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Ready Player One (film)
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Ready Player One
Theatrical release poster
Directed by
Steven Spielberg
Produced by
Steven Spielberg
Donald De Line
Dan Farah
Kristie Macosko Krieger
Screenplay by
Zak Penn
Ernest Cline
Based on
Ready Player One
by Ernest Cline
Starring
Tye Sheridan
Olivia Cooke
Ben Mendelsohn
T.J. Miller
Simon Pegg
Mark Rylance
Music by
Alan Silvestri
Cinematography
Janusz Kamiński
Edited by
Michael Kahn
Sarah Broshar
Production
company
Warner Bros. Pictures[1]
Amblin Partners[1]
Amblin Entertainment[1]
Village Roadshow Pictures[1]
De Line Pictures[1]
Access Entertainment
Dune Entertainment
Farah Films & Management[1]
Distributed by
Warner Bros. Pictures
Release date
March 11, 2018 (2018-03-11) (SXSW)[2]
March 29, 2018 (2018-03-29) (United States)
Running time
140 minutes[3]
Country
United States
Language
English
Budget
$175 million[4][5]
Box office
$582 million[6]
Ready Player One is a 2018 American science fiction adventure film produced and directed by Steven Spielberg, and written by Zak Penn and Ernest Cline, based on Cline's 2011 novel of the same name. The film stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, and Mark Rylance. The film takes place in 2045, when much of humanity uses the virtual reality software OASIS to escape the desolation of the real world. Orphaned teenager Wade Watts (Sheridan) discovers clues to a hidden game within the program that promises the winner full ownership of the OASIS, and joins several allies to try to complete the game before a large company run by businessman Nolan Sorrento (Mendelsohn) can do so.
Ready Player One premiered at South by Southwest on March 11, 2018, was theatrically released by Warner Bros. Pictures in the United States on March 29, 2018, in 2D, Real D 3D, IMAX and IMAX 3D. It grossed $582 million worldwide, making it the sixth-highest-grossing film of 2018. The film received generally positive reviews, critics praised its visuals, brisk pacing, and Rylance's performance. The film was noted to have significant differences from the book; some critics said the film's plot was an improvement over the source material.[7][8]
Contents
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Casting
3.3 Filming
3.4 Visual effects and post-production
4 Cultural references
5 Music
6 Release
6.1 Home media
7 Reception
7.1 Box office
7.1.1 North America
7.1.2 Other territories
7.2 Critical response
8 Possible sequel
9 Notes
10 References
11 External links
Plot[edit]
Set in 2045, people seek regular escape from life through the virtual reality entertainment universe OASIS, co-created by James Halliday and Ogden Morrow of Gregarious Games. After Halliday's death, a pre-recorded message left by his avatar Anorak announces a game, granting ownership of OASIS to the first to find the Golden Easter Egg within it which is locked behind a gate requiring three keys. The contest has lured a number of ‘gunters’, or egg hunters, and the interest of Nolan Sorrento, the CEO of Innovative Online Industries (IOI) who seeks to control OASIS himself. IOI uses a number of indentured servants and employees called "Sixers" to find the egg.[a]
Wade Watts is an orphaned teenager living in the slums, or ‘stacks’, of Columbus, Ohio, with his Aunt Alice. In the OASIS, his avatar, Parzival, is good friends with Aech, a virtual mechanic. Parzival befriends Art3mis, a well-known Gunter, sharing a common interest in Halliday's history. They review Halliday's life from the Archives with help of its Curator. They learn Halliday had several regrets in life, including his unrequited love for Morrow’s wife Kira and losing Morrow as a friend after forcing him to sign away his part of Gregarious Games. Using this information, they solve the first two challenges of Anorak's game: a car race across an ever-shifting Manhattan cityscape and a search for Kira in the Overlook Hotel from The Shining. Aech and his friends Daito and Sho follow suit, the five becoming known as the "High Five" on the OASIS scoreboards.
Sorrento learns of Parzival's identity through OASIS mercenary i-R0k, and attempts to sway Wade into joining IOI, but he refuses. In retaliation, Sorrento has IOI's head of operations F'Nale Zandor bomb Wade's stack, killing Alice. Art3mis' player, Samantha Cook, rescues Wade, but they are soon found by IOI. Samantha is captured and forced into IOI's servitude, while Wade is extracted by the other High Fivers – Helen (Aech), Toshiro (Daito), and Zhou (Sho). The group tracks down Samantha's location at IOI, and they remotely help her escape, allowing her to assist them in the OASIS as Art3mis.
The third challenge requires one to play Halliday's favorite Atari 2600 game, in a castle on Planet Doom, which Sorrento has protected with a force field. Parzival recruits other OASIS players to help the rebels attack the IOI forces around the castle. Art3mis deactivates the force field, allowing Parzival to reach the console, but Sorrento activates the Cataclyst, a bomb that kills all the avatars on Planet Doom. However, due to having won a coin from the Archive's Curator earlier, Parzival gets an extra life, proceeding to play through Adventure to find its Easter egg; he is awarded the last key. Opening the gate, he is greeted by Anorak and given a contract to sign; however, he recognizes it as the same contract Morrow signed to turn over his part of Gregarious and refuses. Anorak changes forms to be Halliday, revealing that the contract was the final test to make sure Parzival would not make the same mistakes he did. Parzival is given the Golden Egg and control of OASIS.
In the real world, Sorrento and Zandor fail to stop Parzival before he wins; they are quickly arrested for the bombing. Morrow, revealed to have been the Curator, offers his services to Wade; he gladly accepts. Wade decides to run OASIS with the other High Five, agreeing to ban IOI from forcing people into servitude and to shut down the OASIS twice a week for everyone to spend more time in the real world. Meanwhile, he and Samantha move into an apartment together.
