting
General
Du Pont Identity
Business
Balance sheet
Cash flow statement
Income statement
Economics
Balance of payments
Equation of exchange
National income and product accounts
The profit equation
Savings identity
Sectoral balances
References[edit]
Jump up ^ "Principles of Microeconomics", Mankiw et al., pp. 211-212, 2002
Jump up ^ "Macroeconomics [Canadian Edition]", Mankiw & Scarth, p. 25, 2004
Jump up ^ Suranovic, "International Finance Theory and Policy": "It is important to note that this relationship is an accounting identity. This means that the relationship must be true as long as all variables are measured properly."
Jump up ^ See, for example, Suranovic, "International Finance Theory and Policy": "In practice, this identity rarely adds up, however, because the variables are not typically measured accurately."
Jump up ^ "Money, Banking, and Financial Institutions", Siklos, p. 175, 2006
Jump up ^ "Money, Banking, and Financial Institutions", Siklos, pp.145-147, 2006
Jump up ^ "The Economist", May 27, 2000.
Jump up ^ "Macroeconomics", Auerbach and Kotlikoff, pp. 122-23, 1998
External links[edit]
The Basic Accounting Identity
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List of Boston Red Sox seasons
From Wikipedia, the free encyclopedia
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The Boston Red Sox are a professional baseball team based in Boston, Massachusetts. From 1912 to the present, the Red Sox have played in Fenway Park.[1] The "Red Sox" name originates from the iconic uniform feature. They are sometimes nicknamed the "BoSox", a combination of "Boston" and "Sox" (as opposed to the "ChiSox"), the "Crimson Hose", and "the Olde Towne Team".[2] Most fans simply refer to them as the Sox.
One of the American League's eight charter franchises, the club was founded in Boston in 1901. They were a dominant team in the early 20th century, defeating the Pittsburgh Pirates in the first World Series in 1903. They won four more championships by 1918, and then went into one of the longest championship droughts in baseball history. Many attributed the phenomenon to the "Curse of the Bambino" said to have been caused by the trade of Babe Ruth to the New York Yankees in 1920. The drought was ended and the "curse" reversed in 2004, when the team won their sixth World Series Championship.[3] The Red Sox led all MLB teams in average road attendance in 2007, while the small capacity of Fenway caused them to rank 11th in home attendance.[4][5] Every home game from May 15, 2003 through April 10, 2013 was sold out—a span of 820 games over nearly ten years.[6]
Contents
1 Regular season results
2 Regular season record by decade
3 All-time records
4 Footnotes
5 References
6 External links
Regular season results[edit]
World Series Champions
(1903–present) † AL Champions
(1901–present)[a] * Division Champions
(1969–present) ^ Wild Card Berth
(1994–present) ¤
Season
Level
League
Division
Finish
Wins
Losses
Pct.
GB
Postseason
Awards
Ref.
Boston Americans
1901
MLB AL 2nd 79 57 .580 4 Cy Young (TC) [7]
1902
MLB AL 3rd 77 60 .562 6½ [8]
1903
MLB † AL * 1st 91 47 .659 — Won World Series (Pirates) 5–3 † [8]
1904
MLB AL * 1st 95 59 .616 — World Series canceled[b] * [9]
1905
MLB AL 4th 78 74 .513 16 [10]
1906
MLB AL 8th 49 105 .318 45½ [11]
1907
MLB AL 7th 59 90 .395 32½ [12]
Boston Red Sox
1908
MLB AL 5th 75 79 .487 15½ [13]
1909
MLB AL 3rd 88 63 .582 9½ [14]
1910
MLB AL 4th 81 72 .529 22½ [15]
1911
MLB AL 4th 78 75 .509 24 [16]
1912
MLB † AL * 1st 105 47 .690 — Won World Series (Giants) 4–3 † Tris Speaker (MVP) [17]
1913
MLB AL 4th 79 71 .526 15½ [18]
1914
MLB AL 2nd 91 62 .594 8½ [19]
1915
MLB † AL * 1st 101 50 .668 — Won World Series (Phillies) 4–1 † [20]
1916
MLB † AL * 1st 91 63 .590 — Won World Series (Robins) 4–1 † [21]
1917
MLB AL 2nd 90 62 .592 9 [22]
1918
MLB † AL * 1st 75 51 .595 — Won World Series (Cubs) 4–2 † [23]
1919
MLB AL 6th 66 71 .481 20½ [24]
1920
MLB AL 5th 72 81 .470 25½ [25]
1921
MLB AL 5th 75 79 .487 23½ [26]
1922
MLB AL 8th 61 93 .396 33 [27]
1923
MLB AL 8th 61 91 .401 37 [28]
1924
MLB AL 7th 67 87 .435 25 [29]
1925
MLB AL 8th 47 105 .309 49½ [30]
1926
MLB AL 8th 46 107 .300 44½ [31]
1927
MLB AL 8th 51 103 .331 59 [32]
1928
MLB AL 8th 57 96 .372 43½ [33]
1929
MLB AL 8th 58 96 .376 48 [34]
1930
MLB AL 8th 52 102 .337 50 [35]
1931
MLB AL 6th 62 90 .407 45 [36]
1932
MLB AL 8th 43 111 .279 64 [37]
1933
MLB AL 7th 63 86 .423 34½ [38]
1934
MLB AL 4th 76 76 .500 24 [39]
1935
MLB AL 4th 78 75 .510 16 [40]
1936
MLB AL 6th 74 80 .481 28½ [41]
1937
