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To Tell the Truth
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This article is about the game show. For other uses, see To Tell the Truth (disambiguation).
"TTTT" redirects here. It is not to be confused with 4T (disambiguation), T4 (disambiguation), or The Four T's (disambiguation).
To Tell the Truth
Logo for To Tell the Truth (2016– version)
Genre
Game show
Created by
Bob Stewart
Presented by
Bud Collyer (1956–1968)
Garry Moore (1969–1977)
Joe Garagiola (1977–1978)
Robin Ward (1980–1981)
Gordon Elliott (1990)
Lynn Swann (1990–1991)
Alex Trebek (1991)
John O'Hurley (2000–2002)
Anthony Anderson (2016–)
Narrated by
Bern Bennett (1956–1960)
Johnny Olson (1960–1972)
Bill Wendell (1972–1977)
Alan Kalter (1977–1981)
Burton Richardson (1990–2002)
David Scott (2016–)
Music by
Score Productions
Gary Stockdale
Country of origin
United States
Original language(s)
English
No. of seasons
12 (1956–1968)
9 (1969–1978)
1 (1980–1981)
1 (1990–1991)
2 (2000–2002)
3 (2016–)
Production
Running time
22–26 minutes (1956–2002)
42–46 minutes (2016–)
Production company(s)
Goodson-Todman Productions (1956–1981)
Mark Goodson Productions (1990–2002)
Pearson Television
(2000-2002)
Gaspin Media/FremantleMedia (2016–)
Distributor
Firestone Film Syndication, Ltd.[1] (1969–1978)
Viacom Productions[2](1980–1981)
Pearson Television
(2000–2001)
Tribune Entertainment
(2001-2002)
Release
Original network
CBS (1956–1968)
NBC (1990–1991)
Syndicated (1969–1978, 1980–1981, 2000–2002)
ABC (2016–)
Original release
December 18, 1956 (1956-12-18) – present
Chronology
Related shows
You Lie Like a Dog
To Tell the Truth is an American television panel game show in which four celebrity panelists are presented with three contestants (the "team of challengers", each an individual or pair) and must identify which is the "central character" whose unusual occupation or experience has been read out by the show's moderator/host. When the panelists question the contestants, the two "impostors" may lie whereas the "central character" must tell the truth. The setup adds the "impostor" element to the format of What's My Line? and I've Got a Secret.
The show was created by Bob Stewart and originally produced by Mark Goodson–Bill Todman Productions. It aired, on networks and in syndication, continuously from 1956 to 1978 and intermittently since then, reaching a total of 26 seasons in 2016. As of 14 June 2016[update], it is one of two game shows in the United States to have aired at least one new episode in at least seven consecutive decades, the other being The Price Is Right.
Contents
1 Basic rules
2 History
2.1 1956–1968, CBS
2.2 1969–1978, syndication
2.3 1980–1981, syndication
2.4 1990–1991, NBC
2.5 2000–2002, syndication
2.6 2016–present, ABC
3 Merchandise
4 International versions
5 Notes
6 External links
Basic rules[edit]
Although there have been some variations in the rules over the years (including the addition of a secondary game in some versions), certain basic aspects have remained consistent throughout all versions of To Tell the Truth. Three challengers are introduced, all claiming to be the central character. The announcer typically asks the challengers, who stand side by side, "What is your name, please?" Each challenger then states, "My name is [central character's name]." The celebrity panelists then read along as the host reads aloud a signed affidavit about the central character.
The panelists are each given a period of time to question the challengers. Questions are directed to the challengers by number (Number One, Number Two and Number Three), with the central character sworn to give truthful answers, and the impostors permitted to lie and pretend to be the central character.
After questioning is complete, each member of the panel votes on which of the challengers they believe to be the central character, either by writing the number on a card or holding up a card with the number of their choice, without consulting the other panelists. Any panelist who knows one of the challengers or has another unfair advantage is required to recuse or disqualify himself or herself which, for scoring purposes, is counted as a "wrong vote."
Once the votes are in, the host asks, "Will the real [person's name] please stand up?" The central character then stands, often after some brief playful feinting and false starts among all three challengers. Occasionally, the central character would be asked to do something else related to their story instead of standing up. The two impostors then reveal their real names and their actual occupations. Prize money is awarded and divided among all three of the challengers, based on the number of "wrong" votes the impostors draw.
History[edit]
1956–1968, CBS[edit]
To Tell the Truth was to have premiered on Tuesday, December 18, 1956, on CBS in prime time as Nothing But The Truth, but the program title was changed to To Tell the Truth the day before the show's debut. (There was one pilot episode titled "Nothing But The Truth", and the pilot / planned title, and the eventual title, both derive from the standard English court oath "to tell the truth, the whole truth, and nothing but the truth.")
The series was recorded in New York City; initially at CBS-TV Studio 52, moving to Studio 50 late in its run. The existence of an audience ticket for a taping indicates that the show originated in color at the CBS Broadcast Center in late 1966.[3]
Bud Collyer was the show's host (Mike Wallace hosted the pilot); recurring panelists by the 1960s included Tom Poston, Peggy Cass, Orson Bean, and Kitty Carlisle. (Cass and Carlisle stayed on as panelists for most subsequent editions.) Earlier regular panelists had included Johnny Carson, Polly Bergen, Jayne Meadows, Don Ameche, Hy Gardner, Dick Van Dyke, Faye Emerson, Hildy Parks, John Cameron Swayze, Betty White, and Ralph Bellamy. Bern Bennett, Collyer's announcer on Beat the Clock, was the inaugural announcer of To Tell the Truth in the 1950s. Upon Bennett's transfer to CBS's Los Angeles studios, Johnny Olson, who in time became the best-known of all Goodson–Todman Productions announcers, joined the show in 1960 and remained through the end of its CBS runs.
On the pilot and the prime-time run, three games were played per episode. For the pilot, a wrong vote from each of the four-member panel and one wrong vote derived from the majority vote of the audience (a total of five votes) paid $300, the total prize money divided among the three challengers. The studio audience also voted with the majority vote counting equally with that of one of a celebrity panelist, thus the maximum of five incorrect votes resulted in $1,500 divided among the challengers. If there was a tie for the highest vote from the audience, and for each panelist who was disqualified, a wrong vote was counted. There was no consolation prize for no wrong votes.
For the prime-time run there was no audience vote, thus each wrong vote from the four-member panel paid $250 divided among the three challengers, for a possible $1,000 for a complete stump of four wrong answers. For a period in 1967, stumping the panel won $1,250. In A consolation prize of $150 was awarded and divided among the three challengers if there were no wrong votes. For each panelist who was disqualified, a wrong vote was counted. A design element in the set for this series was a platform directly above and behind the emcee's desk. The contestants stood on this platform during their introduction allowing the camera to pan directly down to the host. They then traveled down a curved staircase to the main stage level to play the game.
