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10 Cloverfield Lane
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10 Cloverfield Lane
Theatrical release poster
Directed by
Dan Trachtenberg
Produced by
J. J. Abrams
Lindsey Weber
Screenplay by
Josh Campbell
Matt Stuecken
Damien Chazelle
Story by
Josh Campbell
Matt Stuecken
Starring
John Goodman
Mary Elizabeth Winstead
John Gallagher Jr.
Music by
Bear McCreary
Cinematography
Jeff Cutter
Edited by
Stefan Grube
Production
company
Bad Robot Productions
Distributed by
Paramount Pictures
Release date
March 8, 2016 (2016-03-08) (New York City)
March 11, 2016 (2016-03-11) (United States)
Running time
104 minutes[1]
Country
United States
Language
English
Budget
$15 million[2][3]
Box office
$110.2 million[4]
10 Cloverfield Lane is a 2016 American psychological horror film directed by Dan Trachtenberg, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken and Damien Chazelle. The film stars Mary Elizabeth Winstead, John Goodman, and John Gallagher Jr. It is the second installment in the Cloverfield franchise. The film was developed from a script titled The Cellar, but under production by Bad Robot, it was turned into a spiritual successor of the 2008 film Cloverfield. The film follows a young woman who, after a car crash, wakes up in an underground bunker with two men who insist that an event has left the surface of Earth uninhabitable.
The film is presented in a third-person narrative, in contrast to its predecessor's found-footage style. It was released in the United States on March 11, 2016, in conventional and IMAX format.[5] The film received positive reviews, with many praising the performances of the cast, as well as the film's tense and suspenseful atmosphere; it grossed $110 million worldwide.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Filming
3.3 Music
4 Marketing
5 Release
6 Reception
6.1 Box office
6.2 Critical response
6.3 Accolades
7 Future
8 See also
9 References
10 External links
Plot[edit]
After breaking up with her boyfriend Ben, Michelle drives away from New Orleans. While in rural Louisiana, she hears news reports of blackouts in several major cities before she is sideswiped by a truck and knocked off the road, falling unconscious.
Michelle wakes in a locked room within an underground bunker, her wounds tended to. Howard, the bunker's owner, tells her he brought her there for her protection, claiming that the air outside has been poisoned by nuclear or chemical fallout from an unknown force. Michelle is initially hostile towards Howard, but once she has calmed down, Howard takes her on a tour of the well-stocked bunker, and meets Emmett, another survivor who found his way to it. Howard takes her to the viewport of the bunker's exit hatch, showing her two dead pigs outside as evidence of the fallout; Michelle also sees Howard's truck, and recognizes it from the accident. Michelle privately relays her concerns about Howard's motivations to Emmett.
During their first dinner together, Michelle secretly takes Howard's keys and makes her way to the hatch, but as she is about to open it, a woman, Leslie, covered in skin lesions, slams against the window demanding she be let in, then collapses. Michelle openly returns the keys and agrees that Howard was right. Howard admits to accidentally hitting her car in his panic to get to the shelter.
While the trio's relationship becomes more relaxed, Howard still shows intolerance towards Emmett and treats Michelle as a little girl; however, Howard opens up about his daughter who he states is "not with us anymore". Howard enlists Michelle to fix the air filtration unit when it fails since she is small enough to fit through the vents; while repairing it, she finds a locked skylight, with the word "HELP" scratched into its glass and visible to anyone outside. Further suspicious of Howard, Michelle and Emmett discover that Howard's purported daughter was a young girl who had gone missing about two years earlier, and they suspect he abducted her to the bunker. They make plans to escape the bunker, creating a makeshift Hazmat suit behind Howard's back. When Howard discovers tools and parts missing, he accuses the two of stealing them, threatening to immerse them in a barrel of perchloric acid. When Emmett takes sole responsibility, Howard coldly kills Emmett with a gun. In shock, Michelle is desperately making final preparations to leave, when she is surprised by Howard. She manages to escape from him with the suit. En route, she knocks over the acid barrel, burning Howard and starting an electrical fire in the bunker.