MLB AL 5th 80 72 .526 21 [42]
1938
MLB AL 2nd 88 61 .591 9½ Jimmie Foxx (MVP) [43]
1939
MLB AL 2nd 89 62 .589 17 [44]
1940
MLB AL 4th 82 72 .532 8 [45]
1941
MLB AL 2nd 84 70 .545 17 [46]
1942
MLB AL 2nd 93 59 .611 9 Ted Williams (TC) [47]
1943
MLB AL 7th 68 84 .447 29 [48]
1944
MLB AL 4th 77 77 .500 12 [49]
1945
MLB AL 7th 71 83 .461 17½ [50]
1946
MLB AL * 1st 104 50 .675 — Lost World Series (Cardinals) 4–3 * Ted Williams (MVP) [51]
1947
MLB AL 3rd 83 71 .538 14 Ted Williams (TC) [52]
1948
MLB AL 2nd 96 59 .619 1 [53]
1949
MLB AL 2nd 96 58 .623 1 Ted Williams (MVP) [54]
1950
MLB AL 3rd 94 60 .610 4 Walt Dropo (ROY) [55]
1951
MLB AL 3rd 87 67 .564 11 [56]
1952
MLB AL 6th 76 78 .493 19 [57]
1953
MLB AL 4th 84 69 .549 16 [58]
1954
MLB AL 4th 69 85 .448 42 [59]
1955
MLB AL 4th 84 70 .545 12 [60]
1956
MLB AL 4th 84 70 .545 13 [61]
1957
MLB AL 3rd 82 72 .532 16 [55]
1958
MLB AL 3rd 79 75 .512 13 Jackie Jensen (MVP) [62]
1959
MLB AL 5th 75 79 .487 19 [63]
1960
MLB AL 7th 65 89 .422 32 [64]
1961
MLB AL 6th 76 86 .469 33 Don Schwall (ROY) [65]
1962
MLB AL 8th 76 84 .475 19 [66]
1963
MLB AL 7th 76 85 .472 28 [67]
1964
MLB AL 7th 72 90 .444 27 [68]
1965
MLB AL 9th 62 100 .382 40 [69]
1966
MLB AL 9th 72 90 .444 26 [70]
1967
MLB AL * 1st 92 70 .567 — Lost World Series (Cardinals) 4–3 * Carl Yastrzemski (MVP, TC)
Jim Lonborg (CYA) [71]
1968
MLB AL 3rd 86 76 .530 17 [72]
1969
MLB AL East 3rd 87 75 .537 22 [73]
1970
MLB AL East 3rd 87 75 .537 21 [74]
1971
MLB AL East 3rd 85 77 .524 18 [75]
1972
MLB AL East 2nd 85 70 .548 ½ Carlton Fisk (ROY) [76]
1973
MLB AL East 2nd 89 73 .549 8 [77]
1974
MLB AL East 3rd 84 78 .518 7 [78]
1975
MLB AL * East ^ 1st 95 65 .593 — Won ALCS (Athletics) 3–0
Lost World Series (Reds) 4–3 * Fred Lynn (MVP, ROY) [79]
1976
MLB AL East 3rd 83 79 .512 15½ [80]
1977
MLB AL East 2nd 97 64 .602 2½ [81]
1978
MLB AL East 2nd 99 64 .607 1 Jim Rice (MVP) [82]
1979
MLB AL East 3rd 91 69 .568 11½ [83]
1980
MLB AL East 5th 83 77 .518 19 [84]
1981[c]
MLB AL East 5th 59 49 .535 2½ [85]
1982
MLB AL East 3rd 89 73 .549 6 [86]
1983
MLB AL East 6th 78 84 .481 20 [87]
1984
MLB AL East 4th 86 76 .530 18 [88]
1985
MLB AL East 6th 81 81 .500 18½ [89]
1986
MLB AL * East ^ 1st 95 66 .590 — Won ALCS (Angels) 4–3
Lost World Series (Mets) 4–3 * Roger Clemens (MVP, CYA)
John McNamara (MOY) [90]
1987
MLB AL East 5th 78 84 .481 20 Roger Clemens (CYA) [91]
1988
MLB AL East ^ 1st 89 73 .549 — Lost ALCS (Athletics) 4–0 [92]
1989
MLB AL East 3rd 83 79 .512 6 [93]
1990
MLB AL East ^ 1st 88 74 .543 — Lost ALCS (Athletics) 4–0 [94]
1991
MLB AL East 2nd 84 78 .518 7 Roger Clemens (CYA) [95]
1992
MLB AL East 7th 73 89 .450 23 [96]
1993
MLB AL East 5th 80 82 .493 15 [97]
1994[d]
MLB AL East 5th 54 61 .469 17 Playoffs cancelled [98]
1995
MLB AL East ^ 1st 86 58 .597 — Lost ALDS (Indians) 3–0 Mo Vaughn (MVP) [99]
1996
MLB AL East 3rd 85 77 .524 7 [100]
1997
MLB AL East 4th 78 84 .481 20 Nomar Garciaparra (ROY) [101]
1998
MLB AL East 2nd ¤ 92 70 .567 22 Lost ALDS (Indians) 3–1 [102]
1999
MLB AL East 2nd ¤ 94 68 .580 4 Won ALDS (Indians) 3–2
Lost ALCS (Yankees) 4–1 Pedro Martínez (CYA, TC)
Jimy Williams (MOY) [103]
2000
MLB AL East 2nd 85 77 .524 2½ Pedro Martínez (CYA) [104]
2001
MLB AL East 2nd 82 79 .509 13½ [105]
2002
MLB AL East 2nd 93 69 .574 10½ [106]
2003
MLB AL East 2nd ¤ 95 67 .586 6 Won ALDS (Athletics) 3–2
Lost ALCS (Yankees) 4–3 [107]
2004
MLB † AL * East 2nd ¤ 98 64 .605 3 Won ALDS (Angels) 3–0
Won ALCS (Yankees) 4–3
Won World Series (Cardinals) 4–0 † Manny Ramirez (WS MVP) [108]
2005
MLB AL East 2nd ¤ 95 67 .586 —[e] Lost ALDS (White Sox) 3–0 [109]
2006
MLB AL East 3rd 86 76 .530 11 [110]
2007
MLB † AL * East ^ 1st 96 66 .592 — Won ALDS (Angels) 3–0
Won ALCS (Indians) 4–3
Won World Series (Rockies) 4–0 † Dustin Pedroia (ROY)
Mike Lowell (WS MVP) [111]
2008
MLB AL East 2nd ¤ 95 67 .586 2 Won ALDS (Angels) 3–1
Lost ALCS (Rays) 4–3 Dustin Pedroia (MVP) [112]
2009
MLB AL East 2nd ¤ 95 67 .586 8 Lost ALDS (Angels) 3–0 [113]
2010
MLB AL East 3rd 89 73 .549 7 [114]
2011
MLB AL East 3rd 90 72 .556 7 [115]
2012
MLB AL East 5th 69 93 .426 26 [116]
2013
MLB † AL * East ^ 1st 97 65 .599 — Won ALDS (Rays) 3–1
Won ALCS (Tigers) 4–2
Won World Series (Cardinals) 4–2 † David Ortiz (WS MVP) [117]
2014
MLB AL East 5th 71 91 .438 25 [118]
2015
MLB AL East 5th 78 84 .481 15
2016
MLB AL East ^ 1st 93 69 .574 — Lost ALDS (Indians) 3–0 Rick Porcello (CYA)
2017
MLB AL East ^ 1st 93 69 .574 — Lost ALDS (Astros) 3–1
Regular season record by decade[edit]
The following table describes the Red Sox's MLB win–loss record by decade.
