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Coco (2017 film)
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Coco
Theatrical release poster
Directed by
Lee Unkrich
Produced by
Darla K. Anderson
Screenplay by
Adrian Molina
Matthew Aldrich
Story by
Lee Unkrich
Jason Katz
Matthew Aldrich
Adrian Molina
Starring
Anthony Gonzalez
Gael García Bernal
Benjamin Bratt
Alanna Ubach
Renée Victor
Ana Ofelia Murguía
Edward James Olmos
Music by
Michael Giacchino[1]
Cinematography
Matt Aspbury[2]
Danielle Feinberg[2]
Edited by
Steve Bloom[2]
Lee Unkrich[2]
Production
company
Walt Disney Pictures
Pixar Animation Studios
Distributed by
Walt Disney Studios
Motion Pictures
Release date
October 20, 2017 (2017-10-20) (Morelia)[3]
November 22, 2017 (2017-11-22) (United States)
Running time
105 minutes[4]
Country
United States
Language
English[5]
Budget
$175–200 million[6][7][8]
Box office
$769.5 million[9]
Coco is a 2017 American 3D computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures.[10] Based on an original idea by Lee Unkrich, it is directed by him and co-directed by Adrian Molina.[11] The story follows a 12-year-old boy named Miguel Rivera who is accidentally transported to the land of the dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family among the living.
The concept for Coco is based on the Mexican holiday of the Day of the Dead. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film's crew visited Mexico for inspiration. Composer Michael Giacchino, who had worked on prior Pixar animated features, composed the score. The film's voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía, and Edward James Olmos. Coco is the first-ever motion picture with a nine-figure budget to feature an all-Latino cast, with a cost of $175–200 million.[12]
Coco premiered on October 20, 2017 during the Morelia International Film Festival in Morelia, Mexico.[13] It was theatrically released in Mexico the following week, the weekend before Día de los Muertos, and became the highest-grossing film of all time in the country.[14][15][16][17] It was released in the United States on November 22, 2017 and received critical praise for its animation, vocal performances, music, emotional story, and respect to Mexican culture. It has grossed over $769 million worldwide.
Recipient of several accolades, Coco was chosen by the National Board of Review as the Best Animated Film of 2017.[18] The film won two Academy Awards for Best Animated Feature and Best Original Song ("Remember Me"). Additionally, it also won the Best Animated Film at the BAFTA Awards, Golden Globe Awards, Critic's Choice Movie Awards, and Annie Awards.[19]
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Casting
3.3 Filming
4 Soundtrack
5 Release
5.1 Marketing
5.2 Home media
6 Reception
6.1 Box office
6.1.1 United States and Canada
6.1.2 Other territories
6.2 Critical response
6.3 Accolades
7 References
8 External links
Plot[edit]
In Santa Cecilia, Mexico, Imelda Rivera was the wife of a musician, who left her and their 3-year-old daughter Coco, to pursue a career in music. When he never returns, Imelda banishes music from her life and that of her family and opens a shoemaking family business.
Ninety-six years later, her great-great-grandson, 12-year-old Miguel, now lives with Coco and their family. He secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor and singer of Coco's generation. One day, Miguel inadvertently damages the picture frame holding a photo of Coco with her parents at the center of the family ofrenda and removes the photograph, discovering that his great-great-grandfather (whose face had been torn out) was holding Ernesto's famous guitar.
Concluding that Ernesto is his great-great-grandfather, Miguel ignores his grandmother Elena's objections and leaves to enter a talent show for the Day of the Dead. He enters Ernesto's mausoleum and steals his guitar to use in the show, but becomes invisible to everyone in the village plaza. However, he can interact with his Xoloitzcuintli dog Dante and his skeletal dead relatives who are visiting from the Land of the Dead for the holiday. Taking him there, they realize that Imelda cannot visit, as Miguel removed her photo from the ofrenda. Discovering that he is cursed for stealing from the dead, Miguel must return to the Land of the Living before sunrise or he will become one of the dead; to do so, he must receive a blessing from a member of his family using an Aztec marigold petal that can undo the curse placed upon him when he stole Ernesto's guitar. Imelda offers Miguel a blessing but on the condition that he abandon his musical pursuits when he returns to the Land of the Living; Miguel refuses and attempts to seek Ernesto's blessing.
Miguel encounters Héctor, a down-on-his-luck skeleton who once played with Ernesto and offers to help Miguel reach him. In return, Héctor asks Miguel to take his photo back to the Land of the Living so he can visit his daughter before she forgets him and he disappears completely. Héctor attempts to return Miguel to his relatives, but Miguel escapes and infiltrates Ernesto's mansion, learning along the way that an old friendship between the two deteriorated before Héctor's death. Ernesto welcomes Miguel as his descendant, but Héctor confronts them, imploring Miguel to take his photo to the Land of the Living. After an argument between Ernesto and Héctor, Miguel soon realizes that Ernesto murdered Héctor using a poisoned drink and stole the songs Héctor had written when he became homesick and decided to return home. Ernesto then passed Héctor's songs off as his own to become famous.
To maintain his legacy, Ernesto steals the photo and has Miguel and Héctor thrown into a cenote pit. Miguel realizes that Héctor is his actual great-great-grandfather and that Coco is Héctor's daughter, the only living person who still remembers him. With the help of Dante – who turns into an alebrije – the dead Riveras find and rescue the two. Miguel reveals that Héctor's decision to return home to Imelda and Coco resulted in his death, and Imelda and Héctor gradually reconcile. They infiltrate Ernesto's sunrise concert to retrieve Héctor's photo from Ernesto and expose his crimes. Ernesto is crushed by a falling church bell as in his previous life, but the photo falls into the water and disappears.
As the sun rises, Héctor is in danger of being forgotten by Coco and disappearing. Imelda and Héctor bless Miguel with no conditions attached so he can return to the Land of the Living, where he plays a song for Coco that Héctor wrote for her during her childhood. The song sparks her memory of Héctor and revitalizes her, and she gives Miguel the torn-out piece of the photo from the ofrenda, which shows Héctor's face, and tells her family stories about her father which keep his memory alive. Elena reconciles with Miguel, accepting music back into the family.
One year later, Miguel proudly presents the family ofrenda – including the restored photo of Héctor and Imelda – to his new baby sister as Elena adds a photo of the now-deceased Coco. Letters kept by Coco contain evidence that Ernesto stole Héctor's songs. As a result, Ernesto is forgotten, his legacy is destroyed, and the community honors Héctor instead. In the Land of the Dead, Héctor and Imelda join Coco for a visit to the living Riveras as Miguel sings and plays for his dead and living relatives.
