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The Doors (film)
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The Doors
Theatrical release poster
Directed by
Oliver Stone
Produced by
Bill Graham
Sasha Harari
A. Kitman Ho
Written by
J. Randal Johnson
Oliver Stone
Starring
Val Kilmer
Meg Ryan
Kevin Dillon
Kyle MacLachlan
Frank Whaley
Michael Madsen
Billy Idol
Kathleen Quinlan
Cinematography
Robert Richardson
Edited by
David Brenner
Joe Hutshing
Production
company
Bill Graham Films
Carolco Pictures
Imagine Entertainment
Ixtlan
Distributed by
Tri-Star Pictures
Release date
March 1, 1991 (1991-03-01)
Running time
140 minutes
Country
United States
Language
English
Budget
$38 million
Box office
$34.4 million[1]
The Doors is a 1991 American biographical film about the 1960–70s rock band of the same name which emphasizes the life of its lead singer, Jim Morrison. It was directed by Oliver Stone, and stars Val Kilmer as Morrison and Meg Ryan as Pamela Courson (Morrison's companion). The film features Kyle MacLachlan as Ray Manzarek, Frank Whaley as Robby Krieger, Kevin Dillon as John Densmore, and Kathleen Quinlan as Patricia Kennealy.
The film portrays Morrison as the larger-than-life icon of 1960s rock and roll, counterculture, and the drug-using free love hippie lifestyle. But the depiction goes beyond the iconic: his alcoholism, interest in hallucinogenic drugs as entheogens, and, particularly, his growing obsession with death are threads which weave in and out of the film. The film was not well received by his band mates, close friends, and family, due to its depiction of Morrison.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Screenplay
3.3 Casting
3.4 Principal photography
4 Soundtrack
5 Historical accuracy
6 Reception
7 See also
8 References
9 External links
Plot[edit]
The film opens during the recording of Jim's An American Prayer and quickly moves to a childhood memory of his family driving along a desert highway in 1949, where a young Jim sees an elderly Native American dying by the roadside. In 1965, Jim arrives in California and is assimilated into the Venice Beach culture. During his tenure studying at UCLA, he meets his future girlfriend Pamela Courson, and meets Ray Manzarek for the first time, as well as Robby Krieger and John Densmore; who would found The Doors.
Jim convinces his bandmates to travel to Death Valley and experience the effects of psychedelic drugs. Returning to Los Angeles, they play several shows at the famous nightclub Whisky a Go Go and develop a rabid fan base. Jim's onstage antics and occasionally improvised lyrics raise the ire of club owners; however, the band's popularity continues to expand.
As the Doors become very successful, Jim becomes increasingly infatuated with his own image as "The Lizard King" and degenerates into alcoholism and drugs. Jim meets Patricia Kennealy, a rock journalist involved in witchcraft, and participates with her in mystical ceremonies. He joins her in a handfasting ceremony. An elder spirit watches these events.
The rest of the band grows weary of Jim's missed recording sessions and absences at concerts. Jim arrives late to a Miami, Florida concert, becoming increasingly confrontational towards the audience and allegedly exposing himself onstage. The incident is a low point for the band, resulting in criminal charges against Jim, cancellations of shows, breakdowns in Jim's personal relationships, and resentment from the other band members.
In 1970, following a lengthy trial, Jim is found guilty of indecent exposure and ordered to serve time in prison. However, he is allowed to remain free on bail pending the results of an appeal. Patricia tells Jim that she is pregnant with his child, but Jim convinces her to have an abortion. Jim visits his fellow bandmates for the last time, attending a party thrown by Ray where he wishes the band luck in their future endeavours and gives each of them a copy of An American Prayer. As Jim plays in the front garden with the children, he sees that one of the children is his childhood self. Jim comments: "This is the strangest life I've ever known."
In 1971, Pam finds Jim dead in a bathtub in Paris, France, at the age of 27. The final scenes of the film before the credits roll are of Jim's gravesite in Père Lachaise Cemetery in Paris while "A Feast of Friends" plays in the background. Just before the credits, the screen whites out and text appears saying "Jim Morrison is said to have died of heart failure. He was 27. Pam joined him three years later."
During the credits, the band is shown recording the song "L.A. Woman" in the studio.
Cast[edit]
Val Kilmer as Jim Morrison
Kevin Dillon as John Densmore
Kyle MacLachlan as Ray Manzarek
Kathleen Quinlan as Patricia Kennealy
Meg Ryan as Pamela Courson
Frank Whaley as Robby Krieger
Charlie Spradling as Makeup artist
Josh Evans as Bill Siddons
Crispin Glover as Andy Warhol
Kelly Hu as Dorothy
Billy Idol as Cat
Patricia Kennealy-Morrison as Celtic Pagan priestess
Michael Madsen as Tom Baker
Costas Mandylor as Italian Count
Debi Mazar as Whiskey girl
Mimi Rogers as Magazine photographer
Jennifer Rubin as Edie
Sean Stone as young Jim
Jerry Sturm and Gretchen Becker as Mr. and Mrs. Morrison
Floyd Red Crow Westerman as a Native American Spirit
Paul Williams as Warhol PR
Michael Wincott as Paul Rothchild
Eric Burdon in a cameo appearance in the London Fog
Paul Rothchild in a cameo appearance in the London Fog
Sky Saxon in a cameo appearance in the Whiskey a Go Go
Oliver Stone as UCLA film professor
Jennifer Tilly as Okie girl
John Densmore as Studio Engineer
William Kunstler as Jim's lawyer
Production[edit]
Development[edit]
Film directors Brian De Palma, Martin Scorsese, and William Friedkin flirted with making a Doors biopic over the years.[2] In 1985, Columbia Pictures acquired the rights from the Doors and the Morrison estate to make a film. Producer Sasha Harari wanted filmmaker Oliver Stone to write the screenplay but never heard back from his agent. After two unsatisfactory scripts were produced, Imagine Films replaced Columbia. Harari contacted Stone again and the director met with the surviving band members. He told them he wanted to keep a particularly wild scene from one of the early drafts. The group was offended and exercised their right of approval over the director and rejected Stone. By 1989, Mario Kassar and Andrew Vajna, who owned Carolco Pictures, acquired the rights to the project and they wanted Stone to direct it.[2] The Doors had seen Platoon and were impressed with what Stone had done.[3] He agreed to make it after his next project, Evita. After spending years working on it and courting Madonna and Meryl Streep to play the lead role, the film fell apart over salary negotiations with Streep. Stone quickly moved over to The Doors and went into pre-production.[3] Guitarist Robby Krieger had always opposed a Doors biopic until Stone signed on to direct.[4] Historically, keyboardist Ray Manzarek had been the biggest advocate of immortalizing the band on film but opposed Stone's involvement.[4] He was not happy with the direction that Stone was going to take with the film and refused to give his approval. According to actor Kyle MacLachlan, "I know that he and Oliver weren't speaking. I think it was hard for Ray, he being the keeper of the Doors myth for so long".[5] According to Krieger, "when the Doors broke up Ray had his idea of how the band should be portrayed and John and I had ours".[4] Manzarek claims that he was not asked to consult on the film and wanted it to be about all four band members equally rather than the focus being on Morrison.[6] Stone claimed that he repeatedly tried to get Manzarek involved, but "all he did was rave and shout. He went on for three hours about his point of view ... I didn't want Ray to be dominant, but Ray thought he knew better than anybody else".[7]
Screenplay[edit]
Stone first heard the Doors in 1967, when he was a 21-year-old soldier in Vietnam.[8] Before filming started, Stone and his producers had to negotiate with the three surviving band members and the parents of Morrison and his girlfriend Pamela Courson, and the band's label Elektra Records. Morrison's parents would only allow themselves to be depicted in a dream-like flashback sequence at the beginning of the film. The Coursons wanted there to be no suggestion in any way that Pamela caused Morrison's death. Stone found the Coursons the most difficult to deal with because they wanted Pamela to be portrayed as "an angel".[8] While researching the film, Stone read through transcripts of interviews with over 100 people.[9] He then wrote his own script in the summer of 1989. Stone said, "The Doors script was always problematic. Even when we shot, but the music helped fuse it together".[10] Stone picked the songs he wanted to use and then wrote "each piece of the movie as a mood to fit that song".[10] The Coursons did not like his script and tried to slow the production down by refusing to allow any of Morrison's later poetry to be used in the film. (When Morrison died, Courson got the rights to his poetry and when she died, her parents got the rights.)[10]