Michelle dons the suit and escapes the burning bunker onto Howard's homestead. Seeing signs of living wildlife, she takes off the suit's helmet, but then she suddenly sees a giant biomechanical alien spacecraft, drawn by the bunker fire. A quadrupedal creature drops from the craft and chases Michelle, forcing her to hide in a shed. She then races towards the farmhouse, but the craft appears and emits a green gas that forces Michelle back into the suit. Her delay allows mechanical appendages from the ship to capture her, but she is able to craft a Molotov cocktail from items in Howard's truck to throw into the ship. The fireball causes the appendage to drop her, and she is able to take the dead woman's car and escape.
As she nears the Texas border she hears radio chatter instructing any survivors to head to Baton Rouge to evacuate, but requests the help of any able-bodied person in Houston. At a crossroads, she pauses a moment before driving off towards Houston. In the distance, a larger alien craft can be seen in the sky.
Cast[edit]
Mary Elizabeth Winstead as Michelle[6]
John Goodman as Howard Stambler[7]
John Gallagher Jr. as Emmett DeWitt
Suzanne Cryer as Leslie
Bradley Cooper as Ben (voice)[8]
Production[edit]
Development[edit]
John Goodman, Mary Elizabeth Winstead and John Gallagher Jr.
10 Cloverfield Lane originated from an "ultra low budget" spec script penned by Josh Campbell and Matt Stuecken, titled The Cellar.[9][10] The Tracking Board included the script in "The Hit List" of 2012[10] – an annually published list of spec scripts written within the year that have impressed its voting members.[11] In 2012, Paramount Pictures bought the script and commenced further development under Bad Robot Productions for Insurge Pictures, Paramount's specialty label for films with a micro-budget. When Bad Robot became involved, the film was assigned the codename Valencia to keep exact details of the production a secret.[12]
Damien Chazelle was brought in to rewrite Campbell and Stuecken's draft and direct the film. Chazelle dropped out from directing when his Whiplash project received funding.[6] On April 3, 2014, it was reported production for Valencia was greenlit to begin in the fall of 2014, under the direction of Dan Trachtenberg with the latest draft being written by Dan Casey.[13] A budget of about $5 million was reported to be expected, in keeping with the mandate of Paramount's Insurge division of producing micro-budgeted films.[14]
On July 8, 2014, Variety reported John Goodman was in negotiations to star in the film.[15] On August 25, 2014, they reported Mary Elizabeth Winstead had entered negotiations,[16] and on September 22, 2014, John Gallagher Jr. reportedly joined the cast.[17]
During production, the filmmakers noticed core similarities to Cloverfield,[18] and decided to make the picture what Abrams calls "a blood relative" or "spiritual successor" of that film.[19][20] "The spirit of it, the genre of it, the heart of it, the fear factor, the comedy factor, the weirdness factor, there were so many elements that felt like the DNA of this story were of the same place that Cloverfield was born out of," said Abrams. In other interviews he explained: "Those characters and that monster [from Cloverfield] are not in this movie, but there are other characters and other monsters,"[20] and "This movie is very purposefully not called Cloverfield 2, because it's not Cloverfield 2, [...] So if you're approaching it as a literal sequel, you'll be surprised to see what this movie is. But while it's not what you might expect from a movie that has the name Cloverfield in it, I think you'll find that you'll understand the connection when you see the whole thing."[21][22][23] Winstead and Gallagher mentioned that during production they were aware that the film had thematic similarities to Cloverfield, but did not learn that there would be an official connection until they were informed of the chosen title, only a few days before the release of the trailer.[24] Abrams came up with the title after finishing Star Wars: The Force Awakens.[25][26]
In a March 2015 interview, a few months after production wrapped, Winstead was asked about her experience during Valencia and described it as a "really contained film", reiterating the premise of The Cellar about a woman being trapped with her mysterious savior in a supposed post-nuclear fallout world.[27] Later in the month, Insurge Pictures was reported to have been dismantled and its staff absorbed by its parent company. Insurge's only film that had yet to be released was reported to be Valencia.[28] Speaking of rewrites that took place during production, Winstead called them "nothing that was major".[29]
