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Halloween (2018 film)
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Halloween
Teaser poster
Directed by
David Gordon Green
Produced by
Malek Akkad
Jason Blum
Bill Block
Written by
Jeff Fradley
Danny McBride
David Gordon Green
Based on
Characters
by
John Carpenter
Debra Hill
Starring
Jamie Lee Curtis
Judy Greer
Andi Matichak
Will Patton
Virginia Gardner
Nick Castle
Music by
John Carpenter[1]
Cinematography
Michael Simmonds[2]
Production
companies
Trancas International Films
Blumhouse Productions
Miramax
Rough House Pictures
Distributed by
Universal Pictures
Release date
September 2018 (2018-09) (TIFF)
October 19, 2018 (2018-10-19) (United States)
Running time
109 minutes[3]
Country
United States
Language
English
Budget
$10 million[4]
Halloween is an upcoming American slasher film directed by David Gordon Green and written by Green, Jeff Fradley, and Danny McBride. It is the eleventh installment in the Halloween franchise, and is a direct sequel to Halloween, while disregarding the continuity of the previous sequels.[5] After failing to develop a new Halloween film in time, Dimension Films lost the rights to the franchise, which were later obtained by Blumhouse Productions with John Carpenter's involvement. Carpenter, co-creator of the original Halloween, serves as a composer, executive producer and creative consultant for the film.
Set forty years after the original film, Laurie Strode comes face-to-face with Michael Myers for one final showdown on Halloween night. Jamie Lee Curtis and Nick Castle reprise their roles as Strode and Myers, respectively, with stuntman James Jude Courtney also portraying Myers. The film also stars Judy Greer, Andi Matichak, Will Patton, and Virginia Gardner.
Principal photography commenced on January 13, 2018, in South Carolina and concluded on February 19, 2018. The film will premiere at the Toronto International Film Festival in September, and is set for release on October 19, 2018, a week before the 40th anniversary of John Carpenter's original Halloween.
Contents
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Writing and pre-production
3.3 Casting
3.4 Filming
3.5 Music
4 Marketing
5 Release
6 Merchandising
7 Future
8 See also
9 References
10 External links
Plot[edit]
"The film picks up 40 years after the events of the 1978 original, Laurie Strode (Jamie Lee Curtis) comes to her final confrontation with Michael Myers (Nick Castle and James Jude Courtney), the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago."
—  Universal, Miramax, and Blumhouse.[6]
Cast[edit]
Jamie Lee Curtis as Laurie Strode
Judy Greer as Karen Strode
Andi Matichak as Allyson Strode
Will Patton as Hawkins
Virginia Gardner as Vicky
Nick Castle and James Jude Courtney as Michael Myers / The Shape
Miles Robbins as Dave
Dylan Arnold as Cameron
Drew Scheid as Oscar
Omar J. Dorsey as Sheriff Barker
Rob Niter as Deputy Sheriff Walker
Toby Huss as Ray
Jefferson Hall as Martin
Rhian Rees as Dana Haines
Jibrail Nantambu as Julian
Haluk Bilginer as Sartain
Production[edit]
Development[edit]
In 2011, it was announced that a sequel to 2009's Halloween II, titled Halloween 3D, would be released on October 26, 2012. At the time of the announcement, there was no director or writer attached to the project. Originally, Patrick Lussier and Todd Farmer were labeled as writers but dropped out due to their occupancy on the Hellraiser reboot. The film would pick up where the final frame of its predecessor left off, and would pay homage to the original version of Michael Myers from the 1978 film.[7] It was dropped from its release schedule of October 26, 2012, as no progress had been made.[8]
In February 2015, it was reported that Patrick Melton and Marcus Dunstan would be writing a new Halloween film, described as a "recalibration" rather than a reboot, along with Malek Akkad and Matt Stein producing.[9] On June 15, 2015, it was further reported that The Weinstein Company was moving ahead with another Halloween sequel, tentatively titled Halloween Returns with Dunstan directing. It would have been a standalone film set to reintroduce audiences to Michael Myers years after his initial rampage from Halloween and 1981's Halloween II, as he was confronted by a new generation of victims while on death row.[10][11] On October 22, 2015, producer Malek Akkad revealed that the production of Halloween Returns had been postponed, stating that the extra time would result in a better film.[12] Malek said on the matter, "Although, I have to say, and this is somewhat new news, but unfortunately things happen in Hollywood where you have issues with studios and different variables. We've had to take a step back and now we're trying to re-figure this beast that is the new Halloween. So there is a bit of a delay, but this new Halloween isn't going to be quite what has been announced and what people are expecting, so we're making some changes there as well."[13] In December 2015, it was announced that Dimension Films no longer had the rights to the Halloween franchise after Halloween Returns failed to go into production on schedule.[14] The film's cancellation was confirmed at the same time.[15]
On May 24, 2016, it was announced that Blumhouse Productions and Miramax were co-financing a new film in the franchise. Blumhouse CEO Jason Blum called the original Halloween a milestone that had influenced the company to begin making horror films, "The great Malek Akkad and John Carpenter have a special place in the hearts of all genre fans and we are so excited that Miramax brought us together."[16] The rights specifically went to Miramax and Tarik Akkad, who sought out Blum because of his success as a horror film producer.[17]
Writing and pre-production[edit]
When John Carpenter, who had co-written the first two Halloween films with Debra Hill and directed the original, signed on as an executive producer in 2016, he described his intention: "Thirty-eight years after the original Halloween, I'm going to help to try to make the 10th sequel the scariest of them all."[18] He discussed his reasoning for revisiting the franchise since producing 1982's Halloween III: Season of the Witch in an interview with Rotten Tomatoes, "I talked about the Halloweens for a long time, the sequels — I haven’t even seen all of them... But finally it occurred to me: Well if I'm just flapping my gums here, why don't I try to make it as good as I can? So, you know, stop throwing rocks from the sidelines and get in there and try to do something positive."[19] When the rights were acquired by Blumhouse, filmmaker Adam Wingard discussed making a new Halloween film, but ultimately dropped out after being sated by an email of encouragement from Carpenter, "I kinda walked away from it like, I just got everything I wanted out of this job. 'This is about as good as it gets.'"[20] David Gordon Green and Danny McBride were publicised on February 9, 2017 to handle screenwriting duties, with Green directing and Carpenter advising the project.[21] Carpenter said that he was impressed with the pitch presented by the co-writers, solicited by Jason Blum, proclaiming that "They get it."