Cast[edit]
Anthony Gonzalez as Miguel Rivera, a 12-year-old aspiring musician.[11][20]
Gael García Bernal as Héctor, a charming trickster in the Land of the Dead who enlists Miguel to help him visit the Land of the Living, and is later revealed to be Miguel's great-great-grandfather, Imelda's husband, Coco's father and the patriarch of the Rivera family.[11]
Bernal also voices Héctor in the Spanish version.[21]
Benjamin Bratt as Ernesto de la Cruz, the most famous musician in the history of Mexico and Miguel's idol. Revered by fans worldwide until his untimely death, the charming and charismatic musician is even more beloved in the Land of the Dead.[11][22]
Antonio Sol provides de la Cruz's singing voice, except for "Remember Me".[23]
Alanna Ubach as Mamá Imelda Rivera, Miguel's late great-great-grandmother, Héctor's wife, Coco's mother and the matriarch of the Rivera family.[20]
Renée Victor as Elena Rivera, Miguel's grandmother ("Abuelita") who strictly enforces the ban on music that is the legacy of her grandmother.[11]
Ana Ofelia Murguía as Mamá Socorro "Coco" Rivera, Miguel's great-grandmother and the daughter of Héctor and Imelda.[24]
Edward James Olmos as Chicharrón, a friend of Hector's who is forgotten in the Land of the Dead.[20]
Alfonso Arau as Papá Julio Rivera, Miguel's late great-grandfather and Coco's husband.[20]
Arau also voices Papá Julio in the Spanish version.[21]
Selene Luna as Tía Rosita Rivera, Miguel's late great-grandaunt, and Julio's sister.[20]
Dyana Ortellí as Tía Victoria Rivera, Miguel's late grandaunt, and Elena's sister.[20]
Herbert Sigüenza as Tíos Oscar and Felipe Rivera, Miguel’s late identical twin great-great-granduncles.[20]
Jaime Camil as Papá Enrique Rivera, Miguel's father and Elena's son.[20]
Sofía Espinosa as Mamá Luisa Rivera, Miguel's mother. She is pregnant with her second child during the events of the movie.[20]
Espinosa also voices Mamá Luisa in the Spanish version.[21]
Luis Valdez as Tío Berto Rivera, Miguel's uncle.[20]
Valdez also voices Don Hidalgo.
Polo Rojas as Abel Rivera, Miguel's cousin.
Montse Hernandez as Rosa Rivera, Miguel's cousin.
Lombardo Boyar as a Mariachi whom Miguel meets in Santa Cecilia Plaza.[20]
Boyar also voices Gustavo, a musician of the Land of the Dead
Octavio Solis as the Arrival Agent.[20]
Gabriel Iglesias as the Head Clerk.[20]
Cheech Marin as a Corrections Officer.[20]
Carla Medina as a Departure Agent.[20]
Medina also voices the departure agent in the Spanish version.[21]
Blanca Araceli as an Emcee.[20]
Natalia Cordova-Buckley as Frida Kahlo.[25]
Salvador Reyes as a Security Guard.[20]
Reyes also voices the Security Guard in the Spanish version.[21]
John Ratzenberger as Juan Ortodoncia,[26] a skeleton in the Land of the Dead with bad teeth.
Production[edit]
Development[edit]
Lee Unkrich (pictured in 2009) first conceptualized Coco in 2010
Lee Unkrich first pitched an idea for the film in 2010, when Toy Story 3, which he also directed, was released.[11] Initially the film was to be about an American child, learning about his Mexican heritage, while dealing with the death of his mother. Eventually the team realized that this was the wrong approach and reformed the film to focus on a Mexican child instead.[27] Of the original version, Unkrich noted that it "reflected the fact that none of us at the time were from Mexico."[27] The fact that the film depicted "a real culture" caused anxiety for Unkrich, who "felt an enormous responsibility on [his] shoulders to do it right."[27]
The Pixar team made several trips to Mexico to help define the characters and story of Coco. Unkrich said, "I'd seen it portrayed in folk art. It was something about the juxtaposition of skeletons with bright, festive colors that captured my imagination. It has led me down a winding path of discovery. And the more I learn about [el] Día de los Muertos, the more it affects me deeply."[28] The team found it difficult working with skeletal creatures, as they lacked any muscular system, and as such had to be animated differently from their human counterparts.[29] Coco also took inspiration from Hayao Miyazaki's anime films Spirited Away (2001) and Howl's Moving Castle (2004) as well as the action film John Wick (2014).[30]
Casting[edit]
In 2016, the Coco team made an official announcement about the cast, which revealed that Gael Garcia Bernal, Benjamin Bratt, Renée Victor, and Anthony Gonzalez would voice the characters.[31]
Filming[edit]
On April 13, 2016, Unkrich announced that they had begun work on the animation.[32] The film's writer, Adrian Molina, was promoted to co-director in late 2016.[11]
Disney made a request to trademark the phrase "Día de los Muertos" for merchandising applications. This was met with criticism from the Mexican American community in the United States.[33] Lalo Alcaraz, a Mexican American cartoonist, drew a film poster titled "Muerto Mouse", depicting a skeletal Godzilla-sized Mickey Mouse with the byline "It's coming to trademark your cultura."[34] More than 21,000 people signed a petition on Change.org stating that the trademark was "cultural appropriation and exploitation at its worst."[33] A week later, Disney cancelled the attempt, with the official statement saying that the "trademark filing was intended to protect any title for our film and related activities. It has since been determined that the title of the film will change, and therefore we are withdrawing our trademark filing."[35] In 2015, Pixar hired Alcaraz to consult on the film,[34] joining playwright Octavio Solis and former CEO of the Mexican Heritage Corp. Marcela Davison Aviles, to form a cultural consultant group.[11]
Soundtrack[edit]
Coco (Original Motion Picture Soundtrack)
Soundtrack album by Various Artists
Released
November 10, 2017 (2017-11-10)
Recorded
August–October 2017
Studio
Eastwood Scoring Stage (score)
Avatar Studios
Henson Recording Studios
Estudio 13
Audio By the Bay
Crawford Media Services
Genre
Son mexicano
Mariachi
Son jarocho
Ranchera
Huapango
Bolero
Mexican pop
Length
78:17
Label
Walt Disney
Producer
Michael Giacchino
Tom MacDougall
Germaine Franco
Kristen Anderson-Lopez
Robert Lopez
Pixar chronology
Cars 3
(2017)Cars 32017 Coco
(2017) Incredibles 2
(2018)Incredibles 22018
Michael Giacchino chronology
War for the Planet of the Apes
(2017) War for the Planet of the Apes2017 Coco
(2017) Coco2017 Incredibles 2
(2018) Incredibles 22018
The film's score was composed by Michael Giacchino. Germaine Franco, Adrian Molina, Robert Lopez, and Kristen Anderson-Lopez wrote the songs.[1] Recording for the score began on August 14, 2017.[36] The score was released on November 10, 2017.[37]
All music composed by Michael Giacchino except where indicated.
No.