Casting[edit]
For nearly ten years prior to production, the project went through development hell after being considered by many studios and directors. Several actors including Tom Cruise, Johnny Depp, John Travolta, and Richard Gere were each considered for the role of Morrison when the project was still in development in the 1980s.[11] Even Bono from U2 and Michael Hutchence of INXS expressed an interest in the role, however Stone offered the role to Ian Astbury of The Cult. He declined the role because he was not happy with the way Morrison was represented in the film.[2] When Stone began talking about the project in 1988, he had Val Kilmer in mind to play Morrison after seeing him in the Ron Howard fantasy film Willow.[8][12] Kilmer had the same kind of singing voice as Morrison and to convince Stone that he was right for the role, spent several thousand dollars of his own money and made his own eight-minute video, singing and looking like Morrison at various stages of his life.[13] To prepare for the role, Kilmer lost weight and spent six months rehearsing Doors songs every day. The actor learned 50 songs, 15 of which are actually performed in the film. Kilmer also spent hundreds of hours with Paul Rothchild, who told him, "anecdotes, stories, tragic moments, humorous moments, how Jim thought, what were my interpretation of Jim's lyrics," the music producer said.[13] Rothchild also took Kilmer into the studio and helped him in "some pronunciations, idiomatic things that Jim would do that made the song sound like Jim".[13] Kilmer also met with Krieger and Densmore but Manzarek refused to talk to him.[13] When the Doors heard Kilmer singing they could not tell whether the voice was Kilmer's or Morrison's.[14]
Stone auditioned approximately 60 actresses for the role of Pamela Courson.[15] The part required nudity and the script featured some wild sex scenes which generated a fair amount of controversy. Casting director Risa Bramon felt that Patricia Arquette auditioned very well and should have gotten the part.[15] To prepare for the role, Meg Ryan talked to the Coursons and people that knew Pamela.[8] Before doing the film, she was not familiar with Morrison and "liked a few songs" and said, "I had to reexamine all my beliefs about it [the 1960s] in order to do this movie".[16] In doing research, she encountered several conflicting views of Pamela.[15]
Krieger acted as a technical adviser on the film and this mainly involved showing his cinematic alter ego, Frank Whaley, where to put his fingers on the fretboard.[4] Densmore also acted as a consultant on the film, tutoring Kevin Dillon who played him in the film.[11]
Principal photography[edit]
With a budget set at $32 million, The Doors was filmed over 13 weeks predominantly in and around Los Angeles, California; Paris, France; New York City, New York and the Mojave Desert.[6][17] Stone originally hired Paula Abdul to choreograph the film's concert scenes but she dropped out because she did not understand Morrison's on-stage actions and was not familiar with the time period. She recommended Bill and Jacqui Landrum. They watched hours of concert footage before working with Kilmer. The Landrums got him to do dance exercises to loosen up his upper body and jumping routines to develop his stamina.[18] During the concert scenes, Kilmer did the actual singing and Stone used the Doors' master tapes without Morrison's lead vocals to avoid lip-synching.[19] Kilmer's endurance was put to the test during the concert sequences which took several days to film. Stone said, "his voice would start to deteriorate after two or three takes. We had to take that into consideration".[20] One sequence, filmed inside the Whisky a Go Go, was harder than others due to all the smoke and sweat - a result of the body heat and intense camera lights. For five days, Kilmer performed "The End" and, after the 24th take Stone got what he wanted, his actor was completely exhausted.[20]
Controversy arose during filming when a memo linked to Kilmer circulated among cast and crew members listing rules of how the actor was to be treated for the duration of principal photography.[21] These included people being forbidden to approach him on the set without good reason, not to address him by his own name while he was in character, and no one could "stare" at him on the set. An upset Stone contacted Kilmer's agent and the actor claimed it was all a huge misunderstanding and that the memo was for his own people and not the film crew.[21]
Soundtrack[edit]
Main article: The Doors (soundtrack)
The film's soundtrack contains over two dozen of The Doors' songs; in the film, original recordings of the band are combined with vocal performances by Kilmer himself. In addition to the many themed Doors songs featured, two songs by The Velvet Underground are also heard throughout the film.[22]
Historical accuracy[edit]
The film is based mostly on real people and actual events, but some parts are clearly Stone's vision and dramatization of those people and events. For example, when Morrison is asked to change the infamous lyric in "Light My Fire" for his appearance on The Ed Sullivan Show, he is depicted as blatantly ignoring their request. The film depicts a defiant Morrison shouting the word "higher! Yeah!" into the TV camera, while in fact during the broadcast Morrison had simply sung the vocal with the same emphasis as on the record. Morrison later said the inclusion of "higher" in the live version was an accident, that he meant to change the lyric but was so nervous about performing on live television that he simply forgot to change it. Ray Manzarek said that The Doors pretended to agree to the change of words, and deliberately played the song as they always had, though, without any added emphasis on the offending word.[23]
Morrison is also depicted locking Courson in a closet and setting it on fire, which never happened.[24] In his book Light My Fire, Manzarek is frank about Morrison's tendency to go into senseless rages,[25] but participants in the film agree Stone took many liberties in fabricating events.
Dialogue that took place between Kennealy and Morrison is reassigned to Courson, and Courson is depicted as saying hostile things to Kennealy, when by all reports their interactions were polite. Densmore is also portrayed as hating Morrison as Morrison's personal and drug problems begin to dominate his behavior. In truth, as Densmore writes in Riders on the Storm, he never directly confronted Morrison about his behavior.
Krieger, Densmore, and Kennealy are all credited as technical advisors for the film; however, they have all commented that although they may have given advice, Stone often chose to ignore it in favor of his own vision of the story. The settings for the film, particularly the concert sequences, are depicted in mostly chronological order, although the crowd scenes contain many blatant exaggerations, such as portrayals of nudity, bonfires, and group revelries that did not occur.
The surviving Doors members were all to one degree or another unhappy with the final product, and were said to have heavily criticized Stone's portrayal of Morrison as an "out of control sociopath". In a 1991 interview with Gary James, Manzarek criticized Stone for exaggerating Morrison's alcohol consumption in the movie, saying, "Jim with a bottle all the time. It was ridiculous . . . It was not about Jim Morrison. It was about Jimbo Morrison, the drunk. God, where was the sensitive poet and the funny guy? The guy I knew was not on that screen."[26] In the afterword of his book Riders on the Storm, Densmore says that the movie is based on "the myth of Jim Morrison". In the same place, he criticizes the film for portraying Morrison's ideas as "muddled through the haze of the drink [alcohol]". In a 1994 interview, Krieger said that the film doesn't give the viewer "any kind of understanding of what made Jim Morrison tick." Krieger also commented about the film in the same interview: "They left a lot of stuff out. Some of it was overblown, but a lot of the stuff was very well done, I thought."[27]
In the book The Doors, Manzarek says, "That Oliver Stone thing did real damage to the guy I knew: Jim Morrison, the poet." In this book, Densmore says of the movie, "A third of it's fiction." In the same volume, Krieger joins Manzarek and Densmore in describing the movie as inaccurate, but also says, referring to the film's inaccuracy, "It could have been a lot worse."
