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Save Rock and Roll
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Save Rock And Roll
Studio album by Fall Out Boy
Released
April 12, 2013
Recorded
October 2012 – March 2013
Studio
Abbey Road Studios, London
IV Lab
Rubyred Recordings, Venice, California
Silent Sound Studios, Atlanta, GA
Sonora Recorders
Genre
Pop punk[1]
pop rock[2]
pop[3]
Length
41:37
Label
Island
Decaydance
Producer
Butch Walker
Fall Out Boy
Fall Out Boy chronology
Believers Never Die – Greatest Hits
(2009)Believers Never Die – Greatest Hits2009 Save Rock and Roll
(2013) PAX AM Days
(2013)PAX AM Days2013
Singles from Save Rock And Roll
"My Songs Know What You Did in the Dark (Light Em Up)"
Released: February 4, 2013
"The Phoenix"
Released: July 16, 2013
"Alone Together"
Released: August 6, 2013
"Young Volcanoes"
Released: November 4, 2013
Save Rock And Roll is the fifth studio album by American rock band Fall Out Boy. It was produced by Butch Walker and released April 12, 2013, through Island Records. On October 15, the album was re-released with PAX AM Days, an extended play the band recorded shortly after Save Rock And Roll's release.
Following multiple touring stints, the members of Fall Out Boy decided to take a break at the end of 2009. During the hiatus, each member of the group pursued individual musical interests. The band felt it necessary to "decompress" and refrained from referring to the hiatus as a "breakup", acknowledging a possible return in the future.[4] After several reformation attempts the album was recorded in secrecy at Rubyred Recordings in Santa Monica, California, beginning in the fall of 2012. The album sessions were marked by a desire to reinvent the band's sound in a more modern form. The band brought in producer Butch Walker for a fresh approach, marking the group's first time without longtime producer Neal Avron. In the band's new form, each member of the quartet was involved in crafting the compositions, although sessions were initially difficult as the band members struggled to reconnect. Save Rock And Roll features guest vocals from Foxes, Big Sean, Courtney Love, and Elton John (who sings on the album's title track). The band filmed music videos for every song on the album, which were eventually compiled and released as The Young Blood Chronicles in 2014.
Save Rock And Roll debuted at number one on the U.S. Billboard 200 with 154,000 first week sales, earning the band its second career number one. Its top 20 lead single, "My Songs Know What You Did in the Dark (Light Em Up)", has achieved triple-platinum certification in the U.S. and charted worldwide. Rolling Stone described the band's comeback as a "rather stunning renaissance",[5] and the record received positive reviews upon its release, although most music critics were hesitant to refer to the album as solely a rock record. The group followed the record release with the Save Rock And Roll arena tour in promotion, with multiple European, US and Australian legs announced, as well as worldwide promotional shows, festival appearances and TV performances. In 2014, Fall Out Boy and Paramore headlined Monumentour, a US arena concert tour before releasing the first single from the band's next album.
Contents
[hide]
1 Background
2 Composition
3 Recording
4 Packaging
5 Promotion
5.1 Singles
5.2 The Young Blood Chronicles
5.3 Save Rock and Roll Tour and Save Rock and Roll Arena Tour
5.4 Monumentour
6 Critical reception
7 Commercial performance
8 Track listing
9 Personnel
10 Chart performance
10.1 Weekly charts
10.2 Year-end charts
10.3 Certifications
11 Release history
12 References
13 External links
Background[edit]
In 2009, following two nationwide tours and the release of a greatest hits compilation Believers Never Die – Greatest Hits, the members of Fall Out Boy decided to take a break. The band's decision stemmed from disillusionment with the music industry and the constant promotion of fourth record Folie à Deux. The band's, specifically bassist/lyricist Pete Wentz, every movement had become fodder for gossip in tabloids, and lead vocalist/guitarist Patrick Stump recalled that "We found ourselves running on fumes a little bit -- creatively and probably as people, too."[6] In addition, the constant touring schedule had become difficult for the band due to conflicting fan opinion regarding Folie à Deux: concertgoers would "boo the band for performing numbers from the record in concert", leading Stump to describe touring in support of Folie as like "being the last act at the vaudeville show: We were rotten vegetable targets in Clandestine hoods."[7] "Some of us were miserable onstage," said guitarist Joe Trohman. "Others were just drunk."[8] Stump realized the band was desperate to take a break; he sat the group down and explained that a hiatus was in order if the band wanted to continue in the future.[5] All involved felt the dynamic of the group had changed as personalities developed.[5]
Rumors and misquotes led to confusion as to what such a break truly meant; Wentz preferred to not refer to the break as a "hiatus", instead explaining that the band was just "decompressing".[4] Fall Out Boy played its last show at Madison Square Garden on October 4, 2009. Near the end, Blink-182's Mark Hoppus shaved Wentz's head in a move Rolling Stone would later describe as a "symbolic cleansing of the past, but also the beginning of a very dark chapter for the band."[5] By the time the break began, Stump was the heaviest he had ever been and loathed the band's image as an "emo" band.[9] Drummer Andy Hurley "went through the darkest depression [I've] ever felt. I looked at my calendar and it was just empty."[8] Wentz, who had been abusing Xanax and Klonopin, was divorced by his wife Ashlee Simpson and returned to therapy.[8][10] Wentz recalled: "I'd basically gone from being the guy in Fall Out Boy to being the guy who, like, hangs out all day".[9] Previously known as the "overexposed, despised" leader of the band, Wentz "simply grew up", sharing custody of his son and embracing maturity: "There was a jump-cut in my life. I started thinking – like, being old would be cool."[9]
During the hiatus, the band members each pursued individual musical interests, which were met with "varying degrees of failure."[8] Stump was the only member of the quartet to take on a solo project while Fall Out Boy was on hiatus, recording debut album Soul Punk entirely on his own: he wrote, produced, and played every instrument for all tracks on the record. In addition, he married his longtime girlfriend and lost over sixty pounds through portion control and exercise.[11][12] Stump blew through most of his savings putting together a large band to tour behind Soul Punk, but ticket sales were sparse and the album stalled commercially.[8] During a particularly dark moment in February 2012, Stump poured his heart out in a 1500-word blog entry called "We Liked You Better Fat: Confessions of a Pariah".[5][7] In the post, Stump lamented the harsh reception of the record and his status as a "has-been" at 27. Stump revealed that fans harassed him on his solo tour, hurling insults such as "We liked you better fat", and noted: "Whatever notoriety Fall Out Boy used to have prevents me from having the ability to start over from the bottom again."[13] Aside from Soul Punk and personal developments, Stump moonlighted as a professional songwriter/producer, co-writing tracks with Bruno Mars and All Time Low, and pursued acting.[7]
Wentz formed electronic duo Black Cards with vocalist Bebe Rexha in July 2010. The project released one single before album delays led to Rexha's departure in 2011. Black Cards added Spencer Peterson to complete the Use Your Disillusion EP in 2012.[12] Wentz also completed writing a novel, Gray, that he had been working on for six years outside the band, and began hosting the reality tattoo competition show Best Ink.[14] Hurley ventured farther into rock during the hiatus, drumming with multiple bands over the three-year period. He continued to manage his record label, Fuck City, and drummed for bands Burning Empires and Enabler.[12] He also formed heavy metal outfit The Damned Things with Trohman, Scott Ian and Rob Caggiano of Anthrax, and Keith Buckley of Every Time I Die.[12] Despite this, the members all remained cordial to one another, and Wentz was Stump's best man at his wedding.[15] The hiatus was, all things considered, beneficial for the group and its members, according to Hurley. "The hiatus helped them all kind of figure themselves out", he explained in 2013. "Especially Joe and Patrick, who were so young. And Pete is a million times better."[9]
Composition[edit]
Save Rock and Roll is a pop rock album that mixes elements of rock, pop, and R&B.[16][17] "The Phoenix" was inspired by Soviet Russian composer Dmitri Shostakovich and drum loops, both of which Stump was interested in at one point in the recording process.[18] While listening to the fourth movement (Allegro non troppo) of Shostakovich's Symphony No. 7, Stump became entranced by a certain string moment and proceeded to build an entirely new song influenced by it. The same orchestral snippet was employed as a sample by German hip-hop artist Peter Fox in his 2008 single "Alles Neu" from the album Stadtaffe.[18] Save Rock and Roll has been described to contain "pulsating disco grooves [and] stacked-harmony hair-metal singing."[19] The title track, "Save Rock and Roll", samples a vocal track of "Chicago Is So Two Years Ago", from Take This to Your Grave.