Cast[edit]
Tye Sheridan as Parzival / Wade Watts, a Gunter who wishes to win so he can leave the stacks.
Olivia Cooke as Art3mis / Samantha Cook, a well-known Gunter who works with various allies to ensure the OASIS is kept free and out of the hands of IOI.
Ben Mendelsohn as Nolan Sorrento, the CEO of Innovative Online Industries who seeks full control over the OASIS.
Lena Waithe as Aech / Helen Harris, a Gunter and long-time friend of Wade's who works as a mechanic in the OASIS.
T.J. Miller as i-R0k, a freelance dealer and mercenary often employed by IOI.
Simon Pegg as Curator / Ogden Morrow, a co-creator of the OASIS, who eventually left the company. He is concerned about how many people have developed an unhealthy dependency on the game.
Mark Rylance as Anorak / James Halliday, the deceased co-creator of the OASIS who reveals an Easter Egg hidden in the OASIS after his passing that grants control over the OASIS to its winner.
Philip Zhao as Sho / Zhou, a Gunter and one of the "High Five”. He is 11 years old in reality.[9]
Win Morisaki as Daito / Toshiro, a Gunter and one of the "High Five".
Hannah John-Kamen as F'Nale Zandor, IOI’s head of operations in the physical world and for their indentured servant programs.[9]
Additionally, Susan Lynch portrays Alice, Wade's aunt; Ralph Ineson portrays Rick, Alice's abusive boyfriend; Perdita Weeks portrays Karen "Kira" Underwood, Morrow's wife; Clare Higgins portrays Mrs. Gilmore, Wade's neighbor; and Letitia Wright portrays a rebel who can briefly be seen at the safe house. McKenna Grace and Lulu Wilson appear as elementary school children who use the OASIS.
Production[edit]
Development[edit]
Warner Bros. and De Line Pictures won an auction for the rights to Ernest Cline's novel Ready Player One in 2010, before it had been published.[10] Cline was set to write the script for the film, which Donald De Line and Dan Farah would produce.[10] Eric Eason rewrote Cline's script,[11] and Zak Penn was hired to rewrite the previous drafts by Cline and Eason. Village Roadshow Pictures came aboard to co-finance and co-produce the film with Warner Bros.[12] Steven Spielberg signed on to direct and produce the film, which Kristie Macosko Krieger also produced, along with De Line and Farah.[13] Ready Player One is Spielberg's first action-fantasy film since The Adventures of Tintin in late 2011.[14] Cline and Penn made several revisions while adapting the novel to film. Most of these changes were to eliminate scenes that would be uninteresting in a visual format, such as when Wade beats a high score in Pac-Man, or recites all the lines from the film WarGames.[15][16]
Casting[edit]
Director Steven Spielberg (far left) and Ernest Cline with the cast of Ready Player One at San Diego Comic-Con. From third of left: Tye Sheridan, Olivia Cooke, T.J. Miller and Ben Mendelsohn
Three actresses were top-runners for the role of Art3mis: Elle Fanning, Olivia Cooke, and Lola Kirke;[17] In September 2015, Cooke was announced as having been cast in the coveted female lead role. In January 2016, Ben Mendelsohn joined the cast.[18] In February 2016, Tye Sheridan was confirmed as playing the lead role of Wade, after a lengthy nationwide casting call failed to produce an unknown for the part.[19] In March 2016, Simon Pegg joined the cast.[20] In April 2016, Mark Rylance joined the cast,[21] and in June 2016, T.J. Miller, Hannah John-Kamen and Win Morisaki also joined.[22][23][24][25] In July 2016, Philip Zhao joined the cast,[26] and Lena Waithe, Ralph Ineson, McKenna Grace, and Letitia Wright were later also announced to have been cast.[27][28][29][30]
Filming[edit]
Production was set to begin in July 2016.[23] Screenwriter Zak Penn tweeted on July 1, 2016 that the first week of filming had been completed.[31] In August and September 2016, filming took place in Birmingham, England; this included Livery Street in the Jewellery Quarter area of the city, which was extensively used, including the van chase that takes place towards the film's end. The chase was edited to make the street appear longer than it actually is. The backpackers hostel Hatters, also on Livery Street, was used for internal filming for a basement scene. The Ludgate Hill Car Park lot on Lionel Street, in which caravan homes were partially built was also used and a planned explosion there caused some local business and homes to call emergency services, as no prior notification were given by the production team. Other locations in the city included the former industrial area of Digbeth, in a rooftop scene that overlooks the Birmingham City Centre skyline. Some of the city's landmark buildings were erased and replaced with CGI buildings to create a dystopian Ohio in the year 2045.[32][33] Principal photography ended on September 27, 2016.[34][35]
Visual effects and post-production[edit]
Spielberg worked with Industrial Light & Magic (ILM) to oversee the film's visual effects, meeting with ILM for 3 hours three times a week.[35] He has stated that "[t]his is the most difficult movie I've done since Saving Private Ryan."[35]
A significant part of the film takes place in a virtual space based on the Overlook Hotel in the film The Shining. This was mostly a digital recreation of the film using high-quality telecine of the original film, giving them some freedom of new camera angles and shots that could be generated from this recreation. The final film includes a combination of the original footage from The Shining and ILM's additional work. Only a few scenes in this sequence which involved real actors, such as the appearance of the Grady twins, required them to construct a faithful reproduction of The Shining's set for the actors to interact with. Finally, the sequence was post-processed to introduce film grain and other aging effects to make the new footage indistinguishable from the original film.[36]
ILM also had to faithfully produce digital recreations of several of the cultural references that appear throughout the film, including the DeLorean time machine, the Iron Giant, Chucky, and King Kong that was modeled after the 1933 version of the character.[37] The Tyrannosaurus rex from Jurassic Park was also recreated using the same base model that ILM had previously created during the original film production.[37]
Cultural references[edit]
