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Jason Bourne (film)
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This article is about the 2016 film. For the film series, see Bourne (film series).
Jason Bourne
Theatrical release poster
Directed by
Paul Greengrass
Produced by
Matt Damon
Paul Greengrass
Gregory Goodman
Frank Marshall
Jeffrey M. Weiner
Ben Smith
Written by
Paul Greengrass
Christopher Rouse
Based on
Characters
by Robert Ludlum
Starring
Matt Damon
Tommy Lee Jones
Alicia Vikander
Vincent Cassel
Julia Stiles
Riz Ahmed
Music by
John Powell
David Buckley
Cinematography
Barry Ackroyd
Edited by
Christopher Rouse
Production
companies
Perfect World Pictures
Kennedy/Marshall
Captivate Entertainment
Pearl Street
Distributed by
Universal Pictures
Release date
July 11, 2016 (2016-07-11) (Odeon Leicester Square)
July 29, 2016 (2016-07-29) (United States)
Running time
123 minutes[1]
Country
United States
Language
English
Budget
$120 million[2]
Box office
$415.5 million[2]
Jason Bourne is a 2016 American action thriller film directed by Paul Greengrass and written by Greengrass and Christopher Rouse. It is the fifth installment of the Bourne film series and a direct sequel to The Bourne Ultimatum (2007). Matt Damon reprises his role as the main character, former CIA assassin and psychogenic amnesiac Jason Bourne, following his absence in the previous installment The Bourne Legacy (2012).
In addition, the film stars Tommy Lee Jones, Alicia Vikander, Julia Stiles (who was also absent from The Bourne Legacy), Vincent Cassel, Riz Ahmed, Ato Essandoh and Scott Shepherd. The character Aaron Cross, from The Bourne Legacy, does not appear in Jason Bourne because director Greengrass chose to focus on the titular character, and because actor Jeremy Renner chose not to return for the fifth film due to scheduling conflicts.
In the film, Bourne remains on the run from CIA hit squads as he tries to uncover hidden truths about his father. CIA director Robert Dewey (Jones) orders the CIA head of cyber-security Heather Lee (Vikander) to hunt him down.
Principal photography on the film commenced on September 8, 2015. The film premiered in London on July 11, 2016, and was theatrically released in the United States on July 29, 2016, by Universal Pictures. The film received mixed reviews from critics with praise aimed at Damon's reprisal as Bourne, but expressed criticism at the story. Despite the reviews, the film was a box office success, grossing $415 million worldwide.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Filming
4 Release
4.1 Home media
5 Soundtrack
6 Reception
6.1 Box office
6.2 Critical response
6.3 Accolades
7 Sequel
8 References
9 External links
Plot[edit]
A decade after he exposed Operation Blackbriar and disappeared, Jason Bourne has finally recovered from his amnesia, isolating himself from the world and making a living by taking part in savage, bareknuckle fighting bouts. In Reykjavík, Nicky Parsons, who has been collaborating with a hacktivist group led by Christian Dassault, hacks into the CIA's mainframe computer server to expose its "black" (top-secret) operations programs. This alerts Heather Lee, the head of the agency's cybersecurity operations division, and CIA director Robert Dewey. In the process, Parsons finds documents concerning Bourne's recruitment into Treadstone and his father's role in the program. She travels to Athens to find and inform him.
In Greece, Parsons and Bourne meet at Syntagma Square during a violent anti-government protest. They evade CIA teams sent after them, but Parsons is shot by the Asset, an ex-Blackbriar assassin who also holds a personal grudge against Bourne, having been captured and tortured as an unintentional consequence of Bourne's exposure of Blackbriar. Before she dies, Parsons passes Bourne the key to a locker which holds the CIA files.
Seeking answers about his past and family, Bourne locates Dassault in Berlin. Decrypting Parsons' files, Bourne discovers that his father, Richard Webb, was a CIA analyst involved in the creation of the Treadstone program. A "malware" program implanted in the files gives the CIA Bourne's location, and Dewey sends a team to capture him, while Lee remotely erases the files. Dassault attacks Bourne, but is killed. Lee alerts Bourne to the team closing in, as she believes that he can be persuaded to return to the agency. Using the few leads he gathered in Berlin, Bourne tracks Malcolm Smith, a former Treadstone surveillance operative, in London and arranges to meet him in Paddington Plaza.
Lee persuades Dewey's boss, Edwin Russell, the Director of National Intelligence, to allow her to contact Bourne in person to attempt to bring him back in. Dewey, who opposes her plan, secretly authorizes the Asset to eliminate her team and kill Bourne. Bourne evades Lee and the Asset long enough to confront Smith. Smith admits that Richard Webb created Treadstone, but tried to prevent them from recruiting his son. Under Dewey's orders, the Asset killed Richard Webb in Beirut, making it look like a terrorist attack, in order to persuade Bourne to join Treadstone. Smith is killed by the Asset, while Bourne escapes and finds Lee. She admits that she is not comfortable with Dewey's methods and directs Bourne to a technology convention in Las Vegas.
Dewey is scheduled to attend the convention for a public debate on privacy rights with Aaron Kalloor, CEO of social media giant Deep Dream. Kalloor is the public face of corporate social responsibility in the Internet age, but he was secretly funded by Dewey in the startup stage. The CIA director intends to use Deep Dream for real-time mass surveillance alongside the latest incarnation of the CIA's targeted assassination 'Beta' program, known as "Iron Hand". When Kalloor has second thoughts about giving the CIA access to Deep Dream, Dewey authorizes the Asset to assassinate Kalloor and Lee. Bourne thwarts the assassinations and confronts Dewey in his suite. Dewey appeals to Bourne's sense of patriotism as he stalls for time. Bourne kills Jeffers, Dewey's right-hand man. Lee kills Dewey before he can shoot Bourne. Bourne covers up Lee's involvement before chasing the Asset on the Las Vegas Strip and finally killing him during a brutal hand-to-hand fight.
In the aftermath, Lee convinces Edwin Russell that Dewey's methods were outdated and offers herself as Dewey's replacement as CIA director and Russell's eyes and ears within the CIA. She outlines her plan to use Bourne's trust to bring him back to the agency, but is prepared to kill him if he refuses. Lee meets with Bourne, promising him that the CIA will become the organization he thought it was when he joined. Bourne asks for time to consider her offer and walks away. Lee returns to her car and finds a recording, made by Jason Bourne, of the conversation she had with Russell about bringing Bourne in.
Cast[edit]
Matt Damon as Jason Bourne, born David Webb, a former CIA assassin who disappeared after publicizing details of the CIA's targeted assassination programs.
Tommy Lee Jones as Robert "Bob" Dewey, the current director of the CIA and leader of the Iron Hand program who intends to take down Bourne after the exposure of Blackbriar.
Alicia Vikander as Heather Lee, head of the CIA Cyber Ops Division.
Vincent Cassel as the Asset, a Blackbriar assassin working for the Iron Hand program. The Asset was captured and tortured as a result of Bourne's actions in The Bourne Ultimatum and harbours resentment toward him because of it.
Julia Stiles as Nicolette "Nicky" Parsons, Bourne's former Treadstone contact in Paris whom he sent into hiding in The Bourne Ultimatum.
Riz Ahmed as Aaron Kalloor, CEO and founder of Deep Dream, a social media enterprise.
Ato Essandoh as Craig Jeffers, a CIA agent and Dewey's right-hand man.
Scott Shepherd as Edwin Russell, Director of National Intelligence.
Bill Camp as Malcolm Smith, a former CIA analyst who retired to the private sector.
Vinzenz Kiefer as Christian Dassault, a hacker, whistleblower, and the leader of a group of privacy activists.
Gregg Henry as Richard Webb, Jason Bourne's father and creator of the original Treadstone program, who was murdered by the Asset.
