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Major League Baseball schedule
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The Major League Baseball (MLB) season schedule consists of 162 games for each of the 30 teams in the American League (AL) and National League (NL), played over approximately six months—a total of 2,430 games, plus the postseason. The regular season runs from late March/early April to late September/early October, followed by the postseason which can run to early November. The season begins with the official Opening Day, and, as of 2018, runs 26½ weeks through the last Sunday of September or first Sunday of October. One or more International Opener games may be scheduled outside the United States before the official Opening Day.[1] It is possible for a given team to play a maximum of 20 games in the postseason in a given year, provided the team is a wild card and advances to each of the Division Series, Championship Series, and World Series with each series going the distance (5 games in the Division Series, 7 games each in the League Championship Series/World Series).
The regular season is constructed from series. Due to travel concerns and the sheer number of games, pairs of teams are never scheduled to play single games against each other (except in the instance of making up a postponed game); instead they play games on several consecutive days in the same ballpark. Most often the series are of three or four games, but two-game series are also scheduled. Teams play one mid-week series and one weekend series per week. Depending on the length of the series, mid-week series games are usually scheduled between Monday and Thursday, while weekend games are scheduled between Thursday and Monday. Beginning in 2018, teams start and end their season on a weekend for a total of 26½ weeks. Due to the mid-week all-star break in July, teams are scheduled to play 27 weekend series and 25 mid-week series for a total of 52 series (24 divisional series, 20 inter-divisional series, 8 inter-league series). A team's road games are usually grouped into a multi-series road trip; home series are grouped into homestands.
Note that rainouts and other cancellations are often rescheduled ad hoc during the season, sometimes as doubleheaders. However, if two teams are scheduled to meet for the final time in the last two weeks of the season, and the game is cancelled, it may not be rescheduled if there is no impact on the divisional or wild card races. For example, in 2016, the September 29 game between the Cleveland Indians and Detroit Tigers was cancelled due to rain because the teams were unable to reschedule a make-up date before the end of the season on October 2, and it did not affect the divisional race. In contrast, a 2008 AL Central division game between Detroit and the Chicago White Sox needed to be made up following the last day of the regular season because it affected a division race involving the White Sox and the Minnesota Twins.
Contents
1 Historical season schedules
1.1 National League
1.2 American League
1.3 American Association
1.4 Union Association
1.5 Players' League
1.6 Federal League
1.7 National Association of Professional Base Ball Players
2 Recent season schedules
2.1 1998 to 2012
2.1.1 Interleague play
2.1.2 9/11 rescheduling
2.2 2013–2017
2.3 2018–present
3 Time of first pitch
4 References
5 Further reading
Historical season schedules[edit]
This account gives the length of the major league "championship season" schedule by league and year. It does not cover the curtailment of play by war (1918) or by strikes and lockouts (1972, 1981, 1994). The schedules for 1995 were revised and shortened from 162 to 144 games, after late resolution of the strike that had begun in 1994 required a delay in the season to accommodate limited spring training.
The listed years are those in which the league revised its schedule. For example, the National League (NL) scheduled 84 games during 1879, 1880, 1881, and 1882 – that is, four seasons from 1879, ending before 1883, the next listing. 1876 is listed here for convenience although the NL did not schedule games (see 1871 to 1876, below).
National League[edit]
Start year
Total Games
Schedule
1876 70 10 games × 7 opponents – matches scheduled by the two clubs (as previously, below)
1877 60 12 games × 5 opponents – the first league schedule
1879 84 12 games × 7 opponents
1883 98 14 games × 7 opponents
1884 112 16 games × 7 opponents
1886 126 18 games × 7 opponents
1888 140 20 games × 7 opponents
1892 154 14 games × 11 opponents
1893 132 12 games × 11 opponents
1898 154 14 games × 11 opponents
1900 140 20 games × 7 opponents
1904 154 22 games × 7 opponents
1919 140 20 games × 7 opponents
1920 154 22 games × 7 opponents
1962 162 18 games × 9 opponents
1969 162 18 games × 5 opponents in-division, 12 × 6 interdivision games
(yielding 90 intra- and 72 inter-division games)
1993 162 expansion – 13 games × 6 opponents in-division, 12 × 7 interdivision games
(78 intra- and 84 inter-division)
1994 162 leagues split into 3 divisions – schedules based on 1993 alignments
1997 162 inter-league play introduced – opponent schedules vary
1998 162 expansion – opponent schedules vary
2013 162 19 games × 4 opponents within same division (76 games), 6 or 7 games x 10 opponents interdivision within same league (66 games), 20 interleague games[2]
American League[edit]
Start year
Total Games
Schedule
1901 140 20 games × 7 opponents
1904 154 22 games × 7 opponents
1919 140 20 games × 7 opponents
1920 154 22 games × 7 opponents
1961 162 18 games × 9 opponents
1969 162 18 games × 5 opponents in-division, 12 × 6 interdivision games
(yielding 90 intra- and 72 inter-division games)
1977 162 expansion – 15 games × 6 opponents in-division, 10 or 11 × 7 interdivision games
(90 intra- and 72 inter-division, as previously)
1979 162 13 games × 6 opponents in-division, 12 × 7 interdivision games
(78 intra- and 84 inter-division)
1994 162 leagues split into 3 divisions – schedules based on 1993 alignments
1997 162 inter-league play introduced – opponent schedules vary
1998 162 expansion – opponent schedules vary
2013 162 19 games × 4 opponents within same division (76 games), 6 or 7 games x 10 opponents interdivision within same league (66 games), 20 interleague games[2]
American Association[edit]
1882 – 1891
1882: 80 games – 16 games × 5 opponents
1883: 98 games – 14 games × 7 opponents
1884: 112 games – 16 games × 7 opponents
1886: 140 games – 20 games × 7 opponents
Thus the AA expanded its schedule to 140 games two years before the National League did so. After 1891 four AA clubs joined the NL and four were bought out, nominally creating one big league, the "National League and American Association" of 12 clubs.