Title
Writer(s)
Performer(s)
Length
1. "Remember Me" Kristen Anderson-Lopez & Robert Lopez Benjamin Bratt 1:49
2. "Much Needed Advice" Germaine Franco, Michael Giacchino, & Adrian Molina Bratt & Antonio Sol 1:46
3. "Everyone Knows Juanita" Franco & Molina Gael García Bernal 1:15
4. "Un Poco Loco" Franco & Molina García Bernal & Anthony Gonzalez 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:55
6. "The World Es Mi Familia" Franco & Molina Gonzalez & Sol 0:51
7. "Remember Me (Lullaby)" Anderson-Lopez & Lopez García Bernal, Gabriella Flores & Libertad García Fonzi 1:10
8. "La Llorona" Traditional Sol & Alanna Ubach 2:46
9. "Remember Me (Reunion)" Anderson-Lopez & Lopez Gonzalez & Ana Ofelia Murguía 1:14
10. "Proud Corazón" Franco & Molina Gonzalez 2:04
11. "Remember Me (Dúo)" Anderson-Lopez & Lopez Miguel feat. Natalia Lafourcade 2:44
12. "Will He Shoemaker?" 3:18
13. "Shrine and Dash" 1:24
14. "Miguel's Got an Axe to Find" 1:17
15. "The Strum of Destiny" 1:10
16. "It's All Relative" 2:38
17. "Crossing the Marigold Bridge" 1:49
18. "Dept. of Family Reunions" 2:45
19. "The Skeleton Key to Escape" 1:10
20. "The Newbie Skeleton Walk" 1:08
21. "Adiós Chicharrón" 1:45
22. "Plaza de la Cruz" 0:21
23. "Family Doubtings" 2:24
24. "Taking Sides" 0:57
25. "Fiesta Espactacular" 0:56
26. "Fiesta con de la Cruz" 2:33
27. "I Have a Great-Great-Grandson" 1:15
28. "A Blessing and a Fessing" 4:45
29. "Cave Dwelling on the Past" 2:22
30. "Somos Familia" 2:21
31. "Reunión Familiar de Rivera" 3:04
32. "A Family Dysfunction" 2:00
33. "Grabbing a Photo Opportunity" 1:47
34. "The Show Must Go On" 2:32
35. "For Whom the Bell Tolls" 2:02
36. "A Run for the Ages" 1:50
37. "One Year Later" 1:00
38. "Coco – Día de los Muertos Suite" 5:47
Total length: 78:17
[show]Banda Sonora Original[38]
No.
Title
Writer(s)
Performer(s)
Length
1. "Recuérdame (Interpretada por Ernesto De la Cruz)" Kristen Anderson-Lopez & Robert Lopez Marco Antonio Solís 1:49
2. "Dueto a Través del Tiempo" Germaine Franco, Michael Giacchino, & Adrian Molina Solís 1:45
3. "Juanita" Franco & Molina Gael García Bernal 1:15
4. "Un Poco Loco" Franco & Molina García Bernal & Luis Ángel Gómez Jaramillo 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:54
6. "El Mundo es mi Familia" Franco & Molina Gómez Jaramillo & Solís 0:50
7. "Recuérdame (Arrullo)" Anderson-Lopez & Lopez García Bernal & Lucy Hernández 1:09
8. "La Llorona" Traditional Solís & Angélica Vale 2:45
9. "Recuérdame (Reencuentro)" Anderson-Lopez & Lopez Rocío Garcel & Gómez Jaramillo 1:13
10. "El Latido de mi Corazón" Franco & Molina Gómez Jaramillo 2:01
11. "Recuérdame" Anderson-Lopez & Lopez Carlos Rivera 2:43
12. "Remember Me (Dúo)" Anderson-Lopez & Lopez Natalia Lafourcade & Miguel 2:44
13. "El corrido de Miguel Rivera (Inspirado en "Coco")" Bronco 3:57
14. "La bikina (Inspirado en "Coco")" Rubén Fuentes Karol Sevilla 2:56
15. "Bésame mucho (Inspirado en "Coco")" Consuelo Velázquez Jorge Blanco 2:57
16. "Un mundo raro (Inspirado en "Coco")" La Santa Cecilia 3:27
17. "Recuérdame (Solo) (Inspirado en "Coco")" Anderson-Lopez & Lopez Lafourcade 2:43
[show]Banda Sonora Original (Disc 2)
No.
Title
Length
1. "Will He Shoemaker?" 3:18
2. "Shrine and Dash" 1:24
3. "Miguel's Got an Axe to Find" 1:17
4. "The Strum of Destiny" 1:10
5. "It's All Relative" 2:38
6. "Crossing the Marigold Bridge" 1:49
7. "Dept. of Family Reunions" 2:45
8. "The Skeleton Key to Escape" 1:10
9. "The Newbie Skeleton Walk" 1:08
10. "Adiós Chicharrón" 1:45
11. "Plaza de la Cruz" 0:21
12. "Family Doubtings" 2:24
13. "Taking Sides" 0:57
14. "Fiesta Espactacular" 0:56
15. "Fiesta con de la Cruz" 2:33
16. "I Have a Great-Great-Grandson" 1:15
17. "A Blessing and a Fessing" 4:45
18. "Cave Dwelling on the Past" 2:22
19. "Somos Familia" 2:21
20. "Reunión Familiar de Rivera" 3:04
21. "A Family Dysfunction" 2:00
22. "Grabbing a Photo Opportunity" 1:47
23. "The Show Must Go On" 2:32
24. "For Whom the Bell Tolls" 2:02
25. "A Run for the Ages" 1:50
26. "One Year Later" 1:00
27. "Coco – Día de los Muertos Suite" 5:47
[show]Banda Sonora Original em Português[39]
No.