Ready Player One, as in the book, pays homage to popular culture from various time periods, mainly the 1970s and 1980s but also extending to the 1990s, 2000s, and 2010s; reviewers have identified well over a hundred references to films, television shows, music, toys, video games, anime and comics from these eras.[38][39][40] Cline did not have any issues with these copyrighted elements when he published the book, but was aware that securing all necessary rights would be a major obstacle for a film adaptation. This task was eventually made easier thanks to Spielberg's reputation in the film industry.[15] Spielberg and producer Kristie Macosko Krieger spent several years securing the rights for the copyrighted elements used in the film long before filming began, knowing that some scenes would not be possible without certain copyrighted elements.[41][42] In the end, Spielberg estimated that they managed to get about 80% of the copyrighted elements they wanted[15], noting that in some cases, the filmmakers were able to secure rights for some but not all the characters they wanted. In negotiating with Warner Bros., they could not secure Close Encounters of the Third Kind from Columbia Pictures, despite the latter being one of Spielberg's first films as director.[43]
Blade Runner, which was integral to the plot of the book, was off-limits as Blade Runner 2049 was in production at the same time as Ready Player One; as a replacement, the creative team had the players play through the events of The Shining, which Spielberg was able to secure the rights to as an homage to his friend Stanley Kubrick.[15] While Cline's original work heavily used the character of Ultraman, the rights over the character were still under legal dispute, requiring them to replace Ultraman with the titular robot from The Iron Giant.[44] Spielberg recognized that his past films were a significant part of the 1980s popular culture cited in the book, and to avoid being accused of "vanity", he opted to remove many of the references to his own work.[45] Cline stated that he believed Spielberg wanted to avoid self-references to films he directed, due to the criticism he received for his film 1941, which lampooned his own previous works Jaws and Duel. Cline said he had to convince Spielberg to include some iconic elements, such as the DeLorean time machine from Back to the Future, which Spielberg conceded as the film was one he produced rather than directed.[46] Spielberg also allowed the Tyrannosaurus rex from his own Jurassic Park to be included.[37] Cline also asked ILM to include a reference to Last Action Hero, one of Penn's first screenplays, without Penn's knowledge.[47]
Music[edit]
On June 9, 2016, Variety stated that Spielberg's regular collaborator John Williams was planning to compose the film's score.[48] However, in July 2017, it was reported that Williams had left the project to work on Spielberg's The Post instead, with Alan Silvestri hired to take over scoring duties for Ready Player One.[49] The official score was released by WaterTower Music as a two-CD set on March 30, 2018,[50] with vinyl and cassette releases projected for the summer.[51] At Spielberg's request, Silvestri references his own music from Back to the Future within the film's score, as well as quoting the music by Wendy Carlos and Rachel Elkind from The Shining for the film's sequence at the Overlook Hotel.[52]
The film also includes licensed music from the 1970s and 1980s, which appears on the digital-only soundtrack album Ready Player One: Songs From the Motion Picture.
showOriginal Soundtrack
No.
Title
Performed by
Length
1. "I Wanna Be Your Lover" Prince 5:48
2. "Everybody Wants to Rule the World" Tears for Fears 4:12
3. "Just My Imagination (Running Away with Me)" The Temptations 3:49
4. "Stand on It" Bruce Springsteen 3:06
5. "One Way or Another" Blondie 3:27
6. "Can't Hide Love" Earth, Wind & Fire 4:09
7. "Blue Monday" New Order 7:24
8. "Stayin' Alive" Bee Gees 4:45
9. "We're Not Gonna Take It" Twisted Sister 3:38
10. "You Make My Dreams" Hall & Oates 3:12
11. "Pure Imagination (feat. Merethe Soltvedt)" Bryan Nguyen 2:33
showReady Player One (Original Motion Picture Soundtrack)
No.
Title
Writer(s)
Length
1. "The Oasis" Alan Silvestri 1:49
2. "Hello, I'm James Halliday" Alan Silvestri 2:01
3. "Why Can't We Go Backwards?" Alan Silvestri 4:18
4. "An Orb Meeting" Alan Silvestri 4:11
5. "Real World Consequences" Alan Silvestri 3:30
6. "Sorrento Makes an Offer" Alan Silvestri 3:34
7. "Welcome to the Rebellion" Alan Silvestri 3:14
8. "High 5 Assembles" Alan Silvestri 4:24
9. "Orb of Osuvox" Alan Silvestri 3:45
10. "Sorrento Punked" Alan Silvestri 3:57
11. "Wade's Broadcast" Alan Silvestri 5:51
12. "Arty on the Inside" Alan Silvestri 2:33
13. "Looking for a Truck" Alan Silvestri 5:36
14. "She Never Left" Alan Silvestri 2:41
15. "Last Chance" Alan Silvestri 3:21
16. "Get Me Out of This" Alan Silvestri 1:35
17. "Hold on to Something" Alan Silvestri 5:14
18. "This Is Wrong" Alan Silvestri 3:49
19. "What Are You?" Alan Silvestri 3:29
20. "There's Something I Need to Do" Alan Silvestri 5:01
21. "Main Title" Alan Silvestri 2:27
22. "End Credits" Alan Silvestri 8:04
Release[edit]
Ready Player One was initially scheduled to be released on December 15, 2017,[53] but was pushed back to March 30, 2018, to avoid competition with Star Wars: The Last Jedi.[54] In January 2018, it was announced the film's release date had been moved up one day to March 29, 2018.[55] The film had its world premiere at the Paramount Theatre in Austin, Texas on March 11, 2018 (as part of the South by Southwest Film Festival).[4]
Warner Bros. Pictures distributed the film worldwide, with Village Roadshow Pictures distributing in several overseas territories.[56]
Home media[edit]
Ready Player One was released by Warner Bros. Home Entertainment on digital copy on July 3, 2018, and on 4K UHD Blu-ray, Blu-ray 3D, Blu-Ray, and DVD on July 24, 2018.[57]
Reception[edit]
Box office[edit]
Ready Player One has grossed $137 million in the United States and Canada, and $445 million in other territories, for a worldwide total of $582 million.[6] Made on a production budget of $175 million, with about $150 million more spent on global marketing costs, the film needed to gross at least $440 million in order to break-even.[58]
North America[edit]