Rather than reboot the franchise a second time, they chose to focus primarily on continuing the mythology of the first two films when developing the story,[22] with Danny McBride stating, "We all came to the decision that remaking something that already works isn't a good idea. So we just have a reimagining instead."[23] The pitch was created by the writers specifically to present to Carpenter, as they were self-described fans of the original Halloween to begin with. The story was eventually fleshed out so that all of the sequels were ignored from continuity, and the ending of the first film was slightly retconned in what McBride likened to an alternate reality.[24] However, he later said that the film still pays tribute to the other films, despite sharing no direct continuity, "you know like there's some many different versions, and the timeline is so mixed up, we just thought it would be easier to go back to the source and continue from there. It was nicer than knowing you're working on Halloween 11, it just seemed cooler, 'we're making Halloween 2'. For fans, we pay homage and respect to every Halloween that has been out there."[25] Despite Green and McBride's comedy roots, Halloween was distanced from the comedy genre. McBride further elaborated that "I think there was, like, maybe one joke on the page, but the rest is straight horror."[5] Believing that "good horror movie directors are good directors", Jason Blum hired Green for his perceived "amazing" storytelling. No large steps were taken without Carpenter's approval, including the acceptance of the initial pitch and bringing back actress Jamie Lee Curtis.[26]
Displeased with Rob Zombie's re-imagining and added backstory of murderer Michael Myers, Carpenter wanted to take the character back to his more mysterious roots, describing him as "a force of nature. He's supposed to be almost supernatural."[27] McBride detailed his approach as humanizing the character, "I think we're just trying to take it back to what was so good about the original. It was just very simple and just achieved that level of horror that wasn't turning Michael Myers into some being that couldn't be killed. I want to be scared by something that I really think could happen. I think it's much more horrifying to be scared by someone standing in the shadows while you're taking the trash out."[28]
Casting[edit]
Jamie Lee Curtis and Nick Castle reprise their roles as Laurie Strode and Michael Myers / The Shape, respectively. Castle reprises his role for the first time since the original 1978 film.
In September 2017, Jamie Lee Curtis confirmed that she would reprise her role as Laurie Strode.[29][30][31] In contrast to the character's final girl role in the original film, Laurie armed herself and prepared extensively in the time period between films in case Michael Myers ever returned.[32] Although Halloween II and its latter installments have portrayed Myers as a familicidal killer and Laurie as his sister, the writers felt that the added motive made him less frightening as a killer. As such, they intentionally ignored that aspect of the lore.[33] In the trailer for the film, Strode's granddaughter, played by Andi Matichak, explains how her life has been impacted by Michael's reign of terror 40 years earlier. When a friend hints that they heard Michael was Laurie's brother, Matichak's character replies, "No, it was not her brother, that was something people made up."[34] The writers did not originally know if Curtis would be willing to return, according to McBride, so they "busted [their] ass on this script to really make that Laurie Strode character something she wouldn't be able to say no to."[5] On why she returned, Curtis stated, "As soon as I read what David Green and Danny McBride had come up with … and the way that they connected the dots of the story, it made so much sense to me that it felt totally appropriate for me to return to Haddonfield, Ill., for another 40th-anniversary retelling. It's the original story in many, many, many ways. Just retold 40 years later with my granddaughter."[35] Curtis had previously returned as Laurie in the sequels Halloween II (1981), Halloween H20: 20 Years Later, and Halloween: Resurrection.