Decade
Wins
Losses
Pct
1900s 691 634 .522
1910s 857 624 .579
1920s 595 938 .388
1930s 705 815 .464
1940s 854 683 .556
1950s 814 725 .529
1960s 764 845 .475
1970s 895 714 .556
1980s 821 742 .525
1990s 814 741 .523
2000s 920 699 .568
2010s 680 616 .525
All-time
9317
8707
.517
These statistics are from Baseball-Reference.com's Boston Red Sox History & Encyclopedia,[119] and are current as of the end of the 2017 regular season.
All-time records[edit]
Total Games
Wins
Losses
Win %
Boston Americans regular season record (1901–1907) 1,020 528 492 .518
Boston Red Sox regular season record (1907–present) 17,166 8,882 8,284 .517
All-time regular season record
18,186 9,410 8,776 .517
All-time post-season record[120]
174 91 83 .523
All-time regular and post-season record
18,360 9,501 8,859 .517
Note: These statistics are current as of the conclusion of the 2017 season.
Footnotes[edit]
a For all American League pennant winners see List of American League pennant winners
b The World Series was canceled after the New York Giants refused to play.
c The season was partially canceled due to a player's strike that closed the MLB for 50 days.
d The season was partially canceled due to a player's strike that closed the MLB for 223 days.
e The Red Sox finished 95–67 and with the same record as the New York Yankees, but since the Yankees had won the season series between the two teams, they won the American League East and the Red Sox had to settle for the American League Wild Card.
References[edit]
Jump up ^ "Team Information". MLB.com. Retrieved 2008-04-13.
Jump up ^ Massarotti, Tony. "It's not the same Olde Towne Team". Boston Herald. Retrieved 2008-04-13.
Jump up ^ "The Curse of the Curse of the Bambino". Readjdm.com. Retrieved 2008-04-13.
Jump up ^ MLB document (2007-11-01). "MLB Attendance Report – 2007". ESPN. Retrieved 2007-11-12.
Jump up ^ MLB document (2007-11-01). "MLB Attendance Report – 2007". ESPN. Retrieved 2007-11-12.
Jump up ^ Edes, Gordon (2013-04-11). "Red Sox's sellout streak ends". ESPNBoston.com. Retrieved 2014-11-14.
Jump up ^ "1901 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
^ Jump up to: a b "1902 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1904 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1905 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1906 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1907 Boston Americans". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1908 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1909 Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1910 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1911 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1912 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1913 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1914 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1915 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1916 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1917 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1918 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1919 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1920 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1921 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1922 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1923 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1924 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1925 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1926 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1927 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1928 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1929 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1930 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1931 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1932 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1933 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1934 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1935 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1936 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1937 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1938 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1939 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1940 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1941 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1942 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1943 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1944 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1945 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1946 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1947 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1948 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1949 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
^ Jump up to: a b "1950 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1951 Boston Red Sox". isher=baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1952 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1953 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1954 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "1955 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
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Jump up ^ "2007 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "2008 Boston Red Sox". baseball-reference.com. Retrieved 2008-05-29.
Jump up ^ "2009 Boston Red Sox". baseball-reference.com. Retrieved 2009-12-09.
Jump up ^ "2010 Boston Red Sox". baseball-reference.com. Retrieved 2010-11-01.
Jump up ^ "2011 Boston Red Sox". baseball-reference.com. Retrieved 2011-09-28.
Jump up ^ "2012 Boston Red Sox". baseball-reference.com. Retrieved 2012-10-03.
Jump up ^ "2013 Boston Red Sox". baseball-reference.com. Retrieved 2013-04-16.
Jump up ^ "2014 Boston Red Sox". baseball-reference.com. Retrieved 2014-11-14.
Jump up ^ "Boston Red Sox History & Encyclopedia". Baseball-Reference.com. Retrieved 2016-10-18.
Jump up ^ "Red Sox Postseason Results". Major League Baseball. Retrieved 2014-11-14.
