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The Great Indian Laughter Challenge
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The Great Indian Laughter Challenge
Genre
Reality
Country of origin
India
Original language(s)
Hindi
No. of seasons
5
No. of episodes
193
Production
Camera setup
Multi-camera
Running time
approximately 48 minutes
Production company(s)
Endemol
Distributor
Star India
Release
Original network
STAR One (season 1–4)
STAR Plus (season 5)
Picture format
480i (season 1-4)
576i (season 5)
HDTV 1080i (season 5)
Original release
15 June 2005 (2005-06-15) – present
Chronology
Related shows
Laughter Knights
External links
Website
The Great Indian Laughter Challenge is an Indian Reality Stand-up comedy series Produced by Endemol India. First four seasons aired on STAR One from 15 June 2005 to 26 September 2008.[1][2][3] The show's Fifth season started premiered on 30 September 2017 on STAR Plus and was judged by Akshay Kumar. [4]
The show is based on a format where stand-up comedians perform and entertain judges and the studio audience with their comedy skills. The first three seasons of the show saw Shekhar Suman, an eminent TV personality and Navjot Singh Sidhu, former cricketer and current cricket commentator and politician."[5] The show's initial episodes were hosted by Parizaad Kolah Marshall and later she was replaced by Shonali Nagrani. The fifth season is being hosted by Elli Avram. The set was designed by noted Bollywood production designer Nitin Chandrakant Desai.[6] In the fourth season Shatrughan Sinha replaced Shekhar Suman as judge.
Contents
1 Seasons
2 Season I
3 Season II
4 Season III
5 Season IV
6 Season V - 2017
7 References
8 External links
Seasons[edit]
In the first season, Sunil Pal was the winner, Ahsaan Qureshi was runner up and Raju Srivastava was second runner up. In the second season contestants from Pakistan were present and the winner Rauf Lala was from Pakistan. The third season was won by Kapil Sharma and the first runner up was Chandan Prabhakar both from Amritsar. Many other talented comedians like Siraj Khan, Sudesh Lehari, Rajiv Thakur, Bharti Singh, Navin Prabhakar, Jassi Kochar, Khayaali, Dipoo Srivastava, Ahsaan Qureshi have appeared in the show.
The first two seasons were followed by another show, The Great Indian Laughter Champions, which included top performers of the previous shows. Here also the judges were Sidhu and Shekar including some celebrity guests as well.
Recently the first woman to participate was Aarti Kandpal. The fourth season's finalists were Rasbihari Gaur, Bharti Singh, Suresh Albela, and a duo from Pakistan. The winner for the fourth season after a tough laughter war was Suresh Albela.
Season 5 had 3 mentors Zakir Khan, Hussain Dalal (Dialouge Writer)| Hussain Dalal and Mallika Dua later replaced by Sajid Khan and Shreyas Talpade who along with Akshay Kumar, will select 12 finalists who will compete for the title.
Season I[edit]
Sunil Pal (Winner)
Ahsaan Qureshi (Runner-up)
Raju Srivastava
Naveen Prabhakar
Bhagwant Mann
Parag Kansara
Season II[edit]
Rauf Lala (Winner)
Rajeev Nigam (Runner-up)
Khayali
Pratap Faujdar
Irfan Malik and Ali Hassan
Dr. Tushar Shah
Rajkumar Javkar
Saransh Bhardwaj (as a guest appearance)
Gaurav Jha
Season III[edit]
Kapil Sharma (winner)
Chandan Prabhakar (Runner-up)
Sudesh Lehri
Rajeev Thakur
Season IV[edit]
Suresh Albela (Winner)
Sikandar Sanam (Runner-up)
Wali Sheikh
Bharti Singh
Jaswant Singh
Rasbihari Gaur
Shrikant Maski
Ramdas Yeole
Rehan Jamlal
Sugandha Mishra
Vinod Rathore
Season V - 2017[edit]
Abhishek Waliya (Winner)
Nitesh Shetty (Runner up)
Muhammad Anas
Parvindar Singh
Vishwas Chauhan
Shyam Rangeela
Vignesh Pandey
Abhay Kumar
Naman Jain
Sumit Sourav
Shikha Singh
Vidushi Swaroop
Ajay Singh Chauhan
Gaurav G upta
Mohd Anas was a versatile Poker Face with expression he was in top 7 he was a good contestant
References[edit]
Jump up ^ "Star One's The Great Indian Laughter Challenge Dwitiya clocks the highest ever ratings". July 8, 2006. Retrieved December 28, 2017.
Jump up ^ "The great Indian Laughter Challenge 3". May 16, 2007. Retrieved December 28, 2017.
Jump up ^ "The Great Indian Laughter Challenge 4 airs every Friday & Saturday on Star One". Retrieved December 28, 2017.
Jump up ^ "Akshay Kumar to judge The Great Indian Laughter Challenge; releases the teaser". Retrieved 2 July 2017.
Jump up ^ "Charge of the laugh brigade judging the show". The Telegraph. 21 November 2005. Retrieved 2 March 2013.
Jump up ^ Javed Jaffrey’s spoof on budget desires Screen (magazine), Chaya Unnikrishnan. 3 March 2006.
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Nathaniel Hawthorne
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Nathaniel Hawthorne
Nathaniel Hawthorne in the 1860s
Born
Nathaniel Hathorne
(1804-07-04)July 4, 1804
Salem, Massachusetts, U.S.
Died
May 19, 1864(1864-05-19) (aged 59)
Plymouth, New Hampshire, U.S.
Language
English
Alma mater
Bowdoin College
Notable works
The House of the Seven Gables, Twice-Told Tales, The Scarlet Letter
Spouse
Sophia Peabody (m. 1842–64; his death)
Children
Una Hawthorne
Julian Hawthorne
Rosa Hawthorne (Mother Mary Alphonsa)
Signature
Nathaniel Hawthorne (/ˈhɔːˌθɔːrn/; born Nathaniel Hathorne; July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer.
