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YouTube Play Button
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YouTube Play Buttons, a part of the YouTube Creator Rewards, act as recognition by YouTube of its most popular channels.[1]
These are distinct from the YouTube Awards, which are intended to recognize the best quality videos. YouTube Creator Rewards are based on a channel's subscriber count, but are awarded at the sole discretion of YouTube. Each channel is reviewed before an award is issued, to ensure that the channel follows the YouTube community guidelines.[1] YouTube reserves the right to refuse to hand out a Creator Reward, which it did not give to select channels with horror or political content, and various critics.[2][3]
Contents
1 Benefits and awards
1.1 Benefit levels
1.2 Awards
2 References
Benefits and awards[edit]
Benefit levels[edit]
These levels do not include awards, but offer alternative benefits instead:
Graphite, for channels that reach or surpass 1 subscriber.
Opal, for channels that reach or surpass 1,000 subscribers. It is one of three requirements to apply to the YouTube Partner Program for monetization, the other two being a minimum of 4,000 watch hours in the past 12 months and a review of the channel's content to determine eligibility. Channels with monetization can also enable Super Chat, while YouTube Gaming channels can also enable channel membership.[4]
Bronze, for channels that reach or surpass 10,000 subscribers. If a channel is monetized, this level adds a Teespring monetization option, which is only visible in the United States.[5]
Awards[edit]
When a verified YouTuber reaches a specific milestone and is deemed eligible for a YouTube Creator Reward,[1] they are awarded a relatively flat trophy in a metal casing with a YouTube play button symbol. The trophies are of different sizes: each button and plaque gets progressively bigger the more subscribers the channel gets.[6]
There are currently three different tiers of rewards,[1] plus a fourth that has been awarded only once:
The Silver Play Button, for channels that reach or surpass 100,000 subscribers. The old version was made of nickel-plated cupronickel alloy.[7] The new version (as of March 1, 2017) is 92% nickel, 5% carbon and 2.5% zinc, with traces of other metals.[8] In March 2018 the look of Silver Play Button was updated from a metal button housed within a window box with the channel's name printed on the front glass pane to a cleaner-looking flat designed metal plaque award featuring the channel name's embossed on it.[9]
The Gold Play Button, for channels that reach or surpass 1,000,000 subscribers. It is made of gold-plated brass.[7] In March 2018 the look of Gold Play Button was updated from a metal button housed within a window box with the channel's name printed on the front glass pane to a cleaner-looking flat designed metal plaque award featuring the channel name's embossed on it.[9][10][11]
The Diamond Play Button, for channels that reach or surpass 10,000,000 subscribers. It is made of silver-plated metal inset with a large piece of crystal in the shape of a play button triangle.[12][13]
The Ruby Play Button, for channels that reach or surpass 50,000,000 subscribers. On December 18, 2016, YouTuber PewDiePie was the first YouTuber to receive a ruby colored trophy as a gift for reaching 50,000,000 subscribers. It was made in the shape of his channel's logo: a hand giving a "bro fist", or a fist bump. It also came with several mini-awards to be gifted to subscribers that had been subscribed the longest and were still active. It is not referenced in the Creators Award page, and it is unknown if such a trophy will be given out to any other YouTuber who surpasses the milestone in the future.[14][15]
References[edit]
^ Jump up to: a b c d "YouTube Creator Rewards". YouTube. Retrieved April 12, 2016.
Jump up ^ Weiss, Geoff (February 6, 2018). "YouTube On 'Play Button' Awards: "Not All Creators Who Apply Will Receive Awards" - Tubefilter". Tubefilter. Retrieved June 9, 2018.
Jump up ^ Alexander, Julia (February 2, 2018). "YouTube says 'not all creators who apply' for Creator Awards will receive them". Polygon. Retrieved June 9, 2018.
Jump up ^ "Channel membership eligibility on YouTube Gaming - YouTube Gaming Help". YouTube Gaming Help. Retrieved August 21, 2018.
Jump up ^ Alexander, Julia (June 21, 2018). "YouTube partners with Teespring to help creators sell official merchandise". Polygon. Retrieved August 21, 2018.
Jump up ^ "YouTube Creator Hub". YouTube. Retrieved February 1, 2017.
^ Jump up to: a b "What is the Gold Play Button REALLY Made Of?". YouTube. Retrieved June 6, 2017.
Jump up ^ "What is the NEW Silver Play Button REALLY made of?!". YouTube. Retrieved April 29, 2018.