In the United States and Canada, Ready Player One was released alongside God's Not Dead: A Light in Darkness and Acrimony, and was projected to gross $40–50 million from 4,100 theaters over its first four days.[59] It made $12.1 million on its first day, including $3.75 million from Wednesday night previews. It ended up grossing $41.8 million in its opening weekend (for a four-day total of $53.7 million), marking Spielberg's biggest debut since 2008's Indiana Jones and the Kingdom of the Crystal Skull.[60] In its second weekend it grossed $25.1 million (a drop of 40%), finishing second behind newcomer A Quiet Place ($50 million).[61] In its third weekend the film made $11.2 million, coming in fourth behind Rampage, A Quiet Place and Truth or Dare.[62] In its fourth weekend the film made $7.4 million, finishing sixth at the box office [63] In its fifth weekend it grossed $2.4 million, a drop of 67% from previous weekend and finishing ninth.[64]
Other territories[edit]
Worldwide, the film was released day-in-date in 62 countries, including China, where it was expected to make $100–120 million in its opening weekend.[59] It grossed $2.9 million on its first day from 11 countries, including $980,000 from Korea.[65] In China the film made $14.75 million on its first day and earned a score of 9.2 from audiences on Douban (compared to the average 6–7 earned by Hollywood films).[58] It grossed $61.7 million in China in its opening weekend which is the highest opening ever for Warner Bros in said territory. The film's other major opening weekend territories were South Korea ($8.1 million), United Kingdom ($7.3 million), Russia ($6.1 million) and France ($6 million).[66] In its second weekend in China it grossed $42 million, and in third weekend grossed $13.9 million.[67][68] The film grossed $81.7 million in its second weekend overseas, dropping only 35% and is ahead of other newcomers A Quiet Place and Blockers.[67] In its third weekend it grossed $33.8 million overseas dropping 58.6%.[68] On April 21, 2018, the film topped $200 million in China, becoming the tenth-biggest U.S. release ever in the country.[69] In its fourth weekend in China, it grossed $8.24 million finishing third at the box office and has a total gross of $207 million.[70] It grossed $23 million overseas from 67 territories in its fourth weekend.[71] It opened in Japan, its final major market and grossed $4.4 million.[71] In its fifth weekend overseas, it grossed $8.6 million from 63 territories.[72] In China, the weekend was $2.4M to push it past Avatar as the no. 9 Hollywood title ever in the market with $213.8M (RMB 1.34B).[72] Japan's third frame held well during Golden Week with just a 6% drop from the last session. The total there is currently at $17.5M.[73] In its sixth weekend in China, it bumped up 10% from last session to lift the local cume to $220.2M.[73] The film's largest markets after China are Japan ($23.4 million), United Kingdom ($21.3 million), France ($21.5 million), Korea ($18.6 million), and Russia-CIS ($13.1 million).[74]
Critical response[edit]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 73% based on 353 reviews, and an average rating of 6.9/10. The website's critical consensus reads, "Ready Player One is a sweetly nostalgic thrill ride that neatly encapsulates Spielberg's strengths while adding another solidly engrossing adventure to his filmography."[75] On Metacritic, the film has a weighted average score of 64 out of 100, based on 54 critics, indicating "generally favorable reviews".[76] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, while PostTrak reported filmgoers gave it an 82% overall positive score and a 65% "definite recommend".[58]
In a review for RogerEbert.com, Brian Tallerico wrote that the film's "overwhelming" nature and non-stop action will likely thrill fans of pop culture; while he observed narrative weaknesses, such as a lack of depth among the supporting characters, he felt that they ultimately do not hinder the film from working "on the level of technical, blockbuster mastery that Spielberg helped define".[77] Writing for Variety, Owen Gleiberman called the film a "coruscating explosion of pop-culture eye candy", and found the sequence based on The Shining to be "irresistible". However, he also criticized Spielberg's dichotomization of fantasy and reality, as well as the film having "more activity than it does layers".[78] IndieWire's Eric Kohn characterized the film as "an astonishing sci-fi spectacle and a relentless nostalgia trip at once" and praised both the sequence based on The Shining as well as Penn's screenplay, particularly with respect to Mendelsohn's character. Nevertheless, he remarked that the film "drags a bunch in its final third".[79]
Alissa Wilkinson, writing for Vox, praised both the quality and quantity of the world building. She also commented on just how dystopian the future portrayed is, where the main characters fight to save the OASIS and the escape from reality it represents, with arguably less concern for the problems of the real world.[80]
Monica Castillo was more critical of the film in her review for The Guardian and drew attention to the absence of character arcs, the lack of resolution for plot holes in the novel, and the bloating of scenes in the film by trivia.[81] Matt Bobkin scored the film a 6 out of 10 for Exclaim! saying the film "is not so much a groundbreaking recontextualizing, more doe-eyed affection with no critical commentary".[82] Movie Metropolis noted that the film "is an absolute thrill-ride from start to finish and is pure Spielberg in the very best way" and awarded it 4 out of 5 stars.[83]
Film and television critic Matt Zoller Seitz praised Ready Player One and noted the undercurrent of sadness present in the film, stating that "I don't think Spielberg gets enough credit for making sad films that most people interpret as happy, and complex films that are immediately dismissed as simple or confused".[84][85][86] Seitz concluded that the film "is a mess, but it is a fascinating and complex one..."[87]
Possible sequel[edit]
Cline is working on a sequel to the novel.[88] For a sequel to the film, he stated, "[...] I think there's a good chance that, if this one does well, Warner Bros. will want to make a sequel. I don't know if Steven [Spielberg] would want to dive back in, because he would know what he is getting into. He's said that it's the third-hardest film he's made, out of dozens and dozens of movies".[89][90] Co-star Olivia Cooke, and presumably the rest of the cast, is "contracted to sequels".[91]
Notes[edit]
Jump up ^ IOI employees are called Sixers because their employee IDs are six digits long and begin with the number 6
References[edit]
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Jump up ^ Bonomolo, Cameron (February 1, 2018). "New Look At 'X-Men' Star Tye Sheridan in 'Ready Player One'". Comicbook.com. Retrieved March 16, 2018.