Title
Writer(s)
Performer(s)
Length
1. "Lembra-te de Mim (Ernesto de la Cruz)" Kristen Anderson-Lopez & Robert Lopez Mário Redondo 1:49
2. "Conselho Muito Necessário" Germaine Franco, Michael Giacchino, & Adrian Molina Redondo 1:45
3. "Quem Não Conhece a Juanita?" Franco & Molina Pedro Leitão 1:15
4. "Un Poco Loco" Franco & Molina Joao Pedro Gonçalves & Leitão 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:54
6. "O Mundo es Mi Família" Franco & Molina Gonçalves & Redondo 0:50
7. "Lembra-te de Mim (Canção de Embalar)" Anderson-Lopez & Lopez Leitão & Maria Galante 1:09
8. "La Llorona" Traditional Alanna Ubach & Antonio Sol 2:45
9. "Lembra-te de Mim (Reunião)" Anderson-Lopez & Lopez Gonçalves & Ermelinda Duarte 1:13
10. "Pulsar do Meu Corazón" Franco & Molina Gonçalves 2:03
11. "Remember Me (Dúo)" Anderson-Lopez & Lopez Natalia Lafourcade & Miguel 2:44
12. "Will He Shoemaker?" 3:18
13. "Shrine and Dash" 1:24
14. "Miguel's Got an Axe to Find" 1:17
15. "The Strum of Destiny" 1:10
16. "It's All Relative" 2:38
17. "Crossing the Marigold Bridge" 1:49
18. "Dept. of Family Reunions" 2:45
19. "The Skeleton Key to Escape" 1:10
20. "The Newbie Skeleton Walk" 1:08
21. "Adiós Chicharrón" 1:45
22. "Plaza de la Cruz" 0:21
23. "Family Doubtings" 2:24
24. "Taking Sides" 0:57
25. "Fiesta Espactacular" 0:56
26. "Fiesta con de la Cruz" 2:33
27. "I Have a Great-Great-Grandson" 1:15
28. "A Blessing and a Fessing" 4:45
29. "Cave Dwelling on the Past" 2:22
30. "Somos Familia" 2:21
31. "Reunión Familiar de Rivera" 3:04
32. "A Family Dysfunction" 2:00
33. "Grabbing a Photo Opportunity" 1:47
34. "The Show Must Go On" 2:32
35. "For Whom the Bell Tolls" 2:02
36. "A Run for the Ages" 1:50
37. "One Year Later" 1:00
38. "Coco – Día de los Muertos Suite" 5:47
Release[edit]
Coco was released in Mexico on October 27, 2017, the weekend before Día de los Muertos. The film was released in the United States on November 22, 2017, during the Thanksgiving weekend, and three weeks after Día de los Muertos, and in the United Kingdom on January 19, 2018.[40] The film was released in a crowded market, preceded by Thor: Ragnarok, Justice League and another animated film, The Star, and followed by Star Wars: The Last Jedi and another animated film, Ferdinand three weeks after Thanksgiving. It is one of the three Disney film productions being released in the November–December corridor.[41] It is the second Pixar offering of the year, following Cars 3, with 2017 being the second year Pixar released two films, after 2015 (with Inside Out and The Good Dinosaur).[42][43][44] The film was accompanied in theaters by Walt Disney Animation Studios' 21-minute featurette Olaf's Frozen Adventure as a limited time offering,[45] featuring the characters from Frozen, making Coco the first Pixar film not to be accompanied by a Pixar short in theaters since their first film, Toy Story, in 1995.[46]
Marketing[edit]
The first teaser trailer was released on March 15, 2017, two days before Disney's Beauty and the Beast opened worldwide.[41] The teaser trailer introduced the basic concept of the film, while highlighting its focus on music.[47] Scott Mendelson of Forbes praised the trailer as "a terrific old-school Pixar sell, mostly consisting of a single sequence and offering just the barest hint of what's to come."[41] The film's themes and imagery drew comparison to another animated film that centered around Día de Muertos, The Book of Life (2014).[47][48] A two-minute short film, titled Dante's Lunch—A Short Tail, was released online on March 29, 2017. It introduces the film's supporting character, a Xoloitzcuintle named Dante. The short was created early in the animation process by Unkrich and his team to have a better sense of the character.[49] The first official trailer was released on June 7, 2017,[50] followed by a second trailer on September 13.[51] The film was marketed extensively in Mexico, including traditional wall-painted advertising usually used for local events and never for films.[citation needed] Cinépolis, a movie chain in the country, held a contest for dubbing a character in the film,[52] and another movie chain[which?] held a contest to become an interviewer for the cast and crew of the film.[53]
The film will also have its own VR game, being Pixar's first VR development.[54]
Home media[edit]
While still showing in theaters worldwide, Coco was released for High Definition online streaming and digital download on February 13, 2018, and on DVD, Blu-ray, and 4K Ultra HD Blu-ray on February 27, 2018, by Walt Disney Studios Home Entertainment.[55]
Reception[edit]
Box office[edit]
As of March 25, 2018[update], Coco has grossed $209.4 million in the United States and Canada, and $560.1 million in other territories, for a worldwide total of $769.5 million.[9]
United States and Canada[edit]
In the United States and Canada, Coco was projected to gross $55–65 million from 3,987 theaters in its first five days, including around $40 million in its opening weekend.[56] It made $2.3 million from Tuesday night previews, landing between Disney's previous two November releases Moana ($2.6 million) and The Good Dinosaur ($1.3 million), and $13.2 million on its first day. It went on to debut to $50.8 million (including a five-day total of $72.9 million), finishing first at the box office.[57] It was the 4th-biggest Thanksgiving opening weekend ever, behind fellow animated films Frozen, Moana and Toy Story 2.[6] In its second weekend, the film dropped by 46% to $27.5 million, a smaller drop than Moana, Frozen, Tangled, and The Good Dinosaur, and again topping the box office.[58][59] It topped the box office once again in its third weekend, dropping by 33% and grossing $18.5 million, a similar hold to Moana.[60] It became the fourth film of 2017 to top the box office three times, following Split, The Fate of the Furious and The Hitman's Bodyguard, before being overtaken by Disney's own Star Wars: The Last Jedi and another animated film, Ferdinand, in its fourth weekend.[61][62]
It fell to number six in its fifth weekend, due to competition from three new releases—Jumanji: Welcome to the Jungle, Pitch Perfect 3, and The Greatest Showman—despite a small drop again; it grossed $2.8 million on Christmas Day.[63] On the holiday week of December 22–28, the film finished at number six with a gross of $16.3 million, which was 6% up from the previous week, despite losing over 1,000 theaters.[64] It finished at number six in its sixth weekend, going up 39% and 87%, respectively, during the three-day[65] and four-day weekends;[66] it grossed $2.6 million on New Year's Day.[67] It fell outside the top 10 in its eighth weekend (which included Martin Luther King Jr. Day), dropping 38% and 14% respectively, during the three-day[68] and four-day weekends.[69]
Other territories[edit]
Coco was released in Mexico on October 27, nearly a month before its release in the United States. It grossed $9.3 million on its opening weekend, the biggest opening weekend for an original animated film and the biggest debut for an animated film outside of the summer movie season in the market.[70] In its second weekend, it earned another $10.8 million, a 12% increase over its first weekend, bringing its total to $28 million. It became the fastest ten-day grosser ever for an animated feature in Mexico, as well as the biggest original animated release ever in the territory.[71][72] It dropped by 23% in its third weekend, grossing $8.4 million. That brought its total to MX$792 million (US$41.4 million), making it the highest-grossing animated film and the second-highest grossing film of all time in Mexico, behind Disney's own The Avengers, in local currency.[73] A few days later, on November 15, it passed The Avengers to become the highest-grossing film in the Mexican market.[14][15][16][17]
In China, Coco finished number one at the weekend box office, with a three-day total of $18.2 million, making it the second-highest opening ever for a Disney or Pixar animated release in that market, behind Zootopia.[74][75] After seeing increases each weekday on its first week,[76] the film increased by 148% on its second weekend, bringing its total to $75.6 million in the market.[59][77] It dropped by 21% in its third weekend, finishing first once again and grossing $35 million.[78] The film fell to number three in its fourth weekend, due to competition from two new domestic releases, grossing an additional $17.1 million.[79] Coco's success in China came as a surprise to most box office analysts who were projecting a gross of $30–40 million. By its second weekend, it had become the highest-grossing Pixar release ever in China, nearly doubling previous record-holder Finding Dory, and by its fifth weekend, it had surpassed Despicable Me 3 to become the second highest-grossing animated movie of all time in the country, behind Zootopia.[80][81] As of March 5, 2018, the film's largest markets were China ($189.2 million), Mexico ($57.8 million), France ($32.8 million), South Korea ($25.7 million), the United Kingdom ($23.1 million), Spain ($20.7 million), Argentina ($14.8 million), Italy ($14.2 million) and Germany ($12.1 million).[82][83] The movie was released in Japan, its final market, on March 16, 2018.
