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Kinky Boots (musical)
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Kinky Boots
Chicago preview promotional poster
Music
Cyndi Lauper
Lyrics
Cyndi Lauper
Book
Harvey Fierstein
Basis
Kinky Boots
by Geoff Deane
Tim Firth
Premiere
October 2012: Bank of America Theatre, Chicago
Productions
2012 Chicago
2013 Broadway
2014 US Tour
2014 Seoul
2015 Toronto
2015 West End
2016 Australian Tour
2016 Malmö
2016 Seoul
2016 Tokyo
2017 Germany
2017 Manila
2017 Poland
2018 UK Tour
Awards
Tony Award for Best Musical
Tony Award for Best Original Score
Tony Award for Best Choreography
Laurence Olivier Award for Best New Musical
Kinky Boots is a Broadway musical with music and lyrics by Cyndi Lauper and a book by Harvey Fierstein.
Based on the 2005 British film Kinky Boots, written by Geoff Deane and Tim Firth and inspired by true events, the musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all.
Following the show's conception in 2006, the creative team was assembled by 2010. The original production of Kinky Boots premiered at the Bank of America Theatre in Chicago in October 2012, with both direction and choreography by Jerry Mitchell, and starring Stark Sands and Billy Porter as Charlie and Lola, respectively. It made its Broadway debut at the Al Hirschfeld Theatre on April 4, 2013, following previews that began on March 3, 2013. The musical began its US tour in 2014.
Having initially been less well received by theatre critics and at the box office than another 2013 Broadway production, Matilda the Musical, Kinky Boots entered the 2013 awards season as an underdog. However, less than a month after opening, Kinky Boots surpassed this rival with audiences in weekly box office gross and later enjoyed a post-Tony boost in advance sales. The production earned a season-high 13 nominations and 6 Tony wins, including Best Musical and Best Score for Lauper in her first outing as a Broadway songwriter, making her the first woman to win alone in that category. The musical's cast album premiered at number one on the Billboard Cast Albums Chart and number fifty-one on the Billboard 200 chart. In 2016, it won three Laurence Olivier Awards, including Best New Musical.
Contents
[hide]
1 Background and creation
2 Synopsis
2.1 Act I
2.2 Act II
3 Music
3.1 Musical numbers
4 Principal roles and original casts
5 Production history
5.1 Chicago and Broadway
5.2 Toronto
5.3 West End
5.4 Other productions
6 Critical reaction
7 Awards and nominations
8 Recordings
9 Notes
10 External links
Background and creation[edit]
Harvey Fierstein wrote the book of the musical.
Kinky Boots is based on the 2005 British film of the same name,[1] which was in turn inspired by a 1999 episode of the BBC2 documentary television series Trouble at the Top. It followed the true story of Steve Pateman, who was struggling to save his family-run shoe factory from closure and decided to produce fetish footwear for men, under the brand name "Divine Footwear".[2][3] Daryl Roth, a Tony Award-winning producer,[4] saw the film at the 2006 Sundance Film Festival and fell in love with its "heart and soul". She felt that its themes resonated and thought that the story had potential as source material for a musical. Independently, Hal Luftig saw the film in London and agreed "that its heart and humanity (and bigger-than-life leading 'lady') would translate well to musical theatre."[5] Within a year, Roth secured the rights to adapt the film to the stage and partnered with Luftig, a Tony and Olivier Award-winning producer.[6][7]
By mid-2008, Roth and Luftig were in discussions with a potential director, Jerry Mitchell, but they still had not found writers.[8] When Roth sent Mitchell the DVD of the film, he was enthusiastic about it.[9] Roth and Luftig hired Mitchell to direct and Harvey Fierstein to write the book.[6][10] Mitchell knew that Fierstein and Cyndi Lauper were friends, and he thought they would make a good team to create the musical.[9] Fierstein agreed and eventually approached Lauper to write the songs[3] because he "saw in the adaptation an opportunity to work with someone with a big musical range, 'somebody who could write club music,' ... along with show tunes."[11] Lauper joined the creative team in June 2010.[12] Lauper's last project before Kinky Boots had been the album Memphis Blues, while Fierstein was working on Newsies when he began Kinky Boots.[11] The work marked Lauper's debut as a musical theatre songwriter,[10] although she had some theatrical experience, having performed on Broadway in the 2006 Roundabout Theatre Company production of The Threepenny Opera.[13] Among Fierstein's prior experiences were works about drag queens: La Cage aux Folles and Torch Song Trilogy.[14] Lauper has said that she identifies with drag queens.[15]
Lauper wrote the songs for the show.
Fierstein and Lauper had both gained previous critical acclaim and honors in their respective fields. Fierstein had won four Tonys: acting and writing awards for Torch Song Trilogy, an acting Tony for Hairspray, and one for writing the book of La Cage; Lauper is a chart-topping singer-songwriter and actress who had won Grammy, Emmy and many other awards for her songs and performances.[16][17][18] Fierstein noted a change in focus between the film "about the saving of a factory" and the musical, which include "drag queens singing as they pass along the assembly line."[3][9] He said the main difference is that the musical is, "at its core, about two young men who come from seemingly opposite worlds who figure out that they have a lot in common, beginning with the need to stand up to their dads."[9] Lauper's inspirations ranged from listening as a child to her parents' recordings of South Pacific and West Side Story, as well as musical inspirations as diverse as Aaron Copland's "Appalachian Spring" and pop singer Lana Del Rey.[11] In a broadcast interview with Patrick Healy of The New York Times, Lauper and Fierstein said that, in adapting the film, they stressed themes of community and the universality of the father-son bond as vehicles to explore the issues of tolerance and self-acceptance.[19]
Kinky Boots was given a reading on October 6, 2011.[20] Lauper was actively engaged in refining the material once the cast began readings.[11] In January 2012, Roth announced that the show would be workshopped that month, and that Stark Sands and Billy Porter had been cast in the starring roles.[21][22] In August 2012, the producers announced the Broadway opening date of April 4, 2013.[10]
Synopsis[edit]
Act I[edit]
Charlie Price grows up as the fourth-generation "son" in his family business, Price & Son, a shoe factory in Northampton. Another young boy, growing up in London, is as fascinated by shoes as Charlie is bored by them, but in this case it is a pair of red women's heels that have attracted his attention, aggravating his strict father. Years pass. Charlie's father is aging and hopes that Charlie will take over the factory, but Charlie is eager to move to London with his status-conscious fiancée, Nicola, and pursue a career in real estate ("The Most Beautiful Thing").
Charlie has barely made it into his new flat in London when his father dies suddenly. Charlie hurries home for the funeral, where he finds the factory near bankruptcy. The factory makes good quality men's shoes, but they are not stylish and not cheap, and the market for them is drying up. Charlie is determined to save the factory and his father's legacy, though he has no desire to run Price & Sons himself. The workers, many of whom have known Charlie his entire life, do not understand why Charlie had moved away in the first place, and many are hostile and skeptical of the new management.
Returning to London, Charlie meets his friend and fellow shoe salesman Harry, in a pub, to ask for help with the factory. Harry can only offer a temporary solution and advises Charlie not to fight the inevitable ("Take What You Got"). Leaving the pub, Charlie witnesses a woman being accosted by two drunks. He intervenes and is knocked unconscious. He comes to in a seedy nightclub, where the woman he attempted to rescue is revealed to have been the club's drag queen headliner, Lola, who performs with her backup troupe of drag dancers, the "angels" ("Land of Lola"). Recuperating from his ordeal in Lola's dressing room, an uncomfortable Charlie notices that the performers' high-heeled boots are not designed to hold a man's weight, but Lola explains that the expensive and unreliable footwear is an essential part of any drag act.