Stephen Kunken as Baumen, a Deep Dream employee who is one of Kalloor's main assistants.
Production[edit]
Film production in Berlin
Development[edit]
In May 2007, prior to the release of The Bourne Ultimatum, Matt Damon stated that he would not be interested in returning for a fourth Bourne film, remarking of his participation in the Bourne franchise: "We have ridden that horse as far as we can."[3] Damon said in August 2007:
I think in terms of another one, the story of this guy's search for his identity is over, because he's got all the answers, so there's no way we can trot out the same character, and so much of what makes him interesting is that internal struggle that was happening for him: am I a good guy, am I a bad guy, what is the secret behind my identity, what am I blocking out, why am I remembering these disturbing images? So all of that internal propulsive mechanism that drives the character is not there, so if there was to be another one, then it would have to be a complete reconfiguration, you know. Where do you go from there? For me, I kind of feel like the story that we set out to tell has now been told. I love the character, and if Paul Greengrass calls me in ten years and says, 'Now we can do it, because it's been ten years and I have a way to bring him back,' then there's a world in which I can go, 'Yeah, absolutely.' We could get the band back together if there was a great idea behind it, but in terms of now and this story, that part—-the story's been told...[4]
Instead The Bourne Legacy was released in the U.S. in August 2012 with Jeremy Renner replacing Damon as the star.[5] Despite getting mixed reviews Universal noted that they planned to continue with the series,[6] with Damon and Paul Greengrass later expressing interest in returning.[7]
On September 15, 2014, it was announced that Damon and Greengrass would indeed return for the next Bourne film.[8] In November 2014, Damon confirmed that he and Greengrass would return, with a script from themselves, with Christopher Rouse editing.[9][10] On May 23, 2015, Deadline.com reported that Alicia Vikander was in talks to star with Damon in the fifth film.[11] On June 19, 2015, Deadline reported that Julia Stiles had confirmed she would be reprising the role of Nicky Parsons in the film, a character she had previously played in the first three films.[12] Viggo Mortensen was in talks to play the villain role.[13] On June 23, 2015, Vikander was confirmed to star in the sequel, while she was also in talks for the Assassin's Creed film, which she passed on.[14] On July 28, 2015, Tommy Lee Jones joined the film's cast to play a senior CIA officer.[15] On September 1, 2015, Vincent Cassel was cast in the film as an assassin who tracks Bourne.[16] On September 15, 2015, The Hollywood Reporter confirmed that actor Ato Essandoh was cast in the film as an unspecified character.[17] On October 20, 2015, Scott Shepherd was added to the cast to play the deputy director of the CIA.[18] On November 4, 2015, Variety confirmed that Riz Ahmed had signed on to play the role of a tech specialist working with the CIA.[19]
Filming[edit]
Principal photography on the film commenced on September 8, 2015.[20] In early November, filming took place outside Paddington Station in London.[21] In late November 2015, filming took place in Kreuzberg, Berlin.[22] In early December 2015, filming started in Washington, D.C., where shooting took place at Constitution Gardens.[23] Filming in Las Vegas, Nevada was scheduled to begin on January 14, 2016, lasting until January 21.[24] Production on the film concluded on February 1, 2016.[25] Filming also took place in March 2016 at Woolwich Arsenal railway station in Greenwich, London. Part of the film (some scenes set in Greece) was shot in the city of Santa Cruz de Tenerife (Tenerife island, Canary Islands, Spain).[26]
Release[edit]
On January 6, 2015, Universal set the film's United States release date as July 29, 2016.[27] The first trailer for the film was aired on February 7, 2016, during Super Bowl 50 and revealed the title of the film.[28] The film was released in the United Kingdom on July 27, 2016.[29] It was released in 2D and IMAX 3D in select international territories only, using DMR.[30]
Home media[edit]
Jason Bourne was released on Digital HD on November 15 and on Blu-ray/DVD December 6 by Universal Pictures Home Entertainment.[31]
Soundtrack[edit]
Jason Bourne: Original Motion Picture Soundtrack
Soundtrack album by John Powell and David Buckley
Released
July 29, 2016
Recorded
2016
Genre
Soundtrack
Length
61:16
Label
Back Lot Music
Singles from Jason Bourne: Original Motion Picture Soundtrack
"Extreme Ways (Jason Bourne)"
Released: July 29, 2016
The soundtrack to Jason Bourne, as composed by John Powell and David Buckley, was released digitally on July 29, 2016, by Back Lot Music.[32] A new version of Moby's "Extreme Ways", entitled "Extreme Ways (Jason Bourne)", was recorded for the film's end credits.
Track listing
"I Remember Everything" – 2:04
"Backdoor Breach" – 3:50
"Converging in Athens" – 4:13
"Motorcycle Chase" – 6:53
"A Key to the Past" – 2:37
"Berlin" – 2:02
"Decrypted" – 5:34
"Flat Assault" – 2:39
"Paddington Plaza" – 6:46
"White Van Plan" – 2:49
"Las Vegas" – 3:48
"Following the Target" – 3:29
"Strip Chase" – 4:59
"An Interesting Proposal" – 2:13
"Let Me Think About It" – 2:24
"Extreme Ways (Jason Bourne)" by Moby – 4:56
Reception[edit]
Box office[edit]
Jason Bourne became a commercial success, with a modest budget compared to its final gross.[33] The film grossed $162.4 million in the United States and Canada and $253.1 million in other countries for a worldwide total of $415.5 million, against a production budget of $120 million.[2] The film passed the $400 million threshold on October 7, making it the second film in the Bourne franchise to reach this milestone and the second highest-grossing film in the series behind The Bourne Ultimatum.[34] Worldwide, the film opened at number one in 50 markets, scoring the biggest debut in the franchise in 53 markets. In 51 territories, Jason Bourne is the highest-grossing film in the franchise.[34] It is the third highest-grossing film of 2016 (behind Warcraft and The Mermaid) that does not involve comic book superheroes or anthropomorphic animals at its center (including The Jungle Book).[33]
In the United States and Canada, Jason Bourne was projected to gross $50–60 million in its opening weekend.[35][36][37] It made $4.2 million from Thursday night previews at 2,928 theaters which began at 7:00pm, becoming the first film in the series to earn above $1 million from previews, although the other four films' screenings began at midnight.[38][39] On its opening day it grossed $22.8 million, which is the second biggest opening day of the series behind The Bourne Ultimatum ($24.6 million).[40] It topped the box office in its opening weekend as expected with a $59.2 million opening, making it one of the few franchise titles from 2016 to open on par with its predecessor. It is the second biggest opening for the franchise as well as for Damon, just behind the $69 million debut of The Bourne Ultimatum in 2007.[41][42] The film dropped by 71% on its second Friday ($6.5 million) as a result of the release of the superhero film Suicide Squad. By comparison, the last four Bourne movies all dropped (respectively) 46%, 59%, 57% and 61% on their second Fridays.[43] In its second weekend the film grossed $22.7 million (a drop of 61.6%), finishing second at the box office.[44]
Internationally, Jason Bourne is the highest-grossing film among the series[45] and has secured a release in a total of 78 countries.[46] The film opened day-and-date in conjuncture with its North American release across 46 territories, including Australia, Brazil, South Korea and the U.K. and Ireland.[47] It grossed $22.8 million on its opening day, marking the biggest international opening day for the franchise. It had No. 1 opening days in 28 markets and recorded the biggest opening day for the franchise in the United Kingdom and Ireland ($5.2 million).[48] Through Sunday, July 31, it had an opening weekend total of $50.7 million easily topping the box office as well as debuting at first place in 27 of the 48 markets and scored the best international opening for the franchise.[46] After three weeks of fluctuating up and down the charts, it rose back to the top spot in its fourth weekend after a strong debut in China.[49]