^ Jump up to: a b "YouTube's silver and gold play buttons are getting a new look". SocialBladeBlog. Retrieved June 15, 2018.
Jump up ^ Acuna, Kirsten (July 19, 2012). "YouTube Is Rewarding Its Most Popular Users With Gold". Business Insider. Retrieved April 12, 2016.
Jump up ^ Cohen, Joshua (June 29, 2012). "YouTube Gives 24-Karat Gold 'Play Button' to Channels with 1M+ Subs". Tubefilter. Retrieved April 12, 2016.
Jump up ^ Brouwer, Bree (July 24, 2015). "YouTube Gives New Diamond Play Button To Channels With 10 Million Subscribers". Tubefilter. Retrieved April 12, 2016.
Jump up ^ Dillon, Poppy (August 3, 2015). "YouTube Announced Diamond Play Button". TenEighty. Retrieved April 12, 2016.
Jump up ^ "PewdiePie's video on receiving the award". Retrieved May 1, 2017.
Jump up ^ "YouTube Sends PewDiePie Custom Ruby Play Button To Commemorate 50 Million Subscribers". TubeFilter. Retrieved May 1, 2017.
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Codon usage bias
From Wikipedia, the free encyclopedia
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Codon usage bias refers to differences in the frequency of occurrence of synonymous codons in coding DNA. A codon is a series of three nucleotides (a triplet) that encodes a specific amino acid residue in a polypeptide chain or for the termination of translation (stop codons).
There are 64 different codons (61 codons encoding for amino acids plus 3 stop codons) but only 20 different translated amino acids. The overabundance in the number of codons allows many amino acids to be encoded by more than one codon. Because of such redundancy it is said that the genetic code is degenerate. The genetic codes of different organisms are often biased towards using one of the several codons that encode the same amino acid over the others—that is, a greater frequency of one will be found than expected by chance. How such biases arise is a much debated area of molecular evolution. Codon usage tables detailing genomic codon usage bias for most organisms in GenBank and RefSeq can be found in the HIVE-Codon Usage Table database.[1]
It is generally acknowledged that codon biases reflect a balance between mutational biases and natural selection for translational optimization. Optimal codons in fast-growing microorganisms, like Escherichia coli or Saccharomyces cerevisiae (baker's yeast), reflect the composition of their respective genomic tRNA pool. It is thought that optimal codons help to achieve faster translation rates and high accuracy. As a result of these factors, translational selection is expected to be stronger in highly expressed genes, as is indeed the case for the above-mentioned organisms. In other organisms that do not show high growing rates or that present small genomes, codon usage optimization is normally absent, and codon preferences are determined by the characteristic mutational biases seen in that particular genome. Examples of this are Homo sapiens (human) and Helicobacter pylori. Organisms that show an intermediate level of codon usage optimization include Drosophila melanogaster (fruit fly), Caenorhabditis elegans (nematode worm), Strongylocentrotus purpuratus (sea urchin) or Arabidopsis thaliana (thale cress). Several viral families (herpesvirus, lentivirus, papillomavirus, polyomavirus, adenovirus, and parvovirus) are known to encode structural proteins that display heavily skewed codon usage compared to the host cell. The suggestion has been made that these codon biases play a role in the temporal regulation of their late proteins.[2]
The nature of the codon usage-tRNA optimization has been fiercely debated. It is not clear whether codon usage drives tRNA evolution or vice versa. At least one mathematical model has been developed where both codon usage and tRNA expression co-evolve in feedback fashion (i.e., codons already present in high frequencies drive up the expression of their corresponding tRNAs, and tRNAs normally expressed at high levels drive up the frequency of their corresponding codons). However, this model does not seem to yet have experimental confirmation. Another problem is that the evolution of tRNA genes has been a very inactive area of research.