As the credits point out and as Stone emphasizes on his DVD commentary, some characters, names, and incidents in the film are fictitious or amalgamations of real people. Stone states in particular in the 1997 documentary The Road of Excess that Quinlan's character, Patricia Kennealy, is a composite, and in retrospect should have been given a fictitious name. Kennealy in particular was hurt by her portrayal in the film. Ryan's character, Pam Courson, involves liberties of a different sort. The former Doors do not think the movie depiction of her is very accurate, as their book The Doors describes the version of Courson in the movie as "a cartoon of a girlfriend". Courson's parents had inherited Morrison's poems when their daughter died, and Stone had to agree to restrictions about his portrayal of her in exchange for the rights to use the poetry. In particular, Stone agreed to avoid any suggestion that Courson may have been responsible for Morrison's death. However, Alain Ronay and Courson herself had both said that she was responsible. In Riders on the Storm, Densmore says Courson said she felt terribly guilty because she had obtained drugs that she believed had either caused or contributed to Morrison's death.
Manzarek did not approve of how Morrison was portrayed by Stone. In Manzarek's biography of the Doors, Light My Fire he often criticizes Stone and also includes myriad details that discredit Stone's account of Morrison. For example, in Stone's "re-creation" of Morrison's student film at UCLA, he has Morrison watching a D-Day sequence on TV and shouting profanities in German, with a near-nude German exchange student dancing on top of the TV sporting a swastika armband. According to Manzarek, the only similarity between Stone's version and Morrison's was that the girl in question was indeed German.[28]
Reception[edit]
The film received mixed reviews from critics. According to Q magazine, "few people emerged from seeing the film having raised their opinions of that band and especially its singer Jim Morrison". The problem, as critic Keith Cameron has put it, wasn't so much that "Stone dwelled upon Morrison the inebriate, the philanderer, or the pretentious Lizard King... No, blame cliched Hollywood devices for sucking the wonder from the pioneering band: actors with fake hair saying silly things..." and "a self-important director's turgid attempts to make grand statements about America".[29] "So...the movie was pretty good I guess," said Leonard Maltin.[citation needed]
On Rotten Tomatoes, the film has a 54% approval rating, based on 59 reviews, with an average rating of 6/10. The site's consensus states: "Val Kilmer delivers a powerhouse performance as one of rock's most incendiary figures, but unfortunately, Oliver Stone is unable to shed much light on the circus surrounding the star."[30] Metacritic reports a 62 out of 100 rating, based on 19 critics, indicating "generally favorable reviews".[31] Rolling Stone gave the film four out of four stars.[32] The film was entered into the 17th Moscow International Film Festival.[33]
See also[edit]
Film portal
List of films featuring hallucinogens
When You're Strange – a documentary film about The Doors
References[edit]
Notes
Jump up ^ The Doors at Box Office Mojo
^ Jump up to: a b c Riordan 1996, p. 308.
^ Jump up to: a b Riordan 1996, p. 310.
^ Jump up to: a b c d Mitchell, Justin (December 28, 1990). "Opening Up a Closed Door". St. Petersburg Times. p. 19.
Jump up ^ MacInnis, Craig (March 2, 1991). "The Myth is Huge, but the Truth is the Lure of the Eternal". Toronto Star. pp. H1.
^ Jump up to: a b Broeske, P (March 10, 1991). "Stormy Rider". Sunday Herald.
Jump up ^ Riordan 1996, p. 312.
^ Jump up to: a b c d McDonnell, D (March 2, 1991). "Legendary Rocker Lives Again". Herald Sun. p. 27.
Jump up ^ "Oliver Stone and The Doors". The Economist. March 16, 1991.
^ Jump up to: a b c Riordan 1996, p. 311.
^ Jump up to: a b McDonnell, D (March 16, 1991). "Rider on the Storm". Courier-Mail.
Jump up ^ Green, Tom (March 4, 1991). "Kilmer's Uncanny Portrait of Morrison Opens Career Doors". USA Today. pp. 4D.
^ Jump up to: a b c d Hall, Carla (March 3, 1991). "Val Kilmer, Lighting the Fire". Washington Post. pp. G1.
Jump up ^ Riordan 1996, p. 314.
^ Jump up to: a b c Riordan 1996, p. 316.
Jump up ^ Riordan 1996, p. 322.
Jump up ^ Riordan 1996, p. 317.
Jump up ^ Thomas, Karen (March 12, 1991). "Helping Stage The Doors". USA Today. pp. 2D.
Jump up ^ Riordan 1996, p. 318.
^ Jump up to: a b Kilday, Gregg (March 1, 1991). "Love Me Two Times". Entertainment Weekly. Retrieved 2010-07-17.
^ Jump up to: a b Riordan 1996, p. 326.
Jump up ^ The Doors (1991) - Trivia
Jump up ^ Manzarek, Ray. Light My Fire. New York: Berkley Boulevard Books, 1998 (ISBN 978-0-425-17045-8), p251-252. Penguin edition
Jump up ^ According to Manzarek, among others Chat with Ray Manzarek 11/17/97
Jump up ^ Manzarek, Light My Fire, p. 180, 205-207, 305-308.
Jump up ^ Interview with Ray Manzarek at Classic Bands
Jump up ^ "Interview With Robby Krieger". Classicbands.com. Retrieved 2014-05-19.
Jump up ^ Manzarek, Light My Fire, p. 55-57
Jump up ^ Cameron, Keith. Q magazine. 2010. October issue. Review Music DVDs. The Doors. When You're Strange. p.134.
Jump up ^ "The Doors (1991)". Rotten Tomatoes. Flixster. Retrieved January 12, 2016.
Jump up ^ "The Doors reviews". Metacritic. CBS Interactive. Retrieved January 12, 2016.
Jump up ^ "The Doors" (review) Rolling Stone (March 1, 1991)
Jump up ^ "17th Moscow International Film Festival (1991)". MIFF. Retrieved 2013-03-02.