Charlie returns to the factory and begins reluctantly laying off his workers. Lauren, one of the women on the assembly line, explodes at Charlie when given her notice, and stubbornly tells him that other struggling shoe factories have survived by entering an "underserved niche market". This gives Charlie an idea ("Land of Lola" reprise), and he invites Lola to come to the factory to help him design a women's boot that can be comfortable for a man ("Charlie's Soliloquy"/"Step One").
Lola and the angels arrive at the factory, and she is immediately unsatisfied with Charlie's first design of the boot. Quickly getting the women of the factory on her side, she draws a quick design of a boot, explaining the most important factor is by far the sex appeal ("The Sex is in the Heel"). George, the factory manager, realizes a way to make her design practical, and an impressed Charlie begs Lola to stay until a prestigious footwear show in Milan in three weeks' time, to design a new line of "kinky boots" that could save the factory. Lola is reluctant, since she is already receiving crass comments from some of the factory workers, but is flattered by Charlie's praise, and finally agrees.
Charlie announces that the factory will be moving ahead with production on the boots. He thanks Lauren for giving him the idea, and offers her a promotion. She accepts, and is horrified but thrilled to realize she is falling for him ("The History of Wrong Guys").
The next day, Lola shows up in men's clothes and is mocked by the foreman, Don, and his friends. An upset Lola takes refuge in the bathroom, and Charlie attempts to comfort her. Lola explains that her father trained her as a boxer, but disowned her when she showed up for a match in drag. The two discover their similarly complex feelings toward their fathers, and Lola introduces herself by her birth name: Simon ("Not My Father's Son").
Nicola arrives from the city of London, and presents Charlie with a plan for the factory that her boss has drawn up: closing it and converting it into condominiums. Charlie refuses, but is shocked to discover that his father had agreed to this plan before he died, presumably because Charlie was not there to run it. He refuses to sell, and soon the workers are celebrating as the first pair of "kinky boots" is finished ("Everybody Say Yeah").
Act II[edit]
Many of the factory workers are not enthusiastic about the radical change in their product line. Some of them, especially the intimidating Don, make Lola feel very unwelcome. Lola taunts him back, enlisting the help of the female factory workers to prove that Lola is closer to a woman's ideal man than Don ("What a Woman Wants"). Lola presents Don with a unique wager to see who is the better "man": Lola will do any one thing that Don specifies if Don will do one thing that Lola specifies. Don's challenge is for Lola to fight him in a boxing match at the pub. Charlie, remembering Lola's background, is horrified. Lola easily scores against Don in the ring but ultimately lets Don win the match ("In This Corner"). Afterwards, in private, Don asks why she let him win, and Lola replies that she could not be so cruel as to humiliate Don in front of his mates. She gives him her part of the challenge: "accept someone for who they are."
Charlie is pouring his own money into the factory to ensure it will be ready in time for Milan, and he is getting frantic that the product is not right, angrily forcing his staff to redo what he considers to be shoddy work. Nicola arrives, fed up with Charlie's obsession over the factory, and breaks up with him. Lola has been making some decisions about production and preparations without consulting Charlie. When he discovers that she has decided to have her angels wear the boots on the runway rather than hiring professional models, an overwhelmed Charlie lashes out at her, humiliating her in front of the other workers. Lola storms out, and the factory workers go home. Alone, Charlie struggles with the weight of his father's legacy and what it means to be his own man ("Soul of a Man").
Lauren finds Charlie and tells him to come back to the factory. It is revealed that Don has persuaded all the workers to return to work and to sacrifice a week's pay to ensure the boots can be finished in time for Milan. Charlie is astonished and grateful, and asks if Don has paid up on his wager by accepting Lola. Lauren explains that the person that Don has accepted is Charlie himself.
As he heads to the airport for Milan, Charlie leaves a heartfelt apology on Lola's voicemail. Meanwhile, Lola performs her act at a nursing home in her home town. After she leaves the stage, she speaks to her now wheelchair-bound father, who is dying in the home, and reaches a sense of closure ("Hold Me in Your Heart").
Charlie and Lauren arrive in Milan, but without models Charlie is forced to walk the runway himself. Lauren is thrilled by his dedication ("The History of Wrong Guys (Reprise)") but the show threatens to be a disaster. Just as all seems lost, Lola and her angels arrive to save the day. Lauren and Charlie share their first kiss, and the whole company celebrates the success of the "Kinky Boots" ("Raise You Up/Just Be").
Music[edit]
In Lauper's first effort at writing for the stage, she found that it required a sustained effort to write songs for the different characters.[23] Lauper joked about the difficulty of writing her first score: "How much of a stretch is it for me to write songs about fashion, funny relationships, people changing their minds and shoes?"[9] The first song that Lauper wrote was the opening number, which included a wide range of voices.[18] Her process was to conceive a song and sing it into her iPhone, and orchestrator Stephen Oremus would write it down.[9] Oremus would then "'blow up' the vocal line into harmonies, create the incidental music that linked scenes and songs" and orchestrate the material.[24] The songs range in style "from pop to funk to new wave to tango, with highly personal lyrics".[11] New York Times critic Melena Ryzik wrote: "Though there are plenty of hooky, rousing numbers, the emotional heart of Kinky Boots is several ballads about the weight of parental expectations."[11] The musical uses a twelve-piece orchestra consisting of keyboards, percussion, bass, guitars, reeds, violin, viola, cello, trumpet, and trombone.[25][26]
Musical numbers[edit]
The musical numbers from the 2013 Broadway production are as follows:
Act I
"Price & Son Theme/The Most Beautiful Thing" – Mr. Price, Young Charlie, Young Simon/Lola, Nicola, Charlie & Company
"Take What You Got" – Harry, Charlie & Club Patrons
"Land of Lola" – Lola & Angels
"Land of Lola" (Reprise)[27] – Lola & Angels‡
"Charlie's Soliloquy" – Charlie
"Step One" – Charlie
"Sex is in the Heel" – Lola, Pat, George, Angels, Lauren, Charlie & Factory Workers
"The History of Wrong Guys" – Lauren
"Not My Father's Son" – Lola & Charlie
"Everybody Say Yeah" – Charlie, Lola, Lauren, Angels & Factory Workers
Act II
"Price & Son Theme" (Reprise) – Company‡
"What a Woman Wants" – Lola, Pat, Don, George & the Ladies of the Factory
"In This Corner" – Lola, Don, Pat, Trish, Angels & Factory Workers
"Charlie's Soliloquy" (Reprise) – Charlie
"Soul of a Man" – Charlie
"Hold Me in Your Heart" – Lola
"The History of Wrong Guys" (Reprise) – Lauren
"Raise You Up/Just Be" – Company
‡Song not included on original Broadway cast album.
The musical numbers from the 2012 Chicago production are as follows:
Act I
"Price & Son Theme" – Full Company
"The Most Beautiful Thing" - Full Company
"Take What You Got" – Harry, Charlie & Club Patrons
"Land of Lola" – Lola & Angels
"Beware The Black Widow" - Lola & Angels
"I Come To The Rescue" - Charlie
"Sex is in the Heel" – Lola, Pat, George, Angels, & Factory Workers
"The History of Wrong Guys" – Lauren
"Not My Father's Son" – Lola & Charlie
"Everybody Say Yeah" – Charlie, Lola, Lauren, Angels & Factory Workers
Act II
"Price & Son Theme" (reprise) – Company
"What a Woman Wants" – Lola, Pat, Don, George & the Ladies of the Factory
"In This Corner" – Lola, Don, Pat, Trish, Angels & Factory Workers
"So Long, Charlie" - Nicola
"Soul of a Man" – Charlie
"Hold Me in Your Heart" – Lola
"Raise You Up/Just Be" – Full Company
Principal roles and original casts[edit]
Character
Original Broadway Cast[26]
Original US Tour Cast[28]
Original London Cast
Original Australian Cast[29]
Charlie Price
Stark Sands Steven Booth Killian Donnelly Toby Francis
Lola
Billy Porter Kyle Taylor Parker Matt Henry Callum Francis
Lauren
Annaleigh Ashford Lindsay Nicole Chambers Amy Lennox Sophie Wright
Nicola
Lena Hall[30] Grace Stockdale Amy Ross Teagan Wouters
Harry
Andy Kelso Mike Longo Paul Ayres Jake Speer
Mr. Price
Stephen Berger David McDonald Alan Vicary Glenn Butcher
Simon Sr.