Contents
[hide]
1 Contributing factors
2 Evolutionary theories
2.1 Mutational bias versus selection
2.2 Mutation-selection-drift balance model
3 Consequences of codon composition
3.1 Effect on RNA secondary structure
3.2 Effect on transcription/gene expression
3.3 Effect on speed of translation elongation
3.4 Effect on protein folding
4 Methods of analysis
5 References
6 External links
Contributing factors[edit]
Different factors have been proposed to be related to codon usage bias, including gene expression level (reflecting selection for optimizing translation process by tRNA abundance), %G+C composition (reflecting horizontal gene transfer or mutational bias), GC skew (reflecting strand-specific mutational bias), amino acid conservation, protein hydropathy, transcriptional selection, RNA stability, optimal growth temperature, hypersaline adaptation and dietary nitrogen.[3][4][5][6][7][8]
Evolutionary theories[edit]
Mutational bias versus selection[edit]
Although the mechanism of codon bias selection remains controversial, possible explanations for this bias fall into two general categories. One explanation revolves around the selectionist theory, in which codon bias contributes to the efficiency and/or accuracy of protein expression and therefore undergoes positive selection. The selectionist model also explains why more frequent codons are recognized by more abundant tRNA molecules, as well as the correlation between preferred codons, tRNA levels and gene copy numbers. Although it has been shown that the rate of amino acid incorporation at more frequent codons occurs at a much higher rate than that of rare codons, the speed of translation has not been shown to be directly affected and therefore the bias towards more frequent codons may not be directly advantageous. However, the increase in translation elongation speed may still be indirectly advantageous by increasing the cellular concentration of free ribosomes and potentially the rate of initiation for messenger RNAs.[9]
The second explanation for codon usage can be explained by mutational bias, a theory which posits that codon bias exists because of nonrandomness in the mutational patterns. In other words, some codons can undergo more changes and therefore result in lower equilibrium frequencies, also known as “rare” codons. Different organisms also exhibit different mutational biases, and there is growing evidence that the level of genome-wide GC content is the most significant parameter in explaining codon bias differences between organisms. Additional studies have demonstrated that codon biases can be statistically predicted in prokaryotes using only intergenic sequences, arguing against the idea of selective forces on coding regions and further supporting the mutation bias model. However, this model alone cannot fully explain why preferred codons are recognized by more abundant tRNAs.[9]
Mutation-selection-drift balance model[edit]
To reconcile the evidence from both mutational pressures and selection, the prevailing hypothesis for codon bias can be explained by the mutation-selection-drift balance model. This hypothesis states that selection favors major codons over minor codons, but minor codons are able to persist due to mutation pressure and genetic drift. It also suggests that selection is generally weak, but that selection intensity scales to higher expression and more functional constraints of coding sequences.[9]
Consequences of codon composition[edit]
Effect on RNA secondary structure[edit]
Because secondary structure of the 5’ end of mRNA influences translational efficiency, synonymous changes at this region on the mRNA can result in profound effects on gene expression. Codon usage in noncoding DNA regions can therefore play a major role in RNA secondary structure and downstream protein expression, which can undergo further selective pressures. In particular, strong secondary structure at the ribosome-binding site or initiation codon can inhibit translation, and mRNA folding at the 5’ end generates a large amount of variation in protein levels.[10]
Effect on transcription/gene expression[edit]
Heterologous gene expression is used in many biotechnological applications, including protein production and metabolic engineering. Because tRNA pools vary between different organisms, the rate of transcription and translation of a particular coding sequence can be less efficient when placed in a non-native context. For an overexpressed transgene, the corresponding mRNA makes a large percent of total cellular RNA, and the presence of rare codons along the transcript can lead to inefficient use and depletion of ribosomes and ultimately reduce levels of heterologous protein production. However, using codons that are optimized for tRNA pools in a particular host to overexpress a heterologous gene may also cause amino acid starvation and alter the equilibrium of tRNA pools. This method of adjusting codons to match host tRNA abundances, called codon optimization, has traditionally been used for expression of a heterologous gene. However, new strategies for optimization of heterologous expression consider global nucleotide content such as local mRNA folding, codon pair bias, a codon ramp or codon correlations.[11]