External links[edit]
Red Sox Year-By-Year Results at MLB.com
Red Sox Postseason Results at MLB.com
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I Love You (Climax Blues Band song)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"I Love You"
Single by Climax Blues Band
from the album Flying the Flag
B-side
"Horizontalized"[1]
Released
1980[1]
Format
7" single[1]
Genre
Soft rock[2][3]
Length
4:01
Label
Warner Bros. Records[1]
Songwriter(s)
Derek Holt[1]
Producer(s)
John Ryan[1]
Climax Blues Band singles chronology
"Gotta Have More Love"
(1980) "I Love You"
(1980) "Darlin'"
(1981)
"Gotta Have More Love"
(1980) "I Love You"
(1980) "Darlin'"
(1981)
"I Love You" is a song recorded by the Climax Blues Band in 1980. It was their second-biggest hit (after 1976's "Couldn't Get It Right"), entering the U.S. Billboard Hot 100 in February 1981, peaking at #12 in June, and spending 27 weeks on the chart.[4] It ended up being the 20th biggest hit of 1981.[5] On the Cash Box Top 100, "I Love You" peaked for two weeks at number 9.[6] The song also reached #20 on the Adult Contemporary chart.[7] The song was featured on their 1980 album, Flying the Flag.[8]
Contents
[hide]
1 Chart performance
1.1 Weekly singles charts
1.2 Year-end charts
2 Other versions
3 In popular culture
4 References
5 External links
Chart performance[edit]
Weekly singles charts[edit]
Chart (1981)
Peak
position
Canadian RPM Top Singles[9] 14
Canadian RPM Adult Contemporary [10] 30
UK -
U.S. Billboard Hot 100 12
U.S. Billboard Hot Adult Contemporary Tracks 20
U.S. Cash Box Top 100[6] 9
Year-end charts[edit]
Chart (1981)
Position
U.S. Billboard Hot 100[11] 20
U.S. Cash Box [12] 46
Other versions[edit]
The song was covered by American band Lazlo Bane for their 2007 album Guilty Pleasures.[13]
It was also covered by the band Tesla for their 2011 acoustic album Twisted Wires & the Acoustic Sessions.
In popular culture[edit]
The song is featured at the end scene of the 2002 Robin Tunney indie-comedy film CHERISH.
References[edit]
^ Jump up to: a b c d e f I Love You (Credits). Climax Blues Band. Warner Bros. Records. 1980.
Jump up ^ Stephen Thomas Erlewine. "25 Years 1968-1993 - The Climax Chicago Blues Band | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 2014-02-03.
Jump up ^ Pierre Perrone (2013-11-22). "Pete Haycock: Guitarist with the Climax Blues Band who went on to write film music for John Badham and Franc Roddam - Obituaries - News". The Independent. Retrieved 2014-02-03.
Jump up ^ "Climax Blues Band - Chart history". Billboard. Retrieved 2014-02-03.
Jump up ^ "Top 100 Hits for 1981". Longboredsurfer.com. Retrieved 23 April 2015.
^ Jump up to: a b [1]
Jump up ^ Climax Blues Band, "I Love You" Chart Positions Retrieved April 5, 2014
Jump up ^ Climax Blues Band, Flying the Flag Retrieved April 5, 2014
Jump up ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2016-10-16.
Jump up ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2016-10-16.
Jump up ^ "Top 100 Hits of 1981/Top 100 Songs of 1981". Musicoutfitters.com. Retrieved 2016-10-16.
Jump up ^ [2]
Jump up ^ "Lazlo Bane's Guilty Pleasures". cdbaby.com. Retrieved 2017-01-10.
External links[edit]
Lyrics of this song at MetroLyrics
This 1980s rock song-related article is a stub. You can help Wikipedia by expanding it.
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text:
Gibson Les Paul Studio
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Gibson Les Paul Studio
Manufacturer
Gibson USA
Period
1983 — present
Construction
Body type
Solid (chambered for weight relief) Lites had Cromyte Insert to replace some body wood weight with
Neck joint
Set neck
Woods
Body
Mahogany (often with a maple top)
Swamp ash (rare)
Neck
Usually Mahogany
Maple on some select models
Fretboard
Usually Rosewood
Maple
Ebony
Hardware
Bridge
Tune-o-matic with stopbar tailpiece
Pickup(s)
Usually 2 humbuckers
2 500T & 496R & NSX on M-IIIP-90s
Colors available
Various sunbursts
Translucent Red,Translucent Blue, Translucent Amber, Wine Red, Ebony, Alpine White, etc.
The Gibson Les Paul Studio is a solid body electric guitar produced by the Gibson Guitar Corporation since 1983. It is similar to the traditional Gibson Les Paul Standard, but without upscale cosmetic features such as binding.
2001 Gibson Les Paul Head Detail
Contents
1 History
2 Models and variations
2.1 Studio Standard
2.2 Studio Custom
2.3 Vintage Mahogany/Studio Faded
2.4 Studio Lite
2.5 Gem Series
2.6 SmartWood series
2.6.1 SmartWood Exotic
2.6.2 Studio SmartWood
2.6.3 Studio Swamp Ash
2.7 Gothic
2.8 Voodoo
2.9 Pro Plus
2.10 Premium Plus
2.11 Robot Limited
3 References
History[edit]
Responding to a gap in their model lineup for a lower-priced Les Paul in 1983, Gibson introduced the Studio model. The Studio was designed to attract guitar players who desired traditional Les Paul sound without having to pay for cosmetic features of upscale models. In order to produce a lower-cost Les Paul, features such as body binding, neck binding, and headstock inlays were not available. Additionally, the body was ⅛ -1/4 inch thinner than a standard Les Paul. Initially made of alder from 1983-1985, Gibson moved back to maple top/mahogany body combination after the alder body proved prone to lacquer problems.[1] The name "Studio" comes from the idea that this model would be sonically indistinguishable from a Les Paul Standard or Custom in the recording studio, and that the flashier guitars would be reserved for stage use.