He was born in 1804 in Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824,[1] and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
Contents
[hide]
1 Biography
1.1 Early life
1.2 Early career
1.3 Marriage and family
1.4 Middle years
1.5 The Wayside and Europe
1.6 Later years and death
2 Writings
2.1 Literary style and themes
2.2 Criticism
3 Selected works
3.1 Novels
3.2 Short story collections
3.3 Selected short stories
3.4 Nonfiction
4 See also
5 Notes
6 References
7 Further reading
8 External links
Biography[edit]
Early life[edit]
Portrait of Nathaniel Hawthorne by Charles Osgood, 1841 (Peabody Essex Museum)
Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts; his birthplace is preserved and open to the public.[3] William Hathorne was the author's great-great-great-grandfather. He was a Puritan and was the first of the family to emigrate from England, settling in Dorchester, Massachusetts before moving to Salem. There he became an important member of the Massachusetts Bay Colony and held many political positions, including magistrate and judge, becoming infamous for his harsh sentencing.[4] William's son and the author's great-great-grandfather John Hathorne was one of the judges who oversaw the Salem witch trials. Hawthorne probably added the "w" to his surname in his early twenties, shortly after graduating from college, in an effort to dissociate himself from his notorious forebears.[5] Hawthorne's father Nathaniel Hathorne, Sr. was a sea captain who died in 1808 of yellow fever in Suriname;[6] he had been a member of the East India Marine Society.[7] After his death, his widow moved with young Nathaniel and two daughters to live with relatives named the Mannings in Salem,[8] where they lived for 10 years. Young Hawthorne was hit on the leg while playing "bat and ball" on November 10, 1813,[9] and he became lame and bedridden for a year, though several physicians could find nothing wrong with him.[10]
Nathaniel Hawthorne's childhood home in Raymond, ME
In the summer of 1816, the family lived as boarders with farmers[11] before moving to a home recently built specifically for them by Hawthorne's uncles Richard and Robert Manning in Raymond, Maine, near Sebago Lake.[12] Years later, Hawthorne looked back at his time in Maine fondly: "Those were delightful days, for that part of the country was wild then, with only scattered clearings, and nine tenths of it primeval woods."[13] In 1819, he was sent back to Salem for school and soon complained of homesickness and being too far from his mother and sisters.[14] He distributed seven issues of The Spectator to his family in August and September 1820 for the sake of having fun. The homemade newspaper was written by hand and included essays, poems, and news featuring the young author's adolescent humor.[15]
Hawthorne's uncle Robert Manning insisted that the boy attend college, despite Hawthorne's protests.[16] With the financial support of his uncle, Hawthorne was sent to Bowdoin College in 1821, partly because of family connections in the area, and also because of its relatively inexpensive tuition rate.[17] Hawthorne met future president Franklin Pierce on the way to Bowdoin, at the stage stop in Portland, and the two became fast friends.[16] Once at the school, he also met future poet Henry Wadsworth Longfellow, future congressman Jonathan Cilley, and future naval reformer Horatio Bridge.[18] He graduated with the class of 1825, and later described his college experience to Richard Henry Stoddard:
I was educated (as the phrase is) at Bowdoin College. I was an idle student, negligent of college rules and the Procrustean details of academic life, rather choosing to nurse my own fancies than to dig into Greek roots and be numbered among the learned Thebans.[19]
Early career[edit]
Boston Custom House, Custom House Street, where Hawthorne worked ca.1839–40[20]
In 1836, Hawthorne served as the editor of the American Magazine of Useful and Entertaining Knowledge. At the time, he boarded with poet Thomas Green Fessenden on Hancock Street in Beacon Hill in Boston.[21] He was offered an appointment as weigher and gauger at the Boston Custom House at a salary of $1,500 a year, which he accepted on January 17, 1839.[22] During his time there, he rented a room from George Stillman Hillard, business partner of Charles Sumner.[23] Hawthorne wrote in the comparative obscurity of what he called his "owl's nest" in the family home. As he looked back on this period of his life, he wrote: "I have not lived, but only dreamed about living."[24] He contributed short stories to various magazines and annuals, including "Young Goodman Brown" and "The Minister's Black Veil", though none drew major attention to him. Horatio Bridge offered to cover the risk of collecting these stories in the spring of 1837 into the volume Twice-Told Tales, which made Hawthorne known locally.[25]
Marriage and family[edit]
Sophia Peabody Hawthorne (1809–1871)
While at Bowdoin, Hawthorne wagered a bottle of Madeira wine with his friend Jonathan Cilley that Cilley would get married before Hawthorne did.[26] By 1836, he had won the bet, but he did not remain a bachelor for life. He had public flirtations with Mary Silsbee and Elizabeth Peabody,[27] then he began pursuing Peabody's sister, illustrator and transcendentalist Sophia Peabody. He joined the transcendentalist Utopian community at Brook Farm in 1841, not because he agreed with the experiment but because it helped him save money to marry Sophia.[28] He paid a $1,000 deposit and was put in charge of shoveling the hill of manure referred to as "the Gold Mine".[29] He left later that year, though his Brook Farm adventure became an inspiration for his novel The Blithedale Romance.[30] Hawthorne married Sophia Peabody on July 9, 1842 at a ceremony in the Peabody parlor on West Street in Boston.[31] The couple moved to The Old Manse in Concord, Massachusetts,[32] where they lived for three years. His neighbor Ralph Waldo Emerson invited him into his social circle, but Hawthorne was almost pathologically shy and stayed silent at gatherings.[33] At the Old Manse, Hawthorne wrote most of the tales collected in Mosses from an Old Manse.[34]
Una, Julian, and Rose ca. 1862
Like Hawthorne, Sophia was a reclusive person. Throughout her early life, she had frequent migraines and underwent several experimental medical treatments.[35] She was mostly bedridden until her sister introduced her to Hawthorne, after which her headaches seem to have abated. The Hawthornes enjoyed a long and happy marriage. He referred to her as his "Dove" and wrote that she "is, in the strictest sense, my sole companion; and I need no other—there is no vacancy in my mind, any more than in my heart... Thank God that I suffice for her boundless heart!"[36] Sophia greatly admired her husband's work. She wrote in one of her journals:
I am always so dazzled and bewildered with the richness, the depth, the ... jewels of beauty in his productions that I am always looking forward to a second reading where I can ponder and muse and fully take in the miraculous wealth of thoughts.[37]
Poet Ellery Channing came to the Old Manse for help on the first anniversary of the Hawthornes' marriage. A local teenager named Martha Hunt had drowned herself in the river and Hawthorne's boat Pond Lily was needed to find her body. Hawthorne helped recover the corpse, which he described as "a spectacle of such perfect horror ... She was the very image of death-agony".[38] The incident later inspired a scene in his novel The Blithedale Romance.