On Monday, June 18, 1962, a daytime five-day-per-week edition was introduced, running at 3 p.m. Eastern, and 2 p.m. Central. The daytime show, also hosted by Collyer, featured a separate panel for its first three years, with actress Phyllis Newman as the only regular. The evening panel took over the afternoon show in 1965; in early 1968, Bert Convy replaced Poston in the first chair.
The daytime show was reduced to two games to accommodate a five-minute news break towards the half-hour mark. On the CBS daytime run, each wrong vote paid the three challengers $100 for a possible total of $400 divided among the three challengers for a "complete stump" of all four wrong votes. If all the votes were correct, the challengers split a consolation prize of $75. During the show's final year and a half, the studio audience also voted, with the majority vote counting equally with that of one of the celebrity panelists, thus a maximum of $500 divided among the challengers could be awarded for the maximum five incorrect votes. If there was a tie for the highest vote from the audience, and for each panelist who was disqualified, a wrong vote was counted. The audience vote was utilized on the nighttime show for its final six episodes.
The original daytime panel with Bud Collyer. From left: Sam Levenson, Mimi Benzell, and Barry Nelson. The fourth panel member was Sally Ann Howes.
One CBS daytime episode featuring Dorothy Kilgallen, best known as a regular panelist on What's My Line?, was broadcast on the East Coast on Monday, November 8, 1965, as news of her sudden death was circulated by wire services. The breaking news story prompted CBS newscaster Douglas Edwards to announce her death immediately after To Tell the Truth ended. She had videotaped the program six days earlier, according to the New York Herald Tribune. The newspaper added that Kilgallen and Arlene Francis both pretended to be Joan Crawford while sitting next to the real Crawford in a celebrity segment that the daytime series featured regularly starting in 1965. The episode was one of the large majority of To Tell the Truth daytime episodes that were destroyed because of the common practice of wiping videotape prior to the invention of the videocassette. This was a different half-hour telecast from the 1962 prime-time episode on which Kilgallen can be seen and heard as one of the panelists. GSN repeated that episode decades later.
The prime-time show ended on May 22, 1967, with the daytime show ending on September 6, 1968.[4] The show was replaced by the expansions of Search for Tomorrow and Guiding Light to 30 minutes, in a scheduling shuffle with The Edge of Night, The Secret Storm, and Art Linkletter's House Party.
Metropole Orchestra leader Dolf van der Linden composed the show's first theme, "Peter Pan," used from 1956 to 1961. From 1961 to 1967, the show switched to a Bob Cobert-penned theme with a beat similar to "Peter Pan", and then to a Score Productions tune during its final CBS daytime season.
Most episodes of the original nighttime run of the series were preserved on black-and-white kinescope, along with a few color videotape episodes.[5] Only a handful of shows remain from the CBS daytime series' first three years because of the then-common practice of wiping videotapes and reusing them due to tight storage space and even tighter budgets. Many daytime episodes (including some in color) from 1966 to 1968 exist, including the color finale.
Reruns of the black-and-white kinescopes were running on the Buzzr channel as of late April 2016.[6]
1969–1978, syndication[edit]
To Tell the Truth returned only a year later, in autumn of 1969, in first-run syndication. During the early years of its run, the syndicated Truth became a highly rated component of stations's early-evening schedules after the Federal Communications Commission imposed the Prime Time Access Rule in 1971,[7] opening up at least a half hour (a full hour, usually, on Eastern Time Zone stations) to fill with non-network fare between either the local or network evening newscast and the start of the network's prime-time schedule for the evening.[7] Other stations found success running the program in place of a daytime network game or soap opera, or in the afternoon "fringe" time period between the end of network daytime programming at 4:30/3:30 Central and the evening newscasts. This edition of the show was again based at the New York CBS-TV Studio 50 until 1971, when it moved to NBC Studio 6-A in Rockefeller Center.
Each wrong vote in this version was worth $50 to the challengers; "complete stumps" of the entire panel won the challengers a total of $500. There were two "games" per episode, and there was often a live demonstration or video to illustrate the central character's story after many of the games.
The show was first released to local stations on September 8, 1969. A total of 1,715 episodes of this version were produced, with the series ending on September 7, 1978. Some markets that added the series after its 1969 release opted to carry the show for another season or two in order to catch up on the episodes that had not aired in their viewing area.
To host the revival series, Goodson and Todman made a call to original host Bud Collyer.[8] But they had mis-timed their request, as Collyer had been suffering from a series of health issues that caused his death shortly thereafter, and he told the producers, "I'm just not up to it." [8] The next call they made was to Garry Moore, the former host of I've Got a Secret. Although he had retired from television a few years earlier following the cancellation of his eponymous TV show, Moore decided the time was right to return and he accepted the offer to host the new series.[9] Regular panelists included Orson Bean during the first year, Peggy Cass, Kitty Carlisle and Bill Cullen, who was also the designated substitute host whenever necessary. Many regulars from the original run appeared, including Tom Poston and Bert Convy.
In late 1976, during the eighth season, Moore was diagnosed with throat cancer[9] and left for the remainder of the season to deal with his illness. As he had done numerous times before, Bill Cullen became his replacement. As Cullen's time as host continued on, Mark Goodson noted how Cullen's serving as host, rather than as a panelist, hurt the chemistry he had shared with Cass and Carlisle.[citation needed]} Gil Fates, "What's My Line?", 1978| A decision was made to have Cullen return to being a permanent panelist and give semi-regular panelist Joe Garagiola the hosting position. Garagiola stated that he was "pinch-hitting" for Moore, who returned to the series for a farewell performance on the ninth-season premiere in 1977. Moore explained why he had left the program, then after presiding over one last game announced his final retirement from television and handed the host position to Garagiola permanently. To Tell the Truth ended production at the end of the season.
Johnny Olson stayed with To Tell the Truth when it moved to syndication. He left in 1972, when he moved to Los Angeles to announce the Goodson-Todman revivals of The Price Is Right and I've Got a Secret. NBC staff announcer Bill Wendell replaced Olson from 1972–77, with Alan Kalter taking over during the final season. Don Pardo, also an NBC staff announcer, served as backup announcer to Wendell and Kalter.
To Tell the Truth used three distinctive sets throughout its nine-year syndicated run. The first, designed by Theodore Cooper and dubbed by some as the "psychedelic" set, was used for the first two seasons and the first four weeks of the third; with one man on the door.[10] The second set was a toned-down set, with two additional men added on the door, and it was used from the fifth week of the third season through the first 30 weeks of the fourth. The third—and longest-lived—set, which Cooper also designed, was a blue-hued, gold-accented, block-motif set. This set was used for the remainder of the run.[11] The show was the only edition of Truth to feature a theme song with lyrics. The theme was written and composed by Score Productions chief Robert A. Israel and Truth producer Paul Alter, along with veteran theme composer Charles Fox. The bulk of this version is intact. However, the current status of the first season is unknown, and is presumed to be lost to wiping. GSN has never rerun the first season of the show, and had always begun with the second season. One episode from the first season exists in the UCLA Television and Film Archive.