It recorded the biggest opening for the franchise in South Korea ($11.3 million), the United Kingdom ($10.2 million), Australia ($5.8 million) Japan ($4.4 milliin) and Russia ($2.1 million) and had number one openings in France ($3.4 million), Australia, Taiwan ($2 million), Spain ($1.9 million), Indonesia ($1.7 million), the Philippines ($1.5 million) the Netherlands ($1.5 million), Mexico ($1.5 million), the UAE ($1.2 million), Sweden ($1.1 million) and Singapore ($1.1 million).[46][49][50][51][52]
Brazil was one of the markets that did not open in first place, instead opening in fourth place with $1.4 million. South Korea posted the biggest opening among all other countries and although it faced stiff competition from local titles – Operation Chromite and Train to Busan – debuted in third place. Its opening figure is nevertheless a franchise milestone and comes ahead of competitions like Spectre and Furious 7.[46] Similarly, in the United Kingdom and Ireland, it finished in second place after facing competition with the animated Finding Dory. It had a £7.6 million ($10 million) debut including £2.29 million ($3 million) worth of previews from 563 theaters, a new record for the franchise. However, based on pure Friday to Sunday earnings with the exclusion of previews, the film's £5.31 ($6.98 million) is more or less at par with The Bourne Ultimatum's £5.31 million ($7 million).[46][53] In just 10 days, it became the second highest-grossing film in the series there.[54] In India, it debuted in second place for a non-local film behind Suicide Squad with $1.1 million.[55]
In China, the film was released on Tuesday, August 23, alongside the animated Ice Age: Collision Course and received an exclusive 3D version.[56] It grossed an estimated $12.3 million on its opening day to record the franchise's best opening day there (other Chinese sources had it at $11.8 million[56]). By comparison, The Bourne Legacy made $12.7 there in four days.[57] In three days, it earned $25.1 million.[56] In total, it delivered a six-day opening weekend total of an estimated $49.1 million – and a Friday to Sunday total of $23.9 million – to record the biggest opening for the franchise there. Its opening numbers alone surpassed the lifetime total of all other Jason Bourne films there.[49][58][59] While it had a robust opening, compared to other Hollywood films that also opened on a Tuesday, such as Mission: Impossible – Rogue Nation (Friday +18%, Saturday +68%) and Avengers: Age of Ultron (Friday +37%, Saturday +88%), Jason Bourne's box office jumps on its first Friday and Saturday were just 13% and 43% respectively.[60] Following a first-place finish, it fell precipitously by 92% in its second weekend, earning $3.8 million.[51] China Film Insider projected that the film will end its run with a total of around $82 million, and also pointed out that had Universal not scheduled its release with Ice Age: Collision Course, the film could've grossed over $100 million.[60] But the film ended up making $66.3 million.[34]
Following North America and China, the U.K. is the film's top earning international market with $30.4 million, followed by South Korea with $19.1 million and Australia with $16.7 million and France with $11.6 million.[34]
Critical response[edit]
Jason Bourne received mixed reviews from critics. Review aggregator Rotten Tomatoes gave the film an approval rating of 55% based on 271 reviews, with a weighted average score of 5.9/10. The site's critical consensus states, "Jason Bourne delivers fans of the franchise more of what they've come to expect – which is this sequel's biggest selling point as well as its greatest flaw."[61] Metacritic gave the film a normalized score of 58 out of 100, based on 50 critics, indicating "mixed or average reviews".[62] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[63]
Mike Ryan of Uproxx gave the film a mixed review, writing: "Jason Bourne is a completely unnecessary sequel that barely moves along the plot from the third movie. And after what a Big Deal it was in The Bourne Legacy that no one could find Jason Bourne, it does feel a bit weird that the return of Jason Bourne seems so anticlimactic."[64] Chris Tilly of IGN gave the film 7/10, saying: "Jason Bourne has a passable plot and a couple of pulsating sequences, which already makes it better than the majority of action movies. But in the context of its predecessors, that isn’t good enough, the new movie never fully escaping the shadow of that previous trilogy, and making you question the wisdom of drawing Bourne back out of the shadows at all."[65]
A. O. Scott of The New York Times described Damon's performance as being "as subdued as ever" and said: "[t]his is perhaps the most striking feature of Jason Bourne: Virtually all the major characters — good, bad and in-between — work for the same organization, at least on a consulting basis. There are dark whispers about external threats, and invocations of the tension between security and privacy in the digital age, but geopolitics and technology are scaffolding for what is essentially a movie about human resources challenges in a large bureaucracy."[66] Peter Debruge of Variety said, "[i]n many ways, Jason Bourne is the most unsettling movie in the series, seeing as it points to a vast conspiracy directed at the American people, and Greengrass’ style — rendered visceral via the marriage of Barry Ackroyd's on-the-fly lensing, a tense techno score, and Rouse's cutting-room trickery — lends itself nicely to an era in which shadow forces rely on such tools as satellite surveillance and facial-recognition software." He went on by saying, "just as the initial Damon-driven trilogy wrapped up Bourne's business but left us wanting more, this sequel offers closure even as it entices us with the possibility of his return."[67]
Richard Roeper of the Chicago Sun-Times gave the film 3½ stars out of 4, describing Damon's performance as being, "outstanding as the tightly wound, perpetually restless and conflicted Jason Bourne, who is practically a superhero when it comes to fighting but is utterly lost the rest of the time", and said: "Jason Bourne is the best action thriller of the year so far, with a half-dozen terrific chase sequences and fight scenes. At one point the action swings to Vegas, and while some of what transpires is almost cartoonishly over-the-top, it's great fun."[68] Todd McCarthy of The Hollywood Reporter found the film's conclusion and the characters distasteful, writing: "unfortunately, then, the film ends on a flat, unimpressive note, as well as with the realization that, no matter how much time we've spent with them, the characters remain utterly one-dimensional", but went on by saying, "technically and logistically, Greengrass delivers everything you expect from him; there's no one better when it comes to staging complex, chaotic action amid the real life of big cities. As before, cinematographer Barry Ackroyd is a great asset in this regard, and all production and effects hands join seamlessly in the achieved goal of physical verisimilitude."[69]
Accolades[edit]
List of awards and nominations
Award
Date of ceremony
Category
Recipient(s)
Result
Ref(s)
Critics' Choice Awards December 11, 2016 Best Action Movie Jason Bourne Nominated [70]
Best Actor in an Action Movie Matt Damon Nominated
Empire Awards March 19, 2017 Best Thriller Jason Bourne Won [71]
London Film Critics' Circle January 22, 2017 Technical Achievement Gary Powell Nominated [72]
Saturn Awards June 28, 2017 Best Thriller Film Jason Bourne Nominated [73]
Screen Actors Guild Awards January 29, 2017 Outstanding Performance by a Stunt Ensemble in a Motion Picture The stunt ensemble of Jason Bourne Nominated [74]
St. Louis Gateway Film Critics Association December 18, 2016 Best Action Movie Jason Bourne Nominated [75]
Teen Choice Awards July 31, 2016 Choice AnTEENcipated Movie Jason Bourne Nominated [76]
Choice Movie Actor: AnTEENcipated Matt Damon Nominated
Choice Movie Actress: AnTEENcipated Alicia Vikander Nominated
Visual Effects Society Awards February 7, 2017 Outstanding Supporting Visual Effects in a Photoreal Feature Dan Barrow, Huw Evans, Julian Gnass, Charlie Noble and Steve Warner Nominated [77]
Washington D.C. Area Film Critics Association December 5, 2016 Best Portrayal of Washington D.C. Jason Bourne Nominated [78]
Sequel[edit]
Frank Marshall said Universal Pictures is hoping to plan a sequel to Jason Bourne, making it the sixth Bourne film. He also stated that an upcoming film would expand the Bourne universe.[79] However, in March 2017, Matt Damon cast doubt upon a sequel, hinting that people "might be done" with the character.[80]
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Jump up ^ Mendelson, Scott (July 30, 2016). "Friday Box Office: 'Jason Bourne,' 'Bad Moms' And 'Nerve' All Kick Butt". Forbes. Retrieved July 31, 2016.