Eugene Barry-Hill Horace V. Rogers Robert Grose Eric Rasmussen
Don
Daniel Sherman Joe Coots Jamie Baughan Joe Kosky
George
Marcus Neville Craig Waletzko Michael Hobbs Nathan Carter
Pat
Tory Ross Bonnie Milligan Chloe Hart Samm Hagen
Trish
Jennifer Perry Amelia Cormack Gillian Hardie Emma Powell
Richard Bailey
John Jeffrey Martin Ross Lekites Michael Vinsen Matthew Predny
Milan Stage Manager
Adinah Alexander Anne Tolpegin Verity Quade Denise Devlin
Maggie
Caroline Bowman Blair Goldberg Sophie Isaacs Hilary Cole
Young Charlie
Sebastian Hedges Thomas Anthony Picarello Beau Cripps
Ben Dawson
Edward Green Esau Burkert
Jaicub Burkert
Cody Hayes
Tyler Mackay
Young Lola
Marquise Neal Andrew Theo Johnson Nana Agyeman-Bediako
James Gava
Tumo Reetsang Aaron David
Oliver De Los Santos
William Oakley
Joel Supnet
Broadway replacements
Charlie Price: Killian Donnelly[31], Brendon Urie, Jake Shears
Lola/Simon: Wayne Brady,[32] Todrick Hall[33]
Lauren: Taylor Louderman, Kirstin Maldonado
West End Replacements:
Charlie Price: David Hunter
Lola: Simon-Anthony Rhoden
Lauren: Verity Rushworth
Don: Alan Mehdizadeh[34]
Production history[edit]
Chicago and Broadway[edit]
On February 6, 2012, the Chicago Tribune reported that Kinky Boots' producers were considering taking advantage of an incentive program from the State of Illinois for out-of-town tryouts for Broadway shows.[35] The October 2012 pre-Broadway Chicago tryout was announced on February 22, 2012.[36][37] On June 28, 2012 the full Chicago cast was announced.[38] The production was rehearsed at the New 42nd Street Studios in New York City in September 2012. The show began its pre-Broadway run at the Bank of America Theatre in Chicago, on October 2, 2012, which continued until November 4, 2012.[9][17][39] The show was directed and choreographed by Mitchell; scenic design was by David Rockwell, costumes by Gregg Barnes, lighting by Kenneth Posner and sound by John Shivers. The music director and orchestrator was Stephen Oremus. The director and design team had gained previous critical acclaim and theatre or music awards. Mitchell had won a Tony Award for choreographing the 2005 revival of La Cage aux Folles; Barnes and Posner had won Tonys; and Rockwell had been nominated for Tonys and other theatre awards.[16][17][18]
Mitchell and Rockwell had previously collaborated on Hairspray, Catch Me If You Can and Legally Blonde.[40] Mitchell told The New York Times that the "Everybody Say Yeah" scene, in which the cast celebrates the creation of the first pair of Kinky Boots with a choreographed celebration on conveyor belts, required repeated innovations and adjustments like the eventual addition of safety rails and actor controls for the apparatus.[41] Designer Derek McLane commented that it is not uncommon for repeat choreographer/set designer collaborations to result in intriguing innovation like the conveyor belt dance scene in Kinky Boots. McLane was impressed with the "series of conveyor belts that came apart, moved around, and fit the context of the story" in order to accentuate the choreography of "a troupe of men in four-inch heels". With respect to the conveyor belts, he said, "They've never been used as dynamically as this, creating a series of surprises, with the kind of wild athleticism that actually looks dangerous. It's one of the more thrilling combinations of stage design and choreography that I can recall."[40]
Kinky Boots on the marquee of the Al Hirschfeld Theatre
After the tryout, the team went back to work, adding a new musical number for Charlie and a second song in the drag club, removing another song, and revising the book.[3] The Broadway debut started previews on March 3, 2013 at the Al Hirschfeld Theatre, with the official opening on April 4, 2013.[42][43] Both the Chicago and original Broadway casts starred Billy Porter as Lola, Stark Sands as Charlie and Annaleigh Ashford as Lauren.[17][38] Porter, in particular, was singled out for critical praise.[44][45]
The New York Times noted that in the 2012–13 season, most of the new Broadway musicals were "inspired by movies or books".[10] The paper found the show timely for its treatment of problems that paralleled those at the time of its production, including "chronic unemployment, financial distress and the collapse of manufacturing".[43] Prior to the June 9, 2013 Tony Awards, Kinky Boots had trailed its box office competitor, Matilda the Musical,[46] in advance sales.[47] However, less than a month after opening, Kinky Boots surpassed this rival in weekly box office gross.[48] Kinky Boots won a season-high six Tony Awards, including Best Musical. The next day, the show sold $1.25 million tickets, and its advance ticket sales for future dates became a hot commodity.[47] In the weeks following its Tony wins, the show became so popular that in the beginning of July a special ticket lottery system was created to keep fans from camping outside the theatre.[49] Kinky Boots set a new box-office record at the Al Hirschfeld Theatre,[50] and "recouped its $13.5 million capitalization in a relatively quick 30 weeks of performances",[51] which was "faster than any big budget musical in recent history."[52][53] In October 2013, Kinky Boots had the second highest premium-price tickets on Broadway behind only The Book of Mormon.[51] As of 7 May 2017[update], the show had grossed just over $235 million.[54] Following Balme’s commodification paradigm, one could suggest Kinky Boots’ unprecedented financial power is a consequence of the musical’s ability to “tap into aspects of a society's ideological make-up”,[55] such as issues regarding financial strife [56] and LGBTI discrimination.[57]
The musical’s economic clout empowers a shift in the American cultural climate, engendering acceptance of cross-dressing and transgender individuals.[58].For example, on November 28, 2013, members of the cast performed the finale of the show in the nationally televised Macy's Thanksgiving Day Parade. Many viewers commented that, in their opinion, the performance was inappropriate for a family program.[59][60] By contrast, some spectators applauded the performance for sharing messages of “inclusivity” and “diversity”. [61] Thus, demonstrating how the musical’s financial power played a strong role in “starting a dialogue”, both support and criticism, facilitating the necessary steps to “open peoples’ minds” [62] and hearts towards LGBTI Americans. Fierstein responded that the show's inclusion in the parade reflected decreasing prejudice and increased tolerance for LGBT people in society.[63] The performance of August 26, 2015 marked the 1000th Broadway performance for the production.[64]
Kinky Boots the Musical at the Royal Alexandra Theatre, Toronto, Canada June 2015 to May 2016.