The Hawthornes had three children. Their first was daughter Una, born March 3, 1844; her name was a reference to The Faerie Queene, to the displeasure of family members.[39] Hawthorne wrote to a friend, "I find it a very sober and serious kind of happiness that springs from the birth of a child ... There is no escaping it any longer. I have business on earth now, and must look about me for the means of doing it."[40] In October 1845, the Hawthornes moved to Salem.[41] In 1846, their son Julian was born. Hawthorne wrote to his sister Louisa on June 22, 1846: "A small troglodyte made his appearance here at ten minutes to six o'clock this morning, who claimed to be your nephew."[42] Daughter Rose was born in May 1851, and Hawthorne called her his "autumnal flower".[43]
Middle years[edit]
Daguerrotype of Hawthorne, Whipple & Black, 1848
In April 1846, Hawthorne was officially appointed as the "Surveyor for the District of Salem and Beverly and Inspector of the Revenue for the Port of Salem" at an annual salary of $1,200.[44] He had difficulty writing during this period, as he admitted to Longfellow:
I am trying to resume my pen ... Whenever I sit alone, or walk alone, I find myself dreaming about stories, as of old; but these forenoons in the Custom House undo all that the afternoons and evenings have done. I should be happier if I could write.[45]
This employment, like his earlier appointment to the custom house in Boston, was vulnerable to the politics of the spoils system. Hawthorne was a Democrat and lost this job due to the change of administration in Washington after the presidential election of 1848. He wrote a letter of protest to the Boston Daily Advertiser which was attacked by the Whigs and supported by the Democrats, making Hawthorne's dismissal a much-talked about event in New England.[46] He was deeply affected by the death of his mother in late July, calling it "the darkest hour I ever lived".[47] He was appointed the corresponding secretary of the Salem Lyceum in 1848. Guests who came to speak that season included Emerson, Thoreau, Louis Agassiz, and Theodore Parker.[48]
Hawthorne returned to writing and published The Scarlet Letter in mid-March 1850,[49] including a preface that refers to his three-year tenure in the Custom House and makes several allusions to local politicians—who did not appreciate their treatment.[50] It was one of the first mass-produced books in America, selling 2,500 volumes within ten days and earning Hawthorne $1,500 over 14 years.[51] The book was pirated by booksellers in London[citation needed] and became a best-seller in the United States;[52] it initiated his most lucrative period as a writer.[51] Hawthorne's friend Edwin Percy Whipple objected to the novel's "morbid intensity" and its dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them",[53] though 20th-century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter.[54]
Hawthorne and his family moved to a small red farmhouse near Lenox, Massachusetts at the end of March 1850.[55] He became friends with Herman Melville beginning on August 5, 1850 when the authors met at a picnic hosted by a mutual friend.[56] Melville had just read Hawthorne's short story collection Mosses from an Old Manse, and his unsigned review of the collection was printed in The Literary World on August 17 and August 24 entitled "Hawthorne and His Mosses".[57] Melville was composing Moby-Dick at the time, and he wrote that these stories revealed a dark side to Hawthorne, "shrouded in blackness, ten times black".[58] Melville dedicated Moby-Dick (1851) to Hawthorne: "In token of my admiration for his genius, this book is inscribed to Nathaniel Hawthorne."[59]
Hawthorne's time in the Berkshires was very productive.[60] While there, he wrote The House of the Seven Gables (1851), which poet and critic James Russell Lowell said was better than The Scarlet Letter and called "the most valuable contribution to New England history that has been made."[61] He also wrote The Blithedale Romance (1852), his only work written in the first person.[30] He also published A Wonder-Book for Girls and Boys in 1851, a collection of short stories retelling myths which he had been thinking about writing since 1846.[62] Nevertheless, poet Ellery Channing reported that Hawthorne "has suffered much living in this place".[63] The family enjoyed the scenery of the Berkshires, although Hawthorne did not enjoy the winters in their small house. They left on November 21, 1851.[60] Hawthorne noted, "I am sick to death of Berkshire ... I have felt languid and dispirited, during almost my whole residence."[64]
The Wayside and Europe[edit]
External video
Booknotes interview with Brenda Wineapple on Hawthorne: A Life, January 4, 2004, C-SPAN
In May 1852, the Hawthornes returned to Concord where they lived until July 1853.[41] In February, they bought The Hillside, a home previously inhabited by Amos Bronson Alcott and his family, and renamed it The Wayside.[65] Their neighbors in Concord included Emerson and Henry David Thoreau.[66] That year, Hawthorne wrote The Life of Franklin Pierce, the campaign biography of his friend which depicted him as "a man of peaceful pursuits".[67] Horace Mann said, "If he makes out Pierce to be a great man or a brave man, it will be the greatest work of fiction he ever wrote."[67] In the biography, Hawthorne depicts Pierce as a statesman and soldier who had accomplished no great feats because of his need to make "little noise" and so "withdrew into the background".[68] He also left out Pierce's drinking habits, despite rumors of his alcoholism,[69] and emphasized Pierce's belief that slavery could not "be remedied by human contrivances" but would, over time, "vanish like a dream".[70] With Pierce's election as President, Hawthorne was rewarded in 1853 with the position of United States consul in Liverpool shortly after the publication of Tanglewood Tales.[71] The role was considered the most lucrative foreign service position at the time, described by Hawthorne's wife as "second in dignity to the Embassy in London".[72] His appointment ended in 1857 at the close of the Pierce administration, and the Hawthorne family toured France and Italy. During his time in Italy, the previously clean-shaven Hawthorne grew a bushy mustache.[73]
The family returned to The Wayside in 1860,[74] and that year saw the publication of The Marble Faun, his first new book in seven years.[75] Hawthorne admitted that he had aged considerably, referring to himself as "wrinkled with time and trouble".[76]
Later years and death[edit]
Grave of Nathaniel Hawthorne
At the outset of the American Civil War, Hawthorne traveled with William D. Ticknor to Washington, D.C. where he met Abraham Lincoln and other notable figures. He wrote about his experiences in the essay "Chiefly About War Matters" in 1862.
Failing health prevented him from completing several more romances. Hawthorne was suffering from pain in his stomach and insisted on a recuperative trip with his friend Franklin Pierce, though his neighbor Bronson Alcott was concerned that Hawthorne was too ill.[77] While on a tour of the White Mountains, he died in his sleep on May 19, 1864 in Plymouth, New Hampshire. Pierce sent a telegram to Elizabeth Peabody asking her to inform Mrs. Hawthorne in person. Mrs. Hawthorne was too saddened by the news to handle the funeral arrangements herself.[78] Hawthorne's son Julian was a freshman at Harvard College, and he learned of his father's death the next day; coincidentally, he was initiated into the Delta Kappa Epsilon fraternity on the same day by being blindfolded and placed in a coffin.[79] Longfellow wrote a tribute poem to Hawthorne published in 1866 called "The Bells of Lynn".[80] Hawthorne was buried on what is now known as "Authors' Ridge" in Sleepy Hollow Cemetery, Concord, Massachusetts.[81] Pallbearers included Longfellow, Emerson, Alcott, Oliver Wendell Holmes, Sr., James Thomas Fields, and Edwin Percy Whipple.[82] Emerson wrote of the funeral: "I thought there was a tragic element in the event, that might be more fully rendered—in the painful solitude of the man, which, I suppose, could no longer be endured, & he died of it."[83]
His wife Sophia and daughter Una were originally buried in England. However, in June 2006, they were reinterred in plots adjacent to Hawthorne.[84]
Writings[edit]
Statue of Hawthorne in Salem, Massachusetts
Hawthorne had a particularly close relationship with his publishers William Ticknor and James Thomas Fields.[85] Hawthorne once told Fields, "I care more for your good opinion than for that of a host of critics."[86] In fact, it was Fields who convinced Hawthorne to turn The Scarlet Letter into a novel rather than a short story.[87] Ticknor handled many of Hawthorne's personal matters, including the purchase of cigars, overseeing financial accounts, and even purchasing clothes.[88] Ticknor died with Hawthorne at his side in Philadelphia in 1864; according to a friend, Hawthorne was left "apparently dazed".[89]