1980–1981, syndication[edit]
On September 8, 1980, a new To Tell the Truth series premiered in syndication. The new series was recorded at the same studio at NBC's Rockefeller Center complex that the previous series had, and Canadian TV personality Robin Ward served as the host, with Alan Kalter returning as announcer. A new theme and set were commissioned for this edition of Truth. Even though previous regulars Bill Cullen, Peggy Cass, and Kitty Carlisle made frequent appearances, there was no regular panel for this edition. The new Truth aired for one season in syndication, but it never recaptured the popularity of the original, and aired its final episode on September 11, 1981.
Two games were played, and each wrong vote paid the challengers $100; $500 was paid if the entire panel had been fooled. No consolation prize was given if the entire panel correctly identified the subject.
After the second game, a new game called "One on One" was played with the four impostors from earlier. One fact had been purposely withheld from the panel about one of the impostors and it was up to the panelists to determine correctly to which of the impostors it applied. One at a time, each panelist would be given twenty seconds to question the impostor sitting directly across from them and would then say whether he/she believed the fact applied to that impostor. Wrong votes still paid $100 with $500 paid if the panel did not correctly determine to whom the fact pertained.
The 1980 edition of To Tell the Truth was a rarity in that it was still based in New York while nearly all television game show production had moved to California. Both To Tell the Truth and The $50,000 Pyramid were the last two broadcast television game shows to emanate from New York until Who Wants to Be a Millionaire? came to television for the first time in 1999 and taped at the ABC Television Center in Lincoln Square. Millionaire continued to tape in New York until 2013. New York tapings for game shows were then used in 2016 for two ABC primetime game show revivals, Match Game and The $100,000 Pyramid.
1990–1991, NBC[edit]
To Tell the Truth returned to a major broadcast network for a run that lasted just nine months from September 3, 1990 to May 31, 1991. After spending many years originating from New York, the show originated for the first time from California at NBC's Burbank studio complex. The show's theme music was an orchestral remix of the 1969–78 theme (minus the lyrics), and the show utilized the block-letter logo from 1973–78. All episodes of this series exist and have aired on GSN in reruns.
The show's two pilot episodes were hosted by actor Richard Kline with Charlie O'Donnell as announcer, and one of these was accidentally aired on September 3, 1990 in the Eastern Time Zone markets. When the show first made it to air, A Current Affair reporter Gordon Elliott hosted it, with Burton Richardson announcing and O'Donnell serving as his substitute. After eight weeks, a dispute with Elliott's former employers in Australia forced him off American television altogether temporarily, and he was replaced with then-frequent panelist Lynn Swann. Swann, in turn, left due to his own conflicts, as he was a reporter for ABC Sports at the time (ABC Sports not only was carrying Super Bowl XXV at the end of that season; but also with the National Football League expanding the playoff field from 10 teams to the current 12; ABC would have a doubleheader on Saturdays for the first two wild-card games), and Alex Trebek was brought in to be the permanent host. Trebek missed two episodes due to his wife going into labor during a taping and Mark Goodson filled in for him. When Trebek took the position on To Tell the Truth, he was already hosting Classic Concentration on NBC and Jeopardy! in syndication.[12]
The celebrity panelists for To Tell the Truth during this period included several of the '70s panel stalwarts, including Kitty Carlisle, who appeared on a majority of the shows, taking the fourth and most upstage seat. The first seat, furthest downstage, saw Ron Masak and Orson Bean alternate on the panel for 34 of the 39 weeks the series was on air. The chair next to that was occupied by rotating guests, although voice actress Dana Hill appeared in the seat most often. The third chair most often featured David Niven Jr. as a panelist, although Masak and Bean would also sit there if both were to appear on the same program. Polly Bergen and Peggy Cass, who began appearing on the original series, would appear from time to time, and other frequent panelists included Vicki Lawrence, Cindy Adams, and Betty White. The panelists were introduced in twos, with the male panelists escorting the female panelists down the staircase, followed by the host. For one week, Monty Hall (who would later replace Bob Hilton as a permanent guest host on the 1990 version of Let's Make a Deal), sat in the first seat.
Two games were played with two sets of impostors. Any incorrect votes up to two paid $1,000. If three of the panelists had voted incorrectly, the players split $1,500. On the pilot, each incorrect vote earned $500. If the panel was fooled entirely, the players split $3,000.
After the second game, a new version of the "One on One" game from the 1980 series was played. A seventh civilian player was brought out with two stories, and a member of the studio audience was given an opportunity to win money by trying to figure out which of the two stories was true. Each panelist was given the opportunity to ask the contestant one question for each story, and after both stories had been presented the audience member chose which one he/she thought was the truth. After the choice was made, the contestant revealed the right answer and if the audience member came up with it, he/she won $500. If the contestant stumped the audience member, that player won $1,000.
Occasionally, celebrities whose faces were not well known would attempt to stump the audience during this part of the game. For example, Hank Ketcham, the creator of Dennis the Menace and a challenger on the original To Tell the Truth in May 1962, tried during one episode to convince an audience member that he was really the songwriter to "Rudolph the Red-Nosed Reindeer" (Johnny Marks had actually done this), but was unsuccessful in doing so.
2000–2002, syndication[edit]
The show then had a two-year run in syndication, starting in 2000, with John O'Hurley hosting, and Burton Richardson returning as the announcer. The series was again produced at NBC Studios in Burbank, California. Gary Stockdale supplied the music for this edition. In most markets, it was paired up with Family Feud, which was then hosted by Louie Anderson; O'Hurley would eventually host Feud from 2006 to 2010.
Actor Meshach Taylor was the only regular to appear on every episode of this edition, while Paula Poundstone was a regular during the first season. Panelists appearing in at least 6 weeks of episodes included Brooke Burns, Dave Coulier, Brad Sherwood, Traci Bingham, Kim Coles, and Cindy Margolis. The show's website touted Coles and Burns as regulars for season two in place of Poundstone, though neither panelist was featured in every show that year. Kitty Carlisle appeared as a panelist for one episode in the first season, making her the only panelist to have appeared on all incarnations of this show to that point. It was Carlisle's final appearance in the franchise, due to her death in 2007.
This edition of To Tell the Truth brought back the audience vote that the original series had last used. Their vote was revealed after the panel had cast their votes, just before O'Hurley asked for the subject to identify themself. Each incorrect vote paid $1,000, with a maximum of $5,000 available if the challengers managed to completely fool both the panel and the audience. (A tie in the audience vote or panel disqualification counted as a wrong vote, as they had in previous versions.) In the first several weeks of shows, a game that resulted in five incorrect votes was worth $10,000 for the challengers.