During an interview with Abrams to promote 10 Cloverfield Lane, he said the creative team behind the original had some ideas on developing Cloverfield 2, but the release of films such as Godzilla and Pacific Rim led them to abandon them as they found the concept of kaiju films played out.[21]
Filming[edit]
Principal photography on the film began on October 20, 2014 in New Orleans, Louisiana.[30] Filming took place in chronological order on only one set.[31] Scenes involving explosions, fire, and smoke were shot in early December 2014 in Hahnville, Louisiana.[32] Filming ended on December 15, 2014.[33]
Music[edit]
Bear McCreary composed the music for the film.[31] The soundtrack was digitally released on March 11, 2016.[34]
Marketing[edit]
The film's title was revealed on January 15, 2016 in a trailer attached to 13 Hours: The Secret Soldiers of Benghazi.[19] As with Cloverfield, a viral marketing campaign was used that included elements of an alternate reality game. Bad Robot kick-started the campaign in early February 2016 by updating the Tagruato.jp website used for the original film.[7] The campaign revealed backstory information about the character Howard Stambler and his daughter.[35]
Release[edit]
The film was released in select countries on March 10, 2016, in regular and IMAX theaters, before its official release in North America on March 11, also in conventional and IMAX theaters.[36] Those who attended screenings of the film at AMC IMAX theaters were eligible to receive collectible movie posters, which illustrated the three main characters separately.[37] The film was rated PG-13 by the Motion Picture Association of America for "thematic material including frightening sequences of threat with some violence, and brief language".[38]
Reception[edit]
Box office[edit]
10 Cloverfield Lane grossed $72.1 million in the United States and $38.1 million in other territories for a worldwide total of $110.2 million.[4]
In the United States and Canada, the film made $1.8 million from its Thursday night previews at 2,500 theaters,[39][40][41] and $8 million on its first day (including Thursday previews).[42] In its opening weekend, it earned $24.7 million, finishing in second place at the box office behind Zootopia ($51.3 million), which was in its second weekend.[43]
Outside North America, 10 Cloverfield Lane received a staggered release,[44] across 54 countries.[45] It earned $1.5 million in its opening weekend from six international markets with a bulk of it coming from Australia ($1 million).[44] Overall, the top openings were in the United Kingdom and Ireland ($2.2 million), South Korea ($1.7 million), and France ($1.4 million).[46][47]
Critical response[edit]
10 Cloverfield Lane received positive reviews from critics. On Rotten Tomatoes, the film has a rating of 90% based on 278 reviews, with a weighted average score of 7.5/10. The site's critical consensus reads, "Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast—and suggests a new frontier for franchise filmmaking."[48] Metacritic gives the film a score of 76 out of 100, based on 43 critics, indicating "generally favorable reviews".[49] Audiences polled by CinemaScore gave the film an average grade of "B–" on an A+ to F scale.[50]
Bill Zwecker of the Chicago Sun-Times gave 10 Cloverfield Lane four stars out of four, commending the film as "continually gripping and extremely engrossing ... [Dan Trachtenberg] helmed this film with artistry, imagination and skillful precision."[51] Jeannette Catsoulis of the New York Times praised the cast's performance and Jeff Cutter's cinematography, while writing: "Sneakily tweaking our fears of terrorism, '10 Cloverfield Lane,' though no more than a kissing cousin to its namesake, is smartly chilling and finally spectacular. A sequel is virtually a given."[52] Alan Scherstuhl of Village Voice also praised the acting and technical aspects, but wrote that the film "is less compelling in terms of character and meaning."[53]
In a mixed review for Slant, Chuck Bowen found a lack of character development between the three leads, and labeled the film's ending as anticlimactic. Bowen also writes: "The film hits its expositional narrative marks and nothing else ... 10 Cloverfield Lane will almost immediately evaporate from the mind, before J.J. Abrams commences in selling you the same thing all over again."[54] Soren Andersen of the Seattle Times, who gave 10 Cloverfield Lane one and half stars out of four, similarly criticized the film's ending, labeling it as "full-bore" and "Too little. Too late."[55] James Verniere of the Boston Herald disapproved of the characters and pacing, and he ultimately described the film as "a crummy, low-rent, intellectually bereft thriller."[56]
Accolades[edit]
Association
Category
Nominee(s)
Result
Ref.