Literary style and themes[edit]
Hawthorne's works belong to romanticism or, more specifically, dark romanticism,[90] cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity.[91] Many of his works are inspired by Puritan New England,[92] combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism.[93] His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution.[94] His later writings also reflect his negative view of the Transcendentalism movement.[95]
Hawthorne was predominantly a short story writer in his early career. Upon publishing Twice-Told Tales, however, he noted, "I do not think much of them," and he expected little response from the public.[96] His four major romances were written between 1850 and 1860: The Scarlet Letter (1850), The House of the Seven Gables (1851), The Blithedale Romance (1852) and The Marble Faun (1860). Another novel-length romance, Fanshawe, was published anonymously in 1828. Hawthorne defined a romance as being radically different from a novel by not being concerned with the possible or probable course of ordinary experience.[97] In the preface to The House of the Seven Gables, Hawthorne describes his romance-writing as using "atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture".[98]
Critics have applied feminist perspectives and historicist approaches to Hawthorne's depictions of women. Feminist scholars are interested particularly in Hester Prynne, who realized that she herself could not be the "destined prophetess," but that "angel and apostle of the coming revelation" must be a woman." [99] Camille Paglia saw Hester as mystical, "a wandering goddess still bearing the mark of her Asiatic origins ... moving serenely in the magic circle of her sexual nature".[100] Lauren Berlant termed Hester "the citizen as woman [personifying] love as a quality of the body that contains the purest light of nature," her resulting "traitorous political theory" a "Female Symbolic" literalization of futile Puritan metaphors.[101] Historicists view Hester as a protofeminist and avatar of the self-reliance and responsibility that led to women's suffrage and reproductive emancipation. Anthony Splendora found her literary genealogy among other archetypally fallen but redeemed women, both historic and mythic. As examples, he offers Psyche of ancient legend; Heloise of twelfth-century France's tragedy involving world-renowned philosopher Peter Abelard; Anne Hutchinson (America's first heretic, circa 1636), and Hawthorne family friend Margaret Fuller.[102] In Hester's first appearance, Hawthorne likens her, "infant at her bosom", to Mary, Mother of Jesus, "the image of Divine Maternity". In her study of Victorian literature, in which such "galvanic outcasts" as Hester feature prominently, Nina Auerbach went so far as to name Hester's fall and subsequent redemption, "the novel's one unequivocally religious activity".[103] Regarding Hester as a deity figure, Meredith A. Powers found in Hester's characterization "the earliest in American fiction that the archetypal Goddess appears quite graphically," like a Goddess "not the wife of traditional marriage, permanently subject to a male overlord"; Powers noted "her syncretism, her flexibility, her inherent ability to alter and so avoid the defeat of secondary status in a goal-oriented civilization".[104]
Aside from Hester Prynne, the model women of Hawthorne's other novels — from Ellen Langton of Fanshawe to Zenobia and Priscilla of The Blithedale Romance, Hilda and Miriam of The Marble Faun and Phoebe and Hepzibah of The House of the Seven Gables — are more fully realized than his male characters, who merely orbit them.[105] This observation is equally true of his short-stories, in which central females serve as allegorical figures: Rappaccini's beautiful but life-altering, garden-bound, daughter; almost-perfect Georgiana of "The Birthmark"; the sinned-against (abandoned) Ester of "Ethan Brand"; and goodwife Faith Brown, linchpin of Young Goodman Brown's very belief in God. "My Faith is gone!" Brown exclaims in despair upon seeing his wife at the Witches' Sabbath.[citation needed].
Hawthorne also wrote nonfiction. In 2008, Library of America selected Hawthorne's "A Collection of Wax Figures" for inclusion in its two-century retrospective of American True Crime.[citation needed]
Criticism[edit]
Edgar Allan Poe wrote important, and somewhat unflattering, reviews of both Twice-Told Tales and Mosses from an Old Manse. Poe's negative assessment was partly due to his own contempt of allegory and moral tales, and his chronic accusations of plagiarism, though he admitted,
The style of Hawthorne is purity itself. His tone is singularly effective—wild, plaintive, thoughtful, and in full accordance with his themes ... We look upon him as one of the few men of indisputable genius to whom our country has as yet given birth.[106]
Ralph Waldo Emerson wrote, "Nathaniel Hawthorne's reputation as a writer is a very pleasing fact, because his writing is not good for anything, and this is a tribute to the man."[107] Henry James praised Hawthorne, saying, "The fine thing in Hawthorne is that he cared for the deeper psychology, and that, in his way, he tried to become familiar with it."[108] Poet John Greenleaf Whittier wrote that he admired the "weird and subtle beauty" in Hawthorne's tales.[109] Evert Augustus Duyckinck said of Hawthorne, "Of the American writers destined to live, he is the most original, the one least indebted to foreign models or literary precedents of any kind."[110]
Contemporary response to Hawthorne's work praised his sentimentality and moral purity while more modern evaluations focus on the dark psychological complexity.[111] Beginning in the 1950s, critics have focused on symbolism and didacticism.[112]
The critic Harold Bloom has opined that only Henry James and William Faulkner challenge Hawthorne's position as the greatest American novelist, although he admits that he favors James as the greatest American novelist.[113][114] Bloom sees Hawthorne's greatest works to be principally The Scarlet Letter, followed by The Marble Faun and certain short stories, including "My Kinsman, Major Molineux", "Young Goodman Brown", "Wakefield", and "Feathertop".[114]
Selected works[edit]
The Midas myth, from A Wonder-Book for Girls and Boys. Illustration by Walter Crane for the 1893 edition.
The "definitive edition" of Hawthorne's works[115] is The Centenary Edition of the Works of Nathaniel Hawthorne, edited by William Charvat and others, published by The Ohio State University Press in twenty-three volumes between 1962 and 1997.[116] Tales and Sketches (1982) was the second volume to be published in the Library of America, Collected Novels (1983) the tenth.[117]
Novels[edit]
Fanshawe (published anonymously, 1828)[118]
The New Adam and Eve (1843)
The Scarlet Letter (1850)
The House of the Seven Gables (1851)
The Blithedale Romance (1852)
The Marble Faun: Or, The Romance of Monte Beni (1860) (as Transformation: Or, The Romance of Monte Beni, UK publication, same year)
The Dolliver Romance (1863) (unfinished)
Septimius Felton; or, the Elixir of Life (unfinished, published in the Atlantic Monthly, 1872)
Doctor Grimshawe's Secret: A Romance (unfinished, with preface and notes by Julian Hawthorne, 1882)
Short story collections[edit]
Twice-Told Tales (1837)
Grandfather's Chair (1840)
Mosses from an Old Manse (1846)
A Wonder-Book for Girls and Boys (1851)
The Snow-Image, and Other Twice-Told Tales (1852)
Tanglewood Tales (1853)
The Dolliver Romance and Other Pieces (1876)
The Great Stone Face and Other Tales of the White Mountains (1889)
Twenty Days with Julian & Little Bunny (written 1851, published 1904)
Selected short stories[edit]
"Roger Malvin's Burial" (1832)
"My Kinsman, Major Molineux" (1832)
"The Minister's Black Veil" (1832)
"Young Goodman Brown" (1835)
"The Gray Champion" (1835)
"The White Old Maid" (1835)
"Wakefield" (1835)
"The Ambitious Guest" (1835)
"The Man of Adamant" (1837)
"The May-Pole of Merry Mount" (1837)
"The Great Carbuncle" (1837)
"Dr. Heidegger's Experiment" (1837)
"A Virtuoso's Collection" (May 1842)
"The Birth-Mark" (March 1843)
"The Celestial Railroad" (1843)
"Egotism; or, The Bosom-Serpent" (1843)
"Rappaccini's Daughter" (1844)
"P.'s Correspondence" (1845)
"The Artist of the Beautiful" (1846)
"Fire Worship" (1846)
"Ethan Brand" (1850)
"The Great Stone Face" (1850)
"Feathertop" (1852)
Nonfiction[edit]
Our Old Home (1863)
See also[edit]
Biography portal
Children's literature portal
Gothic fiction
Young America movement
Notes[edit]
Jump up ^ Who Belongs To Phi Beta Kappa, Phi Beta Kappa website, accessed Oct 4, 2009
Jump up ^ Hawthorne, Nathaniel (1828). Fanshawe. Boston: Marsh & Capen.