According to Steve Beverly's tvgameshows.net, this edition of Truth never received a rating higher than 1.8. It was cancelled on January 28, 2002, only 96 episodes into its second season. However, repeats continued to air through March 15, 2002. All episodes of this series exist and have aired on GSN in reruns.
2016–present, ABC[edit]
ABC ordered six episodes of the show, hosted by Anthony Anderson, which taped in July 2015 and began airing on ABC on June 14, 2016.[13] Anderson is the second African-American host of the franchise; the first was Lynn Swann in the short-lived NBC daytime version from 1990. The first season featured three regular panelists: Betty White, NeNe Leakes and Jalen Rose.[14] White would then gain the distinction of appearing on all three broadcast network versions of the show.[not in citation given] Guest panelists included Tracee Ellis Ross, Iliza Shlesinger, Mike Tyson, Brooks Wheelan, Yvette Nicole Brown, and Daymond John.[15] The 2016 version also included a house band, Cheche and His Band of Liars, as well as Doris Day Bowman, Anderson's mother, as the "scorekeeper."[14]
The 2016 version of the show departed from prior versions in a number of ways: Episodes lasted 60 minutes rather than 30 minutes. Contestants did not always claim to have the same name; some introduced themselves solely by claiming the central character's story. The questioning period was not split distinctly among the panelists, and Anderson and Bowman occasionally participated in the questioning. Once in each episode, the two impostors from a round participated in "Before You Go," a second round in which one was the central character and the other was again an impostor.[citation needed] Many episodes ended with a stunt performed by one of the central characters.[14] The panelists received one point for correctly identifying central characters, except in the final round, for which two points were awarded. While no mention was made of financial compensation for the impostors or the central characters, the losing panelist (in the event of a tie, Bowman chooses the loser) was subjected to "Tweet a Lie," in which the host would post an embarrassing tweet to that panelist's Twitter account, which they could not delete for the next 24 hours.
On August 4, 2016, ABC announced it had renewed the show for a second season.[16] The second season debuted January 1, 2017. The house band and regular panelists was eliminated (although Rose still made occasional appearances); Bowman still appeared on each episode.[17] The second season resumed, with new episodes, beginning June 21, 2017.
Starting with the September 11, 2017 episode, the scoring system changed from 1/2 points per round to 10/20, and the losing panelist became the subject of a "Fake News" story read by Anderson (replacing "Tweet a Lie"). Also starting with this episode, Anderson took over announcing duties and the set was given some updates.
ABC announced that the show would air on Sundays in its 2017 fall schedule, but later delayed the show to the summer 2018 schedule.[18] New celebrity panelists included Mel Brooks and 1990-91 series host Trebek, who returns to the show as a panelist, the first former host to appear on a subsequent version as a panelist. (Two former hosts had appeared on the same run of that series as panelists.)
Merchandise[edit]
A board game was released by Lowell in 1957.
During the run of the 2000 version, a single-player online game was offered by the short-lived website Uproar.com, and promoted by John O'Hurley at the end of each episode.
A video slot machine game, based on the 1969 version, was released to American casinos nationwide by Bally Gaming Systems in 2002.
International versions[edit]
Country
Name
Host(s)
TV station
Premiere
Finale
Australia Tell the Truth George Foster Nine Network 1959 1965
Mike Williamson
Earle Bailey Network Ten 1971 1972
Canada (in English) To Tell the Truth Don Cameron CTV 1962 1964
Germany Sag die Wahrheit
("Tell the Truth") Guido Baumann
Hans Sachs
Wolf Mittler
Hans Stotz
Bernd Stephan
Gerd Rubenbauer
Michael Antwerpes ARD 1959 1971
Bayerischer Rundfunk 1986 1995
SWR 2003 present
Greece Betty Livanou YENED 1972 present
Indonesia To Tell the Truth Andhika Pratama Metro TV 2018 present
Italy La verità
("The Truth") Marco Balestri Canale 5 1990 1991
Rete 4 1991 1995
Netherlands Wie van de Drie
("Which of the Three") Nand Baert
Pim Jacobs
Herman Emmink
Flip van der Schalie
Fred Oster
Caroline Tensen
Rob van Hulst
Jos Kuijer
Joop Braakhekke
Ron Brandsteder AVRO 1963 1985
RTL4 1991 1991
AVRO 1994 1997
Omroep MAX 2010 2013
Norway På ære og samvittighet
(of Honor) Kari Borg Mannsåker
Gunnar Haarberg NRK 1958 1962
1970 1970
1986 1986
Thailand สาบานว่าพูดจริง ("Sworn Truth")
To Tell the Truth Sunya Kunakon ONE 2016 2017
Turkey Üç Yalancı (Three Liars) Cenk Koray
Olcay Poyraz
Üstün Savcı
Göktay Alpman TRT 1970s 1970s
Channel 1
Ukraine Самозванці
Samozvantsi
("Imposters") Anton Lirnyk ICTV 2011 2012
United Kingdom Tell the Truth McDonald Hobley ITV September 17, 1957 September 6, 1961
David Jacobs
Shaw Taylor
Graeme Garden Channel 4 April 17, 1983 November 22, 1985
Fred Dinenage ITV April 11, 1989 October 26, 1990
Notes[edit]
Jump up ^ http://www.americanradiohistory.com/hd2/Archive-BC-IDX/69-OCR/1969-03-17-BC-OCR-Page-0041.pdf#search=%22firestone%20truth%22
Jump up ^ http://www.americanradiohistory.com/hd2/Archive-BC-IDX/80-OCR/1980-03-31-BC-OCR-Page-0033.pdf#search=%22to%20tell%20the%20truth%22
Jump up ^ "Image #9 - The David Schwartz Collection". Retrieved 21 April 2016.
Jump up ^ "Book Search:Watching TV: Four Decades of American Television". Google Books.
Jump up ^ "The G-T Big 4: To Tell the Truth (CBS Nighttime)" Retrieved 3 July 2007
Jump up ^ "Monty Hall makes 'Deal' for classic games". USA TODAY. 1 June 2015. Retrieved 21 April 2016.
^ Jump up to: a b "Prime Time Access Rule" Retrieved 24 September 2007
^ Jump up to: a b Soap Opera Digest: January 1977
^ Jump up to: a b "Garry Moore, 78, the Cheery Host Of Long-Running TV Series, Dies". New York Times. 1993-11-29. Retrieved 2007-12-18.