Recording[edit]
It was starting at square one again. Where it's like, 'Hey, I guess we're a new band.' And it was fearless, because we didn't have anything to lose.
“
”
Patrick Stump on the band's pop-based reinvention[9]
The album's earliest origins lie in unsuccessful writing sessions between Patrick Stump and Pete Wentz. The two met up in early 2012 to write for the first time in nearly four years. Wentz reached out to Stump after he penned his letter, as he too felt he was in a dark place and needed a creative outlet.[5] He was at first reluctant to approach Stump, likening the phone call to reconnecting with a lover after years of acrimony.[9] Wentz told Stump "I know what you need – you need your band",[9] and said: "I think it's kind of weird that we haven't really seen each other this year. We paid for each others houses and you don't know my kid".[15] The duo recorded demos on GarageBand at Stump's personal home studio in Hollywood Hills.[9] The result, "three or four" new songs, were shelved with near immediacy, with the two concluding that "it just wasn't right and didn't feel right."[20]
Several months later, the two reconvened and wrote tracks that they felt truly represented the band in a modern form. After writing "Where Did the Party Go", both musicians became excited as momentum continued to grow.[5] The band decided that if a comeback was in order, it must represent the band in its current form: "We didn't want to come back just to bask in the glory days and, like, and collect a few checks and pretend ... and do our best 2003 impersonation", said Stump.[21] Afterwards, the quartet held an all-day secret meeting at their manager's home in New York City where they discussed ideas and the mechanics of getting together to record.[5][20] Trohman was the last to be contacted, through a three-hour phone call from Stump. As Trohman was arguably the most excited to begin other projects, he had a list of stipulations for rejoining the band. "If I'm not coming back to this band writing music […] then I don't want to", he remarked, and Stump disarmed him: "He said I needed to be writing more."[15]
Save Rock and Roll was recorded primarily at Rubyred Recordings in Santa Monica, California from October 2012 to March 2013.[22] The band's main goal was to reinvent the sound of the group from scratch, creating what Trohman called a "reimagining of the band", which focuses more on pop.[9] Sessions were not without their difficulties, as the band struggled initially to produce new material. Walker had doubts about the band's volatility, feeling the record would not be made following "meltdown after meltdown".[9] When the band members learned that Elton John was a fan of their music, they jokingly suggested that he might want to record with them. John complied, and Stump flew to Atlanta late in production, halting the mixing process, to record with him. He was very positive regarding the album's direction: "He actually spoke up for the album's title. He came in and was like, 'Love the album title. Love where this is going. This is great'", said Stump.[23]
The entire album was recorded in secrecy from the music industry, critics, and fans of the band. Stump recalled: "There was a couple times there was paparazzi that got us outside and didn't put two and two together".[21] The decision to keep recording a secret was partially so that the group members had the option to not make the record if the sessions did not work out.[8] Keeping the secret was difficult, especially for a group so visible on social media; Hurley stayed away from Twitter, and all members got as far away from one another in public as possible.[5] Rumors began to swirl in late 2012 after a friend of the band tweeted that the band was in the process of recording new material, though each member of the band was quick to deny any chance of a reunion.[12] The band remained tight-lipped until the very end; when the Chicago Tribune asked Wentz a week prior to the announcement whether a Fall Out Boy reunion was happening, he replied: "It's not."[24] Plans nearly went sideways when Wentz went to dinner with rapper 2 Chainz to discuss plans for the "My Songs Know What You Did in the Dark (Light Em Up)" video.[20] Following the conversation, 2 Chainz posted to Instagram a photo of Wentz and himself with the caption "Fall Out Boyz feat. 2 Chainz?" To the members of Fall Out Boy's surprise and relief, fans of the band denied the possibility, finding the idea too absurd.[20] Stump recalls he wrote "somewhere near 25%" of the lyrics, the most since on Take This to Your Grave. [25]
Packaging[edit]
The title originated as a tongue-in-cheek remark after Wentz envisioned album reviews that would sarcastically state that the band "came back to save rock and roll." It was also partially inspired by the return of rock-based acts on contemporary hit radio, such as the success of recent Fun and Gotye singles.[14]
The cover of Save Rock and Roll features a photograph of two young boys—one wearing traditional Buddhist monk robes, the other in jeans and a T-shirt, smoking a cigarette—taken by Roger Stonehouse in Burma.[26] The image was found early on in the production process, as the band scoured the Internet for inspirational images. The band members felt that the photo "really solidified what [they] were trying to get across on the record: The idea of old and new clashing. Tradition and change coming together".[26][27]
Promotion[edit]
While specifically denying that the announcement was a reunion because "[we] never broke up", the band announced a reunion tour and details of Save Rock and Roll on February 4, 2013. The quartet's announcement included a photo of them, taken earlier that morning, huddled around a bonfire, tossing copies of the band's back catalog into the flames at the original location of 1979's Disco Demolition Night.[28] The band performed an "intimate" show the same night at Chicago's Subterranean, followed by two more club slots in New York City and Los Angeles the same week. Stump playfully chided the hometown crowd at the Subterranean: "I told you we were gonna come back! Why didn't you believe me?"[24]
Save Rock and Roll was originally slated for release on May 7 in order to coincide with the 10th anniversary of the band's Take This to Your Grave album but the date was pulled forward to April after the lead single and the band's comeback were met with commercial and critical success.[26] The album was posted in its entirety on the band's official website eight days prior to its release, as to avoid a leak.[20]
Singles[edit]
The record's lead single, "My Songs Know What You Did in the Dark (Light Em Up)", shot up to number two on iTunes within hours of its release.[8] It peaked at number 13 on the Billboard Hot 100, marking the band's first top twenty single since the group's 2008 cover of Michael Jackson's "Beat It".[29] "My Songs" would shortly sell 5 million downloads in the US to be certified 5x Platinum by the RIAA, and also peak at number five on the UK Singles Chart.[30] The band promoted the song with TV performances and in acoustic version at radio interviews.
Fall Out Boy announced on June 24 that the next single would be "The Phoenix" via the group's Facebook page.[31] It was released to American modern rock radio on July 16.[32]
A month later, the band announced that "Alone Together" would be the album's third single, with a release to pop radio set for August 6, 2013.[33] The single peaked at number 71 on the Billboard Hot 100 and spent 8 weeks on the chart, and was certified Platinum by the RIAA.[34]
"Young Volcanoes" was later announced as the fourth single from the album.[35] It officially impacted radio in the United Kingdom on November 4, coinciding with the band's performance at the O2 Academy Islington,[35] and later peaked at number 64 on the UK Singles Chart.[36]
The Young Blood Chronicles[edit]
Main article: The Young Blood Chronicles
Inspired in part by Daft Punk's Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, the band released a music video for all eleven songs on the album in a series titled The Young Blood Chronicles between February 2013 and May 2014.[37] All eleven videos were shown as one continuous film on May 21, 2014 on Palladia.[38]
Save Rock and Roll Tour and Save Rock and Roll Arena Tour[edit]
As soon as Fall Out Boy came off of its hiatus, a tour supporting Save Rock and Roll was announced for the summer of 2013, in addition to the one-off comeback dates in selected cities. Fall Out Boy played in various small concert venues and clubs for this tour. On May 13, it was announced that Fall Out Boy would go on a Save Rock and Roll Arena Tour for the fall of 2013 with support from Panic! at the Disco and Twenty One Pilots. The band also played headlining concerts and festivals worldwide, including dates in Europe and Asia. On July 29, Fall Out Boy announced a Save Rock And Roll Australian tour with British India, beginning October 22 and spanning four dates across four cities; Fall Out Boy had played two Australian dates seven months earlier. Throughout 2013, Fall Out Boy guest performed on many TV shows and music award ceremonies. It was later announced that the band would also host the Save Rock & Roll European Tour, playing at sixteen cities between February and March 2014. Seven of the dates were in the UK. The support acts were announced on December 2, 2013; they were The Pretty Reckless and New Politics.