Jump up ^ Haas, Irvin. Historic Homes of American Authors. Washington, DC: The Preservation Press, 1991: 118. ISBN 0-89133-180-8.
Jump up ^ Miller, 20–21
Jump up ^ McFarland, 18
Jump up ^ Wineapple, 20–21
Jump up ^ Edward B. Hungerford (1933). "Hawthorne Gossips about Salem". New England Quarterly. 6. JSTOR 359552.
Jump up ^ McFarland, 17
Jump up ^ Miller, 47
Jump up ^ Mellow, 18
Jump up ^ Mellow, 20
Jump up ^ Miller, 50
Jump up ^ Mellow, 21
Jump up ^ Mellow, 22
Jump up ^ Miller, 57
^ Jump up to: a b Edwards, Herbert. "Nathaniel Hawthorne in Maine", Downeast Magazine, 1962
Jump up ^ Wineapple, 44–45
Jump up ^ Cheever, 99
Jump up ^ Miller, 76
Jump up ^ George Edwin Jepson. "Hawthorne in the Boston Custom House". The Bookman. August 1904.
Jump up ^ Wineapple, 87–88
Jump up ^ Miller, 169
Jump up ^ Mellow, 169
Jump up ^ Letter to Longfellow, June 4, 1837.
Jump up ^ McFarland, 22–23
Jump up ^ Manning Hawthorne, "Nathaniel Hawthorne at Bowdoin", The New England Quarterly, Vol. 13, No. 2 (June 1940): 246–279.
Jump up ^ Cheever, 102
Jump up ^ McFarland, 83
Jump up ^ Cheever, 104
^ Jump up to: a b McFarland, 149
Jump up ^ Wineapple, 160
Jump up ^ McFarland, 25
Jump up ^ Schreiner, 123
Jump up ^ Miller, 246–247
Jump up ^ Mellow, 6–7
Jump up ^ McFarland, 87
Jump up ^ January 14, 1851, Journal of Sophia Hawthorne. Berg Collection NY Public Library.
Jump up ^ Schreiner, 116–117
Jump up ^ McFarland, 97
Jump up ^ Schreiner, 119
^ Jump up to: a b Reynolds, 10
Jump up ^ Mellow, 273
Jump up ^ Miller, 343–344
Jump up ^ Miller, 242
Jump up ^ Miller, 265
Jump up ^ Cheever, 179
Jump up ^ Cheever, 180
Jump up ^ Miller, 264–265
Jump up ^ Miller, 300
Jump up ^ Mellow, 316
^ Jump up to: a b McFarland, 136
Jump up ^ Cheever, 181
Jump up ^ Miller, 301–302
Jump up ^ Miller, 284
Jump up ^ Miller, 274
Jump up ^ Cheever, 96
Jump up ^ Miller, 312
Jump up ^ Mellow, 335
Jump up ^ Mellow, 382
^ Jump up to: a b Wright, John Hardy. Hawthorne's Haunts in New England. Charleston, SC: The History Press, 2008: 93. ISBN 978-1-59629-425-7
Jump up ^ Mellow, 368–369
Jump up ^ Miller, 345
Jump up ^ Wineapple, 241
Jump up ^ Wineapple, 242
Jump up ^ McFarland, 129–130
Jump up ^ McFarland, 182
^ Jump up to: a b Miller, 381
Jump up ^ Schreiner, 170–171
Jump up ^ Mellow, 412
Jump up ^ Miller, 382–383
Jump up ^ McFarland, 186
Jump up ^ Mellow, 415
Jump up ^ McFarland, 210
Jump up ^ McFarland, 206
Jump up ^ Mellow, 520
Jump up ^ Schreiner, 207
Jump up ^ Wineapple, 372
Jump up ^ Miller, 518
Jump up ^ Matthews, Jack (August 15, 2010). "Nathaniel Hawthorne's Untold Tale". The Chronicle Review. Retrieved 2010-08-17.
Jump up ^ Wagenknecht, Edward. Henry Wadsworth Longfellow: Portrait of an American Humanist. New York: Oxford University Press, 1966: 9.
Jump up ^ Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 20433-20434). McFarland & Company, Inc., Publishers. Kindle Edition.
Jump up ^ Baker, Carlos. Emerson Among the Eccentrics: A Group Portrait. New York: Viking Press, 1996: 448. ISBN 0-670-86675-X.
Jump up ^ McFarland, 297
Jump up ^ Mishra, Raja and Sally Heaney. "Hawthornes to be reunited", The Boston Globe. June 1, 2006. Accessed July 4, 2008
Jump up ^ Madison, 9
Jump up ^ Miller, 281
Jump up ^ Charvat, William. Literary Publishing in America: 1790–1850. Amherst, MA: The University of Massachusetts Press, 1993 (first published 1959): 56. ISBN 0-87023-801-9
Jump up ^ Madison, 15
Jump up ^ Miller, 513–514
Jump up ^ Reynolds, David S. Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Cambridge, Massachusetts: Harvard University Press, 1988: 524. ISBN 0-674-06565-4
Jump up ^ Wayne, Tiffany K. "Nathaniel Hawthorne", Encyclopedia of Transcendentalism. New York: Facts on File, Inc., 2006: 140. ISBN 0-8160-5626-9.
Jump up ^ Bell, Michael Davitt. Hawthorne and the Historical Romance of New England. Boston: Houghton Mifflin Company, 1980: 173. ISBN 0-691-06136-X
Jump up ^ Howe, Daniel Walker. What Hath God Wrought: The Transformation of America, 1815–1848. New York: Oxford University Press, 2007: 633. ISBN 978-0-19-507894-7.
Jump up ^ Crews, 28–29
Jump up ^ Galens, David, ed. Literary Movements for Students, Vol. 1. Detroit: Thompson Gale, 2002: 319. ISBN 0-7876-6517-7
Jump up ^ Miller, 104
Jump up ^ Porte, 95
Jump up ^ Wineapple, 237
Jump up ^ The Scarlet Letter Ch XXIV "Conclusion"
Jump up ^ Paglia, Sexual Personae, 581, 583
Jump up ^ Berlant, The Anatomy of National Fantasy, 94, 148, 175
Jump up ^ Splendora, "Psyche and Hester", 2, 5, 18
Jump up ^ Auerbach, Woman and the Demon, 150, 166
Jump up ^ Powers, The Heroine in Western Literature, 144
Jump up ^ Splendora, "Psyche and Hester", 12
Jump up ^ McFarland, 88–89
Jump up ^ Nelson, Randy F. (editor). The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 150. ISBN 0-86576-008-X.