Specialized codon bias is further seen in some endogenous genes such as those involved in amino acid starvation. For example, amino acid biosynthetic enzymes preferentially use codons that are poorly adapted to normal tRNA abundances, but have codons that are adapted to tRNA pools under starvation conditions. Thus, codon usage can introduce an additional level of transcriptional regulation for appropriate gene expression under specific cellular conditions.[11]
Effect on speed of translation elongation[edit]
Generally speaking for highly expressed genes, translation elongation rates are faster along transcripts with higher codon adaptation to tRNA pools, and slower along transcripts with rare codons. This correlation between codon translation rates and cognate tRNA concentrations provides additional modulation of translation elongation rates, which can provide several advantages to the organism. Specifically, codon usage can allow for global regulation of these rates, and rare codons may contribute to the accuracy of translation at the expense of speed.[12]
Effect on protein folding[edit]
Protein folding in vivo is vectorial, such that the N-terminus of a protein exits the translating ribosome and becomes solvent-exposed before its more C-terminal regions. As a result, co-translational protein folding introduces several spatial and temporal constraints on the nascent polypeptide chain in its folding trajectory. Because mRNA translation rates are coupled to protein folding, and codon adaption is linked to translation elongation, it has been hypothesized that manipulation at the sequence level may be an effective strategy to regulate or improve protein folding. Several studies have shown that pausing of translation as a result of local mRNA structure occurs for certain proteins, which may be necessary for proper folding. Furthermore, synonymous mutations have been shown to have significant consequences in the folding process of the nascent protein and can even change substrate specificity of enzymes. These studies suggest that codon usage influences the speed at which polypeptides emerge vectorially from the ribosome, which may further impact protein folding pathways throughout the available structural space.[12]
Methods of analysis[edit]
In the field of bioinformatics and computational biology, many statistical methods have been proposed and used to analyze codon usage bias.[13] Methods such as the 'frequency of optimal codons' (Fop),[14] the Relative Codon Adaptation (RCA)[15] or the 'Codon Adaptation Index' (CAI)[16] are used to predict gene expression levels, while methods such as the 'effective number of codons' (Nc) and Shannon entropy from information theory are used to measure codon usage evenness.[17] Multivariate statistical methods, such as correspondence analysis and principal component analysis, are widely used to analyze variations in codon usage among genes.[18] There are many computer programs to implement the statistical analyses enumerated above, including CodonW, GCUA, INCA, etc. Codon optimization has applications in designing synthetic genes and DNA vaccines. Several software packages are available online for this purpose (refer to external links).
References[edit]
Jump up ^ Athey, John; Alexaki, Aikaterini; Osipova, Ekaterina; Rostovtsev, Alexandre; Santana-Quintero, Luis V.; Katneni, Upendra; Simonyan, Vahan; Kimchi-Sarfaty, Chava (2017-09-02). "A new and updated resource for codon usage tables". BMC Bioinformatics. 18 (391). doi:10.1186/s12859-017-1793-7. PMC 5581930  . PMID 28865429.
Jump up ^ Shin, Young C.; Bischof, Georg F.; Lauer, William A.; Desrosiers, Ronald C. (2015-09-10). "Importance of codon usage for the temporal regulation of viral gene expression". Proceedings of the National Academy of Sciences. 112 (45): 14030–14035. doi:10.1073/pnas.1515387112. PMC 4653223  . PMID 26504241.
Jump up ^ Ermolaeva MD (October 2001). "Synonymous codon usage in bacteria". Curr Issues Mol Biol. 3 (4): 91–7. PMID 11719972.
Jump up ^ Lynn DJ, Singer GA, Hickey DA (October 2002). "Synonymous codon usage is subject to selection in thermophilic bacteria". Nucleic Acids Res. 30 (19): 4272–7. doi:10.1093/nar/gkf546. PMC 140546  . PMID 12364606.
Jump up ^ Paul S, Bag SK, Das S, Harvill ET, Dutta C (2008). "Molecular signature of hypersaline adaptation: insights from genome and proteome composition of halophilic prokaryotes". Genome Biol. 9 (4): R70. doi:10.1186/gb-2008-9-4-r70. PMC 2643941  . PMID 18397532.
Jump up ^ Kober, K. M.; Pogson, G. H. (2013). "Genome-Wide Patterns of Codon Bias Are Shaped by Natural Selection in the Purple Sea Urchin, Strongylocentrotus purpuratus". G3. 3 (7): 1069–1083. doi:10.1534/g3.113.005769. PMC 3704236  . PMID 23637123.
Jump up ^ McInerney, James O. (1998-09-01). "Replicational and transcriptional selection on codon usage in Borrelia burgdorferi". Proceedings of the National Academy of Sciences. 95 (18): 10698–10703. doi:10.1073/pnas.95.18.10698. ISSN 0027-8424. PMC 27958  . PMID 9724767.
Jump up ^ Seward, Emily; Kelly, Steve (2016). "Dietary nitrogen alters codon bias and genome composition in parasitic microorganisms". Genome Biology. 17 (226): 3–15. doi:10.1186/s13059-016-1087-9. PMC 5109750  . PMID 27842572.
^ Jump up to: a b c Hershberg, R; Petrov, D. A. (2008). "Selection on codon bias". Annual Review of Genetics. 42: 287–99. doi:10.1146/annurev.genet.42.110807.091442. PMID 18983258.