Union Association[edit]
1884
1884: 112 games – 16 games × 7 opponents
Players' League[edit]
1890
1890: 140 games – 20 games × 7 opponents
Federal League[edit]
1914: 1915
1914 – 154 games – 22 games x 7 opponents
National Association of Professional Base Ball Players[edit]
The National Association of Professional Base Ball Players (1871–1875) did not schedule games, nor did it control the number of teams, a major reason for its demise after the 1875 season. Clubs paid a $10 entry fee, later $20, to enter the Association for one season, and thereby declare for that year's national championship. Without continuing membership or heavy investment, there was little to deter a team from breaking a commitment, and though it happened, it was mainly due to clubs going out of business.
The National League organized for 1876 on a different basis, granting exclusive memberships to eight clubs that would continue from year to year — it was generally expected, if only because membership would be profitable. But the new league followed its predecessor in merely agreeing that each club would play a certain number of matches to a decision (excluding ties) by a certain date. Boston played 70 games with its quota of ten decisions against every rival. The others achieved 56 to 68 decisions, 64 to 66 for the four western teams as the teams from New York and Philadelphia (eastern) abandoned their schedule-concluding road trips.
For all six early seasons, prior to the first league schedule in 1877, member clubs scheduled their own matches by mutual arrangement, including championship games necessarily with member clubs, other games with members, and games with non-member clubs. Some may have practically dictated their arrangements with some others, but there was no central control or coordination.
This listing gives the greatest number of games played by any club for each season. Naturally, the leader by games played was always a strong club fielding one of the better gate attractions.
1871: 33 games (Mutual, New York)
1872: 58 games (Lord Baltimore)
1873: 60 games (Boston)
1874: 71 games (Boston)
1875: 86 games (Hartford)
1876: 70 games (Boston) – the first National League season (see text)
The leading numbers of games played to a decision were 33, 54, 59, 71, 82, and 70 decisions; by the listed teams except the Mutuals in 1872.
Recent season schedules[edit]
1998 to 2012[edit]
Since 1998, there have been 30 major league teams with a single advance schedule for every season that comprises 2430 games. Each team plays 162 games, 81 as the "home" team, 81 as the "visitor". (This is true even on the rare occasion when a game is played at a ballpark not home to either team.) Occasionally, the advance schedule is subsequently altered due to a game postponement or a one-game tie-breaker to determine which team will play in the postseason.
Before 2013 the schedule included 252 "interleague games" that matched one team from the American League and one from the National League; the other 2178 games matched a pair from within one league. About half of the latter matched teams from within one division and about half matched teams from different divisions in one league. In the Central Division of the National League, which alone had six teams, every pair of division rivals played 15 or 16 games. Within the other, smaller divisions every pair of teams played 18 or 19 games.
Division games (1091). There are 61 pairs of teams from within one division.
25 pairings will play 19 games each (475 games)
21 pairings will play 18 games each (378 games)
13 pairings will play 16 games each (208 games) – most NL Central pairings
2 pairings will play 15 games each (30 games) – two NL Central pairings
Total: 1091 games.
Other intraleague games (1087). There are 150 pairs of teams from two different divisions within one league.
23 pairings will play 10 games each (230 games)
15 pairings will play 9 games each (135 games)
8 pairings will play 8 games each (64 games)
34 pairings will play 7 games each (238 games)
70 pairings will play 6 games each (420 games)
Total: 1087 games.
Interleague play[edit]
Main article: Interleague play
The schedule for interleague play comprised 84 three-game series in each season from 1998 to 2012, divided as six series (18 games) for each of fourteen AL teams and as many as six for each of sixteen NL teams.
Among the 224 interleague pairs of teams, 11 played six games every year, which were scheduled in two three-game series "home and home", or one at each home ballpark. Five of these 11 special arrangements matched two teams in the same city or in neighboring cities, where they wholly or partly share territorial rights. Six were regional matches at greater distance, four of which were in the same state.
Baltimore vs. Washington
Chicago Cubs (North Side) vs. Chicago White Sox (South Side)
Cincinnati vs. Cleveland
Miami vs. Tampa Bay (Tampa/St. Petersburg)
Houston vs. Texas (Arlington)
Kansas City vs. St. Louis
Los Angeles Angels vs. Los Angeles Dodgers
Milwaukee vs. Minnesota (Minneapolis/St. Paul)
New York Mets (Queens) vs. New York Yankees (Bronx)
Oakland vs. San Francisco
San Diego and Seattle
These special local and regional series accounted for 66 interleague games annually from 1998-2012, and the other 186 games were determined by rotation.
9/11 rescheduling[edit]
The 2001 season was suspended for one week due to the September 11 terrorist attacks and resulting disruptions in travel, resulting in games scheduled for September 11–16 being rescheduled to the first week of October and the playoffs and World Series being rescheduled one week later than their originally planned dates, which resulted in the World Series continuing into early November.
2013–2017[edit]
Schedule changes for 2013, precipitated by realignment that created two equal-sized leagues of 15 teams each, gave every team 20 interleague games.[2] Sixteen of which were determined by a match of divisions, one from each league; all teams in a given division play all teams in a given division from the other league. (Each plays a three-game series against four teams from the designated division and two two-game series against the remaining team.)