Bram Stoker Awards Superior Achievement in a Screenplay Josh Campbell, Damien Chazelle and Matthew Stuecken Nominated [57]
Critics' Choice Awards Best Sci-Fi/Horror Movie 10 Cloverfield Lane Nominated [58]
Directors Guild of America Awards Outstanding Directing – First-Time Feature Film Dan Trachtenberg Nominated [59]
Empire Awards Best Sci-Fi/Fantasy 10 Cloverfield Lane Nominated [60]
Fangoria Chainsaw Awards Best Film 10 Cloverfield Lane Nominated [61]
Best Actor John Goodman Won
Golden Tomato Awards Best Sci-Fi/Fantasy Movie 2016 10 Cloverfield Lane 2nd Place [62]
Hollywood Music in Media Awards Best Original Score – Sci-Fi/Fantasy Film Bear McCreary Nominated [63]
[64]
IndieWire Critics Poll Best Supporting Actor John Goodman 10th Place [65]
Saturn Awards Best Thriller Film 10 Cloverfield Lane Won [66]
Best Actress Mary Elizabeth Winstead Won
Best Supporting Actor John Goodman Won
Best Editing Stefan Grube Nominated
St. Louis Gateway Film Critics Association Best Horror/Science-Fiction Film 10 Cloverfield Lane Nominated [67]
Teen Choice Awards Choice Movie: Drama 10 Cloverfield Lane Nominated [68]
Future[edit]
Having originally planned the film as a direct sequel to Cloverfield, Abrams suggested that he has thought of something that if they are lucky enough to get it made "could be really cool that [it] connects some stories" in a third film, even teasing a larger Cloverfield universe.[21][69] Interviews with Trachtenberg and Winstead confirm that the movie is, and always was intended to be, an expansion of the first film, with Trachtenberg calling it the "Cloververse".[70] Winstead has voiced her interest in returning for another installment.[71]
In October 2016, it was revealed that the Abrams-produced God Particle would be the third installment in the Cloverfield franchise.[72] After several postponements of the film's release date, it was released as a Netflix Original on February 4, 2018, under the new title The Cloverfield Paradox.
In The Cloverfield Paradox, Donal Logue cameos as Mark Stambler, a conspiracy theorist discussing the "Cloverfield Paradox"; reviewers observed that the character shares the same surname as Howard Stambler in 10 Cloverfield Lane.[73] Suzanne Cryer, who appeared as Leslie in 10 Cloverfield Lane, also appears in a brief cameo role as a newscaster who interviews Stambler.[73]
See also[edit]
List of films featuring extraterrestrials
References[edit]
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External links[edit]
Official website
10 Cloverfield Lane on IMDb
10 Cloverfield Lane at Box Office Mojo
10 Cloverfield Lane at Rotten Tomatoes
10 Cloverfield Lane at Metacritic
10 Cloverfield Lane at AllMovie
[show]
v
t
e
Cloverfield franchise
Films
Cloverfield (2008)
10 Cloverfield Lane (2016)
The Cloverfield Paradox (2018)
Comics
Cloverfield/Kishin (2008)
Characters
List of Cloverfield characters
Clover
[show]
v
t
e
J. J. Abrams
Films
Director
Mission: Impossible III (2006, also wrote)
Star Trek (2009, also produced)
Super 8 (2011, also wrote, produced)
Star Trek Into Darkness (2013, also produced)
Star Wars: The Force Awakens (2015, also wrote, produced)
Writer
Taking Care of Business (1990)
Regarding Henry (1991)
Forever Young (1992)
Gone Fishin' (1997)
Armageddon (1998)
Joy Ride (2001, also produced)
Producer
The Pallbearer (1996)
The Suburbans (1999)
Cloverfield (2008)
Morning Glory (2010)
Mission: Impossible – Ghost Protocol (2011)
Mission: Impossible – Rogue Nation (2015)
10 Cloverfield Lane (2016)
Star Trek Beyond (2016)
The Cloverfield Paradox (2018)
Mission: Impossible – Fallout (2018)
Overlord (2018)
Television
Felicity (1998–2002)
Alias (2001–2006)
Lost (2004–2010)
Fringe (2008–2013)
Undercovers (2010)
Demimonde (TBA)
Related
Bad Robot Productions
[show]
v
t
e