Jump up ^ Novoa, E. M.; Ribas De Pouplana, L (2012). "Speeding with control: Codon usage, tRNAs, and ribosomes". Trends in Genetics. 28 (11): 574–81. doi:10.1016/j.tig.2012.07.006. PMID 22921354.
^ Jump up to: a b Plotkin, J. B.; Kudla, G (2011). "Synonymous but not the same: The causes and consequences of codon bias". Nature Reviews Genetics. 12 (1): 32–42. doi:10.1038/nrg2899. PMC 3074964  . PMID 21102527.
^ Jump up to: a b Spencer, P. S.; Barral, J. M. (2012). "Genetic Code Redundancy and Its Influence on the Encoded Polypeptides". Computational and Structural Biotechnology Journal. 1: 1–8. doi:10.5936/csbj.201204006.
Jump up ^ Comeron JM, Aguadé M (September 1998). "An evaluation of measures of synonymous codon usage bias". J. Mol. Evol. 47 (3): 268–74. doi:10.1007/PL00006384. PMID 9732453.
Jump up ^ Ikemura T (September 1981). "Correlation between the abundance of Escherichia coli transfer RNAs and the occurrence of the respective codons in its protein genes: a proposal for a synonymous codon choice that is optimal for the E. coli translational system". J. Mol. Biol. 151 (3): 389–409. doi:10.1016/0022-2836(81)90003-6. PMID 6175758.
Jump up ^ Fox JM, Erill I (June 2010). "Relative codon adaptation: a generic codon bias index for prediction of gene expression". DNA Res. 17 (3): 185–96. doi:10.1093/dnares/dsq012. PMC 2885275  . PMID 20453079.
Jump up ^ Sharp, Paul M.; Li, Wen-Hsiung (1987). "The codon adaptation index-a measure of directional synonymous codon usage bias, and its potential applications". Nucleic Acids Research. 15 (3): 1281–1295. doi:10.1093/nar/15.3.1281. PMC 340524  . PMID 3547335.
Jump up ^ Peden J (2005-04-15). "Codon usage indices". Correspondence Analysis of Codon Usage. SourceForge. Retrieved 2010-10-20.
Jump up ^ Suzuki H, Brown CJ, Forney LJ, Top EM (December 2008). "Comparison of correspondence analysis methods for synonymous codon usage in bacteria". DNA Res. 15 (6): 357–65. doi:10.1093/dnares/dsn028. PMC 2608848  . PMID 18940873.
External links[edit]
Composition Analysis Toolkit: estimating codon usage bias and its statistical significance
HIVE-Codon Usage Table database
Codon Usage Database
CodonW
GCUA - General Codon Usage Analysis
Graphical Codon Usage Analyser
JCat - Java Codon Usage Adaptation Tool
INCA - Interactive Codon Analysis software
ACUA - Automated Codon Usage Analysis Tool
OPTIMIZER - Codon usage optimization
HEG-DB - Highly Expressed Genes Database
E-CAI - Expected value of Codon Adaptation Index
CAIcal -Set of tools to assess codon usage adaptation
scRCA - Automatic determination of translational codon usage bias
Online Synonymous Codon Usage Analyses with the ade4 and seqinR packages
Genetic Algorithm Simulation for Codon Optimization
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If You Go Away
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For the New Kids on the Block song, see If You Go Away (New Kids on the Block song).
"If You Go Away"
Single by Damita Jo
from the album If You Go Away
B-side
"Yellow Days"
Released
1966
Genre
Jazz
Length
3:49
Label
Epic Records
Songwriter(s)
Jacques Brel, Rod McKuen
Producer(s)
Bob Morgan
Damita Jo singles chronology
"Gotta Travel On"
(1965) "If You Go Away"
(1966) "Walk Away"
(1967)
"Gotta Travel On"
(1965) "If You Go Away"
(1966) "Walk Away"
(1967)
"If You Go Away" is an adaptation of the 1959 Jacques Brel song "Ne me quitte pas" with English lyrics by Rod McKuen. Created as part of a larger project to translate Brel's work, "If You Go Away" is considered a pop standard and has been recorded by many artists, including Greta Keller, for whom some say McKuen wrote the lyrics.[1]
Damita Jo reached #10 on the Adult Contemporary chart and #68 on the Billboard Hot 100 in 1966 for her version of the song.[2] Terry Jacks recorded a version of the song which was released as a single in 1974 and reached #29 on the Adult Contemporary chart, #68 on the Billboard Hot 100, and went to #8 in the UK.[3]
The complex melody is partly derivative of classical music - the poignant "But if you stay..." passage comes from Franz Liszt's Hungarian Rhapsody No. 6.