On September 13, 2013 Fall Out Boy headlined Riot Fest in the group's hometown of Chicago. The band's set featured a guest appearance from Jeff Pezzati of Naked Raygun and the appearance of the Stanley Cup won earlier that summer by the hometown Blackhawks.
Monumentour[edit]
Fall Out Boy and Paramore co-headlined the Monumentour North American arena concert tour, announced in January 2014 and beginning April 2014, marking the first time the bands toured together since 2005. It was supported by New Politics as the opening band. The tour consisted of 44 concerts over the course of four months.
Critical reception[edit]
Professional ratings
Aggregate scores
Source
Rating
Metacritic 75/100[39]
Review scores
Source
Rating
AllMusic [17]
Alternative Press [40]
The A.V. Club B+[41]
Billboard [42]
Entertainment Weekly B[43]
The Guardian [1]
The Independent [44]
NME 7/10[45]
Rolling Stone [46]
USA Today [47]
Save Rock and Roll has received mostly positive reviews from music critics, making the band's reformation a critical success. At Metacritic, a website which assigns a rating out of 100 from reviews by mainstream critics, it currently holds a rating of 75 based on 18 reviews, citing "generally favorable reviews".[39] Stephen Thomas Erlewine of AllMusic commended the record's compositions as "ambitious, admirable, and sometimes thrilling, particularly because the group never fears to tread into treacherous waters, happy to blur the distinctions between pop and rock, mainstream and underground."[17] Kyle Ryan of The A.V. Club called the record "the band's most personal album yet, a tribute to being passionate and young when time makes the former difficult and the latter impossible. It's an arena album that longs for small punk clubs."[41] Annie Zaleski of Alternative Press also gave the album a positive review, calling it "a blast of an album", and stating:
It's also gutsy: No matter what direction Fall Out Boy went, people would be disappointed. So to release a collection of music that's a noticeable progression from their past albums—but one done entirely on their own terms—is brave. Save Rock and Roll might not actually, well, save rock and roll—but it certainly has brought Fall Out Boy back from the brink.[40]
Dave Simpson of The Guardian was positive in his description of the music on the album: "Each track fuses punk-pop, boyband production values and heart-style power-balladry to make a big enough noise to accompany fireworks in stadiums."[1] Kyle Anderson of Entertainment Weekly described Save Rock and Roll as a stairway to a new era for the band, writing: "There's not much psychological processing on Save Rock and Roll, but it does advance FOB's vision of an über-inclusive guitar-pop utopia."[43] Rolling Stone's Simon Vozick-Levinson characterized the record as full of "over-the-top ambitions", summarizing by saying: "Does rock's future depend on this overheated nonsense? Of course not. But life is more fun with Fall Out Boy than without them."[46] At USA Today, Brian Mansfield concluded with "Fall Out Boy may not be rock and roll's saviors, but they make sure it's got a little life left."[47]
Johan Wippsson of Melodic gave a more critical review, writing that "Fall Out Boy is not the band that will save rock and roll". He added that "like many other bands, they have added some more electronic elements, which makes Save Rock and Roll a bit too well produced and non-organic."[48] Andy Baber of musicOMH called the album both the group's "softest" and the group's "least memorable."[49] At The Oakland Press, Gary Graff found that the "11-song set has more in common with Rihanna than the Ramones, which will undoubtedly polarize those faithful".[50]
Commercial performance[edit]
Save Rock and Roll debuted at number one on the Billboard 200 chart, with first week sales of 154,000 copies in the United States, according to Nielsen SoundScan.[51] Fall Out Boy had been in a sales race with rapper Kid Cudi, whose Indicud was released the same day and debuted at number two. Initially, industry sources had forecast both albums to sell around 150,000, but Save Rock and Roll pulled ahead by the end of the tracking week.[51] The arrival of Save Rock and Roll posted the quartet's then-third biggest sales week, and earned the band its second career number one on the chart.[51] The album also debuted at number one on Billboard's Top Rock Albums and Top Alternative Albums charts.[29] In its second week, it fell to number five on the Billboard 200 with 36,000 sales, a 76% decline.[52] As of January 2015, Save Rock and Roll has sold over 670,000 copies.[53] The week ending April 4, 2015 marked its 100th chart week at No. 95.
On the UK album chart, it debuted at No. 2 with 24,809 copies, while the No. 1 album that week — Michael Bublé's To Be Loved — debuted with five times as many copies.[54][55] It was later certified Gold by the British Phonographic Industry for 100,000 copies shipped. On the Canadian Albums Chart, Save Rock and Roll debuted at No. 1 with 8,000 first week sales,[56][57] and later achieved Gold status for 40,000 shipments. It opened at No. 2 in both Australia and New Zealand.
The band's chart success was best described as unexpected by music journalists. Rolling Stone called the band's comeback a "rather stunning renaissance",[5] and Entertainment Weekly called the number one a "major accomplishment for a band whom many in the industry had dismissed as kings of a genre whose time had passed."[18]
Track listing[edit]
All songs written and composed by Fall Out Boy (Andy Hurley, Joe Trohman, Patrick Stump and Pete Wentz), except where noted.[22]
No.
Title
Writer(s)
Length
1. "The Phoenix" 4:04
2. "My Songs Know What You Did in the Dark (Light Em Up)"
Hurley
Stump
Trohman
Wentz
Butch Walker
John Hill
3:09
3. "Alone Together" 3:23
4. "Where Did the Party Go" 4:03
5. "Just One Yesterday" (featuring Foxes) 4:04
6. "The Mighty Fall" (featuring Big Sean)
Hurley
Stump
Trohman
Wentz
Walker
Hill
Sean Anderson
3:32
7. "Miss Missing You" 3:30
8. "Death Valley" 3:46
9. "Young Volcanoes" 3:24
10. "Rat a Tat" (featuring Courtney Love)
Hurley
Stump
Trohman
Wentz
Courtney Love
4:02
11. "Save Rock and Roll" (featuring Elton John) 4:41
Total length: 41:37
[show]PAX AM Days edition disc 2
No.
Title
Length
1. "We Were Doomed from the Start (The King Is Dead)" 1:35
2. "Art of Keeping Up Disappearances" 1:03
3. "Hot to the Touch, Cold on the Inside" 1:24
4. "Love, Sex, Death" 1:23
5. "Eternal Summer" 1:45
6. "Demigods" 1:50
7. "American Made" 1:38
8. "Caffeine Cold" 2:41
Total length: 13:19
[show]Japanese bonus track[58]
No.
Title
Writer(s)
Length
12. "My Songs Know What You Did in the Dark (Light Em Up)" (2 Chainz remix)
Hurley
Stump
Trohman
Wentz
Walker
Hill
Tauheed Epps
3:31
[show]Japanese deluxe DVD[58]
No.
Title
Length
1. "My Songs Know What You Did in the Dark (Light Em Up)" (music video) 3:08
2. "Track-by-track commentary"
[show]Japanese PAX AM Days edition disc 1 bonus tracks[59]
No.