The following October, Judy Greer entered negotiations to play Laurie's daughter Karen Strode.[36] Danielle Harris, who played Laurie's daughter Jamie Lloyd in the original continuity's Halloween 4 and Halloween 5, contacted Blumhouse with the offer to reprise her role in some way, but the studio planned to go with a different daughter character, to Harris' disappointment: "I was okay with it when she had a son... but they're saying it's the last one and... she has a daughter. And it's not Jamie. It's just kind of a bummer, I guess."[37][38][39][40][41] On December 7, 2017, Andi Matichak was cast to play Laurie's granddaughter Allyson.[42]
On December 20, 2017, it was announced that Nick Castle, who portrayed Michael Myers in the original film, would be reprising his role, with actor and stuntman James Jude Courtney set to portray Myers as well.[43][44][45] Courtney was suggested to Malek Akkad and David Gordon Green by stunt coordinator Rawn Hutchinson for his ability to do both physical stunts and genuine acting, auditioning afterwards and receiving a phone call in December 2017 affirming that he had landed the role. Green explained to him his vision for Myers' mannerisms, an amalgamation of Castle's original performance and the addition of an efficient cat-eque style of movement. Courtney tailored his portrayal to those specifications from observing an actual cat, "I think cats are the most perfect hunting machines on the planet. And the beauty of it is we don't judge a cat for what a cat does. So I sort of carried that movement and the non-judgmental approach to the way I moved as The Shape, which I learned from my cat Parcival." He referred to collaborating with Castle as an "honor", with Castle describing it as a "passing of the torch". He used John Carpenter and Castle's work on the original film to determine how the forty years that transpired between the events of the films would inform the character over time.[2]
On January 13, 2018, Ginny Gardner, Miles Robbins, Dylan Arnold and Drew Scheid were confirmed to play Allyson's friends, respectively.[45] On January 16, 2018, Will Patton was publicized to have joined the film's roster.[46] He was later joined by Rob Niter, both actors being announced to portray police officers. At the same time, Rhian Rees was cast as a character named Dana.[47] Speaking of the cast, Nick Castle stated that "What I like about this (new film) is they've got some really good young actors. They fleshed out the relationship of Jamie's character with her daughter and her granddaughter. And they made some choices that I think are really bold choices about who these people are and why they are the way they are now."[48]
On July 27, it was announced that a sound-alike voice actor would provide Dr. Loomis’ voice over.[49]
Filming[edit]
Principal production began on January 13, 2018 in Charleston, South Carolina. Originally, it was set to begin in late October 2017,[50][51] but was delayed until January 2018.[52] Michael Simmonds served cinematography duties, with Paul Daley and Stewart Cantrell operating the camera.[2] According to Danny McBride, the horror of the film aims to create a sense of tension and dread to the audience rather than relying on graphic violence;[53] the make-up and visual effects were provided by Christopher Nelson.[43] Jamie Lee Curtis finished her scenes on February 16, 2018,[54] with the remaining principal photography concluding on February 19, 2018.[55] Response to the film's first test screening led the filmmakers to schedule reshoots beginning June 11, 2018, where they will adjust the end scene. Filming will take place again in Charleston.[56]
Courtney did a week of rehearsal before filming began. Nelson used a life cast of his face to construct the Michael Myers' mask and other prosthetics worn by the actor.[2] The mask was weathered and aged to reflect the character's "authentic evolution" since the original.[32] Courtney was involved in every scene featuring Myers, including those of Nick Castle, who was only involved for a minimal amount of filming, which Castle described to the journalists on set as a cameo appearance: "Jim is our Michael Myers now." Castle expressed that it was the filmmakers intention to maintain the atmosphere of the original and that, like the 1978 film, "it's very neighborhood-centric... There are a lot of things coinciding (in the new film) that feel like clever ways to introduce a kind of déjà vu of the first one, without feeling like it's being copied. It was the first thing out of their mouths really: 'We want to do it like John [Carpenter] did it.'"[48]
Nelson accompanied Courtney throughout filming, providing him with acting advice from his own knowledge of the characters of the Halloween franchise.[2] Nelson had been interviewed and examined for the film by Akkad and Green after a conversation with Blumhouse producer Ryan Turek, who he was already acquainted with. Collaborating with fellow make-up effects artist Vincent Van Dyke, some of his designs and concepts were initially rejected due to legal complications, which were later straightened out as he began his work on the film. Rather than trying to copy the design of the original mask, he simply intended on recapturing what he described as the visual "feeling" of it. Because the film is set forty years after the events of the original, he studied the decomposition and wrinkling of forty-year-old masks over time while outlining his take on Myers' look, "You're not creating just a mask. You're creating a feeling that you get that does have an expression.. But also the mask looks completely different in every single angle it's ever been photographed at, and I wanted that feeling too." Courtney was hired after Nelson advised Green not to cast a hulking stuntman in the role in compliance with the first film.[57][better source needed]
Music[edit]
After previously providing the score for the original Halloween, Halloween II, and Halloween III: Season of the Witch, John Carpenter confirmed in October 2017 that he had made a deal to score the 2018 release. Regarding his take on the sequel, he said, "I'll be consulting with the director to see what he feels. I could create a new score, we could update the old score and amplify it, or we could combine those two things. I'll have to see the movie to see what it requires."[58]
Marketing[edit]
The CinemaCon film convention premiered exclusive footage on April 25, 2018, garnering positive reactions from those in attendance.[59] The film had a presentation at the San Diego Comic-Con in Hall H on July 20, 2018, which featured Jamie Lee Curtis, David Gordon Green, Malek Akkad, and Jason Blum in attendance.[60] During the panel, which featured an extended scene and trailer, Curtis discussed how the film ties in with the Me Too movement, describing it as a film about "trauma", stating, "[Laurie's] taking back her narrative. She has carried the trauma and PTSD of someone who was attacked [...] And there comes a point where you say, I am not a victim. And this is a person who has been waiting 40 years [for the chance]."[61]
Release[edit]
Halloween will have its world premiere at the Toronto International Film Festival in September 2018, as part of the festival's Midnight Madness section.[62] The film is scheduled to be released theatrically on October 19, 2018.[22]
Merchandising[edit]
Trick or Treat Studios obtained the official costume licensing rights for the film. Both Nelson and Vincent Van Dyke joined their design team, who used toolings from the screen-used mold of Michael Myers' mask to adapt it for mass market sale.[63][64]
Future[edit]
In October 2017, Carpenter said that the film would be the final installment of the series.[65] However, in June 2018, McBride confirmed that he and Green originally had intended to pitch two films that would be shot back-to-back, after deciding against it and waiting to see the reaction to the first film: "We were going to shoot two of them back-to-back. Then we were like, 'Well, let's not get ahead of ourselves. This could come out, and everyone could hate us, and we'd never work again. So, let's not have to sit around for a year while we wait for another movie to come out that we know people aren't going to like.' So, we were like, 'Let's learn from this, and see what works, and what doesn't.' But we definitely have an idea of where we would go [with] this branch of the story and hopefully we get a chance to do it."[66]
See also[edit]
List of retroactive continuities
List of horror films of 2018
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Jump up ^ {{cite web|last=Collura|first=Scott|last=Vejoda|first=Jim|title=MICHAEL MYERS LIVES AND IS BLOODY AS EVER IN NEW HALLOWEEN FOOTAGE - COMIC-CON 2018|url=http://www.ign.com/articles/2018/07/26/michael-myers-lives-and-is-bloody-as-ever-in-new-halloween-footage-comic-con-2018%7Caccessdate=August 6, 2018|
Jump up ^ McNary, Dave (August 9, 2018). "'Predator,' 'Halloween,' 'Fahrenheit 11/9' to Premiere at Toronto Film Festival". variety. Retrieved August 9, 2018.