Toronto[edit]
The Toronto original cast, led by Alan Mingo Jr as Lola and Graham Scott Fleming as Charlie, began rehearsals with Jerry Mitchel and the Broadway creative team on May 4, 2015. It began previews on June 16, 2015 with its opening night coming on June 28 to critical acclaim.[citation needed]
Initially planned to run from June to September 2015 at the Royal Alexandra Theatre, with a mostly Canadian cast,[65] by the beginning of July, the run was extended to November.[66] The run was later extended to January 3, to March 6 and finally to May 15, 2016,[67][68] as the final show before the theatre closed for a major renovation.[69]
West End[edit]
In January 2014, it was revealed Mitchell was planning a West End production and was negotiating to secure a theatre for 2015.[70] On February 6, 2015, it was confirmed the musical would begin previews at the Adelphi Theatre in London, on August 21, 2015, with its official opening night on September 15.[71] Tickets went on sale on March 2.[72] On April 23, 2015, it was confirmed that Killian Donnelly and Matt Henry would play Charlie and Lola respectively, with other cast members including Amy Lennox as Lauren, Amy Ross as Nicola, Jamie Baughan as Don and Michael Hobbs as George.[73] The West End production became London's first paperless and mobile ticketing operation.[74] Although the show is set in a British town, it took a concerted effort to remove Americanisms from the Broadway production.[75] On May 5, 2017 it was announced that Matt Henry will depart from the role of Lola after 2 years in the role. He performed around 750 performances by time of departure on July 8, 2017. The production is currently booking until June 30, 2018.[76] however, with the announcement of the UK tour beginning in September 2018, it was announced the West End production will continue to run alongside the tour. On January 15, 2018, the West End production celebrated 1000 performances. [77]
Other productions[edit]
Kinky Boots South Korean production in 2016
A US national tour began at the Smith Center for the Performing Arts in Las Vegas on September 4, 2014.[78] The role of Lola is set to be played by Kyle Taylor Parker.[79] Porter took a week off from the Broadway production to perform with the National tour when it visited his home town of Pittsburgh from August 4 through August 9, 2015, at the Benedum Center.[80]
A South Korean production is planned to run from December 2, 2014, to February 22, 2015, at the Chungmu Art Hall (충무아트홀 대극장) in Seoul.[81]
The Melbourne production is opened on October 12, 2016, at Her Majesty's Theatre.[82] [83] The cast includes Callum Francis, from the London production as Lola, Toby Francis as Charlie. Joining them are Sophie Wright (Lauren), Daniel Williston (Don), Teagan Wouters (Nicola) and Nathan Carter (George).[84]
Malmö Opera House opened its 2016/17 season with the Scandinavian premiere of Kinky Boots on September 3, 2016.[85] It is sung in Swedish.
The show will premiere in Germany in Autumn 2017, with Gino Emnes and Dominik Hees leading the production as Lola and Charlie Price.[86]
A Polish production is set to premiere on July 7, 2017, in Teatr Dramatyczny w Warszawie.[87]
A UK Tour will start on September 19, 2018, at the Royal & Derngate in Northampton, where the show is set and will continue into 2019.[88]
Critical reaction[edit]
Upon its October 2012 Chicago opening, Chicago Tribune critic Chris Jones described the show as a "warm, likable, brassy, sentimental, big-hearted and modestly scaled" production.[89] Another reviewer praised the score, book, direction and, particularly, Porter, before suggesting that, before opening on Broadway, it could use a more effective opening number, better pacing in Act 2 and "the budding romance between Charlie and coworker Lauren ... needs more lead-in. In other words, give Ashford, a clear crowd favorite, more to do".[45]
The musical's Broadway debut received mixed to positive reviews.[90] The show was awarded a "Critic's Pick" designation by The New York Times, Time Out New York and New York Magazine, and was included in Entertainment Weekly magazine's "Must See" list.[91]
Ben Brantley of The New York Times gave a warm review, calling it "inspired" and comparing the work to other successful recent Broadway musicals: "Like The Full Monty (choreographed by Mr. Mitchell) and Billy Elliot the Musical, it is set in a hard-times British factory town, where jobs are in jeopardy and spirits need lifting. Like La Cage aux Folles and Priscilla Queen of the Desert, it presents drag queens as the show’s official spirit lifters. And like Hairspray, the musical this production most resembles in tone, Kinky Boots is about finding your passion, overcoming prejudice and transcending stereotypes."[92] Brantley wrote that Lauper's "love- and heat-seeking score" wowed with her "trademark ... mix of sentimentality and eccentricity", and that the costumes and boots courtesy of Gregg Barnes made for "big red scene stealers". He also praised “Raise You Up/Just Be,” as "one of the best curtain numbers since 'You Can’t Stop the Beat' sent Hairspray audiences dancing out of the theater.” Brantley, however, did not extend his praise to Fierstein's script, writing that his "sticky, sermonizing side" comes through in the second half, where "all the clichés stand naked before you."[92]
The theatre critic for Time Out New York called the show "the very model of a modern major musical."[93] The Associated Press termed it "a big ol’ sweet love story about sons, the families we make and red patent leather. ... Thank goodness for Harvey Fierstein – he spins theatrical magic", but despite criticisms of the script the “perpetual cheer-churning machine” that is Kinky Boots certainly serves an important end goal; to empower not just its central characters, but the entire audience, in the spirit of acceptance.[94] According to Grossman, Kinky Boots facilitates the retraining of the eye to gender conventions and “repositions the marginalised figure as central to the spectacle of mass theatre... enacting a shift in the perspective of the viewer”.[95] The finale “Raise You Up/Just Be” epitomises the empowerment of the individual, empowerment to “Just Be” regardless of the “oppressive gender roles directly connected to patriarchal views of legacy and inheritance”[96] under which Charlie and Lola initially suffer. Entertainment Weekly said "Cyndi Lauper's infectious score is cause for celebration."[97] New York Magazine,[98] The New York Post,[99] The Washington Post[100] and Variety all gave mostly favorable reviews.[101]
Los Angeles Times theater critic Charles McNulty criticized Lauper's "novice mistakes" with a score that "never establishes a compositional through line" and saying that while "Fierstein's heart is in the right place ... the show's earnestness sinks it", adding that "if [the show] weren't such a cheesy commercial mess, it might actually be fun".[102] Joe Dziemianowicz of the New York Daily News wrote that while the "script has issues like a pair of shoes" that don't quite fit, "Mitchell's production moves lickety-split" and "Porter ... is a force of nature as Lola." But, he added, Lauper's "multicolored, surprising and fun" score outshines the fancy footwear and proves to be the "real star of this show".[44] Writing for The Guardian, David Cote noted that the decision to use American actors for an adaptation that maintained the Northampton setting resulted in a disconcerting inconsistency in terms of accents.[103] The Wall Street Journal gave the show a negative review, calling it "an imitation heart-warming British working-class musical with a gay angle and a maudlin ending. ... Kinky Boots is its own spoiler alert, the kind of musical in which you recite the dialogue a half-beat ahead of the actors. ... [the score] sounds like ... "Cyndi: The Deservedly Forgotten Late-'80s B-Sides."[104] A review in The Bergen Record said that the show "sorely lacks is a dramatic commitment to what it's doing. Which is why a show that seems to make few false steps is so relentlessly tedious," calling it "dull" and "synthetic".[105] Talkin' Broadway also gave the show a negative review.[106] The Village Voice,[107] AM New York,[108] and NBC turned in lukewarm reviews.[109]
In 2014, Kinky Boots began a United States national tour, which has also garnered mostly positive reviews.[110] Democrat and Chronicle[111] raved, “Flashy, funny and uplifting, Kinky Boots has appeal — and lots of it — for all ‘ladies, gentleman and those who are yet to make up their mind.’” BroadwayWorld Los Angeles[112] offered “praise to the entire triple threat ensemble!“ The Republic[113] countered, “Despite the fiery showstopper "Sex Is in the Heel," however, "Kinky Boots" is surprisingly short on sex appeal, and the cheerleaderish troupe of drag queens called Angels don't have any of the transgressive appeal of the Cagelles from Fierstein's earlier hit "La Cage aux Folles." CBS Minnesota[114] summed it up as “loud, proud and a tubular sensation.”