Models and variations[edit]
Studio Standard[edit]
The Studio Standard was produced from 1983-1987 and was very similar to the Studio Custom, including the "dot" inlays, but had a single-ply binding around the body and neck, chrome hardware, and white pickup rings and pick guard. It was also available in different colors, such as Cherry Sunburst, Tobacco Burst and Ferrari Red. One piece mahogany back, three piece maple top, maple neck, ebony fretboard rounded out the compliments.
Studio Custom[edit]
The Studio Custom was produced in 1983-1985. It was introduced before the design of the Studio was finalized, and mostly had the features of a Standard with a variety of features mixed in from other models. It had a mahogany neck and mahogany body with a maple top, single-ply binding around the neck and three-ply binding around the top of the body only, and gold hardware with black pickup rings and pick guard. The 1984 models had two-piece tops, while 1985 models had three-piece tops. The fingerboard was made from rosewood on some models, ebony on others, and had mother of pearl dots for inlays, instead of the usual trapezoids. The neck profile was slim-tapered, like a Standard, and the frets were low, like a "Fretless Wonder" Custom. According to limited information from guitar forums, some of these had the sought-after Tim Shaw pickups.
Vintage Mahogany/Studio Faded[edit]
2008 Gibson Les Paul Studio Vintage Mahogany, worn brown finish
The Vintage Mahogany model has a carved mahogany body, top and neck, a rosewood fretboard and Alnico V BurstBucker Pro humbucker pickups, the same humbuckers used in the Les Paul Standard model. The model is available in worn brown and worn cherry finishes, featuring a "satin" nitrocellulose finish. It has garnered a 9.5 rating out of 10 at www.ultimate-guitar.com and a 9.4 rating out of 10 at Gibson's website product page.
In 2009, the Vintage Mahogany was renamed the Les Paul Studio Faded. These models (adding worn blue and worn ebony as color choices, as well as "satin" fireburst and yellow) featured the carved maple top of other Les Paul models. In 2013 model year, the Studio Faded was replaced with the "LPJ" model.
Studio Lite[edit]
In the mid 1990s Gibson produced the Studio Lite and Studio Lite M-III. The Lite models were produced with balsa wood (referred to as "chromyte" in advertisements) portions of the body to reduce the guitar's weight, responding to some players' complaints about the heaviness of a standard Les Paul after several hours of playing. The Studio Lite M-III was produced with a new pickup configuration: two humbuckers with a single coil in the middle. The pickup selector switch gave five single-coil options in the "up" position, and four humbucker combinations in the "down" position, plus an "off" position. The name M-III refers to the Gibson M-III model, which was a Superstrat-style guitar, for which these electronics were originally developed.[2]
Gem Series[edit]
1996 Gibson Les Paul Studio Limited Edition Gem Series Topaz
The Gem Series (1996-1998) had P-90 pickups and special finishes in "gemstone" colors: Amethyst, Sapphire, Topaz, Emerald, and Ruby.
Gibson produced a small number of Les Paul Studio guitars using the leftover paint from the Gem Series. These were produced with dot inlays, gold hardware and gold grovers. They are rare and highly sought after. However, these are not to be considered original Gems, as they did not include the special P-90 pickups.
SmartWood series[edit]
The SmartWood series consists chronologically of three models; the Exotic, the Studio and the Swamp Ash models. The SmartWood series is certified environmentally "responsible" by the Rainforest Alliance via their SmartWood program. Gibson is independently audited on an annual basis by the Rainforest Alliance to ensure that only FSC-certified wood is used in the construction of Gibson's SmartWood line of instruments.[citation needed]
SmartWood Exotic[edit]
The SmartWood Exotic line (1996-2002), which was composed of six models. The SmartWood line featured tops made from different woods: Curupay has a deep chocolate-walnut richness; Peroba recalls the orangey hue of the old pine ceiling beam; Banara has a golden, banana-like glow; Ambay Guasu boasts the even lightness of maple; Taperyva Guasu is reminiscent of a sun-bleached rosewood, and Chancharana is a deep, warm-brown russet. The fretboards are all made from "Curupay" harvested from forests certified in accordance with the rules of the Forest Stewardship Council (FSC). The mahogany used in the construction of this model is from similarly certified forests. The SmartWood Exotic had a thinner, belly contoured, body than the Studio (somewhat similar to that of the Les Paul Custom Lite), and had "smart wood" written on the truss rod cover.[3]
Studio SmartWood[edit]
The Studio SmartWood (LPEXMUGH1) was constructed from wood certified by the Rainforest Alliance. While the back and the neck are made from the usual mahogany, the carved top is made from Muiricatiara, along with a Preciosa rosewood fingerboard.[4] It was in production from December 2002 until 2008 and had a standard body, no pick-guard, gold hardware, dot-type fret markers, mother of pearl Gibson headstock logo, and a unique metallic green-leaf within the truss rod cover.[5]
Studio Swamp Ash[edit]
Gibson Les Paul Studio Swamp Ash
Manufacturer
Gibson USA
Period
2003 — 2011
Construction
Body type
Solid
Neck joint
Set
Woods
Body
Swamp Ash
Neck
Mahogany
Fretboard
Ebony or Rosewood
Hardware
Bridge
Tune-o-matic
Pickup(s)
Dual Humbucking
Colors available
Natural Satin
The Studio Swamp Ash (LPSANSCH1) was manufactured between 2003 and 2011.[6] Built in Nashville, Tennessee, its body is made of a carved swamp ash top over a multi-piece swamp ash back. The neck is made from mahogany and is "set" into the body. The fretboard may be either ebony or rosewood, depending on production year. It has a standard body, no pick-guard, chrome plated hardware, and dot-type fret markers, a silkscreen Gibson headstock logo and the usual studio truss rod cover.[7]
Gothic[edit]
During 2000-2002, Gibson released a series of six guitars dubbed "Gothic" models. Guitars other than the Les Paul Studio in this series were the Gibson SG, Flying V, X-plorer and Nikki Sixx Blackbird Bass.