Jump up ^ "To Tell The Truth episode guide (1971–72)". Archived from the original on February 24, 2006. Retrieved 2017-06-19. CS1 maint: BOT: original-url status unknown (link)
Jump up ^ "The result of the sliding doors are similar to the sliding doors on The Price is Right. To Tell The Truth episode guide (1972–73)". Archived from the original on February 24, 2006. Retrieved 2017-06-19. CS1 maint: BOT: original-url status unknown (link)
Jump up ^ Baber, David. "A new show, an unexpected event". Television Game Show Hosts: Biographies of 32 Stars. pp. 266–267.
Jump up ^ "Breaking News - ABC Announces Its 2016 Summer Primetime Schedule". thefutoncritic.com. Retrieved 2016-04-28.
^ Jump up to: a b c Kissell, Rick (July 1, 2015). "ABC to Revive 'To Tell the Truth' as Comedic Game/Variety Show". Variety. Retrieved July 2, 2015.
Jump up ^ "Shows A–Z – to tell the truth on abc". The Futon Critic. Retrieved June 7, 2016.
Jump up ^ Andreeva, Nellie (August 4, 2016). "ABC Renews All Four Game Shows". Deadline Hollywood. Retrieved August 5, 2016.
Jump up ^ Davis, Alex (November 17, 2016). "Match Game and To Tell the Truth to Return In January". Buzzerblog.com. Retrieved November 17, 2016.
Jump up ^ "ABC's 2017-2018 Fall TV Lineup: Everything You Need to Know". TVGuide.com. 2017-05-12. Retrieved 2017-06-02.
External links[edit]
To Tell the Truth @ pearsontv.com
To Tell the Truth (O'Hurley era) site
To Tell the Truth (Anderson era) site
To Tell the Truth on the Web offers a look at the various versions over the years. It also contains an episode guide for the 1990-91 and 2000-02 series.
To Tell the Truth (1956–68) on IMDb
To Tell the Truth (1969–78) on IMDb
To Tell the Truth (1980–81) on IMDb
To Tell the Truth (1990–91) on IMDb
To Tell the Truth (2000–2002) on IMDb
To Tell the Truth (2016–) on IMDb
To Tell the Truth at The Interviews: An Oral History of Television
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100 episodes
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In the U.S. television industry, 100 episodes is the traditional threshold for a television series to become viable for syndication.[1][2][3] One hundred episodes are advantageous for stripped syndication because it allows for 20 weeks of weekday reruns (depending on the number of episodes produced once the program debuts in syndication) without repeating an episode, and such shows can be sold for higher per episode pricing.[4]
It is unclear when conventional wisdom came to decide that 100 episodes was the ideal. One of the first series made specifically for syndication, the 1953-55 sitcom Life with Elizabeth, purposely ended its run after only 65 episodes, concerned that producing more would saturate the market and reduce the syndication package's value.[5] In recent years, the minimum number of episodes for off-network, stripped syndication has been set at 88 (typically four seasons of 22 episodes), although some programs have been relatively successful in syndication with fewer episodes.
Contents
[hide]
1 Successes
2 Disappointments
3 Niche genres
3.1 Game shows
3.2 Cartoons and children's programming
3.3 Reality television
4 References
Successes[edit]
Syndication is often a profitable enterprise because series can be rerun for years after they end production. Shows of limited profitability during their first run will still prove to be viable to the production company if they can last 100 episodes. This point is usually reached during a series' fifth season.
Examples of per-season number of episodes
for some highly rated programs
Decade
Program
Episodes
1950s I Love Lucy 31 (1952–53)
The Jack Benny Program 16 (1955–56)
1960s The Beverly Hillbillies 36 (1963–64)
The Andy Griffith Show 30 (1966–67)
1970s All in the Family 24 (1974–75)
Happy Days 26 (1978–79)
1980s Dallas 30 (1983–84)
The Cosby Show 25 (1986–87)
1990s Cheers 26 (1990–91)
Seinfeld 24 (1994–95)
2000s CSI: Crime Scene Investigation 23 (2003–04)
The Mentalist 23 (2008–09)
2010s Person of Interest 22–23 (2012–13)
Shows that have produced fewer episodes have become syndication successes, in some cases prompting additional episodes to be commissioned specifically for syndication to reach the 100-episode mark. WKRP in Cincinnati was a major success in syndication despite having only produced 90 episodes,[6] eventually prompting 47 additional episodes to be produced a decade after the original ended. The Monkees, a show that lasted only 58 episodes and two seasons, went on to be rerun extensively in the decades that followed. The Honeymooners was a series spun off in 1955-56 from sketches of the same name that aired on The Jackie Gleason Show, an hour-long variety program (1952–55). While only 39 episodes of The Honeymooners were produced, there were enough Honeymooners sketches from The Jackie Gleason Show (which ran again in the 1956-57 season and would be revived in the 1960s) to compile a syndication package with over 100 episodes.[7] Mama's Family was put into syndication despite having only 35 episodes at the time of its cancellation; the surprise success of the show in syndication prompted the syndicator to rush the show back into production, which led to an additional 95 episodes over four seasons in first-run syndication.[8][9]
More recently, Clueless had reasonable success in syndication, especially on cable,[10] even though only 62 episodes had been produced by the time the series ended in 1999. Chappelle's Show entered syndication despite only producing 33 episodes, five of which were clip shows. Series which have entered the public domain, such as Dusty's Trail, Meet Corliss Archer and Life with Elizabeth are sometimes aired regardless of the number of episodes because there is no licensing fee.
Dramas, which do not require daily runs, have also had success in syndication with shorter runs. For example, Lost in Space ceased production in 1968 after 84 episodes because of declining ratings,[11][12] but did well in syndication for a number of years. The original Star Trek series had only 79 episodes available when its network run ended in 1969, but after its considerable success in syndication, it spawned multiple feature films and five spin-off series. Other examples include The Prisoner and Hondo, both successfully syndicated for more than 30 years[citation needed] despite having only 17 episodes produced. The original 1978 series Battlestar Galactica and its spin-off Galactica 1980 produced a combined 34 episodes, yet it not only remains in syndication but it also led to a 2003 reimagining that lasted for 75 episodes. In 2014, AMC released The Walking Dead for reruns on MyNetworkTV after 51 episodes had aired; that series was still in production at the time, and MyNetworkTV airs its shows once a week instead of in a daily strip.
The growth of cable and satellite television has prompted channels to rerun series more often, with fewer episodes. Reruns of a particular show may air multiple times a day, several days a week, despite having only one or two seasons of episodes produced.
In recent years, the 100-episode milestone for syndication has been lowered to 88 episodes, which is typically reached after four seasons. Shows approaching the 88-episode target are often renewed despite low ratings in order to ensure syndication. Production companies can offer discounts on licensing fees to networks to encourage renewal.[4] Shows that are approaching the 88-episode syndication milestone while suffering from poor ratings are often moved to graveyard slots on Friday or Saturday in order to burn off remaining episodes.