Bibliography
Riordan, James (September 1996) Stone: A Biography of Oliver Stone. New York: Aurum Press. ISBN 1-85410-444-6
External links[edit]
Wikiquote has quotations related to: The Doors (film)
The Doors on IMDb
The Doors at the TCM Movie Database
The Doors at AllMovie
The Doors at Box Office Mojo
The Doors at Rotten Tomatoes
The Doors at Metacritic
The Road of Excess on IMDb, a documentary of The Doors, included with the 2001 DVD
[show]
v
t
e
Films by Oliver Stone
Films directed
Feature
Seizure (1974)
The Hand (1981)
Salvador (1986)
Platoon (1986)
Wall Street (1987)
Talk Radio (1988)
Born on the Fourth of July (1989)
The Doors (1991)
JFK (1991)
Heaven & Earth (1993)
Natural Born Killers (1994)
Nixon (1995)
U Turn (1997)
Any Given Sunday (1999)
Alexander (2004)
World Trade Center (2006)
W. (2008)
Wall Street: Money Never Sleeps (2010)
Savages (2012)
Snowden (2016)
Documentaries
Persona Non Grata (2003)
Comandante (2003)
Looking for Fidel (2004)
South of the Border (2009)
The Untold History of the United States (2012 series)
The Putin Interviews (2017)
Screenwriter only
Midnight Express (1978)
Conan the Barbarian (1982)
Scarface (1983)
Year of the Dragon (1985)
8 Million Ways to Die (1986)
Evita (1996)
[show]
v
t
e
The Doors
Jim Morrison
Ray Manzarek
John Densmore
Robby Krieger
Studio albums
The Doors
Strange Days
Waiting for the Sun
The Soft Parade
Morrison Hotel
L.A. Woman
Other Voices
Full Circle
An American Prayer
Live albums
Absolutely Live
Alive, She Cried
Live at the Hollywood Bowl
In Concert
London Fog 1966
Compilations
and soundtracks
13
Weird Scenes Inside the Gold Mine
The Best of The Doors (1973)
Greatest Hits (1980)
The Doors Classics
The Best of The Doors
The Doors (1991 film soundtrack)
Greatest Hits (1996)
Essential Rarities
The Best of The Doors (2000)
The Very Best of The Doors (2001)
Legacy: The Absolute Best
The Very Best of The Doors (2007)
The Future Starts Here: The Essential Doors Hits
The Platinum Collection
When You're Strange: Music from the Motion Picture
The Singles
Bright
Midnight
Archives
The Bright Midnight Sampler
Live in Detroit
Bright Midnight: Live in America
Live in Hollywood: Highlights from the Aquarius Theater Performances
Live at the Aquarius Theatre: The First Performance
Live at the Aquarius Theatre: The Second Performance
No One Here Gets Out Alive
Backstage and Dangerous: The Private Rehearsal
Live in Hollywood
Boot Yer Butt: The Doors Bootlegs
Live in Philadelphia '70
Live in Boston
Pittsburgh Civic Arena
Live at the Matrix 1967
Live in New York
Live in Vancouver 1970
Live at the Bowl '68
Box sets
The Doors: Box Set
The Complete Studio Recordings
No One Here Gets Out Alive
Boot Yer Butt: The Doors Bootlegs
Love/Death/Travel Box Set
Perception
The Doors: Vinyl Box Set
A Collection
Singles
"Break On Through (To the Other Side)"/"End of the Night"
"Light My Fire"/"The Crystal Ship"
"People Are Strange"/"Unhappy Girl"
"Love Me Two Times"/"Moonlight Drive"
"The Unknown Soldier"/"We Could Be So Good Together"
"Hello, I Love You"/"Love Street"
"Touch Me"/"Wild Child"
"Wishful Sinful"/"Who Scared You"
"Tell All the People"/"Easy Ride"
"Runnin' Blue"/"Do It"
"You Make Me Real"/"Roadhouse Blues"
"Love Her Madly"/"(You Need Meat) Don't Go No Further"
"Riders on the Storm"/"The Changeling"
"Get Up and Dance"/"Tree Trunk"
"Gloria"/"Moonlight Drive"
Books
Wilderness: The Lost Writings of Jim Morrison
The American Night
No One Here Gets Out Alive
Light My Fire
Video and film
The Doors (1991)
The Doors – 30 Years Commemorative Edition (1999)
When You're Strange
Live at the Bowl '68
Related articles
Discography
Rick & the Ravens
Bill Siddons
Danny Sugerman
Paul A. Rothchild
Bruce Botnick
London Fog
Whisky a Go Go
Manzarek–Krieger
"Craigslist"
The Lost Paris Tapes
Stoned Immaculate: The Music of The Doors
Barbaturex morrisoni
HWY: An American Pastoral
Night Divides the Day – The Music of the Doors
Light My Fire: A Classic Rock Salute to The Doors
Book
Category
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List of states and union territories of India by population
From Wikipedia, the free encyclopedia
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States and union
territories of India
ordered by
Area
Population
Abbreviations
Capitals
Child Nutrition
Crime rate
Electricity penetration
Fertility rate
Forest cover
GDP (per capita)
Highest point
HIV awareness
HDI
Home ownership
Household size
Human Trafficking
Institutional delivery
Life expectancy at birth
Literacy rate
Media exposure
Number of Vehicles
Number of voters
Obesity
Open defecation
Origin of name
Places of worship
Poverty
Power capacity
Safe Drinking Water
Safety of Women
School Enrollment Rate
Sex ratio
Suicides
Tax revenues
TV ownership
Toilet availability
Transport network
Underweight people
Unemployment
Vaccination coverage
v
t
e
India is a union of 29 states and 7 union territories.[1] As of 2011, with an estimated population of 1.2 billion, India is the world's second most populous country after the People's Republic of China. India occupies 2.4% of the world's land surface area and is home to 17.5% of the world's population.[2] After the Indo-Gangetic Plain, the eastern and western coastal regions of the Deccan Plateau are the most densely populated regions of India. The Thar Desert in western Rajasthan is one of the most densely populated deserts in the world. The northern and north-eastern states along the Himalayas contain cold arid deserts with fertile valleys.[3]
Contents
1 Census of India
2 States and union territories (by population)
3 Notes
4 See also
5 References
6 External links
Census of India[edit]
Population density map of India.
The first population census in British India was conducted in 1872. Since India's independence in 1947, a census has been conducted every 10 years, the first occurring in 1951.[4] The census in India is conducted by the Office of the Registrar General and Census Commissioner under the Ministry of Home Affairs, and is one of the largest administrative tasks conducted by a federal government.[5]
The latest population figures are based on data from the 2011 census of India.[6] During the decade of 2001–2011, India's annual population growth rate has slowed down from 2.15 percent to 1.76 percent.[6] Based on decennial census data, Dadra and Nagar Haveli have the fastest growth rate of 55.5 percent, followed by Daman and Diu (53.5 percent), Meghalaya (27.8 percent) and Arunachal Pradesh (25.9 percent). Nagaland recorded the lowest growth rate of -0.5 percent.[7]
India has 641,000 inhabited villages and 72.2 percent of the total population reside in these rural areas.[7] Of them 145,000 villages have population size of 500–999 persons; 130,000 villages have population size of 1000–1999 and 128,000 villages have population size of 200–499. There are 3,961 villages that have a population of 10,000 persons or more.[2] India's 27.8 percent urban population lives in more than 5,100 towns and over 380 urban agglomerations.[8] In the decade of 1991–2001, migration to major cities caused rapid increase in urban population.[9][10] On the basis of net migrants by last residence during the past decade, Maharashtra had most immigration with 2.3 million, followed by National Capital Territory of Delhi (1.7 million), Gujarat (0.68 million) and Haryana (0.67 million). Uttar Pradesh (−2.6 million) and Bihar (−1.7 million) topped the list for interstate emigration.[11] The five states of Uttar Pradesh, Maharashtra, Bihar, West Bengal and Madhya Pradesh account for almost half (47.90 percent) of the total Indian population.[6]
While the national average for sex ratio shows an increase from 933 in 2001 to 940 in 2011,[6] the 2011 census shows a sharp decline in child sex ratio, the number of females per thousand males in a population between age group 0–6 years.[6] States such as Punjab, Haryana, Himachal Pradesh, Gujarat, Tamil Nadu, Mizoram and Andaman and Nicobar Islands recorded an increase in child sex ratio.[6] National child sex ratio has declined from 927 in 2001 to 914 in 2011.[6] Telangana census was separated from Andhra Pradesh state census figures, after Telangana formally took birth on 2 June 2014.[12]
States and union territories (by population)[edit]
The total geographical area of India is 3,287,240 square kilometres (1,269,210 sq mi)α.[2] Population density is rounded to the nearest integer.