The matched divisions rotate annually:
AL East vs. NL West (2013), vs. NL Central (2014)
AL Central vs. NL East (2013), vs. NL West (2014)
AL West vs. NL Central (2013), vs. NL East (2014)
Each team played its four other interleague games against a designated "natural rival", with two games in each club's city. Thus all 30 teams, rather than 22 of 30 as previously, were deemed to have a natural rival in the other league. In 2013 the natural rivalry games were all scheduled for May 27 to May 30 (Memorial Day weekend) but in 2014 their scheduled dates range from May to August.
Ten of the natural rivalries from 2012 and earlier continued, while the Houston–Texas "Lone Star" rivalry had been transformed into an intra-division one with 19 games played. Five of the special arrangements were new in 2013 , including one each for Houston and Texas.
Baltimore vs. Washington
Boston vs. Philadelphia
New York Mets (Queens) vs. New York Yankees (Bronx)
Miami vs. Tampa Bay (Tampa/St. Petersburg)
Toronto vs. Atlanta
Chicago Cubs (North Side) vs. Chicago White Sox (South Side)
Cincinnati vs. Cleveland
Detroit vs. Pittsburgh
Kansas City vs. St. Louis
Milwaukee vs. Minnesota (Minneapolis/St. Paul)
Houston vs. Colorado
Los Angeles Angels of Anaheim vs. Los Angeles Dodgers
Oakland vs. San Francisco
San Diego vs. Seattle
Texas vs. Arizona
For 2014, four (4) of the five (5) new rivalries have been revised (‡), all except Detroit and Pittsburgh.
Baltimore and Washington
Boston vs. Atlanta (until 1952, both teams were based in Fenway–Kenmore)
New York Mets (Queens) vs. New York Yankees (Bronx)
Miami vs. Tampa Bay (Tampa/St. Petersburg)
Toronto vs. Philadelphia
Chicago Cubs (North Side) vs. Chicago White Sox (South Side)
Cincinnati vs. Cleveland
Detroit vs. Pittsburgh
Kansas City vs. St. Louis
Milwaukee vs. Minnesota (Minneapolis/St. Paul)
Houston vs. Arizona
Los Angeles Angels of Anaheim vs. Los Angeles Dodgers
Oakland vs. San Francisco
San Diego vs. Seattle
Texas vs. Colorado
Every team now plays 19 games against each of 4 opponents within its division (76 games), and 6 or 7 games against each of 10 opponents from other divisions within its own league (66 games).
When corresponding divisions (i.e. NL East vs. AL East) play each other, a slight adjustment was made to the interleague games. Teams now play 6 games against their rival and 4 games (home and home) against two opponents plus one home and one away 3 game series (14 total) against the other four teams in the opposing division. This was done in 2015, and will next occur in 2018.
2018–present[edit]
Under the new collective bargaining agreement reached in December 2016, several changes were done to the scheduling pattern for the 2018 season. The overall length of the season has been extended to 187 days with the addition of four off-days for all teams. All teams will play on Opening Day, which for 2018 will be held on March 29. Sunday Night Baseball will no longer be played on the final Sunday before the All-Star Game, in order to ease travel time for those who are participating in the Home Run Derby. A single, nationally televised afternoon game will be played the following Thursday, with all other teams returning to play on Friday.[3][4]
Time of first pitch[edit]
Start of Major League Baseball games depends on days of the week, game number in series, holidays, and other factors. Most games start at 7pm in the local time zone, so there are more night games than day games even though baseball is traditionally played during the day. The reason why there are more night baseball games is to attract more fans to ballparks as well as viewers from home because most fans would be at work or school during the day. On Mondays (excluding Opening Day and holidays), Tuesdays, and Fridays, games are almost exclusively played at night except for Cubs home games. Getaway days, days on which teams play their last game of the series before departing for another series in another city the next day, are usually day games, mainly Sundays, Wednesdays, and Thursdays. On Sundays, usually all but one are day games, with the final game reserved for ESPN's Sunday Night Baseball.
About half of Saturday games are day games (1, 2 or 4pm ET). In some markets, Saturday night start an hour earlier than usual night start times, but other cities start Saturday night games at the same time as weeknight games. In conclusion, weekday games are only played at night except for getaway days while many weekend games are played during the day.
The initial pitch typically occurs 5 or 10 minutes after the hour, in order to allow time for pre-game ceremonies.
References[edit]
Jump up ^ "2012–2016 Basic Agreement" (PDF). Major League Baseball Advanced Media. May 25, 2012. Retrieved November 7, 2015. [dead link]
^ Jump up to: a b c Newman, Mark (September 12, 2012). "MLB releases 2013 schedule with new wrinkles". Major League Baseball Advanced Media. Retrieved November 7, 2015.
Jump up ^ "2018 Major League Baseball schedule released". MLB.com. Retrieved 2017-09-12.
Jump up ^ "MLB minimum salary, 10-day DL, the 187-day season, and other CBA minutiae". True Blue LA (SB Nation). Retrieved 2017-11-13.
Further reading[edit]
The Sporting News Baseball Guide
The MacMillan Baseball Encyclopedia
Retrosheet. "The Directory of Major League Years". Retrieved 2006-09-05.
O'Grady, Jim (April 4, 1999). "Major League Scheduling: The High, Hard One". The New York Times. Retrieved July 7, 2009.
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For the 2015 Tamil film, see Om Shanthi Om.
Om Shanti Om
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Hindi
Budget
est.₹400 million[1][2]
Box office
est.₹1.50 billion[3][4][5]
Om Shanti Om (Hindi pronunciation: [oːm ʃaːnt̪ɪ oːm]) is a 2007 Indian romantic melodrama film directed and co-written by Farah Khan with Mayur Puri and Mushtaq Shiekh. It stars Shah Rukh Khan as Om, a junior artist of the 1970s who has a crush on a secretly married superstar, played by Deepika Padukone. Her husband, a producer played by Arjun Rampal, kills her in a fire; Om witnesses this and dies from the injuries sustained from trying to rescue her. Reincarnated as a superstar in the 2000s, he seeks to avenge his love. Om Shanti Om had Shreyas Talpade, Kirron Kher, Bindu and Javed Sheikh play supporting roles.