Title
Length
12. "My Songs Know What You Did in the Dark (Light Em Up)" (2 Chainz remix) 3:31
13. "Alone Together" (Jump Smokers remix) 3:42
14. "Alone Together" (Krewella remix) 3:21
"Save Rock and Roll" contains an interpolation of the band's own song "Chicago Is So Two Years Ago", which appeared on the group's debut album Take This to Your Grave.[60]
Personnel[edit]
Credits adapted from the liner notes[22]
Fall Out Boy
Patrick Stump – lead vocals, rhythm guitar, keyboards, piano, additional programming and production
Joe Trohman – lead guitar, backing vocals, keyboards, additional production and programming
Pete Wentz – bass guitar, backing vocals, additional production
Andy Hurley – drums, percussion, backing vocals, additional production

Additional musicians
Big Sean – guest vocals on "The Mighty Fall"
Courtney Love – guest vocals on "Rat a Tat"[61]
Elton John – guest vocals on "Save Rock and Roll"[61]
Foxes – guest vocals on "Just One Yesterday"
Artwork
Roger Stonehouse – cover photography
Pamela Littky – band photography
Marjan Malakpour – styling
Todd Russell – art direction and design
Kristen Yiengst – art and photography production
Carol Corless – package production
Production
Butch Walker – producer, additional backing vocals, percussion, programming, keyboards
Jake Sinclair – engineer, additional backing vocals, percussion, programming, keyboards
Produced by Mike Viola and Ryan Adams
Vocal producing (Elton John vocals) by Peter Asher
Todd Stopera – assistant engineer
Laura Sisk – engineer on "My Songs Know What You Did in the Dark (Light Em Up)" and "The Mighty Fall"
Grant Wndrbrd Michaels – engineer "Rat a Tat" (Courtney Love vocals)
Matt Still – engineer on "Save Rock and Roll" (Elton John vocals)
Manny Sanchez – additional engineering and production on "Miss Missing You" and "Rat a Tat"
Engineered and mixed by David Labrel
Dave Sardy – mixing
Mark "Spike" Stent – mixing on "My Songs Know What You Did in the Dark (Light Em Up)"
Matty Green – assistant mixing on "My Songs Know What You Did in the Dark (Light Em Up)"
Greg Calbi – mastering
Joe Laporta – mastering on "The Mighty Fall", "Rat a Tat" and "Save Rock and Roll"
Mastered by Bernie Grundman
Rob Mathes – orchestral arrangement and conductor on "The Phoenix" and "Save Rock and Roll"
The London Symphony Orchestra – orchestration on "The Phoenix" and "Save Rock and Roll"
Additional composers: John Hill, Butch Walker, Courtney Love (10) and Sean Anderson (6)
A&R by Leesa D. Brunson, Elizabeth Vago and Evan Lipschutz
Todd Russell – art direction and design
Kristen Yiengst – art and photo-production
Carol Corless – package production
Roger Stonehouse – cover photo
Pamela Littky – band photo
Marjan Malakpour – styling
Chart performance[edit]
Weekly charts[edit]
Chart (2013)
Peak
position
Australian Albums (ARIA)[62] 2
Austrian Albums (Ö3 Austria)[63] 10
Canadian Albums (Billboard)[64] 1
Belgian Albums (Ultratop Flanders)[65] 41
Belgian Albums (Ultratop Wallonia)[66] 60
Danish Albums (Hitlisten)[67] 27
Dutch Albums (MegaCharts)[68] 48
Finnish Albums (Suomen virallinen lista)[69] 37
French Albums (SNEP)[70] 25
German Albums (Offizielle Top 100)[71] 15
New Zealand Albums (RMNZ)[72] 2
Norwegian Albums (VG-lista)[73] 40
Scottish Albums Chart (OCC)[74] 2
Spanish Albums (PROMUSICAE)[75] 67
Swiss Albums (Schweizer Hitparade)[76] 31
UK Albums (OCC)[77] 2
US Billboard 200[51] 1
US Billboard Alternative Albums[29] 1
US Billboard Rock Albums[29] 1
US Billboard Digital Albums[29] 1
US Billboard Vinyl Albums[78] 1
Year-end charts[edit]
Chart (2013)
Position
US Billboard 200[79]
59
US Billboard Alternative Albums [80]
9
US Billboard Rock Albums[81]
12
Chart (2014)
Position
US Billboard 200[82]
81
US Billboard Alternative Albums [83]
14
US Billboard Rock Albums[84]
17
Chart (2015)
Position
US Billboard 200[85]
91
US Billboard Catalog Albums[86]
19
Certifications[edit]
Region
Certification
Certified units/Sales
Canada (Music Canada)[87]
Gold 40,000^
United Kingdom (BPI)[88]
Gold 100,000^
United States (RIAA)[89]
Platinum 1,000,000
^shipments figures based on certification alone
sales+streaming figures based on certification alone
Release history[edit]
Region
Date
Label
Format
Australia/Europe April 12, 2013 Island Records
Digital download
CD
vinyl
United Kingdom April 15, 2013
United States April 16, 2013
References[edit]
^ Jump up to: a b c Simpson, Dave (April 21, 2013). "Fall Out Boy: Save Rock and Roll – review". The Guardian. Retrieved April 18, 2013.
Jump up ^ "Fall Out Boy Save Rock And Roll".
Jump up ^ Punknews.org. "Fall Out Boy - Save Rock And Roll". www.punknews.org.
^ Jump up to: a b James Montgomery (November 18, 2009). "Pete Wentz Says Fall Out Boy Not Broken Up, Just 'Decompressing'". MTV News. Retrieved April 15, 2013.
^ Jump up to: a b c d e f g h i j Andy Greene (April 18, 2013). "How Fall Out Boy Beat the Odds and Rose Again". Rolling Stone. Jann Wenner. Retrieved April 18, 2013.
Jump up ^ Kia Makarechi (April 15, 2013). "Fall Out Boy On Save Rock And Roll, Working With Elton John And Why Everything Is Different This Time Around". The Huffington Post. Retrieved April 15, 2013.
^ Jump up to: a b c Rolling Stone staff (February 29, 2012). "Patrick Stump: I'm a 27-Year-Old Has-Been". Rolling Stone. Jann Wenner. Retrieved April 16, 2013.
^ Jump up to: a b c d e f g Andy Greene (February 28, 2013). "Fall Out Boy's Surprise Return". Rolling Stone. Jann Wenner. pp. 19–20. Retrieved March 1, 2013.
^ Jump up to: a b c d e f g h i j Brian Hiatt (May 23, 2013). "Fall Out Boy: Life After Emo". Rolling Stone. Jann Wenner. Retrieved May 14, 2013.
Jump up ^ Crow, Sarah (10 February 2011). "Report: Pete Wentz Doesn't Want to Divorce Ashlee Simpson". PopEater. Retrieved 23 February 2011.
Jump up ^ Us Weekly staff (October 14, 2011). "Patrick Stump Explains 60 Pound Weight Loss". Us Weekly. Retrieved April 15, 2013.
^ Jump up to: a b c d e Sarah Maloy (February 4, 2013). "Fall Out Boy's Reunion: Looking Back at the Hiatus, Side Projects & Rumors". Billboard. Retrieved April 15, 2013.
Jump up ^ Billboard staff (March 1, 2012). "Patrick Stump Lets the Bastards Get Him Down in New Blog Post". Billboard. Retrieved April 15, 2013.
^ Jump up to: a b Lily Rothman (April 10, 2013). "Q&A: Pete Wentz on How Fall Out Boy Can Save Rock". Time. Retrieved April 15, 2013.
^ Jump up to: a b c Ryan J. Downey (June 2013). "Cynics, You're Going Down". Alternative Press. No. 299. Alternative Magazines Inc. pp. 70–76. ISSN 1065-1667.
Jump up ^ "Huffington Post - Fall Out Boy 'Save Rock and Roll'". 7 February 2015.
^ Jump up to: a b c Erlewine, Stephen Thomas. "Save Rock and Roll – Fall Out Boy". AllMusic. Retrieved February 18, 2015.
^ Jump up to: a b c Kyle Anderson (May 14, 2013). "Fall Out Boy's Patrick Stump on being back at No. 1, hanging with Elton John, and why he loves Shostakovich". Entertainment Weekly. Retrieved May 14, 2013.