As per provisional census data of 2011, the total population of India is: 1,210,193,422.[6]
Rank
State or union territory
Population (2011 Census)[13]
(% of population of India)[14]
Decadal growth (2001–2011)
Rural pop.[15]
(%)
Urban pop.[15]
(%)
Area[16]
Density
Sex ratio
1 Uttar Pradesh 7008199812341000000♠199,812,341
(16.49%) 20.1% 7008155111022000000♠155,111,022
(77.72%) 7007444704550000000♠44,470,455
(22.28%) 7011240928000000000♠240,928 km2 (93,023 sq mi) 6996828000000000000♠828/km2 (2,140/sq mi) 908
2 Maharashtra 7008112372972000000♠112,372,972
(9.28%) 16.0% 7007615454410000000♠61,545,441
(54.77%) 7007508275310000000♠50,827,531
(45.23%) 7011307713000000000♠307,713 km2 (118,809 sq mi) 6996365000000000000♠365/km2 (950/sq mi) 946
3 Bihar 7008103804637000000♠103,804,637
(8.58%) 25.1% 7007920750280000000♠92,075,028
(88.70%) 7007117296090000000♠11,729,609
(11.30%) 7010941630000000000♠94,163 km2 (36,357 sq mi) 6997110199999999999♠1,102/km2 (2,850/sq mi) 916
4 West Bengal 7007913477360000000♠91,347,736
(7.55%) 13.9% 7007622136760000000♠62,213,676
(68.11%) 7007291340600000000♠29,134,060
(31.89%) 7010887520000000000♠88,752 km2 (34,267 sq mi) 6997102900000000000♠1,029/km2 (2,670/sq mi) 947
5 Madhya Pradesh 7007725975650000000♠72,597,565
(6.00%) 20.3% 7007525378990000000♠52,537,899
(72.37%) 7007200596660000000♠20,059,666
(27.63%) 7011308245000000000♠308,245 km2 (119,014 sq mi) 6996236000000000000♠236/km2 (610/sq mi) 931
6 Tamil Nadu 7007721389580000000♠72,138,958
(5.96%) 15.6% 7007371892290000000♠37,189,229
(51.55%) 7007349497290000000♠34,949,729
(48.45%) 7011130058000000000♠130,058 km2 (50,216 sq mi) 6996554999999999999♠555/km2 (1,440/sq mi) 995
7 Rajasthan 7007686210120000000♠68,621,012
(5.67%) 21.4% 7007515402360000000♠51,540,236
(75.11%) 7007170807760000000♠17,080,776
(24.89%) 7011342239000000000♠342,239 km2 (132,139 sq mi) 6996200999999999999♠201/km2 (520/sq mi) 926
8 Karnataka 7007611307040000000♠61,130,704
(5.05%) 15.7% 7007375525290000000♠37,552,529
(61.43%) 7007235781750000000♠23,578,175
(38.57%) 7011191791000000000♠191,791 km2 (74,051 sq mi) 6996319000000000000♠319/km2 (830/sq mi) 968
9 Gujarat 7007603836280000000♠60,383,628
(5.00%) 19.2% 7007346708170000000♠34,670,817
(57.42%) 7007257128110000000♠25,712,811
(42.58%) 7011196024000000000♠196,024 km2 (75,685 sq mi) 6996308000000000000♠308/km2 (800/sq mi) 918
10 Andhra Pradesh 7007493867990000000♠49,386,799
(4.08%) 11.1% 7007347763890000000♠34,776,389
(70.42%) 7007146104100000000♠14,610,410
(29.58%) 7011162968000000000♠162,968 km2 (62,922 sq mi) 6996303000000000000♠303/km2 (780/sq mi) 993
11 Odisha 7007419473580000000♠41,947,358
(3.47%) 14.0% 7007349512340000000♠34,951,234
(83.32%) 7006699612400000000♠6,996,124
(16.68%) 7011155707000000000♠155,707 km2 (60,119 sq mi) 6996268999999999999♠269/km2 (700/sq mi) 978
12 Telangana 7007352867570000000♠35,286,757
(2.97%) 17.87% 7007215853130000000♠21,585,313
(61.33%) 7007136086650000000♠13,608,665
(38.66%) 7011114840000000000♠114,840 km2 (44,340 sq mi) 6996307000000000000♠307/km2 (800/sq mi) 988
13 Kerala 7007333876770000000♠33,387,677
(2.76%) 4.9% 7007174455060000000♠17,445,506
(52.28%) 7007159321710000000♠15,932,171
(47.72%) 7010388630000000000♠38,863 km2 (15,005 sq mi) 6996859000000000000♠859/km2 (2,220/sq mi) 1,084
14 Jharkhand 7007329881340000000♠32,988,134
(2.72%) 22.3% 7007250369460000000♠25,036,946
(75.95%) 7006792929200000000♠7,929,292
(24.05%) 7010797140000000000♠79,714 km2 (30,778 sq mi) 6996414000000000000♠414/km2 (1,070/sq mi) 947
15 Assam 7007311692720000000♠31,169,272
(2.58%) 16.9% 7007267805260000000♠26,780,526
(85.92%) 7006438875600000000♠4,388,756
(14.08%) 7010784380000000000♠78,438 km2 (30,285 sq mi) 6996397000000000000♠397/km2 (1,030/sq mi) 954
16 Punjab 7007277042360000000♠27,704,236
(2.30%) 13.7% 7007173168000000000♠17,316,800
(62.51%) 7007103874360000000♠10,387,436
(37.49%) 7010503620000000000♠50,362 km2 (19,445 sq mi) 6996549999999999999♠550/km2 (1,400/sq mi) 893
17 Chhattisgarh 7007255401960000000♠25,540,196
(2.11%) 22.6% 7007196036580000000♠19,603,658
(76.76%) 7006593653800000000♠5,936,538
(23.24%) 7011135191000000000♠135,191 km2 (52,198 sq mi) 6996189000000000000♠189/km2 (490/sq mi) 991
18 Haryana 7007253530810000000♠25,353,081
(2.09%) 19.9% 7007165314930000000♠16,531,493
(75.75%) 7006882158800000000♠8,821,588
(24.25%) 7010442120000000000♠44,212 km2 (17,070 sq mi) 6996573000000000000♠573/km2 (1,480/sq mi) 877
19 Jammu and Kashmir 7007125489260000000♠12,548,926
(1.04%) 23.7% 7006913482000000000♠9,134,820
(72.79%) 7006341410600000000♠3,414,106
(27.21%) 7011222236000000000♠222,236 km2 (85,806 sq mi) 6995570000000000000♠57/km2 (150/sq mi) 883
20 Uttarakhand 7007101167520000000♠10,116,752
(0.84%) 19.2% 7006702558300000000♠7,025,583
(69.45%) 7006309116900000000♠3,091,169
(30.55%) 7010534830000000000♠53,483 km2 (20,650 sq mi) 6996189000000000000♠189/km2 (490/sq mi) 963
21 Himachal Pradesh 7006686460200000000♠6,864,602
(0.57%) 12.8% 7006616780500000000♠6,167,805
(89.96%) 7005688704000000000♠688,704
(10.04%) 7010556730000000000♠55,673 km2 (21,495 sq mi) 6996122999999999999♠123/km2 (320/sq mi) 974
22 Tripura 7006367103200000000♠3,671,032
(0.30%) 14.7% 7006271005100000000♠2,710,051
(73.82%) 7005960981000000000♠960,981
(26.18%) 7010104860000000000♠10,486 km2 (4,049 sq mi) 6996350000000000000♠350/km2 (910/sq mi) 961
23 Meghalaya 7006296400700000000♠2,964,007
(0.24%) 27.8% 7006236897100000000♠2,368,971
(79.92%) 7005595036000000000♠595,036
(20.08%) 7010224290000000000♠22,429 km2 (8,660 sq mi) 6996131999999999999♠132/km2 (340/sq mi) 986
24 Manipurβ 7006272175600000000♠2,721,756
(0.22%) 18.7% 7006189962400000000♠1,899,624
(79.79%) 7005822132000000000♠822,132