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Jump up ^ McClintock, Pamela (July 31, 2016). "Box Office: 'Jason Bourne' Wins Big With $60M; 'Bad Moms' Earns $23.4M". The Hollywood Reporter. Retrieved July 31, 2016.
Jump up ^ Mendelson, Scott (August 6, 2016). "Friday Box Office: 'Jason Bourne' Plunges 71% As 'Star Trek Beyond' Continues Freefall". Forbes. Retrieved August 7, 2016.
Jump up ^ Gwin, Scott. "Jason Bourne slips by 60%". Retrieved August 7, 2016.
Jump up ^ Busch, Anita (September 11, 2016). "Warner Bros.’ Weekend Trifecta With ‘Mil-Jeong,’ ‘Sully’ And ‘Suicide Squad’ – Int’l Box Office". Deadline.com. Retrieved September 12, 2016.
^ Jump up to: a b c d e Tartaglione, Nancy (July 31, 2016). "‘Jason Bourne’ Supreme With $50.1M Bow & Franchise Records – Intl Box Office Update". Deadline.com. Retrieved August 1, 2016.
Jump up ^ Busch, Anita (July 25, 2016). "‘Star Trek Beyond’ $30M Debut; ‘Lights Out’ $8.5M; Jackie Chan's ‘Skiptrace’ Nails $64M Bow – Int’l Box Office Final". Deadline.com. Retrieved July 26, 2016.
Jump up ^ Busch, Anita (July 30, 2016). "‘Jason Bourne’ Nails Biggest Opening Day For Franchise – Int’l Box Office". Deadline.com. Retrieved July 30, 2016.
^ Jump up to: a b c Nancy Tartaglione, Nancy (August 28, 2016). "‘Bourne’ Back At #1; ‘Ice Age’ Skates Across $300M Offshore; ‘Pets’ Prances Past $700M WW – Intl Box Office". Deadline.com. Retrieved August 29, 2016.
Jump up ^ Tartaglione, Nancy (August 14, 2016). "‘Suicide Squad’ Rounds Up $243M Overseas & $465M Global Cumes; ‘Pets’ Prancing To $600M WW – Intl Box Office". Deadline.com. Retrieved August 14, 2016.
^ Jump up to: a b Tartaglione, Nancy (September 4, 2016). "‘Star Trek Beyond’ Beams Into China With $31.3M Bow; ‘Pets’ Woofs It Past $750M WW -International Box Office". Deadline.com. Retrieved September 5, 2016.
Jump up ^ Tartaglione, Nancy (October 9, 2016). "‘Miss Peregrine’ Nears $100M Overseas; ‘Girl On The Train’ Chugs $16.5M; ‘A Monster Calls’ In Spain – Intl Box Office". Deadline.com. Retrieved October 9, 2016.
Jump up ^ Sandwell, Ian (August 1, 2016). "'Finding Dory' swims to top of UK box office". Screen International. Retrieved August 2, 2016.
Jump up ^ Gant, Charles (August 9, 2016). "Crime pays: DC's Suicide Squad tops UK box office with £11.25m". The Guardian. Retrieved August 9, 2016.
Jump up ^ Tartaglione, Nancy (August 7, 2016). "‘Suicide Squad’s $132M Offshore Bow Sets August Records; ‘Pets’ Passes $500M WW – International Box Office". Deadline.com. Retrieved August 7, 2016.
^ Jump up to: a b c Brzeski, Patrick (August 26, 2016). "3D 'Jason Bourne' Causes Nausea, Protest in China". The Hollywood Reporter. Retrieved August 26, 2016.
Jump up ^ Tartaglione, Nancy (August 23, 2016). "‘Jason Bourne’ Storms China With $12.3M Opening Day; Sets Franchise Best". Deadline.com. Retrieved August 24, 2016.
Jump up ^ Brzeski, Patrick (August 29, 2016). "China Box Office: 'Jason Bourne,' 'Ice Age' Neck-and-Neck as Hollywood Releases Return After Blackout Period". The Hollywood Reporter. Retrieved August 29, 2016.
Jump up ^ "China Box Office (August 26 – 28, 2016)". Box Office Mojo. Retrieved August 30, 2016.
^ Jump up to: a b Papish, Jonathan (August 29, 2016). "China Box Office: ‘Bourne’ Tops Weekend but ‘Ice Age’ Rising". China Film Insider. Retrieved August 30, 2016.
Jump up ^ "Jason Bourne (2016)". Rotten Tomatoes. Fandango. Retrieved August 24, 2017.
Jump up ^ "Jason Bourne Reviews". Metacritic. CBS Interactive. Retrieved August 3, 2016.
Jump up ^ "CinemaScore". cinemascore.com. [permanent dead link]
Jump up ^ Ryan, Mike (July 26, 2016). "‘Jason Bourne’ Is A Lot Like Seeing The Guns N’ Roses Reunion Tour". Uproxx. Retrieved July 26, 2016.
Jump up ^ Tilly, Chris (July 25, 2016). "Bourne again.". IGN. Retrieved July 28, 2016.
Jump up ^ Scott, A. O. (July 25, 2016). "Review: In ‘Jason Bourne,’ a Midlife Crisis for a Harried Former Assassin". The New York Times. Retrieved July 28, 2016.
Jump up ^ Debruge, Peter (July 26, 2016). "This terse sequel reunites Matt Damon and director Paul Greengrass, shedding light on an important piece of the character's backstory.". Variety. Retrieved July 28, 2016.
Jump up ^ Roeper, Richard (July 27, 2016). "‘Jason Bourne’: A welcome return for Matt Damon's spirited spy". Chicago Sun-Times. Retrieved July 29, 2016.
Jump up ^ McCarthy, Todd (July 26, 2016). "Pretty good until its flat finish.". The Hollywood Reporter. Retrieved July 28, 2016.
Jump up ^ "La La Land Leads with 12 Nominations for the 22nd Annual Critics' Choice Awards". Critics' Choice. December 1, 2016. Retrieved December 1, 2016.
Jump up ^ Pape, Danny (February 7, 2017). "Star Wars: Rogue One Leads Empire Awards 2017 Nominations". Flickreel.com. Retrieved March 3, 2017.
Jump up ^ "‘Moonlight’ and ‘Love and Friendship’ Lead London Film Critics’ Circle Nominations". Variety. December 20, 2016. Retrieved December 20, 2016.
Jump up ^ McNary, Dave (March 2, 2017). "Saturn Awards Nominations 2017: 'Rogue One,' 'Walking Dead' Lead". Variety. Retrieved March 3, 2017.
Jump up ^ "SAG Awards 2017: The Complete List of Nominations". The Hollywood Reporter. December 14, 2016. Retrieved December 14, 2016.
Jump up ^ "2016 StLFCA Annual Award Nominations". St. Louis Gateway Film Critics Association. December 12, 2016. Retrieved December 12, 2016.
Jump up ^ Vulpo, Mike (May 24, 2016). "Teen Choice Awards 2016 Nominations Announced: See the "First Wave" of Potential Winners". E!. Archived from the original on May 25, 2016. Retrieved May 25, 2016.
Jump up ^ Giardina, Carolyn (January 10, 2016). "'Rogue One' Leads Visual Effects Society Feature Competition With 7 Nominations As 'Doctor Strange,' 'Jungle Book' Grab 6 Each". Hollywood Reporter. Retrieved January 10, 2016.
Jump up ^ "The 2016 WAFCA Awards Nominations". December 3, 2016. Retrieved December 4, 2016.