Jump up ^ Mikael Wood (May 11, 2013). "Fall Out Boy and Paramore: Coming back on top". Los Angeles Times. Retrieved February 7, 2015.
^ Jump up to: a b c d e Jason Lipshutz (April 16, 2013). "Pete Wentz Q&A: Why Fall Out Boy's Reunion Needed To Be A Secret". Billboard. Retrieved April 16, 2013.
^ Jump up to: a b Jocelyn Vena (February 6, 2013). "Fall Out Boy Say Reunion Won't Be 'Our Best 2003 Impersonation'". MTV News. Retrieved April 16, 2013.
^ Jump up to: a b c Save Rock and Roll (liner notes). Fall Out Boy. United States: Island. 2013. 001822802.
Jump up ^ Mesfin Fekadu (April 22, 2013). "Fall Out Boy, Courtney Love And More Collaborate On Save Rock And Roll". The Huffington Post. Retrieved April 24, 2013.
^ Jump up to: a b Dan Hyman (February 5, 2013). "Fall Out Boy Return to the Stage in Chicago". Rolling Stone. Jann Wenner. Retrieved April 16, 2013.
Jump up ^ “We’re just better at it these days”—Patrick Stump talks ‘American Beauty/American Psycho’. Alternative Press. Retrieved November 9, 2015.
^ Jump up to: a b c James Montgomery (March 18, 2013). "Fall Out Boy Reveal Striking Save Rock And Roll Album Cover". MTV News. Retrieved April 18, 2013.
Jump up ^ NME staff (March 18, 2013). "Fall Out Boy unveil Save Rock and Roll album artwork featuring a 'punk and monk'". NME. Retrieved April 18, 2013.
Jump up ^ Gil Kaufman (February 4, 2013). "Fall Out Boy Reunite, Will Save Rock And Roll In May". MTV News. Retrieved April 15, 2013.
^ Jump up to: a b c d e "Save Rock and Roll Chart History". Billboard. Prometheus Global Media. Retrieved April 26, 2013.
Jump up ^ Grein, Paul (May 1, 2013). "Week Ending April 28, 2013. Songs: Rihanna Ties Mariah". Yahoo! Music (Chart Watch). Retrieved May 4, 2013.
Jump up ^ Fall Out Boy (June 24, 2013). "Fall Out Boy Facebook". Retrieved June 24, 2013.
Jump up ^ "Future Releases on Alternative Radio". All Access Media Group. Archived from the original on June 23, 2013.
Jump up ^ "Top 40/M Future Releases". All Access Music Group. Archived from the original on September 15, 2013. Retrieved September 15, 2013.
Jump up ^ "Fall Out Boy - Chart history - Billboard". www.billboard.com.
^ Jump up to: a b Vevo (September 26, 2013). "VEVO Presents: Fall Out Boy – Live from London". Pressparty. Retrieved November 10, 2013.
Jump up ^ "http://www.officialcharts.com/artist/_/fall%20out%20boy/". Official Charts Company. Retrieved December 14, 2013. External link in |title= (help)
Jump up ^ James Montgomery (April 22, 2013). "Fall Out Boy's Save Rock And Roll Storyline: We Know What Happens Next!". MTV News. Retrieved April 24, 2013.
Jump up ^ Philip Obenschain (May 7, 2014). "Fall Out Boy's "Young Blood Chronicles" to conclude on Palladia, feature Elton John cameo". Alternative Press. Retrieved May 5, 2014.
^ Jump up to: a b "Reviews for Save Rock and Roll by Fall Out Boy". Metacritic. Retrieved April 16, 2013.
^ Jump up to: a b Zaleski, Annie (April 7, 2013). "Fall Out Boy – Save Rock And Roll". Alternative Press. Archived from the original on April 11, 2013. Retrieved April 8, 2013.
^ Jump up to: a b Ryan, Kyle (April 16, 2013). "Fall Out Boy: Save Rock and Roll". The A.V. Club. Retrieved April 18, 2013.
Jump up ^ Lipshutz, Jason (April 16, 2013). "Fall Out Boy, 'Save Rock and Roll': Track-By-Track Review". Billboard. Retrieved February 18, 2015.
^ Jump up to: a b Anderson, Kyle (April 10, 2013). "Save Rock and Roll". Entertainment Weekly. Retrieved April 15, 2013.
Jump up ^ Price, Simon (April 13, 2013). "Album: Fall Out Boy, Save Rock and Roll (Island)". The Independent. Archived from the original on April 19, 2013. Retrieved April 19, 2013.
Jump up ^ Goodwyn, Tom (April 19, 2013). "Fall Out Boy – 'Save Rock And Roll'". NME. Archived from the original on September 6, 2015. Retrieved April 15, 2013.
^ Jump up to: a b Vozick-Levinson, Simon (April 8, 2013). "Save Rock and Roll". Rolling Stone. Retrieved April 8, 2013.
^ Jump up to: a b Mansfield, Brian (April 15, 2013). "Fall Out Boy has fun, won't slow its 'Roll'". USA Today. Retrieved April 16, 2013.
Jump up ^ Wippsson, Johan. "Fall Out Boy – Save Rock and Roll". Melodic. Retrieved July 10, 2013.
Jump up ^ Baber, Andy (April 15, 2013). "Fall Out Boy – Save Rock And Roll". musicOMH. Retrieved April 16, 2013.
Jump up ^ Graff, Gary (April 15, 2013). "Listening Room: Yeah Yeah Yeahs practice restraint on "Mosquito"". The Oakland Press. Retrieved April 16, 2013.
^ Jump up to: a b c d Keith Caulfield (April 24, 2013). "Fall Out Boy Tops Kid Cudi on Billboard 200 Chart". Billboard. Retrieved April 24, 2013.
Jump up ^ Michael Buble Tops Billboard 200, Fantasia Arrives at No. 2 Billboard. Retrieved January 29, 2015.
Jump up ^ FALL OUT BOY: SET TO GO PSYCHO www.hitsdailydouble.com. Retrieved January 23, 2015.
Jump up ^ "Official Charts Analysis: Ronson first artist to top singles and albums charts since 2013 / Music Week: Home Stream". http://mediaor.com. January 26, 2015. Retrieved February 13, 2015. External link in |publisher= (help)
Jump up ^ "Official Charts Analysis: Ronson first artist to top singles and albums charts since 2013". musicweek.com. January 26, 2015. Retrieved February 13, 2015. (Subscription required (help)).
Jump up ^ Nielsen - CANADIAN MARKET MUSIC UPDATES Nielson SoundScan official Tumblr. Retrieved February 13, 2015.
Jump up ^ Nielson Tweet on official accounts Nielson official Twitter. Retrieved February 13, 2015.
^ Jump up to: a b "日本語タイトル: セイヴ・ロックンロール ‐FOBのロックンロール宣言! デラックス・エディション [DVD付初回限定盤]/ フォール・アウト・ボーイ". CD Japan. April 17, 2013. Retrieved April 10, 2013.
Jump up ^ "Fall Out Boy - Save Rock and Roll (PAX•AM Edition) (CD, Album)". Discogs. Retrieved September 16, 2014.
Jump up ^ Weekly Chart Notes: Fall Out Boy Covers … Fall Out Boy; Taylor Swift, Pink Floyd Set Marks Billboard. Prometheus Global Media. Retrieved October 19, 2013.
^ Jump up to: a b Kaufman, Gil (2013-03-22). "Fall Out Boy Joined By Courtney Love On 'Save Rock And Roll'". MTV. Retrieved 2013-03-22.
Jump up ^ "Australiancharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved 24 July 2013.
Jump up ^ "Austriancharts.at – Fall Out Boy – Save Rock And Roll" (in German). Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Fall Out Boy Chart History (Canadian Albums)". Billboard. Retrieved 22 December 2014.