Jump up ^ Carr, Mary Kate (February 16, 2018). "5 things to know about Black Panther breakout star Letitia Wright". Entertainment Weekly. Time. Retrieved March 23, 2018.
Jump up ^ Penn, Zak [@zakpenn] (July 1, 2016). "First week of #ReadyPlayerOne finished. Surreal. It went to 11. Thanks for writing your book @erniecline and the assist in Oology" (Tweet). Retrieved March 23, 2018 – via Twitter.
Jump up ^ Evry, Max (August 16, 2016). "Ready Player One Set Photos Show a Grungy Dystopia". ComingSoon.net. CraveOnline Media. Retrieved August 17, 2016.
Jump up ^ Young, Graham; Beardsworth, Luke; Bains, Sanjeeta (September 6, 2016). "Recap: Spielberg films Ready Player One in JQ - another set location revealed plus car chase filmed". Birmingham Mail. Midland Newspapers. Retrieved September 6, 2016.
Jump up ^ Penn, Zak [@zakpenn] (September 25, 2016). "Two days of production left on #ReadyPlayerOne" (Tweet). Retrieved November 23, 2017 – via Twitter.
^ Jump up to: a b c Thompson, Anne (November 7, 2017). "Steven Spielberg Has Finally Finished 'The Post'". IndieWire. Penske Business Media. Retrieved November 23, 2017.
Jump up ^ Lussier, Germain (April 11, 2018). "Here's How Steven Spielberg and ILM Recreated That Movie for Ready Player One". io9. Univision Interactive Media. Retrieved April 11, 2018.
^ Jump up to: a b c Murphy, Mekado (April 27, 2018). "How They Made the Movie References Pop in 'Ready Player One'". The New York Times. Retrieved July 25, 2018.
Jump up ^ Crow, David; Cecchini, Mike (April 1, 2018). "Ready Player One: Complete Easter Egg and Reference Guide". Den of Geek. Dennis Publishing. Retrieved April 1, 2018.
Jump up ^ Dyce, Andrew (March 29, 2018). "Ready Player One: The COMPLETE Easter Egg Guide". Screen Rant. Retrieved April 1, 2018.
Jump up ^ Gallagher, Simon (March 29, 2018). "Ready Player One: 135 Easter Eggs & References Explained". What Culture. Retrieved April 1, 2018.
Jump up ^ Barnes, Brooks (March 21, 2018). "Can Steven Spielberg Remember How to Have Fun?". The New York Times. The New York Times Company. Retrieved March 21, 2018.
Jump up ^ Hugh, William (March 19, 2018). "Well, nevermind, then: Of course there's going to be Star Wars shit in Ready Player One". The A.V. Club. The Onion. Retrieved March 19, 2018.
Jump up ^ Burke, Carolyn (March 15, 2018). "Ready Player One Won't Reference Disney's Star Wars Movies [Updated]". Screen Rant. Retrieved March 16, 2018.
Jump up ^ Lussier, Germain (March 15, 2018). "Steven Spielberg Tried to Get Star Wars Into Ready Player One, But Couldn't". io9. Univision Interactive Media. Retrieved March 16, 2018.
Jump up ^ Couch, Aaron (July 22, 2017). "Steven Spielberg Brings Ambitious 'Ready Player One' Footage to Comic-Con". The Hollywood Reporter. Prometheus Global Media. Retrieved July 25, 2017.
Jump up ^ Long, Christian (February 27, 2018). "Ernest Cline on 'Ready Player Two' and the Scene Spielberg Fought For". The Hollywood Reporter. Prometheus Global Media. Retrieved March 16, 2018.
Jump up ^ Lussier, Germain (March 22, 2018). "Last Action Hero and Ready Player One Screenwriter Shocked to Find Last Action Hero Reference in Ready Player One". io9. Univision Interactive Media. Retrieved March 23, 2018.
Jump up ^ Burlingame, Jon (June 9, 2016). "AFI Honoree John Williams Looks Back on Six Decades of Iconic Themes". Variety. Penske Business Media. Retrieved June 9, 2016.
Jump up ^ Burlingame, Jon (July 7, 2017). "John Williams and Alan Silvestri to Score Steven Spielberg's Next Films (EXCLUSIVE)". Variety. Penske Business Media. Retrieved July 8, 2017.
Jump up ^ "Ready Player One - Original Motion Picture Soundtrack". WaterTower Music. March 30, 2018. Retrieved April 20, 2018.
Jump up ^ Newman, Melinda (March 28, 2018). "How Steven Spielberg Picked 'Ready Player One's' Classic '70s and '80s Tunes: Exclusive Track Listing". Billboard. Retrieved March 30, 2018.
Jump up ^ Burton, Byron (April 2, 2018). "'Ready Player One' Composer Alan Silvestri on Its Touching Final Moments". The Hollywood Reporter. Prometheus Global Media. Retrieved April 5, 2018.
Jump up ^ Fleming, Mike Jr. (August 6, 2015). "Steven Spielberg's 'Ready Player One' Slotted For December 2017". Deadline Hollywood. Penske Business Media. Retrieved August 7, 2015.