Damien Chazelle filmography
Films directed
Guy and Madeline on a Park Bench (2009)
Whiplash (2014)
La La Land (2016)
First Man (2018)
Written only
The Last Exorcism Part II (2013)
Grand Piano (2013)
10 Cloverfield Lane (2016)
[show]
v
t
e
Saturn Award for Best Thriller Film
World War Z (2013)
Gone Girl (2014)
Bridge of Spies (2015)
10 Cloverfield Lane (2016)
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Farrar, Straus and Giroux
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Farrar, Straus and Giroux
Parent company
Macmillan Publishers
Founded
1946
Founder
John C. Farrar
Roger W. Straus, Jr.
Country of origin
United States
Headquarters location
New York, New York
Key people
Jonathan Galassi
Imprints
Hill & Wang, North Point, Sarah Crichton
Official website
Farrar, Straus and Giroux
Farrar, Straus and Giroux (FSG) is an American book publishing company, founded in 1946 by Roger W. Straus, Jr. and John C. Farrar.[1] FSG is known for publishing literary books, and its authors have won numerous awards, including Pulitzer Prizes, National Book Awards, and Nobel Peace Prizes. The publisher is currently a division of MacMillan, whose parent company is the German publishing conglomerate Holtzbrinck Publishing Group.[2]
Contents
[hide]
1 Early years
2 21st century
3 Notable authors
4 Current imprints
5 Bibliography
6 Books for Young Readers
7 Awards
8 References
9 Further reading
10 External links
Early years[edit]
Farrar, Straus and Giroux was founded in 1946 by Roger W. Straus, Jr. and John C. Farrar.[1] The first years of existence were rough until they published the diet book Look Younger, Live Longer by Gayelord Hauser in 1950. The book went on to sell 500,000 copies and Straus said that the book carried them along for awhile.[1] In the early years, Straus and his wife Dorthea, went prospecting for books in Italy. It was there that they found the memoir Christ Stopped at Eboli by Carlo Levi and other rising Italian authors Alberto Moravia, Giovanni Guareschi and Cesare Pavese.[1] Farrar, Straus also poached or lured away authors from other publishers—one was Edmund Wilson who was unhappy with Random House at the time but remained with Farrar, Straus for the remainder of his career.[1]
Robert Giroux joined the company in 1955 and after he later became a partner, the name was changed to Farrar, Straus and Giroux.[1] Giroux had been working for Harcourt and had been angered when Harcourt refused to allow him to publish Salinger's Catcher in the Rye.[1] Giroux brought many literary authors with him including Thomas Merton, John Berryman, Robert Lowell, Flannery O'Connor, Jack Kerouac, Peter Taylor, Randall Jarrell, T.S. Eliot, and Bernard Malamud.[1] Alan Williams described Giroux's 'Pied Piper sweep' as "almost certainly the greatest number of authors to follow, on their own iniative, a single editor from house to house in the history of modern publishing."[1] In 1964, Straus named Giroux chairman of the board and officially added Giroux's name to the publishing company.[1]
Straus continued to run the company for twenty years after his partner Farrar died, until 1993 when he sold a majority interest of the company to the privately owned German publishing conglomerate Georg von Holtzbrinck Publishing Group.[1] Straus offered FSG to the Holtzbrinck family because of their reputation for publishing serious works of literature.[1]
21st century[edit]
Jonathan Galassi is president and publisher. Andrew Mandel joined in 2004 as deputy publisher. Eric Chinski is editor-in-chief. In 2008, Mitzi Angel came from Fourth Estate in the UK to be publisher of the Faber and Faber Inc. imprint. Other notable editors include Sean McDonald, Ileene Smith, Alex Star, Amanda Moon, and Sarah Crichton (eponymous publisher of her own imprint).