In Toronto, Canada, Kinky Boots opened on June 28 to critical acclaim. The Globe and Mail writing "Exuberant! Inspired! Terrific! Splendid fun! Excellent Canadian Cast...A tour de force!". The Toronto Star wrote "Kinky Boots is the spectacular celebration of song, dance and comedy you've got to enjoy this summer. Cue the dancing in the street. Bravo!". National Post said " THE BEST! The most inventive musical I've seen in ages. Joyous! Ingenious! Very funny!". And TVO stated "A complete triumph. One of the best musicals I've ever seen. Kinky Boots is crazy good."
The London production received mostly raves, with the London Evening Standard writing, "The thigh's the limit for this high-kicking London musical," calling it "a glorious high-kicking romp," and adding that "...its energy is infectious."[115] Time Out London called it "dazzling, fabulously sassy and uplifting," explaining "It's not all glitz and high-kicks...there are some grittier moments that give the show an edgier feel."[116] And Digital Spy proclaimed it "hilarious, heartwarming, and a hell of a lot of fun," offering special praise for the show's star: "Matt Henry...truly steals the show...He is utterly commanding in the role, and you instantly root for him."[117]
Kinky Boots adds to the public discourse of gender, and its flexibility and fluidity. The prevalence of drag culture in mainstream media has introduced a step of separation between femininity and “being female”.[118] While the show preaches a message of acceptance, this separation of impersonation and identity can cause issues for the transgender community.
Awards and nominations[edit]
Further information: List of awards and nominations for the musical Kinky Boots
Matilda had been the pre-Award season favorite, but as the season progressed, it became clear that Kinky Boots and the revival of Pippin would provide serious competition.[119] Early in the 2013 awards season, Kinky Boots did well, receiving Drama League Award nominations for Distinguished Production of a Musical and Distinguished Performance, for both Porter and Sands,[120] and winning for Distinguished Production.[121] The show received nine Outer Critics Circle Award nominations, winning three, including Outstanding New Broadway Musical, Outstanding New Score and Outstanding Actor in a Musical (Porter).[122] The musical received only two Drama Desk Award nominations, however, and only one win: Porter for Outstanding Actor in a Musical.[123] New York Times theatre writer Patrick Healy, however, reported that some Tony voters found Matilda "dark" and "a bit chilly", and accurately predicted that "while the cleverness of Matilda may be enough to win best book, the warmth of Kinky Boots will be enough to score an upset and take the top Tony for best musical."[119]
Kinky Boots received a season-high 13 Tony Award nominations.[124] Matilda, which The New York Times described as the "unalloyed critical hit" of the season, received 12 nominations, 11 of them in the same categories as Kinky Boots.[125] In addition to its critical success, Matilda had won the Drama Desk Award for outstanding musical and had set a record by winning the most Olivier Awards in history.[126] Nevertheless, Kinky Boots won a season-high six Tonys, including Best Musical, which the press described as an upset, and Lauper's win for Best Score made her the first woman to win alone in that category.[127] The creative team are Americans, and reviewer David Cote, an American writing in The Guardian, judged that the show's win was a case of "the balance of love going to a homegrown American musical, Kinky Boots, over the British import Matilda."[103] The other Tony wins were for best actor (Porter), sound design (Shivers), choreography (Mitchell) and orchestrations (Oremus). Fierstein, Sands, Ashford, Mitchell (as director) and the three other designers were all nominated but did not win.[124] Kinky Boots also won the 2013 Artios Award for Outstanding Achievement in Casting in the Broadway musical category.[128]
The West End production won the Evening Standard Radio 2 Audience Award for Best New Musical, which was based on voting by the public at the 2015 Evening Standard Theatre Awards.[129] The show earned seven nominations for the 2016 Laurence Olivier Awards, which was second to a revival of Gypsy, which earned eight nominations.[130] Kinky Boots won three Olivier Awards: Best New Musical, Best Actor in a Musical and Best Costume Design, trailing only Gypsy's four awards.[131]
Recordings[edit]
Main article: Kinky Boots (Broadway cast album)
A Broadway original cast album, produced by Lauper, Oremus and William Wittman[132] was released on May 28, 2013.[133] It premiered at number one on the Billboard Cast Albums Chart and number fifty-one on the Billboard 200 chart,[134] making it the highest charting Broadway cast recording since The Book of Mormon's album was released two years earlier.[135] Before the Chicago tryout, "Sex Is in the Heel" became the first Broadway song to reach the top 10 of the Billboard club charts in 25 years.[11] "Land of Lola" was released as a dance remix by Wayne G. & LFB in June 2013.[136] The album received a favorable review in Playbill from Steven Suskin[137] and won the Grammy Award for Best Musical Theater Album.[138]
A West End Original Cast Recording was recorded live at the Adelphi Theatre and released April 1, 2016.[139] The West End cast recording was nominated for a 2017 Grammy Award for Best Musical Theater Album.[140]
Notes[edit]
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Jump up ^ Suskin, Steven (August 4, 2013). "On the Record: The New Broadway Cast Album of Kinky Boots and Audra McDonald's "Go Back Home"". Playbill. Archived from the original on December 3, 2013. Retrieved November 7, 2013.
Jump up ^ Hetrick, Adam (January 26, 2014). "Kinky Boots Wins Grammy Award for Best Musical Theater Album". Playbill. Archived from the original on February 1, 2014. Retrieved January 27, 2014.
Jump up ^ "Kinky Boots to release West End cast recording". whatsonstage.com. What's On Stage. March 4, 2016. Retrieved March 11, 2016.
Jump up ^ Viagas, Robert. " 'Waitress' and 'Bright Star' Cast Albums Among Grammy Award Nominees" Playbill, December 6, 2016
External links[edit]
Official website
Kinky Boots at IBDb
Kinky Boots at Playbill Vault
Kinky Boots at Theater Mania
Kinky Boots at Tony Awards.com
[show]
v
t
e
Cyndi Lauper
Discography
Studio albums
She's So Unusual
True Colors
A Night to Remember
Hat Full of Stars
Sisters of Avalon
Merry Christmas ... Have a Nice Life
Shine
At Last
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Twelve Deadly Cyns...and Then Some
Wanna Have Fun
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Hey Now! (Remixes & Rarities)
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True Colors: The Best of Cyndi Lauper
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True Colors
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Jersey Boys (2006)
Spring Awakening (2007)
In the Heights (2008)
Billy Elliot the Musical (2009)
Memphis (2010)
The Book of Mormon (2011)
Once (2012)
Kinky Boots (2013)
A Gentleman's Guide to Love and Murder (2014)
Fun Home (2015)
Hamilton (2016)
Dear Evan Hansen (2017)
Complete list
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(2001–2025)
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Tony Award for Best Original Score (2001–2025)
The Producers by Mel Brooks (2001)
Urinetown by Mark Hollmann and Greg Kotis (2002)
Hairspray by Marc Shaiman and Scott Wittman (2003)
Avenue Q by Robert Lopez and Jeff Marx (2004)
The Light in the Piazza by Adam Guettel (2005)
The Drowsy Chaperone by Lisa Lambert and Greg Morrison (2006)
Spring Awakening by Duncan Sheik and Steven Sater (2007)
In the Heights by Lin-Manuel Miranda (2008)
Next to Normal by Tom Kitt and Brian Yorkey (2009)
Memphis by David Bryan and Joe DiPietro (2010)
The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (2011)
Newsies by Alan Menken and Jack Feldman (2012)
Kinky Boots by Cyndi Lauper (2013)
The Bridges of Madison County by Jason Robert Brown (2014)
Fun Home by Jeanine Tesori and Lisa Kron (2015)
Hamilton by Lin-Manuel Miranda (2016)
Dear Evan Hansen by Benj Pasek and Justin Paul (2017)
Complete list
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(1976–2000)
(2001–2025)
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Merrily We Roll Along (2001)
Our House (2003)
Jerry Springer: The Opera (2004)
The Producers (2005)
Billy Elliot (2006)
Caroline, or Change (2007)
Hairspray (2008)
Jersey Boys (2009)
Spring Awakening (2010)
Legally Blonde (2011)
Matilda the Musical (2012)
Top Hat (2013)
The Book of Mormon (2014)
Sunny Afternoon (2015)
Kinky Boots (2016)
Groundhog Day (2017)
Complete list
(1976–2000)
(2001–2025)
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Windows 7 editions
From Wikipedia, the free encyclopedia
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Part of a series on
Windows 7
New features
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Editions
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e
Windows 7, a major release of the Microsoft Windows operating system, was available in six different editions: Starter, Home Basic, Home Premium, Professional, Enterprise and Ultimate. Only Home Premium, Professional, and Ultimate were widely available at retailers.[1] The other editions focus on other markets, such as the software development world or enterprise use. All editions support 32-bit IA-32 CPUs and all editions except Starter support 64-bit x64 CPUs. 64-bit installation media are not included in Home-Basic edition packages, but can be obtained separately from Microsoft.