Jump up ^ "Jason Bourne Sequel Likely to Happen, Says Producer". November 29, 2016.
Jump up ^ "Matt Damon hints maybe people are done with Jason Bourne". March 5, 2017.
External links[edit]
Wikimedia Commons has media related to Jason Bourne.
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Jason Bourne at Rotten Tomatoes
Jason Bourne at Metacritic
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Federal Firearms License
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Firearm legal topics of the
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A Federal Firearms License (FFL) is a license in the United States that enables an individual or a company to engage in a business pertaining to the manufacture or importation of firearms and ammunition, or the interstate and intrastate sale of firearms. Holding an FFL to engage in certain such activities has been a legal requirement within the United States since the enactment of the Gun Control Act of 1968. The FFL is issued by the Bureau of Alcohol, Tobacco, Firearms, and Explosives (BATFE, commonly known as the "ATF").
Contents
1 History
2 Types
3 Special Occupational Tax Classes
4 Collectors of Curio and Relic (C&R) Firearms
4.1 Curio & Relic Compliance Inspections
4.2 Conversion of C&R firearms
5 Antique guns
6 Record keeping
7 Conditions of application
8 Application fees
8.1 Non-destructive devices
8.2 Ammunition
9 International Traffic in Arms Regulations Registration
10 See also
11 References
12 External links
History[edit]
The Federal Firearms License was established to implement the Gun Control Act of 1968. The Federal Firearms Act of 1938 (FFA) required all manufacturers and dealers of firearms who ship or receive firearms or ammunition in interstate or foreign commerce to have a license, and forbade them from transferring any firearm or most ammunition to any person interstate unless certain conditions were met.[1] As a practical matter, this did not affect the interstate commerce in firearms or ammunition.[why?] It was with the adoption of the Gun Control Act in 1968, which repealed most of the FFA, that the lawful interstate trade of firearms was limited almost entirely to persons holding a Federal Firearms License in the United States.
Types[edit]
Type
Name
Usage
Type 1 Dealer in Firearms Other Than destructive device (Includes Gunsmiths) Title 1 dealer or gunsmith other than destructive devices. Can also deal in Title 2 (NFA) firearms with an SOT Class 3 status.
Type 2 Pawnbroker in Firearms Other Than Destructive Devices Title 1 dealer doing business as a pawnbroker.
Type 3 Collector of Curios and Relics Licensed collector of Curio & Relic (C&R) firearms.
Type 5 Manufacturer of Ammunition for Firearms Licensed manufacturer of ammunition and reloading components other than ammunition for destructive devices and armor-piercing ammunition.
Type 6 Manufacturer of Ammunition for Firearms Licensed manufacturer of ammunition other than ammunition for destructive devices and armor-piercing ammunition. This license only allows you to manufacture ammunition.
Type 7 Manufacturer of Firearms Other Than Destructive Devices Title 1 manufacturer of firearms and ammunition, who may also act as dealer; may not manufacture or deal in destructive devices, ammunition for destructive devices, or armor-piercing ammunition. Can also manufacture & deal in Title 2 (NFA) firearms with an SOT Class 2 status.
Type 8 Importer of Firearms Other Than Destructive Devices Importer of Title 1 firearms and ammunition. Can also import Title II (NFA) firearms with an SOT Class 1 status. Type 8 is also Title 1 dealer or gunsmith.
Type 9 Dealer in Destructive Devices Dealer in firearms, including destructive devices, ammunition for destructive devices, and armor-piercing ammunition. Requires payment as an SOT Class 3 (can act as an NFA Dealer). To deal/broker any DD with an explosives content (e.g. flash-bangs) requires an additional Federal Explosives License[2] as a Dealer of High Explosives.
Type 10 Manufacturer of Destructive Devices Manufacturer of firearms, ammunition and ammunition components, manufacturer of destructive devices, ammunition for destructive devices, and armor-piercing ammunition; may also deal in all of the aforementioned items. Requires payment as an SOT Class 2 (can act as an NFA Dealer). To manufacture any DD with an explosives content (e.g. flash-bangs) requires an additional FEL[2] as a Type 20 Manufacturer of High Explosives.
Type 11 Importer of Destructive Devices Importer of firearms, ammunition, destructive devices, ammunition for destructive devices, and armor-piercing ammunition; may also deal in all the aforementioned items. Requires payment as an SOT Class 1. To import any DD with an explosives content (e.g. flash-bangs), requires an additional FEL[2] as an Importer of High Explosives.
Special Occupational Tax Classes[edit]
Certain types of firearms, accessories and other weapons are currently restricted under the National Firearms Act (NFA).[3] In addition to a current FFL (of whatever "type" is applicable), the ATF requires that business owners who are planning to import, manufacture or deal in restricted materials also pay a Special Occupational Tax, or "SOT" (thereby making the business owner a "Special Occupational Taxpayer").[4]
Class
Usage
Class 1 Importer of NFA firearms
Class 2 Manufacturer & dealer of NFA firearms
Class 3 Dealer of NFA firearms
Class 1 SOT status requires an importer FFL, either Type 8 or 11.
Class 2 SOT status requires a manufacturer FFL, either Type 7 or 10.
Class 3 SOT status requires a dealer or manufacturer FFL, either Type 1, 2, 7, 8, 9, 10, or 11.[5]
Collectors of Curio and Relic (C&R) Firearms[edit]
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C&R firearms are defined in Title 27, Code of Federal Regulations, Part 478.11 as those "...of special interest to collectors by reason of some quality other than is associated with firearms intended for sporting use or as offensive or defensive weapons." To be recognized by ATF as a C&R firearm, a firearm must fall into at least one of the following three categories:
Firearms manufactured more than 50 years prior to the current date, not including replicas
Firearms certified by the curator of a municipal, State, or Federal museum that exhibits firearms as curios or relics of museum interest
Any other firearms that derive a substantial part of their monetary value from the fact that they are novel, rare, bizarre, or because of their association with some historical figure, period, or event. Proof of qualification of a particular firearm under this category requires evidence of present value and evidence that like firearms are not available except as collector's items, or that the value of like firearms available in ordinary commercial channels is substantially less.
C&R firearms include most manually operated and semi-automatic firearms used by a military force prior to 1968. This includes most firearms used by the warring nations in World War I and World War II. However, the firearm must normally also be in its original configuration to retain the C&R designation. So, for example, an unaltered Mauser Karabiner 98k rifle used by the German Army in World War II is a C&R firearm – but the same rifle "sporterized" with a new stock and finish is generally not considered a C&R firearm. There is an ambiguous point in how the license is currently administered, in that some firearms altered by the militaries that issued them have been confirmed by the ATF to retain C&R status, though whether this applies to all such conversions (the examples given by the ATF were the Spanish M1916 Guardia Civil, FR-7, and FR-8 Mausers) also remains ambiguous. However, as long as the receiver (the part of the firearm that is regulated by the ATF) is over 50 years old (was manufactured before 1968) the firearm qualifies as a Curio & Relic – ATF states explicitly that, in addition to newer firearms it individually approves, firearms automatically achieve C&R status upon turning 50, provided they are in original configuration. If modified significantly, the 50 year clock resets to the date of modification. (Specific examples are available in the ATF FAQs.) Certain automatic firearms have been designated as C&R firearms, and a C&R may be used to acquire these as well.
Collectors may acquire C&R firearms in interstate commerce, e.g., via mail or phone order or the Internet, or in person. (This is especially important for collectors of pistols and revolvers since they may not otherwise be acquired outside a collector's state of residence.) Collectors are not considered to be FFL dealers and have no special privileges concerning non-C&R firearms, nor may they "engage in the business" of regularly selling C&R firearms to persons who do not have an FFL. Selling of a C&R firearms does not require an FFL transfer across state lines, only if the firearm has a collectable status. The purpose of the C&R license is to enable a collector to acquire C&R firearms for his/her personal collection and not to become a firearms dealer.