Jump up ^ Squires, John. "Trick or Treat Studios Releasing Aged Michael Myers Masks from This Year's Movie Mold!". Bloody Disgusting. Archived from the original on 10 April 2018. Retrieved 10 April 2018.
Jump up ^ "Halloween 2018". Trick or Treat Studios. Archived from the original on 4 June 2018. Retrieved 4 June 2018.
Jump up ^ "John Carpenter's Shocking Announcement: Next "HALLOWEEN" Will Be THE LAST". 31 October 2017. Retrieved 30 July 2018.
Jump up ^ "'Halloween' co-screenwriter Danny McBride almost pitched making back-to-back sequels". Retrieved 30 July 2018.
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War Machine (film)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
War Machine
Film poster
Directed by
David Michôd
Produced by
Brad Pitt
Dede Gardner
Jeremy Kleiner
Ted Sarandos
Ian Bryce
Written by
David Michôd
Based on
The Operators
by Michael Hastings
Starring
Brad Pitt
Emory Cohen
RJ Cyler
Topher Grace
Anthony Michael Hall
Anthony Hayes
John Magaro
Scoot McNairy
Will Poulter
Alan Ruck
Lakeith Stanfield
Josh Stewart
Meg Tilly
Tilda Swinton
Ben Kingsley
Tim Downie
Music by
Nick Cave
Warren Ellis
Cinematography
Dariusz Wolski
Edited by
Peter Sciberras
Production
company
Plan B Entertainment
New Regency
RatPac Entertainment
Blue-Tongue Films
Distributed by
Netflix
Release date
May 24, 2017 (2017-05-24) (High Street Phoenix)
May 26, 2017 (2017-05-26) (United States)
Running time
122 minutes
Country
United States
Language
English
Budget
$60 million[1]
War Machine is a 2017 American satirical war film directed and written by David Michôd, based on the nonfiction book The Operators by Michael Hastings. It is a fictionalized version of the events in the book based on United States Army General Stanley McChrystal.[2]
The film stars Brad Pitt, Anthony Michael Hall, Anthony Hayes, Topher Grace, Will Poulter, Tilda Swinton and Ben Kingsley. It was released on Netflix on May 26, 2017.[3]
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Filming
4 Release
4.1 Marketing
4.2 Critical response
5 References
6 External links
Plot[edit]
In the summer of 2009, four-star General Glen McMahon (Brad Pitt), having won renown for his effective leadership in Iraq, is sent to Afghanistan to prepare an assessment so that the government can end the ongoing war.[4][5] He is given wide latitudes to write it, on the sole condition that he not request more troops. McMahon and his staff, particularly his right hand man Major General Greg Pulver (Anthony Michael Hall), are united in their belief that the war can be won, and decide to recommend that President Obama authorize a surge of 40,000 additional troops to secure Helmand province in order to stabilize the country. However, the Secretary of State (Sian Thomas) informs McMahon that his report will not be reviewed until after the upcoming presidential election.
Captain Badi Basim (Aymen Hamdouchi), a member of the Afghan National Army, joins McMahon's staff as a "representative" of the Afghan people. He arrives, however, in civilian clothes as he would rather not wear his uniform, which he has in a bag, outside the compound near his home as he walked. Meanwhile, McMahon is informed that, due to alleged irregularities in the counting of votes, a runoff election will have to be held, delaying the review of the assessment further. Fed up, McMahon secretly leaks the assessment to the Washington Post and organizes an interview with 60 Minutes, during which he reveals that, in the last seventy days, he has only been granted one meeting with the President. In response, the government announces that they will send 30,000 troops to Afghanistan, and that all U.S. and coalition forces in the country will leave in 18 months. To gather the remaining 10,000 troops needed for his strategy to work, McMahon and his men head to Paris to negotiate with the other coalition nations.
In Paris, McMahon learns that the President is passing through, and wishes to meet with him. The ambassador to Afghanistan (Alan Ruck) warns McMahon that he needs to understand his position: if he continues to anger the President, he will be fired for insubordination. The President, however, merely shakes his hand as he climbs aboard Air Force One due to time constraints, and McMahon and his staff attend a dinner in McMahon's honor, accompanied by Rolling Stone writer Sean Cullen (Scoot McNairy), who intends to write a feature story about his performance for an upcoming issue. The next day, during their anniversary dinner, McMahon's wife Jeanie confronts him about how much time he's spending fighting abroad instead of being with his family back home.