According to Microsoft, the features for all editions of Windows 7 are stored on the machine, regardless of which edition is in use.[2] Users who wish to upgrade to an edition of Windows 7 with more features could use Windows Anytime Upgrade to purchase the upgrade and to unlock the features of those editions.[1][2][3] Microsoft announced Windows 7 pricing information for some editions on June 25, 2009, and Windows Anytime Upgrade and Family Pack pricing on July 31, 2009.[1][4][5]
Contents
1 Main editions
2 Special-purpose editions
3 Upgrade editions
3.1 Upgrade compatibility
3.2 Anytime Upgrade editions
4 Derivatives
5 Comparison chart
6 See also
7 Notes
8 References
9 Further reading
Main editions[edit]
Since October 31, 2013, Windows 7 is no longer available in retail (except for the Professional edition preinstalled which was discontinued on October 31, 2016):[6]
Windows 7 Starter
Windows 7 Starter is the edition of Windows 7 that contains the fewest features. It is only available in a 32-bit version and does not include the Windows Aero theme. The desktop wallpaper and visual styles (Windows 7 Basic) are not user-changeable. In the release candidate versions of Windows 7, Microsoft intended to restrict users of this edition to running three simultaneous programs, but this limitation was dropped in the final release.[7] Does not support more than 2GB of RAM.
This edition was available pre-installed on computers, especially netbooks or Windows Tablets, through system integrators or computer manufacturers using OEM licenses.[1][8][9]
Windows 7 Home Basic
Windows 7 Home Basic was available in "emerging markets", in 141 different countries.[10] Some Windows Aero options are excluded along with several new features.[1] This edition is available in a 64-bit version and supports up to 8GB of RAM. Home Basic, along with other editions sold in emerging markets, include geographical activation restriction, which requires users to activate Windows within a certain region or country.[11]
Windows 7 Home Premium
This edition contains features aimed at the home market segment, such as Windows Media Center, Windows Aero and multi-touch support. It was available in both 32-bit and 64-bit versions.[12]
Windows 7 Professional
This edition is targeted towards enthusiasts, small-business users and schools.[1] It includes all the features of Windows 7 Home Premium, and adds the ability to participate in a Windows Server domain.[1] Additional features include support for up to 192 GB of random-access memory (increased from 16 GB),[13] operating as a Remote Desktop server, location aware printing, backup to a network location, Encrypting File System, Presentation Mode, Software Restriction Policies (but not the extra management features of AppLocker) and Windows XP Mode.[1] It, too, was available in both 32-bit and 64-bit versions.[12]
Windows 7 Enterprise
This edition targeted the enterprise segment of the market and was sold through volume licensing to companies which have a Software Assurance contract with Microsoft.[1] Additional features include support for Multilingual User Interface (MUI) packages, BitLocker Drive Encryption, and UNIX application support.[1] Not available through retail or OEM channels, this edition is distributed through Microsoft Software Assurance (SA).[1] As a result it includes several SA-only benefits, including a license allowing the operating of diskless nodes (diskless PCs) and activation via VLK.[14]
Windows 7 Ultimate
Windows 7 Ultimate contains the same features as Windows 7 Enterprise, but unlike the Enterprise edition, it was available to home users on an individual license basis.[1] Windows 7 Home Premium and Windows 7 Professional users are able to upgrade to Windows 7 Ultimate for a fee using Windows Anytime Upgrade if they wish to do so.[1] Unlike Windows Vista Ultimate, the Windows 7 Ultimate edition does not include the Windows Ultimate Extras feature or any exclusive features as Microsoft had stated.[1]
Mainstream support for all editions (new features and bug fixes) ended as of January 2015, but extended support (security updates) will continue until January 2020.[15]
Special-purpose editions[edit]
The main editions also can take the form of one of the following special editions:
N and KN editions
The features in the N and KN Editions are the same as their equivalent full versions, but do not include Windows Media Player or other Windows Media-related technologies, such as Windows Media Center and Windows DVD Maker due to limitations set by the European Union and South Korea, respectively.[16] The cost of the N and KN Editions are the same as the full versions, as the Media Feature Pack for Windows 7 N or Windows 7 KN can be downloaded without charge from Microsoft.[17]
VL builds
VL builds work with VLKs (volume license keys). Volume license keys can be used to activate multiple installations of the software without any mechanism (such as a product activation mechanism) checking the total number of installations. The license for the software will place restrictions on the use of the key. Typically, the license will limit the key to a fixed number of installations which must only be within the licensee's organization and also place the licensee under an obligation to keep a record of the number of installations, keep the key confidential and possibly even require that the licensee organization makes itself available for a software licensing audit to verify that its use of the key is within the terms of the license.
Upgrade editions[edit]
In-place upgrade from Windows Vista with Service Pack 1 to Windows 7 with is supported if the processor architecture and the language are the same and their editions match (see below).[1][3][18] In-place upgrade is not supported for earlier versions of Windows; moving to Windows 7 on these machines requires a clean installation, i.e. removal of the old operating system, installing Windows 7 and reinstalling all previously installed programs. Windows Easy Transfer can assist in this process.[1][3][19][20] Microsoft made upgrade SKUs of Windows 7 for selected editions of Windows XP and Windows Vista. The difference between these SKUs and full SKUs of Windows 7 is their lower price and proof of license ownership of a qualifying previous version of Windows. Same restrictions on in-place upgrading applies to these SKUs as well.[21] In addition, Windows 7 is available as a Family Pack upgrade edition in certain markets, to upgrade to Windows 7 Home Premium only. It gives licenses to upgrade three machines from Vista or Windows XP to the Windows 7 Home Premium edition. These are not full versions, so each machine to be upgraded must have one of these qualifying previous versions of Windows for them to work.[22] In the United States, this offer expired in early December 2009.[23] In October 2010, to commemorate the anniversary of Windows 7, Microsoft once again made Windows 7 Home Premium Family Pack available for a limited time, while supplies lasted.[24]
Upgrade compatibility[edit]
There are two possible ways to upgrade to Windows 7 from an earlier version of Windows:
An in-place install (labelled "Upgrade" in the installer), where settings and programs are preserved from an older version of Windows. This option is only sometimes available, depending on the editions of Windows being used, and is not available at all unless upgrading from Windows Vista.[25]
A clean install (labelled "Custom" in the installer), where all settings including but not limited to user accounts, applications, user settings, music, photos, and programs are erased entirely and the current operating system is erased and replaced with Windows 7. This option is always available and is required for all versions of Windows XP.[26]
The table below lists which upgrade paths allow for an in-place install. Note that in-place upgrades can only be performed when the previous version of Windows is of the same architecture. If upgrading from a 32-bit installation to a 64-bit installation or downgrading from 64-bit installation to 32-bit installation, a clean install is mandatory regardless of the editions being used.