An extreme example of a show renewed primarily for syndication purposes was 'Til Death. ’Til Death was pulled from Fox's lineup just seven episodes into its third season, after it had fallen out of the top 100 in the primetime ratings.[13] Cancellation seemed imminent, but ’Til Death was renewed for a fourth season after Sony Pictures Entertainment offered Fox a discount on the licensing fee. Unaired episodes from the third season were broadcast alongside fourth season episodes from October 2009 through June 2010 (a total of 37 episodes), including four new episodes airing in a Christmas Day "marathon" and two new episodes being scheduled against Super Bowl XLIV with the knowledge that these episodes would have minuscule ratings. The overlapped seasons led to some comical confusion, because three different actresses played the part of Allison Stark during this span of episodes.[14][15][16] The show eventually reached 81 episodes,[17][18] and debuted in off-network syndication in the fall of 2011.[19][20]
Disappointments[edit]
Reaching the 100-episode milestone does not guarantee successful syndication, even for sitcoms. December Bride was an early example: highly rated during its original broadcast run, it bombed in syndication. Michael Dann, who scheduled December Bride during its network run, soon realized that this was because the show had been picking up ratings from its lead-in, I Love Lucy. Becker, for instance, ran for 129 episodes and had high first-run ratings for four of its six seasons, yet was only briefly released to broadcast stations in syndication before a move to HDNet, which took many broadcast programs in the late 1990s and early-to-mid 2000s which did not reach 100 episodes early in its history mainly because they were among the first produced in high-definition television; Universal HD pursued the same programming strategy (Becker would return to a wider audience when Antenna TV picked up the series in 2017). Yes, Dear (122 episodes) and Grace Under Fire (112 episodes) also never made any significant impact in local syndication, though Yes, Dear has become a fixture on the schedules of both Nick @ Nite and TBS, while Grace Under Fire was a minor success in building the viewership of Oxygen, which was co-owned by Grace producer Carsey-Werner-Mandabach in its early years. Another successful first-run show to fare poorly in syndication is Night Court (193 episodes). The series Empty Nest (170 episodes) though having a seven year run in syndication from 1993 to 2000 on both superstations TBS and WGN, was not run in syndication on American television for over a decade. Returning briefly to The Hallmark Channel in 2011 and then to Laff in 2015. Hangin' with Mr. Cooper (101 episodes) has aired sporadically in syndication since it first started airing in off-network syndication in 1996.
There are also cases, such as Mad About You (164 episodes) and Newsradio (97 episodes),[citation needed] where a series was expected to do well in syndication but ended up with disappointing ratings and revenue. Reasons include dated references in early seasons, or plotlines in later seasons that fall flat, causing the series to end up being defined by that one plot line or season rather than as a whole, changing the audience's perception.
It also occasionally occurs that a marginally performing show that is approaching the syndication threshold will be canceled because the show is not expected to perform well enough in syndication to make it worth the first-run production cost. Such was the case with 8 Simple Rules, a sitcom that lasted three seasons and 76 episodes. ABC thought that the show's change of direction partway through the series (forced by the sudden death of the show's star, John Ritter) would make the show less palatable for syndication. The network declined to renew the series for a fourth season, which would have produced the remaining 24 episodes to make syndication otherwise viable. 8 Simple Rules would eventually be internally syndicated by Disney-ABC Domestic Television to ABC Family as well as to The WB and The CW for their "Daytime" block. Another example was the marginally-performing 1990s sitcom Anything But Love; in an unusual case, it was the 20th Century Fox (the production company), and not the network (ABC), who pulled the plug on the show in 1992 after 56 episodes, having calculated that the show would not get renewed for a fifth season and would be unprofitable in first-run syndication.
Niche genres[edit]
The 100-episode threshold is generally applied solely to scripted prime time programming, since sitcoms and dramas are the most prevalent in syndicated reruns. Other programming may follow different patterns.
Game shows[edit]
On rare occasions, game shows have been rerun on broadcast television. Despite having very high output as far as numbers of episodes (a typical 13-week run of even an unsuccessful game show yielded 65 episodes), most networks instead opted to recycle the tapes of those shows, as it was reasoned at the time as a more profitable practice than trying to sell reruns of daytime programming. The practice of rerunning some of the most popular game shows in syndication was rare, but not unheard of, in the 1970s and 1980s; Gambit was rerun in 1978 and Match Game was rerun in syndication in 1985.
With the advent of cable channels, rerunning game shows has become more common; for instance, Merv Griffin's Crosswords, which lasted one season and 225 episodes in syndication during the 2007-08 season, has been continuously rerun from that point onward, either in syndication or on current channel RTV. GSN has rerun several game shows that ran less than 100 episodes, including Greed (44 episodes), Dog Eat Dog (26 episodes), Power of 10 (18 episodes), and perhaps the most extreme case, Million Dollar Password, which ran for only 12 episodes. Even among shows with hundreds (and even thousands) of episodes, since the early 2010s, GSN typically has only acquired the rights to 50 to 65 episodes at a time for most series.[21]
Cartoons and children's programming[edit]
Rerunning children's programming generally requires fewer episodes than programming for adults. For most children's series, reruns are aired for a short period of time after the series finishes production, then are replaced. For weekly series, this practice dates to at least the 1960s, when Saturday morning cartoons would, after the end of their 13-week run, begin rerunning continuously for about a year until being replaced by the next show, either new or archival. During the 1970s, 22 episodes was typically the number a producer sought in order for an animated program to be rerun beyond its first year.[22] After several years, once the previous generation of children outgrew the show, it could be reintroduced for the next younger generation by airing reruns. For shows that are rerun daily, the time span is usually on the order of months.
"In 1985, when Robotech was first broadcast, there was a minimum 65-episode requirement for daily strip syndication."[23]
Reality television[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2013) (Learn how and when to remove this template message)
Syndication thresholds for reality television vary widely depending on the subgenre of the program.
Reality series that are self-contained and originally aired on network television, such as Fear Factor, America's Funniest Home Videos, Wipeout and Cops, typically follow similar patterns to other network series in that once such a show reaches 100 episodes, it can (and often is) sold into syndication, albeit typically at a price somewhat lower than scripted programming, and can be aired daily.
Annual and semi-annual contests have been a relative failure in syndication;[citation needed] although these shows typically draw very high ratings in their first runs and produce a number of episodes on par with (if not exceeding) scripted programs, the cast changeovers each season, the serial format that requires stations broadcast the episodes in sequential order, combined with the loss of the element of surprise and the lack of media buzz that drives many popular reality shows' first-run ratings means that shows like Survivor and Dancing with the Stars garner little interest in reruns, especially when traditionally stripped as scripted series are. Cable networks may play such programs by the season in marathons, a strategy that has seen mixed success; both Survivor on OLN and Dancing with the Stars on GSN ended up not going further than their first run in syndication on those individual networks, while America's Next Top Model has had a consistent afterlife in cable reruns airing in this manner.