Voodoo[edit]
The "Voodoo" series followed which included an SG as well as Les Paul Studio. The series was discontinued in 2005.
Pro Plus[edit]
The Studio Pro Plus was an upgraded studio with a AA figured maple top and gold hardware. Traditional mahogany body and set SlimTaper™ neck profile, rosewood fingerboard with acrylic trapezoid inlays, 490R neck pickup and BurstBucker Pro bridge pickup, TonePros® Tune-o-matic bridge and stopbar tailpiece, Grover™ tuners with vintage style green keys. Available in Desert Burst (DB), Trans Black (BL, 2004-05), or Trans Red (TR, disc. 2003) finish. Made from 2001 - 2005.
Premium Plus[edit]
The Studio Premium Plus was an upgraded studio with a high-gloss AAA flamed maple top and gold hardware. Traditional mahogany body and set '59 Les Paul rounded mahogany neck, pearloid trapezoid inlays and 490R and 498T alnico magnet humbuckers. Made from 2006 - 2008. The 2006 was heavier at 8.5 lbs and had a beige pickguard and truss rod cover with gold "Studio" lettering. The chambered 2007 - 2008 models weighed in at 7.5 lbs and came with a black pickguard and cover with white lettering. Available in Natural(2006-08), Root Beer (2006-07), Trans Amber (2006-07), Trans Black (2006-07), or Trans Red (2006-07) finish.
Robot Limited[edit]
The Robot Les Paul Studio Limited was an upgraded studio with Powertune auto-tuning system. A Limited Edition finish Blue Silverburst was initially released in late 2007 with chrome truss rod cover with "Robot Guitar" engraved (late 2007 only). The production version (v2, 2008-2011) featured a chambered mahogany body, maple top, set mahogany neck, 22-fret rosewood-bound (standard finishes) or white-bound (metallic finishes) ebony fingerboard with figured acrylic trapezoid inlays, white-bound headstock with MOP Gibson logo and flowerpot inlay (metallic finishes) or unbound headstock with screened logo (standard finishes), three-per-side robotic Powerhead Locking tuners, tune-o-matic Powertune bridge, Powertune stop tailpiece, two chrome covered humbucker pickups (490R, 498T), four knobs (three normal, and one Master Control Knob that controls the robotic actions of the guitar), three-way pickup switch, Neutrik jack on side of guitar, chrome hardware. It was available in standard finishes: Ebony, Desertburst, Fireburst, Manhattan Midnight, Wine Red, and metallic finishes: Green Metallic, Purple Metallic, Red Metallic. Version 2 made from 2008-2011.
References[edit]
Wikimedia Commons has media related to Gibson Les Paul Studio.
Jump up ^ Bacon, Tony (2002). 50 Years of the Gibson Les Paul: Half a Century of the Greatest Electric Guitars. Hal Leonard. p. 85. ISBN 9780879307110. Retrieved 16 November 2012.
Jump up ^ http://photobucket.com/gallery/user/Beretta92/media/cGF0aDovTUlJSSBTcGVjcyBTaGVldC5qcGc=/?ref=
Jump up ^ Blue Book entry for the SmartWood Exotic
Jump up ^ Gibson SmartWood data sheet
Jump up ^ Blue Book entry for the Studio Smartwood
Jump up ^ Blue Book entry for the Studio Swamp Ash
Jump up ^ Les Paul Studio Swamp Ash Specifications page
hide
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Gibson Les Paul submodels
Custom
Doublecut
Junior
Melody Maker
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Studio
Robot
Dark Fire
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Jim (Huckleberry Finn)
From Wikipedia, the free encyclopedia
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Jim
Adventures of Huckleberry Finn character
Jim standing on a raft alongside Huck
Created by
Mark Twain
Information
Gender
Male
Spouse(s)
Sadie (wife)
Children
Elizabeth (daughter)
Johnny (son)
Nationality
African American
Jim is one of two major fictional characters in the classic novel Adventures of Huckleberry Finn by Mark Twain. The book chronicles his and Huckleberry's raft journey down the Mississippi River in the antebellum Southern United States. Jim is an adult black slave who has fled; "Huck," a 13-year-old white boy, joins him in spite of his own conventional understanding and the law.
Contents
[hide]
1 Character inspiration
2 Fictional biography
3 Academic reception
4 See also
5 References
6 External links
Character inspiration[edit]
The character may have been modeled after one or more slaves[citation needed], or on the "shrewd, wise, polite, always good-natured ..."[1] formerly enslaved[2] African-American George Griffin, whom Twain employed as a butler, starting around 1879, and treated as a confidant.[1][3]
The author, Samuel Clemens, grew up in the presence of his parents' and other Hannibal, Missourians' slaves and listened to their stories; an uncle, too, was a slave owner.
Fictional biography[edit]
Jim's is one of the several spoken dialects called deliberate in a prefatory note. Academic studies include Lisa Cohen Minnick's 2004 Dialect and Dichotomy: Literary Representations of African American Speech [4] and Raphaell Berthele's 2000 "Translating African-American Vernacular English into German: The problem of 'Jim' in Mark Twain's Huckleberry Finn.".[5]
The character is introduced at the beginning of Chapter Two, seen at midnight by the two boys, Huck and Tom, standing silhouetted in the doorway of the outdoor detached kitchen. He hears them approach and inquires into the darkness; he states that he will wait to hear the sound repeated, and he sits at the doorway until he dozes, relieving the hidden narrator's tension indicated by an entire paragraph on an itch unscratched because of fear, of which Jim is unaware. He awakens from dreams of witches (see Richard Dorson's 1956 Negro Folktales in Michigan), and from a nickel left by the boys becomes a storyteller of regional fame, able to command pay for his tales, and in the concluding phrase, all but unfit to be a servant.