Version and its
specific edition of
Windows to
upgrade from
Edition of Windows 7 to upgrade to
Home
Basic
Home
Premium
Professional
Enterprise
Ultimate
Vista Home Basic In-place In-place Clean Clean In-place
Vista Home Premium Clean In-place Clean Clean In-place
Vista Business Clean Clean In-place In-place In-place
Vista Enterprise Clean Clean Clean In-place Clean
Vista Ultimate Clean Clean Clean Clean In-place
XP Clean Clean Clean Clean Clean
In-place installation option available.
Requires clean install.
Anytime Upgrade editions[edit]
Microsoft also supported in-place upgrades from a lower edition of Windows 7 to a higher one, using the Windows Anytime Upgrade tool.[1] There are currently three retail options available (though it is currently unclear whether they can be used with previous installations of the N versions).[27] There are no family pack versions of the Anytime Upgrade editions. It was possible to use the Product Key from a Standard upgrade edition to accomplish an in-place upgrade (e.g. Home Premium to Ultimate).[28][29]
Starter to Home Premium
Starter to Professional1
Starter to Ultimate1
Home Premium to Professional
Home Premium to Ultimate
Professional to Ultimate1
1 Available in retail, and at the Microsoft Store
Derivatives[edit]
Windows Thin PC
On February 9, 2011, Microsoft announced Windows Thin PC, a branded derivative of Windows Embedded Standard 7 with Service Pack 1, designed as a lightweight version of Windows 7 for installation on low performance PCs as an alternative to using a dedicated thin client device. It succeeded Windows Fundamentals for Legacy PCs, which was based on Windows XP Embedded. Windows Thin PC was released on June 6, 2011. Windows Thin PC is supported until October 12, 2021.[30]
Embedded versions
Windows 7 is also currently available as a form of Windows Embedded to developers, named as Windows Embedded Standard 7 (previously known as Windows Embedded 2011, the newest being Windows Embedded Standard 7 with Service Pack 1). Windows Embedded Standard 7 is supported until October 13, 2020.[31]
Comparison chart[edit]
Windows 7 edition comparison chart[1][3][4][14][19][32][33][34]
Features
Starter
Home Basic
Home Premium
Professional
Enterprise
Ultimate
Licensing scheme OEM licensing Retail and OEM
licensing in
emerging markets Retail and OEM
licensing Retail, OEM and
volume licensing[35] Volume licensing[35] Retail and OEM
licensing
Maximum physical memory (RAM) (32-Bit)[36] 2 GB 4 GB 4 GB 4 GB 4 GB 4 GB
Maximum physical memory (RAM) (64-Bit)[36] N/A 8 GB 16 GB 192 GB 192 GB 192 GB
Maximum physical CPUs supported[a][37] 1 1 1 2 2 2
Built-in AVCHD support[38] No Yes Yes Yes Yes Yes
Multiple monitors No Yes Yes Yes Yes Yes
Fast user switching No Yes Yes Yes Yes Yes
Desktop Window Manager No Yes Yes Yes Yes Yes
Windows Mobility Center No Yes Yes Yes Yes Yes
Printing via the Internet No[39] Yes Yes Yes Yes Yes
Windows Parental Controls[40] No Yes Yes Yes Yes Yes
64-bit edition available? No Yes, but not in retail SKUs Yes Yes Yes Yes
Windows Aero No Partial Yes Yes Yes Yes
Internet connection sharing No No Yes Yes Yes Yes
Built-in DVD (MPEG-2 and Dolby Digital) decoder[3] No No Yes Yes Yes Yes
Multi-touch No No Yes Yes Yes Yes
Windows Media Center No No Yes Yes Yes Yes
Windows Media Player remote media experience[b] No No Yes[41] Yes[41] Yes[41] Yes[41]
Premium games included No No Yes Yes[c] Yes[c] Yes
HomeGroup support Join only Join only Create or join Create or join Create or join Create or join
Back up to network with Backup and Restore Center[43] No No No Yes Yes Yes
Act as host for Remote Desktop Services No No No Yes Yes Yes
Dynamic disks[44] No No No Yes Yes Yes
Encrypting File System No No No Yes Yes Yes
Location-aware printing No No No Yes Yes Yes
Presentation mode No No No Yes Yes Yes
Group Policy[45] No No No Yes Yes Yes
Offline files and folder redirection[45] No No No Yes Yes Yes
Windows Server domain joining No No No Yes Yes Yes
Windows XP Mode[d] No No No Yes Yes Yes
Software restriction policies No No No Yes Yes Yes
Remote administration tools No No No Yes Yes Yes
Active Directory Lightweight Directory Services (AD LDS)[e] No No No Yes Yes Yes
AppLocker No No No Create policies, but cannot enforce Create and enforce policies Create and enforce policies
Aero glass remoting[46][47] No No No No Yes Yes
Windows Media Player multimedia redirection[47] No No No No Yes[41] Yes[41]
Audio recording over Remote Desktop Connection[47] No No No No Yes Yes
Multi-display Remote Desktop Connection[47] No No No No Yes Yes
Enterprise search scopes[45]:130 No No No No Yes Yes
Federated search[48] No No No No Yes Yes
BitLocker Drive Encryption No No No No Yes Yes
BranchCache Distributed Cache No No No No Yes Yes
DirectAccess No No No No Yes Yes
Subsystem for Unix-based Applications No No No No Yes Yes
Supports Multilingual User Interface packages No No No No Yes Yes
Virtual desktop infrastructure (VDI) enhancements[45]:130 No No No No Yes Yes
Virtual desktop infrastructure (VDI) licensed[49] No No No No Yes Yes
VHD booting[f] No No No No Yes Yes
Switching between any of the 37 available languages[51][52] No No No No Yes[52] Yes[52]
Features
Starter
Home Basic
Home Premium
Professional
Enterprise
Ultimate
See also[edit]
Windows 2000 editions
Windows XP editions
Windows Vista editions
Windows 8 editions
Windows 10 editions
Notes[edit]
Jump up ^ Not the same as logical processor limits: all editions are limited to 32 logical processors for IA-32 and 256 for x64
Jump up ^ Feature of Windows Media Player which enables the use and control of media libraries on other computers
^ Jump up to: a b Disabled by default.[42]
Jump up ^ Windows Virtual PC including a complete copy of Windows XP with Service Pack 3 using Remote Desktop Protocol to display individual applications integrated with the host OS (Windows 7). Windows XP Mode is available as a free download from Microsoft.
Jump up ^ formerly Active Directory Application Mode (ADAM)
Jump up ^ Any edition of Windows 7 can be installed onto a VHD volume; these installations even appear in the boot menu. However, only Enterprise or Ultimate editions start. Other editions return an error message.[50]
References[edit]
^ Jump up to: a b c d e f g h i j k l m n o p q r "All Windows 7 Versions—What You Need to Know". ExtremeTech. February 5, 2009. Retrieved February 5, 2009.