Another issue in syndicating a reality series is licensing; shows that rely heavily on music, a format popular in the late 2000s and early 2010s, require that the music used in the show be licensed, which discourages the rerunning of the show. American Idol Rewind, which repackaged the first five seasons of the popular reality contest American Idol, ran for four seasons in syndication, with one of the five seasons being compressed into three half-hour episodes because of problems securing rights to the music for that season.
References[edit]
Jump up ^ Barry Garron (March 29, 2006). "Anatomy of a hit: George Lopez". Hollywood Reporter. HollywoodReporter.com. Retrieved August 24, 2008.
Jump up ^ John Dempsey (September 14, 2003). "Cablers raise syndie stakes". Variety. Retrieved August 24, 2008.
Jump up ^ Michael Schneider (July 6, 2004). "Duo 'Standing' tall in 20th deal". Variety. Retrieved August 24, 2008.
^ Jump up to: a b Robert Seidman (May 14, 2011). "Bubble Watch Season Finale: On Fringe, Chuck, and V One More Time". TV by the Numbers. Retrieved May 16, 2011. What's so magical about 88 episodes? The prevailing Hollywood mindset is that 88 episodes is the minimum number of episodes necessary to be able to 'strip' a show in syndication, i.e., run it Monday–Friday at the same time. All shows, regardless of number of episodes can be sold into syndication, but shows that can be stripped can command higher per-episode pricing. The magic number for being able to strip a show in syndication used to be 100 but at least for the last few years it has been 88.
Jump up ^ Tucker, David C. (2007). The Women Who Made Television Funny: Ten Stars of 1950s Sitcoms. McFarland. p. 164. ISBN 0-786-48732-1.
Jump up ^ WKRP in Cincinnati TV.com Show Summary, retrieved 05-21-2013.
Jump up ^ [1] TV.com -- The Jackie Gleason Show.
Jump up ^ "Vicki Lawrence". Archive of American Television. Retrieved 11 May 2015.
Jump up ^ Lyman, Dorothy. "Mama Knows Best: A Mama's Family Cast Reunion". Mama's Family The Complete 4th Season DVD (Interview). Interview with Mama's Family The Complete 4th Season DVD.
Jump up ^ "TeenNick (Creator) - TV Tropes". tvtropes.org.
Jump up ^ Lost in Space Forever, DVD, Twentieth Century Fox, 1998.
Jump up ^ "Galaxy Beings Maveric Lions: The History of TVs Lost in Space". galaxybeingsmavericlions.blogspot.com.
Jump up ^ ABC Medianet (May 27, 2009). "Season Rankings". ABC Medianet. Archived from the original on August 11, 2009. Retrieved August 7, 2009.
Jump up ^ Fox Broadcasting. " 'Til Death Fact Sheet" Archived July 22, 2012, at the Wayback Machine.. FoxFlash.com. Press release. Retrieved March 8, 2010.
Jump up ^ Longsdorf, Amy (January 24, 2010) "Kate Micucci: 'Really exciting things are starting to happen'" The Morning Call. Retrieved March 8, 2010. Archived September 4, 2010, at WebCite
Jump up ^ Fox Broadcasting. (March 2010) "Primetime Schedule Mar 7-13". FoxFlash.com. Press release. Retrieved March 28, 2010. Archived September 4, 2010, at WebCite
Jump up ^ Schneider, Michael (23 March 2010). "Fox finally finds a way to kill "'Til Death"". Variety. Retrieved 2013-03-26.
Jump up ^ "Nobody's watching: The strange genius of the fourth season of 'Til Death". avclub.com.
Jump up ^ "WGN America Fall 2011 Schedule; MeTV Network Celebrates Lucille Ball's 100th Birthday With 100 Episodes of Lucy Series - SitcomsOnline.com News Blog". sitcomsonline.com.
Jump up ^ "Spike TV Fall 2011 Schedule Adds 2 Sitcoms; TCA Summer 2011 Press Tour: Cable - SitcomsOnline.com News Blog". sitcomsonline.com.
Jump up ^ Davis, Alex. GSN Refreshes Classics Lineup with New "Press Your Luck", "Password", "Match Game", and "Sale of the Century". Retrieved March 24, 2013.
Jump up ^ Williams, Barry; Chris Kreski (1992). Growing Up Brady: I was a Teenage Greg. Good Guy Entertainment. p. 300. ISBN 0-9673785-0-8.
Jump up ^ Fredale, Jennifer Ph.D. (2008) "The rhetorics of context: An ethics of belonging" University of Arizona
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text:
Adriatico Street
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Adriatico Street
Length
2.2 km (1.4 mi)
Location
Manila
North end
Padre Faura Street in Ermita
Major
junctions
Pedro Gil Street
Quirino Avenue
South end
Pablo Ocampo Street in Malate
Adriatico Street is a north-south road connecting Ermita and Malate districts in Manila, Philippines. Its northern terminus begins at Padre Faura Street in Ermita carrying southbound traffic all the way to Quirino Avenue in Malate. South of Quirino, the street becomes two way with a wide median running down the center from just past the Manila Zoo up to its southern terminus at Pablo Ocampo Street.
Adriatico is known primarily for its restaurants and bars centered on the area around Remedios Circle between Nakpil and Remedios Streets, considered the center of bohemian night life in the city.[1]
The street was named in 1964 after Macario Adriatico, a Filipino parliamentarian and author of Manila's city charter. It was formerly known as Dakota Avenue, after the U.S. states of North and South Dakota.[2]
Landmarks[edit]
Remedios Circle
Bistro Remedios
Cafe Adriatico
Cafe Havana
Century Park Hotel
Harrison Plaza
Malate Pensionne
Manila Zoo
Midland Plaza Hotel
Ninoy Aquino Stadium
Pan Pacific Hotel Manila
Paraiso ng Batang Maynila (Malate)
Remedios Circle
Rizal Memorial Stadium
Robinsons Adriatico Residences
Robinsons Place Manila
References[edit]
Jump up ^ Malate's Cafes, a Walk on the Bohemian Side of Manila published by the New York Times; accessed 2013-10-08.