His character and perceptions dominate the novel and include spirituality, parental tenderness, and nonviolence: he leaves unmolested two rogues - Jim's term is "rascals" - who have taken over the raft despite their vulnerability as they sleep drunk.
When the rogues sell Jim as an escaped slave, the character Tom Sawyer arrives. The older boy knows that Jim is a free man by this point, but uses the opportunity of Jim being imprisoned to act out prison escape fantasies from books he has read, refusing Huck's simpler plans that would free Jim easily, but without the drama Tom sought. When the plans do not work, Tom admits that he knew Jim was free the whole time, and the trio departs from the plantation.
Academic reception[edit]
As a study of two slaves escaping, Huckleberry Finn is largely sympathetic to the plight of escaped slaves and critical of the institution of slavery,[6] According to Cliff Notes: "Jim’s logic, compassion, intelligence, and above all, his loyalty toward Huck, Tom, and his own family, establish him as a heroic figure."
However, beginning in the 20th century the novel was frequently criticized for depicting Jim as a stereotype, and Tom as an aggressor. According to Professor Stephen Railton of the University of Virginia, Twain was unable to fully rise above the stereotypes of black people that white readers of his era expected and enjoyed. Twain therefore resorted to minstrel show-style comedy to provide humor at Jim's expense, and ended up conforming to rather than challenging late-19th century racist stereotypes.[7]
See also[edit]
List of films featuring slavery
References[edit]
^ Jump up to: a b "After Long Absence, Twain's Butler Is, to Return", New York Times (6/18/1994): 27.
Jump up ^ "After Long Absence, Twain's Butler Is to Return", The New York Times, dated, retrieved 18 JAN 2013
Jump up ^ American Topics : Mark Twain Butler To Be Memorialized, International Herald Tribune, Monday, June 20, 1994
Jump up ^ Lisa Cohen Minnick, Dialect and Dichotomy: Literary Representations of African American Speech. Tuscaloosa: University of Alabama Press, 2004.
Jump up ^ Raphaell Berthele, "Translating African-American Vernacular English into German: The problem of 'Jim' in Mark Twain's Huckleberry Finn," Journal of Sociolinguistics 4.4 (Nov2000): 588-613.
Jump up ^ Matthew Guinn, "Review of The Jim Dilemma: Reading Race in Huckleberry Finn," Southern Quarterly 37.2 (Winter1999): 175-6.
Jump up ^ Stephen Railton, "Jim and Mark Twain: What Do Dey Stan' For?" Virginia Quarterly Review 63 (1987).
External links[edit]
Cliffs Notes Jim
[hide]
v
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Tom Sawyer and Huckleberry Finn by Mark Twain
Characters
Huckleberry Finn
Tom Sawyer
Jim
Books
The Adventures of Tom Sawyer (1876)
Adventures of Huckleberry Finn (1884)
Tom Sawyer Abroad (1894)
Tom Sawyer, Detective (1896)
Schoolhouse Hill (1916)
Film
Tom Sawyer (1907)
Tom Sawyer (1917)
Huck and Tom (1918)
Huckleberry Finn (1920)
Tom Sawyer (1930)
Huckleberry Finn (1931)
The Adventures of Tom Sawyer (1938)
The Adventures of Huckleberry Finn (1939)
The Adventures of Huckleberry Finn (1960)
Hopelessly Lost (1973)
Tom Sawyer (1973)
Huckleberry Finn (1974)
Huckleberry Finn (1975)
The Adventures of Huck Finn (1993)
Tom and Huck (1995)
Tom Sawyer (2000)
Tom Sawyer & Huckleberry Finn (2014)
Television
The Adventures of Huckleberry Finn (1955)
The New Adventures of Huckleberry Finn (1968)
Huckleberry no Bōken (1976)
Huckleberry Finn and His Friends (1979)
The Adventures of Tom Sawyer (1980)
Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990)
Video games
The Adventures of Tom Sawyer (1989)
Square's Tom Sawyer (1989)
Stage
Big River
The Adventures of Tom Sawyer (musical)
Other
Huckleberry Finn (EP)
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Geoff Love
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2014) (Learn how and when to remove this template message)
Geoff Love
Birth name
Geoffrey Love
Born
(1917-09-04)4 September 1917
Todmorden, West Riding of Yorkshire, England
Died
8 July 1991(1991-07-08) (aged 73)
London, England
Genres
Film, easy listening, pop
Years active
1936–1991
Geoffrey Love (4 September 1917 – 8 July 1991), known as Geoff Love, was a prolific British arranger and composer of easy listening and pop versions of film themes. He became famous in the late 1950s, playing under the pseudonym of Manuel and The Music of The Mountains.[1]
Contents
[hide]
1 Early years
2 Post-war career
3 Awards
4 Death
5 Geoff Love albums (billed as 'Manuel & the Music of the Mountains')
6 As Mandingo
7 References
8 External links
Early years[edit]
Love was born in Todmorden, West Riding of Yorkshire, the only son and younger of two surviving children (an elder sister Cornelia) of African American Thomas Edward (Kidd) Love and his English wife, Frances Helen Maycock (1892–1975), an actress and singer.
The Loves travelled around Britain as entertainers, but, following the death of his father, the family returned to their grandmother's house in Todmorden. Whilst at school, Love learned the trombone. After leaving school at 15, Love worked as a car mechanic and played trombone at dance halls in the evening. Having turned professional at 17, Love joined Freddie Platt's band.
Later, in 1936, he joined Jan Ralfini's band playing in London and learned to play jazz. With the outbreak of the Second World War, Love was called up and joined the King's Royal Rifle Corps. Whilst in the armed forces, Love spent time learning orchestration by questioning musicians how best to write for their individual instruments.