Jump up ^ Chitwood, Adam (February 9, 2016). "Steven Spielberg's 'Ready Player One' Flees 'Star Wars', Sets New 2018 Release Date". Collider. Complex Media. Retrieved June 10, 2017.
Jump up ^ D'Alessandro, Anthony (January 25, 2018). "'Ready Player One' Opening A Day Earlier Over Easter Weekend". Deadline Hollywood. Retrieved January 25, 2018.
Jump up ^ Warner Bros. Pictures (July 7, 2017). "Warner Bros. Pictures Gets Ready to Run the Gamut at Comic-Con International: San Diego". Business Wire. Berkshire Hathaway. Retrieved July 9, 2017.
Jump up ^ Gallichio, Christian (May 22, 2018). "Ready Player One Blu-ray Release Details". Screen Rant. Retrieved June 14, 2018.
^ Jump up to: a b c D'Alessandro, Anthony (April 1, 2018). "How Warner Bros. Sold 'Ready Player One' On The Spielberg Spirit & Beat Tracking With $53M+ 4-Day – Sunday Postmortem". Deadline Hollywood. Penske Business Media. Retrieved April 1, 2018.
^ Jump up to: a b D'Alessandro, Anthony; Tartaglione, Nancy (March 27, 2018). "Steven Spielberg's 'Ready Player One' To Get Its Game On With $140M+ Global Start". Deadline Hollywood. Penske Business Media. Retrieved March 27, 2018.
Jump up ^ Associated Press (April 2, 2018). "Box office Top 20: 'Ready Player One' launches with $53.7M". ABC News. American Broadcasting Company. Archived from the original on April 5, 2018. Retrieved April 3, 2018.
Jump up ^ D'Alessandro, Anthony (April 8, 2018). "'A Quiet Place' Screams To $50M+ Opening; 'Blockers' Breaks Through To $21M+ – Early Sunday Update". Deadline Hollywood. Penske Business Media. Retrieved April 8, 2018.
Jump up ^ D'Alessandro, Anthony (April 15, 2018). "The Rock Rebounds: 'Rampage' Shushes 'A Quiet Place' With $34M+ No. 1 Opening". Deadline Hollywood. Penske Business Media. Retrieved April 15, 2018.
Jump up ^ "Weekend Box Office Results for April 20–22, 2018". Box Office Mojo. Retrieved April 30, 2018.
Jump up ^ "Weekend Box Office Results for April 27–29, 2018". Box Office Mojo. Retrieved April 30, 2018.
Jump up ^ D'Alessandro, Anthony (March 31, 2018). "'Ready Player One' Raises Global Score To $109M Through Three Days". Deadline Hollywood. Penske Business Media. Retrieved March 31, 2018.
Jump up ^ Rubin, Rebecca (April 1, 2018). "'Ready Player One' Impresses With $61.7 Million in China". Variety. Penske Business Media. Retrieved April 23, 2018.
^ Jump up to: a b Rubin, Rebecca (April 8, 2018). "'Ready Player One' Crushes 'A Quiet Place,' 'Blockers' Overseas". Variety. Penske Business Media. Retrieved April 18, 2018.
^ Jump up to: a b Tartaglione, Nancy (April 15, 2018). "'Rampage' Rocks Up $114M Offshore Bow; 'Quiet Place' Screams To $52M – International Box Office". Deadline Hollywood. Penske Business Media. Retrieved April 18, 2018.
Jump up ^ "'Ready Player One' Tops $500M Global Box Office, Scores $200M+ In China". Deadline Hollywood. Penske Business Media. April 21, 2018. Retrieved April 22, 2018.
Jump up ^ Frater, Patrick (April 23, 2018). "China Box Office: 'Rampage' Wins Quiet Weekend". Variety. Penske Business Media. Retrieved April 23, 2018.
^ Jump up to: a b Rubin, Rebecca (April 22, 2018). "Dwayne Johnson's 'Rampage' Continues to Roar Overseas". Variety. Penske Business Media. Retrieved April 23, 2018.
^ Jump up to: a b Tartaglione, Nancy (April 29, 2018). "'Avengers: Infinity War's $630M Global Bow Sets All-Time Record – International Box Office". Deadline Hollywood. Penske Business Media. Retrieved April 29, 2018.
^ Jump up to: a b Tartaglione, Nancy (May 6, 2018). "'Avengers: Infinity War' Surges To $1.164B Global & #5 Superhero Movie Ever WW; $713M Overseas – International Box Office". Deadline Hollywood. Penske Business Media. Retrieved May 6, 2018.
Jump up ^ "Ready Player One (2018) - International Box Office Results - Box Office Mojo". www.boxofficemojo.com. Retrieved 2018-07-25.
Jump up ^ "Ready Player One (2018)". Rotten Tomatoes. Fandango Media. Retrieved August 27, 2018.
Jump up ^ "Ready Player One Reviews". Metacritic. CBS Interactive. Retrieved April 4, 2018.
Jump up ^ Tallerico, Brian (March 12, 2018). "SXSW Film Festival 2018: "Ready Player One"". RogerEbert.com. Ebert Digital. Retrieved March 12, 2018.
Jump up ^ Gleiberman, Owen (March 12, 2018). "SXSW Film Review: 'Ready Player One'". Variety. Penske Business Media. Retrieved March 12, 2018.
Jump up ^ Kohn, Eric (March 12, 2018). "'Ready Player One' Review: Steven Spielberg Delivers Astonishing Sci-Fi Spectacle and Relentless Nostalgia — SXSW 2018". IndieWire. Penske Business Media. Retrieved March 12, 2018.
Jump up ^ Wilkinson, Alissa (March 29, 2018). "Ready Player One is a fun romp that's even more dystopian than it realizes". Vox. Vox Media. Retrieved March 30, 2018.