Jump up ^ Porte, 97
Jump up ^ Woodwell, Roland H. John Greenleaf Whittier: A Biography. Haverhill, Massachusetts: Trustees of the John Greenleaf Whittier Homestead, 1985: 293.
Jump up ^ McFarland, 88
Jump up ^ Person, Leland S. "Bibliographical Essay: Hawthorne and History", collected in A Historical Guide to Nathaniel Hawthorne. Oxford University Press, 2001: 187. ISBN 0-19-512414-6.
Jump up ^ Crews, 4
Jump up ^ Nathaniel Hawthorne by Harold Bloom (2000) p. 9
^ Jump up to: a b Nathaniel Hawthorne by Harold Bloom p. xii
Jump up ^ Rita K. Gollin, Hawthorne, Nathaniel, American National Biography Online Feb. 2000
Jump up ^ Hawthorne, Nathaniel (1962). The Centenary Edition of the Works of Nathaniel Hawthorne. Columbus: Ohio State University Press. ISBN 9780814200599.
Jump up ^ Library of America Series
Jump up ^ Publication info on books from Editor's Note to The Scarlet Letter by Nathaniel Hawthorne, Page by Page Books, accessed June 11, 2007.
References[edit]
Auerbach, Nina, Woman and the Demon: The Life of a Victorian Myth (Cambridge, Mass: Harvard University Press 1982)
Berlant, Lauren. The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life (Chicago and London: University of Chicago Press 1991)
Cheever, Susan. American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and Henry David Thoreau; Their Lives, Their Loves, Their Work. Detroit: Thorndike Press, 2006. Large print edition. ISBN 0-7862-9521-X.
Crews, Frederick. The Sins of the Fathers: Hawthorne's Psychological Themes. Berkeley: University of California Press, 1966; reprinted 1989. ISBN 0-520-06817-3.
Madison, Charles A. Irving to Irving: Author-Publisher Relations 1800–1974. New York: R. R. Bowker Company, 1974.
McFarland, Philip. Hawthorne in Concord. New York: Grove Press, 2004. ISBN 0-8021-1776-7.
Mellow, James R. Nathaniel Hawthorne in His Times. Boston: Houghton Mifflin Company, 1980. ISBN 0-395-27602-0.
Miller, Edwin Haviland. Salem Is My Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991. ISBN 0-87745-332-2.
Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (New York: Vintage 1991)
Porte, Joel. The Romance in America: Studies in Cooper, Poe, Hawthorne, Melville, and James. Middletown, Conn.: Wesleyan University Press, 1969.
Powers, Meredith A. The Heroine in Western Literature: The Archetype and Her Reemergence in Modern Prose (Jefferson, North Carolina and London: McFarland 1991)
Reynolds, Larry J. "Hawthorne's Labors in Concord". The Cambridge Companion to Nathaniel Hawthorne. Edited by Richard H. Millington. Cambridge, UK, New York, US, and Melbourne, Australia: Cambridge University Press, 2004. ISBN 052180745X
Schreiner, Samuel A., Jr. The Concord Quartet: Alcott, Emerson, Hawthorne, Thoreau, and the Friendship that Freed the American Mind. Hoboken, NJ: John Wiley and Sons, 2006. ISBN 0-471-64663-6.
Splendora, Anthony. "Psyche and Hester, or Apotheosis and Epitome: Natural Grace, La Sagesse Naturale", The Rupkatha Journal of Interdisciplinary Studies in the Humanities, Vol. 5, No. 3 (2014), pp. 1–34 http://rupkatha.com/v5n3.php.
Wineapple, Brenda. Hawthorne: A Life. Random House: New York, 2003. ISBN 0-8129-7291-0.
Further reading[edit]
Bell, Michael Davitt. Hawthorne and the Historical Romance of New England (Princeton University Press, 2015).
Forster, Sophia. "Elizabeth Stuart Phelps, Nathaniel Hawthorne, and the Emergence of American Literary Realism." Studies in the Novel 48.1 (2016): 43–64. online
Greven, David. Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville (2015).
Hallock, Thomas. "'A'is for Acronym: Teaching Hawthorne in a Performance-Based World." ESQ: A Journal of Nineteenth-Century American Literature and Culture 62#1 (2016): 116–121.
External links[edit]
Wikimedia Commons has media related to Nathaniel Hawthorne.
Wikiquote has quotations related to: Nathaniel Hawthorne
Wikisource has original works written by or about:
Nathaniel Hawthorne
About Hawthorne
The Hawthorne in Salem website
Herman Melville's appreciation, "Hawthorne and His Mosses" (1851)
Henry James's book-length study, Hawthorne (1879)
Second copy at Project Gutenberg
Hawthorne Family Papers, ca. 1825–1929, housed in the Department of Special Collections at Stanford University Libraries
"Writings of Nathaniel Hawthorne" from C-SPAN's American Writers: A Journey Through History
Hawthorne: Science, Progress, and Human Nature, series of essays on Hawthorne stories at The New Atlantis.
Passages from the American Note-Books, by Nathaniel Hawthorne, edited by Sophia Hawthorne, 1868, Boston: Houghton, Mifflin, 1883 (volume IX of the 13-volume Riverside Edition of the Complete Works of Nathaniel Hawthorne).
Joint diary of Sophia and Nathaniel Hawthorne at The Morgan Library & Museum
Related websites
Hawthorne Community Association and boyhood home in Raymond, Maine
The Wayside in Concord, Massachusetts
The House of the Seven Gables in Salem, Massachusetts
The Phillips Library of The Peabody Essex Museum in Salem, Massachusetts owns several well-known Hawthorne related manuscript collections.
Works
Works by Nathaniel Hawthorne at Project Gutenberg
Works by Nathaniel Hawthorne at Faded Page (Canada)
Works by or about Nathaniel Hawthorne at Internet Archive
Works by Nathaniel Hawthorne at LibriVox (public domain audiobooks)
Eldred's Hawthorne site at Eldritch Press
Legends of the Province House and Other Twice Told Tales, text and images
[hide]
v
t
e
Nathaniel Hawthorne
Novels
Fanshawe (1828)
The Scarlet Letter (1850)
The House of the Seven Gables (1851)
The Blithedale Romance (1852)
The Marble Faun (1860)
The Dolliver Romance (1863)
Doctor Grimshaw's Secret (1882)
Short story
collections
Twice-Told Tales (1837)
"The Minister's Black Veil"
"The May-Pole of Merry Mount"
"The Great Carbuncle"
"Dr. Heidegger's Experiment"
"The Ambitious Guest"
Mosses from an Old Manse (1846)
"The Birth-Mark"
"Young Goodman Brown"
"Rappaccini's Daughter"
"Egotism; or, The Bosom-Serpent"
"Roger Malvin's Burial"
"P.'s Correspondence"
"The Artist of the Beautiful"
"A Virtuoso's Collection"
"Feathertop"
The Snow-Image, and
Other Twice-Told Tales (1852)
"The Great Stone Face"
"Ethan Brand"
"The Man of Adamant"
"My Kinsman, Major Molineux"
Children's books
A Wonder-Book for Girls and Boys (1851)
Tanglewood Tales (1853)
Related
Sophia Hawthorne (wife)
Julian Hawthorne (son)
Rose Hawthorne, Mother Mary Alphonsa (daughter)
The Old Manse
The Wayside
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Howard Morris
From Wikipedia, the free encyclopedia
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For the British biochemist, see Howard Morris (biochemist).