(20.21%) 7010223270000000000♠22,327 km2 (8,621 sq mi) 6996122000000000000♠122/km2 (320/sq mi) 987
25 Nagaland 7006198060200000000♠1,980,602
(0.16%) -0.5% 7006140686100000000♠1,406,861
(71.03%) 7005573741000000000♠573,741
(28.97%) 7010165790000000000♠16,579 km2 (6,401 sq mi) 6996119000000000000♠119/km2 (310/sq mi) 931
26 Goa 7006145772300000000♠1,457,723
(0.12%) 8.2% 7005551414000000000♠551,414
(37.83%) 7005906309000000000♠906,309
(62.17%) 7009370200000000000♠3,702 km2 (1,429 sq mi) 6996394000000000000♠394/km2 (1,020/sq mi) 968
27 Arunachal Pradesh 7006138261100000000♠1,382,611
(0.11%) 25.9% 7006106916500000000♠1,069,165
(77.33%) 7005313446000000000♠313,446
(22.67%) 7010837430000000000♠83,743 km2 (32,333 sq mi) 6995170000000000000♠17/km2 (44/sq mi) 920
28 Mizoram 7006109101400000000♠1,091,014
(0.09%) 22.8% 7005529037000000000♠529,037
(48.49%) 7005561997000000000♠561,997
(51.51%) 7010210810000000000♠21,081 km2 (8,139 sq mi) 6995519999999999999♠52/km2 (130/sq mi) 975
29 Sikkim 7005607688000000000♠607,688
(0.05%) 12.4% 7005455962000000000♠455,962
(75.03%) 7005151726000000000♠151,726
(24.97%) 7009709600000000000♠7,096 km2 (2,740 sq mi) 6995859999999999999♠86/km2 (220/sq mi) 889
NCT Delhi 7007167879410000000♠16,787,941
(1.38%) 21% 7005419319000000000♠419,319
(2.50%) 7007163339160000000♠16,333,916
(97.50%) 7009148400000000000♠1,484 km2 (573 sq mi) 6998112970000000000♠11,297/km2 (29,260/sq mi) 866
UT1 Puducherry 7006124446400000000♠1,244,464
(0.10%) 27.7% 7005394341000000000♠394,341
(31.69%) 7005850123000000000♠850,123
(68.31%) 7008479000000000000♠479 km2 (185 sq mi) 6997259800000000000♠2,598/km2 (6,730/sq mi) 1,038
UT2 Chandigarh 7006105545000000000♠1,055,450
(0.09%) 17.1% 7004290040000000000♠29,004
(2.75%) 7006102568200000000♠1,025,682
(97.25%) 7008114000000000000♠114 km2 (44 sq mi) 6997925200000000000♠9,252/km2 (23,960/sq mi) 818
UT3 Andaman and Nicobar Islands 7005379944000000000♠379,944
(0.03%) 6.7% 7005244411000000000♠244,411
(64.33%) 7005135533000000000♠135,533
(35.67%) 7009824900000000000♠8,249 km2 (3,185 sq mi) 6995460000000000000♠46/km2 (120/sq mi) 878
UT4 Dadra and Nagar Haveli 7005342853000000000♠342,853
(0.03%) 55.5% 7005183024000000000♠183,024
(53.38%) 7005159829000000000♠159,829
(46.62%) 7008491000000000000♠491 km2 (190 sq mi) 6996698000000000000♠698/km2 (1,810/sq mi) 775
UT5 Daman and Diu 7005242911000000000♠242,911
(0.02%) 53.5% 7004603310000000000♠60,331
(24.84%) 7005182580000000000♠182,580
(75.16%) 7008112000000000000♠112 km2 (43 sq mi) 6997216900000000000♠2,169/km2 (5,620/sq mi) 618
UT6 Lakshadweep 7004644290000000000♠64,429
(0.01%) 6.2% 7004141210000000000♠14,121
(21.92%) 7004503080000000000♠50,308
(78.08%) 7007320000000000000♠32 km2 (12 sq mi) 6997201300000000000♠2,013/km2 (5,210/sq mi) 946
Total India 1,210,193,422
(100%) 17.64% 833,087,662
(68.84%) 377,105,760
(31.16%) 3,287,240 km2 (1,269,210 sq mi) 382/km2 (990/sq mi) 943
Notes[edit]
For determining population density of India and the State of Jammu and Kashmir, the data excludes areas claimed by India but controlled by Pakistan (78,114 km2) and China (42,735 km2).[17][18]
This includes 120,849 square kilometres (46,660 sq mi) of territory controlled by Pakistan, but claimed by India along with Aksai Chin and Shaksgam Valley, territories administered by the People's Republic of China.
^β Excludes Mao-Maram, Paomata, and Purul sub-divisions of Senapati district of Manipur.
See also[edit]
Demographics of India
List of country subdivisions by population
List of metropolitan areas in India
List of states and union territories of India by area
References[edit]
Jump up ^ "India at a Glance: Profile". Government of India. Retrieved 2013-09-30.
^ Jump up to: a b c "Area and Population". Government of India (2001). Census of India. Retrieved 2008-10-26.
Jump up ^ "India - General Profile, Land Use Classification and Land Use Pattern" (PDF). National Informatics Centre (NIC). Ministry of Environment and Forests (MoEF). Archived from the original (PDF) on May 14, 2006. Retrieved 2008-12-12.
Jump up ^ "Census Organisation of India". Government of India (2001). Census of India. Archived from the original on December 1, 2008. Retrieved 2008-12-04.
Jump up ^ "Brief history of census". Government of India (2001). Census of India. Retrieved 2008-10-26.
^ Jump up to: a b c d e f g h "India Census 2011, Provisional Population Totals" (PDF). Archived from the original (PDF) on February 18, 2015.
^ Jump up to: a b http://www.thehindu.com/multimedia/archive/00517/India_Census_2011___517160a.pdf
Jump up ^ "Urban Agglomerations (UAs) & towns". Government of India (2001). Census of India. Retrieved 2008-12-04.
Jump up ^ Shinde, Swati (13 Sep 2008). "Migration rate to city will dip". Times of India. Retrieved 2008-12-08.
Jump up ^ "Develop towns to stop migration to urban areas: economist". Chennai, India: Hindu. Dec 3, 2005. Retrieved 2008-12-08.
Jump up ^ "Migration". Government of India (2001). Census of India. Retrieved 2008-10-26.
Jump up ^ "T-party today: India's 29th state Telangana is born - Times of India ►". Retrieved 15 September 2018.
Jump up ^ "List of states with Population, Sex Ratio and Literacy Census 2011". 2011 Census of India. Retrieved 23 January 2013.
Jump up ^ "Ranking of States and Union territories by population size : 1991 and 2001" (PDF). Government of India (2001). Census of India. pp. 5–6. Retrieved 2008-12-12.
^ Jump up to: a b "Provisional Population Totals". Government of India (2011). Census of India. Retrieved 2011-07-23.
Jump up ^ "Area of India/state/district". Government of India (2001). Census of India. Retrieved 2008-10-27.
Jump up ^ "J&K 2011 Population density census" (PDF).
Jump up ^ "Religion PCA 2011 J&K census".