While en route to Berlin with McMahon's staff to continue negotiations, Cullen observes their behavior and concludes that they are arrogant and seem to care little about the growing public perception that the war is costly and wasteful. At a conference to discuss his strategy, McMahon is confronted by a German official (Tilda Swinton) who is skeptical of his approach and suggests that McMahon's plans would only lead to more losses. Nevertheless, both the Germans and the French agree to furnish the troops needed for his planned offensive, codenamed "Operation Moshtarak", to begin, with Afghan President Hamid Karzai's (Ben Kingsley) approval.
The operation launches, but soon runs into trouble when several civilians are accidentally killed against McMahon's instructions. When he holds a public meeting to explain the incident, the crowd grows hostile and demands that he and his troops leave. Worse, McMahon learns that Cullen's article has been published, and paints a negative picture of him and his staff as openly speaking against the President and mishandling the war effort. Knowing that he will be fired for his actions, McMahon returns to Washington and later takes a job as a civilian consultant.
In the aftermath, Cullen ponders the consequences of his article, noting that he wished McMahon's fall would finally convince the government to stop invading foreign countries and end the war in Afghanistan. Instead, however, the government simply assigns a new general to replace McMahon: General Bob White (Russell Crowe).
Cast[edit]
McMahon's Entourage
Brad Pitt as General Glen McMahon,[6] a character based on General Stanley McChrystal.[7] He is portrayed as an accomplished general with degrees from West Point and Yale[8] brought in to bring a resolution to the conflict in Afghanistan.
Anthony Hayes[9] as Lieutenant Commander Pete Duckman, a Navy SEAL and member of McMahon's staff, possibly based on Navy SEAL David Silverman.
Emory Cohen[10] as Sgt. Willy Dunne, General McMahon's body man.
RJ Cyler as USAF Tech Sgt. Andy Moon, information technology support assistant.[11]
Daniel Betts as USN Rear Admiral Simon Ball, McMahon's Senior Public Affairs Officer.
Topher Grace as Matt Little, a former lobbyist turned McMahon's civilian media adviser.[12]
Anthony Michael Hall as Major General Greg Pulver, ISAF Director of Intelligence,[13] loosely based on Lt. General Michael Flynn.
John Magaro as Colonel Cory Staggart, an Army Ranger and General McMahon's executive officer.[14]
Aymen Hamdouchi as Captain Badi Basim, a scholarly Afghan National Army officer who becomes General McMahon's aide-de-camp.
Scoot McNairy[15] as Sean Cullen, a cynical journalist for Rolling Stone who accompanies McMahon and his staff and acts as narrator throughout the film, loosely based on author Michael Hastings.
Meg Tilly as Jeanie McMahon,[16] McMahon's wife.
U.S. Diplomats
Sian Thomas as United States Secretary of State Edith May, based on Hillary Rodham Clinton
Alan Ruck as Pat McKinnon, United States Ambassador to Afghanistan, loosely based on Karl Eikenberry.
Nicholas Jones as Dick Waddle, loosely based on Special Representative for Afghanistan and Pakistan Richard Holbrooke.
Griffin Dunne as Ray Canucci, a United States Department of State senior official.
Politicians
Ben Kingsley as President Hamid Karzai[17]
Reggie Brown as President Barack Obama
Tilda Swinton as a German politician
Combat Marines
Will Poulter as Sgt. Ricky Ortega, a Marine Corps infantry squad leader.[18]
Lakeith Stanfield as Cpl. Billy Cole, a disillusioned Marine and member of Ortega's squad.[19]
Josh Stewart as Captain Dick North, a Marine Corps officer.
Other
Rufus Wright as British Army Lt. Col. Frank Groom
Georgina Rylance as Lydia Cunningham, 60 Minutes journalist.
Russell Crowe[20] as General Bob White (uncredited), General Glen McMahon's replacement similar to David Petraeus.
Production[edit]
On April 27, 2012, it was announced that New Regency and Plan B Entertainment had acquired the film adaptation rights to the 2011 best seller non-fiction book The Operators by Michael Hastings.[21] On April 14, 2014, David Michôd was hired to write and direct the film based on the war in Afghanistan.[7] Brad Pitt was attached to star as General Stanley McChrystal and produce the film along with his Plan B partners Dede Gardner and Jeremy Kleiner, while the film would be financed by New Regency and RatPac Entertainment.[7]
On June 8, 2015, Netflix acquired the distribution rights to the film which was re-titled War Machine, while Ian Bryce also came on board to produce the film along with others.[22] On June 17, The Hollywood Reporter revealed that there had been a budget issue between New Regency and RatPac with producers of Plan B, and thus Netflix had stepped in to buy the distribution rights for $60 million.[1]
On August 4, 2015, Emory Cohen was cast in the film to play a member of Gen. McChrystal's staff.[10] On August 10, 2015, Topher Grace joined the film to play Gen. Stanley McChrystal's civilian press adviser.[12] On August 11, 2015, John Magaro signed on to play Cory Burger, a special ops soldier and close advisor to General McMahon.[14] On August 14, 2015, Scoot McNairy joined the cast of the film.[15] On August 19, 2015, Anthony Michael Hall was added to the cast to play General Hank Pulver, loosely based on General Mike Flynn.[13] On August 20, 2015, Keith Stanfield signed on to the film.[19] The same day, Will Poulter also joined the cast for an unspecified role.[18] On August 25, Anthony Hayes joined the film.[9] On October 23, 2015, TheWrap revealed that RJ Cyler had also joined the film.[11] Alan Ruck was spotted filming.[23] Meg Tilly was also spotted but her casting was not then officially confirmed.[16] It was later reported Ben Kingsley and Tilda Swinton had been cast.[24]
Filming[edit]
Principal photography on the film began in mid-October 2015 in London.[25][26][27] Later on October 19, filming began in Abu Dhabi; the city was transformed into Kabul, streets into a military fortress, an old building as an American Embassy in Kabul, and a street as a Palestinian border crossing.[28][29] Filming also took place at the Abu Dhabi International Airport in November.[29] Some scenes were also filmed at the Dunsfold Aerodrome in Surrey, England.[23] In mid-November 2015, while final scenes were being shot, actors were spotted filming in Ras al-Khaimah and the city's old neighborhood was transformed into Pakistani villages and a military base-camp.[30]
Release[edit]
The film was released on Netflix on May 26, 2017.[31]
Marketing[edit]
Brad Pitt visited Mumbai to promote the film and attended a special screening at PVR High Street Phoenix on May 24, 2017.[32] He also met Indian superstar Shah Rukh Khan to promote War Machine.