Jump up ^ Castillo, Monica (March 12, 2018). "Ready Player One review – Spielberg's shiny VR caper isn't worth playing". The Guardian. Guardian News and Media. Retrieved March 12, 2018.
Jump up ^ Bobkin, Matt (March 31, 2018). "Ready Player One". Exclaim!. Retrieved March 31, 2018.
Jump up ^ Lutkin, Alex (March 22, 2018). "Ready Player One review "Virtually amazing"". Movie Metropolis. Retrieved July 9, 2018.
Jump up ^ Seitz, Matt Zoller [@mattzollerseitz] (April 4, 2018). "Thinking back on READY PLAYER ONE: I don't think Spielberg gets enough credit for making sad films that most people interpret as happy, and complex films that are immediately dismissed as simple or confused" (Tweet) – via Twitter.
Jump up ^ Seitz, Matt Zoller [@mattzollerseitz] (April 4, 2018). "It's both. I don't think he's capable of really exploding the format he helped create, but after seeing it last night, I said to my wife, "I think this is altogether his saddest film since A.I."" (Tweet) – via Twitter.
Jump up ^ Matt Zoller Seitz [@mattzollerseitz] (May 28, 2018). "This movie felt very sad and dark to me in a way that very few of the reviews pointed out. I think Spielberg did another one of his rope a dope specials: there's a whole other movie going on underneath the surface, just like the scene where the hero is driving under the street" (Tweet) – via Twitter.
Jump up ^ Seitz, Matt Zoller [@mattzollerseitz] (April 4, 2018). "In conclusion: READY PLAYER ONE is a mess, but it is a fascinating and complex one, and I suspect a lot of the people trashing it for being one particular thing will stumble on it again years from now and realize how much they overlooked. It's happened many times with Spielberg" (Tweet) – via Twitter.
Jump up ^ Sequel citations:
Lussier, Germain (January 16, 2015). "Ernie Cline Writing a 'Ready Player One' Sequel". /Film. Retrieved May 2, 2017.
West, Kelly (January 16, 2015). "Ready Player One Is Getting A Sequel". CinemaBlend. GatewayBlend. Retrieved May 2, 2017.
Berkey, Rachel (January 25, 2015). "READY PLAYER ONE Sequel Rumored To Be In The Works - Nerdist". Nerdist. Retrieved May 2, 2017.
Knight, Jacob (December 12, 2017). "Ernie Cline Penning A Sequel Novel To READY PLAYER ONE". Birth.Movies.Death. Retrieved April 4, 2018.
Jump up ^ Radish, Christina (March 29, 2018). "Ernest Cline on 'Ready Player One', Working with Spielberg, and Hopes for a Sequel". Collider. Complex Media. Retrieved April 1, 2018.
Jump up ^ Moran, Sarah (March 30, 2018). "Ready Player Two? It Could Happen – And The First Movie May Tease It". Screen Rant. Retrieved April 1, 2018.
Jump up ^ Ready Player One Star Is Signed On For Sequels
External links[edit]
Wikiquote has quotations related to: Ready Player One (film)
Official website
Ready Player One on IMDb
Ready Player One at AllMovie
Ready Player One at Box Office Mojo
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Firelight (1964)
Slipstream (1967)
Amblin' (1968)
Night Gallery ("Eyes" segment, 1969)
L.A. 2017 (1971)
Duel (1971)
Something Evil (1972)
Savage (1973)
The Sugarland Express (1974, also wrote)
Jaws (1975)
Close Encounters of the Third Kind (1977, also wrote)
1941 (1979)
Raiders of the Lost Ark (1981)
E.T. the Extra-Terrestrial (1982)
Twilight Zone: The Movie ("Kick the Can" segment, 1983)
Indiana Jones and the Temple of Doom (1984)
The Color Purple (1985)
Empire of the Sun (1987)
Indiana Jones and the Last Crusade (1989)
Always (1989)
Hook (1991)
Jurassic Park (1993)
Schindler's List (1993)
The Lost World: Jurassic Park (1997)
Amistad (1997)
Saving Private Ryan (1998)
A.I. Artificial Intelligence (2001, also wrote)
Minority Report (2002)
Catch Me If You Can (2002)
The Terminal (2004)
War of the Worlds (2005)
Munich (2005)
Indiana Jones and the Kingdom of the Crystal Skull (2008)
The Adventures of Tintin (2011)
War Horse (2011)
Lincoln (2012)
Bridge of Spies (2015)
The BFG (2016)
The Post (2017)
Ready Player One (2018)
Films written
Ace Eli and Rodger of the Skies (1973)
Poltergeist (1982, also produced)
The Goonies (1985)
Films produced
An American Tail: Fievel Goes West (1991)
Memoirs of a Geisha (2005)
Flags of Our Fathers (2006)
Letters from Iwo Jima (2006)
Super 8 (2011)
The Hundred-Foot Journey (2014)
Television
Amazing Stories (1985–87)
High Incident (1996–97)
Invasion America (1998)
See also
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USC Shoah Foundation Institute for Visual History and Education
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Director
Incident at Loch Ness (2004)
The Grand (2007)
Atari: Game Over (2014)
Writer
Last Action Hero (1993)
PCU (1994)
Inspector Gadget (1999)
Behind Enemy Lines (2001)
X2 (2003)
Suspect Zero (2004)
Elektra (2005)
X-Men: The Last Stand (2006)
The Incredible Hulk (2008)
The Avengers (2012)
Ready Player One (2018)
Television
Alphas (2011-2012)
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text:
The Price Is Right Live!
From Wikipedia, the free encyclopedia
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The Price Is Right Live!
Date premiered
September 25, 2003 (2003-09-25)[1]
Place premiered
Harrah's Reno
Original language
English
Subject
The Price Is Right
Official site
The Price Is Right LIVE! is a staged production show based on the television game show The Price Is Right.
