text:
Definitely, Maybe
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For other uses, see Definitely Maybe (disambiguation).
Definitely, Maybe
Theatrical release poster
Directed by
Adam Brooks
Produced by
Tim Bevan
Eric Fellner
Written by
Adam Brooks
Starring
Ryan Reynolds
Isla Fisher
Derek Luke
Abigail Breslin
Elizabeth Banks
Rachel Weisz
Music by
Clint Mansell
Cinematography
Florian Ballhaus
Edited by
Peter Teschner
Production
companies
StudioCanal
Working Title Films
Distributed by
Universal Pictures
Release date
February 14, 2008 (2008-02-14)
Running time
111 minutes[1]
Country
Germany[2]
United Kingdom[2]
United States[2]
France[2]
Language
English
Budget
$7 million[3]
Box office
$55.4 million
Definitely, Maybe is a 2008 romantic comedy-drama film written and directed by Adam Brooks, and starring Ryan Reynolds, Isla Fisher, Rachel Weisz, Elizabeth Banks, Abigail Breslin, and Kevin Kline. Set in New York City during the 1990s, the film is about a political consultant who tries to help his eleven-year-old daughter understand his impending divorce by telling her the story of his past romantic relationships and how he ended up marrying her mother. The film grossed $55 million worldwide.
Contents
[hide]
1 Plot
2 Cast
3 Music
4 Release
5 Reception
6 References
7 External links
Plot[edit]
38-year-old father Will Hayes is in the midst of a divorce. After her first sex-ed class, his 10-year-old daughter Maya insists on hearing the story of how her parents met. Will reluctantly gives in, but decides to change the names and some of the facts relating to the various love affairs of his youth, thereby creating a love mystery; Maya is left guessing which of the women will turn out to be her mother. The story he tells Maya is depicted in flashbacks. From time to time the film switches back to the present, where Maya comments (often critically) and asks questions.
The story begins in 1992 when Will, an idealistic political operative, moves away from Wisconsin and his college sweetheart, Emily, to New York City, where he works on the Clinton campaign. Over the years, Will becomes involved with three women who enter his life, including Summer Hartley, an aspiring journalist, and April, the copy girl for the campaign. Will and April have a chance meeting outside work, where Will reveals he is going to propose to Emily. When Will practices his proposal to Emily on April, she is taken aback by Will's wholehearted words and replies, "Definitely, maybe." They go back to her apartment, where April has multiple copies of Jane Eyre in her collection, explaining that her father gave her a copy with an inscription in the front shortly before he died, and the book was later lost. She has spent years looking through copies of Jane Eyre at secondhand stores hoping to find the copy her father gave her, but she buys any copy she finds that has an inscription. They kiss, but Will abruptly stops and leaves.
Emily comes back to New York where she confesses, just after Will proposes, that she slept with his roommate. She did it on purpose to break up with Will, saying that she is "letting him go" because she does not share his passionate ambitions. After Clinton is elected, Will opens a campaigning business with most of his work colleagues, which enjoys a good amount of success.
Before Will left Wisconsin, Emily asked Will to deliver a package to her former roommate, Summer Hartley, who is living in New York City. Will first meets Summer when he gives her the package, a diary that she wrote when she was a teenager (which, among other things, tells of her brief affair with Emily). He finds she is going out with a famous writer who is old enough to be her father. The writer breaks up with Summer, and Will starts a relationship with her. April quits her job and leaves to travel around the world. When she returns, she plans to tell Will that she loves him, but discovers that he is planning to propose marriage to Summer. April half-heartedly congratulates him instead. Summer writes an offensive article about one of Will's clients. Will cannot forgive this conflict of interest, and he ends his relationship with Summer. As a result of the article, Will loses his business and his dream of a political career ends, with all of his friends abandoning him.
April calls after a long absence and finds that Will has a new job, but is despondent and depressed, feelings further exacerbated when she reveals she has a new boyfriend named Kevin. She throws a birthday party for him, reuniting him with his old colleagues. Will gets drunk and confesses he loves April. When she tells him he should've told her when he had his life together, he starts an argument with her when he implies that she is wasting her life working in a book store. Some time later, Will passes a used book store and finds the copy of Jane Eyre that April has been seeking with the note from her father. Will goes to April's apartment to give her the book, but he decides against it when he meets Kevin, who is now living with her.
Emily moves to New York City, and she and Will rekindle their relationship after a run-in at a party of Summer's they both were attending. Maya correctly guesses that "Emily" is her mother. Maya states that it is unfortunate that the story has a sad ending, but Will explains that the story has a happy ending: Maya.