The film was produced and presented by Shah Rukh's wife Gauri Khan under the banner Red Chillies Entertainment on a budget of ₹400 million. Farah conceived Om Shanti Om while directing the musical Bombay Dreams (2002), which was based on the Indian film industry. After Shah Rukh rejected the first version of Happy New Year, she was reminded of Om Shanti Om; the film's title derives from a similar titled song from the 1980 film Karz. The soundtrack album was composed by Vishal–Shekhar, with lyrics written by Javed Akhtar. The background score was composed by Sandeep Chowta. The album received positive reviews and was also commercially successful, becoming the highest-selling album of the year in India.
Released on 9 November 2007, Om Shanti Om earned over ₹1.49 billion worldwide, becoming the highest-grossing Indian film at the time, both in India and overseas territories.[citation needed] It received positive reviews from critics, with praise directed to the performances and the film's narrative. The film won several awards in major Indian film award ceremonies. At 53rd Filmfare Awards, it received 12 nominations, winning for Best Female Debut and Best Special Effects, and also won the National Film Award for Best Production Design.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Casting
3.3 Principal photography
4 Music
5 Release
5.1 Manoj Kumar's body double issue
5.2 Plagiarism allegations
6 Reception
6.1 Critical response
6.1.1 India
6.1.2 Overseas
6.2 Box office
7 Awards
8 References
9 External links
Plot[edit]
Om Prakash Makhija, a junior artist in 1970s Hindi cinema, in love with film superstar Shantipriya. One evening, Om attends the premiere of Shanti's film, and envisions himself as the lead actor, Manoj Kumar. Om and his friend Pappu take on numerous small acting roles as extras, and one night, a drunk Om describes his fantasy of one day winning a Filmfare Award for Best Actor. At the shooting of a film, Om rescues Shanti after a fire grows out of control, and they become friends. Om tries to romance her.
Om overhears a conversation between Shanti and film producer Mukesh Mehra. The pair have recently married in secret, and Shanti reveals that she is pregnant with his child. Mukesh seems overjoyed and asks Shanti to meet him at the set of their upcoming film Om Shanti Om. Mukesh promises to cancel the film, reveal their marriage to the public, and have a grand wedding on the set. However, revealing his true colours, he tells Shanti that their relationship and child will ruin his career and sets the backdrop on fire.
Om attempts to rescue Shanti, but is attacked by Mukesh's guards. After the guards leave, he again attempts to rescue Shanti, but he is thrown from the building by the explosion. A disorientated Om is hit by a car owned by Rajesh Kapoor, an actor taking his pregnant wife, Lovely, to the hospital. At the hospital, Om remembers his moments with Shanti as he dies, while Lovely gives birth to a son, also named Om. The soul of Om Prakash reincarnates into the newborn Om Kapoor.
Years later, Om Kapoor (nicknamed OK) becomes a famous actor and lives the luxurious life dreamt of by Om Prakash, but experiences pyrophobia and subconsciously inherits Om Prakash's memories. At an awards ceremony, OK unknowingly delivers a speech Om Prakash made when he was drunk, which is heard by Pappu on television. At the event, OK's father introduces him to Mukesh, whose introduction causes OK to fully remember the events of Om Prakash's life. OK later reunites with Om Prakash's mother Bela and Pappu, and conspires to avenge Shanti's death by making Mukesh confess his crime.
OK convinces Mukesh to restart shooting for Om Shanti Om, and he plans to convince Mukesh that Shanti's spirit is haunting him. To impersonate Shanti, OK finds a super-fan Sandhya (Sandy), a doppelgänger of Shanti. Throughout the film's shooting, OK and his friends arrange incidents to remind Mukesh of the past. During the music launch of the film, OK taunts Mukesh by revealing the extent to which he knows the story of Shanti's death. But when Mukesh runs after Sandy thinking she is the ghost of Shanti, Sandy accidentally cuts her arm and bleeds. Seeing this, Mukesh realises that she is not Shanti's ghost. Mukesh tries to confront OK, but he is suddenly hit by the set's swinging chandelier.
After Mukesh regains consciousness, OK confronts him but Mukesh reveals that he knows Sandy is not a ghost after all. During the quarrel, Sandy reappears and taunts Mukesh. She reveals that after the fire ceased to burn, Mukesh found that Shanti had survived and buried her alive below the chandelier. OK is confused about how Sandy knows this detail. Mukesh attempts to shoot Sandy, shocked by the revelation about the murder, but Mukesh and OK fight, which results in yet another fire. Just when O.K is about to kill Mukesh, Sandy stops him, saying Mukesh will not die by his hand. The chandelier falls on Mukesh, killing him instantly.
Pappu and Sandy rush to join OK, who is shocked when he sees Sandy in two places at once. OK realises that the person he assumed to be Sandy was actually Shanti's ghost, and recalls instances where supernatural events helped when OK's plans almost did not work, realising that Shanti was responsible. She smiles warmly towards OK and tearfully bids him goodbye, disappearing as she moves into the light.