Critical response[edit]
On review aggregator website Rotten Tomatoes, the film has an approval rating of 54% based on 73 reviews, and an average rating of 5.8/10. The site's critical consensus reads, "War Machine's uneven execution keeps its fact-based story from cleanly hitting its targets, but those flaws are frequently offset by sharp wit and solid acting."[33] On Metacritic, which assigns a normalized rating, the film has a 56 out of 100 score, based on 30 critics, indicating "mixed or average reviews".[34]
References[edit]
^ Jump up to: a b McClintock, Pamela (June 17, 2015). "Whoa: Netflix Actually Paid $60M for Brad Pitt's Politically Charged Military Satire". The Hollywood Reporter. Retrieved October 22, 2015.
Jump up ^ McGinley, Michael (May 3, 2017). "Brad Pitt Talks Divorce, Quitting Drinking, and Becoming a Better Man". GQ. Retrieved May 6, 2017.
Jump up ^ "Brad Pitt prepares for battle in shahid's.com 'War Machine' trailer". CNET.
Jump up ^ Grow, Kory (March 30, 2017). "See Brad Pitt Play Runaway General in 'War Machine' Trailer". Rolling Stone. Retrieved April 6, 2017.
Jump up ^ Crothers, Jennifer (31 March 2017). "The trailer for Brad Pitt's Netflix film War Machine is here". The Mirror. Retrieved April 6, 2017.
Jump up ^ "EXCLUSIVE: Brad Pitt Looks Like a Ken Doll on the Set of Upcoming Netflix Drama 'War Machine' -- See the Pics!". etonline.com. Retrieved May 6, 2017.
^ Jump up to: a b c Fleming Jr, Mike (April 14, 2014). "New Regency Taps Brad Pitt, David Michod To Tell Gen. Stanley McChrystal Afghan Story 'The Operators'". Deadline.com. Retrieved October 22, 2015.
Jump up ^ Mancini, Vince. "Brad Pitt And David Michôd's 'War Machine' Is An Absurd, Tragicomic Home Run".
^ Jump up to: a b Kroll, Justin (August 25, 2015). "'Animal Kingdom' Actor Anthony Hayes Joins 'War Machine' With Brad Pitt (EXCLUSIVE)". Variety. Retrieved October 22, 2015.
^ Jump up to: a b A. Lincoln, Ross (August 4, 2015). "Joey King Will Be 'Going In Style'; Emory Cohen Enlists In Netflix's 'War Machine'". Deadline.com. Retrieved August 21, 2015.
^ Jump up to: a b Sneider, Jeff (October 23, 2015). "'Power Rangers' Movie Adds 'Me and Earl and the Dying Girl' Star RJ Cyler as Blue Ranger". thewrap.com. Retrieved November 17, 2015.
^ Jump up to: a b McNary, Dave (August 10, 2015). "Topher Grace Joins Brad Pitt In Netflix Black Comedy 'War Machine'". Variety. Retrieved August 11, 2015.
^ Jump up to: a b Busch, Anita (August 19, 2015). "Anthony Michael Hall Joins Brad Pitt In Netflix's 'War Machine'". Deadline.com. Retrieved August 20, 2015.
^ Jump up to: a b A. Lincoln, Ross (August 11, 2015). "John Magaro Joins 'War Machine'; Jason Fuchs Moves To 'La La Land'". Deadline.com. Retrieved August 16, 2015.
^ Jump up to: a b Fleming Jr, Mike (August 14, 2015). "Scoot McNairy Joins Brad Pitt In Netflix's 'War Machine'". Deadline.com. Retrieved August 16, 2015.
^ Jump up to: a b Evry, Max (November 20, 2015). "Brad Pitt in Set Photos from Netflix's War Machine". comingsoon.net. Retrieved November 28, 2015.
Jump up ^ "Ben Kingsley teaches Patricia Clarkson how to drive in new dramedy". Toronto Sun. Retrieved May 6, 2017.
^ Jump up to: a b McNary, Dave (August 20, 2015). "Will Poulter Joins Brad Pitt in Netflix's 'War Machine'". Variety. Retrieved August 21, 2015.