Will decides to bring the copy of Jane Eyre to April. While catching up, it is revealed that they are now both single among other things. When giving April the book, Will apologizes for waiting so long to do so and a hurt April asks him to leave.
Maya is happy to have figured out the story, but she realizes that her father will never love her mother romantically again because he still loves April. She figures this out from the way he talks about her in the story and that while he changes her mother's name from Sarah to Emily and Natasha's to Summer, he keeps April's name the same. Maya makes Will have an epiphany, realizing that he is miserable without April and has loved her all along since the moment he met her. They go to April's apartment and Will talks to her over the speaker. Just as Will and Maya begin to walk away (since April stopped responding and didn't let Will in the building), April runs out and asks what story Maya was talking about. Will tells April that he kept Jane Eyre because it was the only thing he had left of her (revealing in doing so that he still loves her). April hugs Will as she forgives him and then walks hand-in-hand with Maya into her building to hear the story. As Maya walks upstairs, April embraces Will (subsequently revealing that she loves him too) and they kiss.
Cast[edit]
Ryan Reynolds as William Matthew 'Will' Hayes
Isla Fisher as April Hoffman
Derek Luke as Russell T. McCormack
Abigail Breslin as Maya Hayes
Elizabeth Banks as "Emily Jones"/ Sarah
Rachel Weisz as "Summer Hartley"/ Natasha
Kevin Kline as Professor Hampton Roth
Adam Ferrara as Gareth
Annie Parisse as Anne
Liane Balaban as Kelly
Nestor Serrano as Arthur Robredo
Marc Bonan as Kevin
Alexie Gilmore as Olivia
Kevin Corrigan as Simon
Music[edit]
The film was scored by English composer Clint Mansell. Lakeshore Records released the score on March 18, 2008. All Music Guide reviewer William Ruhlmann praised the album as filled with "sweet, melodic numbers that often seem to lack only a lyric to turn them into pop songs". He also stated that it functioned as "light accompaniment to an equally light entertainment".[4]
Release[edit]
In its opening weekend, the film cleared its production budget of $7 million[3] by grossing $9.8 million in 2,204 theaters in the United States and Canada, ranking #5 at the box office.[5] As of September 28, 2008, the film has grossed $55,447,968 worldwide.[6]
The film was released on DVD June 24, 2008, with a widescreen transfer, deleted scenes, two short featurettes, and a commentary track by Reynolds and director Brooks.
Reception[edit]
On review aggregator Rotten Tomatoes, 71% of critics gave the film positive reviews based on 144 reviews; the average rating is 6.5/10. The site's consensus reads: "With a clever script and charismatic leads, Definitely, Maybe is a refreshing entry into the romantic comedy genre."[7] Metacritic reported the film had an average score of 59 out of 100 based on 30 reviews.[8]
References[edit]
Jump up ^ "Definitely, Maybe (12A)". British Board of Film Classification. January 7, 2008. Retrieved December 1, 2008.
^ Jump up to: a b c d "Definitely, Maybe (2008)". British Film Institute. Retrieved 2017-01-19.
^ Jump up to: a b Definitely, Maybe: Movie Details at the-numbers.com Accessed 30 December 2017
Jump up ^ "Clint Mansell Definitely, Maybe [Original Score]". www.allmusic.com. Retrieved 19 February 2016.
Jump up ^ "Definitely, Maybe (2008) - Weekend Box Office Results". Box Office Mojo. Retrieved 2008-02-27.
Jump up ^ "Definitely, Maybe (2008)". Box Office Mojo. Retrieved 2008-02-27.
Jump up ^ "Definitely, Maybe – Movie Reviews, Trailers, Pictures – Rotten Tomatoes". Rotten Tomatoes. Archived from the original on February 9, 2010. Retrieved January 19, 2017.
Jump up ^ "Definitely, Maybe (2008): Reviews". Metacritic. Retrieved 2008-02-15.
External links[edit]
Official site
Definitely, Maybe on IMDb
Definitely, Maybe at Box Office Mojo
Definitely, Maybe at Rotten Tomatoes
Definitely, Maybe at Metacritic
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text:
Funny How Time Slips Away
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
"Funny How Time Slips Away"
Single by Billy Walker
Released
July 1961
Format
7"
Recorded
1961
Genre
Country
Length
2:51
Label
Columbia
Songwriter(s)
Willie Nelson
Billy Walker singles chronology
"I Wish You Love"
(1960) "Funny How Time Slips Away"
(1961) "(I'd Like to Be In) Charlie's Shoes"
(1962)
"I Wish You Love"
(1960) "Funny How Time Slips Away"
(1961) "(I'd Like to Be In) Charlie's Shoes"
(1962)
"Funny How Time Slips Away" is a song written by Willie Nelson and first recorded by country singer Billy Walker. Walker's version peaked at number 23 on the Hot C&W Sides chart.[1] The tune is slightly similar to "When Two Worlds Collide" which was written by Roger Miller and Bill Anderson.[citation needed]
Cover versions[edit]
1961 - Jimmy Elledge released a version as a single on RCA Victor, peaking at #22 on the Billboard Hot 100.[2] His version sold over one million copies.