Cast[edit]
Shah Rukh Khan as Om Prakash Makhija/Om Kapoor[6]
Deepika Padukone as Shantipriya/Sandy[6]
Arjun Rampal as Mukesh Mehra[6]
Shreyas Talpade as Pappu Master[6]
Kirron Kher as Bela Makhija[6]
Bindu as Kaamini[6]
Javed Sheikh as Rajesh Kapoor[6]
Satish Shah as Partho Roy[6]
Yuvika Chaudhary as Dolly[6]
Nitesh Pandey as Anwar[6]
Asawari Joshi as Mrs. Rajesh Kapoor[6]
Nassar Abdulla as Nasser[6]
Shawar Ali[6]
Lin Laishram[7]
Special appearances during the song "Deewangi Deewangi" (in order of appearance)
Rani Mukerji
Zayed Khan
Vidya Balan
Jeetendra
Tusshar Kapoor
Priyanka Chopra
Shilpa Shetty
Dharmendra
Shabana Azmi
Urmila Matondkar
Karisma Kapoor
Arbaaz Khan
Malaika Arora Khan
Dino Morea
Amrita Arora
Juhi Chawla
Aftab Shivdasani
Tabu
Govinda
Mithun Chakraborty
Kajol
Preity Zinta
Bobby Deol
Rekha
Ritesh Deshmukh
Salman Khan
Saif Ali Khan
Sanjay Dutt
Lara Dutta
Sunil Shetty
Other Cameo appearances throughout the film (in alphabetical order)
Abhishek Bachchan as himself
Akshay Kumar as himself
Ameesha Patel as herself, Om Kapoor's heroine at Filmfare Awards
Amitabh Bachchan as himself
Arshad Warsi as himself
Bappi Lahiri as himself
Bipasha Basu as herself
Chunky Pandey as himself
Dhananjay Singh as himself
Dia Mirza as herself, Om Kapoor's heroine at Filmfare Awards.
Farah Khan as the woman who makes fun of Om when the show ends
Feroz Khan as himself
Gauri Khan as herself
Hrithik Roshan as himself
Karan Johar as himself
Koena Mitra as herself
Malaika Arora Khan as herself
Mayur Puri as the director of Apahij Pyar
Vishal Dadlani as the director of Mohabbat Man, a superhero film
V. Manikandan as the director of Mind It, a parody of action films
Priya Patil as Natasha, heroine of Apahij Pyar
Rakesh Roshan as himself
Rishi Kapoor as himself
Shabana Azmi as herself
Soumya Seth as Audience
Subhash Ghai as himself
Yash Chopra as himself
Production[edit]
Development[edit]
In 2002, Farah Khan worked as a choreographer for the musical Bombay Dreams in London, which she felt presented a "clichéd and outdated version" of the Indian film industry.[8] She thought that the musical would not be successful if released in India.[8] She instead thought of a new story, writing her initial thoughts about the subject on Andrew Lloyd Webber's letterhead while staying in his house.[9] Later in 2006, Farah began to work on her next project, which was tentatively titled Happy New Year. Amid speculations that Shah Rukh Khan would star in Happy New Year, the actor rejected the first draft of the film, upon which Farah's husband and editor Shirish Kunder reminded her of the story she had conceived while in London.[10] Happy New Year, which was to mark Deepika Padukone's Hindi debut, was put on hiatus and revived more than 8 years later under the same title.[11]
Farah completed writing the first script of Om Shanti Om within two weeks.[10] She set the first half in the 1970s as she felt the Hindi films made during that period were much more influential than those made in other periods, particularly the 1980s, which she felt was a period when "the worst movies were made". She also included many references to the 1970s, which were also prevalent in films of that time. She said, "Everything in the first half is about the 70s—such as the mother who overacts, mouthing cliched dialogues. Then there are cabarets, badminton and other stuff popular during that era."[8] Shah Rukh's costumes were designed by Karan Johar, while Manish Malhotra designed Padukone's costumes. The rest of the cast had their costumes designed by Sanjeev Mulchadni.[12]
In addition to directing the film, Farah co-wrote the story with Mayur Puri and Mushtaq Shiekh. She was also the film's choreographer. Puri wrote the screenplay and dialogues.[13] He completed the writing process in two months and rewrote the film's second half.[14] Puri created the screenplay by writing his natural reaction to the characters as scenarios. He knew that despite being part of a crowd, junior artists do not want to be recognized as such, ruins their chances of landing a leading role in future. This was used in a sequence involving Shah Rukh and Talpade, who play junior artists. Puri blended different genres together in Om Shanti Om, which he felt was challenging. He used his personal memories from childhood for creating the 1970s.[15] Shirish Kunder was the editor, while V. Manikandan was the cinematographer. [13]
Sabu Cyril was the film's production designer. Sabu was first offered the Mani Ratnam-directed Guru (2007) at a time when Om Shanti Om was being planned, but ultimately chosen the latter due to his earlier commitment to Farah for her future project.[16] Farah used two particular dialogues in the film: "When you want something badly, the whole universe conspires to give to you" and "In the end everything will be ok and if its not ok its not the end". These were used as Khan felt that it reflected her philosophy in her life.[17] Farah stated that the film's opening scene was her most favorite in it.[18] In 2008, Puri felt his most favourite dialogue from the ones he wrote would be the Filmfare Awards speech.[15] The film's title derives from the eponymous song from the film Karz (1980).[19] Om is a Hindu mantra; Om Shanti Om roughly translates to "Peace Be With You".[20]
Casting[edit]
Deepika Padukone plays the love interest of Shah Rukh's character in her Hindi film debut.