Critical response[edit]
On review aggregator website Rotten Tomatoes, the film has an approval rating of 97%, based on 273 reviews, with an average rating of 8.2/10. The site's critical consensus reads, "Coco's rich visual pleasures are matched by a thoughtful narrative that takes a family-friendly—and deeply affecting—approach to questions of culture, family, life, and death."[84] It was the site's highest-rated animated film and ninth highest-rated wide release of 2017.[85][86] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 81 out of 100, based on 48 critics, indicating "universal acclaim."[87] Audiences polled by CinemaScore gave the film an average grade of "A+" on an A+ to F scale, one of fewer than 80 films in the history of the service to receive such a score; it was also the sixth Pixar film to earn the rating (with the previous being Up in 2009).[6] It also earned a 95% positive score, including a rare five-out-of-five stars, from comScore, along with a 76% "definite recommend".[58]
Michael Rechtshaffen of The Hollywood Reporter said, "At every imaginative juncture, the filmmakers (the screenplay is credited to Pixar veteran Molina and Matthew Aldrich) create a richly woven tapestry of comprehensively researched storytelling, fully dimensional characters, clever touches both tender and amusingly macabre, and vivid, beautifully textured visuals."[88] Robert Abele of TheWrap praised the film, saying: "If an animated movie is going to offer children a way to process death, it's hard to envision a more spirited, touching and breezily entertaining example than Coco."[89] In his review for Variety, Peter Debruge wrote, "In any case, it works: Coco's creators clearly had the perfect ending in mind before they'd nailed down all the other details, and though the movie drags in places, and features a few too many childish gags... the story's sincere emotional resolution earns the sobs it's sure to inspire." Debruge also described the film as "[An] effective yet hardly exceptional addition to the Pixar oeuvre."[90] Matt Zoller Seitz of RogerEbert.com gave the film four out of four stars, writing that "There's a touch of Japanese master Hayao Miyazaki in the film's matter-of-fact depiction of the dead interacting with the living, as well as its portrayal of certain creatures" such as Dante and Pepita. He concluded his review by stating, "I had some minor quibbles about [Coco] while I was watching it, but I can't remember what they were. This film is a classic."[91]
Peter Travers of Rolling Stone rated the film 3.5 stars out of four, calling it a "loving tribute to Mexican culture", while praising the animation, vocal performances (particularly Gonzalez, Bernal, and Bratt), and its emotional and thematic tone and depth.[92] The Chicago Tribune's Michael Phillips called the film "vividly good, beautifully animated", praising Giacchino's musical score and the songs, as well drawing a comparison to the emotional tone of Inside Out.[93] A. O. Scott of The New York Times praised the film as "a time-tested tune with captivating originality and flair, and with roving, playful pop-culture erudition", and called the film's cultural vibe "inclusive" and "a 21st-century Disney hallmark".[94] Richard Roeper of the Chicago Sun-Times found the film to be "full of life" and deemed it "a bouncy and heart-tugging adventure", while lauding the vocal performances as "fantastic" and "first-rate".[95] Brian Truitt of USA Today described the film as "effervescent, clever and thoughtful," calling it one of "Pixar's most gorgeously animated outings", and "the most musical Pixar film, with a host of catchy tunes".[96] Stephen Whitty of the Newark Star-Ledger wrote that the backgrounds "have a vibrancy, and its atmosphere carries a warmth. And even after it's done, both linger, just a bit—like a perfectly struck guitar chord".[97]
Accolades[edit]
Main article: List of accolades received by Coco (2017 film)
Coco was nominated for various awards and won a number of them, including several for Best Animated Feature.[98] The song "Remember Me" was particularly praised. At the 75th Golden Globe Awards, it won Best Animated Feature Film while it was nominated for Best Original Song for the song, "Remember Me".[99] It led the 45th Annie Awards with most nominations, garnering thirteen, among them Best Animated Feature, Outstanding Achievement for Directing in an Animated Feature Production, Outstanding Achievement for Writing in an Animated Feature Production, and Outstanding Achievement for Voice Acting in an Animated Feature Production for Gonzalez.[100] At the 90th Academy Awards, it won the Best Animated Feature and Best Original Song.[101]
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External links[edit]
Wikiquote has quotations related to: Coco (2017 film)
Official website
Coco on IMDb
Coco at the TCM Movie Database
Coco at The Big Cartoon DataBase
Coco at AllMovie
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Pixar Animation Studios
Feature films
Released
Toy Story (1995)
A Bug's Life (1998)
Toy Story 2 (1999)
Monsters, Inc. (2001)
Finding Nemo (2003)
The Incredibles (2004)
Cars (2006)
Ratatouille (2007)
WALL-E (2008)
Up (2009)
Toy Story 3 (2010)
Cars 2 (2011)
Brave (2012)
Monsters University (2013)
Inside Out (2015)
The Good Dinosaur (2015)
Finding Dory (2016)
Cars 3 (2017)
Coco (2017)
Upcoming
Incredibles 2 (2018)
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Short films
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Boundin' (2003)
Jack-Jack Attack (2005)
Mr. Incredible and Pals (2005)
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Day & Night (2010)
La Luna (2011)
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Lou (2017)
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Films directed by Lee Unkrich
Toy Story 2 (1999)
Monsters, Inc. (2001)
Finding Nemo (2003)
Toy Story 3 (2010)
Coco (2017)
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Awards for Coco
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Academy Award for Best Animated Feature
2000s
Shrek – Aron Warner (2001)
Spirited Away – Hayao Miyazaki (2002)
Finding Nemo – Andrew Stanton (2003)
The Incredibles – Brad Bird (2004)
Wallace & Gromit: The Curse of the Were-Rabbit – Nick Park and Steve Box (2005)
Happy Feet – George Miller (2006)
Ratatouille – Brad Bird (2007)
WALL-E – Andrew Stanton (2008)
Up – Pete Docter (2009)
2010s
Toy Story 3 – Lee Unkrich (2010)
Rango – Gore Verbinski (2011)
Brave – Mark Andrews and Brenda Chapman (2012)
Frozen – Chris Buck, Jennifer Lee, and Peter Del Vecho (2013)
Big Hero 6 – Don Hall, Chris Williams, and Roy Conli (2014)
Inside Out – Pete Docter and Jonas Rivera (2015)
Zootopia – Byron Howard, Rich Moore, and Clark Spencer (2016)
Coco – Lee Unkrich and Darla K. Anderson (2017)
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Annie Award for Best Animated Feature
1990s
Beauty and the Beast (1992)
Aladdin (1993)
The Lion King (1994)
Pocahontas (1995)
Toy Story (1996)
Cats Don't Dance (1997)
Mulan (1998)
The Iron Giant (1999)
2000s
Toy Story 2 (2000)
Shrek (2001)
Spirited Away (2002)
Finding Nemo (2003)
The Incredibles (2004)
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Cars (2006)
Ratatouille (2007)
Kung Fu Panda (2008)
Up (2009)
2010s
How to Train Your Dragon (2010)
Rango (2011)
Wreck-It Ralph (2012)
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values: Theatrical release poster depicting the characters Coco, Dante the dog, Miguel, Héctor, Ernesto, and Imelda when viewing clockwise from the bottom left around Ernesto's white, Day of the Dead-styled guitar. The guitar has a calavera-styled headstock with a small black silhouette of Miguel, who is carrying a guitar, and Dante at the bottom. The neck of the guitar splits the background with their village during the day on the left and at night with fireworks on the right. The bottom of the poster has the film's logo and release date of "Thanksgiving".