^ Jump up to: a b Sneider, Jeff (August 20, 2015). "'Straight Outta Compton's Keith Stanfield Joins Brad Pitt's Netflix Movie 'War Machine' (Exclusive)". thewrap.com. Retrieved August 21, 2015.
Jump up ^ Taylor, Drew (26 May 2017). "Director David Michôd on Why Netflix's 'War Machine' Could Never Be Made at a Studio". Movie Fone. Retrieved 26 May 2017.
Jump up ^ Abrams, Rachel (April 27, 2012). "New Regency, Plan B dial 'Operators'". Variety. Retrieved October 22, 2015.
Jump up ^ Fleming Jr, Mike (June 8, 2015). "Game Changer! Netflix Lands 'War Machine', Brad Pitt's Next Star Vehicle". Deadline.com. Retrieved August 11, 2015.
^ Jump up to: a b "Brad Pitt pictured in full military gear as he heads to work to film scenes for movie War Machine at Dunsfold Aerodrome". The Daily Mail. November 13, 2015. Retrieved November 17, 2015.
Jump up ^ "Netflix Acquires Charlie McDowell's 'The Discovery' Starring Rooney Mara, Robert Redford and Jason Segel". Netflix. June 13, 2016. Retrieved June 13, 2016.
Jump up ^ FOX-Leonard, Boudicca (October 17, 2015). "Brad Pitt looks GREY-t as silver fox on London set of new film War Machine". Daily Mirror. Retrieved October 22, 2015.
Jump up ^ "Silver fox Brad Pitt debuts dyed grey hairdo as he brings twins Knox and Vivienne along to the set of satirical comedy War Machine in London". The Daily Mail. October 18, 2015. Retrieved October 22, 2015.
Jump up ^ "Brad Pitt Is the Ultimate Silver Fox on the Set of War Machine (Move Over, Clooney!)". usmagazine.com. October 19, 2015. Retrieved October 22, 2015.
Jump up ^ Sheridan, Wade (October 15, 2015). "Brad Pitt's Netflix original movie 'War Machine' to start production in Abu Dhabi". upi.com. Retrieved October 22, 2015.
^ Jump up to: a b "Quiet Abu Dhabi street transforms into War Machine film set". thenational.ae. October 21, 2015. Retrieved October 22, 2015.
Jump up ^ "RAK becomes celebrity zone as Brad Pitt and Angelina Jolie fly down to the emirate". thenational.ae. November 14, 2015. Retrieved November 17, 2015.
Jump up ^ "Brad Pitt prepares for battle in Netflix's 'War Machine' trailer". CNET.
Jump up ^ "Brad Pitt is in Mumbai to attend War Machine screening, to meet Shah Rukh Khan". The Indian Express. 24 May 2017. Retrieved 25 May 2017.
Jump up ^ "War Machine (2017)". Rotten Tomatoes. Retrieved August 15, 2017.
Jump up ^ "War Machine reviews". Metacritic. Retrieved August 15, 2017.
External links[edit]
War Machine on Netflix
War Machine on IMDb
War Machine at Rotten Tomatoes
[show]
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Ezra White, LL.B. (2006)
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Moneyball (2011)
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World War Z (2013)
Kick-Ass 2 (2013)
12 Years a Slave (2013)
By the Sea (2015)
The Big Short (2015)
Moonlight (2016)
The Lost City of Z (2016)
War Machine (2017)
Brad's Status (2017)
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Crease (cricket)
From Wikipedia, the free encyclopedia
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For the goalie's Crease in hockey, see Hockey rink § Goal area.
In the sport of cricket, the crease is a certain area demarcated by white lines painted or chalked on the field of play, and pursuant to the rules of cricket they help determine legal play in different ways for the fielding and batting side. They define the area within which the batsmen and bowlers operate. The term crease may refer to any of the lines themselves, particularly the popping crease, or to the region that they demark. Law 7 of the Laws of Cricket governs the size and position of the crease markings, and defines the actual line as the back edge of the width of the marked line on the grass, i.e., the edge nearest to the wicket at that end.
Four creases (one popping crease, one bowling crease, and two return creases) are drawn at each end of the pitch, around the two sets of stumps. The batsmen generally play in and run between the areas defined by the creases at each end of the pitch. The bowling creases lie 22 yards (66 feet or 20.12 m) away, and marks the other end of the pitch. For the fielding side, the crease defines whether there is a no-ball because a fielder has encroached on the pitch or the wicket-keeper has moved in front of the wicket before he is permitted to do so. In addition, historically part of the bowler's back foot in the delivery stride was required to fall behind the bowling crease to avoid a delivery being a no-ball. This rule was replaced by a requirement that the bowler's front foot in the delivery stride must land with some part of it behind the popping crease (see below).