Shah Rukh was cast as the lead; he gained six packs for a song sequence.[21] He felt Om Shanti Om was a "happy film".[22] Farah was advised by Malaika Arora to cast Padukone as the female lead, who was suggested by Wendell Roddick, under whom Padukone was working.[23] She was cast without a screen test.[24] Khan felt that she was "a beautiful, classic Indian beauty" who fit the role of an actor of the 1970s.[8] She was excited at the prospect of working with Shah Rukh and said, "I've grown up watching [Shah Rukh] and always admired him so much. To get to work with him ... is quite wonderful. It was also fantastic that Farah showed faith in my talent and cast me opposite him."[25]
In preparation for her role, Padukone watched several films of actresses Helen and Hema Malini to study their body language.[26] Her character was modelled after Malini and nicknamed Dreamy Girl after her the latter's nickname as Dream Girl.[27] Rampal was approached by both Khan and Shah Rukh at the latter's New Years Eve party. Rampal was initially reluctant to do the role as he felt it was "too evil" for someone like him. With persuasion from Shah Rukh, he agreed. Rampal wore a mustache in the film which was suggested by Shah Rukh.[10] Shreyas Talpade played a supporting role as the best friend of Khan's character. After the release of Iqbal (2005) and completing the filming of Dor, Talpade, who attended the same gym as Khan, was called for a narration of what would be Om Shanti Om. He agreed to do the role.[28]
Kirron Kher, Bindu and Javed Sheikh also appear in the film.[6] 31 Bollywood film actors appeared in cameo appearances for the song "Deewangi Deewangi". Other actors were also supposed to play cameos, including Fardeen Khan, who was arrested at Dubai airport in a drug case. Dev Anand refused as he always played lead roles in his career. Dilip Kumar and Saira Banu didn't appear in the song, despite plans to include them. Amitabh Bachchan refused due to his son's wedding, while Aamir Khan refused due to Taare Zameen Par's (2007) pending editing. Khan had wanted the three Khans to appear together in a film. Rekha, who appears in the song, carried out 2 days of rehearsal for it. All those who appeared for the song received gifts, including a Blackberry phone and a Tag Heuer watch.[10]
Principal photography[edit]
Om Shanti Om was made on a budget of ₹400 million.[2] The first scene to be filmed was one where Talpade's character tells Shah Rukh's character that he will be a hero; Shah Rukh was an hour late for filming.[28] Farah was pregnant with triplets while filming and experienced difficulties while shooting, she would constantly vomit while directing the film.[29] The film was shot entirely in sync sound; Farah dismissed rumours of Padukone's voice being dubbed.[30] In 2015, however, Mona Ghosh Shetty admitted to have dubbed for Padukone in the film.[31] The fake fight scene involving a stuffed tiger was inspired by a similar scene in the film Tarzan 303.[10] Old cars owned by actors Rajesh Khanna and Hema Malini were used for filming for authenticity.[32]
A number of references to real life was also filmed, including a scene in which Om saves Shantipriya from a fire, which was a spoof of Sunil Dutt rescuing Nargis from a fire on the sets of Mother India (1957). For a shot involving a Filmfare Awards ceremony, Khan stood on the red carpet of an actual Filmfare Award ceremony and requested actors to dictate dialogues as she stated. The song "Deewangi Deewangi" was shot over a period of six days.[10] The song "Dhoom Tana" has digitally altered guest appearances, which included Sunil Dutt from Amrapali (1966), Rajesh Khanna from Sachaa Jhutha (1970) and Jeetendra from Jay Vejay (1977).[33] Farah wanted to film Shakira for filming a special appearance had made her commit a few days for the role. Due to the uncertainty of her dates, the idea was scrapped.[32]
In February 2007, a filming schedule was completed in Film City. It was then reported that filming would move outdoors after Shah Rukh completed filming for Kaun Banega Crorepati.[34] In October 2007, Abhishek Bachchan finished filming for his cameo appearance; he shot between 10 and 2 in the night for his screen time of about one and a half minutes.[35] Filming of the last sequence and the end-credit song was done in Film City.[36] Farah continued the tradition of featuring an end-credits song beginning with Main Hoon Na (2004).[37]
Om Shanti Om was produced by Shah Rukh's wife Gauri Khan under their Red Chillies Entertainment banner. While Marching Ants handled the publicity design, Gauri was the presenter. Shyam Kaushal, Amar Shetty and Shah Rukh were the action directors.[13] The film's final reel length was 4013.94 ft (1223.45 m).[13]
Music[edit]
Om Shanti Om
Soundtrack album by Vishal-Shekhar
Released
18 September 2007
Genre
Feature film soundtrack
Label
T-Series
Producer
Gauri Khan
The Om Shanti Om soundtrack features 12 songs composed by musical duo Vishal-Shekhar with lyrics by Javed Akhtar and a background score was composed by Sandeep Chowta. The vocals are provided by KK, Sukhwinder Singh, Marianne, Nisha, Caralisa Monteiro, Shaan, Udit Narayan, Shreya Ghoshal, Sunidhi Chauhan, Rahul Saxena, Sonu Nigam, Rahat Fateh Ali Khan, Richa Sharma, Abhijeet Bhattacharya, DJ Aqeel, DJ G, Kiran Karnath, Jackie V, Nikhil Chinapa, DJ Nawed and Zoheb.[38] Initially, A. R. Rahman was signed in to compose original songs and background score for the film but he opted out after disagreements with T-Series as he wanted them to share the copyrights of music between him and the lyricist.[39] Farah then approached Vishal-Shekhar, and asked them to compose modern, retro music for the film.[40] They intended the soundtrack to be a tribute to the music of the 1960s and 1970s, while appealing to newer audiences at the same time. [41] Trade reports predicted that the album will be commericallly successful.[42] The soundtrack album of Om Shanti Om was released on 18 September 2007 on CD.[38][43]
In a soundtrack review, Joginder Tuteja of Bollywood Hungama gave it four stars out of five and opines, "Om Shanti Om is easily one of the most complete scores by Vishal-Shekhar and Javed Akhtar."[44] Sukanya Verma of Rediff.com also gave it four stars out of five, applauding the tracks but criticized the "Dark Side" mix. She concludes her review by writing, "Om Shanti Om is an out and out musical that captivates with its roaring polyphony and unabashed drama."[45] Aakash Gandhi of Planet Bollywood gave a rating of 8.5 stars out of 10 and writes, "not only have [Vishal-Shekhar] proven themselves in terms of musical ingenuity and quality, they have shown us the confidence, the poise, and the ability to step up to the plate and hit a grand-slam when they’re called upon to do so." He further gave them a "standing ovation".[46] Writing for AllMusic, Bhaskar Gupta gave the album four and a half stars out of five and praises the composers, writing, "Vishal-Shekhar finally delivered a soundtrack that could be deemed their signature offering."[47]
Vishal-Shekhar was nominated for Best Music at the 53rd Filmfare Awards, Producers Guild Awards 2008 and Zee Cine Awards 2008, winning for Best Composer at the 2nd Asian Film Awards.[48] Vishal Dadlani was alone nominated for Best Lyrics at the Filmfare and Producers Film Guild award ceremonies. Akhtar was nominated for Best Lyrics at the Filmfare and Zee Cine awards, winning at the 9th IIFA Awards. It was the highest-selling music album of the year in India, with sales of around 2 million units.[49]
Om Shanti Om (Original Motion Picture Soundtrack)[38]
No.