^ Jump up to: a b LeBlanc, Brandon (February 9, 2009). "A closer look at the Windows 7 SKUs". Windows Team Blog. Microsoft. Retrieved February 9, 2009.
^ Jump up to: a b c d e Thurrott, Paul (February 3, 2009). "Windows 7 Product Editions". Retrieved February 3, 2009.
^ Jump up to: a b "Microsoft unveils 'screaming deals' for Windows 7". ZDNet. June 25, 2009. Retrieved June 25, 2009.
Jump up ^ "Windows Anytime Upgrade and Family Pack Pricing". Microsoft. July 31, 2009. Retrieved July 31, 2009.
Jump up ^ "Windows lifecycle fact sheet". support.microsoft.com.
Jump up ^ Keizer, Gregg (May 29, 2009). "Microsoft kills Windows 7 Starter's 3-app limit". Computer World.
Jump up ^ "Windows 7 Wins on Netbook PCs". Microsoft. February 3, 2009. Retrieved February 3, 2009.
Jump up ^ "Microsoft forbids changes to Windows 7 netbook wallpaper". The Register. June 19, 2009. Retrieved October 22, 2009.
Jump up ^ Hachman, Mark (February 4, 2009). "The Windows 7 Versions: What You Need to Know". PC Magazine. Windows 7 Home Basic. Retrieved October 22, 2011.
Jump up ^ "How to Tell: Geographically Restricted Microsoft Software". Microsoft. Retrieved November 17, 2009.
^ Jump up to: a b "All Windows 7 Versions—What You Need to Know – Windows Home Premium". ExtremeTech. February 5, 2009. Retrieved February 5, 2009.
Jump up ^ Bott, Ed. "Do you need more than Windows 7 Home Premium?". ZDNet. CBS Interactive. Retrieved January 15, 2014.
^ Jump up to: a b "Products: Windows 7 Enterprise". Microsoft. Retrieved April 2, 2009.
Jump up ^ "Microsoft product support lifecycle information by product family: Windows 7". Microsoft. Retrieved February 20, 2012.
Jump up ^ "Description of the Windows Media Feature Pack for Windows 7 N and for Windows 7 KN". Microsoft. November 10, 2009. Retrieved April 24, 2011.
Jump up ^ "Media Feature Pack for Windows 7 N with Service Pack 1 and Windows 7 KN with Service Pack 1 (KB968211)". Microsoft. March 7, 2011. Retrieved April 24, 2011.
Jump up ^ "The Microsoft Windows 7 Upgrade Program Rev. 2.0". Tech ARP. February 10, 2009. Retrieved February 10, 2009.
^ Jump up to: a b Foley, Mary-Jo (February 3, 2009). "Microsoft's Windows 7 line-up: The good, the bad and the ugly". ZDNet. Retrieved February 17, 2009.
Jump up ^ Fiveash, Kelly (February 5, 2009). "Windows 7 'upgrade' doesn't mark XP spot". Channel Register. The Register. Retrieved February 12, 2009.
Jump up ^ "Microsoft Store UK – Windows 7". Retrieved September 14, 2009.
Jump up ^ steam blog, dated 2009/07/31, accessed September 16, 2009.
Jump up ^ Windows 7 Family Pack Discontinued
Jump up ^ Family Pack returns in time for the Anniversary of Windows 7
Jump up ^ "Windows 7 Upgrade Paths". Microsoft. Retrieved September 13, 2011.
Jump up ^ "Upgrading to Windows 7: frequently asked questions". Microsoft. Retrieved February 12, 2016.
Jump up ^ "Windows Anytime Upgrades". Amazon. Retrieved September 14, 2009.
Jump up ^ "Ultimate steal – Windows 7 Premium ok for Windows 7 Starter?". Microsoft. February 2, 2010. Retrieved August 13, 2010.
Jump up ^ "Windows 7 Student upgrade". Microsoft. December 20, 2009. Retrieved August 13, 2010.
Jump up ^ "Windows Thin PC RTMs!". Windows for your Business. Microsoft. Retrieved July 7, 2011.
Jump up ^ "Windows Embedded Standard 7 Overview". Microsoft. Retrieved April 13, 2010.
Jump up ^ "Windows 7 Editions – Features on Parade". Softpedia. February 5, 2009. Retrieved February 5, 2009.
Jump up ^ "Windows 7: Which Edition is Right For You?". PCWorld. February 3, 2009. Retrieved February 5, 2009.
Jump up ^ Bott, Ed (June 3, 2009). "From Starter to Ultimate: What's really in each Windows 7 Edition?". ZDNet. Retrieved August 14, 2009.
^ Jump up to: a b Schuster, Gavriella (September 1, 2009). "Which Windows 7 Is Best for You?". Microsoft. Retrieved August 1, 2010.
^ Jump up to: a b "Physical Memory Limits: Windows 7". Microsoft Developer Network. October 14, 2010. Retrieved November 1, 2010.
Jump up ^ "Windows 7 System Requirements". Retrieved September 29, 2010.
Jump up ^ "Windows Media Player 12". Windows 7 Features. Microsoft Corporation. Retrieved October 22, 2011.
Jump up ^ "Internet Printing client on Windows 7 Starter". Retrieved November 22, 2010.
Jump up ^ Tulloch, Mitch; Northrup, Tony; Honeycutt, Jerry (2010). Windows 7 Resource Kit. Redmond, Washington: Microsoft Press. pp. 29–30. ISBN 978-0-7356-4277-5.
^ Jump up to: a b c d e f Windows 7 N Edition does not include Windows Media Player.
Jump up ^ "Where are my games?". Microsoft. Retrieved July 30, 2014.
Jump up ^ Which one is right for you? – Microsoft Windows
Jump up ^ "You cannot select or format a hard disk partition when you try to install Windows Vista, Windows 7 or Windows Server 2008 R2". Microsoft. September 14, 2007. Retrieved December 17, 2009.
^ Jump up to: a b c d Windows 7 Product Guide
Jump up ^ Terminal services team (June 23, 2009). "Aero Glass Remoting in Windows Server 2008 R2". Microsoft. Retrieved September 16, 2009.
^ Jump up to: a b c d Terminal Services Team (August 21, 2009). "Remote Desktop Connection 7 for Windows 7, Windows XP & Windows Vista". Microsoft. Retrieved October 27, 2009.
Jump up ^ "Microsoft Windows Enterprise: Windows 7 Features". Microsoft. Retrieved November 24, 2009.
Jump up ^ 6292A Installing and Configuring Windows 7 Client: Microsoft. p14. Part Number X17-37160 Released 10/2009
Jump up ^ Shultz, Greg (September 17, 2012). "Native VHD Boot is available in all versions of Windows 7". TechRepublic. CBS Interactive. Retrieved August 19, 2014.
Jump up ^ "Why buy Windows 7 Ultimate?". Microsoft. Archived from the original on July 18, 2011. Retrieved August 9, 2011.
^ Jump up to: a b c "Windows 7 language packs are available for computers that are running Windows 7 Ultimate or Windows 7 Enterprise". Microsoft. Retrieved August 19, 2011.
Further reading[edit]
"Windows 7 Lineup Offers Clear Choice for Consumers and Businesses". Microsoft News Center. Redmond, Washington: Microsoft. February 3, 2009. Retrieved July 10, 2018.
"Brief: Licensing Windows 7 for Use with Virtual Machine Technologies" (.docx). Microsoft Volume Licensing. Microsoft. March 2010. Retrieved June 6, 2011.
Thurrott, Paul (October 6, 2010). "Windows 7 Product Editions: A Comparison". Paul Thurrott's SuperSite for Windows. Retrieved June 6, 2011.
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