Contents
1 History
2 Popping crease
2.1 For the fielding side
2.2 For the batting side
3 Bowling crease
4 Return crease
5 Using the crease
6 See also
7 References
History[edit]
The origin of creases is uncertain but they were certainly in use by the beginning of the 18th century when they were created by scratch marks, the popping crease being 46 inches in front of the wicket at each end of the pitch. In the course of time, the scratches became cuts which were an inch deep and an inch wide. The cut was in use until the second half of the 19th century.[1] Sometime during the early career of Alfred Shaw, he suggested that the creases should be made by lines of whitewash and this was gradually adopted through the 1870s.[2]
Popping crease[edit]
The origin of the term "popping crease" is unknown. One popping crease is drawn at each end of the pitch in front of each set of stumps. The popping crease is 4 feet (1.22 m) in front of and parallel to the bowling crease. Although it is considered to have unlimited length (in other words, runs across the entire field) the popping crease must be marked to at least 6 feet (1.83 metres) perpendicular to the pitch, on either side of the middle of the pitch.[3][4]
For the fielding side[edit]
For the fielding team the popping crease is used as one test of whether the bowler has bowled a no-ball. To avoid a no-ball, some part of the bowler's front foot in the delivery stride (that is, the stride when he releases the ball) must be behind the popping crease when it lands, although it does not have to be grounded. The foot may be on the line as long as some part of his/her foot is behind the line.[3][5] This has given rise to the term "the line belongs to the umpire."[6]
For the batting side[edit]
For a batsman the popping crease – which can be referred to as the batting crease in the context of batting – determines whether they have been stumped or run out. This is described in Laws 29, 38, and 39 of the Laws of Cricket.[4] Both involve the wicket being put down before a batsman can touch his body or bat to the ground behind the popping crease and make his ground and return safely from his run.[7] A 2010 amendment to Law 29 clarified the circumstance where the wicket is put down while a batsman has become fully airborne after having first made his ground; the batsman is regarded to not be out of his ground.[8]
If the batsman facing the bowler (the striker) steps out of his ground to play the ball but misses and the wicket-keeper takes the ball and puts down the wicket, then the striker is out stumped.[4]
If a fielder puts down either wicket whilst the batsmen are running between the wickets (or otherwise forward of the popping crease during the course of play), then the batsman nearest the downed wicket is out run out. There is no limit of how far a bowler may bowl behind the crease.[3]
The popping crease is visible here, with England's Marcus Trescothick playing a shot that has involved him moving forward over his own crease to intercept the ball. In taking a successful run, he must ground his bat behind the corresponding crease at the other end of the pitch, and his batting partner must in turn ground himself behind Trescothick's crease.[4] Should Trescothick have ventured beyond his crease in playing his shot, he risked being stumped.[3][4]
Jim Allenby bowling, he must ground some part of his foot behind his popping crease and within the return creases for the ball to be a legal delivery. As a member of the fielding side, he can also attempt to run out a batsman by breaking the stumps with the ball before the batsman manages to return to the popping crease.[3][4]
Here the batsman has played a shot and missed, with the wicketkeeper receiving the ball. The 'keeper, believing that in playing his shot the batsman has ventured beyond his popping crease, has broken the stumps with the ball in an attempt to dismiss him 'stumped'. He is appealing to the umpire to review and either accept or refuse the dismissal. It now falls to the umpire to adjudge whether the batsman had indeed ventured beyond his crease, a decision that in modern cricket is assisted by technology and replays.
Bowling crease[edit]
Drawn parallel with the popping crease and four feet away from it. The bowling crease is the line through the centres of the three stumps at each end. It is 8 ft 8 in (2.64 m) long, with the stumps in the centre.
Return crease[edit]
Four return creases are drawn, one on each side of each set of stumps. The return creases lie perpendicular to the popping crease and the bowling crease, 4 feet 4 inches (1.32 m) either side of and parallel to the imaginary line joining the centres of the two middle stumps. Each return crease line starts at the popping crease but the other end is considered to be unlimited in length and must be marked to a minimum of 8 feet (2.44 m) from the popping crease.[3][4]
The return creases are primarily used to determine whether the bowler has bowled a no-ball. To avoid a no-ball, the bowler's back foot in the delivery stride must land within and not touch the return crease. This is to stop the bowler from bowling at the batsmen from an unfair angle (i.e. diagonally).[3]
Using the crease[edit]
Though the relatively small size of the crease is such that they limit the degree to which a batsman or a bowler can alter where they stand to face or deliver a ball, there is a degree of latitude afforded whereby both can move around the crease as long as they remain within the aforementioned confines. Batsmen 'use the crease' when they move toward leg or off, before or while playing a shot. Bowlers 'use the crease' by varying the position of their feet, relative to the stumps, at the moment of delivery. In so doing, they can alter the angle of delivery and the trajectory of the ball.[4]
See also[edit]
Cricket portal
Cricket terminology
References[edit]
Notes
Jump up ^ Altham, p. 25.
Jump up ^ Altham, p. 95.
^ Jump up to: a b c d e f g "Law 7 - The creases". Marylebone Cricket Club. Retrieved 1 October 2017.
^ Jump up to: a b c d e f g h "Law 29 When a Batsman is Out of his Ground". Marylebone Cricket Club. Retrieved 4 June 2014.
Jump up ^ "Law 24 No Ball". Marylebone Cricket Club. Retrieved 4 June 2014.
Jump up ^ "Cricket for beginners – part II". BBC News. Retrieved 4 June 2014.
Jump up ^ "Law 18 Scoring Runs". Marylebone Cricket Club. Retrieved 4 June 2014.
Jump up ^ "MCC announce eight Law changes". 30 September 2010. Archived from the original on 21 February 2011.
Sources
The Laws of Cricket at Lord's Cricket Ground
Altham, H. S. (1962). A History of Cricket, Volume 1 (to 1914). George Allen & Unwin.
The Laws of Cricket. Wisden. 2010.
MCC Laws of Cricket. Marylebone Cricket Club. 1993.
Rundell, M. and M. Atherton (2008). The Original Laws of Cricket. Bodleian Library. ISBN 1851243127.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Crease_(cricket)&oldid=831496435"
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