Title
Singer(s)
Length
1. "Ajab Si" KK 4:03
2. "Dard-e-Disco" Sukhwinder Singh, Caralisa Monteiro, Nisha, Marianne 4:31
3. "Deewangi Deewangi" Shaan, Udit Narayan, Shreya Ghoshal, Sunidhi Chauhan, Rahul Saxena 5:54
4. "Main Agar Kahoon" Sonu Nigam, Shreya Ghoshal 5:10
5. "Jag Soona Soona Lage" Rahat Fateh Ali Khan, Richa Sharma 5:31
6. "Dhoom Taana" Abhijeet Bhattacharya, Shreya Ghoshal 6:15
7. "Dastaan-E-Om Shanti Om" Shaan 7:08
8. "Dard-e-Disco" (Remix) Sukhwinder Singh, Caralisa Monteiro, Nisha, Marianne 4:38
9. "Deewangi Deewangi" (Rainbow Mix) Shaan, Udit Narayan, Shreya Ghoshal, Sunidhi Chauhan, Rahul Saxena 4:48
10. "Om Shanti Om" (Medley Mix) Sukhwinder Singh, Caralisa Monteiro, Nisha, Marianne, Shaan, Udit Narayan, Shreya Ghoshal, Sunidhi Chauhan, Rahul Saxena, Abhijeet Bhattacharya 6:06
11. "Dastaan-E-Om Shanti Om" (Dark Mix) Shaan 6:21
12. "Om Shanti Om" (Instrumental) 0:58
Total length: 61:18
Release[edit]
Om Shanti Om created a record of sorts by going in for an unheard of 2000 prints (worldwide) release. This was the highest number of prints (including digital) for any Indian movie at the time of its release.[50] Om Shanti Om set another record for registered pre-advance booking of 18,000 tickets in a chain of theatres in Delhi a few days before the advance booking was to start.[51] A special screening was conducted for Bollywood actors.[52] Red Chillies Entertainment had reportedly sold the world rights for the film to Eros International for an amount between Rs. 720–750 million. Baba Films, production and distribution company, had offered a record Rs. 110 million for the rights to the Mumbai Circuit, easily surpassing the highest amount ever paid for the territory. As a marketing strategy, Amul advertised Shah Rukh.[53]
Nina Davuluri's talent for Miss America 2014 was a Hindi Film fusion dance choreographed by Nakul Dev Mahajan and performed to Dhoom Taana. It was the first time Hindi Film ever appeared on the Miss America stage and Davuluri is the first Indian American to win the competition.[54][55][56][57][58] Om Shanti Om was remade into a Japanese musical titled Oomu Shanti Oumu.[59][60] A book, titled The Making of Om Shanti Om written by Mushtaq Sheikh, was released after the release of the film. The book gives an insight into the production and happenings behind the camera of the film.[61][62]
Manoj Kumar's body double issue[edit]
Manoj Kumar planned to sue the makers of Om Shanti Om for showing his body double in bad taste.[63] Kumar added, "Are the Mumbai police so stupid that they can't recognise Manoj Kumar and lathicharge him in the '70s when he was a star?”.[64] Kumar also alleged that Shahrukh Khan is communal.[65] Later, in a press conference, Shahrukh Khan and director Farah Khan accepted their mistake and apologised for the matter.[66] Farah Khan even offered to cut the scene which Manoj Kumar felt was hurtful, but Kumar refused on grounds that, as Farah had stated, "I [Farah Khan] am like his daughter. He said, 'Betiyaan maafi nahi maangti' (Daughters don't ask for forgiveness). I told him that he could've called me and scolded me."[66] Later, Kumar said that though this incident was hurtful to him, he wishes to forgive, ignore, and move on, saying that he prefers to "see Ram in everyone and ignore the Ravana."[67]
In 2008, before the film's television premiere on Sony TV, Manoj Kumar filed for a stay on the television release, at civil court in Mumbai. On 8 August 2008, he won permanent injunction on the scenes in Om Shanti Om that lampooned him. The court ordered the producers and Sony Entertainment Television, to edit the Manoj Kumar look-alike scenes before showing the film on the channel on 10 August 2008. It also ordered that the film could not be shown in any media—TV, DVD or Internet—without the scene being deleted.[68][69]
Plagiarism allegations[edit]
On 7 August 2008, before its television release, scriptwriter Ajay Monga moved the Bombay High Court alleging that the basic storyline of the film was lifted from a film script he had emailed to Shah Rukh Khan in 2006. According to the petition, "Monga, along with one more writer Hemant Hegde, had registered the script with the Cine Writers Association (CWA) in September 2005. In January 2008, Cine Writers Association (CWA) rejected Monga's appeal at a special Executive Committee meeting. Thereafter, he approached the court to stay the film's screening on television. Though, on 6 August the court rejected Monga's plea for seeking a stay on the television telecast, it directed all the respondents including Shahrukh Khan, Farah Khan, Red Chillies Entertainment, Gauri Khan (director Red Chillies) and film's co-writer Mushtaq Sheikh, to file their say by the next hearing on 29 September 2008.[70][71]
In November 2008, the Film Writers' association sent a communication to Red Chillies and Ajay Monga that it had found similarities in Om Shanti Om and Monga's script. The similarities were more than mere coincidences according to Sooni Taraporewala who chaired a special committee that has investigated the case on behalf of the Film Writers' association.[72] Another allegation of plagiarism came from Rinki Bhattacharya, daughter of late Bimal Roy, who directed Madhumati. She threatened legal action against Red Chillies Entertainment and the producer-director of Om Shanti Om, as she felt that the film's second half was similar to Madhumati, also a rebirth saga.[70][73]