Jump up ^ Macario G. Adriatico (1869-1919) Archived 2013-12-20 at the Wayback Machine. published by the National Historical Commission of the Philippines; accessed 2013-10-08.
show
v
t
e
Road infrastructure in Metro Manila
Expressway routes
E1/AH26
North Luzon Expressway
E2/AH26
Skyway
South Luzon Expressway
Muntinlupa–Cavite Expressway
E3
Manila–Cavite Expressway
E5
North Luzon Expressway (Mindanao Avenue to Valenzuela)
E6
NAIA Expressway
Highway routes
Primary roads
N1(AH26)
MacArthur Highway
Epifanio de los Santos Avenue
Maharlika Highway
Route 11
Carlos P. Garcia Avenue
Katipunan Avenue
Route 59
Aurora Boulevard
Marikina–Infanta Highway
Sumulong Highway
Route 60
Ortigas Avenue
Route 61
Roxas Boulevard
Route 62
Elpidio Quirino Avenue
Diego Cera Avenue
Aguinaldo Highway
Route 63
Dr. A. Santos Avenue
Secondary roads
Route 118
Maysan Road
Route 120
Samson Road
C-4 Road
Marcos Road
Bonifacio Drive
Roxas Boulevard
Route 127
Quirino Highway
Route 128
Mindanao Avenue
Route 129
Congressional Avenue
Luzon Avenue
Route 130
C-3 Road
5th Avenue
Sergeant Rivera Street
Gregorio Araneta Avenue
Route 140
C-2 Road
Tayuman Street
Lacson Avenue
Quirino Avenue
Route 141
Tomas Claudio Street
Victorino Mapa Street
P. Sanchez Street
Shaw Boulevard
Pasig Boulevard
Route 142
Route 143
Route 144
Route 145
Segment 1: Recto Avenue
Segment 2: Osmeña Highway
Route 150
Padre Burgos Avenue
Rizal Avenue
Route 151
Abad Santos Avenue
Route 156
Quirino Avenue Extension
United Nations Avenue
Route 157
Padre Faura Street
Route 160
Andres Bonifacio Avenue
Route 161
Blumentritt Road
Route 162
Dimasalang Street
Route 170
Commonwealth Avenue
Elliptical Road
Quezon Avenue
España Boulevard
Lerma Street
Quezon Boulevard
Taft Avenue
Route 171
Segment 1: West Avenue
Segment 2: Tramo Street
Route 172
Timog Avenue
Route 173
North Avenue
Route 174
East Avenue
Route 175
University Avenue
Route 180
Ayala Boulevard
P. Casal Street
Legarda Street
Magsaysay Boulevard
Aurora Boulevard
Route 181
San Marcelino Street
Route 182
Romualdez Street
Route 184
Gilmore Avenue
Granada Street
Ortigas Avenue
Route 185
Bonny Serrano Avenue
Route 190
Gil Puyat Avenue
Kalayaan Avenue
Route 191
Kalayaan Flyover
Route 192
Andrews Avenue
Route 193
Domestic Road
Route 194
NAIA Road
Route 195
Ninoy Aquino Avenue
Route 411
Alabang–Zapote Road
Circumferential and radial routes
C-1
C-2
C-3
C-4
C-5
C-6
R-1
R-2
R-3
R-4
R-5
R-6
R-7
R-8
R-9
R-10
Major interchanges
Balintawak Interchange
C-5–Kalayaan Interchange
C-5–Ortigas Interchange
Estrella Flyover
Kalayaan Flyover
Magallanes Interchange
Nagtahan Interchange
Ortigas Interchange
Sales Interchange
Smart Connect Interchange
Bridges
Ayala Bridge
Binondo–Intramuros Bridge
Estrella–Pantaleon Bridge
Guadalupe Bridge
Jones Bridge
Mabini Bridge
MacArthur Bridge
Marcos Bridge
Otis Bridge
Quezon Bridge
San Juan River Bridge
Zapote Bridge
Roundabouts
11th World Scout Jamboree Memorial Rotonda
Agrifina Circle
Anda Circle
Burgos Circle
Elliptical Road
Maysilo Circle
Monumento
Philippines–Thailand Friendship Circle
Remedios Circle
Welcome Rotonda
Planned
Laguna Lakeshore Expressway Dike
Metro Manila Skybridge
North Luzon East Expressway
Pasig River Expressway
R-7 Expressway
Southeast Metro Manila Expressway
Under construction
Metro Manila Skyway Stage 3
North Luzon Expressway Segment 10
show
Streets of Metro Manila
Capital District
Abad Santos Avenue
Adriatico Street
Blumentritt Road
Andres Bonifacio Avenue (Quezon City)
Bonifacio Drive
Del Pilar Street
Escolta Street
España Boulevard
Hidalgo Street
Jose Laurel Street
Kalaw Avenue
Lacson Avenue
Legarda Street
Magsaysay Boulevard
Marcos Road
Mendiola Street
Pablo Ocampo Street
Padre Burgos Avenue
Padre Faura Street
Pedro Gil Street
Pureza Street
Quezon Boulevard
Quirino Avenue
Ramon Papa Street
Recto Avenue
Rizal Avenue
Roxas Boulevard
Taft Avenue
Tayuman Street
Tomas Claudio Street
United Nations Avenue
Victorino Mapa Street
Zobel Roxas Street
Eastern Manila District
ADB Avenue
Andres Bonifacio Avenue (Marikina)
Anonas Street
Aurora Boulevard
Balete Drive
Batasan Road
Batasan–San Mateo Road
Betty Go-Belmonte Street
Boni Avenue
Bonny Serrano Avenue
Commonwealth Avenue
Congressional Avenue
East Avenue
Elliptical Road
Gilmore Avenue
Granada Street
Gregorio Araneta Avenue
Juan Ruiz Street
Julia Vargas Avenue
Kamuning Road
Katipunan Avenue
Maysilo Circle
Meralco Avenue
Mindanao Avenue
North Avenue
Ortigas Avenue
Pioneer Street
Quezon Avenue
Regalado Highway
Roosevelt Avenue
San Miguel Avenue
Shaw Boulevard
Timog Avenue
Tomas Morato Avenue
West Avenue
Southern Manila District
Alabang–Zapote Road
Amorsolo Street
Andrews Avenue
Arnaiz Avenue
Ayala Avenue
Chino Roces Avenue
Daang Hari Road
Diego Cera Avenue
Domestic Road
Doña Soledad Avenue
Dr. Santos Avenue
Elpidio Quirino Avenue
Estrella Street
Gil Puyat Avenue
Harrison Avenue
J.P. Rizal Avenue
Jose Diokno Boulevard
Kalayaan Avenue
Lawton Avenue
Macapagal Boulevard
Makati Avenue
McKinley Road
NAIA Road
Nicanor Garcia Street
Ninoy Aquino Avenue
Paseo de Roxas
South Avenue
Tramo Street
CAMANAVA District
Maysan Road
North Bay Boulevard
Paterio Aquino Avenue
Samson Road
Coordinates: 14°34′8″N 120°59′12″E / 14.56889°N 120.98667°E / 14.56889; 120.98667
Retrieved from "https://en.wikipedia.org/w/index.php?title=Adriatico_Street&oldid=787732801"
Categories:
Streets in Manila
Restaurant districts and streets in the Philippines
Malate, Manila
Ermita
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In other projects
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This page was last edited on 27 June 2017, at 06:48 (UTC).
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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