Contents
[hide]
1 Lyrics
2 Cover versions
3 Related songs
4 References
5 External links
Lyrics[edit]
A sad but hopeful ballad, the lyrics are told from the perspective of someone telling their lover how much they'd be missed if they left. This is described in vivid, hyperbolic terms, such as "there'll be nothing left in the world to trust". If the lover stays, the narrator promises them both devotion and good times ("I'll make you a day / Like no day has been, or will be again"). Some lines show that the narrator is speaking to the lover as they are already leaving, or considering doing so ("Can I tell you now, as you turn to go..."). The lines "If you go, as I know you will" and later "...as I know you must" make clear that despite the narrator's protests, the lover's leaving is inevitable.
McKuen's translation is significantly different from the original Brel lyric. The English version is based around contrasting what would happen "if you go away" and what could happen "if you stay".
In the original French version, the singer begs for his lover not to leave him and is more supplicant and almost self-humiliating (the title "Ne me quitte pas" translates "Do not leave me"). Significant is the last image of the French version; although the McKuen version has lyrics that come close to the original sentiment, the French lyrics are far bleaker (as is the song in general): "Let me become the shadow of your shadow, the shadow of your hand, the shadow of your dog" (lit. translation of the original) as opposed to "I'd have been the shadow of your shadow if I thought it might have kept me by your side" (English lyrics).
The English version omits a section of the original version in which the singer begs his lover to give their relationship a second chance, using examples derived from the natural world: "I will tell you of those lovers who saw their hearts catch fire twice;" "Fire has often been seen gushing out of an ancient volcano we thought too old"; "There are, people say, burnt lands that produce more wheat than the best of Aprils".
Cover versions[edit]
1960: Barbara, a close friend of Brel's, was the first to cover the original song on her Barbara chante Brassens et Brel album, for which she was awarded Le Grand Prix du Disque.[citation needed]
1962: Gino Paoli recorded the first non-French cover version, "Non andare via" on his album "Le cose dell'amore"
1964: Marlene Dietrich recorded a German cover version, "Bitte geh' nicht fort".
1965: Nina Simone recorded a French version on her album, I Put a Spell On You.
1967: Dusty Springfield released a version on her album Where Am I Going?. When Dusty's life story was turned into a musical in 2000, "If You Go Away" was chosen for the climax of the show. The stage Dusty was portrayed by singer/actress Mari Wilson.
Jack Jones recorded the song for his album, Lady.
Kim Weston recorded a version for her 1967 MGM album For The First Time.
Lana Cantrell released a version on her album And Then There Was Lana. While mainly in English, this version retains one line of the original French: "Ne me quitte pas."
The Seekers recorded a version for their album Seekers Seen in Green.
Shirley Bassey released a version as a single which also appeared on her album And We Were Lovers. Bassey also recorded an alternative version in Italy in 1968 and this version was only issued in Italy as a single. McKuen was very fond of Bassey's version and wrote to her saying he enjoyed it and thanking her.[4] In 2002, her version of the song featured in the movie Merci Docteur Rey.
1968: Glen Campbell recorded a version on his album Wichita Lineman.
Tom Jones released a version on his Decca hit album Help Yourself.
Brenda Lee recorded a version in Nashville and it appears on her album Johnny One Time.
Lill Lindfors recorded the song as “Om du går din väg” for her Polydor Records album Kom i min värld (Come To My World).
Angélica María recorded the Spanish rendering "No me dejes" for her album Cuando me enamoro.
Dottie West recorded a version for her album What I'm Cut Out to Be.
1969: Frank Sinatra released a version on his album My Way with Violetta Villas
Scott Walker recorded a version on his album Scott 3.
1970: Oliver released a version on his album Again.[5]
1971: Neil Diamond released a version on his album Stones.
1972: The Chopsticks recorded a version on their fourth and final album, If You Go Away, released on Crown in Hong Kong.
1974: Nana Mouskouri released a version of the song on her album Nana's Book of Songs.
Ray Charles released a version of the song on his album Come Live with Me.
1977: Farhad Mehrad
1982: Marc Almond's band Marc and the Mambas recorded a version of the song on their album Untitled.
1984: Oscar Benton recorded a version of the song called "If you go away (Ne me quite pas)" in the album "If you go away".
1989: Helen Merrill recorded a version of the song on her album Collaboration, accompanied by tenor-saxophonist Stan Getz and pianist Joachim Kühn.