Howard Morris
Morris as Ernest T. Bass, 1960s.
Born
Howard Jerome Morris
(1919-09-04)September 4, 1919
The Bronx, New York, U.S.
Died
May 21, 2005(2005-05-21) (aged 85)[1]
Los Angeles, California, U.S.
Cause of death
Heart disease and Pneumonia
Occupation
Actor, voice actor, director
Years active
1946–2005
Spouse(s)
Mary Helen McGowan
(m. 1945–?; divorced)
Dolores A. Wylie
(m. 1962–1977; divorced)
Children
3
Howard Jerome Morris (September 4, 1919 – May 21, 2005) was an American actor, voice actor and director who was best known for his role in The Andy Griffith Show as Ernest T. Bass.
Contents
[hide]
1 Life and career
2 Voice acting
3 The move to directing
4 Later career
5 Death
6 Filmography
7 Filmography (as director)
8 Television
9 Television (as director)
10 References
11 External links
Life and career[edit]
Morris was born to a Jewish[2] family in The Bronx, New York, the son of Elsie and Hugo Morris, a rubber company executive.[3] During World War II, he was assigned to a United States Army Special Services unit where he was the First Sergeant. Maurice Evans was the company commander and Carl Reiner and Werner Klemperer were soldiers in the unit.[4] Based in Honolulu, the unit entertained American troops throughout the Pacific.[5]
He came to prominence in appearances on Sid Caesar's Your Show of Shows (a live sketch comedy series appearing weekly in the United States, from 1950 to 1954). Morris appeared twice in 1957 in episodes of the short-lived NBC comedy/variety show The Polly Bergen Show.
Although Morris was a classically trained Shakespearean actor, he is best remembered for playing the wily and over the top "mountain man" character Ernest T. Bass on The Andy Griffith Show. Also, he played George, the TV mechanic in the episode: "Andy and Helen have their Day" on the Andy Griffith show. He had lampooned southern accents while in the army at Fort Bragg, North Carolina. He starred in one of the more comical early hour-long Twilight Zone episodes, "I Dream of Genie". Other roles included that of Elmer Kelp in The Nutty Professor, a movie studio clerk in the short film Star Spangled Salesman, and an art appraiser in an episode of The Dick Van Dyke Show. He also had appeared in several Broadway shows including the highly regarded 1960 revival of Finian's Rainbow as Og the leprechaun opposite Bobby Howes as Finian. He played the role of Schmidlap in Way... Way Out and appeared in the movie, Boys' Night Out (1962) starring Tony Randall, Kim Novak and James Garner.
Voice acting[edit]
Morris was first heard in animated cartoons in the early 1960s. He and Allan Melvin teamed up for a 50-episode King Features Syndicate series, Beetle Bailey, for which he and Melvin also wrote a number of episodes. He also provided the voices for Gene Deitch's Academy Award-winning Munro, about a four-year-old boy who was drafted into the Army.
Beginning in 1962, Morris played a variety of voices in many Hanna-Barbera series including The Jetsons as Jet Screamer who sang the "Eep opp ork ah ah!" song,[6] (said to be Morris' first work for Hanna-Barbera) and The Flintstones. He was the original voice of Atom Ant and provided the voice of Mr. Peebles in the Magilla Gorilla series, teaming up again with Allan Melvin who performed the voice for Magilla. In another series, Morris was heard as the voice of Breezly Bruin which was similar in tone with the Bill Scott vocalization of Bullwinkle. Morris had a disagreement with Joseph Barbera prior to production of the 1966-1967 season of Magilla Gorilla and Atom Ant and all of his voices were recast, mostly using Don Messick. Years later the two men reconciled and Morris was back doing those voices and others.He also lend his voice of Forsythe "Jughead"Jones on The Archies Filmation series from 1968-1977.
Morris also voiced the characters Professor Icenstein and Luigi La Bounci in the animated series Galaxy High. Morris provided the original vocalizations for the Hamburglar ("Robble, robble, robble") in McDonald's 1971 ad campaign, which Morris also directed. He is also remembered by Filmation and Archie Show fans as the voice of Jughead Jones throughout the life of the franchise. Morris provided the voice of Wade Duck in the U.S. Acres segments of Garfield and Friends, and voiced Webbly in Bobby's World and Flem in Cow & Chicken. Morris supplied the voice of the koala in TV commercials for Qantas from 1967 through 1992 (saying the tagline, "I hate Qantas"),[7] and voiced the character of Gopher in the Disney featurettes Winnie the Pooh and the Honey Tree and Winnie the Pooh and the Blustery Day. Also in 1989 he voiced a French gangster cat named Monte De Zar of Paris, France, (Fat Cat's Cousin) in an episode of Disney's: Chip 'N Dale Rescue Rangers episode "Le Purrfect Crime".
The move to directing[edit]
While Morris continued to make himself available for voice and sound effect roles, he also began a new career in voice directing. Among the projects he directed are Police Academy, Richie Rich, Bionic Six, Goin' Coconuts, Pole Position, Galaxy High, The Snorks, The Mighty Orbots, Rose Petal Place, The Dogfather, Dragon's Lair, Tom and Jerry: The Movie, Turbo Teen, Cabbage Patch Kids: First Christmas, Little Clowns of Happytown, The Little Wizards, Space Stars and Kidd Video.
Later career[edit]
Morris directed Doris Day in her final film With Six You Get Eggroll (1968). Other films he directed were Don't Drink the Water (1969) and Who's Minding the Mint? (1967).
Mel Brooks occasionally cast Morris in his films. For example, he played Brooks' mentor psychiatrist Dr. Lilloman in the comedy High Anxiety (1977), the emperor's court spokesman ("Here, wash this!") in History of the World, Part I (1981), and played a bum named Sailor living in the streets in Life Stinks (1991).
In 1984, he played Dr. Zidell in Splash, a film directed by Ron Howard (the two had first worked together on The Andy Griffith Show). He worked with his old friend and trouping partner Sid Caesar as nervous Jewish tailors in the 1998 movie of Ray Bradbury's The Wonderful Ice Cream Suit.
In 1986, he reprised his famous role as Ernest T. Bass in the high-rated television movie Return to Mayberry. Morris also directed some episodes of Hogan's Heroes, The Dick Van Dyke Show and the black and white pilot episode of Get Smart.
In 1994, Morris voiced Zinn-a-Zu the Bird, Garfield the Third Fish, the Sneetches and Mr. Fox in Storybook Weaver, and later in 2004, remade as Storybook Weaver Deluxe.
Shortly before his death, he played Flem on Cow and Chicken.