External links[edit]
Official website of Census of India
Census of India - Density of population
2011 Indian Census
Retrieved from "https://en.wikipedia.org/w/index.php?title=List_of_states_and_union_territories_of_India_by_population&oldid=864754334"
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The Graham Norton Show
From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Graham Norton Show
Genre
Comedy chat show
Directed by
Steve Smith
Presented by
Graham Norton
Country of origin
United Kingdom
Original language(s)
English
No. of series
22
No. of episodes
346 (+1 pilot)
(as of 15 December 2017 or
Series 22, Episode 11)
(list of episodes)
Production
Executive producer(s)
Graham Stuart
Producer(s)
Jon Magnusson
Location(s)
The London Studios[1]
Running time
45 minutes
Production company(s)
So Television
Distributor
ITV Studios
Release
Original network
BBC Two (2007–09)
BBC One (2009–present)
Picture format
HDTV: 16:9
Original release
22 February 2007 (2007-02-22) – present
Chronology
Related shows
So Graham Norton (1998–2002)
V Graham Norton (2002–03)
The Graham Norton Effect (2004)
Graham Norton's Bigger Picture (2005–06)
External links
Website
www.bbc.co.uk/grahamnortonshow/
Production website
www.sotelevision.co.uk
The Graham Norton Show is a British comedy chat show presented by Graham Norton. It was initially broadcast on BBC2, from 22 February 2007, before moving to BBC1 in 2009. It currently airs on Friday evenings on BBC1, and is usually repeated a few nights later.
Contents
[hide]
1 Programming
1.1 BBC Two
1.2 BBC One
2 Series
3 Broadcast
4 Episodes
5 References
6 External links
Programming[edit]
BBC Two[edit]
The show mirrors So and V with strong adult humour along with Graham's monologue at the beginning of the show and often a musical guest to play out over the credits. Although the rude objects in "Graham's drawer" did not survive, the phone calls and hidden camera surprises have. These surprises are sometimes based around the guests, such as Sarah Beeny's dating website, a TARDIS on the South Bank when David Tennant appeared and a wine-tasting group drinking Gérard Depardieu's wine whilst he was on the show. Some of the surprises, such as the wine-tasting, have been arranged through ideas submitted by viewers, stating where they will be when the show is recorded.[citation needed]
At the end of the show, after any band or artist performance, an extra 5 minute section of the show was recorded, known as the "Cooldown". This section was seen in an extended weekend repeat, called Graham Norton Uncut, and was also made available as a downloadable podcast. As well as showing the "Cooldown", it also included previously unseen parts from the original episode. This section often involved the audience, such as guessing an audience member's partner and playing mass charades.[citation needed]
After Graham's short monologue, he always introduced two guests. If there was a third guest, they were usually introduced later in the show. If the two guests are connected in some way (for example, Dustin Hoffman and his wife), they were the only ones introduced at the start. If musical guests were involved in the show, one of several things happened. Some performers, such as Enrique Iglesias, were on stage from the very beginning. Others, such as Gareth Gates came on stage about 5 to 7 minutes before their performance for a short interview. Also, some musical guests only performed during the end credits and participated in the Cooldown section of the programme. However, all bands performed during the credits and were interviewed in the Cooldown segment.[citation needed]
BBC One[edit]
Once the show moved to BBC One, it moved to Monday nights, and the guest list increased to three or occasionally four people, with an accompanying reduction in Norton's signature pieces. A typical show consisted of one big celebrity name, a comedian sitting in the aforementioned comedy chair and a well-known musical personality who would all be introduced after the monologue. Sometimes three guests are introduced at the top of the show with the musical guest brought in about 10 to 15 minutes before the end of the show.
Unlike the BBC Two show, the BBC One show does not end with the musical performance, but with a new audience participation segment called That's All We've Got Time For, where audience members sit in the famous red chair and begin to tell a humorous story. Graham and his guests listen to the stories and if Graham gets bored, he – or occasionally a guest – pulls the lever and the chair falls backwards, dumping the speaker from it.[2] The red chair segment was inspired by comedian Ronnie Corbett's longwinded armchair monologues.[3]
After the end of Friday Night with Jonathan Ross, it was announced that The Graham Norton Show would be taking over the coveted Friday night slot.[4] The show premiered on 22 October 2010.
Series[edit]
The first series began at 10pm on 22 February 2007 on BBC Two and was originally slated to end on 24 May 2007 after 13 episodes. However, the series proved such a hit that it was extended for an additional six episodes. A 12-week second series began on 11 October 2007, and culminated with a Boxing Day special and New Year's compilation from previous episodes.
The show made its North American premiere on BBC America on 2 June 2007, one week after what was supposed to be the final episode of Series 1 (before its extension).
Series 2 premiered on BBC America on 20 October 2007. Unlike the previous series, each episode premiered in the United States only 9 days after the initial UK broadcast. However, the final three episodes were broadcast in reverse order (with Episode 12 being shown on BBC America a few days earlier than on BBC Two. The same thing occurred in Series 4 with the Christmas special airing on BBC America 10 days before the BBC Two broadcast.
Series 3 began its run on 17 April 2008. For series 3, the "Cooldown" segment had been dropped, and the show was just the full uncut 45-minute version of the show. The show was originally recorded in studio 2 at The London Studios, but moved to studio 1, due to the slot of The Paul O'Grady Show and the high audience numbers.
The show continued to be broadcast in a 30-minute version on Thursdays at 10pm with Graham Norton Uncut, the uncut version shown on Sundays at around 11pm in a 45-minute version. However, BBC Two in Wales sometimes broadcast the Thursday edition later than the rest of the BBC Two regions, usually after Newsnight at 11.20pm because they would usually have local programmes in the 10pm slot. BBC Two Northern Ireland did the same, and during series three, they broadcast Thursday's show on Friday nights at 10pm on BBC Two Northern Ireland because of local programming on Thursdays.
Series 4 began its run on 3 October 2008 at 10pm on BBC Two (however, both BBC Two Wales and BBC Two Northern Ireland broadcast the show at a later time due to their regional programming). The Sunday uncut editions have been kept, with the first uncut edition broadcast on BBC Two late on Sunday night.
Since its sixth series, The Graham Norton Show has aired on BBC One. As of 2017, there have been 21 series of the show.
In late January 2017 it was confirmed that Graham Norton had signed a new three-year deal with the BBC which along with his BBC Radio 2 show, Eurovision commentary duties and other projects for the BBC, it will also keep The Graham Norton Show on BBC One until at least 2020. Graham said "We’ve just done a deal for another three years, which right now feels like a long time".[5]
Broadcast[edit]
Across Scandinavia, The Graham Norton Show is shown frequently on cable and satellite channels BBC Brit, formerly known as BBC Entertainment. Episodes are usually shown a week after their original UK airing on BBC One, while re-runs from past seasons are shown overnight or during the day.
In Latin America, Poland and several countries in continental Europe, The Graham Norton Show is aired on satellite channel BBC Entertainment. Episodes are usually shown a week after their original UK airing on BBC One, while re-runs from past seasons are shown over-night or during daytime.
In the United States, starting 11 April 2013, cable/satellite network BBC America aired new episodes on Thursdays.[6] It then aired every Saturday night on BBC America, normally eight days after the BBC.[1]. In November 2015, The Weinstein Company bought the series rights in the United States and took a break while negotiating a new contract with BBC America.[7] On 18 January 2016, BBC America aired the 2015 New Year's Eve episode.[8] On 21 January 2016, the network announced that the programme would be returning on Monday, 25 January 2016, with new episodes now airing three days after the BBC airing.[9] In 2017, it then returned to it’s time slot on Saturday nights.
In Canada, cable channel BBC Canada broadcasts the show Friday nights.
In Ireland, the show is broadcast on TV3 and its sister channel 3e one day after the BBC broadcast on Saturdays. In January 2015, UTV Ireland aired the show every Sunday night. TV3 Group continued to air "Best of" Specials recorded prior to 2015. This arrangement changed in January 2017 when the TV3 Group bought UTV Ireland and changed it to "be3" channel. TV3 then moved The Graham Norton Show back to their main channel, where it airs every Saturday, 24 hours after UK transmission, usually at around 9.30pm.