Jump up ^ "Ultratop.be – Fall Out Boy – Save Rock And Roll" (in Dutch). Hung Medien. Retrieved 24 July 2013.
Jump up ^ "Ultratop.be – Fall Out Boy – Save Rock And Roll" (in French). Hung Medien. Retrieved 24 July 2013.
Jump up ^ "Danishcharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved 24 July 2013.
Jump up ^ "Dutchcharts.nl – Fall Out Boy – Save Rock And Roll" (in Dutch). Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Fall Out Boy: Save Rock And Roll" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 24 July 2013.
Jump up ^ "Lescharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved 24 July 2013.
Jump up ^ "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved December 3, 2013.
Jump up ^ "Charts.org.nz – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Norwegiancharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 20 September 2015.
Jump up ^ "Spanishcharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Swisscharts.com – Fall Out Boy – Save Rock And Roll". Hung Medien. Retrieved December 3, 2013.
Jump up ^ "Fall Out Boy | Artist | Official Charts". UK Albums Chart. Retrieved February 3, 2013.
Jump up ^ "Vinyl Albums : May 4, 2013". Billboard. Retrieved July 6, 2015.
Jump up ^ "2013 Year End Charts - Top Billboard 200". Billboard. Retrieved December 9, 2014.
Jump up ^ "Alternative Albums: 2013 Year-End Charts". Billboard. Prometheus Global Media. Retrieved January 16, 2015. (subscription required)
Jump up ^ "2013 Year End Charts - Top Billboard Rock Albums". Billboard. Retrieved December 9, 2014.
Jump up ^ "2014 Year End Charts - Top Billboard 200". Billboard. Retrieved December 9, 2014.
Jump up ^ "Alternative Albums: 2014 Year-End Charts". Billboard. Prometheus Global Media. Retrieved January 16, 2015. (subscription required)
Jump up ^ "2014 Year End Charts - Top Billboard Rock Albums". Billboard. Retrieved December 9, 2014.
Jump up ^ "2015 Year End Charts - Top Billboard 200". Billboard. Retrieved January 3, 2016.
Jump up ^ "Catalog Albums : Dec 31, 2015 | Billboard Chart Archive". Billboard.com. Retrieved January 3, 2016.
Jump up ^ "Canadian album certifications – Fall Out Boy – Save Rock and Roll". Music Canada.
Jump up ^ "British album certifications – Fall Out Boy – Save Rock and Roll". British Phonographic Industry. Enter Save Rock and Roll in the search field and then press Enter.
Jump up ^ "American album certifications – Fall Out Boy – Save Rock and Roll". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
External links[edit]
Save Rock and Roll at YouTube (streamed copy where licensed)
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Primitive wrapper class
From Wikipedia, the free encyclopedia
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In object oriented programming, a wrapper class is a class that encapsulates types, so that those types can be used to create object instances and methods in another class that need those types. So a primitive wrapper class is a wrapper class that encapsulates, hides or wraps data types from the eight primitive data types,[1] so that these can be used to create instantiated objects with methods in another class or in other classes.[2][3] The primitive wrapper classes are found in the Java API.
Primitive wrapper classes are used to create an Object that needs to represent primitive types in Collection classes (i.e., in the Java API), in the java.util package and in the java.lang.reflect reflection package. Collection classes are Java API-defined classes that can store objects in a manner similar to how data structures like arrays store primitive data types like int, double, long or char, etc.,[2] but arrays store primitive data types while collections actually store objects.
The primitive wrapper classes and their corresponding primitive types are:
Primitive type
Wrapper class
Constructor arguments
byte Byte byte or String
short Short short or String
int Integer int or String
long Long long or String
float Float float, double or String
double Double double or String
char Character char
boolean Boolean boolean or String
Contents
[hide]
1 The difference between wrapper classes and primitive types
2 The wrapper class void
3 Atomic wrapper classes
4 See also
5 References
The difference between wrapper classes and primitive types[edit]
Primitive wrapper classes are not the same thing as primitive types. Whereas variables, for example, can be declared in Java as data types double, short, int, etc., the primitive wrapper classes create instantiated objects and methods that inherit but hide the primitive data types, not like variables that are assigned the data type values.[2]
Therefore, the term Primitive wrapper class does not mean that wrapper classes are primitive types. It should be understood to be a class that wraps primitive types. Wrapper classes can be used to store the same value as of a primitive type variable but the instances/objects of wrapper classes themselves are Non-Primitive. We cannot say that Wrapper classes themselves are Primitive types. They just wrap the primitive types.
The Byte, Short, Integer, Long, Float, and Double wrapper classes are all subclasses of the Number class.
The wrapper classes BigDecimal and BigInteger are not one of the primitive wrapper classes but are immutable.[4] [5]
The wrapper class void[edit]
The wrapper class named void is not a primitive wrapper class, specifically because void is not a primitive data type. However the void wrapper class can be used to create new objects that have methods that are not expected to return a value.
Although it is a wrapper class, the Void class provides an object representation of the void return.
Atomic wrapper classes[edit]
With Java 5.0, additional wrapper classes were introduced in the java.util.concurrent.atomic package. These classes are mutable and cannot be used as a replacement for the regular wrapper classes. Instead, they provide atomic operations for addition, increment and assignment.
The atomic wrapper classes and their corresponding types are:
Primitive type
Wrapper class
int AtomicInteger
long AtomicLong
boolean AtomicBoolean
V AtomicReference<V>
The AtomicInteger and AtomicLong classes are subclasses of the Number class. The AtomicReference class accepts the type parameter V that specifies the type of the object reference. (See "Generics in Java" for a description of type parameters in Java). V
See also[edit]
java.lang
java.lang.reflect
Java programming language
Java syntax
Java compiler
References[edit]
Jump up ^ S. J. Chapman, Introduction to Java, Prentice Hall, 1999.
^ Jump up to: a b c J. Murach, Murach's Java Programming, 4th Edition, Mike Murach and Associates, Inc., 2011.
Jump up ^ J. R. Hubbard, Programming with Java, Schaum's Outline Series/McGraw Hill, 1998.
Jump up ^ David O'Meara (April 2003). "Mutable and Immutable Objects: Which classes are Immutable?". Java Ranch. Retrieved 2012-05-14. The classes java.math.BigInteger and BigDecimal are not immutable either, although maybe they should have been.
Jump up ^ Oracle. "Java documentation from oracle". Immutable arbitrary-precision integers.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Primitive_wrapper_class&oldid=817281020"
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With a Little Help from My Friends
From Wikipedia, the free encyclopedia
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This article is about the song. For the albums, see With a Little Help from My Friends (Joe Cocker album) and With a Little Help from My Friends (Neal Morse album). For the album by The Flaming Lips, see With a Little Help from My Fwends.
"With a Little Help from My Friends"
Song by the Beatles
from the album Sgt. Pepper's Lonely Hearts Club Band
Released
May 1967 (1967-05)[1]
Recorded
29–30 March 1967
Studio
EMI
Genre
Pop rock
psychedelic pop
Length
2:46
Label
Parlophone (UK)
Capitol (US)
Songwriter(s)
Lennon–McCartney
Producer(s)
George Martin
"With a Little Help from My Friends" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and Paul McCartney, and intended as the album's featured vocal for drummer Ringo Starr. The group recorded the song towards the end of the sessions for Sgt. Pepper, with Starr singing as the character "Billy Shears".
A subsequent recording of the track by Joe Cocker became a hit single in 1968 and an anthem for the Woodstock era.[2] In 1978, the Beatles' recording, paired with "Sgt. Pepper's Lonely Hearts Club Band", was reissued as a single, and peaked at number 63 in Britain and number 71 in the United States. Starr has regularly performed the song in concert as a solo artist. "With a Little Help from My Friends" was ranked number 311 on Rolling Stone's list of the 500 Greatest Songs of All Time.