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Kari Kimmel
From Wikipedia, the free encyclopedia
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Kari Kimmel
Kari Kimmel in 2014
Born
Kari Meredyth Kimmel
Boca Raton, Florida, U.S.
Residence
Los Angeles, California, U.S.
Occupation
Singer
songwriter
composer
producer
Years active
2004-present
Musical career
Genres
Pop
rock
folk
R&B
Instruments
Vocals
piano
guitar
Website
Official site
Kari Meredyth Kimmel is an American singer, songwriter, composer, and producer. She is best known for the theme track It's Not Just Make Believe for Ella Enchanted,[1] the theme track Black for The Walking Dead trailer, and the theme track Where You Belong for The Fosters.[2] Her music ranges across the genres of pop, rock, folk, and R&B.[3]
Contents
1 Early life and education
2 Career
3 Discography
3.1 Albums
3.2 EPs
3.3 Singles
3.4 Soundtracks
3.5 Songwriting
4 Awards and nominations
5 References
6 External links
Early life and education[edit]
Kimmel was born and raised in Boca Raton, Florida.[4] She first sang in public at the age of two, began playing the piano at age six,[5] and later wrote her first song at 13 years old. She also plays the guitar.[6] Shortly after graduating high school, she relocated to Los Angeles to pursue a career in music.[7]
She has cited Carole King as her biggest musical inspiration.[8] She has also stated that she draws inspiration from Sigur Rós, Daft Punk, Beach House, Lola, Stevie Wonder, Etta James, Michael Jackson, Prince, Bonnie Raitt, Elton John, Sheryl Crow, Adele, and Fun.[4][2][6][9]
Career[edit]
Kimmel's career began when she was cast to sing the theme song It's Not Just Make Believe for the 2004 Disney live-action film Ella Enchanted.[10] She also appeared in the music video, which featured on Radio Disney. She then connected with Randy Spendlove, the president of motion picture music at Miramax at the time, whom she went on to collaborate with on over 20 film projects.[7]
She has written, arranged, produced, and performed music which has been licensed in over 650 studio films, network television series, trailers, video games, and commercials.[11] Notable productions include the films Blockers, World War Z, Southpaw, and The Duff, the television shows America's Funniest Home Videos, The Office, New Girl, Pretty Little Liars, The Lying Game and Grimm, in addition to the Walking Dead trailer.[12][13] Her music has also been used in advertisements for Google and Nissan, and the popular video game The Sims.[7][14] Her track Let's Light It Up was used by WWE wrestler AJ Lee as her entrance theme.[15][16]
She has composed 18 theme songs for multiple television series, including Where You Belong for family drama series The Fosters,[8] and has performed tracks in the films Pitch Perfect, Pitch Perfect 2, Dreamgirls, Danny Collins, Descendants, Descendants 2, Teen Beach Movie, Teen Beach Movie 2, and Footloose.[17] Her music video for the track Low was used to promote the television series Private Practice and her music video for the track Trouble aired on Oxygen and KNBC.[18] She has also performed live on The Adam Corolla Show, The Danny Bonaduce Show, The Conway & Whitman Show, KNBC, and Fox Sports West and Prime Ticket and at multiple venues in Los Angeles, including Los Angeles Dodgers games, Los Angeles Lakers games,[19] and the AIDS Walk benefit, hosted by Prince Edward and the Greek Theatre in 2010, where she closed the show.[20]
She has also written songs which have been recorded by notable artists including The Backstreet Boys, Kesha, Joe Jonas, Demi Lovato and Gloria Gaynor. She has also sung background vocals for Ringo Starr, Bruce Springsteen, Alicia Keys, John Legend, Stevie Wonder, John Mayer, Willie Nelson, and Pharrell.[12][11][6]
Kimmel has released five solo albums, titled A Life in the Day, Out of Focus, From the Vault, Go, and Black. Her sixth solo album Gold & Glitter was released on May 25, 2018.[12] The title track was featured in the 2018 comedy film Blockers.[21]
She was named in the Top 50 Artists on VH1.com.[22]
In 2015, Kimmel launched her own licensing company Glow Music Group, and now represents over 200 bands in addition to her own music.[7] In 2017, she led a writer's retreat for VocalizeU and ASCAP in Ojai, CA.[23]
Discography[edit]
Albums[edit]
Year
Title
Label
Other Artist(s)
Notes
2006 A Life in the Day Independent
2010 Out of Focus Independent
2011 From the Vault Independent
Go Independent
2015 Black Independent
2016 Poppyfields Independent
2018 Gold & Glitter Independent Title track Gold & Glitter featured in 2018 film Blockers
EPs[edit]
Year
Title
Label
Other Artist(s)
Notes
2008 Pink Balloon Tzviah
2011 Own It Hype Music
2012 Christmastime Independent
2013 Fix You Up Independent
2017 Covers, Vol. 1 Independent
Singles[edit]
Year
Title
Label
Other Artist(s)
Notes
2008 Let It Go/Taking a Ride
Low Tzviah
Dance With Joy Sara Lee/Amber (Heavenly) Matt Meils
2011 Pennies for Adam
STFU
Black Independent The Walking Dead trailer track
Let's Light It Up WWE Music Group WWE wrestler AJ Lee's entrance track
2012 Fire International Family Entertainment
Payphone
These Boots Are Made for Walkin' Independent
Fourteen Minutes
BNE (Best Night Ever)
Fix You Up
Perfect Day
Christmastime
2013 Where You Belong ABC Family The Fosters' theme song
While You Were Up High
Fingerprints
Shooting Star Independent
Summertime Rykim Records
2014 Best Day Independent