Curio & Relic Compliance Inspections[edit]
(D) At the election of a licensed collector, the annual inspection of records and inventory permitted under this paragraph shall be performed at the office of the Attorney General designed for such inspections which is located in closest proximity to the premises where the inventory and records of such licensed collector are maintained.
—ATF 2005 Regulations page 18. (ATF Publication 5300.4)
Licensed collectors may also elect to have the inspection conducted at their homes. While C&R compliance used to consist of just bringing the bound book to the appropriate office, Inspectors are now (2009) often requiring that collectors bring their inventory (collection) to their office if they can not inspect them in the home.[citation needed]
Conversion of C&R firearms[edit]
Any firearm sold as a C&R firearm once changed out of its original configuration cannot be resold as a C&R firearm. In regard to conversions; certain pistols have been approved for sale with added safety conversions (i.e. Polish and Romanian Tokarev pistols, to which a manual safety was added to meet import requirements). Certain other modifications, such as period sporterisations, are arguably C&R qualified as they represent the gun culture of the period. An example would be a Lee–Enfield or 98K Mauser military rifle that had been converted into a continental style sporter before World War II. These common conversions occurred more than 50 years ago, and represent a sub-type of special interest to collectors.
Antique guns[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2015) (Learn how and when to remove this template message)
Federal law defines guns manufactured in or before 1898 as "antique", (27 CFR §478.11) and they are generally unregulated in federal law. They may be bought and sold across state lines without an FFL. The only exceptions are short-barreled rifles, short barreled shotguns, and machine guns, which are regulated under the National Firearms Act of 1934. Unlike C&R guns, antique guns can be re-arsenalized, sporterized, re-barreled, or re-chambered, yet they will still retain their Federally exempt status. Even if every part except the receiver is replaced, a pre-1899 firearm still qualifies as an antique.[6] FFL holders have been directed not to enter Pre-1899 guns into their Bound Books.[7]
Record keeping[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2015) (Learn how and when to remove this template message)
FFL holders are required to keep a registry of firearms sales in an ATF-approved Bound Book, or a computerized equivalent using ATF-approved software.[7] Licensed dealers must also maintain file copies of Form 4473 or eForm 4473 "Firearms Transaction Record" documents, for a period of not less than 20 years after the date of sale or disposition.[7] When retiring or otherwise relinquishing a license, these records are sent to the ATF's Out-of-Business Records Center.[8] Licensed collectors are not required to send their records to the ATF when relinquishing their license. The ATF is allowed to inspect, as well as request a copy of the Form 4473 from the dealer during the course of a criminal investigation. In addition, the sale of two or more handguns to a person in a five business day period must be reported to ATF on Form 3310.4.
Conditions of application[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2015) (Learn how and when to remove this template message)
ATF will approve the application if the applicant:
Is 21 years or older.
Is not prohibited from handling or possessing firearms or ammunition
Has not violated the Gun Control Act or its regulations
Has not failed to disclose information or facts in connection with his application
Has premises for conducting business or collecting
The applicant must also certify that:
The business to be conducted under the license is not prohibited by State or local law in the place where the licensed premise is located including Local (City & County) Zoning Ordinances and not prohibited by the Home Owners Association (HOA) if any.
Within 30 days after the application is approved the business will comply with the requirements of State and local law applicable to the conduct of the business
The business will not be conducted under the license until the requirements of State and local law applicable to the business have been met
The applicant has sent or delivered a form to the chief law enforcement officer where the premises are located notifying the officer that the applicant intends to apply for a license.
Secure gun storage and safety devices will be available at any place in which firearms are sold under the license to persons who are not licensees
Application fees[edit]
See TITLE 27 CFR, CHAPTER II, PART 478 – COMMERCE IN FIREARMS AND AMMUNITION, § 478.42 License fees.[9]
Non-destructive devices[edit]
Licensee Application fee Renewal fee
Manufacturer $150 for 3 years $150 every 3 years
Importer $150 for 3 years $150 every 3 years
Pawnbroker $200 for 3 years $90 every 3 years
Dealer $200 for 3 years $90 every 3 years
Collector $30 for 3 years $30 every 3 years
Destructive Device
Licensee Application fee Renewal fee
Manufacturer $3,000 for 3 years $3,000 every 3 years
Importer $3,000 for 3 years $3,000 every 3 years
Dealer $3,000 for 3 years $3,000 every 3 years
Ammunition[edit]
Licensee Application fee Renewal fee
Manufacturer $30 for 3 years $30 every 3 years
Importers and manufacturers of machine guns, short-barreled rifles and shotguns, and destructive devices must also pay a special occupational tax of $500 per year if gross revenues do not exceed $500,000, and $1,000 if revenues exceed $500,000.[10]
International Traffic in Arms Regulations Registration[edit]
Main article: International Traffic in Arms Regulations
International Traffic in Arms Regulations (ITAR) is a set of United States government regulations that control the manufacture, export, import, or transfer of defense-related articles and services on the United States Munitions List (USML), which includes most all firearms components.
In general, the Department of State's Directorate of Defense Trade Controls (DDTC), which interprets and enforces ITAR, requires anyone engaged in such activities, including holders of a Federal Firearms License, to register annually and submit a fee (no less than $2,250 as of 2013).[11][12] Registration exemptions exist for, among other things, work on unclassified intellectual property, and work or fabrication of an experimental or scientific nature including research and development.[13]
See also[edit]
Arms trafficking
Bureau of Alcohol, Tobacco, Firearms, and Explosives (ATF)
Firearm Owners Protection Act (1986)
Form 4473
Gun Control Act of 1968
Gun law in the United States
Gun show loophole
Gun shows in the United States
Straw purchase
References[edit]
Jump up ^ http://smartgunlaws.org/key-federal-acts-regulating-guns/
^ Jump up to: a b c "ATF: How to Become a Federal Firearms Licensee (FFL)". atf.gov. U.S. Department of Justice. 2014. Retrieved July 6, 2014.
Jump up ^ "What Firearms are Regulated Under the NFA". Bureau of Alcohol, Tobacco, Firearms and Explosives. Retrieved 2015-12-11.
Jump up ^ "How Does a Person Qulaify to Import, Manufacture or Deal in NFA Firearms". Bureau of Alcohol, Tobacco, Firearms and Explosives. Retrieved 2015-12-11.
Jump up ^ "When Must Firearms Special Occupational Taxes be Paid and How Much Are the Taxes". Bureau of Alcohol, Tobacco, Firearms and Explosives. Retrieved 2015-12-11.
Jump up ^ Rawles, James. "Pre-1899 Firearms FAQ". www.empirearms.com. Retrieved 2016-09-12.
^ Jump up to: a b c "27 CFR 478.125 - Record of receipt and disposition". LII / Legal Information Institute. Retrieved 2016-09-12.
Jump up ^ "27 CFR 478.127 - Discontinuance of business". LII / Legal Information Institute. Retrieved 2016-09-12.
Jump up ^ http://www.ecfr.gov/cgi-bin/text-idx?SID=70394195a3edf623eba7ce77a1bddff1&node=27:3.0.1.2.3&rgn=div5#se27.3.478_142
Jump up ^ http://www.ecfr.gov/cgi-bin/text-idx?SID=70394195a3edf623eba7ce77a1bddff1&node=27:3.0.1.2.4&rgn=div5#se27.3.479_132
Jump up ^ "US State Department – Policy – Directorate of Defense Trade Controls: Who Must Register". Pmddtc.state.gov. Retrieved 2013-02-12.
Jump up ^ "US State Department – Policy – Directorate of Defense Trade Controls: Applicable Registration Fee". Pmddtc.state.gov. Retrieved 2013-02-12.