In Australia, the series is broadcast on Network Ten on Friday nights, airing one week after original broadcast in the UK.[10][11] Additionally, for Pay TV viewers (Foxtel and Austar), it airs on UKTV at 9.30pm Mondays, with repeats on Tuesdays and Saturdays. It previously aired on ABC2 on Thursday nights from 2007 to 2012. In New Zealand, the show was originally broadcast on UKTV. Since the start of Series 11 on 4 May 2012, the show has been broadcast on TV3 on Friday nights.
In India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan and Maldives The Graham Norton Show airs Saturday nights on Comedy Central, a week after the BBC broadcast.
Episodes[edit]
Main article: List of The Graham Norton Show episodes
All ratings are taken from BARB.
Series
Episodes
Originally aired
First aired
Last aired
Network
1 19 22 February 2007 (2007-02-22) 5 July 2007 (2007-07-05) BBC Two
2 12 11 October 2007 (2007-10-11) 26 December 2007 (2007-12-26)
3 12 17 April 2008 (2008-04-17) 3 July 2008 (2008-07-03)
4 14 2 October 2008 (2008-10-02) 30 December 2008 (2008-12-30)
5 12 5 March 2009 (2009-03-05) 28 May 2009 (2009-05-28)
6 13 5 October 2009 (2009-10-05) 31 December 2009 (2009-12-31) BBC One
7 12 12 April 2010 (2010-04-12) 28 June 2010 (2010-06-28)
8 20 22 October 2010 (2010-10-22) 11 March 2011 (2011-03-11)
9 13 15 April 2011 (2011-04-15) 8 July 2011 (2011-07-08)
10 21 21 October 2011 (2011-10-21) 16 March 2012 (2012-03-16)
11 13 13 April 2012 (2012-04-13) 6 July 2012 (2012-07-06)
12 20 19 October 2012 (2012-10-19) 22 March 2013 (2013-03-22)
13 14 5 April 2013 (2013-04-05) 5 July 2013 (2013-07-05)
14 20 11 October 2013 (2013-10-11) 28 February 2014 (2014-02-28)
15 13 4 April 2014 (2014-04-04) 27 June 2014 (2014-06-27)
16 24 26 September 2014 (2014-09-26) 20 March 2015 (2015-03-20)
17 13 10 April 2015 (2015-04-10) 3 July 2015 (2015-07-03)
18 20 25 September 2015 (2015-09-25) 19 February 2016 (2016-02-19)
19 15 25 March 2016 (2016-03-25) 1 July 2016 (2016-07-01)
20 22 30 September 2016 (2016-09-30) 3 March 2017 (2017-03-03)
21 13 7 April 2017 (2017-04-07) 30 June 2017 (2017-06-30)
22 20[12] 29 September 2017 (2017-09-29) N/A
References[edit]
Jump up ^ "Filming Location".
Jump up ^ "The Graham Norton Show". BBC. Retrieved 2013-04-26.
Jump up ^ The Graham Norton Show, BBC One, 1 April 2016
Jump up ^ "Graham Norton to take over from Jonathan Ross on Friday night chat show". 2010-07-15. ISSN 0307-1235. Retrieved 2017-10-13.
Jump up ^ "Graham Norton signs deal to remain at the BBC for another three years".
Jump up ^ "About the Show | The Graham Norton Show". BBC America. Retrieved 2013-04-26.
Jump up ^ Owen, Rob (2015-11-06). "TV Q&A: 'The Unbreakable Kimmy Schmidt,' 'The Graham Norton Show' and closed captioning". Pittsburgh Post-Gazette. Retrieved 2015-11-06.
Jump up ^ "graham norton on Twitter". Twitter.
Jump up ^ "The Graham Norton Show - Press Resources - BBC America Press Room".
Jump up ^ "TEN 2012 Programming Launch:TV Tonight". 'David Knox'. Retrieved 18 August 2011.
Jump up ^ "Ten 2012 - Knowfirst". 'Elmer Fudd'. Retrieved 18 August 2011.
Jump up ^ "Episodes' Guide, The Graham Norton Show - BBC One". BBC.
External links[edit]
The Graham Norton Show at BBC Programmes
The Graham Norton Show at BBC America
The Graham Norton Show at British Comedy Guide
The Graham Norton Show at TV3
[hide]
v
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BAFTA TV Award for Best Comedy Series
Yes Minister (1981)
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Yes Minister (1983)
Hi-de-Hi! (1984)
The Young Ones (1985)
Only Fools and Horses (1986)
Just Good Friends (1987)
Blackadder the Third (1988)
Only Fools and Horses (1989)
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The New Statesman (1991)
One Foot in the Grave (1992)
Absolutely Fabulous (1993)
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Little Britain (2004)
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Harry & Paul (2009)
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Stewart Lee's Comedy Vehicle (2012)
The Revolution Will Be Televised (2013)
A League of Their Own (2014)
The Graham Norton Show (2015)
Have I Got News for You (2016)
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Anticipatory socialization
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Anticipatory socialization is the process, facilitated by social interactions, in which non-group-members learn to take on the values and standards of groups that they aspire to join, so as to ease their entry into the group and help them interact competently once they have been accepted by it.[1][2] It is the process of changing one's attitudes and behaviours, in preparation for a shift in one's role. Words commonly associated with anticipatory socialization include grooming, play-acting, training and rehearsing.[3]
The concept of anticipatory socialization, first defined by sociologist Robert K. Merton, has its origins in a 1949 study of the United States military which found that privates who modelled their attitudes and behaviours on those of officers were more likely to be promoted than those who didn't.[4]
When people are blocked from access to a group they might have wanted to join, they reject that group's values and norms, and instead begin the anticipatory socialization process with groups that are more receptive to them. People doing this, for example economically disadvantaged teenagers who aspire to become drug dealers rather than professionals, are sometimes criticized as lacking motivation, however sociologists say they are simply making a pragmatic adjustment to the opportunities available to them.[5]
Examples of anticipatory socialization include law school students learning how to behave like lawyers, older people preparing for retirement, and Mormon boys getting ready to become missionaries.[6]
Recent studies show that anticipatory socialization is prevalent among pregnant mothers who choose to reveal the fetal sex pre-birth. Knowing the gender of the baby will affect the way in with the mother interacts with the baby, as a result of preconceived expectations of gender group norms.[7]
References[edit]
Jump up ^ Clark, Reginald M. (1983). Family Life and School Achievement: Why Poor Black Children Succeed Or Fail. Chicago0: University of Chicago Press. p. 217. ISBN 0-226-10770-1.
Jump up ^ Wilcoxson, Mitsue Alice (2008). The socialization of athletic training clinical instructors: A descriptive study. Ann Arbor, Michigan: Purdue University Health and Kinesiology. p. 20.
Jump up ^ Ballis, Peter Harry (1999). Leaving the adventist ministry: a study of the process of exiting. Westport, Connecticut: Praeger Publishers. p. 158. ISBN 0-275-96229-6.
Jump up ^ Lane, Shannon Rae (2008). 'Electing the right people': A survey of elected social workers and candidates. University of Connecticut. p. 35.
Jump up ^ Holden, Matthew (1994). The challenge to racial stratification. New Jersey: The National Political Science Review Volume 4, A publication of the national conference of black political scientists (Transaction Publishers). p. 114. ISBN 1-56000-676-5.
Jump up ^ Shepherd, Gordon; Shepherd, Gary (2001) [1994]. "Sustaining a lay religion in modern society: the Mormon missionary experience". In Cornwall, Marie; Heaton, Tim B.; Young, Lawrence A. Contemporary Mormonism: Social Science Perspectives. Urbana: University of Illinois Press. p. 169. ISBN 0-252-06959-5. OCLC 28721262.
Jump up ^ Barnes, Medora (2014). "Anticipatory Socialization of Pregnant Women: Learning Fetal Sex and Gendered Interactions". Sociological Perspectives.
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