2015 Everything is Feeling' Right Independent
Everybody Has to Fall Independent
Best Thing Independent
Happy Family Independent
2017 I See Trouble Freeform
Run Run Run Independent
Don't Feel Like Christmas Without You Independent
2018 Voices
[24][25][26]
Soundtracks[edit]
Year
Production
Title
Role
Other Artist(s)
Notes
2004 Ella Enchanted It's Not Just Make Believe Performer
Shall We Dance Taking a Ride Writer, Performer
Chestnut: Hero of Central Park Wonderful Day Writer, Performer
2006 The Cutting Edge: Going For the Gold Taking a Ride Writer, Performer Video
2007 Girl, Positive Fly Writer, Performer TV Movie
Victoria Beckham: Coming to America Taking a Ride Writer, Performer TV Movie
Custody Taking a Ride Writer, Performer TV Movie
The Deadly Pledge Can't Be Everything Arranger, Performer, Producer, Writer TV Movie
Holiday in Handcuffs Taking a Ride Writer, Performer TV Movie
2008 Tinker Bell Fly With Me Performer Video
2009 Princess Protection Program Is It Just Me Performer TV Movie
Bitter/Sweet Low Writer, Performer
2010 Reviving Ophelia Remember Writer, Performer TV Movie
Save Me Writer, Performer
Knucklehead Taking a Ride Writer, Performer
Space Dogs Watching Over You Writer, Performer
I Got You Writer, Performer
2011 Carnal Innocence Remember Writer, Performer TV Movie
12 Dates of Christmas Christmastime Writer, Performer TV Movie
The Chaperone Go Writer, Performer
Let It Go Writer, Performer
The Family Tree STFU Writer, Performer
2012 The Pregnancy Project Finally Free Writer TV Movie
Don't Give Up Writer
Radio Rebel Brand New Day Writer, Performer TV Movie
Pitch Perfect Female Voice #5
2013 Our Wild Hearts Who I Am Performer TV Movie
World War Z Go Writer, Performer
Girl on a Bicycle It Just Takes a Moment Performer
Play With Me Performer
2014 A Tiger's Tail Great Big World Writer, Performer
Best Day Writer, Performer
Watching Over You Writer, Performer
Composer (additional music)
Ouija Go Writer, Performer Short Film
2015 Project Almanac Extraverdant Writer, Performer
Backstreet Boys: Show 'Em What You're Made Of Incomplete Lyrics, Music
The DUFF Nothing Left to Lose Writer, Performer
Danny Collins Danny's Background Singer
Southpaw Perfect Day Writer, Performer
2016 Face 2 Face Always Got Me Performer
Best Day Performer
Brand New Day Performer
Go Performer
Imagine Performer
On Your Side Performer
Such a Good Time Performer
2017 Veeram We Will Rise Performer
2018 Blockers Gold & Glitter Writer, Performer
American Paradise Composer, Composer (theme music)
Songwriting[edit]
Year
Title
Label
Other Artist(s)
Notes
2001 No Less Reunion Records Joy Williams
Moonlight Avex Trax MAX
2002 Stronger Gloria Gaynor
2004 I Could Curb Records Kimberley Locke
2005 Incomplete Jive Backstreet Boys
Taking a Ride Frontiers Records Robin Beck
2010 My Song For You Walt Disney Demi Lovato, Joe Jonas
2011 Velvet Sky Nine North Records Jessica Ridley
2012 My Song For You Walt Disney Bridgit Mendler, Shane Harper
2017 Riding Free Back Lot Music Maisy Stella
Paper Airplane Kesha Unreleased
[7][27][28][29][30]
Awards and nominations[edit]
In 2017, Kimmel won the ASCAP Screen Music Award for The Fosters' theme song Where You Belong.[31]
References[edit]
Jump up ^ "Kari Kimmel - New Songs, Playlists & Latest News - BBC Music". BBC. Retrieved 2018-07-24.
^ Jump up to: a b "Entre Nous: Kari Kimmel – BARB". barbmagazine.com. Retrieved 2018-07-24.
Jump up ^ Desk, BWW News. "Kari Kimmel to Perform at L.A.'s Hotel Cafe 8/6". BroadwayWorld.com. Retrieved 2018-07-25.
^ Jump up to: a b "Singer-Songwriter, Kari Kimmel, Talks Walking Dead, The Fosters, Singing with Al Pacino and A Whole Lot More! | All Access Music". music.allaccess.com. Retrieved 2018-07-24.
Jump up ^ "Killing It with Kari Kimmel - Music Insider Magazine". blog.musicinsidermagazine.com. Retrieved 2018-07-24.
^ Jump up to: a b c "Kari Kimmel – How being diverse turned into over 500 licensed placements - iSing Magazine". iSing Magazine. 2017-01-23. Retrieved 2018-07-24.
^ Jump up to: a b c d e "Spotlight: How Singer-Songwriter Kari Kimmel Landed Hundreds of TV & Film Syncs on Her Own Terms". Billboard. Retrieved 2018-07-24.
^ Jump up to: a b "Interview with Kari Kimmel". Teal Magazine. Retrieved 2018-07-24.
Jump up ^ "Belonging With Kari Kimmel - Young Entertainment". youngentertainmentmag.com. Retrieved 2018-07-24.
Jump up ^ Hentges, Sarah (2014-09-10). Pictures of Girlhood: Modern Female Adolescence on Film. McFarland. ISBN 9781476608587.
^ Jump up to: a b "THURSDAY TRACK PICK - Kari Kimmel's "High" (EXCLUSIVE)". KeyboardMag. Retrieved 2018-07-24.
^ Jump up to: a b c Desk, BWW News. "ASCAP Award Winner Kari Kimmel Releases New Album 'Gold & Glitter' Today". Retrieved 2018-07-24.
Jump up ^ Desk, BWW News. "Kari Kimmel Releases New Album". Retrieved 2018-07-25.
Jump up ^ "Songwriter Kari Kimmel ends her year in the 'Black'". AXS. Retrieved 2018-07-24.
Jump up ^ thewweajlee (2013-09-01), WWE: AJ Lee - "Let's Light It Up" (feat. Kari Kimmel), retrieved 2018-07-25
Jump up ^ Listen Free to WWE & Kari Kimmel - Let's Light It up (AJ Lee) Radio | iHeartRadio, retrieved 2018-07-25
Jump up ^ "Kari Kimmel". karikimmel.com. Retrieved 2018-07-24.
Jump up ^ eMinor. "Kari Kimmel | Pop from Boca Raton, FL". ReverbNation. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel biography | Last.fm". Last.fm. Retrieved 2018-07-24.
Jump up ^ "California AIDS Walk Circle of Life Concert | LA Music Blog". lamusicblog.com. Retrieved 2018-07-24.