Contents
1 Origins
2 Recording
3 Personnel
4 Live performances
5 Cover versions
6 Joe Cocker version
7 Notes
8 References
9 External links
Origins[edit]
Lennon and McCartney finished writing this song in mid-March 1967,[3] written specifically as Starr's track for the album. McCartney said: "It was pretty much co-written, John and I doing a work song for Ringo, a little craft job." In 1970 Lennon stated: "Paul had the line about 'a little help from my friends.' He had some kind of structure for it, and we wrote it pretty well fifty-fifty from his original idea.", but in 1980 Lennon said: "This is Paul, with a little help from me. 'What do you see when you turn out the light/ I can't tell you, but I know it's mine...' is mine."[4] It was briefly called "Bad Finger Boogie" (later the inspiration for the band name Badfinger),[5] supposedly because Lennon composed the melody on a piano using his middle finger after having hurt his forefinger.
The song begins with the applause from the end of Sgt. Pepper's Lonely Hearts Club Band.
Lennon and McCartney deliberately wrote a tune with a limited range – except for the last note, which McCartney worked closely with Starr to achieve. Speaking in the Anthology, Starr explained that he insisted on changing the first line — which originally was "What would you think if I sang out of tune? Would you throw ripe tomatoes at me?" — so that fans would not throw tomatoes at him should he perform it live. (In the early days, after George Harrison made a passing comment that he liked jelly babies, the group was showered with them at all of their live performances.)[6]
The song's composition is unusually well documented, as Hunter Davies was present and described the writing process in the Beatles' official biography.
The song is partly in the form of a conversation in which the other two Beatles sing a question — e.g. "Would you believe in a love at first sight?" where Starr answers, "Yes, I'm certain that it happens all the time."
Recording[edit]
The Beatles began recording the song on 29 March 1967, the day before they posed for the Sgt. Pepper album cover. They recorded 10 takes of the song, wrapping up sessions at 5:45 in the morning.[7] The backing track consisted of Starr on drums, McCartney playing piano, Harrison playing lead guitar and Lennon beating a cowbell. At dawn, Starr trudged up the stairs to head home – but the other Beatles cajoled him into doing his lead vocal then and there, standing around the microphone for moral support.[4] The following day they added tambourine, backing vocals, bass and more electric guitar.[7]
Personnel[edit]
According to Ian MacDonald, except where noted:[8]
Ringo Starr – lead vocal, drums
John Lennon – backing vocal, cowbell
Paul McCartney – backing vocal, piano, bass guitar
George Harrison – rhythm[9] and lead guitars
George Martin – Hammond organ
Live performances[edit]
To date, Starr has closed every concert performed by each version of his All-Starr Band with this song. After he is done singing, Starr tells the audience "Peace and love...peace and love is the only way...and good night", then walks off the stage. Since 2008, the band segued right into "Give Peace a Chance", during which Starr comes back onstage, then walks off again.
Starr performed the song with George Harrison, Eric Clapton, Bruce Springsteen, George Michael, Phil Collins, Elton John, and many others at the 1987 Prince's Trust Concert at Wembley Arena, London.[10]
McCartney and Starr performed this song for the first time together at the David Lynch Foundation Benefit Concert in the Radio City Music Hall, New York on 4 April 2009. McCartney and Starr also performed the song together on "The Night That Changed America: A Grammy Salute to The Beatles", a commemorative show on 27 January 2014, that marked 50 years since the band's first appearance on The Ed Sullivan Show,[11] then again in 2015 at Ringo Starr's induction in the Rock'n Roll Hall of Fame.[12]
Cover versions[edit]
There have been at least 50 cover versions of the song[13] and it has achieved the number one position on the British singles charts three times: by Joe Cocker in 1968,[14] Wet Wet Wet in 1988,[15] and by Sam & Mark in 2004.[citation needed]
In March 2017, Broadway and Hollywood artists including Liz Callaway, FORTE, Annie Golden, Telly Leung and Chris Mann performed a gospel-flavored version of the song for a single and video to benefit Americans for the Arts.[16]
Joe Cocker version[edit]
"With a Little Help from My Friends"
Single by Joe Cocker
from the album With a Little Help from My Friends
B-side
"Something's Coming On"
Released
October 1968 (1968-10) (UK)
Format
7-inch record
Recorded
1968
Genre
Blue-eyed soul
hard rock
Length
4:55
Label
Regal Zonophone (UK)
A&M (US)
Songwriter(s)
Lennon–McCartney
Producer(s)
Denny Cordell
Joe Cocker UK singles chronology
"Marjorine"
(1968) "With a Little Help from My Friends"
(1968) "Delta Lady"
(1969)
Joe Cocker US singles chronology
"Marjorine"
(1968) "With a Little Help from My Friends"
(1968) "Feeling Alright"
(1969)
Audio sample
file
help
English singer Joe Cocker's version of "With a Little Help from My Friends" was a radical re-arrangement of the original, in a slower, 6
8 meter, using different chords in the middle eight, and a lengthy instrumental introduction (featuring drums by Procol Harum's B.J. Wilson, guitar lines from Jimmy Page, and organ by Tommy Eyre). Cocker performed the song at Woodstock in 1969 and that performance was included in the documentary film, Woodstock. This version gained even more fame when it was used as the opening theme song for the television series The Wonder Years.[17] Cocker's cover was ranked number two in UpVenue's top 10 best music covers of all time in 2009.[18] In 2014, a BBC poll saw it voted the seventh best cover version ever.[19] The version heard in the film Across the Universe segues from the original to Cocker's arrangement at the end of the song. In 2001, Cocker's version of the song was inducted into the Grammy Hall of Fame.[20]
Personnel
Joe Cocker – lead vocals
Jimmy Page – guitar
Chris Stainton – bass
Tommy Eyre – organ
B.J. Wilson – drums
Madeline Bell – backing vocals
Rosetta Hightower – backing vocals
Patrice Holloway – backing vocals
Sunny Wheetman – backing vocals
Notes[edit]
Jump up ^ Everett 1999, p. 123. "In the United Kingdom Sgt. Pepper's Lonely Hearts Club Band...was rush-released six days ahead of its official date, June 1."
Jump up ^ MacDonald 2005, p. 247.
Jump up ^ Dowlding 1989, p. 165.
^ Jump up to: a b "100 Greatest Beatles Songs. No. 61 – 'With a Little Help From My Friends'". Rolling Stone. Retrieved 18 June 2012.
Jump up ^ Matovina 2000.
Jump up ^ The Beatles 2000, p. 242.
^ Jump up to: a b Lewisohn 1988, p. 106.
Jump up ^ MacDonald 2005, p. 246.
Jump up ^ Everett 1999, p. 102.
Jump up ^ "With a Little Help From My Friends". Retrieved 11 November 2017
Jump up ^ "Paul McCartney and Friends: Change Begins Within". Radio City Music Hall. New York, NY: Madison Square Garden. Archived from the original on 21 January 2010. Retrieved 27 March 2010.
Jump up ^ https://www.youtube.com/watch?v=TEGwjAKK5z4
Jump up ^ "Song: With a Little Help From My Friends – John Lennon, Paul McCartney". Second Hand Songs. Retrieved 21 August 2011.
Jump up ^ "Number 1 Singles of the 1960s". everyHit.com. Retrieved 21 August 2011.
Jump up ^ "Number 1 Singles of the 1980s". everyHit.com. Retrieved 21 August 2011.
Jump up ^ Kaufman, Gil (March 23, 2017). "Broadway Stars Come Together For All-Star Single 'With a Little Help from My Friends' to Support the Arts". Billboard. Retrieved March 24, 2017.
Jump up ^ Parrott, Billy (9 August 2013). "The Wonder Years: Music and References from Season One". The New York Public Library. Archived from the original on 2 September 2013.
Jump up ^ UpVenue.com 2010.
Jump up ^ "Pet Shop Boys' Always On My Mind tops cover version vote". BBC News. 27 October 2014. Retrieved 28 October 2014.