Jump up ^ "Federal Regulations, 22 CFR 122" (PDF). Pmddtc.state.gov. Retrieved 2013-02-12.
External links[edit]
Form order form to order F 7CR new form Curio/Relic FFL03 license
FFLeZCheck system for verifying FFL validity
NRA-ILA Factsheets: Federal Firearms License
Retrieved from "https://en.wikipedia.org/w/index.php?title=Federal_Firearms_License&oldid=851520130"
Categories:
United States federal firearms law
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Devil (2010 film)
From Wikipedia, the free encyclopedia
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Devil
Theatrical release poster
Directed by
John Erick Dowdle
Produced by
M. Night Shyamalan
Sam Mercer
Screenplay by
Brian Nelson
Story by
M. Night Shyamalan
Starring
Chris Messina
Logan Marshall-Green
Geoffrey Arend
Bojana Novakovic
Jenny O'Hara
Bokeem Woodbine
Jacob Vargas
Narrated by
Jacob Vargas
Music by
Fernando Velázquez
Cinematography
Tak Fujimoto
Edited by
Elliot Greenberg
Production
company
Media Rights Capital
The Night Chronicles
Distributed by
Universal Pictures
Release date
September 17, 2010 (2010-09-17)
Running time
80 minutes[1]
Country
United States
Language
English
Budget
$10 million[1]
Box office
$62.6 million[1]
Devil (also known as The Night Chronicles: Devil) is a 2010 American supernatural horror film directed by John Erick Dowdle. The screenplay by Brian Nelson was from a story by M. Night Shyamalan. The film stars Chris Messina, Logan Marshall-Green, Geoffrey Arend, Bojana Novakovic, Jenny O'Hara, and Bokeem Woodbine. Devil was released on September 17, 2010. Critics praised the film's atmosphere and performances, but criticized the short running-time and convoluted story.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Story sources
5 Release
5.1 Critical reception
5.2 Home media
6 Sequels
7 References
8 External links
Plot[edit]
Ramirez (Jacob Vargas) speaks in a voice-over about stories that his mother told him about the devil sometimes actively seeking out individuals who have sinned while they are still alive on Earth. While taking human form, he traps them in a confined place only to turn them against each other, before killing them one at a time. Ramirez explains that the last victim will die in front of his or her loved one to "make cynics of us all". He says that the signs are set in motion with a suicide, as that is when the Devil first makes his presence known. This story is abruptly interrupted by a violent suicide of a man who had fallen from the thirty-fifth floor of a Philadelphia office building. The truck he falls on rolls silently away.
Detective Bowden (Chris Messina) is a recovering alcoholic who is assigned to the case of the suicide. He later explains that the reason for his alcoholism was the hit and run death of his wife and son, five years previously, in which the perpetrator was never apprehended. Meanwhile, five strangers board an elevator, which later becomes stuck between floors. When security finds them, they notice that there is CCTV and a radio with which they can call into the elevator, but they have no way of hearing the passengers in return. Bowden takes the investigation regarding the elevator as it is the same building from which the suicide victim jumped.
Ramirez is revealed to be one of the security guards and is disturbed by an image of what looks like a screaming face frozen on the video monitor. His boss Lustig (Matt Craven) dismisses the superstitious suspicions and sends repair technician Dwight (Joe Cobden) to investigate the elevators while Bowden tries to ascertain the identities of the individuals. Only four of the five are accounted for: Vince McCormick (Geoffrey Arend), a sleazy mattress salesman; Sarah Caraway (Bojana Novakovic), a pathological liar who plans to leave her rich husband and take his money with her; Ben Larson (Bokeem Woodbine), a temporary security guard with a history of violence; an unnamed older woman who police mistakenly believe is named Jane Kowski (Jenny O'Hara) who is seen on video to be a thief, and another man who later introduces himself as Tony (Logan Marshall-Green), who does not appear to have signed in at the security desk.
The power goes on and off in the elevator, and each time the power is restored, something evil takes place. Dwight falls to his death on top of the elevator, and Lustig is electrocuted trying to restore power. Soon people in the elevator start dying, and the suspicion keeps shifting between all in the elevator. Vince is thrown into a mirror only to have his jugular vein sliced causing him to bleed to death, the old woman is hanged on a lamp cord from the elevator ceiling, Ben winds up on the floor with his neck twisted, and Sarah's throat is slit by a broken piece of the mirror. Finally, the old woman seemingly returns to life, but with red, staring eyes; it is revealed that she is the Devil, and that she has come for Tony and Sarah. In order to save Sarah, Tony confesses to having been responsible for a hit-and-run five years ago in which he killed a mother and her son. Detective Bowden hears him apologize over the radio. The Devil, powerless now that Tony has repented for his sin, curses before vanishing, and the elevator comes back online, sparing Tony's life.
As the corpses of Sarah, Ben, and Vince are wheeled away, Bowden decides to take Tony into custody, and, while en route, informs him that he is the husband and father of the mother and son Tony killed in that accident. But despite saying he'd gone over what he'd say, or what he would do if they'd ever cross paths, he forgives Tony.
Ramirez, again in a voice-over, says that his mother always reassured him at the end of her stories, "If the Devil is real, then God must be real too."
Cast[edit]
Chris Messina as Detective Bowden
Logan Marshall-Green as Mechanic (Anthony "Tony" Janekowski)
Jenny O'Hara as Old Woman
Bojana Novakovic as Young Woman (Sarah Caraway)
Bokeem Woodbine as Guard (Ben Larson)
Geoffrey Arend as Salesman (Vince McCormick)
Jacob Vargas as Ramirez
Matt Craven as Lustig
Joshua Peace as Detective Markowitz
Caroline Dhavernas as Elsa Nahai
Joe Cobden as Dwight
Zoie Palmer as Cheryl
Vincent Laresca as Henry
Mark Behar as Security - Elevator (voice)
Production[edit]
In October 2008 M. Night Shyamalan and Media Rights Capital announced that Devil would be made with the Dowdle brothers as directors and Brian Nelson as screenwriter.[2] Filming started on October 26, 2009 in Toronto with John Erick Dowdle as director and Drew Dowdle as an executive producer.[3] There was additional shooting for the film several months later in Los Angeles and Philadelphia.[4] Joe Cobden had to train for four months to prepare for his role. He said that preparing for his death scene, which took four days to shoot, was the hardest scene to shoot except for the introduction and closing.
Story sources[edit]
John Erick Dowdle and Drew Dowdle said that the movie is based on a Devil's Meeting, which is a premise that the Devil is on Earth to test evildoers by tormenting them.[5] Shyamalan acknowledged that the basic structure of the story was "an Agatha Christie nod."[6] In Christie's 1939 novel And Then There Were None, as in Devil, a group of people with guilty pasts are trapped in an isolated area and begin to die one by one.[citation needed]
Release[edit]
The film was set to have a release date on February 11, 2011, but was bumped up to September 17, 2010. The film's trailer debuted online on July 13, 2010.
Critical reception[edit]
The film was not screened to critics in advance.[7] Devil has received mixed reviews. Review aggregator Rotten Tomatoes reports a mixed score of 52%, with an average rating of 5.2/10, with the site's consensus being "It's better than many of the other films M. Night Shyamalan has been associated with, but Devil never gets more than a few low-budget thrills out of its fiendishly promising premise."[8] Dennis Harvey of Variety gave Devil a lukewarm review, saying "Like the solid B-thrillers of yore that often outshone A-pics topping double bills, M. Night Shyamalan-produced Devil is nothing very special or original, but it gets the job done briskly and economically."[9]
Home media[edit]
The film Devil was released to DVD and Blu-ray Disc on December 21, 2010.[citation needed]
Sequels[edit]
Devil was intended to be the first of The Night Chronicles trilogy,[10] which involved the supernatural within modern urban society. In June 2010, Shyamalan announced the second film titled 12 Strangers, later changed to Reincarnate. The film was about a jury discussing a case dealing with the supernatural. Chris Sparling was set to write the script and Daniel Stamm would direct.[11] Shyamalan also confirmed that the story for the currently untitled third installment was going to be taken from the abandoned sequel to Unbreakable.[12] As of 2017, neither film has been produced, but his unused Unbreakable sequel idea later became the basis for Split.