In February 2015 FSG and Faber and Faber announced the end of their partnership. All books scheduled for release and previously released under the imprint will be moved to the FSG colophon by August 2016.[3]
Notable authors[edit]
Bernard Malamud
Carlo Levi
Denis Johnson
Edmund Wilson
Isaac Bashevis Singer
Jack Kerouac
John Berryman
Jonathan Franzen
Joseph Brodsky
Flannery O'Connor
Madeleine L'Engle
Peter Taylor
Randall Jarrell
Robert Lowell
Scott Turow
T.S. Eliot
Thomas Merton
Tom Wolfe
Walker Percy
Current imprints[edit]
Faber and Faber Inc. publishes a backlist of drama and books on the arts, entertainment, music, pop culture, cultural criticism, and the media. Its authors include David Auburn, Margaret Edson, Doug Wright, Richard Greenberg, Tom Stoppard, David Hare, Neil LaBute, Peter Conrad, Martin Eisenstadt and Courtney Love.
Hill and Wang[4] publishes books of academic interest and specializes in history. Its authors include Roland Barthes, William Cronon, Langston Hughes, and Elie Wiesel.
Sarah Crichton Books publishes books with a slightly commercial bent. The imprint launched with Cathleen Falsani's The God Factor in 2006. Ishmael Beah's A Long Way Gone was a bestseller and a Starbucks featured book in 2007.[5]
North Point Press published literary nonfiction with an emphasis on natural history, travel, ecology, music, food, and cultural criticism. Its authors include Peter Matthiessen, Beryl Markham, Guy Davenport, A. J. Liebling, Margaret Visser, Wendell Berry, and M. F. K. Fisher.
Scientific American / FSG,[6] led by Amanda Moon, publishes non-fiction popular science books for the general reader. Its authors include Jesse Bering, Daniel Chamovitz, Kevin Dutton, and Caleb Scharf.
MCD/FSG, which is viewed as a kind of a lab to experiment with new styles and genres. The imprint is headed by Sean McDonald, who is joined by Daphne Durham, formerly editor-in-chief and publisher of Amazon Publishing, as executive director.[7][8]
Bibliography[edit]
Main article: List of Farrar, Straus and Giroux books
Books for Young Readers[edit]
FSG Books for Young Readers publishes National Book Award winners Madeleine L'Engle (1980), William Steig (1983), Louis Sachar (1998), and Polly Horvath (2003). Books for Young Readers also publishes Natalie Babbitt, Roald Dahl, Jack Gantos, George Selden, Uri Shulevitz, and Peter Sis.