Jump up ^ "Grammy Hall of Fame Award. Grammy.org Retrieved 21 December 2012
References[edit]
The Beatles (2000). The Beatles Anthology. San Francisco: Chronicle Books. ISBN 0-8118-2684-8.
Chianello, Joanne (2 October 2009). "Harper gets on stage with a little help from his wife". Ottawa Citizen. Archived from the original on 6 October 2009. Retrieved 2 October 2009.
Dowlding, William J. (1989). Beatlesongs. New York: Simon & Schuster. ISBN 0-671-68229-6.
Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Anthology. Oxford University Press. ISBN 978-0-19-512941-0.
Fries, Colin, ed. (30 November 2009). "Chronology of Wakeup Calls" (PDF). National Aeronautics and Space Administration.
Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1.
MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN 1-84413-828-3.
Matovina, Dan (2000). Without You: The Tragic Story of Badfinger. Frances Glover Books. ISBN 0-9657122-2-2. Apple's Neil Aspinall remembers, "(...) Badfinger just popped in my head. It was from an old Lennon thing. He was playing the piano and he had a bad finger so he called the piece he was playing 'Bad Finger Boogie' (which evolved into 'With A Little Help From My Friends')
"Original liner notes for Capitol's Beach Boys Rarities album". bradelliott.com. 1983.
"Ringo Starr – With a Little Help from My Friends". The Daily Show with Jon Stewart. 13 January 2010.
Kilpatrick, Sean (4 October 2009). "Stephen Harper rocks out". thestar.com. Toronto. Retrieved 22 October 2009.
"UpVenue Top 10 Best Music Covers". UpVenue.com. 2010.
External links[edit]
Quotations related to Sgt. Pepper's Lonely Hearts Club Band at Wikiquote
How B.J. Wilson Rescued a Classic Joe Cocker Track (page about B.J. Wilson and Joe Cocker's recording of the song)
Lyrics of this song at MetroLyrics
show
v
t
e
Sgt. Pepper's Lonely Hearts Club Band
Songs
Side one
"Sgt. Pepper's Lonely Hearts Club Band"
"With a Little Help from My Friends"
"Lucy in the Sky with Diamonds"
"Getting Better"
"Fixing a Hole"
"She's Leaving Home"
"Being for the Benefit of Mr. Kite!"
Side two
"Within You Without You"
"When I'm Sixty-Four"
"Lovely Rita"
"Good Morning Good Morning"
"Sgt. Pepper's Lonely Hearts Club Band (Reprise)"
"A Day in the Life"
Non-album single
"Strawberry Fields Forever"
"Penny Lane"
Outtakes
"Only a Northern Song"
"Carnival of Light"
Tribute albums
Easy Star's Lonely Hearts Dub Band
Sgt. Pepper Knew My Father
Sgt. Pepper Live
Sgt. Petsound's Lonely Hearts Club Band
With a Little Help from My Fwends
Related articles
The Beatles discography
Sgt. Pepper's cover
Sgt. Pepper's Lonely Hearts Club Band (film)
Sgt. Pepper's Lonely Hearts Club Band (soundtrack)
It Was Twenty Years Ago Today
Sgt. Pepper's Lonely Hearts Club Band on the Road
Yellow Submarine (film)
"Tina in the Sky with Diamonds"
Please Please Me
With the Beatles
A Hard Day's Night
Beatles for Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (White Album)
Yellow Submarine
Abbey Road
Let It Be
Past Masters
show
v
t
e
The Beatles singles discography
UK and US
(all labels)
1963
"Please Please Me" / "Ask Me Why"
"From Me to You" / "Thank You Girl"
"She Loves You" / "I'll Get You"
1964
"Can't Buy Me Love" / "You Can't Do That"
"I Feel Fine" / "She's a Woman"
1965
"Ticket to Ride" / "Yes It Is"
"Help!" / "I'm Down"
"We Can Work It Out" / "Day Tripper"
1966
"Paperback Writer" / "Rain"
"Yellow Submarine" / "Eleanor Rigby"
1967
"Penny Lane" / "Strawberry Fields Forever"
"All You Need Is Love" / "Baby, You're a Rich Man"
"Hello, Goodbye" / "I Am the Walrus"
1968
"Lady Madonna" / "The Inner Light"
"Hey Jude" / "Revolution"
1969
"Get Back" / "Don't Let Me Down"
"The Ballad of John and Yoko" / "Old Brown Shoe"
"Something" / "Come Together"
1970
"Let It Be" / "You Know My Name (Look Up the Number)"
1978
"Sgt. Pepper's Lonely Hearts Club Band/With a Little Help from My Friends" / "A Day in the Life"
1982
"The Beatles Movie Medley" / "I'm Happy Just to Dance with You"
1995
"Free as a Bird" / "Christmas Time (Is Here Again)"
1996
"Real Love" / "Baby's in Black"
UK only
(Parlophone,
Apple)
1962
"My Bonnie" / "The Saints"
"Love Me Do" / "P.S. I Love You"
1963
"I Want to Hold Your Hand" / "This Boy"
1964
"Ain't She Sweet" / "If You Love Me, Baby"
"A Hard Day's Night" / "Things We Said Today"
1976
"Yesterday" / "I Should Have Known Better"
"Back in the U.S.S.R." / "Twist and Shout"
US only
(Vee-Jay,
Swan,
Tollie,
Capitol,
Apple)
1963
"I Want to Hold Your Hand" / "I Saw Her Standing There"
1964
"Twist and Shout" / "There's a Place"
"Do You Want to Know a Secret" / "Thank You Girl"
"Love Me Do" / "P.S. I Love You"
"Sie liebt dich" / "I'll Get You"
"I'll Cry Instead" / "I'm Happy Just to Dance with You"
"And I Love Her" / "If I Fell"
"A Hard Day's Night" / "I Should Have Known Better"
"Matchbox" / "Slow Down"
1965
"Eight Days a Week" / "I Don't Want to Spoil the Party"
"Yesterday" / "Act Naturally"
1966
"Nowhere Man" / "What Goes On"
1970
"The Long and Winding Road" / "For You Blue"
1976
"Got to Get You into My Life" / "Helter Skelter"
"Ob-La-Di, Ob-La-Da" / "Julia"
Other
countries
(Odeon,
Parlophone,
Apple)
1963
"All My Loving" / "This Boy" (Canada)
1964
"Komm, gib mir deine Hand / Sie liebt dich" (Germany)
1965
"Rock and Roll Music" / "I'm a Loser" (Europe, Australia)
1966
"Norwegian Wood (This Bird Has Flown)" / "Nowhere Man" (Australia)
"Michelle" / "Girl" (Europe)
1968
"Ob-La-Di, Ob-La-Da" / "While My Guitar Gently Weeps" (Europe, Japan, Australia)
"Ob-La-Di, Ob-La-Da" / "I Will" (Philippines)
"Back in the U.S.S.R." / "Don't Pass Me By" (Sweden)
1969
"You're Going to Lose That Girl" / "Tell Me What You See" (Japan)
1970
"Oh! Darling" / "Here Comes the Sun" (Japan)
1972
"All Together Now" / "Hey Bulldog" (Europe)
1978
"Sgt. Pepper's Lonely Hearts Club Band/With a Little Help from My Friends" / "Within You Without You" (Germany)
show
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Wet Wet Wet
Graeme Clark
Tommy Cunningham
Neil Mitchell
Marti Pellow
Studio albums
Popped In Souled Out
The Memphis Sessions
Holding Back the River
High on the Happy Side
Cloak & Dagger
Picture This
10
Timeless
Singles
"Wishing I Was Lucky"
"Sweet Little Mystery"
"Angel Eyes (Home and Away)"
"Temptation"
"With a Little Help from My Friends"
"Sweet Surrender"
"Broke Away"
"Hold Back the River"
"Goodnight Girl"
"More than Love"
"Lip Service"
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"Cold Cold Heart"
"Love Is All Around"
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Live albums
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Compilations
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Videos
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Categories:
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