References[edit]
^ Jump up to: a b c "Devil". The Numbers. Retrieved 27 December 2012.
Jump up ^ "Dowdle Brothers Team For Shyamalan's 'Devil'". Bloody Disgusting. October 28, 2008.
Jump up ^ "The Dowdle Brothers Gear Up for 'Devil', First Casting!". Bloody Disgusting. October 16, 2009.
Jump up ^ "Addition Shooting for M. Night Shyamalan's 'Devil'". Bloody Disgusting. June 21, 2010.
Jump up ^ "The Devil's Meeting - The Myth, The Devil, The Legend". Thedevilsmeeting.com. Retrieved 2010-12-11.
Jump up ^ M. Night Shyamalan Explains Origins Of 'Devil', MTV.com
Jump up ^ Ryan, Tim (2010-09-17). "Devil Screening". Rottentomatoes.com. Retrieved 2010-12-11.
Jump up ^ "Devil Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 2010-09-20.
Jump up ^ Harvey, Dennis (2010-09-17). "Variety Review". Variety.com. Retrieved 2010-12-11.
Jump up ^ "M. Night's 'Devil' Moved Way UP to This September!". Bloody-disgusting.com. Retrieved 2010-12-11.
Jump up ^ "Last Exorcism's Stamm on Board Shyamalan's Reincarnate". ShockTilYouDrop. September 15, 2010.
Jump up ^ "Unbreakable 2 Story to be Used for Third Night Chronicles". ComingSoon.net. September 3, 2010.
External links[edit]
Wikiquote has quotations related to: Devil (2010 film)
Official website
Devil at AllMovie
Devil on IMDb
Devil at Box Office Mojo
Devil at Rotten Tomatoes
Devil at Metacritic
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Films directed by John Erick Dowdle
The Poughkeepsie Tapes (2007)
Quarantine (2008)
Devil (2010)
As Above, So Below (2014)
No Escape (2015)
Retrieved from "https://en.wikipedia.org/w/index.php?title=Devil_(2010_film)&oldid=843095571"
Categories:
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Media Rights Capital films
Blinding Edge Pictures films
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Films directed by John Erick Dowdle
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text:
A Little More Summertime
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"A Little More Summertime"
Single by Jason Aldean
from the album They Don't Know
Released
July 15, 2016 (2016-07-15)
Format
Digital download
Recorded
2016
Genre
Country
Length
3:39
Label
Broken Bow
Songwriter(s)
Jerry Flowers
Tony Martin
Wendell Mobley
Producer(s)
Michael Knox
Jason Aldean singles chronology
"Lights Come On"
(2016) "A Little More Summertime"
(2016) "Any Ol' Barstool"
(2016)
"Lights Come On"
(2016) "A Little More Summertime"
(2016) "Any Ol' Barstool"
(2016)
"A Little More Summertime" is a song recorded by American country music artist Jason Aldean. It was released to radio on July 15, 2016 as the second single from his seventh studio album, They Don't Know. The song was written by Jerry Flowers, Tony Martin, and Wendell Mobley.
Contents
[hide]
1 Reception
2 Music video
3 Charts
3.1 Weekly charts
3.2 Year end charts
4 References
Reception[edit]
The song debuted at No. 30 on the Country Airplay chart.[1] The following week when it was released for sale, it debuted at No. 16 in the Hot Country Songs chart,[2] selling 35,000 copies in the United States.[3] The song has sold 202,000 copies in the US as of November 2016.[4]
Music video[edit]
The music video was directed by Shaun Silva and premiered in September 2016.[5]
Charts[edit]
Weekly charts[edit]
Chart (2016)
Peak
position
Canada Country (Billboard)[6] 2
US Billboard Hot 100[7] 52
US Country Airplay (Billboard)[8] 1
US Hot Country Songs (Billboard)[9] 5
Year end charts[edit]
Chart (2016)
Position
US Country Airplay (Billboard)[10]
41
US Hot Country Songs (Billboard)[11]
49
References[edit]
Jump up ^ "Country Airplay". Billboard. July 30, 2016.
Jump up ^ "Hot Country Songs". Billboard. August 6, 2016.
Jump up ^ Bjorke, Matt (July 26, 2016). "Top 30 Digital Country Singles Chart: July 26". Roughstock.
Jump up ^ Bjorke, Matt (November 26, 2016). "Top 30 Digital Singles Chart: November 28, 2016". Roughstock.
Jump up ^ "CMT : Videos : Jason Aldean : A Little More Summertime". Country Music Television. Retrieved September 9, 2016.
Jump up ^ "Jason Aldean – Chart history" Billboard Canada Country for Jason Aldean. Retrieved November 1, 2016.
Jump up ^ "Jason Aldean – Chart history" Billboard Hot 100 for Jason Aldean. Retrieved November 15, 2016.
Jump up ^ "Jason Aldean – Chart history" Billboard Country Airplay for Jason Aldean. Retrieved November 21, 2016.
Jump up ^ "Jason Aldean – Chart history" Billboard Hot Country Songs for Jason Aldean. Retrieved November 21, 2016.
Jump up ^ "Country Airplay: Year End 2016". Billboard. Prometheus Global Media. Retrieved January 5, 2017.
Jump up ^ "Hot Country Songs: Year End 2016". Billboard. Prometheus Global Media. Retrieved January 5, 2017.

Preceded by
"Middle of a Memory"
by Cole Swindell Billboard Country Airplay
number-one single
December 3, 2016 Succeeded by
"May We All"
by Florida Georgia Line featuring Tim McGraw
[hide]
v
t
e
Jason Aldean
Studio albums
Jason Aldean (2005)
Relentless (2007)
Wide Open (2009)
My Kinda Party (2010)
Night Train (2012)
Old Boots, New Dirt (2014)
They Don't Know (2016)
Singles
"Hicktown"
"Why"
"Amarillo Sky"
"Johnny Cash"
"Laughed Until We Cried"
"Relentless"
"She's Country"
"Big Green Tractor"
"The Truth"
"Crazy Town"
"My Kinda Party"
"Don't You Wanna Stay"
"Dirt Road Anthem"
"Tattoos on This Town"
"Fly Over States"
"Take a Little Ride"
"The Only Way I Know"
"1994"
"Night Train"
"When She Says Baby"
"Burnin' It Down"
"Just Gettin' Started"
"Tonight Looks Good on You"
"Gonna Know We Were Here"
"Lights Come On"
"A Little More Summertime"
"Any Ol' Barstool"
"They Don't Know"
Guest Singles
"Drivin' Around Song"
DVDs
Wide Open Live & More
Related articles
Discography
2013 Night Train Tour
Book:Jason Aldean
Retrieved from "https://en.wikipedia.org/w/index.php?title=A_Little_More_Summertime&oldid=789079536"
Categories:
2016 songs
2016 singles
Jason Aldean songs
Broken Bow Records singles
Songs written by Jerry Flowers
Songs written by Tony Martin (songwriter)
Songs written by Wendell Mobley
Song recordings produced by Michael Knox (record producer)
Music videos directed by Shaun Silva
Hidden categories:
Articles with hAudio microformats
Singlechart usages for Billboardcanadacountry
Singlechart called without song
Singlechart usages for Billboardhot100
Singlechart usages for Billboardcountryairplay
Singlechart usages for Billboardcountrysongs
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This page was last edited on 5 July 2017, at 06:28.
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