Jump up ^ "BLACKBOOK PREMIERE: Stunning New Kari Kimmel Single 'Gold & Glitter' - BlackBook". BlackBook. 2018-04-06. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel". Spotify. Retrieved 2018-07-24.
Jump up ^ "Events Calendar". www.ascap.com. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel Radio: Listen to Free Music & Get The Latest Info | iHeartRadio". iHeartRadio. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel albums and discography | Last.fm". Last.fm. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel". SoundCloud. Retrieved 2018-07-25.
Jump up ^ "Kari Kimmel – DuVinage Music". duvinagepublishing.com. Retrieved 2018-07-25.
Jump up ^ "Joy Williams (2) - Joy Williams". Discogs. Retrieved 2018-07-24.
Jump up ^ "Kimberley Locke - One Love". Discogs. Retrieved 2018-07-24.
Jump up ^ "Kari Kimmel - A Life in the Day". www.ascap.com. Retrieved 2018-07-25.
Jump up ^ "2017 Screen Music Awards". www.ascap.com. Retrieved 2018-07-24.
External links[edit]
Official Site
Kari Kimmel on Spotify
Kari Kimmel on SoundCloud
Kari Kimmel on IMDb
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text:
Mending Wall
From Wikipedia, the free encyclopedia
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For the Chalk Circle album, see Mending Wall (album).
Stone wall at Frost's farm in Derry, New Hampshire, which he describes in "Mending Wall"
Wikisource has original text related to this article:
Mending Wall
It was at this farm in Derry, New Hampshire, that Robert Frost wrote "Mending Wall", while he lived here from 1901–1911.
"Mending Wall" is a poem by the twentieth century American poet Robert Frost (1874–1963). It opens Frost's second collection of poetry, North of Boston,[1] published in 1914 by David Nutt, and it has become "one of the most anthologized and analyzed poems in modern literature".[2]
Like many of the poems in North of Boston, "Mending Wall" narrates a story drawn from rural New England.[3] The narrator, a New England farmer, contacts his neighbor in the spring to rebuild the stone wall between their two farms. As the men work, the narrator questions the purpose of a wall "where it is we do not need the wall" (23). He notes twice in the poem that "something there is that doesn’t love a wall" (1, 35), but his neighbor replies twice with the proverb, "Good fences make good neighbors" (27, 45).
Themes[edit]
Despite its simple, almost folksy language, "Mending Wall" is a complex poem with several themes, beginning with human fellowship, which Frost first dealt with in his poem "A Tuft of Flowers" in his first collection of poems, A Boy's Will.[4] Unlike the earlier poem which explores the bond between men, "Mending Wall" deals with the distances and tensions between men.[5] The poem explores the contradictions in life and humanity, including the contradictions within each person, as man "makes boundaries and he breaks boundaries".[6][7] The poem also explores the role of boundaries in human society as mending the wall serves both to separate and to join the two neighbors, another contradiction.[8] "Mending Wall" also plays with the theme of seasons as recurring cycles in life, and contrasts those cycles with both physical and language parallelism as the men walk along the wall, each to a side, and their language stays each to a side.[9] Then, in "Mending Wall", Frost meditates on the role of language as a kind of wall that both joins and separates people.[10][11] Finally, Frost explores the theme of mischief and humor in "Mending Wall", as the narrator says halfway through the poem, "Spring is the mischief in me, and I wonder/If I could put a notion in his head" (28,29). Mending the wall is a game for the narrator, though in contrast, the neighbor seems quite serious about the work. The narrator notes how the neighbor seems to be walking not only in the thick shade of woods and trees, but in actual "darkness", implying ignorance and/or inhospitable sentiments.[12][13][14]
References[edit]
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. p. 123. ISBN 0-8131-1649-X.
Jump up ^ Freeman, Margaret H. "The Fall of the Wall between Literary Studies and Linguistics: Cognitive Poetics". Social Science Research Network. Social Science Electronic Publishing, Inc. SSRN 1427373  . Missing or empty |url= (help)
Jump up ^ "Robert Frost's "Mending Wall": A Marriage of Poetic Form and Content". EDSITEment. National Endowment for the Humanities. Retrieved 5 May 2015.
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. p. 123. ISBN 0-8131-1649-X.
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. p. 127. ISBN 0-8131-1649-X.
Jump up ^ Holland, Norman (1988). The brain of Robert Frost. New York: Routledge. ISBN 0415900239.
Jump up ^ Sheikhzadeh, Ebrahim; Ouladian, Masoumeh; Adi, Ida Rochani (2013). "American Humor in Promoting the Talk over the Wall with a Focus on Robert Frost's Poems". International Journal of Social Sciences. 3 (2): 60. Retrieved 5 May 2015.
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. pp. 127–129. ISBN 0-8131-1649-X.
Jump up ^ Holland, Norman (1988). The brain of Robert Frost. New York: Routledge. ISBN 0415900239.
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. p. 127. ISBN 0-8131-1649-X.
Jump up ^ Holland, Norman (1988). The brain of Robert Frost. New York: Routledge. ISBN 0415900239.
Jump up ^ Monteiro, George (1988). Robert Frost & the New England renaissance. Lexington, Ky: University Press of Kentucky. p. 127. ISBN 0-8131-1649-X.
Jump up ^ Holland, Norman (1988). The brain of Robert Frost. New York: Routledge. ISBN 0415900239.
Jump up ^ Sheikhzadeh, Ebrahim; Ouladian, Masoumeh; Adi, Ida Rochani (2013). "American Humor in Promoting the Talk over the Wall with a Focus on Robert Frost's Poems". International Journal of Social Sciences. 3 (2): 51–70. Retrieved 5 May 2015.
External links[edit]
Wikiquote has quotations related to: Robert Frost
Poetry portal
"Mending Wall" at Poets.org
Discussion and analysis of "Mending Wall"
[hide]
v
t
e
Robert Frost
Poems
"Acquainted with the Night"
"After Apple-Picking"
"Birches"
"The Death of the Hired Man"
"Fire and Ice"
"The Gift Outright"
"Mending Wall"
"Nothing Gold Can Stay"
"Out, Out-"
"The Oven Bird"
"A Question"
"The Road Not Taken"
"Stopping by Woods on a Snowy Evening"
Poetry
collections
A Boy's Will
North of Boston
Mountain Interval
New Hampshire
West-Running Brook
Collected Poems of Robert Frost
A Further Range
A Witness Tree
In the Clearing
Plays
A Masque of Reason
Related
Robert Frost Farm, New Hampshire
The Frost Place, Home and Museum
Robert Frost Farm (Ripton, Vermont)
Robert Frost Farm (South Shaftsbury, Vermont)
Robert Frost House, Massachusetts
Robert Frost Medal
Frostiana (1959 choral art)
Robert Frost: A Lover's Quarrel with the World (1963 documentary)
Robert Frost: A Life (2000 biography)
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