Love married Cicely Joyce Peters (known as Joy, 1923/4–1993) on 4 April 1942. She worked alongside Love, organising his recording sessions and accounts. They had two sons, Adrian (1944–1999),[2] who became a well-known radio presenter, and Nigel (1947–2013).[3]
Post-war career[edit]
Following his release from the army, Love became a freelance trombonist and arranger, and also played with Stanley Black's BBC orchestra. He also developed his orchestration through the tutelage of the harpist Marie Goossens.
In the early 1950s, along with saxophonist Harry Gold, his brother Laurie Gold and pianist Norrie Paramor, Love was a member of the 'Pieces of Eight' playing Dixieland jazz.[4]
Although Love continued to play trombone at recording sessions (for example with bandleader Lew Stone), he was doing more and more orchestral arrangements. His arrangements were played by the Cliff Adams Singers, Ambrose and Ken Mackintosh dance bands, as well work for television and radio orchestras.
By the mid-1950s Love was writing for several recording labels - moving from Philips to Polydor and PolyGram before finally settling at EMI. Whilst at the HMV label he arranged for Frankie Vaughan and Alma Cogan among others. Whilst working at Columbia, he arranged Laurie London's gospel song "He's Got the Whole World in His Hands", a 1957 chart topper in the US.
In the late 1950s, playing under the pseudonym of 'Manuel and his Music of the Mountains', Love's created his Theme from Honeymoon (1959) which proved popular in the UK. His attempt to keep his identity secret whilst playing as 'Manuel' was impossible due to success, especially in the US in 1959 and 1960.
In 1959 he and his orchestra recorded an album with British singer Shirley Bassey named 'The Fabulous Shirley Bassey'. It was her first album for the Columbia label.
In 1964, "Geoff Love's Music" backed the British rock duo Peter and Gordon on their first two hit singles (both written by Paul McCartney), the UK and US No. 1 hit "A World Without Love" and the top 15 hit "Nobody I Know".
During the 1960s and into the 1970s, Love recorded many albums for MFP, often featuring film or television themes such as: Big Western Movie Themes (1969), Big War Movie Themes (1971), Big Suspense Movie Themes (1972), Your Top TV Themes (1972), Big Terror Movie Themes (1976) and other instrumental and disco music. Big Bond Movie Themes (1975) featuring a selection of instrumental versions of music and songs from the James Bond film series from Dr. No up to The Man with the Golden Gun (including Burt Bacharach's Casino Royale from the 1967 spoof Bond film) has since become one of Love's most sought after MFP albums. One of these MFP sets was called Glad with Love – which featured the pianist Mrs Mills and Geoff Love on a sing-along together – with studio audience participation. One of Love's most recognised arrangements was Rodrigo's Guitar Concerto De Aranjuez (Theme From 2nd Movement) by Manuel and the Music of the Mountains.
Love appeared on television with pianist Russ Conway and became well known for working alongside singer-comedian Max Bygraves. He was also a prolific composer, writing the theme music for the ITV sitcom Bless This House. Love also made some recordings as a vocalist.
In the early 1980s, Love was the co-founder (with Bill Starling) of the Young Person's Concert Foundation. He travelled the country with this charity promoting music to schools and other venues. In the late 1980s, Love became involved with several brass bands.
Awards[edit]
Love's prolific career garnered one platinum, fifteen gold and thirteen silver discs, and a special trophy for selling in excess of 2½ million records.
Death[edit]
Love died at the University College Hospital, Camden, London, on 8 July 1991 at the age of 73.
Geoff Love albums (billed as 'Manuel & the Music of the Mountains')[edit]
The Music of the Mountains (1960)
Mountain Carnival (1961)
Ecstasy (1963)
Mountain Fiesta (1964)
Exotica (1965)
Blue Waters (1966)
Sunrise, Sunset (1967)
Beyond the Mountains (1967)
Mirage (1968)
Magic Fountains (1968)
Reflections (1969)
Manuel and the Music of the Masters (1969)
Manuel and the Music of the Movies (1970)
Cascade (1971)
Carnival (1971)
Manuel Meets Pepe Jaramillo (1971)
Mardi Gras (1972)
The Sun, the Sea and the Sky (1972)
Horizons (1973)
Shangri-La (1973)
Y Viva España (1974)
El Bimbo (1975)
Masquerade (1976)
Mountain Fire (1977)
The Music of Manuel (1978)
The Magic of Manuel (1978)
Super Natural (1979)
Viva Manuel (1979)
This is Digital Recording (Side 1 EMI Studio 2 Stereo sampler (1979)
Fiesta (1980)
Fantasy (1981)
As Mandingo[edit]
The Primeval Rhythm Of Life (1972)
Sacrifice (1973)
Mandingo III (A Story of Survival) (1974)
Savage Rite (1975)
References[edit]
Jump up ^ Val Wilmer. "Spotlight on Geoff Love". Matt Monro Website. Retrieved 19 July 2013.
Jump up ^ Chris Loveder (12 March 1999). "Obituary: Adrian Love". The Independent. London. Retrieved 19 July 2013.
Jump up ^ "Obituary: Nigel Love".
Jump up ^ "Harry Gold Obituary". The Daily Telegraph. London. 18 November 2005. Retrieved 19 July 2013.
External links[edit]
The Geoff Love Appreciation Website
Photograph of Geoff Love – The National Portrait Gallery
Authority control
WorldCat Identities
BNE: XX862748
BNF: cb13978039j (data)
GND: 134614925
ISNI: 0000 0000 5947 819X
LCCN: n92097296
MusicBrainz: 9fbcbdfb-e1fe-49ae-9885-91001c3868fa
VIAF: 22336078
Retrieved from "https://en.wikipedia.org/w/index.php?title=Geoff_Love&oldid=838266353"
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