Death[edit]
On May 21, 2005, Morris died of a heart attack. He is entombed in Laurel Gardens Wall crypt at Hillside Memorial Park Cemetery in Culver City, California.[8]
Filmography[edit]
Boys Night Out - Movie - Howard McIllenny (1962)
Loopy DeLoop - Short - Habit Rabbit - Raymond (1963)
Winnie the Pooh and the Honey Tree - Short - Gopher (1966)
Winnie the Pooh and the Blustery Day - Short - Gopher (1968)
Daffy Duck and Porky Pig Meet the Groovie Goolies - Franklin 'Frankie' Frankenstein/Wolfgang 'Wolfie' Wolfman/Orville (1972)
High Anxiety - Professor Lilloman (1977)
The Many Adventures of Winnie the Pooh - Gopher (1977)
Return to Mayberry - TV movie - Ernest T. Bass (1986)
Life Stinks - Movie - Sailor (1991)
I Yabba-Dabba Do! - TV movie - additional voices (1993)
Hollyrock-a-Bye Baby - TV movie - Bird (1993)
A Flintstones Christmas Carol - TV movie - Additional Voices (1994)
[9]
Filmography (as director)[edit]
Who's Minding the Mint? (1967)
With Six You Get Eggroll (1968)
Don't Drink the Water (1969)
Goin' Coconuts (1978)
Television[edit]
Wanted: Dead or Alive - episode - Detour - Clayton Armstrong (1961)
The Flintstones - 28 episodes - Jethro Hatrock/Weirdly Gruesome/Rockhead/The Kissing Burglar/Various Others (1962-1965)
The Jetsons - 14 episodes - Harlan/Montique Jetson/Jet Screamer/Henry Orbit (1episode) / various voices (1962-1987)
The Dick Van Dyke Show - episode - The Masterpiece - Mr. Holdecker (1963)
Beetle Bailey - Beetle Bailey/Gen. Halftrack/Lt. Fuzz (1963)
The Andy Griffith Show - 8 episodes - Ernest T. Bass/Various Others (1963-1965)
Make Room for Daddy - episode - The Leprechaun - Sean (1964)
The Magilla Gorilla Show - Mr. Peebles(1964-1965)
Punkin' Puss and Mushmouse - Mushmouse (1964-1965)
Breezly and Sneezly - Breezly Bruin (1964-1965)
The Secret Squirrel Show - Additional Voices (1965)
The Famous Adventures of Mr. Magoo (1965)
The Atom Ant Show - Atom Ant (1965-1966))
Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This? - TV special - The White Rabbit (1966)
The Archie Show - Forsythe "Jughead" Jones ,"Big Moose" Mason and Dilton Doiley(1968-1978)
The Banana Splits in Hocus Pocus Park - Hocus / Pocus (1972)
The Plastic Man Comedy/Adventure Show - Doctor Dome (1979)
Legends of the Superheroes - 2 TV specials - The Challenge and The Roast - Dr. Sivana (1979)
Fantasy Island - 2 episodes (1980-1983)
Shirt Tales- Shutter McBugg (1982)
Trapper John, M.D. - 5 episodes - Dr. Jerry Hannigan / Dr. Kauffman (1982-1984)
Alvin & the Chipmunks (1983)
The Yellow Rose - episode - Sport of Kings - Johnny Hogan (1984)
The 13 Ghosts of Scooby-Doo - Bogel / Platypus Duck (1985)
Star Fairies - TV special - Dragon Head #1 (1985)
Snorks - Additional Voices (1985)
Paw Paws - Trembly Paw (1985-1986)
The Flintstone Kids - Additional Voices (1986-1988)
Galaxy High - Professor Einstein / Luigi La Bounci (1986)
Sesame Street - 4 episodes - Jughead Jones (1986-1993)
Adventures of the Gummi Bears - Sir Paunch (1987)
DuckTales - Dr. Von Swine / Happy Jack / additional voices (1987-1989)
Little Clowns of Happytown - Mr. Pickleherring
Superman - episode - Triple-Play/The Circus - Prankster / Oswald Loomis (1988)
The New Yogi Bear Show - Additional Voices (1988)
Fantastic Max - Additional Voices (1988-1989)
Garfield and Friends - 121 episodes - Wade Duck /additional voices (1988-1994)
The Further Adventures of SuperTed - Polka Face (1989)
The Adventures of Ronald McDonald: McTreasure Island - Video Short - Hamburglar / Ben Gunn (1989)
Murder, She Wrote - episode - Something Borrowed, Someone Blue - Uncle Ziggy (1989)
Midnight Patrol: Adventures in the Dream Zone - 13 episodes (1990)
Chip 'n Dale: Rescue Rangers - Maltese de Sade (1990)
Yo Yogi! - additional voices (1991)
TaleSpin - King Amok (1991)
Television (as director)[edit]
The Dick Van Dyke Show - episodes - The Ballad of the Betty Lou/A Nice, Friendly Game of Cards/Scratch My Car and Die/The Return of Edwin Carp/ The Case of the Pillow (1963-1965)
The Andy Griffith Show - episodes - Barney's Bloodhound/The Darling Baby/Andy and Helen Have Their Day/Three Wishes for Opie/Otis Sues the County (1964)
Get Smart - episode - Mr. Big (1965)
The Patty Duke Show- (1965)
Bewitched - episodes - We're in for a Bad Spell/Junior Executive/Prodigy (1965-1966)
Hogan's Heroes - 14 episodes - (1965-1967)
A Secret Agent's Dilemma, or A Clear Case of Mind Over Mata Hari - TV movie (1965)
Good Old Days - TV movie (1966)
Laredo - episode -That's Noway, Thataway (1966)
Laverne & Shirley - episode - Frank's Fling (1977)
The Beatrice Arthur Special - TV movie (1980)
Trapper John, M.D. - episodes - Billboard Barney & Life, Death and Dr. Christmas (1985-1986)
References[edit]
Jump up ^ Fox, Margalit (May 25, 2005). "Howard Morris, an Actor in Television Comedies, Dies at 85". The New York Times. Retrieved September 2, 2017.
Jump up ^ Greenberg, Martin H. (1979). The Jewish Lists: Physicists and Generals, Actors and Writers, and Hundreds of Other Lists of Accomplished Jews. New York: Schocken Books. p. 198. ISBN 978-0805237115.
Jump up ^ "Howard Morris Biography (1919-)". Film Reference.
Jump up ^ p.386 H.W. Wilson Company Current Biography Yearbook (1962) H. W. Wilson Co., 1962
Jump up ^ Foster, Barbara (November 1983). "The Many Facets of a One-Time German Colonel, Werner Klemperer". Orange Coast.
Jump up ^ Howard Morris Biography, Hal Erickson, Allmovie
Jump up ^ "Qantas Airways Remembers Actor/Director Howard Morris, the Voice of the Qantas Koala" (Press release). Qantas Airways. May 27, 2005.
Jump up ^ "Howard Morris". Find A Grave. May 23, 2005.
Jump up ^ IMDb
External links[edit]
Howard Morris on IMDb
Howard Morris at Find a Grave
Miller, Stephen. "Howard Morris, 85, Comic Actor and Voiceover Artist," The New York Sun, Monday, May 23, 2005.
Authority control
WorldCat Identities
VIAF: 74042188
LCCN: n85199195
ISNI: 0000 0001 1816 1353
GND: 134748964
BNF: cb139423933 (data)
IATH: w6cn9s9r
Retrieved from "https://en.wikipedia.org/w/index.php?title=Howard_Morris&oldid=805229759"
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