1989: Marc Almond recorded another version of the song on his album Jacques.
1990: Julio Iglesias recorded a version of the song on his album Starry Night.
1993: Sheena Easton recorded a version of the song on her album "No Strings" for MCA Records...
1999: Emilíana Torrini recorded a version as the B-Side to the single To Be Free (both part of the album Rarities)
1999: Yuri Buenaventura released a salsa version on his album Herencia Africana.
2000: Moloko remixed and reworked Shirley Bassey's version. The new track was released on Bassey's The Remix Album... Diamonds Are Forever and was properly titled the "DJ Skymoo Mix."
2000: Regine Velasquez Asia's Songbird did a cover of this song on her live album entitled "Regine LIVE, Songbird Sings The Classics."
2002: Patricia Kaas released a version on her Piano Bar concept album that grew out of her performance in the film And Now... Ladies and Gentlemen with Jeremy Irons and it contains her interpretation of the song.
Wave in Head teamed up with Empire State Human to cover the song and was released on the album Synthetic Broadway.
2003: Cyndi Lauper released a version on her album At Last.
Shirley Horn recorded a version of the song on her album May the Music Never End.
2004: Madonna recorded a version of the song as one of the songs of Hello Suckers – Madonna’s musical that never was made. Producers of the musical were Patrick Leonard and Mirwais Ahmadzaï.
2006: Art Of Time Ensemble recorded a version with vocalist Martin Tielli on their debut album Live In Toronto.
Ambulette released a version of the song on their first EP, The Lottery.
2007: Belinda Carlisle recorded a version both in French and English on her album Voila.
Lesley Garrett released a version of the song on her album When I Fall in Love.
2009: Barbra Streisand recorded the song with both English and French lyrics for her album Love Is the Answer.
2010: Julie Christmas recorded a demo version of the song that was released on her solo album The Bad Wife.
2012: Peter Murphy with his band Dalis Car recorded the song for their album InGladAloneness.
Holly Cole recorded the song for her album Night.
Malia recorded the song for her album Black Orchid.
2013: Tout va Bien recorded a version which was released as a single on iTunes.[6]
Eartha Kitt recorded two live performances of the song, the first on "Live in London" and the second, as a medley with Hymn to Love, on "Live at the Cheltenham Jazz Festival." She also included the song as part of her set when touring.
2014: Caro Emerald as a digital download performed in both French and English.
Jane McDonald recorded as track 9 of her album "The Singer of Your Song" release for her Winter UK tour.
2017: Wyclef Jean released a mixed language English/French version on the Deluxe Edition of his EP J'Ouvert
Related songs[edit]
See also: List of cover versions of Jacques Brel songs
Nick Currie, better known as Momus, returned to Brel's original song and translated it as "Don't Leave" in 1986, released initially on the Jacques EP and then on an expanded reissue of the album Circus Maximus.
References[edit]
Jump up ^ Greta Keller bio on IMDB
Jump up ^ Damita Jo Chart Singles Discography Retrieved March 14, 2012.
Jump up ^ Terry Jacks Chart Singles Discography Retrieved March 14, 2012.
Jump up ^ Rod McKuen, letter to Bassey reproduced in CD liner notes, BGO CD693
Jump up ^ Oliver, Oliver Again Retrieved March 14, 2012.
Jump up ^ http://www.toutvabienmusic.com/. Missing or empty |title= (help)
External links[edit]
Brelitude Jacques Brel's covers website
Lyrics of this song at MetroLyrics
[show]
v
t
e
Jacques Brel
Studio albums
Grand Jacques
Quand on n'a que l'amour
Au Printemps
La Valse à Mille Temps
Marieke
Les Bourgeois
Les Bonbons
Ces Gens-Là
Jacques Brel 67
J'arrive
L'Homme de la Mancha
Ne Me Quitte Pas
Les Marquises
Live albums
Enregistrement Public à l'Olympia 1961
Enregistrement Public à l'Olympia 1964
Compilation albums
Infiniment
Rarities
Chansons ou Versions Inédites de Jeunesse
Box sets
Boîte à Bonbons
Songs
"Ne me quitte pas" ("If You Go Away")
"Marieke"
"Seasons in the Sun"
"Le Plat Pays"
"Ces Gens-Là"
"Amsterdam"
"The Impossible Dream"
"Un enfant"
"Jacky"
Related articles
Jacques Brel is Alive and Well and Living in Paris (musical)
Jacques Brel Is Alive and Well and Living in Paris (film)
Man of La Mancha
List of cover versions
François Rauber
[show]
v
t
e
Oliver
Studio albums
Good Morning Starshine
Again
The Best of Oliver
Prisms
Singles
"Good Morning Starshine"
"Jean"
"Sunday Mornin'"
Cover Songs
"Both Sides Now"
"If You Go Away"
"In My Life"
"Leaving on a Jet Plane"
"Ruby Tuesday"
"The Twelfth of Never"
"Until It's Time for You to Go"
"Where Is Love?"