The live stage shows are held at Caesars Entertainment casinos, as well as the Foxwoods Resort & Casino in Connecticut and the Seminole Casino Coconut Creek in Coconut Creek, Florida. The show also briefly ran at two Atlantic City casinos in 2005, 2006, 2011 and 2012. The show ran at the Welk Resort in Branson, Missouri in 2012. They are produced in association with FremantleMedia.
Contents
[hide]
1 Game play
1.1 Pricing games
1.2 Showcase Showdown
1.3 Showcase
2 Hosts
3 Announcers
4 References
5 External links
Game play[edit]
In some cases, audience members for each show are asked a series of pricing questions; in some venues, this involves the use of audience response keypads; in others, a pricing game is played at registration prior to the show. The top scorers in both accuracy and speed are called as contestants for the One-Bid. In still other cases (such as the current Las Vegas and Atlantic City productions and the Branson show), contestants are chosen through a random drawing. Unlike on the television show, an entirely new set of contestants are chosen to bid on each One-Bid item and participate in the Showcase Showdown and Showcase. "Contestants not appearing on stage" receive a T-shirt.
A contestant who bids exactly correctly on a One-Bid receives $100 in credits for a "The Price is Right" slot machine in the given casino.
Typically, the pricing games and Showcases are played for lower stakes and smaller prizes than on the TV version. Like the television series, contestants do not have to pay an admission fee to play.[2]
Pricing games[edit]
Only ten of the show's pricing games have been featured in the live show:
Any Number—Played using the original rules, with no repeating digits. The top prize is typically worth around $2,000.
Cliff Hangers
Clock Game—Played using the original rules, with no bonus for winning both prizes.
Hole in One (or Two)—Played for merchandise instead of a car.
It's in the Bag—The top prize is $2,400, with the first four bags worth $150, $300, $600 and $1,200.
One Wrong Price—During some shows, the host will invoke the Monty Hall problem and remove one of the non-selected correctly-priced prizes, then offer the contestant any of the three prizes to keep and end the game. If the contestant turns down this offer, the game's normal all-or-nothing rules apply.
Plinko—The top prize is $3,750, with a value distribution of $50–$100–$200–$500-$750–$500–$200–$100–$50.
Punch-a-Bunch—The top prize is $2,500.
Race Game
Ten Chances—A modified version of the game, dubbed "Ten Chances—Showcase Edition", features four prizes. However, more than one incorrect number can be displayed in the numbers to choose from. The contestant is still told how many numbers make up the price. No more than three chances can be used for any one prize (except the final prize), allowing for at least one chance at the last prize, which is a car normally in the $14,000 range.[citation needed]
Any Number, Cliff Hangers, Hole in One, Plinko, Punch-a-Bunch and Ten Chances are the only games currently played during the touring live show.[citation needed]
Showcase Showdown[edit]
Three contestants are called down to play. Getting $1 in one or two spins awards $100; in the bonus spin, getting a green section awards $500 while the dollar is worth $1,000. The winning contestant (under normal Showcase Showdown rules) receives $250. In the event of a tie, the players get one spin in a spinoff; the higher number won; if the tie involved concurrently with the bonus spin, another spinoff was done but no more money to be won.
Showcase[edit]
Two contestants are called down to play. Both contestants are shown a single showcase and bid on it by writing down their bids. After the bids are checked to ensure neither is duplicated, the contestant closer to the actual retail price of the showcase wins a pre-determined prize from the showcase. The contestant must be within $100 of the actual price of the showcase to win the entire showcase, which typically includes a car, the only time a car is given away on the live show.
Hosts[edit]
The production features a rotating series of hosts. Hosts have included Todd Newton, Marc Summers, David Ruprecht, Pat Finn, Mark L. Walberg, Roger Lodge, Michael Burger, JD Roberto, George Hamilton, Doug Davidson, Bob Goen, Chuck Woolery, Marco Antonio Regil, Alan Thicke, Drew Lachey, Jerry Springer, Joey Fatone, and current television announcer George Gray.
Newton, Summers, Regil, Davidson, and Hamilton were contenders to replace Bob Barker, a job that ultimately went to Drew Carey. Davidson was also the host of a short-lived syndicated spinoff of the show known as The New Price Is Right, which ran for four months in 1994. Regil, who is bilingual, hosted the Mexican version of the show (Atinale al Precio), which has aired at various times since 1997, including the current Warman-style UK Showcase format that debuted in April 2010. Roberto has also been an announcer for the television version in 2010 (episodes taped August 2010 to start Season 39). Gray, who became announcer in 2011, began doing occasional shows starting in 2013.[3]
Announcers[edit]
Announcers for the show include Randy West (who was the regular Las Vegas announcer for several years), Daniel Rosen, David Ruprecht, JD Roberto, Dave Walls and others. West, Rosen, and Roberto have been substitute announcers for select episodes of the CBS version in both daytime and prime time, with West and Rosen during the 2003 announcer search and Roberto in the 2010 search. Roberto was the announcer who debuted the television high-stakes pricing game "Pay the Rent". Andy Taylor, formerly of radio station KTTS in Springfield, MO is the announcer for the Branson show. Chinese-Canadian television presenter Benny Yau was co-announcer with Howard Blank for the show's Canadian debut at Vancouver, Canada in May 2011, where the show was done in English, Cantonese, and Mandarin.[4]
References[edit]
Jump up ^ HARRAH'S GETS GAME SHOW
Jump up ^ "The Price is Right Live Rules". Price is Right Live.
Jump up ^ The Price Is Right Live! at Pearl River Resort, Meridian Star
Jump up ^ Twitter statement from bennyyau66's Twitter account. Retrieved on March 3, 2013.
External links[edit]
Official Website
"Price Is Right Live" at Bally's Las Vegas
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