1963 - Johnny Tillotson released a version as a single on Cadence, peaking at #50 on the Billboard Hot 100.
1964 - Joe Hinton had a major crossover hit with his version which went to #1 on the Cash Box R&B chart and #13 on the Billboard Hot 100 pop chart in the U.S.[3]
1965 - Perry Como released a version for RCA, recorded in Nashville and produced by Chet Atkins for his album The Scene Changes.
1965 - The Supremes released a version on their album, The Supremes Sing Country, Western & Pop, and included the song on 1974's Diana Ross & the Supremes Anthology.
1967 - Harry James released a version on his album Our Leader!, with vocals by Ernie Andrews. (Dot DLP 3801 and DLP 25801)
1971 - Elvis Presley released a version on his album Elvis Country (I'm 10,000 Years Old).
1973 - Al Green released a version on his album Call Me.
1974 - Bryan Ferry released a version on his album Another Time Another Place.
1975 - Narvel Felts released a version which peaked at #12 on the Hot Country Singles chart.[4]
1976 - Dorothy Moore released a version which reached #7 on the soul charts and #57 on the Hot 100[5]
1982 - The Spinners recorded a version which peaked at #43 on the soul chart and #67 on the Hot 100.[6]
1985 - The Green on Red, LP "No Free Lunch".
1994 - Al Green and Lyle Lovett released a version on the compilation album Rhythm, Country and Blues. Green won his ninth Grammy Award for this version in the category of "Best Pop Collaboration with Vocals".
2005 - B.B. King and Bobby Bland did a version of the song for the album "B.B. King & Friends: 80". The album reached #45 in the Billboard 200 top albums chart.
2005 - George Jones recorded a version on his album Hits I Missed...And One I Didn't, accompanied by Hargus "Pig" Robbins on piano and Paul Franklin on steel guitar.
2006 Bill Tarmey from the album After Hours
2010 - A duet recorded by Willie Nelson and Juice Newton was released on Newton's album Duets, Friends & Memories. The recording was also released as a single.
2017 - a duet between Nelson and Glen Campbell which appeared on Campbell's final album Adiós and won both artists the 2017 CMA Award for Vocal Event of the Year.
2017 - Jim James Recorded for James' album A Tribute to 2
References[edit]
Jump up ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 368.
Jump up ^ Jimmy Elledge's "Funny How Time Slips Away" Retrieved June 20, 2012.
Jump up ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 256.
Jump up ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 120.
Jump up ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 412.
Jump up ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 545.
External links[edit]
Lyrics of this song at MetroLyrics
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"Funny How Time Slips Away"
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"(You've Got) The Magic Touch"
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"I Turn to You"
"I'm a One Woman Man"
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"Funny How Time Slips Away"
Collaborative singles
"We Must Have Been Out of Our Minds" (w/ Melba Montgomery)
"Let's Invite Them Over" (w/ Melba Montgomery)
"What's in Our Heart" (w/ Melba Montgomery)
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"Maybellene" (w/ Johnny Paycheck)
"Two Story House" (w/ Tammy Wynette)
"You Better Move On" (w/ Johnny Paycheck)
"Yesterday's Wine" (w/ Merle Haggard)
"C.C. Waterback" (w/ Merle Haggard)
Guest singles
"A Few Ole Country Boys" (w/ Randy Travis)
"You Don't Seem to Miss Me" (w/ Patty Loveless)
"A Country Boy Can Survive (Y2K version)" (w/ Chad Brock and Hank Williams, Jr.)
"Murder on Music Row" (w/ Dierks Bentley)
Related articles
Albums discography
Singles discography
Discography with Tammy Wynette
Awards
Retrieved from "https://en.wikipedia.org/w/index.php?title=Funny_How_Time_Slips_Away&oldid=839808835"
Categories:
1961 singles
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Songs written by Willie Nelson
Willie Nelson songs
Billy Walker (musician) songs
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Joe Simon (musician) songs
Grammy Award for Best Pop Collaboration with Vocals
Danny Davis (country musician) songs
1961 songs
Columbia Records singles
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