[show]
v
t
e
Julio Iglesias
Discography
Studio albums
Yo canto (1969)
Un canto a Galicia (1972)
Soy (1973)
A flor de piel (1974)
A México (1975)
El amor (1975)
America (1976)
A mis 33 años (1977)
Emociones (1978)
Sono un pirata, sono un signore (1978)
À vous les femmes (1979)
Hey! (1980)
De niña a mujer (1981)
Zartlichkeiten (1981)
Momentos (1982)
Momenti (1982)
Et l'amour crea la femme (1982)
1100 Bel Air Place (1984)
Libra (1985)
Un hombre solo (1987)
Tutto l'amore che ti manca (1987)
Non Stop (1988)
Raíces (1989)
Starry Night (1990)
Calor (1992)
Crazy (1994)
La carretera (1995)
Tango (1996)
Noche de cuatro lunas (2000)
Ao Meu Brasil (2001)
Divorcio (2003)
Romantic Classics (2006)
1 (2011)
México (2015)
Live albums
En concierto (1983)
Compilation albums
Da Manuela a Pensami (1978)
Minhas canções preferidas (1981)
Julio (1983)
My Life: The Greatest Hits (1998)
Mi vida: Grandes éxitos (1998)
Love Songs (2003)
1: The Collection (2014)
Singles
"Chiquilla" (1970)
"Gwendolyne" (1970)
"Cucurrucucú paloma" (1975)
"Pauvres Diables" (1979)
"Begin the Beguine" (1981)
"Yours (Quiéreme Mucho)" (1981)
"Amor" (1984)
"All of You" (1984)
"The Air That I Breathe" (1984)
"To All the Girls I've Loved Before" (1984)
"I've Got You Under My Skin" (1985)
"We Are the World" (1985)
"Lo Mejor de Tu Vida" (1987)
"Que No Se Rompa la Noche" (1987)
"Bamboléo" (1989)
"Vincent" (1990)
"Can't Help Falling in Love" (1990)
"Crazy" (1994)
"Oye Como Va" (1994)
"When You Tell Me That You Love Me" (1994)
"El Choclo" (1996)
"La Gota Fría" (1998)
"Everybody's Talkin'" (2006)
Non-single covers
"¡Ay, Jalisco, no te rajes!"
"Feelings"
"Grande grande grande"
"Guantanamera"
"Hier Encore"
"Historia de un Amor"
"If"
"La Flor de la Canela"
"La Vie en rose"
"Mamy Blue"
"Mi Buenos Aires querido"
"My Sweet Lord"
"Puedes Llegar"
"Quando m'innamoro"
"Something"
"When I Fall in Love"
"You Belong to My Heart"
"Dulce Carolina" (1972)
"La Mer" (1976)
"Obsesión" (1976)
"Ron y Coca-Cola" (1980)
"Moon Over Naples" (1988)
"And I Love Her" (1990)
"If You Go Away" (1990)
"99 Miles from L.A." (1990)
"Caruso" (1994)
"Crazy in Love" (1998)
"Mi Manera" (1998)
"Corazón Partío" (2000)
"Quizás, Quizás, Quizás" (2004)
"Careless Whisper" (2006)
"Right Here Waiting" (2006)
"Somos Novios" (2006)
"This Guy's in Love with You" (2006)
Usage
"It Never Rains in Southern California" in "Moonlight Lady"
"Dark Eyes" in "Nostalgie (Nathalie)"
Family
Julio Iglesias Sr. (father)
Julio Iglesias Jr. (son)
Enrique Iglesias (son)
Chabeli Iglesias (daughter)
Isabel Preysler (1st wife)
Retrieved from "https://en.wikipedia.org/w/index.php?title=If_You_Go_Away&oldid=814834996"
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Songs written by Jacques Brel
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Brenda Lee songs
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Ray Charles songs
Cyndi Lauper songs
Madonna (entertainer) songs
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