Awards[edit]
Winners of the Nobel Prize in Literature
Knut Hamsun (1920)
Hermann Hesse (1946)
T. S. Eliot (1948)
Pär Lagerkvist (1951)
François Mauriac (1952)
Juan Ramon Jimenez (1956)
Salvatore Quasimodo (1959)
Nelly Sachs (1966)
Yasunari Kawabata (1968)
Aleksandr Solzhenitsyn (1970)
Pablo Neruda (1971)
Eugenio Montale (1975)
Isaac Bashevis Singer (1978)
Czesław Miłosz (1980)
Elias Canetti (1981)
William Golding (1983)
Wole Soyinka (1986)
Joseph Brodsky (1987)
Camilo José Cela (1989)
Nadine Gordimer (1991)
Derek Walcott (1992)
Seamus Heaney (1995)
Mario Vargas Llosa (2010)
Winners of the Nobel Peace Prize
Norman Angell (1933)[9]
Elie Wiesel (1986)[10]
Winners of the Pulitzer Prize
John Berryman (1965)
Bernard Malamud (1967)
Jean Stafford (1970)
Robert Lowell (1974)
Paul Horgan (1976)
Lanford Wilson (1980)
James Schuyler (1981)
Charles Fuller (1982)
Marsha Norman (1983)
Thomas L. Friedman (1983, 1988, 2002)
Oscar Hijuelos (1990)
Charles Wright (1998)
Michael Cunningham (1999)
John McPhee (1999)
Margaret Edson (1999)
C. K. Williams (2000)
David Auburn (2001)
Louis Menand (2002)
Jeffrey Eugenides (2003)
Paul Muldoon (2003)
Doug Wright (2004)
Marilynne Robinson (2005)
Elizabeth A. Fenn (2015)
Winners of the National Book Award
Bernard Malamud (1959, 1967)
Robert Lowell (1960)
John Berryman (1969)
Elizabeth Bishop (1970)
Isaac Bashevis Singer (1970, 1974)
Donald Barthelme (1972)
Flannery O'Connor (1972)
Richard B. Sewall (1975)
Michael J. Arlen (1976)
Tom Wolfe (1980)
Paula Fox (1983)
Larry Heinemann (1987)
Thomas L. Friedman (1989)
Alice McDermott (1998)
Edward Ball (1998)
Susan Sontag (2000)
Jonathan Franzen (2001)
Shirley Hazzard (2003)
C. K. Williams (2003)
Richard Powers (2006)
Denis Johnson (2007)
George Packer (2013)
Louise Glück (2014)
Evan Osnos (2014)
References[edit]
^ Jump up to: a b c d e f g h i j k l Silverman, Al (2008). The Time of Their Lives: The Golden Age of Great American Book Publishers, Their Editors, and Authors. Truman Talley. ISBN 978-0312-35003-1.
Jump up ^ Macmillan. "About Macmillan". us.macmillan.com. Retrieved 2016-06-19.
Jump up ^ Farrington, Joshua. "Faber ends FSG partnership". The Bookseller. The Bookseller. Retrieved 19 July 2015.
Jump up ^ "Archived copy". Archived from the original on 2008-01-18. Retrieved 2008-01-09.
Jump up ^ "Questia, Your Online Research Library". Accessmylibrary.com. Retrieved 2014-02-20.
Jump up ^ Editors, The. "Scientific American Books - Scientific American". Books.scientificamerican.com. Retrieved 2014-02-20.
Jump up ^ Weinman, Sarah (2016-05-09). "McDonald Named Publisher of New FSG Imprint, and More". lunch.publishersmarketplace.com. Retrieved 2017-07-04.
Jump up ^ Editors, PT (2016-05-17). "People Round-Up, Mid-May 2016". Publishing Trends. Retrieved 2017-07-04.
Jump up ^ Norman Angell, After All: The Autobiography of Norman Angell (London: Hamish Hamilton, 1951; rpt. Farrar, Straus and Young, 1952).
Jump up ^ Elie Wiesel, Night (Hill & Wang, 1958; rpt. 2006).
Further reading[edit]
Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux, Boris Kachka. New York: Simon & Schuster, 2013, ISBN 978-1451691894
External links[edit]
Farrar, Straus and Giroux
Farrar, Straus and Giroux on Twitter
Farrar, Straus and Giroux Books for Young Readers
Work in Progress, an Online Magazine by Farrar, Straus and Giroux
Farrar, Straus and Giroux Collection of Isaac Bashevis Singer Papers at the Harry Ransom Center at the University of Texas at Austin
Farrar, Straus & Geroux, Inc. Records, 1899–2003 Manuscripts and Archives Division, New York Public Library.
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