Reception[edit]
Critical response[edit]
India[edit]
Om Shanti Om was received positively by Indian film critics.[74][75][76] Taran Adarsh of Bollywood Hungama gave it four stars out of five and writes, "Om Shanti Om is Bollywood masala in its truest form and also, at its best" but notes, "the second half could've been crisper".[77] Khalid Mohamed of Hindustan Times gave the film four stars out of five and appreciated the performances, observing how Rampal is "consistently first-rate as the suave villain" while Padukone is "fantastic, so surprisingly assured that you marvel at her poised debut". He notes that "the enterprise belongs to Shah Rukh Khan, who tackles comedy, high drama and action with his signature style—spontaneous and intuitively intelligent. Six-pack or no-packs, he’s the entertainer of the year in this valentine to the movies."[78]
Nikhat Kazmi of The Times of India gave the film three and a half stars out of five and writes, "Farah Khan’s re-birth saga literally makes an art of retro and paints the seventies pop culture in Andy Warholish strokes". She called it an "unabashed tribute" to Karz.[79] Raja Sen of Rediff.com gave it three and a half stars out of five and applauded the performances of Shah Rukh, Padukone and Talpade. He writes, "Om Shanti Om is an exultant, heady, joyous film reveling in Bollywood, and as at most parties where the bubbly flows free, there is much silly giggling and tremendous immaturity." He criticized the dialogues and excessive cameos in the film.[80]
Rajeev Masand of CNN-News18 gave the film three stars out of five and writes, "Unpretentious and completely transparent in its intentions, Om Shanti Om is an entertainer in the true sense of the word, mixing up genre elements like comedy, drama, action and emotion to create a heady broth of Manmohan Desai-style exaggerated entertainment." He compliments the dialogues "which so cleverly incorporates Bollywood's oldest clichés into these characters' everyday parlance."[81] A commentator for Indo-Asian News Service felt that Shah Rukh's acting was repetitive and writes, "He needs to curtail his unwarranted superstar mannerisms even in a total masala film like Om Shanti Om", while complimenting the performances of Padukone, Rampal and Talpade.[75]
Sudish Kamnath of The Hindu stated that the film is "an unabashed celebration of willing suspension of disbelief, calling it a "light-hearted tribute to Hindi cinema the way we know it and love it". He praised the performances of Shah Rukh, Padukone and Talpade, while criticizing Rampal and Kher. He also praised the various spoofs, especially the ones directed at Manoj Kumar, Sanjay Leela Bhansali and Abhishek Bachchan.[82] Writing for SantaBanta.com, Subhash K. Jha gave it one star out of five and criticizes the spoofs "which keeps swinging from homage to imitation with infuriating artifice", writing, "The mood is one of patronizing and condescension rather than genuine admiration for an era that's gone with the wind".[83]
Overseas[edit]
Review aggregator Rotten Tomatoes gave Om Shanti Om a rating of 83%, based upon 6 reviews (5 fresh and 1 rotten).[84] Tajpal Rathore of BBC gave it 4 out of 5 stars as well and stated, "Both a homage to and parody of Hindi Films, this cinematic feast delivered straight from the heart of the film industry will have you glued to your seats till the end."[85] Mark Medley of National Post gave 3 stars and stated, "The film is a mess for all the right reasons; elements of comedy, drama, romance, action and the supernatural are packed in. But really, the plot is just a vehicle to get from one song-and-dance number to the next."[86] AOL gave the film 3 out of 5 stars stating, "The movie consists of all the elements that are essentially called the 'navratnas' of Indian cinema – from joy to grief to romance to revenge. And she mixes these well to cook up a potboiler, which is sure to be a run away hit."[87]
Box office[edit]
Om Shanti Om opened across 878 cinemas in 2000 prints worldwide.[88] The film nett grossed (after deducting entertainment tax) ₹994 million (US$15 million) in India.[89] The film collected US$2.78 million in the United Kingdom, US$3.6 million in North America and US$3.7 million collectively from the rest of the world, which resulted in total overseas collections of $10,080,000, the 4th largest of all time as of 2010.[90] As a result of these collections, a worldwide gross of ₹1.50 billion (US$23 million) was accumulated.[91]
Awards[edit]
Main article: List of accolades received by Om Shanti Om
References[edit]
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External links[edit]
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Om Shanti Om
Om Shanti Om on IMDb
Om Shanti Om at Rotten Tomatoes
Om Shanti Om at Box Office Mojo
Om Shanti Om at AllMovie
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Main Hoon Na (2004)
Kaal (2005)
Paheli (2005)
Om Shanti Om (2007)
Billu (2009)
My Name Is Khan (2010)
Always Kabhi Kabhi (2011)
Ra.One (2011)
Student of the Year (2012)
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Happy New Year (2014)
Dilwale (2015)
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